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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Anil Biswas


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Ah yes, saving the best for the last. What a wonderful lilting song this one is. With this post we bring to completion the list of all songs for the film ‘Maan’ (1954). So, another Yippeee moment for this blog. Congratulations to all readers and all members of this musical bandwagon.

‘Maan’ is a costume drama which is produced by Rajendra Jain for the banner of Filmkaar Ltd., Bombay. The film is directed by Safdar ‘Aah’ Sitapuri, who has also penned five of the nine songs in this film. The remaining four songs are shared between Raja Mehdi Ali Khan (1) and Kaif Bhopali (3). Music is from the mind of Anil Biswas (assisted by Ram Singh). The cast of actors includes Ajit, Chitra, Durga Khote, Jaagirdar, Kumar, Achala Sachdev, Yashodhara Katju, Kamlesh Kumari and Chanda Bai etc.

As per the footnotes in the Geet Kosh, originally eleven songs in all were recorded for this film. Two songs were later cancelled and not included in the film. The mukhdas of the songs are – “Aati Na Yun Bahaaren. . .” in the voice of Lata Mangeshkar, and “Ye Achha Sauda Hum Ne Kiya. . .” in the voice of Shamshad Begum. It appears that these two songs, although recorded, were not released on gramophone records. No other information or trace of these songs is available as yet.

The eight songs posted earlier are listed below, in the order of their appearance on the blog. The Geet Kosh serial no. is added in brackets at the end of each line.

  1. Dam Bhar Ka Thaa Daur Khushi Ka (7)
  2. Mere Pyaar Mein Tujhe Kyaa Milaa (4)
  3. Allah Bhi Hai Mallah Bhi Hai (8)
  4. Keh Do Ke Muhabbat Se Na Takraaye Zamaana (6)
  5. Guzra Hua Ulfat Ka Zamaana (5)
  6. Main Kya Karoon Rukti Nahin Ashqon Ki Rawaani (1)
  7. O O O Phaili Hai Khabar (2)
  8. Kya Bataayen Chheen Kar Mutthi Mein Wo Kya Le Chale (9)

The foot notes in the Geet Kosh carry a very interesting side story. And it has to do with the iconic film ‘Mughal e Azam’ (1960). As per the foot note, which is short and cryptic, the song at serial no. 8 (in GK) – “Allah Bhi Hai Mallah Bhi Hai” was originally recorded for the film ‘Mughal e Azam’ by Anil Biswas, and later this song was included in this film.

A little more detailed background is available from the annual publication of Society of Indian Record Collectors (SIRC). When K Asif planned for this film originally in the mid 1940s, the mantle for being the music director was assigned to Anil Biswas. The original cast of actors included Chandramohan, Nargis, Sapru, and Veena. Apparently, the roles to be played were assigned as Chandramoha – Shahenshah Akbar, Sapru – Salim, Nargis – Anarkali and Veena – Jodha Bai. During the remaining part of the decade, all the original planning was disturbed. Partition was foisted upon this country. The financier for this film migrated to the new nation of Pakistan in 1947. And in 1949, Chandramohan passed away. Sapru, who was a rising star in 1945, turned out to be not so popular a hero over the next 3 to 4 years. A few reels of this film were already shot.

With all these adverse changes forced by the circumstances, K Asif revamped his planning. By the time 1950s came about, he had brought in Prithviraj Kapoor in place of Chandramohan and Dilip Kumar in place of Sapru. Dilip Kumar and Nargis were already working together in Asif Sb’s other venture – ‘Hulchul’ which was released in 1951. Asif faced quite a bit of turbulent time on the sets with this lead pair. The relations between the two were very strained, and ‘Hulchul’ was somehow completed. Beyond 1951, Asif Sb realized the futility of having this lead pair to continue together for ‘Mughal e Azam’. He made a decision to replace Nargis, retaining Dilip Kumar in the role of Salim. Later on, Madhubala was approached for the role of Anarkali.

Now coming to the music director. Asif Sb in his productions seems not to have tied himself to any one music director. His first film, ‘Phool’ released in 1945, has Ghulam Haider Sb as the music director. Then the initial announcement of ‘Mughal e Azam’ had Anil Biswas as the MD. When this film was put on hold, and Asif Sb started to work on ‘Hulchul’, he contracted Sajjad Husain Sb for being the music director. The working relationship between the two was not amiable, and Sajjad Sb opted out before the music work was complete. Asif Sb then brought in Mohammed Shafi to complete the MD’s work for the film. Three of the ten songs of ‘Hulchul’ are composed by Shafi Sb. The next – as the work in ‘Mughal e Azam’ got restarted, we find Naushad Sb in the role of MD. I have not been able to locate any information as to why this change was made.

As per Geet Kosh, the song “Allah Bhi Hai Mallah Bhi Hai”, was originally recorded for ‘Mughal e Azam’. As I scan the list of songs of ‘Mughal e Azam’, my intuition says that in the final version of the film, the song “Bekas Pe Karam Kijiye Sarkaar e Madina” took the place of “Allah Bhi Hai . . .”. However, my intuition actually goes one step further. After I read about original recordings by Anil Biswas, I scanned the song lists of the two films and tried to do a comparison. It is possible that there may have been more songs originally created by Anil Biswas. In my mind, I can locate at least one more coincidence. The song from the final version of ‘Mughal e Azam’ – “Zindabad Zindabad, Ae Mohabbat Zindabad”, is very likely a replacement song for the original – “Keh Do Ke Mohabbat Se Na Takraaye Zamaana”. The fervor and the rebellious tone of the both the songs is quite similar in intensity.

So much for the digression, let me come back to the song for today. And the singer – Meena Kapoor. The mention of this name immediately brings to the mind the iconic song “Rasiya Re Man Basiya Re” from the 1957 film ‘Pardesi’. And then some others – “Kuchh Aur Zamaana Kehta Hai” from ‘Chhoti Chhoti Baaten’ (1965), “Kachchi Hai Umariya, Kori Hai Chunariya” from ‘Chaar Dil Chaar Raahen’ (1959), “Laagi Naahi Chhote Raama, Chaahe Jiya Jaaye” from ‘Sautela Bhai’ (1962), again from ‘Pardesi’ – “Rimi Jhimi Barse Paani Ho Aaj Morey Angnaa”. And the iconic “Mori Atariya Pe Kaaga Boley, Mora Jiya Doley” from ‘Aankhen’ (1950). And yes, she is the accompanying singer to C Ramchandra in another iconic, nay, almost a cult song – “Aana Meri Jaan Meri Jaan Sunday Ke Sunday” from ‘Shehnaai’ (1947). In a career that spanned two decades from 1946 to 1965, Meena ji has sung approximately 160 songs in Hindi films.

Meena ji was born on 27th August, 1930 in Calcutta, literally in the lap of New Theatres. Her father, Birkam Kapoor, was a character artist with the New Theatres at that time. He was a close associate and a good friend of KL Saigal, KC Dey, Prithviraj Kapoor and Pahadi Sanyal. We have seen him in films like ‘Karwaan e Hayaat’ (1935), ‘Dhoop Chhaaon’ (1935), ‘President’ (1937), and ‘Street Singer’ (1938). In 1940-41, when we see an exodus of the premier stars from Calcutta to Bombay, Bikrma Kapoor also moved to Bombay with his family. The young Meena grew up in the company of stalwart uncles, and the lights and cameras of shooting studios.

Not much details are available about her early years and her development as a singer. When she was sixteen, KC Dey gave her the first break as a singer in the film ‘Door Chalen’ (1946). KC Dey was the music director for this film. Meena ji sang three songs in this film, two duets (with KC Dey) and one solo – “Aa Gayi Aa Gayi Zindagi Mein Ik Nayi Kahaani Aa Gayi”. In the same year, SD Burman, who was making his debut in Hindi films with ‘Eight Days’ also gave her an opportunity to sing under his music direction – “Kisi Se Meri Preet Lagi Ab Kyaa Karoon”. Then 1947 happened to be, and the nation wide popularity of “Sunday Ke Sunday” made her a household name. With a sweetness and a scampering youthfulness in her voice, she soon became a singer popular and in demand with the music directors. Till 1954, she was a busy artist with almost 110 songs from about 60 films.

Many of her songs became very popular. A sampling – “Main Birhan Baithi Jaagun” (film ‘Gopinath’, 1948); “Yaad Rakhna Chaand Taaron” (film ‘Anokha Pyaar’, 1948); “Boot Polish Karwa Le Baabu” (film ‘Ghar Ki Izzat’, 1948); “Main Reh Gayi Ankhiyaan Malti Re” (film ‘Anyaay’ (1949); “Lo Jawaani Ka Zamaana Aa Gayaa” (film ‘Aadhi Raat’, 1950); “Kabhi Tum Khwaab Mein Chupke Se Aa Jaate” (film ‘Gul Sanobar’ (1953); “Chaand So Gaya Taare So Gaye” (film ‘Raahi’, 1953); “Ek Kali Aur Do Patiyaan” with Hemant Kumar (also from ‘Raahi’, 1953);“Aag Chhidak Gai Chaandni Morey Gorey Badan Pe” (‘Aagosh’, 1953); “Ek Dharti Hai Ek Hai Gagan” (film ‘Adhikaar’, 1954); “Mere Chanchal Naina Ras Ke Bhare” (‘Angulimaal’, 1960); “Dil Hamko Dhoondhtaa Hai” (film ‘Return of Mr Superman’, 1960); and many more in between.

As per Geet Kosh listings, her voice appears once again in the film ‘Suhaani Raat’ which was released in 1974. The music director is Ram Ganguly. It is noted that this film was produced much earlier, but its release was delayed significantly. I have not yet located more information on this film, and I request our more knowledgeable readers and friends to kindly add more information about this film if available. The Geet Kosh notes that Meena Kapoor’s voice is used in this film, but singer names against individual songs are not specified.

The song being presented today, is my favorite from the list of songs of this film. Other than “Keh Do Ke Mohabbat Se Na Takraaye Zamaana”. In a list of songs (of this film) that has many superb creations, I like this song for its natural perkiness, and a joyous celebration of having discovered the emotion of love. Simple words, simply rendered, but oh so effectively tuned together, bringing out the brimming happiness, even so that the play of words is unmindful of the words themselves. This is the first time I have come across the word ‘dilaar’, spoken in conjunction with ‘dilbar’ and ‘dildaar’, the latter one itself is somewhat accentuated as ‘dil e daar’. The lighthearted pleasure in the construction of the lines and cheerful levity in their rendering make this song so delightful and endearing.

Enjoy this lovely creation – Anil Biswas, Safdar ‘Aah’, and Meena Kapoor – superbly done.

[Ed Note: The song has been uploaded on YouTube by our very own Sadanand Kamath ji.]

Song – Dilbar Dilaar Dil e Daar Ho  (Maan) (1954) Singer – Meena Kapoor, Lyrics – Safdar Aah Sitapuri, MD – Anil Biswas

Lyrics

dilbar dilaar dil e daar ho
dilbar dilaar dil e daar ho
chhup na saka tera pyaar ho oo oo
chhup na saka tera pyaar ho oo oo
dilbar dilaar dil e daar ho
dilbar dilaar dil e daar ho

hothon ne kuchh na kaha
chitwan ne bol diya..aa..aa
chitwan ne bol diya
dil mein chhupaaye huye
raazon ko khol diya
raazon ko khol diya
aankhen jo hum se huin chaar ho oo oo
aankhen jo hum se huin chaar ho oo oo
dilbar dilaar dil e daar ho
dilbar dilaar dil e daar ho

laayegi rang naye do dil ki dhadkan
laayegi rang naye do dil ki dhadkan
daalo na jalte huye deepak pe daaman
daalo na jalte huye deepak pe daaman
bhole mere sarkaar ho oo oo
bhole mere sarkaar ho oo oo
dilbar dilaar dil e daar ho
dilbar dilaar dil e daar ho
chhup na saka tera pyaar ho oo oo
chhup na saka tera pyaar ho oo oo
dilbar dilaar dil e daar ho
dilbar dilaar dil e daar ho
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
दिलबर दिल्लार दिल ए दार हो
दिलबर दिल्लार दिल ए दार हो
छुप ना सका तेरा प्यार हो ओ ओ
छुप ना सका तेरा प्यार हो ओ ओ
दिलबर दिल्लार दिल ए दार हो
दिलबर दिल्लार दिल ए दार हो

होठों ने कुछ ना कहा
चितवन ने बोल दिया॰॰आ॰॰आ
चितवन ने बोल दिया
दिल में छुपाए हुये
राज़ों को खोल दिया
राज़ों को खोल दिया
आँखें जो हमसे हुईं चार हो ओ ओ
आँखें जो हमसे हुईं चार हो ओ ओ
दिलबर दिल्लार दिल ए दार हो
दिलबर दिल्लार दिल ए दार हो

लाएगी रन नए दो दिल की धड़कन
लाएगी रन नए दो दिल की धड़कन
डालो न जलते हुये दीपक पे दामन
डालो न जलते हुये दीपक पे दामन
भोले मेरे सरकार हो ओ ओ
भोले मेरे सरकार हो ओ ओ
दिलबर दिल्लार दिल ए दार हो
दिलबर दिल्लार दिल ए दार हो
छुप ना सका तेरा प्यार हो ओ ओ
छुप ना सका तेरा प्यार हो ओ ओ
दिलबर दिल्लार दिल ए दार हो
दिलबर दिल्लार दिल ए दार हो

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Maan”(1954) was produced by Rajendra Jain and directed by Safdar Aah Sitapuri for Filmkaar Limited, Bombay. This cosume drama had Chitra, Ajit, Jageerdaar, Kumar, Achla Sachdev, Yashodhara Katju, Kamlesh Kumari, Chandabai, Durga Khote etc in it.

The movie had nine songs in it. Seven songs have been covered in the blog.

Here is the eighth song from “Maan”(1954) to appear in the blog. This song is sung by Kalyani, Mubarak Begam and chorus. Safdar aah Sitapuri is the lyricist. Music is composed by Anil Biswas.

HFGK mentions the mukhda of this song as “kya bataayen chhen kar tere deedaar pe”, but on listening to this song, the mukhda turns out to be “Kya bataayen pher kar munh”.

This is song sounds like an all female qawwaali. Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

I have not been able to get a few words right in the lyrics. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.

[Ed Notes: paas = Urdu for consideration, regard
suaarath = successful, सफल ]

 


Song – Kya Bataayen Chheen Kar Mutthi Mein Wo Kya Le Chale (Maan) (1954) Singers – Kalyani, Mubarak Begam, Lyrics – Safdar Aah Sitapuri, MD – Anil Biswas
Chorus

Lyrics

kya bataayen chheen kar mutthi mein wo kya le chale
kya bataayen chheen kar
dil hamaara le chale
aur dil ki duniya le chale
aur dil ki duniya le chale
aur dil ki duniya le chale
kya bataayen chheen kar mutthi mein wo kya le chale
kyaa bataayen chheen kar

baat ka kuchh paas rakho
ae nigode aashiqo o o
roz aahen bhar ke ye kehte thhe
dil haazir hai lo
ab marey jaate ho kyun
jab dil tumhaara le chale
jab dil tumhaara le chale
jab dil tumhaara le chale
kyaa bataayen chheen kar mutthi mein wo kya le chale
kyaa bataayen chheen kar

dil ye qurbaan tumpe..e..e
parwaah dil ki hai kisko yahaan
haan..aan..aan
baat ye hai
tum ho kamsin
chaal mein hain shokhiyaan
haan gir na jaaye haath se
chhut kar jo sheesha le chale
haay haay
jo sheesha le chale
haaye jo sheesha le chale
kyaa bataayen chheen kar mutthi mein wo kya le chale
kyaa bataayen chheen kar

ishqbaazo..o..o..o
ishq ki..ee..ee
mehnat suaarath ho gayi..ee..ee
ik nazar hamne jo daali
dil ki izzat ho gayi
ab tumhen kya ye khilona
hamko bhaaya le chale
jee hamko bhaaya le chale
jee hamko bhaaya le chale
kyaa bataayen chheen kar mutthi mein wo kya le chale
kyaa bataayen chheen kar

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

क्या बताएं छीन कर मुट्ठी में वो क्या ले चले
क्या बताएं छीन कर
दिल हमारा ले चले
और दिल की दुनिया ले चले
और दिल की दुनिया ले चले
और दिल की दुनिया ले चले
क्या बताएं छीन कर मुट्ठी में वो क्या ले चले
क्या बताएं छीन कर

बात का कुछ पास रखो
ए निगोड़े आशिको॰॰ओ॰॰ओ
रोज़ आहें भर के ये कहते थे
दिल हाजिर है लो
अब मरे जाते हो क्यों
जब दिल तुम्हारा ले चले
जब दिल तुम्हारा ले चले
जब दिल तुम्हारा ले चले
क्या बताएं छीन कर मुट्ठी में वो क्या ले चले
क्या बताएं छीन कर

दिल ये क़ुरबान तुम पे॰॰ए॰॰ए
परवाह दिल की है किसको यहाँ
हां॰॰आं॰॰आं
बात ये है
तुम हो कमसिन
चाल में हैं शोखियाँ
हां गिर ना जाये हाथ से
छुट कर जो शीशा ले चले
हाए हाए
जो शीशा ले चले
हाए जो शीशा ले चले
क्या बताएं छीन कर मुट्ठी में वो क्या ले चले
क्या बताएं छीन कर

इश्कबाज़ो॰॰ओ॰॰ओ॰॰ओ
इश्क़ की॰॰ई॰॰ई॰॰ई
मेहनत सुआरथ हो गई॰॰ई॰॰ई
इक नज़र हमने जो डाली
दिल की इज्ज़त हो गई
अब तुम्हें क्या ये खिलौना
हम को भाया 
ले चले
जी हम को भाया ले चले
जी हम को भाया ले चले
क्या बताएं छीन कर मुट्ठी में वो क्या ले चले
क्या बताएं छीन कर


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from the film Jagirdar-1937. The film was made by Sagar Movietone.

In the first decade after the Talkie Era started, Sagar Movietone was one of the major film making companies in Bombay. The Desai family, along with Dr. Ambalal Patel, were originally in Film Distribution business, but decided to enter the actual film production. Sagar Film Company, which had produced 12 silent films, was converted to Sagar Movietone in 1931, after Desai and Patel joined it.

The personal involvement, unstinted finance availability and the growing demand for quality Talkie films and Music helped Sagar to soon become a great place to work with. On their part the Desai family got almost every eligible member of their family to share the responsibility to run this successful company. With their clean reputation and a professional approach with a personal touch to treat its employees, Sagar Movietone attracted the best available talent in the industry.

Sagar had the Top class Heroes and actors with them, like Surendra ( who was initially projected as an answer to K L Saigal of Calcutta), Motilal, Kumar, Shaikh mukhtar, N M Charlie, Yaqub, Bhudo Advani, Kanhaiyalal, V H Desai etc, heroines like, Sabita Devi, Nalini Jaywant, Jyoti, Waheedan bai, Bibbo and Maya Banerjee, Directors like Mehboob, Ezra Mir, Sarvottam Badami ( he was an ordinary Motor mechanic in Bangalore. He also directed Tamil and Telugu films for Sagar later), Ramchandra Thakur and Zia Sarhadi, Cinematographer Faredoon Irani, Sound recordist Kaushik Dholakia and above all Music Director Anil Biswas. All these star artistes grew initially in Sagar. They were the “Jewels of Sagar “.

While doing shootings, the atmosphere on the sets used to be very informal. For film kulwadhu-37, the Heroine Sabita Devi had to wear a Gujarati style Saree, which she did not know how to. She directly went to the owner’s house and learnt it from his wife Nanda Gauri.

Sagar had invented a novel method of promoting films. After film Kulwadhu-37 was released, a contest for readers of the Film India magazine was arranged, asking few questions about the impact of the film on the society. There was a good response from viewers/readers, one of whom also won a cash prize of Rs. 250 ( a princely sum in those days).

Based on this experience, even for film Jagirdar-37, a feedback contest from the audience was thrown open via Film India magazine , announcing total prizes worth about a Thousand rupees or so. Additionally, a half page advertisement in Times Of India was given. Only one sentence was printed in the centre of the advertisement keeping the rest area vacant. The sentence written by Baburao Patel was ” The most kissable Mischief of the year- Maya Banerjee in film Jagirdar, Directed by Mehboob Khan “. This gimmick generated enormous curiosity among the public and increased the multiple visits of the audience to the film.

Film Jagirdar was a tremendous success commercially. The cast included Surendra and Motilal, along with Bibbo and Maya Banerjee. The credit of Multiple Hero Films goes to Sagar. Not only this film, but later on in 1939, they cast 3 Heroes and 3 Heroines in film ” Ek Hi Rasta ‘- 39. In film Jagirdar Surendra and Motilal- though contemporaries- played the roles of Father and Son !

There was an interesting anecdote about Jagirdar shooting. In one scene, Motilal is shown becoming sentimental while remembering his mother. By chance, same morning Motilal had received a telegram informing him that his mother was very ill. While doing this scene Motilal just broke down and wept. Mehboob Khan stopped the shooting. It resumed after Motilal was pacified by all others.

Sagar movietone produced a total of 66 Talkie films from 1931 to 1940. The break up is 52- Hindi, 5- Tamil, 4 – Gujarati, 3 – Telugu, 1-Bengali and 1- Punjabi. Surprisingly, Sagar did not make any Marathi film or a Bilingual film to compete with Prabhat films !

The film was directed by Mehboob Khan with music by Anil Biswas. During their tenure in Sagar both, Mehboob and Anil Biswas became thick friends, but this friendship broke in 1940 when Anil Biswas accepted an offer from Bombay Talkies and left alone. Mehboob Khan felt let down since Anil Biswas had not even informed him before leaving. Due to this they never worked together again in their life.

( article uses information from the book “Sagar movietone” by shri Biren Kothari ji and Ency. of Indian Cinema by Ashish and Paul, with thanks )

The story of film Jagirdar-37….

Surendra is a Jagirdar. he loves Neela (Bibbo). They secretly marry and get a child also. In one sea voyage ship wreck, Surendra is believed to have died. Now the child is called illegitimate. Neela is about to commit suicide, but a poor farmer Shripati (Pandey) saves her and also marries her. The child grows as Ramesh (Motilal). he is in love with Sheela(Maya Banerjee).

Surendra survives and comes back. He has a big fight with Shripati over Neela. Ramesh opposes Surendra. Few days later Shripati is murdered and Surendra is suspected for this. When the gangster Narayanlal(Yaqub) comes in the picture, the father and son fight him together and the killer of Shripati is arrested.

All is well that ends well.

Film Jagirdar has 10 songs. 2 songs, including the most popular song of the film-” Nadi kinare, baith ke aao” (Motilal and Maya Banerjee) are already discussed by Atul ji. Today’s song will be the third song. The Mukhda is “baanke Bihaari bhool na jaana “. Many people may not know the meaning of the word Banke Bihari. It has no connection with Bihar. It is one of the names of Lord Shri Krishna. Banke means bent. The statue of Krishna is usually bent at 3 places-Hands folded for Flute, waist folded and leg folded while standing. Bihari means Supreme Enjoyer. In this song, the girl is calling her lover- Krishna, in short. Enjoy the song now…..


Song-Baanke bihaari bhool na jaana (Jaageerdaar)(1937) Singers- Maya Bannerji, Motilal
Lyrics- Pt Indra Chandra, MD- Anil Biswas
Both

Lyrics

baanke bihaari
bhool na jaana
baanke bihaari
bhool na jaana
praan pyaari preet nibhaana
praan pyaari preet nibhaana

baanke bihaari
bhool na jaana
baanke bihaari
bhool na jaana

nasha mere nainon mein chhaaya
nasha mere nainon mein chhaaya

kahaan se nasha baby ye aaya
kahaan se nasha baby ye aaya
joban ki madira dhal dhal ke
joban ki madira

joban ki madira dhal dhal ke
joban ki madira
nain katore tore chhalke
nain katore

tore chhalke
nain katore tore chhalke
joban ki madira dhal dhal ke
joban ki madira

tu u u u
deeeewaaana
tu deewaaana

na ka ta na
na ka ta na
baanke bihaari
bhool na jaana
baanke bihaari
bhool na jaana
praan pyaari preet nibhaana
praan pyaari preet nibhaana

baanke bihaari
bhool na jaana
baanke bihaari
bhool na jaana


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Roti”(1942) was produced and directed by Mehboob Khan for National Studios, Bombay. The movie had Chandramohan, Sheikh Mukhtar, Sitara, Ashraf Khan, Kaayam Ali, Jamshedji, Mishra and in a very rare appearance, Malika-E-Gazal Begum Akhtar, who was known as Akhtari Faizabadi in those days.

Begam Akhtar had acted in five movies. “Roti”(1942) was her first movie as an actress. She sang six songs (out of 14 songs in the movie) in this movie which were picturised on herself.

Nine songs (out of 14) have been covered in the blog.

Here is the tenth sing from “Roti”(1942) to appear in the blog. This song is sung by Ashraf Khan and it is picturised on himself.

The song is not a “remonstrating with the Almighty” song. Rather it mocks the almighty for the act of being kind towards poor as if it was a favour to the poor !

Come to think of it, the song could well be mocking certain political parties who project themselves as wellwishers of the poor. They would glorify poverty and making sure that poor people are kept poor. They would be offered low quality sops for free or at subsidised prices. Poor people would be denied opportunities to come out of poverty, because they would be fed the myth that it was evil to become rich. The preachers themselves would not practice what they preached, ofcourse.

This hard hitting song is penned by Safdar Aah Sitapuri. Music is composed by Anil Biswas.


Song-Gareebon par daya kar ke bada ehsaan karte ho (Roti)(1942) Singer-Ashraf Khan, Lyrics-Safdar aah Sitapuri, MD-Anil Biswas

Lyrics

gareebon par daya kar ke bada ehsaan karte ho
gareebon par daya kar ke bada ehsaan karte ho
inhe buzdil bana dene kaa tum saamaan karte ho
inhe buzdil bana dene kaa tum samaan karte ho
gareebon par daya kar ke bada ehsaan karte ho

inhi ko loot’te ho aur inhe khairaat dete ho
inhi ko loot’te ho aur inhe khairaat dete ho
bade tum dharm waale ho
ye achcha daan karte ho
bade tum dharm waale ho
ye achcha daan karte ho
gareebon par daya kar ke bada ehsaan karte ho
haha

daro us waqt se jab rang badlega zamaane kaa
daro us waqt se jab rang badlega zamaane kaa
ahahaha
ye tumse lenge badla
jinka ab apmaan karte ho
ye tumse lenge badla
jinka ab apmaan karte ho
gareebon par daya kar ke bada ehsaan karte ho
inhe buzdil bana dene kaa tum saamaan karte ho


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Roti”(1942) was produced and directed by Mehboob Khan for National Studios, Bombay. The movie had Chandramohan, Sheikh Mukhtar, Sitara, Ashraf Khan, Kaayam Ali, Jamshedji, Mishra and in a very rare appearance, Malika-E-Gazal Begum Akhtar, who was known as Akhtari Faizabadi in those days.

Today (7 october 2017) is the 103rd birth anniversary of Begam Akhtar (7 october 1914- 30 october 1974).

Begam Akhtar had acted in five movies. “Roti”(1942) was her first movie as an actress. She sang six songs (out of 14 songs in the movie) in this movie which were picturised on herself.

Four of these songs have been covered in the blog.

Here is the fifth Begam Akhtar song from “Roti”(1942) to appear in the blog. This song (the ninth from the movie) is a ghazal. It is sung by Begam Akhtar. The lyrics are penned by Safdar Aah Sitapuri. Music is composed by Anil Biswas.

I have not been able to get a few words right in the lyrics. I request our readers with keener ears (and understanding of the Urdu language) to help fill in the blanks/ suggest corrections in the lyrics.


Song-Phir fasle bahaar aayi dil e deewaana (Roti)(1942) Singer-Begam Akhtar, Lyrics-Safdar Aah Sitapuri, MD-Anil Biswas

Lyrics

aa aa aa
ha aa
phir fasle bahaar aayi ee ee
aaye
dil e deewaana
phir joshe masarrat mein aen
ek naaraa e mastaana
aa aa aa aa

nayi manzil pe aai jawaani meri
nayi manzil pe aai jawaani meri
nayi manzil pe aai jawaani meri
kyun na ho jaaye dilkash kahaani meri
kyun na ho jaaye dilkash kahaani meri
kyun na ho jaaye dilkash kahaani meri
nayi manzil pe aai

bholi kaliyaan
haan aan aan
bholi kaliyaan chaman ko sajaane lagin een
rang taaza bahaaren dikhaane lagin een een een
le mubaarak tujhe shaazmaani meri
le mubaarak tujhe shaazmaani meri
nayi manzil pe aai

zindagi ke taraane ae ae ae
sunaata chale ae
aaj dil har kadam m m
geet gaata chale ae ae ae
aake bulbul kare ??jabaani meri
aake bulabul kare ??jabaani meri
aake bulabul kare ??jabaani meri
nayi manzil pe aai


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from film Lajawab-50. It was a production of Variety pictures – a company owned by actress Ashalata Biswas- wife of Anil Biswas ( real name Mehrunnisa Bhagat). It is needless to state that the music for this and every film of this company, was composed by Anil Biswas. The film was directed by the veteran J.P.Advani, who was known to Anil Biswas from the mid 30s. However, they came together only in 3 successive films, namely Veena-48, Laadli-49 and Lajawab-50.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Maan”(1954) was produced by Rajendra Jain and directed by Safdar Aah Sitapuri for Filmkaar Limited, Bombay. This cosume drama had Chitra, Ajit, Jageerdaar, Kumar, Achla Sachdev, Yashodhara Katju, Kamlesh Kumari, Chandabai, Durga Khote etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Maan”(1954) was produced by Rajendra Jain and directed by Safdar Aah Sitapuri for Filmkaar Limited, Bombay. This cosume drama had Chitra, Ajit, Jageerdaar, Kumar, Achla Sachdev, Yashodhara Katju, Kamlesh Kumari, Chandabai, Durga Khote etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Garib”(1942) was directed by Ramchandra Thakur for National Studios, Bombay. This movie had Surendra, Rose, Baby Meena, Veena Kumari, Santaka, N A Ansari, Agha, Pesi Patel etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Sanskaar”(1958) was directed by Chaturbhuj Doshi for Filmistan, Bombay. The movie had Anant Kumar, Amita, Chand Usmani. Yakub. Agha, Ranjana, Leela Mishra, Badri Prasad, etc in it.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13800 song posts by now.

This blog is active and online for over 3400 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13801

Number of movies covered in the blog

Movies with all their songs covered =1031
Total Number of movies covered =3766

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Blog Start date: 19 july 2008

Active for more than 3250 days.

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