Archive for the ‘Post by nahm’ Category
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5326 | Post No. : | 17460 |
The other day when this song from the film Takshak(1999) appeared in the blog, it invoked memories of another film song of the same actors, a similar dance song, where Tabu is dancing with a group of girls, in day light this time. The song is from the film “Vijaypath”(1994), already posted in the blogAaiye aapka intezaar thhaa.
This is the only song to appear here. But this movie had other songs which were more popular, and one song became a controversial one. My own favourite song is this song filmed in outdoors, near a magnificent waterfall, parts of the song are filmed at the famed location of Vrindavan Garden in Mysore, which was as common location as Kashmir. It could be more common due to it being in south where more and more films were being made. Shooting for lots of hindi films produced by filmmakers from Mumbai were also largely done in Madras, Hyderabad etc.
The song in question is a romantic song tastefully composed by Anu Malik, and filmed on the same two actors, Tabu and Ajay Devgan. This was early on in both of their film career. Tabu’s first movie with Sanjay Kapoor, made by Boney Kapoor got delayed by several years. As artists both Tabu and Ajay Devgan have come a long way from those early years. Both have won laurels, recognition, and awards. Ajay Devgan was just another star kid, a small star’s kid, launched as action hero cum angry young man. His father being a fight master, he was showcased as a fight and stunt Hero with a soft heart and tendency for romance. He also had to do the song and dance routine with heroines. His movies did well mainly with Kajol, or they turned out to be well. I remember films like “Dil hi to hai” and “pyar to hona hi thha”. After the release of “Kuchh Kuchh hota hai”,Kajol and Ajay Devgan got married. Kajol stopped working for a few years. Making sporadic come backs, in Karan Johar’s films and Ajay Devgan’s home productions.
In this regard, I also remember an article in a film magazine, which gave detailed forecast about the career and personal life of some of the top leading actresses of the time. I remember reading about Tabu and Rani Mukherjee, and the life and career of these two are predicted accurately. Predictions, about careers is understandable, but personal life and life’s struggles, hurdles, how could anyone predict? and they turned out to be very close to what happened to them in general. Rani Mukherjee is a recluse now, just like her husband Aditya Chopra. Both Rani Mukherjee and Tabu were ambitious and serious about their careers, and they got their name and fame, in the film industry. Tabu is active in films and OTT, also. Notable film in recent times is “Drishyam’ and its sequel, which had both Ajay Devgan and Tabu in pivotal characters, giving performances of critical acclaim.
Ajay Devgan’s remarkable films are ‘Zakhm” and ‘Hum Dil de chuke sanam”. I have other songs filmed on him, which I plan to post. But a lingering memory from “Hum Dil De Chuke Sanam”, of a scene, where Ajay Devgan sings “Chingari koyi bhadke to saawan usse bujha de”. I personally like all the songs of ‘Amar Prem” barring this one. And that scene affirmed my not liking the song. People sing and remember many RDB-Kishore-Rajesh Khanna songs, but no one goes to touch this one.
Here is the song, written by Zameer Kazmi, 8 minutes long, for only 3 stanzas, but absorbing one. The singers are Alka Yagnik and Kumar Sanu. The song talks of “mulaquat”, an interesting word in Urdu which means a magnitude of things. For the time being, I will suffice to say that it means, a meeting, an encounter, a surprising coming across, what and what not. Appropriately, there is a restaurant on the main street of a popular weekend destination for Mumbaikars named “Mulaaquat”. I personally do not know of any other place named such.
I have wanted to post this song for a long time now. So here is it, and I have hummed this one to myself many a times, visiting that restaurant.
Audio:
Video:
Song-Raah mein unse mulaaqaat ho gayee (Vijaypath)(1994) Singers-Alka Yagnik, Kumar Sanu, Lyrics-Zameer Kazmi, MD-Anu Malik
both
Lyrics (as per audio)
Ah ha ha aaaa
ah ha ha haaa aaa
raah mein unn se
mulaquat ho gayee ee
raah mein unn se
mulaquat ho gayee ee
jis se darte thhe
wohi baati ho gayee
Ah ha ha aaaa
ah ha ha haaa aaa
raah mein unn se
mulaquat ho gayee ee
raah mein unn se
mulaquat ho gayee ee
jis se darte thhe
wohi baati ho gayee
Ah ha ha ha aaaa
ah ha ha haaa aaa
ishq ke naam se
dar lagtaa thha
dil ke anjaam se
dar lagtaa thha
ishq ke naam se
dar lagtaa thha
dil ke anjaam se
dar lagtaa thha
dil ke anjaam se
dar lagtaa thha
aashiqui wo hi
mere saathh ho gayi ee
aashiqui wo hi
mere saathh ho gayi ee
jis se darte thhe
wohi baati ho gayee
Ah ha ha ha aaaa
ah ha ha haaa aaa
tere bin kuchh nahin
bhaata hai mujhe
har taraf tu nazar
aat hai mujhe
tere bin kuchh nahin
bhaata hai mujhe
har taraf tu nazar
aat hai mujhe
har taraf tu nazar
aat hai mujhe
Zindagi taaron ki
Baaraat ho gayi ee
Zindagi taaron ki
Baaraat ho gayi ee
jis se darte thhe
wohi baati ho gayee
Ah ha ha ha ha aaaa
aa ha ha haaa aaa
aankh roye naam pe tere
saawan ki tarah
tu samaayee dil mein mere
dhadkan ki tarah
aankh roye naam pe tere
saawan ki tarah
tu samaayee dil mein mere
dhadkan ki tarah
dhadkan ki tarah
har taraf pyaar ki
barsaat ho gayi ee
har taraf pyaar ki
barsaat ho gayi ee
jis se darte thhe
wohi baati ho gayee
Ah ha ha ha aaaa
ah ha ha haaa aaa
raah mein unn se
mulaquat ho gayee ee
raah mein unn se
mulaquat ho gayee ee
jis se darte thhe
wohi baati ho gayee
Ah ha ha ha aaaa
ah ha ha haaa aaa
Kaahe dheere chale ree ghadi
Posted February 14, 2023
on:This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5324 | Post No. : | 17453 |
Tribute to Lata Mangeshkar – 3
From where can one start talking of Lata Mangeshkar, from the ‘carefree’ Hawa mein udtaa jaaye, to the restless Jiya bekaraar hai, to the idealistic “ham ne dekhi hai unn aankhon ki mehekti khushoo”, to the itthlati/itraati “bindiya chamkegi’/ ’koyi shehri babu dil lehri babu’, to pensive “rahen na rahen ham’, to the patient “ab to hai tum se’ mischievous “baahon mein chale aao’, to the mysterious ‘naina barse’/“lag ja gale” , to the despairing ‘jo ham ne daastaan apni sunaayi’, to the unabashed “kaanton se kheench kar yeh aanchal” & “ab ke sajan saawan mein” & “nainon mein badra chhaye”, to the resigned “duniya mein aisa kahan sab ka naseeb hai”, to sad “duniya mein ham aayen hai to” & ‘bekas pe karam keejiye”, & “Raja ki aayegi baraat”….. the list will go on forever.
Songs like “main tere ishq mein mar na jaaun kahin”, “dil mein kisi ke pyar ka jalta hua diya”, “jab bhi jee chaahe nayi duniya”, “hai tere saathh meri Wafaa”, ”milo na tum to ham ghabraayen”, “do dil toote do dil haare”, “Do hanson ka joda bichhad gayo re” & “dhoondo dhoondo re saajna”, “raat bhi hai kuchh bheegi bheegi”, “gairon pe karam” / “milti hai zindiagi mein”, “baar baar tohe kya samjhaaye”, “yoon hasraton ke daagh” & “unn ko yeh shikayat hai” , the unforgettable songs of “pakeeza’. I will stop now; the list is never ending.
If I go through all the films featuring in the ‘list of songs movie-wise’ I will find 60 % movies having Lata songs. This is just a guess; I could not go through them all. With 3800 plus songs posted on the blog, she is bound to be in 60% movies list. With 17400/- total songs posted in the blog, Lata Mangeshkar is featuring in more than 22 % songs.
Her many melodies will haunt the music and songs aficionados forever.
Tu chanda main chaandni
yoon hee mahke preet piyaa ke
Ae dil e nadaan
For decades, we have heard her, in Meena Kumari’s tallafuz, Mala Sinha’s diction, Waheeda’s naunces, Hema Malini’s accent, Nargis’s melancholy, Jaya’s integrity, Mumtaz’s exuberance, among many others hues and emotions. It is said that it was Madan Mohan who really taught her to emote in songs. It could be true, in a sense, we as radio listeners could not always know the mood of the song, when listening to Lata’s perfection in delivery and diction. A case in point, is the song “ham tere pyar mein saara aalam’ from “Dil Ek Mandir”. I have heard it on the radio from childhood, but had no idea that it is a sad, and crying song, though at the end of the song there is a “siski”. When I saw that song on youtube, for the first time, I was surprised to see that Meena Kumari is crying ‘zaar-o-qataar”. It is as if Lata Mangeshkar was not briefed about the crying of Meena Kumari while singing the song on screen. This is the more likely explanation, in my opinion.
The perfection of Lata Mangeshkar, is a great learning instrument for vocalists around the world. And her dignity, her self-belief and pride are her achievements, for always keeping herself head and shoulders above her colleagues and competitors, even her own sister. For the world is not a nice place for a woman, who is alone, without a husbands name to add. People judge women unfairly. This has happened to women, in history and in reality, in fact and in fiction, in personal life and in professional life. In a society, where women are goddess and maataa, but in real application, they are subordinate to the god and pita/pati, a male one.
If there was anyone, who could be her equal in her professional field, it was one and only Rafi Sahab. In terms of success, in voice quality, delivery and versatility, Lata Mangeshkar remained first among equals. That is her final triumph acknowledged as such. As the life force drained out of her, we do not know what she felt as a creation, finally going to meet her creator. But we shall remember her as a shining voice, which will resonate till this civilization lasts.
I have chosen this song from 1949 film ‘Raakhi”, where she sounds like the young girl, she was then. Sarshar Sailani is the lyricist and composers are Husnlal-Bhagatram.
These five songs from this film posted in the blog:
Song | Date of posting |
---|---|
Ab to aa jaao | 17 June 2011 |
Raakhi ka aaya tyohaar sakhi | 2 august 2012 |
Dil par kisi ka teer e nazar khhaa ke reh gaye | 24 January 2014 |
Mohe laa de reshmi lahanga | 3 October 2019 |
O roothh jaane waale mera qasoor kya hai | 28 september 2022 |
This song is truly a hidden gem. I say this about most of Husnlal- Bhagatram songs. But then there is nothing sweeter than a youth, who cannot wait to embrace life. Time has a way of running away when it wishes and moving slowly when it wills.
In this song, the girl/lady singing feels that time is moving too slowly, she is charmingly complaining to the clock, for running slowly, as she waits for her “saajan” to return home in the evening. There have been a few songs in this genre too in hindi films. This is also a ‘dheere dheere’ catrgory song.
Song-Kaahe dheere chale ree ghadi (Raakhi)(1949) Singer-Lata Mangeshkar, Lyrics-Sarshaar Sailani, MD-Husnlal-Bhagatram
Lyrics
kaahe dheere chale ri ghadi ee ee
kaahe dheere chale ri ghadi
baat dekhoon main
baat dekhoon main kab se khadi ee
kab se khadi
kaahe dheere chale ri ghadi ee ee
kaahe dheere chale ri ghadi
chain padti nahin
mohe saajan bina
mohe saajan binaa
tere bas mein saajan ko
laana yahaan
haan laana yahaan
tez ho jo ghadi ki ghadi ee ee
tez ho jo ghadi ki ghadi
ghadi ki ghadi
kaahe dheere chale ri ghadi ee ee
kaahe dheere chale ri ghadi
tu jo tick tick kare
jiya dhak dhak kare
jiya dhak dhak kare
yeh khushaamad bhala
koyi kab tak kare
koyi kab tak kare
main to sau baar
painyyaan padi ee ee
main to sau baar
painyyan padi ee
painyyaan padi
kaahe dheere chale ri ghadi ee ee
kaahe dheere chale ri ghadi
jhhoom uthhe
ashaaon bhara man
aashaaon bhara man
jhhoom uthhe
aashaaon bhara man
aashaaon bhara man
chhoom chhanana chhanan
chhan chhan chhan chhan
paanch bajaa
(tan tan tan tan tan)
meharbaani ho teri badi ee ee
meharbaani ho teri badi
teri badi
kaahe dheere chale ri ghadi ee ee
kaahe dheere chale ri ghadi
baat dekhoon main
baat dekhoon main kab se khadi ee
kab se khadi
kaahe dheere chale ri ghadi ee ee
kaahe dheere chale ri ghadi
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5315 | Post No. : | 17429 |
Tribute to Lata Mangeshkar – 2
Yaraa seeli seeli
birha ki raat ka jalnaa
dholaa seeli seeli
yeh bhi koyi jeenaa hai
yeh bhi koyi marnaa
O how slow is the night(lamp)
Burning to ambers, Oh love
Oh love, the slow burn
of the lonely lamp.
is this way of the living?
Or it is the way of the dead.
tooti hui choodiyon se
jodoon yeh kalaayi main ae
pichhli gali mein jaane
kya chhod aayi main
beetee huyi galiyon se ae
phir se guzarna yaraa
broken are they,
the bangles I try to adorn.
(They were whole once-my loved ones)
In the lane behind me,
What have I left behind.
(something in the previous life)
Those same lanes, call me,
I must pass by them again, love.
pairon mein na saaya koyi
sar pe na saayin re
mere saathh jaaye naa
meri parchhaayi re
baahar ujaalaa hai
andar veeraana
No one beside me, no shade (for feet).
No Lord(benevolent),
even to care for me.
No one goes with me,
not even my shadow.
All brightness is on the outside.
Inside it is all dark and desolate, my love.
In 1990, I was fascinated with this song. Not seen the song anywhere, only heard it on the radio. I don’t remember what else I knew about it, only that Dimple Kapadia was the actress, singing this on screen. I was working in a private firm’s office in Santacruz. There was this girl working there called ‘Heather’, who was looking to change jobs. She asked me to accompany her for interview somewhere at Bandra. In my turn, I also persuaded her to come with me to watch this movie at Liberty Cinema. After the interview, we reached the city and were late for the movie. It had already started, and ‘Heather tried to change my mind, about wasting the ticket money. But having gone so far, I was not in the mood to go back home without watching the movie. It was 3 to 3:30, almost 1 hour of the movie was over. We got the tickets and went inside the hall. In that red carpeted hall, it was as if we were alone in there. Soon interval came, and to our astonishment, there was no one to be seen. Heather said it is not safe to sit in there for us 2 girls and we should just get out. Finally, some I came to my senses we left the cinema.
That incident in 1991, and my ‘khwaahish’ to see this movie remained unfulfilled. Until a few years ago, when I again remembered this film and saw it on YouTube. Ah! What would we have done without YouTube. All the while I was listening to this song, and may have seen it somewhere on TV. Or found it on YouTube.
The awards list of this song is also impressive.
• 1991 – Filmfare Awards – Best Lyricist – Gulzar
• 1990 – National Film Awards – Best Female Playback Singer – Lata Mangeshkar
• 1990 – National Film Awards – Best Lyrics – Gulzar
Trivia:
This song was based on the Punjabi song “Ve Main Chori Chori” composed and sung by the Pakistani folk artist Reshma.
The folk flavour of this song, and the fresh analogies that Gulzar has made in lyrics of this song, made it very special. The super rendition by Lata Mangeshkar has also won her the National Award, yet again.
The following 3 songs are posted in the blog.
Song | Date of posting |
---|---|
Main ek sadi se baithhi hoon | 6 February 2022 |
Suniye jee araj mhaaro | 26 October 2012 |
Surmayee shaam is tarah aaye (Lekin) | 18 august 2022 |
This song is a significant one as the film music scene was just picking up, sufiana and Punjabi folk was gaining momentum. Here again, the relevance of Lata Mangeshkar, as a grand doyen of female playback singers, was established. She was singing for R. D. Burman, Laxminkant Pyarelal, of the old brigade and also for new breed of musician through the 90’s.
Video:
Audio:
Live song:
Song-Yaara seeli seeli birha ki raat ka jalna (Lekin)(1990) Singer-Lata Mangeshkar, Lyrics-Gulzar, MD-Hridaynath Mangeshkar
Lyrics
Yaraa seeli seeli
birha ki raat ka jalnaa aa
yaraa seeli seeli
yaraa seeli seeli
ho yaraa seeli seeli
dholaa seeli seeli
yaraa seeli seeli
birha ki raat ka jalnaa aa
yeh bhi koyi jeenaa hai
yeh bhi koyi jeenaa hai
yeh bhi koyi marnaa
yaraa seeli seeli
birha ki raat ka jalnaa aa
yaraa seeli seeli
dholaa seeli seeli
tooti hui choodiyon se
jodoon yeh kalaayi main
pichhli gali mein jaane
kya chhod aayi main
tooti hui choodiyon se
jodoon yeh kalaayi main ae
pichhli gali mein jaane
kya chhod aayi main
beetee huyi galiyon se ae
beetee huyi galiyon se ae
phir se guzarna yaraa
seelli seelli
dholaa seeli seeli
ho yaraa seeli seeli
birha ki raat ka jalnaa aa
yaraa seeli seeli
dholaa seeli seeli
pairon mein na saaya koyi
sar pe na saayin re
mere saathh jaaye naa
meri parchhaayi re
pairon mein na saaya koyi
sar pe na saayin re
mere saathh jaaye naa
meri parchhaayi re
baahar ujaadaa hai
baahar ujaadaa hai
andar veeraana
yaraa seeli seeli
o dholaa seeli seeli
ho yaraa seeli seeli
birha ki raat ka jalnaa aa
yaraa seeli seeli
dholaa seeli seeli
yaaraa aaaa
dholaa aaaa
yaaraa aaaa
dholaa aaaa
yaaraa aaaa
dholaa aaaa
Door kahin ik aam ki bagiya
Posted February 6, 2023
on:This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5315 | Post No. : | 17426 |
Tribute to Lata Mangeshkar – 1
————————————————-
A R Rahman – The Musician of 21st Century – 5
—————————————————————-
On February 06, 2022 the voice fell silent forever. Today is the first Remembrance Day of ‘Nightingale of India’. We can give her many adjective call her ‘Andaleeb-e-hindostan’ or ‘hindustan ki bulbul’. The government of India has awarded her the highest civilian award of ‘bharat ratna’.
I turn to Iqbal for inspiration. I was hoping to find something suitable for this occasion, as ‘bulbul’ figures prominently in Allama Iqbal’s poetry. I am not going too deep in the interpretation of this one, just reproducing the ghazal, with the translation in English, which I found on one of the sites on Allama Iqbal.
Ye Surood-e-Qumri-o-Bulbul Faraib-e-Gosh Hai
———————————————–
Ye Surood-e-Qumri-o-Bulbul Faraib-e-Gosh Hai
Batin-e-Hangama Abad-e-Chaman Khamosh Hai
These songs of turtle doves and nightingales are merely ear’s illusion
Behind this uproar the world of the garden is silent
Tere Pemanon Ka Hai Ye Ae Mai-e-Maghrib Asar
Khanda-Zan Saqi Hai, Sari Anjuman Be-Hosh Hai
O Western wine the effect of your goblets is only this
That cup‐bearer is laughing and the entire assembly is unconscious
Dehr Ke Gham Khane Mein Tera Pata Milta Nahin
Jurm Tha Kya Afreenish Bhi Ke Tu Ru-Posh Hai
In the world’s sorrowful house you are not traceable
Was creation also a crime so Your nature is concealed?
Ah, Dunya Dil Samajhti Hai Jise, Woh Dil Nahin
Pehlu-e-Insan Mein Ek Hangama-e-Khamosh Hai
Ah! What the world considers heart is not heart
In the human breast this is a silent tumult
Zindagi Ki Rah Mein Chal, Lekin Zara Bach Bach Ke Chal
Ye Samajh Le Koi Meena Khana Bar-e-Dosh Hai
.
Walk on the path of life but walk carefully
Understand that some glass work is on your shoulders
Jis Ke Dam Se Dilli-o-Lahore Hum Pehlu Huwe
Ah, Ae Iqbal! Woh Bulbul Bhi Ab Khamosh Hai
Through whom Delhi and Lahore were drawn together
Ah! Iqbal that nightingale is silent now.
This ghazal talks of Nightingale’s song, silence behind noises of the world, effect of wine (of power) on those who enjoy power, the role of ‘saaqi’ in this process, the true beauty of creation being invisible and untraceable in this sad world, a silent tumult in the human chest, the heart without characteristics of a real heart, an advice to be careful in the world as one carries delicate matters as baggage, etc.
The ghazal ends, stating that the nightingale which brought ‘Dilli’ and ‘Lahore’ closer is silent now. How appropriate!
It is just co-incidence that I started this post with the sentence ‘On February 06, 2022 the voice fell silent forever’ and afterwards found this ghazal which ends with a similar refrain. As expected, Iqbal never fails to impress, with vocabulary, which is unusual, yet relatable.
I will at least make a trilogy of posts as a tribute to a legend among all Indian artists. It disturbs me to hear people criticise her, whenever her name is mentioned in informal talks, during lunch time etc. Even without actively trying to dominate the hindi films singers’ field, which some allege Lata Mangeshkar did, she would have dominated and overshadowed her competition. There was lot of focus, dedication, talent, devotion to her singing and single-minded ambition involved in making her the voice of the nation, and it gave her the heights and glory, which she deserved and no one else could have achieved.
And the perfectionist in her would not have settled for anything less. There are hundreds of her songs, which are a legacy too varied, for any body to emulate. I have always held her voice, the shine of it, close to my heart. As a professional, she held the belief that she is the best and she would be the best. In this she was her own competition, and she competed with no one else.
Though the world of music does not consider hindi film music as a serious form of music. The format of writer, composer and singer being different persons, is a factor in this non-recognition. Despite this Lata Mangeshkar’s status as Indian vocalist is hers alone and this cannot be overstated and over rated.
This fact was amply acknowledged by the new age musician like A. R. Rehman. Lata Mangeshkar sang very few songs in the last 20 years, but majority of these songs are for ARR. ARR is forever, having unknown singers from his academy sing his songs. Many of the established playback singers of hindi films have sung for him, 1, 2 or 3 songs for him. Lata Mangeshkar would top this list with Sukhwinder Singh, as film after film, he had her sings bhajans, fusion songs and lullabies and sad songs. From ‘Dil Se’ to ‘Rang De Basanti’ to ‘Pukar’, the songs are many.
I am presenting here one such lullaby from the film Zubeida (2001), one of the well-known songs by Lata-ARR. The poetry is by Javed Akhtar.
Two songs from “Zubeida”(2001) are already on the blog:-
Song | Date of posting |
---|---|
Dheeme dheeme gaaun dheere dheere gaaun | 29 May 2019 |
Mehandi hai rachnewaali | 4 October 2014 |
As a lullaby goes, this is softer and having a story of a ‘Shehzadi’. As all are asleep, the Shehzadi comes down from her home in the stars, to the child’s house. She brings with her all the sweet dreams with her and arranges those dreams on the child’s eyelashes. How endearingly the scene for the child to go to sleep is created, making he or she secure in the knowledge that the princess is going to come and give him sweet dreams as soon as he or she sleeps.
With ARR’s orchestration yet to reach the pinnacle in the new century, this is one of the best scores of that period. I have my favourites in this film’s songs too. But this ‘lori’ becomes all time classic in this genre, with Lata’s singing, not to mention the imagery of dreams brought down from the shining stars, that Javed Akhtar created.
Full Audio:
Part video:
Song-Door kahin ik aam ki bagiya (Zubeida)(2001) Singer-Lata Mangeshkar, Lyrics-Javed Akhtar, MD-A R Rahman
Lyrics
hmmm mmm mmmm
hmmm hm hmmhmmhmm
hmmm mmm mmmm
hmmm hm hmmhmmhmm
aa aaaa
aahaahaa aaaa haaaaa
door kahin ik aam ki bagiyaa aa
door kahin ik aam ki bagiyaa
bagiyaa mein hai
thhandi chhaaon
chhaaon mein ik kachcha rastaa
raste mein pyaara sa gaaon
gaaon mein ik chhota sa ghar
ghar mein ik ujlaa sa aangan
aangan mein chandan ka palna
palne mein chandaa sa munnaa
aaa…
munne ki aankhon mein nindiyaa aa
door kahin ik aam ki bagiyaa
bagiyaa mein hai
thhandi chhaaon
chhaaon mein ik kachcha rastaa
raste mein pyaara sa gaaon
neele neele aasmaan mein
taaron ka hai ek nagar
jagmag jagmag ik taare par
ek shehzaadi ka hai ghar
chupke chupke raat ko uthh ke
dhyaan se dekhe koyi agar
jhilmil jhilmil hai taare mein
uss shehzaadi ke zevar
shehzaadi ithhlaaye
shehzaadi ye gaaye
door kahin ik aam ki bagiyaa aa
aadhi raat jab ho jaati hai
jab duniya so jaati hai
taaron se shehzaadi utar ke
munne ke ghar aati hai
meethhe meethhe saare sapne
apne saathh woh laati hai ae
sote munne ki palkon pe
ye sapne woh sajaati hai ae
sirhaane wo aaye
haule se wo gaaye
door kahin ik aam ki bagiyaa aa aa
Jiya jiya re jiya re
Posted February 1, 2023
on:This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5311 | Post No. : | 17410 | Movie Count : |
4689 |
AR Rehman – The Musician of 21st Century – 4
Agar firdaus bar-rū-e-zamīñ ast
Hamīñ ast o hamīñ ast o hamīñ ast
Dekh tera kya rang kar diya hai
Khushboo ka jhonka tere sang kar diya hai
If I say that the above lines perfectly describe the colourful sights and smells of Kashmir, then it is much less than what I want to say. The first time I travelled outside Maharashtra, north of Mumbai, was the trip to Kashmir combined with Delhi-Agra visit back in 2012. So, after 10 years I just thought, let’s do a package tour this time. There we were, 6 of us in the group, a couple from Bangalore, two senior ladies from Gujarat and my husband with his better half 😊. We two reached a day earlier then the group tour was to start, in the 3rd week of August. This was right after the engagement ceremony in Belgaum. So, we got to stay in two different houseboats and we covered Yusmarg, another beautiful part of the valley, a little off the beaten track. Apart from Srinagar, this was the only place I got to see a crowd of local people. There were some school groups, who were visiting that day. Lots of girls and boys in school uniforms with teachers.
About houseboat stay: Exquisitely carved wooden boat, living in them is a different and unique experience. They are stationary, and all of them have the same type of facilities and services are very basic. Meals are provided in house, by the household of the owners living behind the houseboats, in the houses on the island in the Dal lake. There are many ghats for travelling to and fro from house boats. And you cannot travel from one house boats covered by one ghat, to another houseboat coming under the jurisdiction of another ghat. The shikaras cannot trespass into each other’s territories, in other words. They will drop you to their own ghat, then you can make your own way to which ever ghat your other houseboat comes under and take a fresh shikara from there. In order to find a Kashmir song, I saw a few songs of ‘Mission Kashmir”. In them, the interiors of the houseboat shown are very authentic and close to the real thing. But most of the scenes in that song showing area surrounding the houseboat is shot in studio, and not realistic at all.
Yeh jhonka tere ghar ka rastaa banegaa
Akele mein tujh se mila to kahegaa
Next place to travel was Pahalgham, where we stayed to 2 nights. The hightlight is travelling to Pahalgham by road. The whole area and travel, is a scenic beauty. I was clicking away on my mobile and it was never enough. Another turn of the road, and there is more to see, the same mountains and trees but different to click. This time I can say, I really looked at Kashmir through the camera on my mobile. It also makes me wonder how this type of natural beautiful views must be affecting the professional photographers. I am sure the film industry photographers have shot reels and reels of the views here, and most of it could not be included in the final edited film. Pahalgham has not changed much from 2012. It is a town high up in the mountainous valley, surrounded by huge mountains. They have developed the Betaab valley as a big picnic spot, and entry fee. It has artificially created pebble beach, with patches of forests, pathways and open gardens. The ‘Lidder’ river is really magnificent to travel along, with deep gorges and water dancing along huge boulders. River rafting could be delighting for those who can.
Tu aa jaa main tere sang chaloon
Satrangi ke le ke rang chaloon
Next stop was at Gulmarg, which has changed, more commercial, more horses and horsemen then tourist. The situation is the same at Yusmarg, as there were very few tourists there. But at Gulmarg, tourists were there, but the whole area seems to be swarming with horses and guides. On our last visit, we could not get the tickets for Gondola ride. This time the tour operator has arranged tickets, so I was excited to go so high up in the mountains. But the tour company messed up our booking, and they had booked it for the next day. Next day, we were to leave for Srinagar. All the group members called up the tour operators contacts, but it was a Sunday, the office was closed. Eventually, the issue was resolved, and the tickets were arranged. So, we went up level 1 on the gondola, and 4 of us went to the next level i. e. Level 2 also, and we climbed down a side of the mountain to get to the last remaining patch of ice. That patch had not melted as direct sun light is not falling on that side of the mountain. In August, there is no snow/ice anywhere in Kashmir, except the glaciers, which are obviously too far to reach.
Tere paas yaadon ka melaa rahegaa
Tu logon mein reh kar akelaa rahegaa
We returned to Srinagar, and next day was for sight seeing at Srinagar and shopping. Shankar Acharya temple visit, and Gardens were scheduled, but Nishat Baug was closed that day, so we could only visit Shalimar Garden and click the photos there.
Next day was the day trip to Sonmarg, which is on the road to Laddakh. This is again an enchanting journey through the valleys. With the huge mountains, (we don’t have such mountains in our region) make us wonder at the creator. The Himalayas are the highest mountain range in the world, with top two peaks in this range, the Mount Everest and K-II. I was just writing this on guess work, but thought to research the top ten peaks in the world. This is the result:
List of 10 highest mountains of the world
Rank | Mountain | Range | Country Height (ft.) | |
---|---|---|---|---|
1. | Everest | Himalayas | Nepal, China | 29,031.7 |
2. | K2 (Mount Godwin Austen) | Karakoram | Pakistan, China | 28,251 |
3. | Kangchenjunga | Himalayas | India, Nepal | 28,169 |
4. | Lhotse | Himalayas | Nepal, China | 27,940 |
5. | Makalu | Himalayas | Nepal, China | 27,838 |
6. | Cho Oyu | Himalayas | Nepal, China | 26,864 |
7. | Dhaulagiri | Himalayas | Nepal | 26,795 |
8. | Manaslu | Himalayas | Nepal | 26,781 |
9. | Nanga Parbat | Himalayas | Pakistan | 26,660 |
10. | Annapurna | Himalayas | Nepal | 26,545 |
The Himalayas account for all ten of them. I should have looked for top 20, then maybe I will get some variety. No such luck as the top 20 also all in the Himalayas. (Highest mountains), only the last few out of the 8 thousanders’(in meters) list.
On my last trip, we were unable to tolerate the cold, and returned to Srinagar halfway from Sonamarg. This time since the weather was tolerably cold, we did reach the area where the Glacier is visible. People go near the streams and nearer to the Glacier, on horseback. We travelled a little distance up the mountain on horse but came back early. The couple from Bangalore went the whole hog and made the most of the trip, as they did the horse-riding expedition in Pahalgham too.
Sonmarg in Winter
Sonmarg in Summer
The 55,000 glaciers in the Himalaya, Karakoram, and Hindu Kush (HKHK) mountain ranges store more freshwater than any region outside of the North and South Poles. Their ice reserves feed into three major river basins in South Asia—the Indus, Ganges, and Brahmaputra—that are home to 750 million people.
Ten thousand of these are India, this page has some of the glacier ranges pictures.
I have found another Bollywood song, part of which is shot near to the Thajiwas glacier. I will post that outdoorsy song and then we can see how huge it was then and compare it to the present status in the you tube links given above. There is the chance to write more about the glaciers and rivers and mountains of Kashmir.
Dekh tera kya rang kar diya hai
Khushboo ka jhonka tere sang kar diya hai
(Muhammed Nasir)
My search of songs filmed in Kashmir took me to the movie “Jab tak hai Jaan”(2012), songs of which were composed by A. R. Rehman. There are other songs in the movie that are very rich and appealing. Punjabi folk and sufiana are accounting for 80% of creativity in hindi film music even in the 21st century. But this song won out on location shoots.
So this catchy songs, filmed part in Gulmarg, Part in Pehalgham, part in Yusmarg and the fabulous reflective Dal lake, sung by Neeti Mohan and written by Gulzar is post no. 4 of A. R. Rehman series. River rafting in Lidder river and the road towards Pehelgham are the locations, no one could avoid if you got a film unit to shoot in Kashmir. Anushka Sharma is singing, and Shah Rukh Khan is also seen in the song. The audio recording of the song focuses on Neeti Mohan’s powerful vocals. There are as many different singers as songs in this score.
Video:
Audio:
Song-Jiya jiya re jiya re (Jab Tak Hai Jaan)(2012) Singer-Neeti Mohan, Lyrics-Gulzar, MD-A R Rahman
Lyrics(as per full audio):
Chali re ae
Chali re ae
Junoon oon
ko liye ae
qatraa aa
qatraa aa
lamhon on
ko piye ae
pinjre se udaa
dil ka shikraa
khudi se main ne
ishq kiyaa re ae
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya o o o o o
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya o o ooo
Chali re ae
Chali ee ee re ae
Junoon oon
ko liye ea
pinjre se udaa
dil ka shikraa
khudi se main ne
ishq kiyaa aa aa re ae
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya oo ooo ooooo
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya o o o o o
(rap by Akira)
Chhote chhote
Lamhon ko
Titlee ke jaise pakdo to oo
Haathhon mein rang
Reh jaata hai ae
Pankhon se jab
chhodo to
Waqt chalta hai
Waqt ka magar
rang Utartaa hai
Akiraa
Udte udte phir
Ek lamhaa main ne
Pakad liyaa re ae ae
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya o o o o o
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya o o o o o
Halke halke
dardon mein
muskuraana
achha lagta hai ae
Raushni jo
Detaa ho to oo
dil jalaana
achha lagta hai ae
ek pal sahi
umr bhar ise
saathh rakhna
akiraa
zindagi se phir
ek waada
maine kar liya re ae ae
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya o o o o o
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya oo ooo ooooo
Chali re ae
Chali re ae
Junoon oon
ko liye ae
pinjre se udaa
dil ka shikraa
khudi se main ne ae ea
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya o o o o o
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya jiya re jiya re
Jiya o o o o o
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5307 | Post No. : | 17399 | Movie Count : |
4686 |
Celebrating a wedding at Bangalore
———————————————-
The wedding of my nephew (Elder sisters son) was solemnised at Bangalore in the last week of December. The groom is born in Mumbai, but has grown up studied and now working also in Bangalore, so he is a Bangaloria, through and through. I used to call him Bangaloria when he was a kid, for the way he would speak the local dialect. The engagement had taken place at Belgaum in August. The bride’s family are very traditional and conservative. They wanted the wedding to take place within 2-3 months. November was the month, they wanted to plan. Since we had our Turkey visit already planned for November end, and my brother had only few days leave in December, somehow, a date suiting all made final.
By the grace of Almighty Allah, all went well with the wedding and all functions. All the guest from different places and overseas, reached on time. The weddings in Bangalore are more disciplined, and set time is adhered to unlike what happens in Mumbai. I applaud the people of Bangalore city, for ‘jhelofying’ the traffic conditions and keeping to the times. The 4 days I spent there; it was like half the life is spend in travel from place to place. Regulars of the blog, from Bangalore can testify, that if 5 km distance travel is involved, ½ an hour travel time is a given. The groom’s house and the bride’s houses are in the areas on opposite side of an arterial road, not very far from the location where the flyover for the airport starts. What all was looking good and convenient and accessible on paper, was not the same on ground. But eventually everyone reached their destinations safely and no one missed anything. Everyone blessed the couple, enjoyed the hearty feasts, and all went home to their own cities and houses and jobs, having made some new memories of the event.
The nikaah was in the morning so that same evening was free for those who wanted to roam around. So, we also did, roam around the city in the car amid heavy traffic on Christmas eve with my sister, cousins, children etc. We were on MG road for a good dining place. I remembered a scene in Aamir Khan’s “Raakh”, which was set in some year 2030 MG road in an Indian metro city. The movie released in 1989 but the story dated some 50 years after. This is what I recall, but not sure. Eventually we left MG road and went to another area where restaurants were open till 2.00 am. Bangalore has changed in this regard in last 11-12 years.
Weddings are special, in the way they bring people together to catch up, relive the old times. Meeting and greeting the close and far off relations, plus old friends, with whom we have lost touch is also a bonus. My sisters two close friends live in Mumbai, but do not get to meet each other often. They came to Bangalore to attend the wedding and found a rare opportunity to spend time with each other. They were regular visitors in our house till my sister was alive, and they know most of the extended family also because of this.
Many people who knew my sisters since she shifted to Bangalore in 1994, her neighbours in the earlier house and her business associated, were among the guests at reception by grooms’ side, to bless the new couple. One of the associate/friends at the wedding was actor Feroz Khan’s and singer Kanchan’s cousin, who was used to share film industry’s’ inside news with my sister. My sister was a film buff, like I am a film song buff. She used to pore over filmy gossip magazines.
Let us go back to the wedding. The bride is a sweet girl, who has studied in Belgaum, Shimla, Jaipur, and Ajmer. Due to her father’s posting in Belgaum some years ago and for the last few years, they were staying in Belgaum, where the engagement in August took place. Her family hails from ‘Madanapalle’ in Andhra Pradesh. This place is also known and important for when Rabindra Nath Tagore visited the Besant Theosophical College there. It is known that Rabindra Nath Tagore composed the tune of ‘Jana gana mana’ while staying in Madanapalle. As soon as I got to know that the girl is from a place called “madanapalle”, I googled and got the above trivia.
So here to the addition of new member in the family and to the value addition to the nephew s life, where he is now responsible for another person’s wellbeing and happiness. In the small intimate ceremony of family members at home, right after the wedding, the bride and the groom were asked to sing songs and say a poem where they must take each other’s names. When I suggested this song “aaj se teri saari galiyan meri ho gayin” for the groom to sing for his bride, he did not agree, saying this is very unfair, everything belongs to her and I get nothing, only ‘galiyan’ & ‘gham’! 😊.
But it is only fair that you give her everything that she has left behind in her parent’s house, to come to your place, she brings her destiny with her, joins it with you and makes your house, a home. Alhamdullillah.
So the song I am presenting is the same one, from the film ‘Pad Man”(2017). This is the trivia about the film:
• The film was a “cinematic adaptation” of the life story of Arunachalam Muruganantham, a social entrepreneur from Coimbatore. Arunachalam is known for developing low-cost sanitary pads and for increasing awareness about menstrual hygiene practices. The Government of India awarded him the Padma Shri in 2016.
• The film’s concept credited to Twinkle Khanna. While she produced the film, her husband Akshay Kumar played the lead role in it. Twinkle Khanna had written a short story titled “The Sanitary Man of Sacred Land” in 2016 which, like the film, was based on the life of Arunachalam Muruganantham. The story was part of a collection of stories written by her titled “The Legend of Lakshmi Prasad”.
The lead actors in the film were Akshay Kumar, Radhika Apte and Sonam Kapoor. The song is a written by Kausar Munir and composer is Amit Trivedi. Arjit Singh is the singer. Their tally in the blog so far is this:
Amit Trivedi | 5 |
Kausar Munir | 2 |
Arijit Singh | 7 |
This is a celebratory song, with Akshay Kumar making all type of promises to Radhika Apte and in return only needing her to make ‘maalpue’ sometimes and ‘khul ke muskurana’ sometimes. Cute and generous to boot. ‘Bangaluria” bhanje, do take note.
For history of ‘maalpue’ in the blog, one may revisit this post.
Full audio:
Video:
Song-Aaj se teri saari galiyaan meri ho gayin (Pad Man)(2017) Singer-Arijit Singh, Lyrics-Kausar Munir, MD-Amit Trivedi
Lyrics (as per audio)
Aaj se teri
saari galiyaan
meri ho gayin
aaj se meraa
ghar teraa ho gayaa
Aaj se teri
saari galiyaan
meri ho gayin
aaj se meraa
ghar teraa ho gayaa
aaj se meri
saari khushiyaan
teri ho gayin
aaj se teraa
gham meraa ho gayaa
ho tere kaandhe ka jo til hai
ho tere seene mein jo dil hai
ho teri Bijli ka jo bill hai
aaj se meraa ho gayaa
ho mere khwaabon ka ambar
ho meri khushiyon ka samandar
ho mere pin code ka number
aaj se teraa ho gayaa
tere maathe ae ae ae ae ae ae ae ae
tere maathhe ke kumkum ko
main tilak lagaa ke ghoomoongaa
teri baali ki chhum chhum ko
main dil se lagaa ke jhoomoongaa
meri chhotti se bhoolon ko tu
nadiya mein bahaa denaa
tere joode ke phoolon ko
main apni shirt mein pehnoongaa
bas mere liye tu maalpuye
kabhi kabhi bana denaa
aaj se meri saari ratiyaan
teri ho gayin
aaj se tera
din meraa ho gayaa
ho tere kaandhe ka jo til hai
ho tere seene mein jo dil hai
ho teri Bijli ka jo bill hai
aaj se meraa ho gayaa
ho mere khwaabon ka ambar
ho meri khushiyon ka samandar
ho mere pin code ka number
aaj se teraa ho gayaa
tu maange sardi mein Amiya
jo maange garmi mein moongphaliyaan
tu baarish mein agar keh de
ja mere liye tu dhoop khilaa
to main sooraj a a a a a
to main sooraj ko jhatak doonga
to main saawan ko gatak loongaa
to saare taaron sang chanda
main teri goad mein rakh doongaa
bas mere liye tu khil ke kabhi
muskuraa denaa
aaj se meri
saari sadiyaan
teri ho gayin
aaj se teraa
pal meraa ho gayaa
ho tere kaandhe ka jo til hai
ho tere seene mein jo dil hai
ho teri Bijli ka jo bill hai
aaj se meraa ho gayaa
ho mere khwaabon ka ambar
ho meri khushiyon ka samandar
ho mere pin code ka number
aaj se
teraa ho gayaa
Aaj se teri
saari galiyaan
meri ho gayin
aaj se meraa
ghar teraa ho gayaa
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5305 | Post No. : | 17385 |
74th Republic Day on 26th January, 2023
We have all heard this ghazal, in the form of patriotic songs, songs with nationalistic flavour in various films made on Shaheed Bhagat Singh, and some not made on him. Such is the power of this inquilabi poetry, that people seemed to have recited and memorised this one through generations, when there was no digitalization of data and published material was not available for cheap. Or not easily accessible in remote areas. The ghazal has gone hand in hand with ‘mera rang de basanti chola’ through out history of independent India, in movies and beyond. Be it hindi films or regional language films, obviously Punjabi movies. But I am prepared to not be surprised to find these two songs in other regional language films, like Bengali, Marathi and others.
Just today, Peevesie’s Mom’s post on ‘Kaahe ko Biyaahi Bides’ has appeared on the blog. The same creation by Amir Khusro, for the umpteenth time. And this was created centuries ago. At least ‘sarfaroshi ki tamanna’ is less than 100 years old.
I am reproducing here the original ghazal by Bismil Azimabadi (Sourced from Rekhta.com in devnagari script).
सरफ़रोशी की तमन्ना अब हमारे दिल में है
देखना है ज़ोर कितना बाज़ू-ए-क़ातिल में है
ऐ शहीद-ए-मुल्क-ओ-मिल्लत मैं तिरे ऊपर निसार
ले तिरी हिम्मत का चर्चा ग़ैर की महफ़िल में है
वाए क़िस्मत पाँव की ऐ ज़ोफ़ कुछ चलती नहीं
कारवाँ अपना अभी तक पहली ही मंज़िल में है
रहरव-ए-राह-ए-मोहब्बत रह न जाना राह में
लज़्ज़त-ए-सहरा-नवर्दी दूरी-ए-मंज़िल में है
शौक़ से राह-ए-मोहब्बत की मुसीबत झेल ले
इक ख़ुशी का राज़ पिन्हाँ जादा-ए-मंज़िल में है
आज फिर मक़्तल में क़ातिल कह रहा है बार बार
आएँ वो शौक़-ए-शहादत जिन के जिन के दिल में है
मरने वालो आओ अब गर्दन कटाओ शौक़ से
ये ग़नीमत वक़्त है ख़ंजर कफ़-ए-क़ातिल में है
माने-ए-इज़हार तुम को है हया, हम को अदब
कुछ तुम्हारे दिल के अंदर कुछ हमारे दिल में है
मय-कदा सुनसान ख़ुम उल्टे पड़े हैं जाम चूर
सर-निगूँ बैठा है साक़ी जो तिरी महफ़िल में है
वक़्त आने दे दिखा देंगे तुझे ऐ आसमाँ
हम अभी से क्यूँ बताएँ क्या हमारे दिल में है
अब न अगले वलवले हैं और न वो अरमाँ की भीड़
सिर्फ़ मिट जाने की इक हसरत दिल-ए-‘बिस्मिल’ में है
As per Rekhta.com, this ghazal is by Bismil Azimabadi, and researchers have found that it is present in his collection ‘Hikaayat e Hasti’. Hikayat means – story, tale, narrative, narration, fable, anecdote. All those things. Rekhta.com has also explained the reason of this ghazal being wrongly attributed to Ram Prasad Bismil, is the tradition that when Ram Prasad Bismil was being hanged, the “matla’a” of this ghazal was recited by him.
This legend also explains why this ghazal and ‘mera rang de basanti’ are invariably included in all films made on Shaheed Bhagat Singh.
I found these versions of this song already posted in the blog:
Sarfaroshi ki tamanna ab hamaare dil mein hai | Shaheed (1965) |
Sarfaroshi ki tamanna ab hamaare dil mein hai | Shaheed e Azam Bhagat Singh (1954) |
Incidentally, both versions are sung by Rafi Sahab, one being group song.
I remember, there is a recitation in “Rang de Basanti” (2006) too. So, these two songs really go hand in hand. This movie was not on Bhagat Singh, even so.
The word Sarfarosh means ‘one who is ready to die for a good cause’, jaannisar or jaanbaaz. This persian origin word’s impact is such, with less than 30% population who can speak and understand Urdu, there are four movies with this word, Sarfarosh 1964, Sarfarosh 1985, Sarfarosh-e-hind 1999 and Sarfarosh in 1999.
This style of poetry is known as Inquilabi shayari. Content and substance will matter in all eras. However much technological advancement, we are seeing at present could not have happened without human intellect, which created the problems, analysed them and solved them. Now those same solutions are in the process of reformation and refurbishment. Strong content with truthful intent will survive for centuries, mere laffazi will not.
So this is also the USP of Urdu language in the present era, with its relatability, with its small vocabulary, with scope for borrowing from its parental, friends, neighbours, relative languages, without really requiring expansion of its dictionary. Ha! what am I saying? This is truly debatable. I am prone to passing sentences, without corroborating them with any scientific, analytic proven facts.
As we celebrate 74th Republic Day today, we must accept, it’s the substantial literary output presented by the authors, writers and poets of the region, for centuries, which has survived the test of time. It was the combined intellect of the constitutional committee, with its 100s of members, which has given us the constitution. There was no, ‘one size fits all’ solution in front of these men and women. They had the ‘tehzeeb’ and ‘rivaayat’ of different schools of intellectual and religious thoughts that have prospered in our region and elsewhere and shaped it. And they managed to create a workable system, which has served us for better part of the century.
I sometimes wonder, if the constitution can be called a work of fiction or non-fiction. It is something that the Parliament must implement and the courts of law must uphold. I am confused, between implemented and not implemented, upheld, and not upheld constitutional rights.
Enough of my musings, will move on to the song.
I am presenting yet another Rafi version of ‘sarfaroshi ki tamanna ab hamaare dil mein hai’. This one is from ‘Shaheed Bhagat Singh (1963) composed by Husnlal-Bhagatram. The lyrics are credited to Ram Prasad Bismil, in this instance. The film is exactly 60 year old in 2023, so it of retirement age.
These 2 songs from this fil are already posted:-
Song | Date of post |
---|---|
Hain abhi aur ae dil tere imtihaan | 23 March 2012 |
Chadh ke sooli Bharat maa de jis ne kasht nivaare | 23 March 2022 |
And this is by no means the end of ‘Sarfaroshi ki tamanna’ as far as hindi film songs are concerned. There are more songs remaining to be covered.
Audio:
Video
Song-Sarfaroshi ki tamanna ab hamaare dil mein hai (Shaheed Bhagat Singh)(1963) Singer-Rafi, Lyrics-Bismil Azimabadi, MD-Husnlal Bhagatram
Rafi + Male chorus
Rafi + Male Chorus +Female chorus
Lyrics(Based on video)
sarfaroshi ki tamanna
ab hamaare dil mein hai
dekhna hai zor kitna
baazu-e-qaatil mein hai
sarfaroshi ki tamanna
ab hamaare dil mein hai
dekhna hai zor kitna
baazu-e-qaatil mein hai
aaj maqtal mein yeh qaatil
keh raha hai baar baar
keh rahaa hai baar baar
aaj maqtal mein yeh qaatil
keh raha hai baar baar
keh rahaa hai baar baar
jaan dene ki tamanna
aaj kis ke dil mein hai
sarfaroshi ki tamanna
ab hamaare dil mein hai
sarfaroshi ki tamanna
ab hamaare dil mein hai
waqt aane par bataa denge
tujhe ae aasmaan aan
tujhe ae aasmaan
waqt aane par bataa denge
tujhe ae aasmaan aan
tujhe ae aasmaan
ham abhi se kya bataayen
kya hamaare dil mein hai
sarfaroshi ki tamanna
ab hamaare dil mein hai
sarfaroshi ki tamanna
ab hamaare dil mein hai
ab na pehle walwale hain
aur na armaanon ki bheed
aur na armaanon ki bheed
ab na pehle walwale hain
aur na armaanon ki bheed
aur na armaanon ki bheed
ek mit jaane ki Hasrat
ab hamaare dil mein hai
sarfaroshi ki tamanna
ab hamaare dil mein hai
sarfaroshi ki tamanna
ab hamaare dil mein hai
sarfaroshi ki tamanna
ab hamaare dil mein hai
Saiyyaara main saiyyaara
Posted January 21, 2023
on:This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5300 | Post No. : | 17364 | Movie Count : |
4676 |
My thoughts and impressions about Turkey
I had zeroed in on this song to write this travelogue post, but keeping it for its turn, as I wanted to do some other post before this. But my last post for Rafi Sahab’s birth anniversary, inspired some very interesting comments and discussions, especially from Shri. Partha Chanda Sir, who is a treasure full of knowledge. Whatever is the outcome of the Voyager I & II’s search, the quest for intelligent life in outer spaces and the milky way will continue. It is a race against time for scientists, who I think are desperate to find another habitable planet, which can sustain life. I also feel, they might even have some definite clues, for they sent two space ships in 2 years in the same direction(?).
Possibilities are as infinite as the outer space is. I think, the information is released for public consumption only when it is deemed fit and what is deemed fit.
So, I am presenting this one of its kind songs which talks of ‘saiyyara’ which means planet. The mukhda of the song is:
saiyyara main saiyyara
saiyyara tu saiyyara
sitaaron ke Jahan mein
milenge ab yaaraa
A planet, I am
A planet, you are
In the world of stars,
We will come together, O friend
There are countless hindi film songs which talk of stars, sun and moon. This is the only song I know, which is literally referring to a planet, though planets are also stars, but very far away, celestial entities, rarely visible to the naked eye.
Original reason for posting this song, is because it is filmed on the coast of Istanbul, Turkey. The magnificent historical monument ‘The Hagia Sophia Grand Mosque’ is visible across the Marmara Sea, in some scenes. Its Turkish name is ‘Ayasofya Camii”. It has existed since the 4th century, was originally built as a Greek orthodox church and has lots of history behind it. Another monument called the Blue Mosque or Sultan Ahmet Mosque is in another part of the huge complex, as also the Topikapi Palace, the official residence of the ottoman sultans. It is said to be the most visited historical site of Turkey.
The year that was 2022 has ended and 2023 has started. The last 5 months of the year were hectic for me. I am at fault for planning 2 trips to different locations, one within India and one out of India, almost back-to-back. But two more trips had to be done, within these 5 months, which was not my fault. Family events necessitated these additional 2 trips. I will come to them in other posts.
This post is about our holiday trip to ‘Turkiye’. What started as a passing comment by my cousin’s wife in UK during out visit in 2021, had become a wave in 2022. She said, that we should all plan a group trip to Turkey, sometime and that it would be nice to go together with family. I said OK, we can plan and spoke about it to more cousins in the UAE, where we all met up when we stopped over for a few days while returning from UK. Many of them seemed to agree and were excited.
Over the next few months, the group discusses various time options and itinerary etc., in WhatsApp group chat and on telephone. Slowly, as the plan neared finalization, people started to withdraw from the plan. Eventually only 6 of us were remaining. The cousin and his wife from UK who originally mooted the idea, me with husband, my sister, and her husband (also my cousin) from UAE. I was super keen for this trip to materialize, having done so much research and work towards planning it. Initial plan was only for 7 days, and plan was to do only Istanbul, Bursa, Pamukkale, Kusadasi, and end at Antalya. As families dropped out, only 6 adults were finalized. And then we were able to add 2 more days which enable us to cover Cappadocia, which is an important and popular tourist’s site. This last-minute addition meant we had the opportune experience of criss-crossing the country, add Konya visit and miss Kusadasi.
Kusadasi falls south of Istanbul in western Turkey, on the coast nearing Aegean Sea. It is supposed to have coastal village market, with the Greek touch maybe. Plus, a small ruins area by the sea called Ephesus. The scenes of Kusadasi and the Thermal water springs falling naturally formed steps on limestone, near to Herapolis ancient city ruins, with ruins of a huge amphitheatre at Pamukkale can be seen in this song posted in the blog:
Actually, Kusadasi is less than 3 hours by road from Pamukkale, and both the places can be covered in 1 full day. But we had to reach Antalya on the same day that we had to visit interesting places at Pamukkale, so Kusadasi could not be included.
Turkey is rightly billed as the meeting point of the world, which it truly is geographically, on the cusp of 3 major continents with 90% the recorded history of this civilization. Istanbul is a “Red Apple” which has drawn all the major ruling powers of the world, the Byzantine, the Romans, the Ottomans, Persians, Mongols, and who else? Surely the British wanted to rule it, but during the rise and fall of British empire, all of three and half centuries, the Ottomans were a strong force. And it is very much evident in Turkey that it was never under a European colonial power, though was ruled by the Romans and Orthodox Greeks for centuries.
It is a cultural shock in many ways, not least of which is it disabused my notion, that if we know English we can get along anywhere in the world. I am aware that there are large parts of the world who do not speak English, like China and Russia. But a region, right in the middle of it all, all the great wars and struggles, power play, so close to the conflicts and crisis ridden middle east, I did not expect it to be so blatant in its disregard for the language, which we have received and embraced as a gift of colonialism.
We stayed for 3 days at Istanbul, earlier known as Constantinople (Qustuntunia in Urdu). We had 1 day to visit the historical sites in the city. We spend 1 days in visiting Sogut(and Bursa) which is small town roughly 3 hours travel south east of Istanbul. It is a place of importance for Turkey’s history because of Ertugrul Gazi, the great warrior and Chieftain of ‘Kayi Tribe’. Kayi tribe is one of the prominent and historical dominant Tribes, of Oghuz Tribes from Turkmenistan. They made the fertile lands of Anatolia their home. The ruling king gave them lands to establish their tribes along the western borders with Romans and the Greek ruled areas. Thus began the legend of Ertugrul Gazi, the founder of Sultanat-e-Osmania, which the world knows as the great Ottoman Empire. His youngest son Osman Gazi, was the first Sultan of this Empire.
This great empire was an exemplary Islamic achievement in every sense and its contribution to our civilization is undeniable. The whole region flourished during the 500 odd years of the Ottoman Rule. It was the seat of power, spiritual and religious, for centuries with the establishment of Islamic Khilafat here. The phenomenal growth and glory of this flourishing society the world has not seen before, or since. It flourished and grew, without debauchery, and its economy working without interest, and slavery. It grew, with the best possible system of equable opportunities and distribution of wealth. The focus of the Europeans had shifted, to colonising and occupying the north and south American continents. By 15th century, the Roman empire had been annihilated, the Mongols had been neutralised and dispersed and been absorbed in the Baltic region around Caspian Sea. The biggest army of foot soldiers in the history of civilization, which was controlling the major part of Central Asia in 11th and 12th Century, had just vanished in thin air. The British, French, Spanish, and Portuguese, everyone went on establish colonies elsewhere in the world, like off shore accounts for bringing home the riches, the Romans were so demoralized that they did not bother. At least I have not heard of any Italian colonies.
For most part, the Turkish people under Ottomans were leading in education, science and medicine and technological advancements. But at some point, complacency set in, things began to go wrong, with the ruling elite and its relations with other elite of the era. The ottomans decision to align with Hitler in world war – I was just the final nail in the coffin, from where we can read. There was too much external interference and internal strife, within the empire. Either way the empire’s rule was doomed. Post the dissolution, Mustafa Kemal Ataturk, established the republic, and according to some managed to save Anatolia from further disintegration. Allied countries were eyeing their share of war spoils. The last century has seen many such foolhardy wars, where someone starts a war at someone’s behest and encouragement, on a sitting goose. Then those same war mongers cry out that this is sacrilege, ‘all must ally against the aggressor’ blah blah blah. It all ends, with a few millions lives lost, a few impoverished regions becoming poorer, and some rich people getting more power and spoils of the war. The original idea of the war, and the purpose/motivation is all but forgotten. While some super powers continued to fight a cold war for decades, not just on land, but in space too 😊. Between Siberia and Alaska, the twain shall meet.
But in space, our love struck planets shall meet in todays song. Before that there is more to add about our Turkey visit.
We visited the tomb of Ertugrul Gazi at Sogut, which was location of his first victory The same day we also visited the town of Bursa, again a historical city, which was first won over by Osman Gazi, whose Tomb is also there. The town is full of ancient markets, modern markets and older Masaajid.
Our last day in Istanbul was spent in Bosphorus Boat tour along the Marmara Sea coast, starting from place called Galata, where the common people could be seen fishing from the bridge. In a city this big, free fishing for self-consumption is a surprising sight. Istanbul is also full of huge Masaajid, built on similar pattern of AayaSofia and the Blue Mosque (ie the Sultan Ahmet Mosque), with multiple domes and Minarets. I also recall that I have seen such big complexes in UAE and Saudi Arab also with similar looking architecture.
Tourists cannot go to historical places, museums, and important places without proper licensed guide in Turkey. The guides are trained and have proper university degree to function as such. Turkey appears as a developed and prosperous country, proud of its rich history and heritage. The people are more content, with very little evidence of impoverishment. In Istanbul, we saw a few Syrian refugees, selling small items, or working menial jobs in restaurants, who appeared poor. One can look at its national airline, to gauge the well being of a nation. A people who are as football crazy as the other western countries, always appear well dressed and courteous, be it the guides, drivers, etc. always soft spoken and well behaved.
It appears as if the cities and towns are relatively free of petty crimes, like theft and pick pocketing etc. as we observed that houses and flats in the cities also are without grills. Shops were closed at night with only glass shutters, not metal shutters. This could mean very good policing or a great system of crime prevention or deterrence. It so happened that my cousin’s wallet fell out of his pocket when we went to see the ‘Sufi dance show’ at Cappadocia. The wallet was returned to the hotel with nothing missing, and the person who brought it, did not even wait for the reward. We had different guides and vehicles /drivers for different locations. Every time, we tipped them, they would just smile and keep the Lira notes in the pocket shyly uttering thanks, without even looking at the amount. It was the same everywhere, small places, big towns. It is rare to find such contentment in the people working for their daily substance. By the way, the guides knew to communicate in English. The system of tourists’ companies works efficiently to provide guide with knowledge of the language to communicate with tourists.
It was colder than what was forecast in Istanbul, but we had a good time in the evenings too. We went to see the shopping and fashionable crowds at the Istiklal Street, near Taksim Square. Istiklal street is like the world fashion street of any big city, with holiday crowds thronging the branded shops and eateries, hotels for local savouries.
Turkish cuisine is an acquired taste, I had no previous exposure to it. But it grew on me as we tasted different Kebab and fish preparations, as also the desserts. Turkish delight and its flavoured colourful varieties are a bit too much for the newly exposed elderly people like us, who must watch sugar intake 😊. But we lost no opportunity to drink the Pomegranate juice every where and anywhere we could get hold of it. It is sold usually for 40-50 Turkish Lira, a big glassful pure juice of 5-6 pomegranates. Each time I held the big glass the thick blood red juice, I was doubtful of ever finishing it. I said to my group “aur kitna khoon piyoge”. Ayran is another drink, which I liked and we all drank with meals. Ayran is like a desi chhaas, but not quite salty, nor sweet, but thicker like Lassi in consistency. You can call is Lassi without sugar.
Before I forget, Turkish Tea is a worthy discovery. The first evening in Istanbul, I tried Turkish coffee, but it was too thick and bitter. Rest of the trip, I stuck to the tried and tested café latte. As the climate remained cold throughout, we ended up having tea frequently while travelling and also after meals. Turkish tea is a plain black tea, served in small curved glasses, with matching saucers. It looked exotic every time we were served 6 -8 cups, 2 additional for the guide and driver travelling with our group. I never tried it without sugar, after the first coffee experience, but it is a good to drink it after a non-spicy but greasy Kebab’s and chips meal. Most places(restaurants), Turkish tea after meal is complimentary. So, we managed to avoid desserts. I kept demanding ice-cream after food, and every time it was deferred for the next meal, by majority consensus. I am holding all 5 of the group members responsible for my missing out on Turkish ice-cream.
The other places like Cappadocia and Antalya, are great for one visit. Cappadocia is known for its unique rock formations, mushrooms like shapes and other sand covered mountains of distinct shapes. The town is also known for the caves and cave houses, some of which are converted into hotels now. Some of the natives were living in the caves till a few decades ago. The government has persuaded them to move to more suitable living spaces since. The highlight of Antalya is the Dudan falls and shopping in the areas around the fort near the coast.
We managed to get a 2-3 hours visit to Konya, the ancient city famous for being the capital of Seljuk Empire and for the Persian Sufi Mohammed Jalaaluddin, known in Turkey as the Mevlana, and rest of the world, as Rumi. Mevlana’s father came to Turkey and he was encouraged to settle there, and thus the Mevlana was born there.
This is about all that I needed to write in this post about Turkey and our visit.
I have also attempted a translation of Kausar Munir’s poetry here:
Aasmaan tera mera huaa
khwaab ki tarah dhuaan dhuaan
Aasmaan tera mera huaa
saans ki tarah ruaan ruaan
jaaye Jahan tu jaaye
paaye mujhe hi paaye
saaye yeh mere
hain tujh mein samaaye
The sky covering you is mine too
Like a dream, full of smoke and mist.
The sky over you is over me too
Like a breath, coming and going.
Go wherever you wish to,
You will find me there.
For within you, are my reflection
saiyyara main saiyyara
saiyyara tu saiyyara
sitaaron ke Jahan mein
milenge ab yaaraa
A planet, I am
A planet, you are
In the world of stars,
We will come together, O friend
tu jo milaa to yun huaa
ho gayi poori adhoori si duaa
tu jo gayaa to le gayaa
sang tere mere jeene ki har wajah
To find you is as if,
A wish and a prayer, comes true.
You take away as you go,
With you, every reason for life.
Go wherever you wish to,
You will find me there.
For within you, are my reflection.
A planet, I am
A planet, you are
In the world of stars,
We will come together, O friend
tum pe miti tum se bani
tum se huaa hai haan khud pe yaqeen
tu jo nahi to na sahi
main hoon yehaan to tu hai yahin kahin
I am dust and made all over again, for you,
Have gained self-belief because of you.
If you are not here, so be it,
I am here, so you will be somewhere nearby.
Go wherever you wish to,
You will find me there.
For within you, are my reflection.
A planet, I am
A planet, you are
In the world of stars,
As I translated it, it makes perfect sense in its poetic urdu. I am not so sure, if the translation is making as good a sense. Kausar Munir is the poet of this songs which is composed by Sohail Sen. Mohit Chauhan and Tarannum Mallik have done a good job for enhancing the poetry and the feel of it.
The movie is ‘Ek thha Tiger” (2012), a YRF production which had Salman Khan, playing the role of an Indian Spy who falls in love with a Pakistani Spy. The song is played in the background as, they the two Spies find themselves in the same city at the same time, meet to clear their status as spy of two neighbouring nations, go away, then find each other again at a diplomatic function.
The poetry in the song is very true in this sense. These two lead characters are like planets, revolving on their own axis as well as rotating along the predestined path. Their paths will surely cross, but how can they be together at any point, however they may wish and dream.
Full Audio:
Video:
Song-Saiyyaara main saiyyaara (Ek Thha Tiger)(2012) Singers-Mohit Chauhan, Tarannum Mallik, Lyrics-Kausar Munir, MD-Sohail Sen
Chorus
Lyrics
Aasmaan
tera mera huaa
khwaab ki tarah
dhuaan dhuaan
Aasmaan
tera mera huaa
saans ki tarah
ruaan ruaan
ho.. jaaye Jahaan tu jaaye
paaye mujhe hi paaye
saaye yeh mere
hain tujh mein samaaye
saiyyaara main saiyyaara
saiyyaara tu saiyyaara
sitaaron ke Jahaan mein
milenge ab yaaraa
saiyyaara main saiyyaara
saiyyaara tu saiyyaara
sitaaron ke Jahaan mein
milenge ab yaaraa
tu jo milaa
to yoonn huaa aa
ho gayi poori
adhoori si duaa
tu jo gayaa
to le gayaa
sang tere mere
jeene ki har wajah
ho.. jaaye Jahaan tu jaaye
paaye mujhe hi paaye
saaye yeh mere
hain tujh mein samaaye
saiyyaara main saiyyaara
saiyyaara tu saiyyaara
sitaaron ke Jahan mein
milenge ab yaaraa
saiyyaara main saiyyaara
saiyyaara tu saiyyaara
sitaaron ke Jahan mein
milenge ab yaaraa
tum pe miti
tum se bani ee
tum se huaa hai
haan khud pe yaqeen
tu jo nahin
to na sahi ee
main hoon yehaan to
tu hai yahin kahin een
ho.. jaaye Jahan tu jaaye
paaye mujhe hi paaye
saaye yeh mere
hain tujh mein samaaye
saiyyaara main saiyyaara
saiyyaara tu saiyyaara
sitaaron ke Jahaan mein
milenge ab yaaraa
saiyyaara main saiyyaara
saiyyaara tu saiyyaara
sitaaron ke Jahan mein
milenge ab yaaraa
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5272 | Post No. : | 17281 |
98th birth anniversary of Mohammed Rafi sahab
Rafi Sahab’s Legendary Associations – 11
How the human mind works and the vagaries of human memory system, the scientists are still figuring out. I, for one, am very grateful that my memory brings forth to the mind a significant Rafi song to write a post at the most unexpected moment.
Since last few months, things have been very hectic at the domestic front, for no real tangible reason. They just are somewhat crazy, with stress levels running high on the work front too. Family events, travels notwithstanding, I should have written a few more posts this year, if only I could focus. So much so that I was on the verge of advising the HOD that the office needs a “self-help-stress management” “how to make the office atmosphere positive” “How to have healthy work relations with colleagues” sort of workshops/seminar. Not that I am going to do any such thing as advising the HOD, at-least I am trying not to. The thing is, a close friend expressed an opinion, if any such events are organised at the office, this will add to the stress levels of the already stressed-out officers.
I could also suggest some soothing music to be played on the non-existing PA system. There really are many classic music compositions, human civilization has produced. Many of them are having soothing qualities, some have the capacity to amaze the listener, that something like this could be created. There are many amazing and wonderful things, that we human can be grateful for. Sounds of music is one of them. The simplest things in life, which are free are to be valued and be thankful for. I thought the pandemic and tribulations it brought to humans, would make us all better humans, and teach us thankfulness, for many of the blessings which we all take to granted.
Post pandemic, as the world is back to normal, the massive restrictions during 2020 & 2021 are all but forgotten, which seem like a bad dream. Only sometimes I think of those days when work from home was possible, that was one advantage.
I honestly feel, it has had an impact on the evolution of humans. It has had huge psychological impact on young kids and elders. It is to be hoped that kids with the resilience of the young, will get past this bad dream. But the reminders of the bad dream are everywhere around us. The other day, I saw those round circles painted on the floor outside a supermarket. We were made to stand in queue to buy groceries, only a few people allowed inside at a time, to buy essentials for gods sake. If this was not a trial of psychological bondage training imparted to masses, then what was it? No wonder, humans, evolved after the pandemic are more disgruntled than before.
As the scientific community is grappling with the impact on the mental health (which is the new pandemic), lowered immunity in young and old, it is the responsibility and duty of able-minded people in the society to take great care, of their social surroundings, environment and individuals who may need a word or two, of care, of encouragement, of belief, of faith that things do not remain the same, they always change for the better.
No doubt that the research papers and thesis that come out on the impact of COVID – 19 on humanity, will point to the great stress it put on the psychological strength of the world’s populace. For this, the disease is not at fault, but the handling of the crisis, is the culprit. Having said this, I admit that being judgmental in hindsight is easy. But dealing with the aftermath is not going to be easy and it requires all the resilience of humanity.
I read about the voyager 1 & 2 sometime back and about the recordings of sounds to earth which they carried. With great hope I looked for the details of Indian songs in the 90 minutes music record. I found this Hindustani classical song is part of that.
Bhairavi: Jaat Kahan Ho | Traditional | Kesarbai Kerkar (vocals) with harmonium, Tanpura and tabla accompaniment | Recorded in Bombay, April 1953 | Hindustani Shastriya Sangeet (Indian classical music) | 3:30 |
Hindustani classical music is an important component of sound of earth in all senses, so its inclusion in the above record is not a surprise. For our part, we have here a hindi film song which is a Hindustani classical song, by Mohammed Rafi Sahab. This is from the film Mrig Trishna(1975), written and composed by Shambhu Sen. This is a soothing, mental massage, critically acclaimed song. I was aware of the song and have heard it many times before today. I have also heard a great fan of Rafi Sahab, singing this song, and he was all praises for this rendition by the maestro. Obviously, he knows a great deal more about classical music than me. I had seen the song many times of TV too. So as soon as he said the mukhda before singing it, I was able to recollect even the filming of the song, and Hema Malini dancing to it. This was a few years ago. But today seeing the song again, I have also remembered reading somewhere, about the location shoot of the song. It is filmed at an actual location of some Haveli or fort is Rajasthan. The original art work and carpet and the carving in the pillars and jharokhas is visible in the hall.
Before starting this post I had checked and could not find the film Mrig Trishna (1975) in the list. But I just thought of checking it again, and now I find that 2 songs from this film are posted and this particular song is posted here.
So here we are, in the 99th year of Rafi Sahab, we are soon going to enter the 100th year of Rafi Sahab. I hope and pray, that we maintain the equilibrium as humanity and take inspiration from the personality of Rafi Sahab and his life’s principles.
Rafi Sahab, keep spreading happiness and peace to the world and beyond, even if the Voyager, has missed out on including your amazing voice. No doubt, as one of the super creations, Rafi sahab has made his contribution to this civilization and increased the ‘shobhaa’ of this ‘sansaar’.
I am posting this funny group song from the film Madhur Milan(1955), which the antithesis of Hindustani classical, which was my original idea for this post. Geeta Dutt and A. R. Ojha are giving company or having fun with Rafi sahab in the song composed by Bulo C. Rani. Raja Mehdi Ali Khan is the lyricist. Among the legendary associations, Geeta Dutt, is next to only Asha Bhonsle. Raja Mehdi Ali Khan was also part of Madan Mohan’s team for a time. While Bulo C. Rani has composed many sweet renditions by Rafi sahab in early 50’s, some of which I have posted.
So we enjoy this social comic song by this team on this birth anniversary occasion.
Song-Joru ne nikaala hai deewaala mere ghar ka (Madhur Milan)(1955) singers-Mohammed Rafi, A R Oza, Geeta Dutt, Lyrics- Raja Mehdi Ali Khan, MD-Bulo C. Rani
A r Oza + Geeta Dutt
Mohammad Rafi + Geeta Dutt
Lyrics
Ek taraf meraa ghar hai
aur ek taraf susaraal.. ha
lut gayaa main duniyaa waalon
meraa bura haal… hunh hunh
joru ne nikaala hai diwaala mere ghar ka
diwaala mere ghar ka
diwaala mere ghar ka
suno bhai
ban gaya hai maalik
meraa saala mere ghar ka
ban gaya hai maalik
meraa saala mere ghar ka
o joru ne
nikaala hai
deewaala mere ghar ka
ghar ka mere ghar ka
o joru ne
nikaala hai
diwaala mere ghar ka
ghar ka mere ghar ka
o joru ne
aisi taqdeer jaagi
do gharon ke mel se
jale unn ki laaltain
woh bhi mere tel se
handiya mein bhi padta hai
masaala mere ghar ka
handiya mein bhi padta hai
masaala mere ghar ka
ban gaya hai maalik
meraa saala mere ghar ka
ban gaya hai maalik
meraa saala mere ghar ka
laayi thhi jahez mein tu
poori baarah thhaaliyaan
tu poori baarah thhaaliyaan
le gayi utthaa ke
sab ki sab hain meri saaliyaan
de do unn ko jaa ke
chaabhi taala mere ghar kaa
ban gaya hai maalik
meraa saala mere ghar ka
ban gaya hai maalik
meraa saala mere ghar ka
arey saala saala saala
kya kehta hai
saala teraa kya le gayaa
nikaal ? ? ka photo
mere ghar se uttha ke le gayaa
tu ne bhi to odhaa hai
dushaala mere ghar ke
arey tu ne bhi to odhaa hai
dushaala mere ghar ke
khabardaar mister jo tu ne
meri behan ko daantaa
arre waah betaa
khabardaar mister jo tu ne
meri behan ko daantaa
peethh pe mukka maaroongaa main
munh pe doonga chaanta
peetth pe mukka maarungaa main
munh pe doonga chaanta
arey ladna hai to lad lo jimaar daala maar daala maar daala
bhai ko bachaao ji bachaao ji bachaao ji bachaao ji
maar daala maar daala maar daala
(h oho h oho h oho)
bhai ko bachaao ji bachaao ji bachaao ji bachaao ji
bachchon budhon naujawaanon
meri madad ko aao ji
maar daala maar daala maar daala
bhai ko bachaao ji bachaao ji bachaao ji bachaao ji
hosh mein aao
duniyaa ko
tamasha kyun
dikhaaaate ho…..
apne ghar ka ronaa ro ke ae ae
duniyaa ko hansaate ho o o
haayen… jaao bhai
jaao tum kya
dekhte deewar se
jaao bhai
jaao tum kya
dekhte deewar se
miyaan biwi
aapas mein to
lad rahen hain pyaar se
ha ha ha ha
miyaan biwi
aapas mein to
lad rahen hain pyaar se
bandar ka tamasha nahin
bhaalu ka tamasha nahin
tum kaahe ko dekhte
ghotaala mere ghar ka
arey tum kaahe ko dekhte
ghotaala mere ghar ka
dekho ji
ab na gaana
kya
o joru ne
nikaala hai
diwaala mere ghar ka
ghar ka mere ghar ka
o joru ne
- In: "tasweer" song | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Lyrics contributed by readers | Post by nahm | Rafi songs | Rafi-Asha Bhonsle duet | Songs of 1950s (1951 to 1960) | Songs of 1960 | Yearwise breakup of songs
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5165 | Post No. : | 17130 |
8th September – Birthday of Asha Bhonsle
————————————————————-
There are 25 songs tagged as ‘Tasweer’ (https://atulsongaday.me/category/tasweer-song/) song in the blog. Some of the stellar songs have missed the tag and have given a miss to the tag of ‘Tasweer’. I have listed a few such songs which I can refer to off-hand:
Tasweer Banaata Hoon Tasweer Nahin Banti
I feel as if some more significant songs are missing from my list above as well as the tagged page. So, the list is incomplete.
A ‘tasveer’ is something which tells a story. Be it a still image, a painting, a motion picture or mural. Imaginary or factual, reflection in reverse or converse. Not always needing a camera to capture it, just a glance is indelible sometimes. Moments captured in memory forever.
Some old timers in the film industry refer to movie as a ‘Tasveer’. I have forever called movies as ‘picture’. We never went to see film or movie, it was always ‘picture’. Some convent educated friends referred to them as ‘movie’ and some Kendriya Vidayala aluminis called them films. This is my own experiences, not a comment on anyone word preferences. In Urdu print, it is ‘film’ and in Hindi it is called ‘chal chitra’ translated as moving picture. So, the films moved and talked and told stories. But to tell a story, sometimes a still image is also enough. Technically, film is a roll on which the reflections are captured. What we watch on the screen is a projection of images captured on film rolls.
On the other hand, sometimes the story a ‘tasveer’ tells is incomplete for being one dimensional. The scene, the background, lighting, the capturer’s intentions, all have an impact on the story it tells. Even a panoramic photo fails capture the photographer. So, the millennials invented ‘selfies’ so that they can capture their own stories.
In our times, we have seen numerous such photos which have made history, given cause to monumental events, made unknown non-entities of the world into famous people. Also, photos which captured the events for posterity, stills which make us wonder at the creativity and unfathomable and unrecordable capability of creator of such beauty, and fabulous natural phenomena. Over the decades, there have been photos of apathy of humans around the world, which made humanity hang its heads in shame. Glory, shame, pain, ecstasy, wonder, happiness, surprise, loss and victory and many more emotions and expressions are recorded.
The camera is mechanical equipment after all. It has no feelings, so no sympathy with the subject it is capturing. It also reveals things, the subject wants to hide sometimes. I must grant it, it is a capable equipment, it captures the expression in the eyes of the subject. Mischief, despair, jealousy, pain, love, gaiety, you name it, the camera has seen it all.
I am glad to report that sometimes in gathering of friends, we forget to take selfies or pics… then we lament it on whatsapp that we didn’t click any. Better leave somethings for the mind and heart to capture. Is there a hard disk which can store as much as a human mind?
The ‘tasveer’ category song being presented here is from the film “Basant” (1960). The following 11 songs of this film are already posted in the blog.
Song | Date of post |
---|---|
Peechhe hat hat hat babu chhed naa | 4 September 2009 |
Mere dil pe lagaake darling apne naam ki chit | 20 August 2010 |
Raaste mein ik haseen | 4 June 2012 |
Chori chori ik ishaara ho gaya hai | 3 October 2012 |
Baaje waala Patiyaale waala | 31 December 2012 |
Nainon mein sooraj ki kirnen | 14 August 2013 |
Ukkad dukkad bamba | 15 July 2014 |
Hamne unke saamne pehle to khanzar rakh diya | 2 July 2015 |
Mere lahange mein ghunghroo lagaa de | 11 March 2017 |
Duniya pakki four twenty | 28 April 2017 |
O madam Nancy you are my fancy | 16 January 2022 |
Out of 14 songs of this film, 11 are Rafi-Asha duets and trio with SD Batish. Remaining 3 are solos by Asha Bhonsle. Incidentally, I have noticed that in the blog we spell the surname of Asha as ‘Bhonsle’, where as every where else that I can see it is Bhosle. Eleven duets in a film is a record, second such record is in the film ‘Halla Gulla’ (1954), where this same pair is singing all 9 songs.
Here is the song to celebrate the 89th Birthday of Asha Bhonsle, penned by Shewan Rizvi and composed by OP Nayyar.
Song-Jee chaahta hai khench loon tasweer aap ki (Basant)(1960) Singers-Asha Bhonsle, Mohammed Rafi, Lyrics-Shewan Rizvi, MD-O P Nayyar
Lyrics
aa aaa aaaha
hmmm mmmm mmmmm hmm hmm
aa aaa aaaha
hmmm mmmm mmmmm
aa aa aaaa aaaaaaa aaaa
mmmmmm
a aa aa aaa
kitni badal gayi hai
zara chaal dekhiye
iss dillagi mein
aap ka yeh haal dekhiye
mukhde ka rang haathh ka
roomaal dekhiye
jee chaahtaa hai
khainch loon tasveer aap ki
jee chaahataa hai
khainch loon tasveer aap ki
phoolon ki tarah
aap ka chehra khilaa huaa
aa aaa aaaa aaaa
aaaa aaaa aaaaaaa
phoolon ki tarah
aap ka chehra khilaa huaa
aur uss pe kaali zulf ka
baadal ghiraa huaa
aur uss pe kaali zulf ka
baadal ghiraa huaa
parde mein chaand
husn ka aadha chhupa huaa
jee chaahataa hai
khainch loon tasveer aap ki
jee chaahataa hai
khainch loon tasveer aap ki
bikhre huye yeh baal
garebaan khulaa huaa
gardan mein ek reshmi
muffler padaa huaa
saare jahaan ka ishq
nazar mein chhupa huaa
jee chaahataa hai
khainch loon tasveer aap ki
jee chaahataa hai
khainch loon tasveer aap ki
kitni haseen hai zara
aawaaz dekhiye
aa aaa aaaa aaaa
aaaa aaaa aaaaaaa
kitni haseen hai zara
aawaaz dekhiye
aawaaz se bhi badh ke
haseen saaz dekhiye
aawaaz se bhi badh ke
haseen saaz dekhiye
sharma ke munh phiraane ka
andaaz dekhiye
jee chaahataa hai
khainch loon tasveer aap ki
jee chaahataa hai
khainch loon tasveer aap ki
aa aaa aaaha
hmmm mmmm mmmmm
aa aaa aaaha
hmmm mmmm mmmmm
aa aa aaaa aaaaaaa aaaa
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
आ आss आहा
हम्म म्मम म्ममम ह्म्म ह्म्म
आ आss आहा
हम्म म्मम म्ममम
आ आ आsss आssssss आsss
म्ममममम
आ आ आ आss
कितनी बदल गई है
ज़रा चाल देखिये
इस दिल्लगी में आपका
ये हाल देखिये
मुखड़े का रंग
हाथ का रूमाल देखिये
जी चाहता है खींच लूँ तस्वीर आपकी
जी चाहता है खींच लूँ तस्वीर आपकी
फूलों की तरह आपका चेहरा खिला हुआ
आ आss आsss आsss
आsss आsss आssssss
फूलों की तरह आपका चेहरा खिला हुआ
और उसपे काली ज़ुल्फ का
बादल घिरा हुआ
पर्दे में चाँद हुस्न का आधा छिपा हुआ
जी चाहता है खींच लूँ तस्वीर आपकी
जी चाहता है खींच लूँ तस्वीर आपकी
बिखरे हुये ये बाल
गरेबाँ खुला हुआ
गर्दन में एक रेशमी मफ़लर पड़ा हुआ
सारे जहां का इश्क़ नज़र में छुपा हुआ
जी चाहता है खींच लूँ तस्वीर आपकी
जी चाहता है खींच लूँ तस्वीर आपकी
कितनी हसीन है ज़रा आवाज़ देखिये
आ आss आsss आsss
आsss आsss आssssss
कितनी हसीन है ज़रा आवाज़ देखिये
आवाज़ से भी बढ़ कर हसीन साज़ देखिये
शर्मा के मुंह फिराने का अंदाज़ देखिये
जी चाहता है खींच लूँ तस्वीर आपकी
जी चाहता है खींच लूँ तस्वीर आपकी
आ आss आहा
हम्म म्मम म्ममम ह्म्म ह्म्म
आ आss आहा
हम्म म्मम म्ममम
आ आ आsss आssssss आsss
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