Archive for the ‘Song used in more than one film’ Category
Ritu pyaar karan ki aayi
Posted on: September 20, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 15900th song post for the blog
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Blog Day : |
4447 | Post No. : | 15900 |
So we reach another blog century with this post. This century materializes in 39 days, which appears like a fast century vis a vis the previous eleven centuries that took an average of 61 days each. These eleven centuries were took nearly two years (from August 2018 till July 2020). If we look at the rate of centuries ten years ago, then we had achieved a blog century on 20 september 2010 as well. That was the 30th century for the blog and that had been achieved in 17 days flat !. Eleven centuries (viz 20th century to 30th century were achieved at an average rate of 33 days per century.
The quickest rate of centuries were achieved during 2011 and 2012. Calendar year of 2012 saw 21 blog centuries, a record not surpassed since ! These 21 centuries were achieved at an average rate of one century every 18th day !
When I try to think about the by now barely believable rate of posts and centuries in the past, I can pinpoint a few reasons. And I also learn a few lessons from them.
Ten years ago, I was ten years younger. at that stage in my life, I was perhaps at the most productive and creative stage of my life. My enery level and motivation level were on a different plane. I also realise that my eyesight was still good and I did not need glasses to read fine prints. It was sometime in 2011 that I began to realise that my eyesight was going downhill. That is when I needed glasses for the first time. With that being the case, it was no longer possible for me to pore over the computer screen with the same comfort as before. This may be one reason why I hav slowed down. I need to take breaks from computer for the sake of my eyes, which was not the case prior to 2011.
Secondly, at that stage, I found it easy to wake up early in the morning and staying up late as well. My wife complained that I was neglecting my health by not getting enough sleep. Her constant nagging has finally had its effect on me. For the last two years, I no longer wake up at 5 AM in the morning and finish off six or seven posts for the day in three hours.
25 september 2011 was a crazy day when as many as 13 writeups were posted. First post appeared at 8:10 PM and the last post at 23:59 PM ! It means that I devoted the entire day at the computer doing nothing but posting articles all th time ! The same feat was repeated on 6 september 2012. The first post of the day appeared at 7:32 AM. The thirteenth and final post of the day appeared at 23:47 PM and that marked the 66th blog century for the blog !
Those were crazy days for the blog! The concepts of movies making their debuts, moving getting YIPPEED in the blog etc were not known. I did not have access to HFGK, so I was blissfully unaware if all the songs of a movie were covered in the blog. Unburdened by all these considerations, and helped by the fact that most well known songs of well known movies were still up for grabs, we had no problem finding sngs to discuss. All those songs, not yet dscovered were like low hanging fruits that were easy to pluck. We have dealt with all those low handing fruits and now we are dealing with songs that were relatively less popular and lesser known. I was gifted HFGK on july 2014 by our two Maharathi contributors Mr Arunkumar Deshmukh and Sudhir Jee, on the occasion of the blog completing 10000th post. By that time, we were also on to concepts like individual artists centuries, blog contributors centuries etc. We had also evolved the concept of YIPPEE thanks to the ever enthusiastic Pradeep Raghunathan. All these factors meant that we had to do more research that before to locate specific songs that met specific requirements.
These days we are not able to score our centuries at Sehwag like rate (16-17 days) but even scoring centuries at test match rate is not bad. What matters is that the musical juggesrnaut keeps moving and does not remain stand still. We have managed to remain free of a DOT day in the blog for this entire calendar year 2020. There were three DOT days in 2019, 7 in 2018 and ZERO in 2017. So we have ben like a non stop musical bandwagon for the last four years with hardly any stoppages. And let us hope that it continues that way.
Another thing where we had managed to staay true to form is in the selection of our Century songs. We manage to come up with special songs for such special occasions. Seeing that we have had 158 Blog centuries so far, we have discussed 158 special songs on these occasions. 158 is not a small number by any stretch of imagination. One would need more than 8 hours to listen to these special songs !
The 15900th song of the blog is a special song as well. It is special because
(i) it is a rare and obscure song
(ii) the singer is also obscure, though she comes from a well known musical family
(iii) The song is one that has been reused in at least two movies, both obscure.
The song is from “Bhed”(1950). This movie was produced by Amba Cinetone(Jal K Baliwala Productions Bombay). That is all that HFGK contains for this movie. HFGK tells us that this movie had at least nine songs in it, may be more. Mukul Roy (brother of Geeta Roy, later Geeta Dutt) was the music director.
Three songs from this movie have been discussed so far. All these three songs were sung by Geeta Dutt.
Here is another song from “Bhed”(1950). Is it sung by Geeta Dutt ? No, it is sung by Lakshmi Roy, sister of Geeta Dutt. Geeta Dutt is a legendary singer in HFM, but her sister Lakshmi Roy has sung very few songs in HFM. Most of her songs are duets with other singers. This song is an axception. It is a solo song.
This song is penned by Madhukar Rajasthani.
I made another interesting discovery. Five songs from “Bhed” (1953) were later reused in “Do Bahaadur”(1953). Unlike “Bhed”(1950), details of starcast of “Do Bahaadur”(1953) is known. “Do Bahaadur”(1953) was produced by Nari Cawasji and drected by Baburao Pahalwan for Baghdad Pictures under supervision of Shantaram Athwale. The movie had John Cawas, Shanta Patel, Rohini, Dalpat, Goldstein, Rajni, Chitalkar, Dilawar, Baby Balo, Aziz Premi, Madhu Apte, Ali, Baburao Pahalwan etc in it.
This movie too had music by Mukul Roy. The movie had six songs in it. Five of these songs were same as those of “Bhed”(1950). the sixth song was taken from “Ustaad Pedro”(1951).
Such cut and paste job for music did not help the cause of “Do Bahaadur”(1953). For that matter even “Bhed”(1950) is a rare and forgotten movie.
Coming to Lakshmi Roy, she married producer director Pramod Chakraborty. Unlike her unfortunate sister Geeta, she enjoyed a long and happy married life.
As the 15900th song of the blog, here is this rare and special song from “Bhed”(1950).
A blog century on 20 september 2010 and a blog century on 20 september 2020 as well. So we have mnaged to achieve a different kind of “Blog Ten Year Challenge” today with this post. 🙂
As we can see, we are now just one more century away from the magic 16000 mark. Here is hoping that we will not just reach that landmark but also reach many distant landmarks in future. I take this opportunity to thank one and all for their continued support and encouragement.
Song-Ritu Pyar karan ki aayi (Bhed) (1950)/(Do Bahaadur)(1953) Singer-Laxmi Roy, Lyrics-Madhukar Rajasthani, MD-Mukul Roy
Lyrics
Ritu Pyaar karan ki aayi
jawaani
saawan ban ke chhaayee
saawan ban ke chhaayee
Ritu Pyaar karan ki aayi
jawaani
saawan ban ke chhaayee
saawan ban ke chhaayee
mastiyaan le le kar angdaayi
mastiyaan le le kar angdaayi
kahi haan aayi haan aayi
saawan ban ke chhaayee
Ritu Pyaar karan ki aayi
jawaani
saawan ban ke chhaayee
saawan ban ke chhaayee
chhaayee huyi khushrang(?) ghataayen
chhaayee huyi khushrang(?) ghataayen
naach rahi hain mast hawaayen
naach rahi hain mast hawaayen
koyal ne kook
koyal ne kook lagaayee
papeeha preetam ka saudaayee
kahen haan aayi haan aayi
Ritu Pyaar karan ki aayi
jawaani
saawan ban ke chhaayee
saawan ban ke chhaayee
shama se kehta hai parwaana
shama se kehta hai parwaana
bulb(?) se hai gul suhaana
bulb(?) se hai gul suhaana
bhanwron se hai kaliyaan kehtin
chanda se kahen chakori
kya
kahen haan aayi haan aayi
kahen haan aayi haan aayi
Rut pyaar karan ki aayi
jawaani
saawan ban ke chhaayee
saawan ban ke chhaayee
rut pyaar karan ki aayi
jawaani
saawan ban ke chhaayee
saawan ban ke chhaayee
- In: Devnagri script lyrics by Sudhir | Drunkard song | Guest posts | Jaishree T Dance Songs | Post by Sudhir | Seduction song | Snippet Song | Song used in more than one film | Songs of 1980s (1981 to 1990) | Songs of 1984 | Songs reused again in subsequent movies | Usha Mangeshkar solo | Usha Mangeshkar songs | Yearwise breakup of songs
- 6 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4446 | Post No. : | 15897 |
Songs Repeated in Hindi Films – 23
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OK, so introducing another popular song that got very quickly reused in a subsequent film. This raunchy item number surprised everyone when it came out for the first time. The film is ‘Inkaar’ from 1977. It was cops and robbers story – B-grade cinema but it was done very professionally, giving some true insight into the normal working of the police force.
This song, which is performed by Helen in the film, became very popular in its time. And the wonder part of this song was / is the voice that has rendered it. The voice is of Usha Mangeshkar. One does not hear her voice in item numbers. Maybe part of a twin dance duet singing. But not an out and out item song. Somehow the selection of his voice for the setting clicked absolutely well. The setting of the song in the original film is a roadside tavern – a desi daaru ka adda. A counter for selling liquor and some chairs and tables for the clients to enjoy their glass that cheers. The dancer, Helen, is very much in the native Maharashtrian attire, wearing the dhoti in the typical lavangi style. The scenario, the persona – the singing voice suited everything to a T.
Fast forward to 1984. The film is ‘Andar Baahar’. This is another cops and robbers tale. Jackie Shroff is a police inspector who has lost his senior partner (role played by Parikshit Sahni) to the bullets of criminals. He vows revenge, and for that he takes permission to pull out a jailed criminal (role played by Anil Kapoor), and enrolls him as his partner, because he can identify the gangster boss. Anil Kapoor, who is a hardened criminal otherwise, has a difficult time adjusting to a role on the other side of the law. So within the very first one or two days, taking advantage of his newly given freedom, he disappears from Jackie Shroff’s home. Jackie is worried, on many counts, and sets out to search for him. Following his instincts he goes to the city red light area and his hunch is proved correct. Anil Kapoor is in a binge of drink and dance with a dancing girl of the area, role played by Jaishree T. And the song that is used in this scene is the iconic Usha Mangeshkar number, repeated from the film ‘Inkaar’.
The reuse is a direct replay without re-recording. The song duration is shorter because only one stanza of the song is utilized. Once again, being a repeat song, this does not appear in the Geet Kosh listings for the latter film. I have retained the credits for the song, from the original film – Majrooh Sultanpuri and Rajesh Roshan. Incidentally the music director for the latter film is RD Burman.
So another popular song reused in a later film. I accidentally ran into this song, as I was searching for another video clip to complete another post. The song “Hum Ko To Yaari Se Matlab Hai” from film ‘Andar Baahar’ has a sad version that was not getting located. I played thru the film in fast forward mode. It was a short clip but I was able to locate it. In the process, the bonus was the discovery of this repeat song that would have otherwise not been located, as it is not listed. A good chance discovery.
Song – Tu..u..u Mungdaa, Mungdaa Main Gud Ki Dhali (Andar Baahar) (1984) Singer – Usha Mangeshkar, Lyrics – Majrooh Sultanpuri, MD – Rajesh Roshan
Lyrics
tu..u..u
mungdaa mungdaa
main gud ki dali
mangtaa hai to aa jaa rasiyaa
naahin to main ye chali
mangtaa hai to aa jaa rasiyaa
naahin to main ye chali
tu..u..u
mungdaa ha mungdaa
main gud ki dali
mangtaa hai to aa jaa rasiyaa
naahin to main ye chali
mangtaa hai to aa jaa rasiyaa
naahin to main ye chali
aapas ki chaal dekhe so lut jaaye
aapas ki chaal dekhe so lut jaaye
tu jis pe naina daal haathon se pyaala satak jaaye
tu jis pe naina daal haathon se pyaala satak jaaye
aashiq apna
mungdaa mungdaa mungdaa
main gud ki dali
kaisa mulga hai re sharmila
tujhse to mulgi bhali
kaisa mulga hai re sharmila
tujhse to mulgi bhali
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Hindi script lyrics (Provided by Sudhir)
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तू॰॰ऊ॰॰ऊ
मूंगड़ा मूंगड़ा
मैं गुड़ की डली
मंगता है तो आ जा रसिया
नाहीं तो मैं ये चली
मंगता है तो आ जा रसिया
नाहीं तो मैं ये चली
तू॰॰ऊ॰॰ऊ
मूंगड़ा मूंगड़ा
मैं गुड़ की डली
मंगता है तो आ जा रसिया
नाहीं तो मैं ये चली
मंगता है तो आ जा रसिया
नाहीं तो मैं ये चली
आपस की चाल
देखे तो लुट जाये
आपस की चाल
देखे तो लुट जाये
तू जिस पे नैना डाल
हाथों से प्याला सटक जाये
तू जिस पे नैना डाल
हाथों से प्याला सटक जाये
आशिक अपना मूंगड़ा
मूंगड़ा मूंगड़ा
मैं गुड़ की डली
कैसा मुल्गा है रे शर्मिला
तुझसे तो मुल्गी भली
कैसा मुल्गा है रे शर्मिला
तुझसे तो मुल्गी भली
Tera Haath Haath Mein Aa Gaya
Posted on: July 31, 2020
- In: Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Lyrics contributed by readers | Post by Sudhir | Rafi solo | Rafi songs | Snippet Song | Song used in more than one film | Songs of 1950s (1951 to 1960) | Songs of 1960 | Songs reused again in subsequent movies | Yearwise breakup of songs
- 3 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4396 | Post No. : | 15772 |
Songs Repeated in Hindi Films – 22
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I present here a repeat song that is quite different from the string of songs in this series so far. I shall begin by introducing the original song.
The original song is from the 1953 film – ‘Hamdard’. The song has been written by Majrooh Sultanpuri, and the music composition is by Anil Biswas. The original song is in the voice of Manna Dey, and it is already posted on the blog a good eight years ago. That post can be viewed at “Tera Haath Haath Mein Aa Gaya”.
The repeat song, this time appearing in the film ‘Tu Nahin Aur Sahi’ from 1960. The song is the same, but for the latter film, it has been re-recorded. The music director of the latter film is Ravi. The second recording is different, both with regards to the composition, as well as the singing voice. The latter song has been recorded in the voice of Rafi Sb, in a tune that is quite different from the original.
In the latter film, only the mukhda of the song is present. The full song is not presented. It would be interesting to know whether the latter version of the song was recorded as a complete song, or only the lines that are actually present in the film.
So the repeat song has been re-recorded, using a different tune, and in a different voice. And it is only used partially. There surely are other instances in Hindi films, where snippets of songs from earlier films have been used partially. This case is interesting, in that it has been formally re-recorded, different voice, different tune. As far as I can check, it appears that this is the only instance of its kind, in the category of repeat songs.
Here is another very interesting anecdote about this song. There is actually another instance in Hindi films, where these lines appear, albeit equally briefly. The film is ‘Teesri Manzil’ from 1966. The scenario is played out as follows.
The location is again the restaurant of the hotel. Shammi Kapoor, or Rocky, (also Anil) has just finished singing the song – “Tumne Mujhe Dekha Ho Kar Meharbaan”. He is on the seventh heaven, considering that Asha Parekh, or Sunita has come to his performance of this song. Little does he know that the letter that was supposed to reach her the previous evening has just been delivered to her in the restaurant. Of course, knowing the truth, Sunita is livid at the deception played by Anil. And Anil, on the seventh heaven, has completed the song and launches into a monologue, telling the audience, how lucky he is having found love. He reaches the table where Sunita is sitting, and she is in tears. Continuing the monologue, Anil reaches out for her hand, and starts to speak these lines –
Tera Haath Haath Mein Aa Gaya
Ke Chirag Raah Mein Jal Gaye. . .The unexpected next instant is a shock, as Sunita pulls back her hand and lands a resounding slap on Anil’s cheek.
So a very interesting set of appearances these lines make – from 1953 to 1960 to 1966.
Remembering Rafi Sb today, on his 40th remembrance day.
This snippet also brings back memories of another great performer – Kumkum, who passed away on 28th July, three days ago. In the closing minutes of this film, she makes a decision and leaves her home, to follow the person she loves, no matter that person is a dishonest conman.
Song – Tera Haath Haath Mein Aa Gaya (Tu Nahin Aur Sahi) (1960) Singer – Mohammed Rafi, Lyrics – Majrooh Sultanpuri, MD – Ravi
[Note: The music director for the original tune in ‘Hamdard’ is Anil Biswas.]
Lyrics
tera haath haath mein aa gaya
ke chiraag raah mein jal gaye
mujhe sehal ho gayin manzilen
wo hawa ke rulh bhi badal gaye
tera haath haath mein aa gaya
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Hindi script lyrics (Provided by Sudhir)
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तेरा हाथ हाथ में आ गया
के चिराग़ राह में जल गए
मुझे सेहल हो गईं मंज़िलें
वो हवा के रुख भी बादल गए
तेरा हाथ हाथ में आ गया
Laal Laal Gaal Jaan Ke Hain Laagu
Posted on: July 31, 2020
- In: Devnagri script lyrics by Sudhir | fun timepass song | Guest posts | Lyrics contributed by readers | Motorbike song | Post by Sudhir | Rafi solo | Rafi songs | Song used in more than one film | Songs of 1970s (1971 to 1980) | Songs of 1978 | Songs reused again in subsequent movies | Yearwise breakup of songs
- 2 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4396 | Post No. : | 15770 |
Songs Repeated in Hindi Films – 21
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OK, yes, this one too.
And I am very sure most of us would not have heard, or even heard of, the third stanza in this song. Ah yes, that is the wonderful bonus we have from the repeat use of this song. I was not even aware of the existence of a third stanza of this song, before my dear friend Ahsaan Bhai (of Hapur) introduced me to this repeat song in the 1978 film ‘Nasbandi’. That was a few months ago. In wayward manner, i.e. without any proper identification etc., this song is available on you tube. And unless one is aware of what one is looking for, one is bound to miss it.
And the third stanza – I wonder where and how IS Johar was able to lay his hands on the extended version of this song. Is the film availabl somewhere? Food, and quite wholesome food at that, for thought. The repeat use is the original recording in the voice of Rafi Sb. And as such, it is not listed in the Geet Kosh, for the film ‘Nasbandi’.
Definitely, the best of the fast paced super foot tappers sung by Rafi Sb. Listening to this, one can but not cease being amazed in wonder at the spectrum of the range that Rafi Sb has rendered over the near four and a half decades of his career as a playback singer in Indian cinema.
The original song, from the film ‘Mr X’ from 1957. The film is sadly not available, not traceable at present. And so one cannot write about the picturization. However, one thing that Ahsaan Bhai has confirmed with certainty that this song is performed on screen by Johnny Walker, in the original.
The repeat song in the film ‘Nasbandi’ is presented, in original, as a background song. Now, ‘Nasbandi’ is Johar Films production. And knowing the penchant IS Johar has for spoofing and presenting a near gobbledygook farce of the normal situations, one must see this clip with a barrelful of salt, keeping on the side, all the sensible understanding of the real world, or even the reel world. The fun in his films is very much in-your-face farce.
IS Johar was an acknowledged intellectual and man of letters. Only that his capabilities in this arena got directed towards comedy and fun. One can sense that he is making a film for fun, and in that process he is making fun of a lot of established ideas, and even well known people. He went on to produce many films of this calibre.
Another thing that I want to highlight is his penchant for the motor bike. In practically all his films that I have seen, there is one or more scene of motorbike riding, and in some cases, real dare-devilry motorbike riding, be it ‘Johar in Kashmir’ (1966), ‘Johar and Mehmood in Goa’ (1965), or ‘Johar and Mehmood in Hong Kong’ (1971). In this film too, the same gimmickry appears. This song is all about extreme motorbike riding, with display of driving skills underwater, driving on rail tracks, ascending and descending stair cases, besides the other nominal tricks of motorbike riding. One enjoys the song of course. But one also realizes – it is in the film just for the heck of it. 🙂
Ah but, this post is not about IS Johar and his films. It is the recall of this iconic song sung by Rafi Sb, and as mentioned above, the wondrous discovery of a third stanza of this song.
40 years ago, this divine virtuous voice, departed from this world of the mundane. And the world became lesser so with his departure. The artist that he was, and the humane person that was him, only rarely one finds these two attributes of eminence so pleasantly enmeshed together.
Just like water – it will take shape of whatever container one pours into. And it will take up the color of whatever it is mixed with. That is the artist in Rafi Sb. His voice in the background, almost always sounded as the voice of the actor in front. That is what water does – accepts everything, becomes everything.
Such is the same – as with Rafi Sb.
Amen.
Song – Laal Laal Gaal Jaan Ke Hain Laagu (Nasbandi) (1978) Singer – Mohammed Rafi, Lyrics – Majrooh, MD – N Dutta
Lyrics
laal laal gaal
jaan ke hain laagu
o dekh dekh dekh
dil pe rahe kaabu
chor chor chor
bhaag pardesi baaboo. . .
laal laal gaal
jaan ke hain laagu
o dekh dekh dekh
dil pe rahe kaabu
chor chor chor
bhaag pardesi baaboo. . . ah
chor chor chor ye nahin hain maal o zar ke
o mor mor mor ye to hain dil o jigar ke
peele peele peele in ke laal hain niraale
neele neele neele inki ankhdiyon ke pyaale
chor chor chor ye nahin hain maal o zar ke
o mor mor mor ye to hain dil ojigar ke
peele peele peele in ke laal hain niraale
neele neele neele inki ankhdiyon ke pyaale
ajnabi pe bedhadak
khuli sadak chalate hain
chalate hain ye jaadu laal laal gaal
o laal laal gaal
jaan ke hain laagu
o dekh dekh dekh
dil pe rahe kaabu
o chor chor chor
bhaag pardesi baaboo. . . ah
haaye haaye haaye ye nigaahon ka nishaana
o vaaye vaaye vaaye koyi teer kha na jaana
o maan maan maan meri jaan meraa kehana
in ki chaal dhaal ke khayaal mein na rahnaa
haaye haaye haaye ye nigaahon ka nishaana
o vaaye vaaye vaaye koyi teer kha na jaana
o maan maan maan meri jaan meraa kehana
in ki chaal dhaal ke khayaal mein na rahnaa
ajnabi pe bedhadak
khuli sadak chalate hain
chalate hain ye jaadu laal laal gaal
o laal laal gaal
jaan ke hain laagu
o dekh dekh dekh
dil pe rahe kaabu
o chor chor chor
bhaag pardesi baaboo. . . ah
waah waah waah kya haseen hai zamaana
aah aah aah inke dhokhe mein na aana
saath saath saath naachna nazar bacha ke
haath haath haath thaamna jigar bacha ke
waah waah waah kya haseen hai zamaana
o aah aah aah inke dhokhe mein na aana
saath saath saath naachna nazar bacha ke
haath haath haath thaamna jigar bacha ke
ajnabi pe bedhadak
khuli sadak chalate hain
chalate hain ye jaadu laal laal gaal
o laal laal gaal
jaan ke hain laagu
o dekh dekh dekh
dil pe rahe kaabu
o chor chor chor
bhaag pardesi baaboo. . . ah
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Hindi script lyrics (Provided by Sudhir)
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लाल लाल गाल
जान के हैं लागू
ओ देख देख देख
दिल पे रहे काबू
चोर चोर चोर
भाग परदेसी बाबू॰ ॰ ॰
लाल लाल गाल
जान के हैं लागू
ओ देख देख देख
दिल पे रहे काबू
चोर चोर चोर
भाग परदेसी बाबू॰ ॰ ॰
चोर चोर चोर ये नहीं हैं माल ओ ज़र के
ओ मोर मोर मोर ये तो हैं दिल ओ जिगर के
पीले पीले पीले इनके लाल हैं निराले
नीले नीले नीले इनकी अखड़ियों के प्याले
चोर चोर चोर ये नहीं हैं माल ओ ज़र के
ओ मोर मोर मोर ये तो हैं दिल ओ जिगर के
पीले पीले पीले इनके लाल हैं निराले
नीले नीले नीले इनकी अखड़ियों के प्याले
अजनबी पे बेधड़क
खुली सड़क चलाते हैं
चलाते हैं ये जादू लाल लाल गाल
ओ लाल लाल गाल
जान के हैं लागू
ओ देख देख देख
दिल पे रहे काबू
ओ चोर चोर चोर
भाग परदेसी बाबू॰ ॰ ॰
हाय हाय हाय ये निगाहों का निशाना
ओ वाये वाये वाये कोई तीर खा ना जाना
ओ मान मान मान मेरी जान मेरा कहना
इनकी चाल ढाल के ख्याल में ना रहना
हाय हाय हाय ये निगाहों का निशाना
ओ वाये वाये वाये कोई तीर खा ना जाना
ओ मान मान मान मेरी जान मेरा कहना
इनकी चाल ढाल के ख्याल में ना रहना
अजनबी पे बेधड़क
खुली सड़क चलाते हैं
चलाते हैं ये जादू लाल लाल गाल
ओ लाल लाल गाल
जान के हैं लागू
ओ देख देख देख
दिल पे रहे काबू
ओ चोर चोर चोर
भाग परदेसी बाबू॰ ॰ ॰
वाह वाह वाह क्या हसीन है ज़माना
ओ आह आह आह इनके धोखे में ना आना
साथ साथ साथ नाचना नज़र बचा के
हाथ हाथ हाथ थामना जिगर बचा के
वाह वाह वाह क्या हसीन है ज़माना
ओ आह आह आह इनके धोखे में ना आना
साथ साथ साथ नाचना नज़र बचा के
हाथ हाथ हाथ थामना जिगर बचा के
अजनबी पे बेधड़क
खुली सड़क चलाते हैं
चलाते हैं ये जादू लाल लाल गाल
ओ लाल लाल गाल
जान के हैं लागू
ओ देख देख देख
दिल पे रहे काबू
ओ चोर चोर चोर
भाग परदेसी बाबू॰ ॰ ॰
- In: "Aankh" song | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Drunkard song | Duet | expression of love | Feelings of heart | Female drunkard song | Free Spirit Song | fun timepass song | Guest posts | Light hearted song | Lyrics contributed by readers | Party song | Post by Sudhir | Shamshad Begam Asha Bhonsle duet | Shamshad Begam songs | Song used in more than one film | Songs of 2010s (2011 to 2020) | Songs of 2011 | Yearwise breakup of songs
- 1 Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4354 | Post No. : | 15673 | Movie Count : |
4317 |
Songs Repeated in Hindi Films – 20
– – – – – – – – – – – – – – – – – –
It is like cherry picking a hit parade – the repeat songs are almost always the popular hit songs that have made a serious mark on the collective memory of the audiences and lovers of Hindi films and film songs. And this song is no exception. Rather this song has been so popular – with its catchy lyrics and a very hummable melody – that one hears this song being used in many different avatars outside of the film frame – remixes, revival melodies, even background music for recorded dance performances. One can find such samples online on YT.
This iconic song, originally from the 1968 film – ‘Kismat’, has been reused in the 2011 film ‘Tanu Weds Manu’. Whereas the original song was a disguise cum diversion song, in a situation where the lead pair is trying to get away from a group of bad-men, in the newer film, this song is being used as a wooing-cum-proposal-making song. The occasion is a wedding of a friend of the leading lady. Tanuja (Kangana Ranaut) aka Tanu is trying to muster up courage to proposition Manu, who appears to be too shy and unprepared to take a step towards a relationship. Using the wedding scenario as an excuse, Tanu gets drunk (or appears to get drunk). The situation develops and reaches this song in a couple of minutes, and in the guise of this song, Tanu finally gets to speak her heart out to Manu,
kismat bana de meri
duniya basa de meri
kar le sagaai meri jaan
Please note that in this re-use, the original song has been presented as it is, the only one change is that two stanzas have been used instead of 3. So what we hear in this song are the original voices of Asha Bhosle and Shamshad Begum, the mukhda and antara lines suitably edited to present a shorter version.
The info about this reuse has been shared with me by Anekant ji. He has been a regular contributor and there is still a few more songs in my pending list for this series, that have been suggested by him.
The original song from the film ‘Kismat’ came on to this blog on 9th February, 2009. It can be accessed here – “Kajra Mohabbat Wala, Akhiyon Mein Aisa Daala“.
Check out this resue, and witness an energetic on screen performance by Kangana, who, under the supposed influence of alcohol, is desirous of presenting a Kanpuria dance for the occasion. And enjoy.
Song – Kajra Mohabbat Wala Akhiyon Mein Aisa Daala (Tanu Weds Manu) (2011) Singer – Asha Bhosle, Shamshad Begum, Lyrics – SH Bihari, MD – OP Nayyar
Lyrics
kajra mohabbat waala
akhiyon me aisa daala
kajre ne le li meri jaan
haay re main tere qurbaan
duniya hai mere peeche
lekin main tere peeche
apna bana le meri jaan
haay re main tere qurbaan
kajra mohabbat waala
akhiyon me aisa daala
kajre ne le li meri jaan
haay re main tere qurbaan
aayi ho kahaan se gori
aankhon me pyaar le ke
aayi ho kahaan se gori
aankhon me pyaar le ke
chadhti jawaani ki ye pehli bahaar leke
dilli shahar ka saara
meena bazaar leke
dilli shahar ka saara
meena bazaar leke
jhumka bareli wala
kaano me aisa daala
jhumke ne le li meri jaan
hay re main tere qurbaan
duniya hai mere peeche
lekin main tere peeche
apna bana le meri jaan
haay re main tere qurbaan
motor na bangla maangoon
jhumka na haar maangoon
motor na bangla maangoon
jhumka na haar maangoon
dil ko jalaane waale dil ka qaraar maangoon
sainya bedardi mere
thoda sa pyaar maangoon
sainya bedardi mere
thoda sa pyaar maangoon
kismat bana de meri
duniya basa de meri
kar le sagaai meri jaan
haay re main tere qurbaan
————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
कजरा मोहब्बत वाला
अखियों में ऐसा डाला
कजरे ने ले ली मेरी जान
हाय रे मैं तेरे क़ुर्बान
दुनिया है मेरे पीछे
लेकिन मैं तेरे पीछे
अपना बना ले मेरी जान
हाय रे मैं तेरे क़ुर्बान
कजरा मोहब्बत वाला
अखियों में ऐसा डाला
कजरे ने ले ली मेरी जान
हाय रे मैं तेरे क़ुर्बान
आई हो कहाँ से गोरी
आँखों में प्यार ले के
आई हो कहाँ से गोरी
आँखों में प्यार ले के
चढ़ती जवानी की ये
पहली बहार ले के
दिल्ली शहर का सारा
मीना बाज़ार ले के
दिल्ली शहर का सारा
मीना बाज़ार ले के
झुमका बरेली वाला
कानों में ऐसा डाला
झुमके ने ले ली मेरी जान
हाय रे मैं तेरे क़ुर्बान
दुनिया है मेरे पीछे
लेकिन मैं तेरे पीछे
अपना बना ले मेरी जान
हाय रे मैं तेरे क़ुर्बान
मोटर ना बंगला माँगूँ
झुमका ना हार माँगूँ
मोटर ना बंगला माँगूँ
झुमका ना हार माँगूँ
दिल को जलाने वाले दिल का क़रार माँगूँ
सैंया बेदर्दी मेरे
थोड़ा सा प्यार माँगूँ
सैंया बेदर्दी मेरे
थोड़ा सा प्यार माँगूँ
किस्मत बना दे मेरी
दुनिया बसा दे मेरी
कर लै सगाई मेरी जान
हाय रे मैं तेरे क़ुर्बान
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4219 | Post No. : | 15421 |
“Anyaay” (1949) was produced and directed by J S Kashyap for Diamond Pictures Limited, Bommbay.
“Anyaay”(1949) was a unique kind of movie. It was not an “original” standalone movie. It basically took scenes from 14 earlier movies of Bombay Talkies and combined them to come up with a story, shooting a few additional scenes as required. For shooting these scenes, the movie had used J S Kashyap, Laxman Saroj, Putli Bai, Narbada Shankar, Devidutt Nautiyal, Kesar Bai, Shree Bhagwan, B S Bhatnagar etc.
The movie had nine songs according to HFGK. Even the songs of the movie were those songs which were already utilised in Eearlier Bombay Talkies movies. For instance, the movie reused (with visuals) two songs from “Jeewan Prabhat”(1937) and one song from “Hamaari Baat”(1943).
Two songs from the movie have been covered in the past.
Here is the third song from “Anyaay” (1949) to appear in the blog. This song was originally used in “Izzat”(1937). There the song was sung by Devika rani but here the same song is sung by Meena Kapoor.
J S Kashyap was the lyricist in both the movies. Music in “Anyaay”(1949) version was by Ram Prasad.
Incidentally the tune of the song was different in the two movies.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the song picturisation as well as on the story of this movie.
Incidentally, the same song is mentioned in HFGK under two headings, viz at serial number 4 as “O jaane waale ye to bata” and at serial number 9 as “nagari laage sooni sooni”. So in effect, the movie had eight songs and not nine.
Audio
Song-O jaane waale ye to bata..nagari laage sooni sooni (Anyaay)(1949) Singer-Meena Kapoor, Lyrics-J S Kashyap, MD-Ram Prasad
Lyrics
O jaane waale
ye to bata
mujhe kiske sahaare chhod chala
mera man jeewan soona kar ke
kyun nirmohi munh mod chada
nagari laage sooni sooni
nagari laage sooni sooni
jabse gaye pal chain na gaye
ja se gaye
palchain na aaye
buri bhayi gati man ki
buri bhayi gati man ki
nisdin naina raah takat hai
nisdin naina raah takat hai
chaah lagi darashan ki
ho chaah lagi darsan ki
more peer badhat din dooni
more peer badhat din dooni
nagari laage sooni sooni
nagari laage sooni sooni
- In: "picnic" song | "Gramophone" song | Baag/Bagiya song | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Lata song | Lyrics contributed by readers | One song used in more than one movie | One song used in two movies | playful song | Post by Sudhir | Rafi songs | Rafi-Lata duet | Song used in more than one film | Songs of 1970s (1971 to 1980) | Songs of 1972 | Yearwise breakup of songs
- 4 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4206 | Post No. : | 15399 | Movie Count : |
4244 |
Songs Repeated in Hindi Films – 16
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Aah yes, this one too. This iconic and popular song from the 1969 film ‘Jeene Ki Raah’, reappeared in a shorter version in the 1972 film ‘Baazigar’. Albeit the use of this song is somewhat casual, and does not seem to fulfill any purpose, symbolic or otherwise. Seems like a time filler, as one goes through the initial part of the film.
The original from the film ‘Jeene Ki Raah’ is a quite a well picturized song, with the reality of the situation moving into a surreal dream where the real village people performing the song are replaced by the hero and heroine, in heroine’s mind. All the songs of this film became very popular, and did contribute significantly to the rising graph of Jeetendra as a hero.
Fast forward three years later. The film ‘Baazigar’ in 1972, was a potential launch vehicle for Roopesh Kumar (cousin brother of actress Mumtaz), as a hero. He had made his debut in 1965, in supporting roles, both as a comic villain and in character riles. This was the first, and likely the only film in which he appears in the role of a hero.
Roopesh’s real name was Abbas Farashahi. He was born in Bombay on 16th Jan, 1946 (okay, just a week back was his birth anniversary, would have been 74). His father, Ali Asgar Farashahi had a very good restaurant and bakery business. However, being involved in dramatics in school and college, he was more interested to make a career in films. With some support from his cousin sister Mumtaz, he started working in small supporting roles. His first appearance is in the film ‘Tarzan and King Kong’ in 1965.
He appeared in over 120 films from 1965 through 1995. The list of his films do make an impressive reading. Here is a partial list of his films from the period till 1980 – ‘Sapno Ka Saudagar’ (1968), ‘Aadmi aur Insaan’ (1969), ‘Jeene Ki Raah’ (1969), ‘Sharafat’ (1970), ‘Jeevan Mrityu’ (1970), ‘Kal Aaj Aur Kal’ (1971), ‘Andaaz’ (1971), ‘Raampur Ka Lakshman’ (1972), ‘Seeta Aur Geeta’ (1972), ‘Prabhat’ (1973), ‘Loafer’ (1973), ‘Insaaniyat’ (1974), ‘Zinda Dil’ (1975), ‘Nagin’ (1976), ‘Karm’ (1977), ‘Dildaar’ (1977), ‘Chacha Bhatija’ (1977), ‘Amar Deep’ (1979), ‘Jaani Dushman’ (1979), ‘The Great Gambler’ (1979), ‘Lok Parlok’ (1979), ‘Hum Paanch’ (1980) etc.
Hmm. . . interesting to note that he also appeared in ‘Jeene Ki Raah’, the original film for the song being presented today.
He also produced and directed two films – ‘Hai Meri Jaan’ (1991) and ‘Meri Aan’ (1993).
Roopesh Kumar passed away quite unexpectedly, at a young age of 49. He was attending the Filmfare awards program of 1995. He suffered a severe heart attack while at the program, and passed away on way to the hospital.
The song presented today is picturized as a game being played at a picnic. This is a picnic with a difference. The only participants are the leading lady, Vijaylalitha and her pet animals – a horse named Chetak and a dog named Tommy. These are the screen names of these pets. Their real names, as per the credits are Joker and Johny respectively. The song is being played on a gramophone, and the game – well you can view it in the accompanying video. The song seems to have been edited, as it appears to end abruptly after playing one full stanza and getting into the start of the second stanza.
Ah yes, this 1972 film makes its debut on our blog today.
Overall, a very casual re-use in my opinion.
Song – Aa Mere Humjoli Aa, Khelen Aankh Micholi Aa (Baazigar) (1972) Singers – Lata Mangeshkar, Mohammed Rafi, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Chorus
Lyrics
ho o o ho o
ho o o ho o
[dialogue]
ho o o ho o
ho o o ho o
aa mere hamjoli aa
khele aankh micholi aa
galiyon me chaubaaron me
baaghon me bahaaron me
ho
main dhoondhoo tu chup ja
main aaun
na na
main aaun
na na na
aaun
na
main aaun
aa ja
peepal ke oopar jaa baitha
chup se mera saathi
dhak se lekin dhadak gaya dil
gir gayi haath se laathi
o pakdaa gaya
main aaun
na na
main aaun
na na na
aaun
na
main aaun
aa jaa
————————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————————
हो ओ ओ हो ओ
हो ओ ओ हो ओ
[संवाद]
हो ओ ओ हो ओ
हो ओ ओ हो ओ
आ मेरे हमजोली आ
खेलें आँख मिचोली आ
गलियों में चौबारों में
बागों में बहारों में
हो
ओ मैं ढूंढू तू छुप जा
आ मेरे हमजोली आ
खेलें आँख मिचोली आ
गलियों में चौबारों में
बागों में बहारों में
हो
ओ मैं ढूंढू तू छुप जा
मैं आऊँ
ना ना
मैं आऊँ
ना ना ना
आऊँ
ना
मैं आऊँ
आ जा
पीपल के ऊपर जा बैठा
चुप से मेरा साथी
धक से लेकिन धड़क गया दिल
गिर गई हाथ से लाठी
ओ पकड़ा गया
मैं आऊँ
ना ना
मैं आऊँ
ना ना ना
आऊँ
ना
मैं आऊँ
आ जा
Ik Bangala Baney Nyaara
Posted on: January 18, 2020
- In: "Bangla" (Bungalow) Song | "Gramophone" song | aspirations | Devnagri script lyrics by Sudhir | Guest posts | K L Saigal Film songs | Lyrics contributed by readers | One song used in more than one movie | One song used in two movies | Post by Sudhir | Song used in more than one film | Songs of 1960s (1961 to 1970) | Songs of 1969 | Songs reused again in subsequent movies | Yearwise breakup of songs
- 2 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4201 | Post No. : | 15387 |
Songs Repeated in Hindi Films – 15
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And so, we do get to a song in Saigal Sb’s voice song in this series. Memory serving right, I would have preferred to start the series with this song. But oh well. Actually, we do have a Saigal Sb song earlier in this series. But that song – “Babul Mora, Naihar Chhooto Hi Jaaye”, is rerecorded in Jagjit Singh Chitra Singh voices.
Remembering the memorable singer KL Saigal Sb – it is 73 years today, since this Divine Voice departed from this mortal world. The singer has gone away, his voice, the sound captured in the songs recorded by him, are still alive.
The re-use film is ‘Do Raaste’ (1969) and this song is used as a backdrop in two places in the film. In both scenes, the song is being played from a 78 rpm record on an old styled gramophone. Almost the entire cast of the film gets presented in the two short clips. We see Balraj Sahni, Veena, Kamini Kaushal, Rajesh Khanna, Junior Mehmood and Jayant in the first clip. There is a lady actor sitting with Kamini Kaushal in the first part – is she Kumud Bole? Also, the baby girl with Junior Mehmood – I have seen her in other films also, but I am unable to put a name to her face. Then in the second clip, in addition to the above listed cast, we also have Prem Chopra, Bindu and Mumtaz. And yes, it is Krishnakant who gazes back at us from his perch in the portrait on the wall.
In its time, ‘Do Raaste’ was a popular hit film. Rajesh Khanna was the rising star at that time, plus the music of the film became very popular. Times were when a middle class joint family homes, were presented on screen quite realistically so. The story of the film is a typical loving family scenario, and then we have unhappiness and strife intervene – a new lady joining the household and sows the seeds of step-brotherly misunderstandings. The divide goes to extremes, before things get reformed and patched up. And then it is a joint happy family all over again.
This song appears twice in the film, once at the beginning, when everything is in a relaxed mood, and the household is the blessed ‘nyaara bangla’. And then, this song is presented again close to the end of the film, when all misunderstandings have been removed, and whole family reunites and returns once again to the ‘nyaara bangla‘.
In both the scenes, the song is being played on an old gramophone, which is manually operated. It has a big sound horn attached, as we remember from the old HMV logo. Ah, the pleasures of pure sounds from the 78 rpm records – no electronics, just a very authentic reproduction of the original sound as stored in electric impulses on the shellac. The wonders that were, without the later technologies and advancements. No creation of sound reproduction technology can even come close to the sound of a 78 rpm record playing on an HMV 102 machine – hand cranked, not even electricity to power the turntable. It continues to be a marvel of that age, which is also exemplified by another unique accomplishment – single mike recording with orchestra and multiple singers. The marvels of modern acoustic technology pale in comparison.
The song also brings back the memories of the heady days in the year 2011, going across the months of May through September. The blog was a ‘song-a-day’ platform for Saigal Sb songs. By the time we ended, we had brought on board all the Hindi/Urdu songs of Saigal Sb, which are available in public domain. The mind just cannot believe it is already more than 8 years ago that we went on that exhilarating journey. The joy of getting that done was surely a wondrous taste. But then I also think with some melancholy – that no more Saigal Sb songs are to be posted on our blog. Today’s post in this series is a device that makes us remember and revisit this miracle of nature that was – the voice of Saigal Sb. I take back my words – I would prefer to use ‘is’ instead of ‘was’. I am sure you will agree – for the voice continues to be with us. That peerless, unmatched, incomparable voice, that can only be replayed now.
Our dear Arun ji has mentioned in his previous post – “Door. . . Bahut Door” from yesterday – it was Raj Khosla’s (producer director of ‘Do Raaste’) own childhood memories that probably brought this song into the film. His father loved KL Saigal songs that would often play the records at home on an old gramophone. Those memories were relived by Raj Khosla himself, as he directed ‘Do Raaste’. Wonderful revival, wonderful renewal, wonderful memory stimulant. Thanks Raj Khosla ji, and thanks to Arun ji for bringing in this connect.
The original credits of this song are – lyrics by Kedar Sharma and music by RC Boral. Singing voice of course, is the inimitable Saigal Sb. Listen yet once again to this wondrous original voice – a benefaction of God Himself.
Song – Ik Bangala Baney Nyaara (Do Raaste) (1969) Singers – KL Saigal, Lyrics – Kedar Sharma, MD – RC Boral
Lyrics
ek bangla baney nyaara
ek bangla baney nyaara
rahe kunba jis mein saara
ek bangla baney nyaara
ek bangla baney nyaara
sone ka bangla, chandan ka jangla
sone ka bangla, chandan ka jangla
vishvakarma ke dvaara
vishvakarma ke dvaara
sone ka bangla, chandan ka jangla
vishvakarma ke dvaara
ati sundar pyaara pyaara
ek bangla baney nyaara
ek bangla baney nyaara
————————————————————
Hindi script lyrics (Provided by Sudhir)
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इक बंगला बने न्यारा
इक बंगला बने न्यारा
रहे कुनबा जिस में सारा
इक बंगला बने न्यारा
इक बंगला बने न्यारा
सोने का बंगला चंदन का जंगला
सोने का बंगला चंदन का जंगला
विश्वकर्मा के द्वारा
विश्वकर्मा के द्वारा
सोने का बंगला चंदन का जंगला
विश्वकर्मा के द्वारा
अति सुंदर प्यारा प्यारा
इक बंगला बने न्यारा
इक बंगला बने न्यारा
Aaj Phir Jeene Ki Tamanna Hai
Posted on: December 26, 2019
- In: Devnagri script lyrics by Sudhir | Feelings of heart | Free Spirit Song | Guest posts | Lata solo | Lata song | Lyrics contributed by readers | One song used in more than one movie | One song used in two movies | Post by Sudhir | Song used in more than one film | Songs of 1960s (1961 to 1970) | Songs of 1965 | Songs of 1980s (1981 to 1990) | Songs of 1983 | Songs reused again in subsequent movies | Yearwise breakup of songs
- 1 Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4233 |
Songs Repeated in Hindi Films – 14
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An iconic song from 1965 – absoute gem, absolutely unforgettable. “Kaanton Se Kheench Ke Ye Aanchal. . . Aaj Phir Jeene Ki Tamanna Hai” from the 1965 film ‘Guide’. Created by the greats of that era – Shailendra, SD Burman and Lata Mangeshkar. And coming from a film directed by Vijay Anand, one is assured that the picturization would be superlative, which it surely is. The song continues to sustain its beauty even after more than five decades. It is such a genuine treat both visually and aurally.
Eighteen years after this song came into being, it was used again in the 1983 film ‘Qayaamat’. This film is one of the plethora of crime-and-punishment films that crowded the screens during the 1980s and 90s. The main roles are played by Dharmendra, Shatrughan Sinha, Smita Patil, Jayaprada and Poonam Dhillon. Dharmendra and Shatrughan Sinha are close friends. But there is a falling out in their friendship, when Dharmendra is sent to jail, and he holds his police officer friend responsible for it. On returning from jail, he seeks to avenge himself for something that he considers as injustice meted out to him.
I have not seen the film and so will not be able to comment on the sequencing of this song within the storyline. Apparently, Jayaparada is the love interest of Dharmendra, and she appears in flashback in the movie. So there is some tragedy also related here. The occasion for the song is the birthday party of Shatrughan Sinha. Dharmendra is calling on a phone line to greet his friend. He finds out that Smita is about to sing a song at the party. He requests his friend to keep the phone line open so that he can listen. Then the song starts. It starts in the party, and almost immediately Dharmendra rewinds to the past where he sees Jayaprada singing in a very picturesque hillside setting. Rest of the song plays out in this flashback, returning to the party just moments before it ends.
Personally speaking, the song and its theme does not seem to fit into the birthday setting or even the hillside flashback interlude. It seems like force fitted, and completely out of place. But then that is just me.
The song has been reused in its original form. It is not re-recorded. So we get to enjoy the original audio, picturized on a different set of actors, in a different setting.
This song was identified and suggested by our dear Satyajit Rajurkar ji, for inclusion in this series. Thanks Satyajit ji.
Song – Aaj Phir Jeene Ki Tamanna Hai (Qayaamat) (1983) Singers – Lata Mangeshkar, Lyrics – Shailendra, MD – SD Burman
Lyrics
ho o o
kaanton se kheench ke ye aanchal
tod ke bandhan baandhi paayal
ho o
koi na roko dil ki udaan ko
dil wo chalaa
aa aa aa aa aa aa
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai
apne hi bas mein nahin main
dil hai kahin to hoon kahin main
ho o o
apne hi bas mein nahin main
dil hai kahin to hoon kahin main
ho o o
jaane kya paake meri zindagi ne
hans kar kaha
haa haa haa aa ha aa
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai
main hoon gubaar yaa toofaan hoon
koi bataaye main kahaan hoon
ho o o
main hoon gubaar yaa toofaan hoon
koi bataaye main kahaan hoon
ho o o
dar hai safar mein kahin kho na jaaun main
rastaa nayaa
a a aa aa aa aa
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai
kal ke andheron se nikal ke
dekha hai aankhen malte malte
ho o o
kal ke andheron se nikal ke
dekha hai aankhen malte malte
ho o o
phool hi phool zindagi bahaar hai
tay kar liyaa
a a aa aa aa aa
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai
aaj phir jeene ki tamannaa hai
aaj phir marne kaa iraadaa hai
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Hindi script lyrics (Provided by Sudhir)
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हो ओ ओ
काँटों से खींच के ये आँचल
तोड़ के बंधन बांधी पायल
हो ओ
कोई न रोको दिल की उड़ान को
दिल वो चला
आ आ आ आ आ आ
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है
अपने ही बस में नहीं मैं
दिल है कहीं तो हूँ कहीं मैं
हो ओ ओ
अपने ही बस में नहीं मैं
दिल है कहीं तो हूँ कहीं मैं
हो ओ ओ
जाने क्या पा के मेरी ज़िंदगी ने
हंस कर कहा
हा हा हा आ हा आ
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है
मैं हूँ गुबार या तूफाँ हूँ
कोई बताए मैं कहाँ हूँ
हो ओ ओ
मैं हूँ गुबार या तूफाँ हूँ
कोई बताए मैं कहाँ हूँ
हो ओ ओ
डर है सफर में कहीं खो ना जाऊँ मैं
रस्ता नया
आ आ आ आ आ आ
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है
कल के अँधेरों से निकल के
देखा है आँखें मलते मलते
हो ओ ओ
कल के अँधेरों से निकल के
देखा है आँखें मलते मलते
हो ओ ओ
फूल ही फूल ज़िंदगी बहार है
तय कर लिया
आ आ आ आ आ आ
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है
आज फिर जीने की तमन्ना है
आज फिर मरने का इरादा है
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