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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1950s (1951 to 1960)’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Do Dulhe” (1955) was directed by K J Mahadevan for United Film Art, Bombay in collaboration with Gemini Pictures. The movie had Sajjan, Shyama, Lalita Pawar, Vanjana, David Abraham, Agha, Achla Sachdev, Kanhaiyalal, B. M. Vyas, Ishwarlal , Suryakantam, G V Sharma, Venkat, H Krishnamurty, L R Mudaliyar, Vijay Rao, Indravadan Mehta, Deshraj Sukeshini, Kaushal, Jaya etc in it.

The movie had eleven songs in it according to HFGK. Three songs have been covered in the past.

Here is the fourth song from the movie to appear in the blog. The song is sung by Geeta Dutt. Pt Indra Chandra is the lyricist. Music is composed by B S Kalla.

The joie de vivre epression of love song is picturised on Vanaja and a gentleman whom I am unable to identify. I request our knowledgeable readers to help identify him.


Song-Chadhoongi adaalat karaaoongi jurmaana (Do Dulhe)(1955) Singer-Geeta Dutt, Lyrics-Pt Indra Chandra, MD-B S Kalla

Lyrics

karoongi adaalat karaaungi jurmaana
loongi nazraana balam
o o loongi nazraana balam
loota hai toone mere dil ka khazaana
haay maine na jaana balam
o o o
maine na jaana balam

khaayi thhi jisne
ek din mujhse
maar tamaatar ki ee
maar tamaatar ki
aaj wo hi ban baitha hai baalam
baat muqaddar ki ee ee
gin gin ke maaroongi
gin gin ke maaroongi
teer nazar ke
phir bhaag na jaana balam
o o o
bhaag na jaana balam

pyaar se dekha baalam ne
to ho gaye gaal gulaabi
ho ho ho
ho gaye gaal gulaabi
jhoom rahe hain donon ke naina
jaise hazaar sharaabi ee ee
main hoon teri laila pyaari
tu hai mera deewaana balam
o o o
mera deewaana balam
chadhoongi adalat karaaungi jurmaana
loongi nazrana balam
o o o loongi nazraana balam

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Duniya Rang Rangeeli” (1957) was produced and directed by M Sadiq for Sadiq Production, Bombay. The movie had Johnny Walker, Chand Usmani, Shyama, Rajendra Kumar, Jeevan, Amar, S N Banerjee etc in it.

The movie had eight songs in it. Six songs from this movie have been discussed in the past.

Here is the seventh song from this movie. This song, a “teased”cum “expression of love” genre of song is sung by Asha Bhonsle. Jaan Nisaar Akhtar is the lyricist. Music is composed by O P Nayyar. the song is picturised on Shyama and Johny Walker, the lead pair of this movie.


Song-Sainyya sainyya chhod de mori bainyya (Duniya Rang Rangeeli)(1957) Singer-Asha Bhonsle, Lyrics-Jaan Nisaar Akhtar, MD-O P Nayyar

Lyrics

o o o o
o o o o
o o o o
o o o o

sainya sainya aa aa
o sainya sainya
chhod de mori bainya
aankh mori phadke
haaye re jiyara dhadke
sajan tere pyaar mein
o sainya sainya
chhod de mori bainya
aankh mori phadke
haaye re jiyara dhadke
sajan tere pyar mein
o sainya sainya aa aa

mere piya
main to haaye re mar gayi
aisi nazar daali
main to dar gayi
mere piya
main to haaye re mar gayi
aisi nazar daali
main to dar gayi
dar gayi re sainya
mar gayi re sainya
dar gayi re sainya
mar gayi re sainya
sainya sainya aa aa
o sainya sainya
chhod do mori bainya
aankh mori phadke
haye re jiyara dhadke
sajan tere pyaar mein
o sainya sainya ho

baanki ada teri
dil mera das gayi
ab to lagi teri man mein bas gayi
baanki ada teri dil mera das gayi
ab to lagi teri man mein bas gayi
bas gayi re sainya
das gayi re sainya
bas gayi re sainya
das gayi re sainya
sainya sainya aa aa
o sainya sainya
chhod do mori bainya
aankh mori phadke
haaye re jiyara dhadke
sajan tere pyaar mein
o sainya sainya aa ho

kaisi khushi dil pe haaye re chha gayi
chhip ke hansi mere lab pe aa gayi
kaisi khushi dil pe haaye re chha gayi
chhip ke hansi mere lab pe aa gayi
aa gayi re sainya
chha gayi re sainya
aa gayi re sainya
chha gayi re sainya
sainya sainya aa aa
o sainya sainya
chhod do mori bainya
aankh mori phadke
haaye re jiyara dhadke
sajan tere pyaar mein
o sainya sainya ho


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“Dr Shaitaan”(1960) was produced by Ram Kumar and it was directed by Shriram Bohra for Bohra Brothers production, Bombay. The movie had Premnath, Shakila, Sheikh Mukhtar, Sunder, Tiwari, Sheikh, Helen, Nasreen, Nazi, Indira, Ramkumar, Rajan Kapoor, Ramlal, Mahendra, Maqbool, Mirajkar, Kamaol Sharma etc in it.

Here is the story of this by now forgotten movie, as recounted by Mr Arunkumar Deshmukh, our beloved inhouse encyclopaedia:

Dr. Shaitaan – 1960, is an interesting film, provided you leave your brains and reasoning power and logic at home before venturing to see this film. (I remember having seen this film, as I was an ardent fan of Shaikh Mukhtar those days.) The film, a Bohra Brothers production is produced by Ramkumar and directed by Shriram Bohra. The dialogues, story and screenplay is by Ramprakash Ashq.

Dr. Ashok (Premnath) is an internationally famous scientist, who has vowed to keep this world in peace, come what may. This of course, is not what Dr. Shaitaan (Sheikh Mukhtar) thinks. He wants to rule the world. He gets hold of atomic power. He uses it to give life to his dead henchmen. Dr.Shaitan creates chaos, destruction and mass killings. The police are helpless. They can’t find Dr. Shaitaan. The police contact Dr. Ashok, who is busy with his work whenever he is free from singing songs and meeting his beloved Asha (Shakila). Ashok accepts the challenge. When Dr. Shaitaan learns about this, he (naturally) kidnaps Asha to bargain with the police. Dr. Ashok produces a weapon which will kill Dr. Shaitaan, despite his atomic power.

With the help of police, Dr. Ashok enters Dr. Shaitaan’s den a la James Bond style and not only rescues Asha but also kills Dr. Shaitaan, for the greater good of the mankind. Dr. Ashok is honored by the government and privately given a special prize by Asha !

Thus the world is saved.

This movie had six songs in it. Five of these songs have been discussed in the past.

Here is the sixth and final song from “Dr Shaitaan”(1960) to appear in the blog. This song is sung by Asha Bhonsle. Jaan Nisaar Akhtar is the lyricist. N Datta is the music director.

This song is a western style rock and roll song which was a popular genre of song in Hindi movies in those days, especially in crime thriller movies which this movie certainly was.

With this rocking and rolling song, “Dr Shaitaan”(1960) joins the list of movies that have all their songs covered in the blog.


Song-Holla hup holla hup holla hup..gorey gorey gaalon se barse ujli dhoop (Dr Shaitaan)(1960) Singer-Asha Bhonsle, Lyrics-Jaan Nisaar Akhtar, MD-N Datta

Lyrics

holla hup
holla hup
holla hup
gorey gorey gaalon se
barse ujli dhoop
holla hup
holla hup
holla hup
gorey gorey gaalon se
barse ujli dhoop
holla hup
holla hup
holla hup

ye ankhiyaan gulaabi
bana de jo sharaabi
zara jo muskura doon
dilon ki ho kharaabi
ye ankhiyaan gulaabi
bana de jo sharaabi
zara jo muskura doon
dilon ki ho kharaabi
sitam mera nazaara
bala ka har ishaara
ada se isko loota
nazar se usko maara
holla hup
holla hup
holla hup
gorey gorey gaalon se
barse ujli dhoop
holla hup
holla hup
holla hup
gorey gorey gaalon se
barse ujli dhoop
holla hup
holla hup
holla hup

jo rang hai nazar mein
to loch hai kamar mein
chale jo teer mera
to ja lage jigar mein
jo rang hai nazar mein
to loch hai kamar mein
chale jo teer mera
to ja lage jigar mein
jawaan mera nishaana
kabhi to chot khaana
pukaarti jawaani
bura hai dil bachaana
holla hup
holla hup
holla hup
gorey gorey gaalon se
barse ujli dhoop
holla hup
holla hup
holla hup
gorey gorey gaalon se
barse ujli dhoop
holla hup
holla hup
holla hup

jo paanv mera lachke
lage dilon pe jhatke
mera jawaab kya hai
gaya na koi bach ke
jo paanv mera lachke
lage dilon pe jhatke
mera jawaab kya hai
gaya na koi bach ke
main husn hoon niraala
naya naya ujaala
main jis’se baat kar loon
wahi naseeb waala
holla hup
holla hup
holla hup
gorey gorey gaalon se
barse ujli dhoop
holla hup
holla hup
holla hup
gorey gorey gaalon se
barse ujli dhoop
holla hup
holla hup
holla hup


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“Shrawan Kumar”(1960) was produced by Ramubhai Desai and directed by Sharad Desai for Prabha Pictures, Bombay. This mythological movie had Nalini Chonkar, Anant Kumar, Achala, S K prem, Sundar, B M Vyas, Yashodhara Katju, Chaand Burque, Polson, Dabboo, Daya Devi, Kesari, Fazlu, C J Pandey, Kesarbai, V Prem, Premlata, Premi, Radheshyam, Baby Rukhsana, Cuckoo, Madhumati, Raj Prakash etc in it.

The movie, obviously based on the tale of Shrawan Kumar, had ten songs in it. Shrawan Kumar was a contemporay of Lord Ram and his mention is found in Ramayan.

Movies like this aimed to make its audience watch the movie and cry, witnessing the hardships faced by the protagonist. The movie had several songs that are heavy duty listening for me (preachy songs/ tragic songs etc).

Thankfully, there are a few songs that spare us that agony. I have chosen one such song here.

This song is a “missing the beloved” song which is sung by Lata. Bharat Vyas is the lyricist. Music is composed by Shivram.

The song is picturised on a lady whom I am unable to identify. I request our knowledgeable readers ti help identify her.
PS-She is Nalini Chonkar. I thank our knowledgeable reader Mr Suresh Patil for helping to identify her.

With this song, “Shrawan Kumar”(1960) makes its debut in the blog. As many as 111 Hindi movies were released in 1960. “Shrawan Kumar”(1960) becomes the 100th movie to 1960 to find representation in the blog. So with this song, we achieve yet another artificially made up but nevertheless a significant century in the blog.


Song-Tum kahaan chhupe ho saanwre (Shrawan Kumar)(1960) Singer-Lata, Lyrics-Bharat Vyas, MD-Shivram

Lyrics

tum kahaan chhupe ho saanwre
do naina bhaye more baawre
tujhe khoj khoj main haari
ab thhakne lage more paanv re
tum kahaan chhupe ho saanwre ae

tum bin ye jag kaara hai
chaaron taraf andhiyaara hai
o o o o
o o o o
aaj thhaki
man haara hai
kitni door kinaara hai
ho kinaara hai
doley jeevan ki dagmag naav re
naiyya ke khiwaiyya aao re
tujhe khoj khoj main haari
ab thhakne lage more paanv re
tum kahaan chhupe ho saanwre
ho saanwre
ho saanwre

tum kahaan chhupe ho saanwre
do naina bhaye more baawre
tujhe khoj khoj main haari
ab thhakne lage more paanv re
tum kahaan chhupe ho saanwre ae

laakh tumhen hoon bisraati
phir bhi bhool nahin paati
o o o o
o o o o
bichhad gaya jeevan saathi
tel bina jalti baati
jalti baati
aankhon se tera algaav re
hai man mein chhupa ek ghaav re
tujhe khoj khoj main haari
ab thhakne lage more paanv re
tum kahaan chhupe ho saanwre ae

dheere dheere saanjh dhale
ruk ruk meri saans chale
o o aa aa
o o aa aa
dhoondhh thhaki par tum na miley
man tadpe mere praan jaley
mere praan jaley
badi door door tera gaanv re
tere paanv ki deekhe na chaanv re
tujhe khoj khoj main haari
ab thhakne lage morey paanv re
tum kahaan chhupe ho saanwre
ho saanwre
ho saanwre


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“Halla Gulla” (1954) was produced and directed by Bhagwan for Bhagwan Art Productions, Bombay. The movie had Bhagwan, Shakila, Sajjan, Baburao, Leela Gupte, Leela Gandhi , Begam Bai, Suneeta, Salvi, Qamar, Sukumar, Bhagwan Rao “Aankh”, Balaram, Deepak, Yashwant, Swami etc in it.

The movie had nine songs in it. All these nine songs were Rafi-Asha Bhonsle duets ! This must be a record of sorts where all songs of a movie are duets and are sung by the same pair of singers.

It would seem that Bhagwan had lip synced in Rafi’s voice. The actress lip syncing in Asha Bhonsle’s voice could be either Shakeela or Leela Gandhi or Leela Gupte. I request our knowledgeable readers to throw light on the picturisation of this song.

Saba Afghani is the lyricist. Music is composed by Nisaar Baazmi.


Song-Yoon na chhedo balam koi na aa jaaye (Halla Gulla)(1954) Singers-Asha Bhonsle, Rafi, Lyrics-Saba Afghani, MD-Nisar Bazmi

Lyrics

yoon na chhedo balam
koi na aa jaye
yoon na chhedo balam
koi na aa jaaye
tumko nahin sharam
tumko nahin sharam
mohe laaj aaye
yoon na chhedo balam
koi na aa jaaye

ek to sataaye mohe bairi hawaayen
aanchal udaayen kabhi laten bikhraayen
ek to sataaye mohe bairi hawaayen
aanchal udaayen kabhi laten bikhraayen
dooje tum to piya
mohe na sataao piya
mohe na sataao
tumko to aaye maza
mora jiya jaaye
ho mora jiya jaaye
yoon na chhedo balam
koi na aa jaaye

ghoonghat se roop gori tera pukaare
naina bulaayen tere kar ke ishaare
ghoonghat se roop gori tera pukaare
naina bulaayen tere kar ke ishaare
ye sharmeeli ada
kise na lubhaaye bata
kise na lubhaaye
aise mein door bhala
kaise raha jaaye
ho kaise raha jaaye

yoon na chhedo balam
koi na aa jaaye

kyun aaj pyaar bhari karte ho baaten
samjhi main khoob sajan tumhri ye ghaaten
kyun aaj pyaar bhari karte ho baaten
samjhi main khoob sajan tumhri ye ghaaten
dekho mori kasam
aise na banaao mohe
aise na banaao
kar doongi shor abhi
paas jo tum aaye
ho paas jo tum aaye
yoon na chhedo balam
koi na aa jaaye
yoon na chhedo balam
koi na aa jaaye


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shagoofa”(1953) was produced under the banner of P N Films ( Premnath’s home production) and it was directed by H S Rawail. The movie had Premnath, Beena Rai, Bipin Gupta, Sundar, Purnima, Yashodara Katju, Baby Naaz etc in it.

Four songs from this movie have been discussed in the blog in the past. Here is the fifth song from this movie to appear in the blog. This song is sung by Sundar and Geeta Dutt. Rajinder Krishan is the lyricist. Music is composed by C Ramchandra.

Only the audio of this song is available. This light hearted romantic song is a parody of the well known song-“Maine laakhon ke bol sahe sanwariya tere liye ” from “Leela”(1947), which was also composed by C Ramchandra.

This song was clearly picturised on Sundar and a lady playing his romantic angle in the movie. I request our knowledgeable readers to help identify this lady.

I have not been able to get a few words right in the lyrics. I request our readers with keen ears to help fill in the blanks/ suggest corrections as applicable.


Song-Kaise khel muhabbat mein khele(Shagoofa)(1953) Singers-Sundar, Geeta Dutt, Lyrics-Rajinder Krishan, MD-C Ramchandra

Lyrics

dil kabhi apnaa thhaa
lekin ab paraaya ho gaya
ae ji ho
dil to dil thhaa
moochh daadhi kaa safaaya ho gaya
haay

kaise khel mohabbat mein khele ae ae
kaise khel mohabbat mein khele
sitamgar tere liye
kaise khel mohabbat mein khele
sitamgar haan haan
sitamgar haan haan
sitamgar tere liye
maine kyaa kyaa naa paapad bele
sitamgar tere liye
maine kyaa kyaa naa paapad bele

ae ji ho o
husn pe ho gayi kurbaan hamaari daadhi
ae ji haan aan
husn pe ho gayi kurbaan hamaari daadhi
alvidaa
alvidaa
alvidaa
alvidaa
alvidaa
marhoom bechaari daadhi

khoon-e-naahak(?) ki sazaa khwaab mein tum paaoge
bhoot ban ban ke daraayegi tumhaari daadhi

sukh chhod ke ye dukh jhele ae ae
sukh chhod ke ye dukh jhele sitamgar tere liye
sukh chhod ke ye dukh jhele
sitamgar haan haan
sitamgar haan haan
sitamgar tere liye
maine kyaa kyaa naa paapad bele

kaise khel mohabbat mein khele sitamgar tere liye
maine kyaa kyaa naa paapad bele


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (15 august 2017) is the 71st Independence day of India.

This is the tenth independence day for the blog. In addition, we have also had nine republic days. We have discussed a few patriotic songs on all these 17 national days. So one can imagine the number of patriotic songs that we have covered in the blog so far. The count of patriotic songs in the blog shows 106 songs as of now !

While discussing songs from movies, we sometimes come across special songs that are suitable songs for special occasions. Same was the case with this song from “Samundar”(1957). In my bid to cover all the eight songs from the movie, seven songs have been covered. The eighth song was deferred to be covered on Indepence day because it is suitable song for such an occasion.

“Samundar” (1957) was produced and directed by Premnath for Premnath Films. The movie was an all family affair. Premnath, Bina Rai (his wife), Rajendranath (his brother) figured in the movie. Others in the cast were Nishi, Tuntun, Anmol Krishan, Ram Avtar, Ullas, Heeralal, Sundar, Ridkoo, Paul Sharma, Rajan Kapoor, Habeeb, Azeem, Mahesh, Manohar, Niranjan etc.

Here is this eighth and final song from the movie to appear in the blog. This song is sung by Geeta Dutt, Rafi and chorus. Rajinder Krishan is the lyricist. Music is composed by Madan Mohan.

The song is picturised as a “ship” song populated by seafaring sailors led by Premnath. Premnath sings in Rafi’s voice. I am unable to identify the person who lip syncs in Geeta Dutt’s voice. In any case, Geeta Dutt’s voice is mainly heard alongwith the chorus in this song.

I have not been able to get a few words right in the lyrics. I request our readers with keen ears to help fill in the blanks/ suggest corrections as aplicable.

With this song, “Samundar”(1957) joins the list of movies that have all their songs covered in the blog.

I take this opportunity to wish everyone a very happy Independence day.

Video


Audio

Song-Gaao re gaao re khushiyon ka taraana (Samundar)(1957) Singers-Rafi, Geeta Dutt, Lyrics-Rajinder Krishan, MD-Madan Mohan
Chorus

Lyrics

hoy
hoy
yeah
ho ho ho ho
ho ho ho
haa haa ha haa
ha ha ha ha
ho ho ho ho
ho ho ho
haa haa ha haa
ha ha ha ha

aa aa aa aa
aa aa aa aa
aa aa aa aa aa
gaao re gaao re
gaao re khushiyon ka taraana
jhoom ke aayi aazaadi
jhoomke aayi aazaadi
door nahin wo din jab hogi
hari bhari ik ik waadi
jhoom ke aayi aazaadi

hoy hoy

apne sitam ka aap nishaana
dekho wo saiyyaad hua
dekho wo saiyyaad hua
ujad gaya thha jo gulshan
wo phir se hai aabaad hua
phir se hai aabaad hua
apni basti chaand(?) huyi hai
gair ke ghar mein barbaadi
jhoom ke aayi aazaadi
gaao re gaao re
gaao re khushiyon ka taraana
jhoom ke aayi aazaadi
jhoom ke aayi aazaadi

hoy

apni dharti par na honge begaanon ke dere
begaanon ke dere
naam na lenge kadam badhaane
ka ab chor lutere
ka ab chor lutere
lehar lehar ban jaayegi saagar
desh ki saari aabaadi
jhoom ke aayi aazaadi
gaao re gaao re
gaao re khushiyon ka taraana
jhoom ke aayi aazaadi
jhoom ke aayi aazaadi

hoy hoy

aao maathe lahu lagaakar
aaj ye kha len kasmen
aaj ye kha le kasmen
aaj se phir hum kabhi na
honge
kisi gair ke bas mein
kisi gair ke bas mein
?? na chheen sakega koi hamari aazaadi
jhoom ke aayi aazaadi
gaao re gaao re
gaao re khushiyon ka taraana
jhoomke aayi aazaadi
jhoomke aayi aazadi
aaa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa aa
a aaa aa aa aa aa aa
aa aa aa aa aa aa aa


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

HAPPY INDEPENDENCE DAY to all our readers. May the 70th Anniversary of India’s Independence bring happiness, prosperity and peace to people of this great nation.

On this occasion, I present to you a Marching Patriotic song, in praise of the Motherland, from the film ‘Sipahsalaar’ (1956). Sipahsalaar means Chief of Army or Commandant . The name of this film is not well known because the lead actor,the composer or the director were not famous at that time. I said ‘ that time ‘ because in the next one year, this film’s hero – Shammi Kapoor would come in a complete makeover of appearance (without his funny unbecoming moustache) and style of acting with the film ‘Tumsa Nahin Dekha’ (1957). Later on, he wrote a glorious chapter in the history of Indian cinema.

Nadira, the heroine in this film, had become an overnight glittering star with her very first film ‘Aan’ (1952). However, this good luck slowly but surely diminished over next few years and she ended up doing side and character roles.

Born as a Baghdadi Jew, on 5-12-1932, with a name of Farhat Khatoon Ezekiel, her mother was Iraqi and father was Egyptian. She was the only girl in the family. She had 2 brothers. First she wanted to become a nun and then a doctor, but financial difficulties forced her to learn shorthand and typing. Being attractive, she had many boy friends. One day, along with her boy friend, she went for a party of film world. Kardar, Mehboob, SU Sunny etc. were present there and naturally they were impressed with her good looks and sophistication. Mehboob Khan was the first to contact her and sign a contract with her for Rs. 1200 p.m.

For first 3 months, there was no work, except watching the shooting daily and learning things. She did not get her pay, as she did not ask for it. When Mehboob came to know, she was given Rs 3600 all at one time. 65 years ago, this was a big amount !

Her first film ‘Aan’ became a hit. In her second film ‘Naghma’ (1953), she fell in love with the Producer / Director / Lyricist Nakshab Jarachavi, and they got married. Unfortunately, she could not tolerate his narrow minded restrictions on her social life and the marriage broke within 2 years. Then she married a non filmi person, but this marriage too broke very soon. After these two failed alliances, she remained single forever. Nadira worked with Raj Kapoor, Dilip Kumar, Dev Anand, Ashok kumar, Raaj kumar, Talat mehmood and almost every known actor of that era. She was the first actress to own a Rolls Royce car in Bombay. But later on she worked even in B and C grade films to survive. She won a Filmfare award for her role in film ‘ Julie ‘ (1975).

She acted in 92 films. Her last released film was ‘Josh’ (2000). Her last days were spent in illness and in the company of friends like Nirupa Roy, Nimmi and Shyama. She died on 9-2-2006. Her last rites were done as per Hindu customs, because that was her last wish.

The composer of this film is Iqbal, who has often been mistaken for more famous composer Iqbal Qureshi. While Iqbal Qureshi’s career spanned the years 1958 to 1991,  Iqbal (Mohammed Iqbal), operated between 1953 to 1975. This Iqbal was known as ‘Chhota Iqbal’, probably based on the heights of these two Iqbals. Iqbal Qureshi was more than 6 feet tall.

He started his career with ‘Malika Saloni’ (1953). He gave music to 21 films and 2 unreleased films. His films are –

Malika Saloni (1953)
Jaadugar (1954)
Jaasoos (1955)
Sakhi lutera (1955)
Anokha Jungle (1956)
Sipah Salaar (1956)
Gypsy (1957)
Chetak aur Rana Pratap (1958)
Black Mailer (1959)
Hero No. 1 (1959)
Toofani Teerandaz (1959)
Wrong Number (1959)
Diler Haseena (1960)
Gun Fight (1960)
Jaalim Jaadugar (1960)
Night Bird (1961)
Toofani Tarzan (1962)
Kaala Jaadu (1963)
Black Arrow (1965)
Fauladi Mukka (1965)
Agent 302 (1963)
Unreleased – Gypsy (1960s) and Raajkumar Sooraj (1970s)

Iqbal never compromised on quality singers and used Rafi, Suman Kalyanpur, Asha, Khan Mastana, Meena Kapoor, Madhubala Zaveri, Mubarak Begum, Mahendra Kapoor, Ismail Azad Qawwal, Talat Mehmood, S Balbir, Minu Purushottam, Chandbala etc. His songs do not include, possibly, any Lata number.

After films, he composed several Muslim devotionals with Mukesh and few ghazals with Shailendra Singh. His composition “Dil Ne Chheda Hai Taraana” from film ‘Sipahsalaar’ – a Talat-Asha duet, is included by HMV in their Classic selection.

With all this, Iqbal remained a small time composer, an action film music director, unlike his same name counterpart who bathed in the glory of hit songs. Iqbal’s only hit film,’Sipahsalaar’ is also invariably included in Iqbal Qureshi’s filmography, which is injustice to poor Iqbal !

‘Sipahsalaar’ is an Eagle Films, Bombay presentation by its owner FC Mehra. This was quite an entertaining costume drama wherein Shammi Kapoor donned the cowboy dress for a major part of the film. Unfortunately all the prints of this film were destroyed in a fire and today, the film is not available anywhere. Shammi Kapoor always regretted that he did not keep a copy of this film with him.

I have seen the film. Since I find that many people are curious about this film, based on my notes I give herewith a short synopsis of the film. If you are unable to see the film, at least here is some information about it.

It is an Eagle Films presentation, produced by FC Mehra and directed by Mohd. Hussain ( 25-2-1918 to 25-7-1980, total films 39) who also wrote its story, screenplay and dialogues as well. Music was by Iqbal with lyrics from Farooque Qaiser.

The evil Vazir of Bharatpur (Randhir) ousts the good king (Uma Dutt) and captures the throne. The good but helpless king escapes to another country. However his loyal, trustworthy and brave Sipahsalaar (S Nazir) goes underground and continues guerrilla fighting with the Vazir.

The king wants to send a plan to recapture his kingdom to his Sipahsalaar. For this purpose he chooses Captain Shyam (Shammi Kapoor). He is ready to undertake this dangerous mission. Disguised as a truck driver, the Captain starts his journey, but is recognised and stopped by a major (Shyam Kumar) at the border. At this time a mysterious, beautiful patriot girl Radha (Nadira) saves him and both escape in the jungle.

Hereafter the film depicts many adventures, jungle scenes and moments of love between Shammi Kapoor and Nadira, including some songs.

They finally reach Sipahsalaar, and deliver the message. However while regaining the kingdom, there is a battle and the Sipahsalaar sacrifices his life for the king.

As far as today’s song is concerned, it seems there is also a second part of this song, which was only in the film and no record was ever made. The second part was played in the background at the last scene when the Sipahsalaar dies in the battle, after regaining the kingdom for the ousted king.

This is a fitting song for today’s occasion. Let us enjoy it……


Song – Ae Maadr e Watan, Maadr e Watan (Sipahsalaar) (1956) Singer – Mohammed Rafi, Lyrics – Farooque Qaisar, MD – Iqbal
Unidentified Male Voice
Mohammed Rafi + Unidentified Female Voice
Chorus

Lyrics

ae maadr e watan

ae maadr e watan
maadr e watan
ae maadr e watan
maadr e watan
ae maadr e watan
maadr e watan
ae maadr e watan
maadr e watan

rahenge le ke raaj hum
wo tera takht o taaj hum
rahenge le ke raaj hum
wo tera takht o taaj hum
wo tera takht o taaj hum
ke veer ho ke aaj hum
aaj hum
aaj hum
tujhe ye dete hain vacahan
tujhe ye dete hain vacahan
maadr e watan maadr e watan
ae maadr e watan
maadr e watan
ae maadr e watan
maadr e watan

ye hum ne kha li hai qasam
nahin sahenge ab sitam
ye hum ne kha li hai qasam
nahin sahenge ab sitam
nahin sahenge ab sitam
nikal pade hain ghar se hum
ghar se hum
ghar se hum
sar se baandh kar kafan
sar se baandh kar kafan
maadr e watan maadr e watan
ae maadr e watan
maadr e watan
ae maadr e watan
maadr e watan

giren falak se bijliyaan
bijliyaan
bijliyaan
giren falak se bijliyaan
chale hazaar aandhiyaan
giren falak se bijliyaan
chale hazaar aandhiyaan
chale hazaar aandhiyaan
badhega yun hi kaarvaan
kaarvaan
kaarvaan
kuchalne dushmanon ka tan
kuchalne dushmanon ka tan
maadr e watan maadr e watan
ae maadr e watan
ae maadr e watan
ae maadr e watan
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

ए मादर ए वतन

ए मादर ए वतन
मादर ए वतन
ए मादर ए वतन
मादर ए वतन
ए मादर ए वतन
मादर ए वतन
ए मादर ए वतन
मादर ए वतन

रहेंगे ले के राज हम
वो तेरा तख्त ओ ताज हम
रहेंगे ले के राज हम
वो तेरा तख्त ओ ताज हम
वो तेरा तख्त ओ ताज हम
के वीर हो के आज हम
आज हम
आज हम
तुझे ये देते हैं वचन
तुझे ये देते हैं वचन
मादर ए वतन मादर ए वतन
ए मादर ए वतन
मादर ए वतन
ए मादर ए वतन
मादर ए वतन

ये हम ने खा ली है कसम
नहीं सहेंगे अब सितम
ये हम ने खा ली है कसम
नहीं सहेंगे अब सितम
नहीं सहेंगे अब सितम
नहीं सहेंगे अब सितम
निकाल पड़े हैं घर से हम
घर से हम
घर से हम
सर से बांध कर कफन
सर से बांध कर कफन
मादर ए वतन मादर ए वतन
ए मादर ए वतन
मादर ए वतन
ए मादर ए वतन
मादर ए वतन

गिरें फ़लक से बिजलियाँ
बिजलियाँ
बिजलियाँ
गिरें फ़लक से बिजलियाँ
चलें हज़ार आंधियाँ
गिरें फ़लक से बिजलियाँ
चलें हज़ार आंधियाँ
चलें हज़ार आंधियाँ
बढ़ेगा यूं ही कारवां
कारवां
कारवां
कुचलने दुश्मनों का तन
कुचलने दुश्मनों का तन
मादर ए वतन मादर ए वतन
ए मादर ए वतन
ए मादर ए वतन
ए मादर ए वतन


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s Shiv Bhajan is for the 4th Shraavan Monday – as celebrated in south, west and some eastern states of India. This bhajan is from film ‘Shuk Rambha’ (1953), made by Chandrakala Pictures and is produced and directed by Dhirubhai Desai. The lead actors were Anjali Devi (from south) and Bharat Bhushan. In the cast of this film, you will find a name Rajkumar. Most ‘knowledgeable’ sites and writers treat this actor same as the famous dialogue master Raaj Kumar ‘Jaani’. However, this is not correct. This Rajkumar is different.

The pathetically poor documentation of the history of Hindi films has left many gaping holes. One of these is the menace of ‘Same Name Confusions’. Actors, directors and composers having similar names are the victims as well as the sufferers of this phenomenon. When artistes active around the same time share the same names, their filmography is often overlapped and intermixed. The sufferer is usually the lesser known person amongst the group of same name persons. Their hard work is credited unceremoniously to the more famous and well known person of the same name. In my earlier posts, I have dwelt upon this subject in details. Additionally, I ran a 3 part article series “Same Name Confusions”, which has become a reference point at www.anmolfankaar.com

The case of multiple Raj Kumars, however, could not be solved due to its cluelessness. Fortunately, the blog www.maitrimanthan.wordpress.com took it up as a project and spent considerable time and efforts to collect some information in this case. (They had also done this for Sr and Jr Shashi kapoors. May God bless these blog girls !).

There were in all 5 Raj Kumars in the industry at the same time. The first was the Kannada Hero Dr. Rajkumar. However, he never worked in any Hindi film, so no confusion about him.The second was the famous dialogue master Raaj Kumar ‘Jaani’. Third was Rajkumar Gupta (from Ranchi), who was the main character in popular film ‘Jagriti’ (1954). He never worked again in any film. Fourth was Raj(u) Kumar, a junior artist, who did minor roles, that were mostly uncredited, in films like ‘Shri 420’ (1955), ‘Jaagte Raho’ (1956), ‘Dilli Ka Thug’ (1958), ‘Aaj Aur Kal’ (1963), ‘Ziddi’ (1964) etc. The fifth was this Rajkumar, who mostly worked in religious and mythological films. His full name was Rajkumar Khatri.

Rajkumar Khatri was born in or around 1940. He started as a child artiste in films like ‘Janmashtami’ (1950), ‘Jai Mahakaali’ (1951) and ‘Insaan’ (1952). His first film as an adult was ‘Shuk Rambha’ (1953), in which he did the role of young Shukdev. He was a fine actor, not extraordinary, but there was something special about his screen presence. Apart from his boyish looks, he had an unspoken charm and emanated an inherent goodness. In his second film ‘Tulsidas’ (1954) he did the role of Shri Ram. He was hardly 15-16 year old then. This must be the youngest and most boyish looking Shri Ram ever seen on the screen !

Rajkumar Khatri acted in 61 films, mostly religious and mythological films (47 to be precise). Not that he did not work in any social films, but such films were less. He was seen in films like ‘Sautela Bhai’ (1962), ‘Aaj Aur Kal’ (1963), ‘Ustadon Ke Ustad’ (1963), ‘Ziddi’ (1964), ‘Nai Umar Ki Nai Fasal’ (1965) etc. Due to his boyish face and young innocent looks, he was generally given roles of the younger brother. As Laxman, he acted in 7 films. His last film was probably ‘Chintamani Soordas’ (1987).

In mid 1980s, when films offers became scarce, he joined Prakash Mehra as an assistant. He used to live in Chembur. He was known as Chhota Rajkumar in the industry. He worked with Prakash Mehra for a long time, as Assistant Director and also as his PA. Reportedly, he died in September 2014. No further information on him is available.

Today’s Shiv Bhajan is from an obscure film ‘Shuk Rambha’. In the period from 1951 to 1960, so many religious and mythological films were made that at times there was a shortage of appealing stories. Popular stories from the Ramayana and Mahabharat epics, were exhausted beyond revival and it was not prudent to repeat them frequently. In this period, Nirupa Roy and Trilok Kapoor, probably were the busiest stars. Besides the usual popular stories, producers made films on rare subjects like Shanidev, Nal-Damayanti, Kach Devyani, Ekadashi, Navnaths, Kaali, Laxmi, Vikram and Vetal etc.

Producer-director Shri Dhirubhai Desai took up a totally unknown and obscure topic from the Vedic ‘Shuk Rambha Samvaad’. I appreciate his guts. I did not see this film and I do not know how many people must have seen this ‘never heard’ type of film. The cast of the film included Bharat Bhushan who had become famous after the blockbuster film ‘Baiju Bawra’ in 1952. Anjali Devi from south was his heroine. There were the other usual artistes of this genre like Lalita Pawar, Krishnakumari, Niranjan Sharma, Tiwari, Kusum Thakur etc. The role of young Shukdev was performed by Raajkumar.

Normally, not many people would know who was Shuk. Of course everybody would know about Rambha, that she was an ‘apsara‘ like Menaka and Urvashi etc. Rishi Shuk or Shukdev has an interesting story about his birth. Once Devi Paarvati wanted to know the secret of being Amar or immortal. Only Shiv ji knew about it. When she was after him to know the secret, he agreed to tell her. While Shiv ji was explaining the details, Paarvati went to sleep, but a bird – Shuk (Parrot), sitting on a tree branch outside listened to all the details. When Shiv ji realised this, the bird flew away in fear, and landed straight into the yawning open mouth of the wife of Maharshi Ved Vyas. It remained there safe for 12 years and then took birth. He was named Shuk. He left home to seek Bramha Gyan. Devarishi Narad took him again to Ved Vyas. He taught him and then sent him to King Janaka, who was supposed to be a ‘Jeevanmukta‘, i.e. free from worldly emotions and attachments, even though he was in a human form. Janak advised Shuk to take up ‘grihasth ashram‘ (life as a married householder), as Bramha Gyan was incomplete without this worldly experience and knowledge. Shuk met Rambha who got interested in him and started to lure him. There took place the famous Vedic ‘Shuk Rambha Samwaad’. She tried to teach him the benefits of spending time with beautiful women and he would argue against her.

Here is some additional information on Shuk (from Wikipedia).

Shuka (also Shukadeva, Shuka deva, Suka, Sukadev, Sukadeva Gosvami) was the son of the sage Ved Vyasa who is credited as the organizer of the Vedas and Puraanas,  and the main narrator of the Bhagvata Puraan. Most of the Bhagavata Puraan consists of Shuka reciting the story to King Parikshit, who had been cursed to die within seven days. Shuka is depicted as a sanyasi, renouncing the world in pursuit of Moksha (liberation), which most narratives assert that he achieved.

According to Mahabharat, Shuka was churned out of a stick of fire after one hundred years of austerity by Ved Vyasa, born with ascetic powers and with the Vedas dwelling inside him, just like his father. The Mahabharata also recounts how Shuka was sent by Ved Vyasa for training to King Janaka, who was considered to be a Jeevanmukta, or one who is liberated while still in a physical body. Shuka asked Janaka about the way to liberation, with Janaka recommending the traditional progression of the four ashramas, which included the householder stage. After expressing contempt for the householder life, Shuka questioned Janaka about the real need for following the householder path. Seeing Shuka’s advanced state of realization, Janaka told him that there was no need in his case.

Stories recount how Shuka surpassed his father in spiritual attainment. Once, when following his son, Vyasa encountered a group of celestial nymphs who were bathing. Shuka’s purity was such that the nymphs did not consider him to be a distraction, even though he was naked, but covered themselves when faced with his father. Shuka is sometimes portrayed as wandering about naked, due to his complete lack of self-consciousness.

A completely different version of the later life of Shuka is given in the Devi-Bhagvat Puraan, considered a secondary Puraana (Upapuran) by many, but an important work in the Shaakt tradition. In this account, Shuka is convinced by Janaka to follow the ashrama tradition, and returns home to marry and follow the path of yoga. He has five children with his wife Pivari (who is actually Rambha) – four sons and a daughter. The story concludes in the same vein as the common tradition, with Shuka achieving moksha.

A place called Shukachari is believed to be the cave of Shuka, where he disappeared in cave stones as per local traditional lore. Shuka in Sanskrit means parrot and thus the name is derived from the large number of parrots found around the Shukachari hills. Shukachari literally means abode of parrots in the Sanskrit language.

Film ‘Shuk Rambha’ is primarily based on the story of Shukdev, from Bhagwat Puraan. The film story was written by Kavi Raghunath Brahmbhatt (1892-1983). Born in Gujarat, Kavi Raghunath was called a Raskavi due to his penchant for writing love songs. He wrote mythological and historical dramas, which became very famous. Taking a clue from Parsi Theatre, he resurrected Gujarati theatre by reviving the tradition of Sanskrit dramas in Gujarati. His autobiography ‘Smaran Manjri’ (published 1955) describes the development of Gujarati Theatre. It is said that the famous song “Mohe Panghat Pe Nandlaal. . .” from film ‘Mughal e Azam’ (1960) was taken from his Gujarati drama ‘Chhatra Vijay’ (1919), which was usurped by Shakeel Badayuni. The case was taken up by Writers’ Association of India, which decided the matter in Brahmbhatt’s favour. However, the credit in the film still goes to Shakeel badayuni only. Kavi Raghunath died in 1983.

Film ‘Shuka Rambha’ has 9 songs. One song from this film has been discussed on our blog, long back. So this is only the second song to be posted here. Today is the 4th Monday of the holy month of Shraavan, in the south, west and eastern states of India. For the rest of India, Shraavan has ended on the 7th August – the day of Rakhi Purnima itself. Next Shiv Bhajan on the 21st August will be the last in this  undeclared mini series. So enjoy this Shiv Bhajan today.


Song – Jaag Re Yogi Jaag Re (Shuk Rambha) (1953) Singer – Asha Bhosle, Manna Dey, Lyrics – Bharat Vyas, MD – Manna Dey
Chorus

Lyrics

jaag re. . .
yogi jaag re. . .
jaag re
jaag re
jaag re
jaag re yogi jaag re
jaag re yogi jaag re
ye samaadhi anant yogi tyaag re
jaag re
jaag re

ho o o o o
o o o o o
o o o o o
aaa aaa
yauwan ki behnt mein madhu maas aaya
jungle mein mangal hai chhaaya
jungle mein mangal hai chhaaya
jungle mein mangal hai chhaaya
dharti suhagan ne dhaani chunariya se
ban ban ko upvan banaaya
ban ban ko upvan banaaya
ban ban ko upvan banaaya
kaliyon ke mukh choomen
(aaa aaa aaa aaa)
gumche bhramar ke
(aaa aaa aaa aaa)
kaliyon ke mukh choomen
(aaa aaa aaa aaa)
gumche bhramar ke
(aaa aaa aaa aaa)
vrikshon se lipti lataayen
gun gun gun gun gun gun dolen vaasanti
sheetal sugandh hawaayen
kan kan mein praanon ki baaji baansuriya
ho o o o o o
kan kan mein praanon ki baaji baansuriya
goonje hain jeevan ke raag re
jaag re yogi jaag re
jaag re yogi jaag re
ye samaadhi anant yogi tyaag re
jaag re
jaag re

jaag re
jaag re
jaag re
jaag re
jaag re
jaag re

tu hai purush aai sanmukh ye prakriti
tu hai karam ye kaamini
nainon ko khol yogi aasan se dol
tere sanmukh hai jeevan ki raagini
jad mein chhupi ye chetanta
jal mein chhupi ye aag re
jaag re
jaag re jaag re
jaag re
jaag re jaag re
jaag re
jaag re
jaag re
jaag re

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

जाग रे॰॰॰
योगी जाग रे॰॰॰
जाग रे
जाग रे
जाग रे
जाग रे योगी जाग रे
जाग रे योगी जाग रे
ये समाधि अनंत योगी त्याग रे
जाग रे
जाग रे

हो ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ
आ आ
यौवन की बहंत में मधु मास आया
जंगल में मंगल है छाया
जंगल में मंगल है छाया
जंगल में मंगल है छाया
धरती सुहागन ने धानी चुनरिया से
बन बन को उपवन बनाया
बन बन को उपवन बनाया
बन बन को उपवन बनाया
कलियों के मुख चूमें
(आ आ आ आ)
गुमचे भ्रमर के
(आ आ आ आ)
कलियों के मुख चूमें
(आ आ आ आ)
गुमचे भ्रमर के
(आ आ आ आ)
वृक्षों से लिपटी लताएँ
गुन गुन गुन
गुन गुन गुन डोलें वासंती
शीतल सुगंध हवाएँ
कण कण में प्राणों की बाजी बांसुरिया
हो ओ ओ ओ ओ
कण कण में प्राणों की बाजी बांसुरिया
गूँजे हैं जीवन के राग रे
जाग रे योगी जग रे
जाग रे योगी जग रे
ये समाधि अनंत योगी त्याग रे
जाग रे
जाग रे

जाग रे
जाग रे
जाग रे
जाग रे
जाग रे
जाग रे

तू है पुरुष आई सन्मुख ये प्रकृति
तू है करम ये कामिनी
नैनों को खोल योगी आसन से डोल
तेरे सन्मुख है जीवन की रागिनी
जड़ में छुपी ये चेतनता
जल में छुपी ये आग रे
जाग रे
जाग रे जाग रे
जाग रे
जाग रे जाग रे
जाग रे
जाग रे
जाग रे
जाग रे

 

 


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Laadla”(1954) was directed by Surya Kumar (better known as a choreographer) for Verma Films, Bombay. the movie had Shyama, Karan Dewan, Agha, Raj Mehra, Krishna Kumari, S Nazir, Dar Kashmiri 9Jeewan), Dev Kishan, Parvati, Maruti etc, with Sundar credited as a guest artist.

The movie had ten songs in it. Six of these songs have been covered in the past.

Here is the seventh song from “Laadla”(1954) to appear in the blog. This song is sung by Asha Bhonsle. Raja Mehdi Ali Khan is the lyricist. Music is composed by Vinod.

This song is an uplifting song that contains the message that life is god’s gift and one must enjoy it, rather than waste it in unnecessaily worrying about things.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

I have not been able to get ab few words right in theb lyrics. I request our readers with keenera ears to help fill in the blanks/ suggest corrections as applicable.

[Ed Note: Regarding the line in the song “har aan hans le bol le“, the word “aan” in this context carries the meaning ‘moment’; “har aan” here means ‘every moment’.]


Song-Zindagi do din ki hai naadaan hans le bol le (Laadla)(1954) Singer-Asha Bhonsle, Lyrics-Raja Mehdi Ali Khan, MD-Vinod

Lyrics

zindagi do din ki hai ae ae ae
naadaan hans le bol le
o o o o
naadaan hans le bol le
gham se apna dil l l l
gham se apna dil na kar hairaan
hans le bol le
zindagi do din ki hai ae ae ae
naadaan hans le bol le

o o o
o o o
gaa khushi ke geet
dil ki dhadkanon ke saaz par
dhadkanon ke saaz par
rashq khaaye naghma e bulbul
teri aawaaz par
o teri aawaaz par
is haseen mehfil ke o mehmaan
hans le bol le
zindagi do din ki hai ae ae ae
naadaan hans le bol le

zinda ho kar bhi hai tu kyun
zindagi se door door
o o o o
zindagi se door door
kyun hai tera sheesha e dil
dard o gham se choor choor
dard o gham se choor choor
keh rahi hai zindagi
har aan hans le bol le
zindagi do din ki hai ae ae ae
naadaan hans le bol le

aks tera khushnuma
seerat ke aaine mein hai
o o o
seerat ke aaine mein hai
ek nazar dekhe to jaane
kya maza jeene mein hai
kyun na do din ke liye
insaan hans le bol le
zindagi do din ki hai ae ae ae
naadaan hans le bol le
o o o o
naadaan hans le bol le
zindagi do din ki hai ae ae ae
naadaan hans le bol le ae

———————————-
Hindi script lyrics (Provided by Sudhir)
———————————–

ज़िंदगी दो दिन की है॰॰॰
नादान हंस ले बोल ले
ओ ओ ओ ओ
नादान हंस ले बोल ले
ग़म से अपना दिल॰॰॰
ग़म से अपना दिल ना कर हैरान
हंस ले बोल ले
ज़िंदगी दो दिन की है॰॰॰
नादान हंस ले बोल ले

ओ ओ ओ
ओ ओ ओ
गा खुशी के गीत
दिल की धड़कनों के साज पर
धड़कनों के साज पर
रश्क़ खाये नग़मा ए बुलबुल
तेरी आवाज़ पर
ओ तेरी आवाज़ पर
इस हसीं महफिल के ओ मेहमान
हंस ले बोल ले
ज़िंदगी दो दिन की है॰॰॰
नादान हंस ले बोल ले

ज़िंदाई हो कर भी है तू क्यों
ज़िंदगी से दूर दूर
ओ ओ ओ ओ
ज़िंदगी से दूर दूर
क्यों है तेरा शीशा ए दिल
दर्द ओ ग़म से चूर चूर
दर्द ओ ग़म से चूर चूर
कह रही है ज़िंदगी
हर आन हंस ले बोल ले
ज़िंदगी दो दिन की है॰॰॰
नादान हंस ले बोल ले

अक्स तेरा खुशनुमा है
सीरत के आईने में है
ओ ओ ओ
सीरत के आईने में है
इक नज़र देखे तो जाने
क्या मज़ा जीने में है
क्या मज़ा जीने में है
क्यों ना दो दिन के लिए
इंसान हंस ले बोल ले
ज़िंदगी दो दिन की है॰॰॰
नादान हंस ले बोल ले
ओ ओ ओ
नादान हंस ले बोल ले
ज़िंदगी दो दिन की है॰॰॰
नादान हंस ले बोल ले


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13500 song posts by now.

This blog is active and online for over 3300 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13529

Number of movies covered in the blog

Movies with all their songs covered =1015
Total Number of movies covered =3712

Total visits so far

  • 9,568,003 hits

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Blog Start date: 19 july 2008

Active for more than 3250 days.

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