Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1980s (1981 to 1990)’ Category


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4664 Post No. : 16337 Movie Count :

4436

Hullo Atuldom

Who is a dainty person?

Dainty is an adjective. If you describe a movement, person, or object as dainty, you mean that they are small, delicate, and pretty.

There is this actress from my growing up years who was very Dainty. Petite is another word that could be used to describe her. Not only was she loved by the audiences she was also a favourite of all her co-stars. Sanjeev Kumar would treat her like a child (as admitted by this actress in an interview) possibly an after effect of their first movie together where he played her father. Even though after that they went on to co-star in many movies and enacting a whole gamut of relations. Rishi Kapoor and Mithun were friends of hers and she has co-starred opposite Vinod Khanna in her younger days and also played mother roles to his sons in movies of the new millennium. She has paired opposite Amitabh Bachchan in 2 films in the ’70s and was seen in a brief role in a Bachchan starrer in 2015. She was often heroine to Jeetendra, Rajesh Khanna, Vinod Mehra, Shashi Kapoor and was also comfortable sharing her heroes and screen space with actresses of her time be it Rekha, Shabana, even Sridevi. She has said that Dharmendra, who was her father-in-law’s (Hemant Kumar) friend, used to be very protective. Who wouldn’t be considering how dainty or petite or small she looked in comparison to half her heroes.

When I think back, I find that I remember many of her songs and used to like all of them. “Sun ri pawan, pawan purvaiyya”; “neend churaaye, chain churaaye”; “chhatri na khol udd jaayegi”; “tera saath hai toh mujhe kya kami hai”; “megha re megha re mat pardes jaa re”; “zindagi ek naatak hai”- all of them and some more, are on my list of personal favourites.

Oh I didn’t say who I was speaking of. Indira Chattopadhaya is our birthday girl today. She is called Moushumi Chatterjee in the film industry. She has been entertaining audiences since her debut in Bengali films in 1967. Her Hindi debut happened in 1972 with “Anuraag” where she played a blind girl opposite Vinod Mehra. She was awarded a Lifetime Achievement Award by Filmfare in 2015.

“Itni Si Baat” ( 1981) was a movie directed by Madhu M. (possibly the only Hindi movie by him) and produced by K. Raghavan (not heard this name too). Kalyanji- Anandji were the music directors with Viju Shah, Babla, Anil Mohile as assistants; and Anjaan was the lyricist. Asha Bhonsle, Alka Yagnik, Hemlatha, Amit Kumar and Kishore Kumar are the playback singers (as per the titles of the movie) It had Sanjeev Kumar- Moushumi Chatterjee heading a cast of Tamanna, Arun Govil, Urmila Bhatt, Asit Sen, Roopesh Kumar, Kanan Kaushal, Baby Geetha, Master Gautam, Aashoo, Kesho Rana, Pardesi etc. Madan Puri and Om Prakash were in guest appearances.

I have seen this movie a few times on television and like its story. It is basically a story about a couple who are leading a harmonious monetarily comfortable life till they become parents. Then the wife starts feeling that things will ease up if she too takes up a job but the husband feels that is unnecessary. Also he has a feeling that she can help by being a little thrifty around the house and that would be help enough. To prove their points the couple switch duties and the wife finds a job and the husband starts looking after the house. They agree to experiment on this for a short period. What follows is chaos for the husband at home and wife at work and some hilarious moments. The movie comes to a close with the two realizing जिसका काम उसी को साजे और करे तो बुद्धु / डंडा/ ठेंगा बाजे’ “jiska kaam usiko saajhe, aur kare toh buddhu/ danda/ thenga baaje” (roughly translating to “every person is an expert in his own field”). Of course I don’t recall what happened to their monetary issue. 🙂

Today’s song happens at the beginning of the movie when Raja (Sanjeev Kumar) and Asha (Moushumi) have just expressed their love to each other. The song sung by Kishore Kumar and Anuradha Paudwal, runs through titles of the movie showing courtship, marriage and start of the family.

Here is wishing our cute Moushumi a very Happy birthday.


Song-Arre dheere dheere aankh ladi (Itni Si Baat)(1981) Singers-Kishore Kumar, Anuradha Paudwal, Lyrics-Anjaan, MD-Kalyanji Anandji
Both

Lyrics

Arre dheere dheere
dheere dheere aankh ladi
baaton mein baat badhi
dheere dheere aankh ladi
baaton mein baat badhi
hone lagi
arre hone lagi mulaqaat
idhar udhar ghadi ghadi

darde jigar
darde jigar aisa badha
dil pe nasha aisa chada
phir na pucho kya ho gaya aa
yeh ho gaya dekho yeh ho gaya,
yeh ho gaya dekho yeh ho gaya

la la laa la la laa
la la laa la la laa
la la laa la la laa

aisa jadoo chala pyar ka
har taraf tu hai tu
dil yeh kehne laga
har taraf tu hai tu
dil yeh kehne laga
phoolon mein
taaron mein
phoolon mein taaron mein
saari bahaaron mein
tuhi tu tuhi tu dikhne laga
mujhe tuhi tu tuhi tu dikhne laga

arre do dil hue aise fida
do dil huye aise fida
jee na sake hoke juda
phir na poochho kya ho gaya

ho oo saath jab se hai tera mila
saari duniya yeh kitni haseen ho gayi
saari duniya yeh kitni haseen ho gayi
ek dooje mein hum kho gaye
kaise sapnon mein yeh zindagi kho gaye
kaise sapnon mein yeh zindagi kho gayi

mann se yeh mann
tan se yeh tan
mann se yeh mann
tan se yeh tan

aise mile aise mile
aise mile aise mile
phir na poochho kya ho gaya
yeh ho gaya dekho yeh ho gaya
yeh ho gaya dekho yeh ho gaya

arre dheere dheere
dheere dheere pyaar badha
aur badha aur badha
do se hum teen huye
phir bhi ghar soona laga

daur kai aur chale
pyaase dil aur mile
phir na poochho kya ho gaya
haan
yeh ho gaya dekho yeh ho gaya
yeh ho gaya dekho yeh ho gaya


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4663 Post No. : 16334

(#Music Composer-Singer-Bappi Lahiri#6)
————————————————
#the Decade of Eighties – 1981 – 1990 #Year-1983 – The year of ‘Himmatwaalaa’
——————————————————————–

We are back for yet another ‘warmer’ summer. Temperatures are already soaring day by day. e are in the midst of the second summer in the ‘pandemic age’. If we compare it to last year’s summer, this year ‘surge of the pandemic’ is decidedly more serious than what it was in the previous year.

For students also, an unusual summer in terms of classes and exams. And that reminds me of the ‘summers’ in my childhood. We would wait for the exams to get over, which would be conducted in March-April. From May it would be vacations till June 7th (or the first or second Monday of June, hope I am correct) when the schools reopened for the next educational year.

The normal planning for the vacations would be to visit grandparents, playing cricket, reading story books, magazines, comics, cricket-samrat’, ‘listening to music on SLBC, ‘Vividh Bharati’ and ‘listening to BBC Khel Samachar etc. on radio’. Watching movies in the nearby city (Akola) would be one more option. Also common in those days were ‘touring talkies’ which would be camping in the season. After a full day of warm summer, one ould enjoy movies in the evening and night shows in these touring talkies which generally would be in open fields.

That was the planning for ‘summer vacations’ but before that we had to go through exams.

When I talk of ‘summer nostalgia’, I cannot forget the summer of the most important year in my life, and that is the year ‘1983’ (educational year 1982-83) when I was in 10th standard and I appeared for the board exams in Mar-1983 (or may be Mar-April-1983).

A crucial year of studies in one’s life according to the general ‘perception’ in our society (in those years, or it is the same even today?) 😊.
However, we were not having those many comforts we have now. There was no TV, no mobile, no internet, no fridge (at our home).
But there was ‘Radio’ or ‘Transistor’ and there were books and newspapers. Other than cricket it was ‘carrom’ ‘badminton’ and other outdoor games etc.

However, my Uncle staying at Koradi (Nagpur) had purchased a ‘Dynora’ ‘b/w’ TV. And India and Pakistan were having a test series. So, somehow, I convinced my parents to allow me to go for few days and watch the matches on TV and come back.

Imagine, on one side all my friends, classmates were tense, and I had bunked my ‘tuitions’ to watch India-Pakistan matches on TV. My tuition teacher asked my parents to please call me back and when I returned from Nagpur, he humbly requested me ‘aata he cricket vagaire soda, ani abhyasaat laksh ghaala’ (forget the cricket now and concentrate on the studies now) And why not he was not even charging me the tuition fees like my other friends.

So, I concentrated on on studies, but still not giving a serious thought to Teacher and Parent’s instructions I continued to at least play half an hour every day and even on examination days, citing the reason of ‘relieving exam stress’ to my parents.

After examinations it was again ‘cricket’ and ‘movies’ too … And when I talk of summer’1983 I cannot forget the movies I watched during the vacation after appearing for the board exams which was like normal exams for me.

Cassette players had already made entry into our colony and a few people possessed them . So, there were songs and movies. Songs of ‘Nikaah’, ‘Disco Dancer’, ‘Himmatwaala’ etc. could be heard anywhere either on radio or ‘tape recorders.’

As a cricket fan, this summer turned out to be the most memorable and unforgettable as Kapil’s Devils clinched the ‘first world cup title’ for India in June’1983.

Given my age that time I was more interested in cricket, movies, books, and study to pass the exams 😊.

Now, when I check the important happenings in our country in that year – 1983 – google had the following results.

● Waiting telephone connections.
● Silk Smitha.
● Khushwant Singh.
● Kapil Dev brings World Cup to India.
● Nellie Massacre tragedy.
● Jarnail Singh Bhindranwale.

Challenges were still there, and the next year 1984 was a crucial year as we are all aware we lost our Prime Minister Indira Gandhi. The previous years to 1983 i.e., 1981 & 1982 saw floods playing havoc in Rajasthan, and Saurashtra & Orissa, respectively.

All was lost for the peoples residing there, but life had to find its way, so the people of this country do, from time immemorial – facing challenges – fighting them – and winning over them and re-creating more than what has been lost. ‘To fight back with more strength after all is lost’ is in the blood of the people of this land.

Ah! but one cannot bring back the lives that are lost.

Today, again, we are facing challenges and our ‘warriors’ from different fields of the society are fighting with the pandemic and helping people going far out of the way of what they could be.

The stories of highest sacrifices done by individuals and group of peoples never cease to hit the media and life goes on …

Here is a song, that could better explain the ‘challenge’, we as ‘human’ must overcome and save our people, help them, and ‘rebuild’ them.

‘The dignity’ of ‘humanity’ should be upheld and protected.

If 1983 was the year of filmy ‘Himmatwaalaa’ the year ‘2020’ and ‘2021’ have been the years of the ‘real heroes’, who have shown exemplary courage during the ‘lock-down-1’ and first phase of the pandemic, and during the second and worst phase of the pandemic.

Whether they are frontline health workers, doctors, social workers, non-governmental organizations providing food and shelters to many, migrant labors, small entrepreneurs, or start-ups … all of them have suffered a lot themselves. and have still helped many to stand in this hour of calamity.

The ‘pandemic challenge’ is not over yet and still a lot needs to be done by all collectively…

Today’s song is the song which I like most from this movie ‘Himmatwaalaa-1983’ and Bappi Lahiri has given this different composition among the other ‘dance-romance-dream’ songs in this movie. Same thing applies to the lyricist Indeever who penned this song.

In the movie the song happens when nearby villages have been washed off due to flood and nature’s fury (in the movie it is shown taking place in Gujarat).
The hero of the movie Jeetendra calls a meeting of the youths and motivates them to join him in collectively helping those who have lost their all.
However, the elders in the town did not agree with Jeetendra and try to prevent their kin from joining him.

This song takes place here when Jeetendra give the clarion call to all singing this song. As it happens the people (Arun Govil and many others) respond to his call and joined him in this mission.

Video

Audio

Song-Imtehaan imtehaan insaaniyat ka aaj imtehaan (Himmatwaala)(1983) Singer-S P Balasubrahmaniam, Lyrics-Indeever,MD-Bappi Lahiri
Chorus

Lyrics

Insaan wo insaan ke jo Kaam aata hai
Insaan wo insaan ke jo Kaam aata hai
Khud ko khatre mein daal ke
Auron ko bachaata hai
Auron ko bachaata hai

Imtehaan
Imtehaan
Insaaniyat ka aaj imtehaan
Imtehaan
Imtehaan
Insaaniyat ka aaj imtehaan
Toote dil ko jo sambhaale
Doobte ko jo bachaa le ae
Toote dil ko jo sambhaale
Doobte ko jo bachaa le ae
Kaam aaye auron ke
Wohi to hai insaan
Imtehaan
Imtehaan
Insaaniyat ka aaj imtehaan

Aa aa
Aa
Aa aa
Aa aa
Aa

Paani zehar har ik lehar
Ban gayi toofaan
Muskuraati gaati bastiyaan
Huyin veeraan
Aankhon mein hai jinki
Ganga jamuna ke dhaare ae ae
Apne hi deshwaasi
Ham watan hai hamaare
Ashqon ka ek rang
Sab ka dard ek samaan
Imtehaan
Imtehaan
Insaaniyat ka aaj imtehaan
Imtehaan
Imtehaan
Insaaniyat ka aaj imtehaan

Ghoonghat dulhan ka kholey bina
Koyi so gaya aa
Maa ko nahin khabar
Bhanwar mein laal kho gaya
Maa mar chuki hai
Bhookha laal phir bhi pukaare ae ae
Aa aa aa aa aa aa aa
Kamzor budhaape ko dega
Kaun sahaare ae ae
Gaaon ko shamshaan dekh
Ro diya bhagwaan
Imtehaan
Imtehaan
Insaaniyat ka aaj imtehaan
Imtehaan
Imtehaan
Insaaniyat ka aaj imtehaan

Aa aa aa aa
Aa aa aa aa
Aa aa aa aa aa aa
Aa aa aa aa
Aa aa aa aa aa aa
Aa aa aa aa
Aa
Aa
Aa
Aa
Aa

————————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————-
इंसान वो इंसान के जो
काम आता है
इंसान वो इंसान के जो
काम आता है
खुद को खतरे में डाल के
औरों को बचाता है
औरों को बचाता है

इम्तेहान
इम्तेहान
इंसानियत का आज इम्तेहान
इम्तेहान
इम्तेहान
इंसानियत का आज इम्तेहान
टूटे दिल को जो संभाले
डूबते को जो बचा ले ए
टूटे दिल को जो संभाले
डूबते को जो बचा ले ए
काम आये औरों के
वो ही तो है इंसान
इम्तेहान
इम्तेहान
इंसानियत का आज इम्तेहान

आ आ

आ आ
आ आ

पानी ज़हर हर इक लहर
बन गयी तूफ़ान
मुस्कुराती गाती बस्तियां
हुयी वीरान
आँखों में है जिनकी
गंगा जमुना के धारे ए ए
अपने ही देशवासी
हम वतन है हमारे
अश्कों का एक रंग
सब का दर्द एक सामान
इम्तेहान
इम्तेहान
इंसानियत का आज इम्तेहान
इम्तेहान
इम्तेहान
इंसानियत का आज इम्तेहान

घूंघट दुल्हन का खोले बिना
कोई सो गया आ
माँ को नहीं खबर
भंवर में लाल खो गया
माँ मर चुकी हा
भूखा लाल फिर भी पुकारे ए ए
आ आ आ आ आ आ आ
कमज़ोर बुढापे को देगा
कौन सहारे ए ए
गाँव को शमशान देख
रो दिया भगवान्
इम्तेहान
इम्तेहान
इंसानियत का आज इम्तेहान
इम्तेहान
इम्तेहान
इंसानियत का आज इम्तेहान

आ आ आ आ
आ आ आ आ
आ आ आ आ आ आ
आ आ आ आ
आ आ आ आ आ आ
आ आ आ आ





This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4662 Post No. : 16333 Movie Count :

4434

Hullo Atuldom

Last year, this post of mine spoke of “Sholay” inspired movies. Today’s song is from another “Sholay” inspired movie.

“Aandhi Toofan” that released in 1985 was directed by B. Subhash and produced by Pahlaj Nihalani. It had a cast of Hema Malini, Meenakshi Sheshadri, Kajal Kiran, Shatrughan Sinha, Mithun Chakravarthy, Shashi Kapoor (if I remember right, his was a special appearance), Danny, and Raj Kiran, Mac Mohan, Mazhar Khan, Tej Sapru, Sudhir etc. etc.

The cast of this movie has two actors who were part of the Hindi film industry since 1948:- (1) Sajjan who played Hema Malini’s father in “Johnny Mera Naam” was her servant in this one. (2) Raj Mehra who has played senior characters in many movies up till 1993 was Hema’s father in this.

The story was very very simple. Shashi Kapoor, a cop, arrests Balvir (Danny) who in turn wrecks havoc and kills the cop’s family. He then captures the cop who has gone on his trail, ties him up and when the new-bride goes to try and save him Balvir rapes her brutally in addition to killing the cop. The widowed wife (Hema) takes it on herself to seek revenge. She seeks help of two men Ballu (Mithun) and Raghu (Shatru) in this mission. The story is that simple.

I was reminded of today’s because of Prakashchandraji’s comment on this post. Exactly a year back I had a posted for “Gaana Kogile” (singing cuckoo in Kannada) or Isaikkuyil (as in Tamil for cuckoo) or the “Nightingale of South India’s” 82nd birthday. It is a year already and here we are wishing S. Janaki or Janakiamma, as her South Indian fans & film folks call her, on her next birthday. Here is wishing her health and happiness.

The song is a stage dance. We have Hema Malini performing almost like the Shiv-Taandav with flashbacks of the wedding and happenings that followed it. The song was written by Anjaan and Bappi Lahiri is the music director.


Song-Piyaa binaa jal rahi main yahaan (Aandhi Toofaan)(1985) Singer-S Janaki, Lyrics-Anjaan, MD-Bappi Lahiri

Lyrics(Provided by Prakashchandra)

piyaa binaa aaa aaa aaaa
piyaa binaa aaa aaa aaa
piyaa binaa aaa aaaa aaa aaaa

jal rahi main yahaan
piyaa binaa…aaa…aaa….aaaa…aaaaa
piyaa binaa…aaa…aaa
piyaa binaa…aaa…aaaa…aaa
jal rahi main yahaan
jaley saari dharti ee
jaley saaraa ambar
jaley saari dharti ee
jaley saaraa ambar
jal rahey do jahaan
donon yahaan
jal rahi main yahaan…aan
piyaa binaa…aaa…aaa….aaaa aaaaaa
piyaa binaa aaa aa
piyaa binaa…aaa…aaaa…aaa…aaa…aaa
jal rahi main yahaan

aisi sulgi jeevan mein
chingaari eee eee
chingaari eee eee
pal mein meri jal gayee duniyaa saari…ee…eee…eee…eeee
saari eee eee
sang jo mere
tu yahaan nahin
phir to kahin
kuchch bhi nahin
chain dil ko kahaan..aaan..aaan
tere binaa…aaa
jal rahi main yahaan
piyaa binaa…aaaaa
piyaa binaa…aaa
piyaa binaa…aaa…aaa
jal rahi main yahaan

aise tujhko jis ne mujhse chheenaa…aaa..aaaa…aaa
chheenaa…aaa…aaaaaaa
hogaa mushkil ab uss kaa bhi jeenaa…aaa…aaa….aaaa
jeenaa…aaa…aaaaaa
leke jo qasam
toone de dee jaan
poori main ussey ae
karoongi yahaan
teri kasam saajnaa…aaaa
de doongi jaan
jal rahi main yahaan
piyaa binaa…aaa…aaa…aaa…aaaa
piyaa binaa…aaa…aaa
piyaa binaa…aaa…aaaa…aaa
aaa..aaaa…aaa…aaaa
jal rahi main yahaan
jaley saari dharti
jaley saaraa ambar
jal rahey do jahaan
donon yahaan
jal rahi main yahaan…aan
jal rahi main yahaan..aaan
jal rahi main yahaan
piyaa binaa…aaa…aaaaa….aaaaaa
piyaa binaa…aaa…aaaaa…aaa
piyaa binaa…aaa…aaaaa…aaa
piyaa binaa…aaa…aaaaa…aaa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4656 Post No. : 16325

Today’s song is from the movie ‘Naam-1986’.

‘Naam-1986’ may be a recent movie by the standard of this blog, but it made it’s debut on the blog long time back or precisely in the initial months of the blog and that was on 03.11.2008.

Its’ most popular song Chitthi aayi hai aayi hai chitthi aayi hai was posted on the blog on 03.11.2008.

‘Naam-1986’ was directed by Mahesh Bhatt for ‘Aryan Films’.

It was produced by Kumar Gaurav and presented by Rajendra Kumar. It had Nutan, Kumar Gaurav, Sanjay Dutt, Poonam Dhillon, Amrita Singh, Pankaj Udhas with Paresh Rawal, Aakash Khurana, Ram Mohan etc in it.

Story, screenplay, and dialogues of this movie were written by Salim Khan. Editing of this movie was done by David Dhawan.

This movie was passed by Censor Board on 30.08.1986.

This movie had six songs (including one multiple version song) written by Anand Bakshi and music was composed by Laxmikant-Pyarelal.

Song Title Singer/s Posted On
Ameeron Ki Shaam Gareebon Ke Naam Mohammed Aziz Being discussed today
Chithi Aayi Hai, Aayi Hai, Chitthi Aayi Hai Pankaj Udhas 03.11.2008
Tere Dil Ki Tu Jaane Kavita Krishnamurthy
Tu Kal Chala Jayega” (Duet) Manhar Udhas, Mohammed Aziz
Tu Kal Chala Jayega” (Solo) Mohammed Aziz
Veriya Ve Kiya Kya Kasoor Maine Lata Mangeshkar

Lata Mangeshkar, Pankaj Udhas, Manhar Udhas, Mohammed Aziz and Kavita Krishnamurthy had given their voices to the songs of this movie.

Today we are going to listen the second song from this movie sung by Mohammed Aziz and lip-synced on screen by Kumar Gaurav.

I had watched this movie during my stay at Parli Vaijnath then in 1986. Though I do not remember much about this movie now. The today’s song seems to be a party song where paintings of ‘people suffering in poverty and hunger’ are seen to be displayed.

We can see Poonam Dhillon and others present their while Kumar Gaurav performs on this song.

I think all the songs from this movie are good songs to listen and they were all quite popular too, ‘chitthi aayi hai’ being the most popular among them.

Let us now listen to today’s song, the second song of this movie on the blog, appearing after a gap of twelve years, five months, and fifteen days (or 4550 days including 17.04.2021) since its first song on the blog.

Audio

Video

Song-Ameeron ki shaam gareebon ke naam(Naam)(1986) Singer-Mohammad Aziz, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

ye aansoo
ye jazbaat
tum bechte ho
gareebon ke haalaat
tum bechte ho
ameeron ki shaam
gareebon ke naam
ameeron ki shaam
gareebon ke naam
ameeron ki shaam
gareebon ke naam
ameeron ki shaam
gareebon ke naam
isi baat par
sabko mera salaam
ameeron ki shaam
gareebon ke naam
ameeron ki shaam
gareebon ke naam

ye kya hai tamaashaa
ye kya hai sitam
ye kya hai tamaashaa
ye kya hai sitam
mazaa aa gayaa bas
khudaa ki qasam
khushi ki dukaanon pe
bikta hai gham
bikta hai gham
fidaa aise gham pe
hai khushiyaan tamaam
ameeron ki shaam
gareebon ke naam
ameeron ki shaam
gareebon ke naam

ye fanqaar ki ik
haseen yaad hai
ye fanqaar ki ik
haseen yaad hai
kisi bhookhe nange ki
fariyaad hai
ye tasveer to qaabil e daad hai
qaabil e daad hai
ise deejiye aap
pehlaa inaam
ameeron ki shaam
gareebon ke naam
ameeron ki shaam
gareebon ke naam

ye maasoom bachchaa
ye majboor maa
ye maasoom bachchaa
ye majboor maa
na choolhaa
na bartan
na ghar
naa dhuaan
na choolhaa
naa bartan
na ghar
naa dhuaan
gareebi ki munh bolti daastaan
ameeree ka munh boltaa intaqaam
ameeron ki shaam
gareebon ke naam
ameeron ki shaam
gareebon ke naam
isi baat par
sabko mera salaam
ameeron ki shaam
gareebon ke naam
ameeron ki shaam
gareebon ke naam


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4655 Post No. : 16323

Welcome all to this ‘Yippeeee’ song post after some gap. The activity of ‘Yippeeee-ing’ of movies seem to have taken a backseat amid other posts.

If I correctly remember the last movie ‘Yippeeee’ed’ on 05th this month and the movie was ‘Amir Gharib-1974’.

Today’s ‘Yippeeee’ movie is ‘Dard-1981’.

‘Dard-1981’ (conflict of emotions) was directed by Ambrish Sangal for ‘Murghan Enterprises, Bombay’. It was produced by Shyam Sundar Shivdasani. It had Rajesh Khanna, Hema Malini, Poonam Dhillon, Om Shivpuri, Krishan Dhawan, Pinchoo Kapoor, Shashi Kiran, Madhup Sharma, Kamaljeet, Harjeet, Poornima Jairam, Mazhar Khan, and Master Raju Shreshtha. Actress Ranjeeta made a ‘freindly appearance’ in this movie.

Story of this movie was written by Aruna Sangal. Its screenplay and dialogues were written by V.K. Sharma. Narendra Goel was the Chief Assistant Director of this movie. Kamlakar was the editor of this movie and he was assisted by Babubhai Shah.

This film was passed by censor board on 24.07.1981.

Lyrics for all the seven songs (including one multiple version song) in this movie were written by Naqsh Layallpuri. Music of this film was composed by Khayyam Saab. Lata Mangeshkar, Kishore Kumar, Asha Bhonsle and Bhupinder had given their voices to the songs in this movie.

Six songs (including the one multiple version song) from ‘Dard-1981’ have been posted on the blog as per following details.

SNo Song Title Posted On
01 Aisi haseen chaandni pehle kabhi na thhi 21.09.2012
02 Pyaar ka dard hai meetha meetha pyaara pyaara 19.07.2018
03 Ahl e dil yoon bhi nibhaa lete hain (multiple version) 18.02.2019
04 Na jaane kya hua jo toone choo liya 28.09.2019
05 Qubool keejiye pehle salaam aankhon kaa 24.02.2021

Today’s song is the final song from this movie being posted on the song.

This song is a party song (celebration song) wherein we can see Rajesh Khanna and Poonam Dhillon, with Hema Malini and others present in the picturisatin of this song.
I hope I have been able to correctly note the ‘Punjabi’ words in this song.

Let us now enjoy today’s song.

With this song all the songs of the movie ‘Dard-1981’ gets covered on the blog and the movie gets ‘Yippeeee’ed on the blog.

Editor’s note: This movie is the 107th movie starting with the letter D to get YIPPEED in the blog.
Audio

Song-Jagmag jagmag si mehfil mein naach uthhe armaan (Dard)(1981) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Naqsh Llayalpuri, MD-Khayyam
Kishore Kumar + Asha Bhonsle + chorus

Lyrics

jagmag jagmag si mehfil mein ae
jagmag jagmag si mehfil mein
naach uthhe armaan
dil ne geet khushi ka chheda
mehfil huyi jawaan

o mehfil taan sajdi
taan sajdi
je nache munde di maa
o mehfil taan sajdi
ho o o

dil se dil ka jab yaaraana ho jaaye ae
kaise na har khwaab suhaana ho jaaye ae
chupke chupke jab bhi teri aankhon se ae
aankh miley to
pyaar deewaana ho jaaye ae

ji chaahe main tujh pe sadke ae
ji chaahe main tujh pe sadke
kar doon apni jaan
mehfil taan sajdi
taan sajdi
je nache munde di maa

mehfil taan sajdi
taan sajdi
je nache munde di maa
o mehfil taan sajdi
ho o o

pal pal huaa sunehra mere jeewan ka aa
meri palkon mein hai sapna dulhan ka aa

tu jis roz chali aayegi ghoonghat mein ae
nayaa sawera hoga mere aangan ka aa
jaanoon dil se ho jaaungi
jaanoon dil se ho jaaungi
tujh pe main qurbaan

o mehfil taan sajdi
taan sajdi
je nache munde di maa
o mehfil taan sajdi
taan sajdi
je nache munde di maa
o mehfil taan sajdi
ho o o

mamta ke daaman mein khushiyaan lehraaye ae ae
mere sang sang naache meri aashaayein
har mausam in do phoolon mein rang bhare ae ae
dil se yahi duaayen honthon par aaye
phoole phaley dilon ka gulshan
mehka rahe samaa
mehfil taan sajdi

taan sajdi
je nache munde di maa
mehfil taan sajdi
taan sajdi
je nache munde di maa
mehfil taan sajdi
ho o o

————————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————

जगमग जगमग सी महफ़िल में ए
जगमग जगमग सी महफ़िल में
नाच उठे अरमान
दिल ने गीत ख़ुशी का छेड़ा
महफ़िल हुयी जवान

ओ महफ़िल ताँ सजदी
ताँ सजदी
जे नचे मुंडे दि माँ
ओ महफ़िल ताँ सजदी
हो ओ ओ

दिल से दिल का जब याराना हो जाए ए
कैसे न हर ख्वाब सुहाना हो जाए ए
चुपके चुपके जब तेरी आँखों से ए
आँख मिले तो
प्यार दीवाना हो जाए ए

जी चाहे मैं तुझ पे सदके ए
जी चाहे मैं तुझ पे सदके
कर दूं अपनी जान
महफ़िल ताँ सजदी
ताँ सजदी
जे नचे मुंडे दि माँ

ओ महफ़िल ताँ सजदी
ताँ सजदी
जे नचे मुंडे दि माँ
ओ महफ़िल ताँ सजदी
हो ओ ओ

पल पल हुआ सुनेहरा मेरे जीवन का आ
मेरी पलकों में है सपना दुल्हन का आ

तू जिस रोज़ चली आएगी घूँघट में ए
नया सवेरा होगा मेरे आँगन का आ
जानू दिल से हो जाउंगी
जानू दिल से हो जाउंगी
तुझ पे मैं कुर्बान

ओ महफ़िल ताँ सजदी
ताँ सजदी
जे नचे मुंडे दि माँ
ओ महफ़िल ताँ सजदी
ताँ सजदी
जे नचे मुंडे दि माँ
ओ महफ़िल ताँ सजदी
हो ओ ओ

ममता के दामन में खुशियाँ लहराए ए ए
मेरे संग संग नाचे मेरी आशाएं
हर मौसम इन दो फूलों में रंग भरे ए ए
दिल से यही दुआएं होंठों पर आये
फूले पहले दिलों का गुलशन
महका रहे समा
महफ़िल ताँ सजदी

ताँ सजदी
जे नचे मुंडे दि माँ
महफ़िल ताँ सजदी
ताँ सजदी
जे नचे मुंडे दि माँ
महफ़िल ताँ सजदी
हो ओ ओ


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4646 Post No. : 16309

—————————————-
Birthdays – Jayaprada, Jeetendra
————————————————-
(#Music Composer-Singer-Bappi Lahiri#5) – Year-1984
——————————————————————–

Today’s song is from the ‘1984’ movie ‘Haisiyat’. It is picturised on Jayaprada and Jeetendra, our birthday girl and birthday boy respectively, for this post.

For Jayaprada 3rd April’2021 was her fiftynineth (born on 03.04.1962) birthday and here on the blog we are belatedly wishing her a Happy birthday and a happy, healthy and peaceful life ahead.

Our birthday boy actor Jeetendra celebrates his seventy-nineth birthday today on 7th April’2021 (born on 07.04.1942) and we wish him a very Happy birthday today and a happy, healthy and peaceful life ahead.

Today’s song is composed by Bappi Lahiri. I take this opportunity to present today’s song as my ‘Bappi Lahiri’ song no. 5 in this series where I wish to share some of the Bappi Lahiri songs which I liked very much.

Today’s song is one such song from Bappi Lahiri which I like very much, though I have not watched this movie ‘Haisiyat-1984’. I like one more song from this movie which has already been posted on the blog earlier i.e., ‘dheere dheere subah huyi jaag uthhi zindagi’.

‘Haisiyat-1984’ was directed by Dasari Narayan Rao for ‘Vijaylakshami Pictures, Madras. It was produced by Shrikant Nahta. It had Jeetendra, Jayaprada, Pran, Shakti Kapoor, Rohini Hattangadi, Kadar Khan, Satyen Kappu, Raza Murad, Viju Khote, Bhushan Tiwari, Prem Kumar, P. Sriniwas, Jayshree T., Anuradha and others.

This movie had six songs (including one multiple version song), written by Indeevar (five songs) and Anjaan (one song).

Music for this movie was composed by Bappi Lahiri.

Yesudas, Kishore Kumar, Asha Bhonsle, Shailendra Singh, Usha Mangeshkar, Chandrani Mukherji, Lata Mangeshkar, and Vani Jairam had given their voices to the songs in this movie.

This movie was passed by Censor Board on 10.08.1984.

Coming to the year ‘1984’ Jeetendra and Jayaprada had paired together in the following movies in this year as following;

Sno Movie Name Music Director Passed by Censor Board on
1 Haisiyat Bappi Lahiri 10.08.1984
2 Maqsad Bappi Lahiri 30.04.1984
3 Tohfaa Bappi Lahiri 21.01.1984

Actress Jayaprada appeared in the following movies during this year 1984 including the movies she was paired with Jeetendra mentioned above;

Movie Name Actor Actress Music Director
Aawaaz Rajesh Khanna Jayaprada R.D. Burman
Bheemaa Shatrughan Sinha Jayaprada R.D. Burman
Dharam Aur Qaanoon Rajesh Khanna Jayaprada Kalyanji-Anandji, Raam-Laxman
Haisiyat Jeetendra Jayaprada Bappi Lahiri
Maqsad Jeetendra Jayaprada Bappi Lahiri
Nayaa Kadam Rajesh Khanna Jayaprada Bappi Lahiri
Paapi Pet Ka Sawaal Hai Rajesh Khanna Jayaprada Shankar Jaikishan
Sharaabi Amitabh Bachchan Jayaprada Bappi Lahiri
Tohfaa Jeetendra Jayaprada Bappi Lahiri

In this year actor Jeetendra appeared in the following eight movies including the movies with Jayaprada mentioned above.

Movie Name Actor Actress Music Director
Akalmand Jeetendra Sridevi Laxmikant-Pyarelal
Haisiyat Jeetendra Jayaprada Bappi Lahiri
Kaamyaab Jeetendra Shabana Azmi Bappi Lahiri
Maqsad Jeetendra Jayaprada Bappi Lahiri
Qaidi Jeetendra Hema Malini Bappi Lahiri
Tohfaa Jeetendra Jayaprada Bappi Lahiri
Yeh Desh Jeetendra Zeenat Amaan R.D. Burman
Zakhmi Sher Jeetendra Dimple Kapadia Laxmikant-Pyarelal

But, this year ‘1984’ belonged to Bappi Lahiri in true sense. In this year he composed music for as many as ‘twenty-one’ movies as per following;

Sno Movie Name Passed by Censor Board on
1 Aaj Ka MLA Ram Avtaar 21.01.1984
2 Bhaavnaa 11.10.1984
3 Gangvaa 05.09.1984
4 Haisiyat 10.08.1984
5 Hum Rahe Na Hum 12.04.1984
6 Kaamyaab 06.08.1984
7 Kamlaa 31.07.1984
8 Maqsad 30.04.1984
9 Meri Adaalat 03.01.1984
10 Nayaa Kadam 15.09.1984
11 Pet Pyaar Aur Paap 15.09.1984
12 Qaidi 08.05.1984
13 Qasam Paida Karne Waale Ki 15.11.1984
14 Shapath 26.06.1984
15 Sharaabi 10.05.1984
16 Sheeshe Ka Ghar 29.09.1984
17 Shravan Kumar 24.05.1984
18 Teri Baahon Mein 11.05.1984
19 Tohfaa 21.01.1984
20 Waqt Ki Pukaar 12.10.1984
21 Yaadgaar 16.04.1984

Let us celebrate them all with listening to this foot-tapping composition, which also has a folky touch to it (I am unable to note which folk or regional music it is based on).

Today’s song is sung by Asha Bhonsle and Kishore Kumar. Lyrics are by Indeevar and music is composed by Bappi Lahiri.

Let us now enjoy the today’s song …

Audio

Video

Song-Uttar mein dekhoon to soorat teri (Haisiyat)(1984)Singers-Kishore Kumar,Asha Bhonsle, Lyrics – Indeevar, Music – Bappi Lahiri
Both

Lyrics

uttar mein dekhoon to
soorat teri ee
dakshin mein dekhoon to
soorat teri
uttar mein dekhoon to
soorat teri ee
dakshin mein dekhoon to
soorat teri
poorab mein ae ae
paschim mein ae ae
uttar mein ae
dakshin mein ae
yahaan wahaan
dekhoon jahaan
dikhe wahaan moorat teri ee ee ee

yahaan wahaan
dekhoon jahaan
dikhe wahaan moorat teri ee ee
uttar mein dekhoon to
soorat teri ee
dakshin mein dekhoon to
soorat teri ee

sooraj mein tu
taaron mein tu
kirnon mein hai rang tera aa
khushboo mein tu
kaliyon mein tu
phoolon mein hai ang teraa
sooraj mein tu
taaron mein tu
kirnon mein hai rang tera aa
khushboo mein tu
kaliyon mein tu
phoolon mein hai ang teraa
sabhi jawaan
sabhi haseen
aage tere kuchh bhi nahin
yahaan wahaan dekhoon jahaan
tere siwaa kuchh bhi nahin

uttar mein dekhoon to
surat teri
dakshin mein dekhoon to
surat teri
poorab mein ae ae
paschim mein ae ae
uttar mein ae ae
dakshin mein ae
yahaan wahaan
dekhoon jahaan
dikhe wahaan moorat teri ee ee ee

yahaan wahaan
dekhoon jahaan
dikhe wahaan moorat teri ee ee ee
uttar mein dekhoon to
soorat teri ee ee
dakshin mein dekhoon to
soorat teri ee

nainaa tere dikhte hain jab
darpan mein bindiyaa ko dekhoon
saayaa teraa liptaa lagey
jab raat sejiyaa ko dekhoon
nainaa tere dikhte hain jab
darpan mein bindiyaa ko dekhoon
saayaa teraa liptaa lagey
jab raat sejiyaa ko dekhoon

dil mein mere chalti hain tu
suntaa hoon main dhadkan teri
toofaan dil mein uthhte hain jab
chhede mujhko chitwan teri
uttar mein dekhoon to
soorat teri ee
dakshin mein dekhoon to
soorat teri

poorab mein ae ae
paschim mein ae ae
uttar mein ae ae
dakshin mein ae ae
yahaan wahaan
dekhoon jahaan
dikhe wahaan moorat teri ee ee ee
yahaan wahaan
dekhoon jahaan
dikhe wahaan moorat teri ee ee ee

uttar mein dekhoon to
soorat teri
dakshin mein dekhoon to
soorat teri


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4629 Post No. : 16281 Movie Count :

4422

[Ed Note: Delayed by 3 days on our account, this post was received in email just past midnight on 17th March. It should have posted on 18th. The reference to the dates in the article should be taken from 17th March.]

Hullo Atuldom

18th March 2012 was the first time I sent a contribution to Atulji in the form of lyrics of one of Deewaar’s songs – “Maine Tujhe Maanga Tujhe Paaya Hai“. That happened to be Shashi Kapoor’s 74th birthday. That post also marked 300 songs of Sahir Ludhianvi on the blog. It is nine years since then and we touched 700 songs of Sahir on the blog recently. That was post number 5655 for the blog considering that we had touched 2900 on 3rd September 2010 and those days the blog was chugging along at a great speed.

Ever since 2012 March I have tried, rather inconsistently, to send in a post for Shashi Kapoor’s birthday. My last post for the occasion was in 2019, the song being “Kya Karoon Mujhko Time Nahin“. As I re-read that post I found that the first time I participated on the blog was as a commentor (I was a pillion rider to Peevesie that day when she wrote that comment) for a Shashi Kapoor song.

The first Amitabh song that I wrote a post for was, I think, the friendship song of Suhaag. I am glued to the idiot box whenever there is an Shashi Kapoor-Amitabh Bachchan movie playing and I have been indulged by a certain channel of the DTH provider who played ‘Namak Halal’ (1982) and ‘Suhaag’ (1979) yesterday.

As I am writing this post, that particular channel is showing ‘Chori Mera Kaam’ (1975) of which I have very vague memories of, having seen it in the ’70s. The things that I remember is Deven Verma’s character which was called Praveen Bhai, Zeenat Aman and Shashi trying to outsmart each other and because this was a movie directed by Brij it had interesting roles for Ashok Kumar and Pran. It had great music by Kalyanji Anandji.

He must have been a great co-actor as we have seen him with Shatrughan Sinha, Sanjeev Kumar, Rekha, Hema Malini, Rakhee, Zeenat Aman, Sharmila Tagore, Parveen Babi and so many others. But we can’t forget his pairing with Nanda in the ’60s with whom he featured in 8 films.

He began his career playing the childhood of Raj Kapoor in ‘Awaara’ (1951) etc. and had his first adult role in Yash Chopra’s ‘Dharmaputra’ (1961) going on to act in almost 116 movies of which 60 were solos and 55 multi-starrers. He was a Padma Bhushan winner and was honored with the Dadasaheb Phalke award in 2014, for his contribution to Hindi Cinema.

He was a filmmaker who made movies that were not in the commercial format and got the likes of Shyam Benegal, Govind Nihalani, Aparna Sen, Girish Karnad to direct it. And he used to say that he acted in the regular masala movie so that he could finance the kind of movies that he liked to offer his fans.

I was reminded of today’s song thanks to ‘Chori Mera Kaam’. No, I haven’t discovered any hidden song in that movie. We have already Yippeee’d it. It reminded me of the Zeenat Aman – Shashi Kapoor films. ‘Chori Mera Kaam’ was followed by 10 films like ‘Vakil Babu’ (1982), ‘Bandhan Kachhe Dhaagon Ka’ (1983) etc.

There was this 1983 masala movie ‘Pakhandi’ directed by Samir Ganguly. It had Shashi Kapoor- Zeenat Aman -Asha Parekh- Sanjeev Kumar leading a cast with Ranjeet, Jagdeep, Helen, Leela Mishra as supporting cast. The song is the handiwork of Majrooh Sultanpuri-Laxmi-Pyare-Asha Bhonsle-Kishore Kumar. The video shows Zeenat and Shashi Kapoor participating in a DANCE COMPETITION!!!! Shashi Kapoor dancing???? I will not say that he was a bad dancer but definitely not in the same league as his brother Shammi Kapoor or his nephew Rishi Kapoor. He had a sense of rhythm like his other brother Raj Kapoor and no ‘two- left-feet’ issue like his contemporary Dharmendra. And this song has choreography very different from what we generally see Shashi do. It has prompted me to put this masala movie in my to be seen list.

Audio

Video

Song – Tu Jab Bhi Dekhega Jidhar Bhi Dekhega (Pakhandee) (1983) Singer – Asha Bhosle, Kishore Kumar, Lyrics – Majrooh Sultanpuri, MD – Laxmikant Pyaarelal
Female Chorus, Male Chorus
Female + Male Chorus

Lyrics

la la la la lala
la la la la la laaa

tu jab bhi dekhega 
jahaan bhi dekhega
mujhi ko dekhega 
arre nahi hai nahi hai nahi hai
mera jawab 
koi nahi koi nahi koi nahi 
mera jawab
kahin nahi kahin nahi kahin nahi 
mera jawab
koi nahin koi nahi koi nahi
tu jab bhi dekhega 
jahaan bhi dekhega
tu jab bhi dekhega

nikli hoon dekho sina taan ke
aaye koi
aaye koi
kehti hoon main to imaan se 
aaye koi
aaye koi
zameen se nahi to aasman se 
aaye koi 
aaye koi
arre tu bhi nahin 
tu bhi nahin 
tu bhi nahin
tu bhi nahin 
hey ae ae
tu jab bhi dekhega 
jahaan bhi dekhega
mujhi ko dekhega 
arre nahi hai nahi hai nahi hai
mera jawab 
koi nahi koi nahi koi nahi 
mera jawaab
kahin nahi kahin nahin kahi nahin 
mera jawab
koi nahi koi nahi koi nahi
tu jab bhi dekhega 
jahaan bhi dekhega
tu jab bhi dekhega

la la la laaa 
la la la laa 
la la la laa
la la la la la laaa
la la la la la laaa

yeh lo ji main aaya hoon muqabil 
jaqne jigar
dekho idhar
meri bhi ada hai badi qatil 
ek nazar
dekho idhar
kehti phirogi haye haye dil 
dekho idhar
dekho idhar
isiliye maine kahan maine kahan maine kahan 
he ae ae 
tu jab bhi dekhegi 
jahaan bhi dekhegi
mujhhi ko dekhegi 
arre nahi hai nahi hai nahi hai
mera jawab 
koi nahi koi nahi koi nahi 
mera jawaab
kahin nahi kahin nahin kahi nahin 
mera jawab
koi nahi koi nahi koi nahi
tu jab bhi dekhegi 
jahaan bhi dekhegi
tu jab bhi dekhegi

waah waah re waah
la la la la
waah waah re waah
la la la la
waah waah re waah
la la la la 
waah waah re waah
la la la la 
waah waah re waah
waah waah re waah
waah waah re waah

koi chala ye chala 
teere nazar jigar bachaana
baahon mein aa
main tujhe sikha doon 
nishana lagana
shola hoon main tujhe jala na doon
arey sambhal ke aa tujhe bujha na doon
aayi teri kaza 
chhod bhi ye ada
o aayi teri kaza 
chhod bhi ye ada
o chhod meri kalai 
he dene lagi duhai
isiliye maine kaha maine kaha maine kaha
he ae ae
tu jab bhi dekhegi 

jahaan bhi dekhegi
mujhhi ko dekhegi
arre nahi hai nahi hai nahi hai 
mera jawab 
koi nahi koi nahi koi nahi 
mera jawaab
kahin nahi kahin nahin kahi nahin 
mera jawab
koi nahi koi nahi koi nahi
 


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4628 Post No. : 16279

Today’s song is from the movie ‘Jurm-1990’.

By the standards of this blog ‘Jurm-1990’ is a very recent movie. This movie made made its debut on the blog during its early days, viz on 12.09.2008 with its ‘heart-touching’ song ‘jab koi baat bigad jaaye, jab koi mushqil pad jaaye’. This song is said to be inspired by the song “500 miles” (Peter Paul & Mary version/ brothers four version).

Today we are going to listen to the second song from this movie. This song ‘marne ke dar se mere dil’ is said to be inspired by Madonna’s “La Isla Bonita”.

‘Jurm-1990’ was directed by Mahesh Bhatt for ‘Vishesh Films’.It was produced by Mukesh Bhatt. It had Vinod Khanna, Meenakshi Sheshadri, Sangeeta Bijlani, Shafi Inamdar and Anang Desai and supported by Sharat Saxena, Akash Khurana, Om Shivpuri, Jack Gaud, Mahesh Anand, Girija Shankar and others.

Story, Screenplay and dialogues of this movie were written by Salim Khan. Editing of this movie was done by Dimpy Bahl.

This movie was passed by Censor Board on 05.07.1990 with restricted viewing certificate i.e. ‘A’ certificate.

This movie had six songs (as per wiki) including one three-part song. Lyrics for this movie were written by Indeewar and Payam Sayeedi, and music was composed by Rajesh Roshan. Asha Bhonsle, Amit Kumar, Kumar Sanu, Sadhna Sargam, Manhar Udhas, Mohd Aziz had given their voices to the songs of this movie.

Today’s song, the second song of this movie is appearing after a gap of ‘4572’ days on the blog. It is sung by Asha Bhonsle and Mohd Aziz. Lyrics are by Indeewar and music is composed by Rajesh Roshan.

Today’s song, a motivational song, is a nice hummable song to listen to.
Sangeeta Bijlani and Vinod Khanna are seen performing on the song in the voices of Asha Bhonsle and Mohd Aziz respectively. Mahesh Anand and many other artists can also be seen present in the song which also happens to be a ‘party-song’.

I have not watched this movie, so I would request knowledgeable readers to throw more light on this movie and its songs.

Let us now enjoy today’s song …

Video

Audio

Song-Marne ke darr se mere dil jeena na tu chhod denaa (Jurm)(1990) Singers-Asha Bhonsle, Md Aziz, Lyrics-Indeewar, MD-Rajesh Roshan
Both
Chorus

Lyrics

aa
aa
aa
aa aa aa aa aa

marne ke darr se mere dil
aa aa aa
jeenaa naa tu chhod denaa aa
marne ke darr se mere dil
aa aa aa
jeenaa naa tu chhod denaa
rone ke darr se jahaan mein
hansnaa naa tu chhod denaa aa
marne ke darr se mere dil
aa aa aa
jeenaa naa tu chhod denaa
aa aa aa
rone ke darr se ae jahaan mein
hansnaa naa tu chhod denaa aa aa

marne ke darr se mere dil
aa aa aa
jeenaa naa tu chhod denaa

jab tak qismat saath naa degi
tab tak khwaab adhoore honge
ik din sapney poore honge
aahaa aa aa
aa aa aa
aa aa aa aa aa

kaam tera chalte jaanaa hai
chalnaa hi manzil paanaa hai
maut kaa naam hi ruk jaanaa hai
aa haa aa

kaanton mein ghirne ke dar se
aa aa aa
chalnaa naa tu chhod denaa aa
kaanton mein ghirne ke dar se
aa aa aa
chalnaa naa tu chhod denaa aa
rone ke darr se jahaan mein
hansnaa naa tu chhod denaa aa
marne ke darr se mere dil
aa aa aa
jeenaa naa tu chhod denaa aa

tap tap parr pa ra paa
tap tap
tarr ra paa
tap tap parr pa ra paa
tap tap
tarr ra paa

milna aur bichhad jaanaa to
hoti hai sanjog ki baatein
roz kahaan poonam ki raatein
aa haa aa
aa aa aa aa
aa aa aa aa aa

yaar se yaar khafaa hote hain
laakhon log judaa hote hain
hangaame kya kya hote hain
aa haa aa

lekin judaayi ke darr se ae
aa aa aa
milnaa naa tu chhod denaa aa
lekin judaayi ke darr se ae
aa aa aa
milnaa naa tu chhod denaa
rone ke darr se jahaan mein ae
hansnaa naa tu chhod denaa aa aa
marne ke darr se mere dil

aa aa aa
jeenaa naa tu chhod denaa aa

tu ru tu ru ru ru ru ru
ru ru ru ru ru ru ru ru ru oo oo
ru ru ru ru ru ru ru ru ru oo oo
ru ru ru ru ru ru ru ru ru oo oo
ru ru ru ru ru ru ru ru ru oo oo


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4616 Post No. : 16252

Today is the 8th of March.
A date that has an immediate connect with those who love Urdu poetry, and lyrics of Hindi films.

They celebrate it every year as the birth anniversary of one of the giants of 20th century Urdu poetry, and easily one of the most highly regarded lyricists the Hindi film industry has known.

I’m talking about Sahir Ludhianvi, of course.
He is right up there as one of the greatest – and I don’t think anyone disputes this.

It’s no secret to those who have read my previous posts here that I’m a massive fan of Sahir. I’ve written many posts on him here – on practically every birth and death anniversary of his. And even some in between.

And yet today is an extra extra special day.

For it’s not just another birth anniversary of his – it is his birth CENTENARY.

Yes, he was born on 8th March 1921 – in other words, exactly 100 years ago.

I need to take a deep breath here to take in this occasion.

What a momentous one it is!

I suppose a centenary is also an opportunity to take a step back and look at what the person’s influence has been over the period in question.

And that is what I hope to do a little bit of here in this post.

Sahir passed away in 1980 – he was only 59 at the time.

But what a life!

Like Lincoln supposedly said “It’s not the years in your life that count, it’s the life in your years”.

Sahir lived a life that influenced not only people during his lifetime, but is also inspirational for people, like me and many others, 40 years after his death.

(I hope you can hear this from up there, Sahir saab!)

To understand the influence of Sahir, we need to look at him as more than just a poet.
There were poets before him – and there have been poets after him too.
In his own words, “mujhse pehle kitne shaayar aaye aur aakar chale gaye” and “kal aur aayenge naghmon ki khilti kaliyaan chunne waale”.
And it’s true.
And mind you, they have all, in their own ways, been fabulous too.
We should not demean any of their poetic abilities.

And yet where Sahir stands out, even while being exceptional as a poet, is in being exceptional in speaking out against power and oppression.

No one, NO ONE, did it as well as Sahir.
Or as frequently.

And for that, Sahir is in a league of one.

He exemplified the saying “The pen is mightier than the sword” better than any other poet I know, post-independence, with his poetry repeatedly exposing the hypocrisy in Indian society, and the ills prevalent across various sections of it. He railed against patriarchy and misogyny, against capitalists exploiting labour, against the government silencing dissent.

How can you NOT love such a person?

It all probably started early in Sahir’s life, when, having to choose between his rich father and his suffering mother, he chose the latter.

Maybe that was the trigger for him for the rest of his life, because he always spoke up for the poor, the underprivileged, the oppressed, the marginalized.

Of course there’s more to Sahir than just this.
He had amazing variety too.
Romantic songs. The songs of Hum Dono, Taj Mahal, Gumraah, Humraaz, Shagun and Waqt come immediately to my mind.
Philosophical songs. Main zindagi ka saath, aage bhi jaane na tu, mann ri tu kaahe na dheer dhare, kabhi khud pe…
Bhajans. Aan milo aan milo Shyam saanvre , Allah tero naam and tora mann darpan kehlaaye come to mind.
Qawwalis. Songs of Barsaat Ki Raat and Taj Mahal, for example.
Songs on mother-child relationship – Mujhe Jeene Do, Dhool Ka Phool and Trishul, among others.
Pure fun, zany songs. Sar jo tera chakraaye, aye meri topi palat ke aa.

Each one a gem.

And yet, as I look back on this centenary occasion, it is Sahir’s songs that speak of society, and speak TO society, that I would consider as his most significant and lasting influence.

Without them too, he would be a GREAT poet, no doubt.
But with them, he elevates himself from being just a great poet, to being a decent and conscious human being.

And that to me is far more important than anything else.

So let’s quickly run through some of his poetry where he talks about, or, to, society.
There are many songs of course, but I’ll just mention a few here.

Ye kooche ye neelaam ghar dilkashi ke – Pyaasa (1957)
Ye mehlon ye takhton – Pyaasa (1957)
Saathi haath badhaana – Naya Daur (1957)
Aurat ne janam diya mardon ko – Sadhna (1958)
Tu Hindu banega na Musalmaan banega – Dhool Ka Phool (1959)
Wo subah kabhi to aayegi – Phir Subah Hogi (1958)
Cheen-o-Arab hamaara – Phir Subah Hogi (1958)
Khuda-e-bartar – Taj Mahal (1963)
Na munh chhupa ke jiyo – Humraaz (1967)
Ponchh kar ashq apni aankhon se – Naya Raasta (1970)
Samaj ko badal daalo – Samaj Ko Badal Daalo (1970)

Sahir’s lyrics for such songs were piercing – they went straight to the heart.
It was as if he was pouring out his agony, venting his frustration at society. Showing it a mirror, exposing its hypocrisy.

For example, these seemingly innocuous lines (Sadhna-1958):

kaho jee tum kya kya khareedoge
yahaan to har cheez bikti hai

mohabbat bechti hoon main
sharaafat bechti hoon main
na ho ghairat to le jo
ki ghairat bechti hoon main

Powerful.

Of course, it was not always doom and gloom in his lyrics.
Even while he was critical of society and its ills, he also wrote uplifting lyrics, with hope in them.
Like na munh chhupa ke jiyo , ponchh kar ashq, wo subah kabhi to aayegi mentioned above.
So it’s a combination of frustration and hope – which is probably a pretty accurate representation of his own personality. 🙂
Sahir was himself known to be fairly moody – cheerful one moment, morose the next.

I can keep on and on about Sahir and his songs – I haven’t even scratched the surface.
I haven’t even talked about gems like “pyar par bas to nahin” – Sone Ki Chidiya (1958). But then, one really can’t do justice to Sahir in one post.

So I’m going to force myself to move on – and get to the song for this post.

Before I get to the song, one other thing.

Today, the 8th of March, is also celebrated as International Women’s Day.

It is such a coincidence that both Sahir’s birth date and this date are the same.

Or was it pre-ordained in a sense, because if there was one person who regularly spoke up for women, their rights, how they’ve been oppressed, it was Sahir.

Aurat ne janam diya mardon ko from Sadhna-1958 is of course one of Hindi cinema’s classics. I’ve heard this song many times – and every time it gives me a punch in the gut.

But there were other lesser-known songs too.

And this song which I’m posting today is in that category.

It is from Jiyo Aur Jeene Do (1982).

Since Sahir passed away in 1980, I’m presuming this was one of his last few songs.
Or maybe he had written this earlier, but it got used only later in this film.

Anyway, as usual, it is Avinashji who has helped me with this.
He sent me the lyrics – and, considering it is Sahir’s Day AND Woman’s Day today, it seems to be just the right song for the occasion.

I haven’t seen the film, so I can’t comment about the situation, but the words of the song are powerful – and typically Sahir.

As usual, he talks about exploitation of women in Indian society.
And he references often to Seeta to bring home his point.
How women even today have to go through Agni Pariksha like Seeta had to.
How every woman is expected to just accept oppression without protest.
How even Seeta, who accompanied Ram during his exile, had to listen to his admonition of her.
How a woman can be expected to save herself in a world that has been created for man.
How, when even Ram could be influenced against Seeta, what hope for mere mortals?
How it is the lot of women like Seeta to be born in every era only to bear the burdens of this world.

I must admit the lyrics are very depressing.
Possibly some of the most depressing I have ever come across.
And I’d really like to think the lyrics are also highly exaggerated, and this isn’t today’s reality anyway. After all these lyrics are from more than 40 years ago, and a lot has changed since.

Or has it?

Yes, on one level, it has.
Many more women are better off today than they were 40 years ago.
More educated, more independent.
And yet, most of these are probably from middle- or upper classes of society.
(And even amongst them, there are many horror stories that don’t come to light).
But beyond these, there are many millions of women in India for whom life is a daily struggle.
From the moment they wake up early in the morning, to the moment they finally go to sleep that night, it is a day of just work, work and work. Women are taken so much for granted that society expects nothing less from them.
A woman just relaxing or enjoying herself is a rare sight – it almost seems out of place.
And so many women (especially among the poor) have sadly internalized this lifestyle of struggle, so they think it’s the most normal thing to do.
And I haven’t even talked about women’s safety here – that’s another minefield of a topic where, thanks to men, women don’t feel safe at all anytime during the day, every single day of their lives.
As a man, enjoying freedom that I take for granted, I just cannot imagine how it must be to live like this. All one’s life.

So yes, LOTS to think about.
And LOTS of work to do.
And the ball is in the court of MEN, not WOMEN.
For the simple reason that the cause of the problem is MEN, not WOMEN.

So then I think, however depressing the lyrics of this Sahir song are, are they more depressing than the actual lives of many women in India?

Anyway, this is supposed to be a day of celebration – I do not want to spoil the mood.
And yet, I cannot pretend – so if you don’t mind, I’d like it to be treated as a day of reflection for men too. Sahir would’ve liked that.

Thank you, Sahir saab, for your searing poetry. And for always standing up for the oppressed, and raising awareness on the right issues.
It is entirely our failing as a society that we have failed to make the lyrics you wrote all those decades ago irrelevant.
They are just as relevant today as they were when they were written.

And on that extremely sobering note, let me now end this post.
Thank you for reading.

Video

Audio (Longer)

Song-Seeta ke liye likkhaa hai yahi (Jiyo Aur Jeene Do)(1982) Singer-Rafi, Lyrics-Sahir Ludhianvi, MD-Laxmikant Pyarelal
Chorus

Lyrics(Provided by Avinash Scrapwala)

Chup chup apni jaan pe sah jaa aa aa
Duniya ka anyaay
Koyi nahin is dharti par
Jo tera dard bataaye

Seeta ke liye likkha hai yahi
Har yug mein ae agnipareekshaa de
Seeta ke liye likkha hai yahi
Har yug mein ae agnipareekshaa de
Dukh sah ke bhi mukh se kuchh na kahe
Man ko dheeraj ki shikshaa de
Seeta ke liye likha hai yahi

Gairon ke kadwe bol sune
Apnon ka atyaachaar sahe
Gairon ke ae kadwe bol sune
Apnon ka atyaachaar sahe
Jis Raam ke sang ban ban bhatke
Us Raam ki bhi dutkaar sahe
Dharti mein samaane se pehle
Dharti mein samaane se pehle
Dharti ki tarah har bhaar sahe
Seeta ke liye likkha hai yahi

Purushon ki banaayi duniyaa mein
Kya ik naari ka maan bache
Purushon ki banaayi ee duniyaa mein
Kya ik naari ka maan bache
Jis zahar se Raam ka man na bachaa
Us zahar se kya insaan bache
Jo reet yugon se jaari hai
Jo reet yugon se jaari hai
Us reet se kaise jaan bache
Seeta ke liye likkha hai yahi

Aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa aa aa

Is andhi bahri nagari mein
Jab jab Seeta ko aana hai
Is andhi bahri nagari mein
Jab jab Seeta ko aana hai
Jeete ji kasht uthhaana
Marne pe sati kahlaana hai
Marne ae pe sati kahlaana hai
Itihaas ke pannon ko sadiyon
Itihaas ke pannon ko sadiyon
Yoon hi ye katha dohraana hai
Seeta ke liye likkha hai yahi
Har yug mein ae agnipareekshaa de
Dukh sah ke bhi mukh se kuchh na kahe
Man ko dheeraj ki shikshaa de
Seeta ke liye likha hai yahi

————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————————
चुप चुप अपनी जान पे सह जा आ
दुनिया का अन्याय
कोई नहीं इस धरती पर
जो तेरा दर्द बटाय

सीता के लिए लिखा है यही
हर युग में ए अग्निपरीक्षा दे
सीता के लिए लिखा है यही
हर युग में ए अग्निपरीक्षा दे
दुःख सह के भी मुख से कुछ न कहे
मन को धीरज की शिक्षा दे
सीता के लिए लिखा है यही

गैरों के कडवे बोल सुने
अपनों का अत्याचार सहे
गैरों के ए कडवे बोल सुने
अपनों का अत्याचार सहे ए
जिस राम के संग बन बन भटके
उस राम की भी दुत्कार सहे
धरती में समाने से पहले
धरती में समाने से पहले
धरती की तरह हर भार सहे
सीता के लिए लिखा है यही

पुरुषों की बनायी दुनिया में
क्या इक नारी का मान बचे
पुरुषों की बनायी ई दुनिया में
क्या इक नारी का मान बचे
जिस ज़हर से राम का मन न बचा
उस ज़हर से क्या इंसान बचे
जो रीत युगों से जारी है
जो रीत युगों से जारी है
उस रीत से कैसे जान बचे
सीता के लिए लिखा है यही

आ आ आ
आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ आ आ

इस अंधी बहरी नगरी में
जब जब सीता को आना है
इस अंधी बहरी नगरी में
जब जब सीता को आना है
जीते जी कष्ट उठाना
मरने पे सती कहलाना है
मरने ए पे सती कहलाना है
इतिहास के पन्नो को सदियों
इतिहास के पन्नो को सदियों
यूँ ही ये कथा दोहराना है

सीता के लिए लिखा है यही
हर युग में ए अग्निपरीक्षा दे
दुःख सह के भी मुख से कुछ न कहे
मन को धीरज की शिक्षा दे
सीता के लिए लिखा है यही


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4612 Post No. : 16245

——————————————
Sahir Ludhianvi & His Music Directors-10 – (more than ‘ten-movies collaboration’)
————————————————————————–

Welcome all to this post, where we discuss the last collaboration of ‘Sahir and His Music Directors’. I will not conclude this series with today’s post, though. I will conclude this series in my next post where I will provide updated details of Sahir’s filmography.

Today’s music director with Sahir is Ravi.

The names of Sahir and Ravi immediately brings to our mind a long list of immortal, memorable, unforgettable and iconic songs.
If we want to list them here that would require a lot of space, instead, we take a look on the list of the movies of this great collaboration ;

S.no Movie Year Songs of lyricist in the blog Song penned by lyricist in movie as per HFGK Song penned by lyricist in movie as per the book -The People’s Poet
1 Aaj Aur Kal 1963 9 8 9
2 Gumraah 1963 7 8 8
3 Pyaar Ka Bandhan 1963 Ravi 5 5 5
4 Bahu Beti 1965 7 7 7
5 Kaajal 1965 Ravi 11 11 13
6 Waqt 1965 8 8 8
7 Humraaz 1967 5 5 5
8 Aaankhein 1968 6 6 6
9 Do Kaliyaan 1968 8 8 8
10 Neel Kamal 1968 7 7 8
11 Aadmi Aur Insaan 1969 9 9 10
12 Paisaa Ya Pyaar 1969 4 5 5
13 Samaaj Ko Badal Daalo 1970 6 8 9
14 Ganga Tera Paani Amrit 1971 4 4 4
15 Dhundh 1973 4 3 3
16 Mehmaan 1973 4 6 6
17 Ek Mahal Ho Sapnon Ka 1975 7 5 8
18 Amaanat 1977 8 8 7
19 Chingaari 1989 4 7 7
Total 123 128 136

I am sure the above list will bring back fond memories for many people.

Today’s song reminds us of the famous “Kaajal”(1965) bhajan ‘tora man darpan kahlaaye’.

Today’s song is sung by Asha Bhonsle and Usha Mangeshkar. It is from the movie ‘Chingaari-1971/1989’ (released in 1989). Leena Chandavarkar and Durga Khote are seen lip syncing this song.

Let us now listen to this beautiful bhajan …

Song-Meri baari re kaahe ko bhoole banwaari(Chingaari)(1989) Singers-Asha Bhonsle, Usha Mangeshkar, Lyrics-Sahir Ludhianvi, MD-Ravi
Both

Lyrics

banwaari ee ee
o o o o o o o o of
meri baari re ae ae
kaahe ko bhoole banwaari
meri baari re ae ae
kaahe ko bhoole banwaari
jab jab bheed padi dukhiyan par
tumhi ne ae vipadaa taari re are
meri baari re ae ae ae
kaahe ko bhoole banwaari
meri baari re ae ae
kaahe ko bhoole banwaari ee

? ka jyoti
janam ke paapan
par purshan ki pyaari ee

par purshan ki pyaari ee
dharm karam ke nikat na aayi
paap kiye atibhaari

paap kiye atibhaari
ik tote ke rom ratan se
toone paar utaari re
meri baari re ae ae
kaahe ko bhoole banwaari
meri baari re ae
kaahe ko bhoole banwaari ee

drupad sutaa pandav ki naari
juaa khel kar haari ee ee

juaa khel kar haari ee
bhari sabhaa mein dusht dushaasan
khenchan lagaa saari ee

khenchan lagaa saari ee
lut’ti laaj bachaayi
jab wo
dukhiya tumhe pukaari re

meri baari re ae ae
kaahe ko bhoole banwaari ee
meri baari re ae ae
kaahe ko bhoole banwaari ee

meera tere pyaar ke kaaran
lok laaj sab haari ee

lok laaj sab haari ee
nirlaj kah raana ne usko
bheji naag pitaari

bheji naag pitaari
naag phool
vish amrut ban gayaa
teri leelaa nyaari re

meri baari re ae ae
kaahe ko bhoole banwaari
meri baari re ae ae
kaahe ko bhoole banwaari
jab jab bheer padi dukhiyan par
tumhi ne vipadaa taari re
meri baari re ae ae ae
kaahe ko bhoole banwaari
meri baari re ae ae
kaahe ko bhoole ae banwaari ee


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 16300 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16358

Number of movies covered in the blog

Movies with all their songs covered =1260
Total Number of movies covered =4440

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Blog Start date: 19 july 2008

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