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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1958’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3859 Post No. : 14873

Greetings all – Basant is here. Today is the celebration of Basant Panchmi.

Of all the wonderful songs that have been created in Hindi films, for celebrating this King of Seasons, I would prefer to place this song today to be amongst the top five. Such a beautiful creation this is.

I myself had not heard of this song, till about five days ago. A friend in our circle enquired whether I had this song. He has been searching for it for some time now. Not being aware of it first hand, I said I will check. And when I located it in my collection, and then heard it for the first time, I am simply bowled over by the soft beauty and the delicious attractiveness of this song. The words, the music and the rendition have all come together in a conspiracy to steal your heart away.

The words are written by Saraswati Kumar Deepak. Ah, the enchantment of the lyrics that say – “चलो तारों के गजरे बना लो सखी” – come, lets make a garland from the stars. The wonderful music is from the mind of Ajit Merchant. The soft and beautiful melody – it makes such a delightful use of chorus lines interspersed with the primary singing voice. And this exquisite rendition is in the voice of Sudha Malhotra. She has rendered some of the loveliest songs in Hindi films. And this one stands right up there with her best – sung ever so sweetly.

The film is ‘Ram Bhakt Vibhishan’ from 1958 – one of the more obscure and unfamiliar productions, whose claim to fame might well just be the lovely music – like this song. The production banner is Rajni Chitr, Bombay. The film is produced by SJ Rajdev and directed by Samar Chatterji. The star cast of this film is listed as Nirupa Roy, Shahu Modak, Prem Adeeb, Krishna Kumari, Shanta Apte, Babu, Kamal, Surendra Kumar, Neema, Sarita, and Bipin Gupta. A total of nine songs are listed for this film. This is the third song for this film to appear here on our blog.

Listen to this lovely creation, and marvel – at the gems that still need to be discovered.

Song – Ritu Raja Ne Teer Chalaaya  (Ram Bhakt Vibhishan) (1958) Singer – Sudha Malhotra, Lyrics – Saraswati Kumar Deepak, MD – Ajit Merchant
Chorus

Lyrics

ritu raja ne. . .

ritu raja ne teer chalaaya
jiya lalchaaya
sajaniyaa..aa..aa
aaya basant
hua birha ka ant
sakhi aaya basant

o o oooo
ooooo oo ooooo
bhanwre chaley. . .
bhanwre chaley
bhanwre chaley gungunaate huye
suno praanon ki bansi bajaate huye
gungunaate huye
gungunaate huye
zara nainon se
zara nainon se naina milaate huye
chalo masti ki basti basaate huye
ritu raja ne
ritu raja ne teer chalaaya
jiya lalchaaya
sajaniyaa..aa..aa
aaya basant
hua birha ka ant
sakhi aaya basant

o o oooo
ooooo oo ooooo
angdaaiyaan. . .
angdaaiyaan
angdaaiyaan le ke pariaan chalin
neele neele gagan ki sundariaan chalin
dekho pariaan chalin
dekho pariaan chalin
badi natkhat hai
badi natkhat rengeeli badi manchali
saari duniya mein machne lagi khalbali
ritu raja ne
ritu raja ne teer chalaaya
jiya lalchaaya
sajaniyaa..aa..aa
aaya basant
hua birha ka ant
sakhi aaya basant

o o oooo
ooooo oo ooooo
chanda taley. . .
chanda taley
chanda taley jhoola daalo sakhi
chalo taaron ki gajre bana lo sakhi
jhoola daalo sakhi
jhoola daalo sakhi
hath chhodo ji
hath chhodo najariya utha lo sakhi
baanke balma ko apna bana lo sakhi
ritu raja ne
ritu raja ne teer chalaaya
jiya lalchaaya
sajaniyaa..aa..aa
aaya basant
hua birha ka ant
sakhi aaya basant

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

ऋतु राजा ने॰ ॰ ॰

ऋतु राजा ने तीर चलाया
जिया ललचाया
सजनीया॰॰आ॰॰आ॰॰आ
आया बसंत
हुआ बिरहा का अंत
सखी आया बसंत

ओ ओ ओssss
ओssss ओs ओssss
भँवरे चले॰ ॰ ॰
भँवरे चले
भँवरे चले गुनगुनाते हुये
सुनो प्राणों की बंसी बजाते हुये
गुनगुनाते हुये
गुनगुनाते हुये
ज़रा नैनों से
ज़रा नैनों से नैना मिलाते हुये
चलो मस्ती की बस्ती बसाते हुये
ऋतु राजा ने॰ ॰ ॰
ऋतु राजा ने तीर चलाया
जिया ललचाया
सजनीया॰॰आ॰॰आ॰॰आ
आया बसंत
हुआ बिरहा का अंत
सखी आया बसंत

ओ ओ ओssss
ओssss ओs ओssss
अंगड़ाइयाँ॰ ॰ ॰
अंगड़ाइयाँ
अंगड़ाइयाँ ले के पारियाँ चलीं
नीले नीले गगन की सुंदरियाँ चलीं
देखो पारियाँ चलीं
देखो पारियाँ चलीं
बड़ी नटखट है
बड़ी नटखट रंगीली बड़ी मनचली
सारी दुनिया में मचने लगी खलबली
ऋतु राजा ने॰ ॰ ॰
ऋतु राजा ने तीर चलाया
जिया ललचाया
सजनीया॰॰आ॰॰आ॰॰आ
आया बसंत
हुआ बिरहा का अंत
सखी आया बसंत

ओ ओ ओssss
ओssss ओs ओssss
चंदा तले॰ ॰ ॰
चंदा तले
चंदा तले झूला डालो सखी
चलो तारों के गजरे बना लो सखी
झूला डालो सखी
झूला डालो सखी
हठ छोड़ो जी
हठ छोड़ो नजरिया उठा लो सखी
बाँके बलमा को अपना बना लो सखी
ऋतु राजा ने॰ ॰ ॰
ऋतु राजा ने तीर चलाया
जिया ललचाया
सजनीया॰॰आ॰॰आ॰॰आ
आया बसंत
हुआ बिरहा का अंत
सखी आया बसंत

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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3858 Post No. : 14871

Today’s song is from the musical blockbuster of the 1950s, Suvarna Sundari-58.

There was a love affair going on between the South films and Bombay Film industry during the 50’s decade. Right from film Chandralekha-48, South started pushing into Hindi domain with Remakes and Dubbed southern films. Some films were even made only in Hindi. As the years went by and the southern film market expanded greater than even Bombay, south had no time or need or interest in tapping the Hindi belt anymore.

With the films being made by the South for the Hindi audience, came many southern composers too. Chandralekha-48- had S.Rajeshwar Rao as MD, then came Parthasarthy and kalla (Nishan-49, Mangala-50 and Sansar-51), Sankar Sastry (Mangala, Sansar), C S Ram (Lavangi-50), C R Subbaraman (Ek the Raja-51, Chandi Rani-53), Vishwanathan and R Sudarshana (Ladki-53), S V Venkatraman and T R Ramanathan(Manohar-54), Ram Murthy(Naya Aadmi-56) etc etc.

First Hindi Music Director in a south film Hindi was Bulo C Rani, with C S Ram in film Lavangi-50. The first south Hindi film whose entire music was done by a single Music Director from the Hindi belt was Bahar-51- S D Burman. After this C.Ramchandra, Chitragupta, Madan Mohan, Shankar-jaikishen, N Dutta and others started crowding in south for Hindi films and due to this the influx of south composers for Hindi films almost came to a naught.

Many Hindi composers are known to invade South and make songs in their languages. The first one to do so was C Ramchandra, but then few others like Naushad( for Tamil version of Aan and Mughal E Azam), Salil Chaudhari ( for many Tamil and Malyalam films), Ravi- who became famous in Kerala as Bombay Ravi, for many Malyalam films and few more. However, there was only one south composer who gave music to a Hindi film and made it a Hit Jubilee Musical Blockbuster. He was Adi Narayana Rao and his first Hindi film was Suvarna Sundari-1958. I said First film, because Rao gave music to some more Hindi films later, like Phoolon ki sej-64, Jadoo nagari-72, Gun Fighter Johnny-72, Sati anusuya-74 and Inqilab Zindabad-75. he also gave music to a Dubbed Marathi film ‘ Mahabhakta Tukaram’-60.

His first film was Suvarna Sundari-58 and what Grand music he gave ! The film had 14 songs and from Ghantasala’s ” Laxmi kshir Samudra Raj’ to Sudha Malhotra’s ” Hat jaa re natkhat”, he displayed his originality, creativity and knowledge of Hindustani Raagdari too ! He composed songs in various Raagas like, malkauns, Sohni, Bahar, Jaunpuri, Hameer etc . Songs like ” Mujhe na bula” and ” Kuhu kuhu bole koyaliya” are popular even today and surely can be counted amongst the most memorable of Hindi songs ever.

Born in 1915 in Andhra Pradesh, Rao learnt music from Pt. Sitaram Sastry. He was active on stage for many years. He was an excellent Harmonium player. Surprisingly, he entered film world as a writer and not a musician. Later, he became an assistant to composer Chittur Nagiah from film vande Mataram-1939. His first film as a MD was Vardhini-1946. Along with Folk tunes, Rao used Spanish tunes in his songs. He married actress Anjali Devi,after film Suvarn Sundari in Telugu was released. They started Anjali pictures, a film production company. While he could not get success in Hindi films, after Suvarn Sundari-58, his wife Anjali Devi continued doing roles in Hindi films for many more years. Adi Narayana Rao died on 25-1-1990.

The original Telugu film Suvarn Sundari was made with A.Nageshwar Rao and Anjali Devi in 1957. Tamil version was also made Simultaneously, with Gemini Ganesan and Anjali devi in the lead. Tamil film title was Manaalane Mangaiyi Bakkiyam. The Tamil version was released first. When both Tamil and Telugu films became Hit and Blockbusters, it was planned to dub the Tamil film in Hindi. Lata Mangeshkar was called to Madras to record the songs. When Lata saw the film, she suggested them that instead of dubbing the film, the film may be remade in Hindi. The distributors too opined the same. Therefore the Hindi version was remade with A. Nageshwar Rao and Anjali Devi in the lead. This was the First and the only Hindi film A.Nageshwar Rao made ever in his entire career. The film was shot in Venus Studio, Madras and near Shimsha falls, Mysore. The Hindi film was very successful and celebrated Silver Jubilee in 18 cities.

All the three language versions were directed by Vedantam Raghaviah. He was born to V.Ramiah and Annapoornamma at Kuchipudi village in Krishna District of Andhra Pradesh, on 8-6-1919. from 5th year onwards, he started learning Kuchipudi dance and became a surprise item in many shows and stage dramas. At the age of 9 years he was married to his Maternal cousin. He entered films as an actor and Choreographer in 1937. But from 1949 he changed over to production and Direction. In next 20 years, he directed 30 Telugu and Tamil films plus 2 Hindi films- Suvarna Sundari-58 and Jadoo Nagari-72. His film Devdas-53 was considered as his Best film. He died at the age of only 52 years on 18-11-1971. He received several awards and honours as a Kuchipudi Dancer.

Out of the 14 songs of Suvarn Sundari-58, only 3 songs are discussed on the Blog. Today’s song is the 4th song. The video shows a song coupled with the naughty activities of comedians, small time Thugs in the film, Agha, Mukri and Radha Kishen. Radha Kishen was a comedian with a peculiar style of talking and speaking in a voice that distinguished him from others. I still remember his funny role in film ‘ New Delhi’-1956.

Radha Kishen (Mehra) was born on 13-6-1915 in Delhi. He was a good writer and wanted a job as a writer in films. V.Shantaram, however, offered him a job as an actor in Prabhat. His first role was that of a villain in film ‘ Padosi ‘-41. It was here that he became very friendly with writer Pt. Mukhram Sharma, who helped him by creating special roles for him in the scripts that he wrote. Radhakishen played the roles of a miser to perfection. He became a regular with P.L.Santoshi in films like Shehnai, Sargam, Apni Chhaya etc.

His biggest role as a comedian which brought him to limelight was in film New Delhi-56. He played important roles in Begunah and Naya Daur also. Changing over to comic villain’s role in Parvarish-58, he was equally effective. In Sadhana-58 he was a crafty neighbour and in Chhoti Behan-59, he was a greedy trader. Being a writer himself, he would get effective and ironic dialogues.

At the height of his career, he became a Producer with Amar Rahen ye pyar-61. Because of kavi Pradeep’s left wing songs, the film was held up by Censors for a long time and when finally it was released, it flopped miserably. Before that itself, due to heavy losses, mounting debts and a failed Love affair, Radhakishen committed suicide by jumping to death from the fourth floor terrace of his building, on 18th March 1960. He died after his film Ek ke baad ek-60 was completed. Its Producer Raj Rishi, who was his close friend,put an obituary message in the film’s credits as ” This picture is respectfully dedicated to the fond memories of my friend and great artiste Radhakishen, who is no more with us “.

Same year in May 1960, the well known Distributor Tarachand Barjatya announced a Trophy in the name of Radhakishen, to be given to the Best Comedian of the Year. This is probably the only Trophy of its type in the film industry.

Here is a comedy song video from the film Suvarna Sundari-58. Enjoy….


Song-Raam naam japna paraaya maal apna (Suvarna Sundari)(1958) Singer- Rafi, Lyrics- Bharat Vyas, MD- Adi Narayan Rao
Chorus

Lyrics

arre ajgar kare na chaakri
bhai panchhi kare na kaam
o o o
hum kaahe khat-pat karen
o o
o o o
jab sab ke daata raam
arre raam naam
raam naam
raam naam japna
paraaya maal apna
paraaya maal apna
ho o o
raam naam japna re
raam naam japna
paraaya maal apna ho
hoy
raam naam japna re
raam naam japna
paraaya maal apna
ho ho ho
raam naam japna re
raam naam japna
paraaya maal apna ho o

ho o o
o o o
seedhi ungli ghee na nikle
sun re o anjaane
oye
sun re o anjaane

arre seedhi ungli ghee na nikle
sun re o anjaane
oye jiski laathhi bhains usi ki
keh gaye log sayaane
hoy keh gaye log sayaane
ye bol bade anmol
bhai sach kaha
ye bol bade anmol baawre
man ki ghundi khol khol
bhai raam naam
raam naam
raam naam japna
paraaya maal apna
paraaya maal apna ho
o o
raam naam japna re
raam naam japna
paraaya maal apna ho

arre ho
o o o
ikdam tikdam
tikadtikadbam
ikdam tikdam laga ke saari
duniya bas mein kar le
o duniya bas mein kar le
aha
o ikdam tikdam laga ke
saari duniya bas mein kar le
oye jhoothh bol chaahe loot maar kar
apna khazaana bhar le
phataaphat
apna khazaana bhar le

jag dhokhe ki deewaar
beta sach kaha
o jag dhokhe ki deewaar
yaar tu apna mauka maar maar
bhai raam naam
ho raam raam
raam naam japna
paraaya maal apna
paraaya maal apna ho
o o
raam naam japna re
raam nam japna
paraaya maal apna ho
oye
raam naam japna re
raam naam japna
paraaya maal apna ho
o o
raam naam japna re
raam naam japna
paraaya maal apna ho o


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3855 Post No. : 14867

———————————————
Blog ten year challenge (2009-2019)- Song number 3
———————————————

When I began Blog ten year challenge (2009-2019) on 2 february 2019, the challenge ran for two days before hitting a roadblock that lasted two days. The reason was, allthe movies that were covered on 4 and 5 february 2009 were already YIPPEED so none of their songs were left to be covered on the same date ten year later. Same fate befell all movies (bar one) that were covered on 6 february 2009 as well.

The only movie whose song was covered on 6 february 2009 and which still has a few songs left to be discussed ten years later is “Sitaaron Se Aage”(1958). This movie was produced by V L Narasu and directed by Satyen Bose for Narasu Studio, Madras. This “social” movie had Ashok Kumar, Vyjyanti Mala, Johny Walker, Jagdeesh Sethi, Raja Sulochana, Shammi, Manmohan Krishna, Ifthikar, Kundan, Sampson, Krishnkant, Leela Mishra, Rama Sukul, Rajendra, Tony Walker, Sagar, Ravikant, Prem Dhawan, Moolchand Kapoor, Radheshyam, Bishan Khanna, Vasantrao Pahalwan, Sailen Bose, B M Dixit, Patanjali etc in it.

The movie had ten songs in it. Eight of these songs are covered in the blog. Here are the details of the eight songs covered in the past:-

Song Title

Post No.

Post Date

Chanda ki chaandni ka jaadoo 691 6-Feb-2009
O zaraa ruk jaa 2455 8-May-2010
Sambhal ke ye duniya hai 6764 1-Oct-2012
Dil le gaya gham de gaya 9072 29-Nov-2013
Mehfil mein aaye wo aaj dheere se 11484 19-Oct-2015
Sainyya kaise dhaaroon dheer 11493 21-Oct-2015
Aaj kal parson mein phoole jab sarson 13299 2-Jun-2017
Aa khilte hai gul o mere bulbul 14666 1-Oct-2018

When I checked the remaining songs, I discovered that they are part one and two of the same song. This multiple version song is sung by Asha Bhonsle. Majrooh Sultanpuri is the lyricist. Music is composed by S D Burman. The song is picturised on Vyjyanti Mala.

With this song, all the songs of “Sitaaron Se Aage”(1958) are now showcased in the blog and the movie joins the list of movies that have all their songs covered in the blog.

Part I

Part II

Song-Roye jiya aan milo more piya (Sitaaron Se Aage)(1958) Singer-Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-S D Burman

Lyrics

roye jiya aa aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa

o o
panchhi gaaye kahin pyaar se
pi kahaan pi kahaan
dekh liye dil tham ke reh gayi mai yahaan
panchhi gaye kahi pyar se
pi kaha pi kahaan
dekh liye dil thaam ke reh gayi mai yahaan
o sathiya
aan milo more piya
aa aa
roye jiya
aan milo more piya
aa aa

thhandi hawa chalne lagi
kya karoon kya karoon
mai akeli jalne lagi
kya karoon kya karoon
thandi hawa chalne lagi
kya karoon kya karoon
mai akeli jalne lagi
kya karoon kya karoon
o beliya aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa

o o
ye sandesha mera ja kaho
baadlon baadlon
raah takoon piya aa milo aa milo
ye sandesha mera ja kaho
baadlon baadlon
raah takoon piya aa milo aa milo aa milo
more piya aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa aa aa

————————————
Part II
————————————
roye jiya aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa

o o
unse kehna yehi dastaan aasmaan
aasmaan
aa nahin to phir saajna
main kahaan tu kahaan
unse kehna yehi dastaan aasmaan
aasmaan
aa nahin to phir saajna
main kahaan tu kahaan
o beliyaa aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa

din bhi chale hain bahaar ke
aa bhi ja
aa bhi jaa
reh na jaaye koi haar ke
aa bhi ja
aa bhi ja
din bhi chale hain bahaar ke
aa bhi ja
aa bhi jaa
reh na jaaye koi haar ke
aa bhi ja
aa bhi ja
o sathiyaa aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa aa aa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3846 Post No. : 14858

“Kabhi Andhera Kabhi Ujaala”(1958) was directed by C P Dixit for Mehtab Films. The movie had Kishore Kumar, Nutan, Chitra, Madan Puri, Shekhar, Kum Kum, Lalita Pawar, Helen, Yakub, K N Singh etc in it.

The movie had nine songs in it. Five of the songs have been discussed in the past.

Today(28 january 2019) is the rememberance day of O P Nayyar ( 16 january 1926- 28 january 2007 ). On this occasion, here is the sixth song from “Kabhi Andhera Kabhi Ujaala”(1958) to appear in the blog.

This song is sung by Asha Bhonsle. Hasrat Jaipuri is the lyricist. Music is composed by O P Nayyar.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Bhagwaan tujhe rote huye dil ne pukaara (Kabhi Andhera Kabhi Ujaala)(1958) Singer-Asha Bhonsle, Lyrics-Hasrat Jaipuri, MD-O P Nayyar

Lyrics

hum zid mein aa gaye hain
khushi leke hatenge
yaa jaan bhi charnon mein tere deke hatenge
aa aa aa
aa aa aa

bhagwan tujhe rote huye dil ne pukaara
bhagwan tujhe rote huye dil ne pukaara
toofaan mein ghira hai mere jeewan ka sahara
toofaan mein ghira hai mere jeewan ka sahara
bhagwan tujhe rote huye dil ne pukaara

ye aan meri aan hai rakhna hi padegi
warna ye ladaayi kabhi roke na rukegi
ye aan meri aan hai rakhna hi padegi
warna ye ladaayi kabhi roke na rukegi
hum tere hain is waaste hai zor humaara
hum tere hain is waaste hai zor humaara
bhagwaan tujhe rote huye dil ne pukaara

tal jaayegi ye maut magar hum na talenge
hum ghaat ke patthar hain kabhi hil na sakenge
tal jaayegi ye maut magar hum na talenge
hum ghaat ke patthar hain kabhi hil na sakenge
ho jaayega badnaam ye aasan hi tumhaara
ho jaayega badnaam ye aasan hi tumhaara
bhagwaan tujhe rote huye dil ne pukaara

tu chaahe to soyi huyi taqdeer jaga de
tu chaahe to bichhde huye dil phir se mila de
?? mein kar de mohabbat ka ishaara
aa aa aa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3834 Post No. : 14842

Today is the 93rd birth anniversary of O P Nayyar (16 january 1926- 28 january 2007).

According to my calculations, O P Nayyar worked in 73 movies and he composed 569 songs in these movies.

This blog has 472 songs from these movies. So, all 73 Hindi movies where O P Nayyar composed music are represented in the blog. 49 of these movies are already YIPPEED. 24 more of movies with O P Nayyar music are yet to be YIPPEED. In addition, one Non movie song composed by O P Nayyar has also been covered in the blog.

So, just under one hundred of O P Nayyar compositions remain to be covered.

Here is the filmography of O P Nayyar:-

Movie Year No of songs in the blog No of songs in the movie Remarks
Aasmaan 1952 8 8 YIPPEED
Chham Chhama Chham 1952 9 11
Baaz 1953 8 8 YIPPEED
Aar Paar 1954 8 8 YIPPEED
Mangu 1954 4 4 Md Shafi composed 3 other songs
Mehbooba 1954 5 5 Roshan composed 4 other songs
Baap Re Baap 1955 11 11 YIPPEED
Miss Coca Cola 1955 8 8 YIPPEED
Mr and Mrs 55 1955 8 8 YIPPEED
Musaafirkhaana 1955 8 8 YIPPEED
Sabse Bada Rupaiyya 1955 6 6 Naashaad composed 3 other songs
Bhaagam Bhaag 1956 10 10 YIPPEED
Chhoomantar 1956 10 10 YIPPEED
C I D 1956 7 7 YIPPEED
Dhaake ki Malmal 1956 7 7 One song by Robin Chatterji
Ham Sab Chor Hain 1956 9 9 YIPPEED
Mr Lambu 1956 8 8 YIPPEED
Naya Andaaz 1956 11 11 YIPPEED
Shrimati 420 1956 8 9 Tum to hamre man mein bhagwaan ban ke base ho- this balance song in untreceable as of now
Bade Sarkaar 1957 4 4 YIPPEED
Duniya Rang Rangeeli 1957 8 8 YIPPEED
Johny Walker 1957 6 6 YIPPEED
Maai Baap 1957 6 6 YIPPEED
Naya Daur 1957 9 9 YIPPEED
Qaidi 1957 5 8
Tumsa Nahin Dekha 1957 6 6 YIPPEED
Ustaad 1957 7 7 YIPPEED
12 o clock 1958 7 7 YIPPEED
Farishta 1958 6 6 YIPPEED
Howrah Bridge 1958 8 8 YIPPEED
Kabhi andhera Kabhi Ujaala 1958 5 9
Mr Qartoon MA 1958 5 8
Mujrim 1958 8 8 YIPPEED
Phagun 1958 11 11 YIPPEED
Raagini 1958 8 12 YIPPEED
Sone Ki Chidiya 1958 8 8 YIPPEED
Do Ustaad 1959 8 8 YIPPEED
Basant 1960 10 14
Jaali Note 1960 8 8 YIPPEED
Kalpana 1960 5 10
Mitti Mein Sona 1960 7 7 YIPPEED
Ek Musaafir Ek Haseena 1962 12 12 YIPPEED
Hongkong 1962 9 9 YIPPEED
Phir Wohi Dil Laaya Hoon 1963 9 9 YIPPEED
Kashmir Ki Kali 1964 9 9 YIPPEED
Mere Sanam 1965 9 9 YIPPEED
Akalmand 1966 7 9
Bahaaren Phir Bhi Aayengi 1966 6 6 YIPPEED
Do Dilon Ki Daastaan 1966 7 8
Love and Murder 1966 2 6
Mohabbat Zindagi Hai 1966 5 8
Saawan Ki Ghata 1966 8 8 YIPPEED
Ye Raat Phir Na Aayegi 1966 8 8 YIPPEED
CID 909 1967 6 6 YIPPEED
Naseehat 1967 3 6
Dil Aur Mohabbat 1968 6 6 YIPPEED
Hamsaaya 1968 7 7 YIPPEED
Kahin Din Kahin Raat 1968 7 7 YIPPEED
Kismat 1968 5 5 YIPPEED
Shrimaanji 1968 3 6
Sambandh 1969 5 12
The Killers 1969 1 6
Aisa Bhi Hota Hai 1971 1 4
Ek Baar Muskura Do 1972 8 8 YIPPEED
Pran Jaaye Per Vachan Na Jaaye 1973 6 6 YIPPEED
Taxi Driver 1973 6 6 YIPPEED
Khoon Ka Badla Khoon 1978 1 8
Bin Maa Ke Bachche 1979 1 6
Heera Moti 1979 3 6
Muqaddar Ki Baat (UR) 1983 1 8
Mangni 1992 1 8
Nishchai 1992 1 6
Zidd 1994 1 7
Total 473 569 YIPPEEED movies=49

As a tribute to O P Nayyar on the occasion of his birth anniversary, here is a song from “Raagini” (1958). This movie was produced by Ashok Kumar and Ganesh and directed by Rakhan for Ashok Productions, Bombay. This “social”movie had Ashok Kumar, Kishore Kuamr, Padmini, Jabeen, Baalam, Sundar, Nazeer Hussain, Achla Sachdev, Ameer Banu, Protima devi, Rajendra, Master Vinod, Baby Leela, Navmi, Ifthhikar, Jamal, Mirajkar, Kathana, < Bhardwaj, Narbada Shankar, Master Raja etc in it.

The movie had twelve songs in it. Eight of these songs have been covered.

Here is the ninth song from "Raagini"(1958) to appear in the blog. The song is sung by Asha Bhonsle. Jaan Nisaar Akhtar is the lyricist. Music is composed buy O P Nayyar.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Dil todne waale bata ke jaa (Raagini)(1958) Singer-Asha Bhonsle, Lyrics-Jaan Nisaar Akhtar, MD-O P Nayyar

Lyrics

dil todne waale bata ke ja
dil todne waale bata ke ja
dil todne waale bata ke ja
maine tera kya kiya
oye maine tera kya kiya
maine tera kya kiya
oye maine tera kya kiya
dil todne waale bata ke ja
dil todne waale bata ke ja

aa aa
ro ro ke maine pukaara tujhe
toone chhoda magar besahaara mujhe
ro ro ke maine pukaara tujhe
tune chhoda magar besaahaara mujhe
mujhko rulaake kaha chal diya
dil todne waale bata ke ja
dil todne waale bata ke ja
maine tera kya kiya
oye maine tera kya kiya
maine tera kya kiya
oye maine tera kya kiya
dil todne waale bata ke ja
dil todne waale bata ke ja

ye sooni raahen andhera sama
ye sooni raahen andhera sama
ye sooni raahen andhera sama
is dil ko maia leke jaaun kahaan
is dil ko main leke jaaun kahaan
jaaun kahaan haaye jaaun kahaan
dil todne waale bata ke ja
dil todne wale bata ke ja
maine tera kya kiya
oye maine tera kya kiya
maine tera kya kiya
oye maine tera kya kiya
dil todne waale bata ke ja
dil todne waale bata ke ja


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3819 Post No. : 14817

Today’s song is from film ‘Ek Shola’ (1958). It is sung by Asha Bhosle and Geeta Dutt. The lyricist was Majrooh Sultanpuri and the music director was Madan Mohan. The film was produced by Deep and Pradeep Productions –  a joint venture of Deep Khosla and Pradeep Kumar. The film was directed by Chander Sehgal. Not much is known about Chander Sehgal, except that he directed only 2 films – ‘Ek Shola’ and ‘Mitti Mein Sona’ (1960). He died on 29-5-1960. The cast of the film is Pradeep Kumar, Mala Sinha, Jawahar Kaul, Leela Mishra, Nazir Hussain, Shubha Khote etc.

In Hindi films, there have been three actors who were very handsome and very lucky but zero in acting – Karan Dewan, Pradeep Kumar and Bharat Bhushan. They all appeared in leading roles opposite all leading actresses of their times. They had the best films, best songs and best roles. Karan Dewan had about 25 Silver Jubilees to his credit and was considered a lucky star. Bharat Bhushan had the most musical films to his credit like ‘Baiju Bawra’ (1952), ‘Shabaab’ (1954) and ‘Mirza Ghalib’ (1954) etc. Pradeep Kumar had ‘Anarkali’ (1953) and ‘Taj Mahal’ (1963).

All three had their brothers producing films for them. Gemini Dewan made films for Karan Dewan, R. Chandra made films for Bharat Bhushan and Kalidas for Pradeep Kumar. Unfortunately, in later years, all three lost everything and died in poverty and neglectful anonymity. Karan Dewan was a manager with BR Chopra’s production company. When he died no one came for his funeral except for Chandrashekhar and Manmohan Krishan from the Cine Artist’s Association. Bharat Bhushan even worked as a watchman in a film studio, in his last days. He too died unsung and only the men from the Association were present at the cremation.

Pradeep Kumar’s case is the saddest. He lay seriously ill in the ICU of a Calcutta nursing home, abandoned by his relatives. The hospital was not discharging him, unless the bills were paid. Luckily one Mr. Pradeep Kondaliya, an estate agent, recognised him, despite his grown beard. He paid the huge outstanding bill of the hospital and took Pradeep Kumar to his home, where he passed away after a few days. He was cremated by his fan. Such is the film industry – cruel and ruthless, where the recognition lasts only till one is successful, and even close relatives desert you in bad times.

Pradeep Kumar aka Sital Batabyal was born on 4 January 1925. When he was 17 years old, he started as assistant cameraman. Later he decided to take up acting. He started his film career in Bengali films. His notable roles in Bengali films were in ‘Alaknanda‘ (1947), directed by renowned filmmaker Debaki Bose, and in ’42 (1951). It was Debki Bose, who gave him the filmy name Pradeep Kumar.

Pradeep Kumar  then shifted to Bombay and Filmistan studios, and had an important role in the film ‘Anand Math (1952). He played the lead role with Bina Rai in ‘Anarkali’ (1953) and with Vyjayanthimala in ‘Nagin’ (1954). Both films were very popular and had songs that added to the movies’ success. He had a spate of releases in the second half of the 1950s. He did not enjoy as much success in the 1960s, though ‘Ghoonghat’ (1960), ‘Aarti’ (1962) & ‘Taj Mahal’ (1963) were successful. He worked with Meena Kumari in seven films; ‘Adil-E-Jahangir’, ‘Bandhan’ (1956), ‘Chitralekha’, ‘Bahu Begum’, ‘Bheegi Raat’, ‘Aarti’ and ‘Noorjehan’; and with Mala Sinha in eight films; ‘Naya Zamana’, ‘Hamlet’, ‘Baadshah’, ‘Detective’ (1958 movie), ‘Fashion’ (1959 film), ‘Ek Shola’, ‘Duniya Na Maane’, and ‘Mitti Mein Sona’.

He did not get to act in lead roles with the newer heroines of the 1960s such as Sadhana, Saira Banu, Babita or Sharmila Tagore, though he did work with Asha Parekh in ‘Ghoonghat’ and ‘Meri Surat Teri Aankhen and with Waheeda Rehman in ‘Raakhi (1963). In 1969, he moved to character roles with ‘Sambandh’ and ‘Mehboob Ki Mehndi’, but did not have many visible roles till ‘Jaanwar’ and ‘Razia Sultan’ in 1983.

He won the Kalakar Award-Lifetime Achievement Award (1999).

Pradeep Kumar died in Calcutta on 27 October 2001, at the age of 76. He is survived by his daughters Reena, Meena and Beena Banerjee who plays character roles in movies and TV serials including ‘Uttaran’, son Debiprasad and granddaughters Tanisha, Suparna, Riya and Hrishita. Beena Banerjee’s son Siddharth Banerjee worked as assistant director in Sajid Khan’s ‘Housefull 2’ (2012) and ‘Himmatwala’ (2013).

Mala Sinha was an educated, hard working actress. Though she worked with leading banners and was heroine to well known heroes, she was never counted among the class I heroines of her times. She worked with many newcomers, like Dharmendra etc. Her career spanned a long time but she never got a single Filmfare Award, though nominated 4 times.

Mala Sinha was born in a Bengali Nepalese Christian family in Calcutta, on 11-11-1936. Mala Sinha claimed herself a Bengali descent Nepali many years ago in a TV interview Her parents named her Alda. Her friends at school used to tease her by calling her Dalda (a brand of vegetable oil), so she changed her name to Mala. In her childhood she learnt dancing and singing. Although she was an approved singer of All India Radio, she has never done playback singing in films. But as a singer she has done stage shows in many languages from 1947 to 1975.

Mala started her career as child artist in Bengali films ‘Jai Vaishno Devi’ followed by ‘Shri Krishan Leela’, ‘Jog Biyog’ and ‘Dhooli’. Noted Bengali director Ardhendu Bose saw her acting in a school play and took permission from her father to cast her as a heroine in his film ‘Roshanara’ (1952) – Bangla film, her cinematic debut.

After acting in a couple of films in Calcutta, Mala had to go to Bombay for a Bengali film. There she met Geeta Bali, a noted Bollywood actress, who was charmed by her and introduced her to film director Kidar Sharma. It was Sharma who cast her as a heroine in his ‘Rangeen Ratein‘ (1956). Her first Hindi film was ‘Baadshah’ (1954) opposite Pradeep Kumar. Then came ‘Ekadashi’ (1955), a mythological film. Both failed, but her lead role in Kishore Sahu’s ‘Hamlet’ (1954), paired opposite Pradeep Kumar, fetched her rave reviews in spite of it failing at the box office. Films like ‘Lai Batti’ (ac­tor Balraj Sahni’s only directorial venture), ‘Nausherwan-E-Adil’ where she starred as the fair maiden Marcia in Sohrab Modi’s romance about forbidden love and ‘Phir Subah Hogi’, which was direc­tor Ramesh Saigal’s adapta­tion of Dosteovsky’s novel Crime and Punishment, established Mala Sinha’s reputation as a versatile actress who took the maximum career risks by accepting unconventional roles.

Mala was a singer of some repute and used to sing for All India Radio; she was not allowed to sing playback (even for herself) in the movies with the lone exception being 1972’s ‘Lalkar’. In the 1950s, she had string of hits opposite Pradeep Kumar like ‘Fashion’ (1957), ‘Detective’ (1958), ‘Duniya Na Maane’ (1959) though their first two ventures had failed. The films she did with Pradeep Kumar were men-oriented. In 1957, noted Bollywood actor and film director Guru Dutt (the husband of Geeta Dutt) cast Mala in his film ‘Pyaasa‘ (1957) in a role originally intended for Madhubala. Mala gave a memorable performance as the relatively unsympa­thetic part of an ambitious woman who chooses to marry a rich man (played by actor Rehman) and have a loveless marriage rather than a poor, unsuccessful poet and her impoverished lover (played by Guru Dutt) whom she ditches. ‘Pyaasa‘ remains to this day a classic in the history of Indian cinema and a turning point for Mala Sinha.

After ‘Pyaasa’ her major success were ‘Phir Subah Hogi’ (1958) and Yash Chopra’s directorial debut ‘Dhool Ka Phool’ (1959) that elevated her into a major dramatic star. There was no looking back for Sinha then as she was part of many successful movies from 1958 to the early ’60s like ‘Parvarish’ (1958), ‘Ujaala’,’ Main Nashe Main Hoon’, ‘Duniya Na Maane’, ‘Love Marriage’ (1959), ‘Bewaqoof’ (1960), ‘Maya’ (1961), ‘Hariyali Aur Rasta’ and ‘Dil Tera Deewana’ (1962), ‘Anpadh’, ‘Bombay Ka Chor’ (1962). Critics believe her career best performance was in ‘Bahurani’ (1963), ‘Gumrah’, ‘Gehra Daag’, ‘Apne Huye Paraaye’ and ‘Jahan Ara’. Apart from pairing with Pradeep Kumar, her pairing opposite Raaj Kumar, Rajendra Kumar, Biswajit and Manoj Kumar in woman-oriented films were appreciated by audiences, with her films opposite Biswajit being the most popular.  She did 10 films with Biswajit. In 2007, they won the Star Screen Lifetime Achievement Award, calling them on stage together giving due respect to their popularity as a pair who have tasted box office success.

The most remarkable feature of career of Mala Sinha was that most of her 1960s and 1970s hits were fueled by her own star power as much as the heroes and most of the times her role was more powerful than the hero. Though she was pitted opposite her seniors like Raj Kapoor, Dev Anand, Kishore Kumar, Pradeep Kumar and when she acted opposite the emerging stars from late 1950s like Shammi Kapoor, Rajendra Kumar and Raaj Kumar, she made sure her role was as good as theirs.

In 1966, Sinha went to Nepal to act in a Nepali film called ‘Maitighar when the Nepali film industry was still in its infancy. This was the only Nepali film she did in her career. Her hero in the film was an estate owner called Chidambar Prasad Lohani. Soon after, Mala Sinha married CP Lohani with the blessings of her parents. From the beginning theirs was a long-distance marriage with Lohani based in Kathmandu to look after his business and Sinha living in Bombay with their daughter Pratibha. She continued acting after her marriage.

From 1974, she cut down on her assignments as the lead actresses. She accepted strong character roles in films like ’36 Ghante (1974), ‘Zindagi‘ (1976), ‘Karmayogi (1978), ‘Be-Reham’ (1980), ‘Harjaee’ (1981), ‘Yeh Rishta Na Tootay’, ‘Babu’ (film) and ‘Khel’, which were popular.

In the early ’90s Madhuri Dixit was promoted as new Mala Sinha in magazines. But, after 1994, she completely withdrew from industry and has given very few public appearances. In ‘Dhool Ka Phool’ and BR Chopra’s ‘Gumrah’, she played the first unwed mother and adulterous wife respectively in Hindi cinema. As she grew older, she gracefully moved on to doing character roles that befitted her age. She was last seen in ‘Zid’ (1994). Though Mala Sinha evinced as much interest in her daughter Pratibha’s career as her father did in her career, she was unable to achieve the same success for her daughter. (Adapted from wiki).

Mala Sinha came from Calcutta to make a career in Bombay films. In Calcutta she worked in a Bilingual film ‘Chitrangada’ (1954) in Bangla and Hindi. In 1954 again, she did her first film in Bombay, ‘Baadshah’ (1954), then came ‘Hamlet’ (1954), ‘Riyaasat’ (1955) and ‘Ekadashi’ (1955).

In all her interviews, Mala Sinha always quoted ‘Rangeen Raten’ (1956) with Shammi Kapoor as her first film in Bombay. She was ashamed of revealing that in film ‘Riyaasat’ (1955), her Hero was Mahipal and in film ‘Ekadashi’ it was Trilok Kapoor. She always hid this fact. There are many heroines who want to hide their struggling days. For example, in film ‘Professor’ (1962) Shammi Kapoor’s heroine was Kalpana. Though touted as her first film, her first film was ‘Pyar Ki Jeet-62’, opposite Mahipal – a fact which Kalpana always hid from everyone.

Similarly, A grade heroine Meena Kumari also had done several mythological and costume films before ‘Baiju Bawra’ took her high up and above other heroines. Films like ‘Veer Ghatotkach’ (1949), ‘Shri Ganesh Mahima’ (1950), ‘Laxmi Narayan’ (1951), ‘Hanuman Paataal Vijay’ (1951) and ‘Alladin aur Jadui Chirag’ (1953) had Mahipal as her Hero. In her later years, she always hid her earlier film Heroes.

Even comedian Johnny walker, who is supposed to have made a beginning with ‘Baazi’ (1951), had earlier worked in ‘The Last Message’ or ‘Aakhri Paigham’ (1949). However this fact is not told by anyone.

Not only actors, but even singers do this. They hesitate to tell that the first sang for C grade films. Take the case of Sudha Malhotra, who used to declare ‘Arzoo’ (1950) as her first film, under Anil Biswas. But she never told that earlier she had sung 3 songs in film ‘Aakhri Paigham’ (1949), under the baton of Abid Hussein Khan, composer.

It is very unfortunate that once the artiste becomes famous, he tends to forget his humble beginning with less known film or a composer. This is because they are ashamed of it. I feel the blame also goes to people who take their interview, because the interview takers do not do proper homework. Many times they do not know anything and simply note down whatever is told by the artiste.

There were 8 songs in the film ‘Ek Shola’. 3 songs are already discussed. This is the 4th song. It is a long song, recorded on one side each of 78 rpm record nos. N-52832 and 52833). We present here the full song covering both sides.

 


Song – Chanda Se Bhi Pyaara Hai, Akhion Ka Taara Hai  (Ek Shola) (1958) Singer – Asha Bhosle, Geeta Dutt, Lyrics – Majrooh Sultanpuri, Music – Madan Mohan

Lyrics (Provided by Sudhir)

mmmm mmmmm mmmm
mmm mmm mmm mmm mmm mmmmmmm

chanda se bhi pyaara hai
akhion ka taara hai
dil ka sahaara mera laadla
chanda se bhi pyaara hai
akhion ka taara hai
dil ka sahaara mera laadla

ghata ka saaya hai zindagi
idhar se aai udhar chali
rukey na jeevan ki baansuri
haaye.. apni dhun mein gaa

khushi se saagar jal chhalke
pakad chaley dil sambhal ke
kahen tarangen machal ke
zaraa mauj mein lehra haaye..
khushi se saagar jal chhalke
pakad chaley dil sambhal ke
kahen tarangen machal ke
zaraa mauj mein lehra haaye..
ghata ka saaya hai zindagi
idhar se aai udhar chali
rukey na jeevan ki baansuri
haaye.. apni dhun mein gaa

chanda se bhi pyaara hai
akhion ka taara hai
dil ka sahaara mera laadla..aa..aa

jab mera nannha chhaiyan chhaiyan
thummak thummak doley
tuk tuk taakey
jhuk jhuk jhaanke
gudiya ghunghat kholey
jab mera nannha chhaiyan chhaiyan
thummak thummak doley
tuk tuk taakey
jhuk jhuk jhaanke
gudiya ghunghat kholey
ho gudde sa dulaara
akhion ka taara hai
dil ka sahaara mera laadla..aa..aa

ghata ka saaya hai zindagi
idhar se aai udhar chali
rukey na jeevan ki baansuri..ee
apni dhun mein gaa

jo mastion mein jee’e hain
usey na ?? ?? ??
ye raaz tere liye hai magar
tu nahi samjha haaye..
jo mastion mein jee’e hain
usey na ?? ?? ??
ye raaz tere liye hai magar
tu nahi samjha haaye..
ghata ka saaya hai zindagi
idhar se aai udhar chali
rukey na jeevan ki baansuri..ee
apni dhun mein gaa

chanda se bhi pyaara hai
akhion ka taara hai
dil ka sahaara mera laadla..aa..aa
A B C D
aleef bay pay
ka kha ga gha..aa..aa
A B C D
aleef bay pay
aur bhai ka kha ga gha
ab padhne askool chala hai
ye mera shehzaada
ab padhne askool chala hai
ye mera shehzaada
ho parion ne sanwaara hai
akhion ka taara hai
dil ka sahaara mera laadla
aa..aa..aa
chanda se bhi pyaara hai
akhion ka taara hai
dil ka sahaara mera laadla

mmm mmm mmmmmm mmmm
mmm mmm mmmmmm mmmm
aaa aaa aaaa aaa aaa aaa

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-
मम्मम मम्ममम मम्मम
मम्म मम्म मम्म मम्म मम्म मम्म मम्ममममम

चंदा से भी प्यारा है
अखिओं का तारा है
दिल का सहारा मेरा लाड़ला
चंदा से भी प्यारा है
अखिओं का तारा है
दिल का सहारा मेरा लाड़ला

घटा का साया है ज़िंदगी
इधर से आई उधर चली
रुके ना जीवन की बांसुरी
हाए॰॰ अपनी धुन में गा

खुशी से सागर जल छलके
पकड़ चले दिल संभाल के
कहें तरंगें मचल के
ज़रा मौज में लहरा हाए॰॰
खुशी से सागर जल छलके
पकड़ चले दिल संभाल के
कहें तरंगें मचल के
ज़रा मौज में लहरा हाए॰॰
घटा का साया है ज़िंदगी
इधर से आई उधर चली
रुके ना जीवन की बांसुरी
हाए॰॰ अपनी धुन में गा

चंदा से भी प्यारा है
अखिओं का तारा है
दिल का सहारा मेरा लाड़ला॰॰आ॰॰आ

जब मेरा नन्हा छइयाँ छइयाँ
ठुमक ठुमक डोले
टूक टूक ताके
झुक झुक झाँके
गुड़िया घूँघट खोले
जब मेरा नन्हा छइयाँ छइयाँ
ठुमक ठुमक डोले
टूक टूक ताके
झुक झुक झाँके
गुड़िया घूँघट खोले
हो गुड्डे सा दुलारा है
अखिओं का तारा है
दिल का सहारा मेरा लाड़ला॰॰आ॰॰आ

घटा का साया है ज़िंदगी
इधर से आई उधर चली
रुके ना जीवन की बांसुरी
हाए॰॰ अपनी धुन में गा

जो मस्तीओं में जीए हैं
उसे ना ?? ?? ??
ये राज़ तेरे लिए है मगर
तू नहीं समझा हाए॰॰
जो मस्तीओं में जीए हैं
उसे ना ?? ?? ??
ये राज़ तेरे लिए है मगर
तू नहीं समझा हाए॰॰
घटा का साया है ज़िंदगी
इधर से आई उधर चली
रुके ना जीवन की बांसुरी॰॰ई
हाए॰॰ अपनी धुन में गा

चंदा से भी प्यारा है
अखिओं का तारा है
दिल का सहारा मेरा लाड़ला॰॰आ॰॰आ

ए बी सी डी
अलीफ बे पे
क ख ग घ॰॰अ॰॰अ
ए बी सी डी
अलीफ बे पे
और भई क ख ग घ
अब पढ़ने अस्कूल चला है
ये मेरा शहज़ादा
अब पढ़ने अस्कूल चला है
ये मेरा शहज़ादा
ओ परियों ने संवारा है
अखिओं का तारा है
दिल का सहारा मेरा लाड़ला
आ॰॰आ॰॰आ
चंदा से भी प्यारा है
अखिओं का तारा है
दिल का सहारा मेरा लाड़ला

मम्म मम्म मम्मममम मम्मम
मम्म मम्म मम्मममम मम्मम
आ आ आ आ आ आ॰॰आ

 


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3782 Post No. : 14763

“Dulhan”(1958) was produced by A A Nadiadwala and directed by V M Vyas for Pushpa Pictures, Bombay. This “social” movie had Nirupa Roy, Rajkumar, Bhagwan, Nanda, Jageerdaar, Sheila Kashmiri, Manorama, Agha, Jeewan, Indira Bansal, Munshi Munaqqa, Maqbool, Iqbal, Kanchan, Ansari, Moti (the dog) etc in it.

The movie had nine songs in it. Four songs from the movie have been covered in the blog.

Here is the fifth song from “Dulhan”(1958) to appear in the blog. This song is a duet sung by Shamshad Begam and Rafi. P L Santoshi is the lyricist. Music is composed by Ravi.

The song is sung in a rock and roll style (which was quite popular in India at that time. The song is picturised as a club dance song. One can see Bhagwan lip syncing in Rafi’s voice. I am unable to identify the lady who lip syncs in Shamshad Begam’s voice. I request our knowledgeable readers to help identify her.

With this song, the blog now has 4800 songs from the decade of 1950s (1951 to 1960), which is easily the most well represented decade in the blog.


Song-Mere gore gore gaal (Dulhan)(1958) Singers-Shamshad Begam, Rafi, Lyrics-P L Santoshi, MD-Ravi
Both
Bhagwaan

Lyrics

yaa hoo

mere gore gore gaal
mere kaale kaale baal
mera husn laajawaab
meri ada bemisaal
that’s all
o tere neele neele nain
tere meethhe meethhe bain
loote mere dil ka chain
kya kahoon main dil ka haal

that’s all
mere gore gore gaal
mere kaale kaale baal
mera husn laajawab
meri ada bemisaal

husn waale kahte nahin kitne hum hain haseen
apne husn per unhen hota nahin hai yakeen
o husn vaale kahte nahin kitne hum hai haseen
apne husan pe unhe hota nahin hai yakeen
poochhe kaun husn ko na ishq ki jo shah mile
poochhe kaun husn ko na ishq ki jo shah mile
chaahne valo ki nazar ka hai ye sab kamaal

that’s all
mere gore gore gaal
mere kaale kaale baal
mera husn laajawaab
meri ada bemisaal
that’s all
o tere neele neele nain
tere meethhe meethhe bain
loote mere dil ka chain
kya kahoon main dil ka haal

pahle kisi but pe kabhi marna nahin chaahiye
mar gaye to shor kabhi karna nahin chaahiye
pahle kisi but pe kabhi marna nahin chaahiye
mar gaye to shor kabhi karna nahin chaahiye
aaye thhe ye ban ke chacha majnu farhaad ke
laila
haaye laila

aaye thhe ye ban ke chacha majnu farhaad ke
kuchh na ban pada to kahen that’s all
that’s all
that’s all
o tere neele neele nain
tere meethhe meethhe bain
loote mere dil ka chain
kya kahoon main dil ka haal

that’s all
mere gore gore gaal
mere kaale kaale baal
mera husn laajawaab
meri ada bemisaal
that’s all
tere gore gore gaal

that’s all
tere kaale kaale baal
that’s all
tera husn laajawaab
that’s all
teri ada bemisaal
that’s all


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3730 Post No. : 14674

Mohammed Rafi – Duets – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 25
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘ब’ – बाँके तीरंदाज़ जान ले ले ना हो नाराज़ ॰ ॰ ॰

– – – –

अभी ना जाओ छोड़ कर
के दिल अभी भरा नहीं॰ ॰ ॰ 

कब तक हम यही कहते रहें, आप तो छोड़ कर वहाँ चले गए, जहां हमारी आवाज़ भी नहीं पहुँचती।

[Pray till when do we keep saying this, you have left and gone to a place where our voice does not reach you]

– – – –

Skipping the letter ‘फ’ – no more songs available as applicable this series, starting with this letter. We come to ‘ब’.

This song from the obscure 1958 film ‘Sun To Le Haseena’, is an unfamiliar but a very lovely melody from the mind of S Mohinder. The film is a social drama coming from the famous Filmistan Studios, Bombay, and is directed by SP Bakshi. The Geet Kosh lists seven songs for this film. These seven songs are written by four songwriters – Saarshaar Sailiaani, Rahil Gorakhpuri, Anand Bakshi and Kaif Irfani. Today’s song is penned by Anand Bakshi. The music director is S Mohinder. Singing voices are of Rafi Sb and Asha Bhosle.

The cast of actors for this film is listed as Shashikala, Ravindra Kapoor, Agha, P Kailash, Badri Prasad, Randhir, Gulab, Sabita Chatterjee, Kanu Rai, Manju, Manohar Geer, Vitthal Das Panchotia, Madhu Apte, Ramlal, Leela, Bazid Khan, Rajeshwar Singh, Noor, Chandramohan, Pathak, Shantaram, Ravi Tandon, Sundar, Pal.

The leading man Ravindra Kapoor, younger brother of actor Kamal Kapoor, belongs to the Kapoor family, and is a first cousin of the Raj Kapoor generation. Folks will remember Nasir Hussain’s 1971 film ‘Caravan’. In this film, Jeetendra has two assistants / cleaners in his truck business. One is Junior Mehmood, and the other is Ravindra Kapoor. Ravindra Kapoor did not make a successful and popular career in Hindi films as a leading hero. However, he was quite a hit in Punjabi films in 1960s, and was a very popular leading man in that time. Some of his Punjabi films include ‘Sherni’  (1973), ‘Kankan De Ohle’  (1970), ‘Dupatta’  (1969), ‘Mukhra Chan Warga’  (1969), ‘Paun Baran’  (1969), ‘Punjabi Munda’  (1968), ‘Pind De Kuri’ (1967), ‘Khed Preetan Di’  (1967), ‘Neem Hakeem’  (1967), ‘Kunwari’  (1966), ‘Gabroo Desh Punjab De’  (1966), ‘Laiye Tod Nibhaiye’  (1966), ‘Shokan Mele Di’  (1965), ‘Saat Saaliyan’  (1964), ‘Mere Haaniyan’  (1963), ‘Pardesi Dhola’  (1959), ‘Chambe Di Kali’ etc.

From 1970 onwards, he is known better by the name Goga Kapoor. In Hindi films, as per the Geet Kosh listings (till 1980), he has appeared in 20 films (there are more films listed post 1980 when we check online), of which about 7 or 8 are as leading man, opposite to heroines like Shashikala, Ameeta and Indrani Mukherjee. In the remaining appearances, he is in character artist roles. In his later years, he was doing more villain and gangster type roles. He passed away in 2011.

[Note: With tongue in cheek, I reveal my personal connection to this clan. My mother’s second cousin on her maternal side of the family (from Simla) is/was married to Ravindra Kapoor. 🙂 ]

The song is sung by Rafi Sb and Asha Bhosle. It is a lively nok-jhonk exchange between lovers. Only the audio of this song is available, so it is not possible say who has sung it on screen. It could be Ravindra Kapoor and Shashikala, or it could be Agha, and one of the supporting ladies. I request other knowledgeable readers and friends to please add more information about this song and this film, if available.

Listen to this racy song. Peevesie’s Mom commented earlier today that “. . . josh which only Mohd. Rafi could bring to a song no matter who is lip syncing.” So true, the one and only Rafi Sb.
Enjoy this song.

Song – Baanke Teerandaaz Jaan Le Le Na Ho Naraaz  (Sun To Le Haseena) (1958) Singer – Mohammed Rafi, Asha Bhosle, Lyrics – Anand Bakshi, MD – S Mohinder

Lyrics 

hoy baanke teerandaaz
jaan le le na ho naraaz
o baanke teerandaaz
jaan le le na ho naraaz
nazron waala teer
maar dil chiir
chhod ye naaz
arre jaa re dhokhebaaz
maut ko de na tu awaaz
arre jaa re dhokhebaaz
maut ko de na tu awaaz
kar doongi main shor
chhed na aur
baaz aa baaz
arre waah re waah
baanke teerandaaz
jaan le le na ho naraaz

maan bhi ja ik baar mila ke aankh zara tu has de
chaahe phir apni zehreeli zulfon se tu das de
haaye das de das de das de
oy
yun na mujhko tok
raasta tu na mera rok
yun na mujhko tok
raasta tu na mera rok
kar doongi main shor
chhed na aur
baaz aa baaz
achha
baanke teerandaaz
jaan le le na ho naraaz

door door se baat mohabbat waali kar le kar le
mujhse kuchh na poochh tujhe marna hai to le mar le
arre mar le mar le mar le
arre waah re waah
waah meri sarkaar
rooth ke hoga kaise pyaar
waah meri sarkaar
rooth ke hoga kaise pyaar
nazron waala teer
maar dil chiir
chhod ye naaz
hoy jaa re dhokhebaaz
maut ko de na tu awaaz

haaye ghazab ki cheez hai tu kyon tadpaaye tarsaaye
yun na mujhko ghoor mujhe kuchh ho na jaaye haaye
aji haaye haaye haaye haaye
haaye haaye
o sadqe main qurbaan
chhod sharmaana meri jaan
o sadqe main qurbaan
chhod sharmaana meri jaan
nazron waala teer
maar dil chiir
chhod ye naaz
jaa re dhokhebaaz
maut ko de na tu awaaz
jaa re dhokhebaaz
maut ko de na tu awaaz

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

होय बाँके तीरंदाज़
जान ले ले ना हो नाराज़
ओ बाँके तीरंदाज़
जान ले ले ना हो नाराज़
नज़रों वाला तीर
मार दिल चीर
छोड़ ये नाज़
अरे जा रे धोखेबाज़
मौत को दे ना तू आवाज़
अरे जा रे धोखेबाज़
मौत को दे ना तू आवाज़
कर दूँगी मैं शोर
छेड़ ना और
बाज़ आ बाज़
अरे वाह रे वह
बाँके तीरंदाज़
जान ले ले ना हो नाराज़

मान भी जा इक बार मिला के आँख ज़रा तू हस दे
चाहे फिर अपनी जहरीली ज़ुल्फों से तू डस दे
हाए डस दे डस दे डस दे
ओय
यूं ना मुझको टोक
रस्ता तू ना मेरा रोक
यूं ना मुझको टोक
रस्ता तू ना मेरा रोक
कर दूँगी मैं शोर
छेड़ ना और
बाज़ आ बाज़
अच्छा
बाँके तीरंदाज़
जान ले ले ना हो नाराज़

दूर दूर से बात मोहब्बत वाली कर ले कर ले
मुझसे कुछ ना पूछ तुझे मारना है तो ले मर ले
अरे मर ले मर ले मर ले
अरे वाह रे वाह
वाह मेरी सरकार
रूठ के होगा कैसे प्यार
वाह मेरी सरकार
रूठ के होगा कैसे प्यार
नज़रों वाला तीर
मार दिल चीर
छोड़ ये नाज़
होय जा रे धोखेबाज़
मौत को दे ना तू आवाज़

हाए ग़ज़ब की चीज़ है तू क्यों तड़पाये तरसाये
यूं ना मुझको घूर मुझे कुछ हो ना जाये हाए
अजी हाए हाए हाए हाए
हाए हाए
ओ सद्क़े मैं क़ुरबान
छोड़ शरमाना मेरी जान
ओ सद्क़े मैं क़ुरबान
छोड़ शरमाना मेरी जान
नज़रों वाला तीर
मार दिल चीर
छोड़ ये नाज़
जा रे धोखेबाज़
मौत को दे ना तू आवाज़
जा रे धोखेबाज़
मौत को दे ना तू आवाज़


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3727 Post No. : 14666

Today, October 1st is the birth anniversary of two iconic personalities of Hindi film music. Both started their career in Hindi film industry in Bombay (Mumbai) in 1946 – one as a music director and the other as a lyricist. Yes, it is Sachin Dev Burman’s 112th birth anniversary and Majrooh Sultanpuri’s 99th birth anniversary. Both have been my favourites amongst the music directors and lyricists of the golden era of Hindi film music. Both seem to have been made for each other. SD Burman was one of the earliest pioneers in introducing the concept of ‘tune first lyrics later’ in Hindi film music while Majrooh Sultanpuri was master in writing lyrics to the tune.

I found both of them to be non-conformists in their respective fields.  SD Burman’s compositions did not leave trails to identify them as SD Burman type of music. In my younger days, it was not easy for me to identify the songs composed by SD Burman. Had I not known in advance, I would have difficulties in knowing that songs of ‘Baazi’ (1951), ’Pyaasa’ (1957) and  ‘Nau Do Gyarah’ (1957) were composed by the same music director. Majrooh Sultanpuri on the other hand wrote lyrics of varied moods and of all genres with ease. Another common factor between these two stalwarts was that both were called as ‘old man with young heart’. If SD Burman could composed Roop Tera Mastaana at the age of 64, Majrooh Sultanpuri wrote lyrics for Raat Shabnami Bheegi Chaandni at the age of 77.

Despite both SD Burman and Majrooh Sultanpuri starting their filmy career in 1946, it took about 11 years for both of them to work together in Navketan’s  ‘Nau Do Gyaarah’ (1957), though the other collaboration, ‘Paying Guest’ (1957) was released first. The main reason was that SD Burman was already working with Sahir Ludhianvi since 1951. It was only when SD Burman stopped engaging Sahir after ‘Pyaasa’ (1957) that he found Majrooh Sultanpuri as a suitable lyricist partner. From 1957 till SD Burman’s death in October 1975, both of them worked together in 20 films composing 137 songs.

I have already written about Majrooh Sultanpuri last year while covering the song Nanha Mora Doley Mori Anganiaa. So in this article, I propose to discuss only the musical career of SD Burman.

Sachin Da (1/10/1906 – 31/10/1975) was born in Comilla, a part of Tripura at that time (now in Bangladesh). He belonged to Tripura’s royal family in which his father, Nabadwip Chandra Dev Burman, was the next in line to Tripura Royalty. However, due to some palace machinations, Nabadwip Burman was denied his right as the next king of Tripura because of which he along with his family shifted to Comilla. SD Burman’s childhood years in Comilla became his training ground for music as he became enthralled by the folk music of what was then known as East Bengal.

After graduation from a Comilla college, SD Burman enrolled for Master’s degree in English in the University of Calcutta in 1924. However, he soon gave up his studies to become the disciple of Krishna Chandra Dey (KC Dey). Later, he continued his musical training under Ustad Badal Khan and Pandit Bhishamdev Chatopadhyay.  The royal family of Tripura were the connoisseurs of Hindustani classical music. They resented SD Burman’s indulgence in singing and recording folk songs for earning as it was below dignity for a royal member of family to earn from the music. They also felt that folk songs were not meant for royalty as they were sung by the lower strata of the society. Because of this, SD Burman did not get the traditional royal welcome when he visited Agrtala after his marriage with Meera in 1938.

In 1932, SD Burman left Tripura for Calcutta (Kolkata) for pursuing his interest in music. In the same year, he approached HMV for his first recording of a non-filmy Bengali song. However, he failed in the audition test. Luckily for him, Hindustan Musical Products (Hindustan Records) offered to record his first gramophone song. The song became a major success for Hindustan Records. During 1932-1946, SD Burman recorded over 100 non-films, mostly Bengali and some filmy Bengali songs most of which became commercially successful.

Despite success as a singer in non-film songs, SD Burman had to face disappointment in 1933 when a song sung by him in the film ‘Yahudi Ki Ladki’ (1933) was deleted and was recorded afresh in the voice of Pahadi Sanyal due to the internal politics of New Theatre. In 1935, SD Burman got an opportunity to do a minor role of a beggar in Madhu Bose’s film ‘Selima’ (1935) in which he was to sing a song. At first, SD Burman refused telling that he would be ostracised from the Tripura royal family if they came to know that he was working in a film. However, Madhu Bose assured him that no one would recognise him in his make-up of a beggar with beard and moustache. So this became SD Burman’s first film song as an actor-singer.

Sometime in 1942, SD Burman got an offer from Chandulal Shah to join Ranjit Movietone as music director. The offer was declined as he did not relish the idea of leaving Kolkata. In the next two years, he found that he was not able  to get enough opportunity to compose music for Bangla films as all important banners had their own music directors in their pay rolls. These music directors would offer him to sing as a playback singer which he would not agree as his wish was to become a music director. At this juncture, he took a decision that he would not sing for any other music directors and he would sing his own compositions for films not as a playback singer but as background singer. He maintained that stand consistently after he became a part of the Bombay (Mumbai) film industry in 1946.

In early 1940s, Bengal was reeling under the worst famine. The film industry was adversely affected. There was an exodus from Kolkata to Mumbai film industry for a different reason. SD Burman knew that despite his liking for Kolkata, he had to move to Mumbai to be able to achieve his dream of becoming a music director. In October 1944, SD Burman along with his family landed in Mumbai on the invitation from Rai Bahadur Chunnilal and Sashadhar Mukherjee who had formed Filmistan with Ashok Kumar, Gyan Mukherjee and other technicians, a breakaway group from Bombay Talkies.  Burman joined Filmistan as music director.

In Mumbai, SD Burman’s greatest handicap was his inability to fully understand Hindi, leave aside Urdu.  This handicap willy-nilly made him the pioneering in ‘tune first lyrics later’ concept in Hindi film song compositions. It is said that in his first two films with Filmistan, C Ramchandra helped SD Burman in music arrangements. I guess, as a newcomer, it was difficult for him to arrange musicians and communicate with them.

His first film as a music director was ‘Shikaari’ (1946) followed by ‘Aath Din’ (1946), both produced under the banner of Filmistan.  The music of ‘Shikari’ (1946) did not create much interest in the common public though studio hands appreciated newness in his music compositions. However, songs of ‘Aath Din’ (1946) especially two songs sung by SD Burman and Pehle Na Samjhaa Pyaar Tha by Ameerbai Karnataki became popular and made him a different class of music director well-versed with the then East Bengal folk music.

SD Burman was not satisfied with his music in these two films as he did not find anyone in the streets singing his songs. On the contrary, he found his servant always humming the songs from ‘Rattan’ (1944). He felt that unless his songs became popular on the streets, his presence as a music director would never be felt in Bombay film industry.

In the meanwhile, Sashadhar Mukherjee allowed him to take up the music direction in the films outside Filmistan. In 1947, he did two films outside Filmistan – ‘Chitor Vijay’ (1947) and ‘Dil Ki Rani’ (1947) both having Raj Kapoor and Madhubala as lead pairs. Neither the films fared well on the box office front nor did the songs become popular. The only point of interest in ‘Dil Ki Rani’ (1947) was that SD Burman made Raj Kapoor to sing in his own voice a song, O Duniya Ke Rehne Waalo Bolo Kahaan Gaya Chitchor.

Filmistan entrusted SD Burman with the music direction of ‘Do Bhai’ (1947). Sashadhar Mukherjee was a hard task master who rarely got satisfied with the tunes SD Burman composed for this film. Fed up with the constant rejections of tunes by Sashadhar Mukherjee, one day, SD Burman decided to have a show down with his boss. Probably after that he would think of leaving Filmistan and go back to Kolkata. To his surprise, Sashadhar Mukherjee at once approved the first tune he played on the harmonium and asked him record the song at the earliest. The song was Mera Sundar Sapna Beet Gaya sung by Geeta Roy (later Dutt). This song made Geeta Roy a star playback singer overnight. The film was a box office success. For the first time, SD Burman heard his servant humming this song which made him very happy. In 1948, he composed songs from ‘Vidya’ (1948). It was his first film with Dev Anand and Suraiya. The film did not fare well on the box office but one song  Laayi Khushi Ki Duniya, picturised on Dev Anand and Suraiya, became very popular.

Filmistan’s ‘Shabnam’ (1949) can be regarded as SD Burman’s first real successful film as a music director as all the songs of the films became very popular. For SD Burman, it was one of his most satisfying period of his musical career as he found the songs of ‘Shabnam’ being heard on the street quite often. He even heard the labourers at Bandra Railway Station, singing one of the songs from this film in tandem with their track maintenance work.

In 1950s, SD Burman did not have much success as a music director. ‘Afsar’ (1950) was his first film for Navketan – a film production company started by Chetan Anand and Dev Anand. The film did not fare well at the box office although two songs – Naina Deewaane Ek Nahin Maane and Man Mor Huaa Matwaala became popular. ‘Pyaar’ (1950) also did not have a great run. SD Burman was now depressed that even after 5 years of his stint as a music director in Bombay film industry, he has not established himself as a successful music director. With this thought in mind, he decided to leave Mumbai and return to Kolkata.

At that time, Ashok Kumar was reviving Bombay Talkies by producing ‘Mashaal’ (1950) for which SD Burman was entrusted with the music direction. His leaving at a crucial juncture would have affected the film. After much persuasion by Ashok Kumar, SD Burman stayed back to complete the music direction of the film with a condition that after the completion of his work, he would return to Kolkata.

It so happened that ‘Mashaal’ (1950) became a box office hit film. Almost all the songs of the film became very popular. But it was Manna Dey’s song,  Upar Gagan Vishaal which drew attention of the common folk. With this song, Manna Dey seemed have announced that he had, at last, arrived in the world of Hindi film music. Manna Dey had worked as an Assistant Music Director for SD Burman but he got his first chance to sing under his baton only in ‘Mashaal’ (1950).

With the success of ‘Mashaal’ (1950), producers lined up for signing SD Burman for their films which included ‘Bahaar’ (1951), ‘Buzdil’ (1951), ‘Ek Nazar’ (1951), ‘Naujawaan’ (1951) and ‘Sazaa’ (1951). All these films had very popular songs some of which are still remembered today like Sainya Dil Mein Aana Re, Jhan Jhan Jhan Jhan Paayal Baaje, Thandi Hawaayen Lehra Ke Aayen and Tum Na Jaane Kis Jahaan Mein Kho Gaye.

But one film SD Burman  did in 1951 gave a tremendous boost to his career as a music director – it was Navketan’s ‘Baazi’ (1951). It was Guru Dutt’s first directorial venture. SD Burman’s musical treatment in this film was quite a contrast to what he had so far churned out. There were no Bengali traces in the songs. Instead, he predominantly used western and Punjabi beats. In fact, he turned Sahir Ludhinavi’s philosophical ghazal, Tadbeer Se Bigdi Huyi Taqdeer Banaa Le  into a seductive club song. All the songs of ‘Baazi’ (1951) became super hits. The success of ‘Baazi’ (1951) made SD Burman almost a permanent fixture with Navketan Banner until ‘Chhupa Rustom’ (1973). By now, he had dropped the idea of shifting to Kolkata.

The musical success of ‘Baazi’ (1951) created a successful pair of Sahir Ludhianvi and SD Burman. During 1951-57, both of them created 138 songs in 18 films. Unfortunately, due to clash of egos, they did not work together after ‘Pyaasa’ (1957).

I will not go into further details of his successful films as they are in large numbers. But there are a few films which I consider as classic insofar as SD Burman’s music is concerned. They are ‘Taxi Driver’ (1954), ‘Pyaasa’ (1957), ‘Nau Do Gyaarah’ (1957), ‘Paying Guest’ (1957), ‘Kaala Paani’ (1958), ‘Sujata’ (1959), ‘Kaala Baazar’ (1960), ‘Bandini’ (1963) ‘Tere Ghar Ke Saamne’ (1963), ‘Guide’ (1965), ‘Aradhana’ (1969), ‘Prem Pujari’ (1970), ‘Sharmilee’ (1971), ‘Tere Mere Sapne’ (1971), and ‘Abhimaan’ (1973). But within these films, there were high points in SD Burman’s musical career – ‘Baazi’ (1951), ‘Pyaasa’ (1957), ‘Guide’ (1965), ‘Aradhana’ (1969) and ‘Abhimaan’ (1973).

During 1946 until his death in October 31, 1975 SD Burman composed music for 90 films (including one unreleased film) comprising 673 songs (666 songs if I exclude 7 songs from the unreleased film). This gives an annual average of 3 films. According to those who had closely worked with SD Burman, he would consider him to be ‘busy’ if he had two films on hand. He considered himself ‘very busy’ if he had 3 films on hand. He would not take any more musical assignments until he completed one of the three films on hand. So the annual average of 3 films are within the parameter he set for himself.

It was during the recording the song, Badi Sooni Sooni Hai Zindagi Ye Zindagi  from ‘Mili’ (1975) that SD Burman got paralytic attack and was shifted to Bombay Hospital. Later, RD Burman completed the recording of the song. What an irony! When Kishore Kumar was singing this song for recording, his mentor was in the hospital in deep coma. SD Burman remained in coma for the next 5 months until his end came on October 31, 1975.

Since the article has already become very lengthy, I propose to write a second part of the article covering some other aspects of SD Burman’s Hindi film music on his Remembrance Day on October 31, 2018. There are hundreds of anecdotes in the life of SD Burman – some known and some unknown to me – which makes his musical journey very interesting. While Gulzar called him ‘Prince of Music’, Pandit Hari Prasad Charasia referred him as ‘Sangeet Sant’ (Saint of Music). Kersi Lord, who worked with SD Burman as a drummer and later as an accordionist for a very long time, called him ‘an old man with a young heart’ insofar as his music was concerned. Pandit Shiv Kumar Sharma, the santoor player called SD Burman as a wonderful person with child-like innocence.

I will end this article with a statement that SD Burman was a music director who remained at the zenith of his musical career in Hindi film industry since the success of ‘Baazi’ (1951) until his death on October 31, 1975. Even 5 year hiatus with Lata Mangeshkar (1957-62) did not affect his musical career. Some of the films for which SD Burman composed music may have failed at the box office but his music did not fail.

On the occasion of 112th birth anniversary of SD Burman and 99th birth anniversary of Majrooh Sultanpuri, I present one of their creations from ‘Sitaaron Se Aage’ (1958). The film was produced by VL Narasu, a coffee plantation magnate from the South India. The film starred Ashok Kumar, Vyjayantimala, Jagdish Sethi, Johny Walker, Shammi, Iftekhar, Raja Sulochana, Leela Mishra, Manmohan Krishna etc.

The film seems to have jinxed from the very beginning. Gyan Mukherjee was originally assigned to direct the film. He had even completed musical sitting with SD Burman. The film went into shooting floor in 1956. However, Gyan Mukherjee fell ill and was diagnosed with brain tumour. He was also afflicted by Parkinson’s disease. He passed away in November 1956. Ashok Kumar had to rope in Satyen Bose to direct the film (As revealed by late Sachin Bhowmick and quoted in ‘SD Burman – The Prince Musician’ – Anirudh Bhattacharjee & Balaji Vittal (2018).

During the making of the film, SD Burman got into tiff with Lata Mangeshkar on the issue of re-recording of the song, Sainya Kaise Dhaaroon Dheer as he wished to record the song afresh with some changes in the tune. Since Lata was leaving for a foreign trip, she could not give him the date, nor she could commit to give a priority date on her return from the trip. This enraged SD Burman to such an extent that he stopped engaging Lata Mangeshkar as a playback singer for the next 5 years. He got the above-mentioned song recorded in the voice of Asha Bhonsle. But she could not render the song the way S D Burman wanted. So he retained the originally recorded Lata version for the film. The remaining songs which were to be sung by Lata in the films were rendered by Asha Bhonsle (3) and Geeta Dutt (1).

After about 8 years from this incidence, SD Burman got his original wish fulfilled. Lata Mangeshkar recorded a song based on the tune of the song referred to above. The result was the culmination of a new song for the film ‘Guide’ (1965). The song was Mo Se Chhal Kiye Jaaye Dekho Sainya Beimaan. Incidentally, as I checked from the credit titles, Hiralal was one of the choreographers for both ‘Sitaaron Se Aage’ (1958) and ‘Guide’ (1965).

‘Sitaaron se Aage’ (1958) got delayed and finally released sometime in early 1958. The film was a musical extravaganza with Vyjayantimala performing a number of semi-classical dances in the film. A feature of the songs in this film was that  SD Burman used Western scores in a couple of songs like Chanda Ki Chaandni Ka Jaadoo and Mehfil Mein Aaaye Wo Aaj Dheere Se that sounded like waltz music.

So far 7 songs (out of 9 including one multiple version song) from this film have been covered in the Blog. I present the 8th song – ‘Aa Khilte Hain Gul, O Mere Bulbul’ sung by Lata Mangeshkar. The song was written by Majrooh Sultanpuri and picturised on Vyjayantimala as a dance song. The song is not only melodious but rhythmic as well.

[Author’s Note: Some of the information on SD Burman’s early life and early musical career has been sourced from ‘SD Burman – The World of His Music’ by Khagesh Dev Burman (translated from Bengali by SK Ray Chaudhuri), 2013.]

(Video)

(Audio)

Song – Aa Khilte Hain Gul, O Mere Bulbul (Sitaaron Se Aage) (1958) Singer – Lata Mangeshkar, Lyrics – Majrooh Sultanopuri, MD – SD Burman
Chorus

Lyrics

aa khilten hain gul
o mere bulbul
rut hai jawaan
tu hai kahaan
dilruba aa aa aaa
aa khilten hai gul
o mere bulbul
rut hai jawaan
tu hai kahaan
dilruba aa aa aaa
aa khilten hai gul
ho oo mere bulbul
mil jaa gale
kahin ye milan ki 
rut na dhale
mil jaa gale
kahin ye milan ki 
rut na dhale
 
o o o o
o o o o o 
wohi teri raahen
wohi meri aahen
wohi main hoon
wohi dil mera
o
wohi teri raahen
wohi meri aahen
wohi main hoon
wohi dil mera
wohi teri baaten
wohi meri raaten
wohi rang e mehfil mera
rah ke juda
dil na dukha
aa bhi jaa aa aa aaa
aa khilten hain gul
o mere bulbul
jiyara jaley
piya kabhi apne
din thhe bhale
o jiyara jaley
piya kabhi apne
din thhe bhale
rut hai jawaan
tu hai kahaan
dilruba aa aa aaa
aa khilten hain gul
o mere bulbul
 
aa aa aa aa
aa aa aa aaa
aa aa aa aa
aa aa aa aaa
aa aa aa aa

o o o o
o o o
raah teri takta
gham se sulagta
chaand bechaara kahaan gaya
o raah teri takta
gham se sulagta
chaand bechaara kahaan gaya
tu hi nahi aaya
dhal gaya saaya
yahaan ka taara wahaan gaya
raat dhali
jhoom chali
phir hawaa aa aa aaa
aa khilten hain gul
o mere bulbul
tum na miley
khadi khadi jaloon piya
chanda taley
ho tum na miley
khadi khadi jaloon piya
chanda taley
rut hai jawaan
tu hai kahaan
dilruba aa aa aaa
aa khilten hain gul
o o mere bulbul. . .

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

आ खिलते हैं गुल
ओ मेरे बुलबुल
रुत है जवां
तू है कहाँ
दिलरुबा आ आ॰॰आs
आ खिलते हैं गुल
ओ मेरे बुलबुल
रुत है जवां
तू है कहाँ
दिलरुबा आ आ॰॰आs
आ खिलते हैं गुल
हो ओ मेरे बुलबुल
मिल जा गले
कहीं ये मिलन की
रुत ना ढले
मिल जा गले
कहीं ये मिलन की
रुत ना ढले

ओ ओ ओ ओ
ओ ओ ओ ओ ओ
वही तेरी राहें
वही मेरी आहें
वही मैं हूँ
वही दिल मेरा

वही तेरी राहें
वही मेरी आहें
वही मैं हूँ
वही दिल मेरा
वही तेरी बातें
वही तेरी रातें
वही रंग ए महफिल मेरा
रह के जुदा
दिल ना दुखा
आ भी जा आ॰॰आ॰॰आ
आ खिलते हैं गुल
ओ मेरे बुलबुल
जियरा जले
पिया कभी अपने
दिन थे भले
जियरा जले
पिया कभी अपने
दिन थे भले
रुत है जवां
तू है कहाँ
दिलरुबा आ आ॰॰आs
आ खिलते हैं गुल
ओ मेरे बुलबुल

आ आ आ आ
आ आ आ आss
आ आ आ आ
आ आ आ आss
आ आ आ आ

ओ ओ ओ ओ
ओ ओ ओ
राह तेरी ताकता
ग़म ये सुलगता
चाँद बेचारा कहाँ गया
ओ राह तेरी ताकता
ग़म ये सुलगता
चाँद बेचारा कहाँ गया
तू ही नहीं आया
ढाल गया साया
यहाँ का तारा वहाँ गया
रात ढली
झूम चली
फिर हवा आ॰॰आ॰॰आs
आ खिलते हैं गुल
ओ मेरे बुलबुल
तुम ना मिले
खड़ी खड़ी जलूँ पिया
चंदा तले
हो तुम ना मिले
खड़ी खड़ी जलूँ पिया
चंदा तले
रुत है जवां
तू है कहाँ
दिलरुबा आ आ॰॰आs
आ खिलते हैं गुल
ओ ओ मेरे बुलबुल॰ ॰ ॰


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3698 Post No. : 14615

1958 Film Suvarna Sundari was Produced by Anjali Pictures, Madras (now Chennai) and Directed by B Raghavaiyah was a Hit picture, coming from South, having a huge star cast including Anjali Devi, Shyama, Daizy Irani, Saroja Devi, Agha, Mukri, Dhumaal, Randhir, Bipin Gupta, Niranjan Sharma, Sachin Shankar, Kamaljit, Sapru, Gummadi, Vishwanath, Chaudhury, Radhakishan, Piketi etc.

According to HFGK, it had 14 songs, all written by Bharat Vyas with Music by Adi Narayan Rao, assisted by Satyam Munnuswami and TV Raju.

Only two songs:

1. Kuhu Kuhu Bole Koyalita – Lata Rafi Duet

2. Mujhe Naa Bulaa – Lata Solo

have been included in our Sureela Musical Blog up till now and this, a Lata Solo, is the third addition.

There were nine songs by Lataji (Solo and duets) in this film and this one is the third song on our Blog

It is an obvious Sales pitch song, with the seller, Anjali Devi selling toys on the street and is surrounded by many children.


Song-Le Lo Ji Le Lo Gudiya(Suvarna Sundari)(1958) Singer-Lata, Lyrics-Bharat Vyas, Music-Adi Narayan Rao

Lyrics

ho o o o o oo
ho o o o ooo

le lo ji le lo gudiya aa aa
jaadu ki hai yeh pudiya aa aa
chhajje pe khadi khadi
naache yeh ghadi ghadi
khhan khhan bajaaye choodiyaan
hoo ooo
le lo ji le lo gudiya aa aa
jaadu ki hai yeh pudiya aa aa
chhajje pe khadi khadi
naache yeh ghadi ghadi
khhan khhan bajaaye choodiyaan
hoo ooo
le lo ji le lo gudiya

ho ooo
o ladke kyun jiya tera dhadke
khada hai kyun akad ke
kya paisa tu laaya re
jeb khaali soorat hai niraali
bana re tu mavaali
kyun man bharmaaya re
meri gudiya chhabeeli rangeeli badi
dekho pahne huye motiyon ki ladi
mujhe duniyaa mein sabse ye mahangi padi
gori gori
gori gori kamar mein bandhi dori
dulhan naache chhori
dhinak dhin dha
ho ooo oo
le lo ji le lo ji gudiya

nanhi munhi idhar udhar thumak thumak dole
gori mori ghoonghat ka pat khole re naa khole
hoy nanhi munhi idhar udhar thumak thumak dole
gori mori ghoonghat ka pat khole re naa khole
laaj aaye ri yeh laajwanti badi
phool se halki hai yeh meri phuljhadi
dekho parde mein mukhda chhupaaye khadi
dheere dheere
dheere dheere baabuji munh chhupaana
nazar na lagaana
naazuk gudiya
hoo ooo
le lo ji le lo gudiya
jaadu ki hai yeh pudiya aa aa
chhajje pe khadi khadi
naache yeh ghadi ghadi
khhan khhan bajaaye chudiya
hoo ooo
le lo ji le lo gudiya

aaa aaaa aaa aaa
aaa aaaa aaa aaa
aaa aaaa aaa aaa
aa aaaa aaa aaa


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14900 song posts by now.

This blog is active and online for over 3800 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14929

Number of movies covered in the blog

Movies with all their songs covered =1163
Total Number of movies covered =4076

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