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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Mahesh Mamadapur’ Category


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4057 Post No. : 15189

Mukesh and his co-singers – 5
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We remember Mukesh on his remembrance day today (22 July 1923 – 27 August 1976).

Needless to say, the post had to be special. But, when a singer has almost 80% of songs considered as hits and most of these songs already represented on the blog, what can be more special. Well, a few hitherto songs of Mukesh continue to be discovered with a great deal of exhilaration to his fans and old hfm lovers in general. I assume that the present song will make this post special.

It is well known that Mukesh has nil to very few duets with singers like Noorjahan, Amirbai Karnataki, Jagit Kaur, Khursheed, Parul Ghosh etc. With singers like Hamida Banu, Suraiya, Rajkumari, Surinder Kaur, Sitara Kanpuri etc, the numbers are again quite few. He does have sizable numbers with Lata, Asha, Suman Kalayanpur, Geeta Dutt etc.

A very interesting companion in singing in this discussion will be off course the versatile Shamshad Begum. I had almost taken it for granted that all songs of hers with Mukesh have been covered on the blog. But then one thing led to another and resulted in this post of which I am extremely happy. Not one but two duets have been discovered in the last few weeks. Before I proceed with revealing the songs, it is pertinent to mention the traceability aspects of these duets.

We go back to Sadanand ji posting the Mukesh number for MGR in the comments section. I decided to take up Dhaniram’s collaboration with Mukesh and as usual sent the query to Shri Harish Raghuvanshi ji (of Surat) enquiring if it was the sole song under the composer.

Harish ji did confirm the singularity of the case, but added a priceless info that there is a duet in Shole (1953) in which Mukesh has a duet with Shamshad Begum. He further stated that very few music lovers are aware of this duet. The context being Dhaniram being the other composer apart from Naresh Bhattacharya to have scored music for the film. When I searched for this duet on the internet, I came across a Hemant Kumar solo and his duet with Shamshad Begum. Not losing hope, I was lucky enough to find the full movie on youtube. I first decided to go through the credit titles if I could trace Mukesh.

The film titles are shown on a railway track with very poor background and the moving train literally pushing the titles out of the screen. With great difficulty, I saw all the titles and there appears no mention of any of the playback singers in the film. Here, I would seek more knowledgeable reader’s kind explanation as to why many of the old films never bothered to credit playback singers in the titles. I suppose this trend continued even in the sixties for quite a few films.

The print of the film is extremely poor in both voice and picturization. The saving grace being something is available to run through. In spite the bad print and poor audio what stands out is the impeccable grace and beauty of Bina Rai and the ever energetic and melodious voice of Shamshad Begum. Coming back to the bad print of the film Shole (1953), I decided to run the film arbitrarily at short intervals. Then for one of the duets with a rather long prelude, I could hear sound bites very familiar to me. Yes, it is undoubtedly Mukesh.

I was so excited that I noted the time at which this duet starts and closed the film. I went to the other room in my house where my wife was busy with our daughter in her studies. They had a cursory look at my face and instantly both asked what I was so delighted about. I told them about the discovery and they again became engrossed with the studies knowing very well that this guy has no better work to do. My daughter likes a few songs of Raj Kapoor sung by Mukesh and wife likes a few of his duets and solos, but they are never into these statistics and other aspects of old hfm songs as I am. Anyways, I was back to the same link and juncture and again savored what I was listening for the very first time; an unheard duet of Mukesh. Only the first couple of lines of the mukhda are sung by Mukesh and then Shamshad Begum takes over for the rest of the duet. Its an extremely melodious duet to listen.

Now coming to another strange feature, I found four different versions of this song. The below table is self-explanatory and I have provided links for each of the versions.

Version Singers YouTube link
Film Soundtrack Mukesh, Shamshad Begum https://youtu.be/G8gkPL4qc8o
Hemant Kumar https://youtu.be/mmoh60LfIsc
78 rpm record Hemant Kumar https://youtu.be/OuvVFrcTYuU
Hemant Kumar, Shamshad Begum https://youtu.be/zlzgIDgky7g
Full movie SHOLE (1953) https://youtu.be/W6ubiNUgZuQ

Now, if the film had Mukesh and the 78 rpm version songs had Hemant Kumar, it would have been quite understandable. But, Hemant Kumar having sung the film version of the solo makes the case quite intriguing. Did Mukesh walk out of the film after singing the duet? We may never know. What we do know is that during this period he was working in various departments such as acting, composing, producing etc. and these experiments costing him dearly in terms of getting offers to give playback arguably for the rest of his singing career.

Also, during late forties and early fifties, the void created by the passing away of KL Saigal in early 1947 was yet to be filled. Good friends Mukesh and Talat Mahmood were vying to fill the gap and they both failed. One can now say with much conviction that the void created by KL Saigal will remain till the end of days.

Coming back to the versions, both the film soundtracks have poor audio and the 78 rpm ones have better audio quality. For some reason, I personally feel the duet of the film soundtrack is the best amongst the four if a better copy is available to listen. The momentary pause that Shamshad Begum has in the film soundtrack is more appealing than in the version song. Now one may ask, pause is a pause and how it can be differentiated. Well, crazy music lovers have additional senses to assimilate such nuances in music. Long live such craziness. 🙂

Now we come to the important discussion on the combo of Shamshad Begum and Mukesh. Forget writing in detail about their association, the very mention of the two names together excites me to no end.  Mukesh and Shamshad Begum, two different styles, but when it came to duets the styles glued to form some glorious duets in the annals of HFM. At many places on the net it is mentioned that the singers have altogether 22-24 duets. I am happy to list 29 and here is the carcanet of the jewels.

A cursory glace at the table reveals that they have actively sung most of their 29 duets during a period of only for 4 years of their career. This aspect has much to be pondered about.

S. No Name of song Movie (year) Music Director Lyricist
1 kya jaadu hai tere paas piyaa Chehra (1946) M A Mukhtar I C Kapoor
2 O dil ko hasaane wale Shatranj (1946) Madhav Lal and Baldev Nayak G S Madhup
3 lut gayi laajo beech Chheen Le Aazaadi (1947) Hansraj Behl Pt Indra Chandra
4 Moti chugne gayi re hansi Chheen Le Aazaadi (1947) Hansraj Behl Pt Indra Chandra
5 aagre se odhni manga de Laakhon Mein Ek (1947) Hansraj Behl Pt Indra Chandra
6 raat ko ji haay raat ko ji  Aag (1948) Ram Ganguly Majrooh Sultanpuri
7 kaise bataaun unse Anjuman (1948) Bulo C Rani Majrooh Sultanpuri
8 kabhi dil dil se takraataa  Anokhi Ada (1948) Naushad Shakeel Badayuni
9 Bhool gaye kyun deke Anokhi Ada (1948) Naushad Shakeel Badayuni
10 Tere naaz uthhane ko jee Grihasthhi (1948) Ghulam Mohammad Shakeel Badayuni
11 aayi saawan ritu aayi Mela (1948) Naushad Shakeel Badayuni
12 dharti ko aakaash pukaare Mela (1948) Naushad Shakeel Badayuni
13 main bhanwara tu hai phool Mela (1948) Naushad Shakeel Badayuni
14 mera dil todne waale Mela (1948) Naushad Shakeel Badayuni
15 O janewale humko bhool na O Jaanewaale (1948) Ali Hussain Moradabadi
16 sajanwaa prem kahaani O Jaanewaale (1948) Ali Hussain Moradabadi
17 ho badi zulmi tamanna hai Dada (1949) Naashad Majrooh Sultanpuri
18 pyaar mein tumne dhokhaa Shabnam (1949) S D Burman Qamar Jalalabadi
19 tu mahal mein rehni waali Shabnam (1949) S D Burman Qamar Jalalabadi
20 tumhaare liye huye badnaam Shabnam (1949) S D Burman Qamar Jalalabadi
21 maine dekhi jag ki reet (Happy and Sad versions) Sunhere Din (1949) Gyan Dutt D N Madhok
22 hamse nain milaana BA paas Aankhen (1950) Madan Mohan Raja Mehdi Ali Khan
23 Jaao sidhaaro hey raadha Aarzoo (1950) Anil Biswas Majrooh Sultanpuri
24 ho kaale kaale baadal Apni Chhaaya (1950) Hanuman Prasad P L Santoshi
25 kehne waale kehte hain Bijli (1950) Khemchand Prakash Bharat Vyas
26 hato hato ji aati hain ham Dilruba (1950) Gyan Dutt S H Bihari
27 mohabbat karne waalon se Hanste Aansoo (1950) Ghulam Mohammad Shewan Rizvi
28 duniya ne chede kahaniyaan Ek Thha Raja (1951) C R Subbaraman Pt Sudarshan
29 Aye dil tu kahin le chal (multiple versions)

 

Shole (1953)

 

Naresh Bhattacharya

 

Kamil Rashid

Before I proceed to write on the above duets please note that song no 23 has SD Batish, 26 has Geeta Roy, Pramodini Desai and 27 has Rafi saab singing along with Mukesh and Shamshad Begum in the respective songs.

It would not be an exaggeration to state that Mukesh and Shamshad were pioneers in playback singing. I know it is more often used for Shamshad’s career, but let us not forget that Mukesh too started giving playback as early as 1944 with ‘Uss Paar’. Why ‘Uss Paar’ and not ‘Moorti’ or ‘Pheli Nazar’? Well, that could take another detailed post. 🙂

In the above list song number 1, 3, 4 and 5 are regular features on Radio Ceylon and are played to this day. 6 was of course the directorial debut of Raj Kapoor, with Ram Ganguly’s haunting scores – the songs of the film remain popular to this day. The next film of RK, as we are well aware, had a change in composers. Shamshad Begum had a cabaret solo in ‘Awara’ and a couple of not so popular songs for SJ thereafter.

10 by one of my favourite composers Ghulam Mohammed is a rare treat to hear. I only wish Mukesh has sung more songs for him.

8, 9 and 11 to 14 need no description and arguably are the best-known duets of the combo; the magician of these two films being none other than the great Naushad.

‘Shabnam’ under SD Burman had 3 duets of the combo with Mukesh giving playback for thespian Dilip Kumar. Needless to say, the songs of this film were a huge rage during those days.

21 under Gyan Dutt is an absolute masterpiece. The debut movie of Madan Mohan had the combo singing a comical duet at 22.

The other songs may not be very well known, but as I have said earlier it is the combination of the singers that make the duets lively and a pleasure to listen.

Quite a few of these duets have been covered by our Sudhir ji in his series on Mukesh wherein he covered the rare and difficult to trace songs at the beginning of Mukesh’s career. Again, as I have written earlier, in spite of the best efforts of Sudhir ji having covered all the songs of Mukesh till 1950, welcome discoveries continue to be uncovered and 2 is such an example. Sudhir ji has shared the audio with me and it will be posted on the blog in the very near future. 🙂

29 and probably the last duet of the combo is covered in this post and I have already written about the many facets of this song. In fact Sudhir ji has sent queries and sought clarifications from his collector friends to understand the existence of the multiple versions of this song in the film.

‘Shole’ (1953) was directed by BR Chopra for Hira Films. The movie had Ashok Kumar, Bina Rai, Purnima, Jeevan, Mohana, Manmohan Krishna, Mirza Musharaf, Romi, Naaz, Uma Dutt etc in it. The movie had two music directors viz Dhaniram and Naresh Bhattacharya. The present song is composed by the latter. The lyrics of this multiple version song are credited to Kamil Rashid.

The lyrics of the Hemant Kumar solo version are slightly different in the 78 rpm vs the soundtrack versions, but giving due credit to Hamant Da, I herewith, for obvious reasons, present the lyrics of only the film soundtrack version of Mukesh and Shamshad Begum

I thank Harish ji for all the help rendered in making this elusive duet of Mukesh appear on the blog. I also thank Sudhir ji and Atul ji for giving me yet another opportunity to present this post.

Lastly, on his remembrance day, I pay humble tributes to Mukesh whose mellifluous voice continues to regale listeners the world over.

Song – Ae Dil Tu Kahin Le Chal  (Shole) (1953) Singer – Mukesh, Shamshad Begum, Lyrics – Kaamil Rashid, MD – Naresh Bhattacharya

Lyrics

ae dil
ae dil
tu kahin
le chal
le chal

ae dil tu kahin le chal
le chal
le chal

ae dil tu kahin le chal
le chal
le chal

aa aa aa aa

ye door ki manzil se mujhe
kis ne pukara hai
bhatke hue raahi ko
yeh kis ka ishaara hai
aashaon ke sagar ka
shayaad wo kinara hai
aashaon ke sagar ka
shayaad wo kinara hae
ae dil wahin le chal
wahin le chal
wahin le chal

ae dil tu kahin le chal
tu kahin le chal
kahin le chal
kahin le chal

jahaan ishq ke hothon par
fariyaad na ho koi
majboor na ho koi
naashad na ho koi
taqdeer ki thokar se
barbaad na ho koi
barbaad na ho koi
ae dil wahin le chal
wahin le chal
wahin le chal

ae dil tu kahin le chal
tu kahin le chal
kahin le chal
kahin le chal

do dil jo judaa kar de
wo raat na aati ho
hothon pe shikaayat ki
koi baat na aati ho
jahaan gham ki ghata le kar
barsaat na aati ho
barsaat na aati ho
ae dil wahin le chal
wahin le chal
wahin le chal

ae dil tu kahin le chal
tu kahin le chal
kahin le chal
kahin le chal

le chal
le chal
le chal
le chal
le chal

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

ए दिल
ए दिल
तू कहीं
ले चल
ले चल

ए दिल तू कहीं ले चल
ले चल
ले चल

ए दिल तू कहीं ले चल
ले चल
ले चल

आ आ आ आ

ये दूर की मंज़िल से मुझे
किसने पुकारा है’
भटके हुये राही को
ये किसका इशारा है
आशाओं के सागर का
शायद वो किनारा है
आशाओं के सागर का
शायद वो किनारा है
ए दिल वहीं ले चल
वहीं ले चल
वहीं ले चल

ए दिल तू कहीं ले चल
तू कहीं ले चल
कहीं ले चल
कहीं ले चल

जहां इश्क़ के होठों पर
फरियाद ना हो कोई
मजबूर ना हो कोई
नाशाद ना हो कोई
तक़दीर की ठोकर से
बर्बाद ना हो कोई
बर्बाद ना हो कोई
ए दिल वहीं ले चल
वहीं ले चल
वहीं ले चल

ए दिल तू कहीं ले चल
तू कहीं ले चल
कहीं ले चल
कहीं ले चल

दो दिल को जुदा कर दे
वो रात ना आती हो
होठों पे शिकायत की
कोई बात ना आती हो
जहां ग़म की घटा ले कर
बरसात ना आती हो
बरसात ना आती हो
ए दिल वहीं ले चल
वहीं ले चल
वहीं ले चल

ए दिल तू कहीं ले चल
तू कहीं ले चल
कहीं ले चल
कहीं ले चल

ले चल
ले चल
ले चल
ले चल
ले चल

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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4021 Post No. : 15133 Movie Count :

4155

————————————
Mukesh and his Composers – 19
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chaahe kahin bhi tum raho,
chaahenge tumko umr bhar
tumko na bhool paayenge

Remembering Mukesh on his 96th birth anniversary (22 July 1923 to 27 August 1976).

A life and career spent on entertaining music lovers all over the world, the very mention of his name brings to the mind several of his priceless renditions. A voice which remains active on air-waves to this day and beyond. More than being on the air-waves and various technological formats, it is the legacy and remembrance of the familiar voice that continues to dwell in the hearts of music lovers. A voice so familiar that it directly conveys to our hearts the feelings expressed in his songs.

For this post, I have taken the liberty of using material and information provided by many fellow blog contributors as well as Shri Harish ji.

It all started when Sadandand ji posted a comment on this post of Sudhir ji in his rather elaborate and highly researched series on missing films and songs of the 60’s which was given to him as a homework. Sadanand ji in the comments section of the aforesaid post has provided quality information and the video link of the song. The fact that Mukesh had sung a solo for MGR made me sit up and take notice. I had heard the song but was not aware that it was featured on MGR.

I was under the impression that it could be the only song sung by Mukesh for MGR. So I asked our Sudhir ji if he could send me the list of Hindi films in which MGR had acted. His prompt and detailed reply was as follows,

Year Movie
1951 Ek Tha Raja
1956 Gul e Bakaavali
1961 Baghdad
1962 Hamen Bhi Jeene Do
1962 Meri Bahen
1963 Raj Mahal
1965 Nartaki Chitra
1970 Koi Ghulam Nahin
1974 Aakhiri Nishaan
1975 Rangeen Duniya
1976 Love in Kashmir
1970s Ganga Ki God Mein (Unreleased)

A dozen films which included an unreleased film. Going through the list, one finds that the very first Hindi film in which MGR acted has a duet of Mukesh with Shamshad Begum. I am not sure if Mukesh sang for MGR in the duet, but it appears that the song under discussion is his only solo for MGR.

However, this post is on the collaboration of Mukesh with composer Dhaniram about whom very less material is available on the net. Shri Arunkumar ji helped me in sending the web-link of one of his interviews and it can be found here.

I have come across Dhaniram’s name many years back as two of his songs sung by Talat Mahmood are my personal favourites. They are Yeh Kya Hai Dhang Zamane Ka and aao baadal chain se royen.

The one from Dak Babu(1954) is simply out of the world. I request readers to listen to this composition and rendition by Talat Mahmood and especially the lines.

aye dil aisi mehfil se to
behtar tanhaai hai

One can only ask, where are those days and where are those people who created such majesties.

Coming back to Mukesh-Dhaniram, the present song appears to be their only collaboration and hence there will be no table. (But, then there is always a possibility of tracing obscure songs…)

The present film Meri Behan (1962) starring MGR was the dubbed version of the Tamil film ‘Aransilankumari’ (1961) as confirmed by Sadanand ji.

Now some interesting trivia.

Mere Behan (1962) was based on Tamil film Aransilankumari (1961).

Aransilankumari (1961) was based on 1952 Hollywood film Scaramouche.

Scaramouche (1952) in turn is based on the novel with the same title by Rafael Sabatini.

The novel by Rafael Sabatini is based on story set during the French revolution.

So, the conclusion can be deduced that our own Mere Behan (1962) was based on French Revolution. ?

Since I could trace very little to write on Dhaniram and considering the fact that Mukesh has a solitary song for the composer, I have probably failed to do justice to the post and the composer.

I am however glad to present this solo number sung by Mukesh for the great MGR. I thank Sadanand ji, Arunkumar ji, Harish ji, Sudhir ji and Atul ji for having given me this opportunity to present the song.

The post is a tribute to Mukesh on his birth anniversary for his voice has become an inseparable part of our lives which he himself had said in one of his songs…

chaahe raho jaa kar kahin
paaoge tum mujhko wahin
ki band gar aankhen zaraa
main khwaab ban kar aaunga


Song-Nanhe munne nanhe munne laal desh ke (Meri Bahan)(1962) Singer-Mukesh, Lyrics-Pt Indra Chandra, MD-Dhaniram

Lyrics

nanhe munne
nanne munne
laal desh ke
nanhe munne
nanne munne
laal desh ke
le tujh se boloon
baat cheet ki
ise maan le re
ismein maan le
nanhe munne
nanne munne
laal desh ke

bade hoke manzil par tum
jald pahunchna
munne naam kamaana
bade hoke manzil par tum
jald pahunchna
munne naam kamaana
phool ho tum duniya ki
bagiya ke liye re ae
bagiya ke liye
phool ho tum duniya ki
bagiya ke liye re ae
bagiya ke liye
nanhe munne
nanne munne
laal desh ke

neem ped ooncha dikha
bhooton se log daraate ae ae ae
ae ae ae
neem ped ooncha dikha
bhooton se log daraate
mat darna polam pol
jhoothhi gappon se
nis din
rakhna khud pe bharosa
mere naujawaan
bade log baithh kahin
fizool ki baat karen
bade log baithh kahin
fizool ki baat karen
phailaayenge ye jhoothh
kabhi na maan’na re
beza aisi baat na inki
baabu maan’na na
baabu maan’na
nanne munne
nanne munne
laal desh ke
le tujh se boloon
baat seekh ki
ise maan le re
ismein maan le
nanhe munne
nanne munne
laal desh ke


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3927 Post No. : 14996

= = = = = = = = = = = = = = = = = = = = = = = =
Atul Song-A-Day 15K Song Milestone Celebrations – 6
– – – – – – – – – – – – – – – – – – – – – – – – – – – – –

Carl Sagan, in his book, ‘Pale Blue Dot’ talks about the picture taken by Voyager I before it left the solar system. Planet Earth, the only home we have known so far appears less than a fraction of a pixel in the picture. It’s on this speck of dust like object in the vast cosmos lived every human, plant and animal we ever know and every civilization.

On this planet the greatest men in a wide variety of fields have left behind their legacies both good and bad. Their lives however great or condemnable have been spent here.  In the vastness of time and space, a few years spent by great men may mean nothing. However, the legacy left behind by such men are recognized and appreciated for generations.

Theatre and entertainment arenas have also seen many a great men and women contribute their art and expertise to mankind. Quite a few are well known and many others are often not credited to the extent to which they should be.

Narrowing down to a movie and further restricting ourselves to Hindi film and non-film songs, the essence of this blog, we are now at the doorsteps of 15 thousand representations.

By these 15k representations, we all have tried to contribute our little efforts in bringing to the fore, the works of film artists – popular, less known and unknown. Amongst the main contributors, the nearly impossible tasks are taken up more experienced and knowledgeable such as Arunkumar ji, Sudhir ji, Sadanand ji etc.  The painstaking efforts in collecting accurate information from various sources and contacts and posting in a concise manner is definitely not an easy task.

Then, there are specialists such as Nalini ji for reminding us of the artist’s anniversaries and Prakash ji for identifying lesser known actors on the screen. Raja ji, whose marathon posts never bore us and we have Avinash ji who pours his heart out in the posts. We have Bharat ji with his expertise and first-hand experience.

There have many others who were more contended with sending only lyrics and a few who keep giving home-works to others. 🙂 A few are more than happy to suggest corrections to the posts and lyrics etc. in the comments section. Then, there are also contributors who vanish for a while and re-appear for special occasions (pun about self intended). 🙂

And, finally we have Atul ji, the fulcrum of our activities and the force that binds us together. Atul ji marches along from one milestone to another. And when he reaches the next milestone, we are all automatically teleported there. 🙂

I never planned for any special song for this occasion. (That again, the leaders will have a plan). But seeing that a great gem of an even greater singer is yet to be posted, I decided to go for his solo.

The singer is Talat Mahmood, of whom quite a lot has already been written on the blog.

My father, an avid fan Talat saab often says that his voice is for royal people. By royal, he means to say people with special taste and I can’t agree with him more. Talat Saab’s melancholic songs sung in blue mood are a class apart, the likes of which one will never get to hear from any other singer.

There are several such songs of Talat Saab which one can hear multiple times and can only admire the grace and dignity in his voice for songs pertaining to even dejection.

The list seems to be endless, but it’s a fact that he sang quite fewer songs compared to his other well-known contemporaries. However, Talat Saab’s voice will always be the triumph of quality over quantity.

The present song which I had not heard in the recent past is also amongst my many favourites of Talat Mahmood. There are stars and the moon in the song in case people are wondering what Carl Sagan had to do with this song in the first place. 🙂 (Kya karein, some starting problems in writing this post)

I pray for the continued longevity on the blog, active participation of all the contributors and readers as well.

Hearty Congratulations to one and all on this great achievement.

Song – Aao Baadal Chain Se Royen (Aawaara Ladki) (1967) Singer – Talat Mehmood, Lyrics – Rajnikant, MD – Dhaniram

Lyrics (Provided by Sudhir)

baa..aadal aa..aaawo

baadal aawo

aawo baadal aawo. . .

aao baadal chain se royen
aao baadal chain se royen
jalti dhoop
jalti dhoop
jalti dhoop mein main hoon akela
aao baadal chain se royen
aao baadal chain se royen

khush rahen
khush rahen. . .
khush rahen ye duniya waale
khush rahen ye duniya waale
khatm hua mera mela
khatm hua mera mela
main hoon aaj akela
aao baadal chain se royen
aao baadal chain se royen

armaan the dil mein mere kitne
chanda ke
haaye chanda ke saathi taare jitne
haaye chanda ke saathi taare jitne
dooba dil armaan bhi doobe
dooba dil armaan bhi doobe
toofaan ka dekha rela
main hoon aaj akela
aao baadal chain se royen
aao baadal chain se royen

din the chaar jo beet gaye mere
din the chaar jo beet gaye mere
honge dukh ke ab derey
honge dukh ke ab derey
darr nahin par hanse bhi kaise
darr nahin par hanse bhi kaise
gham se ab tak khela
main hoon aaj akela
aao baadal chain se royen
aao baadal chain se royen

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

बा॰॰दल आ॰॰आवो

बादल आवो

आवो बादल आवो॰ ॰ ॰

आओ बादल चैन से रोएँ
आओ बादल चैन से रोएँ
जलती धूप
जलती धूप
जलती धूप में मैं हूँ अकेला
आओ बादल चैन से रोएँ
आओ बादल चैन से रोएँ

खुश रहें
खुश रहें॰ ॰ ॰
खुश रहें ये दुनिया वाले
खुश रहें ये दुनिया वाले
खत्म हुआ मेरा मेला
खत्म हुआ मेरा मेला
मैं हूँ आज अकेला
आओ बादल चैन से रोएँ
आओ बादल चैन से रोएँ

अरमान थे दिल में मेरे कितने
चंदा के
हाए चंदा के साथी तारे जितने
हाए चंदा के साथी तारे जितने
डूबा दिल अरमान भी डूबे
डूबा दिल अरमान भी डूबे
तूफाँ का देखा रेला
मैं हूँ आज अकेला
आओ बादल चैन से रोएँ
आओ बादल चैन से रोएँ

दिन थे चार जो बीत गए मेरे
दिन थे चार जो बीत गए मेरे
होंगे दुख के अब डेरे
होंगे दुख के अब डेरे
डर नहीं पर हँसे भी कैसे
डर नहीं पर हँसे भी कैसे
ग़म से अब तक खेला
मैं हूँ आज अकेला
आओ बादल चैन से रोएँ
आओ बादल चैन से रोएँ


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3922 Post No. : 14987

Shamshad Begum, a name too familiar to music lovers of the golden era was born on this day 100 years ago (on 14 april 1919). Her voice, much distinct from all others had that metallic as well as melodious touch which brought her fame from all over the country.

April 14 did ring a bell, but I was not very much aware that it was her birth centenary this year. A comment from one of the regulars Partha Chanda ji on the anniversary pages was enough for me to get this post going.

As I have said earlier, the expectations of music lovers from this blog continues to grow. Music lovers are aware that probably nothing new may be written about such great artists, but they know that this is one of the few places on the internet, where legends are often celebrated and discussed. Apart from hearing these golden compositions and voices, reading about other people’s views and appreciations especially of our favourites has become an enthusiastic habit.

Since, I got to get this post really fast, I would only like to restrict my views on a composer collaboration of Shamshad Begum, which I have no hesitation in considering as the best. Shamshad Begum sang many songs for almost all the composers of her era. Her singing to a few of such composers made her songs ever more popular. So popular that to this day some of these songs are re-mixed and enjoyed by a different class of people. However, it’s my personal opinion that the very songs which made her more popular with these composers were responsible for her fading away from the playback scene. It’s because she sort of got trapped with these special group songs and the more serious songs meant for the lead actresses went to Lata. I would love to write more elaborately on this subject and my views on it some other time.

Avid music lovers can easily understand which composers I am referring to in the above para, but in this post I would like to talk about her playback for composer Naushad Ali.

I mean no discredit to other great composers like Anil Biswas, Ghulam Haider and Ghulam Mohammed etc. for whom Shamshad Begum sang some really good songs.

Naushad saab, created gold with every singer who sang for him and Shamshad Begum was no exception. Shahjehan, Dard, Anokhi Ada, Mela, Andaz, Chandni Raat, Dulari, Babul, Deedar, Jadoo, etc. stand tall in some of the best creations of Naushad’s career. And, Shamshad Begum was associated in a big way in the songs of all these films.

AK ji’s blog has very elaborate post on her songs with Naushad. Yours truly, in fact has the first comment on the post.
Talking about a few of these films, Shahjehan, the first film of the combo had very interesting numbers by Shamshad Begum. Dard was always a Suraiya, Munawar Sultana film, but Shamshad Begum carves a special place for herself with two great songs. Ye afsana nahi zaalim mere dil ki haqeeqat hai is my all time personal favourite.

Mela and Anokhi Ada will always remain special to me for the Mukesh connection. Just listen to Shamshad Begum singing …..ooooooo……. in Mohan ki muraliya baaje from Mela. I think the rendering cannot be appreciated with mere words. The effortless and elegant way with which the solo is sung makes me dumbstruck to this day.

I have fond memories of songs from Chandni Raat. During the good old cassette era, my parents and obviously I had not heard songs from this film quite too often. On a visit to Bombay, I had carried back this cassette. On playing at home, the songs from the film and especially the wonderful duets with Rafi saab became instant craze and are heard to this day.

Babul, Deedar etc, will also be remembered for the contrasting voices of Lata-Shamshad in duet songs and elegant composition by Naushad saab.
It would not be out of place or wrong to say that she was sort of side-casted in favour of Lata, but even in the latter films of Naushad whenever she rendered the odd songs or supported in duets, the class and elegance remained.

Writing about her last days in her singing career will yield nothing. The metallic and melodious voice with crystal clear diction will remain ringing in our ears for decades to come.

On her birth centenary, I pay my humble tributes to Shamshad Begum and would like to represent a song from Aadmi (1957)


Song-Chhup chhup ke re chupke chupke yaad aayi (Aadmi)(1957) Singer-Shamshad Begam, Lyrics-Sartaj Rahmani, MD-Ramnath
Chorus

Lyrics

Chhup chhup ke re chupke chupke
chhup chhup ke re chupke chupke
yaad aayi
chhup chhup ke re chupke chupke
yaad aayi

haay dil dhadka
aankh lajaai
aayi re
aayi re
aaaayi
yaad aayi
chhup chhup ke re chupke chupke
chhup chhup ke re chupke chupke
yaad aayi

aankhon mein pyaar liye
aaye sanwariya
aaye sanwariya ji
aaye sanwariya

loot ke chale gaye
man ki nagariya
man ki nagariya
ho man ki nagariya

kaisa ye dhokha khaaya
lut gayi raam duhaai
lut gayi raam duhaai
lut gayi raam duhaai

ho o o o
chhup chhup ke re chupke chupke
chhup ke re chupke chupke
yaad aayi
chhup chhup ke re chupke chupke
yaad aayi

marzi tumhaari piya
aao na aao
aao na aao ji
aao na aao

dil ko sambhaaloon kaise
ye to bataao
ye to bataao ji
ye to bataao

kaise wo aag bujhaaoon
tumne jo aag lagaayi
tumne jo aag lagaayi
tumne jo aag lagaayi

ho o o o
chhup chhup ke re chupke chupke
chhup chhup ke re chupke chupke
yaad aayi
chhup chhup ke re chupke chupke
yaad aayi

kaise kahoon sakhiyon se
dil pe tera raaz hai
dil pe tera raaz hai ji
dil pe tera raaz hai

jhuki jhuki ankhiyon mein
duniya ki laaj hai
duniya ki laaj hai ho
duniya ki laaj hai

bedardi tu na aaya
ho gayi preet paraayi
ho gayi preet paraayi
ho gayi preet paraayi

ho o o o
chhup chhup ke re chupke chupke
chhup chhup ke re chupke chupke
yaad aayi
chhup chhup ke re chupke chupke
yaad aayi

haay dil dhadka
aankh lajaai
aayi re
aayi re
aaayi
yaad aayi
chhup chhup ke re chupke chupke
chhup chhup ke re chupke chupke
yaad aayi
chhup chhup ke re chupke chupke
chhup chhup ke re chupke chupke


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3807 Post No. : 14803

Mukesh and his Composers – 18
—————————————–

Subsequent to the posting of debut song from the film Veer Ghatotkach (1970), Sudhir ji sent me an email on 16 October 2018, saying that the said film had a wonderful Mukesh song and sought to know if I would be interested to take up the same in this series of mine. He further wrote that that he alternately taken up a Suman Kalyanpur song for representing the film in his series.

Whilst I feel quite gratified with such gestures, there is also a huge sense of resentment within myself for not taking up the posts of Mukesh more frequently.

Anyway, coming to next part of this series, we take up the curious case of composer Dilip Dholakia. I say curious because he represented himself under various names such as Dilip Roy, D. Dilip, Dilip Rai and unfortunately ended up a lesser known composer.

Because of the various names that he took upon himself, it is difficult to attribute all his contributions on the same page without an element of omission or mistake. Thankfully, the wiki page on him does justice to his various contributions in Hindi, Gujarati and Bhojpuri films. He has composed for 8 films in Hindi and 11 in Gujarati apart from the many films in which he assisted composers like Chitragupt, SN Tripathi and Laxmikant-Pyarelal.

I came across two detailed post/articles on Dilip Dholakia. One is from AK ji’s blog wherein Ashok M Vaishnav ji has done a detailed post on the composer. This post also contains many informative comments and a few notably by our own Arunkumar ji. The other one is a news article published after the composer passed away on 02 January 2011. These two references give a fairly good idea about all his works.

Coming to the topic of this post, Mukesh has sung two songs for him in 1970 for ‘Veer Ghatotkach’ and ‘Dagaabaaz’. The one from ‘Dagabaaz’ has already been covered on the blog including the sad version. The song for this post was noticed by self in 2015 itself when Sudhir ji was doing his posts on the early songs of Mukesh from the forties.

Hearing the restrained rendition of Mukesh and the black and white print of the song, I had jumped the gun and reported to Atul ji and Sudhir ji that I had traced one more rare song from the 40’s. However my eureka moment did not last long and I was reminded that there are two films of the same name released in 1949 and 1970 respectively. Mukesh, apparently had no songs in the 1949 version of the same film title.

Shri Harish Raghuwanshi ji was more than helpful in giving me the details and confirming that only 2 songs were sung by Mukesh for the composer in Hindi. I was also given to understand that Mukesh has 2 more songs in Gujarati and one song in Magadhi language under Dilip Dholakia. Here is the short table of the collaboration between Mukesh and Dilip Dholakia.

S.No

Name of song Movie (Year of release)

Lyricist

1

Hum Manmauji Raahi Mastaane (Happy and Sad versions) ‘Daghaabaaz’ (1970) BD Mishra

2

Us Pratham Pratham

 

‘Veer Ghatotkach’ (1970) BD Mishra

The present song is featured on Raj Kumar and Laxmi Chhaaya. I found an interesting and detailed article on the actor Raj Kumar. This person is different from the more famous actor with the same name. The jewellery and make-up worn by Laxmi Chhaaya should have given me enough hints that this song cannot belong to 1949. Also, she was born only in 1948. But then, what am I trying to prove? Well, I want to convey that it is only the voice of Mukesh and his unrepresented songs on the blog that I concentrate and not much on the heroines. 🙂

Now, let us listen to this wonderful rendition by Mukesh.


Song – Us Pratham Pratham Parichay Mein Hi (Veer Ghatotkach) (1970) Singer – Mukesh, Lyrics – BD Mishra, MD – Dilip Dholakia

Lyrics

us partham partham parichay mein hi
maine khoya tha apnapan
us partham partham parichay mein hi
maine khoya tha apnapan
phir mila tumhari aankhon se
mere pranno ko nav jeevan
us partham partham parichay mein hi

soona soona jeevan tha mera tumhaare bina
soona soona jeevan tha mera tumhaare bina
ek akela mann tha mera tumhaare bina
tum ne aa kar mujhe wo geet diya
priye jhoom utha mera tan mann
phir mila tumhari aankhon se
mere pranon ko nav jeevan
us partham partham parichay mein hi

poonam jaisi sundar saloni tumhari chata
poonam jaisi sundar saloni tumhari chata
yauvan tumhara barkha me umadti ghata
main janam janam ka pyaasa tha
tum mujhko mili banke saawan
phir mila tumhari aankhon se
mere pranon ko naw jeevan

us partham partham parichay mein hi
maine khoya tha apnapan
phir mila tumhari aankhon se
mere pranon ko nav jeevan
us partham partham parichay mein hi

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

उस प्रथम प्रथम परिचय में ही
मैंने खोया था अपनापन
उस प्रथम प्रथम परिचय में ही
मैंने खोया था अपनापन
फिर मिला तुम्हारी आँखों से
मेरे प्राणों को नवजीवन
उस प्रथम प्रथम परिचय में ही

सूना सूना जीवन था मेरा तुम्हारे बिना
सूना सूना जीवन था मेरा तुम्हारे बिना
एक अकेला मन था मेरा तुम्हारे बिना
तुमने आकर मुझे वो गीत दिया
प्रिए झूम उठा मेरा तन मन
फिर मिला तुम्हारी आँखों से
मेरे प्राणों को नवजीवन
उस प्रथम प्रथम परिचय में ही

पूनम जैसी सुंदर सलोनी तुम्हारी छटा
पूनम जैसी सुंदर सलोनी तुम्हारी छटा
यौवन तुम्हारा बरखा में उमड़ती घटा
मैं जनम जनम का प्यासा था
तुम मिलीं मुझे बनके सावन
फिर मिला तुम्हारी आँखों से
मेरे प्राणों को नवजीवन

उस प्रथम प्रथम परिचय में ही
मैंने खोया था अपनापन
फिर मिला तुम्हारी आँखों से
मेरे प्राणों को नवजीवन
उस प्रथम प्रथम परिचय में ही


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3712 Post No. : 14639

Mukesh and his Composers – 17
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We have discussed the songs sung by Mukesh for Aparesh Lahiri and his son Bappi Lahiri in the last two successive posts. Incidentally these two posts were on the birth and death anniversary dates of Mukesh.
Much earlier in the series, we have also discussed about Mukesh songs for S D Burman and R D Burman. Well, no prizes for guessing where we are heading with these discussions. Yes, the father-son associations that Mukesh had in his singing career and the name that came immediately to my mind was that of Rajesh Roshan. It appears that Mukesh’s association with father-son composers is restricted to the three duos discussed above. I found it prudent to have this short table of the details before we head to the composer of this post Rajesh Roshan.

S No Father-Son composer Number of songs by Mukesh
1 S D Burman 12
R D Burman 15
2 Aparesh Lahiri 1
Bappi Lahiri 2
3 Roshan 36
Rajesh Roshan 3

It is pointless, for obvious reasons to discuss the above table in totality, but we cannot help noticing that Roshan songs for Mukesh are more than all the other 5 composers put together.

In the above table, all songs of all composers are represented on the blog except one under Rajesh Roshan which is being introduced with this post. And, one song under R D Burman from Naukri (1978) is yet to be represented.

R D Burman started his composing career in 1961 and took Mukesh onboard only in 1965. Thereafter he had 14 more songs by Mukesh all in the 70”s and with quite a number of them being hits. To reiterate he composed 15 songs for Mukesh as against 12 by his father who had first composed for Mukesh way back in 1948.

Coming to the today’s post, Rajesh Roshan began his composing career only in 1974 and started with a bang with Kishore Kumar in Kunwaara Baap and Julie in 74 and 75 respectively. 76 was the year in which Mukesh passed away and we have only 3 songs that Mukesh sang for Rajesh Roshan and two of the movies were released after Mukesh had left this world.

Below is table of the short list of 3 songs with all the details. Needless to say, all 3 songs were famous and in particular the one from Tumhaari Kasam remains active in public memory to this day.

S.No Name of song Movie (Year of release) Co-singer if any Lyricist
1 Pari re tu kahaan ki pari Udhaar ka Sindoor (1976) Asha Bhosle Majrooh Sultanpuri
2 O maiya mori main mahin makhan Charandas (1977) Rajinder Krishan
3 Hum dono milke kaaghaz pe dilke Tumhaari Kasam (1978) Asha Bhosle Anand Bakshi

Tumhaari Kasam had Jeetrendra in the lead role, but the duet sung by Mukesh with Asha Bhosle was featured on Navin Nischol. The film was released two years after Mukesh passed away and yet it’s the only notable feature left of the film today. The tune is quite catchy and is a personal favourite of mine.

Charandas was released in 1977 and it makes a debut on the blog with this last of the 3 songs of Mukesh sung for Rajesh Roshan. The song is sung on screen by Om Prakash who seems to be the protagonist in the film.
Shri Harish Raghuwanshi ji helped me with the confirmation of both the tables and I am ever grateful to him.


Song-Maiyya moree main naheen maakhan khaayo (Charandas)(1977) Singer-Mukesh, Lyrics-Rajinder Krishan, MD-Rajesh Roshan

Lyrics

maiyya moree
o o o
o o
main naheen maakhan khaayo
maiyya moree
ho o o
o o
main naheen maakhan khaayo
kahat sunat mein aakar kaahe
jhootha dosh lagaayo
ree maiyya moree
main naheen maakhan khaayo
maiyya moree
ho o o
o o
main naheen maakhan khaayo

o o o
o o o
o o o
jamuna key tat par
gwaal baal sang
chaar pahar main khela
o o o
gaiyya charaavat bansee bajaavat
bhai saanjh kee bela
bhookh lagee toh daudat daudat
seedha main ghar aayo
maiyya moree
main naheen maakhan khaayo
maiyya moree
ho o o
o o
main naheen maakhan khaayo

o o o
naa koyee maine matkee phodee
naa kee koyee choree
ho o o
jaan liya kyun mujhko jhootha
toone maiyya moree
apne ang ko kaise samjha
toone aaj paraayo
ree
maiyya moree
main naheen maakhan khaayo
maiya moree
ho o o
o o
main naheen maakhan khaayo

main toh baaba nand ka laala
kaahe chor kahaaun
o o o
apne ghar mein kaun kamee
jo baahar maakhan khaaun
baat sunee toh maat yashoda
hans kar kanth lagaayo
phir bolee
tu naheen maakhan khaayo
govinda morey
tu naheen maakhan khaayo
rey krishna more
tu naheen maakhan khaayo


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3692 Post No. : 14603

Mukesh and his Composers – 16
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Today 27 August, we remember Mukesh on his remembrance day.

My last post on his birthday (22 July) was about his collaboration with Bappi Lahiri. We remain with the Lahiri family in this post too as we discuss the songs sung by Mukesh for Bappi Da’s father Aparesh Lahiri.

There are probably more songs sung by Aparesh Lahiri than the films that he composed music for.

Not much information is available on the net and I request knowledgeable readers to write more on his composing career. From the little information, I could gather in connection with this post, I came across a Bengali film named Subhash Chandra (1966). Needless to say it is based on the life and times of one of the most adored and respected freedom fighters of India, Subhash Chandra Bose.

The film in Bengali language seems to have been quite popular from what I could understand. Mukesh who has sung about a dozen Bengali songs has one song in this 1966 particular film too. The same film was made in Hindi and seems to have disappeared without much popularity. In the Hindi version too, Mukesh has sung the same song with the same tune as the Bengali version.
[Ed Note: As per the Geet Kosh, the Hindi version of this film was released in 1978.]

This is the solitary song sung by Mukesh for Aparesh Lahiri and hence there will be no table in this post. 🙂

Evidently, there has not been much research by me in this post and I apologize for the same. However the details were sketchy and since it was the only sung by Mukesh for the said composer, I did not dig much into the career of Aparesh Lahiri.

Much of these details were provided to me by Shri Harish Raghuwanshi and I am thankful to him.

Before I conclude the post, I would like to repeat what a few noted and eminent personalities have said about Mukesh.

Salil Chowdhury: Each word from his lips was a pearl. No one could sing the way Mukesh did, with the right diction, inflexion and intonation. His vocal timbre was out of this world.

Raj Kapoor: I am just a body, Mukesh is my soul.

Anil Biswas: I have lost my son. (on Mukesh’s passing away)

Needless to say, the above quotes speak volumes about Mukesh; the man with the golden voice, playback singer par excellence and the noble soul.

The voice of Mukesh will forever continue to resonate in the world of music.


Song – Yahaan Radha Kund Hai Shyam Kund Hai (Subhash Chandra) (1978) Singer – Mukesh, Lyrics – Saraswati Kumar Deepak, MD – Aparesh Lahiri

Lyrics

jai radheshya..aa..aam
ra..aa.aadheshya..aa..aam
jai radheshya..aa..aam

yahaan radha kund hai
shyam kund hai
aur hai goverdhan
madhur
madhur bansi baaje
yahi to vrindavan
o babu yahi to vrindavan

bansi baar baar boley
radha radha radha
radha..aa..aa
radha..aa..aa..aa..aa
bansi baar baar boley
radha radha radha
radha naam bansi ne suron mein hai bandha
tabhi to kanhaiya baney
raadhika raman
madhur madhur bansi baaje
yahi to vrindavan
o babu yahi to vrindavan

jagat ke dukh ki kaanha suney baani
usi baani ko sun ke bani radha rani
huye radhika ke prem se. . .
pooran. . .  mohan
madhur madhur bansi baaje
yahi to vrindavan
o babu yahi to vrindavan

yahan radha kund hai
shyam kund hai
aur hai goverdhan

jai radheshya..aa..aam. . .
ra..aa.aadheshya..aa..aam
jai radheshya..aa..aam. . .

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

जय राधे श्या॰॰आम
रा॰॰आ॰॰आधे श्या॰॰आ॰॰आम
जय राधे श्या॰॰आम

यहाँ राधा कुंड है
श्याम कुंड है
और है गोवेर्धन
मधुर
मधुर बंसी बाजे
यही तो वृन्दावन
ओ बाबू यही तो वृन्दावन

बंसी बार बार बोले
राधा राधा राधा
राधा॰॰आ॰॰आ
राधा॰॰आ॰॰आ॰॰आ॰॰आ
बंसी बार बार बोले
राधा राधा राधा
राधा नाम बंसी ने सुरों में है बांधा
तभी तो कन्हैया बने
राधिका रमण
मधुर मधुर बंसी बाजे
यही तो वृन्दावन
ओ बाबू यही तो वृन्दावन

जगत के दुख की सुने कान्हा बानी
उसी बानी को सुन के बनी राधा रानी
हुये राधिका के प्रेम से॰॰॰
पूरन॰॰॰ मोहन
मधुर मधुर बंसी बाजे
यही तो वृन्दावन
ओ बाबू यही तो वृन्दावन

यहाँ राधा कुंड है
श्याम कुंड है
और है गोवेर्धन

जय राधे श्या॰॰आम
रा॰॰आ॰॰आधे श्या॰॰आ॰॰आम
जय राधे श्या॰॰आम


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3656 Post No. : 14517

Mukesh and his Composers – 15
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Remembering Mukesh on his birthday (22 July 1923 – 27 August 1976)

Mukesh singing for Bappi Lahari is bound to raise eyebrows for the simple reason that the two artists worked in two different periods of time.
However, when Bappida started his hindi music journey in the beginning of the 70s, Mukesh was still giving playback. His first score for hindi movies was for the film Nanha Shikari (1973) and incidentally his first composition featured Mukesh. This was a pleasant surprise for me, when I was going through some articles on Bappida. For his fans here is his official website.

Coming to the next part of this series and after a long time, here is the short collaboration of Mukesh singing for Bappida. (The post itself is even shorter ) 🙂

There are only two songs; a duet with Sushma Shrestha in Nanha Shikari (1973) and a solo from Bazaar Band Karo (1974) which I present in this post.

S.No Name of song Movie (Year of release) Co-singer if any Lyricist
1 mohe kar de vidaa de ke pyaar Bazaar Band Karo (1974) Naqsh Lyallpuri
2 tu hi mera chanda tu hi taara Nanha Shikari (1973) Sushma Shrestha Yogesh

“Bazaar Band Karo” is a 1974 Bollywood film produced and directed by B. R. Ishara and starring Manhar Desai and Asha Chandra. One song from the film is already posted on the blog and this is the second out of the four songs from the movie.

The bidaai song immediately reminds us of one of the most famous songs in this genre, the one from S. D Burman’s Bambai ka Babu’s iconic song Chal ri sajni ab kyaa soche(Bambai ka babu) sung by Mukesh himself.

A sort collaboration and an even sorter post, but the memories and the melodies of the singer are too many.


Song-Mohe kar de vida (Baazaar Band Karo)(1974) Singer-Mukesh, Lyrics-Naqsh Llayalpuri, MD-Bappi Lahiri

Lyrics

mohe kar de vidaa aa aa
de ke pyaar
hmm hmm hmm
re baabul kya soche ae
hmm
doli le ke khade hain kahaar
baabul kya soche
mohe kar de vidaa aa aa
de ke pyaar
hmm hmm hmm

aaj tere ghar ki jyoti
hmm
daaman mein lekar moti ee
hmm
aaj tere ghar ki jyoti
daaman mein lekar moti ee
dwaar piya ke pahunchengi roti
o o o o
dwaar piya ke pahunchenge roti
hmm
mohe kar do vidaa de ke pyaar
hmm hmm

laut na jaayen baarati
hmm
roothe na jeevan saathi ee
hmm
laut na jaayen baaraati
roothe na jeevan saathi ee
beet na jaaye ghadi muhoorat ki
hmm
ooo
o o o o
o o o
beet na jaaye ghadi muhoorat ki
mohe kar de vidaa aa aa
de ke pyaar
hmm hmm
mohe kar de vidaa aa aa
de ke pyaar
hmm hmm
re baabul kya soche
doli le ke khade hain kahaar
re baabul kya soche
re baabul kya soche
re baabul kya soche


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3647 Post No. : 14481

ASAD 10th Anniversary Celebrations – 3
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A journey of a thousand miles begins with a single step.
– Lao Tzu

main akela hi chala tha janib e manzil magar
log saath aate gaye aur karwaan banta gaya
– Majhrooh Sultanpuri

On 19 July 2008, a single step was taken by our Atul ji, the day on which the first song was posted on the blog. It was followed by yet another Roshan number the next day and the journey continues to this date and beyond, much akin to the above sh’er by Majhrooh Saab.

Looking back at the last decade, there is a deep sense of excitement and contention amongst all readers and especially the important contributors. However what is equally true is that the responsibilities and the hope of tracing and introducing obscure songs has only increased. This hope itself is the proof of the immense popularity that the blog enjoys all over the world.  I am sure the blog has become a one-stop destination for all readers in search for old Hindi songs and the correct and reliable information that it serves and continues to provide. About 4000 movies and nearly 15,000 songs covered, the blog has a visitors hits number of more than 10.5 million. Mind-blogging numbers indeed and one can only feel proud of being a part of this great musical extravaganza.

Since it is a special occasion of a decade of the blog’s existence, I suppose, I am at liberty to write a few words about my association with it.

Old Hindi Film songs were a common feature in my house, especially with SLBC and its special program ‘purani filmon ka sangeet’, which is played to this day and to which I am addicted to this day (ask our whatsapp group 🙂 ). With the advent of internet facility, the hobby of listening and gathering information naturally started dominating the searches. And, for people with music interest this blog was a no-escape and also a welcome addiction.

In the initial days, I just tried to absorb and admire the contents. It was not long that the longing to be a part of the blog started to grow. A few comments and corrections here and there started. Seeing that a lot of songs known to self were yet to be represented, I toyed with the idea of sending the lyrics. I ended up sending lyrics for 3-4 songs, but the greed to get more involved did not stop.

It was then that I starting writing posts. After a few posts and with the ideas and plots for writing posts difficult to come by, I started a mini-series on Mukesh and his composers. There is a small contribution of self in this series with 14 posts and 04 posts in another series titled Mukesh and his co-singers. Apart from the posts on Mukesh, I feel proud to have written about Rafi saab, Talat saab and Lata Mangeshkar. There are individual posts on Shamshad Begum, Uma Devi, etc. I have also written about Ghulam Mohammed and Shankar Jaikishan whose compositions, I enjoy immensely.

Of the 30 odd posts, “Sab Thhaath Pada Reh Jaavegaa” has had a great influence on me and especially the verses.

jo paaya hai wo baant ke kha
kangaal na kar kangaal na ho o
jo sab ka haal kiya toone
ek roz wo tera haal na ho o

is haath se de us haath se le
ho jaave sukhi ye jag saara

There was time when some songs of Mukesh were not to my liking. This view is particularly for a few songs at the fag end of his career wherein you find him singing all types of songs without the Midas touch of late 1940’s and 1950’s. Not having understood the lyrics properly, I had counted the above song also in that category. However, while writing the post and especially after Sudhir ji’s English translation, the song seems to be nothing short of philosophy of life that one must follow.

And then, “Lo Mil Gayi Degree Pyaar Ki” had its own story before it was put up as a post. A virtual Kishore Kumar solo was converted into a Mukesh post just because he had two words in the song. It was the last song of Mukesh-Roshan to be introduced to the blog and there was no way, I could lose the opportunity. Many eminent personalities were contacted who held different views on how Mukesh could fit in as he was not part of the movie etc.

Lastly, “Gokul Nagri Jaana” remains the oldest song sung by Mukesh on the blog. I have special memories of writing this post, as I was aware that I had touched upon a gold mine of 06 special songs of his career. Two of them remain untraced to date, but then there have been many surprises on this blog and I am sure all six will be accounted for.

The past year has been hectic for me from job and work point of view. However, with this post, I have barely managed to avoid the guilt of not having contributed for an entire year. I expect saner time allotment for this hobby again.

Coming back to the blog, I consider the following to be a few unique and unparalleled aspects about it.

  • Accuracy and authenticity of the contents
  • Complete and correct lyrics
  • Responsible, authoritative and sound contributors
  • The classification and arrangement of songs under various heads
  • Easy accessibility of information on Hindi songs
  • Common platform for like-minded Hindi songs enthusiasts
  • Due recognition and importance accorded to various artists
  • Accurate statistics of songs and artists contribution.

There could more important USP’s of the blog; however, the following two aspects are also quite important.

  • Opportunity for contributors to pen their thoughts on the blog
  • A unique friendship circle amongst the regulars

I think every reader and especially the contributors can never thank Atul ji and Sudhir ji enough, to acknowledge and appreciate the opportunity given to us to pen down our thoughts and represent songs on the blog. This is a very selfless and noble deed of Atul ji. Like-minded people met online on this blog and started a very special and unique circle, with quite a few sessions, visits etc. A whatsapp group is also formed with a few of the regulars and is more active than the blog itself now. 🙂

For me personally, the opportunity to interact with Mr. Harish Raghuwanshi ji was a great personal fulfilment. He has always helped me with my lists in the posts and also with information which would have been nearly impossible to trace elsewhere. Similarly, being in touch with eminent film historians and authors and knowledgeable personalities such as Shri Arun Kumarji, Harmandir Singh ji and many others has added new dimensions to our lives. In a fast moving world with technological advances, catching up with matters of yesteryears is so soothing and heart fulfilling. When we talk of ‘good old days’, here is a platform that binds us together.

Coming back to the series on Mukesh, a sort of regret that will always remain with me is not having a post on the collaboration of Mukesh with composer Anil Biswas. People fond of Hindi music need no explanation to elaborate the influence of Anil Da and stepping stone in Mukesh’s singing career with reference to “Dil Jaltaa Hai To Jalne De”Of the 22 odd songs that Mukesh sang for Anil Da, all have been covered on the blog. Not to give a sense of false hope, I would like to clarify that the song that I am presenting here today has nothing to do with Mukesh.

Instead, I would like to write on Anil Biswas.

What can one write about the ‘Bhishm Pitamah’ of Hindi film music that has not been written earlier. A pioneer of playback singing in India and the composer who gave the initial breaks to singers like Parul Ghosh, Meena Kapoor, Mukesh, Talat Mahmood, Sudha Malhotra etc. He is credited with coaching Lata Mangeshkar with breath control techniques during recording of songs. Begum Akhtar’s timeless classics in the film ‘Roti’ (1942) were scored by him. Mukesh, Talat Mahmood, Suraiya et al have sung several of their classic songs under his composition. Lata having sung under various composers has a lot of numbers under his composition too and these songs will always remain on a higher plane. The fame achieved by the songs in ‘Kismet’ (1943) will be discussed and mentioned for a very long time.

There is enough material on the net on Anil Biswas, his life in Mumbai and Delhi, the many pioneering aspects of his compositions, how the mighty composers of later-years were his assistants earlier etc. And then there is also a detailed wikipage dedicated to him. However, I would like to draw the attention of readers to AK ji’s blog songsofyore.com.

Seventh of July, last week was the birth anniversary of Anil Da. Four years back, 2014 was his centenary year and the AK ji’s blog has a wide range of tributes and had dedicated an entire year on Anil Biswas starting with his daughter’s introductory post which one can find here. The eighth and last post on this special series can be found here.

The last post referred above also contains in its first paragraph links to the other six posts on Anil Biswas posted in his centenary year. I think die-hard fans of Anil Da can look no further than these posts to enjoy the complete range of his compositions for various artists and well himself.

Yes, he did sing for himself and I present here one such song composed and also sung by him.

I have no words to express my happiness in writing this post and introducing the song composed as well as sung by Anil Biswas to the blog. The immense gratitude to Atul ji and Sudhir ji for giving me yet another opportunity to write goes without saying.

This solo song is from the film ‘Ek Hi Raasta’ (1939). Only one of the potential twelve songs in the film has been posted on the blog so far and this is only the second song from the film to be posted.

To conclude the post, I once again congratulate Atul ji and Sudhir ji on this stupendous achievement of one decade of existence of the blog. There is a long way to go and many more milestones to be achieved. As we complete one decade of existence and march into the second, then to silver jubilee and beyond, the journey itself has become the destination for Atulites.

Long live the music of vintage and golden era, long live the passion of Atulites and long live the longevity of the blog. 🙂


Song – Bhai Hum Pardesi Log Hamen Kaun Jaane  (Ek Hi Raasta) (1939) Singer – Anil Biswas, Lyrics – Pt Indra Chandra, MD – Anil Biswas

Lyrics

bhai hum pardesi log
hamen kaun jaane
o bhai hum pardesi log
hamen kaun jaane
na koi apna na koi apni..ee..ee
sabhi paraaye log
na koi apna na koi apni
sabhi paraye log
hamen kaun pehchane re  
bhai hum pardesi log
hamen kaun pehchane re
bhai hum pardesi log  
hamen kaun jaane
 
khud hi rijhaaen khud man jaaen
chaahe ramaaye jog
khud hi rijhaaen khud man jaaen
chaahe ramaaye jog
chaahe bane diwaane re bhai
chaahe bane diwaane re bhai
hum pardesi log  
hamen kaun jaane
 
sab se milte phir bhi akele..ey..ey
sab se milte phir bhi akele..ey..ey
apne dil ka rog  
apne dil ka rog
koi kya jaane re bhai
koi kya jaane re  
bhai hum pardesi log  
hamen kaun jaane
o bhai hum pardesi log
hamen kaun jaane  
na koi apna na koi apni
sabhi paraaye log
na koi apna na koi apni
sabhi paraaye log
hamen kaun pehchane re
bhai hum pardesi log
hamen kaun pehchaane re
bhai hum pardesi log
hamen kaun jaane
o bhai hum pardesi lo..o..ogg

————————————–
Devnagri script lyrics (Provided by Sudhir)
—————————————

भई हम परदेसी लोग
हमें कौन जाने
ओ भई हम परदेसी लोग
हमें कौन जाने
ना कोई अपना ना कोई अपनी॰॰ई॰॰ई
सभी पराये लोग
ना कोई अपना ना कोई अपनी
सभी पराये लोग
हमें कौन पहचाने रे
भई हम परदेसी लोग
हमें कौन पहचाने रे
भई हम परदेसी लोग
हमें कौन जाने

खुद ही रिझाएँ खुद मन जाएँ
चाहे रमाएं जोग
खुद ही रिझाएँ खुद मन जाएँ
चाहे रमाएं जोग
चाहे बने दीवाने रे भाई
चाहे बने दीवाने रे भाई
हम परदेसी लोग
हमें कौन जाने

सबसे मिलते फिर भी अकेले॰॰ए॰॰ए
सबसे मिलते फिर भी अकेले॰॰ए॰॰ए
अपने दिल का रोग
अपने दिल का रोग
कोई क्या जाने रे भाई
कोई क्या जाने रे
भई हम परदेसी लोग
हमें कौन जाने
ओ भई हम परदेसी लोग
हमें कौन जाने
ना कोई अपना ना कोई अपनी
सभी पराये लोग
ना कोई अपना ना कोई अपनी
सभी पराये लोग
हमें कौन पहचाने रे
भई हम परदेसी लोग
हमें कौन पहचाने रे
भई हम परदेसी लोग
हमें कौन जाने
ओ भई हम परदेसी लो॰॰ओ॰॰ओग


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

zamaanaa bade shauq se sun raha tha
hameen so gaye daastaan kehte kehte
hameen so gaye

Today is the remembrance day of legendary singer Mukesh. (23 July 1922 to 27 August 1976).

“Each word from his lips was a pearl. No one could sing the way Mukesh did, with the right diction, inflexion and intonation. His vocal timbre was out of this world.”

These are the words of composer Salil Choudhary in praise of the voice of Mukesh.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has over 15200 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

15212

Number of movies covered in the blog

Movies with all their songs covered =1178
Total Number of movies covered =4181

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