Archive for the ‘Songs of 1998’ Category
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5402 | Post No. : | 17726 | Movie Count : |
4748 |
Hullo Atuldom
Back after a gap of around one & half months.
Have been so active, doing various other activities, that for the first time, since 2009 (when I discovered the blog) and 2012 (when my first post appeared on the blog), I missed a few milestones (the 17,700th post) on the day it was posted. Also missed a post by Sudhir ji, which featured a song which I simply love to see “Wo Ladki Hai Kahaan“.
Also I missed writing posts on a few occasions for which I had drafts ready in my mind, but could not get down to writing or typing them. Occasions like the Hindu New Year (call them by any name- Ugadi, Vishu, Baishakhi, Cheti Chand etc.), birthdates and anniversaries of a few favourite celebs (Sachin Tendulkar, Rishi Kapoor, Irfan Khan, etc). Of course, there were posts on these special dates, just that I have been catching up on them over the last few days.
This last month and half, I have been attending a few weddings and landmark birthdays of my brothers & beloved Aunty (‘Kaaki‘ sounds more personal than Aunty). That meant hurried trips to Kerala & Mumbai (twice), and three days in Chennai. I managed to meet Guru ji on my first trip to Mumbai, but could spend only an hour with him. And saw he was preparing for his book ‘Forgotten Artists of Early Cinema and The Same name Confusion’ release. Feel so proud that I know him.
Getting to the purpose of this post- 3rd May is a special date in the annals of Indian Film Industry. It was on this date, in the year 1913, that Dadasaheb Phalke’s ‘Raja Harishchandra’, the first full length feature film produced in India, was premiered at Coronation Theater in Bombay. (The first ever film, projected moving pictures, was presented by the Lumiere Brothers in December 1895 in Paris, France).
Starting from that screening of the silent film ‘Raja Harishchandra’ till today, it is 110 years. We have had hundreds & thousands films made in almost all the Indian languages possible. There have been instances of films borrowing story ideas from our mythologies, folklore etc. Stories of India’s freedom struggle, biographies of leaders who were at the forefront at that time. The films made in India have converted novels, books into moving images that have left a permanent imprint in the minds of the enthralled fans. The list of ideas on which films are based are as varied as the framework of our country.
I have never felt the need to see films made in any other country, never had time to discover anything else. Of course, there have been a few English films that have crept into my list of films seen in my lifetime, these may add up to 15/20. But, largely, I have relished films made in Hindi, Malayalam, Tamil, Marathi, Telugu etc. In the days when Doordarshan was the sole home-entertainment source, I have even seen films in Gujarati, Bengali & Punjabi.
I know for sure that films were initially made in Lahore, Calcutta, Madras, Bombay, Kolhapur, Poona etc. Post 1947, Bombay, Madras & Calcutta (don’t know about Kolhapur & Poona) were the movie making centres with most South Indian language films being made in Madras. I am not sure about when Kerala, Andhra Pradesh & Karnataka and other states set up their own film cities. (I am expecting answers to all my doubts from the knowledgeable Atulites).
Just as story-ideas were exchanged between the films of all the languages, actors from one region were seen in films of other regions. That trend still continues.
Similarly, there has been a trend of bilinguals & trilinguals (movies made in two or three languages simultaneously) that is accepted by the audiences. And finally there are dubbed versions of popular films too. Even, this system has not been given up, and so we have ‘KGF’ (essentially a Kannada film), ‘RRR’ (Telugu), ‘Bombay’ (Tamil), ‘Roja’ (Tamil) being brought to the notice of the Hindi audiences by dubbing them. I would love to add instances of films from other languages too , but I am ignorant of these. I know for sure that ‘English Vinglish’, ‘Dil Se’, ‘PK’ have been dubbed into south Indian languages.
To celebrate the birthday of the Indian Film Industry I have chosen a song from the film ‘Doli Saja ke Rakhna’ (1998). This is Priyadarshan remaking Fazil’s (who normally made movies in Tamil and Malayalam) ‘Aniyathi Pravu’ (which directly translates as ‘Younger Sister Dove’). ‘Aniyathi Praavu’ was remade as ‘Premisthunnanu’ in Telugu, ‘Kadhalukku Mariyadhai’ in Tamil & ‘Preethigagi’ in Kannada. This is what made me feel ‘DSKR’ was an eligible option to celebrate the Indian Film Industry. It has Anupam Kher, Moushumi Chatterjee, Aruna Irani, Paresh Rawal, Mohnish Behl, Tej Sapru, Ninad Kamat, Suresh Menon, Umesh Shukla playing the family and friends to Akshaye Khanna and Jyothika. Amrish Puri had a special appearance in this film. Malayalam actor Innocent Vareed Thekkethala, known mononymously as Innocent, also made his Hindi debut in this film.
‘DSKR’ is also the debut film of Jyothika who was born in Mumbai in 1978. She starred in many South Indian films and became very popular too.
I would like to put in a few words about Innocent. He was a versatile actor who graced the Malayalam screen from 1972 and was seen playing characters that mostly brought a smile on the viewers face. He made an excellent foil, co-actor to all his co-stars and his pairing with KPAC Lalitha (who passed away in 2022) was well-received. His career of close to 700 films featured Tamil & Kannada films too. There were two Hindi films also, both made by Priyadarshan. He was also a writer, film producer and a politician. Innocent, who was born on 28th February 1948 died recently, on 26th March at the age of 75. He was a cancer survivor who took ill on 3rd March and died three weeks later. We can see him in today’s song in the uniform of an Army Colonel.
Today’s song is sung by Babul Supriyo & Srinivas. (Again meeting of artists from two regions). The song is composed by AR Rehman and written by Mehboob Kotwal (who is always credited as Mehboob).
Song – Taram Pum Taram Pum Taram Pumm, Chalo Usko Dhhodhenge Hum (Doli Saja Ke Rakhna) (1998) Singer – Babul Supriyo, Srinivas, Lyrics – Mehboob, MD – AR
Male Chorus
Female Chorus
Lyrics (Provided by Sudhir)
ye khoya khoya rehta hai
ye din mein soya soya rehta hai
ye raaton mein uth uth ke yahi gaata hai
wo le gai dil
tarram pum tarram pum tarramm pumm
chalo usko dhoondhenge hum
pari hai wo hai hoor koi
jo dhaaya hai itna sitam
nahin wo to kuchh aur hi hai
kahen kya yaaro tumse hum
tarram pum tarram pum tarramm pumm
chalo usko dhoondhenge hum
itni haseenon mein
chhupi ik aisi haseena hai
ke moti seep mein ho jaise
angoothi mein ho
nageena koi wo
dekha hai tumne
kaho kya usko
ho o o o
jaise nageena koi wo
dekha hai tumne
kaho kya usko oo oo oo
tarram pum tarram pum tarramm pumm
chalo usko dhoondhenge hum
pari hai wo hai hoor koi
jo dhaaya hai itna sitam
nahin wo to kuchh aur hi hai
kahen kya yaaro tumse hum
tarram pum tarram pum tarramm pumm
chalo usko dhoondhenge hum
tarram pum tarram pum tarramm pumm
tarram pum pum pum pum pum pumm
tarram pum tarram pum tarramm pumm
tarram pum pum pum pum pum pumm
doodh si rangat hai
dhuli ho chaandni se jaise
kamal ke jaisi nazaakat hai
karishma hai wo
khuda hi ka to jo
dekha hai tumne
kaho kya usko oo oo
jaise karishma hai wo
dekha hai tumne
kaho kya usko oo oo oo
tarram pum tarram pum tarramm pumm
chalo usko dhoondhenge hum
pari hai wo hai hoor koi
jo dhaaya hai itna sitam
nahin wo to kuchh aur hi hai
kahen kya yaaro tumse hum
tarram pum tarram pum tarramm pumm
chalo usko dhoondhenge hum
pari hai wo hai hoor koi
jo dhaaya hai itna sitam
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Hindi script lyrics (Provided by Sudhir)
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ये खोया खोया रहता है
ये दिन में सोया सोया रहता है
ये रातों में उठ उठ के यही गाता है
वो ले गई दिल
तर्रम पम तर्रम पम तर्रम्म पम्म
चलो उसको ढूँढेंगे हम
परी है वो है हूर कोई
जो ढाया है इतना सितम
नहीं वो तो कुछ और ही है
कहें क्या यारो तुमसे हम
तर्रम पम तर्रम पम तर्रम्म पम्म
चलो उसको ढूँढेंगे हम
इतनी हसीनों में
छुपी इक ऐसी हसीना है
के मोती सीप में हो जैसे
अंगूठी में हो
नगीना कोई वो
देखा है तुमने
कहो क्या उसको
हो ओ ओ ओ
जैसे नगीना कोई वो
देखा है तुमने
कहो क्या उसको ओ ओ ओ
तर्रम पम तर्रम पम तर्रम्म पम्म
चलो उसको ढूँढेंगे हम
परी है वो है हूर कोई
जो ढाया है इतना सितम
नहीं वो तो कुछ और ही है
कहें क्या यारो तुमसे हम
तर्रम पम तर्रम पम तर्रम्म पम्म
चलो उसको ढूँढेंगे हम
तर्रम पम तर्रम पम तर्रम्म पम्म
तर्रम पम पम पम पम पम पम्म
तर्रम पम तर्रम पम तर्रम्म पम्म
तर्रम पम पम पम पम पम पम्म
दूध सी रंगत है
धुली हो चाँदनी से जैसे
कमाल के जैसी नज़ाकत है
करिश्मा है वो
खुदा ही का तो जो
देखा है तुमने
कहो क्या उसको ओ ओ
जैसे करिश्मा है वो
देखा है तुमने
कहो क्या उसको ओ ओ ओ
तर्रम पम तर्रम पम तर्रम्म पम्म
चलो उसको ढूँढेंगे हम
परी है वो है हूर कोई
जो ढाया है इतना सितम
नहीं वो तो कुछ और ही है
कहें क्या यारो तुमसे हम
तर्रम पम तर्रम पम तर्रम्म पम्म
चलो उसको ढूँढेंगे हम
परी है वो है हूर कोई
जो ढाया है इतना सितम
Jiyara dhak dhak dhak dhak boley
Posted on: October 26, 2022
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5213 | Post No. : | 17201 | Movie Count : |
4628 |
Hullo Atuldom
At the outset a Happy Deepawali to all the followers of this blog. Today is Bali Pratipada and the holiday fervour/ fever continues. There are still some friends & relatives to be wished, gifts & sweets to be exchanged. Then there will be Bhai Dooj or Bhau Beej (as it is called in Western India) on the 27th. That will be the last of celebrations (I think) for the Diwali holidays.
We have celebrations in our Atuldom too today. We have an Atulite turning a year older. Additionally, another Atulite’s baby is growing a year older.
Here is wishing the first follower of AtulSongaDay.me a very Happy Birthday. Hope he has a enjoyable musical day & year ahead. Hope he gets back to being active here on the blog. Really miss his posts which are full of his love for Mohd. Rafi, Kishore Kumar, Rajesh Khanna, Amitabh Bachchan, Sahir, and everyone connected with Indian Film Music.
Also wishing the Baby of our friend from Atuldom on her birthday. All the best for her future may she achieve all that she has set her sights on. Hope she shares her father’s love for music.
Today also happens to be the birthday of the first friend in my life, the first playmate of my life. The person who loves singing, dancing & cycling and has a larger reservoir of songs (as compared to me) and is my preferred teammate when there are antakshari games in our family circles; people say we make a formidable team.
“Salaakhen” (1998) was a movie produced by Rajiv Tolani & Guddu Dhanoa. It was directed by Guddu Dhanoa, had music by Dilip Sen- Sameer Sen with Sameer as the lyricist. Abhijeet, Alka Yagnik, Anuradha Paudwal, Chitra, Hema Sardesai, Kumar Sanu, Lalit Sen, Shweta Shetty, Udit Narayan, Vinod Rathod were the playback singers used. The star cast had Raveena Tandon, Sunny Deol (who turned 65 on 19th), Anupam Kher, Deven Verma, Amrish Puri, Mohan Joshi etc. and Manisha Koirala for just a dance interlude i.e. an item number.
It was the story of a young man (Sunny Deol) who is out to take revenge on a corrupt , influential bigshot (Amrish Puri) who is the reason behind his father (Anuam Kher’s) suicide. The upright school teacher father is witness to the bigshot’s son molesting a girl and is hassled by the cops when, first, he goes to report it and then when he goes to testify in the courts. All this harassment confuses him no-end and he takes his own life. The rest of the movie goes along expected lines of any Sunny Deol movie of those times “Dacait”, “Ghayal” etc. can be examples of such movies. Of course there is Raveena Tandon too in the movie in one of her ‘arm-candy’ roles.
Today is Raveena’s 50th birthday. Here is wishing her health & happiness and success in all her endeavours with this song featuring her and Sunny Deol. The song is in the voices of Shweta Shetty and Abhijeet. Ganesh Acharya and Chinni Prakash were the choreographers used in the movie and I have a feeling that this song was choreographed by Ganesh Acharya. Shweta Shetty (a cousin of Shilpa Shetty) was a popular Indie-Pop singer in the 90s (I don’t know if she cuts albums in these times); she is the voice for Raveena Tandon.
Happy Birthday to our fellow Atulite Rajaji and daughter of another Atulite. All the best to the two of them.
Audio (Longer)
Video
Song-Jiyara dhak dhak dhak dhak boley (Salaakhen)(1998) Singers-Shweta Shetty, Abhijeet, Lyrics-Sameer, MD-Dilip Sen Samir Sen
Female chorus
Male chorus
Lyrics(Based on Audio version)
o dhak dhak
o dhak dhak
o dhak dhak
o dhak dhak
o sainya maan le dil ki baat
jiyara dhak dhak dhak dhak boley
o sainya maan le dil ki baat
jiyara dhak dhak dhak dhak boley
tu jo pakde mera haath
jiyara dhak dhak dhak dhak boley
jiyara dhak dhak dhak dhak boley
masti chhaaye hauley hauley
main jo sochoon teri baat
jiyara dhak dhak dhak dhak boley
main jo aaun tere paas
jiyara dhak dhak dhak dhak boley
jiyara dhak dhak dhak dhak boley
masti chhaaye hauley hauley
sainya maan le dil ki baat
jiyara dhak dhak dhak dhak boley
main jo sochoon teri baat
jiyara dhak dhak dhak dhak boley
aa aa aa
yaahee yaahee yaahee aa
yaa haa haa haa
yaa haa haa haa
ho ho ho
ho ho ho
ho ho ho ho
ho ho ho
ho ho ho
ho ho ho
toone apne deewaane par aisa jaadu daala
hosh ganva ke masti mein jhoome tera matwaala
ho toone apne deewaane par aisa jaadu daala
hosh ganva ke masti mein jhoome tera matwaala
maine bhi to apne aap ko athrah saal sambhaala
dekha jo tujhko to de diya is joban ka pyaala
paa ke pyaar bhari saugaat
jiyara dhak dhak dhak dhak boley
o sainya maan le dil ki baat
jiyara dhak dhak dhak dhak boley
main jo aankhen band karoon
mere sapnon mein tu aaye
sapnon mein aake mujhko kaise kaise tadpaaye haaye
ho main jo aankhen band karoon
mere sapnon mein tu aaye
sapnon mein aake mujhko kaise kaise tadpaaye
jeene na degi mujhko meri jaan teri angdaayi
ab to sahi na jaaye mujhse ek pal ki judaayi
karwat badloon re saari raat
jiyara dhak dhak dhak dhak boley
main jo sochoon teri baat
jiyara dhak dhak dhak dhak boley
jiyara dhak dhak dhak dhak boley
masti chhaaye hauley hauley
main jo sochoon teri baat
jiyara dhak dhak dhak dhak boley
aaja ho gayi aadhi raat
jiyara dhak dhak dhak dhak boley
haa
haa
haa
haa
haa
haa
haa
haa
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4998 | Post No. : | 16896 | Movie Count : | 4590 |
Hullo Atuldom
In the (almost) 14 years of its existence, there have been many changes in the lives of those associated with atulsongaday.me.
Our Atulji has shifted base a few times in these years. If I am not wrong his daughter has qualified to be a doctor as also Nahmji’s son and Shri Arunkumar Deshmukhji’s (Guruji) grandson/s have also become doctors. Peevesie who entered the world of ASAD and was called the youngest follower turning to contributor and mouthpiece (for the blog) among her friends and family has since become a working adult and even has a life-partner as also Nahmji’s daughter. Avinashji has also shifted base a few times and also had an overseas stint in the years in between. Maheshji (Mukesh Fan is his second name) has returned to Motherland and is no longer an NRA (non-resident atulite). I know that similar changes, in life & on the work front, have happened in the lives of other Atulites too. I have myself graduated from being a full-time mother to a leisurely-paced mother.
There is a lesser-known Atulite who has contributed only one post as a guest-poster (she took over the mantle of youngest contributor). Her forte’ is that she is musically inclined as her father (a hyper-active atulite). I know that she also pens verses which are very meaningful. She had given her father this post on his birthday six years back. She was welcomed wholeheartedly by atulites who wanted more from her but her preoccupation with education and other activities may not have given her time to contribute more to the blog. But the song with that post was so meaningful, it would have been appropriate for today. She has grownup into a young adult and is stepping into a new phase of her life. Here is wishing her all the best for the future.
There is a happy event happening in the life of our Guruji too in the next few days. Wishing him lots of joy and all the best to his grandson.
“Jab Pyar Kisise Hota Hai” is a title that was first used in Hindi films in 1961 which was written and directed by Nasir Husain and had his time-tested formula of hero impersonating, heroine falling in love with the impersonator, misunderstandings creeping in due to the villain and heroine’s father, and finally the hero and heroine getting married with the blessings of all elders. The movie was littered with great songs.
The title was repeated again in 1998. This time the director was Deepak Sareen who had started his career as assistant to Yash Chopra in ‘Deewar’. He had been assistant in ‘Kabhi Kabhi’, ‘Doosra Aadmi’, ‘Silsila’, ‘Mashaal’ and ‘Faasle’ before independently directing ‘Ranbhoomi’, ‘Aaina’, ‘Gaddar’, ‘Jab Pyaar Kisise Hota Hai’, and ‘Albela’. This romantic film had a skirt-chaser for a hero who is disliked by the girl initially. He woos her by promising to give up his errant ways, convinces both families that they are ready to marry. But the twist in the tale comes in the form of the hero’s son from a previous girlfriend who insists that he will tell-all to the fiancee if the hero doesn’t tell himself. The story comes to a happy ending with the girl and the child forgiving the hero and ‘THE END’
“Jab Pyaar Kisi Se Hota Hai” (1998) starred Twinkle Khanna, Farida Jalal, Himani Shivpuri, Namrata Shirodkar (guest appearance), Salman Khan, Anupam Kher, Johnny Lever, Saeed Jaffery, and Master Aditya Narayan. The movie had songs written by Anand Bakshi and composed by Jatin-Lalit. Today we are having the movie debuting with a song sung by Alka Yagnik and Sonu Nigam. It has the whole cast except Aditya Narayan enjoying the engagement of Salman and Twinkle.
Song-Chal pyaar karegi haan jee haan jee (Jab Pyaar Kisi Se Hota Hai)(1998) Singers-Sonu Nigam, Alka Yagnik, Lyrics-Anand Bakshi, MD-Jatin Lalit
Male Chorus
Female chorus
Lyrics
o ladke deewaane
kahaan se aaya tu
dulhan ko le jaane
kahaan se aaya tu
o ladke deewaane
kahaan se aaya tu
dulhan ko le jaane
kahaan se aaya tu
chal pyar karengi
haan jee haan jee
mere saath chalengi
na jee na jee
ho chal pyaar karengi
haan jee haan jee
o mere saath chalengi
na jee na jee
arre tu haan kar
ya na kar teri marzi soniye ae
hum tujhko uthhakar le jaayenge
doli mein bithhakar le jaayenge ae ae
hum ghar mein kahin chhup jaayenge
sang tere nahin hum jaayenge
chal pyar karengi
haan jee haan jee
hoye hoye hoye
ahaa ahaa ahaa
o gore gore mukhde waali
o kaale kaale nainon waali
maan mera ehsaan ke maine haan kar di ee
tu warna kunwaari reh jaati
ye shaadi hamaari reh jaati ee ee
tu warna kunwaari reh jaati
ye shaadi hamaari reh jaati ee
chal pyaar karegi
haan jee haan jee
mere saath chalegi
na jee na jee
ho ho ho
aa aahaa aahaa aa aahaa
ho ho ho
aa aahaa aahaa aa aahaa
ja main nahin karti shaadi vaadi
mujhko pyaari hai yeh aazaadi
main toh apne baabul ke baaghon ki bulbul hoon oon
bas tujhse mujhe yeh kehna hai
pinjre mein mujhe nahin rehna hai ae ae
bas tujhse mujhe yeh kehna hai
pinjre mein mujhe nahin rehna hai
chal pyar karegi
haan jee haan jee
o mere saath chalegi
na jee na jee
oye oye oye
ahaa ahaa ahaa
aankhon se kaajal le jaayenge
zulfon ke baadal le jaayenge
arre hum aaye hain door se
yoon waapas na jayenge ae
hum apni sajaniya le jaayenge
arre hum apni dulhaniya le jaayenge ae
hum apni sajaniya le jaayenge
arre hum apni dulhaniya le jaayenge
hey chal pyar karegi
haan jee haan jee
mere saath chalegi
na jee na jee
arre tu haan kar ya na kar
teri marzi soniye ae
hum tujhko uthhakar le jaayenge
arre doli mein bithhakar le jaayenge ae ae
hum apni sajaniya le jaayenge
arre hum apni dulhaniya le jaayenge ae
This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4920 | Post No. : | 16750 |
55th birthday of A. R. Rehman
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A. R. Rehman – The musician of 21st century – 1
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Out beyond ideas of wrong doing and right doing, there is a field. I will meet you there. – Rumi
Some years ago, I received a Whatsapp forward featuring a sketch with Rumi’s character, in a 21st century setting. This requires careful description, so you all please be patient with me.
There he was, 13th century persian poet and philosopher, Jalaludding Rumi, turban and all, sitting on one end of a small primitive boat. A boat that fits in a New York apartment’s living room. Guess who is doing the honors of ‘Chappu chalauing’ at the other end of the boat? It was Chandler, of ‘Friends’ fame. Imagine a boat on the floor of a city living room, at one end Chandler is roving the boat and Rumi is sitting on the other end. The caption with it, also in 21st century English, read “When you are looking for a Roomie and misspell it!”
Ha Ha Ha Ha. If no one is laughing, I have only myself to blame for thinking of Rumi. “ham wahan hain jahan se ham ko bhi kuchh hamaari khabar nahi aati”
I have been exposed to some episodes of ‘Friends’, so identifying Chandler was the easy bit in the caricature. I could connect, the word “Roomie” to Rumi after some deliberation, but never having seen Rumi, or his picture or sketch, I was wondering who is the peasant in the boat. And what is a boat doing in the living room? It transpired that Rumi had arrived in his boat in response to the ad posted by Chandler for a roomie, as he misspelt it as Rumi. Since in Rumi’s time the preferred mode of transport was a boat, Persia is sure to have been full of rivers. Or canals, like Venice.
But I quite liked the idea of a boat in the living room. I did contemplate, on a real-life boat, the size of a two-three seater sofa, which was available for sale in a handicraft shop in Alleppy, Kerela. I could not figure out a way of transporting it to Mumbai, so had to drop the idea. I have a few embellished display size boats, but it is not the same. Now, after writing all this, I am thinking I should make another attempt at it.
At least a boat is doable, but imagine if someone is fond of trains, how will they get them in the living room. Trains are good for travelling, they take you from Point A to Point B, that is their usefulness. I have seen a train on the dining table with tracks and all, for movement of serving dishes, somewhere in a museum, probably. Now that is nice idea, if the kitchen is next of the dining section, a train can be made and for variety, a tunnel or two can added in the landscape. My imagination is running away with me.
I have finally arrived at the destination point, i. e. a train song. An iconic song for our generation of movie goers. A sufiana song written by Gulzar and composed by A. R. Rehman for Dil Se(1998). Singers are Sukhwinder Singh and Sapna Awasthi. There is a lot of trivia available here about this song. There is this page too, which states that this song and video was at 9th position in the poll for top 10 all time songs, for which people from 55 countries voted. This poll was conducted by BBC world service.
The original composition of a solo by Sukhwinder Singh titled “Thaiyya thaiya” is also part of the movie’s song track, though it was not used in the film. The song begin with the lines “Eid aayi mera yaar nayi aaya”, but it is actually based on Bulle Shah’s “Tere ishq nachaya kar thhaiya thhaiya”. The version is mostly in Punjabi, with the same tune. So, I thought maybe that should be treated as a separate song.
These films songs are among the best of A. R. Rehman, Gulzar and Lata Mangeshkar. And they will be the best of Udit Narayan & Mahalaxmi Iyer(Aye Ajnabi), Sonu Nigam & Kavita Krishnamurthy(tu hi tu satragi re), Sukhwinder Singh and Sapna Awasthi(Chhaiyya chhaiyya).
The song becomes iconic due to its picturization of a group of dancers, with Shah Rukh Khan and Malaika Arora, dancing atop a running train. It is shot in location of Ooty. This is also the best of Farah Khan’s choreography. This is among the first few outdoorsy songs I shortlisted for posting in the blog.
Gulzar sahab is talking of ‘Jannat’ and ‘Firdaus’, which means Paradise. ‘Gulposh is invisible, kaayenaat is universe, Taaveez is talisman, ‘aayat’ is sentence/verse(scholars say ‘aayat’ in the quranic context are niether sentence nor verse, it is an entirely different unit of deliverance) of Al-Quran which are in Arabic. What Gulzar sahab may mean in this line ‘mera naghma wahi mera kalma wahi’, is that ishq as a philosophy is my song, my first and last word.
wo yaar hai jo khushboo ki tarah
jis ki zubaan urdu ki tarah
The first thought the word ‘Urdu’ invokes in the minds of Urdudaan as well as non-urdudaan, is its sweetness (Shireen) and cultured-ness(muhazzib). These two things ‘shireeni’ and ‘tehzeeb’ go hand in hand and are two sides of the same coin. This literally means, the object of ishq is anything that has flagrant aura and talks speaks and sings with a sweetness. Fragrance is a thing which is also pure, clean and invisible. Sincerity and unpretentiousness, plus a sweet way of conduct and speech is:
Meri shaam raat
Meri kaayenaat
Shaam is a time of relaxation and liesure and raat is for resting. ‘Kaayenaat’ is my ‘universe of abundance’. So there goes, if the object of my ishq is, the highest ideals of sincerity and good conduct, then it will be my contentment and happiness for which sky in the limit. Is this the salvation and moksh in this life?
Saare ishq ki chhaaon chale chhainyya chhainya
Paaon jannat chale chale chal chhainyya chhainyya
And
Jin ke sar ho ishq ki chhaaon
Paaon ke neeche jannat hogi
They both mean the same, that those who live under the shade of such an ishq, heaven/paradise is theirs.
Remembering Jalaluddin Rumi and his philosophy is eventually justified by Gulzar sahab’s this master piece. Maybe the quote is the wrong one, the correct one is this:
“There is no salvation for the soul but to fall in love. Only lovers can escape out of these two worlds.” – Rumi
I have been thinking for sometime now that there so many iconic songs composed by ARR, that a garland or a necklace of these gems can be made. So I have chosen myself to do this series. The first episode is this song, starting on the birthday of ARR. I have done a few posts of his songs in the blog earlier for songs of ‘lagan’ ‘zubieda’ ‘sapney’ etc. This is by far an ambitious series for me to undertake, as it is very difficult to fit theses gems in a particular form to complete a cohesive design of the necklace. I will play by the ear, and God willing try to complete this series in 2022.
Video:
Audio:
Song-Chal Chhainyya chhainyya chhainyya chhainyya (Dil Se) (1998) Singers-Sukhwinder Singh, Sapna Awasthi, Lyrics-Gulzar, MD-A R Rahman
Both
Lyrics
Jin ke sar ho oo
ishq ki chhaaon
Paaon ke neeche jannat hogi ee ee
jin ke sar ho ishq ki chhaaon
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
hhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
saare ishq ki chhaaon chale
chhainyya chhainyya
saare ishq ki chhaaon chale
chhainyya
paaon jannat chale
chal chhainyya chhainyya
paaon jannat chale
chal chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
wo yaar hai jo khushboo ki tarah
jis ki zubaan urdu ki tarah
meri shaam raat
meri kayenaat
wo yaar mera
sainyya sainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya aa
gulposh kabhi
itraayen kahin
mehke to nazar aa jaaye kahin een
gulposh kabhi
itraayen kahin
mehke to nazar aa jaaye kahin
taaweez banaa ke pehnu usse
aayat ki tarah mil jaaye kahin
taaweez banaa ke pehnu usse
aayat ki tarah mil jaaye kahin
gulposh kabhi
itraaye kahin
mehke to nazar aa jaaye kahin
taaweez banaa ke pehnu usse
aayat ki tarah mil jaaye kahin
wo yaar hai jo imaan ki tarah
mera naghma wahi mera kalma wohi
mera naghma naghma
mera kalma kalma
mera naghma naghma
mera kalma kalma
mera naghma naghma
mera kalma kalma
mera naghma naghma
mera kalma kalma
yaar misaal-e-aas chale
paaon ke tale firdaus chale
kabhi daal daal
kabhi paat paat
main hawaa pe dhoondoon
uss ke nishaan
saare ishq ki chhaaon chale
chhainyya chhainyya
saare ishq ki chhaaon chale
chhainyya
paaon jannat chale
chal chhainyya chhainyya
paaon jannat chale
chal chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
main uss ke roop ka shaidaayi
wo dhoop chhaaon se harjaayi
wo shokh hai rang badaltaa hai
main rang roop ka saudaayi
main rang roop ka saudaayi
Jin ke sar ho oo
ishq ki chhaaon
Paaon ke neeche jannat hogi ee ee
jin ke sar ho ishq ki chhaaon
Jin ke sar ho oo
ishq ki chhaaon
Paaon ke neeche jannat hogi ee ee
jin ke sar ho ishq ki chhaaon
shaam raat
meri kayenaat
wo yaar mera
sainyya sainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya aa
saare ishq ki chhaaon chale
chhainyya chhainyya
saare ishq ki chhaaon chale
chhainyya
paaon jannat chale
chal chhainyya chhainyya
paaon jannat chale
chal chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
wo yaar hai jo khushboo ki tarah
wo jis ki zubaan urdu ki tarah
meri shaam raat
meri kayenaat
wo yaar mera
sainyya sainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
Chitthi Na Koi Sandes
Posted on: September 20, 2021
- In: "Chitthi" song | Background song | Jagjit Singh songs | Lata solo | Lata song | Lyrics by Prakashchandra | Lyrics contributed by readers | Multiple version song | Series of articles | Songs of 1990s (1991 to 2000) | Songs of 1998 | Yearwise breakup of songs | Yearwise review of Lata Mangeshkar HF songs
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Blog Day : |
4812 | Post No. : | 16581 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part LII: Year 1998
———————————————————————————————————
In this episode, the 52nd episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1998.
In 1998, 87 Hindi movies containing 539 songs were released. Lata Mangeshkar got to sing in 4 of these movies and she sang 11 songs in these movies. So Lata Mangeshkar’s voice was heard in 3.5 % of the movies released in 1998. Her voice was heard in 2 % of the songs appearing in the movies of 1998.
Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1998 :-
| S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
|---|---|---|---|---|---|---|---|---|---|
| 1 | Dil Se | A R Rahman | 1 | 1 | 1 | 0 | 0 | 0 | Gulzar |
| 2 | Dushman | Uttam Singh | 1 | 5 | 1 | 4 | 0 | 0 | Anand Bakshi |
| 3 | Jab Pyaar Kisi Se Hota Hai | Jatin Lalit | 0 | 4 | 0 | 3 | 0 | 1 | Anand Bakshi |
| 4 | Satya | Vishal Bhardwaj | 0 | 1 | 1 | 0 | 0 | 0 | Gulzar |
| Total | 4 movies | 4 MDs | 2 | 11 | 3 | 7 | 0 | 1 | 2 lyricists |
Lata Mangeshkar worked with 4 music directors and 2 lyricists in these 4 movies released in 1998. Laxmikant Pyarelal were the most prolific music directors with Lata, with 664 songs in HFM with Lata Mangeshkar by the end of 1998. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. R D Burman with 332 Lata Mangeshkar and Kalyanji Anandji with 307 songs were next ahead of C Ramchandra with 275 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (195), S D Burman (179),Naushad (146), Roshan (144), Hemant Kumar (127), Anil Biswas (120), Bappi Lahiri (112), Rajesh Roshan (111), Salil Chaudhary (109), Husnlal Bhagatram (108), and Vasant Desai (104). Together these seventeen music directors composed 3733 songs out of 5186 songs that Lata Mangeshkar had sung in Hindi movies till end of 1998. Anand Bakshi with 718 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (555), Majrooh Sultanpuri (406), Shailendra (361), Hasrat Jaipuri (301), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (156). These ten lyricists had penned 3238 songs sung by Lata Mangeshkar till that time.
Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1998 :
| Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
|---|---|---|---|---|---|---|---|---|
| 1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
| 1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
| 1948 | 17 movies | 51 | 57 | 42 | 8 | 4 | 3 | |
| 1949 | 40 movies | 140 | 160 | 105 | 35 | 13 | 7 | |
| 1950 | 36 movies | 115 | 143 | 93 | 32 | 14 | 4 | |
| 1951 | 49 movies | 189 | 223 | 158 | 52 | 10 | 3 | |
| 1952 | 43 movies | 150 | 177 | 138 | 31 | 4 | 4 | |
| 1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
| 1954 | 43 movies | 142 | 172 | 144 | 23 | 4 | 1 | |
| 1955 | 50 movies | 172 | 218 | 177 | 30 | 10 | 1 | |
| 1956 | 49 movies | 174 | 204 | 153 | 35 | 13 | 3 | |
| 1957 | 47 movies | 132 | 160 | 110 | 38 | 7 | 5 | |
| 1958 | 35 movies | 104 | 132 | 95 | 25 | 10 | 1 | |
| 1959 | 58 movies | 189 | 211 | 131 | 68 | 12 | 1 | |
| 1960 | 48 movies | 142 | 166 | 102 | 50 | 9 | 5 | |
| 1961 | 44 movies | 128 | 152 | 88 | 55 | 5 | 4 | |
| 1962 | 40 movies | 119 | 129 | 84 | 40 | 5 | 0 | |
| 1963 | 37 movies | 105 | 111 | 62 | 38 | 8 | 3 | |
| 1964 | 46 movies | 123 | 133 | 91 | 31 | 8 | 3 | |
| 1965 | 42 movies | 84 | 91 | 71 | 17 | 1 | 2 | |
| 1966 | 49 movies | 105 | 133 | 110 | 14 | 8 | 1 | |
| 1967 | 44 movies | 94 | 106 | 67 | 38 | 8 | 3 | |
| 1968 | 33 movies | 84 | 84 | 59 | 19 | 5 | 1 | |
| 1969 | 43 movies | 78 | 97 | 67 | 27 | 2 | 1 | |
| 1970 | 54 movies | 91 | 130 | 84 | 39 | 3 | 4 | |
| 1971 | 52 movies | 107 | 126 | 71 | 52 | 3 | 0 | |
| 1972 | 62 movies | 99 | 151 | 86 | 60 | 3 | 2 | |
| 1973 | 60 movies | 93 | 138 | 94 | 37 | 3 | 4 | |
| 1974 | 55 movies | 71 | 104 | 66 | 33 | 0 | 5 | |
| 1975 | 45 movies | 61 | 90 | 50 | 35 | 3 | 2 | |
| 1976 | 41 movies | 58 | 97 | 53 | 39 | 1 | 4 | |
| 1977 | 50 movies | 50 | 96 | 59 | 27 | 8 | 2 | |
| 1978 | 46 movies | 59 | 90 | 48 | 34 | 3 | 5 | |
| 1979 | 42 movies | 38 | 66 | 37 | 25 | 2 | 3 | |
| 1980 | 43 movies | 28 | 71 | 43 | 21 | 3 | 4 | |
| 1981 | 46 movies | 40 | 88 | 48 | 34 | 2 | 4 | |
| 1982 | 45 movies | 28 | 82 | 41 | 37 | 1 | 3 | |
| 1983 | 33 movies | 29 | 73 | 36 | 37 | 0 | 0 | |
| 1984 | 39 movies | 11 | 70 | 32 | 33 | 4 | 1 | |
| 1985 | 40 movies | 21 | 72 | 39 | 31 | 0 | 2 | |
| 1986 | 27 movies | 3 | 41 | 22 | 17 | 0 | 2 | |
| 1987 | 12 movies | 4 | 21 | 13 | 8 | 0 | 0 | |
| 1988 | 21 movies | 9 | 43 | 24 | 17 | 1 | 1 | |
| 1989 | 19 movies | 10 | 38 | 20 | 16 | 1 | 1 | |
| 1990 | 9 movies | 4 | 12 | 3 | 9 | 0 | 0 | |
| 1991 | 16 movies | 6 | 57 | 35 | 20 | 1 | 1 | |
| 1992 | 12 movies | 3 | 25 | 12 | 13 | 0 | 0 | |
| 1993 | 14 movies | 3 | 49 | 22 | 23 | 2 | 2 | |
| 1994 | 12 movies | 5 | 39 | 9 | 28 | 0 | 2 | |
| 1995 | 4 movies | 2 | 8 | 3 | 4 | 0 | 1 | |
| 1996 | 5 movies | 2 | 14 | 7 | 7 | 0 | 0 | |
| 1997 | 5 movies | 1 | 21 | 2 | 14 | 4 | 1 | |
| 1998 | 4 movies | 2 | 11 | 3 | 7 | 0 | 1 | |
| Total upto 1997 | 1857 movies | 3737 | 5186 | 3365 | 1489 | 213 | 119 |
It can be seen from the table of 1998 that Lata Mangeshkar sang 11 songs in 4 movies released in 1998.
Two songs sung by Lata Mangeshkar in movies of 1998 have been covered in the blog. All songs from one movie “Dil Se”(1998)- a grand total of one Lata Mangeshkar solo song, has been covered in the blog. So 9 songs from 3 movies of 1998 sung by Lata Mangeshkar are yet to be covered in the blog.
Alphabetically “Dushman”(1998) is the first movie of 1998 that offers us a Lata Mangeshkar song to be covered in the blog.
“Dushman”(1998) was inspired from Hollywood movie “Eye for an eye”(1996). It was produced by Pooja Bhatt and directed by Tanuja Chandra for Pooja Bhatt Productions, Bombay. The movie had Kajol(in dual/double role), Sanjay Dutt, Ashutosh Rana, Tanvi Azmi, Jas Arora,Pramod Moutho, Kunal Khemu, Pratima Kazmi, Anupam Shyam,Vani Tripathi, Amardeep Jha, Rahul Singh, Vishesh, Sanjeev Vatsa,Robin Bhatt, Pinky Singh, Omkar Singh, Baby Varsha, Naresh suri,Master Vishal,Dinesh Chaturvedi,Krishna Bhatt, Savita Karle, Varsha Lalwani, Javed Rizvi, Narendra Sachar etc in it.
The movie had 9 songs in it. Five of these songs had the voice of Lata Mangeshkar in it.
One song (a Lata Mangeshkar duet song) has been covered in the past.
Here is another song from the movie. It is a multiple version song. Female version is sung by Lata Mangeshkar and male version by Jagjit Singh. Male version also has humming by Lata Mangeshkar, so it can even be considered a duet. In case we consider a duet then it would become the first ever Lata-Jagjit Singh duet in Hindi movies. Here I have considered it as a duet.
Lata Mangeshkar version is a background song which is picturised on Tanvi Azmi, Kajol, Baby Varsha, Jas Arora etc.
Only audio of the Jagjit Singh (with Lata Mangeshkar humming) is available.
Lyrics and other details were sent to me by Prakashchandra.
Lata Mangeshkar solo version (Video)
Lata Mangeshkar solo version (Audio)
Jagjit Singh-Lata Mangeshkar duet version (Audio)
Song-Chitthi na koi sandes (Dushman)(1998) Singer-Lata/ Jagjit Singh, Lyrics-Anand Bakshi, MD-Uttam Singh
Lyrics(Provided by Prakashchandra)
———————–
Lata solo Version
———————–
chitthi na koyi sandes
ho o ho o ho
chitthi na koyi sandes
jaaney woh kaun saa des
jahaan tum chaley gaye ae
chitthi na koyi sandes
jaaney woh kaun saa des
jahaan tum chaley ae gaye ae
chitthi na koyee sandes
jaaney woh kaun saa des
jahaan tum chaley ae gaye
jahaan aan tum chaley gaye
is dil pe lagaake thhes
jaaney woh kaun saa des
jahaan tum chaley ae gaye
ek aah bharee hogee
hamne naa sunee hogee ee
jaate jaatey tumne aey ae
aa..aawaaz to dee hogi
har waqt yehee hai gham
us waqt kahaan thhe hum
kahaan tum chaley ae gaye ae
chitthi na koyi sandes
jaaney woh kaun saa des
jahaan tum chaley ae gaye
jahaan aan tum chaley gaye
is dil pe lagaake thhes
jaaney woh kaun saa des
jahaan tum chaley ae gaye ae
har cheez pe ashqon se ae
likhaa hai tumhaaraa naam
ye rashey ghar galiyaan aan
tumhein kar naa sakey salaam
haayye dil mein reh gayee baat
jaldi se chhudaakar haath
kahaan tum chaley ae gaye ae
chitthi na koyi sandes
jaaney woh kaun saa des
jahaan tum chaley aey ae gaye
jahaan aan tum chaley aey ae gaye
is dil pe lagaake thhes
jaaney woh kaun saa des
jahaan tum chaley ae gaye
aaa aaa aaa aaa
aaa aaa aaa aaa
aaa aaa aaa aaa
ab yaadon ke kaante aen
is dil mein chubhte hain aen
na dard thehertaa hai
naa aansoon ruktey hain
tumhein dhoondh rahaa hai pyaar
hum kaisey karey iqraar
ke hhaan tum chaley ae gaye
chitthi na koyi sandes
jaaney woh kaun saa des
jahaan tum chaley aey ae gaye
jahaan aan tum chaley aey ae gaye
is dil pe lagaake thhes
jaaney woh kaun saa des
jahaan tum chaley aey ae gaye
o o o o kahaan tum chaley gaye ae
o o o o kahaan tum chaley gaye ae
oo ooo o o o o kahaan tum chaley ae ae gaye aey ae ae
———————————————-
—————————————-
Jagjit Singh-Lata Mangeshkar version
—————————————-
chitthi na koyi sandes
ho o o o ho o ho o o o
chitthi na koyi sandes
jaaney woh kaun saa des
jahaan tum chaley gaye ae
chitthi na koyi sandes
jaaney woh kaun saa des
jahaan tum chaley gaye ae
chitthi na koyi sandes
jaaney woh kaun saa des
jahaan tum chaley ae gaye
jahaan aan aan tum chaley gaye
is dil pe lagaake thhes
jaaney woh kaun saa des
jahaan tum chaley gaye ae
ik aah bharee hogee
hamne naa sunee hogee ee
jaate jaatey tumne aey ae
aa..aawaaz to dee hogee
har waqt yehi hai gham
us waqt kahaan thhe hum
kahaan tum chaley gaye ae ae
chitthi na koyi sandes
jaaney woh kaun saa des
jahaan tum chaley ae gaye
jahaan aan tum chaley gaye ae
is dil pe lagaake thhes
jaaney woh kaun saa des
jahaan tum chaley gaye ae
har cheez pe ashqon se ae
likhaa hai tumhaaraa naam
ye rastey ghar galiyaan
tumhein kar naa sakey salaam
haayye dil mein reh gayee baat
jaldi se chhudaakar haath
kahaan tum chaley gaye ae
chitthi na koyi sandes
jaaney woh kaun saa des
jahaan tum chaley aey ae ae gaye
jahaan aan aan tum chaley ae gaye
is dil pe lagaake thhes
jaaney woh kaun saa des
jahaan tum chaley ae gaye ae
aaa aaa aaa aaa
ab yaadon ke kaantein aen (roo roo rooo roo)
is dil mein chubhthey hain aen (roo roo rooo roo)
na dard thehrthaa hai (roo roo rooo roo)
naa aansoon rukthey hain (roo roo rooo roo)
tumhein dhoondh rahaa hai pyaar
hum kaisey karey iqraar
ke hhaan tum chaley gaye ae
chitthi na koyi sandes
jaaney woh kaun saa des
jahaan tum chaley aey ae gaye
jahaan aan aan tum chaley ae gaye
is dil pe lagaake tthes
jaane woh kaun saa des
jahaan tum chaley gaye ae
aa aa aa aa aa
o o o kahaan tum chaley gaye ae
o o o kahaan tum chaley gaye ae
o o o oo kahaan tum chaley gaye aey ae ae
Pyaar ko ho jaane do
Posted on: August 5, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
4766 | Post No. : | 16515 | Movie Count : |
4491 |
Hullo Atuldom
Today’s song is a melody from the late ’90s. It is from “Dushman” (1998) which was produced by Pooja Bhatt & Mukesh Bhatt and directed by Tanuja Chandra. It was well received by the critics and masses. It had a cast of Kajol (in a double role) with Sanjay Dutt, Ashutosh Rana, Tanvi Azmi, Jas Arora, Pramod Moutho, Naresh Suri etc. Kunal Khemu played a 11 year-old helper of the blind ex-serviceman played by Sanjay Dutt. The movie had nine songs (two songs have two versions) penned by Anand Bakshi and composed by Uttam Singh.
It was the story of a pair of twins- Sonia and Naina, and a sadistic serial killer Gokul (Ashutosh Rana). Gokul rapes and kills Sonia (Kajol). Naina is shaken, and distraught and vows to avenge her death. In this she seeks the help of Suraj Singh Rathod (Sanjay Dutt), a blind military veteran. Naina (Kajol) trains under him and overcomes her fear of the serial killer. And in the process falls in love with the blind Suraj. Today’s song is a romantic duet sung by Lata Mangeshkar and Kumar Sanu.
“Dushman” as a movie title was used in 1939, 1957, 1971, 1990 and 1998. The first three ‘Dushman’/s are already on the blog and Yyiippeeeed too.
Today we are having the 1998 “Dushman” making it’s debut on the blog on the occasion of Kajol turning a year younger.
The first post that the blog had to wish Kajol on her birthday was by Rajaji. He had posted a very melodious song from “Udhaar Ki Zindagi” (1994).
Kajol is one actress who is a “chip-off-the old-block” and has a lineage that has actors and filmmakers as grand parents (paternal and maternal) that starts with Sashadhar Mukherjee, and Shobana Samarth. Her mother Tanuja, aunt Nutan and cousins are all actors. Kajol herself is very versatile and has been awarded the Filmfare for best actress in a negative role for “Gupt” in 1997. She is also married into a Bollywood family-her husband is the actor/director/producer Ajay Devgan.
Here is wishing Kajol Happy Birthday and all the best in life and work.
Audio
Video
Song-Pyaar ko ho jaane do (Dushman)(1998) Singers-Kumar Sanu, Lata, Lyrics-Anand Bakshi, MD-Uttam Singh
Both
Lyrics
pyaar ko ho jaane do,
pyaar me..ae..aen kho jaane do
aitba..aa..ar kiska hai,
inteza..aa..ar kiska hai
abhi na huwa toh phir kabhi nahin kabhi nahin
pyaar ko ho jaane do,
pyar mein kho jaane do
aitba..aa..ar kiska hai,
inteza.aa..ar kiska hai
abhi na huwa toh phir kabhi nahin kabhi nahin
pyaar ko ho jaane do o
pyaar ke beech mein
hum nahin aayenge
jis taraf le chala dil
chale jaayenge
chain sa aa gaya aa
yoon laga dil gaya aa
abhi na gaya to phir kabhi nahin kabhi nahin
pyaar ko ho jaane do
mujhko aankhon se dil mein utar jaane do
kuchh bigad jaane do
kuchh sanwar jaane do
ik bahaana bane ae
ik fasaana bane ae
abhi na bana to phir kabhi nahin kabhi nahin
pyaar ko o o
ho jaane do o o
aajkal phir kabhi
phir kabhi baad mein
baat reh jaayegi
yaad hi yaad mein
ho jo nahin hai kahaa
jo nahin hai kiya
abhi na kiya to phir kabhi nahin kabhi nahin
la la laa laa
laa la laa(hmm hmm hmm)
la la laa laa laa la laa
la la laa laa laa la laa
- In: Alka Yagnik Song | Duet | Guest posts | Kumar Sanu Song | Kumar Sanu-Alka Yagnik duet | Post by Peevesie's mom | Song picturised abroad | Song picturised in at well known locations | Songs of 1990s (1991 to 2000) | Songs of 1998 | Songs picturised at well known locations | Songs picturised in cities | Theme song | Title song | Yearwise breakup of songs
- 1 Comment
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4580 | Post No. : | 16193 | Movie Count : |
4406 |
Hullo Atuldom
We are on the last date of the first month of the 21st year of the 21st century.
January happens to be a cold month in the northern hemisphere of the earth. And India is in the middle of having winter which is characterized by fog, mist, cold winds etc depending on the Latitude that one resides on. When I used to be in Mumbai, the closest I came to experiencing ‘Sardi’, ‘Thandi’ etc was in the last week of December or first week of January. That too in the morning hours, till about 8 o’clock, then the thermometer would read round about 27 and 30 degrees Celsius during the day. I don’t remember seeing fog or mist there, but I had different climatic experiences once we shifted to Bangalore. I have seen all winter related features which last from November to January end with temperatures dropping to 10 degrees etc. Now in my current station, which is in the midst of lots of greenery and away from the hustle bustle of city-life, though the temperature did not touch 10 degrees on any day, we have been experiencing thick fog, cold winds, cold floors, etc.
All this talk of winter and cold climate, in addition to sharing pictures of fog with friends and family reminded me of a whole set of songs:- ‘jab chali thandi hawa’, ‘thandi hawaa yeh chaandni suhaani’, ‘thandi hawaa kaali ghaata aa hi gayi jhoom ke’, ‘thandi hawaayen lehraake aayen’, ‘thandi thandi hawaa mein dil lalchaaye’, ‘mujhko thand lag rahi hain’ etc etc.
The songs that I have mentioned are all popular numbers from their times. But the movies of the new century are no different. They also have songs where the different characters are reacting to cold climates with lots of guts- it takes a lot of guts to shoot these songs in cold climates, with snow etc for added effect and in costumes that are of the thinnest fabric possible like chiffon, lace etc. (Possibly the only climate appropriate dressing was Saira Banu in ‘Junglee’ and some other heroines of the ’60s and Hema Malini in a few movies of the ’70s, recently I re-saw “Dost”.) For further enhancement of the scene we may even see short dresses with long boots. My sympathies with all the female actors who have done those songs and scenes. And what do the male actors wear in such songs- long coats, mufflers, gloves etc.
In the build up to this post I recalled a 23 year old song. This song was shot in the cold climes of Australia. I had mentioned this movie to fellow-atulites, on our WhatsApp group last week, when the India- Australia cricket series was on. The uniqueness about this song is the heroine is dressed in climate appropriate clothes and we have the hero trying to be MANLY and showing of his biceps etc in half-jacket and jeans. I also read the heroine reminiscing about how the actor was shivering during the shoot.
I am talking of Preity Zinta and Bobby Deol. The movie was “Soldier” which was released in 1998. It was produced by Ramesh Taurani of Tips Records and directed by the director-duo: brothers Abbas-Mustan. It had Anu Malik as music director and Sameer was the lyricist. It was the third highest grossing album of 1998 behind “Kuch Kuch Hota Hai” and “Dil Se”.
This was Preity Zinta’s debut movie though she had signed “Kya Kehna” before this. “Dil Se” and “Soldier” have billed Preity Zinta as debutant; Preity had a supporting role in “Dil Se”. She was born in Shimla on 31st January. So today is her Birthday. Last I had written a post for her birthday was when she turned 40.
She has taken a sabbatical from acting a few times since 2009 for the sake of her IPL team. She has married her long-time American partner in 2016. In her career of almost 25 years, she has acted with all the top actors of the ’90s and later years. She has also acted in a movie with Amitabh Bachchan and Anil Kapoor where her character was negative and Schizophrenic. She was praised for her portrayal of the character. She also appeared alongside The Big B in an English language film that was directed by Rituparno Ghosh “The Last Lear” in 2007, this was a film-inside-a-film drama. She has also played the traditional glamorous actress in movies. She has shared screen space with top actresses like Madhuri Dixit, Rani Mukherjee etc too.
Today’s song is to wish Bobby Deol too, even if belatedly for his birthday which was on 27th, he turned 52. Born as Vijay Singh Deol into the film industry as the youngest child of Dharmendra and Prakash Kaur. He first faced the camera when he was 5 or 6 year old as the baby Dharam in “Dharam Veer” (1977). His first adult role was in “Barsaat” (1995) where another star-child Twinkle Khanna made her debut. He has one more “Barsaat” (2005) in the list of his films. He has appeared in a few mutli-starrers and also shared screen space with his father and brother in a few of their home productions. The “Yamla Pagla Deewana” series was good to see due to the Deols even if the story was lame, tame or weak. It is always entertaining to see the Deols.
Audio
Video
Song-Soldier Soldier meethhi baaten bol kar (Soldier)(1998) Singer-Alka Yagnik, Kumar Sanu, Lyrics-Sameer, MD-Anu Malik
Chorus
Lyrics
laaaa lalala laaa
lalala laaa laa laa la
hmmm hmm hmm hmm
he he he he he
lalala laaa laa laa la
ku ku ku ku ku
ku ku ku ku ku ku ku
kuu kuu kuu kuu kuu
oooo
yoon milaake nazar,
kar ke jaadugari
deke dard-e-jigar,
aage peechhe dol kar
soldier soldier
meethhi baatein bol kar
dil tu churaa le gayaa aa
soldier soldier
meethhi baatein bol kar
dil tu churaa le gayaa aa aa aa
soldier soldier
meethhi baatein bol kar
dil tu churaa le gayaa
oooo
yoon milaake nazar,
kar ke jaadugari
deke dard-e-jigar
aage peechhe dol kar r r
soldier soldier
meethi baatein bol kar
dil teraa udaa le gayaa
na na na meri haan ban gayi
tu tu tu meri jaan ban gayi
aji kyun kyun kyun
mujhe pyaar ho gayaa
yun yun yun
iqraar ho gayaa
qasam se tu badaa jhoothaa
hooo sanam tune mujhe loota
hooo yoon milaake nazar,
kar ke jaadugari
deke dard-e-jigar,
aage peechhe dol kar r r
soldier soldier
meethhi baatein bol kar
dil tu churaa le gayaa
kuku ku ku ku ku
aa aa aa
mere paas toh zaraa
jaa jaa jaa
koi pyaas na jagaa
kyaa kyaa kyaa
koi dard uthha kyaa
haan haan haan
mera haal hai buraa
tujhe aaye koi jaadu
mera mujh pe nahi qaabu
hey yoon milaake nazar,
kar ke jaadugari
deke dard-e-jigar,
aage peechhe dol kar r r
soldier soldier
meethhi baatein bol kar
dil teraa udaa le gayaa
soldier soldier
meethhi baatein bol kar
dil tu churaa le gayaa aa aa
soldier soldier
meethi baatein bol kar
dil teraa udaa le gayaa aa aa
Katthai aankhon waali ek ladki
Posted on: November 2, 2020
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4490 | Post No. : | 16015 | Movie Count : |
4383 |
Hullo Atuldom
“Duplicate” (release date 8/5/1998) was a movie that we went to see as a family because it had Shahrukh Khan in the lead. Those were times when we used to pick-and-choose movies which had decent or fun songs and some actor of our liking and we could take the children along. Thus we ended up seeing this ‘not-so-great’ story-wise film which was produced by Yash Johar and directed by Mahesh Bhatt. It had music by Anu Malik and lyrics were by Javed Akhtar. Alka Yagnik, Kavita Krishnamurthy, Kumar Sanu, Abhijeet Bhattacharya, Udit Narayan and Shankar Mahadevan were the singers used. This was one of the cassette tapes that I had purchased as the kids loved its songs. Personally speaking, I enjoyed the movie as it was inane, illogical and simply masaledaar Bollywood stuff. The kind which helps us to forget ourselves during the duration of its screening.
This was Shahrukh’s first double role movie (1996 had seen him play a triple role in “English Babu Desi Mem”, but the characters he played didn’t share screen space) where he played a bumbling youngman out to get a job as a top chef in a big 5-star hotel. The other SRK was a gangster on the run. The movie opens with Manu, the gangster, trying to hoodwink the cops with the help of his girlfriend Lily (Sonali Bendre). Juhi Chawla plays Sonia Kapoor, a hotel HR Manager, who bumps into Babloo (chef SRK) when they get into the same Taxi (from different sides of course) and end up bickering about who had hailed the cab etc. The cab driver mediates and suggests that they share the fare as the destination is same- the hotel where Babloo has an interview to attend. The ride to the hotel is peppered with Babloo rehearsing for the interview and Sonia and the driver enjoying themselves. The highlight of the scene is when Babloo declares his goals in life which includes “feeding his girlfriend VADAPAV that he will make in the 5-star kitchen”. (I hope I am exact at this, Peevesie).
We had Farida Jalal playing Babloo’s mother who is disappointed with his career choice as her aim was to make him a wrestler like his father. The movie also has a sprinkling of supporting actors – Tiku Talsania whose aim is to nab Manu, Gulshan Grover playing the badman character, Sharat Saxena, Kunal Vijaykar etc. There is a guest appearance by Kajol (though I don’t recall much about that).
The songs were all fun to watch but there was one really lyrical song in the album which had Javed Akhtar at his romantic best (for this movie).This is the song with which the movie is making its debut on the blog today.
I would love it if the birthday boy would care to explain a few words of this song. I am hinting at our Dilldaar Dilliwala -Sudhirji. Last year I had wished that he didn’t run out of ‘ideas for posts and series’ and he came up with a “this week that year” series that is essentially analyzing the blog for that week 10 years ago. We are missing it for the last month and half Sirji!!! 🙂 We want more of it -‘Yeh dil maange more’.
It also happens to be Shahrukh Khan’s birthday today as also Anu Malik’s. One has ruled the hearts of his fans with his acting and the other has given songs that make the fans dance. One was born into the industry but worked his way up the ranks. The other had no filmy connection but still has had a good to very good career graph. The melodies that this team has dished out are mostly successful.
Cannot forget “kiska hai yeh tumko intezaar main hoon na” (Main Hoon Na); “ae mere humsafar ae meri jaan-e-jaan” and “yeh kaali kaali aankhen” (Baazigar); “apun bola tu meri laila” (Josh); “iss pyaar se meri taraf na dekho pyaar ho jaayega” (Chamatkar); oh there are numerous songs of this jodi that will feature in my playlist.
Anu Malik made his debut in 1977 and SRK made his debut first on Doordarshan in 1988 before Hema Malini signed him on for “Dil Aashna Hain” but his first release was “Deewana”. Both the movies had Divya Bharati as his heroine. then we had a deluge where we saw him in “Chamatkar” (first with Anu Malik as music director), “Raju Ban Gaya Gentleman” (first of many with Juhi Chawla), “Baazigar” (again Anu Malik and first with Kajol),etc. etc. He was given the Filmfare award for best actor for his anti-hero role in “Baazigar”. He has won awards as many as 14 Filmfare awards of which 8 are as best actor. He was awarded the Padma Shri in 2005.
Talking of Anu Malik, his father was the music director of the ’50s and ’60s. Recently I have subscribed to a channel which show evergreen classics along with programs like Sunheri Yaadein, Sitaaron Ka Caravan etc. One such treasure house program is Anmol Yaadein where in the host was interviewing Anu Malik. I saw Anu mention therein, that Sardar Malik was married to the sister of Hasrat Jaipuri. So as a child Anu, who was a fan of Shankar Jaikishan, used to pester his mama to take him along to the recordings where SJ were at work. Anu managed to meet his favourite composers through his mama (uncle Hasrat Jaipuri) and also play some music to them. Anu goes on to say that the legendary duo were impressed with Anu’s comfort when playing the Harmonium and he took it as their blessing for his future. He has worked with almost all lead singers of Bollywood starting with Manna Dey to many of the current day singers. He has been a judge on many Television shows.
Today’s song is in the voice of Kumar Sanu. It is filmed in the picturesque locales of Switzerland. In fact the church shown in this song is a famous attraction for Indian tourists and I recollect our tour operator making special mention of it as “the church where SRK has romanced a few heroines” mainly Kajol in DDLJ. This movie was not popular I suppose, or even this would have been mentioned.
Another thing which I would like to point out is the prominent use of the Tabla – Anu Malik’s favoured percussion instrument. It is used very nicely in the antara.
BTW I would love to know what is the meaning of “Katthai aankhon wali” as far as I understand the language ‘Kattha ‘ goes with ‘choona and supari’ in Paan (betel leaf).
Editors note:- (Katthai is the colour of katthai, viz bronish, so “katthai aankhon waali” means “browned eyed”.
Here is wishing our fellow Atulite a Very Very happy Birthday Sudhirji. In addition wishing the Bollywood jodi of Anu Malik and Shahrukh Khan on their birthday.
Video
Audio
Song-Katthai aankhon waali ek ladki(Duplicate)(1998) Singer-Kumar Sanu, Lyrics-Javed Akhtar, MD-Anu Malik
Lyrics
hmm hmm hmm hmm
hey hey hey hey
la la la la la aaa
hmmm hmmm hmmm hmm hmm
katthai aankhon waali ek ladki ee
ek hi baat par bigad’ti hai ae
katthai aankhon waali ek ladki ee
ek hi baat par bigad’ti hai ae
tum mujhe kyun nahin miley pehle ae ae
roz yeh keh kar mujhse lad’ti hai ae
katthai aankhon waali ek ladki ee
ek hi baat par bigad’ti hai
tum mujhe kyun nahin miley pehle ae ae
roz yeh keh kar mujhse lad’ti hai
katthai aankhon waali ek ladki
hmm hmm hmm hmm
hey hey hey hey
la la la la la aa
hmm hmm hmm hmm hmm
ru ru ru ru ru
ru ru ru ru ru
ru ru ru ru ru
gusse ki woh tez hai lekin
dil ki behad achchi hai
woh kaliyon se bhi naazuk hai
aur shehad se meethhi hai
chehre par hai narm ujaale
baalon mein kaali raatein
chehre par hai narm ujaale
baalon mein kaali raatein
hans de woh toh moti barse
phoolon jaisi hain baatein
hmm hmm hmm hmm
katthai aankhon wali ek ladki
ek hi baat par bigad’ti hai
tum mujhe kyun nahin miley pahle ae
roz yeh keh kar mujhse lad’ti hai
katthai aankhon wali ek ladki
hmm hmm hmm hmm
hey hey hey hey
la la la la la aa
hmm hmm hmm hmm hmm
mujhko tumse pyaar nahin hai
roothh ke mujhse kehti hai
lekin har kaagaz par mera
naam woh likhti rahti hai
main bhi uska deewaana hoon
kaise usko samjhaaun
main bhi uska deewaana hoon
kaise usko samjhaaun
mujhse milna chhod de woh toh
main ek din mein mar jaaun
hmmm hmm hmm hmm hmm hmm
katthai aankhon waali ek ladki ee
ek hi baat par bigad’ti hai
tum mujhe kyun nahin miley pehle ae
roz yeh keh kar mujhse lad’ti hai ae
katthai aankhon waali ek ladki
hmm hmm hmm hmm
hey hey hey hey
la la la la la aa
hmm hmm hmm hmm hmmm
hmm hmm hmm hmm
hey hey hey hey
la la la la la aa
hmm hmm hmm hmm hmm
laa laa la la
laa laa la la
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4479 | Post No. : | 15988 | Movie Count : |
4379 |
Hullo Atuldom
Today we are remembering a celebrity who began his life as a Professor of Civil Engineering in a Mumbai engineering college. A huge fan of Dilip Kumar, he was spotted by comedian Agha when he was performing in a play “Taash ke Pattey”. The play was recommended to Dilip saab who saw it, and signed this Professor/ stage actor for “Sagina” and “Bairaag”. This was the start of a career that spanned from the ’70s to 2019 – Govinda starrer Rangeela Raja released in 2019.
This post is about Kadar Khan who was born in Kabul to Afghan parents. He was educated in Mumbai and graduated as a civil engineer. His career as a writer in Bollywood took off when he was offered to co-write the script of “Jawaani Diwaani” by Narinder Bedi. This was followed by dialogue, script writing for over 200 films in addition to acting in around 300.
I am unable to decide if he was a better actor or writer. I am unable to decide if he evoked more emotion in the public as a villain or comic character actor. I am in love with his pairing with Govinda in both serious and comic roles. There are many movies to choose from where they have showcased their comic timing but that does not mean that they couldn’t emote serious situations. They have played grandfather -grandson in “Jaisi Karni Waisi Bharni”, father-n-son in “Haseena Maan Jaayegi”, “Sindoor”; father-in law son-in-law in “Dulhe Raja”. I don’t know if David Dhawan brought out the best in them. But it is to Rajesh Khanna’s credit that Manmohan Desai paid Kadar Khan handsomely for writing the dialogues of “Roti” in 1974.
I loved him as the lovable old man in “Gharwali Baharwali”, “Saajan Chale Sasural”, “Mr & Mrs Khiladi”. He was cute as the outwardly-submissive husband of Bindu in “Biwi Ho To Aisi”. He played a similar character with Shashikala as his wife in “Ghar Ghar Ki Kahaani” (1988). He has played serious characters too as in “Yaarana”, “Adalat”, “Roti”, “Tohfa”- there is a whole list of such films.
He has had a few songs picturized on him in his long and illustrious career. Some have been philosophical and some have been funny. He has also tried to dance in some of these songs and it used to be rather cute to see.
In today’s song too, we see Kadar Khan play a slightly old character who is frustrated by the presence of a “Dhaaba” in the premises of his five star hotel. He has tried all possible tactics to evict the dhabbawala. The competition in the song is one such attempt.
This song is written by Sameer and Anand- Milind are the music composers. It is sung by Vinod Rathod and Sonu Nigam. The song has a lot of well-known couplets strung together rather imaginatively and that had made it appealing to the younger generation of that period. Besides being a song from my own ‘list of loved songs’ it also belonged to my dad’s list. He must have seen this movie every time it came on television and so have I. I am sure that the song was inspired by the song from “Padosan”- “ek chatur naar” going by the way the characters are emoting- all over the top.
The movie had Raveena Tandon as his daughter and Johnny Lever played Kadar Khan’s Man-Friday who is in cahoots with the dhabbawala -Govinda- who feels that he should be the “Dulhe Raja” of the hotel owner Singhania -played by Kadar Khan.
“Dulhe Raja” released on 10th July 1998. This was one of the 13 films that released in 1998 with Kadar Khan in the cast, he was definitely a busy 60-year old in that year.
Audio
Video
Song-Kahaan Raja bhoj kahaan gangu teli (Dulhe Raja)(1998) Singers-Sonu Nigam, Vinod Rathod, Lyrics-Sameer, MD-Anand Milind
Male chorus
Female chorus
Lyrics
Aaa aaa aaa aaaa
khushboo shabaab rang
rawaani uthha ke la
kehte hain umr rafta kabhi laut’ti nahin
jaa maikade se meri jawaani uthha ke lah
waah waah kya baat hai
waah ustaad
arre hey hey ae
guzara hua zamaana
kabhi laut’ta nahin
shaayad kabhi bhi isne dekha na aaina
sathhiya gaya hai isko
kuchh soojh’ta nahin
aaha ohho
aaha
chachhunder ke sar pe na bhaaye chameli
chachhundar ke sar pe hae ae
chachhundar ke sar pe na bhaaye chameli
kahaan raaja bhoj
kahaan gangu teli
kahaan raaja bhoj
kahaan gangu teli
kyun ustaad
thheek hai na
kya bola
cha chhundar
hoo
main shakkar ki bori
yeh hai gud ki bheli
main shakkar ki bori ee ee ee
main shakkar ki bori
yeh hai gud ki bheli
kahaan raja bhoj
kahaan gangu teli
kahaan raja bhoj
kahaan gangu teli
kabar ke andar teri kamariya
aa aa aa kabar ke andar teri kamariya
kamariya
kamariya
(haan)
kabar ke andar teri kameriya
bus kuchh din hai baaki umariya
ni sa ni re re
ni sa ni dha dha dha dha
ni sa ni re re
ni sa ni dha dha dha dha
aaaa aa aaa aaa
ghar mera dekhe
jhaanke atariya
aaa aaa aaa ghar mera dekhe
jhaanke atariya
atariya, (haan)
atariya (haan)
ghar mera dekhe
jhaanke atariya
dhan pe hai mere
iss ki nazariya
arey boodhau
ye sher arz hai tere liye
log acchhe hon toh
daulat nahin dekhi jaati ee
seerat achchi ho o toh o o o
o o o
soorat nahin dekhi ee ee jaati
itna bata do
iss bekhabar saudaagar ko o o
maal achcha ho o toh o o o o o
keemat nahin dekhi eee eee jaati
kya sher maara hai
duboya mujhko hone ne
duboya tujhko hone ne
na main hota toh kya hota
na tu hota toh kya hota
na tu hota toh ye hotal nahi hota
na main hota toh ye dhaaba nahin hota
na yeh hotal hota,
na dhaba hota
na yeh ragda hota,
na jhagda hota
ee ee
bujha na mujhe jhoothi moothi paheli
bujha na mujhe ae ae ae ae ae ae
bujha na mujhe jhoothi moothi paheli
kahaan raja bhoj
kahaan gangu teli
kahaan raja bhoj
kahaan gangu teli
ae gangu
ae pangu
arey gangu gangande
ae pangu langade
arre kuchh suna suna
toh sun
samajh samajh ke
samajh ko samajho
samajh samajhna
bhi ek samajh hai
aa aa aa aaa
samajh samajh ke
samajh ko samajho
samajh samajhna
bhi ek samajh hai
samajh samajh ke
jo na samajhe
meri samajh mein
woh naasamajh hai
ae naasamajh
na samajh naa samajh mujhe
are nasamjh
nasamajh naa samajh mujhe
meri samajh toh teri
samajh ki samajh se baahar hai
baahar hai
meri samajh toh teri
samajh ki samajh se bahar hai
maine dil diya unko
pyaar ki hadd thhi
maine jaan di unko
aitbaar ki hadd thi
marne ke baad bhi khuli rahi aankhen
ye mere intezaar ki hadd thi
ye mere intezaar ki hadd thi
ye mere intezaar ki hadd thhi
ye mere intezaar ki hadd thi
haan
main tujhe jhel gaya
jhelne ki hadd thhi
arre main tujhse khel gaya
khelne ki hadd thhi
tere saamne dhaaba khola aa aa
ye mere kholne ki hadd thhi
haan mere kholne ki hadd thhi
ye tere kholne ki hadd thhi
ye tere kholne ki hadd thhi
sa ri ga ma pa dha ni sa
sa ni dha pa ma ga ri sa
tere ghar mein paisa paisa
mere ghar mein paisa paisa
main idhar jaaun ke udhar jaaun
badi mushkil,
mushkil,
mushkil
mushkil mein hoon
mai kidhar jaaun
idhar jaaun
udhar jaaun
udhar jaaun
idhar jaaun
kidhar jaaun
kidhar jaaun
ooo ho
yeah
yeah
yeah
daulat se gaya
shohrat se gaya
bhari mehfil mein izzat se gaya
ha ha ha
bahut hawa mein thha
yaaron main baazi maar gaya
meri jeet hui
yeh haar gaya
meri jeet hui
yeh haar gaya
meri jeet hui
yeh haar gaya
meri ho gayi iss ki kothi haweli
meri ho gayi haan aan
meri ho gayi iss ki kothi haweli
kahaan raja bhoj
kahaan gangu teli
kahaan raja bhoj
kahaan gangu teli
kahaan raja bhoj
kahaan gangu teli
kahaan raja bhoj
kahaan gangu teli
hoy hoy hoy hoy
ahaa
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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