Archive for the ‘Meena Kapoor solo’ Category
Moree atariyaa pe bulbul boley
Posted on: April 28, 2023
- In: Atariya/Chajja song | Bird songs | Blog Ten Year Challenge (2013-2023) | Bulbul songs | Expecting the beloved | expression of love | Feelings of heart | joie de vivre | Lyrics by Prakashchandra | Lyrics contributed by readers | Meena Kapoor solo | Meena Kapoor songs | Songs of 1950s (1951 to 1960) | Songs of 1951 | Yearwise breakup of songs
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5397 | Post No. : | 17704 |
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Blog 10-Year Challenge (2013-2023) – Song No.97
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On this date ten years ago (28 April 2013), six songs from six different movies were covered in the blog. Here are the details:-
| Post No | Song Title | Name of the movie | Remarks |
|---|---|---|---|
| 7995 | Hamen kyaa ab khizaan jaaye na jaaye | Nayi Kahaani(1943) | Movie YIPPEED in the blog by now |
| 7996 | Kaise bitaaun zaalim kaali kaali raat re | Actor(1951) | 6 songs covered out of 10 by now |
| 7997 | Jiya lehar lehar lehraaye | Sansaar(1951) | 6 songs covered out of 14 by now |
| 7998 | Na maangoon main tera jahaan | Raja Vikram (1957) | 4 songs covered out of 11 by now |
| 7999 | Tum kitne din baad miley | The Great Gambler (1979) | Movie YIPPEED in the blog by now |
| 8000 | Beautiful baby of Bombay | Ek Phool Chaar Kaante (1960) | Movie YIPPEED in the blog with this post |
We observe that three movies (out of six) whose songs were covered in the blog on this date ten years ago (on 28 April 2013)n YIPPEED in the blog. That leaves us with three unYIPPEED movies that are eligible for Blog Ten Year Challenge today (28 April 2023).
“Actor”(1951) is one of the BTYC eligible movies. This movie was produced by H M Kerawalla -Bhojani and directed by Ramjibhai Arya for Sarosh Pictures, Bombay. This movie had Ramola, Bhagwan, Indu, Sundar,Murad, Azeem, Abu Bakar, Maqbul,Sadashiv, Chotejaan, Mittoo Miyaan, Manchi Tooti, D.babulal, Gulzar, Violette, Sulochana, Kanchan,Cuckkoo etc in it.
“Actor”(1951) had ten songs in it. Six songs have been covered in the past.
Here is the seventh song from the movie to appear in the blog. This ong is sung by Meena Kapoor. Nazim Panipati is the lyricist. Music is composed by Aziz Hindi.
Only audio of this joyous song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
Lyrics of this song were sent to me by Prakashchandra.
Song-Mori atariya pe bulbul boley (Actor)(1951) Singer-Meena Kapoor, Lyrics-Nazim Panipati, MD-Aziz Hindi
Lyrics(Provided by Prakashchandra)
mori atariyaa pe bulbul boley ae
jiyaa mora doley ae
piyaa aayenge
ho o ho o o jeeyaa mora doley ae
piyaa aayenge ae aey ae ae
mori atariyaa pe bulbul boley ae
jiyaa mora doley ae
piyaa aayenge
ho o ho jiyaa mora doley ae
piyaa aayenge ae ae ae
piyaa jee aaye ae ae ae
piyaa jee aaye
main waaree waaree jaaoongi
main waaree waaree jaaoongee eee
piyaa jee aaye ae ae
piyaa jee aaye
main waaree waaree jaaoongi
main waaree waaree jaaoongi
saaraa jag chhod unhein
apnaa banaaoongi
haayye apnaa banaaoongee
mere naina hain unke pyaasey
woh dengey dilaasey
piyaa ghar aayenge
ho o ho
aaj morey piyaa ghar aayenge aey ae ae
mori atariyaa pe bulbul boley ae
jiyaa moraa doley
piyaa aayenge
ho o jiyaa mora doley
piyaa aayenge ae
dekho mausam hai kitnaa suhaanaa piyaa
aisey mausam mein jaldi se aanaa piyaa jee
aisey mausam mein jaldi se piyaa naa piyaa
dekho mausam hai kitnaa suhaanaa piyaa
aisey mausam mein jalti se aanaa piyaa jee
aisey mausam mein jaldi se aanaa piyaa
varnaa kar degaa aaa
varnaa kar degaa
ruswaa zamaanaa piyaa
ho o o zamanaa piyaa
reh rehke tujhko bulaaye jiyaa aaa
yehee gaaye
piyaa ghar aayenge
ho o ho
aaj morey piyaa ghar aayenge aey ae ae
mori atariyaa pe bulbul boley ae
jiyaa moraa doley ae
piyaa aayenge
ho o ho
aaj morey piyaa ghar aayenge ae ae
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5301 | Post No. : | 17367 |
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Blog 10-Year Challenge (2013-2023) – Song No. 7
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On this date ten years back viz on 22 January 2013, six songs from six movies were covered in the blog. Here are the details:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 7383 | Main dekhoon tohe din raati | Naina (1953) | 3 songs covered out of 7 by now |
| 7384 | Jaani re hum jaani re | Saanwariya(1949) | 8 songs covered out of 10 by now |
| 7385 | Sab din hot na ek samaan | Senapati(1961) | 2 songs covered out of 7 by now |
| 7386 | Ham pyaar ki baazi haare | Sazaa (1951) | Movie YIPPEED with this song |
| 7387 | Mera antar ek mandir hai tera | Tere Mere Sapne (1971) | Movie YIPPEED by now |
| 7388 | Maine tumko chaaha pehli baar | Double Cross (1973) | 2 songs covered out of 5 by now |
We observe that two movies (out of six movies) whose songs were covered ten years ago on this date (viz 22 January 2013) have since been YIPPEED. That leaves us with four movies that are eligible for Blog Ten Year Challenge today (22 January 2023).
One of the movies eligible for BTYC has already been taken up under BTYC today.
Chronoligally the second movie eligible for Blog Ten Year Challenge is “Naina”(1953).
“Naina”(1953) was produced by Chandu and directed by Ravindra Dave for Chandu Studios Limited, Bombay. The movie had Geeta Bali, Abhi Bhattacharya, Neeru, Manju, Leela Mishra, Ramesh Sinha, Ramesh Arora, Khairati, Narbada Shankar, Burhan, Patanjali, Raj Adeeb, Anand Pal, Biman Bannerji etc in it.
“Naina”(1953) had seven songs in it. Three songs have been covered so far.
Here is the fourth song from the movie to appear in the blog. The song is sung by Meena Kapoor. anjum is the lyricist. Music is composed by Ghulam Mohammad.
Only audio of this melancholic song is available. I request our knowledgeable readers to throw light on the picturisation of the song. Knowledgeable readers may also throw light on the lyricist, who is mentioned just as Anjum.
Song-Barbaadiyon ne hosh se begaana kar diya (Naina)(1953) Singer-Meena Kapoor, Lyrics-Anjum, MD-Ghulam Mohammad
Lyrics
barbaadiyon ne hosh se ae ae
ae ae ae
barbaadiyon ne hosh se ae ae
begaana kar diya aa aa
aa aa
ab aansuo ko dard ka afsaana kar diya aa
afsana kar diya
hay afsaana kar diya
aur aansuo ko dard ka afsana kar diya aa
afsana kar diya
haay afsaana kar diya
aate nahin to yaad bhi ee ee tum apni rok lo o o o
aate nahin to yaad bhi
tum apni rok lo o o
dil ko tumhaari yaad ne deewaana kar diya
deewaana kar diya
haay deewaana kar diya
jis ghar ko tumne pyaar se aabaad kiya thha aa
jis ghar ko tumne pyaar se aabaad kiya thha aa aa
us ghar ko tumne haay kyun veeraana kar diya aa
veerana kar diya
hay veeraana kar diya
barbadiyo ne hosh se begana kar diya
begaana kar diya
haay begaana kar diya
Geeton Ka Sansaar Yahaan Par
Posted on: July 19, 2021
- In: Blog Anniversary Song | Celebration Song | Devnagri script lyrics by Sudhir | Free Spirit Song | Guest posts | Happy song | joie de vivre | Lyrics contributed by readers | Meena Kapoor solo | Meena Kapoor songs | Post by Sudhir | Revelry song | Songs of 1940s (1941 to 1950) | Songs of 1948 | Yearwise breakup of songs
- 6 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4749 | Post No. : | 16484 |
So. Finally it is official.
We are teenagers now, the first step into the growing up years. The childhood years left behind and now the coming of age years are starting.
What started off as a ‘let’s-try-it’ hobby run with the simplest of the simple philosophical musings – “Miley Na Phool To Kaanton Se Dosti Kar Li“, has come of age today and has blossomed into a huge tree with thousands of branches spread out, with roots that are deep and strong, and are full of conviction. A tree that provides shade in terms of solace to the lovers of music, which in turn are spread out all over the globe. This is the world tree of music and songs. This is a tree that has a flavor for every palate, a tree that has fruits of everlasting tastes for the connoisseurs, a tree that conserves and perpetuates that enchanting phenomena that is the lovely Hindi Film Music – this is a tree that has many different meanings and many different treasures for the seekers of pleasure in music. There is a whole universe of music that has settled itself around this tree. Although the desires abounded for flowers, but when none were forthcoming this direction, the protagonist settled for the proverbial thorns to start with. That humble gesture ensured that flowers of all shades and colors, and also, flower bearers of all tastes and wonders, kept on coming together one by one, till a complete orchestra of performers was formed, and the bandwagon got its name.
Thirteen years and counting. And if you talk of counting, here are some counts that will really make you happy with wonder.
Do you know that we have a visitor to this blog, every thirty seconds – the total count (and still counting) is upwards of 14.5 million visitors. Now that is a number to really wonder about.
Do you know that we have been averaging quite, quite close to one new film per day since the inception of this blog. 4749 days today and 4480 films showcased. And oh yes, that is not counting the Non-Film songs categories. Adding them categories, we shall surely be at 1+ new film or new non-film song category per day. Isn’t that a wow that makes one feel like flying.
Do you know that the average daily rate of posting is upwards of three posts per day. Try doing that seven days a week, 365 days a year, and continuously at that rate for 13 years. Try writing a letter each to three friends every day, day on day, for 13 years. My, does that no yet boggle the mind.
And that is where the superlatives start ceasing to have an impact.
13 years – 4,749 days – 16,484 posts. . .
And just ONE person. Now isn’t that something to boggle the google. Especially when we know it is a labor of love, and that it is not an endeavor for remuneration. Ah yes, it does finally boil down to love. As does of course, everything else in this universe.
That one person, carrying the entire earth on his shoulders, like the legendary Atlas. Not pausing for even a day to rest. Of course yes, there have been rarities that we have had dot days. But in the final count, the averages will speak for themselves. No matter how many runs and how many centuries – double, triple – any other batsman has scored, the Don Bradman remains the Don Bradman when the averages are calculated.
Atul ji, over the years that we have been associated for this endeavor, we have completely used up all the possible epithets and adjectives to address our appreciation of your work. And now, we are at a loss to articulate this emotion any further. And will finally end up saying these lines that I borrow from another legend – ABBA,
So I say
Thank you for the music, the songs I’m singing
Thanks for all the joy they’re bringing
Who can live without it? I ask in all honesty
What would life be?
Without a song or a dance, what are we?
So I say thank you for the music
For giving it to me
And not just to me – to this entire world, a compilation that is sans any peers. Who would have thought it could have been possible. Your own words have been that your earliest flights of imagination brought you to a number of maybe 2,500. And that then you would rest.
Aah, but for the passion this ignited, within yourself, and within this motley crew of the musical bandwagon. The counter is ticking oh so close to 16,500 posts. And not a day’s breather seems to be in view. Mightier and stronger and higher we ride the Olympian altitudes. And the bandwagon keeps chugging along, day on day, week on week, month on. . .
I just thought of taking a look at the date of 19th July across our travels. We have had a total of 68 posts that have been celebrating this anniversary, after the intial 19th July post of 2008. Seven posts in 2009, 4 posts in 2010, 5 posts in 2011, 6 posts in 2012, 5 posts again in 2013, then on to 7 posts once again in 2014, 5 posts in 2015, and wow, a whopping 8 posts in 2016, back to 4 posts in 2017, aah – 3 posts in 2018, 4 posts in 2019, back up to 6 posts in 2020, and then today, 4 posts again to celebrate this wondrous milestone. With songs posted across the entire spectrum of decades, from 1936 all the way up to 2002, the celebrations of this anniversary have been multifarious and varied.
Ah but let me not bore you with any more statistics and analyses. And bring you to this song for the celebration today.
Geeton Ka Sansaar Yahaan Par
Took me a while to locate this wonderfully complementary theme song for this celebration. And for its rarity, it is – sorry, it was not yet available online. The film is ‘Nai Reet’ from 1948. The film itself makes a debut on our blog today.
The film has been produced under the banner of India Film Corporation, Bombay and is directed by Shubh Karan Ojha. This relatively obscure film that probably did not garner much attention and box office receipts when it was released in 1948, has the cast listed as Sulochana Chatterjee, Geeta Bali, Rajendra, Krishankant, Tiwari, Badri Prasad, Tara Bai, Leela Mishra, and Ramesh Sinha. Most names are familiar, and I am sure the full cast would be carrying more names.
The film has 8 songs in total. All the songs are written by a team of two songwriters in collaboration – Bal Krishan Gupta and Ratan Kumar Gupta. The footnote that is carried in the Geet Kosh, succinctly states that – “As per the information recieved from Lyricist Bal Krishna Gupta all songs this film were written by both Lyricists working together, i.e. `Kumar-Gupta` (Ratan `Kumar` Gupta + Bal Krishna `Gupta`. However the records carry the name as `Kumar Gupta`.” So by this input, we would also use the lyricist’s name as Kumar-Gupta.
The music is by SK Pal, and the singing voice is that of Meena Kapoor.
And the words – they oh so well sum up the emotions of this celebration today – that here is a universe of songs that has been put together for us.
गीतों का संसार यहाँ पर
मुसकानों का मेला है
पत्ती पत्ती झूम रही
हर फूल में जादू फैला है
A world of songs is here
It is a festival celebration of smiles
Every leaf is swaying with delight
There is a joyous magic spread through every flower
मैं भी अपनी झोली लाई
भर लेने को बिखरी दौलत
मैं भी दौड़ी दौड़ी आई
क्या छोड़ूँ क्या चुन लूँ इस में
लगता बड़ा झमेला है
In haste I come here
To gather this treasure spread about
I try to garner it all in my arms
And the mind is in a dilemma
What all shall I take
And what all shall I leave
एक अनोखा बाग है दुनिया
सुन्दर सुन्दर प्यारा प्यारा
मानो मीठा राग है दुनिया
पागल मन मेरा मस्ती में
कली सा खिल खिल खेला है
What a joyful garden this world is
So beautiful and lovely
The whole world is a sweet melody
And my mind is untamed in passion
Blossoming like new buds playing
Yes, all these emotions run through the mind when I look at this incredible and phenomenal treasure of enchanting melodies – this world of songs, here, with us.
A grand celebration for this inception day milestone.
A wonderful musical greetings to all readers and all members of the musical bandwagon.
And a bagful of wishes and blessings, that this tree may only proliferate further, day by passing day.
And that this journey may never cease.
तमन्ना है ये साथ चलते रहें हम ना बीते कभी ये सफर. . .
Song – Geeton Ka Sansaar Yahaan Par (Nai Reet) (1948) Singer – Meena Kapoor, Lyrics – Kumar-Gupta, MD – SK Pal
Lyrics
geeton ka sansaar yahaan par
muskaanon ka mela hai
mela hai
geeton ka sansaar yahaan par
muskaanon ka mela hai
mela hai
mela hai
patti patti jhoom rahi
jhoom rahi
patti patti jhoom rahi
jhoom rahi
har phool mein
har phool mein jaadu phaila hai
muskaanon ka mela hai
mela hai
mela hai
geeton ka sansaar yahaan par
muskaanon ka mela hai
mela hai
main bhi apni jholi laai
main bhi apni jholi laai
bhar lene ko bikhri daulat
main bhi daudi daudi aayi
kya chhodoon kya chun loon is mein
kya chhodoon kya chun loon is mein
lagta bada jhamela hai
muskaanon ka mela hai
mela hai
mela hai
geeton ka sansaar yahaan par
muskaanon ka mela hai
ek anokha baag hai duniya
ek anokha baag hai duniya
sundar sundar pyaara pyaara
maano meetha raag hai duniya
maano meetha raag hai duniya
paagal mann mera masti mein
paagal mann mera masti mein
kali sa khil khil khela hai
muskaanon ka mela hai
mela hai
mela hai
geeton ka sansaar yahaan par
muskaanon ka mela hai
mela hai
mela hai
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Hindi script lyrics (Provided by Sudhir Kapur)
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गीतों का संसार यहाँ पर
मुसकानों का मेला है
मेला है
गीतों का संसार यहाँ पर
मुसकानों का मेला है
मेला है
मेला है
पत्ती पत्ती झूम रही
झूम रही
पत्ती पत्ती झूम रही
हर फूल में
हर फूल में जादू फैला है
मुसकानों का मेला है
मेला है
मेला है
गीतों का संसार यहाँ पर
मुसकानों का मेला है
मेला है
मैं भी अपनी झोली लाई
मैं भी अपनी झोली लाई
भर लेने को बिखरी दौलत
मैं भी दौड़ी दौड़ी आई
मैं भी दौड़ी दौड़ी आई
क्या छोड़ूँ क्या चुन लूँ इस में
क्या छोड़ूँ क्या चुन लूँ इस में
लगता बड़ा झमेला है
मुसकानों का मेला है
मेला है
मेला है
गीतों का संसार यहाँ पर
मुसकानों का मेला है
एक अनोखा बाग है दुनिया
एक अनोखा बाग है दुनिया
सुन्दर सुन्दर प्यारा प्यारा
मानो मीठा राग है दुनिया
मानो मीठा राग है दुनिया
पागल मन मेरा मस्ती में
पागल मन मेरा मस्ती में
कली का खिल खिल खेला है
मुसकानों का मेला है
मेला है
मेला है
गीतों का संसार यहाँ पर
मुसकानों का मेला है
मेला है
मेला है
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4219 | Post No. : | 15421 |
“Anyaay” (1949) was produced and directed by J S Kashyap for Diamond Pictures Limited, Bommbay.
“Anyaay”(1949) was a unique kind of movie. It was not an “original” standalone movie. It basically took scenes from 14 earlier movies of Bombay Talkies and combined them to come up with a story, shooting a few additional scenes as required. For shooting these scenes, the movie had used J S Kashyap, Laxman Saroj, Putli Bai, Narbada Shankar, Devidutt Nautiyal, Kesar Bai, Shree Bhagwan, B S Bhatnagar etc.
The movie had nine songs according to HFGK. Even the songs of the movie were those songs which were already utilised in Eearlier Bombay Talkies movies. For instance, the movie reused (with visuals) two songs from “Jeewan Prabhat”(1937) and one song from “Hamaari Baat”(1943).
Two songs from the movie have been covered in the past.
Here is the third song from “Anyaay” (1949) to appear in the blog. This song was originally used in “Izzat”(1937). There the song was sung by Devika rani but here the same song is sung by Meena Kapoor.
J S Kashyap was the lyricist in both the movies. Music in “Anyaay”(1949) version was by Ram Prasad.
Incidentally the tune of the song was different in the two movies.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the song picturisation as well as on the story of this movie.
Incidentally, the same song is mentioned in HFGK under two headings, viz at serial number 4 as “O jaane waale ye to bata” and at serial number 9 as “nagari laage sooni sooni”. So in effect, the movie had eight songs and not nine.
Audio
Song-O jaane waale ye to bata..nagari laage sooni sooni (Anyaay)(1949) Singer-Meena Kapoor, Lyrics-J S Kashyap, MD-Ram Prasad
Lyrics
O jaane waale
ye to bata
mujhe kiske sahaare chhod chala
mera man jeewan soona kar ke
kyun nirmohi munh mod chada
nagari laage sooni sooni
nagari laage sooni sooni
jabse gaye pal chain na gaye
ja se gaye
palchain na aaye
buri bhayi gati man ki
buri bhayi gati man ki
nisdin naina raah takat hai
nisdin naina raah takat hai
chaah lagi darashan ki
ho chaah lagi darsan ki
more peer badhat din dooni
more peer badhat din dooni
nagari laage sooni sooni
nagari laage sooni sooni
Dekh o baabu dekh
Posted on: January 24, 2020
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4207 | Post No. : | 15401 |
Today’s song is from a ‘C’ grade stunt film – ‘Return of Mr. Superman’ aka ‘Superman Ki Wapsi’ (1960).
Hindi film industry is full of third grade, mindless and cheap copies of successful foreign films and stories. Indian films can not copy the costly scenes, sets and A grade actors for C grade films, so they make do with childish cheap sets, unknown producers or directors, actors who are at the fag end of their careers and overall an easy treatment to films. It is painful to see such films.
There was an era, when even action/stunt films carried some prestige. They were made by reputed or specialist film makers like, Wadias, Mohan Pictures, Imperial, Ranjit or even Master Bhagwan. They used to spend a fair amount on erecting sets or on outdoor shootings. Above all, their stunts used to be real and actually breath taking. Famous stunt actors like Azad, Prakash, John Cavas, Fearless Nadia, Vasantrao and Baburao Pehelwan etc. used to undertake thrilling stunts using trained animals like tigers, lions, horses, monkeys, dogs and even jalopy cars and motor cycles. The audience went to watch the stunts. Story, histrionics or music/songs were secondary.
Superman is a comics character popularised first in USA. The first cinema on Superman came in 1948 with actor Kirk Alyn as the hero. This was like a film serial. The feature film came in 1951 with George Reeves first and then the most popular Christopher Reeves. Many actors have done this role till now. A Superman with extraordinary powers has been a dream for mankind since a long long time. May be, perhaps, the Gods in almost every religion were endowed with such powers in fiction and the mythology.
Indian film makers were hardly to miss such stories. But I find that more than flying in the air or jumping from building to building, like Batman or Spiderman, Indian audiences lapped up the ‘Invisible Man’ theme more. The first such film was made by Prakash Pictures, ‘Khwaab Ki Duniya’ in 1938. Then came the successful 1957 film ‘Mr. X’ and lastly the most popular film came on this theme in 1987 as ‘Mr. India’.
On this background, no wonder, Superman, Batman or Spiderman never captured the imagination or fascination of Indian film audience. 1960 saw 2 films on Superman and one was in 1987. Comparatively, Tarzan films became more popular here. Creative producers combined Tarzan with any and every character of Arabian nights, gave him son, daughter and brought him to city or even Circus. Indian avatars of Tarzan like, Zambo and Zimbo were also popular. these films helped Dara Singh to establish himself in Hindi films. Anyway, gone are the days when action or stunt films had special audience. Neither that audience nor those films have any presence now.
Since the day SFX (special effects – an improved version of old trick scenes) became popular in India, every hero has become a stuntman himself. Except probably Ajay Devgan and Akshay Kumar, most other actors are stuntmen by SFX only.
Coming to today’s film ‘Return of Mr. Superman’, the film was made by Manmohan Films – owned by the producer, director and lyricist Manmohan Sabir. From 1952 to 1986, he had directed 10 films. Today’s film was his 6th film as a director. Some songs of the film were also written by PL Santoshi, Kaif Irfani and Anand Bakshi. The cast of the film was Jairaj, Sheila Ramani, Majnu, Naazi, David, Ram Mohan, Rajan Haksar, Master Navin and many others.
Music Director of this C grade stunt film was Anil Biswas, who was once upon a time an A grade composer and many other composers followed him as their ‘Guru’. Anil Biswas (7-7-1914 to 31-5-2003) started his career in music in the early 1930’s. Usually, one generation is considered as 25 to 30 years, but in film music the generation period is 12 to 15 years. So, in his career from early 30s to late 60s, Anil Biswas saw two generations of music lovers. It was easier for him to adapt to changing tastes of music from 30s to late 40s. However, to adapt to changed tastes from 50s to 60s, it became difficult for him. The audience tastes changed drastically from 1930s to 60’s music. In the 30s and the 40s , the music was closer to traditional Indian music, but in the 60s, the film music followed the world music trends like Rock N Roll, Twist and other types.
In this stage of his career, Anil Biswas was in two minds – whether to continue what he knew best or to change over to new way of film music demands. He chose to mix the two, but this took him nowhere. This film music was a compromise on his abilities. After this film, he did two more non descript movies – ‘Lucky Number’ (1961) and ‘Hamen Khelne Do’ (1962). At last he retired after completing his last film ‘Chhoti Chhoti Baaten’ (1965) and left for Delhi to serve at AIR (All India Radio), Delhi. He gave music to 90 films composing 767 songs. He also sang 59 songs in 31 films.
The heroine of this film Sheila Ramani was one of my early favourites, from the time I saw her with Dev Anand in film ‘Funtoosh’ (1956). Earlier too I had seen her in few films, but she looked quite attractive and glamorous in ‘Funtoosh’.
Sheila Ramani, a forgotten name today, but most of us still remember her in Navketan’s ‘Taxi Driver’ (1954) where she was cast as Anglo-Indian club Dancer – Sylvie. Sheila was born on 2-3-1932, in Sindh province. She was selected as ‘Miss Mussoorie 1948’ and adjudged ‘Miss Simla 1950’. Made her debut as Champa, the femme fatale of ‘Badnaam’ (1952), and revealed herself as a danseuse of charm in ‘Anand Math’ (1952). She was one of the few Sindhi actresses besides Sadhana, who made it big in Bollywood. She was mostly seen as upper class mod girl in the 50s, a role she enacted to perfection all through that swinging era in films like V Shantaram’s ‘Teen Batti Chaar Raasta’ (1953), Sheikh Mukhtar’s ‘Mangu’ (1954), ‘Meenar’ (1954), ‘Railway Platform’ (1955), and ‘Funtoosh’ (1956).
Her Uncle Sheikh Latif alias Lachchu was a famous Pakistani producer who produced films like ‘Pattan’ (1955), ‘Khizan Kai Baad’ (1955), ‘Darbar-e-Habib’ (1956) etc. Sheila visited Karachi – Pakistan on the request of her uncle, to play the lead in Pakistani film ‘Anokhi’ (1956). The film was based on Hollywood’s ‘Fabulous Senorita’. “Gaadi Ko Chalana Babu, Zara Halkey Halkey Halkey, Zara Dil Ka Jaam Na Chalkey” sung by Zubaida Khanum was the popular song from the film which did modest to good business in Pakistan. The movie’s great music was composed jointly by Timir Baran (a Bengali who came from India for this purpose) and Hassan Latif. Sheila went back to India and remained as a middle-of-the-range performer in Bombay films. In the later part of her career, she was reduced to obscure films with titles that sounded like ‘Jungle King’ (1959), and ‘The Return of Superman’ (1960). In all, she acted in 24 films. Her last film was ‘Awaara Ladki’ (1967).
Sheila was very fond of sports especially football and swimming. Ballroom dancing was a virtual addiction for her and she used to go out for dancing as often as she could. Sheila was 5 feet four inches tall, and was so fastidious that any dress she would wear won’t be repeated for six months to come at least.
According to her son Rahul Cowasji, she married late Jall Edi Cowasji (President of Bombay Dyeing) on 31st March 1963 and retired from acting in 1962. Part of her family that remained in Pakistan converted to Islam. She was a Hindu. She used to live in Bombay with her husband Jall Cowasji till 1981. They moved to Khartoum (in Sudan, Africa) for 3 years and then to Sri Lanka for 3 years. After her husband’s death in 1984 she migrated to Australia on her own in the late 1980’s and lived in Sydney and Surfer’s Paradise until health problems required her to return to India in the new millennium. She used to live in her husband’s ancestral home in Mhow, near Indore (Madhya Pradesh). She was frail and bed ridden for few years before her death on 15-7-2015.
Her favorite Hindi film of her career was ‘Taxi Driver’ (1954). Sheila was also the leading lady of India’s first Sindhi film after partition – ‘Abana’ (1958), in which, young Baby Sadhana played her younger sister’s role. (Thanks to Cineplot and Sheila’s son Rahul, for some of the information in this Bio).
One more person from the cast of the film – Ram Mohan – needs introduction to our readers with his short Bio. Ram Mohan Sharma, a young, handsome lad from Ambala, was born on 2-11-1929. He was a graduate (BA) and had come to Bombay in 1945 in search of a career in cinema.
The youngster, who was in his early twenties, with fair colour, curly hairs & sharp features, approached Jagdish Sethi to get work in movies as an actor. Jagdish Sethi found him sincere and gave him a supporting role in ‘Jaggu’ (52), which he was to make. The movie had very good music, scored by Hansraj Behl & it had moderate success, when released. Later, Ram Mohan got small roles in few movies & in 1954, Sethi Sahab took him in the romantic role opposite Shyama in ‘Pensioner’. The movie did not do well & it was the end of Ram Mohan’s career as hero.
Life goes on and he decided to accept any role offered to him. Soon he was a known name in the film circles. In ‘Do Behnen’ (1959), which had Shyama in double role, Ram Mohan enacted the role of villain, which gave his career a big boost as bad man. Later he came in contact with Sunil Dutt & Nargis and forged a permanent friendship with them. Although Ram Mohan mostly got roles of tough characters, but inside he was soft hearted. He was a member of film artists association. He requested Sunil Dutt Ji who was feeling depressed after Nargis Ji passed away, to help the ‘Have Nots’ of film industry. Virtually an encyclopedia of film industry, Ram Mohan knew every technician, junior artists as well as old & forgotten artists, who needed help. Whenever they both were free, they used to visit the ailing artists in hospital or their residences, to give them moral and financial support. Charatcter actor Rajan Haksar was in a charity hospital, after failure of his kidneys. Both benevolent persons visited the hapless artist to boost his spirit. Ram Mohan was a confidant of Asha Parekh, the kind hearted lady who was president of the Artists Association & they together helped many artists, who were in dire need of assistance.
Ram Mohan was also the vice president of CINTAA (Cine and TV Artists Association) for 4 years and secretary for 6 years. Ram Mohan Ji had high reputation every where and when he came to know about the miserable condition of AK Hangal, he met a political leader and arranged the financial help through Maharashtra Govt, on a regular basis. At the time of bereavement, he made it a point to help the family till all religious formalities were over. Every one in the film industry used to address him as Ram Mohan Ji ,to show their genuine respect to him.
In his career of more than five decades, Ram Mohan appeared in more than 250 movies (the number varies from 240 to 277), mostly in negative roles. He did not believe in self publicity and did his philanthropic work quietly. Ram Mohan was keeping indifferent health for six months, when his pillar of strength, his life partner passed away. Ram Mohan Ji also followed suit and breathed his last on 06th December 2015 .
Ram Mohan had 3 sons and 1 daughter, all very well settled in life. He will always be gratefully remembered by thousands of anonymous film artists who were helped by him. His memories will be cherished by his admirers, who loved his work on and off the screen. Truly, to find people like him, in this era is rarity. Let us hope his selfless work will inspire other persons connected with the film industry to help their less fortunate colleagues and the tradition of Vasudhaiva Kutumbkam set by him will continue. He found an admirer in Gulzar Sahab ,who always referred him as Ram Mohan Ji. Please see the credit titles of Izaazat, where his name is mentioned as Ram Mohan ji. (Thanks to Blog – ‘Beete Hue Din’, and Shri MN Sardana ji, for some of this information).
Today’s song certainly reminds us the type of club music of the late 1950s and early 1960s. This, of course, is not a club song, but a love song between hero and heroine. The song does not have anything to suggest the famous Anil Biswas touch of yore. It is one of those routine songs of those times.
Audio
Video
Song – Dekh o babu dekh (Return of Mr Superman) (1960) Singer – Meena Kapoor, Lyricist – PL Santoshi, MD – Anil Biswas
Lyrics
dekh o baabu dekh
o baabu dekh
dekh o baabu dekh
o baabu dekh
dil ki dukaan se main layi hoon ye cake
marzi ho to take baabu
marzi ho na take
o babu dekh
dekh o baabu dekh
o baabu dekh
dekh o baabu dekh
bahut hai mehngi
bahut hai sasti
gaahak ki jaisi ho hasti
bahut hai mahangi
bahut hai sasti
gaahak ki jaisi ho hasti
le jaayega koi dilwaala kismat waala cake
o baabu dekh
dekh o baabu dekh
o baabu dekh
dekh o ba abu dekh
dekh ke iski lazzat mister
ho jaayegi ulfat mister
dekh ke iski lazzat mister
ho jaayegi ulfat mister
lekin sun lo shart humari
doge na tum phenk
for godsake
dekh o baabu dekh
o baabu dekh
dekh o baabu dekh
hum to tumse pyaar karega
pyar ka hi iqraar karega
hum to tumse pyaar karega
pyar ka hi iqraar karega
chaahe ho nadiya ka kinara
chaahe romantic lake
o baabu dekh
dekh o baabu dekh
o baabu dekh
dekh o baabu dekh
dil se dil ka sauda kar lo
pyaar se apna pocket bhar lo
dil se dil ka sauda kar lo
pyaar se apna pocket bhar lo
beet gayi gar yoonhi jawaani
ho jaaoge late
o baabu dekh
dekh o baabu dekh
o baabu dekh
dekh o baabu dekh
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Devnagri Script lyrics (Provided by Sudhir)
———————————————————–
देख ओ बाबू देख
ओ बाबू देख
देख ओ बाबू देख
ओ बाबू देख
दिल की दुकान से मैं लाई हूँ एक केक
मर्ज़ी हो तो टेक बाबू
मर्ज़ी हो ना टेक
ओ बाबू देख
देख ओ बाबू देख
ओ बाबू देख
देख ओ बाबू देख
बहुत है महंगी
बहुत है सस्ती
गाहक की जैसी हो हस्ती
बहुत है महंगी
बहुत है सस्ती
गाहक की जैसी हो हस्ती
ले जाएगा कोई दिलवाला किस्मत वाला केक
ओ बाबू देख
देख ओ बाबू देख
ओ बाबू देख
देख ओ बाबू देख
देख के इसकी लज़्ज़त मिस्टर
हो जाएगी उलफत मिस्टर
देख के इसकी लज़्ज़त मिस्टर
हो जाएगी उलफत मिस्टर॰॰र्र
लेकिन सुन लो शर्त हमारी
दोगे ना तुम फेंक
फॉर गॉड सेक
देख ओ बाबू देख
ओ बाबू देख
देख ओ बाबू देख
हम तो तुमसे प्यार करेगा
प्यार का ही इक़रार करेगा
हम तो तुमसे प्यार करेगा
प्यार का ही इक़रार करेगा
चाहे हो नदिया का किनारा
चाहे रोमांटिक लेक
ओ बाबू देख
देख ओ बाबू देख
ओ बाबू देख
देख ओ बाबू देख
दिल से दिल का सौदा कर लो
प्यार से अपना पाकिट भर लो
दिल से दिल का सौदा कर लो
प्यार से अपना पाकिट भर लो
बीत गई गर यूं ही जवानी
हो जाओगे लेट
ओ बाबू देख
देख ओ बाबू देख
ओ बाबू देख
देख ओ बाबू देख
- In: "Aankh" song | Artist century song in blog | Century songs for the blog | Devnagri script lyrics by Sudhir | Enticement Song | expression of love | Feelings of heart | Ghazal Presented as a Mujra | Guest posts | Lyrics contributed by readers | Meena Kapoor solo | Meena Kapoor songs | Mujra song | Post by Sudhir | Songs of 1950s (1951 to 1960) | Songs of 1960 | Yearwise breakup of songs
- 5 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3972 | Post No. : | 15058 |
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Blog 10-Year Challenge (2009-19) – Song No. 34
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Ten years back, 3rd June, 2009, five songs and five films. The films are,
| Shart | 1954 |
| Return of Mr Superman | 1960 |
| Ganga Jamuna | 1961 |
| Khoj | 1971 |
| Ek Baar Muskura Do | 1972 |
The film ‘Shart’ from 1954 made its debut on the blog with the iconic “Naa Ye Chaand Hogaa Na Taare Rahenge”. In terms of completion, the films ‘Shart’ and ‘Ganga Jamuna’ have been yippeee’d already. The remaining songs of the rest of the three films are waiting in the wings.
Coming of 1960s also saw the waning of the career of music director Anil Biswas. Active in the industry since 1935, Anil Biswas has made a very significant and a lasting contribution to the music of Hindi cinema. A trendsetter in many ways, Anil Da has also been responsible to introduce and groom some of the finest singing voices in the industry.
After two and half decades, in the beginning of 1960s, his body of work was reduced to just a trickle. In 1961, he directs the music for ‘Lucky Number’; in 1962, it is ‘Sautela Bhai’; and after many delays, ‘Chhoti Chhoti Baaten’ finally got released in 1965. And it turns out to be his last film in the industry. He had actually moved to Delhi already, during this time frame (March of 1963) and was working at the All India Radio as the director of the National Orchestra and Chief Producer of the program ‘Sugam Sangeet’.
Today, we revisit one of his lesser known films – ‘Return of Mr Superman’ from 1960. The song is a mujra performance, presented on screen by Heera Sawant. I hope I am correctly identifying the main dancer in this clip. I request other knowledgeable readers and friends to please confirm or correct me. There are other actors in the audience that can be identified. We can clearly make out David and Rajan Haksar. There is another gentleman with ruffled hair and a large round eyes. I request the readers and friends to please help put a name to this face. Also, there is a trio of supporting singers on screen, who lip sync the chorus lines. Again, the request is to help identify these ladies.
[Ed Note: Prakash ji has identified the “. . .gentleman with ruffled hair and a large round eyes.” as Jagdish Kanwal. Thanks Prakash ji.]
The film is produced and directed by Manmohan Sabir, for his home banner – Manmohan Pictures, Bombay. The film has seven songs listed in the Geet Kosh, written by four songwriters – Anand Bakshi, Kaif Irfani, Manmohan Sabir, and PL Santoshi. This song is written by Manmohan Sabir. The music, of course, is by Anil Biswas.
The cast of the film is listed as Jairaj, Sheela Ramani, Helen, David, Naazi, Majnu, Shammi, Ram Mohan, Rajan Haksar, Jagdish Kanwal, Heera Sawant, Nazeer Kashmiri, Mohinder, Saleem Raza, Robert, Gulab, Ramesh, Arvind, Harun, Master Naveen, Krishna, and Funny Walker.
There is one interesting discussion that we have had earlier on this blog, relating to one song purportedly from this film. The song is “Stella O Stella O Stella”. The curiosity about this song is that it has also appeared earlier in the film ‘Chaar Dil Chaar Raahen’ from 1959. This earlier film also has music directed by Anil Biswas. On our blog, it so happens that this song, as it appears in ‘Return of Mr Superman’ is already posted; and the same song as it appears in ‘Chaar Dil Chaar Raahen’ has not yet been posted.
I would like to bring to the notice of interested readers, the fact that this song does NOT appear in the list of songs given in Geet Kosh for the film ‘Return of Mr Superman’. The original song, as appearing in ‘Chaar Dil Chaar Raahen’, written by Sahir Sb, is the correct attribution of this song. The appearance in the later film ‘Return of Mr Superman’ is simply a repeat use, probably inserted at a short notice to fill a certain scenario. The song certainly does not belong to this later film.
Coming back to the song for today – as one listens carefully, one realizes that this is actually a ghazal that has been presented as a mujra. An interesting variation. I am sure we will find more such instances, if we start looking carefully. Earlier, we have identified a couple of ghazals that has been presented as qawwaalis (and I am sure there are more of such instances also). So now we have another variation – I am sure we will find more cases of a ghazal presented as a mujra. As one listens to the wordings, it is really a very endearing expression –
dil to tujh ko de diya, ab jaan bhi de denge hum
jaan lene se na ab, ae jaan e mann ghabraaiye
So, remembering Anil Biswas – his rememberance day was 31st May, just three days ago. Getting on to another 10 year connect. And getting to listen to this wonderful mujra. . .
Editor note-With this song, Meena Kapoor completes 100th song as a singer in the blog.
Song – Dil Milaate Jaaiye Nazren Milaate Jaaiye (Return of Mr Superman) (1960) Singer – Meena Kapoor, Lyrics – Manmohan Sabir, MD – Anil Biswas
Chorus
Lyrics
dil milaate jaaiye..ae..ae
nazren milaate jaaiye
dil milaate jaaiye
nazren milaate jaaiye
ik nazar ae meharbaan
ab aur na tarsaaiye
ik nazar ae meharbaan
ab aur na tarsaaiye
haaye na tarsaaiye
ab aur na tarsaaiye
dil milaate jaaiye
nazren milaate jaaiye
dil milaate jaaiye
nazren milaate jaaiye
aap ka parda rahe aur
hum ko ho deedaar e yaar
aaaa aaaa aaaa aaaa
bach ke duniya ki nazar se
ae ji khwaab mein aa jaaiye
bach ke duniya ki nazar se
khwaab mein aa jaaiye
khwaab mein aa jaaiye
khwaab mein aa jaaiye
dil milaate jaaiye
nazren milaate jaaiye
dil milaate jaaiye
nazren milaate jaaiye
gair ki mehfil mein hum se
parda-daari kis liye
haaan aaaa aaaa aaaa
hum tumhaare hain
tumhaare
tumhaa..are
ae ji hum se na sharmaaiye
hum tumhaare hain
tumhaare
hum se na sharmaaiye
hum se na sharmaaiye ji
hum se na sharmaaiye
dil milaate jaaiye
nazren milaate jaaiye
dil milaate jaaiye
nazren milaate jaaiye
dil to tujh ko de diya
ho oo oo oo oo
dil to tujh ko de diya
ab jaan bhi de denge hum
haaan aaa aaa aaa aaaa
jaan lene se na ab
ae jaan e mann ghabraaiye
jaan lene se na ab
ae jaan e mann ghabraaiye
jaan e mann ghabraaiye
ji jaan e mann ghabraaiye
dil milaate jaaiye
nazren milaate jaaiye
ik nazar ae meharbaan
ab aur na tarsaaiye
dil milaate jaaiye
nazren milaate jaaiye
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
दिल मिलाते जाइए॰॰ए॰॰ए
नज़रें मिलाते जाइए
दिल मिलाते जाइए
नज़रें मिलाते जाइए
इक नज़र ए मेहरबान
अब और ना तरसाइए
इक नज़र ए मेहरबान
अब और ना तरसाइए
हाए ना तरसाइए
अब और ना तरसाइए
दिल मिलाते जाइए
नज़रें मिलाते जाइए
दिल मिलाते जाइए
नज़रें मिलाते जाइए
आप का पर्दा रहे और
हमको हो दीदार ए यार
आ आ आ आ
बच के दुनिया की नज़र से
ए जी ख्वाब में आ जाइए
बच के दुनिया की नज़र से
ख्वाब में आ जाइए
ख्वाब में आ जाइए
ख्वाब में आ जाइए
दिल मिलाते जाइए
नज़रें मिलाते जाइए
दिल मिलाते जाइए
नज़रें मिलाते जाइए
गैर की महफिल में हमसे
पर्दादारी किस लिए
हाँ आ आ आ आ
हम तुम्हारे हैं
तुम्हारे
तुम्हा॰॰आरे
ए जी हम से ना शर्माइए
हम तुम्हारे हैं
तुम्हारे
हम से ना शर्माइए
हम से ना शर्माइए
जी हम से ना शर्माइए
दिल मिलाते जाइए
नज़रें मिलाते जाइए
दिल मिलाते जाइए
नज़रें मिलाते जाइए
दिल तो तुझको दे दिया
हो ओ ओ ओ ओ
दिल तो तुझको दे दिया
अब जान भी दे देंगे हम
जान लेने से ना अब
ए जान ए मन घबराइए
जान लेने से ना अब
ए जान ए मन घबराइए
जान ए मन घबराइए
जी जान ए मन घबराइए
दिल मिलाते जाइए
नज़रें मिलाते जाइए
इक नज़र ए मेहरबान
अब और ना तरसाइए
दिल मिलाते जाइए
नज़रें मिलाते जाइए
Ik teer jigar par khaa kar ham
Posted on: March 31, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3908 | Post No. : | 14965 |
“Phool Aur Kaante”(1948) was directed by Achyut Ranade for Navyug Chitrapat, Bombay. The movie had Lalita Pawar, Salvi, Saroj Borkar, Mohan Sahgal, Master Ratan, Swaroop Sahgal, Tulsi Bai, Shalini, Chaube etc in it.
The movie had twelve songs in it. Four songs from this movie have been discussed in the past.
Here is the fifth song from “Phool aur Kaante”(1948) to appear in the blog. This song is sung by Meena Kapoor. Vishwamitra Adil is the lyricist. Music is composed by Dada Chandekar.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Ik teer jigar par khaa ke ham(Phool aur Kaante)(1948) Singer-Meena Kapoor, Lyrics- Vishwamitra Adil, MD-Dada Chandekar
Lyrics
ik teer jigar pe khaa kar hum
ik teer jigar pe khaa kar hum
na idhar ke rahe
na udhar ke rahe
na idhar ke rahe
na udhar ke rahe
seene mein aag laga kar hum
na idhar ke rahe
na udhar ke rahe
na idhar ke rahe
na udhar ke rahe
nazron ke bhi takkar khoob rahi
ladti bhi rahin sharma bhi gayin
nazron ke bhi takkar khoob rahi
ladti bhi rahin sharma bhi gayin
par dil se dil takra kar hum
na idhar ke rahe
na udhar ke rahe
na idhar ke rahe
na udhar ke rahe
ik teer jigar pe khaa kar hum
na idhar ke rahe
na udhar ke rahe
na idhar ke rahe
na udhar ke rahe
jab yaad kisi ki aati hai
jab yaad kisi ki aati hai
aankhon se aansu girte hain
dil mein toofaan uthhaa kar hum
na idhar ke rahe
na udhar ke rahe
na idhar ke rahe
na udhar ke rahe
ik teer jigar pe khakar hum
na idhar ke rahe
na udhar ke rahe
na idhar ke rahe
na udhar ke rahe
hain phool aur kaante donon hi
ulfat ki rangeeli raahon mein
hain phool aur kaante donon hi
ulfat ki rangeeli raahon mein
ulfat mein paaon badhaa kar hum
na idhar ke rahe
na udhar ke rahe
na idhar ke rahe
na udhar ke rahe
ik teer jigar pe khaa kar hum
na idhar ke rahe
na udhar ke rahe
na idhar ke rahe
na udhar ke rahe
seene mein aaga laga kar hum
na idhar ke rahe
na udhar ke rahe
na idhar ke rahe
na udhar ke rahe
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3907 | Post No. : | 14963 |
“Lakhpati”(1948) was directed by Ravindra Jaikar for Fim Chitra Corporation, Bombay. This “social” movie had Sulochana Chatterji, D M Sapru, Rajan Haksar, Om Prakash, Baby Tabassum, LLeela Chitnis, Narmada Shankar, Dharpure, Nagotkar, Satyapal etc in it.
This forgotten movie had eleven obscure songs in it. Three of these songs have been covered in the past.
Here is the fourth song from “Lakhpati”(1948) to appear in the blog. This song is sung by Meena Kapoor. Qamar Jalalabadi is the lyricist. Music is composed by Husnlal Bhagatram.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Kahaan ban thhan ke gudiya hamaari chali (Lakhpati)(1948) Singer-Meena Kapoor, Lyrics-Qamar Jalalabadi, MD-Husnlal Bhagatram
Lyrics
Kahaan ban thhan ke
Kahaan ban thhan ke gudiya hamaari chali
o hamaari chali
Kahaan ban thhan ke
Kahaan ban thhan ke gudiya hamaari chali
o hamaari chali
Kahaan ban thhan ke
roop tera suhaana
nazar na lage
hai bura ye zamaana
nazar na lage
hai bura ye zamaana
nazar na lage
o nazar na lage
Kahaan darr darr ke
Kahaan darr darr ke bahna hamaari chali
o hamaari chali
Kahaan darr darr ke
Kahaan darr darr ke bahna hamaari chali
o hamaari chali
kahaan ban thhan ke
ik nazar dekh kar muskura de zara
hum na rokenge itna bata de zara
hum na rokenge itna bata de zara
o bata de zara
kahaan bach bach ke
kahaan bach bach ke bahna hamaari chali
o hamaari chali
kahaan bach bach ke
kahaan bach bach ke bahna hamaari chali
o hamaari chali
kahaan ban thhan ke
kahaan ban thhan ke gudiya hamaari chali
o hamaari chali
kahaan ban thhan ke
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3904 | Post No. : | 14957 |
“Ek Thha Ladka”(1951) was produced and directed by Roop Saanwre for Chitramahal, Bombay. This “social” movie had Geeta Bali, Bharat Bhushan, Geeta Nizaami, Neelophar, Kamal, Umesh Sharma, Tiwari, Jankidas, S K Prem, Urvashi, Kamal Zameendaar, Gopal Muni, Rajesh, Kumud, Bhagwan Jee, Uma Dutt, Chandrashekhar, Ek Ladka etc in it.
The movie had ten songs in it that were penned by three lyricists and composed by two music directors. Three songs have been covered in the past.
Here is the fourth song from “Ek Thha Ladka”(1951) to appear in the blog. This song is sung by Meena Kapoor. The song is penned by Ehsaan Islaahi. Music is composed by Murari Sharma.
Only the audio of this rare song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Gham e zindgaani uthhaaoon kahaan tak (Ek Thha Ladka)(1951) Singer-Meena Kapoor, Lyrics-Ehsan Islaahi, MD-Murari Sharma
Lyrics
gham-e- zindgani uthaaun kahaan tak
main sadmein sahoon muskuraaun kahaan tak
gham-e- zindgaani uthaaun kahaan tak
main sadme sahoon muskuraaun kahaan tak
chali aandhiyaan gham ki
uttha hai toofaan
uttha hai toofaan
chali aandhiyaan gham ki
uttha hai toofaan
uttha hai toofaan
main toofaan mein kashti
chalaaun kahaan tak
chalaaun kahaan tak
gham-e- zindgaani uthaaun kahaan tak
main sadme sahoon muskuraaun kahaan tak
gham-e- zindgaani uthaaun kahaan tak
main sadme sahoon muskuraaun kahaan tak
bichhaaye hain chun chun ke
raahon mein kaante
raahon mein kaante
bichhaaye hain chun chun ke
raahon mein kaante
raahon mein kaante
main kaanton se daaman
bachaaun kahaan tak,
bachaaun kahaan tak
gham-e- zindgaani uthaaun kahaan tak
main sadme sahoon muskuraaun kahaan tak
gham-e- zindgaani uthaaun kahaan tak
main sadme sahoon muskuraaun kahaan tak
khayaalon mein aa aake jaata hai koi
jaata hai koi
khayaalon mein aa aake jaata hai koi
jaata hai koi
main aasha ke deepak jalaaun kahaan tak
jalaaun kahaan tak
gham-e- zindgaani uthaaun kahaan tak
main sadme sahoon muskuraaun kahaan tak
gham-e- zindgaani uthaaun kahaan tak
main sadme sahoon muskuraaun kahaan tak
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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