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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1980s (1981 to 1990)’ Category


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

Only yesterday I saw a rather old episode of the TALK SHOW – back then they used to call it interview (simple)- “Phool Khile Hain Gulshan Gulshan” which Tabassum used to host. I am sure all movie/ music lovers would have seen at least one episode on Friday evenings (I think). I used to try and see it without fail. But the episode (https://www.youtube.com/watch?v=MFFwOfs1IWw) I saw yesterday on YouTube I don’t recollect having seen in 1983. Just as well since; when I saw it yesterday it was an eye opener. It featured Anand Bakshi the lyricist.

He spoke at length on various topics, but what stuck with me was his answer to Tabassum’s question about the shelf life of songs, why do modern songs fade from public memory as soon as the movie is out of the theatres. (I have provided the link for those interested). He gave example of one the two most famous songs of the Subhash Ghai directed “Karz” (1980). Way back in 1983, when that interview happened, he didn’t expect that “meri umar ke naujawaanon —om shanti om” would remain for long in public memory, but we know otherwise. It is still very much popular so much so that Farha Khan not only used it for her movie title but also used that entire song in her movie. complete with Subhash Ghai directing Rishi Kapoor. That sequence was in Farha Khan’s movie to introduce her protagonist Om.

There is another Subhash Ghai movie of the 80s which people don’t recall that frequently, but it was a big hit back then. It was one of the three super successful movies of Anil Kapoor that year. I know it was later remade into Tamil (Oru Taayin Shabhatham by T. Rajender) and Telugu and Kannada as well. I am talking of Meri Jung (1985) which starred Girish Karnad, Nutan and Amrish Puri (making the older generation) with Anil Kapoor leading the young brigade of Khushboo (his sister) Meenakshi Seshadri, and Javed Jaffery who made his debut in this movie as Amrish Puri’s wayward son; who has Khushboo falling in love with him; which conveniently helps the two warring advocates -Anil Kapoor and Amrish Puri.

Remember once before I had wondered how multi-talented the advocates in our movies are (In this when Vinod Khanna jumped over walls to get something from Leena Chandavarkar’s room). “Meri Jung” has Anil Kapoor just swallowing some medicine which is supposed to be poison in court to prove his client Bina’s innocence. I am sure no one is allowed to touch evidences like that in court but anything is acceptable in Indian movies. Remember one bottle collecting blood directly from three donors at the same time. (which movie I know the readers will guess. 🙂 )

Since we talked of Meri Jung (1985) let us have a song from the movie today. It is a dance number by the oh-so beautiful Meenakshi Seshadri. How I wish she had not quit movies for familial life but then it was her personal choice to leave when still on top. She has left us a treasure trove of great songs to choose from whenever we think of her.

And why am I thinking of her today? Obviously, its her birthday today (16 november 2017). And what better than a dance number. We are just floored by her beauty and why not she was a Miss India. I was a fan of her’s and loved her movie selections- Jurm, Satyamev Jayate, Daamini, Ghaayal, Swati etc and don’t mind excusing he “Shahenshah” “Ganga Jumna Saraswati” etc (who would say know to sharing screen space with the Amitabh Bachchan.) Post her retirement she is settled in the US going back to her first love – classical dances. She runs a dance academy. Here is wishing her health wealth and happiness in life.

Today’s song is sung by Anuradha Paudwal and lyrics are by Anand Bakshi and Laxmi-Pyare are the music composers. The song is a dream of Meenakshi and she gets to dance on Mumbai’s Madh Island on a giant PIANO among other things. People didn’t call Subash Ghai a showman just like that. 🙂


Song-Ae mere khwaabon ke shehzaade (Meri Jung)(1985) Singer-Anuraadha Paudwal, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
All chorus
Female chorus
Male chorus

Lyrics

sa sa sa ga san i ni
ni nire ni dha
dha sa dha pa
ae mere khwaabon ke
khayaalon ke shehzaade
ae mere
khwaabon ke
khayaalon ke shehzaade
ye Mausam
deta hai
aawaazen
tu aa ja re
ae mere
khwaabon ke
khayaalon ke shehzaade

aa aa aa aa aa
aa aa
aa aa aa
aa aa aa aa

pa ma ga re sa ni dha pa ma ga
toone bekraaron ko chhed diya
chhed diya
toone bekraaro ko chhed diya
chhed diya
mere dil ke taaron ko
taaron ko chhed diya aa
teri kya
marzi hai
tere kya iraade ae
ae mere
khwaabon ke
khayaalon ke shehzaade

la la la la la
la laaa
laa laa laa

dil dil dil
dil dil dil
dil dil dil
dil dil dil

dil to le liya (dil dil dil)
le liya (dil dil dil)
ab jaan na le
dil to le liya
ab jaan na le
mere sabr ka tu
imtihaan na le
ae
sheeshe ki
gudiya ko
patther se takraa de
ae mere e
khwaabon ke
khayaalon ke shehzaade
ye mausam mm
deta hai ai
aawaazen
tu aa jaa re
ae mere khwaabon ke
khayaalo ke shehzaade
music music music
dance dance dance dance
lets dance with the music
with the music
with the music

lets dance with the music
with the music
music music music
music music music
music music music

la la la laa laa (music music music)
la la laa laa laa (music music music)

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

‘Hero’(1983) was produced and directed by Subhash Ghai for Mukta Arts Limited, Bombay. Introducing newcomer pairs in lead roles was the in thing those day. It had started with ‘Bobby’(1973), which was followed by ‘Love Story’(1980), ‘Rocky’(1981) and then ‘Betaab’(1983).

‘Hero’(1983) introduced Jackie Shroff and Meenakshi Sheshadri. That way, ‘Hero’ differed from the above mentioned movies where well established actor fathers had produced those movies to launch their sons. As it is well known, ‘Bobby’(1973) was the launch vehicle for Rishi Kapoor (produced by Raj Kapoor), ‘Love Story’(1980) was produced by Rajendra Kumar for his son Kumar Gaurav, ‘Rocky’(1981) was produced by Sunil Dutt to launch his son Sanjay Dutt while ‘Betaab’(1983) was produced by Dharmendra for his son Sunny Deol. So full marks to Subhash Ghai for not indulging in nepotism. 🙂

All these movies had well established actors to play supporting roles, viz ladke ka baap, ladki ka baap etc. 🙂

The support cast of ‘Hero’(1983) makes for an impressive read. Former heartthrob Shammi Kapoor plays ladki ka baap and Police commissioner. Bharat Bhushan, a hero from an even earlier era, is also there. Whose who of baddies, viz Amrish Puri, Madan Puri and Shakti Kapoor are there too take care of the dirty tricks department.

Last but not the least, this movie also had Sanjeev Kumar. Unlike other actors, who would only play one kind of a role in which they were typecast, Sanjeev Kumar could play any role, without worrying how it would be received. And invariably he would pull off any kind of roles. He would play the husband, father and father in law of the same actress in different movies and he would be accepted in all three roles. He has acted opposite Jaya Bhaduri in all three kinds of roles. He would also act as the father of actors who were in his own age group or even older to him. He played father of Shahshi Kapoor in ‘Trishool’(1979) who was older to him in age. 🙂

He played not one or two, but as many as nine roles in the film ‘Naya Din Nayi Raat’ (1974).

He played lots and lots of memorable roles during his two decades long career. Thakur of ‘Sholay’ (1975) readily comes to mind. In fact, it is difficult to find a role where he failed to do justice to the role, be it a mental patient in ‘Khilona’ (1970) or as the husband of a female politician in ‘Aandhi’ (1975).

His roles won him critical acclaims from public, film industry as well as Government of India. He was nominated for Filmfare award 14 times and he won the Filmfare best lead actor for his roles in ‘Aandhi’ and ‘Arjun Pandit’ (1976). He had also won the award as the best supporting actor in ‘Shikaar’ (1968). He got the best actor award from Government of India for ‘Dastak’ (1970) as well as ‘Koshish’(1972). His role in ‘Angoor’ (1983) has been listed among the top 25 acting performance in Indian movies by the ‘Forbes’ magazine.

It is difficult to believe that Sanjeev Kumar (9 july 1938 – 6 november 1985) was only 47 years old when he passed away, with his cupboard full of awards and his cap full of feathers. His lack of discipline in taking care of his lifestyle was primarily to blame. Losing him at such a young age was a big loss to Indian cinema in general and Hindi cinema in particular.

On the occasion of the 33rd death anniversary of Sanjeev Kumar, here is a song from ‘Hero’. the song is picturised as a qawwaali song, cum villain’s den song, cum dancing under duress song etc etc. 🙂

The song is sung by Suresh Wadkar, Lata and chorus. It is lip synced by Sanjeev Kumar, Meenakshi Sheshadri and others. The occasion is graced by Shammi Kapoor as well as a galaxy of villains. 🙂

Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal. So this song, in addition to paying tribute to Sanjeev Kumar, serves as a belated greeting song for the birthday of Laxmikant as well (which fell on 3 November).

Lyrics of this song are sent to me by Peevesie’s mom, who on this occasion is unable to provide a write-up for a change as she is travelling.

 

 

Video

Audio

Song – Mohabbat ye mohabbat (Hero) (1983) Singers – Suresh Wadkar, Lata, Lyrics – Anand Bakshi, MD – Laxmikant Pyarelal
Male chorus
Female chorus

Lyrics(Provided by Peevesie’s mom)

hmmmm
qayaamat hai ye
nazaakat hai ye
sharaarat hai ye
shikaayat hai ye
qayaamat hai ye
nazaakat hai ye
sharaarat hai ye
shikaayat hai ye

sharaafat hai ye
adaawat hai ye
inaayat hai ye
ibaadat hai ye
sharaafat hai ye
adaawat hai ye
inaayat hai ye
ibaadat hai ye
shikaayat sharaafat adaawat inaayat
ibaadat baghaawat
oo oo oo oo oo

mohabbat ye mohabbat
mohabbat ye mohabbat
mohabbat ye mohabbat
mohabbat ye mohabbat

mohabbat mohabbat mohabbat
mohabbat ye mohabbat
mohabbat ye mohabbat

oo oo oo oo oo oo
oo oo oo oo oo oo
oo oo zindagi ki shaan hai ye
zindagi ki shaan hai ye
aadmi ki jaan hai

mohabbat ye mohabbat
mohabbat ye mohabbat

oo oo
kehne ko shabnam kaa katra
kehne ko shabnam kaa katra
katre mein toofaan hai
mohabbat ye mohabbat
mohabbat ye mohabbat

mohabbat ye mohabbat
mohabbat ye mohabbat

(mohabbat ye mohabbat)
(mohabbat ye mohabbat)

hmmm
is’se jo takraayega
is’se jo takraayega
wo bahut pachhtaayega
wo bahut pachhtaayega

toot kar reh jaayega
reh jaayega
oo raasta iska jo roke
raasta iska jo roke
wo bada naadaan hai

mohabbat ye mohabbat
mohabbat ye mohabbat

mohabbat ye mohabbat
mohabbat ye mohabbat

(mohabbat ye mohabbat)
(mohabbat ye mohabbat)

sa sa ga ma pa
ma ga re ga ma
ma ga sa ni
pa ni ni sa
ni sa ni sa re ga sa
sa re ga re ga ma pa re sa
dha pa da pa ma ga
pa ma pa ma ga ma ga re
ma ga ma ga re ga re sa

ho oo
dil kaa matlab ishq hai
dil kaa matlab ishq hai
kuchh nahin sab ishq hai
kuchh nahin sab ishq hai

rab hai kya
rab ishq hai
rab ishq hai
oo bas wo dil ghar hai khuda kaa
bas woh dil ghar hai khuda kaa
jismein ye mehmaan hai

mohabbat ye mohabbat
mohabbat ye mohabbat

mohabbat ye mohabbat
mohabbat ye mohabbat

(mohabbat ye mohabbat)
(mohabbat ye mohabbat)

koyi kitna ho ghareeb
koyi kitna ho ghareeb
pyaar jisko hai naseeb
pyaar jisko hai naseeb

wo bada hai khushnaseeb
khushnaseeb
oo jiski kismat mein nahin ye
jiski kismat mein nahin ye
khaak woh insaan hai

mohabbat ye mohabbat
mohabbat ye mohabbat
mohabbat ye mohabbat
mohabbat ye mohabbat
(mohabbat ye mohabbat)
(mohabbat ye mohabbat)

oo zindagi ki shaan hai ye
aadmi ki jaan hai
mohabbat ye mohabbat
mohabbat ye mohabbat
mohabbat ye mohabbat
mohabbat ye mohabbat

—————————————
(climax version)
—————————————
qayaamat hai ye
shikaayat hai ye
ibaadat hai ye
baghaawat hai ye

inaayat adaawat
qayaamat shikaayat
ibaadat baghaawat
oooooooo
mohabbat ye mohabbat
mohabbat ye mohabbat
mohabbat ye mohabbat
mohabbat ye mohabbat
mohabbat ye mohabbat
mohabbat ye mohabbat
mohabbat ye mohabbat
mohabbat ye mohabbat
mohabbat mohabbat mohabbat
mohabbat mohabbat mohabbat
mohabbat mohabbat

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

ह्म्म्म
क़यामत है ये
नजाकत है ये
शरारत है ये
शिकायत है ये
क़यामत है ये
नजाकत है ये
शरारत है ये
शिकायत है ये
शराफत है ये
अदावत है ये
इनायत है ये
इबादत है ये
शराफत है ये
अदावत है ये
इनायत है ये
इबादत है ये
शिकायत शराफत अदावत इनायत
इबादत बग़ावत
ऊ ऊ ऊ ऊ ऊ ऊ
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत मोहब्बत मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
ऊ ऊ ऊ ऊ ऊ ऊ ऊ
ऊ ऊ ऊ ऊ ऊ ऊ ऊ
ओ ज़िन्दगी कि शान है ये
ज़िन्दगी कि शान है ये
आदमी कि जान है
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
ओ ओ ओ ओ
कहने को शबनम का कतरा
कहने को शबनम का कतरा
कतरे में तूफ़ान है
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
(मोहब्बत ये मोहब्बत)
(मोहब्बत ये मोहब्बत)

ह्म्म्म
इस से जो टकराएगा
इस से जो टकराएगा
वो बहुत पछतायेगा
वो बहुत पछतायेगा
टूट कर रह जाएगा
रह जाएगा
हो ओ रास्ता इसका जो रोके
रास्ता इसका जो रोके
वोह बड़ा नादान है
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
(मोहब्बत ये मोहब्बत)
(मोहब्बत ये मोहब्बत)

स स ग म प्
म ग रे ग म
म ग सा नि
प नि नि सा
नि सा नि सा रे ग सा
सा रे गा रे ग म प् रे सा
ध प द प म गा
प म प म ग म ग रे
म ग म ग रे ग रे सा

हो ओ ओ
दिल का मतलब इश्क है
दिल का मतलब इश्क है
कुछ नहीं सब इश्क है
कुछ नहीं सब इश्क है
रब है क्या
रब इश्क है
रब इश्क है
ओ ओ बस वो दिल घर है खुदा का
बस वो दिल घर है खुदा का
जिसमें ये मेहमान है
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
(मोहब्बत ये मोहब्बत)
(मोहब्बत ये मोहब्बत)

कोई कितना हो ग़रीब
कोई कितना हो ग़रीब
प्यार जिसको है नसीब
प्यार जिसको है नसीब
वोह बड़ा है खुशनसीब
खुशनसीब
ओ ओ जिसकी किस्मत में नहीं ये
जिसकी किस्मत में नहीं ये
ख़ाक वोह इंसान है
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
हो ओ ज़िन्दगी कि शान है ये
आदमी कि जान है
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत

—————————————
(climax version)
—————————————

क़यामत है ये
शिकायत है ये
इबादत है ये
बग़ावत है ये
इनायत अदावत
क़यामत शिकायत
इबादत बग़ावत

मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत मोहब्बत मोहब्बत
मोहब्बत मोहब्बत मोहब्बत
मोहब्बत मोहब्बत


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In India, a typical Indian male is likely to be interested in Hindi movies and cricket. Typical Indian females are likely to be interested in Hindi movies and TV serials. 🙂

I have been a typical Indian male for many years now. 🙂 I was interested in Hindi movies right from my childhood, viz 1960s. I became interested in cricket from early 1970s.

In those days, one needed to go to movie halls to watch movies. One followed international cricket on radio. Just a few lucky people would be able to watch the match live on the ground.

Nowadays, one can watch all kinds of movies as well as all kinds of cricket matches in the luxury of our homes on TV. One can watch/ follow them on mobile, computers etc as well. That way, following movies and cricket has come a long way from the days of 1960s.

TV channels as well as the content providers (be they movie makers or cricket boards), that dish up the fare that we watch, do not rest on their oars. They constantly reinvent themselves.

As a sports lover, I always thought that Indians needed to follow more sports than just cricket. We in India give undue importance to cricket to the detriment of other sports.

Most armchair critics like us only criticise and we do not do much to address such issues, but the good thing is that some people have actually started addressing these issues. We now have people who have started to promote other sports as well. If we have IPL in cricket, then we have similar leagues in quite a few other less popular sports as well, viz in Hockey, football, badminton, Kabaddi etc. that are being promoted and covered by a few TV networks.

I must admit that I did not watch these coverage till last year. My view was that the standard of India in these sports like say Football was abysmal and organising this football league was unlikely to help matters. About Kabbadi, my view was that it is played in India and neighbouring countries, so what was so great watching a sports that was not even a global sport.

In MP, government lady employees could take childcare leave for upto two years till their child was under 18 years old. Our daughter, then undergoing medical coaching was a few months short of turning 18, so my wife decided to avail childcare leave for the few months for which she was eligible. So she took childcare leave for those months and came over to stay with me in UP. It was supposed to be a childcare leave, but in reality, it turned out to be a husband and pets care leave for her. 🙂

It was in late 2015 that my wife joined me in UP at my place of posting.

My wife had watched the first two editions of PKL (Pro Kabaddi League) and it was on her insistence that I began to watch third season of PLK beginning in january 2016. Initially I watched it grudgingly, but soon I realised that what I was watching was a thrilling sport that required tremendous skill and that I was watcing the best practitioners of the sport in this PKL.

The rules of kabaddi in PKL were modified to make it a thrilling and fast paced sports, which was a far cry from the image of a largely dull and boring rustic sport that it was perceived to be till then. In traditional kabaddi, one could keep playing empty raids ad infinitum, making it a dull and negative spectacle. In PKL, only two empty raids in a row were allowed, and the third raid was a “do or die” raid. Other innovative modifications were bonus point for the raider when six or seven defenders were playing and super tackle for the defenders when three or less defenders were around.

I and my wife would religiously watch TV together in the evening to watch PKL matches. Both of us independently arrived at the decision to “adopt” Patna Pirates as the team to support. The eight teams, all named after various Indian cities, would move in a caravan to the cities of each of the teams in turn. Every team played every other team twice (home and away). The top fours teams advanced to the semifinals. The number one team of a group played number four, while the number two and three teams played the other semifinal.

Patna Pirates, wo looked like the strongest team in the tournament went on to become the champions when they narrowly defeated U Mumba in the final. Rohit Kumar, the Patna Pirates raider impressed everyone and he was the man of the tournament.

The fourth season of PKL was played in june and july of 2016. Patna Pirates once again proved to be the strongest team and they retained the title by defeating Pink Panthers in the final. Rahul Chaudhary of Telugu Titans was the man of the tournament though it was Pardeep Narwal of Patna Pirates who really caught the eyes of the fans with his spectacular escapes from defenders through “dubkis”.

The fifth season of PKL is in progress now. The four seasons of PKL have seen audiences growing up by leaps and bounds. Just as I joined in the third seasons, many more people have begun to follow PKL. It has in fact now become the second biggest sporting league in India after IPL.

The fifth season of PKL is a vastly expanded affair. Now there are twelve teams, grouped into two groups of six teams each. Each teams play other teams in the group thrice and play the teams of other group once. So every team plays 22 matches. The finalists are selected by a method similar to that followed by IPL.

This season was four months long. It was a calculated risk but the organisers seem to have succeeded in their gamble. They managed to keep the watches glued to their TV screen for four months.

The six teams of North (Dabang Delhi, Haryana Steelers, Jaipur Pink Panthers) and West (U Mumba, Puneri Paltan, Gujarat Fortunegiants) were placed in group A, whereas Group B had teams from East (Patna Pirates, Bengal Warriors, U P Yodda) and South (Telugu Titans, Bangalore Bulls and Tamil Thalaivas).

It was interesting to note that new teams, viz Gujarat Fortunegiants, Haryana Steelers and UP warriors did well. It is Tamil Thalaivars, another new team that failed to win much and finished at the bottom of their group.

Initial matches gave the indication that Patna Pirates, despite losing many of their players to other teams in the auction, were the team to beat. It was mainly because of the brilliance of Patna Pirates raider Pardeep Narwal who had looked unstoppable in the previous season and looked just as irrepressible in the earlier matches of the current season.

But as the matches wore on, it turned out that other teams had worked out their strategies to tame Pardeep Narwal. The implementation of their strategies was the main thing. Often the opposition wopuld keep Pardeep Narwal at bay for say 30 minutes out of 40, still he would change the match topsy turvy in the remaining ten minutes of the match.

One can see that the PKL has evolved with time. Many players have moved over to new teams. Teams have worked out new strategies.

Though most players are Indians, every team has some foreigners too. Kabaddi is the national game of Bangladesh as well, but the country which can be said to be the strongest in Kabaddi after India is Iran. They are the only other team apart from India which has a good Kabaddi set up. Most foreigners in PKL are from Iran and they are very important parts of their respective teams.

Ironically, the most popular and most successful foreigner is not an Iranian but a Korean ! Jang Kun Lee is the star raider of Bengal Warrior and he was in fact their skipper in the past. How he and a few other Koreans took to Kabaddi and became this good could be a case study. He really caught the eye of kabaddi watchers in the previous two seasons.

As mentioned earlier, there are quite a few Iranians in various teams. One of them, viz Meraj Sheikh is in fact the captain of the Dabang Delhi team. Abolfazal Maghsodlu is the other Iranian player in the team.

But the two Iranians who have had a major role in their team’s fortune are Fazal Atrachali and Abozar Mighani. Both of them are defenders and they are with Gujarat Fortunegiants. Theie robust tackles have made their team’s defence the strongest in the tournament.

Gujarat Fortunegiants, one of the four new teams in PKL, appear to have done their homework in great detail. They decided to have strong tacklers as well as tall raiders. While their defence is the strongest in the tournament, their raiders, who were largely unknown names till now have really proved out to be surprise packages in the tournament.

Gujarat Fortunegiants have also done something that no other team did ! They brought in a foreigner as their physiotherapist. This foreign physiotherapist is a female. Olivia Witek is from Poland. She is no stranger to contact sports. A trained sports medicine expert in the past, she has been the physiotherapist of Poland American rules Rugby team. She was the physiotherapist of the Polish Kabaddi team that visited India in 2016 to participate in the Kabaddi world cup that was held in Ahmedabad. Perhaps it was during this visit that she caught the eyes of Adanis, who were then recruiting staff for their soon to be launched kabaddi team. It must be said that her training regime must have done a world of good to the players of her team, seeing that Gujarat Fortunegiants are actually in the final of PKL to be played today (28 october 2017). In addition to her to putting her players through their paces, she also serves as an attractive cheergirl for her team in all their matches. I find that she, like me, has two dogs back home. That must be the secret of her success in her profession. 🙂

Patna Pirates, the two times defending champions are the other team in the final and they will seek to make it three titles in a row. It should be a grand and riveting finale seeing that the two teams are easily the best teams in the tournament. I am keenly looking forward to the final that will be played tonight (28 october 2017). And this match will be watched worldwide. Starsports, now a majority stakeholder in PKL is playing a big role in popularising Kabaddi world wide with their TV coverage of this tournament. I have certainly become a PKL fan and I cannot wait to watch the final. This tournament showcasing the native Indian sport of Kabaddi is being sponsored by Vivo, a Chinese company. So Chinese companies too recognise the potential of Kabaddi. Hindi Chini Bhai bhai. 🙂

Kabaddi is an Indian sport but it is surprising that Hindi movies do not have many Kabaddi songs in them. The most well known (some will say the only one) song on Kabaddi is from “Naseeb”(1981). This song, “Pakdo pakdo pakdo” shows two teams playing Kabaddi. The rules of this kabaddi match are much more creative and innovative than even the PKL rules. 🙂 For once, this Kabaddi match is between a male team (led by Rishi Kapoor) and a female team (led by Kim). Both teams have ten players each, far in excess of the figure of seven, but then who in Hindi movies knows how to count. 🙂 And the moves made by the players in this match cannot be found in any Kabaddi coaching manual. 🙂

The male team is coached by Jeewan and the female team by Shubha Khote. Instead of taking interest in their teams performance, the two are shown taking interest in each other throughout the song. 🙂

The song is sung by Usha Mangeshkar, Kishore Kumar and chorus. Anand Bakshi is the lyricist. music is composed by Laxmikant Pyarelal.


Song-Pakdo pakdo pakdo (Naseeb)(1981) Singers-Usha Mangeshkar, Kishore Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Male Chorus
Female Chorus
All chorus

Lyrics

hey
hey
hey hey

hu tu tu tu
tu tu tu tu
tu tu tu tu tu tu tu tu
tu tu tu tu tu tu tu tu
tu tu tu tu
tu tu tu tu tu

pakdo pakdo pakdo (tu tu tu tu tu tu)
jakdo jakdo jakdo (tu tu tu tu tu tu)
dekho (tu tu tu tu tu tu)
jaane na paaye (tu tu tu tu tu tu)
jaaye to waapas aane na paaye (tu tu tu tu tu tu)
arre pakdo pakdo pakdo (tu tu tu tu tu tu)
jakdo jakdo jakdo
hey
hey

hu tu tu tu tu tu
hu tu tu tu tu tu
pakdo pakdo pakdo (tu tu tu tu tu tu)
jakdo jakdo jakdo (tu tu tu tu tu tu)
dekho jaane na paaye (tu tu tu tu tu tu)
jaaye to waapas aane na paaye
ae pakdo pakdo pakdo
jakdo jakdo jakdo

hey
haa

maaro kainchi todo tangdi
hu tu tu tu tu
ye ghar jaye ho ker langdihu tu tu tu tu
bainya pakdo haath marodo hu tu tu tu tu
gori gori taang na todo hu tu tu tu tu
khel hai pyaare
pyaar nahin hai
dushman hai
dildaar nahin hai

ye tera dil dhadkaane na paaye
arre pakdo pakdo pakdo (hu tu tu tu tu)
jakdo jakdo jakdo (hu tu tu tu tu)
dekho jaane na paaye (hu tu tu tu tu)
jaaye to waapas aane na paaye (hu tu tu tu tu)
arre pakdo pakdo pakdo (hu tu tu tu tu)
jakdo jakdo jakdo
hey haa

hu
hu
hu
hu
hu
hu

koi ladki ye na bhoole
ye ladka hanske na chhoole
(hu tu tu tu)
iska mukhda to hai bhola
shabnam mein hai aag ka shola

apne dil per rahkna kaabu
iske nainon mein hai jaadu

ho nainon se nain milaane na paaye
hey pakdo pakdo pakdo
(tu tu tu tu tu tu)
jakdo jakdo jakdo (tu tu tu tu tu tu)
dekho jaane na paaye (tu tu tu tu tu tu)
jaaye to waapas aane na paaye (tu tu tu tu tu tu)
hey pakdo pakdo pakdo (tu tu tu tu tu tu)
jakdo jakdo jakdo (tu tu tu tu tu tu)
hey haa

hahahaha
ek gayi ab dooji aayi
hu tu tu tu
tauba allaah raam duhaayihu tu tu tu
ye to saans nahin chhodegi hu tu tu tu
ye maidaan mein dam todegi
hu tu tu tu
soch samjh ke zor lagaana
ye naazuk hai bhool na jaana
patli kamar bal khaane na paaye
arre pakdo pakdo pakdo (hu tu tu tu)
jakdo jakdo jakdo (hu tu tu tu)
dekho jaane na paaye (hu tu tu tu)
jaaye to waapas aane na paaye (hu tu tu tu)
arre pakdo pakdo pakdo
ae jakdo jakdo jakdo
hey haa


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

hullo to all in Atuldom

Today 13th of October is a rather sad date for fans of Bollywood music. It was on this date in 1987 that we lost a gem of the industry to “KAAL”. Its 30 years already and we are yet to find an entertainer like him. We still don’t have a singer, actor (brilliant in comedy), composer, song-writer, and finally a producer-director like him. Our own Kishore Kumar.

Born in Khandwa, Madhya Pradesh, to Kunjalal Ganguly and Gauri Devi as brother to Ashok Kumar, Anoop Kumar and Sati Devi he was a fan of K.L.Saigal. On completing graduation Abhas Kumar (birthname)started his cinema career as chorus singer in Bombay Talkies where his brother Ashok Kumar worked. His first screen appearance was in Shikari (1946) in which his brother was the lead. So that started his acting career and with “Marne ki duayen kyun maangu” under the music baton of Khemchand Prakash in “Ziddi” (1948) his singing career took off. But why am I listing all that hear, these are all well known facts. So, I will just say MISSING YOU KISHOREDA.

13th October also happens to be the death anniversary of the eternal mother Nirupa Roy. My first memory of her is as mother to Amitabh and Shashi Kapoor in “Deewar” as a person who single-handedly brings up her two kids once her husband deserts the family. Next, I think her character in “Amar Akbar Anthony” stands out. But I know I have seen her as mother to Vinod Khanna (Aan Milo Sajna), Dharmendra (infinite times), Jeetendra, Rajesh Khanna- do I need to list all her filmy children here? But just because I have seen her in motherly roles doesn’t mean she started off as a mother; she has also played a leading lady in the late 40s through the 50s to the 60s. she has played a goddess in many mythologicals and has had Trilok Kapoor, Ashok Kumar, Balraj Sahni, and Bharat Bhushan as her leading men.

Professor Pyarelal (1981) is a film directed by Brij, starring Dharmendra, Vinod Mehra, Nirupa Roy, Dr. Shreeram Lagoo, Amjad Khan, Zeenat Aman & Simi. It had music by Kalyanji Anandji and Rajinder Krishan was the lyricist.

With this song, which runs through the movie, in four parts, we remember both Kishore Kumar and Nirupa Roy.

Part I
Video

Audio

Part II (Asha Bhonsle version)

Part III (Kishore Kumar sad version first past)

Part IV (Kishore Kumar sad version second part)

Song-Gaa gaa gaa gaaye jaa aur muskuraaye jaa (Professor Pyarelal)(1981) Singer-Kishore Kumar/ Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Kalyanji Anandji

Lyrics

Part I
—————————-
Ga ga ga gaye ja
aur muskaraye ja
jab tak ke fursat
de ye zamana
Ga ga ga gaaye ja
aur muskaraaye ja
jab tak ke fursat
de ye zamana
jitna khushi se dil ko lagaana
jitna khushi se dil ko lagaana
utna hi gham se rishta nibhaana
gaaye ja gaaye ja
aur muskaraaye ja
jab tak ke fursat
de ye zamaana
ga ga ga gaye ja aaa

hona hai jo kuchh
hoke rahega
waqt ka dariya pyaare bahega
hona hai jo kuchh
hoke rahega
waqt ka dariya pyaare bahega
iss zindagi mein
kiske liye kya
likha huaa hai
kisne ye jana
ga ga ga gaaye ja
aur muskaraaye ja
jab tak ke fursat
de ye zamaana
ga ga ga gaaye jaaaa

duniya mein jeena apni ada se
koi kahe kya apni bala se
duniya me jeena apni ada se
koi kahe kya apni bala se
aandhi ka jor ho toofan ka shor ho
rukane ka naam nahi badate hi jaana
ga ga gaye ja
aur muskaraye ja
jab tak ye fursat
de ye zamana
ga ga ga gaye jaaa

yeh woh safar hai jisme ke dosti
kitni bhi raat ho deti hai raushni
yeh woh safar hai jisme ke dosti
kitni bhi raat ho deti hai raushni
iss Raushni ki ek ek kiran se
jitne bhi chaahe sooraj banaana
gaaye ja gaye ja
aur muskaraaye ja
jab tak ye fursat
de ye zamaana
jitna khushi se dil ko lagaana
jitna khushi se dil ko lagaana
utna hi gham se rishta nibhaana
Ga ga ga gaaye ja
aur muskaraaye ja
jab tak ye fursat
de ye zamaana
Ga ga ga gaaye ja aaa

————————————–
Part II
————————————–
ga ga ga gaaye ja
aur muskaraye ja
jab tak ye fursat
de ye zamaana
ga ga ga gaaye ja aa

la la la la lala
la la la la lala

hona hai jo kuchh hoke rahega
waqt ka dariya toh pyaare bahega
hona hai jo kuchh hoke rahega
waqt ka dariya toh pyaare bahega
iss zindagi mein kis ke liye kya
likha huaa hai kisne ye jaana
ga ga ga gaaye ja
aur muskaraaye ja
jab tak ye fursat
de ye zamaana aaaa

——————————–
Part III
——————————–
dil ki khushi yoon dil mein chhupi hai
phoolon mein jaise khusboo basi hai
dil ki khushi yoon dil mein chhupi hai
phoolon mein jaise khusboo basi hai
jalne lage jab gham ki shama toh
apni hansi se usko bujhaana

gaaye ja gaaye ja
aur muskaraaye ja
jab tak ke fursat
de ye zamaana
jitna khushi se dil ko lagaana
jitana khushi se dil ko lagaana
utna hi gham se rishta nibhaana
ga ga ga gaaye ja
aur muskaraye ja
jab tak ke fursat
de ye zamaana

—————————-
Part IV
—————————–

aisa bhi koi aata hai mauka
apna hi saaya deta hai dhokha
aisa bhi koi aata hai mauka
apna hi saaya deta hai dhokha
ye hai wo manzil
jo ke hai mushkil
ye hai wo manzil
jo ke hai mushkil
phir bhi gale se issko lagaana

gaaye ja gaaye ja
aur muskaraaye ja
jab tak ke fursat
de ye zamaana
jitna khushi se dil ko lagaana
jitna khushi se dil ko lagaana
utna hi gham se rishta nibhaana


This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today(13 october 2017) is the 30th death anniversary of one of the greatest legends of the Hindi film industry, Kishore Kumar. On this day, the 13th of October 1987, he left this earthly world. He was just 58 then.

As with all legends, though they may be long gone, we are left with their legacy – to enjoy and to remember them with. Kishore Kumar is no different – his legacy is extremely rich, and he has millions of fans around the world who enjoy his songs every single day.

Here, on this blog, we remember him very fondly today on this death anniversary and thank him for enriching our lives to an extent and in a manner that’s hard to quantify or describe. Each of us just knows it in our heart.

So what can I write about Kishore Kumar that I haven’t already written here?

I’ve already written a lot about him on various posts – on his birth and death anniversaries.

Much of my previous writing here on Kishore Kumar relates to my own experience as a schoolboy in the 1970s, when he reigned supreme.

I’ve also written about how fond I am of his pre-1970s songs, although he was not THE numero uno male playback singer of the time. His songs from this period though are an absolute delight to listen to.

I’ve also written about the harfan maula that Kishore Kumar was. His best-known talent is, no doubt, his singing. But he was a popular comedy actor too in his time, with his own style of comedy. He also dabbled (successfully) in composing music. And, as if all of this were not enough, he directed and produced some films too. So yes, full marks for being a harfan maula .

Having discussed all this before, I do not wish to repeat myself, and bore the reader. 🙂

I would therefore like to dwell today on something else – Kishore Kumar, the person.

Obviously I’ve never met him myself, so anything I say about Kishore Kumar, the person, is necessarily gleaned from reports about him, or interviews with, or about, him.

By all accounts – and by that, I mean mainly his fellow artistes – Kishore Kumar was a fun person. Both Lata Mangeshkar and Asha Bhosle have spoken very fondly of him as being a prankster (in the nicest sense of the term), always up for some fun, cracking a joke, pulling someone’s leg, having a good laugh in general.

This is a quality I admire, because, as long as it does not interfere with work, it’s always fun to have fun-colleagues. Imagine being at work with sullen faces around you. 🙂 Life is too short to live without fun & sparkle in it – and I think Kishore Kumar understood this better than most. So not only did he practise it himself, he also spread this fun and sparkle wherever he went.

One has only to watch his live performance videos (some are thankfully available online) to see how full of energy and fun Kishore Kumar was. He was not just “singing”, he was fully “performing” for his audience. Clearly they were there to have a good time – and he was going to make sure he gave them what they wanted.

Another aspect of Kishore Kumar’s personality that I have read about is that he was particular about his fee. He didn’t want to be taken for a ride by anyone – and that’s only fair and professional. I’ve also read this about Jagjit Singh.

Contrary to what some might have made about the professional rivalry of Kishore Kumar and Rafisaab, they were good friends and had a lot of respect for each other. Amit Kumar talks about the time early in his career when his car once broke down. Rafisaab gave him a lift, dropped him off home, and went on. When Kishore Kumar got to know of this, he was upset with Amit Kumar for letting Rafisaab go, without bringing him home. Rafisaab too admired Kishore, acknowledging his popularity in the 1970s and encouraging him to give live performances. Professional rivalry apni jagah, but it does not have to come in the way of personal relationships.

Then there was the time in the late 70s (I think), when Kishore Kumar was reigning. Someone (I don’t know who) started a poll “Who’s the better singer – Kishore Kumar or Mohammad Rafi”. Given Kishore’s popularity at the time, presumably he was getting favourable winds in his direction. He was deeply embarrassed and requested that the poll be stopped.

Kishore Kumar seems to have managed to largely live life on his own terms. He had a few run-ins – when he refused to sing on Sanjay Gandhi’s orders at a Congress rally, his songs were banned for a while from being played on air during the Emergency. Apparently he had a misunderstanding later in his career with Amitabh Bachchan too, when the latter refused to do a guest role in a film produced by Kishore.

So it’s not as Kishore’s career was entirely controversy-free – but then, most celebrities’ careers rarely are. What’s more important is how their character stacks up during the controversy – and Kishore’s stacks up pretty well, in my opinion.

There’s a now-famous mid-80s interview of Kishore Kumar by Pritish Nandy. I think it was in the Illustrated Weekly of India. By then, Kishore had become reclusive – the interview gives an insight into his then-thought process. He had become fond of talking to plants – he explains why.

I remember being surprised to see the depth in Kishore Kumar’s “Door Ka Raahi” (1971) – a film produced and directed by him, and very different from the usual escapist fare of the time. For a person best-known for his comedy roles and fun character, this film revealed a different, thinking, side to Kishore’s personality.

All in all, Kishore Kumar was one of a kind. There’s a lot to admire about him – and I’m not talking just about his singing. We could certainly do with more Kishore Kumars today – but then they don’t make them like Kishore anymore, do they?

So today, as we pay tribute to Kishore Kumar, we thank him for being the person he was. And of course for all the wonderful songs he has given us. It just struck me – I haven’t mentioned even one. Bahut na-insaafi hai. 🙂

Anyway, coming to the song for today.

This is from Harjaee (1981).

I remember seeing this film at that time – haven’t seen it since. Contrary to the typical multi-starrer, masala films of the time, this film, starring Randhir Kapoor and Tina Munim, was a proper tear-jerker. From what I remember, Randhir Kapoor is a carefree, prankster type of guy who pretends to have cancer, just to get Tina Munim to fall for him. His parents too believes his story and get Tina to be sympathetic towards him. Then tragedy strikes. Randhir Kapoor gets really diagnosed with cancer. The rest of the story is how he copes with it, how Tina copes with it, how their respective families cope with it.

The film has some good songs – like many Randhir Kapoor films do. Whether his films did well or not, there used to invariably be at least one hit song (often more) in each of his films. I remember during my schooldays, I personally didn’t mind Randhir Kapoor films at all – though I was clearly much in the minority at the time. 🙂

The song is “kabhi palkon pe aansoo hain”. It is a sad, sensitive song picturised on Randhir as he reflects on his changed life, and wants to hold on to all that is precious to him.

I hope you like the song.


Song-Kabhi palkon pe aansoo hain (Harjaayee)(1981) Singer-Kishore Kumar, Lyrics-Nida Fazli, MD-R D Burman

Lyrics

Kabhi palkon pe aansoo hain
Kabhi lab pe shikaayat hai
Magar ae zindagi phir bhi
Mujhe tujh se mohabbat hai
Kabhi palkon pe aansoo hain
Kabhi lab pe shikaayat hai
Magar ae zindagi phir bhi
Mujhe tujh se mohabbat hai
Kabhi palkon pe aansoo hain

Jo aata hai wo jaata hai
Ye duniya aani jaani hai
Yahaan har shay musaafir hai
Safar mein zindagaani hai
Ujaalon ki zaroorat hai
Andhera meri kismat hai
Kabhi palkon pe aansoo hain
Kabhi lab pe shikaayat hai
Magar ae zindagi phir bhi
Mujhe tujh se mohabbat hai

Zara ae zindagi dum le
Tera deedaar to kar loon
Kabhi dekha nahin jisko
Usey main pyaar to kar loon
Abhi se chhod ke mat jaa
Abhi teri zaroorat hai
Kabhi palkon pe aansoo hain
Kabhi lab pe shikaayat hai
Magar ae zindagi phir bhi
Mujhe tujh se mohabbat hai

Koi anjaan sa chehra
Ubharta hai fizaaon mein
Ye kiski aahatein jaagin
Meri khaamosh raahon mein
Abhi ae maut mat aana
Mera bhi aana jannat hai
Kabhi palkon pe aansoo hain
Kabhi lab pe shikaayat hai
Magar ae zindagi phir bhi
Mujhe tujh se mohabbat hai


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Jaidev Ki Non-Filmi Suraavali – 05
—————————————————-

This melodius singing by Penaaz under the baton of Jaidev will not easily leave your mind long after the last note is played and heard. “Wow’ is what I can say after listening to her.
Read more on this topic…


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo Atulwaasis

Today’s(3 september 2017) post is inspired by this post of Atulji. To be more exact I have been saving up this post ever since this was posted and this was mentioned in the comments by Bharatji and Maheshji.

I was saving this song to present it on the occasion of the birthdate of two people involved in this song.
Read more on this topic…


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Jaidev Ki Non-Filmi Suraavali – 04
—————————————————-

Chhaya Ganguly is an ardent disciple of Madhurani, guru to so many other contemporary ghazal singers.

As mentioned earlier, Jaidev ji was so much impressed by Chhaya Ganguly’s voice and its tonal quality, much different from the prevalent style of most of the contemporary singers. He decided to make a devotional album suited to Chhaaya’s voice. The album ‘Bhakti Sudha’ was published by SaReGaMa (originally HMV, and then RPG) in 1983. It contains eight melodious devotional songs. Today’s post is the second Bhajan from this album to be introduced here on our marvellous musical blog. This Bhajan is written by blind poet Surdas-ji.

This Bhajan is set in the typical Boul music from Bengal. This one is one of the most popular bhajans of Surdas. I have not been able to hear two three words in the last stanza. Please will someone help me?

Chhaya Ganguly’s renderings charged with emotions, divine abandon and melody do full justice to the rich contents of the original verses. Her haunting and sensitive style lingers in the mind long after the last note has faded away.

 


Song – Nath Mohe Ab Ki Ber Ubaaro (Chhaaya Ganguly NFS) (1983) Singer – Chhaaya Ganguly, Lyrics – Soordas, MD – Jaidev

Lyrics

naath mohe..e..e
naath mohe..e..e mohe..e..e
naath mohe
ab ki ber ubaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
naath mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
 
tum naathan ke naath swami
daata naam tihaaro
daata naam tihaaro
tum naathan ke naath swami
dataa naam tihaaro
dataa naam tihaaro
karam-heen janam ko andho
karam-heen. . .
karam-heen janam ko andho
mo te kaun nakaaro
nakaaro
mo te kaun nakaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
ubaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro

teen lok ke tum prati-paalak
teen lok ke tum prati-paalak
main hun daas tihaaro
teen lok ke tum prati-paalak
main hun daas tihaaro
taari jaati kujaati shyam tum
taari. . .
taari jaati kujaati shyam tum
mo par kirpa dhaaro
dhaaro
mo par kirpa dhaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
ubaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
 
shudra patit tum taare ramaapati
shudra patit tum taare ramaapati
ab naa karo jiya gaaro
shudra patit tum taare ramaapati
ab naa karo jiya gaaro
soordas saacho tab maane
soordas
daata. . .
soordas saacho tab maane
jo h’ve mam nistaaro
nistaaro
jo h’ve mam nistaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
ubaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
mohe ab ki ber ubaaro
———————————-
Hindi script lyrics (Provided by Sudhir)
———————————–

नाथ मोहे॰॰ए॰॰ए
नाथ मोहे॰॰ए॰॰ए मोहे॰॰ए॰॰ए
नाथ मोहे
अब की बेर उबारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो
नाथ मोहे अब की बेर उबारो
मोहे अब की बेर उबारो

तुम नाथन के नाथ स्वामी
दाता नाम तिहारो
दाता नाम तिहारो
तुम नाथन के नाथ स्वामी
दाता नाम तिहारो
दाता नाम तिहारो
करमहीन जनम को अन्धो
करमहीन॰॰॰
करमहीन जनम को अन्धो
मो ते कौन नकारो
नकारो
मो ते कौन नकारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो
उबारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो

तीन लोक के तुम प्रति-पालक
तीन लोक के तुम प्रति-पालक
मैं हूँ दस तिहारो
तीन लोक के तुम प्रति-पालक
मैं हूँ दस तिहारो
तारी जाती कुजाति श्याम तुम
तारी॰॰॰
तारी जाती कुजाति श्याम तुम
मो पर किरपा धारो
धारो
मो पर किरपा धारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो
उबारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो

शूद्र पतित तुम तारे रमापति
शूद्र पतित तुम तारे रमापति
अब ना करो जियो गारो
शूद्र पतित तुम तारे रमापति
अब ना करो जियो गारो
सूरदास साँचो तब माने
सूरदास
दाता॰॰॰
सूरदास साँचो तब माने
जो ह्वै मम् निस्तारो
निस्तारो
जो ह्वै मम् निस्तारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो
उबारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो
मोहे अब की बेर उबारो


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, 13th August is the birthday of Sridevi, as she turns 54.

For this celebration, here is a wonderful dance song performed by her, from the film ‘Jaag Utha Insaan’ (1984). The setting for the song is a stage performance, likely at a religious function. On stage, Sridevi is accompanied by Mithun Chaktravarty playing the flute and Beena signing the vocals. We also see Sudhir Dalvi, sitting next to Beena. In the audience we can see Yunus Parvez, sitting in the chair right up front, Sujeet Kumar and Kaanan Kaushal sitting  in the audience, Rakesh Roshan and Deven Verma, standing at the back, with Somayaajulu making an entry, while the program is in progress.
Read more on this topic…


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Jaidev Ki Non-Filmi Suraavali – 03
—————————————————-

When I look, with wide eyes, at my ‘Khjaana’ of Jaidev-ji’s Non-Film songs, I am confused about how to do my presentation of this series to our esteemed audience.  Should I take one artist serially or various artists at random? After an hour or so, of that internal fight, when I played one bhajan by Chhaaya Ganguly, it was easy to decide to present all HER songs serially.  Now with that internal fight over and with a clearer mind, I will write about this bhajan.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13700 song posts by now.

This blog is active and online for over 3400 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13740

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Movies with all their songs covered =1031
Total Number of movies covered =3757

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Blog Start date: 19 july 2008

Active for more than 3250 days.

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