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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4601 | Post No. : | 16227 |
S.No. | Song Title | Singer | Posted On |
---|---|---|---|
01 | Aayi milan ki bahaar re, aa jaa saanwariya | Zohrabai Ambalewali | 02.04.2013 |
02 | Saawan bhaadon nain hamaare baras rahe din raat | Zohrabai Ambalewali | |
03 | Naiyya jeewan ki doley, haule, haule, haule | Master Ramesh | |
04 | Jhoome jiya aaye piya ho, jhoole hiya naache jiya | Shamshad Begam | |
05 | Siyaram Ram Siyaram, tan ka pinjara soona soona | Ashraf Khan | 25.06.2019 |
06 | Raam naam kya japna … | Ashraf Khan |
HFGK Vol-II does not mention the name of the lyricist for this movie however our respected Sadanand ji in his comments here on the post ‘Siyaram Ram Siyaram, tan ka pinjara soona soona’ has mentioned that lyricist for this movie was Dr. Safdar Aah Sitapuri.
Music for this movie was composed by Anil Biswas. Editor’s note:-According to Girdharilal Vishwakarma (a well known record collector), A R Qureshy is the music director for this song.
Today 21st February’2021 is the thirty-first ‘remembrance anniversary’ (1918 -21.02.1990) of singer Zohrabai Ambalewali.
As a tribute to her here is song from ‘Naiyya-1947’ sung by Zohrabai Ambalewali. Music is composed by Anil Biswas.
I had come across this song in August’2014 and since then it is lying to be posted. However, in between its link that I had shared initially also become obsolete but luckily, I got the audio of this song which is uploaded for listening.
Let us now enjoy this wonderful song remembering Zohrabai Ambalewali who had given us many many memorable and unforgettable songs in HFM history.
Song-Saawan bhaadon nain hamaare (Naiyya)(1947) Singer-Zohrabai Ambalewali,Lyrics-Safdar Aah Sitapuri, MD-A R Qureshi (according to Girdharilal Vishwakarma (a well known record collector)
Lyrics
saawan bhaadon
saawan bhaadon nain hamaare
baras rahe din raat
baras rahe din raat
saawan bhaadon
saawan bhaadon nain hamaare
baras rahe din raat
baras rahe din raat
saawan bhaadon
saansen gin gin din kaaten
aur taare gin gin raat
saansen gin gin din kaaten
aur taare gin gin raat
baras rahe din raat
saawan bhaadon
saawan bhaadon nain hamaare
baras rahe din raat
baras rahe din raat
saawan bhaadon
ho o o
ankhiyaan khud darshan ko tarsen aen
rimjhim rimjhim barsen aen
ho o o
ankhiyaan khud darshan ko tarsen aen
rimjhim rimjhim barsen aen
nis din hoti hai nainon se
aankhon ki barsaat
nis din hoti hai nainon se
aankhon ki barsaat
baras rahe din raat
saawan bhaadon
saawan bhaadon nain hamaare
baras rahe din raat
baras rahe din raat
saawan bhaadon
chhoot gaya hai
saath sahaaraa aa aa
chhoot gaya hai
saath sahaaraa aa aa
naao bhanwar mein door kinaara
ghor andhiyaari raat
naao bhanwar mein door kinaara
ghor andhiyaari raat
baras rahe din raat
saawan bhaadon
saawan bhaadon nain hamaare
baras rahe din raat
baras rahe din raat
saawan bhaadon
————————————–
Devnagri Script lyrics(Provided by Avinash Scrapwala)
————————————–
सावन भादों
सावन भादों नैन हमारे
बरस रहे दिन रात
बरस रहे दिन रात
सावन भादों
सावन भादों नैन हमारे
बरस रहे दिन रात
बरस रहे दिन रात
सावन भादों
साँसे गिन गिन दिन काटे
और तारे गिन गिन रात
साँसे गिन गिन दिन काटे
और तारे गिन गिन रात
बरस रहे दिन रात
सावन भादों
सावन भादों नैन हमारे
बरस रहे दिन रात
बरस रहे दिन रात
सावन भादों
ओ ओ अँखियाँ तुझ दर्शन को तरसे ए ए
रिम झिम रिम झिम बरसे ए
ओ ओ अँखियाँ तुझ दर्शन को तरसे ए ए
रिम झिम रिम झिम बरसे ए
निस दिन होती है
नैनों से आंसुओं की बरसात
निस दिन होती है
नैनों से आंसुओं की बरसात
बरस रहे दिन रात
सावन भादों
सावन भादों नैन हमारे
बरस रहे दिन रात
बरस रहे दिन रात
सावन भादों
छूट गया है ए
साथ सहारा आ आ
छूट गया है ए
साथ सहारा आ आ
नाव भँवर में दूर किनारा
घोर अंधियारी रात
नाव भँवर में दूर किनारा
घोर अंधियारी रात
बरस रहे दिन रात
सावन भादों
सावन भादों नैन हमारे
बरस रहे दिन रात
बरस रहे दिन रात
सावन भादों
Mast jawaani aayi
Posted December 28, 2020
on:This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4546 | Post No. : | 16123 |
Today 28th December’2020 is the fifty-second remembrance anniversary of music director Husnlal(born 1918 as per Wikipedia – death 28th December’1968) of the famous music duo of the golden age of Hindi Film Music – Husnlal Bhagatram.
On this occasion here is a song from the ‘1947’ movie ‘Romeo And Juliet’ where music was composed by Husnlal Bhagatram.
“Romeo And Juliet-1947” was directed by Akhtar Hussaain for ‘Nargis Art Concern, Bombay’ (home production of actress Nargis). It had Nargis, Sapru, Anwar Hussain, Sunalini Devi, Nisar, John Cavas, Hameed Murad, Nazir Kashmiri, Violet, Pushpa, Abdul Rasheed, Amanullah and others.
This movie had eight songs as listed below; (songs already posted on the blog are accompanied by their links);
S.No. | Song Title | Lyricist | Singer | Posted On |
---|---|---|---|---|
01 | Mast jawaani aayi mast jawaani aayi | Majrooh Sultanpuri | Zohrabai Ambalewali | |
02 | Mausam ye suhaanaa, ahaa ahaa | Manohar Khanna | Zohrabai Ambalewali | 26.07.2017 |
03 | Tumhen sitaaron ne be-akhtiyaar dekha | Akhtar Shirani | G.M. Durrani | 21.09.2014 |
04 | Koyi dil mein samaaya jaaye | Manohar Khanna | Zohrabai Ambalewali | |
05 | Kisko khabar thi, dil ki ye duniya | Manohar Khanna | ||
06 | Kya bataayen ishq zaalim | Jigar Moradabadi | Zohrabai Ambalewali | |
07 | Wo yaad aa rahen hai, laaye unhe kahaan se | Majrooh Sultanpuri | G.M. Durrani | |
08 | Donon jahaan teri muhabbat mein haar ke | Faiz Ahmed Faiz | Khayyam | 12.08.2014 |
We can see from the above that three songs of this movie have been posted on the blog so far.
Today’s song is sung by Zohrabai Ambalewali and lyrics are by Majrooh Sultanpuri. Music is composed by Husnlal-Bhagatram.
I came across this song five-six years back when I was looking for songs of Zohrabai Ambalewali. Today’s song is sung by her and it is a nice song to listen to and enjoy.
Let us now enjoy today’s song (a Husnlal-Bhagatram composition) and pay our tributes to music director Husnlal on his remembrance anniversary today.
Audio
Song-Mast jawaani aayi (Romeo and Juliet)(1947) Singer-Zohrabai Ambaalewali, Lyrics-Majrooh Sultanpuri, MD-Husnlal Bhagatram
Lyrics
Mast jawaani aayi ee
Mast jawaani aayi ee
Mast jawaani aayi ee
Aao ji pyaar kar lo o
Dil ka paimaanaa bhar lo
Mast jawaani aayi ee
Mast jawaani aayi ee
Mast jawaani aayi ee
Aao ji pyaar kar lo o
Dil ka paimaanaa bhar lo
Mast jawaani aayi
Dil hi jannat
Dil hi dozakh
zaahid ko behkaane do
zaahid ko behkaane do
Dilwaalon ki mehfil hai ye
Dilwaalon ko aane do
Dilwaalon ko aane do o
Dekho deewaani aayi ee
Dekho deewaani aayi
Mast jawaani aayi ee
Aao ji pyaar kar lo o
Dil ka paimaanaa bhar lo
Mast jawaani aayi ee
Mast nazar se jo behkaa de
Hosh mein laana kya jaane ae
Hosh mein laana kya jaane
Dil mein aag lagaanewaalaa
Aag bujhaana kya jaane ae
Aag bujhaana kya jaane ae
Rut bhi suhaani aayi ee
Rut bhi suhaani aayi
Mast jawaani aayi ee
Aao ji pyaar kar lo o
Dil ka paimaanaa bhar lo o
Mast jawaani aayi ee
Tumne gar na pee isko to
Jeete ji pachhtaaoge ae
Jeete ji pachhtaaoge
Pee loge to hosh ganwaakar
Tum bhi hosh mein aaoge
Tum bhi hosh mein aaoge ae
Pee lo thhodi si pee lo
Pee lo ji bhar ke pee lo
Mast jawaani aayi ee
Aao ji pyaar kar lo o
Dil ka paimaanaa bhar lo
Mast jawaani aayi
Mast jawaani aayi
Mast jawaani aayi
Aao ji pyaar kar lo
Dil ka paimaanaa bhar lo
Mast jawaani aayi ee
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4519 | Post No. : | 16076 |
Today’s song is from the movie ‘Saathi-1946’.
‘Saathi-1946’ was directed by M. Sadiq for ‘Central Studios, Bombay’. It had Mehtab, M. Ismail, Sadiq Ali, Jyoti, Badri Prasad, Gulab, Majid, Latika and others.
This movie had eight songs penned by Wali Sahab and composed by Gulshan Safi.
HFGK Vol-II (1941-1950) lists the songs of this movie as given below;
S.No. | Song Title | Singer/s | Posted on |
---|---|---|---|
01 | O pardesi raja aa jaa | Shamshad Begam | |
02 | Woh nazron mein samaate jaa rahe hain | G.M. Durrani | 05.05.2019 |
03 | Aankhon se bahe jaate hain armaan hamaare | Zohrabai | |
04 | Haaye main haar gayi, bholey piyaa | Zohrabai | |
05 | Duniya basant ka mela, kyun murakh phire akela | Shamshad, Rafiq Ghazanvi | |
06 | Kiski yaad sataaye baalam, kiski yaad sataaye | Jyoti | |
07 | Dukhiya ki bhi sun lo bhagwaan tumhi ho | Shamshad Begam | |
08 | Aabaad kabhi honge na barbaad e zamaana | Shamshad Begam |
So far, only one song from this movie has been posted. That song is Woh nazron mein samaate jaa rahe hain which was presented by our respected Arun Kumar ji with detailed information about artists involved in the making of this movie and also some of the actors and actresses of this movie.
I would request our readers to visit this interesting post here.
The second song from this movie, being presented here, is sung by Zohrabai Amablewali. It is composed by Gulshan Soofi. Lyrics are written by Wali Sahab.
The movie has six more songs left and they all seem to be available on line.
let us now enjoy today’s song …
Audio
Song-Aankhon se bahe jaate hain armaan hamaare (Saathi)(1946) Singer-Zohrabai Ambalewaali, Lyrics-Wali Sahab, MD-Gulshan Soofi
Zohrabai +Chorus
Lyrics
Aa aa aa aa
aa aa aa aa aa
Aa aa
aa aa aa aa
Aankhon se bahe jaate hain
Aankhon se bahe jaate hain
Armaan hamaare
Armaan hamaare
Rote huye jaate hain ye
Rote huye jaate hain ye
Mehmaan bichaare
Mehmaan bichaare
Aankhon se bahe jaate hain
Hansti huyi basti ko jo
Ujde huye dekha
Hansti huyi basti ko jo
Ujde huye dekha
Aa aa
Rote hain gale chaand se
Rote hain gale chaand se
Mil mil ke sitaare
Mil mil ke sitaare
Mehmaan bichaare
Mehmaan bichaare
Aankhon se bahe jaate hain
Armaan hamaare
Armaan hamaare
Manzil ki garaz hamko
Na saahil ki tamanna
Manzil ki garaz hamko
Na saahil ki tamanna
Ab chhod diya naav ko
Ab chhod diya naav ko
Toofaan ke sahaare
Toofaan ke sahaare
Armaan hamaare ae ae
Armaan hamaare
Rote huye jaate hain ye
Rote huye jaate hain ye
Mehmaan bichaare
Mehmaan bichaare
Aankhon se bahe jaate hain
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4495 | Post No. : | 16025 |
Recently I have written a few posts for songs of films Laila Majnu(1945) and Laila Majnu(1953). In the past also, now that I checked, I have written posts for 5 songs of Laila Majnu(1976).
Ab agar hamse khudaayi bhi khafa ho jaaye
Barbaad e muhabbat ki dua saath liye jaa
Is reshmi paazeb ki jhankaar ke sadqe
Likh kar tera naam zameen par
Ye deewaane ki zidd hai
I have revisited the above posts, just to confirm if I have written my real thoughts on these legends of undying love, which end in tragedy and death. Obviously this sort of love is also unfruitful. The romanticism and glorification of this type of folk love stories and legends has no basis in truth or even historical facts. The civilization has been around for a few millennia now and last few millennia have been recorded by historians. If there was even a bit of truth in these legends, they have had enough time and exposure to intelligent humans to surface by now. So these are legends, myths, folklore, the purpose of creation of these things in the eastern regions, the so called ‘mashriq’, the conservative, the tolerant, the deeply religious and the more civilized compared to the western region, is unclear to me. All those philosophies of ‘love is paramount’, ‘love is pure’ and all are fine. As per my habit I am wondering again, if there are any research papers on this topic. It may have had a certain appeal or fantasy value, beyond this I don’t find any usefulness of it. It fired the imagination of certain poets in West Asia, who wrote eulogies of their stories.
I am giving a part of a story here:
A brave chieftain has three sons. His wife died soon after giving birth to the youngest son, now 10 years old. The chieftain, who had deeply loved his beloved wife, must remarry now for political, social and family reasons. His mother who has looked after the family so far is very old and cannot do so for much longer. The youngest son comes to the father to express his apprehensions about the marriage and the doubt that the fathers love for the sons may be diminished or divided. The father explains to the young son, very patiently, describing the values, culture and traditions of their family and tribe etc. He tells his son, that “when I looked into the ‘gazelle’s eyes’ of your mother for the first time, it was as if I had found the world. When she bore 3 sons for me, it was as if she had given me the world. We couldn’t thank the Almighty enough for this gift. Then she died, but she left to me, her world and my world, in you all.” There after he goes on to explain to the young son, through analogies, how a father’s love for his children never diminishes and cannot be divided.
The above simple story has deep love, love for beauty, family love, tragedy, wisdom, loyalty, duty, eternal love and undivided love. Above all the story has continuity of life. It has thankfulness to God, shows that one can cope with tragedy and move on in due course.
In contrast, the stories of eternal love, obsession of the beloved, so much so that the characters prefer to die, then live without each other, is just a hollow confrontational rhetoric’s. More so, because these are imaginary characters, advocating obsessions with physical beings, though they talk of connections with the souls. These have misled the generations of human societies, with an artificial cloak of ‘commitment’. Self-obsessed and obsessed with each other just doesn’t cut it.
I am going down memory lane in a bid to try and explain my thoughts. When my son was born, my father-in-law said that “ye hamare ghar ka chiraag hai”. In my forthright way, I would have asked him, if he means it so, as it is a son. But that thought did not even completely formulate and never reached the utterance level. For I knew, my father-in-law had a special place in the heart of daughters and sons. Both my mother-in-law and father-in-law had their hearts in correct places in this regard. This is my takeaway from having been part of a family whose core dignity and integrity is what made my relation with them so much more meaningful. May Allah subhan-o-ta’ala grant them both elevated status in jannat-ul-firdous.
So what did my father in law mean, when he called my son ‘ghar ka chiraag’? My son is the youngest one of his generation in the family. It has taken me all these years to realize that my father in law meant that he is youngest one, so the torch bearer of the family to the farthest point in the future. ‘Chiraag’ is the torch which allows you to see in the darkness. Though the future is a dark place, here is a lamp taking the family towards the future. Though the ‘male progeny’ is also part of the statement, but the aspect are not disproportionate. I feel it so, as he was not proclaiming it to all, but said it to me personally. Though there are other grandchildren including sons, but he did not call anyone as ‘ghar ka chiraag’. Part of the intention, may have been the prayer and hope of brighter future of the child. Young kids are also lovingly called ‘budda’ (or ‘budha’ meaning old person). This is again a wish that the child will live a long life till very old.
Thus, in my well thought out opinion, these stories of Laila-majnu, Shirin-Farhad etc. are a part of the flimsy whim which made the myths and gods out of such sacrificial love. They are a relic of past storytelling, and that is where they belong, they have no role to play and importance in the practical living world.
Next song in the “dheere dheere” series is this special all female qawwali, from the film ‘Ghazab’ 1951. The qawwali is referring to Laila-Majnu, Shirin-Farhad etc. Actually I found the song with mukhda “nazar se mil hi jaayegi nazar” in the song list of film Baazaar 1949, when I checked the list of songs posted in the blog, this song was missing, and it shows 15/16 posted. When I searched for the song on youtube, I found the song with same mukhda but not from Baazaar 1949, but from Ghazab 1951. It is listed with the same mukhda in both the films song list at myswar. It can be that it was recorded for Bazaar and used in Ghazab, as the MD’s are different.
The song is in ‘dheere dheere’ category as the mukhda has the words “aahistaa aahistaa”. When I found the qawwali with three singers, a while ago, I had high hopes of it. I was expecting a spectacular qawwali, but after listening to it a few times, I have reached the conclusion that the spectacular thing about it is the crystal clear voice and diction of Lata Mangeshkar. Her co-singers are Zohrabai Ambalewali and Kalyani. It is written by A. Karim, and music director of Ghazab 1951 is, Nisaar Bazmi. For some reason, the Music director for this qawwali is not mentioned.
The following three songs of Ghazab 1951 are posted:
Dil ko nahin hai chain haaye re
Nazar milaa ke muskaa ke
Tere kaaran sabko chhoda
This qawwali is the only song by Lata Mangeshkar in this movie, whereas “Bazaar” 1949 has 6 songs by Lata Mangeshkar. Lyrics credited to A. Karim, are the only clear link with ‘Ghazab’ 1951, as A. Karim is the writer/director of the film. It is quite possible that the qawwali was composed and recorded for Bazaar, and the composer could be Shyam Sunder as no one is credited under Ghazab listing, and somehow it got listed under both the films.
Editor’s note:-“Ghazab”(1951) had two music directors namely Nisaar Bazmi and Naashaad. Record of this song does not mention the music director (which has to be either of the two music directors) so no music director is credited for this song.
Song-Nazar se mil hi jaayegi nazar aahistaa aahistaa(Ghazab)(1951) Singers-Lata, Zohrabai Ambalewali, Kalyani, Lyrics-A Karim, MD-Nisar Bazmi
Chorus
Lyrics
Nazar se mil hi jaayegi nazar
nazar se mil hi jaayegi nazar
aahistaa aahistaa
meri aahon mein aayega asar
meri aahon mein aayega asar
aahistaa aahistaa
meri aahon mein aayegaa asar
aa aaa
aaaaaa
mazaar-e-qais par
jab rooh-e-laila
ek din aayi ee ee
sau armaaonon ke
murjhaaye huye
kuchh phool bhi laayi ee
haan aan
lagi jab phool rakhne ae
qabr se aawaaz ye aayi ee
chadhaana phool jaan-e-man magar
chadhaana phool jaan-e-man magar
aahistaa aahistaa
meri aahon mein aayegaa asar
meri aahon mein aayegaa asar
aahistaa aahistaa
meri aahon mein aayegaa asar
aa aaa
thha dil mein keh rahaa farhaad
shirin se judaa ho kar
mohabbat mein teri mehfil mein
kya paaya dil kho kar
utthaaya uss ne phir “??auq” kahaa
? ? se yun ro kar rr
mere dil ke karo tukde magar
mere dil ke karo tukde magar
aahistaa aahistaa
meri aahon mein aayegaa asar
meri aahon mein aayegaa asar
aahistaa aahistaa
meri aahon mein aayegaa asar
gayi jab raami dhoban
ek dariyaa par nahaane ko
wahan baitthaa thha Chandi Das
afsaana sunaane ko
kahaa uss ne ke raani chhod de
saare zamaane ko oo
basaana hai agar ulfat ka ghar
basaana chaahe gar ulfat ka ghar
aahistaa aahistaa
meri aahon mein aayegaa asar
meri aahon mein aayegaa asar
aahistaa aahistaa
meri aahon mein aayegaa asar
hamaari daastaan bhi
laila majnu ka fasaana hai ae
tumhaare waaste
ab dil mein mitne ki tamanna hai ea
aa aaaa
hamaare tumhaare pyaar mein
bas farq itnaa hai ea ea
udhar to jaldi jaldi hai idhar
udhar to jaldi jaldi hai idhar
aahistaa aahistaa
meri aahon mein aayegaa asar
meri aahon mein aayegaa asar
aahistaa aahistaa
meri aahon mein aayegaa asar
muhobbat ki bhari ee
mehfil mein yeh
kaisa nazaara hai
tumhaare hain qadam
aur unn se liptaa dil hamaara hai
na iss ko bhool jaanaa aa
dil hamaara
ghar tumhaara hai ea
mera dil todnaa chahaa magar
mera dil todnaa chahaa magar
aahistaa aahistaa
meri aahon mein aayegaa asar
meri aahon mein aayegaa asar
aahistaa aahistaa
meri aahon mein aayegaa asar
aaa aaaaaa
jawaani ne abhi
ulfat ka afsaana nahin seekhaa aa
kisi ke waaste
barbaad ho jaana nahin seekhaa aa
aa aaaa
abhi meri adaa ne bhi eee
sharmaana nahin seekhaa aa
mujhe sab kuchh sikhaa denaa magar
mujhe sab kuchh sikhaa denaa magar
aahistaa aahistaa
meri aahon mein aayegaa asar
aaa aaaaaa
meri aahon mein aayegaa asar
aaaaa aaaaaaa
meri aahon mein aayegaa asar
aaaaa aaaaaaa
meri aahon mein aayegaa asar
aaaaa aaaaaaa
meri aahon mein aayegaa asar
aahistaa aahistaa
meri aahon mein aayegaa asar
aahistaa aahistaa
Namkeen tumhaari soorat hai
Posted October 29, 2020
on:- In: "Aankh" song | "Nok-Jhonk" song | Blog ten year challenge (2010-2020) | expression of love | Feelings of heart | Rare song | Shamshad Begam songs | Song sung by three or more singers | Songs of 1950s (1951 to 1960) | Songs of 1952 | Yearwise breakup of songs | Zohrabai Ambalewaali song
- 2 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4486 | Post No. : | 16005 |
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Blog 10-Year Challenge (2010-2020) – Song No. 88
———————————————————————————–
After a gap of more than one month, we are back with this blog ten year challenge. There is a very good reason why I have decided to resume this series on THIS day viz 29 October 2020. That reason will become clear only in the evening, when I will post the second Blog ten year challenge post of the day.
On this day ten years ago, viz on 29 october 2010, I had posted five songs in the blog. As was usual those days, all the posts were done and dusted with in the morning. The first post of the day appeared at 7:19 AM and the final post at 9L29 AM.
Here are the details:-
Blog Post number | Song | Movie | Year of release | Posting time | Remarks |
---|---|---|---|---|---|
3149 | Teri nazar mein main rahoon meri nazar mein tu | 1857 | 1946 | 7:19 AM | Movie YIPPEED by now |
3150 | Tum hamen bhool gaye | Balam | 1949 | 8:13 AM | Movie YIPPEED by now |
3151 | Barbaad huyi dil ki duniyaa | Jalpari | 1952 | 8:51 AM | 7 songs covered out of 9 |
3152 | Hamko samajh baithhi hai ye duniyaa deewaanaa | Chaar Deewaari | 1961 | 9:13 AM | Movie YIPPEED by now |
3153 | Mujhe tumse muhabbat hai magar main keh nahin saktaa | Bachpan | 1963 | 9:29 AM | 3 songs covered out of 7 |
One can notice that three out of five movies that were represented ten years ago have been YIPPEED by now. That leaves us with “Jalpari”(1952) and “Bachpan”(1964) as the two movies eligible for the Blog ten year challenge.
I had chosen the song for “Bachpan”(1964) yesterday itself, and I thought I had done the same for “Jalpari”(1952) as well. but today morning, I discovered that the song chosen by me was already discussed. What is more, it was discussed exactly ten years ago. So I had to search for another song. Only two songs of “Jalpari”(1952) are left. The first song mentioned in HFGK has no details viz record number, singers etc. That song is as good as unavailable. That leaves us with only one song, viz “Namkeen tumhaari soorat hai”. On YT, a one minute partial version of this song is available which does not do justice to the song. Locating the full song and uploading it took me better part of the morning and so I was not able to post any post in the blog till now.
This elusive song is described in HFGK as sung by Rafi, Shamshad Begam and Zohrabai Ambalewali. On listening to the song, I find that the female singers are correctly identified, but the male singer is not. There are two male playback singers to match the two playback singers. Rafi’s voice is not at all there . Two two male voices sound familiar. One of them sounds like S Balbir to me. I request our knowledgeable readers to help identify the voices.
There were three lyricists in the movie, but only two songs are credited to two lyriciasts. Lyricists of others songs, including the song under discussuion, are not known. Music is composed by Pt Govindram.
Two males and two females have an interesting exchange of words in the song where expression of love is couched in the form of nok jhonk. Very interesting song that has been forgotten with time.
I request our knowledgeable readers to throw light on the picturisatioon of this song.
I feel that the only remaining song from the movie may not be available and so this movie, after this song, may remain unYIPPEED, or may be conditionally YIPPEED, as described by Sudir Jee in one of his posts.
I have mentioned it that one more Blog Ten Year Challenge post will appear today. That would be a special kind of Blog ten yewar challenge. So watch this space.
Song-Namkeen tumhaari soorat hai(Jalpari)(1952) Singers-Male voice 1, male voice 2, Shamshad Begam, Zohrabai Ambalewali, Lyricist-Unknown, MD-Pt Govindram
Lyrics
namkeen tumhaari soorat hai
arre naina tore matwaare hain
ye laddoo pede barfi sab
iske aage jhak maare hain
roop ka bhojan tumhaara
dil pe jaadoo kar gaya
haaye
dil pe jaadoo kar gaya
arre dekh kar soorat tumhaari
pet apna bhar gaya
chaahe nakad karo ya udhaar karo
ho par thhoda thhoda hamse pyaar karo
par thhoda thhoda hamse pyaar karo
dekho hamse na yoon taqraar karo
jora jori mat ankhiyaan chaar karo
jora jori mat ankhiyaan chaar karo
ham gore hain ya kaale hain
arre mard muhabbat waale hain
dhun ke sachche dhun ke pakke
tere roop ke ham rakhwaale hain
in moochhon par
in moochhon par
in moochhon par aitbaar karo
ho par thhoda thhoda hamse pyaar karo
in moochhon se ham darte hain
teri shakl se nafrat karte hain
tum daanav jaise chakram to
meri gali mein paani bharte hain
arre sunaa
oon hoon
mat baaten yoon bekaar karo
jora jori mat ankhiyaan chaar karo
o chaahe nakad karo ya udhaar karo
o par thhoda hamse pyaar karo
aji maine kahaa huzoor
zara suniye to
chal chal
aji maine kahaa sarkaar
zara dekhiye to
kya hai
main ho gaya tera deewaana
tu shamma main tera parwaana
o meri bulbul dekh zara
dil kar diya tujhko nazraana
haaye
chaahe soch karo ya vichaar karo
ho par thhoda thhoda hamse pyaar karo
dekho hamse na yoon taqraar karo
jora jori mat ankhiyaan chaar karo
tum maanus bade nikhhattoo ho
moorakh ho zaahil jattoo ho
tum nayi nawelan naar dekh
phat ho jaate lattoo ho
arre kuchh samjhe
bilkul nahin
mat hamse yoon takraar karo
jora jori mat ankhiyaan chaar karo
o chaahe nakad karo ya udhaar karo
ho par thhoda thhoda hamse pyaar karo
Ho zara meri gali aa re balam
Posted September 5, 2020
on:This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4432 | Post No. : | 15865 |
“Bela” (1947) was directed by Chaturbhuj Doshi for Ranjit Movietone, Bombay. The story, screenplay, dialogues and Lyrics of this movie were by D N Madhok. The movie had P Jairaj, Nigar Sultana, Shrinath Tripathi, Pt.Iqbal, Krisnakumari, Master Mehmood, Rekha, Usha, B.R.Sharma etc. in it.
The movie had ten songs in it. Eight of these songs have been covered in the past.
Here is the ninth song from the movie. This song is sung by Zohrabai Ambalewaali. D N Madhok is the lyricist. Music is composed by Bulo C Rani.
Only the audio of the song is available. My guess is that this melancholic song was picturised on the leading lady viz Nigar Sultana. I could be wrong as well, seeing that Zohrabai Ambalewaali’s voice figured in all the ten songs of the movie, so who knows, she may have sung for all the important ladies in the movie, in addition to leading lady. I request our knowledgeable readers tp throw light on the picturisation of the song.
Song-Ho zara meri gali aaa re balam (Bela)(1947) Singer-Zohrabai Ambalewaali, Lyrics-D N Madhok, MD-Bulo C Rani
Lyrics
Ho zara meri gali aa re balam
zara meri gali aaa re baalam
nanhi si jaan hai meri ee
haaye baalma aa
nanhi si jaan hai meri ee
haay baalma aa
tod na de tera gham
ho zara meri gali aa re balam
zara meri gali aa re balam
rain diwas jiya dagmag doley
tera naam pukaare
dheere dheere haule haule
rain diwas jiya dagmag doley
tera naam pukaare
dheere dheere haule haule
jab main pyaar se poochhoon to yehi boley
jab main pyaar se poochhoon to yehi boley
nanhi si jaan hai meri
haaye baalma aa
nanhi si jaan hai meri
haay baalma aa
tod na de tera gham
zara meri gali aa re balam
zara meri gali aa re balam
aadhi aadhi raat
aadhi aadhi raat
mera nindiya se jaagna
aadhi aadhi raat
mera nindiya se jaagna
naam tera le le ke
it ut bhaagna
naam tera le le ke
it ut bhaagna
ab to milo baalma aa
haay baalma aa
ab to milo baalma aa
haay baalma aa
chhoot na jaaye ye dam
zara meri gali aa re balam
zara meri gali aa re balam
nanhi si jaan hai meri ee
haaye baalma aa
nanhi si jaan hai meri ee
haay baalma aa
tod na de tera gham
zara meri gali aa re balam
ho zara meri gali aa re balam
Ho chhoona jee mohe sambhaal ke
Posted August 7, 2020
on:This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4403 | Post No. : | 15787 |
‘Kaafila-1952’ was directed by Arvind Sen for Munshi Productions, Bombay.
It was produced by S.H. Munshi. It had Ashok Kumar, Nalini Jaywant, Motilal, Ranjan, Sunalini Devi, Nazeer Hussain, Amita, Bhagwan Ji, Mona, Krishnakant, Shakti, Mumtaz, D.S. Panchotiya, Samar Chatterjee, Parvatibai, Sachin Ghosh, A. Sharma, Munshi Khanzar, Anand Prabhu and others.
This movie was passed by Censor Board on 05.05.1952.
This movie had total eight songs written by Vrajendra Gaur (five songs), Kavi Pradeep (two songs) and Moti. B.A. (one song). Music for this film was composed by two music directors viz. Husnlal-Bhagatram (six songs) and Bhola Shreshtha (two songs-both songs penned by Kavi Pradeep).
The voices of Geeta Dutt, Kishore Kumar, Lata Mangeshkar, Mohd Rafi, Shamshad Begum, Talat Mahmood and Zohrabai Ambalewali were used in the songs of this movie.
So far, six songs from this movie have been posted on the blog as per following;
S.No. | Song Title | Posted on |
---|---|---|
01 | Chori chori dil mein samaya… | 14.11.2010 |
02 | Lehron se poochh lo | 19.06.2011 |
03 | Wo meri taraf yoon chale aa rahe hain | 13.10.2011 |
04 | Aansoo ab tum kabhi na behna | 12.12.2013 |
05 | Khushiyon ki bahaaren laut gayin … | 02.05.2018 |
06 | Is duniya mein kaun bada hai | 06.02.2020 |
Today (7 august 2020) is the 40th remembrance day of Vrajendra Gaur (7 August 1980). On this occasion, here is a song from “Kaafila”(1952). This song is sung by Zohrabai Ambalewaali. Vrajendra Gaur is the lyricist. Music is composed by Husnlal Bhagatram.
To know about Vrajendra Gaur, the best source is this indepth article on memsaabstory, written by the sons of Vrajendra Gaur.
Song-Ho chhoona jee mujhe sambhaal ke (Kaafila)(1952) Singer-Zohrabai Ambalewaali, Lyrics-Vrajendra Gaur, MD-Husnlal Bhagatram
Lyrics
Ho o o o ho o
Chhoona ji mohe sambhaal ke
Ho sainyya saanwre
Ho sainyya saanwre
Ho o o o ho o
Chhoona ji mohe sambhaal ke
Ho sainyya saanwre
Ho sainyya saanwre
Haan haan haan aan aan aan aan
Ye samaa aur ye mausam hai
Josh e ulfat hai ae ae
Ho o o o
Main to betaab hoon
Aur aapko bhi fursat hai
Ho o o o o o
Phir bhi majboor hoon
Anjaam se dard e shaq hai
Ae ae ae
Ho o o o
Is jawaani se husn apna
Bachaane ke liye ae ae ae
Ho o o o
Aayi hoon ghoonghat nikaal ke
Ho sainyya saanwre
Ho sainyya
Ho sainyya saanwre
Ho o o o ho o
Chhoona ji mohe sambhaal ke
Ho sainyya saanwre
Ho sainyya
Ho sainyya saanwre
Ho o o o o o
Aap kehte hain hamesha
Mujhe dil ki malika
Aa aa aa aa aa
Ho o o o o
Kab badal jaaye nazar
Kya hai bharosa aa kal ka
Ho o o o o
Yahi hai fikr
Jo in aankhon se aansu dhalkaa
Aa aa aa
Aa aa aa
Ishq mein aansu hansaate hain
Rulaane ke liye ae ae ae
Ho o o
Aashiq hain mere kamaal ke
Ho sainyya saanwre
Ho sainyya
Ho sainyya saanwre
Ho o o o ho o
Chhoona ji mohe sambhaal ke
Ho sainyya saanwre
Ho sainyya
Ho sainyya saanwre
Nigaahon se kehti hai dil ke fasaane
Posted July 6, 2020
on:This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4371 | Post No. : | 15706 |
“Man Ka Meet”(1950) was directed by Ratibhai Punaatar for Ajit Pictures, Bombay. This “social” movie had Nirupa Roy, Dulaari, Sarita Devi, Shanti Madhok, Manhar desai, Babu Raje, hhagan Romeo, Bhagwan Das, Ibrahim, Maruti, Kamlakant, Barkat Virani, Haridas, Popat, V D Popat etc in it.
The movie had nine songs in it. One song has been covered in the past.
Today (6 July 2020) is the 16th remembrance day of Sardul Kwatra (1928-6 July 2004). As a tribute to him, here is a song from “Man Ka Meet”(1950). This song is sung by Zohrabai Ambalewaali. Sarshar Sailaani is the lyricist. Music is composed by Sardul Kwatra.
Only the audio of the song is available. For the lyrics, it is clear that it is a mujra song. I request our knowledgeale readers to throw light on the picturisation of the song.
Lyrics of this song were sent to me by Avinash scrapwala.
Song-Nigaahon se kehti hai dil ke fasaane(Man Ka Meet)(1950) Singer-Zohrabai Ambalewaali, Lyrics-Sarshar Sailaani, MD-Sardul Kwatra
Lyrics(Provided by Avinash Scrapwala)
hmm hmm hmm
hmm hmm hmm
Nigaahon se kehti hai ae ae
Dil ke fasaane ae ae
Haan aan aan aan
Aan aan aan aan
Jawaani ki baatein
aa aa aa aa
aa aa aa aa
aa aa
Jawaani ki baatein
Jawaani ki baatein
Jawaani hi jaane
Jawaani ki baatein
Jawaani ki baatein
Jawaani hi jaane
Nigaahon se
Nigaahon se raja
Nigaahon se kehti hai
Dil ke fasaane
Dil ke fasaane ae
Jawaani ki baatein
Jawaani ki baatein
Jawaani hi jaane
Jawaani ki gardan ko
Jhukte na dekha
Jawaani ki gardan ko
Jhukte na dekha
Kisi ne ye toofaan rukte na dekha
Kisi ne ye toofaan rukte na dekha
Jawaani ka har teer
Baithha nishaane
Jawaani ka har teer
Baithha nishaane
Haan aan aan aan
Aan aan aan aan aan
Nigaahon se
Nigaahon se raaja
Nigaahon se kehti hai
Dil ke fasaane
Dil ke fasaane ae
Jawaani ki baatein
Jawaani ki baatein
Jawaani hi jaane
Na aana na jaana
Na milna milaana
Na aana na jaana
Na milna milaana
Kabhi ye bahaana
Kabhi wo bahaana
Kabhi ye bahaana
Kabhi wo bahaana
Hamen maar daalaa
Bahaane
Bahaane
Hamen maar daalaa
Bahaane
Bahaane
Haan aan aan aan
Aan aan aan aan aan
Aan aan
Nigaahon se
Nigaahon se raaja
Nigaahon se kehti hain
Dil ke fasaane
Dil ke fasaane ae ae
Jawaani ki baatein
Jawaani ki baatein
Jawaani hi jaane ae
Chaandni Raaten Kya Huin
Posted June 30, 2019
on:- In: "Broken heart" song | "chaand" song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics by Sudhir | Lyrics contributed by readers | Post by Arunkumar Deshmukh | sad song | Songs of 1940s (1941 to 1950) | Songs of 1946 | Yearwise breakup of songs | Zohrabai Ambalewaali solo | Zohrabai Ambalewaali song
- 8 Comments
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
3999 | Post No. : | 15096 | Movie Count : |
4144 |
Today’s song is from an obscure film – ‘Jeb Katra’ aka ‘Pick Pocket’ aka ‘Girahkat’. The film may be obscure, but the song is extremely melodious and it is a pleasure to listen to such a song. I have liked it very much. The film was produced by actress-singer Brijmala’s home production Brij Prakash Productions. Looking at the cast of film and its director, it seems to be a stunt film. It was advertised as a Social Stunt film – whatever that means. To me it was like saying ‘a religious murder mystery film’ !
I have seen this film’s advertisements in the Jan and Feb 1946 issues of magazine Film India. In the Jan issue the lyricist is given as Shams Lucknowi and the composer as Bashir Khan Dehalvi. Next month – Feb – the ad says the lyricist is Ahsan Rizvi and MD is Nisar Bazmi.
The cast of the film was Navin Yagnik, Raj Rani, Samson, Ali, Radha, Habib, Sandow etc. The role of the ‘Pick Pocket’ was done by Samson, as mentioned on a photo of the film. The film was directed by Nari Ghadiyali- a veteran of C grade stunt films. Nari (Nariman) was a Parsee.
From the silent film era, Parsee community has been involved in film industry in different ways. In about every department of film making, there has been a Parsee, sometime somewhere. Parsee community is a very small entity. They never, even at their best times, exceeded a population of 3 lakhs in entire India. This is the only community which is truly a Minority community with just about 70000 people in entire India now. They have never ever asked for any reservation from the government. Parsees have significantly contributed to India’s industrial growth. Parsee greats like Tata, Godrej and Wadias have been extremely philanthropic too.
Parsees are mainly seen in Bombay and so it was no wonder that they joined the film industry, but a Parsee in Bengal has been a Pioneer in Cinema in the eastern India. JF Madon (1856 to 1923) had a roaring Parsee Theatre business in Bombay, but he shifted to Calcutta in 1902 and built an empire of Theatres and Cinema making. At one time the Madons had control on 127 Theatres in India. They made silent and talkie films in Bangla and Hindi. After his death, his third son JJ Madon took over. However, they closed their film business in 1937 and concentrated on their other interests like, imports, foods, pharma, insurance and real estate.
In Bombay, who can forget the contribution of Ardeshir Irani in starting the Talkie era with his ‘Alam Ara’ in 1931 ? In the early era, many Parsees contributed to Hindi cinema like Homi Master, Sohrab Modi, Sarswati Devi, JBH and Homi Wadia, John Cawas etc. In later period, the Irani sisters (Honey, Daisy and Manaka), Aruna Irani, Shammi, Fali Mistry and many others contributed. Earlier, in the field of direction, there were two well known names- Aspi (Aspinder) Irani and Nari (Nariman) Ghadiyali. Aspy Irani had married actress Husn Banu and Nari Ghadiyali had married actress Pramila. Both worked for stunt films made by another Parsee group – Wadia Brothers. Today’s film is also directed by Nari Ghadiyali. He directed 25 films, starting with ‘Jungle King’ (1939) to ‘Murad’ (1961).
The hero of film ‘Jeb Katra’ was Navin Yagnik, who was frequently seen in C grade action/stunt films. Such films were made with tight budgets by small producers and hence the actors did not earn much money. To earn more money, their endeavour used to be to get roles in social films or films of other genres, especially made by well known production houses. Their payments were much better and also timely. Thus Navin also worked in some social films made by big banners.
As such stunt films declined in the latter half of the 50s, compared to 30s and 40s, as many producers like the Wadias, Mohan Pictures etc. shifted their focus to social films. Similarly major stunt film actors like Master Vithal, Master Bhagwan, Baburao Pehelwan, Azim Bhai etc. started getting roles in social films. Recently, I found a reference to Navin Yagnik in the autobiography of Hansa Wadkar- ‘Sangte Aika’ (‘सांगते ऐका’) roughly translated as ‘Listen, I tell you’. In it she said. . . “My hero in this film was one Navin Yagnik, a handsome boy from UP. He was very shy and after the shootings, he would quietly sit in one corner reading something. He never joined our drink parties, nor he participated in any other group activity. I was attracted towards him but he gave no response. He sent me invitation card of his marriage, when it was fixed.’ Navin Yagnik (3-10-1912 to 28-10-1977) worked only in 30 films from film ‘The Mill’ (1934) to ‘Bhagwat Mahima’ (1955).
The MD for film ‘Jeb Katra’ was Nisar Bazmi. He was one of those musicians who migrated to Pakistan much later after the partition. There is a general perception among Indians that all those who migrated to Pakistan had a tough time there and they died in poverty. While this is true in cases of many actors and actresses, the converse is true about music composers.
Music directors who were worthless, unknown and unsuccessful, who gave music to obscure of B and C grade films here, in India, prospered very well in Pakistan. Composers like GA Chishti, Nisar Bazmi, Firoz Nizami, Tufail Faruqui, Rashid Atre, Inaayat Hussain, Fateh Ali Khan, Inaayat Nath, Khursheed Anwar were not very famous or popular in India, but in Pakistan almost every musician from India became famous, popular and successful. For example, Nisar Bazmi gave music to 40 films (only 27 released) in India. They were mostly C grade films and most songs were forgotten here. Same person, in Pakistan gave music to almost 60 films, won several awards and became famous and successful. How this happened ? What is the mystery ?
To understand this we must know what happened in Pakistan after partition and how was their film and music industry. According to an article in Wiki, since 1947, Pakistan film and music industry underwent several changes. It is worth repeating here. The period is divided as following,
‘Due to shortage of composers, all were welcomed with open arms. Those who had talents did extremely well here. Unfortunately the second generation of composers of calibre were not prepared and once these migrants disappeared from the scene, the musical fields of Pakistan dried up. According to Wiki, there are 7 ages in Pakistan film music –
- Independence and growth – 1947-1958
- The Golden Age of Pak Film Music – 1959 – 1977
- The Age of Disaster – 1977 – 1988 (Onslaught of VCR and brain drain to Bangladesh in 1971)
- Politics, Islamisation and Downfall – 1979 – 1987
- Collapse – 1988 – 2002
- Decline – 2002 – 2009
- New Wave and Hope – 2010 onwards’
Anyway, Nisar Bazmi migrated to Pakistan during the Golden Age period and got all the benefits. Let us see what happened to Nisar Bazmi in Pakistan. His last film in India was ‘Mister Toofan’, released in 1963. Nisar migrated to Pakistan in 1962. Producer Sibtain Fazli of Fazli brothers offered him first film ‘Aisa Bhi Hota Hai’. The music of this film became hit and very popular and there was no looking back for Nisar Bazmi. He gave music to 57 Pak films. He won Nigar Awards 7 times and also won ‘Pride of Performance’ award from the President.
His last film was in 1981. He came back to Karachi and started teaching aspiring singers, but only one of them became a famous singer. He regretted that the younger generation looked for quick money and did not put hard work. None of his 8 sons loved music. They all followed different avocations. In his later life he was famous for learning Quran by heart.
Bazmi sahib taught music to up-and-coming youngsters, but only Faisal Latif managed to become somewhat popular. When asked why his students like Shafiq-ur-Rehman, Tanveer Afridi, Shabana and Shazia Kausar are unable to reach the top, he said, “My job was to train them, which I did. Now it is up to the musicians to utilize them as I am sure they have the talent to be the best.” When asked if the youth (of Pakistan) are going in the right direction, Bazmi Sb felt that it was because of our youths’ lack of interest that our music is not what it used to be. “A youngster today doesn’t want to be taught like the legendary singers. His only interest is to become rich and famous in a short time, which is certainly the wrong way.”
Nisar Bazmi died on 22-3-2007 at Karachi.
Today’s song from film ‘Jeb Katra’ is an exceptionally melodious song comparable to any leading composer’s song in India. With such tunes in his repertoire, I wonder why Nisar bazmi could not gain fame here itself. Usually when the film is a failure, the music of that film does not reach more audience and hence does not get exposure to become popular. Of course there are songs which became popular from flop films also. After all, it is a matter of luck only.
Song – Chaandni Raaten Kya Huin (Jeb Katra) (1946) Singer – Zohrabai Ambaalewali, Lyrics – Ahsaan Rizvi, MD – Nisar Bazmi
Lyrics
chaandni raaten
haaye
chaandni raaten kya huin
sukh ke wo din guzar gaye
chaandni raaten
haaye
chaandni raaten
jee bhar ke hum hanse naache
jee bhar ke hum hanse naache
aankhon mein aansoo bhar gaye
chaandni raaten
haaye
chaandni raaten
aisi buri hawa chali
aisi buri hawa chali
murjha gaye chaman ke phool
aisi buri hawa chali
aisi buri hawa chali
murjha gaye chaman ke phool
hasraten dil ki mit gayin
hasraten dil ki mit gayin
armaan saare mar gaye
chaandni raaten
haaye
chaandni raaten
doobhar hui hai zindagi
doobhar hui hai zindagi
marna bhi ho gaya kathin
doobhar hui hai zindagi
doobhar hui hai zindagi
marna bhi ho gaya kathin
doobne hum jahaan gaye
doobne hum jahaan gaye
dariya wahaan utar gaye
chaandni raaten
haaye
chaandni raaten
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
चाँदनी रातें
हाए
चाँदनी रातें क्या हुईं
सुख के वो दिन गुज़र गए
चाँदनी रातें
हाए
चाँदनी रातें
जी भर के हम हँसे नाचे
जी भर के हम हँसे नाचे
आँखों में आँसू भर गए
चाँदनी रातें
हाए
चाँदनी रातें
ऐसी बुरी हवा चली
ऐसी बुरी हवा चली
मुरझा गए चमन के फूल
ऐसी बुरी हवा चली
ऐसी बुरी हवा चली
मुरझा गए चमन के फूल
हसरतें दिल की मिट गईं
हसरतें दिल की मिट गईं
अरमां सारे मर गए
चाँदनी रातें
हाए
चाँदनी रातें
दूभर हुई है ज़िंदगी
दूभर हुई है ज़िंदगी
मरना भी हो गया कठिन
दूभर हुई है ज़िंदगी
दूभर हुई है ज़िंदगी
मरना भी हो गया कठिन
डूबने हम जहां गए
डूबने हम जहां गए
दरिया वहाँ उतर गए
चाँदनी रातें
हाए
चाँदनी रातें
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