Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1972


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5172 Post No. : 17143

Today’s song is from the film Lalkaar-1972.

It is not common to see me writing on a film after 1970. I have been writing on old films since 2012 and have written more than 1100 posts so far on this Blog alone. But on a cursory look at my own figures, I find that I have written less posts on songs from films after 1970. It is certainly not because they are not good, but because my comfort zone is films before 1970, especially before 1960. The stats for my posts say that I wrote

Decade Number of posts for songs of that decade
1931-1940 152
1941-1950 438
1951-1960 419
1961-1970 46

The rest are for films after 1970 and NFS.

I have always maintained that “not all songs before 1970 are good and not all songs after 1970 are bad. There are good and bad songs in every decade “. The point is I do not listen to songs after 1970 much, as much as those before 1970. Nevertheless, for some really good and appealing songs, I did write on songs from later films ….even for a song of 2018 !

I have selected today’s song because it is a special song. It is the only song sung by Mala Sinha as a Playback singer, though it was shot on her in the film. In the true sense it may not be a ‘ playback song’, but certainly it was pre-recorded and she lip synched on it on the screen. It is a duet with Manhar (Udhas)-younger brother of the more famous singer Pankaj Udhas.

Mala Sinha was an educated, hard working actress. Though she worked with leading Banners and was Heroine to well known Heroes, she was never counted among the Class I Heroines of her Times. She worked with many newcomers, like Dharmendra etc. Her career spanned a long time but she never got a single Filmfare Award, though nominated 4 times.

Mala Sinha was born in a Bengali Nepalese Christian family in Calcutta,on 11-11-1936. Mala Sinha claimed herself to be of a Bengali descent Nepali many years ago in a T.V. interview. They named her Alda. Her friends at school used to tease her by calling her Dalda (a brand of vegetable oil), so she changed her name to Mala. In her childhood she learnt dancing and singing.

Although she was an approved singer of All India Radio, she has sung only one duet-with Manhar- in the film Lalkar-1972. But as a singer she has done stage shows in many languages from 1947 to 1975.

Mala started her career as a child artist in Bengali films Jai Vaishno Devi followed by Shri Krishan Leela, Jog Biyog and Dhooli. Noted Bengali director Ardhendu Bose saw her acting in a school play and took permission from her father to cast her as a heroine in his film Roshanara (1952)-Bangla film, her cinematic debut.

After acting in a couple of films in Calcutta, Mala had to go to Bombay for a Bengali film. There she met Geeta Bali, a noted Bollywood actress, who was charmed by her and introduced her to film director Kidar Sharma. It was Sharma who cast her as a heroine in his Rangeen Ratein-56. Her first Hindi film was Badshah-54 opposite Pradeep Kumar, then came Ekadashi-55, a mythological film. Both failed, but her lead role in Kishore Sahu’s Hamlet-54, paired opposite Pradeep Kumar, fetched her rave reviews in spite of it failing at the box office. Films like Lai Batti (ac­tor Balraj Sahni’s only directorial venture), Nausherwan-E-Adil where she starred as the fair maiden Marcia in Sohrab Modi’s romance about forbidden love and Phir Subah Hogi, which was direc­tor Ramesh Saigal’s adapta­tion of Dosteovsky’s Crime and Punishment established Mala Sinha’s reputation as a versatile actress who took the maximum career risks by accepting unconventional roles.

Mala was a singer of some repute and used to sing for All India Radio; she was not allowed to sing playback (even for herself) in the movies with the lone exception being 1972’s Lalkar. In the 1950s, she had a string of hits opposite Pradeep Kumar like Fashion -1957, Detective -1958, Duniya Na Mane-1959 though their first two ventures had failed. The films she did with Pradeep Kumar were men-oriented. In 1957, noted Bollywood actor and film director Guru Dutt (the husband of Geeta Dutt) cast Mala in his film Pyaasa-1957 in a role originally intended for Madhubala. Mala gave a memorable performance as the relatively unsympa­thetic part of an ambitious woman who chooses to marry a rich man (played by actor Rehman) and have a loveless marriage rather than a poor, unsuccessful poet and her impoverished lover (played by Guru Dutt) whom she ditches. Pyaasa remains to this day a classic in the history of Indian cinema and a turning point for Sinha.

After Pyaasa her major successes were Phir Subah Hogi-1958 and Yash Chopra’s directorial debutsDhool Ka Phool -1959 that elevated her into a major dramatic star. There was no looking back for Sinha then as she was part of many successful movies from 1958 to the early ’60s like Parvarish -1958, Ujala, Main Nashe Mein Hoon, Duniya Na Mane, Love Marriage -1959, Bewaqoof -1960, Maya -1961, Hariyali Aur Rasta and Dil Tera Deewana -1962, Anpadh, Bombay Ka Chor -1962. Critics believe her career best performance was in Bahurani -1963, Gumrah, Gehra Daag, Apne Huye Paraye and Jahan Ara. Apart from pairing with Pradeep Kumar, her pairing opposite Raaj Kumar, Rajendra Kumar,Biswajit and Manoj Kumar in women-oriented films were appreciated by audiences, with her films opposite Biswajitbeing the most popular. She did 10 films with Biswajit. In 2007, they won the Star Screen Lifetime Achievement Award, calling them on stage together giving due respect to their popularity as a pair who have tasted box office success.

The most remarkable feature of Mala Sinha was that most of her 1960s and 1970s hits were fueled by her own star power as much as the heroes and most of the time her role was more powerful than the hero. Though she was pitted opposite her seniors like Raj Kapoor, Dev Anand, Kishore Kumar, Pradeep Kumar and when she acted opposite the emerging stars from late 1950s like Shammi Kapoor, Rajendra Kumar and Raaj Kumar, she made sure her role was as good as theirs.

In 1966, Sinha went to Nepal to act in a Nepali film called Maitighar when the Nepali film industry was still in its infancy. This was the only Nepali film she did in her career. Her hero in the film was an estate owner called Chidambar Prasad Lohani. Soon after, Mala Sinha married C. P. Lohani with the blessings of her parents. From the beginning theirs was a long-distance marriage with Lohani based in Kathmandu to look after his business and Sinha living in Bombay with their daughter Pratibha. She continued acting after her marriage.

From 1974, she cut down on her assignments as the lead actresses. She accepted strong character roles in films like 36 Ghante -1974, Zindagi -1976, Karmayogi -1978, Be-Reham -1980, Harjaee -1981, Yeh Rishta Na Tootay, Babu (film) and Khel, which were popular.

In the early ’90s Madhuri Dixit was promoted as new Mala Sinha in magazines. But, after 1994, she completely withdrew from industry and has given very few public appearances. In Dhool Ka Phool and B.R. Chopra’s Gumrah, she played the first unwed mother and adulterous wife respectively in Hindi cinema. As she grew older, she gracefully moved on to doing character roles that befitted her age. She was last seen in Zid -1994. Though Mala evinced as much interest in her daughter Pratibha’s career as her father did in her career, she was unable to achieve the same success for her daughter.(adapted from nett4you and wiki).

Mala Sinha came from Calcutta to make a career in Bombay films. In Calcutta she worked in a Bilingual film ‘Chitrangada-54’ in Bangla and Hindi. In 54 again, she did her first film in Bombay, Badshah-54, then came Hamlet-54, Riyasat-55 and Ekadashi-55. In all she did 105 films.

In all her interviews, Mala Sinha always quoted “Rangeen Raten”-56 with Shammi Kapoor as her first film in Bombay. She was ashamed of revealing that in film Riyasat-55, her Hero was Mahipal and in film Ekadashi-55 it was Trilok Kapoor. She always hid this fact. There are many Heroines who want to hide their struggling days. For example,in the film “Professor”-62 Shammi Kapoor’s Heroine was Kalpana. Though touted as her first film, her first film was Pyar ki Jeet-62, opposite Mahipal- a fact which Kalpana always hid from everyone.

Similarly, A grade Heroine Meena Kumari also had done several Mythological and costume films before Baiju Bawra took her high up and above other Heroines. Films like Veer Ghatotkach-49, Shri Ganesh Mahima-50, Laxmi Narayan-51, Hanuman Paataal vijay-51 and Alladin aur Jadui Chirag-52 had Mahipal as her Hero. In her later years, she always hid her earlier film Heroes.

Even comedian Johnny Walker, who is supposed to have made a beginning with Baazi-51, had earlier worked in “The last message or Aakhri paigham”-49. However this fact is not told by anyone.

Not only actors, but even singers do this. They hesitate to say that they first sang for C grade films. Take the case of Sudha Malhotra, who used to declare Arzoo-50 as her first film, under Anil Biswas, but she never told that earlier she had sung 3 songs in film Aakhri paigham-49, under the baton of Abid Hussein Khan, composer.

It is very unfortunate that once the artiste becomes famous, he tends to forget his humble beginning with a less known film or a composer. This is because they are ashamed of it. I feel the blame also goes to people who take their interview, because the interview takers do not do proper homework. Many times they do not know anything and simply note down whatever is told by the artiste.

Film Lalkaar-1972 was made by Sagar Art International, Bombay. It was directed by Ramanand Sagar – who became world famous later for screening his record making epic TV serial Ramayana from 25-1-1987 to 31-7-1988. The music was by kalyanji-Anand ji ably assisted by Jaykumar Parte – who was their assistant for many years. Parte is practically unknown to most people. He was not only the most wanted arranger in the industry, but he had given music to 4 Hindi films and 1 Marathi film. The other assistant was Babla-their own younger brother and a well known musician. The third assistant was Frank Fernando – one of the pMD pair of Roy-Frank duo who gave music to only 1 film, Gogola-1966.

The cast of the film lalkaar-1972 was Rajendra Kumar, Mala Sinha, Dharmendra, Kumkum, Dara Singh, Dev Kumar, Ramesh Deo, Nazir Hussain and a long list of other actors. Today’s duet song is the only Hindi film song sung by Mala Sinha in her career. She makes Debut here and ALL her songs are now covered on the Blog, with this song !

Video (Partial)

Audio (Full)

Song- Mere Mehboob meri baat tumhen kya maaloom(Lalkaar)(1972) Singers-Manhar Udhas, Mala Sinha (Debut Song), Lyricist- Hasrat Jaipuri, MD- Kalyanji – Anandji (asstt. Jay Parte)

Lyrics

Mere mehboob
meri baat
tumhen kya aa maaloom
meri dhadkan
mere jazbaat
tumhen kya aa maaloom
meri nazron ke sawaalaat
tumhen kya maaloom
kaise kat’te hain ye din raat
tumhen kya aa maaloom

naam lekar kabhi ek bar pukaara hota
teri awaaz ka kuchh humko sahaara aa hota

meri khamoshi bhi awaaz diya karti hai
baat munh se nahin
nazron se hua karti hai
jhooth
yoon bhi hoti hai mulaakaat
tumhen kya maaloom
tumhi rahte ho mere saath
tumhen kya maaloom

tum mujhse baat kyun nahin karte
darta hu kahi tum naraj na ho jao
pyar kuch jurm nahi hai jo dara karte ho
raaz apne se chhupate ho
ye kya karte ho

lab pe aa jaye agar raaj to vo raaz nahin
tumse keh doon ye mere ishq ka andaaz nahin
ek deewaane ke haalaat
tumhen kya maaloom
tumne bhadka diye jazbaat
tumhen kya maaloom

mere mehboob meri baat
tumhen kya aa maaloom


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5171 Post No. : 17142

#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # # Missing Films of 1972-Kavi Sammelan -05#
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!! आप सभी को हिन्दी दिवस की हार्दिक शुभकामनाएँ !!!

Welcome all to this post of mine which is coming after a l-o-n-g gap. I was not sure this time also if I could be able to send this write-up. But thanks to ALL, I can now hope to share articles on regular basis as earlier. More about my long absence in the other future posts.

Coming back to the today’s post, which comes on a special occasion and that is the celebration of ‘Hindi Diwas’ today on 14th September.

Though I am not aware more of more details on this subject to write here today, I would like to add the following brief which I have gathered from the internet about this subject. (I hope readers will forgive me for my ‘ignorance’ on the details of this subject).

I am reproducing here the information given on internet about ‘Hindi Diwas’ which I have taken from ‘Wikipedia’

हिन्दी दिवस प्रत्येक वर्ष 14 सितम्बर को मनाया जाता है। प्रबुद्ध सोसाइटी के राष्ट्रीय अध्यक्ष डा. श्री प्रकाश बरनवाल का कहना है कि 14 सितम्बर 1949 को संविधान सभा ने यह निर्णय लिया कि हिन्दी केन्द्र सरकार की आधिकारिक भाषा होगी। क्योंकि भारत मे अधिकतर क्षेत्रों में ज्यादातर हिन्दी भाषा बोली जाती थी इसलिए हिन्दी को राजभाषा बनाने का निर्णय लिया और इसी निर्णय के महत्व को प्रतिपादित करने तथा हिन्दी को प्रत्येक क्षेत्र में प्रसारित करने के लिये वर्ष 1953 से पूरे भारत में 14 सितम्बर को प्रतिवर्ष हिन्दी-दिवस के रूप में मनाया जाता है। स्वतन्त्रता प्राप्ति के बाद हिन्दी को आधिकारिक भाषा के रूप में स्थापित करवाने के लिए काका कालेलकर, हजारीप्रसाद द्विवेदी, सेठ गोविन्ददास आदि साहित्यकारों को साथ लेकर व्यौहार राजेन्द्र सिंह ने अथक प्रयास किये।

If we search on ‘google’ about the most spoken languages of the world we get the following results which I am reproducing below.

The most spoken languages in the world
• English (1,132 million speakers)
• Mandarin (1,117 million speakers)
• Hindi (615 million speakers)
• Spanish (534 million speakers)
• French (280 million speakers)
• Arabic (274 million speakers)
• Russian (258 million speakers)
• Portuguese (234 million speakers)

Well, above is the brief only. There is a long history behind ‘celebrating Hindi Diwas’ and ‘celebrating it on 14th September.

I had been always longing to bring here songs which talk about our culture, traditions, folklores etc etc and I have presented few of them under the series ‘Desh Ki Mitti Ki Khushboo’. Similarly, every year whenever ‘Hindi Diwas’ is celebrated I was looking for a suitable song for this occasion. Earlier I had come across many ‘non-film songs’ on this subject. However, when I was looking for the songs from the ‘1972’ movie ‘Kavi Sammelan’ I came across the today’s song which talks about the greatness of ‘Hindi’ -‘Hindi Bhaasha’, and I am very happy to present this song on the blog today.

Today’s song or rather a ‘poem recitation’ is by Santosh Anand ji of his own poem.

‘jisne jan jan ke jeewan ka
roop taraashaa hai
meri bhaasha Hindi bhaasha
sab ki bhaasha hai’
,/em.…

I am sure that regular readers on the blog must be enjoying all the posts presented under this series of poems from this movie. Today’s presentation is the fifth ‘poem-post’ from this movie.

A brief about the movie ‘Kavi Sammelan-1972’ is given below.

‘Kavi Sammelan-1972’ was directed by Kedar Sharma for ‘Rajshri Productions Pvt Ltd’.
It was produced by Tarachand Badjatya.

Introduction of the poets on the dais was done by Ramrikh Manhar.

This movie was passed by Censor Board on 18.02.1972. Thus, this movie has now already completed its fifty years of release.

The footnote for this movie page in HFGK Vol-V (1971-1980) mentions that ‘Bharat ke shreshthhtam Kavi pehli baar ek saath rajat-pat par pesh kiye gaye thhe.’

Poems of following ‘poets’ are included in this movie.

Rashtrakavi Shri Ramdhari Singh ‘Dinkar’
Santosh Anand (mentioned as ‘Santoshanand’)
Kaka Hathrasi
Som Thakur
Bekal ‘Utsahi’
‘Neeraj’
Snehlata ‘Sneh’
Radheshyam ‘Pragalbh’
Shail Chaturvedi
Govind Vyas
Maya Devi
Nirbhay Hathrasi
Balkavi Bairaagi
Omprakash ‘Aaditya’
Manik Verma
Kedar Sharma
Gopal Prasad Vyas

(Addenda in HFGK Vol-V (1971-1980) for this movie mentions that there were two more creations by Vimlesh and Paras Bhramar in this movie.)

So far, we have enjoyed the poems recited by Maya Govind, Kaka Hathrasi, Gopal Das ‘Neeraj’ and Shail Chaturvedi in the earlier posts for the poems from this movie.

As mentioned above today’s poem is written and recited by Shri Santosh Anand.

Poet-lyricist Santosh Anand ji needs no introduction as we are all aware about his writings or songs which he has penned for the movies.

Though I do wish to write about the biography of Santosh Anand in this write-up, for now, I am leaving it for another post on him which I will be taking in the future on the blog.

Let us now enjoy the today’s poem recitation by Santosh Anand ji …


Song-Jisne jan jan ke jeewan ka roop taraasha hai (Kavi Sammelan)(1972) Singer-Santosh Anand, Lyrics-Santosh Anand, Compere – Ramrikh ‘Manhar’

Lyrics

jisne jan jan ke jeewan ka
roop taraashaa hai
meri bhaasha Hindi bhaasha
sab ki bhaasha hai

jisne jan jan ke jeewan ka
roop taraashaa hai
meri bhaasha Hindi bhaasha
sab ki bhaasha hai

yah Kabeer Nanak ki baani
baani Hindustan ki ee ee
yah Urdu ki sagi behan hai
beti hai Ras Khan ki ee
amar desh ki
amar bel hai ae
ye hai meri Bharti ee
ye pooja hai swatantrataa ki
nutan yug ki aarti ee

ye ham sab ka aa
ye ham sab ka
nav jeewan hai
ham sab ki aasha hai
meri bhaasha Hindi bhaasha
sab ki bhaasha hai

(applause)

jisne jan jan ke jeewan ka
roop taraashaa hai

Hindi Hind mahaasaagar hai
Hindi Kanchenjungaa
Khet khet mein behti hai
Yah jan gan man ki Gangaa aa

Tamil Telugu Malyalam ye ae
Kannad Oodiya Bangaa aa
Purab Paschim
Uttar Dakshin
Uchchhal jaldhit rangaa
Phaley sabhi ee
Phaley sabhi bhaasha
Ye Hindi ki abhilaasha hai
meri bhaasha Hindi bhaasha
sab ki bhaasha hai

ek diye se diyaa doosra
hanskar jodey Hindi ee
vair bhaav ke
dwesh klesh ke
gadhh ko todey Hindi ee
sab bhaashaaon ke varnon ka aa
aanchal odhhe ae Hindi
praant praant mein khadi
desh ki kheti jodey Hindi ee
Hindi bhaasha aa
Hindi bhaasha to
Gandhi ji ki paribhaashaa hai
meri bhaasha Hindi bhaasha
sab ki bhaasha hai

Meera ke prabhu Girdhar Nagar
Tulsi ke Raghurayee
Hans hans naachen
Surdas ke anupam baal Kanhaayee
Jis Hindi ki Tandon ji ne ae
Ghar ghar jyot jagaayi ee
Pant Niraala
Dinkar Bachchan ne
Bagiyaa mehkaayi ee

Us par mera aa aa aa
Us par mera aa
Tan man arpeet
Jeewan pyaasa hai
meri bhaasha Hindi bhaasha
sab ki bhaasha hai

jisne jan jan ke jeewan ka
roop taraashaa hai
meri bhaasha Hindi bhaasha
sab ki bhaasha hai ae

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Devnagari Script lyrics (Provided by Avinash Scrapwala)
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(दर्शकों के वाह वाह इत्यादि संवाद शामिल नहीं किए गए हैं )

जिसने जन जन के जीवन का
रूप तराशा है
मेरी भाषा हिन्दी भाषा
सब की भाषा है

जिसने जन जन के जीवन का
रूप तराशा है
मेरी भाषा हिन्दी भाषा
सब की भाषा है

यह कबीर नानक की बाणी
बाणी हिंदुस्तान की ई ई
यह उर्दू की सगी बहन है
बेटी है रसखान की ई
अमर देश की
अमर बेल है ए
ये है मेरी भारती ई
ये पूजा है स्वतन्त्रता की
नूतन यूग की आरती ई

ये हम सब का आ
ये हम सब का
नव जीवन है
हम सब की आशा है
मेरी भाषा हिन्दी भाषा
सब की भाषा है

(तालियों की गूंज और वाह वाह की आवाज़)

जिसने जन जन के जीवन का
रूप तराशा है
हिन्दी हिन्द महासागर है
हिन्दी कंचनजंघा
खेत खेत में बहती है
यह जन गण मन की गंगा आ

तमिल तेलुगू मलयालम ये ए
कन्नड ऊडिया बंगा आ

पूरब पश्चिम
उत्तर दक्षिण
उच्छल जलधि तरंगा
फले सभी ई
फले सभी भाषा
ये हिन्दी की अभिलाषा है
मेरी भाषा हिन्दी भाषा
सब की भाषा है

एक दिये से दिया दूसरा
हँसकर जोड़े हिन्दी ई
वैर भाव के
द्वेष क्लेश के
गढ को तोड़े हिन्दी ई
सब भाषाओं के वर्णों का आ
आँचल ओढ़े ए हिन्दी
प्रांत प्रांत में खड़ी
देश की खेती जोड़े हिन्दी ई
हिन्दी भाषा आ
हिन्दी भाषा तो
गांधी जी की परिभाषा है
मेरी भाषा हिन्दी भाषा
सब की भाषा है

मीरा के प्रभु गिरधर नागर
तुलसी के रघुराई
हंस हंस नाचें
सूरदास के अनुपम बाल कन्हाई
जिस हिन्दी की टंडन जी ने ए
घर घर ज्योत जगाई ई
पंत निराला
दिनकर बच्चन ने
बगिया महकाई ई
उस पर मेरा आ आ आ
उस पर मेरा आ
तन मन अर्पित
जीवन प्यासा है
मेरी भाषा हिन्दी भाषा
सब की भाषा है

जिसने जन जन के जीवन का
रूप तराशा है
मेरी भाषा हिन्दी भाषा
सब की भाषा है


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5166 Post No. : 17134

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Blog 10-Year Challenge (2012-2022) – Song No. 89
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This date ten years ago (viz 9 September 2012) saw five songs from five different movies getting covered in the blog.

Here are the details:-

Blog post number Song Movie (Year) Remarks
6614 Mere dil ki duniya ujad gayi Janmbhoomi(1936) 2 songs covered out of 10 by now
6615 O babu kaise dil karoon qaaboo Sagaai(1951) Movie YIPPEED by now
6616 Nazar mil gayee jaane kis ki nazar se Anokhi Ada (1948) Movie YIPPEED by now
6617 Jal bharne chali ri guinyaa Kangan (1939) 6 songs covered out of 12 so far
6618 Tu pyaar maange pyaar de doon Sa Re Ga Ma Pa (1972) 3 songs covered out of 5 by now

We can see that two movies (out of five) whose songs were covered in the blog on this date ten years ago have since been YIPPEED. So we have three movies that are eligible for Blog Ten Year Challenge today (9 September 2022).

“Sa Re Ga Ma Pa”(1972) is one such movie.

“Sa Re Ga Ma Pa”(1972) was produced and directed by Satyen Bose for Satyen Bose pictures, Bombay. The movie had Nazneen, Bhisham Kohli aka Vishal Anand, Ashok Kumar, Jagdeep, Suresh Chatwal, Alka, Ruby Chouhan,Paintal, Roopesh Kumar, Praveen Paul etc in it.

The movie had five songs in it. Three songs have been covered so far.

Here is the fourth song from “Sa Re Ga Ma Pa”(1972) to appear in the blog. This song is sung by Lata Mangeshkar. Majrooh Sultanpuri is the lyricist. Music is composed by Ganesh.

The song is picturised on Nazneen, Vishal Anand (aka Bhisham Sahni) and Ruby Chouhan.

Lyrics of the song and other details were sent to me by Prakashchandra.

Audio

Video


Song-Samjhe na baat meri haaye re anaadi (Sa Re Ga Ma Pa)(1972) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-Ganesh

Lyrics(Provided by Prakashchandra)

samjhey naa baat meri (hh)
haaye rey anaadi..eee…eee..eee
samjhe na baat meri
haaye rey anaadi
kaisi kaisi
karein batiyaan
meri ankhiyaan matwaari..eee..eee…eee
samjhey naa
hmmm
samjhey na baat meri
haaye rey anaadi
ho o o
samjhey na baat meri
haaye rey anaadi

saajan main albeli
aa gayee saath akeli
ho o o
saajan main albeli
aa gayee saath akeli
kaahey nahin
haan
bahiyyaan thhaamtaa hamaari..eee…ee ee
samjhey naa
haan
samjhey na baat meri
haaye rey anaadi eee eee…eee
samjhey na baat meri
haaye rey anaadi

aaa…aaan….aaan….aaa….aaa
aaa…aaa….aaa….aaa….aaa

dekhaa rey
paas aake
ho o o
dekhaa rey paas aake
haath se haath chhua`ake
iss`se zyaadaa
haan
aur main kyaa karoon bechaari eee…ee ee
samjhey na
hmmm
samjhey na baat meri
haaye rey anaadi
ho o o
samjhey na baat meri
haaye rey anaadi

chhodoon na teri bahiyyaan
pyaar binaa ab sainyyaan
ho ho o
ho o o o
chhodoon na teri bahiyyaan
pyaar binaa ab sainyyaan
chalegi naa
haan
balmaa hamse hoshiyaari..eee..ee ee
samjhey na
haan..aan
samjhe na baat meri
haaye rey anaadi
kaisi kaisi
karein batiyaan
meri ankhiyaan matwaari..eee..eee…eee
samjhey naa

(laughing sound)


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5115 Post No. : 17063

———————————————–—————————————
Blog 10-Year Challenge (2012-2022) – Song No. 72
————————————————————————————–

This date ten years ago (viz 20 July 2012) saw nine songs from nine different movies getting covered in the blog. So, instead of resting on the laurels (as previous day was fourth birthday of the blog), we posted songs with renewed enthusiasm on this day. 🙂

Here are the details:-

Blog Post number Song Movie (Year) Remarks
6270 Kaun sa taara chaand ko pyaara Zalzala(1952) Movie YIPPEED by now
6271 Bulbul mere chaman ke Heer (1956) Movie YIPPEED by now
6272 Sambhal sambhal ke chalna Ten O Clock(1958) Movie YIPPEED by now
6273 Ruk ruk ruk kahaan chali deewaani Do Ustaad (1959) Movie YIPPEED by now
6274 Takra gaya tum se dil hi to hai Aan (1952) Movie YIPPEED by now
6275 Tum kahaan le chale ho Poonam Ki Raat(1965) Movie YIPPEED by now
6276 Man kyun behka ri behka aadhi raat ko Utsav(1984) 2 songs covered out of 4 by now
6277 Jabse dekha hai tumhe Dil Aakhir Dil Hai(1982) 2 songs covered out of 5 by now
6278 Thhokar mein hai meri saara zamaanaa Shehzaada(1972) 4 songs covered out of 5 by now

As many as six movies (out of nine) whose songs were covered on 20 July 2012 have since been YIPPEED. That leaves us with only three movies that are eligible for Blog Ten Year Challenge ten years later on 20 July 2022.

“Shehzaada”(1972) is one of the three eligible movies flog Blog Ten Year Challenge today.

“Shehzaada”(1972) was produced by Surinder Kapoor and directed by K Shankar for Amar Chhaaya Productions, Bombay. The movie had Rajesh Khanna, Raakhee, Madhan Puri, Karan Dewan, Pandhari Bai, P.Jairaj, Sunder,Mohan Choti, Gulshan Bawra, Sonoo/Sonu Arora, Badri Praad, Halam, Varlaxmi, Veena, Shree Ramshashtri, Bazid Khan etc in it.

“Shehzaada”(1972) had five songs in it. Four songs have already been covered in the blog. Here are the details of the songs covered in the blog so far:-

Blog post number song Date of post Singer (s)
3407 Rimjhim rimjhim dekho baras rahi hai raat 29 December 2010 Kishore Kumar, Lata Mangeshkar
6278 Thhokar mein hai meri saara zamaanaa 20 July 2012 Kishore Kumar
15783 Na jaiyyo chhod ke na jaiyyo meri raani 4 August 2020 Kishore Kumar, Lata Mangeshkar
16326 O tere athhroo chun lawaan main 18 April 2021 Rafi

The fifth and final song from the movie is sung by Lata Mangeshkar. It is penned by Rajinder Krishan. R D Burman is the music director. The song is picturised as a birthday song on a kid. Raakhi is the mother of the child while Rajesh Khanna , the father is seen cooling his heels in jail. The song is lip synced by Halam(South)and Varlaxmi. Pandhari Bai, Veena, Sundar etc are also visible in this birthday celebration song.

Lyrics are other details were sent to me by Prakashchandra.

With this song, all the songs of “Shehzaada”(1972) get covered in the blog. The movie thus joins the list of movies that have been YIPPEED in the blog.

Video (Full)


Audio (Partial)

Song-Pariyon ki nagri se aaya chunnu munnu pyaara (Shahzaada)(1972) Singer-Lata, Lyrics-Rajinder Krishan, MD-R D Burman

Lyrics(Provided by Prakashchandra)

pariyon ki nagri se aayaa
chunnu munnu pyaaraa
sundar mukhda chaand ka tukdaa
sabka raaj dulaaraa
pariyon ki nagri se aayaa
chunnu munnu pyaaraa
sundar mukhda chaand ka tukdaa
sabka raaj dulaaraa

phoolon ke palney..aey mein jhooley
chhotaa saa shehazaada..aa…aa
phoolon ke palney..aey mein jhooley
chhotaa saa shehzaada
hho oo bholi bhaali soorat se
mat samjho seedhaa saada
thhodi thhodi aankhein kholey
abhee se karey ishaaraa
pariyon ki..ee…eee..ee
pariyon ki nagri se aayaa
chunnu munnu pyaaraa
sundar mukhda chaand ka tukdaa
sabka raaj dulaaraa

bachpan itnaa natkhat hai to
kaisee hogi jawaani..eee
bachpan itnaa natkhat hai to
kaisee hogi jawaanee
haayye dekhegi jo ek nazar
ho jaayegi deewaani
jaaney kis kis kaa dil todey
pyaar ka ye banjaaraa
pariyon ki..ee…ee…ee
pariyon ki nagri se aayaa
chunnu munnu pyaaraa
sundar mukhda chaand ka tukdaa
sabka raaj dulaaraa

motor to kyaa
udan khatolaa
daadi..ee maa ley degi..eee
motor to kyaa udan khatolaa
daadi..ee maa le degee
hhho maal khazaanaa
mahal maadiyaan
sab isko dey degi
saari jag ka chandaa daadi ki ankhiyan ka taaraa
pariyon ki..ee…eee..ee
pariyon ki..ee…ee nagri se aayaa
chunnu munnu pyaaraa
sundar mukhda chaand ka tukdaa
sabka raaj dulaaraa
laalllaaaa laa laalllaaaa laaa laalllaaaa
laaa laalllaaaa laaaaaa
laalllaaaa laa
laalllaaaa laaaaaaaa laaa
laalllaaaa laa laalllaaaa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5105 Post No. : 17045

I have mentioned in several posts earlier that this year ‘2022’ is a special year for the ‘year 1972’ 😊, the year ‘1972’ will be ‘fifty years old’ at the end of ‘2022’.

In this year we will be specially focusing on the year ‘1972’ and time to time will enjoy songs with some interesting details about the movie and /or the artistes.

In the beginning of this year, we started by introducing movies of ‘1972’ that were so far missing from the blog.

Thereafter we started adding the second song to movies of ‘1972’ that were represented with one one song in the blog.

Today’s movie is one such movie which was introduced on the blog on 02.04.2015. However, that remains the only song from this movie posted on the blog so far.

This movie is ‘Hari Darshan’.

This movie was passed by Censor Board on 24.08.1972 and that way it will soon complete its fifty years of release within next two months now.

‘Hari Darshan-1972’ was directed by Chandrakant for ‘Joy Films, Bombay’. The star cast of this movie includes Randhawa, B. Saroja Devi, Abhi Bhattacharya, Shahu Modak, Asit Sen, Sujata, Kalpana Deewan, Padma Rani, Sanjana, Sadhna Khote, Sarla, Anwari, Rekha Chouhan, Babu Raje, Himmat Singh Chouhan, Ram Rasila, Satyajit, Jr. Mehmood, Baby Rupa, and others. Dara Singh, Jayashree Gadkar, Arvind Trivedi in special appearance.

This movie has ten songs. They were all written by Kavi Pradeep and the music was composed by Kalyanji-Anandji.

One song from this movie has been posted on the blog on 02.04.2015. While sharing the first song from this movie on the blog I had mentioned that the songs from this movie used to be played frequently on the loudspeakers and radio during festivals when I was in the growing up stage. I am familiar with few songs of this movie and the song being presented today is among them.

Today’s song is sung by Lata Mangeshkar. Master Satyajeet lip syncs the song on screen. We can see Junior Mehmood, and many other artists present in the picturisation of this song.

As mentioned above lyrics for today’s song were penned by Kavi Pradeep and music is composed by Kalyanji-Anandji.

In the year of the movie under discussion today i.e., the year of ‘1972’ music composers Kalyanji-Anandji composed music for twelve (12) movies.

Here is the list of these movies and their status on the blog as on today.

Sr No Movie Title Director Lyricist/s Passed by Censor Board No of Songs on the Blog No of Songs as per HFGK
1 Anokhi Pehchaan Satyen Bose Anand Bakshi 17.08.1972 1 5
2 Apraadh Feroz Khan Indeevar, Hasrat Jaipuri 18.04.1972 2 5
3 Ek Haseena Do Deewaane S.M. Abbas Prakash Mehra, Qamar Jalalabadi, Namwar, Kafil Azar, Anjaan 21.02.1972 3 6
4 Hari Darshan Chandrakant Pradeep 24.08.1972 1 10
5 Jaanwar Aur Insaan Chanakya Indeevar, Gulshan Bawra 30.05.1972 2 5
6 Joroo Ka Ghulaam A. Bhim Singh Anand Bakshi 07.09.1972 5 5
7 Kangan K.B. Tilak Indeevar, Verma Malik, Anjaan 11.01.1972 4 4
8 Lalkaar Ramanand Sagar Indeevar, Hasrat Jaipuri, Kulwant Jani, Mahendra Dehalvi 25.05.1972 3 8
9 Maalik A Bhim Singh Rajinder Krishan 26.10.1972 1 13
10 Maanavtaa Chanakya Indeevar, Gulshan Bawra 04.12.1972 1 5
11 Sub Ka Saathi A. Bhim Singh Rajinder Krishan 15.07.1972 1 6
12 Victoria No. 203 Brij Verma Malik, Indeevar 21.11.1972 4 4

From the above table we can see that so far only three out of the twelve movies (viz. ‘Joroo Ka Ghulaam’, ‘Kangan’, and ‘Victoria No.203’) where music was composed by Kalyanji-Anandji in the year 1972, have been YIPPEED on the blog.

So, we still have a long way to go to bring all the songs of the above remaining movies of 1972 on the blog.

Coming back to today’s song, let us listen to this song which is written by Kavi Pradeep and sung by Lata Mangeshkar.

Music is composed by Kalyanji-Anandji.

Video

Song-Maarnewaala hai Bhagwaan bachaane waala hai Bhagwaan (Hari Darshan)(1972) Singer-Lata, Lyrics-Kavi Pradeep, MD-Kalyanji Anandji
Chorus

Lyrics

shraddha rakho jagat ke logon o
apne ae deenanath mein ae
laabh haani jeewan aur mrityu
sab kuchh uske haath mein

maarnewaala hai bhagwaan
bachaanewala hai bhagwaan
maarnewaala hai bhagwan
bachaanewala hai bhagwan

baal na baanka hota uska aa aa aa
jiska rakshak dayanidhaan
maarnewaala hai bhagwan
bachaanewala hai bhagwan

tyaag do re bhai phal ki aasha aa
swaarth binaa aa preet jodo o
kal kya hogaa
iski chintaa aa
jagat pitaa par chhodo
kya honee hai kya anhonee ee ee
kya honee hai kya anhonee ee ee
sabka usko gyaan
maarnewaala hai bhagwan
bachaanewala hai bhagwan
maarnewaala hai bhagwan
bachaanewala hai bhagwan

jal thhal agan akaash pawan par
kewal uski sattaa aa
kewal uski sattaa
ho jal thhal agan akaash pawan par
kewal uski sattaa
prabhu ichchha ke binaa yahaan par
hil na sake ik patta
hil na sake ik patta
usi ka socha yahaan pe hota aa aa aa
usi ka socha yahaan pe hota
uski shakti mahaan
maarnewaala hai bhagwan
bachaanewala hai bhagwan
maarnewaala hai bhagwan
bachaanewala hai bhagwan

dayanidhaan

bhagwan

maarnewaala hai bhagwan
bachaanewala hai bhagwan
maarnewaala hai bhagwan
bachaanewala hai bhagwan

maarnewaala hai bhagwan
bachaanewala hai bhagwan

dayanidhaan
dayanidhaan
bhagwan
dayanidhaan


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5053 Post No. : 16967

In the beginning years of this millennium, we among the last dwellers of last millennium, were kept mesmerized with old Hindi film songs.  This was a willing intoxication, which made it possible to deal all difficulties, happiness, sadness, tragedies etc. that life chose to throw at us.   Often the songs that played randomly in a collection of songs playing on computer would become a subject of discussion.  Once, a close friend said she like this song by Mohammed Rafi Sb a lot:

baa-hosh-o-hawaas mein deewaanaa
ye aaj waseeyat kartaa hoon
ye dil ye jaan mile tumko
main tumse muhabbat kartaa hoon

This song from the film ‘Night In London’ (1967) is posted here.

Another colleague/friend once spoke of this song from ‘Aaye Din Bahaar Ke’ (1966) – “Mere Dushman Tu Meri Dosti Ko Tarse“. Now this song is very interesting in its lyrics/poetry which is actually cursing the beloved.  Total and full of ‘bad-duaa’ ie ill wishing – it is to be seen to be believed, what all the poet is wishing on his beloved friend.

mere dil se sitamgar toone achchi dillagi ki hai
ke banke dost apne doston se dushmani ki hai

mere dushman tu meri dosti ko tarse
mujhe gham dene waale tu khushi ko tarse

 tu phool bane patjhad kaa, tujh pe bahaar na aaye kabhi
meri hi tarah tu tadpe tujhko qaraar na aaye kabhi
jiye tu is tarah ke zindagi ko tarse

itnaa to asar kar jaayen meri wafaayen o bewafaa
ik roz tujhe yaad aayen apni jafaayen o bewafaa
pashemaan hoke roye, tu hansi ko tarse

tere gulshan se zyaadaa veeraan koyi veeraanaa na ho
is duniyaa mein koyi teraa apnaa to kyaa, begaanaa na ho
kisi kaa pyaar kyaa tu berukhi ko tarse

Just falling short of wishing death! ‘jiye tu iss tarah ke zindagi ko tarse’.  There are numerous songs of this situation in Hindi films, too many to count actually.  In the 60’s it can be said, that every other film had this situation song, where the hero or the heroine is wronged, and singing a song lamenting the bewafaai of the beloved.  But I have looked all over the blog and I could not find any other song so full of curses. And this is also the only song on the blog, which is tagged as ‘hate song’ category.  The song still sounds so believable and not odd at all.  All the credit to the team of composers, lyricist and the singer. For this would easily have gone wrong.

There are some more songs, which have somewhat similar emotions and ill-wishes expressed in different forms.  I made a list of songs with those varied expressions.

Sl. No.

Song

Lyrics

1 Mere Mehboob Qayaamat Hogi meri tarah tu aahen bhare
tu bhi kisi se pyaar karey
aur rahe wo tujhse parey
toone O sanam dhaaye hain sitam
to ye tu bhool na jaana
ke na tujhpe bhi inaayat hogi
aaj rusva teri galiyon mein muhabbat hogi
mere mehboob qayaamat hogi
aaj rusva teri galiyon mein mohabbat hogi
2 Jo Unki Tamanna Hai Barbaad Ho Ja jo unki tamannaa hai, barbaad ho jaa
to ai dil muhabbat ki kismat banaa de
tadap aur tadap kar abhi jaan de de
yoon marte hain mar jaane waale, dikhaa de
3 Mohabbat Ab Tijaarat Ban Gayi Hai kabhi thha naam iska
bewafaai
magar ab aajkal ye behayaayee
shareefon ki sharaafat ban gayi hai
tijaarat ab mohabbat ban gayi hai
mohabbat ab tijaarat ban gayi hai
tijaarat ab mohabbat ban gayi hai
4 Gairon Pe Karam Apnon Pe Sitam ham bhi the tere manzoor-e-nazar, dil chaahe to ab iqraar na kar
sau teer chalaa seene pe magar, begaanon se milkar waar na kar
begaanon se milkar waar na kar
bemaut kahin mar jaayen na ham
ai jaan-e-wafaa ye zulm na kar,
Ghairon pe karam apnon pe sitam, ai jaan-e-wafaa ye zulm na kar
rahne de abhi thodaa saa bharam,
ai jaan-e-wafaa ye zulm na kar
5 Guzre Hain Aaj Ishq Mein Hum Us Maqaam Se humko na ye gumaan thha,
o sangdil sanam
raah-e-waffa se tere
behak jaayenge kadam
chhalkega zehar bhi teri
aankho ke jaam se
guzre hain aaj ishq mein
hum us maqaam se
guzre hain
o bewaffa,
tera bhi yoon hi toot jaaye dil
tu bhi tadap tadap ke
pukaare ke haaye dil
tera bhi saamnaa ho kabhi,
gham ki shaam se
guzre hain
6 Main Teri Dushman Dushman Tu Mera sab ki jubaan par meri kahaani
mera dasa huwa maange na paani
sabki jubaan par meri kahaani
mera dasa huwa maange na paani
tera tamaasha sab dekhenge
kya hota hai ab dekhenge
dekhega tu na kal ka savera
main naagan tu sapera aa aa
7 Neend Ud Jaaye Teri Chain Se Sone Waale neend ud jaaye teri
chain se sone waale
ye duaa maangte hain
nain ye rone waale
maine ki hain jafaayen
mujhse kyun ho wafaayen
lag gayin mujhko mere
pyaar ki bad-duaayen
tu wafaa karta ham to thhe
tu wafaa karta ham to thhe
bewafa hone waale
neend ud jaaye teri
chain se sone waale
8 Kya Se Kya Ho Gaya Bewafaa Tere Pyaar Mein kyaa se kyaa ho gayaa
bewafaa aaaa
tere pyaar mein
chaahaa kyaa kyaa milaa
bewafaa aaaa
tere pyaar mein
chalo suhaanaa bharam to tootaa
jaanaa ke husn kyaa hai
kahti hai jisko pyaar duniyaa
kyaa cheez kyaa balaa hai
dil ne kyaa naa sahaa
bewafaa aaa aaa
tere pyaar mein
9 Din Dhal Jaaye Haaye Raat Na Jaaye pyaar me jinke sab jag chhoda
aur huye badnaam
unke hi haathon haal hua ye
baithe hain dil ko thaam
apne kabhi the ab hain paraaye
Din dhal jaaye haay raat na jaaye
10 Mo Se Chhal Kiye Jaaye samajhaake main to haari
haan dhamkaaya dini gaari, aur karoon bhi kyaa
dekho moraa jiyraa
haan jiyraa tadpaaye, jiyraa tadpaaye
mohe haay haay dekho sainyaa beimaan
mose chal, mose chal, mose chal kiye jaaye,
11 Bahaaron Ne Mera Chaman Loot Kar mujhe kyaa pataa thaa kabhi ishq mein
raqeebon ko kaasid banaate nahin
raqeebon ko kaasid banaate nahin
khataa ho gayi mujhse kaasid mere
tere haath paighaam kyun de diyaa
bahaaron ne meraa chaman lootkar
12 Meri Zindagi Mein Tum Kyun Aaye haay buri dukhiyaa dil ki
meraa dard badhaao naa baalam
meraa sabr padaa tumse jo kahin
jal jaaoge tum mar jaayenge ham
jal jaaoge tum mar jaayenge ham
dukhiyaa-dil ki wo haay hai
dukhiyaa-dil ki wo haay hai
jo saare zamaane ko sulagaaye
meri zindagi mein tum kyun aaye
13 Thukra Ke Teri Duniya Ko baddua na dil de baithe
tujh ko na dosh doongi main
taqdeer ke bair kiya hai
taqdeer se lad loongi main
main tod chalun
main tod chalun ek pal mein
tod chalun ek pal mein
duniya ka har dastoor
magar tere pyar se hoon majboor
piya teri preet se hoom majboor
thukra ke teri duniya ko
chaahun to kar doon choor
magar tere pyaar se hoon majboor
piya teri preet se hoon majboor

 

Here is a list of some of my all-time favourite songs by Rafi sahab in the similar situations:

Patthar Ke Sanam Tujhe Hum Ne Mohabbat Ka Khuda Jaana – ‘Patthar Ke Sanam’ (1967)
Dil Ke Jharokhe Mein Tujhko Bitha Kar – ‘Brahmchari’ (1968)
Aaj Ki Raat Mere Dil Ki Salaami Le Le – ‘Ram Aur Shyam’ (1967)
Dil Jo Na Keh Saka – ‘Bheegi Raat’ (1965)
Teri Zulfon Se Judaai To Nahin Maangi Thi – ‘Jab Pyaar Kisi Se Hota Hai’ (1961)
Rang Aur Noor Ki Baraat Kise Pesh Karun – ‘Ghazal’ (1964)

There are more similar/different songs created for Hindi films for such situations, where dejected lovers either drown in self-pity or end up giving ‘bad-dua’ in a smaller/kinder way, to the beloved.  But most songs of this genre are praying for the happiness of the beloved, who has deceived them, has indulged in ‘bewafaai’ for want of similar expressive word in the English language.  An excellent case in point is this pensive Lata song – “Ajeeb Dastaan Hai Ye“, filmed on Meena Kumari in ‘Dil Apna Aur Preet Paraai’ (1960). Shankar-Jaikishan and Shailendra created this classic song with just the right touch of melancholy and congratulatory mood. With a dose of resignation.

Most songs in this genre, also turn out to be popular, be it the pensive songs of Mukesh, Lata, Suraiyya, Talat Mehmood or Mohammed Rafi.  So the well known songs are all posted. Looking for the theme, I ended up with “Tu Pyaar Hai Kisi Aur Ka” song in ‘Dil Hai Ke Maanta Nahin’ (1991) by Kumar Sanu. Quite a decent composition with innovative lyrics, that one.

I was sure all well-known Rafi songs in this genre are posted. But as luck would have it, I found the link of this Rafi solo in one of my saved files, which I was just randomly checking. This is a well-known song from the film ‘Dhadkan’ (1972).  Composer is Ravi who also wrote this song with Ali Jalili.  Ali Jalili is an unknown poet for the blog, as this is the first song by him to be posted.   Avinash ji is doing a series of 70’s decade missing movies, so he may be able to find some other films where Ali Jalili has written lyrics. Ali Jalili has written one more song in the same film with Ravi, “Tumse Nazar Mili”, which was also used for advertisement of different products.  My guess is he must be someone connected with advertising jingles, more so as he has collaborated with Ravi, not a regular poet for writing the two songs in this film.

The song is filmed as a wedding reception song, where Sanjay Khan is singing this song for congratulating the bride Mumtaz and groom Roopesh Kumar.  The real feelings of Sanjay Khan are evident, but he is trying to disguise them and give blessings to the couple.

Two songs of the film are already posted in the blog, so this is the 3rd song.

Jab Toone Kuchh Na Kiya
Main To Chala Jidhar Chale Rasta

I have done posts of some songs of the late 70’s and early 80’s, but very few songs of early 70’s. This song has a very deeply meaningful and emotional core, as we expect from Ravi’s compositions usually.  There is the Punjabi dholak music in the background which carries the rhythm of the song.  And Rafi Sb’s singing is again out of this world.  For me this is a known song, as it used to be played regularly on radio.  Again, when one really listens to it with a critical ear, with the aim of judging its merit with other such type of songs, a few are listed above, it is revealed as a fabulous song on all counts.  More fabulous for being a 70’s song.  By now Ravi is a seasoned and senior composer, with huge successes behind him and much more experience of how to get the best out of Rafi.  And Rafi Sb has delivered spectacularly in this song, the only one in the film.  Subtle changes in the way some words are sung in every repeated line, and those are again different for every time he sings the mukhda.  I refuse to believe that anyone else could do so much variation in a single voice, same rhythm and level, two stanza song, in live recording.

The pauses in the lines and words of a line, and starting the next word at the same level as before the pause, what superb control in the vocals. I am not a technical person, in the matter of singing, but if anyone can explain this phenomenon to me, I will be thankful to them. It sounds as a modern-day recording done bit by bit, line by line, and mixed afterwards. Practice makes things perfect and well-rehearsed is the forte of Rafi Sb. But the question is how well rehearsed and how much perfect. I can just conclude that the farishta in the guise of a singer is giving the same dedicated 200 % to a song composed for a new actor of 70’s, as he gave to all his songs, repeated in live shows, which won him accolades and a place is history.

Video (Partial)

Audio (Full)

Song – Mere Dost Tujhe Tera Meet Mubarak (Dhadkan) (1972) Singer – Mohammed Rafi, Lyrics – Ravi, Ali Jalili, MD – Ravi

Lyrics

tamannaon ki duniya
yun to har insaan basaata hai ea
magar paata wohi hai ea
jo…. yehaan taqdeer laata hai ea

mere dost tujhe
tera meet mubaarak
mere dost tujhe tera meet mubaarak
yeh saaz naya geet mubaarak
mere dost tujhe tera meet mubaarak
mere dost tujhe tera meet mubaarak

kheli hai bahaar se ye phoolon ki kali
khwaabon ki dulhan bade naazon mein pali
kheli hai bahaar se ye phoolon ki kali
khwaabon ki dulhan bade naazon mein pali
palkon pe bitthaana aise sukh dena aa
yaad na kare yeh kabhi baabul ki gali ee
apne baabul ki gali
gaaye khushi ke taraane
aisi preet mubaarak
gaaye khushi ke taraane
aisi preet mubaarak
yeh saaz naya geet mubaarak
mere dost tujhe tera meet mubaarak
mere dost tujhe tera meet mubaarak

chamke kyun na taara us ki qismat ka
jis ko mila ho ye haseen tohfa aa
chamke kyun na taara us ki qismat ka
jis ko mila ho ye haseen tohfaa aa
badaa hi naseeb waala hai wo jag mein
haathh mein ho jis ke aisi pyaari rekha
aisi nyaari rekha
aaj haar bhi kahe
tujhe jeet mubaarak
aaj haar bhi kahe
tujhe jeet mubaarak
yeh saaz naya geet mubaarak
mere dost tujhe tera meet mubaarak
mere dost tujhe tera meet mubaarak

———————————————————
Hindi script lyrics (Provided by Nahm)
———————————————————

तमन्नाओं कि दुनिया
यूं तो हर इन्सान बसाता है
मगर पाता वही है
जो…. यहां तक़्दीर लाता है

मेरे दोस्त तुझे
तेरा मीत मुबारक
मेरे दोस्त तुझे तेरा मीत मुबारक
ये साज़ नया गीत मुबारक
मेरे दोस्त तुझे तेरा मीत मुबारक
मेरे दोस्त तुझे तेरा मीत मुबारक

खेली है बहार से ये फूलों कि कली
ख्वाबों कि दुल्हन बड़े नाज़ों में पली
खेली है बहार से ये फूलों कि कली
ख्वाबों कि दुल्हन बड़े नाज़ों में पली
पलकों पे बिठाना ऐसे सुख देना अ अ
याद न करे ये कभी बाबुल कि गली ई
अपने बाबुल कि गली
गाए खुशि के तराने
ऐसी प्रीत मुबारक
गाए खुशी के तराने
ऐसी प्रीत मुबारक
ये साज़ नया गीत मुबारक
मेरे दोस्त तुझे तेरा मीत मुबारक
मेरे दोस्त तुझे तेरा मीत मुबारक

चमके क्यों न तारा उस की क़िस्मत का
जिस को मिला हो ये हसीन तोह्फ़ा
चमके क्यों न तारा उस की क़िस्मत का
जिस को मिला हो ये हसीन तोह्फ़ा
बड़ा ही नसीब वाला है वो जग में
हाथ में हो जिस के ऐसी प्यारी रेखा
ऐसी न्यारी रेखा
आज हार भी कहे
तुझे जीत मुबारक
आज हार भी कहे
तुझे जीत मुबारक
ये साज़ नया गीत मुबारक
मेरे दोस्त तुझे तेरा मीत मुबारक
मेरे दोस्त तुझे तेरा मीत मुबारक

 


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5029 Post No. : 16938

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # # Dil Ka Raaja -1972#
—————————————

Today’s song is from the ‘1972’ movie ‘Dil Ka Raaja’.

This is another movie which I came across while presenting the ‘missing movies of 1972’ on the blog. Though this movie made its debut on the blog way back on 14.10.2014, only one song from this movie has been posted on the blog. I do not remember to have listened to other songs from this movie. That is the reason for this post where today we will enjoy the second song from this movie.

Music for this movie is also composed by R.D. Burman.

‘Dil Ka Raaja-1972’ was directed by P. Madhwan for ‘Nadiadwala Associates, Bombay’. It was produced by A.A. Nadiadwala.

It had Raj Kumar, Leena Chandavarkar, Ajit, Bindu, Jagdeep, Indrani Mukherjee, Randhir, Meena T., Sheikh, Surendra Rahi, Manjeet, Omkar, Pandit Iqbal, Jankidas, Uma Dutt, Rajesh, Maqbool, Master Anil, Master Ripal, and Waheeda Rehman (in special appearance).

Story and screenplay of this movie was written by Balamurugan. Dialogues of this movie were written by Kaushal Bharti.

Editing of this movie was done by Babubhai Thakkar.

This movie was passed by Censor Board on 29.11.1972.

As I mentioned above one song from this movie has been posted on the blog earlier and that was presented by Shri Satyajit Rajurkar on the blog.

In his post (which is his passionate post about Rafi Saab) he had also mentioned about the story of this movie which I am reproducing below from his post.

This movie is about two brothers who try to retrieve the lost glory of their “king” father through hard work and sincerity. After generously donating all the wealth accumulated by three generations of his family, Ramnagar-based Raja Vichitra Singh (Raaj Kumar), faces humiliation at the hands of Thakur Gajendra Singh (Ajit) when he is unable to pay a dowry for his sister, Gauri (Indrani Mukherjee). He does fulfill his promise by mortgaging his mansion, Raghupathi Bhavan, but the shock kills his wife, Lakshmi (Waheeda Rehman). Humiliated, with no one coming forward to help him, he leaves Ramnagar, along with his three children, Raja (Raaj Kumar), Bajrang (Jagdedep), and Vijaya (Meena T) and re-locates to Bombay, hoping to accumulate Three Lakh Rupees, so that he can get the Bhavan back as well as restore his honour. The rest of the story is about how Vichitra Singh, now a tonga driver and his children, who end up working as a coolies and labourers, try and save the money to enable them to get the mansion back.

The movie is a remake of the A Nageshwar Rao starrer “Dharma Daata” (1970).

‘Dil Ka Raaja’ had five songs written by Majrooh Sultanpuri and composed to music by Rahul Dev Burman.

Mohd Rafi, Asha Bhonsle and Manna Dey had given their voices to the songs in this movie.

Here is the list of songs of this movie.

SNo Song Title Singer/s Posted On
01 Sundar hoon aisi main jidhar chaloon Asha Bhonsle, chorus
02 Sundar ho aisi tum jidhar chalo ek baar Mohd Rafi
03 O rajeshwari … badi hai shohrat tumhaare honthhon tumhaari aankhon ki Mohd Rafi,Asha Bhonsle
04 Jinke paas haathi ghoda, unke paas dil hai thodaa Rafi, Asha,Manna Dey
05 Jaao jaao tum bhi jaao, samajhte kya ho Mohd Rafi 14.10.2014

Today’s song is sung by Rafi Saab and Asha Bhonsle and on screen it is performed by two pairs i.e. Raj Kumar – Leena Chandavarkar, and Jagdeep – Bindu. (Rajkumar and Jagdeep play brothers in this movie).

This is a nice entertaining song sung by Rafi Saab and Asha Bhonsle. I hope readers will enjoy listening and watching this song.

Let us now enjoy today’s song …

Lyrics are by Majrooh Sultanpuri and music is composed by R.D. Burman.

Video

Audio (Partial)

Song-Badi hai shohrat tumhaare honthon tumhaari aankhon ki (Dil Ka Raaja)(1972) Singers-Rafi, Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Both

Lyrics

rajeshwari ee
parmeshwari ee
rajeshwari
parmeshwari
baageshwari

badi hai shohrat tumhaare honthhon
tumhaari aankhon ki
kabhi meri bhi
muraad poori karo na devi ji
ho badi hai shohrat tumhaare honthhon
tumhaari aankhon ki
kabhi meri bhi
muraad poori karo na devi ji
o rajeshwari
o parmeshwari
o bhaagyeshwari
o yogeshwari

ae agar hai chahaat
hamaare honthhon
hamaare aankhon ki
to kuchh dinon tak
abhi tapasya karo
pujaari ji
agar hai chahaat
hamaare honthhon
hamaare aankhon ki
to kuchh dinon tak
abhi tapasya karo
pujaari ji
o rajeshwari
o parmeshwari
o bhaagyeshwari
yogeshwari ee

hey sundari
upaay kuchh karo
tabeeyat bahot vikal hai
aajkal meri ee
ho o
thhodaasa tu agar sabr kare
kar doon deewaane zindagi
safal teri

seene ae se
lag jaao
aa ha aa
seene ae se
lag jaao
aa ha aa
om namah shivaay
namah shivaay
buri hai ulfat mein
jaldbaazi
suno anaadi ji

kabhi meri bhi
muraad poori karo na devi ji
o rajeshwari
o parmeshwari
o bhaagyeshwari
o yogeshwari

yogi banaa
bhabhoot mal ke main
dekho ye tumne haal kya kiya
meraa aa
hmm mm
mandir mein aake
aaj pyaar ke
yogi re toone dil churaa liya mera aa
dil mera
de jaao o
dil mera
de jaao o
om namah shivaay
namah shivaay

isi adaa par to jaan jaati
hai meri pyaari ji
to kuchh dinon tak
abhi tapasya karo
pujaari ji
o rajeshwari
o parmeshwari
o bhaagyeshwari
yogeshwari ee
agar hai chahaat
hamaare honthhon
hamaare aankhon ki
to kuchh dinon tak
abhi tapasya karo
pujaari ji

o rajeshwari
o parmeshwari
o bhaagyeshwari
yogeshwari ee


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5014 Post No. : 16920

#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # # Raakhi Aur Hathkadi-1972#
——————————————

Today’s song is from the movie ‘Raakhi Aur Hathkadi-1972’. I had come across this movie during the preparation of my recent posts with the songs from the year ‘1972’.

“Raakhi Aur Hathkadi-1972” had made its debut on the blog on 28.12.2012. And the song posted then was ‘achchhi nahin sanam dillagi dil e beqaraar se’. I think this was the only well-known song from this movie. Because going through the list of the pending songs from this movie I do not find any familiar song or a song which I had heard earlier before. I was also surprised that only one song from this movie was posted so far on the blog and that too almost more than nine years back.
And this was all when the music of this movie was composed by the ‘genius’ Pancham Da.

In ‘1972’ there were eighteen movies for which the music was composed by R.D. Burman.

Here is the list.

SNO Movie Title Lyricist/s Music Director Passed by Censor Board Status on the Blog
1 Apnaa Desh Anand Bakshi R.D. Burman 28.03.1972 Yippeeee’ed
2 Bombay To Goa Rajinder Krishan R.D. Burman 25.02.1972 Yippeeee’ed
3 Dil Ka Raajaa Majrooh Sultanpuri R.D. Burman 29.11.1972 1 song posted
4 Do Chor Majrooh Sultanpuri R.D. Burman 27.12.1972 Yippeeee’ed
5 Garam Masaalaa Majrooh Sultanpuri R.D. Burman 06.06.1972 2 songs posted
6 Gomti Ke Kinaare Majrooh Sultanpuri R.D. Burman 22.11.1972 Yippeeee’ed
7 Jawaani Deewaani Anand Bakshi R.D. Burman 24.06.1972 Yippeeee’ed
8 Mere Jeewan Saathi Majrooh Sultanpuri R.D. Burman 19.09.1972 Yippeeee’ed
9 Parchhaaiyaan Majrooh Sultanpuri R.D. Burman 15.11.1972 1 song posted
10 Parichay Gulzar R.D. Burman 18.10.1972 Yippeeee’ed
11 Raakhi Aur Hathkadi Majrooh Sultanpuri R.D. Burman 10.11.1972 1 song posted
12 Raampur Ka Laxman Majrooh Sultanpuri R.D. Burman 24.07.1972 Yippeeee’ed
13 Raani Meraa Naam Majrooh Sultanpuri R.D. Burman 19.04.1972 1 song posted
14 Samaadhi Majrooh Sultanpuri R.D. Burman 15.12.1972 3 songs posted
15 Sanjog Anand Bakshi R.D. Burman 03.02.1972 Yippeeee’ed
16 Saveraa Majrooh Sultanpuri R.D. Burman 05.10.1972 2 songs posted
17 Seetaa Aur Geetaa Anand Bakshi R.D. Burman 27.10.1972 Yippeeee’ed
18 Shaahzaadaa Rajinder Krishan R.D. Burman 05.09.1972 4 songs posted

From the above table we can see that Pancham Da created some of the greatest songs and music of HFM during that year.

“Raakhi Aur Hathkadi” was directed by S.M. Sagar for ‘Kala Enterprises, Bombay’.

It was produced by S. Noor and presented by Ashok Kumar.

It had Ashok Kumar, Asha Parekh, Vijay Arora, Anoop Kumar, Sulochana, Raj Mehra, Indira Bansal, Sudhir, Mumtaz Begum, Danny, Geeta Kaushal, Kundan, Reshma A., Shivraj, Baby Kalpana, Keshav Rana, Brahmchari, Shyamu, C.S. Dubey, Prakash Mishra, Radheyshyam, Hardeep Singh, Aziz Siddiqui and others.

Kabir Bedi, Nazima and Helen make a special appearance in this movie.

Story of this movie was written by B.C. Mahor and its screenplay was written by Aziz Qaisi.
Dialogues of this movie were written by Ramesh Pant.

Editing of this movie was done by Wamanrao. (I guess he is Wamanrao Bhonsle).

This movie was passed by Censor Board on 10.11.1972.

‘Raakhi Aur Hathkadi’ had as many as seven songs – all written by Majrooh Sultanpuri.

Here is the list of the songs in the movie.

SNo Song Title Singer/s Posted On
01 Tere milan ko kaise chaloon piyaa Asha Bhonsle
02 Jiye tihaaro laalnaa … Asha Bhonsle
03 Achchhi nahin sanam dillagi Kishore Kumar, Asha Bhonsle 28.12.2012
04 Tum to kya ho ji, haan haan bolo … Kishore Kumar, Asha Bhonsle
05 Pa.paan …aa phir main kahaan Asha Bhonsle
06 Lalaa… tum to bade buzdil ho jee Asha Bhonsle
07 Bahiyaan dhar ke liptaa gali ke andhere mein Asha Bhonsle Being discussed today

Music for this movie was composed by R.D. Burman.

As mentioned above only one song from this movie has been posted on the blog so far.

Today’s song is sung by Asha Bhonsle. Asha Parekh performs on screen in the song. Vijay Arora, Kabir Bedi, Danny and othersare also visible in the picturisation of this song.

I have not watched this movie so I cannot say in what context this song is appearing in the movie. I am also not aware how this movie fared at the box-office.
I would request knowledgeable readers to throw light on this movie and its songs.

However listening to this song is a pleasure where several instruments have been used by Pancham Da (I do not have much knowledge about, but I liked the music). This song is a treat for music lovers.

I liked this song very much and hope readers will also enjoy the song.

Let us now listen to today’s song.

Video

Audio

Song-Bahiyaan dhar ke lipta gali ke andhere mein (Raakhi aur Hathhkadi)(1972) singer-Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-R D Burman

Lyrics

ho ho
ho
ho ho
ho

bahiyaan dhar ke liptaa
gali ke andhere mein

bahiyaan dhar ke liptaa
gali ke andhere mein
to kya tu nahin thha piyaa
haay main mar gayi
bahiyaan dhar ke liptaa
gali ke andhere mein
to kya tu nahin thha piyaa
haay main mar gayi
bahiyaan dhar ke liptaa
gali ke andhere mein

ho ho
ho

garwaa lag rahaa
thha wo rasiyaa
tujhse kya kahoon kaisaa aa aa aa
chheen jhapat mein thha re bilkul
wo nidar tere jaisaa aa aa
dekho sajnaa
rain andheri ee
dekho sajnaa
rain andheri
kaisaa ghazab haay kar gayi
haay raam
bahiyaan dhar ke liptaa
bahiyaan dhar ke liptaa
gali ke andhere mein
to kya tu nahin thha piyaa
haay main mar gayi
bahiyaan dhar ke liptaa
gali ke andhere mein

ho ho
ho

tabse balmaa
mere tan mein
jaise chamke bijlee ee ee
main baawariyaa
kaahe saj ke
teri dhun mein nikli ee
ghar se chalke
main akeli ee
ghar se chalke
main akeli
kaisaa ghazab haay kar gayi
haay raam
bahiyaan dhar ke liptaa
bahiyaan dhar ke liptaa
gali ke andhere mein
to kya tu nahin thha piyaa
haay main mar gayi
bahiyaan dhar ke liptaa
gali ke andhere mein
to kya tu nahin thha piyaa
haay main mar gayi
mar gayi ee …


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5014 Post No. : 16919

#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # Sant Tulsidas – 1972#
————————————————————–

Today 10th April we celebrate ‘Ram Navami’ or the birth of Lord Shri Ram. The tithi today is ‘navami’ of shukla paksha of ‘chaitra maas’ as per Hindu Calender year. It is also the last day of the ‘Chaitra Navratri’.

On this occasion here is a ‘Ram bhajan’ from the ‘1972’ movie ‘Sant Tulsidas’.

“Sant Tulsidas” was directed by P. Bhalchandra for ‘Siddhanath Chitra, Bombay’.

P. Bhalchandra was also the producer of this movie. Praveen Chandra Patel was the co-producer of this movie.

It had Shahu Modak, Sushma, Madhuri, B.M. Vyas, Vijay Dutt, Rekha Chauhan, Dalpat, Shribhagwan, Ram Bhagnadi, Ratilal, Lakki, Rahi, Rakesh Kumar, Vasundhara Paudwal, Reshma, Ratan Tiwari, Nalini, Vijaya Lokhande, Guddu, Leela N., Anil Kumar, Kumar, Dev Kapoor, Raju, Deepak, Poonam, Ramprakash Sharma, Mahesh Desai, Darshan, Santosh Bikaneri and others.

Story, screenplay and dialogues for this movie (Hindi version) were written by Pt. R. Priyadarshi.

Editing of this movie was done by Bimal Roy.

This movie was passed by Censor Board on 07.09.1972.

This movie had eights songs written by Bhagwat Mishra- seven songs and Brijmohan Vyas – one song.
Music for this film was composed by Ram Kadam (well-known Marathi film music director)

Here is the list of songs of this movie:-

SNo Song Title Lyricist Singer/s Posted On
01 Aao katha sunaayein sabko Brijmohan Vyas Jaywant Kulkarni
02 Solah singaar kar ke aayi Bhagwat Mishra Krishna Kalle
03 Pitaa matrushri bandhu kaanta Bhagwat Mishra Bhimsen Joshi
04 Nahin chhodo baba raam raam Bhagwat Mishra Bhimsen Joshi, Mahendra Kapoor
05 Ramaay ram bhadraay Bhagwat Mishra Bhimsen Joshi
06 Nandlaala nandlaala arey Bhagwat Mishra Krishna Kalle
07 Granth gyaan ke barav sorath Bhagwat Mishra Bhimsen Joshi
08 Raam prabhu aadhaar jagat ke Bhagwat Mishra Bhimsen Joshi 10.11.2012

*(HFGK Vol-V (1971-1980) also mentions the name of Usha Mangeshkar in the list of singers for this movie)

Only one song from this movie has been posted on the blog so far, and that was on 10.11.2012. (I was the ‘lyrics contributor’ for that song on the blog.).

Today’s song is sung by Bhimsen Joshi and Mahendra Kapoor. Only audio of this song is available. (even though this movie is now available on internet).
I have not watched this movie I cannot say on whom this song has been picturized in the movie. However this song a ‘bhajan’ is a very sweet and melodious bhajan to listen to . I hope readers will enjoy listening to this song today.

Lyrics for the song are by Bhagwat Mishra and music is composed by Ram Kadam.

Let us now listen to today’s song …

Audio

Song-Bolo bhaai Raam ki duhaai (Sant Tulsidas)(1972) Singers-Mahendra Kapoor, Bhimsen Joshi, Lyrics-Bhagwat Mishra, MD-Ram Kadam
Chorus

Lyrics

bolo bhaai
shri ramchandra ki jai

siyaawar ramchandra ki jai
siyaawar ramchandra ki jai

nahin chhodo baba raam raam
mohi aur padhan su kaun kaam

siyaawar ramchandra ki jai
siyaawar ramchandra ki jai

bolo bhaai
raam ki duhaayi
bolo bhaai
raam ki duhaayi
bolo bhaai
raam ki duhaayi
bolo bhaai
raam ki duhaayi

man matwaala peevai raam ras
man matwaala aa aa peevai raam ras
dooja kachhu na suhaayi ee
bolo bhaai
raam ki duhaayi
bolo bhaai
raam ki duhaayi

ulti gangaa neer bahaaya aa
ulti gangaa aa neer bahaaya
amrut dhaar chuwaayi ee
bolo bhaai
raam ki duhaayi
bolo bhaai
raam ki duhaayi

das kabeeraa
eehi ras maa taa ?
das kabeeraa aa aa
eehi ras maa taa ?
kabhu uchhki na jaayi
bolo bhaai
raam ki duhaayi
bolo bhaai
raam ki duhaayi

jaaun kahaan taji
charan tumhaare ae
jaaun kahaan taji
charan tumhaare ae
dev danuj muni
naag manuj sab
maaya vivash vichaare ae ae
jaaun kahaan taji
charan tumhaare ae
jaaun kahaan taji
charan tumhaare ae
jinke haath mein tulsidas kyun
jinke haath mein tulsidas kyun
jaaun apanapau haare ae ae
jaaun apanapau haare ae
jaaun kahaan taji
charan tumhaare ae
jaaun kahaan taji
charan tumhaare ae

raam sumir tu
raam sumir tu
raam sumir tu bhaai ee
raam sumir tu
raam sumir tu
raam sumir tu bhaai ee

raam naam ke sumir bina tu
raam naam ke sumir bina tu
budat hai adhikaayi ee ee ??
raam sumir tu
raam sumir tu
raam sumir tu bhaai

raam naam ka amrut chhaandi
raam naam ka amrut chhaandi
kaahe tu vish khaayi ee ee
raam sumir tu
raam sumir tu
raam sumir tu bhaai

kahat kabeeraa
guru prasaad lo o
kahat kabeeraa
guru prasaad lo
raam se kar lo snehi ee ee
raam sumir tu
raam sumir tu
raam sumir tu bhaai

raam kahat chalo
raam kahat chalo
raam kahat chalo bhaai re

raam sumir tu
raam sumir tu
raam sumir tu bhaai re

raam kahat chalo
raam kahat chalo
raam kahat chalo bhaai re

raam sumir tu
raam sumir tu
raam sumir tu bhaai re

raam kahat chalo
raam kahat chalo
raam kahat chalo bhaai re

raam sumir tu
raam sumir tu
raam sumir tu bhaai re

hare raam raam
hare raam raam
hare krishan Krishna
hare krishan krshna

jay raam raam
jay raam raam
jay Krishna Krishna
jay Krishna Krishna

hare raam raam
hare raam raam
hare krishan Krishna
hare krishan krshna

jay raam raam
jay raam raam
jay Krishna Krishna
jay Krishna Krishna

hare raam raam
hare raam raam
hare krishan Krishna
hare krishan krishna

bolo bhaai
raam ki duhaayi
bolo bhaai
raam ki duhaayi
bolo bhaai
raam ki duhaayi
bolo bhaai
raam ki duhaayi

hare raam raam
hare raam raam
hare Krishna Krishna
hare Krishna Krishna

hare raam raam
hare raam raam
hare Krishna Krishna
hare Krishna Krishna

jay raam raam
jay raam raam
jay Krishna Krishna
jay Krishna Krishna

bolo bhaai
raam ki duhaayi
bolo bhaai
raam ki duhaayi
bolo bhaai
raam ki duhaayi
bolo bhaai
raam ki duhaayi

hare raam raam
hare raam raam
hare Krishna Krishna
hare Krishna Krishna

jay raam raam
jay raam raam
jay Krishna Krishna
jay Krishna Krishna

hare raam raam
hare raam raam
hare Krishna Krishna
hare Krishna Krishna

jay raam raam
jay raam raam
jay Krishna Krishna
jay Krishna Krishna


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4991 Post No. : 16883

#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # # Missing Films of 1972-Kavi Sammelan -04#
——————————————

Welcome all to this post and wishing herewith all a ‘very happy and colourful Holi-2022’.

This is the fourteenth ‘holi’ celebration on this ‘musical’ blog and as is ‘customary’ for us we celebrate this by enjoying a song, for a change a ‘poetry’ recitation, in this post today.

As usual for me the ‘holi’ celebrations always reminded me the ‘hasya-vyang kavi sammelans’ program on TV channels. I had always loved to watch these programs savour the humorous, satirical, and other poems presented in these programs.

So, today we enjoy one such humorous poem recited by the famous poet Shail Chaturvedi. This poem is from the movie ‘Kavi Sammelan-1972’.

I am sure the regular readers on the blog must be enjoying all the posts presented under this series of poems from this movie. Today’s presentation is the fourth ‘poem-post’ from this movie.

On watching the video of the poems one can easily note the ‘banner’ hanged on the stage of this program where all the respected poets are also present. The banner also mentions this ‘kavi sammelan’ as a ‘haasya ras kavi sammelan’.

A brief about this movie is as given below.

‘Kavi Sammelan-1972’ was directed by Kedar Sharma for ‘Rajshri Productions Pvt Ltd’.
It was produced by Tarachand Badjatya.

Introduction of the poets on the dais was done by Ramrikh Manhar.

This movie was passed by Censor Board on 18.02.1972. Thus, this movie has now completed its fifty years of release.

The footnote for this movie page in HFGK Vol-V (1971-1980) mentions that ‘Bharat ke shreshthhtam Kavi pehli baar ek saath rajat-pat par pesh kiye gaye thhe.’

Poems of following ‘poets’ are included in this movie.

Rashtrakavi Shri Ramdhari Singh ‘Dinkar’
Santosh Anand (mentioned as ‘Santoshanand’)
Kaka Hathrasi
Som Thakur
Bekal ‘Utsahi’
‘Neeraj’
Snehlata ‘Sneh’
Radheshyam ‘Pragalbh’
Shail Chaturvedi
Govind Vyas
Maya Devi
Nirbhay Hathrasi
Balkavi Bairaagi
Omprakash ‘Aaditya’
Manik Verma
Kedar Sharma
Gopal Prasad Vyas

(Addenda in HFGK Vol-V (1971-1980) for this movie mentions that there were two more creations by Vimlesh and Paras Bhramar in this movie.)

So far, we have enjoyed the poems recited by Maya Govind, Kaka Hathrasi and Gopal Das ‘Neeraj’ in the earlier posts for the poems from this movie.

As mentioned above today’s poem is written and recited by Shail Chaturvedi.

Shail Chaturvedi was born on 29th June 1936 at Amravati, Maharashtra. He started his career as a lecturer at Allahabad University. There he also started participating in the ‘Kavi Sammelan’ progams held and soon became a regular personality at such programs held. Due to his speciality of presenting real life politics through his ‘satire’ and ‘humour’ he developed a ‘special place’ for himself among his contemporary poets in viz. Kaka Hathrasi , Pradeep Chaubey, and Ashok Chakradhar. This was during the period of 1970s and 1980s.

He also acted in some movies e.g., ‘Uphaar-1971’, ‘Chitchor-1976’ etc. He was also a regular feature in the various ‘Holi festival Kavi Sammelan programs’ presented on TV channels.

He had also acted in TV serials like ‘Kakkaji Kahin’, ‘Zaban Sambhalke’ and ‘Shriman Shrimati’ etc.

He authored books ‘Chal Gayi’, ‘Baazaar Ka Ye Haal Hai’, ‘Hansi Aati Hai’ etc. His poems have also been published in many newspapers, magazines, and audio cassettes too.

He left this world on 29th October’2007 at Mumbai. He was suffering from chronic kidney failure in his last days.

Let us now enjoy the today’s poem presented by Shail Chaturvedi.

Wishing all a very happy holi once again. 😊


Song-Hamaari aankh Chal gayi (Kavi Sammelan)(1972) Singer-Shail Chaturvedi, Lyrics-Shail Chaturvedi

Lyrics

waise to main ek sharif insaan hoon
aap hi ki tarah shrimaan hoon
magar apni baayin aankh se bahot
pareshaan hoon
apne aap chalti hai
log yoon samajhte hain ke
chalaayi gayi hai
jaan boojhkar milaayi gayi hai

ek baar bachpan mein
shaayad san pachpan mein
class mein
ek ladki baithhi thhi
paas mein
naam tha surekha
usne hamen dekha
aur hamaari aankh baayin … chal gayi
usne hamen dekha
aur hamaari aankh baayin chal gayi
ladki class chhodkar baahar nikal gayi
thhodi der baad
hamen hai yaad
principal ne bulwaayaa
lambaa chaudaa lecture pilaaya
hamne kahaa jee bhool ho gayi
veh bola
aisaa bhi hota hai bhool mein
sharam nahin aati hai
aisi gandi harkat karte huye
school mein
is’se pehle ke haqeeqat bayaan karte
phir chal gayi
is’se pehle ke haqeeqat bayaan karte
phir chal gayi
principal ko khal gayi
hua yah parinaam
ke kat gayaa naam
bamushkil tamaam
milaa ek kaam
to interview mein
khade thhe queue mein
ek ladki thi saamne adee
achaanak mudi
nazar uski ham par padi
aur aankh chal gayi
ladki uchhal gayi
doosre ummeedwaar chaunke
ladki ka paksh lekar bhaunke
phir kya thha
maar maar joote chappal
phod diya bakkal
sir par paanv rakhkar bhaage
log baag peechhe
ham aage
ghabraahat mein ghus gaye
ek ghar mein
bhayankar peeda thi sar mein
buri tarah haanp rahe thhe
maare dar ke kaanp rahe thhe
tabhi poochha us gharwaali ne
kaun?
ham khade rahe maun
wo boli bataate ho ya
kisi ko bulaaun
aur is’se pehle ke main zubaan hilaaun
chal gayi
wo maare gusse ke jal gayi
saakshaat durgaa si dikhi
boori tarah cheekhin
baat ki baat mein jud gaye adosi padosi
mausa mausi
bhateeje-mama
mach gayaa hangaamaa
chaddi banaa diya hamaara paijama
baniyan ban gaya kurtaa
maar maar kar banaa diya bhurta
ham cheekhte rahe
aur pitnewaale
hamein peet’te rahe
bhagwan jaane kab tak nikaalte rahe rosh
aur jab hamein aayaa hosh
to dekha asptaaal mein pade the
doctor aur nurse ghere khade thhe
hamne apni ek aankh kholi
to ek nurse boli
dard kahaan hai?
dard kahaan hai?
ham kahaan kahaan bataate
aur is’se pehle ke kuchh kah paate
chal gayi
chal gayi
nurse kuchh nahin boli
by god
nurse kuchh nahin boli
magar doctor ko khal gayi
bola
bola
itne serious ho
phir bhi aisi harqat kar lete ho
is haal mein
sharam nahin aati
mohabbat karte hon asptaal mein?
un sabke jaate hi aaya ward-boy
dene lagaa apni raay
bhaag jaayen chupchaap
nahin jaante aap
baat
baat badhh gayi hai
doctor ko gad gayi hai
case aapka bigadwaa dega aur
na huaa to maraa huaa batlaa kar
zindaa hi gadwaa dega

ek din sakhaare
ek din savere
baap ji hamaare
boley ham se
kya kahe tumse?
kuchh nahin kar sakte to
shaadi hi kar lo
kuchh nahin kar sakte to
shaadi hi kar lo
ladki dekh lo
maine dekh lee hai
zaraa health ki kachchi hai
bachchi hai ,
phir bhi achchhi hai
jaisi bhi ,
aakhir ladki hai
bade ghar ki hai
phir beta yahaan bhi to kadki hai
hamne kahaa
ji abhi kya jaldi hai?
ven boley
gadhe ho
dhaayi man ke ho gaye ho
magar
baap ke seene par ladey ho
wo ghar phans gaya to sambhal jaaoge
khote sikkey ho magar chal jaaoge

tab ek din bhagwaan se milke
bhagwaan se millke
dhadaktaa dil le
pahunch gaye roorkee,
dekhne ladki
shaayad hamaari hone waali saas
baithhi thhi hamaare pass
boli
yaatra mein takleef to nahin huyi
aur
hamaari aankh muyi chal gayi
hamaari aankh muyi chal gayi
vey samjhi ki machal gayi
boli
ladki to andar hai
main ladki ki maa hoon
ladki to andar hai
main ladki ki maa hoon
ladki ko bulaaun
aur is’se pehle ki main zubaan hilaaun
chal gayi dobaaraa
unhone kisi ka naam lek pukaaraa
phir jhatke se khadi ho gayin
hamaare baap ji ka saaraa plan hi dhul gayi
ham gaise gaye thhe laut aaye
ghar pahunch kar munh latkaaye
pita ji bolen
ab kya faayda munh latkaane se
aag lage aise jawaani mein
doob maro chullu bhar paani mein
nahin doob sakte to aankh phod lo
nahin phod sakte hamse naataa hi tod lo
jab bhi kahin jaate ho
pitkar hi aate ho
arey bhagwaan jaane kaise chalaate ho?

ab aap hi bataaiye
ab aap hi bataaiye
kya karoon
kahaan jaaun
kahaan tak gun gaaun
apni is aankh ke
kambakht joote khilwaayegi
laakh do-laakh ke
ab aap hi sambhaaliye
mera matlab hai koyi raasta nikaaliye
jawaan ho ya vruddhaa
poori ho ya addhha
kewal ek ladki
jiski ek aankh chalti ho
pataa lagaayiye
aur
mil jaaye to kakaji ko bataayiye

————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————

वैसे तो मैं एक शरीफ इंसान हूँ
आप ही की तरह श्रीमान हूँ
मगर अपनी बाईं आँख से बहुत परेशान हूँ
अपने आप चलती है
लोग समझते है के चलाई गई है
जान बूझ कर मिलाई गई है

एक बार बचपन में
शायद सन पचपन में
क्लास में
एक लड़की बैठी थी पास में
नाम था सुरेखा
उसने हमें देखा
और हमारी आँख बाईं
चल गई
उसने हमें देखा
और हमारी आँख बाईं
चल गई
लड़की क्लास छोड़ कर बाहर निकल गई
थोड़ी देर बाद
हमें है याद
प्रिंसिपाल ने बुलवाया
लंबा चौड़ा लैक्चर पिलाया
हमने कहा जी भूल हो गई
वो बोला
ऐसा भी होता है भूल में
शरम नहीं आती
ऐसी गंदी हरकत करते हुये स्कूल में
इससे पहले के हक़ीक़त बयान करते
फिर चल गई
इससे पहले के हक़ीक़त बयान करते
फिर चल गई
प्रिंसिपाल को खल गई
हुआ ये परिणाम
कि कट गया नाम

बामुश्किल तमाम
मिला एक काम
तो इंटरव्यू में
खड़े थे क्यू में
एक लड़की थी सामने अड़ी
अचानक मुड़ी
उसकी नज़र हम पर पड़ी
और आँख चल गई
लड़की उछल गई
दूसरे उम्मीदवार चौंके
लड़की का पक्ष ले कर भौंके
फिर क्या था
मार मार जूते चप्पल
फोड़ दिया बक्कल
सिर पर पाँव रख कर भागे
लोग बाग पीछे
हम आगे
घबराहट में घुस गए
एक घर में
भयंकर पीड़ा थी सर में
बुरी तरह हाँफ रहे थे
मारे डर के काँप रहे थे
तभी पूछा उस घरवाली ने
कौन?
हम खड़े रहे मौन
वो बोली बताते हो या किसी को बुलाऊँ
और इससे पहले के मैं ज़ुबान हिलाऊँ
चल गई
वो मारे गुस्से के जल गई
साक्षात दुर्गा से दिखी
बुरी तरह चीखी
बात की बात में
जुड़ गए अड़ोसी पड़ोसी
मौसा मौसी
भतीजे मामा
मच गया हंगामा
चड्डी बना दिया हमारा पैजामा
बानियान बन गया कुर्ता
मार मार कर बना दिया भुर्ता
हम चीखते रहे
और पीटने वाले हमें पीटते रहे
भगवान जाने कब तक निकालते रहे रोष
और जब हमें आया होश
तो देखा अस्पताल में पड़े हैं
डाक्टर और नर्स घेरे खड़े थे
हमने अपने एक आँख खोली
तो एक नर्स बोली
दर्द कहाँ है

दर्द कहाँ है
हम कहाँ कहाँ बताते
और इससे पहले कुछ कह पाते
चल गई
चल गई
नर्स कुछ नहीं बोली
बाई गौड
नर्स कुछ नहीं बोली
मगर डाक्टर को खल गई
बोला
बोला
इतने सिरीअस हो
फिर भी ऐसी हरकत कर लेते हो
इस हाल में
शरम नहीं आती
मोहब्बत करते हो अस्पताल में
उन सबके जाते ही आया वार्ड ब्वाय
देने लगा अपनी राय
भाग जाएँ चुपचाप
नहीं जानते आप
बात बढ़ गई है
डाक्टर को गड़ गई है
केस आपका बिगड़वा देगा
और ना हुआ तो मरा हुआ बतला कर
ज़िंदा ही गड़वा देगा

एक दिन सखारे
एक दिन सवेरे
बाप जी हमारे
बोले हमसे
क्या कहें तुमसे
कुछ नहीं कर सकते तो
शादी ही कर लो
कुछ नहीं कर सकते तो
शादी ही कर लो
लड़की देख लो
मैंने देखी है
ज़रा हैल्थ की कच्ची है
बच्ची है
फिर भी अच्छी है
जैसी भी
आखिर लड़की है
बड़े घर की है
फिर बेटा यहाँ भी तो कड़की है
हमने कहा जी अभी क्या जल्दी है
वे बोले
गधे हो
ढाई मन के हो गए मगर
बाप के सीने पर लदे हो
वो घर फंस गया तो संभल जाओगे
खोटे सिक्के हो मगर चल जाओगे

तब एक दिन भगवान से मिलके
भगवान से मिलके
धड़कता दिल ले
पहुँच गए रुड़की
देखने लड़की
शायद हमारी होने वाली सास
बैठी थी हमारे पास
बोली
यात्रा में तकलीफ तो नहीं हुई
और
हमारी आँख मुई चल गई
हमारी आँख मुई चल गई
वे समझी कि मचल गई
बोली
लड़की तो अंदर है
मैं लड़की की माँ हूँ
लड़की तो अंदर है
मैं लड़की की माँ हूँ
लड़की को बुलाऊँ
और इससे पहले की मैं ज़ुबान हिलाऊँ
चल गई दोबारा
उन्होंने किसी का नाम ले कर पुकारा
फिर झटके से खड़ी हो गईं
हमारे बाप जी का सारा प्लैन ही धो गईं
हम जैसे गए थे लौट आए
घर पहुंचे मुंह लटकाए
पिता जी बोले
अब क्या फायदा मुंह लटकाने से
आग लगे ऐसी जवानी में
डूब मारो चुल्लू भर पानी में
नहीं डूब सकते तो आँख फोड़ लो
नहीं फोड़ सकते तो हमसे नाता ही तोड़ लो
जब भी कहीं जाते हो
पिट कर ही आते हो
अरे भगवान जाने कैसे चलाते हो?

अब आप ही बताइये
अब आप ही बताइये
क्या करूँ
कहाँ जाऊँ
कहाँ तक गुण गाउँ अपनी इस आँख के
कमबख्त जूते खिलवाएगी
लाख दो लाख के
अब आप ही संभालिए
मेरा मतलब है कोई रास्ता निकालिए
जवान हो या वृद्धा
पूरी हो या अद्धा
केवल एक लड़की
जिसकी एक आँख चलती हो
पता लगाईये
और मिल जाये तो
काका जी को बताइये


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FOURTEEN years. This blog has over 17100 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2022) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

17102

Number of movies covered in the blog

Movies with all their songs covered =1329
Total Number of movies covered=4609

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Blog Start date: 19 july 2008

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