Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Bulbul songs’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 27
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‘फ’

“फुर्र से उड़ जाती थी बुलबुल”

Although he lacked the finesse and comeliness of Shammi Kapoor, yet Jeetendra did acquire the epithet of ‘Jumping Jack’ of Hindi cinema. The film was ‘Farz’ from 1967. White shoes till then, were typically a trademark of either Rajkumar, or of the villain bosses like NK Ansari etc. In ‘Farz’, Jeetendra donned these white shoes for the song “Mast Bahaaron Ka Main Aashiq”. The image captured the imagination and clicked with the audiences. And then of course, followed a string of films with songs by Jeetendra presented with the same vigor and similar mannerisms. The ‘Jumping Jack’ epithet quite stuck on now.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Mr Qartoon MA” (1958) was directed by Ved and Madan for Natraj Productions, Bombay. The movie had Johny Walker, Shyama, Mehmood, Kumkum, Raj Mehra, Baij Sharma, Sheila Vaz, Daljeet, Chandabai, Ranjana, Rajan Haksar, Keshav, Abdul Narula etc with Minu Mumtaz in guest role.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naya Paisa”(1958) was produced and directed by Aspi Irani for Super Pictures, Bombay. The movie had Johny Walker, Chaand Usmani, Agha, Krishna Kumari, Shammi, Tuntun, Indira Bansal, Manohar Deepak, Kanchanmala, Arun, Babu Raje, Mumtaz Ali, H Prakash, Uma Dutt, Mohan Sandow, Dalpu, Kamal Mohan, Ashok, Farida, Rukhsana, Abdul Kareem Khan, Bagla, Miss Bilkis with Nadira in guest appearance.
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This article is written by Nitin Shah, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Atul Song-A-Day 10K Song Milestone Celebrations – 15
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I have known Bharatbhai since more than one year through our blog. I met him at his Andheri residence on his last but one birthday. From the telephone conversation with him, I was looking forward to a youngish person but he turned out to be quite a senior person but with a straight back, sprightly gait and a young voice.
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“Rani Roopmati” (1959) was a Ravikala Chitra Production movie. It was directed by S N Tripathi. The movie had Nirupa Roy, Bharat Bhushan, Nalini Chonker, Ullhas, B. M. Vyas, Babu Raje, Amarnath etc in it.
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“Heer” (1956) was a Filmistan production. It was directed by Hamid Dutt. The movie had Pradeep Kumar, Nutan, Ulhas, Darpan, S. L. Puri, Randhir, Krishna Kumari, Zohra Sehgal, Chaman Puri, Mubarak, Murad, Rashid Khan, Lalita Pawar, Shakuntala etc in it.
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In Hindi movies, actors tend to sing song at just about any occasions, including when they are travelling. we have several rail songs, car songs, chariot songs etc in Hindi movies where actors, not content with travelling in silence, break into a song.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

Parbat Pe Apna Dera (1944) is one of the more important creations of V Shantaram. The film deals with the concept of ‘maya’ the enduring allurement of the material world that spares no one. The theme also deals with the consequences fo desires, which are mostly painful and damaging. Briefly, Ulhas is an ascetic who lives alone on a hilltop, and does not allows any visitors or passersby to come to him. Once, Vanmala chances to come face to face with this ascetic, in one of her treks. She is injured, and the ascetic has some cure that relieves her of pain. She is the daughter of a rich person, probably used to having her way. She insists on continuing to meet Ulhas, against his wishes, and continues to bring him gifts, almost setting up a household on the hilltop, once where there was an abode of renunciation. One thing leads to another, and the ascetic ties the nuptial knot with this rich lady, leaves his ‘parbat’ (symbolically the high vantage point of human experience), and comes down to ‘civilization’ to live with his newfound family.
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“Baadshah” (1954) is a forgotten movie by now. This movie had Pradeep Kumar, Usha Kiran and Mala Sinha in lead roles.
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In the beginning of his career, Kalyanji had initially given music alone, before forming a partnership with his younger sibling, viz Anandji. “Bedard Zamaana Kyaa Jaane” (1959) is one such movie where Kalyanji gave mosic solo under the name Kalyanji Veerji Shah.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has more than 12900 song posts by now.

This blog is active and online for over 3000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

12964

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Movies with all their songs covered =909 Total Number of movies covered =3641

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Blog Start date: 19 july 2008 Active for 3000 days.
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