Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by nahm’ Category


This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4776 Post No. : 16527

Celebrating 75th year of India’s independence
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I was just talking to a friend, who is very much involved with charity work and NGO’s. I said to her that it is very important for us to be charitable in all walks of life, for the health and prosperity of our soul. Doing a small thing for someone else’s benefit, however small that thing may be, which might not require any great effort on our part, gives immense satisfaction to us. This is to be experienced and not imparted. Giving and sharing of knowledge, makes the job of a teacher and guide the most charitable one in my opinion. Giving of advice or offering verbal guidance is sometimes ridiculed. But if an experience is shared, helps someone reach a correct decision or destination, there is nothing like it, as an act of charity free of cost.

But I find in myself, a hesitancy is directly offering to help. If I come across someone in need, then I would do so in whatever capacity I can, I told the friend, but I don’t go out of my way to find if someone requires some help. This is where I lack, and the charity organisations and NGO’s do the maximum output this way. The final conclusion of this discussion was that if everyone of us is involved in small acts of charity, in whatever way and in whatever capacity we can, the world will be a much better place.

Not that it is a very bad place to live, there is good and there is evil. Most of humanity is a charitable mass. Here devilry exists, that’s how we can know and value the goodness around us. One day I found a very good friend of mine reading a so called, non-fiction book titled “There is no devil”, or some such similar thing. My instant reaction was “Hey don’t read fiction posing as non-fiction”. She is not normally into reading books and this one was a thick paperback. This incident happened some years ago. I reminded her of it recently when our conversation turned to evil doers and evil people.

I believe that the world survives because of people who mean good and are trusting.

On my own part, if I need some help or favour, I will usually directly ask for it, no beating about the bush and hinting, nor waiting for that person to offer help. This habit of mine sometimes embarrasses people, which I realise belatedly. And then I have to do damage control, by saying it is alright if you can’t do it, or if you can do only this much, that will also be a great help.

This, I am told is because I have a very trusting nature. I also find it very easy to share my problems. If I am having some difficulty, or something is not getting done and I am stuck somewhere, I will share it with someone who is on hand, or standing in front of me. Of course, not to strangers, only with people I know well, I behave in this impulsive manner. Some may thing that “yeh achha hai, apne problem doosron ko de do aur khud free ho jaao” 🙂 :-).

Often, I have found that sharing of problems and issues, lessens the worry and sometimes results in help from unexpected and unknown sources. Any which way resolution of the problem is the end result. Such help from unexpected quarters is what is called divine help.

The world as it is, is running on trust. If trust on the laws of nature and the essential goodness, correct faculties and abilities of fellow human beings was not part of the DNA of humans then there would be nothing happening here on this earth. If this was not so, no one will be able to drive a vehicle on the road, to give an example of a small routine act.

And this is the same invincible trust which makes me type these random thoughts and experiences of life and send them for posting in the blog. I have known it that I have been in the correct place and deservedly the best possible blog, with the aim of categorising the hindi film songs. Eleven years ago, when I discovered this blog, I was under the impression that film music is my favourite pass time activity(after reading). But after all these years of writing for the blog, I am not very sure that it is the film songs or the writing, which I took up in earnest only with this blog, is my favourite activity. May be listening old hindi film songs is my passion and writing about them and other things is my calling.

Where I am going with all this? Not towards any particular destination as such. Only to express the conviction that being charitable and trusting is the natural way of life for human beings. If we are living any other way than it is somewhat an unnatural state to be in. There are people around us who feel insecure at some minor/major level and they behave in a less charitable manner, maybe in some aspect of their lives. Also, there are certain paranoia’s visible around us, which don’t really amount to abnormal behaviour, but they cause a handicap to the personal growth of affected person. Not to say that I have never been uncharitable or less trusting in my life. We all the susceptible to insecurities and paranoias of different kind.

But there is certainly a way to victory out of all this, with the strength of character, belief, trust and faith. These are the things that are required to succeed in any field. Sporting activity is no different, and as we celebrate the excellent performance of Indian athletes in the recently concluded Tokyo Olympics, and a first Gold Medal in athletics, won by Neeraj Chopra, we also celebrate the victory of the individual excellence, collectively with the joy of celebrating the 74 years of independence.

A song befitting the sporting triumph and the assertion of national pride is being presented, from the film ‘Chak de India’ (2007). The song is composed by Salim-Sulieman, written by Jaideep Sahani and the singers are Sukhwinder Singh, Salim Merchant and Marianna D’cruz.

This is a background song in the movie as the women hockey team is readied to participate in the world cup. The character building, confidence instilling and disciplining steps taken by the coach are what pays eventually as each player excels personally, toughens mentally, disciplines psychologically and grows up with the team and then succeeds. True success belongs to the whole team, not to the individual players, not to the captain, nor to the coach. In this years Olympics, eerily, the reel incident replicated in real life, with the Indian hockey team defeating the touted Australian team, in a shocking upset to reach the semi-final.

One song from this film is already posted in the blog:

This blog is an important and valued place on the internet and it is an honour to be a part of it. I dread to be a cause of any mis-happening or demeaning of the integrity of the blog. This space is my karambhoomi, dear diary, sounding board and much more, and I have been open to corrections/suggestions regarding my posts, by Atul ji and Sudhir ji.

While wishing Happy Independence Day to all the readers, I also wish to thank Atul ji and Sudhir Sir, for allowing me to write to my heart’s content. I will be forever grateful and indebted to this blog and all people associated with it, my fellow guest writers, Deshmukh Sir, Kamath Sir, Peevisie’s Mom and Satyajeet Rajurkar Sir (to name a few), and all the visitors and regular commenters. The confidence expressed by these senior historians and accomplished persons in different fields, means the world to me. It humbles me and encourages me to write more and better posts in future.

Audio:

Video:

Song-Chak de chak de India (Chak De India)(2007) Singers-Sukhwinder Singh, Salim Merchant, Marianne D’Cruz, Lyrics-Jaideep Sahni, MD-Salim Sulemaan

Lyrics

Chak de ae
ho chak de India
chak de ae
ho chak de India
chak de ae
ho chak de India
chak de ae
ho chak de India
chak de ae
ho chak de India
chak de ae
ho chak de India

kuchh kariye
kuchh kariye
nas nas meri khaule
hoy kuchh kariye
hoy kuchh kariye
kuchh kariye(hoy)
kuchh kariye(hoy)
kuchh kariye
kuchh kariye
bas bas badaa bo de
ab kuchh kariye
ab kuchh kariye
kuch kariye(hoy)
kuch kariye(hoy)

ho koyi to chal zid phadiye
doobe tariye ya mariye
ho koyi to chal zid phadiye
doobe tariye ya mariye ea
he ae ae
Chak de ae
ho chak de India
chak de ae
ho chak de India
chak de ae
ho chak de India
chak de ae
ho chak de India

no where to run
no where to hide
let’s take the time
until we drop
no where to run
no where to hide
let’s take the time
until we drop

koochon mein galiyon mein
raashan ki phaliyon mein
bailon mein, beejon mein
Eedon mein, teejon mein
raiton ke daanon mein
filmon ke gaanon mein
sadkon ke gaddhon mein
baaton ke addon mein
hunkaara aaj bhar le
das baarah baar kar le
rehna na yaar peechhe
kitna bhi koi kheenche
tas hai na, mas hai ji
zid hai to, zid hai ji
ghisna yunhi, ghisna yunhi
ghisna yunhi paththar yeh ae
yea ae ae
koyi to chal zid phadiye
doobe tariye ya mariye
haaay koyi to chal zid phadiye
doobe tariye ya mariye
hey ae ae
Chak de ae
ho chak de India
chak de ae
ho chak de India
chak de ae
ho chak de India
chak de ae
ho chak de India

no where to run
no where to hide
let’s take the time
until we drop
no where to run
no where to hide
let’s take the time
until we drop
chak de ea ea ea
chak de ea ea ea
chak de ea ea ea

da da da dan
da da da dan
da da da da da da da
da da da dan
da da da dan
da da da da da da da
da da da dan
da da da dan
da da da da da da da

ladti patangon mein
bhidti umangon mein
khelon ke melon mein
balkhaati railon mein ea
gannon ke meethhe mein
khaddar mein chheente mein
dhoondo to mil jaave ae
pakka wo eenton mein ae
dam hai to aaj dikh re ae
aur khul ke aag bikhre
man jaaye asi holi
rag rag mein chal ke boli ee
tas hai na
mas hai jee ee
zid hai to
zid hai ji
pisna yunhi pisna yunhi
pisna yunhi paththar yeh ae
ae ae ae
ho koyi to chal zid phadiye
doobe tariye ya mariye
ho koyi to chal zid phadiye
doobe tariye ya mariye ae
Chak de ae
ho chak de India
chak de ae
ho chak de India
chak de ae
ho chak de India
chak de ae
ho chak de India

kuchh kariye
kuchh kariye
ab kuchh kariye
ab kuchh kariye
kuchh kariye(hoy)
kuchh kariye(hoy)

kuchh kariye
kuchh kariye
nas nas meri khaule
hoy kuchh kariye
hoy kuchh kariye
kuchh kariye(hoy)
kuchh kariye(hoy)
kuchh kariye
kuchh kariye
bas bas badaa bo de
ab kuchh kariye
ab kuchh kariye
kuchh kariye(hoy)
kuchh kariye(hoy)

ho koyi to chal zid phadiye
doobe tariye ya mariye
ho koyi to chal zid phadiye
doobe tariye ya mariye ae
he ae ae
Chak de ae
ho chak de India
chak de ae
ho chak de India
chak de ae
ho chak de India
chak de ae
ho chak de India


This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4761 Post No. : 16508 Movie Count :

4486

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Rafi Sahab’s Legendary Associations – 6
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Remembering Mohammed Rafi Sahab on his 41st remembrance day :

Writing a post of a song by Mohammed Rafi Sahab is almost a second nature thing for me. I have not counted but nearly 50 % on my post must be of his songs, the exalted one, who was especially blessed by the Almighty with a life, spend smiling and spreading smiles as far as I know. Some people do want to remember him by the sad songs which he sang with equal spirit, giving them his all, that the song, situation and composition demanded, the same as he did for other songs. I found this photo, and see who has the widest smile of them all: <a href=”https://in.pinterest.com/pin/46724914867514223/&#8221; this and this this .

There are platitudes and eulogies and tributes paid in honour of celebrities, when they pass away, nowadays it is usually on social media. And then there is the sea of humanity, that erupted on a rainy friday of Ramadhan 1980 on the streets of Bandra and Juhu. It was 1980, not the time when the dwellers of this city could afford a new umbrella every monsoon. So it was black umbrellas galore on the tv screen, and many people who were without umbrella, having come out to brave the weather or travelled overnight from other parts of the country. They all had one aim, to accompany their beloved Rafi Sahab to the final destination. To walk two steps alongwith the ‘janaza’ of a ‘nek banda’, with the prayers for the departed soul’s maghfirah on every lip and in the heart.

I realized the real pain of losing someone close and dear 9 years ago, when my elder sister expired. A few days after that, my father said that he didn’t know what to ask from the Almighty in du’aa, as most of my du’aa was for her health and long life. In my turn I told him that though we all are grieving and crying on her passing away, but the tears and sadness is all for us actually. The thought of living on without that dear one, makes us feel lonely and bereft.

A year before she died, I had visited her in Bangalore. She was over the top to have me visit her, and we went to a lot of places. One day we both were going somewhere and we passed a ‘qabrastaan’ where her mother-in-law was buried. She said a prayer and told me we should always recite the prayer whenever we pass a qabrastan. The prayer roughly translates as “today you are resting here, we shall follow you tomorrow, for sure”.

Some similar thoughts on passing away of Rafi sahab are expressed in this song written by Anand Bakshi. This is a unique song in the film ‘Kroadh’ where Amitabh Bachchan is called on stage to pay tribute of Rafi Sahab on his 9th death anniversary programme. Amitabh Bachchan says a few sentences and starts singing the song:

na fankaar tujhsa tere baad aaya…
Mohammed Rafi tu bahot yaad aayaa….

The singer here is Mohammed Aziz who himself has passed away a few months ago. He has sung this song in memory of his idol very feelingly and there are tears in the eyes of Amitabh as he sings on stage and also the audience who are watching it. The scenes of ‘janaaza’ that Amitabh Bachchan is seen as recalling, were truly witnessed by him as well as Anand Bakshi and Laxmikant Pyarelal(possibly). I am sure about Amitabh Bachchan having witnessed it funeral as I have seen a photographs of him with Amjad Khan, Vinod Khanna and Rajesh Khanna. Here is the article where he Amitabh remembers the same.
This article has some rare photos of the fateful day.

The song is so appropriate for this occasion, that I am neglecting to post a song by Rafi Sahab himself. But this song expresses the feelings of Mohammed Aziz, Anand Bakshi and Laxmikant-Pyarelal. Anand Bakshi, as the record holder for having written highest no. of film songs must be the lyricist with the highest no. of songs written for Rafi Sahab too. Laxmikant-Pyarelal are also having similar record with Rafi Sahab. Right from ‘Dosti’ and ‘Parasmani’, they were the one’s who justified the ‘Dosti’ and stood with Rafi Sahab through his thick and thin.

These artists composed and performed the song 9 years after Rafi Sahab’s passing away, and gave words and expression to the feelings of millions of his fans throughout the world.

teraa naam koyi nahi bhool paaya
Mohammed Rafi tu bahot yaad aayaa

Video:

Song-Na fankaar tujh sa tere baad aayaa (Kroadh)(1990) Singer-Mohammed Aziz, Lyrics-Anand Bakshi, MD-Laxmikant-Pyarelal

Lyrics

Na fankaar tujh sa
tere baad aayaa

na fankaar tujh sa
tere baad aayaa
Mohammed Rafi tu
bahot yaad aayaa
Mohammed Rafi tu
bahot yaad aayaa
na fankaar tujh sa
tere baad aayaa
Mohammed Rafi tu
bahot yaad aayaa
Mohammed Rafi tu
bahot yaad aayaa

tera gham agarche
bahot hai puraana
tera gham agarche
bahot hai puraanaa
tujhe ham se bichhde
huaa ek zamaana
huaa ek zamaana
teraa naam koyi
nahi bhool paaya
Mohammed Rafi tu
bahot yaad aayaa
Mohammed Rafi tu
bahot yaad aayaa

chale jaayenge ham
musaafir hain saare
musaafir hain saare
magar ek shikwa hai
lab pe hamaare
tujhe kitni jaldi
khudaa ne bulaayaa
Mohammed Rafi tu
bahot yaad aayaa
Mohammed Rafi tu
bahot yaad aayaa

mere dil ko phir aaj
tadpa gaya hai
wo manzar mere
saamne aa gayaa hai
wo manzar mere
saamne aa gayaa hai
mere dil ko phir aaj
tadpa gaya hai
wo manzar mere
saamne aa gayaa hai
ke logon ne teraa
janaaza utthaaya
Mohammed Rafi tu
bahot yaad aayaa
Mohammed Rafi tu
bahot yaad aayaa
na fankaar tujh sa
tere baad aayaa
Mohammed Rafi tu
bahot yaad aayaa
Mohammed Rafi tu
bahot yaad aayaa


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4751 Post No. : 16489

Eid ul Azha mubarak ho, to all friends and readers.

It is generally believed that faith and logic are two different things.  What is faith?  Basic premise of faith would be the belief in God.  The conviction that there is a Supreme Power who holds the strings of all things in the universe.  After all the world is a stage and we all are actors.  Shakespeare said it, but it is nothing but the truth.  All of us are here for a set number of days, playing our designated roles, doing things we are destined to do, amassing good deeds and bad deeds.  As we complete the life circle and leave this mortal world, the soul does go somewhere, where else it will go but to the creator?  Logic has no option but to agree that the creator is in best position to answer the question, what is the purpose of creation?  If there was no creator, nothing makes sense in the whole existence. Science can give answers till a certain point and that is that. Logic starts where science gives up.   And sound logic points to God, the Creator, the Sustainer, the one who says “be” and it is.

I quote here some of the verses from the Glorious Quran.

“O Mankind, indeed we have created you male and female, and made you peoples and tribes that you may know one another. Indeed, the most noble of you, in the sight of Allah is the most righteous of you. Indeed, ALLAH is (all) knowing and (well) acquainted.” –  49:13

“And (O Muhommad) say: My Lord forgive and have mercy, for you are the best of all who show mercy.” –  23:118

“O mankind, there has come to you, a convincing proof (Prophet Muhammad) from your Lord and we send down to you a manifest light (this Quran).” – 4:174

“And whoever is guided is only guided for [the benefit of] himself.” – 27:92

“And for those who fear Allah, He will make their path easy.” – 65:4

“Allah never changes the condition of people until they change what is in themselves.” – 13:11

“And put thy trust in Allah. And enough is Allah as a Disposer of affairs.” – 33:3

“Take care of your souls.” – 5:105

“Do not ridicule others, perhaps they may be better than you.” – 49:11

“If you are thankful, I will increase my blessings upon you.” – 14:7

“So remember me, I will remember you.” – 2:152

“He knows what is in every heart.” – 67:13

“Verily, with every hardship comes ease.” –  94:5

“Allah does not burden a soul beyond that it can bear.” – 2:286

“Do not lose hope, nor be sad, for you will overcome them, if you are among the believers.” – 3:139

“We will test you in fear, hunger, loss of wealth life & fruit, but give glad tiding to the patient (steadfast).” – 2:155

“Call upon me, I will respond to you.” – 40:60

“Indeed, Allah is with those who abide him and those who are doers of good.” -16:128

“Allah will provide for him from a quarter from where he had no expectation. And whosoever puts all his trust in Allah, He will be enough for him. Allah is in command and he has set a measure for all things.” –  65:3

“And worship your Lord until there comes into you the certainty/inevitable (death)” – 15:99

“You prefer the life of this world. Although the hereafter is better & more lasting.” 87:16-17

“And we have certainly beautified the nearest heaven with stars.” – 67:5

“The Pharoah’s wife said (Pray) My lord, build for me near you a house in paradise.” –  66:11

These ‘Aayaat’ are part of different Surah (Chapters) in the Quran, revealed at different times to the Prophet Mohammad (PBUH) (570-632 CE), during his Prophethood years (610-632 CE).  Mohammed (PBUH) was unlettered with no formal education, and had rarely traveled outside of Makkah, before his migration (Hijraah) to Madinah.   All ‘Aayaat’ of the Holy Quran were revealed to him, via the Angel Jibraeel (AS) at different times and in context of different situations. They were delivered as signs and guidance. These ‘Aayaat’ were then related by the Prophet (PBUH) to his companions (Sahaba), who recorded them in writing.  All of these ‘Aayaat’ were recorded in the Prophet’s life time. It was collated/arranged in a meticulous way, in the form of different Surah’s of the Quran during the reign of Hazrat Abu-Bakr (RA) (573-634 CE), the first Khalifa, in the present compilation. Hazrat Umar (RA) had a great contribution in this process.  There is great detail available about how the procedure was done, with verification of at least 2 witnesses that the Aayat is indeed written down in the presence of the Prophet.  Different Surah’s are also classified as ‘Makkih’ and ‘Madnih’, those revealed before migration to Madinah and after.

How simple and easy, is the faith and the true path, can be discerned in these quotes. How wise is the counsel, for all situations? It answers some of the basic questions bothering the mankind, with intellectuals, philosophers, thinkers having scratched their heads for all these millennia.  I have tried to collate them in an order, so it is in the order of creation, faith, trust, thankfulness, the true way of living, easy way of functioning as a creation, hope, the hereafter, the quest for heaven, how it is near and then the last one speaks of the wife of one (Pharoah-who denied the existence of Allah and declared himself as God) can ask (pray) for the highest level in Jannah (Paradise). It means, its available for everyone, one only has to seek it and ask for it, whatever and whoever you are.  This may not be the best way of saying it, and if I have erred, may Allah (SWT) forgive me.

A brief definition of Jannah with a prayer:

Jannah, where there will be no sickness, no pain, no difficulty, no separation, no loss.

Jannah, its beauty such that no mind could even ever comprehend.

Jannah, where those you love are waiting for you.

Jannah, where your Allah is waiting for you.

Jannah, which is never ever going to end.

Remind yourself that this is the decree of Allah and in his decisions is hidden kindness. Remind yourself that it is not just going to be okay, but it is going to be worth it.

Dear heart, please just remind yourself that your Allah is with you. Please don’t ever forget that.

Your Allah is with you. Your Allah will never leave you.

He knows of your condition. He is aware of your struggle.

And not a single moment of this going by unrewarded.

Allah knows that you are scared, and it is okay to be scared.

Keep trusting your Allah. Don’t lose hope in His mercy.  He is right here with you.

Feel it and treasure it.

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On a different note, this is what Allama Iqbal has to say:

Sajdon ke ee’waz firdaus mile ye baat mujhe manzoor nahi
Be-laus i’baadat karta hoon banda hoon tera mazdoor nahi

 Ee’waz or I’waz means in return of, and ‘Firdaus’ is Jannat/heaven/paradise in persian.

What Iqbal means is :

I am not doing salutations / ibaadat (supplication) and itaa’at (obedience / submission to the will of Almighty), so that you grant me heaven in return. My prayers are pure, as I am your slave and not a paid servant.

This is, but the highest point of devotion, that the pious seek.

One of those pious, righteous, seekers of the divine favour, was Umar Farooq (RA) (584-644 CE). Umar bin Khattab was the second Khalifa of the Khulfa-e-Rashideen. The status of Umar Farooq, as a Sahaba, companions of the Prophet (PBUH), as among the beloved and respected Khalifa, can be ascertained from the fact of his being one of the “Ashra Mubashra”.  “Ashra Mubashra” are the 10 exalted ones among the Sahaba, who were given the ‘Good News’ or ‘Glad Tidings’.  What would be the ‘Good News’ who have the clear idea of the purpose of creation, life and death?  It is the achievement of securing a place in ‘Jannah’.  So, by divine declaration, those 10 were given the Good News, that a place is secured in Jannah for them. The magnificent ten include all four Khulfa-e-Rashideen.  Umar Farooq (RA)’s significance as a Khalifa and his role in the spread of Islamic empire much beyond the Arabian Peninsula is indisputable and incomparable.  One more significant and important contribution of Umar Farooq (RA), is the introduction of Islamic calendar i.e. the Hijri calendar.  There is a great deal to learn from his story, for he was one of the major detractors of the Prophet for a long time.  But once he accepted that Mohammed is indeed the Messenger of Allah, and came into the fold of Islam, blessed by the Allah (SWT) and rose to great heights that he did.

 I have read up a lot in recent days, so that I could give some accurate and concise information in this post.  But if I go on, this post will never finish.

So, I will move to the song, which is a non-film song sung by Mukesh. The song is composed by Iqbal and lyricist is Shadaab Minai.  Shadaab Minai is probably making a debut here with this song.  The song is talking in detail of an incident i.e. a qissa during the reign of Umar Farooq (RA), the second Khalifa.

Tally of music director, lyricist and singer in the blog so far as follows:

 

Iqbal

23

Shaadaab

2

Mukesh

797

932

Unless the Shadaab in the stats page is the same as Shadaab Minai, otherwise this is the first song written by Shadaab Minai in the blog.

This is a rare song, which I think few people may have heard before.  I was not aware it until a few months ago, when it was shared by someone on WhatsApp.

 

Song – Hai Bahut Mashoor Ye Qissa Umar Farooq Ka (Mukesh – NFS) (1970), Singer – Mukesh, Lyrics – Shadaab Minai, MD – Iqbal

Lyrics

hai bahot mash-hoor ye qissa
Umar Farooq ka
aaj bhi duniyaa mein hai
charcha Umar Farooq ka

jab khilaafat ka sharf
haasil hua Farooq ko
momino ki fikr rehti thhi sadaa Farooq ko
kaam aate thhe har ek
majboor ke Hazrat Umar
shauq se karte thhe khud
har ek ki khidmat Umar

phirte phirte ek din
pahunche Umar ek ghar ke paas
dekhte kya hain
wahan baithhi hai ek aurat udaas
degchi chulhe pe thhi aur
ro rahe thhe us ke laal
jab kiya Hazrat Umar ne ja ke
aurat se sawaal
ro rahe hain kis liye bachche
yeh kya hai maajra
bhook se rote hain ye bachche
ye aurat ne kaha
bole Hazrat degchi mein
pak raha hai kya kaho
kis liye ghamgheen ho
jo kuchh bhi hai dukhda kaho

boli wo aurat ke paani se bhari hai degchi
kyun ke main bachchon ko behlaati hoon
is soorat se hi
uff taraste hain ye bachhche daane daane ke liye
kuchh nahi hai mere paas in ko khilaane ke liye
teesre din ka hai faqaa
mere bachchon par huzoor
mera koyi bhi yahaan wali nahin
nazdeek-o-dur
roye uss ko dekh kar iss haal mein
Hazrat Umar
aa gaye fauran hi bait-ul-maal mein Hazrat Umar
aata kapda ghee chhuaare aur raqam le kar Umar
ghamzada aurat ke ghar ki simt daude jaldtar
peetth par dekha Umar ke bojh to bola ghulaam
bojh uttha kar mujh ko chalne deejiye aye nek naam
ye Umar bole agar ye bojh main de doon tujhe ea
hashr ke din kya sazaa dega na jaane rab mujhe
de diya dukhiya ko sab saamaan la kar aap ne
aur khilaaya sab ko khaana pakaa kar aap ne

khaa liya bachchon ne aurat ne khaana jis ghadi
ho gaye Hazrat Umar khush dekh kar un ki khushi
aap ko de kar duaaen phir ye aurat ne kaha
kaash mil jaata koyi ham ko khalifa aap sa
ham gariboon ki Umar koyi khabar rakhte nahin
a’iysh mein hain mast dukhiyon par nazar rakhte nahin
le ke dukhiya ki baaton ka asar Hazrat Umar
khaamoshi se laut aaye apne ghar Hazrat Umar

subah us aurat ko Faarooq ne bulwa liya
aur wazifa us ka bait-ul-maal se jaari kiyaa
ho ke sharminda phir Umar ne aurat se kaha
dukh bahot pahunchaa hai tum ko
meri ghaflat se sada
tum mujhe kar do mu’aaf
itni hai meri iltejaa aa
tum jo mujh ko bakhsh do
bakhsh de mujh ko khudaa aa

saari duniyaa mein hai charcha
har kahin Farooq ka
koyi bhi insaaf mein
saani nahi Farooq ka
koyi bhi insaaf mein
saani nahi Farooq ka


This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4740 Post No. : 16467

Dilip Kumar – The Legend (1922-2021)
——————————————————

Since last two days I have been watching the various videos on whatsapp and on the net and also read some articles on the net. I have tried to see and absorb as much of the information I could about the events after, when the thespian is no more. After all is said and done, I have tried various tacks on how to approach this tribute to the method actor, who some call the “Marlon Brando” of India, without the ferociousness. But I find a ferocious, peasant turned dacoit in ‘Ganga Jamuna’ and a fractioned rebel prince Salim who is equally ferocious in protecting his Anarkali. The work on the silver screen was a very important part of the personality, but by no means it was the whole personality.

The best of Dilip Kumar, the actor and star was over, well before I grew up. But the admiration for his qualities as a screen performer and as a person conscious of his social responsibilities, was an inculcation process in my conscious mind. It has not happened overnight. These are small snippets of information, fed to my mind and stored away. Many incidents and events heard and read about long ago are surfacing in the memory. The trigger is the passing away of Dilip Kumar on 07/07/2021.

I was preparing the posts thinking of some old songs which have not been posted in the blog yet, preferably a song sung by Rafi sahab, writing a para here about this, and there about that, in yahoo mail, in gmail, on my office desktop and my laptop. This is not the way I prefer to do a post, but it was happening like this in this instance, as I was not able to assimilate the thoughts and lacked the drive to concentrate on the topic, maybe.

Then, I had divine help in the shape of a TV news show. I am pretty impressed with the contents of the particular show aired on 07/07/2021, with the byline – An era ends with Dilip Kumar’s death. It is very much close to my own feelings on this occasion, so I am reproducing some parts of the text of the show in hindi – trying to do verbatim translation is beyond me at the moment.

“Apni gair haazri mein iss se adhik haazir koyi kya ho sakta hai ke aap unhen alvidaa kehte waqt iss tarah se yaad kiye jaa rahe hain, jaise woh laut kar aaye hon. Yeh desh jo har waqt hindu-musalmaan ke beech nafrat ki deewar par chal raha hotaa hai, uss desh mein aisa ek hi shakhs thha jo Dilip Kumar bhi thha aur Yusuf Khan bhi. 1947 ke vibhajan rekha ko wo jis aasaani se paat diya karte thhe, bahot kam logon mein waisi quwwat hoti hai. Unn ka ek makaan phoolon ke shehar peshawar mein aaj tak hai. Unn ka ek makaan paison ke shehar Mumbai mein bhi hai. Aaj hindustan ne jitna khoya hai, utna pakistan ne bhi khoyaa hai.

Pichhle saal sitamber mein jab pakistan ke patrakaar Shiraz Hasan ne apne twitter handle par Dilip Kumar ke puraane makaan ki tasveer sajhaa ki, tab Dilip Kumar ne apne twitter handle se jawaab diya ke Peshawar mein sabhi se guzaarish hai ke mere pushtaini makaan ki tasveeren den. Phir to tasveeron aur videon ka taantaa hi lag gayaa. Peshawar ke ‘Qissa-Khwaani’ bazaar mein unn ka makaan hai. Dilip Kumar ne apni aatma katha mein likkha hai ki aaj bhi wahan ki khushbu, rang aur mausamon ki yaaden taazi hain. Kanpwa dene wali sardiyaan yaad hain. Unhen yaad hai Wahabbat Khan ki masjid huaa karti thhi. Iss bazaar ka naam qissa khwaani bazaar iss liye bhi padaa ke yehan vyapari apne qisse sunaate thhe aur doosron ka qissa sunte thhe. Kise pataa thha ke unn tamaan anaam qisson ke beech itna bada qissa niklegaa jis ka naam Yusuf Khan se badal kar Dilip Kumar kar diya jaayegaa. Do naamon ko ek saathh jeena aur khabron se bhari iss duniyaa mein tthag ki jagah behadd imaandar aur shaaleen shakhs ke roop mein dekhaa jaanaa, yeh bhi apne aap mein ek qissa hai, jis ka bazaar aaj unn ke jaane ke baad sajaa hai.

Apni aatma khathha mein unhon ne likkha hai ke bazaar mein aag lagi thhi jis waqt unn ki paidaaish hui thhi.
“Dilip Kumar – The substance and the shadow” aap ko unn tamaam chaukhaton tak le jaati hai, ye dikhaane ke liye ke ek kalaakar apne wajood se alag ho kar ek bada kalaakar nahi bantaa hai.
Waise unn ki aatma katthaa ke shuruaat se le kar akhir ke panno par, ghar ki dadi, ammi, phuphi aur didi ke qisse bhare pade hain. Maaon aur behnon ke beech ek kumar bada ho raha thha, pata chalta hai ke khaandaani aadmi thhe.
Saira Bano se unn ki shadi 1966 mein hui. Woh apne aap mein uss waqt ki mash-hoor aur maqbool kalaakar thhin. Unn ki aakhri saans tak unn ke saath saaye ki tarah khadi rahin. Ham aur aap ek tarah se Dilip Kumar ko celebrate kar rahe hain. Unn ke hone aur na-hone ko unn ke abhinay ki katranon ko nikaal kar tukde tukde mein jiye jaa rahe hain.
Lekin Saira Bano ke liye Dilip Kumar ek video clip bhar nahin thhe. Unn ke dukh ki dahleez tak koyi nahi pahunch saktaa.
Ham ne baat peshawar ke makaan se shuru ki thhi. Bambai ke Anjuman Islam school mein padhne lagte hain Dilip Kumar. Vibhajan se pehle aa gaye thhe. Lekin school ki chhuttiyon mein unn ka Peshawar aana jaana raha, angrezi ki kavitaayen sunaane aur unn ki daad lene ke liye.

1930 ke dashak ke baare mein Dilip Kumar ne likkha hai ke yehaan tab hindu chai, muslim chai, hindu paani, muslim paani milaa karta thha.

Dilip Kumar apne bachpan ko kandhe par rakh kar chalte thhe. Ek qissa hai ke jab akhbaaron mein chhapa ke bombay mein tram band hone waali hai, to unhen dard huaa 31/03/1964 ko hazaaron logon ne dadar aur parel ke beech chali uss aakhri tram ko bidaai di. Dilip Kumar likhte hain ke agar wo Dilip Kumar naam ka star na hote aur Yusuf Khan hi rehte to uss akhri tram mein zarur safar karte. Hazaaron logon ne antim tram ko vidaayi di thhi. Unn ki yaadon mein jitna peshawar thha utnaa hi bombay thaa. Koyi abhinetaa apne shehar ko unn daftaron se yaad karta hai, koyi Dilip kumar hai jo apne uss ki mohallon bason aur pedon se yaad karta hai. Yahin par unn ka makaan hain, yahin unn ko Juhu qabrastaan mein suprud-e-khaak kiya gayaa. Badi sankhya mein aam log iss shaandaar abhineta ko vidaayi dene aaye. Unhen maaloon hai yehan Dilip sahab dafan ho rahe hain. Unn ka ek makaan, jism ka har ek qatra hindustaan mein hai, lekin ek makaan peshawar mein bhi hai jis ke baahar unn ki yaad mein ek poster lagaaya gaya hai.

Ye bheed tab hai jab zamaane se unn ki koyi film nahi aayi hai, dashkon se nahi aayi. 1952 mein unn ki film “Aan’ release huyi, super hit huyi jo uss waqt ki sab se adhik kamaayi karne waali film bani. 1947 mein wo vibhajan rekha kheenchi gayi jis ke baad log udhar se idhar, aur idhar se udhar hogaye. Dilip kumar par pakistan ki oar se jaasoosi karne ke aarop lage, Deepa Mehta ki film ‘Fire’ ka samrthan karne par bhi bahot aalochna hui. In sab ke baad bhi unhen na koyi udhar dhakel paaya na idhar dhakel paaya.

Is interview mein aap inhen bolte suniye. Saamne koyi script nahi hai lekin aap parde ke Dilip Kumar aur asli jeewan ke Dilip Kumar mein farq nahi kar sakte. Patrkar Sunil Sethi ne NDTV ke liye Dilip Kumar ka interview kiya thha. Puraana interview hai. Angrezi mein iss interview ko aap bhasha, aur usse baratne ke lehje ke liye bhi suniye. Unhenn bolte huey sunne se bhi lagta hai ham ne jin i’laaqon ko, rawaayaton aur lafzon ko baant diya hai. Dilip Kumar jab bolte thhe to woh saara kuchh ek aisi zameen se aaya lagtaa thha, jis ka batwaara kabhi huaa hi nahi. Unn ka bolna uss i’laaqe ka ek mukammal chehra thha, jise aap bharatiya up-mahadweep kehte hain.

“nishaan-e-imtiyaaz’ ko le kar huey vivaad ke waqt, unhon ne ye kahaa thha ke 65 saal hindustaan mein rehne ke baad mujhe apni wafadaari saabit karni pad rahi hai.

Unn ka ghar iss waqt ghamon se bhara huaa hai. Unn ki adaakari ham sab ke hisse mein maujood hai. Dilip Kumar ne cinema mein abhinay ko adhyay mein badal diya, iss liye unhen method actor kahan jaata hai. Mughal-e-azam jaisi film mein Salim ke kirdaar ko baadshahat dene waale Dilip Kumar kam samay mein dekhna ya unn ke baare mein samjhana bahot mushkil kaam hai.”

The show goes on to talk about Dilip Kumar’s philanthropic acts. I had meant to write a bit on this facet of his personality, as I found that the Wikipedia page on him is not mentioning this part of his life. The show than goes in detail about how his biography was written and published, and what were his specifications about writing about his personal life and relations with other female stars with whom he was linked romantically.

I would like to read the book and see what he writes about his equation with Madhu Bala and what went wrong with his second marriage to Asma Rehman.

I have read the letter hand written by Dilip Kumar in urdu, to the editor of ‘Shama’ which is part of a book. The beauty of the handwriting and the dignity in the sentences, conveying his outrage, subtle yet firm, that he will not tolerate any such inferences towards his personal matters, is to be read to be believed. I have not read that much of Urdu over the years, as I could have, but the conviction about the ‘shaaistagi’ of the language, written and spoken is never in doubt. The letter vindicates my convictions about urdu, and reassured me that Urdu is a deserving heritage ofvast populations across the world. I am still talking about Dilip Kumar’s cultured, educated, wise and dignified persona.

One dialogue from Mughal-e-azam :

“ye zakhm nahi phool hain Durjan. Aur phoolon ka murjhaana bahaar ki ruswaayi hai.
Suno,
ye qaatil hi nahi dildaar bhi hai,
yeh shaakh-e-gul bhi hai talwaar bhi hai”

Yes. In classic Urdu, sentences do begin with ‘aur’.

Going back to Dilip Kumar’s acts of charity and his commitment to social causes, I know it for a fact that he was a partner in many such deeds and was a patron and supporter of educational institutes, orphanages etc. Dr.Is-haq Jamkhanawala (https://en.wikipedia.org/wiki/Ishaq_Jamkhanawala) from Belgaum was a close friend of Dilip Kumar. These two friends had been involved in many charity projects, which can be verified. In fact Dilip Kumar visited Belgaum in early 80’s accompanied by Saira Bano for inaugration of an educational institute. I have a photographe where Dr. Is-haq Jamkhanawala also can be seen alongwith another illuminous person, a doctor from Belgaum. (Photo attached).

Saahir Ludhianvi says in his inimitable way that:

duniyā ne tajrabāt o havādis kī shakl meñ
jo kuchh mujhe diyā hai vo lauTā rahā huuñ maiñ

His stature and standing in the film industry as well as the country ensured that he is a blessed and deserving of the honour of State funeral given to him. A real ‘badaa aadmi’ in the way he was blessed with the affections and respect in this world. And bigger the stature and the power bestowed in this world, the bigger is the test of the character. The toughness of the test is directly in proportion to the worldly blessings. By all accounts he seems to have fared well in this test, as far as we can see, rest all is with Allah(swt), who is the best of judges.

Lata Mangeshkar says this in her tribute:

“Yusuf bhai has gone leaving his younger sister behind. His death seems like the end of an era. I am unable to comprehend anything, I’m extremely sad, speechless, he gave me many memories and left. Yusuf bhai has been unwell for the last many years. He couldn’t recognise anyone, at such time, Saira bhabhi left everything and took care of him day and night. She had no other life. I bow down to such a woman and I pray for Yusuf bhai’s soul to rest in peace,”

What is a better celebration of this legendary actor, multi-lingual and multi-dimensional personality, than a song from the magnum opus “Ganga Jamna’ which he produced, wrote and said to have ghost directed? I am presenting two song snippets from this film.

Shakeel Badayuni-Rafi-Naushad is the team, whose association with Dilip Kumar is again a stuff of legends. Some enthusiasts can write a thesis on this topic. There is a female voice in the longer snippet, which sounds like Rajkumari Dubey, but I cant be sure. I am positive that it is not Lata Mangeshkar and sound different from Shamshad Begum.

My own favourite song from “Ganga Jamuna” is:

Nain lad jayi hain
to manwaa maa kasak hoibe kari
prem ka chhutiye patakha to dhamak
hoibe kari

The film and songs are definitely worth revisiting and so is the thespian, Gulfaam, the originial angry young man, and so much more.

Snippet I


Snippet II

Song-Bailan ki jodiyaa/ aaj bhaya re gori (Ganga Jamuna)(1961) Singer-Rafi, Lyrics-Shakeel Badayuni, MD-Naushad

Lyrics

snippet I
—————

Bailan ki jodiyaan
Jaane man ki sab batiyaan re ae
Oh ho ho ooo
Ooo oooo ooooo
Hrrr rrrrrr haa
Bailan ki jodiyaan
Jaane man ki sab batiyaan re ae
Dara ri da da daa ra raa
Lahaa lo laa Laha la lo laao

Snippet II

Di ra dee re ea ea
gori ee
Aaj bhaya re gori
Hamra gawanwaa
Ganga se jamna ka
hoyibe milanwaa
aa aa
neele gaganwaa ki chhaaon
oo ooo
chal chal ri goriyaa
pi ki nagariyaa aa
o chal chal ri goriyaa
pi ki nagariyaa aa
o nadiyaa kinaare moraa gaaon
ho oo nadiyaa kinaare moraa gaaon
o chal chal ri goriyaa
pi ki nagariyaa aa


This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4727 Post No. : 16445

Birth Anniversary of R. D. Burman on 27/06/2021.
———————————————————–

Today morning I was thinking how there are a few songs from the films like ‘Betaab’ ‘Rocky’ etc that are not posted. With the same thought came the reminder of movies like ‘Love story’, in which Kumar Gaurav, the son of Jubilee star Rajendra Kumar, and Vijeta Pandit, the sister of Sulakshna Pandit, made their debut. There was a spate of star sons joining the movies at that time. Even Dev Anand launched his son, Manoj Kumar launched his brother. From what I read in magazines, these star sons had to learn film acting at Tanuja Chandra’s acting institute, where they were taught all type of things which included horse riding and fighting etc. They were also taught to speak Urdu, which was not part of their education otherwise.

Except for Manoj Kumar’s films, all such films had R D Burman’s music as he was believed to be the success formula of such films.

The senior stars would give interviews to “Shama’a”’s editor who went by the pen name ‘Musaafir’ about their son’s debut movie and their coaching in various skill required to be a successful hero. I am positive about having read these things about Rajendra Kumar, Sunil Dutt, Dev Anand and Dharmendra. Most of these star sons worked in some films for a few years, then they disappeared from films. Only Sanjay Dutt and Sunny Deol were more successful and they are still around.

The film “Love Story” ‘s starcast is Kumar Gaurav, Vijayta, Rajendra Kumar, Vidya Sinha, Danny Denzongpa, Amjad Khan, Jagdish Raj, T.P. Jain, Kamaldeep, Azad, Jezebel, Gufi Paintal, Farooque Shorty, Subhash, Amarjeet Sunder, Hangama, Shakeel, Laxman Thumre, Aruna Irani, Prem Kalra, Dev Kumar, Ram Mohan, Bharat Kapoor, Ram Sethi, Bina. The film is jointly directed by Rahul Rawail and Rajendra Kumar, with Rajendra Kumar producing the film. The music is by R. D. Burman and lyricist is the evergreen Anand Bakshi.

I have seen two duets from this movie now, of which only one song is posted. I have read this post, which talks of the twin solos of this film “Yaad aa rahi hai”, which was my personal favourite from this film. This song should also be posted soon.

But I am choosing one of the duets which I saw just now. Both have outdoor shooting and are expressive of various emotions and 5 minutes plus long. There was a short series of a sort I had planned for outdoorsy songs, which I seem to have waylaid. Links of many such songs are saved in my laptop.

In the film ‘Love story’, which I have seen in Minerva theatre when it was released, there is some triangle love story of Vidya Sinha, Rajendra Kumar and Danny Danzongpa. Vidya Sinha and Rajendra Kumar were to marry, but she ends up married to Danny, and Vijeta is their daughter. Rajendra Kumar marries someone else (Beena?) who is now dead, and Kumar Gaurav is the son. So, there is some animosity among the set of parents also, apart from villain.

Now between my husband and me, we have recalled the whole set of characters and their roles in the story. Vijetaa is a much pampered and cossetted daughter as Danny is very much possessive of her. Kumar Gaurav’s father is a little strict, but he knows how to spin stories around and not get a scolding. Kumar Gaurav sets his wrist watch an hour behind to hoodwink his father Rajendra Kumar upon being late for an event. Amjad Khan is the comic relief as the Hawaldar who arrests the two love birds, who have eloped in the 70’s fashion. This fashion or trend of eloping was truly started with ‘Bobby’. Now what Amjad Khan does is takes one “hathkadi” and ties them both together on one end each of hathkadi. This makes it easy for them to elope again, after being arrested. Dev Kumar is a friend or henchman of Danny Danzongpa, who is interested in getting Vijeta married to his son. So, he has more motive in separating the couple, to the extant even wanting to kill Kumar Gaurav. But all is well in the end, and it is a happy ending.

In the climax fight sequences, Kumar Gaurav saves the life of Danny and the latter is then convinced that Kumar Gaurav is the better bet for his daughter.

Lata Mangeshkar and Amit kumar are singing for Vijeta and Kumar Gaurav. The songs of this film were very popular back then. Lyrics are a breeze, as I remember them all, but have to do more work on the words interspersed and the singers voices. I am presenting this well written, composed and shot happy song in outdoor locales of maybe Manali or someplace near the himalaya’s which can be seen in the background, to commemorate the memory of Rahul Dev Burman on his birth anniversary.

Video :

Audio:

Song-Dekho maine dekha hai ye ik sapna (Love Story)(1981) Singers-Amit Kumar, Lata, Lyrics-Anand Bakshi, MD-R D Burman

Lyrics (as per audio version):

Dekho main ne dekha hai yeh ik sapna
phooolon ke shehar mein hai ghar apna
kya samaa hai
tu kahaan hai
main aayi aayi aayi aayi
aa jaa aa
kitna haseen hai yeh ek sapna
phooolon ke shehar mein hai
ghar apna
kya samaa hai
tu kahaan hai

main aaya aaya aaya aaya
aa jaa aa

yehaan teraa meraa naam likkha hai ae
rastaa nahin yeh a’am likkha hai
ho yeh hai darwaaza
jahaan tu khadi hai
andar aa jaao
sardi badi hai

yehan se nazaara aa
dekho parbaton kaa
jhaankoon main kahaan se
kahaan hai jharokhaa

yeh yehaan hai
tu kahaan hai
main aayi aayi aayi aayi
aa jaa aa
kitna haseen hai yeh ik sapna
phoolon ke shehar mein hai ghar apna
kya samaa hai
tu kahaan hai

main aaya aaya aaya aaya
aa jaa aa

achchha yeh bataao
kahaan pe hai paani ee

baahar beh rahaa hai
jharnaa deewaani ee
bijli nahin hai
yahi ik gham hai

teri bindiya kya
bijli se kam hai
chhodo mat chhedo
baazaar jaao

jaata hoon jaaungaa
pehle yehaan aao
shaam jawaan hai
tu kahaan hai
main aayi aayi aayi aayi
aa jaa aa
dekho main ne dekha hai yeh ik sapna
phoolon ke shehar mein hai ghar apna
kya samaa hai
tu kahaan hai
main aayi aayi aayi aayi
aa jaa aa

kaisi pyaari hai yeh
chhoti si rasoyi ee

o ham donon hain bas
dooja nahin koyi ee
iss kamre mein
hongi meethhi baatein

uss kamre mein
guzrengi raatein
yeh to bolo hogi
kahan pe ladaayi

maine woh jagah hi
nahin banaayi
pyaar yehaan hai
tu kahaan hai
main aayi aayi aayi aayi
aa jaa aa
kitna haseen hai yeh ek sapna
phoolon ke shehar mein hai ghar apna
kya samaa hai
tu kahaan hai
main aayi aayi aayi aayi
aa jaa aa
dekho maine dekha hai yeh ek sapna
phooolon ke shehar mein hai
ghar apna

kya samaa hai
tu kahaan hai
main aayi aayi aayi aayi
aa jaa aa
main aayi aayi aayi aayi
aa jaa aa
main aayi aayi aayi aayi
aa jaa aa
main aayi aayi aayi aayi
aa jaa aa


This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4724 Post No. : 16436

———————————–————–
Geeta Dutt – Solos and Duets (06)
———————————–————–

Question:
Kitaaben bahot si
padhi hongi tum ne
magar koyi chehra bhi
tum na padha hai

Answer:
Padha hai meri jaan
Nazar se padha hai

Next Question:
Bata mere chehre pe
Kya kya likha hai

The above is a film song from the film ‘Baazigar” written by Zafar Gorakhpuri. There have been some songs in hindi films which refer to ‘Kitaab’, like
Dil ki kitaab kori hai kori hi rehne do and Haathhon mein kitaab baalon mein gulaab.

The second song above is my own post from 2015. As I read it again today, I found that I referred to the ‘Baazigar’ song in that post as written by Sameer, but that’s incorrect. Another reason why I am talking about books today is, in a recent post I talked about film magazines. That evoked a few comments from regulars, which in turn made me remember a lot of mishaps or near misses, which have happened in my life.

My love for reading has always been an important factor in my life. Not necessarily, useful things or text book learnings, but anything on any topic that catches my fancy and is readable and reasonably understandable to my unscientific mind. Scientific theories are beyond me, and maths was my weakest subject in school. But I was not at all lacking in analytical abilities and general knowledge, which seems to have gotten me through at least one all india level competitive exam, where lakhs of people aspiring for government jobs tried. It could have been sheer luck that I got most of ‘analytical ability’ part objective type answers correct. It certainly cannot have been the mathematical portion of the exams. One portion was of English language, that must have helped. I kept the ‘Maths’ part for the last, and some of the answers I just marked randomly :-). The exam was for undergraduates, but my father still could not believe it, when he saw the merit list.

Reading, reading and more reading, has made me a more balanced person, where I don’t get easily rattled. Never bored under any circumstances. Magazine is ‘risaala’ in urdu language. I have grown up with all kinds of publications, periodicals, weekly, fortnightly, monthly, and of course the daily newspapers. Digests also, in Urdu and ‘Reader’s digest’ in English. I have read many novels in Urdu too, which are difficult to come by now. I know, digital version is available, if I really want to read them now. All my maternal uncles and paternal uncle, would carry some newspaper or magazine with them whenever they came to our place. Now I go to their places, there is no sign of magazine or newspapers in their household. We can blame this on digital media, which has put paid to the printed material’s role, in our daily lives. It comes DTH, appears cheaper, requires no hard-work or maintenance even. Don’t have to save it from small children. That the children should be kept away from things digital, is another matter.

Thus, I was exposed to different type of publications in English, Urdu, Hindi and Marathi, while growing up. I consider myself fortunate to have seen “Blitz” in English and in Urdu, for e.g. All periodicals published in the south also I have read while growing up, be they political, sports or financial. Maybe in 1993 people still referred to books as ‘kitaab’, but now the word is rarely heard, unless I am watching an urdu drama series. There also only the older generation is heard talking of ‘kitaab’. In school textbooks were ‘kitaab’ and notebooks were ‘copy’ or kaapi.

Living and growing up in a metropolitan city has its own advantages. Major ones in my opinion are, the cosmopolitan outlook that one develops in personal and social aspects, plus the opportunities for growth and success in life professionally, are better. A thriving city is like a big machinery, it cannot afford to let any part of it be disrupted. Be it the lowest of slums or the poshest of locality. And overall people are not bothered what others are doing, which augers well in some ways. In terms of personal freedom and mental well-being.

So here I was, growing up in Mumbai, in which good fortune I had no contribution to make. It was destiny. A couple of things, like missed opportunities that have surfaced in the memory, is a job opportunity in a financial magazine. I got a call for some sort of test they were taking, I must have applied for the ‘trainee’ job, right after graduation. I attempted that test, without knowing what to expect there. I may not have fared well there, as I never got a call or any communication.

Another instance of a missed opportunity is one where I attended a walk-in interview somewhere in the Fort area for some trainee post at TCS in 1990-91. Computers were the new in-thing in the late 80’s and in college we had ‘computer science’ as optional subject. TCS was on its way up to the greater things it achieved in later years. There was group discussion also among the candidates who had turned up that day. I remember there were around 15-20 of us. At the end of it all some were shortlisted, then were told to take up the course, which was costing may be 10000/- or so, I don’t exactly remember. They said that the candidates will be absorbed in the company after that course, but the fees had to be paid. I came home and discussed all this with my parents. I was not so keen on computer programming, as it is, so didn’t press the issue. Theory subject were my forte, and I used to do well in subjects like economics. Late 80’s and early 90’s was also a period of great boom in share markets investments. It turned out that my father has shares of TCS, which he obviously got at the time of issue years ago. Lo and behold, if he knew or had an inkling of the company’s prospects and potential, then he could have guided me in that direction. But that was not to be, as it was not destined to be. After all God Almighty is the best of planners, and it is his will and his alone, that can take us in a particular direction.

Nida Fazli has said accurately:
“waqt se pehle qismat se zyada, kisi ko mila hai na kisi ko milegaa”

************************

Lakdi jal koyla bhayee
koyla bhayee raakh
Main baawri aisi jali
koyla bhayee na raakh

This is the actual doha, from which the initial lines of the song are inspired. Lyricist is Anjum and the composer of this truet song is Chitragupt. The singers are Geeta Dutt, Shamshad Begum, and Shanti Sharma. Shanti Sharma is a new name for me, but I see in the stats page that she has 2 songs in the blog.

This is a nice qawwali style song, I had saved the link for featuring in this series of Geeta Dutt. One more variation, in the singer’s repertoire for sure. She has been part of many qawwali’s in the career, as she was capable of singing all types and moods of film songs. She was comfortable in the mischievous songs also, with her strong vocals, with a hint of khanak, like Shamshad Begum. Asha Bhosle has in later years, tried to adopt the strength in voice which was a signature of Shamshad Begum and which Geeta Dutt has demonstrated in many songs.


Song-Dekho to dil hi dil mein jalte hain jalne waale (Hamaara Ghar)(1950) Singers- Geeta Roy, Shamshad Begum , Shanti Sharma, Lyrics-Anjum, MD-Chitragupta
All

Lyrics

Lakdi jal koylaa bhayee
Aur koyla jal bhayaa raakh
baaki dushman yoon jale ae ae
ki koyla bhaye na raakh

dekho to dil hi dil mein ean
dekho to dil hi dil mein
jalte hain jalne waale
haay jalte hain jalne waale
dekho to dil hi dil mein
jalte hain jalne waale
haay jalte hain jalne waale

aapas mein mil jul kar hansnaa
khel naseebe waalon ka
haay khel naseebe waalon kaa

aapas mein mil jul kar hansnaa
khel naseebe waalon ka
haay khel naseebe waalon kaa

ho oo oooo
kaam nahin duniya mein kisi ko
dekh ke jalne waalon ka
haan dekh ke jalne waalon ka
aaa aa aa aa
khoob samjhte hain matlab
in ulti seedhi chaalon kaa

hai dhokhe ki ye duniyaa aa
hai dhokhe ki ye duniyaa
kehte hain kehne waale
haay kehte hain kehne waale
dekho to dil hi dil mein
jalte hain jalne waale
haay jalte hain jalne waale

dekh ke ham ko jalte ho
kya seekhe chaal zamaane ki
haay seekhe chaal zamaane ki

dekh ke ham ko jalte ho
kya seekhe chaal zamaane ki
haay seekhe chaal zamaane ki

ho oo o o o
aankhen ho to haalat dekho
deepak ki parwaane ki
haay deepak ki parwaane ki

ooo oooooo
ye baat magar kapti dil ke
nahin samajh mein aane ki

qismat mein jab likkha hai
qismat mein jab likkha hai
rote hain rone waale
haay rote hain rone waale
dekho to dil hi dil mein
jalte hain jalne waale
haay jalte hain jalne waale


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4710 Post No. : 16416

———————————–————––—
Rafi Sahab’s Legendary Associations – 5
———————————–————––—
The fifth post in this series is taking care of 4 artists, who are majorly important and fruitful associations of first decade of Rafi Sahab’s career. First and foremost is the composer duo of Husnlal-Bhagatram who composed many melodious scores in late 40’s and early fifties. I counted 100 plus songs in the excel sheet of Rafi sahab’s songs, which are composed by Husnlal-Bhagatram. 45 of these are written by Qamar Jalalabadi. I found these 6 songs of this team’s duets sung by Mohammad Rafi and Shamshad Begum.

Song Movie (Year) Singer(s) MD Lyricist
Ladka Aur Ladki Mile Pyar Ka Gaana Chhoti Bhabhi(1950) Mohd Rafi, Shamshad Begum Husnlal Bhagatram Qamar Jalalabadi
Mere Dil Ko Jalaaya Na Karo Gauna(1950) Mohd Rafi, Shamshad Begum Husnlal Bhagatram Qamar Jalalabadi
Chod Diya Ghar Baar Rani Tere Liye Meena Bazaar(1950) Mohd Rafi, Shamshad Begum Husnlal Bhagatram Qamar Jalalabadi
Gori Bahon Mein Chudiyan Kaali Saja Lo Meena Bazaar(1950) Mohd Rafi, Shamshad Begum Husnlal Bhagatram Qamar Jalalabadi
Le Lo Ji Maharaja Dupatta Mera Saat Rang Ka Meena Bazaar(1950) Mohd Rafi, Shamshad Begum Husnlal Bhagatram Qamar Jalalabadi
Tera Mera Ho Gaya Prem Main Hun Saheb Tu Hai Mem Farmaaish(1953) Mohd Rafi, Shamshad Begum Husnlal Bhagatram Qamar Jalalabadi

As for pure duets of Rafi-Shamshad are concerned, I counted 150 in the list, out of which 94 are posted in the blog. There are many Punjabi films songs also in the 150 duets of Rafi-Shamshad. Apart from these there are many group songs of three or more singers, with these two stalwarts, who started the journey of duets right in 1946 and continued till late 60’s. There is no way I am not listing my favourite Rafi-Shamshad duets here.

Song Movie (Year) Singer(s) MD Lyricist
Solah Baras Ki Bhai Umariya Aag(1948) Mohd Rafi, Shamshad Begum Ram Ganguly Bahzad Lakhnavi
Mohabbat Mein Kise Maloom Tha Ye Din Bhi Aayega Paaras(1949) Mohd Rafi, Shamshad Begum Ghulam Mohammad Shakeel Badayuni
Bolo Ji Dil Loge-2 To Kya Kya Doge Patanga(1949) Mohd Rafi, Shamshad Begum C Ramachandra Rajendra Krishna
Leke Pehla Pehla Pyar Bharke Aankhon Men Khumaar C I D(1956) Mohd Rafi, Shamshad Begum O P Nayyar Majrooh Sultanpuri
Khat Khut Karti Chham Chhum Karti Gaadi Hamaari Mother India(1957) Mohd Rafi, Shamshad Begum Naushad Ali Shakeel Badayuni
Bheega Bheega Pyar Ka Sama Bata De Tujhe Jaana Sawan(1959) Mohd Rafi, Shamshad Begum Hans Raj Bahal Prem Dhawan

I found this song in the list credited to Pakeezah, but it is not available:

Song Movie (Year) Singer(s) MD Lyricist
Jayen To Kahan Jaaye Ab Tera Ye Deewana Hatkar (Unreleased) Pakeezah(1971) Mohd Rafi, Shamshad Begum Ghulam Mohammad Kaif Irfani

Guess what, there are exactly 151 songs in the list of Rafi sahab’s song where the lyricist is Qamar Jalalabadi. There seems to be perfect symmetry, here as I counted 151 for Rafi-Shamshad and 101 for rafi-Husnlal Bhagatram.

Here is the total tally of these artists in the blog so far:

Artist Songs posted in the blog Total songs
Husnlal-Bhagatram 296 451
Qamar Jalalabadi 393 721
Shamshad Begam 713 1273

** Shamshad Begam’s posted songs are not yet updated, after the recent 4-5 posts of her songs.

Coming to the song under discussion, it is from the film’Gauna’ 1950. A very sweet chhed-chhad genre song, very early 50ish. I had not head this song too like many of Husnlal-bhagatram’s songs, until a few days ago. I had to post a Rafi-Shamshad duet, and it is was a melodious one composed by HB, it was a double ‘sone pe suhaaga’.

Following songs of Gauna (1950) have been covered in the blog:-

Song Date of posting
Ban ban ke mit gayin hain taqdeer ki lakeeren 26 February 2012
Aaj kisi se ho gayin aankhen chaar chaar chaar 22 October 2016

The song reminded me of this famous song.

While seeing to the Rafi-Shamshad duets in the excel sheet, I could see a few, that I have written the post myself, but I have listed only the songs that are readily recognisable and are part of my old film songs listening memory. With only 94 songs posted so far in the blog, there are at least 40 such sweet/meloncholy/mischievious/romantic duets that remain to be posted. Enough for another series, if any one is of the mind. Arunkumar Deshmukh Sir, is fond of the older duets of these two singers as has posted a lion’s share of the last few such duets.

Lastly, I cannot stop listening to the duets of these two, whenever I reach one. Even unknown songs are like fresh fruit juice. The khanak in Shamshad Begum’s singing, and the soft smooth tones of Rafi Sahab, make for a delightful duet, always.

Mere dil ko jalaaya na karo – Gauna (1950)

Song-Mere dil ko jalaaya na karo (Gauna)(1950) Singers-Shamshad Begum, Mohammed Rafi, Lyrics-Qamar Jalalabadi, MD-Husnlal-Bhagatram

Lyrics

Mere dil ko jalaaya na karo o o
mere dil ko jalaaya na karo
mere sang bolte nahin een
na bolo
mere sang bolte nahin een
na bolo
meri gali mein bhi ee
meri gali mein bhi aaya na karo o
mere dil ko jalaaya na karo

haha
badi aayi gali wali
dekh liya ra’ub teraa
kar chuki sawaal gori
sun lo jawaab meraa
gali tere baap ki nahin een
baap ki nahin
ho mujhe ankhiyaan dikhaaya na karo o
o o
mujhe ankhiyaan dikhaaya na karo

mere dil ko jalaaya na karo o
mere dil ko jalaaya na karo

achha meri baat suno
tab tumhen jaanen
ek baat tum maano
ek ham maanen
gali mein to aao baabuji ee
aao baabuji
mere sapnon mein aaya na karo o o
mere sapnon mein aaya na karo
mere dil ko jalaaya na karo

waah waah khoob soojhi
main na qaaboo aaungaa
gali mein bhi aaungaa aa
sapnon mein bhi aaungaa
jise nahin saathh rakhnaa aa
saathh rakhnaa
usse apnaa banaaya na karo o
usse apnaa banaaya na karo

mere dil ko jalaaya na karo o o
mere dil ko jalaaya na karo


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4702 Post No. : 16406 Movie Count :

4458

The other day, Madhuri Dixit’s birthday was celebrated on the blog and it inevitably reminded me of many of her songs. This is one song from the film ‘Ram Lakhan’ (1989), which is never out of mind, though has been out of sight for many years now. This was in 1989, and my mother and elder sister were already fans of Anil Kapoor. I was not a fan and would call him some uncharitable names, not unprintable but will not mention here. The era of seeing every Amitabh Bachchan film was over, and Subhash Ghai, the producer director of this film was a big name. He was so big that he got to name a few of his heroines, rechristen them literally. Meenakshi, Madhuri and Manisha, Mahima etc. He was fixated or superstitious about naming the heroines beginning with the letter ‘M’. I have seen very few Anil Kapoor songs appearing in the blog. Some newer songs are here, but the many films he did in his earlier period, especially of his jodi with Jackie Shroff, are not here at all. Same is the case with Madhuri Dixit.

Film magazines like Stardust and Filmfare, were still the popular medium of reading and gaining knowledge, useful as well as not so useful. I can say for sure that it has been decades, since I have seen a film magazine in any language. Even doctor’s dispensaries don’t have them. I personally don’t know anyone who buys/reads any such magazines, or if they grace the center-table in any living rooms nowadays. Quite a fall for these publications really. Absence of television has helped, so that I am not even aware of the winners of Filmfare awards these days.

The song in question is a well composed, written and sung, sort of a filmy situation ‘bhakti’ song. Madhuri Dixit is the highlight, as only she could be. Laxmikant-Pyarelal have given a dekho, a ‘retro’ of ‘Pakeeza’ soundtrack and their own ‘Sargam’ soundtrack in the interlude music. The team of Anand Bakshi & L-P were a pro at creating such situational songs. And Lata Mangeshkar was still the backbone of any L-P score, be it the films of the South or Bombay.

What is happening here is the engagement party of Madhuri Dixit, sort of, with Amrish Puri’s son. Jackie Shroff is a police officer, playing the title role of Ram and Anil Kapoor is the younger brother Lakhan. Madhuri is forced to accept this alliance by her father Anupam Kher, with no help from Anil Kapoor, who is away on training as Police Inspector. So, when Madhuri is asked to perform in front of the guests, she starts the bhajan, remonstrating with the Almighty, and complaining to Ram present in the party, directly. Another highlight of the song is the way Jackie Shroff is seen to be preening (in his fine feathers) almost, as the addressee and the brother of Lakhan.

Anyway, when it is Lata Mangeshkar, who is crooning “Ho Ram ji ee eee”, and Madhuri Dixit is on screen, performing, who can stay unmoved.

Video

Audio

Song – O Ram Ji. . . Bada Dukh Deena Tere Lakhan Ne (Ram Lakhan) (1989), Singer – Lata Mangeshkar, Lyrics – Anand Bakshi, MD – Lakshmikant Pyarelal
Anupam Kher
Chorus

Lyrics (Based on the Audio Version)

sa ga re
ga sa sa
ga re
sa ga re
ga ga re
re ma pa ni sa
sa ga ma dha pa
ni re ga ma ma ma
re ma pa
sa ga re
ri ni sa
sa sa sa sa sa aa aa

ho raam ji ee eee
badaa dukh deenaa
tere lakhan ne ea
bada dukh deenaa
tere lakhan ne ea ea
bada dukh deenaa
sudh budh bisraayi
meri neend churaayi
mera mushkil kar diya jeenaa aa
badaa dukh deenaa
tere lakhan ne ea ea
bada dukh deenaa
ho raam ji ee eeea
badaa dukh deenaa

wo deepak hai
main jyoti hoon
wo deepak hai
main jyoti hoon
wo hanstaa hai ea ea
main roti hoon
hmmm mmmm
mmmmm mmmmm
mere pyaar ki qadar
usse hogi magar
mujhe zehar padegaa peena aa aa
badaa dukh deenaa aa
bada dukh deenaa
tere lakhan ne ea
bada dukh deenaa

meri ankhiyaan
mere sapne
meri ankhiyaan an
mere sapne
le gayaa sab kuchh
saathh wo apne ea
hmmm mmmm
mmmmm mmmmm
ye jaan nigodi
jaane kaahe ko chhodi
chhaliye ne sab kuchh chheena aa aa
badaa dukh deenaa aa
bada dukh deenaa
tere lakhan ne ea
bada dukh deenaa

ga ga re sa

ra ga ma pa

ga ma pa

pa ma ga

ga saa

aaa aaaaa
aa aaaaa aaaaa
sun kar meri raam duhaayi
ho oo ooo
sun kar meri raam duhaayi
dekho wo
aayaa harjaayi
aaa aaa aaaa
aaaaa aaaaa
nirmohi ye kaisa
jo main jaanti aisa aa
to main karti pyaar kabhi naa
badaa dukh deenaa
tere lakhan ne ea
bada dukh deenaa aa
badaa dukh deenaa

arrey kis lakhan ki baat karti ho tum

lakhan ne lakhan ne
mere lakhan ne
hmmm mmmm
mmmmm mmmmm
sajan ne sajan ne
mere sajan ne
hmmm mmmm
mmmmm mmmmm
sajno ke sajan ne
mere lakhan ne
hmmm mmmm
mmmmm mmmmm
hmmm mmmm
mmmmm mmmmm
aaaa aaaaaa
aaaaaa aaaaaa
lakhan ne lakhan ne
aaaaa aaaaaa
lakhan ne lakhan ne
aaaaa aaaaaa
lakhan ne lakhan ne
aaaaaa aaaaaa
lakhan ne lakhan ne
aaaaaaa aaaaa
aaaaaaaa


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4694 Post No. : 16382

Remembrance Day   —    Laxmikant Shantaram Kudalkar (of Laxmikant-Pyarelal)

Today is the 23rd remembrance day of Laxmikant S. Kudalkar one half of the music composer duo fondly known as L-P.  They were the sole torch bearers by 1988, of the melodious music of the golden era of HFM.   Though RD Burman was still around, but doing very few films.  L-P it seems never took a breather, till the demise of  Laxmikant on 25.05.1998.  I personally don’t know of any instance where Pyarelal composed a film score alone.

Laxmikant–Pyarelal received won 7 awards and 15 nominations for best music direction in the Filmfare awards.

Filmfare Award for Best Music Director– Won

1965 Dosti
1968 Milan
1970 Jeene Ki Raah
1978 Amar Akbar Anthony
1979 Satyam Shivam Sundaram
1980 Sargam
1981 Karz

They have composed close to 3000 songs out of which 896 are posted.  So the tally is so close to 900 mark.   Today is actually Remembrance Day of Sunil Dutt also.  I could have easily found a song by L-P featuring Sunil Dutt to post, but I was reminded of this wonderful group song from ‘Tezaab’ in a video forward in the family group.

Belgaum city has been put under strict lock down for the extended weekend from Friday to Monday.  The video is maybe shot last year showing empty streets, markets and by-lanes of the city.  It was moving very fast, so I failed to recognise much of the blurred views. This song from ‘Tezaab’ 1988 was playing in the background, so I decided to do this song post.  I have always liked the song for the humming in the background, and night journey in the battered vehicle with a broken wind shield.  Chunky Pandey and his friends are singing this song.  While sad looking Madhuri Dixit and Anil Kapoor are trying to enjoy their antics.  Second stanza is filmed on these two with background singing by Alka Yagnik and Shabbir Kumar.  Nitin Mukesh is giving playback to Chunky Pandey.

Peevesie’s Mom would have liked to post this as Chunky Pandey’s song, I suspect.  But I have it as a night song from ‘Tezaab’ by Nitin Mukesh.  That’s how I remembered it and had thought of including it in the ‘Chaandni Raatien’ series.  But since there is no moon visible here, nor it is mentioned in the song, so desisted.

The other day after reading Madhuri’s birthday post on 15th May, I remembered many songs.  Even started one post for a Madhuri song, but could not complete it.  That one is also a hit L-P score.  But for now, that song will have to wait.

For a five-minute song, this is having only 2 stanza’s.  So, I looked for audio version, thinking that it may have an extra stanza.  But there is no extra stanza in the audio version, which is slightly longer with repetition of mukhda.

So, let’s enjoy this hummable, slow, melodious, pensive, meaningful song, written by Javed Akhtar.

And remember Laxmikant Kudalkar, the musician.

Video

Audio

Song – So Gaya Ye Jahaan, So Gaya Aasmaan (Tezaab) (1988), Singer – Nitin Mukesh, Alka Yagnik, Shabbir Kumar, Lyrics – Javed Akhtar, MD – Lakshmikant Pyarelal
Chorus

Lyrics

hmmm mmmmmm
hmmm mmmmmm
hmmm mmmmmm
hmmm mmmmmm

so gaya ye jahaan
so gaya aasmaan
so gaya ye jahaan
so gaya aasmaan
so gayeen een
hain saari manzilien
o saari manzilein
so gayaa hai rastaa
so gaya ye jahaan (hmmmm)
so gaya aasmaan (hmmmm)
so gayeen een (hmmmm)
hain saari manzilien (hmmmm)
o saari manzilein (hmmmm)
so gayaa hai rast aa(hmmmm)
so gaya ye jahaan (hmmmm)
so gaya aasmaan (hmmmm)

raat aayi to wo jin ke ghar thhe
wo ghar ko gaye so gaye
raat aayi to ham jaise
awaara phir nikle
raahon mein aur kho gaye
raat aayi to wo jin ke ghar thhe
wo ghar ko gaye so gaye
raat aayi to ham jaise
awaara phir nikle
raahon mein aur kho gaye
iss gali uss gali
iss nagar uss nagar
jaayen bhi to kahaan
jaana chaahein agar
ho oo so gayeen een (hmmmm)
hain saari manzilien (hmmmm)
o saari manzilein
so gayaa hai rastaa
so gaya ye jahaan
so gaya aasmaan
so gaya ye jahaan
so gaya aasmaan

kuchh meri suno
kuchh apni kaho
ho paas to aise ea
chup na raho o
ham paas bhi hain
aur door bhi hain
azaad bhi hain
majboor bhi hain
kyun pyar ka mausam
beet gayaa
kyun ham se zamaana
jeet gayaa aa
har ghadi mera dil
gham ke ghere mein hai ea
zindagi door tak ab
andhere mein hai
andhere mein hai ea ea
andhere mein hai

ho so gayeen een
hain saari manzilien
o saari manzilein en
so gayaa hai rastaa
so gaya ye jahaan (hmmmm)
so gaya aasmaan (hmmmm)
so gaya ye jahaan (hmmmm)
so gaya aasmaan (hmmmm)

hmmm mmmmmm
hmmm mmmmmm
hmmm mmmmmm
hmmm mmmmmm

————————————————————
Hindi Script Lyrics
(Provided by Sudhir)
————————————————————

हम्ममम म्ममममम
हम्ममम म्ममममम
हम्ममम म्ममममम
हम्ममम म्ममममम

सो गया ये जहां
सो गया आसमान
सो गया ये जहां
सो गया आसमान
सो गईं॰॰॰
हैं सारी मंज़िलें
सो गया है रस्ता
सो गया ये जहां (हम्ममम)
सो गया आसमान (हम्ममम)
सो गईं॰॰॰ (हम्ममम)
हैं सारी मंज़िलें (हम्ममम)
ओ सारी मंज़िलें (हम्ममम)
सो गया है रस्ता (हम्ममम)
सो गया ये जहां (हम्ममम)
सो गया आसमान (हम्ममम)

रात आई तो वो जिनके घर थे
वो घर को गए सो गए
रात आई तो हम जैसे
आवारा फिर निकले
राहों में और खो गए
इस गली उस गली
इस नगर उस नगर
जाएँ भी कहाँ
जाना चाहें अगर
हो ओ सो गईं॰॰॰ (हम्ममम)
हैं सारी मंज़िलें (हम्ममम)
ओ सारी मंज़िलें
सो गया है रस्ता
सो गया ये जहां
सो गया आसमान
सो गया ये जहां
सो गया आसमान

कुछ मेरी सुनो
कुछ अपनी कहो
हो पास तो ऐसे॰॰॰
चुप न रहो
हम पास भी हैं
और दूर भी हैं
आज़ाद भी हैं
मजबूर भी हैं
क्यूँ प्यार का मौसम
बीत गया
क्यूँ हमसे ज़माना
जीत गया
हर घड़ी मेरा दिल’
ग़म के घेरे में है
ज़िंदगी दूर तक अब
अंधेरे में है
अंधेरे में है॰॰॰
अंधेरे में है

हो सो गईं॰॰॰
हैं सारी मंज़िलें
ओ सारी मंज़िलें
सो गया है रस्ता
सो गया ये जहां (हम्ममम)
सो गया आसमान (हम्ममम)
सो गया ये जहां (हम्ममम)
सो गया आसमान (हम्ममम)

हम्ममम म्ममममम
हम्ममम म्ममममम
हम्ममम म्ममममम
हम्ममम म्ममममम


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4683 Post No. : 16365

This post has been a long time in preparation. I was not able to concentrate on this one due to many reasons. The holy month of Ramadan is a factor in this, and also other things.

I will start with a happy news. I am happy to share that the almighty Allah (SWT) has blessed us with a grand daughter earlier this month. So that’s another degree under my belt i.e. of a grandmother. At the time of my daughter’s marriage, a dear friend gave me this idea of having a new degree i.e. of a mother-in-law. I like the concept of gradual increase in degrees, with these important and happy steps in life.

It is not as if the granddaughter has kept me so busy, the pandemic has deprived me of my being a hands-on-grandmother, so far. United Kingdom also put India under the red list w.e.f 23.04.2021, so we are stranded here till things improve and have to get darshan of the new family member on video calls. I had a visa ready when the UK government made the decision on the 20th of April. But with all those high net-worth people from India clamouring to enter UK before the deadline, we had no chance.

Now we reach the serious matter of the pandemic. When the first wave was still on in India in 2020, I heard from the relatives abroad, that no one believes the data coming out of india. I would tell them, there may be some discrepancies in figures, but if there are lines outside the hospitals, morgues, crematoria and graveyardes, like the visuals coming from USA and some European countries, it would be difficult to hide. I would say, mercifully we in India were spared from witnessing such situation, which the experts around the world were predicting for India. And the first wave was spaced out, so the caseload on the medical health infrastructure was by and large managed, which reduced the death toll, for daily, weekly and monthly figures. The medical fraternity and health workers around the world have been grappling with this once a century occurrence, for more than a year now and understandably, are exhausted, fatigued. They include doctors from my family in India and abroad. My sister’s son is a covid warrior currently working in a private hospital in Mumbai. My son also has worked in Covid war rooms established by the BMC in Mumbai.

But the second wave in 2021 has not been so merciful. The virus as we all know does not discriminate, all humans are equally susceptible to it. Only the daily reported death tolls are surpassing the worst case-scenarios predicted by the experts in 2020. Our data compilation abilities being what they are, the situation is grim, very grim especially in the north, Central and Eastern India. The southern states, and Maharashtra have coped well with the second wave. But this is no reason for triumphalism with the situation being what it is in the rest of the country.

All denials, prevarication, perception, need for positivity is besides the point. The costs of human lives being lost is always the highest. This has far surpassed any mass casualty events in the last 2 centuries. All the wars, genocides, the riots, terror attacks pale in comparison to the sheer nos. being affected. It is no exaggeration when it is said, that everyone among us has lost someone dear or knows someone who has. I have lost two near family members and know a few more people who have lost immediate family members.

I also know of some such instances where close members within a community have formed groups of volunteers of medicos and non-medicos, helping the people deal with the problems of sickness, getting medical advice and help, quarantine, and treatment and even final rites of family members if need be. One such group is actively helping people in Belgaum.

This is not the end of the story, as the virus is here to stay and keeps mutating in different ways. Frequent hand washing, social distancing and wearing a medical mask(properly) at all times, are the only ways of disease prevention. The developed countries of the world, with scientific temperament, have already dealt with their second wave, had well planned strategy for the vaccine roll out before the end of 2020. Some of these scientific minds working for the developed countries are of Indian origin, part of the brain drain over the last 50 years. Even then there is no shortage of virologists and epidemiologist in our country.

I have tried to keep abreast of the pandemic related news and happenings around the world also. So I was very happy to learn that the vaccine developed at Oxford University is to be manufactured by SII, Pune. I saw part of an interview that the SII CEO gave to a TV channel in a whatsapp forward in October 2020, where he talked about the manufacturing costs, capacity of the plant and his plans of stockpiling and exporting of the vaccine. I did comment, how this person needs to export vaccine, with the limited capacity of manufacturing the no. of units per month. This, despite the world’s second largest consumer market being at his doorstep. Presumably, he had export orders in hand, so was revealing his plans for export to the world market. He spoke out of assurance about his product and it being in demand the world over. I was able to see all this, and I am not an expert in anything.

Then in January 2021 after the vaccination drive began in India, I read a newspaper article analysing the vaccination process, which said that at the current rate of manufacture and vaccine administering, it will take close to 8 years to vaccinate the whole population. Now with the ramped-up production with the amount advance given by the Govt of India in April 2021, to both the vaccine manufacturers in India, it will still take around three years to vaccinate the 70-75% of indian population, required for herd immunity.

So it does not appear realistic to believe that the indian manufactured vaccines are going to suffice. Foreign vaccines are needed to increase the vaccination speed so that maximum population can be vaccinated in smaller frame of time.

I have also heard it said that we are a huge population. Yes we have a huge population, everyone knows it. If 50-60 % of the population can vote in a 2-3 phase elections all over the country, they can be vaccinated in 4-6 vaccinated in a similar way. It is a matter of priorities. If we prioritise public health, good education and quality of life for all, as the matter of utmost importance, then it is an achievable target. Remember, when we started in 1947, we were short of many things, even food shortages and femines were a regular occurrence. As we became sufficient in food requirements and other essentials basic needs in the late 80’s and 90’s, the focus should have shifted to next essentials such as health facilites and good affordable education. In 2006, while in a personal discussion with a few colleagues, I had elaborated this point in detail as to how the public imagination was hijacked from essential matters, and the country was kept to the level of what it was in the 90’s.

The world at large is worried to see the situation in India. The virus and Pandemic don’t respect borders. India is such a large economy that things going bad in India have repercussions for global economy. As I said in a post last year, where I wrote about the pandemic, it has negative impact on micro economics the world over, not affecting as such on the macro economic level. A part of such micro economic strata is within the indian middle class, of which appx. 10 crore people are said to have gone below poverty line in the last one year.

The month of Ramadan is coming to an end, today. The last 10 days of the month are for asking forgiveness from Allah (swt). The devout and the not so devout the world over have been asking for the mercy of Almighty and asking forgiveness of intentional and not intentional, sins, aberrations, bad conduct and deeds, even as small an act as hurting a soul.

The qawwali I am presenting is a 30 minute, long rendition in the traditional naatiya qawwali format. When I read the news of Farid Sabri of Sabri brothers(Jaipur)’s demise, I thought I would prepare a post of one of his qawwali’s. I tried, but could not find one a truly inspiring one. There is one filmy qawwali by him, which I have plans to post sometime.

Then suddenly the crisis of supply of medical oxygen was the big news, with that came the news that Kingdom of Saudi Arabia is sending 80 MT of liquid oxygen to India to assist in the humanitarian crisis. The social media got flooded with clips of the news and this qawwali’s line in the background:

Har dard ki dawaa hai
Mohammed ke shehar mein

I have always known this qawwali, and it is famous one, but I had never seriously listened to it. When I found the qawwali rendition it was a later recording in a studio rendered by Aslam Sabri. Aslam Sabri seems to have sung songs/qawwali in a few films. I was not able to find any connection between him and the famous Sabri brothers of Pakistan, the first family of qawwal’s or to the Sabri brothers of Jaipur.

The qawwali is an expression of the great love and affection that followers of Islam have for the Prophet (pbuh). His beloved and loved city of Madinah and the Prophet’s masjid i. e. Masjid-e-Nabvi, is the focal point of this qawwali. In the extremities of these emotions, it is perhaps traditional or acceptable to go over the top or exaggerate beyond belief system.

About the two holy cities of Makkah and Madinah, the Harmain sharif, are the most visited sites on the face of this earth. At any given time through the year, these places are visited by 30 to 40 lakh people. The visitors arrive for ‘Umrah’ pilgrimage anytime in the year and ‘Hajj’ in the month of Zil-hajj. For the past 15 months, the govt. of Saudi Arabia, has stopped issuing Visa’s for the pilgrimages. This has caused a huge drop in business for the International Airline industry and hospitality industry. Any person connected with these business’s at the international or global level can verify the facts.

Only local citizens or may be expats are permitting to perform Hajj and Umrah. In the history it is the first time that devotees from other parts of the world could not perform Hajj in 2020. This year hopefully, the authorities will allow fully vaccinated people to perform Hajj 2021, while following the COVID protocol and SOP’s. I have visited the sites twice, but never in the month of Ramadan, which I have heard from those who have, is a special time to spend in Makkah and Madinah. It has been two low keys Ramadan’s now for these holy sites. We have been seeing photos and video’s of how the Harmain Sharif is observing the Covid protocols since last year, with very few people. Even the performing of the Salah(namaz) is with people standing 6 feet apart. The namaz in congregation is usually on the ‘fard’ for 2-5 minutes or longer, 10 minutes or so, if the longer surah is recited. In the Islamic faith, the believers stand shoulder to shoulder in a row. This signifies a basic tenet of Islam, where all humans are equal in eyes of Almighty.

Ek hi saff mein khade ho gaye mehmood-o-ayaz
Na koyi banda raha na koyi banda nawaaz

So said ‘Iqbal’, describing how the powerful and the weak of this world are standing shoulder to shoulder in a row for Salah.

This has been an example of how the religion of Islam adopts to the changing situations. The Hadith i. e. traditions of the Prophet(pbuh) also contain examples of how the protocol prescribed by the physicians at the time of spread of infectious diseases are to be followed at all costs. So that’s what the Harmain Sharif’s management and the Kingdom of Saudi Arabia, who are the custodians of the two holy Masajid, have done. This is the way followers of Islamic faith have tried to cope with the changed circumstances, the world over.

We in India, will be celebrating ‘Eid ul fitr’ on 14th of May, whereas the world over, in UK and Australia etc., it being observed on 13th of May, in accordance with the sighting of new moon in Saudi Arabia. The muslims of Kerela also follow the Gulf schedule. Now who ever has seen the world map or has a geographical sense of how the sun, moon and earth rotate and know that India lies in between the continent of Australia and Europe. This is because the Ulema’s in the many part of India have been very particular about following of the technicalities relating to the date and month, in the lunar calender. So we started Ramadhan a day later than most other parts of the world, also Eid is a day later.

Eid Mubarak everyone. May Allah (swt) keep all of us safe and healthy, in his hifz o amaan, and may he grant us the sa’adat of witnessing, praying in, and fasting in the next Ramadan.


Song-Har dard ki dawaa hai Muhammad ke shahar mein (Haji Aslam Sabri qawwaali)(2014) Singer-Haji Aslam Sabri, MD-Md Tahir

Lyrics

ae ae ae ae
ae ae ae ae
de re na
ae ae ae
aaaaa aaaaaaa
aaaaaa

jab mera jazb-e-junoon
auj ka zeena hogaa
jab mera jazb-e-junoon
auj ka zeena hogaa
phailne aur simatne ka
qareena hogaa

ya madine mein samaa jaayegi
saari ee ee duniyaa
ya aa aa zamaane mein madinaa hi madinaa hogaa

ya nabi aap ke
jalwon mein wo ra’anaayi hai
ya nabi aap ke
jalwon mein wo ra’anaayi hai
dekhne par bhi meri aankh
tamannaayi hai
haq ta’alaa bhi kareem
aur Muhammad bhi kareem
do kareemon ne gunaahgaar ki banaayi hai

Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
kyun aa ke ro rahaa hai
Muhommad ke shehar mein ae ae
kyun aa ke ro rahaa hai
Muhammad ke shehar mein ae ae
kyun aa ke ro rahaa hai
Muhommad ke shehar mein ae
har dard ki dawaa hai dawaa
har dard ki dawaa hai
Muhommad ke shehar mein
har dard ki dawaa hai
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein

dukh dard-o-alam gham kat-te hain
dukh dard-o-alam gham kat-te hain
dukh dard-o-alam gham kat-te hain
hasnain ke sadqe bant-te hain
Muhommad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein

Kuchh aisi bheed lag jaati hai
Shah-e-deen ke rauze par
Hawaa ko raasta mushkil se miltaa hai
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein

aaa aaaa aa aa
ghamon se jab bhi tabeeyat
malool hoti hai
to shaad kaam banaam-e-rasool hoti hai
ho jis duaa mein Muhammad ka waasta shaamil
huzoor-e-haq wo yaqeenan qubool hoti hai ae ae
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein

hawaayen bhi adab ke saathh chalti hain
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein

haathh mein tasbeen baghal mein musallah
haathh mein tasbeen baghal mein musallah
lab pe jaari Allah Allah
lab pe jaari Allah Allah
kehti hui pahunchi bait-ul-llah
kehti hui pahunchi bait-ul-llah
aur pukaari aye mere Allah
aur pukaari aye mere Allah
tu gadha ko jo nawaaze
to shehenshah bane ae
aur yateemon ko jo chaahe ae ae
to payambar kar de
aye mere Allah

to awaaz aayi
pagli…
mere parde mein wehdat ke siwaa kya hai
ja jo tujhe lena hai le
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein

Duaaon ma multaji hoon
yeh chaar misre jo pesh kar raha hoon
ye sun kar mere haq mein bhi duaa karen
ke aisa ho jaaye

mere baare mein kuchh
irshaad kiya jaayegaa aa
mere baare mein kuchh
irshaad kiya jaayegaa aa
dil-e-nashaad ko phir shaad kiya jaayegaa
main ye ummeed lagaaye huye
baithhaa hoon huzoor
ek baar aur mujhe yaad kiya jaayegaa
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein
Muhammad ke shehar mein

aao gunaahgaaron
chalo sar ke bal chalen aen
aao gunaahgaaron
chalo sar ke bal chalen aen
aao gunaahgaaron
chalo sar ke bal chalen aen
chalo sar ke bal chalen
chalo sar ke bal chalen en
haan chalo sar ke bal chalen en
chalo sar ke bal chalen en
chalo chaloo
sar ke bal chalen
chalo sar ke bal chalen

waja pesh kar raha hoon
samaat farmaayen

wahaan sar jhukaate hain auliyaa
wahaan sar jhukaate hain auliyaa
wahaan sar jhukaate hain auliyaa
wahaan paaon rakhna rawaa nahin
chalo sar ke bal chalen ea
chalo sar ke bal chalen ea
chalo sar ke bal chalen
chalo sar ke bal chalen
chalo sar ke bal chalen
naazaan hai jis pe husn
wo husn-e-rasool hai
yeh kehkashan to
aap ke qadmon ki dhool hai
ae reh rawaan-e-shauq
chalo sar ke bal chalen en
chalo sar ke bal chalen
chalo sar ke bal chalen
chalo sar ke bal chalen
chalo sar ke bal chalen

begaana-e-irfaan ko
haqueeqat ki khabar kya
jo aap se waaqif na ho
wo ehl-e-nazar kya
manzoor-e-nazar kaun huaa
iss ki khabar kyaa
wo fazl pe aa jaaye to phir
a’iyb-o-hunar kya
kaamil ko dar-e-yaar ke sajdon se na roko o
qurbaan jahaan dil ho wahaan qeemat-e-sar kya
chalo sar ke bal chalen en
chalo sar ke bal chalen
chalo sar ke bal chalen
chalo sar ke bal chalen
chalo sar ke bal chalen

aao gunaahgaaron
chalo sar ke bal chalen en
aao gunaahgaaron
chalo sar ke bal chalen en
aao gunaahgaaron
chalo sar ke bal chalen en
tauba ka dar khulaa hai
tauba ka dar khulaa hai
Muhammed ke shehar mein
tauba ka dar khulaa hai
Muhammed ke shehar mein
tauba ka dar khulaa hai
Muhammed ke shehar mein
tauba ka dar khulaa hai
Muhammed ke shehar mein

qadmon ne unn ke khaak ko
kundan banaa diyaa aa
qadmon ne unn ke khaak ko
kundan banaa diyaa aa
qadmon ne unn ke khaak ko
kundan banaa diyaa aa

Allama Iqbal ka nazraana-e-aqeedat
Sarkar ke
qadam-e-mubarak
ki roshni mein

teri nigaah se zarre bhi meher o maah bane
gadaaye besar-o-samaan jahaan panaah bane
huzoor hi ke karam ne mujhe tassalli di
huzoor hi mere gham pe meri panaah bane

zamaana vazdo kunaa ab bhi unn ke tauq mein hai ae

gaar-e-hira se muraad hai
zamaana vazdo kunaa ab bhi unn ke tauq mein hai
jo koh a dasht kabhi teri jalwaagaah bane
wahi maqaam muhobbat ki jalwaagaah bane
jahaan jahaan se wo guzre jahaan jahaan pahunche ae
qadmon ne unn ke khaak ko
kundan banaa diyaa aa
qadmon ne unn ke khaak ko
kundan banaa diyaa aa
qadmon ne unn ke khaak ko
kundan banaa diyaa aa aa
mitti bhi keemiyaa hai
mitti bhi keemiyaa hai
Muhammed ke shehar mein
mitti bhi keemiyaa hai
Muhammed ke shehar mein
mitti bhi keemiyaa hai
Muhammed ke shehar mein
mitti bhi keemiyaa hai
Muhammed ke shehar mein

sadqaa lutaa raha hai
khudaa unn ke naam kaa aa
sadqaa lutaa raha hai
khudaa unn ke naam kaa aa
sadqaa lutaa raha hai
khudaa unn ke naam kaa aa
sonaa nikal rahaa hai
sonaa nikal rahaa hai
Muhammed ke shehar mein
sonaa nikal rahaa hai
Muhammed ke shehar mein
sonaa nikal rahaa hai
Muhammed ke shehar mein
sonaa nikal rahaa hai
Muhammed ke shehar mein

sab to jhuke hain
khaana-e-kaabaa ke saamne ae ae
sab to jhuke hain
khaana-e-kaabaa ke saamne ae ae
aa aa aa aa aa
aa aa aa aa

(maulana ahmed razzak allah barelvi rahmatullah ….ka nazraana e aqeedat
aur sufi bismil baba ?? hilaali ka nazraana e aqeedat jam kar raha hoon is misre par samaat farmaayen )

haajiyon aao shehnshaah ka rauza dekho
kaaba to dekh chuke kaabe ka kaabaa dekho oo
madinaa woh hai ke kaabaa bhi sajdaa kartaa hai ae
kaabaa khud taibaa ki jaanib jhuktaa lagta hai ae
kaabe ka kaaba sarkar ka rauza lagtaa hai ae
phool gulaab ka aap ke chehre jaisa lagta hai ae
aur chamaktaa chaand nabi ka talwa lagtaa hai ae
sab to jhuke hain
khaana-e-kaabaa ke saamne ae
sab to jhuke hain
khaana-e-kaabaa ke saamne ae
sab to jhuke hain
khaana-e-kaabaa ke saamne ae
kaabaa jhukaa huaa hai
kaaba jhukaa huaa hai
muhammed ke shehar mein
kaaba jhukaa huaa hai
muhammed ke shehar mein
kaaba jhukaa huaa hai
muhammed ke shehar mein
kaaba jhukaa huaa hai
muhammed ke shehar mein

aaaa aaaa
aaaa aaaa
aaaa aaaa
aaaa aaaa

saaya nahi hai gumbad-e-khizra ka aaj bhi ee
saaya nahi hai gumbad-e-khizra ka aaj bhi
aa aa aa aa aa
saaya nahi hai gumbad-e-khizra ka aaj bhi ee ee

samaeen-e-ikram
Aslam sabri
ba-chashm-e-khud
dekh chuka hai

saaya nahi hai gumbad-e-khizra ka aaj bhi ee ee
khinchaa kuchh
is niraali shaan se
naqsha Muhammad ka aa
ke naqqash-e-azal bhi hogayaa
shaidaa Muhammed kaa
koyi kya dekhtaa aks-e-qad-e-baala
Muhammed ka
Saraapa noor wo qaamat-e-zebaa
Muhammed ka
Isi ba’ayis nazar aata na thha
Saaya Muhammed ka aa
saaya nahin hai gumbad-e-khizra ka aaj bhi ee ee
saaya nahin hai gumbad-e-khizra ka aaj bhi ee ee

main tujhe a’alam-e-ashya’a mein bhi paa leta hoon
log kehte hain ke hai a’alam-e-baalaa teraa
ek baar aur bhi hazrat ne falasteen diyaa
raasta dekhti hai masjid-e-aqsaa teraa
poore qad se main khadaa hoon ye karam hai teraa
mujh ko jhukne nahin detaa hai sahaara teraa
log kehte hain ke saaya tere paikar ka na thha
main to kehtaa hoon jahaan bhar pe hai saaya teraa
yehaan tak shauq-e-deedar-e-nabi thha haq taalaa ko o
toone bhejaa yehan waan rakh liyaa saaya

saaya nahin hai gumbad-e-khizra ka aaj bhi ee
saaya nahi hai gumbad-e-khizra ka aaj bhi
saaya nahi hai gumbad-e-khizra ka aaj bhi ee
zindaa ye ma’ujzaa
ma’ujzaa
zindaa ye ma’ujzaa hai
Muhammed ke Shehar mein ae
zindaa ye ma’ujzaa hai
Muhammed ke Shehar mein
zindaa ye ma’ujzaa hai
Muhammed ke Shehar mein
zindaa ye ma’ujzaa hai
Muhammed ke Shehar mein

Dhoondha khuda ko dhoondhne
waalon ne har jagah
Dhoondha khuda ko dhoondhne
Waalon ne har jagah
Dhoondha khuda ko dhoondhne
waalon ne har jagah
lekin khudaa milaa hai milaa
lekin khuda milaa hai
Muhammed ke Shehar mein
lekin khudaa milaa hai
Muhammed ke Shehar mein
lekin khudaa milaa hai
Muhammed ke Shehar mein
lekin khudaa milaa hai
Muhammed ke Shehar mein

(hazraat
kuchh nayaa ashaar pesh kar raha hoon)

Khudaa azal se huaa aisa mubtala’a-e-rasool
Ke kaayenaat ko paida kiya baraa-e-rasool
Dilon ko bhaa gayi kuchh iss tarah adaa-e-rasool
Ke jaan-o-dil se sahaba huye fida-e-rasool
Dil-o-nigaah ki duniyaa pe aise chhaaye rasool
ke kaiynaat ki har shai mein jagmagaaye rasool
Agar huzoor na hote to kuchh nahin hotaa
Ye kaiynaat banaayi gayi baraa-e-rasool
Maloon jabeen pe basaaun main apni aankhon mein
Mile naseeb se mujh ko jo khaak-e-paa-e-rasool
Muhammed ke Shehar mein
Muhammed ke Shehar mein
Muhammed ke Shehar mein
Muhammed ke Shehar mein

(hazraat
sufi bismil baba ka ye nazraana jo aapne
peshtar suna
ye nazraana bhi unhin ne pesh kiya hai
Aslam Sabri ki aawaaz mein khuloosh(??) se sunen)

Baab-e-asar khula hai Mohammed ke Shehar mein
Maqbool har duaa hai Mohammed ke shehar mein
Khushiyon ka dar khula hai Mohammed ke Shehar mein
Kyun ghamzada khada hai Mohammed ke Shehar mein

dhokha fareb
ye sher tavajjuh(??) ka aamil hai
jo log baargaahe risaalat mein haaziri ka ?? haasil kar chuke hain
wo gawaah hain
jo pesh kar rahaa hoon ??
Dhoka fareb jhoot dagha aur kalaam-e-bad
koyi na jaanta hai Mohammed ke Shehar mein

behre salaam aate hain har dam malaaye kaa (??)
behre salaam aate hain har dam malaaye kaa (??)
behre salaam aate hain har dam malaaye kaa (??)
Jaari yeh silsilaa hai
Jaari yeh silsilaa hai Mohammed ke Shehar mein
Jaari yeh silsilaa hai Mohammed ke Shehar mein
Jaari yeh silsilaa hai Mohammed ke Shehar mein
Jaari yeh silsilaa hai Mohammed ke Shehar mein

(samaat farmaayen
kuchh naye ashaar pesh kar rahaa hoon)

Har subaha khushnumaa hai Mohammed ke Shehar mein
Har shaam dilrubaa hai Mohammed ke Shehar mein
Dil ka sukoon
rooh ki taskeen
nazar ka noor,
Bikhra hua pada hai Mohammed ke Shehar mein

(ye sher bahut pasand hai mujhe)

Allah re yeh masjid-e-nabwi ki raunaqen
Allah re yeh masjid-e-nabwi ki raunaqen
Jannat ka dar khula hai Mohammed ke Shehar mein
Har zakhm ke liye yehaan marham hai dastiyaab
Har zakhm ke liye yehaan marham hai dastiyaab
Har dard ki dawaa hai Mohammed ke Shehar mein
balke yoon kahoon ki
Har zakhm ke liye yehan marham hai dastiyaab
Har dard khud dawaa hai Mohammed ke Shehar mein
Iss sar zameen ke khaar bhi phoolon se kam nahin
Kaanta bhi gulnuma hai Mohammed ke Shehar mein
Duniya mein uss ne dekh li jannat ba-chashm-e-khud
Jo reh ke aa gayaa hai Mohammed ke Shehar mein

(agla sher sunen)

Shehar-e-nabi ki hadd ka ta’ayyun mahaal hai ae
Shehar-e-nabi ki hadd ka ta’ayyun mahaal hai ae
Shehar-e-nabi ki hadd ka ta’ayyun mahaal hai ae
A’alam basaa huaa hai
A’alam basaa huaa hai Mohammed ke Shehar mein
A’alam basaa huaa hai Mohammed ke Shehar mein
A’alam basaa huaa hai Mohammed ke Shehar mein
A’alam basaa huaa hai Mohammed ke Shehar mein

Be-parda sab ke saamne chamka khudaa ka noor
Abu jehl phir bhi dekh na paaya khudaa ka noor
Arsh-e-bareen se kam nahin taiba ki sar zameen
Khud jis ki god mein khud simat aaya khudaa ka noor
Taarif kya bayaan ho jamaal-e-rasool ki
Shakl-e-bashar mein wo hain saraapa khudaa ka noor

Ae raaz tu to hind mein maujood hai magar
Deen aa ke padh rahaa hai Mohammed ke shehar mein
Main kya kahoon ke kya hai Mohammed ke Shehar mein
Be-pardaa khud khudaa hai Mohammed ke Shehar mein

Aslam wo din bhi aaye ke sab log yeh kahen ea
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
Aaaa aaaaaa
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
Aaaa aaaaaa
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
Aaaa aaaaaa
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
Aaaa aaaaaa
ni sa sa re sa
sa ni sa sa re sa
ni sa sa re sa
sa ni sa sa re sa
Aaaa aaaaaa
ni sa sa re sa
sa ni sa sa re sa
aa aa aa aani sa sa re sa
sa ni sa sa re sa
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
ni sa re ma pa ni
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
pa ma pa ma re ma
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
sa re ni sa pa ni pa
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
re sa
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
yaa habeeb
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
ya mustafa
Bismil bhi jaa rahaa hai Mohammed ke Shehar mein
ya mustafa


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16500 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16569

Number of movies covered in the blog

Movies with all their songs covered =1280
Total Number of movies covered=4510

Total visits so far

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Blog Start date: 19 july 2008

Active for more than 4000 days.

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