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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Dilraj Kaur Songs’ Category


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3778 Post No. : 14758

Hullo to all in Atuldom

Once upon a not-so-long a time ago the anniversary page on our blog said that Helen – the dancing diva – celebrates her birthday on 21st October and I had sent this song – “Lovelina, Aa Gaya Main“, from ‘Agent Vinod’ (1977) for the occasion. Then over the years we got enlightened that her birthdate was 21st November. And as I sit to write this, further enlightenment strikes – she turns 80 today!!!! WOW!!! And she has been entertaining us since she was 13, having appeared in ‘Awaara’ in 1951 – that is 67 years in public eye. Of course, the last time I saw her in front of the camera was on satellite television when she appeared on the chat show ‘The Kapil Sharma Show’ along with another favourite of mine – Asha Parekh. And so far, the last film that she has appeared in is ‘Heroine’ (2012) which is directed by Madhur Bhandarkar and starred Kareena Kapoor in the main lead. In there she portrays the character of a film artiste who is past her prime and is forgotten by the industry.

But the truth is Helen is not a forgotten has-been as far as the industry and her fans are concerned. She is still remembered fondly whenever we hear songs that she had performed to. Her sprightly steps, her outfits which were never garish even when there were sequins and feathers stuck on them, her luxuriant hair done up in various styles – are somethings which no other dancer or actress has ever tried to copy. She was never called a plain item girl, she was always the supporting actress who had some substance to her role even if it was two or three songs, with a few emotional scenes and there were films she was the second heroine pining for the hero and would give up her love or life in the climax so that the lead pair could live HAPPILY EVER AFTER. She has had a HAPPILY EVER AFTER life personally too even though she is her husbands’ (Salim Khan) second wife, theirs is a one big happy family and all of her step children have bonded closely with her. She has an adopted daughter who was given a grand wedding in 2014 and is now a grandma to that girl’s child. Her family is growing and hope her happiness grows too.

‘Ram Balram’ is a 1980 movie produced by Tito and directed by Vijay Anand. The movie was an average success at the box office. It brought Jai (Amitabh) and Veeru (Dharmendra) together after a gap of five years – five years after the super successful ‘Sholay’ (1975). ‘Ram Balram’ was the story of two ‘chachere bhais’ (cousins) who have a score to settle with Ajit – another of their chacha – who is responsible for all the calamities that struck their family. There is also a nautch girl – Tarabai (Helen) – who has some axe to grind against Ajit. As the movie moves to the climax, we have the brothers and Tarabai reaching their goals but in the melee Tarabai dies but not before seeing her daughter (Zeenat Aman) happy and in love with Ram (Dharmendra). Today’s song is a typical ‘trying to distract the villains’ henchmen’. The song is sung by Mohd Rafi, Asha Bhonsle and Dilraj Kaur. It has both Zeenat Aman and Helen dressed in sarees (unusual for them) dancing a typical Dharmendra dance. The song was written by Anand Bakshi.

I had been reserving this song for a rainy day- for a time when I write a last-minute post. And so here it is to wish both Zeenat Aman (had her birthday on 19th– turned 67) and Helen a very happy birthday.

 

Song – Balram Ne Bahut Samjhaaya Par Ram Ne Dhoka Khaaya (Ram Balram) (1980) Singer – Mohammed Rafi, Asha Bhosle, Dilraj Kaur, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Asha Bhosle + Dilraj Kaur
Mohammed Rafi + Asha Bhosle + Dilraj Kaur

Lyrics

balram ne bahut samjhaaya
balram ne bahut samjhaaya
par ram ne dhokha khaya
ab to ram hi jaan bachaaye
bachaaye
beda paar lagaaye
ab to ram hi jaan bachaaye
beda paar lagaaye
jo hona tha ho gaya
jo hona hai ho jaaye  
ab to ram hi jaan bachaaye
beda paar lagaaye
ab to ram hi jaan bachaaye
beda paar lagaaye

hum pinjre ke panchhi
pinjre ke panchhi
hum pinjare ke panchhi
hum se kitni door bahaarein
door bahaarein
aao mil kar sochen
mil kar sochen
aao mil kar sochen
apni bigdi aap sawaarein
teri saari baatein jaisi lakdi ki talwaarein
lakdi ki talwaarein
lakdi ki talwaar to
talwaar to
mushkil mein kaam na aaye
ab to ram hi jaan bachaaye
beda paar lagaaye
ab to ram hi jaan bachaaye
beda paar lagaaye

ho gore mukh pe zulf ye kali
naagan si lehraaye
naagan se rehna door sapere
tujhe das na jaaye
jaan hatheli par jo rakhe
apne pas wo aaye
aane wale aa gaye
aa gaye
dil dhadke haye haye
ab to ram hi jaan bachaaye
beda paar lagaaye
ab to ram hi jaan bachaaye
beda paar lagaaye

jab tak ram ki sena aaye
gaate raho ye gaana
oommm ommmm
jab tak ram ki sena aaye
gaate raho ye gaana
band hai saare darwaaze
har rasta hai anjaana
arre mushkil hai iss rawan ki lanka se bach ke jaana
arre mushkil hai iss rawan ki lanka se bach ke jaana
vinti hai hanuman se
hanuman se
lanka mein aag lagaaye
ab to ram hi jaan bachaaye
beda paar lagaaye
jo hona tha ho gaya
jo hona hai ho jaaye
ab to ram hi jaan bachaaye
beda paar lagaaye
ab to ram hi jaan bachaaye
beda paar lagaaye
ab to ram hi jaan bachaaye
beda paar lagaaye

———————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————

बलराम ने बहुत समझाया
बलराम ने बहुत समझाया
पर राम ने धोखा खाया
अब तो राम ही जान बचाए
बचाए
बेड़ा पार लगाये
अब तो राम ही जान बचाए
बेड़ा पार लगाये
जो होना था हो गया
जो होना है हो जाये
अब तो राम ही जान बचाए
बेड़ा पार लगाये
अब तो राम ही जान बचाए
बेड़ा पार लगाये

हम पिंजरे के पंछी
पिंजरे के पंछी
हम पिंजरे के पंछी
हमसे कितनी दूर बहारें
दूर बहारें
आओ मिल कर सोचें
मिल कर सोचें
आओ मिल कर सोचें
अपनी बिगड़ी आप संवारें
तेरी सारी बातें जैसे लकड़ी की तलवारें
लकड़ी की तलवारें
लकड़ी की तलवार तो
तलवार तो
मुश्किल में काम ना आए
अब तो राम ही जान बचाए
बेड़ा पार लगाये
अब तो राम ही जान बचाए
बेड़ा पार लगाये

हो गोरे मुख पे जुल्फ ये काली
नागन सी लहराए
नागन से रहना दूर सपेरे
तुझे डस ना जाये
जान हथेली पर जो रखे
अपने पास वो आए
आने वाले आ गए
आ गए
दिल धड़के हाए हाए
अब तो राम ही जान बचाए
बेड़ा पार लगाये
अब तो राम ही जान बचाए
बेड़ा पार लगाये

जब तक राम की सेना आए
गाते रहो ये गाना
ओमम्ममम ओमम्ममम
जब तक राम की सेना आए
गाते रहो ये गाना
बंद हैं सारे दरवाज़े
हर रस्ता है अंजाना
अरे मुश्किल है इस रावण की लंका से बच के जाना
अरे मुश्किल है इस रावण की लंका से बच के जाना
विनती है हनुमान से
हनुमान से
लंका में आग लगाए
अब तो राम ही जान बचाए
बेड़ा पार लगाये
जो होना था हो गया
जो होना है हो जाये
अब तो राम ही जान बचाए
बेड़ा पार लगाये
अब तो राम ही जान बचाए
बेड़ा पार लगाये
अब तो राम ही जान बचाए
बेड़ा पार लगाये

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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3758 Post No. : 14728

Happy November to Atuldom

Start of the winters. Bangalore has suddenly turned colder post Navaratri and gearing up for the next most important festival in India – Deepawali.

‘Saajan Bina Suhaagan’ – released in 1978 – was produced and directed by Saawan Kumar Tak. The songs were written by Indeevar and music was by Usha Khanna. When I had heard the songs of this movie I had imagined Usha Khanna to be a rather young person. It was much later I became enlightened that she was also the music director for another set of songs which I love to hear – songs from ‘Dil Deke Dekho’ (1959). But that is not the purpose of this post.

The reason for this post is the small girl in the song who turns a year older today. She must have been all of 11 or 12 at the time of this movie. Movies used to take close to a year or two to complete those days not like present times when we hear of start to finish schedules and the movie quickly reaching the finish-line i.e. the cinema theatre. There were many reasons for the movies of the past taking time to complete and many of those reasons are not there nowadays. I don’t intend to go into the technique changes that film making has undergone.

So, the little girl of the song – Bulbul (Padmini Kolhapure) – is the pet of her parents and sisters. She is in love with her piano and loves to sing. And all is well in paradise till the father (Shreeram Lagoo) finds he is terribly ill and decides to go away from the family to undergo treatment. The mother (Nutan) also is aware of this but keeps it a secret from her daughters. Most of the movie is devoted to showing how the mother copes with the situation and how she has to also shield her daughter Bulbul from any traumatic news as she (Bulbul) too has a congenital heart problem- “hole in the heart” as the movie says. Further problems arise when one hospital ward attenant (TP Jain) starts blackmailing the mother about revealing all secrets to the children. The movie moves on to show how Nutan copes with a sick Bulbul, marriage of the elder daughter Basanti (Radhika Bartake) and a murder charge – Nutan murders TP Jain. So that is a fair idea about the movie.

Today’s song has Barkha (Aarthi Chopra) and Bulbul (Padmini) bullying their “hone waale Jeeja ji” (Vinod Mehra) who is sporting enough to agree to all the pre-wedding conditions that the saalis lay out. Suresh Wadkar, Anuradha Paudwal (who has turned 64 a few days back) and Dilraj Kaur are the playback singers.

So, the little Bulbul – Padmini Kolhapure – is a grown up lady now. She has a large number of movies in her repertoire where she has been a co-actor to most of stalwarts of Bollywood. She has been around since 1974, took a brief sabbatical after her son was born and returned to movies and television; this time playing roles of mother etc. to actors like Shahid Kapoor. And to think she is only as old as the Khans who are still playing the male lead.

Here is wishing the little Padmini a very Happy Birthday.

 

Song – Jeeja Ji Jeeja Ji Hone Waale Jija ji (Sajaan Bina Suhaagan) (1978) Singer – Anuradha Paudwal, Dilraj Kaur, Suresh Wadkar, Lyrics – Indeewar, MD – Usha Khanna
Anuradha Paudwal + Dilraj Kaur
Unidentified Female Voice

Lyrics

jeeja ji jija ji
hone waale jija ji
jeeja ji jija ji
hone waale jija ji
shaadi ke phere hai saat
aur hamaari shartein saat
tumko ho manzoor agar
tabhi milega didi ka haath
ah jeeja ji jija ji
hone waale jija ji
jeeja ji jija ji
honewaale jija ji

pehli shart aapko bata dein
ke didi khaana nahi pakaayegi
arre is ki mujhe paravaah nahi
hotel se khaana manga loonga
o doosri ye shart hai hamaari
ke nain kisi se nahin ladaoge
arre deewana hoon
in nainon ka
in se main nain ladaoonga
saali ho saali ji (paa paa paa papa paa)
hone waali saali ji (paa paa paa papa paa)
jeeja ji jija ji (paa paa paa papa paa)
hone waale jija ji (paa paa paa papa paa)

teesri ye shart hai hamaari
ke seedhe daftar se ghar aaoge
oye ghar ke siva
jaana kahaan
ghar me hi daftar bana loonga
aur chauthi shart hai hamaari
ki didi ko tum sari kamaai dogey
na rakhunga main
kuchh apne liye
sab kuch inhen
main de doonga
saali ho saali ji (paa paa paa papa paa)
hone waali saali ji (paa paa paa papa paa)
jeeja ji jija ji (paa paa paa papa paa)
hone waale jija ji (paa paa paa papa paa)

aur panchavi shart to suniye
didi jab bhi maike me jaayegi
to jaldi waapas nahin bulaaoge
arre gharwaali bin
ghabaraaya dil
toh saali ji tumko bula loonga
chhathi shart to suniye
didi ki taarif mein hamesha
nayi kavita roz sunaoge
kavita meri
na bhayegi to 
tulsi ke dohe suna doonga
saatvin ye shart hai hamaari
ki didi bachchee nahin khilayegi
arre didi ko kasht
na doonga kabhi
bachchon ko khud hi sambhaaloonga

meri bhi ek shart suno ji
are bas, bas, bas
shaadi zara honey to do
jo bhi kahogi main maanoonga
biwi ho biwi ji (paa paa paa papa paa)
hone waali biwi ji (paa paa paa papa paa)
biwi ho biwi ji (paa paa paa papa paa)
hone waali biwi ji (paa paa paa papa paa)
biwi ho biwi ji (paa paa paa papa paa)
hone waali biwi ji (paa paa paa papa paa)
biwi ho biwi ji (paa paa paa papa paa)
hone waali biwi ji (paa paa paa papa paa)
biwi ho biwi ji (paa paa paa papa paa)
hone waali biwi ji (paa paa paa papa paa)

———————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————

जीजा जी जीजा जी
होने वाले जीजा जी
जीजा जी जीजा जी
होने वाले जीजा जी
शादी के फेरे हैं सात
और हमारी शर्तें सात
तुमको हो मंजूर अगर
तभी मिलेगा जीजी का हाथ
आह जीजा जी जीजा जी
होने वाले जीजा जी
जीजा जी जीजा जी
होने वाले जीजा जी

पहली शर्त आपको बता दें
के दीदी खाना नहीं पकाएगी
अरे इसकी मुझे परवाह नहीं
होटल से खाना मँगवा लूँगा
और दूसरी ये शर्त है हमारी
के नैन किसी से नहीं लड़ाओगे
अरे दीवाना हूँ
इन नैनों का
इनसे में नैन लड़ाऊँगा
साली हो साली जी
(पा पा पा पा पा)
होने वाली साली जी
(पा पा पा पा पा)
जीजा जी जीजा जी
(पा पा पा पा पा)
होने वाले जीजा जी
(पा पा पा पा पा)

तीसरी ये शर्त है हमारी
के सीधे दफ्तर से घर आओगे
ओय घर के सिवा
जाना कहाँ
घर में ही दफ्तर बना लूँगा
और चौथी शर्त है हमारी
के दीदी को तुम सारी कमाई दोगे
ना रखूँगा मैं
कुछ अपने लिए
सब कुछ इन्हें
मैं दे दूँगा
साली हो साली जी
(पा पा पा पा पा)
होने वाली साली जी
(पा पा पा पा पा)
जीजा जी जीजा जी
(पा पा पा पा पा)
होने वाले जीजा जी
(पा पा पा पा पा)

और पाँचवी शर्त तो सुनिए
दीदी जब भी माएके में जाएगी
तो जल्दी वापस नहीं बुलाओगे
अरे घरवाली बिन घबराया दिल
तो साली जी तुमको बुला लूँगा
छटी शर्त तो सुनिए
दीदी की तारीफ में हमेशा
नई कविता रोज़ सुनाओगे
कविता मेरी
ना भाएगी तो
तुलसी के दोहे सुना दूँगा
सातवीं ये शर्त है हमारी
के दीदी बच्चे नहीं खिलाएगी
अरे दीदी को कष्ट
ना दूँगा कभी
बच्चों को खुद हि संभालूँगा
साली हो साली जी
(पा पा पा पा पा)
होने वाली साली जी
(पा पा पा पा पा)
जीजा जी जीजा जी
(पा पा पा पा पा)
होने वाले जीजा जी
(पा पा पा पा पा)

मेरी भी इक शर्त सुनो जी
अरे बस बस बस
शादी ज़रा
होने तो दो
जो भी कहोगी
मैं मानूँगा
बीवी हो बीवी जी
(पा पा पा पा पा)
होने वाली बीवी जी
(पा पा पा पा पा)
बीवी हो बीवी जी
(पा पा पा पा पा)
होने वाली बीवी जी
(पा पा पा पा पा)
बीवी हो बीवी जी
(पा पा पा पा पा)
होने वाली बीवी जी
(पा पा पा पा पा)
बीवी हो बीवी जी
(पा पा पा पा पा)
होने वाली बीवी जी
(पा पा पा पा पा)
बीवी हो बीवी जी
(पा पा पा पा पा)
होने वाली बीवी जी
(पा पा पा पा पा)


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3496 Post No. : 14051

Hullo to all in Atuldom

“Maan Gaye Ustaad”(1981) was a Shibu Mitra directed movie.

Chandan Singh (Pran) is a farmer who lives in a village called Ramgarh along with his wife, Malti (Sonia Sahni), and two children, Munna and Munni. One day Malti gets molested by three city goons, Jaikishan (Ajit), Rajan, and Banoo (Rajan Haksar). Chandan intervenes, but is attacked, and Malti is shot dead. The children get separated, while Munna is adopted by a Muslim male named Abba (Om Prakash) and is re-named Shera, Munni is adopted by a Hindu family and re-named Geeta.

Years later the three estranged family members are fated to meet again – this time Geeta is a con-woman, who has a con-man boyfriend, Kishan (Shashi Kapoor), who is on the lookout for the man who killed his photographer brother (Chandrasekhar), and believes that Chandan is the killer; while Chandan, who is now known as Chandan Dada, a hoodlum, has been arrested for killing a man named Rajan; while Shera, a hit-man and hoodlum himself, has feigned his arrest, after accepting a contract from none other than Jaikishan – to kill Chandan!!

The movie then goes through the normal way of first bringing the family together with the help of the song that the father had taught his children before calamity struck the family and they got separated.

The movie was almost like a show case for Pran. He had a song filmed on him and that song appeared three times in the movie. He got to take revenge from the villains, had a beautiful wife in Sonia Sahni, and he also got a qawwali which was a competition between him and Amjad Khan.

But this is not the only movie where he had songs to emote too. We have loved him with Ashok Kumar in so many songs, and I am sure everyone will agree that the most entertaining one was in “Victoria No. 203” – “do bechare bina sahaare dekho pooch pooch kar hare”.

But one cannot forget him with Kishore Kumar either- “Aake seedhi dil pe katariya oh sawariya” (Half Ticket) or Amitabh Bachchan – “Yaari hai imaan mera yaar meri zindagi”.

And we should not forget that Pran’s innings as a “good” character artist began with his “malang chacha” mouthing “kasme vaade pyaar wafa sab baatein hai” “in Upkaar”.

He began his filmi career in pre-independence era with Yamla Jat, Khajanchi, Chaudhary etc in Lahore in Punjabi. His Hindi film run began with “Khandaan” (1942. Here I feel like mentioning the other “Khandan” (1965) where he played a villain to make the life of the hero Sunil Dutt miserable.

His career in Bombay (Mumbai of today) started with “Ziddi” which was also a break for DevAnand and by 1950 Pran was a premier villain in Bollywood. He was the most sought-after villain opposite Dilip- Raj- Dev through the 50s and 60s. We have seen him being mean to every other hero of that period Dharmendra, Rajendra Kumar, Manoj Kumar, and any other hero we can think of (I am not going into the Roster of the heroes of the sixties here).

During this period, he had a brief role in Manoj Kumar’s “Shaheed” which was not a negative character.

But post “Upkaar” he had a second image change and we could see him as a good grandfather “Parichay”, friend “Zanjeer” “Guddi” “Beimaan” etc alongwith being the badman.

He had a style all his own be it in getting into various getups that went with the character he played or the blowing of smoke rings and holding the cigar or cigarette in a different way I each movie. There are many present-day character actors- Gulshan Grover for example- who swear on Pransaab being their role model much the same way as heroes copy Dilip- Raj- Dev. 🙂

He would have been celebrating his 98th birthday today (12 February 2018). I just could not get this date go by without we posting a song filmed on Pransaab. For today’s song Mohd. Rafi has given his voice alongwith Dilraj Kaur and Chandrani Mukherjee. This song appears about three times in the movie- once in happy times when Chandan Singh is the family man and farmer, once when he is so “good” a prisoner that the jailor Ashok Kumar trusts him to let him play around the jail with his grandson. And finally, at the climax of the movie when his (now grownup) children are tied up by the villain (I am unable to locate that video).

Today also happens to be the birthday of a person who became a friend thanks to this blog. We know him as Avinash Scrapwala. Here I would also like to wish him all the very best in life. Best wishes are also due to another Atulwaasi- Nitin Shah and his wife celebrate their Wedding Anniversary today. Here is wishing them long years of togetherness.

Part I

Part II

Song-Mera ek sawaal hai sawaal ka jawaab do (Maan Gaye Ustaad)(1981) Singers-Rafi, Chandrani Mukherji, Dilraj Kaur, Lyrics-Verma Malik, MD-Sonik Omi
Chandrani Mukherji + Dilraj Kaur
Pran

————————–
Lyrics
————————–
Part I
————————–
mera ek sawaal hai
sawaal ka jawaab do
mera ek sawaal hai
sawaal ka jawaab do
ye main tumpe chhodta hoon
achha do kharaab do
mera ek sawaal hai
sawaal ka jawaab do

poochho
dushman hon jab chaaron taraf
hon haath tumhaare khaali
dushman hon jab chaaron taraf
hon haath tumhaare khaali
bolo bachchon kaise karoge
tum apni rakhwaali
ye phaulaadi haath hamaare dushman se takraayen
ye phaulaadi haath hamaare dushman se takraayen
kat jaayen sar chaahe lekin
sar ko nahin jhukaayen
har mushkil mein har keemat pe
rahenge hum aazaad
sau baaton ki ek baat hai
iss ko rakhna yaad

maan gaye ustaad tumko
maan gaye ustaad
mera ek sawaal hai
sawaal ka jawaab do
ye main tumpe chhodta hoon
achcha do kharaab do
mera ek sawaal hai
sawaal ka jawaab do

poochho
hoke badi tu beti aisa
kaun sa kaam karegi
hoke badi tu beti aisa
kaun sa kaam karegi
kya tu iss duniya mein raushan
baap ka naam karegi
fakr kare har aurat jiss pe aisi doon qurbaani
fakr kare har aurat jiss pe
aisi doon qurbaani
banke dikha doongi duniya ko
main jhaansi ki raani
toot padoongi gaddaaron pe
ban ke main faulaad
sau baaton ki ek baat hai
is ko rakhna yaad

maan gaye ustaad bitiya
maan gaye ustaad
mera ek sawaal hai
sawaal ka jawaab do
ye main tumpe chhodta hoon
achcha do kharaab do
mera ek sawaal hai
sawaal ka jawaab do

leadar netaa banoge ya tum
desh ke pehredaar
leadar netaa banoge ya tum
desh ke pehredaar
bhaarat maa se bolo beta
kaise karoge pyaar
leadar neta kya ban’na hai
banoonga khidmatgaar
leadar neta kya ban’na hai
banoonga khidmatgaar
paida karoonga sabke dil mein
apne desh ka pyaar

rahe shaanti
na ho kahin pe danga aur fasaad
sau baaton ki ek baat hai
isko rakhna yaad

o maan gaye ustaad tumko
maan gaye ustaad

—————————
Part II
—————————
mera ek sawaal hai
sawaal ka jawaab do
mera ek sawaal hai
sawaal ka jawaab do
ye main tumpe chhodta hoon
acchha do kharaab do
mera ek sawaal hai
sawaal ka jawaab do

poochho
dushman hon jab chaaron taraf
hon haath tumhaare khaali
dushman hon jab chaaron taraf
hon haath tumhaare khaali
bolo bachchon
kaise karoge tum apni rakhwaali

main bataaun
ye phaulaadi haath hamare
dushman se takrayen

ye phauladi haath hamaare dushman se takraayen
ye phauladi haath hamare dushman se takraayen
kat ja ye sar chaahe lekin
sar ko nahin jhukaayen

har mushkil mein har keemat pe
rahenge hum aazaad
sau baaton ki ek baat hai
isko rakhna yaad
maan gaye ustaad tumko
maan gaye ustaad
mera ek sawaal hai
sawaal ka jawaab do
ye main tumpe chhodta hoon
achcha do kharaab do
mera ek sawaal hai
sawaal ka jawaab do


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3473 Post No. : 13949

“Heera Moti”(1979) was produced by Ratan Mohan and directed by Chaand for R M Art Productions, Bombay. The movie had Shatrughna Ainha, Reena Roy, Danny Denzongpa, Bindu,Purnima,Ajit, Om Shiv Puri, Anwar Hussain, Narendranath, Dev Kumar, Shetty, Randheer, Omkar, Master Raju, Jairaj,
Rajan Haksar, Master Saleem, Radhey Shayam, Keshav Rana, Bhagwan Dada, Rajan Kapoor etc in it.

The movie had six songs in it. Two of these songs have been covered in the blog. One was covered in 2009 another in 2013.

Here is the third song from “Heera Moti”(1979) to appear in the blog. The song is sung by Dilraj Kaur. Ahmad Wasi is the lyricist. Music is composed by O P Nayyar.

Only the audio of this song is available. One can notice that Dilraj Kaur was being asked to sing in Asha Bhonsle style. In fact, in the post Asha Bhonsle phase of his career, O P Nayyar tried to make other female singers to sing like Asha Bhonsle but he was unable to recreate the same magic with them.

I request our knowledgeable readers to throw light on the picturisation of this song. My guess is that this song was picturised on Reena Roy.

Lyrics of this song were sent to me by Prakashchandra long ago.


Song-Tum khud ko dekhte ho sada apni nazar se (Heera Moti)(1979) Singer-Dilraj Kaur, Lyrics-Ahmad Wasi, MD-O P Nayyar

Lyrics (Provided by Prakashchandra)

haayye ae ae ae ae ae
meri nazron mein mohabbat ka khumaar
aa hi gayaa
dil ko aanaa thaa kisi par ek baar
aa hi gayaa
pyaar na karne ki qasmein khaayeen thhen maine magar
aaj tum
jab saamne
aaye toh pyaar aa hi gayaa

tum khud ko dekhte ho sadaa apni nazar se
tum khud ko dekhte ho sadaa apni nazar se
dekho meri jaan khud ko kabhi
meri nazar se ae ae
haaye meri nazar se
tum khud ko dekhte ho o

oyye oyye hoyye hoyye hoyye
ye reshmi zulfein
ahhaa haaa aa aa
ye reshmi zulfein
tere kaandhe pe jhukaa doon
nikhri huyee is raat ko main
aur sajaa doon
main aur sajaa doon
matwaalaa banaa doon tujhe
matwaalaa banaa doon tujhe
matwaali nazar se
dekho meri jaan khud ko kabhi
meri nazar se
haayye meri nazar se
tum khud ko dekhte ho o

aahhaaa hhaaaa hhaaa
o ho ho ho
o o o
aaa haa. haa
tan phool saa
baanhon ki lachak jaise ho daali
main roop kaa ik baag hoon
tu baag kaa maali
main roop kaa ik baag hoon
tu baag kaa maali
mere baag ka maali
rakhwaali karo tum meri ee
rakhwaali karo tum meri
duniyaa ki nazar se
dekho meri jaan khud ko kabhi
meri nazar se
haayye meri nazar se
tum khud ko dekhte ho o

oye
oyye oyye hoyye hoyye
deewaani hoon teri ee
aa..haa…aaa
deewaani hoon
dil thhaam ke
raste mein khadi hoon
dil tod de yaa jod de
kadmon mein padi hoon
kadmon mein padi hoon
likh de meri taqdeer zaraa
likh de meri taqdeer zaraa
apni nazar se
dekho meri jaan khud ko kabhi
meri nazar se ae ae
haaye meri nazar se
tum khud ko dekhte ho o


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to Atuldom

‘Saajan Mere Main Saajan Ki’ is a movie released in 1980. It was directed by Hiren Nag and produced by Ramraj Nahata. It had a star cast of Ashok Kumar, Raj Babbar, Raj Kiran, Rameshwari, Kaajal Kiran, Shashikala, Dina Pathak, Madan Puri etc. Songs were written and composed by Ravindra Jain. I have never seen the movie and so I have no idea what it was all about.
Read more on this topic…


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(© 2008 - 2018) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14700 song posts by now.

This blog is active and online for over 3700 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14789

Number of movies covered in the blog

Movies with all their songs covered =1153
Total Number of movies covered =4044

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