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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1950s (1951 to 1960)’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Watan” (1954) was directed by N Bhatt for Falcon Pictures. This movie had Trilok Kapoor, Nirupa Roy, Munawwar Sultana, Jayant, Gope, Madan Puri, Cuckoo, Surya Kumar etc in it.

There were six songs in this movie. One song from the movie has been covered in the past.

Here is the second song from “Watan” (1954) to appear in the blog. This rare song is sung by Asha Bhonsle. Shewan Rizvi is the lyricist. Music is composed by Hafiz Khan.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.

I have not been able to get a few words right in the lyrics. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.


Song-Dard e mohabbat dard e judaai (Watan)(1954) Singer-Asha Bhonsle, Lyrics-Shewan Rizvi, MD-Hafiz Khan

Lyrics

dard e mohabbat
dard e judaai
dard e mohabbat
dard e judaai
ae mere maula teri duhaai
dard e mohabbat

tees jigar mein aankhon mein aansu
aankho mein aansu
tees jigar mein aankhon mein aansu
aankhon mein aansu
pyaar me dekhi gham ki judaai
ae mere maula teri duhaai
dard e mohabbat

kashti e ulfat aur ye toofaan
aur ye toofaan
kashti e ulfat aur ye toofaan aur ye toofaan
tere siwa kuchh de na dikhaai
ae mere maula teri duhaai
dard e mohabbat

tere karam ka sabko bharosa
sabko bharosa
tere karam ka sabko bharosa
sabko bharosa
noah ki kashti toone bachaai
ae mere maula teri duhaai
dard e mohabbat dard e judaai
ae mere maula teri duhaai
dard e mohabbat

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Ayodhyapati”(1956) was produced by A A Nadiadwala and directed by S Fattelal for Pushpa Pictures, Bombay. This mythological movie had Usha Kiran, Abhi Bhattacharya, Achla Sachdev, Manorama, Rajkumar, Anant Kumar, Balraj Mehta, Ratnamala, Kanchanmala, Rajan Haksar, Gadadhar Sharma, Dar Kashmiri (Jeevan), Amrit Rana, Heera, Nalini, Bhalerao, Dabboo, Roshan Kumari, Kiran, Baby Asha Parekh etc in it.

The movie had eleven songs in it.

Here is the first song from “Ayodhyapati”(1956) to appear in the blog. The song is sung by Geeta Dutt. Saraswati Kumar Deepak is the lyricist. Music is composed by Ravi.

This is the only song in the movie that is sung by Geeta Dutt. Asha Bhonsle was the maile female playbak singer of the movie with her voice featuring in five songs, followed by Sudha Malhotra in two songs.

Only the audio of this song is available. So it is difficult to guess about the picturisation of the song. I request our knowledgeable readers to throw light on the picturisation of this song.

With this song, “Ayodhyapati”(1956) makes its debut in the blog.


Song-Main janam janam ki daasi re (Ayodhyapati)(1956) Singer-Geeta Dutt, Lyrics-Saraswati Kumar Deepak, MD-Ravi

Lyrics

aa ha ha ha ha
hmm hmm hmm
o o o o
o o o o

main janam janam ki daasi re
baar baar darshan paakar bhi
rahoon daras ki pyaasi
main janam janam ki daasi re
baar baar darshan paakar bhi
rahoon daras ki pyaasi

saanwariya ne aaj laaj ka ghoonghat khola
saanwariya ne aaj laaj ka ghoonghat khola
man matwaala jhoom ke bhi kuchh na bola
kitne bhole bhaale hain
mere jeevan dhan avinaashi re
baar baar darshan paa kar bhi
rahoon daras ki pyaasi
main janam janam ki daasi re
baar baar darshan paa kar bhi
rahoon daras ki pyaasi

bagiya mein papeeha bole
mere man mein prem ras ghole
ek jhalak dikhla kar prabhu ne
kar di door udaasi re
baar baar darshan paa kar bhi
rahoon daras ki pyaasi
main janam janam ki daasi re
baar baar darshan paa kar bhi
rahoon daras ki pyaasi

sapnon ki kaliyaan chunkar goothhi varmaala
sapnon ki kaliyaan chun kar goonthhi varmaala
preetam ne aa kar mere man mein kiya ujaala
rom rom mein rame huye hain mere nain nivaasi re
baar baar darshan paa kar bhi
rahoon daras ki pyaasi
main janam janam ki daasi re
baar baar darshan paa kar bhi
rahoon daras ki pyaasi


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Hamaara Watan”(1956) was produced by Ramesh Vyas and directed by Jayant Desai for Navkala Niketan, Bombay. The movie had Bina Rai, Premnath, Agha, Ram Singh, S N Tripathi, Kumkum, Jagdish Kamal, Ramesh sinha, S Azeem, Habeeb, Nazeer Kashmiri, Md Rafi, Md Ali, M. Sandow, Hanuman, Md Hussain, Bela Sarkar, Jaya Rao, Maya Das etc in it.

This costume movie had ten songs in it that were penned by three lyricists. Asha Bhonsle’s voice was there in as many as eight of these songs.

One song from the movie has been covered in the past.

Here is the second song from “Hamaara Watan”(1956) to appear in the blog. The song is sung by Asha Bhonsle and chorus. S H Bihari is the lyricist. Music is composed by Hemant Kumar.

Only the audio of this song is available. the song sounds like a qawwaali song to me. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Jo dekhe pyaar se koi mohabbat ho hi jaati hai (Hamaara Watan)(1956) Singer-Asha Bhonsle, Lyrics-S H Bihari, MD-Hemant Kumar
Chorus

Lyrics

kalapna to nahin aata aa aa aa aa
hamen tadpaana aata hai
aa aa aa
jee aane do
agar koi
yahaan deewaana aata hai
aa aa aa aa
aa aa aa aa
ye deewaanon ki mehfil mein
hazaamat ho hi jaati hai
hazaamat ho hi jaati hai
ye deewaanon ki mehfil mein
hazaamat ho hi jaati hai
hazaamat ho hi jaati hai

aa aa aa aa
aa aa aa aa
hoi
ye deewaanon ki mehfil mein
hazaamat ho hi jaati hai
hazaamat ho hi jaati hai

aa aa aa aa
aa aa aa aa
jo dekhe pyaar se koi
mohabbat ho hi jaati hai
mohabbat ho hi jaati hai
jo dekhe pyaar se koi
mohabbat ho hi jaati hai
mohabbat ho hi jaati hai

nigaahon par nigaahon ki inaayat ho hi jaati hai
mohabbat ho hi jaati hai
mohabbat ho hi jaati hai
mohabbat ho hi jaati hai
mohabbat ho hi jaati hai

na neend aayegi ee
dil ko thhaam logi dard ke maare
judaai mein kisi ki
tum ginogi raat bhar taare
haan aan aan
na neend aayegi
dil ko thhaam logi dard ke maare
aji haan dard ke maare
suno ji dard ke maare

judaai mein kisi ki tum
ginogi raat bhar taare
ginogi raat bhar taare
ginogi raat bhar taare

aa aa aa aa
aa aa aa aa
ke jab dil dil se milte hain
ye haalat ho hi jaati hai
ye haalat ho hi jaati hai
ke jab dil dil se milte hain
ye haalat ho hi jaati hai
ye haalat ho hi jaati hai

aa aa aa aa
aa aa aa aa
aa aa aa aa
hoi
ke jab dil dil se milte hain
ye haalat ho hi jaati hai
ye haalat ho hi jaati hai

aa aa aa aa
jo dekhe pyaar se koi
mohabbat ho hi jaati hai
mohabbat ho hi jaati hai

nigaahon par nigaahon ki inaayat ho hi jaati hai
mohabbat ho hi jaati hai
mohabbat ho hi jaati hai
mohabbat ho hi jaati hai
mohabbat ho hi jaati hai


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from a very little known film ‘Nirmal’ from 1952. During the period of the 50s, the film industries in all centres, i.e. Calcutta, Madras and Bombay were in full steam. The Partition had made a quantitative and qualitative change in the Hindi film industry. Many seasoned and successful artists had left India, creating a void suddenly. However, this proved to be an opportunity in disguise for many artists ‘waiting in the wings’ in the fields of  acting, film direction and music direction. The void was filled up almost immediately.

Many actors and actresses who used to play supporting roles, became lead players, assistant directors got a chance to become directors and a few new comers and chorus singers also got opportunity to become full fledged singers. Those who migrated from Lahore to India, started a new life here. Many businessmen (many of them black marketeers) who had earned lakhs of rupees during the war and the years of independence struggle as well, poured  money into the film industry. Thus, on all fronts, the film industry had new players, new investors and new topics for making films.

However, one change happened. The taste of Indian audience started to change in terms of music and the subject matter of the film stories. The few old players in music, who could not or did not cope up with the changing tastes of the audience, slowly faded out. Composers like Bulo C Rani, Khemchand Prakash, Hansraj Behl, SK Pal, Lachhiram, Madholal Master, Shankar Rao Vyas, Gobind Ram, Gyan Dutt, SD Batish, Nissar Bazmi, Khursheed Anwar, Ninu Majumdar etc. faded away by the mid 1950s. Many Muslim composers migrated to Pakistan. Composers who adapted themselves, like C Ramchandra, SD Burman, Hemant Kumar, Naushad etc. prospered for a longer period. New blood composers like Shanker-Jaikishen, Madan Mohan, OP Nayyar etc. bloomed quickly.

Same was the case with actors and actresses. Amongst these was one actress – Purnima. Born at Bombay on 2-3-1932 as Meher Bano, she was the daughter of a Lucknow Muslim mother and a Tamil Brahmin father – Ram Seshadri Aiyangar. He was working in the distribution office of producer director Kikubhai Desai (father of Manmohan Desai). While still in school Purnima started working in Hindi and Gujarati films from 1947 itself when she was hardly 15-16 year old. She got married to Shaukat Hashmi. After giving her a son and a divorce, he migrated to Pakistan.

In 1954, Purnima married producer director Bhagwandas Varma and stopped working. Her elder sister also had married producer director Nanubhai Bhatt. Their sons are Mahesh and Mukesh Bhatt. Purnima resumed working in films in 1957, when Bhagwandas was in financial difficulties. He died in 1962.

Purnima appeared as heroine or second lead in about 20 films. Her well known films are – ‘Thes’ (1949), ‘Patanga’ (1949), ‘Jogan’ (1950), ‘Gauna’ (1950), ‘Sagai’ (1951), ‘Baadal’ (1951), ‘Shagoofa’ (1953), ‘Pooja’ (1954), ‘Post Box No 999’ (1958), ‘Son of Sindbad’ (1958), ‘Kangan’ (1959), ‘Naya Kanoon’ (1965), ‘Guide’ (1965), ‘Budtameez’ (1966), ‘Humjoli’ (1970) etc. In all she acted in 152 films, though she claimed more than 200 films, in one of her interview. Her last film was ‘Sada Suhagan’-86, after which she retired. Her friends were Saira Bano, Shakeela and Dulari. Purnima died on 14-8-2013 in Mumbai.

There were two more Purnimas working in the film industry during the same years. One was Purnima Chaudhari who worked in 3 films in 1948. Another Purnima was an actress from Bengal, who acted only in films produced at Calcutta. She worked in about 9-10 films. Due to this, Purnima’s filmography gets mixed up many times.

Purnima’s  hero in the film ‘Nirmal’ was Amarnath (Bharadwaj). He is one of the ‘same name confusions’ victims. There were two Pt. Amarnath music directors, 1 actor Amar, 1 actor Amarnath and 1 actor/director K Amarnath. This Amarnath started his acting career in 1939 with Kidar Sharma’s ‘Dil Hi To Hai’. Graduating from doing small roles he was made the leading man in Dalsukh Pancholi’s film ‘Patjhad’, opposite to Meena (Shorey). The film was launched in 1947. Pancholi had to flee Lahore due to Partition riots, but he carried the negatives of the partially filmed ‘Patjhad’ with him. Though the film was censored in India in 1948, it seems it was never released.

Amarnath starred as hero in many other films like ‘Papiha Re’ (1948), ‘Swayam Siddha’ (1949), ‘Nai Bhabhi’ (1950), ‘Kamal Ke Phool’ (1950), ‘Sheesh Mahal’ (1950), ‘Jalte Deep’ (1950), ‘Nai Zindagi’ (1951) etc. Then he switched over to supporting roles. In all, he worked in 79 films (CITWF data). His last film was ‘Khiladi’ (1968).

All the songs of ‘Nirmal’ were written by Moti, BA. This film was a special film for lyricist Moti BA, because this was his last film as a lyricist. Yogilal Upadhyaya aka Moti BA was born on 1-8-1919 at Devariya, UP. He did his BA in 1938 and MA in 1941, in addition to BT and ‘Sahitya Ratan’ from Benaras University. He was scouted by Ravindra Dave and Sardar Ranjit Singh, emissaries of Dalsukh Pancholi. At that time he was working as a journalist. He went to Lahore and stayed there for 2 years, enjoying company of writers, poets and major stars. He wrote songs for films like ‘Kaise Kahoon’ (1945).

He came to Bombay and started writing songs for films like ‘Subhadra’ (1946), ‘Bhakta Dhruv’ (1947), ‘Ek Kadam’ (1947), ‘Amar Asha’ (1947) etc. Some of his other films are ‘Saajan’ (1947), ‘Nadiya Ke Paar’ (1948), ‘Sindoor’ (1947), ‘Rimjhim’ (1949), ‘Raam Baan’ (1948), ‘Ram Vivah’ (1949), ‘Veer Ghatotkach’ (1949), ‘Rajput’ (1951) etc. He was much in demand, but after ‘Nirmal’ he decided to go back to his hometown and teach. He taught Logic, English Literature and History from 1952 to 1980. He wrote 4 books and won several awards. He died on 18-1-2009 at Devariya.

There is an enigma about lyricist Moti, that though he had done MA, why was he known as Moti, BA ?

Moti, BA is one of the very few artists who left the film world to pursue what he loved – teaching. I can remember another example – Sr. Shashi Kapoor who left a lucrative career as a child artist to pursue his studies in mathematics. He became a maths professor in an American university teaching his favourite subject of maths.

The cast of ‘Nirmal’ was Purnima, Amarnath, Shyam Kumar, Shanta Kunwar, Mirza musharraf, Habib, Cuckoo etc. The story of film Nirmal is-

Nirmal (Amarnath) is an honest young man who loves Purnima (Purnima) and gets married to her. He is sent to Calcutta by his office. He goes alone, leaving wife to look after his ailing father. After few months, when father is very ill, Nirmal leaves for home. Grabbing this opportunity, Champaklal (Shyam Kumar), a colleague in his office, does a fraud and the blame comes to Nirmal. Police arrest Nirmal the day his father dies. The story details how the courageous Purnima goes to Calcutta and proves Nirmal innocent, with the help of some friends. (643)

The film has 8 songs. 2 songs are already discussed. This is the third song. It is a song with a very good tune. . .

 


Song – Tu Jo Mere Pyaar Ki Khichdi Pakaayega (Nirmal) (1952) Singer – Geeta Dutt, GM Durrani, Lyrics – Moti BA, MD – Bulo C Rani

 

Lyrics 

tu jo mere pyaar ki khichdi pakaayega
taapta rahega tu
aur koi khaayega
arre tu jo mere pyaar ki khichdi pakaayega
taapta rahega tu
aur koi khaayega
humre tumhere beech kaise koi aayega
humre tumhere beech kaise koi aayega
tu jo na khilaayegi
to kaise koi khaayega
tu jo mere pyaar ki khichdi pakaayega
taapta rahega tu
aur koi khaayega

dekho bulaanvungi saat kos aayega
kaun teri aankhon ka paani gir jaayega
khaali peeli aayega
khaali peeli jaayega
khaali peeli aayega
aur khaali peeli jaayega
taapta rahega tu
aur koi khaayega
tu jo mere pyaar ki khichdi pakaayega
taapta rahega tu
aur koi khaayega

aaya hoon tumhaare paas
khaali nahin jaane ka
wade ke khilaaf kaani kaudi nahin paane ka
tu bhi pachhtaayegi
hum bhi pachhtaayega
tu bhi pachhtaayegi
aur hum bhi pachhtaayega
taapta rahega tu
aur koi khaayega
tu jo mere pyaar ki khichdi pakaayega
taapta rahega tu
aur koi khaayega

hum to tere pyaar ka
halwa banaayega
baith ke tumhaare saath
gappa gapp
gappa gapp
gappa gap khaayega
maska lagaayega to halwa khilaayega
maska lagaayega to halwa khilaayega
varna kya. . .
taapta rahega tu
aur koi khaayega
humre tumhere beech kaise koi aayega
humre tumhere beech kaise koi aayega
tu jo na khilaayegi
to kaise koi khaayega
arre tu jo mere pyaar ki khichdi pakaayega
taapta rahega tu
aur koi khaayega

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

तू जो मेरे प्यार की खिचड़ी पकाएगा
टापता रहेगा तू
और कोई खाएगा
अरे तू जो मेरे प्यार की खिचड़ी पकाएगा
टापता रहेगा तू
और कोई खाएगा
हमरे तुम्हेरे बीच कैसे कोई आएगा
हमरे तुम्हेरे बीच कैसे कोई आएगा
तू जो ना खिलाएगी
तो कैसे कोई खाएगा
तू जो मेरे प्यार की खिचड़ी पकाएगा
टापता रहेगा तू
और कोई खाएगा

देखो बुलावुंगी सात कोस आएगा
कौन तेरी आँखों का पानी गिर जाएगा
खाली पीली आएगा
खाली पीली जाएगा
खाली पीली आएगा
और खाली पीली जाएगा
टापता रहेगा तू
और कोई खाएगा
तू जो मेरे प्यार की खिचड़ी पकाएगा
टापता रहेगा तू
और कोई खाएगा

आया हूँ तुम्हारे पास
खाली नहीं जाने का
वादे के खिलाफ कानी कौड़ी नहीं पाने का
तू भी पछताएगी
हम भी पछताएगा
तू भी पछताएगी
और हम भी पछताएगा
टापता रहेगा तू
और कोई खाएगा
तू जो मेरे प्यार की खिचड़ी पकाएगा
टापता रहेगा तू
और कोई खाएगा

हम तो तेरे प्यार का हलवा बनाएगा
बैठ के तुम्हारे साथ
गप्पा गप्प
गप्पा गप्प
गप्पा गप्प खाएगा
मस्का लगाएगा तो हलवा खिलाएगा
मस्का लगाएगा तो हलवा खिलाएगा
वरना क्या॰॰॰
टापता रहेगा तू
और कोई खाएगा
हमरे तुम्हेरे बीच कैसे कोई आएगा
हमरे तुम्हेरे बीच कैसे कोई आएगा
तू जो ना खिलाएगी
तो कैसे कोई खाएगा
अरे तू जो मेरे प्यार की खिचड़ी पकाएगा
टापता रहेगा तू
और कोई खाएगा


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Delhi Junction”(1960) was produced by RL Sharma and directed by Mohammad Hussain for Nigaaristan (India) Films, Bombay. The movie had Ajeet, Shakeela, Nishi, Maruti, Manorama, Tiwari, Pran, Protima Devi, Murad, Rafiq, Kamal Mohan, Harun, Anwari Bai, Pal Sharma, Jagdish Kanwal, Nadir, Satish, Sadiq, Sarita, Kukku, Rajni, and Khurshid etc in it.

The movie had six songs in it that were penned by four lyricists viz. PL Santoshi, Prem Dhawan, Farooque Kaiser and Gulshan Bawra. 

Four songs have been covered in the blog.

Here is the fifth song from “Delhi Junction”(1960). This song is sung by Lata and Usha Mangeshkar. It is penned by Prem Dhawan. Music is composed by Kalyanji.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

The audio of this song is not as good as it could be and the voices of the two singers (which otherwise are distinct) often cannot be separated from each other. Hopefully my colour coding is correct for the two voices.


Song-Kya karoon dil kahin pe kho gaya (Delhi junction)(1960) Singers-Lata, Usha Mangeshkar, Lyrics-Prem Dhawan, MD-Kalyanji

Lyrics

kya karoon
dil kahin pe kho gaya aa
jaane do
hona thha jo ho gaya aa

kya karoon
dil kahin pe kho gaya
kitna roka kitna toka
par sambhaala na gaya ho
kya karoon
dil kahin pe kho gaya
jaane do
hona thha jo ho gaya

kya khata thhi ye nazar ki
ya dilon ka josh thha aa

aankh milte ho gaya kya
kisko itna hosh thha
dekhti hi rah gayi main
dekhti hi rah gayi main
jaane kya ho gaya
ho o o
kya karoon
dil kahin pe kho gaya aa
jaane do
hona thha jo ho gaya

pyaar se na bach sakoge
phir ye darna kis liye ae

sochte thhe dil lagaa ke
aahen bharna kis liye
phir bhi dhokha kha hi baithhe
phir bhi dhokha kha hi baithhe
pyaar ho hi gaya
ho o o
kya karoon
dil kahin pe kho gaya aa
jaane do
hona thha jo ho gaya

kitna roka kitna toka
par sambhaala na gaya ho
kya karoon
dil kahin pe kho gaya aa
jaane do
hona thha jo ho gaya


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Delhi Junction”(1960) was produced by RL Sharma and directed by Mohammad Hussain for Nigaaristan (India) Films, Bombay. The movie had Ajeet, Shakeela, Nishi, Maruti, Manorama, Tiwari, Pran, Protima Devi, Murad, Rafiq, Kamal Mohan, Harun, Anwari Bai, Pal Sharma, Jagdish Kanwal, Nadir, Satish, Sadiq, Sarita, Kukku, Rajni, and Khurshid etc in it.

The movie had six songs in it that were penned by four lyricists viz. PL Santoshi, Prem Dhawan, Farooque Kaiser and Gulshan Bawra. 

Three songs have been covered in the blog.

Here is the fourth song from “Delhi Junction”(1960). This song is a Rafi-Lata duet with chorus. It is penned by Prem Dhawan. Music is composed by Kalyanji.

Only the audio of this song is available. My guess is that this song is picturised on the lead pair of Shakeela and Ajeet. Nevertheless, I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Kehti hoon main sach sach (Delhi Junction)(1960) Singers-Lata, Rafi, Lyrics-Prem Dhawan, MD-Kalyanji
Chorus

Lyrics

ho ho ho ho
ho ho ho

aa aa aa aa
hahahaha

kehti hoon main sach sach
rehna zara bach bach
pyaar mein hain dhokhe bade
ae ji hone do
haathhon se gaya jo dil
jaayega kaleja hil
rona padega jo naina lade
ae ji rone do
ho kehti hoon main sach sach
rehna zara bach bach
pyaar mein hain dhokhe bade
ae ji hone do
hone do
hone do
hone do

l l l la l ll la ll la

bada hi naazuk dil ka sheesha hai
dil na kahin takraana
soch samajh lo
ae dilwaalon
phir na kahin pachhtaana
par jo maza hai
dil takraane mein
wo hi na tum ne jaana

kehti hoon main sach sach
rehna zara bach bach
pyaar mein hain dhokhe bade
ae ji hone do
hone do hone do hone do

poochho ji humse pyaar ki baaten
aashiq hain hum to puraane
phirte hain kabse
thhaam ke dil ko
husn ke hum parwaane

jahaan bhi jaaoge
thokaren khaaoge
bano na yoon deewaane
kehti hoon main sach sach
rehna zara bach bach
pyaar mein hain dhokhe bade
ae ji hone do
hone do hone do hone do

l l l la l ll la ll la
lalalala

berukhi itni bhi achchi nahin hai
chhodo ye gussa
aji chhodo

hum pe chalega na jaadu ye baaton ka
aur kahin sar phodo
nazron ke maare hain
hum to tumhaare hain
humse na naata todo

kehti hoon main sach sach
rehna zara bach bach
pyaar mein hain dhokhe bade
ae ji hone do
haathhon se gaya jo dil
jaayega kaleja hil
rona padega jo naina lade
ae ji rone do
rone do rone do rone do
l l l la l ll la ll la lala
l l l la l ll la ll la


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Ramman” (1954) was produced by Gemini Dewan and directed by Hiren Bose for Metropolitan Films Production, Bombay. The movie had Karan Dewan, Meena Shorey, Cuckoo, Om Prakash, Purnima, Majnu, Gulab, Randhir, V. Panchotia etc in it.

Four songs from this movie has been discussed in the past. Here is the fifth song from the movie to appear in the blog.

This song is sung by Asha Bhonsle. Aziz Kashmiri is the lyricist. Music is composed by Vinod.

Only the audio of this rare song is available.

I request our knowledgeable readers to throw light on this movie as well as on the picturisation of this song.


Song-Tera dard hai meri zindagi (Ramman)(1954) Singer-Asha Bhonsle, Lyrics-Aziz Kashmiri, MD-Vinod

Lyrics

tera dard hai meri zindagi
jo dil au jigar ki talaash hai
jo dil au jigar ki talaash hai
tera dard hai meri zindagi

tera gham nahin (?)
yoonhi mil gaya
tera gham nahin (?)
yoonhi mil gaya
meri umr bhar ki talaash hai
tera dard hai meri zindagi

ye sitam hai mere jahaan mein
ye sitam hai mere jahaan mein
kahin raushani kiran nahin
haay kiran nahin
jo charaag dil mein jalaa sakey
mujhe us nazar ki talaash hai
mujhe us nazar ki talaash hai
tera dard hai meri zindagi

main kahaan rahoon
main kahaan basoon
main kahaan rahoon
main kahaan basoon
mera koi ghar hai
na koi dar hai
koi dar
jahaan zindagi ko zakhm miley
jahaan zindagi ko zakhm miley
usi rehguzar ki talaash hai
usi rehguzar ki talaash hai
tera dard hai meri zindagi


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Sheeshe Ki Deewaar”(1954) was produced by Khwaja Ahmad Abbas and directed by Manmohan Sabir for Manmohan Films, Bombay. This obscure movie had Veena, Pran, Veera, Manmohan Krishn, Shammi, Cuckkoo, Rashid, Shaukat Hashmi, Rajan, Sulochana etc in it.

This obscure movie had six obscure songs in it.

One song from the movie has been covered in the past.

Here is the first song from “Sheeshe Ki Deewaar”(1954) to appear in the blog. This song is sung by Shankar Dasgupta. Manmohan Sabir is the lyricist. Music is composed by Shankar Dasgupta.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.


Song-Taqdeer ne yoon barbaad kiya (Sheeshe Ki Deewaar)(1954) Singer-Shankar Dasgupta, Lyrics-Manmohan Sabir, MD-Shankar Dasgupta

Lyrics

karke majboor kahaan laayi hai taqdeer mujhe ae
ya to hai ?? bana daala hai tasweer mujhe ae ae ae

taqdeer ne yoon barbaad kiya
hum saara fasaana bhool gaye
dil khoon ke aansoo rone laga
khushiyon ka taraana bhool gaye
taqdeer ne yoon

jeene ka sahaara koi nahin
duniya mein hamaara koi nahin
jeene ka sahaara koi nahin
duniya mein hamaara koi nahin
kuchh kho baithhe kuchh haar gaye
hansne ka bahaana bhool gaye
taqdeer ne yoon barbaad kiya
hum saara fasaana bhool gaye
taqdeer ne yoon

ummeed nahin koi aas nahin
toote huye dil mein aas nahin
ummeed nahin koi aas nahin
toote huye dil mein aas nahin
hasrat se tamanna takti hai
hum apna begaana bhool gaye
taqdeer ne yoon barbaad kiya
hum saara fasaana bhool gaye
dil khoon ke aansoon rone laga
khushiyon ka taraana bhool gaye
taqdeer ne yoon


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The song under discussion today is from film ‘Sharada’, one of the hit films of 1957. What a year 1957 was ! In the Golden Era of the Hindi Film Music, the year 1957 would go down as the best year, which provided everlasting songs from musical films. The deluge of excellent songs was such that music lovers not only enjoyed the heavy downpour, but loved every piece of Music.

Musical films like, ‘Begunah’, ‘Bhabhi’, ‘Dekh Kabira Roya’, ‘Do Aankhen Baara Haath’, ‘Ek Gaon Ki Kahani’, ‘Ek Jhalak’, ‘Kathputli’, ‘Miss Mary’, ‘Mother India’, ‘Mr. X’, ‘Nau Do Gyaarah’, ‘Naya Daur’, ‘Paying Guest’, ‘Pyaasa’, ‘Tumsa Nahin Dekha’ and many more. Add to this, the hit films of C Ramchandra in 1957 – ‘Baarish’, ‘Sharada’, ‘Nausherwan e Adil’, ‘Asha’ and ‘Talash’. What more one would want?

‘Sharada’ was made by Prasad Productions and directed by its owner himself LV Prasad or Akkineni Lakshmi Vara Prasad Rao, to be precise. Yes, he is the same person who has etched his name in the annals of film history of India, as the only man who had acted in the first talkie films of 3 different Languages ! LV Prasad acted in ‘Aalam Ara’ (1931) (Hindi), ‘Kalidasa’ (1931) (Tamil), and ‘Bhakta Prahlada’ (1932) (Telugu). All these films were made in Bombay.

From a very humble and struggling beginning, LV Prasad (17-1-1908 to 22-6-1994), went on to become one of the most successful film producers of India. He not only built an empire of film related industries, but he also headed many prestigious organisations like, International Film Festivals and International Jury Board, Film Chamber, Film Censor Board, Studio Owners’ Council etc. He was honoured with Phalke Award in 1982, Udyog Patra award in 1980, Kala Tapaswi award in 1983, Andhra Ratna Award etc. There was a Postage stamp issued in his honour in 2006.

‘Sharada’ was a remake of the original Tamil film ‘Edhir Paradhathu’ (1955). Its Telugu remake was ‘Ilavelpu’ (1956) and a Malayalam edition came a little later as ‘Nitya Kanyaka’ – in 1963. In the original Tamil film, the lead pair was Sivaji Ganeshan and Padmini, which was a very popular pair in many Tamil films during those days. The film became a runaway hit. There is an interesting anecdote about the shooting of this Tamil film. There is a scene in the film, in which Padmini has to slap Sivaji Ganesan. While enacting this scene Padmini got into the role so much that not only she was very angry but went on slapping Sivaji one after another, even after Director was shouting CUT CUT several times. Finally, Sivaji Ganesan made the hysterical Padmini lie down and brought her to normalcy !

The Telugu version also became very popular. An interesting point about the Telugu remake was that out of its 9 songs, 6 songs had popular Hindi film song tunes. For example, a Telugu song of the film, ‘Anna Anna Vinnava’ was a copy of the tune of the popular Ravi song “Chandamama Door Ke” from film Vachan (1955).

The Hindi remake ‘Sharada’, was very cleverly released in the month of December 1957 in Bombay and later in all other centres. By that time, all other musical films of 1957 were already seen and heard by the public. This naturally gave extra space to the music of Sharada to become popular. Such tactics could come only from Madras producers.

The story and screenplay was by the famous writer/director CV Sridhar, who later on gave many tear jerkers like ‘Dil Ek Mandir’ (1963). In the original Tamil film as well as the Telugu and Malayalam remakes, it was the hero’s father who dies in the film, to make way for the lovers, but in the Hindi remake, the heroine was made to die, only because the role was done by the Tragedy Queen Meena Kumari ! Poor Meena Kumari, she had only tragedies in her reel and real lives.

‘Sharada’ was a successful film not only on the Box office, but it also won 3 Film Fare Awards. Raj Mehra won his only award for the best supporting actor, Shyama won it for best supporting actress and Shivaji Awadhoot won it for Best Editing. The cast of the film was Meena Kumari, Raj kapoor, Raj Mehra, Shyama, Gope, Manorama, Om Prakash, Agha etc. The story of the film is,

Chiranjeev (Raj Kapoor) lives a wealthy lifestyle along with his father, Kashiram (Raj Mehra), and three siblings: two sisters, one of whom is dumb, and a younger brother. While on a trip, his friend, Mohan (Om Prakash), falls ill due to alcohol, and gets treated at an ashram. This is where Chiranjeev meets with an employee, Sharada (Meena Kumari), who lives a poor lifestyle with her father, Ram Sharan. Chiranjeev and Sharada fall in love with each other, and he promises to get his father’s permission and return to get married to her.

On his way home he has an accident, and though he does survive after being treated by tribal people, he returns to the Ashram several days later and is informed that Sharada is now married to a wealthy and much older man. Heart-broken and devastated, Chiranjeev returns home only to get another shock: the male Sharada has married is none other than his very own father. Chiranjeev tries to build same relations again with her, but she slaps him and warns that she is now his mother.

Depressed and deeply frustrated, he takes to alcohol in a big way. Sharada talks him out of this, he repents and on her insistence, marries Chanchal (Shyama), who comes from a reputed family background. Things then get complicated when Chanchal finds that her husband and his stepmother had been in love before and may not have got over their feelings for each other.

Fed up with everyday tiffs with Chanchal, he leaves the house and lives like a beggar. One day he is found by his step mother and father, who bring him home. Chanchal realises her mistake and repents. Meena Kumari believes that she must sacrifice for his welfare and family’s well being. She dies in the arms of her son, Chiranjeev. (641)

Today’s song is sung by Asha Bhosle, Joe Alvaris, Kamala Shrivastav and chorus. I have no definite information about Joe (he could be Johnny, C Ramchandra’s assistant in this film), or Kamla Shrivastav (she could be a singer from Lucknow who sang on AIR, and later retired as a teacher from Bhatkhande Music school, Lucknow). Here is the song video…


Song – Aaju Re Baaju Naaju Kaaju Re (Sharda) (1957) Singer – Asha Bhosle, Joe Alvaris, Kamala Shrivastav, Lyrics – Rajinder Krishan, MD – C Ramchandra
Chorus

Lyrics 

aaju re baaju naaju kaaju re lui
lui
aaju re baaju naaju kaaju re lui
lui
aaju re baaju naaju kaaju re lui
lui

aaa aaaa aaaa aaaaa aaaaa aaaa
aaaa aaaaa aaaaaa aaaaaa aaa
aaa aaaa aaaa aaaaa aaaaa aaaa

aaju re baaju naaju
lui
aaju re baaju naaju
lui

aaaaaaaaaa aaaa aaaa aaaa aaaa

aaju re baaju naaju
kaaju re lui lui
dil main hai laagi mere nainwa ki sui
oooeeeeeeeee
aaju re baaju naaju
kaaju re lui lui
dil main hai laagi mere nainwa ki sui
oooeeeeeeeee

baaton mein teri aa ke
main fisal gayi
muft mein haaye
tere jaise ko mil gayi
aaaa aaaa aaaa aaaa
baaton mein teri aa ke
main fisal gayi
muft mein haaye
tere jaise ko mil gayi
de ke dil dekha
pyaar hai dhokha
de ke dil dekha
pyaar hai dhokha
preet to hai badi mui
laagi nainwa ki sui
oooeeeeeeeee
aaju re baaju naaju
kaaju re lui lui
dil main hai laagi mere nainwa ki sui
oooeeeeeeeee

de ke daghaa bhaaga
kaise se pada paala
dil ka qusoor kya hai
aankhon ne maar daala
de ke daghaa bhaaga
kaise se pada paala
dil ka qusoor kya hai
aankhon ne maar daala
naina na milte
naina na milte
dil ke na taar hiltey
murjhaati kaahe chhui mui
laagi nainwa ki sui
oooeeeeeeeee
aaju re baaju naaju
kaaju re lui lui
dil main hai laagi mere nainwa ki sui
oooeeeeeeeee

paapi ye naina haaye
kaahe kisi se ladey
honthon ki hansi gayi
dil mein hain daagh padey
aaaa aaaa aaaa aaaa
paapi ye naina haaye
kaahe kisi se ladey
honthon ki hansi gayi
dil mein hain daagh padey
raaton ko khade khade
din ko padey padey
raaton ko khade khade
din ko padey padey
preet to hai badi mui
laagi nainwa ki sui
oooeeeeeeeee
aaju re baaju naaju
kaaju re lui lui
dil main hai laagi mere nainwa ki sui
oooeeeeeeeee
aaju re baaju naaju
kaaju re lui lui
dil main hai laagi mere nainwa ki sui
oooeeeeeeeee

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

आजू रे बाजू नाजु काजू रे लुई
लुई
आजू रे बाजू नाजु काजू रे लुई
लुई
आजू रे बाजू नाजु काजू रे लुई
लुई

आss आsss आsss आssss आssss आsss
आss आsss आssss आssss आss
आss आsss आsss आssss आssss आsss

आजू रे बाजू नाजु
लुई
आजू रे बाजू नाजु
लुई

आssssssss आsss आsss आsss आsss

आजू रे बाजू नाजु
काजू रे लुई लुई
दिल में है लागी मेरे नैनवा की सुई
उईssss
आजू रे बाजू नाजु
काजू रे लुई लुई
दिल में है लागी मेरे नैनवा की सुई
उईssss

बातों में तेरी आके
मैं तो फिसल गई
मुफ्त में हाए तेरे
जैसे को मिल गई
आsss आsss आsss आsss
बातों में तेरी आके
मैं तो फिसल गई
मुफ्त में हाए तेरे
जैसे को मिल गई
दे के दिल देखा
प्यार है धोखा
दे के दिल देखा
प्यार है धोखा
प्रीत तो है बड़ी मुई
लागी नैनवा की सुई
उईssss
आजू रे बाजू नाजु
काजू रे लुई लुई
दिल में है लागी मेरे नैनवा की सुई
उईssss

दे के दग़ा भागा
कैसे से पड़ा पाला
दिल का क़ुसूर क्या है
आँखों ने मार डाला
दे के दग़ा भागा
कैसे से पड़ा पाला
दिल का क़ुसूर क्या है
आँखों ने मार डाला
नैना ना मिलते
नैना ना मिलते
दिल के ना तार हिलते
मुरझाती काहे छुई मुई
लागी नैनवा की सुई
उईssss
आजू रे बाजू नाजु
काजू रे लुई लुई
दिल में है लागी मेरे नैनवा की सुई
उईssss

पापी ये नैना हाए
काहे किसी से लड़े
होठों से हंसी गई
दिल में हैं दाग़ पड़े
आsss आsss आsss आsss
पापी ये नैना हाए
काहे किसी से लड़े
होठों से हंसी गई
दिल में हैं दाग़ पड़े
रातों को खड़े खड़े
दिन को पड़े पड़े
रातों को खड़े खड़े
दिन को पड़े पड़े
प्रीत तो है बड़ी मुई
लागी नैनवा की सुई
उईssss
आजू रे बाजू नाजु
काजू रे लुई लुई
दिल में है लागी मेरे नैनवा की सुई
उईssss
आजू रे बाजू नाजु
काजू रे लुई लुई
दिल में है लागी मेरे नैनवा की सुई
उईssss
 


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Duniya Rang Rangeeli” (1957) was produced and directed by M Sadiq for Sadiq Production, Bombay. The movie had Johnny Walker, Chand Usmani, Shyama, Rajendra Kumar, Jeevan, Amar, S N Banerjee etc in it.

The movie had eight songs in it. Seven songs from this movie have been discussed in the past.

Here is the eighth and final song from “Duniya Rang Rangeeli” (1957) to appear in the blog. This song is sung by Asha Bhonsle. Jaan Nisaar Akhtar is the lyricist. Music is composed by O P Nayyar.

The song is picturised on a sulking- appeasing song, where Rajendra Kumar is sulking and Chaand Usmani is seeking to appease him. The duo play the second lead pair in the movie. Johny Walker and Shyama were the first lead pair in the movie.

With this song, “Duniya Rang Rangeeli” (1957) joins the list of movies that have all their songs covered in the blog.


Song-Arre mera baalam kitna zaalam (Duniya Rang Rangeeli)(1957) Singer-Asha Bhonsle, Lyrics-Jaan Nisaar Akhtar, MD-O P Nayyar

Lyrics

arre mera baalam
kitna zaalam
mera dil loot gaya
loot gaya re
arre mera baalam
kitna zaalam
mera dil loot gaya
loot gaya re
arre mera baalam

jaane kya thhi wo nazar r r r r r r
jaane kya thhi wo nazar
gayi jo dil mein utar
jaane kya thhi wo nazar
gayi jo dil mein utar
dekhe na idhar
haaye dekhe na idhar
arre mera baalam
kitna zaalam
mera dil loot gaya
loot gaya re
arre mera baalam

aankh kya tujhse ladi
ee ee ee ee ee ee
aankh kya tujhse ladi
ho gayi raat badi
aankh kya tujhse ladi
ho gayi raat badi
ab to kaate na kate
tere bin ek ghadi
tere bin ek ghadi
arre mera baalam
kitna zaalam
mera dil loot gaya
loot gaya re
are mera baalam

toone bedard piya
aa aa aa aa aa aa aa
toone bedard piya
kaisa jaadu ye kiya
toone bedard piya
kaisa jaadu ye kiya
mera dole re kadam
mera dhadke re jiya
mera dhadke re jiya
are mera baalam
kitna zaalam
mera dil loot gaya
loot gaya re
are mera baalam
kitna zaalam
mera dil loot gaya
loot gaya re
arre mera baalam


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13600 song posts by now.

This blog is active and online for over 3300 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13654

Number of movies covered in the blog

Movies with all their songs covered =1024
Total Number of movies covered =3736

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