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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Lyricist-MD’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3742 Post No. : 14698 Movie Count :

4018

Missing Films of 1960s – 82
– – – – – – – – – – – – – – –

Our journey of missing 1960s films continues. Coming to the next film – this one is ‘Veer Amar Singh Rathaur’ from 1970.

This film is from the banner of Sudarshan Chitra, Bombay, and is directed by Radhakant. The cast of actors listed for this film are Dev Kumar, Kumkum, Zeb Rehman, Tiwari, Jeevan, Kamal Kapoor, Johnny Whisky, and Jeevankala amongst others.

A film by this title was also made in 1957 – a slight variation in name – it was titled ‘Amar Singh Rathaur’. The earlier film had Jairaj and Nirupa Roy in lead roles. And it had 12 songs written by Bharat Vyas and composed by Sanmukh Babu Upadhyay. The 1970 reprisal has Dev Kumar and Kum Kum in lead roles. And this version has 14 songs all written and composed by Prem Dhawan.

There is possibly another film by this name, released later than 1980, but I am not very certain.

Prem Dhawan, who is known much better as a songwriter, has also worked as a music director for about 15 to 18 films during is career, about 5 of which are Punjabi films. He has mostly worked as a composer for films for which he also has written the songs. In one film, he has composed songs written by Kavi Pradeep (for ‘Kisaan Aur Bhagwa’, 1974) and for one more film, he has composed songs written by Ali Sardar Jafri (for ‘Naxalites’, 1980).

Only the audio of this song is available, but from listening to it, one can surmise that this song is a twin dance song. The singing voices in this all female duet are of Asha Bhosle and Usha Mangeshkar. I request other readers and friends who may have seen this film, to please add more information about this song, and the film.

A very peppy dance song, that talks about the ill effects of falling in love, and also of the sweet emotions. Listen and enjoy.

Song – Akhiyan Mila Ke Akhiyan  (Veer Amar Singh Rathaur) (1970) Singer – Asha Bhosle, Usha Mangeshkar, Lyrics – Prem Dhawan, MD – Prem Dhawan
Asha Bhosle + Usha Mangeshkar

Lyrics

ho akhiyaan mila ke akhiyan
haaye re akhiyaan mila ke akhiyan
ho main to baaz aai
ho main to pachhtaai
ke jaagun ab saari saari ratiyaan
haaye re akhiyaan mila ke akhiyan
haaye re akhiyaan mila ke akhiyan

jab se dekha hai dharti ka chaand
tab se dekha na chanda gagan ka
udd gai ab to aankhon ki neend
hosh kis ko hai ab tan badan ka
ke dagar bhool chali
haaye
ke nagar bhool chali

haaye
bhooli jaati hain bachpan ki sakhiyaan

haaye re akhiyaan mila ke akhiyan
haaye re akhiyaan mila ke akhiyan

haaye ye meethi meethi jalan
pyaar kehta hai jis ko zamaana
ab to jitna tadapta hai dil
dard lagta hai utna suhaana
unhin ki baat sochun
haaye
yahi din raat sochun

haaye
kaise un se kahun dil ki batiyaan

haaye re akhiyaan mila ke akhiyan
haaye re akhiyaan mila ke akhiyan

koi leta hai jab unka naam
mann hi mann jhoom leti hoon main to
jaane kyon dekh ke aainaa
apna munh choom leti hoon main to
ke khud hi likhti rahoon
haaye
ke khud hi padhti rahoon
oy
jaane kitni hi pyaar bhari patiyaan
haaye re akhiyaan mila ke akhiyan
haaye re akhiyaan mila ke akhiyan

o main to baaz aai
o main to pachhtaai
ke jaagun ab saari saari ratiyaan
haaye re akhiyaan mila ke akhiyan
haaye re akhiyaan mila ke akhiyan

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

हो अखियाँ मिला के अखियाँ
हाए रे अखियाँ मिला के अखियाँ
हो मैं तो बाज़ आई
हो मैं तो पछताई
के जागूँ अब सारी सारी रतियाँ
हाए रे अखियाँ मिला के अखियाँ
हाए रे अखियाँ मिला के अखियाँ

जब से देखा है धरती का चाँद
तब से देखा ना चंदा गगन का
उड़ गई अब तो आँखों की नींद
होश किसको है तन बदन का
के डगर भूल चली
हाए
के नगर भूल चली
हाए
भूली जाती हूँ बचपन की सखियाँ
हाए रे अखियाँ मिला के अखियाँ
हाए रे अखियाँ मिला के अखियाँ

हाए ये मीठी मीठी जलन
प्यार कहता है जिसको ज़माना
अब तो जितना तड़पता है दिल
दर्द लगता है उतना सुहाना
उन्हीं की बात सोचूँ
हाए
यही दिन रात सोचूँ
हाए
कैसे उनसे कहूँ दिल की बतियाँ
हाए रे अखियाँ मिला के अखियाँ
हाए रे अखियाँ मिला के अखियाँ

कोई लेता है जब उनका नाम
मन ही मन झूम लेती हूँ मैं तो
जाने क्यों देख के आईना
अपना मुंह चूम लेती हूँ मैं तो
के खुद ही लिखती रहूँ
हाए
के खुद ही पढ़ती रहूँ
ओय
जाने कितनी ही प्यार भरी पतियाँ
हाए रे अखियाँ मिला के अखियाँ
हाए रे अखियाँ मिला के अखियाँ

ओ मैं तो बाज़ आई
ओ मैं तो पछताई
के जागूँ अब सारी सारी रतियाँ
हाए रे अखियाँ मिला के अखियाँ
हाए रे अखियाँ मिला के अखियाँ

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3709 Post No. : 14636

Today, we are celebrating an eternal birth anniversary – anniversary of the One who is the First Worshipped on all occasions.

There are many tales and variations, that tell of the origins of Lord Ganesh. The telling, as per the Shiv Puraan goes like this. A time was when Lord Shiv went into meditation for a very long period of time. On one occasion, Nandi, the chief of the Ganas of Lord Shiv was not on Mount Kailash. Goddess Parvati started preparing for her bathing rituals. Nandi was not present at the abode, and the Lord Himself was in deep meditation. Wondering and waiting as to who would guard the doorways while she took her bath, Goddess Parvati fashioned a form of a boy child from the turmeric paste that she had applied on to herself. As the form took shape, she then breathed life force into him. A child, as yet un-named, was brought to life. Goddess Parvati instructed him that he is Her son, and that he would obey only her commands. She further instructed him to guard the doorways of the abode, while she was taking her bath. The newborn young child took the instructions to heart and stood vigilant at the doorways.

While Goddess Parvati was still taking her bath, Lord Shiv completed his meditation and arose. He came towards the abode, only to find a fine young child guarding the doorways. Now, the child was not familiar with who this fatherly figure was, as he had not yet been so instructed by Goddess Parvati. In the absence of that knowledge, for him, the prime duty was the last instructions he had received, to guard the doorway and not allow anyone to enter. He pleaded politely with the Lord, to wait. But of course, the Lord was only returning to his own abode an could not understand why he was being prohibited to enter his own abode. The exchange between the Lord and the child took toll of the patience of the Lord, and in a fit of piqued annoyance, threw his trishul (trident) at the child in a manner that the child was beheaded.

He entered his abode. Goddess Parvati had completed her ablutions by then and was ready. When she saw her Lord in the abode, she was happy, and made preparations to offer him something to eat. She served the items in two platters. The Lord asked her, for whom was the second platter. Then Goddess narrated the tale of how she had created a boy child from the turmeric paste from her own body, and left him to guard the doorways while she took bath. And she enquired that the Lord must have met the child as he enter the abode. The Lord now realized what had happened, and then narrated the events as they had transpired outside the doorway.

On hearing the episode of the demise of her just newborn or newly created child, Goddess was overcome with grief. Since she also is the Mother of all creation, her going to this state of grief coupled with fury, of course did not bode well for the creation. All the ferocious manifestations of the Mother Goddess started to appear, threatening destruction of everything. There was an outcry of panic and alarm amongst all living creatures in the universe. The lesser Gods went to Lord Brahma and prayed for his protection.

Lord Brahma came to Mount Kailash and pleaded with the Mother Goddess and Lord Shiv to somehow placate the extreme situation, and avoid the destruction of the universe. Goddess Parvati agreed, on the condition that the child that had been beheaded be brought back to life. In the exchange that occurred between the child and Lord Shiv, the impact of the trishul was such that the head of the child could not be seen anywhere. Lord Shiv then instructed all his adherent disciples to go and search for a head for this child. The instruction was to bring back the head of the first dead entity they encountered, who would be lying prone with its head towards the north. In this search, the first such being encountered was an elephant. And so, its head was brought back to the abode. Lord Shiva placed this head of the elephant on the headless body of the boy child, and breathed life force once again into him. The child was revived and the imminent destruction of the universe was avoided.

The child was named Ganesh, combining two words – gan + eesh. Gan is the word for the closest adherent disciples of Lord Shiv, and eesh is the word that indicates primary or the first lead – meaning the first and the most preferred and honoured amongst all the adherent disciples of the Lord. He is also known by the name Gajaanan – one with the face like an elephant (gaj – elephant; aanan – face). In reality, he is known by numerous names, all depicting certain special characteristics of his persona.

There are other events that followed, by which Ganesh also got the boon and blessing that he would be the first one to be worshipped in any auspicious activity of the humans and of the demigods.

For today’s celebration, we present her a song from the 1979 film ‘Marte Dam Tak’. The song is created by Ravindra Jain who is both the writer and the composer for this song. The singing voices are those of Shabbir Kumar, Suresh Wadkar, Hemlata and Mahendra Kapoor. On screen, the song is performed by Govinda, Shakti Kapoor, Farah Naaz and Rajkumar, while we also see Om Puri in the picturization. The lyrics of this song have been sent in by our dear Prakashchandra ji.

Once again, with plentiful greetings to all friends and readers on this occasion – may all the happinesses come your way, and all the obstacles in your paths be removed by the blessings of Lord Ganesh – the first amongst all the followers of Lord Shiv.

Ganpati Baapa Moryaa. . .

 

Song – Muqabila Muqabila Tere Bhakt Janon Ka Muqabila  (Marte Dam Tak) (1987) Singer – Shabbir Kumar, Suresh Wadkar, Hemlata, Mahendra Kapoor, Lyrics – Ravindra Jain, MD – Ravindra Jain
Chorus

Lyrics (Provided by Prakash Chandra)

ganpati bappa morya
moryaa re moryaa
ganpati bappa morya
moryaa re moryaa
mangal moorthi moryaa
moryaa re moryaa
mangal moorthi moryaa
moryaa re moryaa

muqabila muqabila
tere bhakt janon ka muqabila
muqabila muqabila
tere bhakt janon ka muqabila
hho o o kiss mein kitni bhakti hai
kiss mein kitni shakti hai
haan aan aan
kaun ye baazi maarega
kaun khel mein haarega haarega
mauka milaa mauka milaa
badi mushkil se ye mauka mila
mauka milaa mauka milaa
badi mushkil se ye mauka mila
ye mauka nahin chhodenge
aaj pataake phodenge
haan
ho o jaan ke hamne maukaa diyaa
apna waadaa pooraa kiyaa..aaaa…aaa
muqabila muqabila
tere bhakt janon ka muqabila
haan aaan
mauka milaa mauka milaa
badi mushkil se ye mauka mila

hho o o hho o hho o
ahaaaa…aaaaa

vakra tund mahakaaye hai tujh mein
koti soorya ki jyoti
koti soorya ki jyoti
shubh kaamon ke liye
pratham teri hi pooja hoti
teri hi poojaa hoti
pehle pooja kar lein phir hum doojaa kaam karenge ae
doojaa kaam karenge
lekar tera naam prabhu hum kaam tamaam karenge
kaam tamaam karenge
poojaa mein koyee bair nahin
par chhedaa to khaair nahin
kaun ye baazi maaregaa
kaun khel mein haarega haarega
muqabila muqabila
tere bhakt janon ka muqabila
haan aan aan
mauka milaa mauka milaa
badi mushkil se ye mauka mila

burrrrrrrrrr aaahhaaaaa

shankar suvan bhawani ke nandan
bhakton ke rakhwaaley
bhakton ke rakhwaaley
tera haath ho jiss ke sar pe
koyi usey kya maarey
koyi usey kya maarey
arrey jaan booj kar jo agyaani
maut ke moonh mein jaaye ae
maut ke moonh mein jaaye
arrey kaissey usey bachaaye bhagwan
kab tak ussey bachaaye
kab tak ussey bachaaye
kiss mein kitni bhakti hai
kiss mein kitni shakti hai
ae ae kaun ye baazi maarega
kaun khel mein haarega haarega
(hhaa hhaa)
muqabila muqabila
tere bhakt janon ka muqabila
haaan…..aaaaan
mauka milaa mauka milaa
badi mushkil se ye mauka mila

jis raana ke naam ko sun kar
sajda karey zamana
dushman ke ae ghar aa pahuncha wo o o
ganpati kaa deewaana

dost se ho yaa dushman se
hum waada kabhi na bhoole
wo hathiyaar bana hi nahin jo o o
badan hamaara chhoo le

zarrey ki himmat to dekho
parvat se takraaye
parvat se takraaye
apni hasti bhool ke katraa
dariya se hodh lagaaye
dariya se hodh lagaaye
tujh par jinhein  bharosa
nahin kisi se darte
nahin kisi se darte
marte dum tak bhakt tere
tera hi dum bharte
tera hi dum bharte
kitna dum kiss jaani mein
kaun hai kitne paani mein
hum ye baazi maarenge
haarne waaley haarenge haarenge
muqabila muqabila
tere bhakt janon ka muqabila
haan…aaan
mauka milaa mauka milaa
badi mushkil se ye mauka mila

jai ganesh jai ganesh deva
jai ganesh jai ganesh deva
seva kare so paave mewa
jai ganesh jai ganesh deva
ek dant balwant vinaayak
jai ganesh jai ganesh deva
sab dukh haran sakal sukh daayak
jai ganesh jai ganesh deva
tumhri kirpa jis par hoyi
jai ganesh jai ganesh deva
uss ka shatru hai nahin koyi
jai ganesh jai ganesh deva
tu hamko praanon se pyaara
jai ganesh jai ganesh deva
kar pranaam sweekaar hamaara
jai ganesh jai ganesh deva
kar pranaa..aam sweekaa..aar hamaara


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3495 Post No. : 14048

The Yippeee film for today is the 1969 ‘Raat Ke Andhere Mein’. Belonging to the B/C grade thriller cum social category, the film is produced under the banner of Ashok Films, Bombay, and is directed by Devraj. The star cast of the film includes Dev Kumar, Sonia Sahni, Shahida, Dev Dutt, Bhagwan, Mohan Choti, Murad, Rajan Haksar amongst others.

The film is a variation on the traditional lost-and-found theme. The variation in this case is that a child is lost; later on he grows up to be a criminal and then found by the parents. The story line is summarized as follows,

Dev Kumar is a bad character, and is on the run from the police. He is the long lost son of Murad and Mridula Rani, who have been searching for him for years, based on the description of a locket that the child was wearing when he got separated from his parents. The child has grown up into a criminal, and actually he knows he is the son of Murad. But because he is a criminal, he refuses to go back to his parents, for the fear of bringing bad name to them. Murad and his family also suspect this to be true, but are not certain.

To reach his son, Murad plans a way to trap him, with the help of police. The criminal son is in love with Sonia Sahni. Murad arranges a stage show in which he brings Sonia Sahni to perform a dance. The plan is put in place, with the expectation that Dev Kumar will find some way or the other come to the program to watch his beloved. The expected happens. Dev Kumar enters the theatre in disguise, but then removes it once he is inside. The police inspector Rajan Haksar is watching the audience and he locates Dev Kumar. By the time the performance comes to an end, he is enters the box section where Dev Kumar is sitting, and takes him into custody. The film moves towards a happy-ending as Rajan Haksar takes the criminal Dev Kumar, not to the police station but to Murad’s residence. After all is sorted out and everybody is happy, the inspector then takes the criminal with him, saying that he will try for a pardon or a light sentence for him.

The film has five songs listed, one of which is a multi version song that appears two times in the film, once as a solo in Rafi Sb’s voice and the second time as a solo in Lata Mangeshkar’s voice. The 4+1 songs already posted on the blog are listed as under,

Apne Naam Ke Kareeb Mera Bhi Naam Likh Lo 3712 30-Mar-11 Mohammed Rafi
Agar Bewafa Tujhko Pehchaan Jaate 5935 7-May-12 Mohammed Rafi
Agar Bewafa Tujhko Pehchaan Jaate 5935 7-May-12 Lata Mangeshkar
Na Jaane Peer Dil Ki Bepeer Baalma 9905 14-Jun-14 Lata Mangeshkar
Raat Ke Andhere Mein 14039 09-Feb-28 Asha Bhosle

In the Geet Kosh listing, it is indicated as if some more songs may be in the film. However, Atul ji, while posting the penultimate song of this film, had done a fast-forward review of the film, and confirms that the 5+1 songs listed in the Geet Kosh are the only songs in the film, and no more.

This is one of the very few films that Prem Dhawan has written the songs, as well as composed the music for. I have written about this in the two earlier posts of the songs of this film, listed at number 1 and number 4 above.

The songs of this film are a veritable treat for the aficionados. Almost all the songs became very popular in their time and were frequently heard on the radio waves. “Apne Naame Ke Kareeb. . .”, the two versions of “Agar Bewafa Tujhko Pehchan Jaate” and the stage dance song “Na Jaane Peer Dil Ki. . .” have been some the all time favorites of the listeners.

Today’s song is a duet, or maybe a so-called duet, in the voices of Rafi Sb and Usha Timothy. I say ‘so-called’, because in the song, most of the singing is done by Rafi Sb, and Usha Timothy just gets to add the words “thoda thoda” once in each refrain. So literally speaking, it is “thoda thoda” contribution by her to this song. On screen, the song is picturized on Dev Dutt and Shahida.

This song too, is a delightful offering, maybe lesser known in comparison to its more popular siblings in this film. But still a pleasure to listen to. Enjoy.

And plus let us celebrate the film ‘Raat Ke Andhere Mein’ joining the list of films with all songs posted, on the blog. Cheers.

 

Song – Hothon Pe Inkaar Thoda Thoda  (Raat Ke Andhere Mein) (1969) Singer – Mohammed Rafi, Usha Timothy, Lyrics – Prem Dhawan, MD – Prem Dhawan

Lyrics

oo

oo oo

o sangdil haseena
maathe pe kyon paseena
pathar bhi pighalte hai
dekha tha ye kabhi na

ke hothon pe inkaar
thoda thoda
aankhon mein iqraar
thoda thoda
tu maane na maane
tujhe bhi to hum se hai pyaar
thoda thoda
haan
hothon pe inkaar
thoda thoda
aankhon mein iqraar
thoda thoda
tu maane na maane
tujhe bhi to hum se hai pyaar
thoda thoda

itne burey hum nahin
ke aankhen churaao
katra ke yun na chalo
na daaman bachaao
ik din kisi pe to aayega dil
ik din koi le ke jaayega dil
kar lo hameen pe aitbaar
thoda thoda
haan
hothon pe inkaar
thoda thoda
aankhon mein iqraar
thoda thoda
tu maane na maane
tujhe bhi to hum se hai pyaar
thoda thoda

hota na hum se jo pyaar
to kyon sharmaate
chhup chhup ke yun meri jaan
tum milne na aate
mil ke nazar yun hi jhukti nahin
ye wo lagi hai jo chhupti nahin
tera bhi dil hai beqaraar
thoda thoda
haan
hothon pe inkaar
thoda thoda
aankhon mein iqraar
thoda thoda
tu maane na maane
tujhe bhi to hum se hai pyaar
thoda thoda

milne ki hai aarzoo
to kaisi ye doori
teri meri dastaan
rahe na adhoori
kab tak akele mera dil jaley
tadpaane waale aa lag ja galey
mil jaaye hum ko qaraar
hahn thoda thoda
haahan
hothon pe inkaar
thoda thoda
aankhon mein iqraar
thoda thoda
tu maane na maane
tujhe bhi to hum se hai pyaar
thoda thoda

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

ओ ओ

ओ संगदिल हसीना
माथे पे क्यों पसीना
पत्थर भी पिघलते हैं
देखा था ये कभी ना

के होठों पे इंकार
थोड़ा थोड़ा
आँखों में इक़रार
थोड़ा थोड़ा
तू माने ना माने
तुझे भी तो हमसे है प्यार
थोड़ा थोड़ा
हाँ
होठों पे इंकार
थोड़ा थोड़ा
आँखों में इक़रार
थोड़ा थोड़ा
तू माने ना माने
तुझे भी तो हमसे है प्यार
थोड़ा थोड़ा

इतने बुरे हम नहीं
का आँखें चुराओ
कतरा के यूं ना चलो
ना दामन बचाओ
इक दिन किसी पे तो आएगा दिल
इक दिन कोई लेके जाएगा दिल
कर लो हमीं पे एतबार
थोड़ा थोड़ा
हाँ
होठों पे इंकार
थोड़ा थोड़ा
आँखों में इक़रार
थोड़ा थोड़ा
तू माने ना माने
तुझे भी तो हमसे है प्यार
थोड़ा थोड़ा

होता ना हमसे जो प्यार
तो क्यों शर्माते
छुप छुप के यूं मेरी जान
तुम मिलने ना आते
मिल के नज़र यूं ही झुकती नहीं
ये वो लगी है जो छुपती नहीं
तेरा भी दिल है बेक़रार
थोड़ा थोड़ा
हाँ
होठों पे इंकार
थोड़ा थोड़ा
आँखों में इक़रार
थोड़ा थोड़ा
तू माने ना माने
तुझे भी तो हमसे है प्यार
थोड़ा थोड़ा

मिलने की है आरज़ू
तो कैसी ये दूरी
तेरी मेरी दास्तान
रहे ना अधूरी
कब तक अकेले मेरा दिल जले
तड़पाने वाले आ लग जा गले
मिल जाये हमको क़रार
हाहं थोड़ा थोड़ा
हाहाँ
होठों पे इंकार
थोड़ा थोड़ा
आँखों में इक़रार
थोड़ा थोड़ा
तू माने ना माने
तुझे भी तो हमसे है प्यार
थोड़ा थोड़ा


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Nadiya Ke Paar”(1982) was a Rajshree Productions movie. It was produced by Tarachand Barjatya and directed by Govind Moonis. The movie had Sachin, Sadhana Singh, Inder Thakur, Mitali, Savita Bajaj, Sheela David, Leela Mishra, Soni Rathod etc in it.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Missing Films of 1960s – 1
– – – – – – – – – – – – – –

Let me explain the title and the intent of this new series.  This series is an outcome of the project that our dear Katie Ben from ‘saat samundar paar se’ has undertaken, after she got hold of the Geet Kosh volumes.  She zeroed in on volume 4, and she set about identifying all the films of the 1960s, that have yet to find a representation on the blog.  Specifically, the period covered is 1961 to 1970.  So she has very zealously pored through the fourth volume, page by page, film by film, and simultaneously kept on checking with the data on the blog.  The outcome of her effort is summarized as follows.
Read more on this topic…


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(© 2008 - 2018) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14700 song posts by now.

This blog is active and online for over 3700 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14752

Number of movies covered in the blog

Movies with all their songs covered =1150
Total Number of movies covered =4034

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Blog Start date: 19 july 2008

Active for more than 4000 days.

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