Archive for the ‘Songs of 2008’ Category
Nazrein milaana nazrein churaana
Posted on: January 6, 2021
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4555 | Post No. : | 16148 |
A.R. Rehman’s 54th Birthday on 06.01.2021
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Jo pehle din hi se dil ka kaha na kartey ham
To ab yeh logon ki baatien sunaana kartey hamAgar na haath hmein uss dilrubaa ke dil detey
To dil par haathh sadaa dhar liya na kartey hamWo aafat-e-dil-o-jaan pe agar na martey
To apne marney ki duaa har dam duaa kiya na karte hamNa hosh khotey agar uss pari ki baaton par
To aap hi aap aisi baatien kiya na kartey hamNa lagti aankh to din raat sotey hi rehtey
Kisi ki chaah na karte to kya na karte hamJo ghambuton ka na hotaa teri tarah ‘Momin’
To dekhcharkh` ko hai, hai kh`udaa na kartey ham– Momin Kh`anMomin –
I heard this above ghazal recital and liked the simplicity of expressions. It was credited to Momin Khan Momin(1800–14 May 1852), so I thought there has to be more to this ghazal. I found a ‘Deewan-e-Momin’ on Rekhta and confirmed that there are few more ash’aarin the complete ghazal. He was a contemporary of Mirza Ghalib.A most famous sha’ir by MomimKh`an Momin is this:
Tum mere paas hotey ho goyaa
Jab koyi dusraa nahin hotaa
It is said that Mirza Ghalib was so impressed by this sha’ir, that he had offerred his whole “Deewan-e-Ghalib” in exchange of this one sha’ir. Of course, in true legend’s style, the exchange did not happen. Even if there was no organised law for protection of intellectual property than, the exchange would have been redundant. Because Ghalib’s work is Ghalib’s and Momin’s kalaam remains Momin’s, after all.
Here is the famous sha’ir by the underrated poet which inspired this song:
Woh jo ham mein tum mein qaraar thha, tumhen yaad ho ke na yaad ho
Wohi, ya’ani wa’adaa nibaah ka,tumhen yaad ho ke nayaad ho
I felt compelled to give some details to emphasis the significance of Momin Kh`an Momin, as there is not much written about him on this blog.
Wikipedia says
“Momin was something of a polymath, with several interests apart from medicine and poetry. He was also competent inmathematics, geomancy, astrology, chess and Hindustani music.” And that his grave is located in Delhi, near the parking lot of Maulana Azad Medical college. What I have learned is that this medical college is India’s top medical college, second only to AIIMS, Delhi, I am yet to come across a doctor who has studied there. So now I am resolving to ask him/her whenever I encounter an alumnus, about the grave of Momin Kh’an Momin.
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Now to the real subject of this post, i.e A. R. Rehman. Though I grew up on the average, good, very good, fabulous and fantastic hindi film music of the golden era of hindi film music, A R Rehman still came as a breath of exotic air in 1992 with his debut film ‘Roja’. The translated lyrics from Tamil was a huge drawback of the songs of that film, but the touching melody and the brand new sounds of A R Rehman’s orchestration more than overpowered it. He has come a long way from those days, as has hindi film music. He has travelled through the waves of adulations, via his music school, his acumen in being the first musician to actually own the music he creates, through Sufiana, to fusion, Western classical, via the oscars etc., he is a global celebrity. A big celebrity in a hugely populated country like india is bound to be recognised at global level, that is the power of a big market.
The song I am presenting here is from the film “Jaane tu ya jaane na” (2008), with A R Rehman’s music and lyrics by Abbas Tyrewala. Seven singers are singing this song namely Benny Dayal, Satish Chakravarthy, Sayonara, Philips, Darshana, Svetha, Bhargavi, and Anupama Deshpande.
Only one song Pappu Can’t dance saala (Jaane Tu Ya Jaane Na), is so far posted, making this the second song from the film. This is an outdoorsy song filmed on very pristine locations, near the river, where Imran Khan and Genelia D’souza with friends are picnicking, and having fun. The location of shooting is a bit away from the usual Panchgani and Mahabaleshwar, but nearby, with the long road, which goes along Krishna River. This is the other route for travelling to Mahabaleshwar.
This film is produced by A’amir Khan and his cousin Mansoor Khan. The lyricist A’bbas Tyrewala is also the director of the film for launch of A’amir Khan’s nephew, I’mran khan. Quite the family affair this is, so my assessment of locations this song is filmed is bang on target. More so, as I have recently travelled the route, remembered this song and looked up to confirm that the mountains haven’t changed much in 12 years 🙂 :-).
SongNazren milaana nazren churaana (Jaane Tu Yaa Jaane Naa)(2008) Singers-Benny Dayal, Satish Chakravarthy, Sayonara, Philips, Darshana, Svetha, Bhargavi, Anupama Deshpande Lyrics-Abbas Tyrewala, MD-A R Rahman
Lyrics
Dil kabhi gandaa
kabhi hai nek bandaa
dil ka bharosa
kaise koyi kare
dil kabhi thhanda
kabhi hai atom bomb sa
yeh dhamaaka
kaise koyi sahe
dil ki ee
yehi kh`ata hai
dil ko o o
nahin pata hai
dil ki yehi kh`ata hai
dil ko nahin pata hai
ke dil chaahta hai kya
nazrein milaana
nazrein churaana
kahin pe nigaahein
kahin pe nishaana
nazrein milaana
nazrein churana
kahin pe nigaahein
kahin pe nishaana
aayi aa
aa aa aa aa
aayi ee ee
o o o
aayi yeah
o o o
aayi yeah
o o o
neeyyat
to dil ki
hamesha hi sahi thhi
dil ka iraada
bhi samjho nek thha
fitrat awaarah
to kya kare bechaara
us ka ho jaaye
jo jisko dekhta
din mein ae ae
to dil sataaye
raaton on
mein dil jagaaye
din mein to dil sataaye
raaton mein dil jagaaye
arey chaahta hai kya
nazrein milaana
nazrein churaana
kahin pe nigaahein
kahin pe nishaana
nazrein milaana
nazrein churaana
kahi pe nigaahein
kahin pe nishaana
aankhon mein koyi hai basaa
jaane kyun lage
yeh dil khaali
jaane na kyun
yeh dil bajaa raha
ek haath se taali
honthon se jaane
kya kahaa phir bhi
dil ki baat hai dil mein
yeh raah tera hamsafar
kis ko dhoonde
dilki mehfil mein
jaan hai phansi
kaise na hansi
aaye haale dil pe
hey
nazrein milaana
nazrein churaana
kahin pe nigaahein
kahin pe nishaana
nazrein milana
nazrein churana
kahin pe nigaahein
kahin pe nishaana
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4308 | Post No. : | 15580 | Movie Count : |
4289 |
Hullo Atuldom
May 3 is not any celebrities birthday going by the listings on the anniversaries page of the blog. But a more important date for followers of movies. That was the date when the first Indian movie released in the year 1913.
“Raja Harishchandra” directed and produced by Shri. Dhundiraj Govind Phalke a.k.a Dadasaheb Phalke, was a silent film that released in Bombay’s Coronation Cinematograph and Variety Hall, Girgaon on 3rd May 1913 after a Premier at Olympia Theatre on 21st April. This was the genesis of the Indian Film Industry which has been entertaining generations since then. The movies, as we have come to love, has thrown up stories that are inspired from our mythology, history, real-life experiences etc. There are fans for a “Jai Santoshi Maa” as well as “Sholay”. I remember that when the Malayalam movie “Swami Ayyappan” came to the theatres in Bombay (it had hit the marquee in 1975 in Kerala) Manoj Kumar’s “Kranti” had also released and our family chose to see the Malayalam movie as it gave us an insight into the life and times of the lord Ayyappa.
Today we are having a song, from a movie, whose title is inspired from a famous song of the late 70s. The director of the movie was a person who has grown up in the film industry (so to say) as he is the son of a famous producer-director. The cast is headed by a fan of movies who himself has a huge fan-following.
I am talking of a song from the 2008 released “Rab Ne Bana Di Jodi” (meaning “Match made in the heavens”) which was written and directed by Aditya Chopra, son of Yash Chopra who was also the producer of the film. And I need not add that Yash Chopra was a successful producer- director who began his innings in the film industry in the 50s. The movie had a cast headed by Anushka Sharma and Shahrukh Khan.
Today’s song happens when the lead pair have gone to see movie. “A cinema inside a cinema” as I would like to put it. The lady- Taani (Anushka) is bored with the proceedings on the screen. Then she imagines that one of her acquaintances has jumped on to the screen and then the whole atmosphere perks up. He says: “Taani partner do not fear when Raj is here. Humne bhi Ishq ke ustaadon se seekha hai” (I think those are his exact words). And then the song starts.
IMHO this song can claim to be fully inspired by all the preceding generations of actors and actresses. We have Shahrukh Khan and Kajol beginning the song as Raj Kapoor and Nargis, this is followed by Shahrukh as Dev Anand and Bipasha Basu as Sadhana. Then we have Lara Dutta as Helen to Shahrukh’s Shammi Kapoor act which is followed by Rajesh Khanna and Sharmila Tagore by SRK and Preity Zinta. The song has SRK and Rani Mukherjee reminding us of Rishi Kapoor and Neetu Singh. So basically we go down memory lane as we see this song and try and relive the 50s, 60s and 70s.
I must complement the lyricist Jaideep Sahni for coming up with a song that had to have pre-existing words/lyrics/thoughts. One must not miss how “Babu Moshai” has fitted beautifully into the song. Also worth mentioning the art director’s and set designer’s contributions. They have done so much detailing- we should not miss the book that Preity as Sharmila Tagore is trying to read. It is called “Amar Prem” and has a photo of Rajesh Khanna and Sharmila Tagore from “Aradhana” in the song ‘Kora kaagaz tha ye mann mera’. Also we should not miss the huge Raj Kapoor hat at the start of the song as also the Dev Anand Cap, the eye from where the Shammi Kapoor segment starts and finally the long scarfs/mufflers that Rishi Kapoor used to sport and the steps that he and Neetu were exponents of. We should not forget the choreographer too. The composers Salim-Suleiman have also showed that they have also grown up on this fodder. They had an unenviable task of making a song from the music that was tuned by the legends of Bollywood and also not make a bad rehash.
Let us also enjoy this tribute to the great Ustaads (masters).
P.S: After I wrote this post I realized that 3rd May also happens to be Nargis’s death anniversary. It is 39 years since her passing and it was Dadasaheb Phalke’s birth anniversary on 30th April 1870- 150th birthdate.
Song-Hum hain raahi pyaar ke phir milenge chalte chalte(Rab ne bana di jodi)(2008) Singer-Sonu Nigam, Lyrics-Jaideep Sahni, MD-Salim Suleman
Lyrics
(awaara)
(Awaara)
(music uses awaara’s signature tune)
pyaar huwa ikraar huwa
jeena yahaan marna yahaan
inn baahon ko
inn raahon ko
chhod ye chhaliya jaaye kahaan
maana dil toh hai anaari,
yeh awaara hi sahi
are bol radha bol sangam hoga ke nahin
har janam mein
rang badal ke
khwaabon ke pardo pe hum khilte
ham hain raahi pyaar ke
phir milenge chalte chalte
hey
ham hai raahi pyaar ke
phir milenge chalte chalte
(here “Yeh dil na hota bechaara” tune is used)
dil ka bhanwar kare
kare pukaar jab
pyaar kisi se hota hai
jiya o jiya kuchh bol do
ab dard sa dil mein hota hai
tidli yoo
tidli yoo
oo tere ghar ke saamne ghar banaaunga
toota hi sahi
pal bhar ke liye koi humein pyaar karle
jhootha hi sahi
jhootha hi sahi,
haay jhootha hi sahi ee
har janam mein
rang badal ke
khwaabon ke pardo pe hum khilte ae
ham hain raahi pyar ke
phir milenge chalte chalte
ham hain raahi pyaar ke ae
phir milenge chalte chalte
yaahoo
yaahoo
(here “o haseena zulfonwaali” tune is used)
oh haseena
zulfonwaali jaane jahaan
chaahe mujhko
junglee keh de saara jahaan
ho mehfil mehfil tu phire,
yaahoo yaahoo dil kare
mehfil mehfil tu phire,
yaahoo yaahoo dil kare
badan pe sitaare lapete huwe
har janam mein
rang badal ke
khwaabon ke pardo pe hum khilte
ham hain raahi pyaar ke
phir milenge chalte chalte
hey
ham hain raahi pyar ke
phir milenge chalte chalte
babu moshai ( Rajesh Khanna’s voice)
(here the tune is “sapnon ki raani kab aayegi tu)
hooo hehe haaa
hey jai jai shiv shankar,
kaanta laage na kankar
chaahe kuchh kar le zamaana
mere jeevan saathi
mere sapnon ki rani
zindagi safar hai suhaana
hey kuchh to log kahenge,
na suna keejiye
hey chain aaye mere dil ko
duwa keejiye
hey har janam mein
rang badal ke
khwaabon ke pardon pe hum khilte ae
ham hain raahi pyar ke
phir milenge chalte chalte
hey
ham hai raahi pyar ke
phir milenge chalte chalte
papa papapa paaa
papa papapa paaa
zu zu zu zuuu zuuu
zuuu zuuu zu zu zu
(here tune is from “bachna ae haseeno”)
darde dil darde jigar,
zamaane ko dikhaana hai
darde dil darde jigar,
zamaane ko dikhaana hai
hum kisi se kum nahin hai,
tujhko yeh bataana hai
ye waada raha,
oh meri chaandni ee
har janam mein
rang badal ke
khwaabon ke pardon pe hum khilte
ham hain raahi pyar ke
phir milenge chalte chalte
hey ham hain raahi pyaar ke ae
ah ah ah
chalte chalet ae ae ae
ae ae ae ae
aa chalte chalte
hum hain raahi pyaar ke ae
phir milenge chalte chalte
Mast Mast Dar Mastam
Posted on: March 15, 2016
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
It is all about feline creatures. Cats are said to have nine lives. Who says ? Maybe some legend. It is also said that the truth is stranger than fiction. I imagine behaviorally cats are closer to humans than monkeys, theory of evolution not withstanding. Or maybe felines are the evolved human race, and in previous lives they were human, who knows. Anyway I have also heard that the civilized world is all going to cats and dogs. No kidding, this proves my hunch that truth is indeed stranger than fiction. (Note : No sleight or slander intended to cats, dogs, monkeys, humans and their assorted species).
Read more on this topic…
Chalo jaane do ab chhodo bhi
Posted on: November 13, 2015
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Wishing all followers of ASAD a very Happy Diwali… I know the festival of lights is over but the schools are yet to reopen after the Diwali Holidays. So the spirit of Diwali is still there in the air.
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Socha hai ye tumne kya kabhi
Posted on: January 9, 2015
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Quiz time. What is the result of the marriage of an exceptional script writer- lyricist- poet with another script and story writer who was also a child star to add? And what happens if one adds a small amount of talented step mother whose own family is full of literary giants?
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Tu prabh daata
Posted on: November 17, 2013
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Guru Nanak Dev ji de prakash utsav di lakh lakh badhaayi”
(as we would say it in Punjabi)
“A million greetings on the anniversary of the appearance of the shining light that is Guru Nanak Dev ji”
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Teri oar teri oar haay rabba
Posted on: July 10, 2013
This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
This song won the Filmfare award for Best female playback singer of 2008, for Shreya Ghoshal. Shreya Ghoshal is one find of the decade as far as female playback singers are concerned. She is here there everywhere, in all films. She has dominated the female playback scene for some years now. With Lata and Asha both almost out of contention and singing few songs, there was a gap which is filled somewhat first by Alka Yagnik in the 90’s and than by Shreya Ghoshal. I especially like her solo songs. Of course, nobody can quite dominate a field like Lata and Asha did for 40 odd years. The field is wide open now and with more competetion from all around. But Shreya Ghoshal is most talented of the lot and sounds good in all types of songs.
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Tu meri adhoori pyaas pyaas
Posted on: May 22, 2013
This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
This song from the film Ghajini (2008) is desert song no. 11. This movie is action thriller/Drama/romance film remake of a Tamil/Telegu film of same name released in 2005. The story is about a business tycoon, suffering from ‘short term memory loss’. He is out to take revenge for his girlfriend’s murder. The murderer’e name is the title of the movie. Due to his ‘Short term memory loss’ situation, he has all the important information concerning his life tattoo’ed on his body, so that he never loses sight of his mission. The hindi version had Amir Khan and Asin in the lead roles. The detailed information about the Hindi version is >here And the details of Tamil / Telegu version are here.
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Maa meri maa pyaari maa
Posted on: October 7, 2012
This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
I haven’t seen the movie Dasvidaniya(2008), but what I have heard about it makes me want to see it. From what I have read of it, it is a story of a terminally-ill patient, who after receiving the news of the terminal nature of his illness, decides to live his life fully and to achieve ten important things in his life.
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