Posts Tagged ‘Shailendra’
Binti karat mori paayaliyaa
Posted on: January 4, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4553 | Post No. : | 16142 |
“Ram Hanuman Yudhh” (1957) was produced by R N Mandloi and directed by S N Tripathi for Ravikala Chitra Productions. This movie had Durga Khote, Manhar Desai, Nirupa Roy, Prem Adeeb, Babu Raje, Shalini, S. N. Tripathi etc in it.
The movie had seven songs in it. Six songs from this movie have been discussed in the past.
Here are the details of the six songs already covered in the blog:-
| Blog post number | Song | Date of posting | Remarks |
|---|---|---|---|
| 6548 | Suna tu man ki been par (Ram Hanuman Yudhh) | 30 August 2012 | |
| 7562 | Aaj agar meri laaj gayee (Ram Hanuman Yudhh) | 26 February 2013 | |
| 7567 | Rakh laaj mere sindoor ki (Ram Hanuman Yudhh) | 27 February 2013 | |
| 8603 | Bhaj Ram Ram bhaj Ram (Ram Hanuman Yudhh) | 29 August 2013 | |
| 9571 | Balma o balma chanda hamaare (Ram Hanuman Yudhh) | 14 March 2014 | |
| 12869 | Door gagan par chamken sitaare (Ram Hanuman Yudhh) | 29 January 2017 |
I had discovered the seventh and final song nearly two years ago. I found this song such a special song that it deserved to be covered on a special. And that special occasion had just passed. So I decided to wait for the next year when the occasion would recur. On the next year too I missed he occasion and I decided to wait for another one year.
What is this occasion ? The occasion is the birth anniversary of Nirupa Roy ((4 January 1931 – 13 October 2004) which falls today (4 January 2020).
To most moviegoers, Nirupa Roy is associated with roles where she played mother of Amitab Bachchan. In quite a few of these movies, she ould get separated fro her family only to reunite in the last reel.
People of earlier generation would tell us that she as a Maa only towards the second half of her movie career. Prior to that she played lead roles. She often played a suffering wife in these movies but that as not all. In quite a few of her early movies she has played happy and assertive roles as well. Many of her earlier movies ere mythological or historical movies where she played a goddess or queen.
Many songs have been picturised on her during her days as a leading lady. Some of them have become iconic songs. The famous song, “o pawan veg se udne aale ghode” was lip synced by her.
The song under discussion is different ! People who have a particular image f Nirupa Roy in their mind will get a culture shock hen the watch the picturisation of this song.
It is a song here Nirupa Roy performs a dance ! Yes indeed. It is a classical dance setting where Nirupa Roy lip syncs in Lata Mangeshkar’s voice. The song also has an unknon male voice that sings katthak bol.
Shailendra is the lyricist. Music is composed by S N Tripathi.
I request our knoledgeable readers to help identify the male singer as well as the actor lip syncing in the male voice.
with this song, all the seven songs of “Ram Hanuman Yudhh” (1957) are covered in the blog. The movie thus joins the list of movies that have been YIPPEED in the blog.
Song-Binti karat mori paayal runjhun (Raam Hanuman Yudhh)(1957) Singer-Lata, Lyrics-Shailendra, MD-S N Tripathi
Lyrics
nagendr haaraay trilochanaay
bhasmaang raagaayah digambaraay
gauri vinaash bhuvanaay maheshwaraay
daaridray dukhdahanaay namah shivaay
binti karat mori paayal run jhun
binti karat mori paayal run jhun
sabki sunat mori sun sun sun sun
binti karat mori paayal run jhun
tatdhim tatdhin
tatdhin
tirkit tathim tatdhim
tirkit tirkit dhum
dhim tatdhim
tatdhim tirkit tatdhim tatdhim
tirkat tirkat dhum
takit takit
takit takit
takit
tirkat tirkat dhum
tirkat dhum
tak takit
tak takit
tak takit
tirkat tirkat dhum
tirkat tirkat dhum
tak takit tak
takit
takit
takit
tirkat tirkat dhoom
tirkat tirkat dhoom
thai
ti
thai
ti thai
ti thai
ta thinak yun
thom
tadapat aaj trikaal hiya mein
rowat peer behaal jiya mein
tadapat aaj trikaal hiya mein
rowat peer behaal jiya mein
dard bhari mori dhun sun sun sun sun
binti karat mori paayal run jhun
sabki sunat mori sun sun sun sun
binti karat mori paayal run jhun
aa aa
aa aa
aa aa
aa aa aa
aa aa aa aa aa
aaa aa aa aa
aa aa aa aa aa
na main tujhe rijhaana jaanoon
na patthar pighlaana jaanoon
na main tujhe rijhaana jaanoon
na patthar pighlaana jaanoon
aanchal hi phailaana jaanoon
mujhme nahin koi gun sun sun sun
binti karat mori paayal run jhun
sabki sunat mori sun sun sun sun
binti karat mori paayal run jhun
tattit takanaka jhum
tarikitnaka tha
ri tha
tirkat tirkat dhoom
tatdit
takanaka
tarigidana
dhi ta
tarkit tarkit dhum
dhit takanaka jyon
kritak dha thim
dhina dhom
kritak daka dhik
taka anak jhum
kritak tat jhim
dhina dhum
krikat tak jhim
taka naka jhum tari
naka taka
dhit taka naka
tari gida
naka
thai
thai
thai thai
thai thai
takajhun tak
takadhit takanaka jhum
tari gida naka taka
dhit taka naka
tari gida na
thai thai
thai thai
thai thai
takajhun take
Arre re re dil kho gaya
Posted on: November 30, 2020
- In: "Nok-Jhonk" song | Asha Bhonsle songs | Blog ten year challenge (2010-2020) | Duet | Guest posts | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Avinash Scrapwala | Rafi songs | Rafi-Asha Bhonsle duet | Songs of 1960s (1961 to 1970) | Songs of 1963 | Yearwise breakup of songs
- 2 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4518 | Post No. : | 16074 |
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Blog 10-Year Challenge (2010-2020) – Song No. 97
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‘Jab Se Tumhe Dekha Hai-1963’ is an eligible movie under the ‘Blog Ten Year Challenge’ today (30 november 2020) as one of its songs was posted on 30.11.2010.
Though one song of this movie was also posted on 18.11.2010, we missed the opportunity of discussing its song on that day ten years later. Our dear Prakash ji had already sent lyrics for two songs to cover these two occasions. Today gives us another opportunity of covering a song from this movie under the “Blog Ten Year Challenge” series.
Following six posts were published this day ten years ago on 30 november 2010:-
| Song | Movie title-Year | Remarks |
|---|---|---|
| Jhoome re kali bhanwraa ulajh gayaa kaanton mein | Naukri-1954 | All songs covered |
| Hamko hanste dekh zamaanaa jalta hai | Ham Sab Chor Hain- 1956 | All songs covered |
| Aag lagaanaa kyaa mushkil hai | Kangan-1959 | All songs covered |
| Maane naa maane naa maane naa | Saweraa-1958 | All songs covered |
| Ye din din hain khushi ke | Jabse Tumhe Dekha Hai-1963 | 03 songs posted |
| Hamse hoti muhabbat jo tumko | Muhabbat Isko Kehte Hain-1965 | All songs covered |
Though the blog scored a ‘sixer’ on the last day of the month of that year 2010 it left ‘three balls’ without scoring a single run 😊 i.e. 27th, 28th & 29th November’2010 were the ‘dot’ days for the blog. Still it managed to hit a century with this ‘six’ on the last day of the month. Total score of posts of November’2010 is 105. (Things like this happen in Hindi movies or specially in ‘MKD’ movies 😊
Now, in the current month, the blog is still struggling at sixty-one posts till the time of writing of this post.
Let us just take a quick look at how the blog has so far been performing in the month of November in previous years since its ‘inception’;
| S.No. | Year | No of posts |
|---|---|---|
| 01 | 2008 | 126 |
| 02 | 2009 | 96 |
| 03 | 2010 | 105 |
| 04 | 2011 | 166 |
| 05 | 2012 | 173 |
| 06 | 2013 | 168 |
| 07 | 2014 | 120 |
| 08 | 2015 | 98 |
| 09 | 2016 | 131 |
| 10 | 2017 | 92 |
| 11 | 2018 | 45 |
| 12 | 2019 | 42 |
HFGK Vol-IV mentions the following seven songs in this movie, all written by Shailendra and composed by Datttram.
So far, only three songs from this movie ‘JAB SE TUMHE DEKHA HAI-1963’ have been posted on the blog; (highlighted with their links)
| Song | Posted On |
|---|---|
| Ye din din hain khushi ke | 30.11.2010 |
| Chaand taley jhoom jhoom thirak rahi hai ghoongharwaaliyaan | |
| Arey re re re dil kho gaya, dhoondhoon kahaan | Being covered today |
| Tumhe husn deke khudaa ne sitamgar banaaya (part-I) | 27.07.2010 |
| Muhammad Shaah rangeeley, gaavat aaj prem raag | |
| Ham aapki mehfil mein bhoole se chale aaye | 18.11.2010 |
| Tumhe husn deke khudaa ne sitamgar banaaya (part-II) |
Today’s song is the fourth song from this movie to be presented on the blog. It is sung by Mohd Rafi and Asha Bhonsle.
Let us enjoy today’s lovely nok jhonk song and close November’2020 on a happy note for the ‘Blog Ten Year Challenge’ and move on to December …
If we look at the statistics of the month of November over the years, this will be the first November where number of posts cross fifties and do not not enter nineties. 😊 Out of twelve Novembers so far, seven have scored centuries, two closed in the forties, and three in nineties. This, the thirteenth November for the blog seems to be ending in the sixties today …
over to the song now …
Lyrics of this song have been sent by Prakashchandra.
Audio
Song-Arre re re dil kho gaya (Jabse Tumhen Dekha Hai)(1963) Singers-Rafi, Asha Bhonsle, Lyrics-Shailendra, MD-Dattaram
Lyrics(Provided by Prakashchandra)
arrey rey rey rey rey
dil kho gayaa aa..aaa…aaa
dhoondhoon kahaan
dhoondhoon kahaan
ae dilruba
haaye haaye ye kya ho gayaa…aa
haaye haaye ye kya ho gayaa
dekho apni daayeen jeb mein
kya rakha hai is fareb mein
chhodo dhokha baar baar ka
kyon karte ho dhong pyaar ka
dil kho gayaa aa aa…aa aa…aa..hh
haaye haaye
haaye
mushkil ki raat mein
rehta tha saath mein
mera woh dil bholaabhala…aa
ho o o o o
chhootaa kis baat pe
nikla kyon haath se
hoga kahin kuchh ghotaalaa
dum bhar main sapnon mein kho gaya
itne mein dil paar ho gayaa
ye to duniya ka usool hai
chhoti si woh bhool bhool hai
dil kho gayaa aa..aa..aaa
dhoondhoon kahaan
dhoondhoon kahaan
ae dilruba
haaye haaye ye kya ho gayaa
hoye hoye hoye hoye hoye hoye
gham hai din raat ka
itni si baat ka
mera woh dil thha tumhaara aa
ho ho o
mera khayaal hai
mere mizaaz se dar ke chhupa hai bechaaraa
mera bigdaa haal dekhiye
behki behki chaal dekhiye
sheeshaa leke shaql dekhiye
mil jaayein to akal dekhiye
dil kho gayaa aa
dhoondhoon kahaan
dhoondhoon kahaan
ae dilruba
haaye haaye ye kya ho gayaa
ho ho o
anjaani raah par
khud se wo bekhabar
phirta tha aksar aawaaraa
alley alley alley alley alley alley
woh to naadaan thha
jag se anjaan thha
jaataa kahaan besahaaraa aa
shaayad uss ko saath mil gaya
chhupke woh Bambai chal diya
Bambai woh kis liye jaayega
kaun usey actor banaayega
dil kho gayaa aa
dhoondhoon kahaan
dhoondhoon kahaan
ae dilruba
haaye haaye ye kya ho gayaa…aa aa
haaye haaye ye kya ho gayaa
dekho apni daayeen jeb mein
kya rakha hai is fareb mein
chhodo dhokha baar baar ka
kyon karte ho dhong pyaar ka
dil kho gayaa aa aa…aa aa…aaa..hh
Badlegi ye duniya
Posted on: November 27, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4515 | Post No. : | 16068 |
“Sanskaar”(1952) was produced and directed by V M Vyas for Sunrise Pictures, Bombay. This social movie had Mumtaz Shanti, Purnima, Veera, Pran, Razi, Shashi Kapoor, Ishwar lal, Mirza Musharraf, Murad, Kalyani, Pappu, Baby Naaz, Indira Mumtaz etc in it.
The movie had seven songs in it.
Six songs from the movie have been covered in the past. That leaves only one song to be covered, the one which appears at number 1 in the HFGK song list of this movie.
Here are the details of the songs of this movie :-
| Song | Posted On |
|---|---|
| Badlegi, ye duniya ik din badlegi | Being covered today |
| Jeenewaale o matwaale zindagi se pyaar kar | 24.07.2018 |
| Andhi qismat kise le chalegi kahaan | 15.09.2016 |
| Hanse tim tim tim chhote chhote taare | 24.11.2020 |
| Preet nibhaani balmaa tum kya jaano | 09.01.2016 |
| Do nainon ne jaal bichhaayaa | 26.04.2012 |
| Muhabbat ke jhoothhe sahaaron ne loota | 24.11.2010 |
Here is the seventh and final song from the movie. It is sung by Hridaynath Mangeshkar, then a child. Shailendra is the lyricist. Music is composed by Roshan.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Lyrics of this song were sent to me by Avinash Scrapwala.
Audio
Song-Badlegi ye duniya (Sanskaar)(1952) Singer-Hridaynath Mangeshkar, Lyrics-Shailendra, MD-Roshan
Lyrics(Provided by Avinash Scrapwala)
badlegi
ye duniya badlegi ee
badlegi ee
badlegi ye duniya
ik din badlegi
badlegi
aasmaan ki bitiyaa dharti
girkar phir se sambhlegi ee
badlegi duniya
ik din badlegi
badlegi
badlegi ye duniya aa
ham bachche laaye hain
apni qismat apni mutthhi mein
ham bachche laaye hain
apni qismat apni mutthhi mein
gud’di mein laal hazaaron
heere bikhre mitti mein
ik din ham bachchon ki toli
chaand sitaare chhoo legi
badlegi duniya
ik din badlegi
badlegi
badlegi ye duniya aa
oonche aasan baithhne waalon
dam bhar dharti par aao
oonche aasan baithhne waalon
dam bhar dharti par aao
jeewan reet seekh lo hamse
ya hamko sikhlaao
jeewan reet seekh lo hamse
ya hamko sikhlaao
har chhoti si baat pe tum
aapas mein lad marte ho
har chhoti si baat pe tum
aapas mein lad marte ho
phailaa itnaa zehar ki tum
ganga jal se bhi darte ho
bachchon ki maasoom nazar
ye reet badal kar dam legi ee
badlegi duniya
ik din badlegi
badlegi
badlegi ye duniya aa
soch liyaa hai
ham bachchon ne
nayaa zamaana kaisaa ho o
soch liyaa hai
ham bachchon ne
nayaa zamaana kaisaa ho o
maata jaisa dil ho jiska
pyaar pitaa ke jaisaa ho o
maata jaisa dil ho jiska
pyaar pitaa ke jaisaa ho
sukh mein jo lori gaaye ae
rote bachchon ko behlaaye ae
sukh mein jo lori gaaye ae
rote bachchon ko behlaaye ae
mel mohabbat mehnat mein
jo jeenaa marnaa sikhlaaye ae
duniya duniya tab hogi
jab hans ke har dukh jhelegi
badlegi duniya
ik din badlegi
badlegi
badlegi ye duniya aa
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4512 | Post No. : | 16063 |
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Blog 10-Year Challenge (2010-2020) – Song No. 95
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This day ten years ago (viz 24.11.2010) saw five songs from five movies discussed in the blog as given below;
| Song | Movie title-Year | Remarks |
|---|---|---|
| Gayaa andheraa huaa ujaaraa | Subah Ka Taaraa-1954 | 05 of 08 songs |
| Sapnon mein aana chhed chhed jaanaa | Sheesham-1952 | 07 of 10 songs posted |
| Muhabbat ke jhoothhe sahaaron ne loota | Sanskaar-1952 | 05 of 07 songs posted |
| Ye maanaa dil jise dhoondhe | Zimbo-1958 | All songs covered |
| Tirchhi nazar ka piyaa waar hai | Madaari-1959 | All songs covered |
Ten years later, two of the five movies are YIPPEED whereas three movies are still eligible for Blog Ten Year Challenge today (24 November 2020).
One movie, viz “Subah Ka Taara”(1954) was taken up in this challenge earlier today.
“Sanskaar”(1952), another movie eligible for BTYC today, was produced and directed by V M Vyas. The movie had Mumtaz Shanti, Purnima, Veera, Pran, Razi, Shashi Kapoor (Sr), Ihswar Lal, Mirza Musharraf, Murad, Kalyani, Pappu, Baby Naaz, Indira Mumtaz etc in it.
The movie had seven songs in it. Four songs from this movie have been discussed in the past.The list of songs of the movie, in the sequence given in HFGK, is as follows:-
| Song | Posted On |
|---|---|
| Badlegi, ye duniya ik din badlegi | |
| Jeenewaale o matwaale zindagi se pyaar kar | 24.07.2018 |
| Andhi qismat kise le chalegi kahaan | 15.09.2016 |
| Hanse tim tim tim chhote chhote taarein | |
| Preet nibhaani balmaa tum kya jaano | 09.01.2016 |
| Do nainon ne jaal bichhaayaa | 26.04.2012 |
| Muhabbat ke jhoothhe sahaaron ne loota | 24.11.2010 |
“Sanskaar”(1952) had made its debut in the blog ten years ago on this date. Today, here is another song from the movie. This song is sung by Lata. Shailendra is the lyricist. Music is composed by Roshan.
Only the audio of the song is available. Lyrics leaves no doubt in the mind that it is a lullaby song. This lullaby for some reasons has been forgotten. It certainly sounds like it belongs to the category of memorable lullabies created in Hindi movies.
I request our knowledgeable readers to throw light on the puicturisation of this song.
Lyrics of this song were sent to me by Avinash Scrapwala.
Audio
Song-Hanse tim tim tim chhote chhote taare (Sanskaar)(1952) Singer-Lata, Lyrics-Shailendra, MD-Roshan
Lyrics(Provided by Avinash Scrapwala)
hanse tim tim tim chhote chhote taare
kahe chandaa bhi aaja aaja aa re ae
tera naam le pukaare
tujhe neend ki pari ee
so jaa
so jaa re ae mere pyaare ae
so jaa
so jaa re ae mere pyaare ae
bagiyaa mein soye jaise
gendaa gulaab
soyegaa laal meri godi mein
saagar mein seenp jaise
mandir mein deep
mera gopal meri godi mein
saagar ke paar
miley saagar ke paar
din dooba
doob gaye din ke rang
so jaa
so jaa re mere pyaare ae
so jaa
so jaa re mere pyaare ae
hanse tim tim tim chhote chhote taare
kahe chandaa bhi aaja aaja aa re ae
tera naam le pukaare
tujhe neend ki pari ee
so jaa
so jaa re ae mere pyaare ae
so jaa
so jaa re ae mere pyaare ae
sapnon ki nagri mein
tere hi geet
gaati hai taaron ki raani
kaliyon pe shabnam ke moti bikher
kahti hai taaron ki raani
bansi ki taan
soye gokul ke shyam
rakhwaale raam rahen tere sang
so jaa so jaa re ae mere pyaare re
so jaa
so jaa re ae mere pyaare ae
hanse tim tim tim chhote chhote taare
kahe chandaa bhi aaja aaja aa re ae
tera naam le pukaare
tujhe neend ki pari ee
so jaa
so jaa re ae mere pyaare ae
hmm hmm hmm hmm hmm
hmm hmm hmm
hmm hmm hmm hmm hmm
hmm hmm hmm
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4499 | Post No. : | 16033 |
Hullo Atuldom
“Satta Baazaar” (1959) was a Nagina Films production. It was directed by Ravindra Dave and starred Meena Kumari and Balraj Sahni in the lead with Johnny Walker leading the supporting cast of Ramayan Tiwari, Asit Sen, Suresh, Uma Dutt, Narmada Shankar etc. Vijaya Choudhury played Balraj Sahni’s daughter Kala. It had music by Kalyanji Anandji and Hasrat Jaipuri, Shailendra, Indeevar and Gulshan Bawra were the lyrics in-charge. Hemant Kumar, Mohd Rafi, Lata Mangeshkar, and Suman Kalyanpur were the playback singers.
Of the movie’s eight songs, four have been posted on the blog. The movie’s best and most popular song was posted on 21st February 2009:- Tumhen yaad hoga. The next song suno jee aankde ka dhandha came in 2012. It was followed by Chaandi ke chand tukdon ke liye. Zara thherhro jee Abdul Gaffa was the last song posted. It has a wonderful post by our in-house encyclopedia Shri Arunkumar Deshmukhji. He has given us the story of the movie too in there along with the biography of actor Suresh (real name Nazim Ahmed as Sir has mentioned in his post).
Today’s song I discovered when I was looking for a song, when I was writing a post for music director Kalyanji’s anniversary in August and filed it away for use on another occasion. The occasion is the birth anniversary of Badruddin Jamaluddin Kazi popular as Johnny Walker.
He was born in Indore and came to Bombay (as Mumbai used to be called) to earn a living and help look after his family. He took up various jobs before becoming a Conductor in Bombay’s BEST Undertaking. His anecdotes are there in this this video where he speaks to Tom Alter about how he modulated his voice for enhancing his characters. That is an interesting video. He speaks about how Balraj Sahni found his way of going about his job good enough to recommend him to Guru Dutt.
Today’s song is a dance with folk art in it. It has Johnny Walker and Sabita Chatterjee (in Marathi getup) teasing each other on the occasion of Vijaya Choudary’s engagement.
Let us think of Johnny Walker entertainer and enjoy Mohd Rafi singing as if Johnny himself is singing in typical Marathi folk style. Suman Kalyanpur is the voice for Sabita Chatterjee.
Video
Audio
Song-Arre jaa jaa na chhed maan bhi jaa (Satta Bazar)(1959) Song-Suman Kalyanpur, Rafi, Lyrics-Shailendra, MD-Kalyanji Anandji
Female chorus
Male chorus
Rafi + Male chorus
Lyrics
juniya o muniya ye kaun aaya
dekho ji dekho ji sher aaya
iski munchh dekho,
jaise bigade nawab
iski patli kamar,
jaise shaayar ka khwaab
iske kaan dekho
ki iske naak dekho
ki iski dum dekho,
dum dekho
dum dekho
agg baai
agg baai
arre ja ja na chhed maan bhi ja
arre ja ja na chhed maan bhi ja
humein phir phir na gher maan bhi ja
kahin bigde na sher maan bhi ja
ho kahin bigde na sher maan bhi ja
karo hamse na pher dekh liya
bade aaye diler dekh liya
yeh kaagaz ka sher dekh liya
yeh kaagaz ke sher dekh liya
dekh liya
dekh liya
dekh liya
ji dekh liya
arre ja ja na chhed
maan bhi ja
humein phir phir na gher
maan bhi ja
kahin bigde na sher
maan bhi ja
ho kahin bigade na sher
maan bhi ja
arre sau sau bhes badal ke,
tum hamko chhalne aaye
kya kya baatein banaayi,
kya kya sapne dikhlaye
arre sau sau bhes badal ke,
tum hamko chhalne aaye
kya kya baatein banaayi,
kya kya sapne dikhlaaye
kispe bhala yeh jaadoo chala
woh rah gaye
woh rah gaye jaal bichhaaye
arre ja ja na chhed
maan bhi ja
humein phir phir na gher
maan bhi ja
o kahin bigade na sher
maan bhi ja
kahin bigade na sher
maan bhi ja
agg baai
agg baai
arre hum toh ramte jogi,
chal denge desh paraaye
jab ud jaayega panchhi,
tab kya hoga pachhtaaye
arre hum toh ramte jogi,
chal denge desh paraaye
jab ud jaayega panchhi,
tab kya hoga pachhtaaye
chhodo yeh khel
kar lo ji mel
kahin mausam
kahin mausam chala na jaaye
karo hamse na pher dekh liya
bade aaye diler dekh liya
ye kaghaz ka sher dekh liya
ye kaghaz ke sher dekh liya
dekh liya
dekh liya
dekh liya
ji dekh liya
gar sachche ho dilwaale,
toh baat hamari maano
yeh nakli bhes utaaro
aur hamse bair na thhaano
arre waah waah waah waah kaa baat kah di
gar sachche ho dilwaale,
toh baat hamaari maano
yeh nakli bhes utaaro,
aur hamse bair na thhaano
kaisi bhali yeh mann ki gali
ab toh
arre ab toh humein pehchaano
arre ja ja na chhed
maan bhi ja
humein phir phir na gher
maan bhi ja
kahin bigade na sher
maan bhi ja
kahin bigade na sher
maan bhi ja
agg baai
agg baai ho
agg baai
agg baai ho
ji ji ji
ji ji ji
ji ji ji
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4477 | Post No. : | 15983 |
I wonder why Guru Dutt (09/07/1925 – 10/10/1964) who till 1958, had acted in lead roles in films of his own banner only, decided to act in films outside his banner. His first film outside his banner in a lead role was ’12 O Clock’ (1958) followed by ‘Sautela Bhai’ (1962), ‘Bharosa’ (1963), ‘Bahurani’ (1963), ‘Suhaagan’ (1964) and ‘Saanjh Aur Savera’ (1964). While his first film outside his banner as a lead actor may be an aberration, some of his later films as an actor outside his banner may probably have been out of financial compulsion following the box office failure of his film ‘Kaagaz Ke Phool’ (1959).
There is always hidden desire of any intellectual film director to direct a film on a story of his choice and on his terms. But very few producer/financier would agree to produce/finance such a film from the point of view of the commercial consideration. For Guru Dutt, ‘Pyaasa’ (1957) and ‘Kaagaz Ke Phool’ (1959) were two such films which he was keen to bring them to the notice of the film audience.
I came to know from an article by Nasreen Muni Kabir in https://scroll.in that the idea of making ‘Pyaasa’ (1957) had virtually begun in 1948 when Guru Dutt had written a story out of the frustration when he came to Mumbai in 1948. The post-partition period was difficult to adjust to a new environment. It was also difficult for the Padukone family to sustain in a big city without work. And Guru Dutt was not getting film offers. So, he wrote the story titled ‘Kashmakash’ making a poet the protagonist who faces the problem in getting his poems published. The story remained in the limbo until he established himself as a film director of repute.
In 1951, in the wake of his commercially hit film, ‘Baazi’ (1951) for which Sahir Ludhianvi had written popular songs, Guru Dutt had become a successful film director. I remember to have watched an interview of a film celebrity during its B/W avatar (I do not recall now as to who was the film celebrity). That film celebrity mentioned that during the making of Baazi’ (1951), Sahir Ludhianvi had given to Guru Dutt a copy of his collections of poems ‘Talkhiyaan’ (1944). Guru Dutt was very much impressed with a couple of nazms which included ‘jinhe naaz hai Hind par wo kahaan hai’. This nazm matched with the gloom of a poet in his story. Guru Dutt had decided to include this nazm whenever he makes the film based on his story, ‘Kashmakash’.
Since Guru Dutt was not sure of getting producer or financier for such a film and also the response on the box office due to gloomy nature of the story, he felt that he will have to take the financial risk in producing the film. For that he required his own resources to make the film as a producer. This explains as to why Guru Dutt, in the meanwhile, concentrated on making saleable light comedy films like ‘Aar Paar’ (1954) and ‘Mr and Mrs 55’ (1955) to fill his coppers for producing a film on a subject for which box office outlook was uncertain.
Abrar Alvi, in Satya Saran’s book ’10 years with Guru Dutt’ (2008) has mentioned that during one of the shooting schedules of ‘Mr and Mrs 55’ he narrated the story of a real life Gulabo, a courtesan to Guru Dutt which fascinated him to give a shape to his story, ‘Kashmakash’. In the meanwhile, he got busy with producing ‘C.I.D’ (1956) which also got the tremendous success at the box office. Now, Guru Dutt was ready to produce and direct the film of his choice. ‘Kashmakash’ became ‘Pyaasa’ (1957). Contrary to Guru Dutt’s expectation, ‘Pyaasa’ (1957) did good business at the box office and also got critics’ appreciation.
Probably, the success of ‘Pyaasa’ (1957) gave Guru Dutt a confidence in producing another of his favourite gloomy subject. That the fame and glamour attached to a successful film director has its cost in terms of personal spaces. A single failure would wipe out all the gains of a successful director earned over the years. A commercial failure would get more highlighted than the appreciation of his brilliant work of the past. The box office failure of ‘Kaagaz Ke Phool’ (1959) overshadowed the brilliant work as a director. What hurt Guru Dutt most was not the box office failure but the way the critics slammed him as narcissist and as his own biopic. After a gap of over a decade, Guru Dutt’s box office disaster got recognition as one of the greatest classic Hindi films.
The box office failure of ‘Kaagaz Ke Phool’ (1959) has affected the banner, Guru Dutt Films financially. There was not enough money to sustain the staff of Guru Dutt Films. It is during this time, Guru Dutt seems to have found a way of raising funds by acting in the films made outside his own banner during 1962-64. He also took the decision not to direct any films in future. His next two films under his own banner – ‘Chaudhavin Ka Chaand’ (1960) and ‘Sahab Bibi Aur Ghulam’ (1962) became box office hits, redeeming his film production banners.
‘Sautela Bhai’ (1962) was his first film in a lead role outside his banner after the debacle of ‘Kaagaz Ke Phool’ (1959). The film was directed by Mahesh Kaul. The main star cast included Guru Dutt, Pranoti Ghosh, Bipin Gupta, Rajkumar, Kanhaiyailal, Asit Sen, Bela Bose, Rani, Jeevankala, Radheshyam, etc. The film was based on a story, ‘Baikunther Will’ by Sharatchandra Chattopadhyay.
So far, 4 songs out of 8 from the film have been covered on the Blog. Here is the 5th song, ‘ab laagi naahin chute raama chaahe jiya jaaye’ from ‘Sautela Bhai’ (1962) which is presented here. The song is sung by Lata Mangeshkar and Meena Kapoor on the dancers, Rani and Jeevankala, respectively. There is also a male voice in a couple of lines in the song which, I feel, is that of the music director, Anil Biswas. The song was written by Shailendra.
Half-way through the dance, Guru Dutt makes a surprise entry and finds that his step brother (I guess, he is Rajkumar Jr.) is drunk and seen in the midst of the dancers. In a fit of rage, Guru Dutt assaults him. Some of patrons push Guru Dutt out of the courtesan’s house after which the singing and dancing resume.
Video Clip:
Audio Clip:
Song-Laagi naahin chhoote raam chaahe jiya jaaye (Saautela Bhai)(1962) Singers-Lata, Meena Kapoor, Anil Biswas, Lyrics-Shailendra, MD-Anil Biswas
Lata Mangeshkar + Meena Kapoor
Unknown male voice
Lyrics(based on video clip)
ab laagi naahi chhoote raam
laagi naahi chhoote raama
chaahe jiya jaaye raama
chaahe jiya jaaye raama
chaahe jiya jaaye
laagi naahi chhoote
naahi chhoote
naahi chhoote raa…m aam
chaahe jiya jaaye
waade ae ae kaa tere kisko bhala
o bhala aitbaar thha aa
phir bhi tamaam raat piya intzaar thhaa
khaamoshiyon mein har kisi aahat pe chaunk kar
aji aahat pe chaunk kar
kisi aahat pe chaunk kar
kehna mere is dil ka yahi
yahi
baar baar thha aa aa aa
kya
ae pare hatt
ke laagi naahi chhoote raa aam
chaahe jiya jaaye raa..m
chaahe jiya jaaye raama
chaahe jiya jaaye raama
chaahe jiya jaaye
laagi naahi chhoote
naahi chhoote
naahi chhoote raa.. aa aam
chaahe jiya jaaye
yoon hi raha jo teri wafa
ho jafaaon ka Silsila aa
niraash hoke toot hi jaayega dil mera
kya gujri mujhpe
tum ye kisi se na poochhna
kisi se na poochhna
kisi se na poochna
sun lena meri kabr se ae
aayegi ye sada aa aa
kya
ke laagi naahi chhoote raa. aa aam
chaahe jiya jaaye raama
chaahe jiya jaaye
chaahe jiya
chaahe jiya
chaahe jiya
chaahe jiya jaaye
laagi naahi chhoote
naahi chhoote
naahi chhoote raa….. aa aa aam
chaahe jiya
[Interruption in dances]
aa aa aa
aa aa aa aaa
ek maazra sunaata hoon main husn ishq ka
waah
[dialogues]
lekin wo dono kabron se aati thhi yeh sada
kya
laagi naahi chhoote raama
chaahe jiya jaaye raama
chaahe jiya jaaye
aaha
subhaan allah
laagi naahi chhoote raama
chaahe jiya jaaye raama
chaahe jiya jaaye
chaahe jiya
chaahe jiya
chaahe jiya
chaahe jiya jaaye
ah ah ah
waah waah jiyo
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4445 | Post No. : | 15893 |
Today’s song is from the film Chingari-1955. There were 4 films made with the same title – in 1940, 1955, 1988 and 2006. There was a dubbed film with a title ” Chingari Jawani” in 2003. I am still trying to understand its meaning !
During the second world war period many commodities like Petrol, Kerosene,foods as well as Raw film for making films went into shortage. Most essential items were controlled by the British government. The supply of raw film especially affected the film industry. Depending on the past history of making films by the film makers,” Quota “s were fixed at Government rates. Also, the govt. started a scheme of ” war effort promotion films”. Those films which promoted British efforts for the war in some way or the other, used to get extra Raw film supply at control rates. Many producers took advantage of this scheme and films like ” Panna”-44 and ” Badi Maa”-45 etc were made as ” War effort Promotion films” and got more Raw films.
When there is a shortage of anything, its Black Marketing is rampant. In India too, black market of Raw film, Petrol, sugar, even Rice and wheat prospered making the black marketeers prosperous. Some of the Black money flowed into film production as Finance. The result was, the films lost their purpose and quality as new financiers provided production money and interfered in selection of actors, MDs etc. During the period 1940 to almost early 50’s, these financers with black money made films at their will. Not all financers interfered. Actually most of them wanted to double their money investments. Some rich financers tried their hand at directing the films, without much experience. It was in this period that the Distributors started deciding film stories, singers, actors,directors etc, as they provided advance money for film production.
Why I am writing about all this is, during my years of writing on old films, I have come across strange names as film producers and directors. They appeared once and then disappeared for ever.Obviously they were the ‘ Curious Cats’ who wished to be a part of the films which they financed. Today’s film ‘ Chingari-55’ also is one of this category. This film was produced and directed by one S.Srivastava – a name I never came across earlier or after this film ! This film was planned somewhere in 1952-53, because all its songs were recorded in Jan-Feb 1953. That time this film was titled ” Paraya Ghar”. However, the film was delayed by a couple of years and with a new title ” Chingari” it was censored on 22-3-1955. It was released on 8-4-1955 at the Central Cinema and the film ran for just 3 weeks there.
The music of this film was by ” Manohar”. This name has caused ‘ Same name Confusion’. Manoharlal Khanna(father of Usha Khanna,MD) was also a Music director – though for only one film-Pamposh-54 and another was Manohar Sonik or Master Sonik (one of the Sonik-Omi composer duo). For many years these names got mixed up and no one knew who was who. The composer MANOHAR ARORA was a Punjabi music director who came from Sialkot to try his luck in Bombay. His first film was ‘Raees’-1948. Then came Josh-50, Rangeele Musafir-50,Bhoole Bhatke-52, Jingo-52, Usha kiran-52. His best remembered film was Chingari-55. Then came passing show-56, Mister Q-58, Dr. Z-59, Choron ki Baarat-60 and last film was Do dushman-67.
His name is mostly written as ” Manohar” only. This created a misunderstanding that he was Manoharlal Sonik,which is NOT correct.
The cast of the film was Nalini Jayawant, Shekhar, Pran, Leela Mishra, Sunalini Devi etc etc. Though I have seen many films of Nalini Jayawant, I remember her role only in “Hum sab chor hain”-56, which was loosely based on a similar story of film ‘ Ek thi Ladki’-49, with some changes like twin sisters lost in childhood (in Kumbh Mela ?). Nalini Jayawant’s life story is a lesson for those who make immature decisions-only to regret later. Fortunately, she came out of her blunder of marrying Virendra Desai ( a much married man of 32 years) at her age of just 17 years, albeit with some scratches and loss of 5 years of young life.
Nalini Jaywant (18 February 1926 – 20 December 2010) was an Indian film actress who appeared in Hindi films in the 1940s and 1950s.
Nalini Jaywant was born in Bombay (now Mumbai) in 1926. She was first cousin of actress Shobhna Samarth, the mother of actresses Nutan and Tanuja. Since 1983, she lived mostly a reclusive life.
She was married to director Virendra Desai in the year 1943. They divorced in 1948. Later, she married her second husband, actor Prabhu Dayal,in 1960 with whom she acted in several movies. Prabhudayal died in 2001.
The marriage with Virendra Desai ( who was 15 years elder to her) and the next 5 years were quite traumatic for Nalini. This marriage only gave suffocation and wastage of 5 years of her teen age and the opportunities of working in films. More than her, Virendra Desai suffered due to this marriage. His mother Nandgauri, a tough lady, announced a family boycott on him and never again she spoke to him. Even when she was on death bed and Virendra had gone to meet her, she refused to talk to him. His wife and 3 children also treated him in aloof manner, like a stranger. His career was destroyed and he never came out of this situation.
In her teens, she appeared in Mehboob Khan’s Bahen (1941), a film about a brother’s obsessive love for his sister. Nalini finally broke through with Anokha Pyar (1948). The film was a love triangle with Nalini, Dilip Kumar and Nargis, with Nalini sacrificing her love for the hero, Dilip Kumar. It is to her credit that it was she who got the best reviews in the film, many critics calling her the only saving grace in the otherwise disappointing film.
1950 was Nalini’s big, big year as she became a top star with two of her films opposite Ashok Kumar, Samadhi and Sangram. Samadhi was a patriotic drama addressing Subash Chandra Bose and the Indian National army. Nalini and Kuldip Kaur played sisters who were spies for the British. The film, though called politically obsolete by leading film magazine of the day, Filmindia, was a huge success at the box office, its song Gore Gore O Banke Chhore being perhaps Nalini’s most popular song ever. On the other side of the spectrum, Sangram was a gritty crime drama wherein she played the heroine doing her best to reform the anti-hero. Nalini more than left her mark on both the films and went on to form a hit pair with Ashok Kumar, the two of them doing several films together thereafter like Kafila (1952), Naubahar (1952), Saloni (1952), Mr X and Sheroo (1957). It is said the two of them were romantically involved for a period as well.
Nalini remained an important leading lady through to the mid 1950s. Filmmakers like KA Abbas (Rahi-53), Ramesh Saigal (Shikast-53 – arguably her career’s best performance opposite Dilip Kumar, Railway Platform and Zia Sarhady (Awaaz) extended Nalini Jaywant’s association with realistic and socialistic films while filmmakers like Mahesh Kaul (Naujavan (1951)) and AR Kardar (Jaadu) developed her alternate musical persona, later personified by the frothy Filmistan musicals like Nastik, her biggest hit opposite Ajit, and Munimji, a carefree romantic film with Dev Anand as her leading man.
Perhaps Nalini’s last big, successful film was the Raj Khosla directed Kala Pani (1958). She gave one of the best performances of her career as the nautch girl Kishori who is the key witness in framing the hero’s father for a murder he did not commit. Playing a shaded character, she easily stole a march over goody-two-shoes heroine Madhubala and deservedly went on to win the Filmfare Award for Best Supporting Actress for the film. She is absolutely unforgettable in the film be it in the come-hither mujra Nazar Laage Raja Tore Bangle pe or as she looks tearfully at Dev Anand from across the room in that all time great SD Burman composition, Hum Bekhudi Mein.
Nalini remained an important leading actress through the mid-1950s, appearing in such films as Rahi (1953), Shikast (1953), Railway Platform (1955)), Nastik (1954), Munimji (1955), and Hum Sab Chor Hain (1956). The 1958 film Kala Pani, directed by Raj Khosla, was Nalini’s last successful movie. Bombay Race Course (1965) was the last film she made before retirement. After 18 years, she returned as a character actress in Nastik-83 which marked her last film appearance.
Nalini acted in 64 films. She also sang 41 songs in 10 films. Her last song was in the film Chingari-55. She worked in 10 films with actor Ajit and in 11 films with Ashok kumar.
Nalini Jaywant died lonely on 20 December 2010, aged 84, at her bungalow of 60 years at Union Park, Chembur, Mumbai, India. The death was not noticed by anyone until an ambulance carried her body after 3 days of her passing away. The neighbours reported that she had secluded herself from society and had not been meeting people after her husband’s death. Her relatives were also not in touch with her for long.
(based on information from wikipedia, Upperstall, and book “Sagar Movietone” by Biren Kothari ji with thanks.)
While the film Chingari had the last song sung by Nalini Jayawant, this was also the last film of actress Sunalini Devi, who after doing 56 films, retired from films and got married. Incidentally, she was the sister of Sarojini Devi Naidu and actor Harindranath Chatopadhyaya.
The songs of Chingari-55 were very good. Today’s song is also a good one. It is also one of the few songs with ‘Anokhe Bol’, sung by Lata and an unknown male voice. Enjoy…..
Song-Dil ki duniya mein aake na jaana …ya Rabba Peri Peri (Chingaari)(1955) Singers- Lata Mangeshkar, Unknown male voice, Lyrics-Shailendra, MD-Manohar
chorus
Lata + Unknown male voice
Lyrics
dil ki duniya mein aake na jaana
tujhe meri kasam na rulaa aa aana
ya rabba peri peri
ya rabba peri peri
ya rabba peri peri aa
dil ki duniya mein aake na jaana
tujhe meri kasam na rulaa aana
ya rabba peri peri
ya rabba peri peri
ya rabba peri peri yaa
tujhse hai ye zindagi suhaani
o o
pyaar ke geeton mein hai rawaani
o o o
mera singaar tu hai
mauj o bahaar tu hai
jeene mein hai maza
ya rabba per peri
ya rabba peri peri
ya rabba teri teri yaad
aaja pyaar ke taraane gaayen
aa aa aa
aa aa aa
aa aa aa
aa aa aa
hmm hmm hm
hmm hmm hmm
aaja aisa ek jahaan basaayen
chaand ka diya ho jismein
taare loriyaan sunaayen
aa aa aa
aa aa
sapnon ke dole mein jhoola jhulaaye hamen baad e saba
sapnon ke dole mein jhoola jhulaaye hamen baade saba
ya rabba peri peri
ya rabba peri peri
ya rabba peri peri yaa
bheegi bheegi raat ye nazaare
o o o
dil ki baat kahte hain sitaare
o o o
aankhon mein noor bhar de
dil mein sarur bhar de
o mere dilruba
ya rabba peri peri
ya rabba peri peri
ya rabba peri peri yaa
aarzoo yahi hai
meri justzu yahi hai
na ja
dilbar
na ja
ankhiyon mein aake
o mere dilruba
mere dil se na ja
hai ye dil ki dua
hai ye dil ki dua
ya rabba peri peri
ya rabba peri peri
ya rabba peri peri yaa
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