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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1972


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3467 Post No. : 13919

“Sultaana Daaku”(1972) was produced by A V Mohan and directed by Mohammad Hussain for Sangam Films. The movie had Dara Singh, Randhawa, Helen, Shaminder, Ajit, Bhagwan, Hiralal, Padma Khanna, Saudagar Singh, Sham Kumar, Kamal Mehra(guest artiste), D K Sapru, Mumtaz Begum, Daljit, Habib, Sanjid, Shefali, Vishwas Kunte, Sabir, Gulab Singh, Dhanraj, Aazam, Inderpal, Satnam Singh, M Ali, Aravind Kumar, Uma Dutt, Nazir Kashmiri, Master Chikkoo etc in it.

The movie had four songs in it. One song from the movie has been covered in the past.

Today (14 january 2018) is the 99th birth anniversary of Kaifi Azmi (14 january 1919-10 may 2002). On this occasion, here is a song from “Sultaana Daaku”(1972). This song is sung by Asha Bhonsle. Kaifi Azmi is the lyricist. Music is composed by Madan Mohaan.

The song is picturised as a mujra song on Padma Khanna, with Dara Singh, Habib and Bhagwan also visible.

Lyrics of this song were sent to me by Prakashchandra (long long ago).


Song-Toone dil mera churaaya hai bhari mehfil mein (Sultana Daaku)(1972) Singer-Asha Bhonsle, Lyrics-Kaifi Azmi, MD-Madan Mohan

Lyrics (Provided by Prakashchandra)

Toone dil meraa churaayaa hai
bhari mehfil mein
toone dil meraa churaayaa hai
bhari mehfil mein
kaisa deewaanaa banaayaa hai
bhari mehfil mein
kaisa deewaanaa banaayaa hai
bhari mehfil mein
toone dil meraa churaayaa hai
bhari mehfil mein
toone dil meraa

aake baithhe hain mohabbat ke talabgaar kayee ee ee ee ee ee
aake baithhe hain mohabbat ke talabgaar kayee
hain yahaan husn-o-jawaani ke khareedaar kayee
hain yahaan husn-o-jawaani ke khareedaar kayee
maine dil tujhse ae ae ae ae ae ae ae ae
maine dil tujhse lagaayaa hai
bhari mehfil mein
toone dil meraa churaayaa hai
bhari mehfil mein
toone dil meraa

daag aayegaa toh aayegaa
mere daaman pe ae ae ae ae ae ae
daag aayegaa toh aayegaa
mere daaman pe
tujhpe qurbaan chhuri pher de tu garden pe
tujhpe qurbaan chhuri pher de tu garden pe
dekh sar maine
ae ae ae ae ae ae ae ae
dekh sar maine jhukaayaa hai bhari mehfil mein
toone dil meraa churaayaa hai bhari mehfil mein
toone dil meraa

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3460 Post No. : 13886

Hindi movie songs of the golden era tended to have certain standard son situations. The lyricists were asked to provide lyrics for those situations. And it must be said that the lyricists often managed to do some value additions of their own even in these routine song situations.

Take mujra songs for instance. Almost every Hindi movie of those days tended to have a mujra song situation. This blog itself has as many as 207 mujra songs as of now. And quite a few of these songs have ended up becoming memorable songs.

“Joru Ka Ghulam”(1972) was a “social” movie which was directed by A Bhim Singh for United Four, Bombay. The movie had Nanda, Rajesh Khanna, Om Prakash, Sharad Kumar, Maneesha, Achla Sachdev, Kedar Sahgal, Ramesh Deo, Gurnaam, Mridula, Jayshree T, Narbada Shankar, Kabeer, Moolchand etc with guest appearances by Komal, Manmohan Krishn, Nana Palsikar and Ifthikar.

The movie had five songs in it. Four of these songs (every song being of a separate genre) have been covered in the blog.

Here is the fifth and final song from the movie. And this song happens to be a mujra song. It is sung by Lata. Anand Bakshi is the lyricist. Music is composed by Kalyanji Anandji.

Anand Bakshi has come up with interesting lyrics for this mujra song. The song is picturised on Jayshree T and Ramesh Deo plays her customer in the kotha.

I had never heard this song before and I must say that I liked this song right from the very firdst time that i heard it, which was today, some 46 years after this song was released. 🙂

With this song, “Joru Ka Ghulam”(1972) joins the list of movies that have all their songs covered in the blog.


Song-Jaam par jaam peene se kya faaydaa (Joru Ka Ghulaam)(1972) Singer-Lata, Lyrics-Anand Bakshi, MD-Kalyanji Anandji

Lyrics

aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa

jaam par jaam peene se kya faayda
jaam par jaam peene se kya faayda
raat bhar pi subah tak utar jaayegi
raat bhar pi subah tak utar jaayegi
meri nazron se do ghoont pi le agar
ho pi le pi le agar
meri nazron se do ghoont pi le agar
umr saari nashe mein guzar jaayegi
umr sari nashe mein guzar jaayegi
jaam par jaam peene se kya faayda
jaam par jaam peene se kya faayda

aa aa aa
aa aa aa
meri mehfil mein aaya hai to baith ja
uthh ke mehfil se jaane ki koshish na kar
meri mehfil mein aaya hai to baithh ja
uthh ke mehfil se jaane ki kosish na kar
uthh ke mehfil se jaane ki koshish na kar
ab yahaan se hai mushqil
aa aa aa
ab yahaan se hai mushqil teri waapsi
ab yahaan se teri bas khaber jaayegi
ab yahaan se teri bas khaber jayegi
jaam par jaam peene se kya faayda

raat bhar pi subah tak utar jaayegi
raat bhar pi subah tak utar jaayegi
meri nazron se do ghoont pi le agar
ho pi le pi le agar
meri nazron se do ghoont pi le agar
umr saari nashe mein guzar jaayegi
umr saari nashe mein guzar jaayegi
jaam par jaam peene se kya faayda


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3457 Post No. : 13865

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet #60 # Missing RD Burman movies of 1971-1980
—————————————————————————————————-

 Today 4th January is the twenty third ‘Remembrance Day’ (27th June’1939- 04th January’1994) of the ‘versatile genius’ RD Burman or our beloved Pancham Da. On this occasion here is a song from the movie ‘Rani Mera Naam’ from  1972.

The film was directed by KSR Das for ‘Balkrishna Movies, Madras’. It had Vijaylalita, Premnath, Ajit, Madan Puri, Anwar Hussain, Iftikhaar, Natrajan, Jagdeep, Jayshree T, Faryal and Baby Sridevi. Vinod Mehra did a special appearance in this movie. Nazir Hussain, Sulochana, Pandari Bai made guest appearances while Ashok Kumar and Om Prakash made friendly appearances in this movie.

This movie has four songs penned by Majrooh Sultanpuri and composed by RD Burman. There are three solos of Asha Bhonsle, and one duet song sung by Asha Bhonsle and Manna Dey.

This movie was passed by Censor Board on 19.04.1972. By introducing this movie on the blog, we are adding one more of RD Burman’s missing movies from 1971-1980 on the blog.

As it happens with me while introducing a new movie on the blog, this time also, I was in dilemma about the song to be shared first. Finally, I decided to go by the first song in the movie as listed in HFGK. This song is picturized on Faryal – the yesteryears’ actress who has performed many dances including many cabarets in those days.The video link also gives her date of birth which is 3rd November 1945, which matches with her date of birth an mentioned on the anniversary page of the blog.

I am not aware much about her personal life. I remember watching her in many movies of the seventies. I would request knowledgeable readers to throw more light about the actress and her movies and on the songs of this movie ‘Rani Mera Naam’. I am reproducing below the information about her as available and taken from Wikipedia. The page is available here

 

Faryal (born 3 November 1945 in Syria) is an Indian film actress and dancer of mixed Indian and Arabic descent working in Hindi films. She was a popular Bollywood cabaret dancer and actress in the 1960s and 70’s.

Faryal was born in the Damascus area of Syria on 3 November 1945 to an Indian father and a Syrian mother. She completed her education at Loretto Convent, Simla, Cathedral High School and St. Xavier’s College, Bombay. Faryal worked for a while as an air hostess in Air India before joining films. She is a product of the ‘Filma­Iaya School of Acting’.

Faryal entered Bollywood in 1965 in the black-n-white movie ‘Zindagi aur Maut’, as a lead role opposite Pradeep Kumar. This film contained famous song “Dil Laga Kar Hum Ye Samjhe” sung solo by Asha Bhonsle and Mahender Kapoor. Both these songs are available on YouTube. Faryal was liked by people and resulted in her getting lead role in film ‘Biradari’ (1966) opposite Shashi Kapoor. The movie was a total flop. She was noted for her role as a cabaret dancer in the movie ‘Jewel Thief’ released in 1967. After the movie’s release, offers started pouring in. In an interview in 1973, Faryal stated that “Ever since Goldie cast me in that glamorous dancer’s role in Je­wel Thief,  film makers have looked upon me as an “excel­lent cabaret dancer”.” Whereas in reality I have never learnt dancing,” “I don’t even like dancing; I rather hate it”. At first afraid of being typecast, Faryal was reluctant to accept the numerous offers that she received soon after the release of Jewel Thief. But gradually she realized that if she refused the roles there were ten others ready to replace her. And now the bath tub scene in ‘Apradh’ released in 1972 had given me an even worse image”. Faryal retired from movies in 1984 after her performance as the girlfriend of Jeetendra in ‘Gold Medal’.

 Let us now enjoy the song under discussion …

 


Song – Andhera. . . Aur Kuchh Nahin Teri Kahaani Mein (Rani Mera Naam) (1972) Singer – Asha Bhosle, Lyrics – Majrooh Sultanpuri, MD – RD Burman

Lyrics

andheraa aa
andheraa
andheraa
andheraa aa
aur kuchh nahin teri kahaani mein
aa aa
ho sake to
pyaar ki
aag hi lagaa le
zindgaani mein

aa
andheraa aa
andheraa
andheraa
andheraa aa
aur kuchh nahin teri kahaani mein
aa aa
ho sake to pyaar ki aag hi lagaa le
zindgaani mein

tu ru oo ru tu ru ru tu
ru ru tu ru ru tu
ru ru tu ru ru tu
ru ru

ru ru oo
ru tu ru ru tu
ru ru tu ru ru tu
ru ru tu ru ru tu
ru ru oo hoo oo

jab to mazaa hai
tere liye koyi bharti hon aahen
kahin khoyi khoyi
aye jeena nahin
jeena akele ae
marna nahin
marna akele
samjhe jaaneman
jab to mazaa hai
tere liye koyi bharti hon aahen
kahin khoyi khoyi
ye bhi na ho to
kya rahaa jawaani mein
andheraa aa
andheraa aa
aur kuchh nahin teri kahaani mein
aa aa
ho sake ae
to
pyaar ki
arey aag hi lagaa le
zindgaani mein

koyi nahin to aa
o mere baanke
rakh le mujh hi ko dil se lagaa ke
ae ae
chaahe isme tu bhi jal jaa
tere tan se
mil mil jaaye
jwaalaa aa saa badan
koyi nahin to aa
o mere baanke
rakh le mujh hi ko dil se lagaa ke
kar le koi ujaala zindgaani mein
andheraa aa
andheraa
andheraa
andheraa
andheraa
aur kuchh nahin teri kahaani mein
aa aa
ho sake to pyaar ki
arey aag hi lagaa le
zindgaani mein
———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

अँधेरा आ
अँधेरा
अँधेरा
अँधेरा आ
और कुछ नहीं तेरी कहानी में
आ आ
हो सके तो
प्यार कि
आग ही लगा ले
जिंदगानी में

अँधेरा आ
अँधेरा
अँधेरा
अँधेरा आ
और कुछ नहीं तेरी कहानी में
आ आ
हो सके तो
प्यार कि
आग ही लगा ले
जिंदगानी में
तू रु ऊ रु तू रु रु तू
रु रु तू रु रु तू
रु रु तू रु रु तू
रु रु
रु रु ऊ
रु तू रु रु तू
रु रु तू रु रु तू
रु रु तू रु रु तू
रु रु ऊ हूँ ऊ
जब तो मज़ा है
तेरे लिए कोई भरती हों आहें
कहीं खोयी खोयी
ए जीना नहीं
जीना अकेले ए
मरना नहीं
मरना अकेले
समझे जानेमन
जब तो मज़ा है
तेरे लिए कोई भरती हों आहें
कहीं खोयी खोयी
ये भी ना हो तो
क्या रहा जवानी में
अँधेरा आ
अँधेरा आ
और कुछ नहीं तेरी कहानी में
आ आ
हो सके तो
प्यार कि
अरे आग ही लगा ले
जिंदगानी में

कोई नहीं तो आ
ओ मेरे बांके
रख ले मुझ ही को दिल से लगा के
ए ए
चाहे इसमें तू भी जल जा
तेरे तन से
मिल मिल जाए
ज्वाला आ सा बदन
कोई नहीं तो आ
ओ मेरे बांके
रख ले मुझ ही को दिल से लगा के
कर ले कोई उजाला जिंदगानी में
अँधेरा आ
अँधेरा
अँधेरा
अँधेरा
अँधेरा
और कुछ नहीं तेरी कहानी में
आ आ
हो सके तो
प्यार कि
अरे आग ही लगा ले
जिंदगानी में


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Just five days ago, I’d written a post here paying tribute to one of the most loved legends of the Hindi film industry, Mohammad Rafi, on his birth anniversary. Referred to by many (including me) as Rafisaab, he was a giant in his field. Yet  he remained humble to his last day, never letting success get to his head. He treated everyone with great respect and, in turn, earned the respect of everyone he interacted with.

Today we pay tribute to another legend of the industry on his birth anniversary. Also a superstar in his own right, albeit for a relatively short period of time, he was possibly the best antithesis of Rafisaab in terms of letting success get to his head, treating everyone with great respect, and in turn, earning respect of everyone he interacted with. Thus his career, and his life, turned out to be very different from Rafisaab’s. Everyone goes through ups and downs in his career – and both this person and Rafisaab are not exceptions to this phenomenon.

Yet, even in his “downs”, there were those who stood by Rafisaab. The goodwill he had earned earlier stood him in good stead. On the other hand though, this other legendary person was not so lucky. His airs and rather dismissive (to use the most charitable term I can think of) treatment of others during his heyday, came back to haunt him when he was on his way down.  He hadn’t built enough goodwill, his relationships were damaged – this only hastened his downfall. Although he made a somewhat modest recovery later, and even admitted to his earlier mistakes, his image as an arrogant, even mean and vindictive, person stayed till his last day.

This world can be so unforgiving.

By now, I’m sure everyone knows who I am talking about. The one-time superstar of Hindi cinema, the one who at one time could deliver a superhit even if the main character in his film was an elephant, the one whose mere smile and slight shake of the head had audiences in a swoon, the one who set off a rage of buttoned-up silk kurtas as a fashion trend – yes, I am talking about Rajesh Khanna.

He would have been 75 today if he’d been alive. But he didn’t live to even see 70 – he died in 2012, when still just 69. Although he’d been ailing for a while, news of his death still shocked me – I wrote a blogpost on the occasion on my blog, in tribute to him.

See, here’s the thing. I don’t, for one moment, defend Rajesh Khanna for all his wrongdoings, his arrogance, any charges that anyone might level against him. If true, he must rightly be called out for them.  So  if anyone is trying to troll me by pointing out his failings (this happens sometimes) and expecting me to defend Rajesh Khanna, it won’t work – I will probably wholeheartedly agree with them. I am not living in denial about his misdeeds.

Yet, I can also not deny that Rajesh Khanna’s films provided me with a lot of entertainment and fun in my childhood days, of which I still have very fond memories. It just so happened that his superstar days coincided almost exactly with the time that I was watching Hindi films as a young boy. I have a sort of attachment towards him that is hard to explain –  considering everything else. It of course need not have been so. Atul too is of my era – and he has no such attachment.  Fair enough. I happen to have it – and even now, I sometimes watch videos of Rajesh Khanna songs of that 1969-1973 period, and get transported to that period.

I distinctly remember watching him then in songs like “Gussa Itna Haseen Hai  To Pyar Kaisa Hoga” (‘Maryada’), “Yahaan Wahaan Saare Jahaan Mein Tera Raaj Hai” (‘Aan Milo Sajna’), “Ye Jo Mohabbat Hai”, “Ye Shaam Mastaani”, and “Pyaar Deewaana Hota Hai” (all three from ‘Kati Patang’ – one of my favourite films at the time),  “Rona Kabhi Nahin Rona” (‘Apna Desh’), “Vaada Tera Vaada” (‘Dushman’), “O Mere Dil Ke Chain” (‘Mere Jeevan Saathi’)  and many more songs – and enjoying these songs and his mannerisms a lot.

I was very young then – and initially thought he was singing these songs himself. 🙂 When I was told he was only the actor in front of the camera and that someone else (in this case, Kishore Kumar) was the singer, I remember being a bit disappointed. But that did not take away from the enjoyment of the songs, or his mannerisms, or the films. Later on, when his mannerisms became forced and began to jar, the long hair (which was a fashion at the time)  made him look less appealing to me, and the quality of films too began dropping, the charm wore off, not only for India’s masses, but also for me. (After all, I also belonged to those masses).

But for the memories of those few early years, I have always had a soft corner for Rajesh Khanna. That sideways tilt of the head, that dialogue delivery (check out the dialogue just before the song “Daanton Taley Dabaa Kar Honth” from ‘Doli’ – the video is available on YouTube – and you will know what I mean). These are the memories of him I always keep with me. I have not watched many of his later films – maybe because I want to keep his 1969-73 image in my mind and not  a 1985 one. Having said that, I’ve heard that some of his 1980s films are worth a watch – so I think I will give them a try.

So, to summarise, yes, Rajesh Khanna had a lot of faults – more than probably any other actor. But he also had a meteoric rise that no other actor had – and , while he need not have let success get to his head – he was also only human. Sometimes maybe you do need extremes to make a point.

Maybe it is examples like Rafisaab (or probably for a more modern generation, Rahul Dravid) and Rajesh Khanna that can be held up for youngsters. When you achieve success, make sure you don’t lose your head. Make sure you follow the Rafisaab (or Dravid) example, not the Rajesh Khanna one. I don’t think Rajesh Khanna himself would mind this. Much later in life, he did realize his mistakes – and warned other youngsters not to fall prey to their own success. A lesson learnt the hard way.

Coming to the song for today. As always with Rajesh Khanna songs, I prefer to roll back the years and  go back to the Rajesh Khanna of 1969-73. The film si ‘Joru Ka Ghulaam’ (1972) – one of the films I distinctly remember from my childhood days. It is not one of Rajesh’s biggest hits, but I remember quite liking the film when I saw it. One of its songs,  “Nainon Mein, Nindiya Hai”, was very popular in its time. But the other songs were also fairly well-known, as was not uncommon for songs from Rajesh Khanna films at the time.

The song is “Baras Gayi Re Taras Gayi Re”. I had marked this song for a write-up the last time I wrote about Rajesh Khanna, but at the last minute, I decided to go with “O Monalisa” from ‘Dil Daulat Duniya’. I was a bit surprised to find that this song was still available for posting – so here goes.

The lyrics have been provided by Avinashji, who, as everyone knows is a big Rajesh Khanna fan. Even bigger than I am. So when I decided to write this up, he immediately offered to provide the lyrics. I gladly accepted. Thank you, Avinashji.

Hope you enjoy this song. It is written by Anand Bakshi and composed by Kalyanji-Anandji.

 


Song – Baras Gayi Re Taras Gayi Re (Joru Ka Ghulam) (1972) Singer – Kishore Kumar, Lyrics – Anand Bakshi, MD – Kalyanji Anandji

Lyrics (Provided by Avinash Scrapwala)

hmm mm
arey oo oo oo
ho o o o 

baras gayi re taras gayi re

baras gayi re taras gayi re
tere daras ko najariya ho
tere daras ko najariya
baras gayi re taras gayi
o uparwaale
sun uparwaale ae
o uparwaale
ham niche waalon ki
kab tu lega
khabariyaa
khabariyaa
baras gayi re taras gayi re
tere daras ko najariya
ho o tere daras ko najariyaa
haan

hamne bahot ki hai teri sewa..aa
hamne bahot ki hai teri sewa
jaane milega ab kab hamko mewa
aasha niraasha mein tere bhagat ki..ee
aasha niraasha mein tere bhagat ki
beet na jaaye umariyaa
umariyaa
baras gayi re taras gayi re
tere daras ko najariyaa
ho o tere daras ko najariyaa
ho

tan bhi hai pyaasa
mann bhi hai bhookhaa
tan bhi hai pyaasa
mann bhi hai bhookhaa
neelkanth ka kanth bhi sookha
barsegaa saawan takraayegi kab 
barsegaa saawan takraayegi kab
parvat se ayike badariyaa
badariyaa
baras gayi re, taras gayi re
tere daras ko najariya
ho o tere daras ko najariyaa
haan

niche main jaagoon
upar tu soye
niche main jaagoon
upar tu soye
kaise milan tera mera hoye
bairi jagat raste mein padaa hai ae he
bairi jagat raste mein padaa hai
rok ke hamri dagariyaa
dagariyaa
baras gayi re taras gayi re
tere daras ko najariya
ho o tere daras ko najariyaa
o uparwaale
ham niche waalon ki
kab tu lega
khabariyaa
khabariyaa
baras gayi re taras gayi re
tere daras ko najariya
ho o tere daras ko najariyaa
haan
———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

हम्म म्म
अरे ओ  ओ ओ
हो ओ ओ ओ

बरस गयी रे तरस गयी रे ए
बरस गयी रे तरस गयी रे
तेरे दरस को नज़रिया
तेरे दरस को नज़रिया आ
ओ उपरवाले
सुन उपरवाले ए
ओ उपरवाले
हम निचे वालों कि
कब तू लेगा
खबरिया
खबरिया
बरस गयी रे तरस गयी रे
तेरे दरस को नज़रिया
हो ओ तेरे दरस को नज़रिया
हाँ आ

हमने बहोत की है तेरी सेवा आ
हमने बहोत की है तेरी सेवा आ
जाने मिलेगा अब कब हमको मेवा
आशा निराशा में तेरे भगत कि ई
आशा निराशा में तेरे भगत कि
बीत न जाए उमरिया
उमरिया
बरस गयी रे तरस गयी रे
तेरे दरस को नज़रिया
हो ओ तेरे दरस को नज़रिया
हो

तन भी है प्यासा
मन भी हैं भूखा
तन भी है प्यासा
मन भी हैं भूखा
नीलकंठ का कंठ भी सूखा
बरसेगा सावन टकराएगी कब अ ह
बरसेगा सावन टकराएगी कब
पर्वत से अईके बदरिया
बदरिया
बरस गयी रे तरस गयी रे
तेरे दरस को नज़रिया
हो ओ तेरे दरस को नज़रिया
हाँ

निचे मैं जागूँ
ऊपर तू सोये ए
निचे मैं जागूँ
ऊपर तू सोये ए
कैसे मिलन तेरा मेरा होए
बैरी जगत रस्ते में पडा है ए हे
बैरी जगत रस्ते में पडा है
रोक के हमरी डगरिया
डगरिया
बरस गयी रे तरस गयी रे
तेरे दरस को नज़रिया
हो ओ तेरे दरस को नज़रिया
ओ उपरवाले
हम निचे वालों कि
कब तू लेगा
खबरिया
खबरिया
बरस गयी रे तरस गयी रे
तेरे दरस को नज़रिया
हो ओ तेरे दरस को नज़रिया
हाँ


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Yesterday (24 december 2017) was Rafi’s birth anniversary and today (25 december 2017), apart from being Christmas, is the birth anniversary of Naushad.

We in the blog try to combine such anniversaries and discuss songs that such artists may have combined to create. And it goes without saying that the collaboration of Rafi and Naushad has been a long and fruitful one.

I counted each and every song that had the voice of Rafi and which was composed by Naushad. I found that the two were associated in 40 movies and 160 songs, beginning from “Pahle Aap”(1944) and ending with “Love and God” (1986).

Contributors may think that they have such a large number of Rafi-Naushad songs to chose from if they have to sent their guest articles, or lyrics, but that is not so.

All songs created by Rafi and Naushad beginning from “Pahle Aap”(1944) upto “Ganwaar”(1970) have already been covered in the blog. This 16 year span covers all the magnum opus that Naushad created (and utilised Rafi’s voice in them) viz. Pehle Aap , Anmol Ghadi, Shahjahaan, Mela, Andaaz, Chaandni Raat, Dillagi, Dulaari, Baabul, Daastaan, Deedaar, Jaadoo, Aan, Baiju Baawra, Deewaana, Amar, Shabaab, Udan Khatola, Mother India, Sohni Mahiwal, Kohinoor, Mughal e Azam, Ganga Jamuna, Son of India, Mere Mehboob, Leader, Dil Diya Dard Liya, Saaz Aur Aawaaz, Paalki, Ram aur Shyam, Aadmi, Sangharsh and Ganwaar have already been YIPPEED and so all Rafi songs in these movies have been covered as well.

In fact, 146 out of 160 songs created by the collaboration of Rafi and Naushad have already been covered in the blog.

By 1970, Naushad and his generation of oldtimer music directors were already upstaged by the new generation of music directors led by R D Burman. Naushad collaborated with Rafi in seven more movies during 1970s and 1980s. And it is in these movies that offer us the remaining Naushad compositions with Rafi’s voice.

Following are the movies that offer us the last remaining Rafi songs under Naushad’s baton.

Movie Year No of songs in the blog with Rafi No of songs in the movie with Rafi Remarks
Taangewaala 1972 1 4 The song under discussion in the writeup
My Friend 1974 1 4
Sunahra Sansaar 1975 0 1
Chambal Ki Raani 1979 0 1
Love and God 1986 1 6
Total 3 16 13 songs remaining

Peevesie’s mom discussed a Rafi-Naushad song from “Dharam Kaanta” (1982) and all Rafi songs of this movie thus got covered. So this movie just avoided getting figured in the table above.

The table above mentions that no Rafi songs from “Taangaawaala”(1972) has been covered. That was before the song under discussion. This song under discussion is a Rafi-Asha Bhonsle duet from “Taangewaala”(1972). the song is penned by Majrooh Sultanpuri. Music is composed by Naushad.

The song is picturised as a roadside tamasha song on Rajendra Kumar and Mumtaz. They are shown doing publicity for a movie called “Kaala Chor”. People who lived through that era will recall that movies that were being shown in the local movie halls were given street to street publicity. A man, fancying himself to be the local version of Ameen Sayani would announce about the movie seated on a cycle rickshaw. He would play songs as well (not necessarily from the movie being advertised). Kids were especially interested in the pamphlets of the movie that he would distribute among people.

The picturisation is a filmy version of those days of door to door publicity campaigns for movies. 🙂 This picturisation would certainly bring back fond memories for those who lived through that era. The lyrics by Majrooh Sultanpuri are truly outstanding.

With this song done and dusted, now just 13 more Rafi-Naushad songs are left to be covered before we raech what can be described as a mega YIPPEE landmark of all Rafi-Naushad songs getting covered in the blog.


Song-Do deewaane aaye ek tamaasha laaye (Taangewaala)(1972) Singers-Rafi, Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-Naushad

Lyrics

aao aao
aao aao
are aao aao
are aao aao
aao aao

do deewaane
aaye
ek tamaasha
laaye
dekho sau feesdi film ye
bole naache gaaye
kaho kya jhoothh baat hai
nahin
to bas phir dekho bhaalo
jawaani ke gun gaa lo
ho do deewaane
aaye
arre ek tamaasha
laaye
dekho sau feesdi film
ye bole naache gaaye
kaho kya jhoothh baat hai

nahin
to bas phir dekho bhalo
jawaani ke gun gaa lo

aao dekho pyaare
ye khel tumhen lalkaare
naam hai kaala chor
ye picture bhaaraat ki mashoor

laaraa loo
laaraa loo
arre
laaraa loo
laaraa loo
laaraa loo
dushman se wo fight
jo huliya kar de tight
are scene hazaaron ismein
maara maari se bharpoor
huntar kadke
paanch aane mein
ghoda bhadke
paanch aane mein
chhaati dhadke
paanch aane mein
dekho mere yaar jawaani khel ajab dikhlaaye
haa haa
do deewaane

aaye
arre ek tamasha
laaye
dekho sau feesdi film ye
bole naache gaaye
kaho kya jhoothh baat hai

nahin
to bas phir dekho bhaalo
jawani ke gun gaa lo

kismat unki phooti
ye picture jinse chhooti
biwi bachchon ko dikhla
aur tu bhi jaldi dekh
laara loo
laara loo
arre
laara loo
laara loo
laara loo
kaam mera samjhaana
phir peechhe na pachhtaana
touring talkie ke jaane mein
din hain bas do ek
aao dekho

paanch aane mein
aankhen senko
paanch aane mein
dil bhi phenko
paanch aane mein
jo mukhda parde par dekho
sapne mein bhi aaye

arre do deewaane
aaye
ek tamasha
laaye
dekho sau feesdi film ye bole naache gaaye
kaho kya jhoothh baat hai
nahin
to bas phir dekho bhalo
jawani ke gun gaa lo

Indian news reel

khel se pehle logon
duniya ki khabren dekho
dekho kaise sailaabon mein bahte hain ghar baar

kahin kaal
bhoochaal
arre laaraloo laaraloo laaraloo

kaise milta ration
ration ke oopar bhaashan
bhaashan jispe hoti hai
neta ki jai jai kaar

Paris London
paanch aane mein
Turkey German
paanch aane mein
chal Washington
paanch aane mein
dekh le apni aankh se koi chaand pe kaise jaaye
ho o
do deewaane aaye
ek tamaasha laaye
dekho sau feesdi film ye bole naache gaaye
kaho kya jhoothh baat hai
nahin
to bas phir dekho bhalo
jawaani ke gun gaa lo


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The month of ‘August’ holds a very special place in our hearts. We celebrate our Independence Day on the Fifteenth day of this month every year since 1947.

In 1942 the ‘Quit India Movement’ or the ‘Bharat Chhodo Andolan’ was launched on 8th August’1942 and Gandhi ji gave a call of ‘Do or Die’. Starting 9th Aug’1942 in the next few days the whole nation witnessed the greatest uprising against the British. Today (9 august 2017) is the 75th anniversary of that important date.
Read more on this topic…


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, the 18th of July 2017, is the 5th remembrance day of one of India’s most enigmatic and exasperating film stars. You don’t need to rack your brains too much to guess who I am talking about. It should be pretty obvious – is there anyone more loved, and at the same time, more derided than Rajesh Khanna, ever in the industry? A time was when he was worshipped by hundreds of thousands, and then a time came when the weight of the crown of being the self-styled superstar, became an annoying, nay, a highly dislike-able phenomenon.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Last of the Music Moguls. Not that there have not been more prolific artists and music directors after him. One can readily name a few – Anu Malik, AR Rahman, Ilayaraja. But me, personally speaking, will not put the follow on ‘champs’ in the same bracket. Something ended when he left us, twenty three years ago. Times were-a-changing even as the 1960s played itself out. And he himself was singularly instrumental in that transformation.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to everyone in Atuldom

Today 25th June 2017 is the 93rd birth anniversary of the legendary Madan Mohan.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all atulwaale

I am desperately trying to stop myself from writing anything in praise of Sunil Dutt (6 june 1929- 25 may 2005). I am trying to avoid writing anything that is already written here on the blog or anywhere else in the cyber world.
Read more on this topic…


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(© 2008 - 2018) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13900 song posts by now.

This blog is active and online for over 3400 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13959

Number of movies covered in the blog

Movies with all their songs covered =1055
Total Number of movies covered =3806

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Blog Start date: 19 july 2008

Active for more than 3450 days.

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