Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Yearwise breakup of songs’ Category


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Blog Day :

5436 Post No. : 17824

In one of my recent posts, I had mentioned that Hindi movies typically have the same kind of songs, no matter what the genre of the song. What is more, the title of the movie, which indicates (or supposed to indicate) genre of the movie can often be misleading.

In 1940s, there were quite a few medical field related movie titles, viz “Doctor”(1941), “Nurse”(1943), “Lady Doctor”(1944), “Hospital”(1942) etc. If one thinks that these movies told the story of the medical profession in some detail, I am not so sure. Songs of a movie can often tell us about the story line of the movie. When one looks at the mukhda of the songs (and also listen to the songs), we find that these songs are all love songs, broken in heart songs, missing the beloved songs, joie de vivre song in anticipation of the arrival of the beloved, etc. There is not a single song that even remotely pertains to the medical profession.

Take the movie “Hospital”(1942) for example. This movie had eight songs in it. Four songs have been covered in the blog. Here are the details of the songs contained in the movie :-

SNo Song Title Singer/s Posted On
01 Ghata chhaayee ghanghor Kanan Devi, Jawahar Song under discussion
02 Ab to mauj udaao bhaiyya Robin Majumdar
03 Prabhu ji tum raakho laaj hamaari Kanan Devi 19 January 2015
04 Meri majbooriyon ne meraa daaman chaak kar daalaa Kanan Devi 23 February 2011
05 Zara nainon se naina milaay jaao re Kanan Devi 22 April 2012
06 Ae rone waale hansne ke din door nahin hain Kanan Devi, chorus
07 Ab aayee bahaar nayee aayee re Kanan Devi, Jawahar 19 May 2015
08 O matwaale panchhi Robin Majumdar

From the above list of songs, we can clearly observe that the movie songs are all love songs. So one can say that the main characters of the movie, even if they are supposedly working in some hospital, spend all their time in the extracurricular activities of singing romantic songs and they hardly do any hospital work in the movie.

I really wonder what the movie makers of such movie hoped to achieve by making movies with such misleading titles. Going by the songs of this movie, “Pyaar ke naghme” would have been a more appropriate title for this movie.

“Hospital”(1943) was directed by Sushil Majumdar for M P Productions, Calcutta. The movie had Kanan Devi, Ahindra Chaudhary, Robin, Krishna, Pramod, Hiralal, Tulsi, Indu, Sandhya, Purnima, Manorama, Devbala etc. in it.

As mentioned above, “Hospital”(1943) had eight songs in it. Four songs have been covered in the past.

Here is the fifth song from the movie. According to HFGK, this song is sung by Kanan Devi, Jawahar and chorus. Pt Bhushan is the lyricist. Music is composed by Kamal Dasgupta.

Only audio of the song is available. It is clear that Kanan Devi sings for herself. There is no Jawahar in the list of star cast. Assuming that the male voice sings for the hero playing the romantic lead opposite Kanan Devi, it should be Ahindra Chaudhary. It is not clear if Jawahar was some plaback singer or it is the name of the character played by the male actor in the movie.

From the lyrics of the song, it appears that the lead actors, instead of playing medical professionals, are playing love birds (Radha and Kanhaiyya), perhaps in a stage dance performance.:)

I request our knowledgeable readers to throw light on the picturisation of the song. I am also interested in knowing the story of the movie.


Ghata chaayee ghanghor (Hospital)(1943) Singers-Kanan Devi, Jawahar, Lyrics-Pt Bhushan, MD-Kamal Dasgupta
Female Chorus

Lyrics

ghata chhaayi ghangho o o o o or
macha bagiyan mein aen sho o o o o or
mera manwa bhi piu piu boley
mere jeevan ki naiyya bhi doley
mera manwa bhi piu piu boley
mere jeevan ki naiyya bhi doley
mera manwa bhi piu piu boley
mere jeevan ki naiya bhi doley

rang rageeli pyaari raadha
apna rang jamaao
rang rageeli pyaari raadha
apna rang jamaao
ya phir is murli ki lay mein
hans hans kar kho jaao
Raadha
hans hans ka kho jaao

aaj na bolengi re mohan
tumse raadha pyaari
aaj na bolengi re mohan
tumse raadha pyari
jaa ke manaao aur kisi ko
jaa ke manaao aur kisi ko
o natkhat banwaari ee
aaj na bolengi re mohan
tumse raadha pyaari

raadha aa
raadha aa
pyaari raaadha
binti meri maano raadha aa
binti meri maano
mujhse preet chhed(?) mat baithho
mujhse preet chhed mat baithho
itni zid mat thhaano

sunder shyaam saloney saajan
main teri deewaani ee
tujh bin palchhin tadap rahee hoon
tujh bin pal chhin tadap rahee hoon
jyun machhli bin paani


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5435 Post No. : 17823

It was somewhere in the middle of may 2023 (17 may 2023, to be exact) that plans to have a meeting of blog regulars at Mumbai began to be explored. The idea began to take shape when Sudir jee, alongwith Bakshish Singh jee planned to visit Mumbai for one week towards the end of May till first week of June ( week beginning 29 may 2023 and ending on 4 June 2023).

The initial response was like we all will be busy in prior engagements towards the end of may, it is not the season to visit Mumbai etc. But after initial hiccups, things began to take shape. It was decided that 2 June 2023 would be a suitable date. Mumbai based regulars readily confirmed their availability on that date, except one who was not available at Mumbai on those dates. The messages were marked to other regulars spread over India as well. Avinash Scrapwala was always ready to join from Vadodara. Regulars based at Bangalore and nearby stated that they would be unable to join due to prior engagements.

Even I began to warm up to the idea. The only time I had joined a gangout at Mumbai was in December 2014. That meeting is still fresh in my mind, even though nearly nine years have passed after that meeting. During that meeting, I had the good fortune to meet lots and lots of Blog regulars. Mumbai regulars like M/s Sadanand Kamath, Nitin Shah, nahm had joined the meeting. Khyati Bhatt flew over from USA and was there in the meeting. Our youthful and energetic Bharat Upadhyay jee (sadly no longer with us now) was there and he was one of the most enthusiastic organiser of that meet that took place in a Hotel not very far from the Mumbai airport. He had also invited a few HFM related stalwarts who were not our blog regulars. Legendary Mumbai based names like Nalin Shah and Suresh Chandvankar were invited by him and they joined the meeting. From Delhi, Sudhir jee and Ganti jee had joined. It was quite a gathering of HFM enthusiasts.

One Mumbai based regular who could not make it to the meeting at that time was our beloved inhouse encyclopaedia Mr Arunkumar Deshmukh as his wife had sadly passed away just prior to the scheduled meeting. After the gangout, those who were still at Mumbai went to see him. I had arrived at the meeting from Raipur (from an early morning flight) and I had to leave by an evening flight, so I could not meet him during that visit.

On many occasions, Arunkumar Deshmukh jee has expressed his fond hope that he would be able to meet me sometime in future. I too was just as eager to meet him.

This meeting afforded me the opportunity to meet him. That was one of the main reasons why I felt that I must attend this meeting. What is more, he was the host of this gangout at his residence !

I am based at Bhopal at present, which is well connected by air to Mumbai. Like the previous Mumbai Gangout, I wanted to be able to return back on the same day. Flight timings suited my plan. So I immediately booked an early morning flight from Bhopal to Mumbai that arrived Mumbai by 10:30, well before 11 AM, which was the scheduled time for the gangout to begin. I also booked the ticket for return flight, which was at 8:05 PM that arrived Bhopal at 9:30 PM.

Very next day, I got e mail message from the airways that my flight was rescheduled to 12 noon and would land at Mumbai at 2 PM. What a letdown ! I quickly cancelled that ticket and booked ticket for another flight. This flight left Bhopal at 10:35 AM and arrived Mumbai at 12 noon. From there to the venue of the meeting was about half an hour drive by cab. So I hoped to arrive by 12 :30, hopefully not missing much of the activity at the gangout.

As days passed, Mr Satish Shenoy, based at Bangalore confirmed that he too would attend the meeting. That made it three regulars that I would meet for the first time. Arun Jee, Shenoy jee, and Avinash Scrapwala. Avinash Scrapwala too was going to meet me and Sudhir Jee for the first time and he hoped to set a record of meeting the maximum number of blog regulars. 🙂

I had not informed my wife and daughter that I planned to visit Mumbai. I wanted to inform them just one day prior to my departure. They became aware as I tried to take printout of the boarding pass on the printer. My kitten saw a printer for the first time and she tried to find out how this device works. 🙂 When my daughter looked at the printout she enquired where I was going. I told her Mumbai. My wife, who overheard me, correctly guessed that it must be to meet my blog regulars. “you will go like this ? Quickly go out and get your haircut”- She ordered me. So I walked down the street to the nearby haircut saloon and got my haircut. She too had heard about Arun Jee. I had shown her books authored by him. So she was already much impressed. You are going to meet such a famous man and you are going empty handed, She chided me. Going empty handed and meeting blog regulars, that is how it has been with me all these years. But then I used to live alone those days. My wife was not there to take care of such fine details. My wife and daughter went out and picked what they considered an appropriate item to be carried with me at the meeting.

The flight was at 10:35. It meant I had to reach the airport by 8:30. I typically wake up at 4 AM in the morning and take my two dogs on their morning walk, one dog at a time. Their walk was over by 5 AM. In addition to being a dog walker, I am their chef too. Normally I get their meals ready by 8:30. On this date, I got their meals ready by 6:30, hoping that my wife/ daughter would feed the dogs in time in my absence. I was myself ready in all respects by 7 AM.

My wife had woken up early to prepare breakfast for me, but the daughter, who was supposed to drop me to the airport (11 km away) was a late riser. I wondered if she would wake up in time. Luckily she woke up early by her standards and I arrived the airport well in time.

Every airport is different form other airports and things work differently in all airports. So it is always better to arrive early at an airport that is new for one. Bhopal airport is new for me. I have gone there a few times to drop my daughter or to pick her up, but it was for the first time that I was going there to catch a flight. I found Bhopal airport building quite a small building that had just four or five gates. In contrast, Mumbai or Delhi have different terminals, and each terminal has say one hundred gates or so. Some gates (half of them) in Bhopal have aprons too, which means passengers can directly board the aircraft or deplane the aircraft via the apron, instead of being carried to the plane or to the terminal via buses. In some airports they simply walk upto the plane from the terminal or get down from the plane and go to the terminal (as in Gorakhpur 🙂 ) .

I make it a point to take a window seat so that I could watch outside from the window. I watch as the aircraft taxies on the airport and reaches to the edge of the runway. After the plane reaches the end of the runway, the plane starts running on the track picking up speed and finally the plane takes off. In a matter of seconds, the plane is way above in the sky and structures on the ground start looking like small specks. I try to identify structures like road, railway lines, rivers etc. It helps if you know the route the plane flies over. They you can try to identify landmarks visible undeneath. I had not done any such prior research this time so I was not able to identify any landmarks as the plane flew towards Mumbai.

With a flight just over one hour, you do not have to wait much. The airhostess starts distributing eatables. She would have barely served four rows of passengers when announcement is made that the aircraft is reaching Mumbai. I wonder why these aircrafts distribute foodstuff on such small duration flights, when they do not have enough time to carry out this task fully.

Watching the plane land on the aircraft is another interesting process as far as I am concerned. The structures on ground, including even the airport looks so small from above. It comes as a great relief when the aircraft actually lands where it is supposed to land and then actually ends up at just the gate where it is scheduled to stop. The apron is connected to the plane and the passengers troop out. I had made it a point to have just a hand bag and no checked in baggage, so all I had to to was to come out of the airport.

Coming out of the airport is one thing, you also need to go to your destination. I am a novice when it comes to booking vehicles on Ola, Uber etc. Mr Arunkumar Deshmukh had sent me (and others) whatsapp message inviting us to his place. That message contained the address of his residence. My daughter, who spent four years in Mumbai doing her MBBS, is an expert in such matters. I had whatsapped this message to her and asked her to book a cab for me. After I landed, I asked her to book the cab. She asked me what terminal I was at. I was in terminal one, which is smaller than terminal two (or so it seemed to me). She booked an Ola cab and messaged the details to me. In a matter of minutes, I found the cab bearing just the registration number as in my message turning up exactly where I stood. I am used to long waits for cabs elsewhere, so getting a cab so fast was quite a pleasant surprise for me. I boarded the cab, gave the driver the OTP and I was on my way. While on the way, I checked up the blog. I found that Sudhir Jee had commented on my post for the day, where he had mentioned that Peevesie’s mom too was going to attend the gang out. That came as a pleasant surprise. It meant I was going to meet not three, but four blog regulars for the first time. Soon, the number would swell even more, as Peevesie and her husband too would join later in the afternoon.

The cab reached a place and the driver stopped. He asked me whether this was where I had to go. How could I know ? I told him that I would find out for myself and told him that he may go. I entered a side lane. When I looked back from where I came, I saw a 16 storey building across the road . Arun Jee had mentioned that his building was opposite a 16 storey building called Avinash. When I looked at that building, it was indeed named Avinash. I crossed the road, entered the gate and asked the watchman guarding Avinash where was the building called “Jyoti Apartments”. He pointed me out towards the building directly across the road (from where I had just come by crossing the road). I could see JYOTI written on that building. So I went back across the road and entered the gate. While entering, I could see A , B, C written on different portions of the building. I asked the watchman where was B 13. He informed me that it was on the first floor on the B wing. I went there, climbed up to the first floor and found a door. Before I could think of how to get the door opened, the door opened and I found Arun Jee standing there. He had watched me arriving from the window. On the right side room, I saw a gathering of all the regulars. Arun Jee was one person I met for the first time, Peevesie’s mom (unexpectedly pleasant surprise), Satish Shenoy jee and Avinash Scrapwala were the other “new” persons I met for the first time. Sudher jee, Bakshish Jee, Sadanand Kamanth jee, and Nitin Shah jee, whom I have met in the past, were also there. Then there was a Mumbai based person Subhash jee, who I guess was an acquaintance of Bakshish Jee, and he was an extremely knowledgeable person about HFM, just like Bakshish jee.

One can say that some seriously knowledgeable HFM lovers were gathered together in that one room. That room incidentally had hosted many more HFM related people in the past. I was quite familiar with this room, as Arun Jee had shared his photographs with fellow HFM lovers and experts, or relatives of all HFM related artists, taken in that room.

While we discussed all sorts of matters, including HFM, a few photographs got clicked and shared on our whatsapp group. Some people who had not joined the meeting offered their remarks on these photographs.

Prima facie, our talks would look like small chit chat. But some of the discussion that took place would be considered stuff of breaking news in the field of HFM, and also in some other fields. For example, Sudhir Jee, on a query whether we will run out of songs after 25000 songs, stated that the list of songs that are contained in HFGK were based on the information available at that time. Many more recordings of songs, in HFM as well as NFS, are becoming available that are not yet available online. (They are available with Sudhir Jee, of course. 🙂 )

While discussing other matters, I stated that I used to bathe in Ganga jal and drink Ganga jal, when I stayed at Jamalpur, but I became aware of this fact much later. As it is, Jamalpur got Ganga water from 15 KM long pipeline that brought Ganga river water from Munger. In response, Sudhir jee informed us that when Lutyen’s New Delhi was established, it got its water supply not from River Yamuna that flows in Delhi, but pure Ganga water from the hills of Uttarakhand through upper Ganga canal. It turns out that Sudhir jee’s colony too gets this water. So Sudhir jee has been drinking ganga jal and bathing in it since his childhood. 🙂

While on the matters of HFM, Sudhir Jee gifted me an external hard drive containing all the 17800 songs that have been covered in the blog. This drive contains all the version of the songs, including multiple versions. So the actual number of songs in the disk is more than 27000 !

While all this discussion was going on, lunch time was announced by Arun Jee. Arun jee had singlehandedly prepared a sumptuous lunch for all of us that contained a variety of dishes. I eat sparingly, but even I can tell that the food was quite tasty. I especially like aamras and the dahi, both made by Arun Jee himself.

In the afternoon, Peevesie and her husband arrived. So we had the good fortune of meeting as many as three members of Peevesie’s household. Only two members, viz her father and her brother were missing, else the entire family would have been present. By the way, even Peevesie’s father has a post in the blog.

While most of us are movie lovers, Peevesie and her husband are actually into film making. So we do have a fim maker among us. Peevesie is a costume designer while her husband is a photography enthusiast. He took a few nice group photograph of all of us.

Satish Shenoy jee had flown out from Bangalore and his return flight was at 7 PM or so. At 4 PM, he booked a cab for himself and announced that his cab was arriving in three minutes time. So he took leaves of us and was on his way to the airport. My flight was one hour later. Unlike Shenoy jee, I was a novice when it came to booking a cab, so I whatsapped my daughter asking her to book a cab for me from my present location to Terminal 2. I hoped that the cab would turn up after say ten minutes or so, but immediately message flashed on my mobile that the cab would arrive in one minute. So I hurriedly bid farewell to all the participants. I came down, along with Sudhie jee and Avinash jee, who came down to see me off. Soon enough, a cab arrived at just the location it was supposed to arrive. I boarded the cab and I left for the airport.

It was such a nice and memorable meeting. I had hoped to meet four new people. I ended up meeting twice that number. Plus I met four old acquaintances. I was carrying sweet memories of the meeting with me that would last me a long time. I was feeling very happy with the world.

I arrived at terminal 2. It is Mumbai airport’s domestic as well as international terminal. It is quite vast, and at the same time, things there are quite automated, which was not the case nine years ago, when I had gone back from the same airport terminal after the previous gang out in 2014. One needed to arrive at the airport well in advancce if one was new to it. There are so many gates. But before that , one needed to find out your gate by going to your airways counter. After knowing the gate number, you needed to find how to go in. The first hurdle is the security check for you as well as your luggage. Which queue to join ? It turns out that you could join any queue of your choice. After successfully negotiating the security check, you, alongwith your belonging, had to go past doors that opened when you scanned the QR code of your boarding pass. The gate would then open automatically, allowing you to pass. This feature was not there the last time I boarded a flight from Mumbai. Mumbai airport has clearly been following the best practices that are being followed elsewhere. Just imagine how fast and painless it becomes for the passengers when we use technology.

After entering into the area that contains gates, there are miles upon miles to walk before you reach your gate. It turned out that gates of a few flights were changing slightly, and my flight was also one whose gate changed a bit. Moreover, the flight was late. By the time I boarded it and it left, the flight was already one hour late. But surprisingly, it was announced that the flight time was just one hour. So it meant that the flight would arrive Bhopal by 10 PM. And that is what happened. Coming out with just a hand bag, and quickly out of the exit, I found my wife was looking out for me. I entered the vehicle, driven by the daughter and we were home by around 10:45 PM.
The dogs were happy to see me. I would take them for their evening walk at 6 PM. It turned out that neither my wife nor daughter had bothered to take them for their evening walks. So I took them for their evening walk, some five hours late, and they went out happily with me.

By the time I fell asleep, it was already midnight. I had a sound and happy sleep. But as always, I woke up at 4 AM ext morning to take the dogs for their morning walk.

I felt sleepy throughout the next day and the blog saw just one post for the day. Next day I began to write (type) about my visit to Mumbai, so that I could get it published by monday morning. I am waiting for others too to write about this meeting, but surprisingly, no article had arrived in my mail till then. May be they will start coming in after my post appears.

On this occasion, I have picked a cute motor gaadi song. In olden days, road vehicles were called Motor or motor gaadi. People were used to bullock carts or horse driven carts. Driving these vehicles meant urging the animal to move faster. This was गाडी हाँकना . The lady in the song considers a motor gaadi to be similar to a bail gaadi that is runs by the process of हाँकना. To the lady and her sahelis, a driver is a “dalaiver”.

These days, if you are going to meet someone, you would want the driver to drive faster. But in olden days, people including ladies would have an opposite request. They would want the driver to drive slow. Reason, either their dupatta or chunri is threatening to fly away, or, as in this case, “doley hai manwa”.

This cute song is from “Dil Ki Basti”(1949).

“Dil Ki Basti”(1949) was produced by S M Yusuf and directed by Wahid Qureshi for Aaina Pictures, Bombay. The movie had Nigar Sultana, Masood, Yashodhara Katju, Amar, Mirza Musharraf, Urmila, Tewari, Ramlal, Ismail, Lalita Pawar etc in it.

“Dil Ki Basti”(1949) had nine songs in it. Eight songs have been covered in the past.

Here is this ninth and final song from the movie. This song is sung by Zohrabai Ambalewaali and female chorus. Nazim Panipati is the lyricist. Music is composed by Ghulam Mohammad.

With this song, all the songs of “Dil Ki Basti”(1949) are covered in the blog. The movie thus koins the list of movies that have been YIPPEED in the blog.


Song-Motor hauley hauley haank dalaiver (Dil Ki Basti)(1949) Singer-Zohrabai Ambalewali,Lyrics–Nazim Panipati, MD-Ghulam Mohammad
Female chorus

Lyrics(Provided by Prakashchandra)

motor hauley haulye haank dalaiver
doley hai manwaa
doley hai manwaa kisee ka doley hai manwaa
kisee ka doley hai manwaa
motor hauley hauley haank dalaiver
doley hai manwaa

motor waaley kee matwaalee ee
jhooth-moothh sharmaaye
motor waaley kee matwaalee ee jhooth-moothh sharmaaye
man mein laddoo phoot rahey hain
oopar se ghabraaye
jo kuchch man ke andar bhed chhupaa hai
kholey hai manwaa

doley hai manwaa kisee ka doley hai manwaa
kisee kaa doley hai manwaa
motor hauley hauley haank dalaiver
doley hai manwaa

bhaiyya driver ek passinger chori chori taakey ae
bhaiyya driver ek passenger chori chori taakey ae
mukh se ghoonghat udd udd jaaye
dekhey hain sharmaake
apney man ko man ke saath
sakhee ree doley hai manwaa

doley hai manwaa kisee kaa doley hai manwaa
kisee kaa doley hai manwaa
motor hauley hauley haank dalaaiver
doley hai manwaa

bhaiyya driver teri motor
pharr pharr kartee jaaye aey ae
hho pharr pharr karthee jaaye aey ae
oo oo ooo
ooo oooo ooo oo ooo
bhaiyya driver teri motor
pharr pharr karthee jaaye aey ae
hho pharr pharr karthee jaaye aey ae

badaa majaa ho aisey mein petrole khatham ho jaaye
badaa majaa ho aisey mein petrol khatham ho jaaye
chhup chhup ankhiyaan dekh rahee hai
pee ko /dekho/?? boley hai manwaa
doley hai manwaa kisee kaa doley hai manwaa
kisee kaa doley hai manwaa
motor hauley hauley haank dalaiver
doley hai manwaa


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5435 Post No. : 17822 Movie Count :

4763

Today, June 05, 2023, is the 50th anniversary of World Environment Day led by United Nations Environment Programme since 1973.

The main components of environment are atmosphere (air), lithosphere (rocks and soil), hydrosphere (water) and biosphere (living things). We have been told as to how the degradation of each of these components of environment have taken place during the last 5 decades. Some of the environmentalists have personally undertaken the studies of degradation over a period of time and their results are eye opener.

How does the degradation of environment take place? Aitareya Upanishad says that this world is made up of five elements – earth, water, sun, air, and sky. A proper balance has to be maintained between these elements and the living creatures. Any major imbalances between these elements vis-à-vis living creatures can cause environmental degradation, putting the human life in danger. One can visualise how a rising population on earth can create a disequilibrium in all the five elements leading to degradation of environment.

The conservation of environment has been one of the important topics in India’s culture and traditions since the Vedic period. In Yajurveda, there are verses highlighting the importance of protecting environment. It says that destruction of forests is dangerous for human life and for the nation. The pollution of natural environment causes destruction of vegetation which can damage the human life. Apart from Vedas, the conservation of environment is also discussed in Upanishads, Puranas, Bhagwat Geeta, Kautilya’s Arthashastra etc.

A verse in Matsya Purana has beautifully described the importance of a tree:

दश कूप समावापी, दस वापी समो हदः।
दशहदसमः पुत्रः, दस पुत्र समोद्रुमः।

A pond is equivalent to 10 wells, 10 ponds are equivalent to one reservoir, 10 reservoirs is equivalent to one son and 10 sons are equivalent to one tree.

Guru Jambheshwar, the founder of the Bishnoi sect in the early 15th century had given 29 commandments to his followers. One of these commandments is to protect animals, birds, and trees. Bishnoi sect meticulously follows these commandments. I had visited four Bishnoi villages in December 2013 which are in the radius of 25-30 kms from Jodhpur. It was a pleasant surprise for me to watch Blackbuck Deers (in the list of endangered wildlife species), Gazelles, peacocks. wild fowls etc, roaming freely around villages without any fear of human beings because Bishnoi villagers would not harm them.

Khejarli was one of the four Bishnoi villages I visited, the name of the village being derived from khejari trees which are abundant in the village. Khejari trees effectively stop the spread of sand dunes thus controlling the expansion of desert. In the early 18th century, Khejarli village was probably the first to start the ‘Chipko’ like movement in India. It was also the first bloodiest environmental protection movement in the history of any country. Amrita Devi Bishnoi of Khejarli village and her three young daughters laid down their lives to protect the Khejari trees which the Maharaja of Jodhpur had ordered to be cut for building his new palace. The motto of the villagers, who belonged to Bishnoi sect, was that it was cheap to sacrifice a head then cut a tree. In this ‘Chipko’ movement, 363 villagers sacrificed their lives to protect Khejari trees. Soon Maharaja realised his mistake and ordered stoppage of felling Khejari trees. There is a memorial made in red sand stones in honour of the martyrs of Khejarli village.

Probably, the sacrifices of Bishnoi of Khejarli village may have inspired the Chipko Movement started by Sunderlal Bahuguna, Gaura Devi and others in Uttarakhand in 1970. It was a non-violent movement in which women participated in large numbers by embracing the trees in forest which were given on contract for cutting. Most of the time, contractors’ men had to go back without cutting the trees. Finally, Government of India issued a notification in 1980 for a complete ban on felling the trees in Uttarakhand for the next 15 years or until the green cover is fully restored.

A study by Hannah Ritchie shows that from the beginning of the 20th century till 2018, the world has lost the forest coverage by 10 per cent. And it is not due to urbanization alone. The fact is that the loss in forest coverage was overwhelmingly due to increase in agricultural and grazing land. Urbanisation accounted for just 1 percent of the habitable land. This means that the increased population needs more to eat than places to live. Of course, this may not be entirely true in the Indian context. Being a developing country, now with a largest population in the world, urbanisation may be one of the key reasons for the deforestation in India. The authorities may claim that planted trees compensate for forests lost, but that does not mean complex flora and fauna destroyed along with cutting of trees have been restored. The reason is when trees in the forest are cut, the plants and shrubs underneath the trees also get destroyed. The new trees planted in the place of the trees already cut may not provide flora (plants and shrubs) which is essential for the survival of the fauna (animal, birds and insects).

On the occasion of the 50th anniversary of World Environment Day, I have selected the film ‘Sherdil – The Pilibhit Saga’ (2022) for exploration. The film is jointly produced by T-Series and Reliance Entertainment and is directed by Srijit Mukherji. Pankaj Tripathi, Sayani Gupta, and Niraj Kabi have played the pivotal roles in the film. The film got theatrical release on June 24, 2022 and later released on OTT platforms on August 20, 2022. I have watched the film on OTT platform mainly because Pankaj Tripathi was in the lead role and I admire his acting prowess.

The film is a satirical drama which is based on a real-life reported incidence in 2017 in a poverty-stricken village at the edge of Pilibhit Tiger Reserve where farmers indulged in a practice of sending one of their elderly persons to the forest to be mauled by tigers to claim the compensation of Rs.10 lakhs from the Government. They had to do this as villagers had lost their crops either damaged by wild animals or by flood/draught for the consecutive years. The bureaucratic red tape prevented the villagers from getting the financial compensation from the Government.

The gist of the story of the film is as under:

Gangaram (Pankaj Tripathi), the Sarpanch of the village takes the onus of becoming a ‘tiger martyr’ so that the amount of compensation can take care of the poverty-stricken village. He convinces his wife and the mother by lying that he has cancer which is in 4th stage, and he has only 3 months to live. So why not he gets killed by a tiger and get compensation. His family is not convinced but nonetheless, he leaves for the Tiger Reserve forest against the wishes of his family. He spends nearly a week in the Tiger Reserve forest without sighting any tigers.

One day, Gangaram meets Jim (Niraj Nabi), a poacher-hunter who offers Gangaram to locate the tiger who would kill him. Jim does locate the tiger. However, when Gangaram goes near him, tiger walks away from him because he had just completed his meal from his hunting. In this failed plan, Jim and Gangaram are surrounded by the forest officials who have been after Jim for many years to nab him. In the encounter, Jim gets killed and Gangaram is arrested. In the court, he tells his real reason as to why he was in Tiger Reserve forest. A journalist covering the court proceedings flashes the news which creates a pan-India outrage over the reason which forced Gangaram to take the extreme step. Considering the circumstances which made Gangaram to take unusual step, the court pardons him and he is released.

Overnight, he becomes a celebrity. He starts getting advertisements and brand endorsements. His forest journey is documented by a writer as a book. Naturally, his village after becoming a national spotlight, gets all reliefs from Government agencies. The film ends with Gangaram travelling with the officials of tourism departments in a vehicle in the Tiger Reserve to locate the spots where he spent nights which can be developed as tourist spots for Tiger Safari. Gangaram gets down from the vehicle to relieve himself when a tiger pounces upon him and he gets killed.

‘Sherdil – The Pilibhit Saga’ (2022) has 7 songs. All the songs are played in the film in the background during Gangaram’s forest journey. 3 songs are traditional while remaining 4 songs have been penned by Vinod Dubey (2) , Gulzar (1) and Rahgir (1). I am presenting the first song, ‘ jungle maange dhoop paani, dhoop paani bahne de’ from the film to appear on the Blog. The song is rendered by KK which is set to music by Shantanu Moitra. The song is about conservation of forest which is written by Gulzar using some colloquial words in the beginning of the song. In the film, the song is played in the background as the credit titles get rolled on the screen. However, the promo video of the song was released incorporating the various stages of forest journey by Gangaram.

The song under discussion is about saving the environment. Gulzar Saab has beautifully and metaphorically written the songs conveying the importance of saving forests, rivers, animals, birds etc. It is said that KK was very much pleased with the way the song has been written and composed. He had said that he would sing this song in his concerts to spread among the youth, the message for the conversation of environment. I feel that this song is worthy of inclusion in the school curriculum of Hindi poems to inculcate among the students, the respect for the environment from the very beginning of their schooling.

There is an interesting coincidence about the song under discussion. In ‘Maachis’ (1996), KK sang his first Hindi film song, chhod aaye ham wo galiyaan which was written by Gulzar. The song under discussion which was also written by Gulzar, became KK’s last recorded Hindi film song before his untimely death on May 31, 2022.

Video Clip:

Audio Clip:

Song-Jungle maange dhoop paani Dhoop paani rahne de (Sherdil – The Pilibhit Saga)(2022) Singer-KK, Rituraj, Lyrics-Gulzar, MD-Shantanu Moitra
Chorus

Lyrics

arre mutthi mutthi boyee de
mutthi mutthi boyee de
arre mutthi mutthi boide beejaa
arre maati maange boota
boyee de re bhaiya
arre boota boota
boyee de
ugaaide re bhaiya

boota boota ugne de re
boota boota ugne de
bhoomi apni maange re ae
maange uske gehne re
patta patta boota boota
jungle jungle rehne de
jungle maange dhoop paani
dhoop paani rahne de

in hare
pedon ki
daaliyaan aan kat gayin
kuchh puja mein
kuchh shaadiyon mein jal gayin
oh oh oh
kat gayi
chhaaon bhi
dhoop bhi
pedon ki ee
jo bachi
daaliyaan
wo sati ee ee ee ho gayin
jo god mein lekar chita mein jal gayin
ho o o
mar gaye
mor sab
udd gaye ae panchhi tere ae
mujhe aawaaz deti hai hawaayein junglon ki re
mujhe dariyaaon ka rona sunaayi de raha hai re..ae ae ae ae
kat gayin
chhaaon bhi
dhoop bhi ee ee pedon ki

na re raa aa
aa re raa aa
na re re ae raa aa
aa re raa aa
na re re ae
na re raa aa
aa re re ae
ra re re ae ae ae ae
ra re ra aa aa aa aa
ra re re ae ae ae ae
ra re ra aa aa aa aa
na re raa aa
aa re raa aa ae….ae

khushk hone lag gayi hai ye zameen
chal hare pedon ki chhaaon boyenge
odh ke ye thhanda thhanda aasmaan
ped ke patte bichaa kar soyenge
phir mujhe bhoomi ki boli sun’ne de
ugne de phir boota boota ugne de
de de re bhoomi ke gehne de de re ae
ugne de phir boota boota ugne de ae ae
de de re bhoomi ke gehne de de re ae
de de re bhoomi ke gehne de de re ae

mujhe aawaz deti hai hawaayein junglon ki re
mujhe dariyaaon ka rona sunaayi de raha hai re..ae ae ae ae
kat gayi
chhaaon bhi
dhoop bhi ee
pedon ki
oh oh kat gayi
chhaaon bhi
dhoop bhi ee
pedon ki
boota boota ugne de re
boota boota ugne de
bhoomi apni maange re

(ra ra ra aa aa ae)
maange uske gehne re
(re re re ae ae)
patta patta boota boota
(ra ra ra aa aa ae)
jungle jungle rehne de
(re re re ae ae)
jungle maange dhoop paani
dhoop paani rahne de


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5434 Post No. : 17821

During 1930s and 1940s, when India was a desperately poor country, literacy level was very low. Even males were largely unlettered. The less said about the literacy of women, the better. So under those circumstances, an educated woman, who was also a workng woman, was a source of great curiousity among common folk. One can imagine how it must be like in 1940s. Basic literacy is one thing. To become educated in the medical field was obviously way tougher.

In 1940s, we had quite a few titles about medical profession. Not just male professionals, but even females.

“Doctor”(1941) was a well known movie of those days Pankaj Mullick played the title role there. How can women be behind. Soon we found titles like “Nurse”(1943) and “Lady Doctor” (1944). “Lady Doctor”(1944, as the name suggests, was supposedly about a Lady who pursues medical profession.

When we look at the songs of these movies, we cannot find any songs dealing with the profession. The lead actor playing the title role would hardly be shown practicing as a medical professional. Most of the time he would be romancing and singing relevant songs dealing with various feelings associated with the process. We would have songs dealing with separation, sadness, looking forward to the arrival of beloved, sense of betrayal etc.

In other words, No matter what the genre, be it religious, stunt, social, fantasy, war, mystery, the movie would get reduced to a love story. 🙂

“Lady Doctor”(1944) was directed by Wali Sahab for Venus Pictures, Bombay. The movie had Mumtaz Shanti, Maya Banerji, Nandrekar, David, Premi, Rafiq, Master Anil, Ulhas, Mubarak, Kesari, Jamshed Ji, Sajjan, Anwari Bai, Sulochana Chatterji etc in it.

There were ten songs in this movie according to HFGK, but the name of the singers are not available for any of these songs. For that matter, even the name of the music director is not known.

Matters changed after the first song from this movie was covered in the blog in 2016.

Initially I had discussed a song that had the same first line as the song contained in HFGK entry for this movie viz:- Aankh milne ka bahaana ho gaya. It turned out that the uploader had mistaken a song with the same first line to be a song from “Lady Doctor”(1944). In reality, that song, sung by Naseem Akhtar was from some other movie. The actual song from “Lady Doctor”(1944), with same mukhda was then incorporated in the writeup. Lots of research was carried out by stalwards like our own inhouse researchers like M/s Arunkumar Deshmukh, Sadanand Kamath and Harish Raghuwanshi. Their research threw up informations that were not there in HFGK. It turned out that “Lady Doctor”(1943) actually had music by Anil Biswas, even though this movie was missing from Anil Biswas filmography prepared by many music lovers. Also, the voices contained in the actual song that was discussed were that of Hamida Bano and Snehal Bhatkar.

Likewise, names of singers for other songs that had become available were also identified. The amount of research that got triggered after that one post was quite staggering, to put it mildly. I thank all our musical stalwarts for their yeoman service rendered in the cause of HFM.

Here is the second song from “Lady Doctor”(1944). This song, like the first song, is more like a love song than a song about the medical profession. 🙂 The song is sung by Parul Ghosh. Wali Sahab is the lyricist. Music is composed by Anil Biswas.

Only audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.


Song-Kuchh apna bana ke chhod diya (Lady Doctor)(1944) Singer-Parul Ghosh, Lyrics-Wali Sahab, MD-Anil Biswas

Lyrics

kuchh apna bana ke chhod diya
kuch aag laga ke chhod diya
ye kis zaaalim ki mahobbat ne
ye kis zaalim ki mahobbat ne
toofaan mein laa ke chhod diya
kuchh apna bana ke

pahle to nazar ke saaghar mein
halki si gulaabi mai bhar di
pahle to nazar ke saaghar mein
halki si gulaabi mai bhar di
aur honthon se ungli ko rakh kar
aur honthon se ungali ko rakh kar
peene ke liye phir na karti
bedard ne kis bedardi se
bedard ne kis bedardi se
saaghar ko dikha kre chhod diya
kuchh apna bana ke chhod diya
kuchh aag laga ke

deepak ne sikhaaya thha mujhko
main haule haule jalti thi
deepak ne sikhaaya thha mujhko
main haule haule jalti thi
ik aag daba kar seene mein
ik aag daba kar seene mein
main karwat tak na badalti thhi
par ik aansu ne aankh se gir kar
ik aansn ne aankh se gir kar
dil ka chhaala phod diya
kuchh apna bana ke chhod diya
kuchh aag laga ke


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5433 Post No. : 17820

Many Rabindranath Tagore Novels have been made into films. One such novel that has inspired many movies in “Naukadoobi”, that was published in 1906. This story was made into Bangla movie wit h the same title in 1932, 1947, 1979 and 2011. This story inspired three Hindi movies as well, but these movies had different titles. They were made under the titles of “Milan”(19460, “Ghoonghat”(1960) and “Kashmkash”(2011).

The above information would come as a new information to many music lovers. But this information was given in the blog by our beloved inhouse encyclopaedia , Mr Arunkumar Deshmukh, more than five years ago, while discussing a song from “Milan”(1946).

The making of “Milan”(1946) itself was quite eventful. Those were the days when Kolkata was losing its stranglehold as a movie centre. There was an exodus of talent from Calcutta to Bombay. In Bombay, these erstwhile Calcutta movie makers tried to make a movie using their moviemmaking expertise hones over the years in Calcutta.

Bombay Talkies, owned originally by Bengali owners, viz Himanshu Roy, Devika Rani, Shashdhar Mukherjee etc. When Nitin Bose came from Calcutta to Bombay. He was welcomes into the folds of Bomaby Talkies.

Nitin Bose proposed to make a movie based on Rabindranath Tagore’s novel “Naukadoobi” and the proposal was aprroved by the owners of Bombat Talkies. It was planned to make it in Hindia as well as Bangla. Bangla version was “Naukadoobi”(1947).

Dilip Kumar and Ranjana, both on the rolls of Bombay Talkies were signed up to play Ramesh and Sunalini respectively. The story denmanded another lead actress to play Kamala. Advertisements were given in newspapers and many aspiring ladies applied. The lucky lady was Meera Mishra, a Bangla speaking lady from Kanpur. This news generated considerable sensation, as she was the wife of an IPS officer. She played the role of Kamala in Hindi as well as Banglade versions. In Bangla version Abhi Bhattacahrya replaced Dilip Kumar and Meera Sarkar replaced Ranjana.

The movie, which was produced by Hiten Choudhury and directed by Nitin Bose for Bombay Talkies, also had Pahadi Sanyal, Shyam Laha, S.Nazir, Moni Chatterjee, KP Mukherjee etc. in it.

The story, as recounted by our beloved inhouse encylopaedia, Mr Arunkumar Deshmukh is:-

The story is set in 1905. Ramesh (Dilip Kumar) is studying law in Calcutta and has just appeared for his final exams. He is a friend and neighbour of Jogen who is also studying law. Jogen (Shyam Laha) lives with his father Annada Babu (Moni Chatterjee) and sister Hemnalini (Ranjana). Ramesh and Hemnalini are fond of each other and Ramesh visits their house most days for tea. Their association is disliked by another friend Akshay (Pahadi Sanyal) who also likes Hemnalini.

Ramesh has been asked to come back to his village for the holidays by his father but is dissuaded from going by Hemnalini. Ramesh’s father Braja Mohan (KP Mukherjee) is from the priestly caste and lives in the village. He receives an anonymous letter stating that his son is involved with the neighbour’s daughter who comes from a tradesman caste and that he spends his entire time there.

Braja Mohan goes to the city and brings Ramesh back with him to the village. He has arranged Ramesh’s wedding with a poor widow’s daughter. Ramesh tries to convince his father about his involvement with Hemnalini. His father after satisfying himself that Ramesh has as yet not committed himself to Hemnalini prevails upon Ramesh to marry Sushila because of the promise he had given to the girl’s mother. There is a storm at night when the wedding party from the groom’s side is returning to their village by boat. During the crossing the boat capsizes. Nearly all on the boat are drowned including Ramesh’s father and Ramesh appears to be the only one to survive. He sees a woman in bridal dress lying unconscious on the bank. He brings her to his village but soon understands that this is a case of mistaken identity. She continuously checks him when he calls her Sushila and tells him her name is Kamala (Meera Mishra). He realizes there was another bridal procession and their boat too had capsized.

After the formalities of his father’s funeral service Ramesh decides to take Kamala to Calcutta. He finds out about her only living relative, an uncle, and writes to him. A letter arrives telling him of the death of Kamala’s uncle but the sender has mentioned Kamala’s husband’s name and profession. His name is Nalin and he’s a doctor. Ramesh now starts searching for Dr. Nalin. He has so far made no mention about his marriage to Hemnalini or her family nor told anyone regarding the mistaken identity of his supposed bride to avoid any embarrassment to the girl.

On arrival in Calcutta, Ramesh suggests that Kamala get an education. After allaying her apprehension regarding her age he admits her in a girl’s boarding school. Akshay’s sister also studies in the same school and through her Akshay gets to know the truth about Ramesh’s marriage. In the evening he questions Ramesh in front of Hemnalini. Ramesh deflects the question and asks Hem to trust him. Preparations are on at Annada’s house for the wedding of Hemnalini and Ramesh. Their wedding is set for the coming Sunday but Ramesh is asked by the principal to take Kamala home for the weekend. Ramesh postpones the wedding and brings Kamala back from school. Akshay brings Jogen to Ramesh’s house where they see Kamala and on being questioned Ramesh keeps silent. Hemnalini goes into a state of shock when she’s told about Ramesh’s wife.

Her father takes her to Kashi to recuperate. Ramesh decides to leave Calcutta and he takes Kamala with him to Ghazipur. Kamala reads the letter Ramesh has written to Hem explaining the entire situation and mentioning Kamala’s husband’s name. She finally recognizes the truth about her and Ramesh’s situation. She decides to kill herself and leaves the house. She is rescued and comes under Nalin’s mother’s care.

She realizes that Nalin is her husband but finds out that Hemnalini and he are to be betrothed. However, Nalin is not happy about the betrothal as he refuses to believe that Kamala is dead and wants to wait a while longer. Finally the truth comes out and she’s accepted by her husband and his mother while Ramesh and Hemnalini get back together.

We can see that Rabindranath Tagore too has written quite a Manmohan Desai kind of lost and find story (full of mistaken identities), a story that moviemakers so love to make in India. 🙂

“Milan”(1946) had eight songs in it. Five songs have been covered so far.

Here is the sixth song from “Milan”(1946) to appear in the song. The song is sung by Geeta Roy (alter Dutt). P L Santoshi is the lyricist. Music is composed by Anil Biswas.

Video of the song shows two ladies, one advising the other how to deal with her husband. My guess is that they are Ranjana and Kamala, but I cannot tell who is who. I request our knowledgeable readers to throw light on the picturisation of the song.

Audio

Video

Song-Chhan mein bajegi baansuriya preet bhari preet bhari(Milan)(1946) Singer-Geeta Dutt, Lyrics-P L Santoshi, MD-Anil Biswas

Lyrics(Provided by Prakashchandra)

chhan mein bajegi baansuriya
preet bhari
preet bhari
chhan mein baajegi baansuriya
preet bhari
preet bhari
dekho gori
chupke chupke
chori chori
preet bhari
preet bhari
chhan mein baajegi bansuriya

tumko bulaayenge tumhre saanwariya
tumko bulaayenge tumhre saanwariya
brij ban jaayegi man ki nagariya
brij ban jaayegi man ki nagariya
kheloge preetam se tum hori
heloge preetam se tum hori
preet bhari
preet bhari
chhan mein baajegi baansuriya
preet bhari
preet bhari
chhan mein baajegi baansuriya

tumhen saajan manaaaye
tum roothh jaana
tumhen saajan manaaaye
tum roothh jaana
tumhen paas bulaayen kahen na na na
tumhen saajan manaaaye
tum roothh jaana

hamen la jhumka
hamen laa kangna
hamen la jhumka
hamen laa kangna
hamen laaon reshan ki chunariya
hamen laaon reshan ki chunariya

chhan mein bjegi baansuriya
preet bhari
preet bhari
dekho gori
chupke chupke
chori chori
preet bhari
preet bhari
chhan mein baajegi bansuriya
chhan mein baajegi bansuriya
preet bhari
preet bhari
chhan mein baajegi bansuriya
preet bhari
preet bhari
dekho gori
chupke chupke
chori chori
preet bhari
preet bhari
chhan mein baajegi bansuriya


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5432 Post No. : 17819

#the Decade of Fifties –1951 – 1960 #
——————————————————————

Readers on the blog are aware that whenever there is an opportunity to meet each other, the regular members make the most of such opportunity and meet each other. We had coined a term for such meetings. We call it ‘gang out’.

The members of ASAD are spread in different geographical locations throughout the country so it is not possible to meet each other physically. Some of the members are yet to see each other ‘in person’ even though they are connected through this blog for several years.

While all members are always eager to meet each other and they would like these meetings to happen more often that they actually do, it is not always possible. It is not possible for everyone to travel at short unexpected notice either because of prior engagements or unexpected exigencies.

After a long gap our members have been successful in fixing one such gang out today on 2nd June at Mumbai.

This will certainly be followed by the ‘post gang out’ reports on the blog by several attendees, as has happened in case of past gang outs.

Readers will also be remembering that whenever such gang out is planned the enthusiasm and excitement starts building up. Travel plans are chalked out and people begin to look forward to the D day.

This gang out would be the first such meeting after the ‘pandemic’ that may have put paid to a few potential gang outs.

Despite all that a few of our members have managed to have ‘mini-gang outs’ with a few other members.

So, all set now. On my end I am also eager to join this party where I expect to meet our editors for the first time ever. And … and … and … after this meeting I think my name is going to be written on top of the ‘records’ of meeting maximum ASAD members in person.

So, without further delay let us cheer up and enjoy this wonderful song …

The song is from the ‘1954’ movie ‘Vijay Garh’. It was directed A.Y. Shaikh for ‘Vishal Films, Bombay’. It was produced by Narendra Pathak-Gyan Prakash.

This movie was passed by Censor Board on 23.06.1954.

The cast of this movie included Shyam Kumar, Habib, Abu Baker, Maqbool , Baby Nazar, Ranjana, Rafiq, Balaram, Hanuman, Dhondu, M. Sando, Bindiya, Paras, Shaikh and others.

This movie has seven songs. Muzaffar Shahajahanpuri penned six songs and Indeevar wrote one song.

One song from this movie ‘Vijay Garh-1954’ is already posted on the blog.

Music for this movie was composed by A.K. Prem-(five songs) and Krishna Dayal(two songs).

Today’s song is a ‘qawwali’ song sung by Ismail Azad and accompanied by chorus.

Lyricist for this song is Muzaffar Shahajahanpuri and music is composed by A.K. Prem.

Only audio of today’s songs is available.

Audio

Song-Ab der lagaana thheek nahin (Vijaygarh)(1954) Singer- Ismail Azad, Lyrics-Muzaffar Shahjahanpuri, MD-A K Prem
Chorus

Lyrics

ab der lagaanaa thheek nahin
zaraa jaldi se doli ee
bulwaa do
zaraa jaldi se doli ee
bulwaa do

ab der lagaanaa thheek nahin
zaraa jaldi se doli ee
bulwaa do
sakhi bekal jiyaa ko
chain nahin ee
mujhe mere piyaa se
milwaa do
mujhe mere piyaa se
milwaa do

kaho ye pariyon ke
uljhi laton ko suljhaaye
kaho bahaar ke
jhonkon se itr mal laaye
lagaaye surmaa koyi
shaam ki siyaahi se ae
banaaye mishti koyi
raat ki andheri se
galey mein goonthh ke
kirnon kaa haar pehnaa do
gagan ki laali se
ab meri maang sajwaa do
saj dhaj ki yahi hai
raat sakhi
mere maathhe pe
teekaa lagwaa do
mere maathhe pe
teekaa lagwaa do o

jo bijleeyon ke ho jhoomke
to chaand ka jhoomar
gagan ke taaron ki
pehnoongi main sakhi chunar
saheliyon na karo der
daud kar jaao
singaar dekhoongi sooraj kaa
aayeenaa laao
kaho sahar ke ujaalon se
gaaye koyi geet
tadap rahi hoon
jaldi miley
mere man ke meet
meraa ghoonghat kaadhho
jald sakhi ee
baadal ka dupatta
lehraa do o
baadal ka dupatta
lehraa do

na poochho sakhiyon
dil pe mere kya
guzarti hai
suhaag sej
meraa intezaar karti hai
gaa uthhe mere maa baap
daal kar chaadar
khushi ke aansoo
nichhaawar karen
wo doli par
baahar ke yahi din hain
yahi zamaanaa hai
hansi khushi mujhe
baabul ke ghar se jaanaa hai
main paaon padat hoon
ye sakhiyon
mohe saajan ke dwaare
pahunchaa do
ab der lagaanaa thheek nahin
zaraa jaldi se doli ee
bulwaa do


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Blog Day :

5432 Post No. : 17818

I make it a point to wake up around 4 AM every morning. I do that without fail. The idea is to take my two dogs on their morning walks, one dog at a time. The first dog (Junior Dog Izza) goes first. Her walk starts at around 4:30 and she is back by around 4:50. Then Bhole (the senior dog) goes on walk. His walk typically ends at 5:10 AM. That is the time when the sky begins to get brighter. It is then that “morning walkers” start coming out on roads for their morning walk. To my mind, the best time for morning walk is between 4:30 to 5 AM or so. That is the window of opportunity for a meaningful morning walk. At that time, it is actually morning (viz it is still pre dawn), very few people are out at that time, and one has true privacy, so to say. By the time it is 5:10 AM or so, roads become crowded and the window of opportunity for morning walk is over. During winter season, this window of opportunity is from 5:30 AM to 6 AM. In winter, most of the summer ime morning walkers are nowhere to be found. They go on hibernation during winter season and they resume their morning walk only in summer season. They keep away from morning walk on rainy season, windy days ets as well. In other words, most morning walkers are strictly fair weather morning walkers. A slight change in weather rendering it a bit adverse, and most morning walkers are no where to be found.

I and my dogs are hardcore morning walkers though. 🙂 Even rain or storm, or fog or any other adverse weather conditions do not deter us.:)

I had started this morning walk practice from 2015 when I got posted at Izatnagar (Bareilly) in 2015. I kept up this practice throughout my three years stay there. Then I was transferred to Gorakhpur. In Gorakhpur, there was no need to take the dogs on their morning walk. My official residence there had vas space around the residence, all fenced by high walls. So my dogs could do all their morning walk on their own inside the compound, without the fear that they would go out and would lose their way. Not just walk, the dogs would run all around, roll on the lawn, and in general would have a great time.

After I left Gorakhpur and settled down at Bhopal, I have resumed my morning walks, mainly for the sake of the dogs.

One benefit of morning walk is that you feel refreshed and cheerful for the whole day. That is more true for the dogs and less true for me. The dogs often wake me up at odd hours. My wife and daughter cannot be bothered to wake up, so it is my responsibility to take care of the dogs. I have great patience, unlike my wife and I do not get irritated even if the dogs wake me up at odd hours.

Today morning (2 June 2023) would start the same way, viz with me taking my two dogs on their morning walk. But then the rest of the day is going to be different from what it has been for the last 11 months. after I arrived at Bhopal in July 2022, I have been out of Bhopal only on two days. On both occasions, I went to Jabalpur by early morning train, and was back at Bhopal my night train.

Today, I am going to undertake a much longer journey.

Today, I will board a morning flight from Bhopal to Mumbai. Initially I had booked my ticket on an even earlier flight, but the timing of that flight got deferred to afternoon, and that defeated the very purpose of my visit. The next available flight would leave Bhopal at 10:30 am and I would land at Mumbai at 12 noon.

My visit to Mumbai is to meet our blog regulars at the residence of our Mumbai stalwart and our beloved inhouse encyclopaedia Mr Arunkumar Deshmukh. The occasion is a get together of our blog regulars. Mumbai regulars M/s Sadanand Kamath and Nitin Shah will be there. Sudhir jee and Bakhshish jee will arrive from Delhi. Avinash Scrapwala will arrive from Vadodara. Mr Satish Shenoy will arrive from Bangalore. So it is going to be a golden chance to meet so many blog regulars. I have met M/s Sadanand Kamath, Nitin Shah, Sudhir Kapur and Bakhshish Singh jee in the past, and I will be meeting the others for the first time.

I had attended an earlier gangout in Mumbai in Devember 2014, and that was a very well attended get together as well. Lots and lots of reports of that meeting is available in the blog. I am sure we will have another great get together this time as well. This will be followed by reports on the meeting by the participants.

The meeting is scheduled to begin at 11 AM. I will be able to join hopefully by 12 :30 or so. I will have a return flight at night and I will be back to my home on the same night. So hopefully my dogs will once again have me to take them on their morning walk the next morning. 🙂

Our Hindi movies have songs for many occasions. There are some very fine “morning” songs that have already been covered.

While posting a blog Ten Year challenge article in the month of may 2023, I came across a “morning” song. Morning was already over at that time, so I saved this song for future use and discussed another song from the same movie.

That future use is now. Here is this morning song from “Arabian Nights”(1946).

“Arabian Nights”(1946) was directed by Niren Lahiri for P R Productions. This movie had Kanan Devi,Nawab, Robin Majumdar, Debi Mukherjee, Molina, Meera Dutt,Hiralal, Sunder,Rirkoo,Shayam Laha etc in it.

“Arabian Nights”(1946) had 14 songs in it. Five songs have been covered in the blog in the past.

Here is this sixth song from :”Arabian Nights”(1946). This song is sung by Kanan Devi. Faiyyaz Hashmi is the lyricist. Music is composed by Kamal Dasgupta.

This song post appears in the blog at 5 AM, just when the morning is about to break and the fair weather morning walkers are about to leave for their morning walks. 🙂

Lyrics of the song were sent to me by Prakashchandra.

audio link:

Song-Aaj huyee hai bhor suhaanee (Arabian Nights)(1946) Singer-Kanan Devi, Lyrics-Faiyyaz Hashmi, MD-Kamal Dasgupta

Lyrics(Provided by Prakashchandra)

aaj huyee hai ae ae
bhor suhaanee
bhor suhaanee ee ee ee ee ee ee

aaj huyee hai bhor suhaanee
pehli baar
pehli baar
aaj huyee hai bhor suhaanee
pehli baar
pehli baar

chamak bharee ye laalee ee
maine ae ae ae
ae ae
maine kabhee na dekhee
chamak bharee ye laalee
maine ae aey ae ae ae
maine kabhee na dekhee
bin torey deewaalee ee
maine ae ae ae
maine kabhee na dekhee
sooraj mein hai
sooraj mein hai nayee jawaanee
pehli baar
pehli baar

sau phool khiley aansoo ke
ya/ye husn kabhi na paaye
sau phool khiley aansoo ke
ye husn kabhi na paaye ae ae
sau rang chaman ne badlaa
ye rang nazar na aaye ae ae
sau rang chaman ne badlaa
ye rang nazar na aaye ae ae
khwaab mein aayee
khwaab mein aayee
rut ki raanee
pehli baar
pehli baar

bhanwraa aur kali ka mel
mujhko kabhee na bhaayaa aa
bhanwraa aur kali ka mel
mujhko kabhee na bhaayaa aa
gulshan mein ye pyaar ka khel
mujhko kabhee na bhaayaa aa
nayee lagee hai
nayee lagee hai
baat puraanee
pehli baar
pehli baar
aaj huyee hai ae bhor suhaanee
pehli baar
pehli baar


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5431 Post No. : 17817

“Dil Ki Basti”(1949) was produced by S M Yusuf and directed by Wahid Qureshi for Aaina Pictures, Bombay. The movie had Nigar Sultana, Masood, Yashodhara Katju, Amar, Mirza Musharraf, Urmila, Tewari, Ramlal, Ismail, Lalita Pawar etc in it.

“Dil Ki Basti”(1949) had nine songs in it. Seven songs have been covered in the past.

Here is the eighth song from the movie to appear in the blog. The song is sung by Geeta Dutt. Wahid Qureshi is the lyricist. Music is composed by Ghulam Mohammad.

Only audio of the song is avilable. I request our knowledgeable readers to throw light on the picturisation of this melancholic song.

Lyrics of the song were sent to me by Prakashchandra.


Song-Na tum mere na dil mera (Dil Ki Basti)(1949) Singer-Geeta Dutt, Lyrics-Wahid Qureshi, MD-Ghulam Mohammad

Lyrics(Provided by Prakashchandra)

na tum mere ae
na dil meraa aaa aaa
ajab hai ye bebasi meri
na tum mere ae
na dil meraa aaa aaa
ajab hai ye bebasi meri
mohabbat mein tamaashaa ban gayi hai ae zindagi meri
muhabbat mein tamaashaa ban gayi hai ae zindagi meri

meri duniyaa tumhee tum thhe
meri duniyaa aaa tumhee tum ho o
meri duniyaa tumhee tum thhe ae
meri duniyaa aaa tumhee tum ho o
o o o o
main kis munh se kahoon zaalim
ke duniyaa lut gayee meri
main kis munh se kahoon zaalim..mm
ke duniyaa lut gayee meri
na tum mere aey ae
na dil meraa aaa
ajab hai ae bebasi meri

khabar kyaa thhee muhabbat mein
ik aisaa din bhi aayegaa
khabar kyaa thhee muhabbat mein
ik aisaa din bhi aayegaa
ye haalat hai ke aansoo bhee
udaatey hain hansi meri
ye haalat hai ke aansoo bhee
udaatey hain hansee meri
na tum mere aey ae
na dil meraa aaa
ajab hai ae bebasi meri


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5431 Post No. : 17816

“Oot Pataang”(1955) was produced by Navinchandra C Shah and directed by Chandulal Shah for G M Pictures, Bombay. The movie had Usha Kiron, Agha, Anwar, Maruti, Jankidas,Indira, Mumtaz Begum, Vanitha, Rashid Khan, Shammi Chowdhary, Madhuri, Dube, Khwaja Ahmed etc in it. VijayaLaxmi was also there in a guest appearance.

“Oot Pataang”(1955) had nine songs in it. Six songs have been covered in the blog.

Here is the seventh song from “Oot Pataang”(1955) to appear in the blog. The song is sung by Rafi. D N Madhok is the lyricist. Music is composed by Vinod.

Only audio of the song is available which is the title song cum introduction song. I request our knowledgeable readers to throw light on the picturisation of the song.

Lyrics of the song were sent to me by Prakashchandra.

Audio link:

Song-Main Jaadoogar hoon kaareegar hoon (Oot Patang)(1955) Singer-Rafi, Lyrics-D N Madhok, MD-Vinod

Lyrics(Provided by Prakashchandra)

hahhaa haaaa haaaa hhhaaaa
main jaadoogar hoon
kaareegar hoon aayaa cheen se
rakhoon jahaan kadam
sadaa nikley zameen se
hho o main jaadoogar hoon
kaareegar hoon aayaa Cheen se
rakhoon jahaan kadam
sadaa nikley zameen se
oot pataang
o chaachaa cheen chaang
o paapaa peengpang
o maamaa kingkong
do o o o
daadaa daadaaa deen daang
ootpataang
main jaadoogar hoon
kaareegar hoon aayaa Cheen se
rakhoon jahaan kadam
sadaa nikley zameen se
oot pataang

arrey o chiki chikee chikee chikee
ke jaadoogar
koyi khel dikhaa dey
tu..tu tu tu yahaan par
chhoo mantar chhoo mantar chhoo mantar…rrrrr
bol tu hai aadmi ke bandar
aadmi hoon mmmm …mmmm..mmm
mast qalandar..rrr
eengi peengi cheeng chaang
murshid thhaa jo meraa
aingan baingan talee talaingan
badley cholaa teraa
arrey jantar manthar kaam karantar
antar mantar kaam karantar
chhoo ooo oo
ban jaa bandar
do se ban gayee inkee chaar taang
oot pataang
ooo omain jaadoogar hoon
kaareegar hoon aayaa Cheen se
rakhoon jahaan kadam
sadaa nikley zameen se
oot pataang
o chaachaa cheen chaang
o paapaa peengpang
o maamaa kingkong
do o o o
daadaa deen daang
ootpataang
main jaadoogar hoon
kaareegar hoon aayaa Cheen se
rakhoon jahaan kadam
sadaa nikley zameen se
oot pataang

abey o bandar..rrrr
meri minnat kar..rrrrr
teri dum ko ghisaa doon
tujhe phir se banaa doon insaan nar
abey o bandar..rrr…rrr
kar mujhe salaam
jhuk namak haraam
ingee peengee cheen chaang
mursheed thhaa jo meraa
aingan baingan talee talaingan
badley cholaa teraa
jantar mantar kaam karantar
antar mantar kaam karantar
chhoo oo oo oo o ban jaa insaan nar
chaar se ban gayee iskee do o taang
oot pataang
hooo main jaadoogar hoon
kaareegar hoon aayaa cheen se
rakhoon jahaan kadam
sadaa nikley zameen se
oot pataang


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5431 Post No. : 17815

“Sehra”(1948) was produced by arun Kumar Ahuja and directed by D B Joshi and R D Bali for Arun Productions, Bombay. The movie had Arun Kumar Ahuja, Maya Devi, Nirmala, S Nazir, Sheikh, Leela Mishra etc in it.

“Sehra”(1948) had ten songs in it. Six songs have been covered in the past.

Here is the seventh song from the movie to appear in the blog.

This song is sung by Nirmala Devi. Lyricist is not mentioned in HFGK. Seeing that other songs in the movie were penned by Surjeet Sethi, Surjeet Sethi could well be the lyricist of this song as well. S Mohinder is the music director.

Only audio of the song is available. It is clear that the song was picturised on Nirmala devi herself.

Lyrics of the song were sent to me by Prakashchandra.

audio link:

Song-Aankhon aankhon mein raaz bata gaya koyee pardesee (Sehra)(1948) Singer-Nirmala Devi, Lyrics-Surjeet Sethi, MD-S Mohinder

Lyrics(Provided by Prakashchandra)

aankhon aankhon mein raaz bataa gayaa
koyee pardesi
haayye pardesi
baaton baaton mein
baaton baaton mein hamko banaa gayaa
koyee pardesi
haayye pardesi
aankhon aankhon mein raaz bataa gayaa
koyee pardesi
haayye pardesi
baaton baaton mein hamko banaa gayaa
koyee pardesi
haayye pardesi

main dekh rahee thhee tujhko
haan haan tujhko
woh aaye ae yahaan ruk ruk kar
haan haan ruk kar
koyi keh gaye baat anokhee
kaanon mein mere chhup kar
haan haan chhupkar
naa jaaney
na jaaney woh kyaa samjhaa gayaa
koyee pardesi
haayye pardesi
aankhon aankhon mein raaz bataa gayaa
koyee pardesi
haayye pardesi
baaton baaton mein hamko banaa gayaa
koyee pardesi
haayye pardesi

taqraar huyee phir aankh milee
aur aankhein sharam se aey ae sharmaa gayeen
na jaaney ae mujhko o
haayye kisee kee ee
naazuk adaayein aen aen
kyun bhaa gayeen
mere roop se
mere roop se khel ke chalaa gayaa
koyee pardesi
haayye pardesi
aankhon aankhon mein raaz bataa gayaa
koyee pardesi
haayye pardesi
baaton baaton mein hamko banaa gayaa
koyee pardesi
haayye pardesi


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FOURTEEN years. This blog has over 17800 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2023) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

17808

Number of movies covered in the blog

Movies with all their songs covered =1365
Total Number of movies covered=4740

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Active for more than 5000 days.

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