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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Street singing’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This post celebrates the 1000th song of Majrooh Sultanpuri on our blog.

rok sakta hamen zindaan e balaa kya majrooh
hum to awaaz hain deewaaron se chhan jaate hain

Powerful lines, written while he was in prison – no, not under the British rule; that happened back in 1946-47. This was a second time he was imprisoned c1950-51, under the regime of a free India. A poet with leftist leanings, his progressive writings were considered a threat by the British regime (which is understandable), and also considered a threat by then government of Morarji Desai (in Bombay). A song titled ‘Aman Ka Jhanda’ was sung at a meeting of poor labor class workers in the Parel area. Being the author, and the on stage presenter of this song, drew the ire of the establishment, and arrest warrants were issued in his name. He was arrested after being underground for some time, and sentenced to one year imprisonment. Morarji Desai suggested that he may render an apology for his writings, and he would be a free man. In response, the young revolutionary poet wrote this couplet.

rok sakta hamen zindaan e balaa kya majrooh
hum to awaaz hain deewaaron se chhan jaate hain

No walls of a prison
No tyranny of a jailer
Has the power to bind me
I am the voice (of conscience)
That permeates through
The walls of confinement
[Note: zindaan = jailer]

Remembering Majrooh Sb on the 98th anniversary of his birth today (1st October).

When born in 1919, he was named Asraar ul Hasan Khan. His father, who worked in the Police department, wanted him to have the traditional education, and learn to be a doctor. The young Asraar studied at the traditional Masrasa, and took up Unaani medicine, to become a ‘hakeem’. These are efforts made by the worldly wise in the family, to get the young man settled in life. But the voice of the revolutionary poet turned to be more strong and it was his shaayari that ascended to claim his life to be its own. Influenced and encouraged by the stalwarts of his era, namely Faiz, Majaaz and Jigar Moradabaadi, he found himself to be much more at home in mushairas and gatherings of writers. He came to Bombay to participate in one such gathering of poets. AR Kardar was present at this mushaira. The impressions made led to a meeting between Kardar, Naushad and this young poet. The outcome was the songs of the film ‘Shahjehan’. The rest, as is often said, is history.

The innings lasted for five and a half decades, probably the longest inning by a songwriter in the Hindi film industry. The body of work consists of more than 2300 songs written for almost 350 films over a period of 55 years. Songs that have entertained generation after generation of movie buffs and radio listeners. The longevity and the creativity can be gauged from the popularity of his writings at the two ends of this long 55 year spectrum. At one end of this spectrum are gems like “Yun To Aapas Mein Bigadte Hain Khafaa Hotey Hain” (‘Andaaz’, 1949) and “Sun Sun Sun Sun Zaalima. . .” (‘Aar Paar’, 1954), and at the other end are the contemporary innovative hits like “Baahon Ke Darmiaan. . .” (‘Khamoshi – The Musical’, 1996) and “Ae, Kya Bolti Tu. . . Aati Kya Khandaala” (‘Ghulam’, 1998). And in between these two ends are crammed a couple of thousand popular hit songs across the decades, that cannot be justifiably dealt with in a single article.

Romanticism apart, the writings of Majrooh touch upon the variety of human sentiments, and have carried an attraction that has appealed to generations. His creativity and his touch of the current in-vogue sentimentalism made him a successful partner of four generations of music directors from Naushad and Ghulam Mohammed all the way to Jatin-Lalit and AR Rahman. That is a prowess and a success that probably no other songwriter in the industry can lay a claim to.

For today’s celebration, I have picked this Mukesh – Usha Mangeshkar duet from the 1966 film ‘Mere Lal’. The music is created by the duo of Laxmikant Pyaarelal. Another significant reason to celebrate today’s anniversary is that we are on the 1,000th post of Majrooh Sb’s songs on our blog. Back in 1993, Majrooh Sb became the first songwriter in the film industry to be honored with the coveted Dada Saheb Phalke Award. And today, he becomes the first songwriter to breach the 1000th milestone on our blog.
[Note: Rajinder Krishan is very close, also in the 990s. The next closest is Anand Bakshi, still a little further behind at 875.]

Today’s song is a roadside tamasha song, as we see a roving entertainer with his trained monkey’s act, present a performance to the roadside public. And now we have a film song to go along with it. 🙂 The singing voices are of Mukesh and Usha Mangeshkar. The latter is singing for assistant of the lead performer.

In the video clip, we hear two antaraas. However, the longer more complete song is available as an audio clip only. Also, the Geet Kosh lists this song twice, and apparently, the second reprise of the song in the film is a solo sung by Usha Mangeshkar. This reprise has only one antaraa, which is a repeat of the first antaraa of the main part of this song. The lyrics noted are based on the longer audio version of the song.

I request the more knowledgeable readers to help identify this performer duo who enact this song on screen.

Note: Avinash ji informs us that the young assistant lip syncing the voice of Usha Mangeshkar, is Mahesh Kothare, who was later active in the Marathi film industry as an actor, producer and director.

Video

Audio (Longer)

Song – Jab Tak Ye Sansaar Nachaaye  (Mere Lal) (1966) Singer – Mukesh, Usha Mangeshkar, Lyrics – Majrooh Sultanpuri, MD – Laxmikant Pyaarelal
Mukesh + Usha Mangeshkar

 

Lyrics (Based on the longer audio version)

Part 1
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin taa thaiya
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin waah bhaiya

jab tak ye sansaar nachaaye
jab tak ye sansaar
jab tak ye sansaar nachaaye
jhoom jhoom kar naache ja
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin taa thaiya
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin waah bhaiya

jab tak ye sansaar nachaaye
jhoom jhoom kar naache ja
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin taa thaiya
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin waah bhaiya

arre waah mere baanke
naacho isi latak se
lachkaayo re qamariya
o zara aur matak ke
jag tujh pe hanse to
chal sar ko jhatak ke
zara aur mazey mein
pyaare thumak thumak ke
sar par topi laal sajaaye
sar par topi laal
sar par topi laal sajaaye
moonch taan kar naache ja
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin taa thaiya
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin waah bhaiya

tauba tera mukhda
haaye teri jawaani
o tera naach jo dekhe
prem nagar ki rani
mar jaaye sun sun ke
teri ghunghroo ki baani
andhi hai ye duniya
teri qadar na jaani
tujhko kya koi aaye na aaye
tujhko kya..aa
tujhko kya koi aaye na aaye
ghunghroo baandh ke naache ja
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin taa thaiya
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin waah bhaiya

arre dekh rukey naa
chaahe bahey paseena
o teri raah takey hai
kahin koi haseena
sapnon mein basar ho
chaahe kai maheena
shiqwa mat kariyo
pyaare yahi hai jeena
jab tak pag betaal na jaaye
jab tak pag betaal
jab tak pag betaal na jaaye
yun hi umar bhar naache ja
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin taa thaiya
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin waah bhaiya

jab tak ye sansaar nachaaye
jab tak ye sansaar
jab tak ye sansaar nachaaye
jhoom jhoom kar naache ja
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin taa thaiya
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin waah bhaiya

Part 2
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin taa thaiya
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin waah bhaiya

jab tak ye sansaar nachaaye
jab tak ye sansaar
jab tak ye sansaar nachaaye
jhoom jhoom kar naache ja
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin taa thaiya
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin waah bhaiya

jab tak ye sansaar nachaaye
jhoom jhoom kar naache ja
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin taa thaiya
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin waah bhaiya

arre waah mere baanke
naacho isi latak se
lachkaayo re qamariya
o zara aur matak ke
jag tujh pe hanse to
chal sar ko jhatak ke
zara aur mazey mein
pyaare thumak thumak ke
sar par topi laal sajaaye
sar par topi laal
sar par topi laal sajaaye
moonch taan kar naache ja
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin taa thaiya
dhaagi na dhinak tin
taagi na tinak dhin
dhaagi na dhinak tin waah bhaiya

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

भाग १
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन ता थइय्या
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन वाह भईय्या

जब तक ये संसार नचाए
जब तक ये संसार
जब तक ये संसार नचाए
झूम झूम के नाचे जा
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन ता थइय्या
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन वाह भईय्या

जब तक ये संसार नचाए
झूम झूम के नाचे जा
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन ता थइय्या
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन वाह भईय्या

अरे वाह मेरे बाँके
नाचो इसी लटक से
लचकायो रे कमरिया
ओ ज़रा और मटक के
जग तुझ पे हँसे तो
चल सर को झटक के
ज़रा और मज़े में
प्यारे ठुमक ठुमक के
सर पर टोपी लाल सजाये
सर पर टोपी लाल
सर पर टोपी लाल सजाये
मूंछ तान कर नाचे जा
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन ता थइय्या
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन वाह भईय्या

तौबा तेरा मुखड़ा
हाए तेरी जवानी
ओ तेरा नाच जो देखे
प्रेम नगर की रानी
मर जाये सुन सुन के
तेरी घुँघरू की बानी
अंधी है ये दुनिया
तेरी कदर ना जानी
तुझको क्या कोई आए ना आए
तुझको क्या
तुझको क्या कोई आए ना आए
घुँघरू बांध कर नाचे जा
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन ता थइय्या
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन वाह भईय्या

अरे देख रुके ना
चाहे बहे पसीना
ओ तेरी राह तके है
कहीं कोई हसीना
सपनों में बसर हो
चाहे कई महीना
शिकवा मत करियो
प्यारे यही है जीना
जब तक पग बेताल ना जाये
जब तक पग बेताल
जब तक पग बेताल ना जाये
यूं ही उमर भर नाचे जा
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन ता थइय्या
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन वाह भईय्या

जब तक ये संसार नचाए
जब तक ये संसार
जब तक ये संसार नचाए
झूम झूम के नाचे जा
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन ता थइय्या
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन वाह भईय्या

भाग २
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन ता थइय्या
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन वाह भईय्या

जब तक ये संसार नचाए
जब तक ये संसार
जब तक ये संसार नचाए
झूम झूम के नाचे जा
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन ता थइय्या
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन वाह भईय्या

जब तक ये संसार नचाए
झूम झूम के नाचे जा
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन ता थइय्या
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन वाह भईय्या

अरे वाह मेरे बाँके
नाचो इसी लटक से
लचकायो रे कमरिया
ओ ज़रा और मटक के
जग तुझ पे हँसे तो
चल सर को झटक के
ज़रा और मज़े में
प्यारे ठुमक ठुमक के
सर पर टोपी लाल सजाये
सर पर टोपी लाल
सर पर टोपी लाल सजाये
मूंछ तान कर नाचे जा
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन ता थइय्या
धागी ना धिनक तिन
तागी ना तिनक धिन
धागी ना धिनक तिन वाह भईय्या

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

With this post, the blog has reached yet another very significant milestone – 1000 films Yippeee’d, i.e. all songs covered.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

One more Yippeee; the yippeee song for today. The film is ‘Gehra Raaz’ from 1971. In all, the film has four songs listed in the Geet Kosh. Today, we get familiar with the fourth song of this film.
Read more on this topic…


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi : The Incomparable (II) – Song No. 02
———————————————————————-

wo dil jo maine maangaa thaa magar gairon ne paayaa thaa
badi shai hai agar, uski pashemaani mujhe de do

Yesterday I visited the page again on the song ‘Tum Apna Ranj o Gham, Apni Pareshaani Mujhe De Do‘. I know the words are ‘badi shai hai agar‘, on which there is the long thread of comments. ‘Shai’, in common urdu is a thing or an object.  ‘badi shai hai ‘ literally means , its a big thing or a big deal.  As it is said in English that ‘its a big deal for me’ or means a lot to me.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Mehbooba”(1954) was produced and directed by K Amarnath. The movie had Nalini Jaiwant, Shammi Kapoor, Hiralal, Achla Sachdev, Amar, Wazir Mohammad Khan, Ramesh Thakur, Amrit Rana, Gope etc in it.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Amitabh – The Later Decades – 5
—————————————————–

The carrying capacity of this man is amazing. There is an aura about him that continues to draw the audiences. The measure of his success and popularity is pretty much sustained, as his fans continue to return to the cinema/video time after time after time. I believe that the secret behind this sustenance has been his capacity to re-invent himself, and his portrayals.

I must frankly admit that I have kept away from the mainstream cinema, mostly after the seventies faded away, and a new order both in terms of performers, as well as music, came on to the scene.  The time also coincided with the years amounting to almost two and a half decades that I was traveling, and away from India most of the time.  The viewing of current films was random and patchy at the best, and that I never went out of my way to acquire and watch a current film.  Unless it was recommended to me, and that too, by someone whose judgement I would trust.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

 

Ye Hai Bombay Meri Jaan – 1
– – – – – – – – – – – – – – – – – – – – – – –

        Silence. . .     Silence on the sets

        Lights. . .
        Camera. . .
        . . .
        . . .

        Breakfast. . .

On Sunday (21 Dec), when the gangout happened in Bombay, many things converged together, including a lot of birds of the same feather. And with it also came the ideas around another new series (this one).  But more about the series later.
Read more on this topic…


Today (3 august) is the birth anniversary of Shakeel Badayuni (3 august 1916- 20 april 1970). The combination of Shakeel Badayuni as a lyricist as Naushad as a music director was one of the most common and most successful lyricist-music director combinations of the golden era of Hindi movies. They worked together in as many as thirty movies.
Read more on this topic…


Hindi movie songs cover lots of ground as far as depicting various human feelings as well as activities of Indians are concerned. But there are still a few regular activities that have been sadly underrepresented. For instance, there are hardly any songs for an activity as common as buying and selling of vegetables.
Read more on this topic…


Late 1960s and early 1970s were a period which saw the creation of several songs that have now become integral parts of Indian weddings. These are songs whose tunes are played in most Indian baaraats almost without fail.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13600 song posts by now.

This blog is active and online for over 3300 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13654

Number of movies covered in the blog

Movies with all their songs covered =1024
Total Number of movies covered =3736

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Blog Start date: 19 july 2008

Active for more than 3250 days.

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