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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1950s (1951 to 1960)’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Darbaar” (1955) was a Golden Movie production. It was directed by Nanubhai Bhatt. The movie had Mahipal, Chitra, Sunder, Tiwari, Kammo, Kamal, Niranjan Sharma etc in it, which suggests that it was a B grade movie.

Nine songs from this movie have been discussed in the past. Here is the tenth and final song from the movie to appear in the blog. This song is sung by Geeta Dutt. Asad Bhopali is the lyricist. Music is composed by Hansraj Bahl.

Only the audio of this song is available. My guess is that this song was picturised on Chitra. I request our knowledgeable readers to throw light on the picturisation of this song.

With this song, “Darbaar” (1955) joins the list of movies that have all their songs covered in the blog.


Song-Dupatta mera dhalak gaya sar se (Darbaar)(1955) Singer-Geeta Dutt, Lyrics-Asad Bhopali, MD-Hansraj Bahl

Lyrics

dupatta mera dhalak gaya
dhalak gaya sar se
haaye dupatta mera
dupatta mera dhalak gaya
dhalak gaya sar se
o dhalak gaya sar se
sarak gaya sar se
dupatta mera
dupatta mera dhalak gaya
dhalak gaya sar se
haaye dupatta mera

dhalka dupatta to jholi bana li
phailaake jholi main banke sawaali
maangoon dil ki muraad
kar do dil mera shaad
o o o
kar do dil mera shaad
main to khaali na jaaungi is dar se
dupatta mera dhalak gaya
dhalak gaya sar se
haaye dupatta mera

sunti hoon tum to ho sabke sahaare
aayi hoon aaj main bhi dar pe tumhaare
sun lo meri pukaar
jholi bhar do sarkaar
o o o
jholi bhar do sarkaar
meri bigdi banegi isi dar se ae ae
dupatta mera dhalak gaya
dhalak gaya sar se
haaye dupatta mera

loota chaman ho meri zaalim khizaan ne
dil pe giraai bijli phir aasmaan ne
tooti har ek aas
zindagi hai udaas
o o o
zindagi hai udaas
aapki rahmat idhar bhi zara barse
dupatta mera dhalak gaya
dhalak gaya sar se
haaye dupatta mera
dupatta mera dhalak gaya
dhalak gaya sar se
haaye dupatta mera

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Arab Ka Saudaagar” (1956) was directed by S D Narang for New Original Pictures, Bombay. The movie had Pradeep Kumar, Smriti Biswas, Shashikala, Sundar, Narang, Hiralal etc in it.

This movie had eight songs in it. One song from the movie has been covered in the past.

Here is the second song from “Arab Ka Saudaagar” (1956) to appear in the blog. This song is sung by Hemant Kumar. S H Bihari is the lyricist. Music is composed by Hemant Kumar.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Tera hee aasraa hai o do jahaanwaale (Arab Ka Saudaagar)(1956) Singer-Hemant Kumar, Lyrics-S H Bihari, MD-Hemant Kumar

Lyrics

tera hee aasra hai
o do jahaanwaale
tera hee aasra hai
o do jahaanwaale
hai bekason ki kashti ee
maalik tere hawaale ae
tera hee aasra hai
o do jahaanwaale

Isaa ko toone zaalimon ke
panje se thha chhudaaya
moosa ko toone maujo mein bhi
raasta dikhaaya
barbaad ho rahi hai
duniya meri
bachha le ae
tera hee aasra hai
o do jahaanwaale

kashti ye ?? toone
toofaan se bachaai
maine tujhe pukaara
maalik teri duhaai
maalik teri duhaai
sun le kisi ke dil se
nikle huye yeh naale
tera hee aasra hai
o do jahaanwaale

raham-o-karam pe tere
duniya ki zindagi hai
tu maar ya bacha de
maalik teri khushi hai
maalik teri khushi hai
mit’ti ho agar mohabbat
mujhko bhi tu uthha le
tera hee aasra hai
o do jahaanwaale
o do jahaanwaale
o do jahaanwaale
o do jahaanwaale


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Sadma”(1954) was produced by R G Khanna for Asiatic Productions, Bombay. That is all that HFGK mentions about this movie. We have no clue who were the actors in this movie. We are not even sure how many songs this movie had though HFGK lists muj=khdas of seven songs from this movie.

Here is one highly obscure song from this extremely obscure movie. This song is sung by Kalindi Keskar. Lyrics are by T Ram-Dewan. Music is composed by Shankar Dasgupta.

I have failed to get lots of words right in the lyrics. I request our readers with keener ears to help fill in the blanks/ suggest corrections in the lyrics as applicable.

With this song, “Sadma”(1954) makes its debut in the blog.

With this song, singer Kalindi Keskar and lyricist T Ram Dewan also make their debuts in the blog. I request our knowledgeable readers to throw light on these artists.

As many as 117 movies were released in 1954. “Sadma”(1954) becomes the 100th movie of 1954 to find representation in the blog. With this, the year 1954 becomes the sixth such year after 1949, 1955, 1956, 1958 and 1959 that have the distinction of having songs from 100 or more movies represented in the blog.


Song-Meri barbaadiyon pe (Sadma)(1954) Singer-Kalindi Keskar, Lyrics-T Ram Dewan, MD-Shankar Dasgupta

Lyrics

Meri barbaadiyon pe
mere janaaze ??
meri barbaadiyon pe
gehre zakhmon se
?? nishaani
meri barbaadiyon ke

dil ki dhadkan mein ham
dard chhupaate hain
aa aa aa aa aa
ham ashq bahaate hain
ham ashq bahaate hain

koi nahin hai hamdam
ham khud ko manaate hain
ranjo gham se aaj ham
dil ki bujhaate hain
?? ke
?? ko lagaane ae ae
meri barbaadiyon pe

ham uske kareeb ?
?? muqaddar ka
jo din guzarta hai ae
wo din hai dar guzar ka
yoon hi to dil ?? ke
dil hain mitaane ae ae
meri barbaadiyon pe


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The first time I saw this film, it was on Doordarshan, and the only song that I could appreciate (given my age) was “Bibi Mendaki Ri Tu To Paani Mein Ki Raani”. Rest of the film, its emotional and familial nuances were all lost on me. Those were the days, when watching television was a privilege bestowed upon oneself by a friendly neighbor. One would go to watch television at a neighbor’s home, or hang on to the windows, if entry was not permitted. And so, the opportunity that one gets to watch a movie was in itself a treat, and an accomplishment. And one always wanted to make the most of such opportunities. Getting bored was not only not an option, but it was a thought furthest from the mind. I have this placement in front of a TV screen, and I will watch it for as long as I am allowed, whatever may be the content. The serious stuff was mostly OHT (Overhead Transmission), and the mind would remember and register the fun parts like Balraj Sahni having poori and lassi at a halwai shop in the morning before reaching his office, or singing this above mentioned song with his children on the Sunday when he is at home. But as far as watching time is concerned, it was to be religiously spent, to watch the entire film, whether I could make out more of it or not.

In later years, small memories of the films, snatches of screen shots, would replay randomly in the mind – Jayant taking Rashid Khan to task very onerously, or Balraj Sahni with a bundle of mail in his hand, standing in front of the sorting dockets, trying to quickly put the mail items into the correct dockets, Balraj Sahni admiring a new coat hanging in the display window of a tailor’s shop. Mind you, the names of the characters and the words to describe the scene are all being currently generated. In the mind’s eye, it is just the images themselves that are very familiar, without any labels, without any words.

Many years on, just on a memory recall, I started to search for this film. For quite a long time this film was not available. A friend once got a version of it, but that was just about an hour long. So one can imagine what would have remained after such merciless cutting. That version seemed to have gone around, and a rumor followed it – the songs of this film are lost forever. Then, when the Geet Kosh volume three was released, it also carried a footnote to this film which says that except for one song, all songs were deleted from this film, and the film was truncated to half its length, and renamed as ‘The Clerk & The Coat’. This further strengthened the fears of the lost songs and lost film.  However, in all probability, this was just a version created from the original, for consumption in the foreign markets, or for participation in foreign film festivals. Thankfully, none of these prophecies proved to be true eventually. Once the VCD binge started, and more and more films started landing in the market, the original of this film also finally appeared in a near complete state. And then, I got to see it once again.

‘Garam Coat’ is a very poignant film. It deals with the everyday problems in the lives of lower middle income strata of society in a newly independent and developing India. Balraj Sahni is a lowly paid postal clerk, with a monthly salary of one hundred rupees, and a family of five. In the hands of Rajendra Singh Bedi and performance lead Balraj Sahni, both stalwarts of the IPTA movement, the film has descended to the practical levels of realism, and to pragmatic heights of credibility. The home of this clerk is a bare bones home. The kitchen is frugally stocked. The children are not well dressed. The housewife is very simply presented. The protagonist himself wears an old and ragged coat throughout the entire film. The name of the banner is Cine Co-operative Ltd, Bombay. In all probability, this was yet another joint effort of social conscience of IPTA.

The clerk fancies a new coat. On his way to work, he always pauses outside a tailor’s shop, admiring a new coat on display. The owner of the shop, sees him daily, and one day invites him into the shop, enquiring whether he plans to buys some new clothes. Unable to defend himself, and knowing that he is unable to afford the price of a new coat, he sheepishly tells about the qualities and the warmth of the coat that he is wearing, and that, no, he does not plan to buy a new one.

Come pay day, and the clerk returns home, happy with the load of a solitary one hundred rupee note in his pocket. Life is spring, and all is happiness in the household. Next morning, it is going to be a shopping spree for the month, and all expectations are high. The morning begins with the fun song “Bibi Mendaki Ri. . .”, and off goes the clerk to the market, with a list of shopping and hundred rupees in his pocket.

His first stop is a toy shop. He browses, he selects something for his children, almost pays for the items pulling out the hundred rupee note; but then thinks better of it, and saying he will return shortly, stuffs the note back into his coat pocket. His next stop is a halwaai shop where he has poori and lassi. He is in high moods, joking with the shopkeeper and other customers. As gets up to leave and pushes his hands in his coat pocket to pay for the breakfast – all the agonies of hell descend upon him. The note is missing. An impressive portrayal of a person who has lost everything in life – Balraj Sahni is insulted and kicked out of the halwaai shop. He runs back to the toy shop, tries to convince the shopkeeper that he might have dropped his money at his shop. Once again, he is insulted and made to leave the premises. Now, he simply has no place to go.

The remaining part of the movie is about his trials and tribulations on trying to survive without his salary through at least one more month till the next pay day. The movie is full of scenarios of what such a person will do – he tries to borrow, he tries to get advance, he tries to take up a part time job as a tutor, he goes without lunch, he contemplates suicide, even tries it. But the agonies simply do not cease. How he shares this calamity with his wife, and how does his wife respond, are all classic scenes to be visited again. The wife goes to the pansaari (grocery shop owner) and tried to get groceries on account, she and children start to make paper bags out of newspapers in an effort to raise some money. There are friends at office like Jayant who try their best to help him within his limited means. And there are unfriendly colleagues like Rashid Khan, who are completely unmoved by the troubles of their co-worker. There are scenes and performances that move me to tears as I watch the helplessness of an honest good man, trying to keep his wits together and to keep his family alive. The saving grace of the film is that the lost money is located at the end. And it is a very interesting way that it turns up.

In this sad and poignant film, this song is probably the saddest and the most pain filled song. Having come to know of the calamity that has befallen her husband, and the manner in which he is trying to fight these problems, there comes a point when the wife’s hopes probably break and she calls for help. The entire scenario and the get up of the film is so deeply entrenched into the simple values of our social system. She has no help at hand, she has no one with whom she can share her pain. For a woman in our culture, her last hope is her maternal family. But she is too afraid to inform them or talk to them. So she tells the bird to take her message to her parents and family, and let them know that she just a cheerless bundle of tears these days.

Then after telling this to the crows, she starts to make amendments to her request. First, she prohibits the crow from telling her mother, she will break down and cry. Then, thinking some more she prohibits the crow from telling her father also, he will cry into the cloth of his pugree (head dress) and not know what to do. She tells the crow to tell everyone, but not these two.

Then in the next stanza she makes some more amendments. She tells the crow not to tell her sister either, for she may give up her own food. Then she says, do not even tell my bhaabhi (sister-in-law, brother’s wife), for the fear that she might spread this in her own maternal family and make fun of it. She tells the crow to tell everyone, but not these two.

The embattled lady then ends the verses with telling the crow, to go an tell this tale of woes to her brother only. He will surely come to her aid, riding the blue steed.

The agony and the poignancy contained in these verses is so emphatic. She wants this message to be told to everyone in her family, and then slowly, one by one she decides not to tell this or that person, and finally, in conclusion she is ready to tell it to her brother only. The words, the composition and the rendition, brings tears to my eyes, as many times as I have heard this play. And it also underscores the vitality of the brother-sister relationship in our culture. When all seems to be lost and the lady is totally helpless, it is her brother that she thinks of, to go and share. (You may have noticed, I have tagged this song as a ‘brother-sister song’).

This low key, less heard of film, is one of my favorites – in and about the art of telling a poignant story through cinema. Although Lata ji has herself selected “Jogiya Se Preet Kiye Dukh Hoye” from this film, as one of her most favorite songs, in my humble opinion, I would rate this song even higher than “Jogiya Se . . .”.

Wonderful memories of an era of very simple living, of traditions and culture, of values – a touch of India that is very dear to me.

Song – Kahiyo Roye Dukhia Re, Ja Re Panchhi Tu Ja Re (Garam Coat) (1955) Singer – Lata MangeshkarLyrics – Majrooh Sultanpuri, MD – Pt Amarnath

Lyrics

kahiyo roye dukhia re
jaa re panchhi tu jaa re. . .
kaaga des hamaare
udd jaa re
kahiyo roye dukhia re
jaa re panchhi tu jaa re. . .
kaaga des hamaare
udd jaa re
kahiyo roye dukhia re

ek na kahiyo maa raani ko
royegi wo meri gudiyon ko dekh ke
ek na kahiyo maa raani ko
royegi wo meri gudiyon ko dekh ke
ek na kahiyo babul ji se
ek na kahiyo babul ji se
royenge pagdi ko munh se lapet ke
aur sab se kahiyo tu pyaare
jaa re panchhi tu jaa re. . .
kaaga des hamaare
udd jaa re
kahiyo roye dukhia re

ek na kahiyo behna meri se
haathon ki roti gira degi ro ke
haathon ki roti gira degi ro ke
ek na kahiyo bhabhi meri se
maike mein jaa ke hansegi wo munh pe
maike mein jaa ke hansegi wo munh pe
aur sab se kahiyo tu pyaare

kahiyo re dukh mera bhaiyya se jaa ke
kahiyo re dukh mera bhaiyya se jaa ke
aayega wo neela ghoda uda ke
utrega mere duaare
jaa re panchhi tu jaa re. . .
kaaga des hamaare
udd jaa re
kahiyo roye dukhia re
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
कहियो रोये दुखिया रे
जा रे पंछी तू जा रे॰॰॰
कागा देस हमारे
उड़ जा रे
कहियो रोये दुखिया रे
जा रे पंछी तू जा रे॰॰॰
कागा देस हमारे
उड़ जा रे
कहियो रोये दुखिया रे

एक ना कहियो माँ रानी से
रोएगी वो मेरी गुड़ियों को देख के
एक ना कहियो माँ रानी से
रोएगी वो मेरी गुड़ियों को देख के
एक ना कहियो बाबुल जी से
एक ना कहियो बाबुल जी से
रोएँगे पगड़ी मुंह से लपेट के
और सब से कहियो तू प्यारे
जा रे पंछी तू जा रे॰॰॰
कागा देस हमारे
उड़ जा रे
कहियो रोये दुखिया रे

एक ना कहियो बहना मेरी से
हाथों की रोटी गिरा देगी रो के
हाथों की रोटी गिरा देगी रो के
एक ना कहियो भाभी मेरी से
मायके में जाके हंसेगी वो मुंह पे
मायके में जाके हंसेगी वो मुंह पे
और सब से कहियो तू प्यारे

कहियो रे दुख मेरा भैया से जाके
कहियो रे दुख मेरा भैया से जाके
आएगा वो नीला घोडा उड़ा के
उतरेगा मेरे द्वारे
जा रे पंछी तू जा रे॰॰॰
कागा देस हमारे
उड़ जा रे
कहियो रोये दुखिया रे


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Riyaasat”(1955) was directed by Jaswant Jhaweri for Roopkamal Chitra, Bombay. The movie had Mahipal, Mala Sinha, Sunder, Kamal, Hiralal, Prakash, Babu Raje etc in it.

The movie had seven songs in it. One song from the movie has been covered in the past.

Here is the second song from “Riyaasat”(1955) to appear in the blog. This song is a duet sung by Geeta Dutt and Rafi. Prem Dhawan is the lyricist. Music is composed by Avinash Vyas.

Only the audio of this rare song is available. My guess is that this song is picturised on the lead pair of Mahipal and Mala Sinha, but I cannot be sure. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Aisi nazren na daal (Riyaasat)(1955) Singers-Geeta Dutt, Rafi, Lyrics-Prem Dhawan, MD-Avinash Vyas

Lyrics

aisi nazren naa daal
kar le khayaal
keh dengi aankhen saari duniya se haal
rakkho ji dil ko zara apne sambhaal
aa haa
ye gore gore gaal
lahraate baal
thumak thumak matwaali chaal
rakkhe ji kaise koi dil ko sambhaal

o o
teri mastaani aankhon mein dil mera kho gaya
ab kya karen ji
ab kya karen ji
jo bhi hona thha ho gaya

meethhi baaton ke jaal mujhpe na daal
main jaanoon pahchaanoon nazron ki chaal
rakho ji dil ko zara apne sambhaal

o o o
o o o
o o o
o o o
o o o
o o o

o o o
chhodo balam chhodo haath hamaara
jaao ji jhoothha hai pyaar tumhaara
ye tera jalaal
jaise jalti mashaal
patli kamar jaise phoolon ki daal
rakkhe ji kaise koi dil ko sambhaal

o o o
o o o
o o o
o o o
o o o
o o o
o o
o o
jab milte hain bichhde saathi to mil jaaye jag saara

deepak se mil jaaye baati to mit jaaye andhiyaara
mere dil ka sawaal
ab to na taal
nainon mein aaj zara naina to daal
rakkhe ji kaise koi dil ko sambhaal

aisi nazre na daal karle khayaal
keh dengi aankhen sari duniya se haal
rakkho ji dil ko zara apne sambhaal
o o o
o o o
o o o
aa aa aa aa aa
aa aa aaa


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Darbaar” (1955) was a Golden Movie production. It was directed by Nanubhai Bhatt. The movie had Mahipal, Chitra, Sunder, Tiwari, Kammo, Kamal, Niranjan Sharma etc in it, which suggests that it was a B grade movie.

Eight songs from this movie have been discussed in the past. Here is the ninth song from the movie to appear in the blog. This song is sung by Geeta Dutt. Asad Bhopali is the lyricist. Music is composed by Hansraj Bahl.

Only the audio of this song is available. My guess is that this song was picturised on Chitra. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Yoonhi aankhon mein aankhen daale sanam (Darbaar)(1955) Singer-Geeta Dutt, Lyrics-Asad Bhopali, MD-Hansraj Bahl

Lyrics

yoon hi aankhon mein aankhen daale sanam
tu baitha rahe
main dekha karoon
tu baitha rahe ji
main dekha karoon
hamen chhoo na sake
duniya ke sitam
tu baitha rahe
main dekha karoon
tu baitha rahe ji
main dekha karoon

dil kehta hai tujhko sajde karoon
dil kehta hai tujhko sajde karoon
tere saath jiyoon tere saath maroon
jab tak rahe mere dum mein dum
tu baitha rahe
main dekha karoon
tu baitha rahe ji
main dekha karoon

nazren hain jahaan dil bhi hai wahin
nazren hain jahaan dil bhi hai wahin
ye pyaas kabhi bujhne ki nahin
jalwon ki kasam
soorat ki kasam
tu baitha rahe
main dekha karoon
tu baitha rahe ji
main dekha karoon

ae maalik meri neendon ke
ae maalik meri neendon ke
ae chaand meri ummeedon ke
tera pyaar na ho kabhi dil se kam
tu baitha rahe
main dekha karoon
tu baitha rahe ji
main dekha karoon

yoon hi aankhon mein aankhen daale sanam
tu baitha rahe
main dekha karoon
tu baitha rahe ji
main dekha karoon

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

यूं ही आँखों में आँखें डाले सनम
तू बैठा रहे
मैं देखा करूँ
तू बैठा रहे जी
मैं देखा करूँ
हमें छू न सकें
दुनिया के सितम
तू बैठा रहे
मैं देखा करूँ
तू बैठा रहे जी
मैं देखा करूँ

दिल कहता है तुझको सजदे करूँ
दिल कहता है तुझको सजदे करूँ
तेरे साथ जीऊँ
तेरे साथ मरूँ
जब तक रहे मेरे दम में दम
तू बैठा रहे
मैं देखा करूँ
तू बैठा रहे जी
मैं देखा करूँ

नज़रें हैं जहां दिल भी है वहीं
नज़रें हैं जहां दिल भी है वहीं
ये प्यास कभी बुझने की नहीं
जलवों की कसम
सूरत की कसम
तू बैठा रहे
मैं देखा करूँ
तू बैठा रहे जी
मैं देखा करूँ

ए मालिक मेरी नींदों के
ए मालिक मेरी नींदों के
ए चाँद मेरी उम्मीदों के
तेरा प्यार ना हो कभी दिल से कम
तू बैठा रहे
मैं देखा करूँ
तू बैठा रहे जी
मैं देखा करूँ

यूं ही आँखों में आँखें डाले सनम
तू बैठा रहे
मैं देखा करूँ
तू बैठा रहे जी
मैं देखा करूँ


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Saloni” (1952) was directed by J P Advani for Goodluck pictures. This movie had Ashok Kumar, Nalini Jaywant, Purnima, Gulab, Mohana etc in it.

Two song from this movie was discussed in the past. Here is the third song from “Saloni” (1952). This song is sung by Rajkumari. Arjun dev Ashq is the lyricist. Music is composed by Basant Prakash.

Only the audio of this song is available. I request our knowledgeable readers to throw light on this movie as well as on the picturisation of this song.

Lyrics of this song were sent to me by Nitin Shah.

With this song, Rajkumari now has 150 songs in the blog as a singer. Interestingly, as many as four singers are on the exact 150 songs mark in the blog, viz- Amirbai Karnataki, G M Durrani, Rajkumari and Usha Mangeshkar. Even more interesting is the fact that three of them, viz. G M Durrani, Rajkumari and Usha Mangeshkar reached this mark on the same day, viz. today (21 may 2017). A rare and interesting coincidence !


Song- Mohabbat ne badal din haalaten kuchh is tarah dil ki (Saloni)(1952) Singer-Rajkumari, Lyrics-Arjun Dev Ashq, MD-Basant Prakash

Lyrics(Provided by Nitin Shah)

mohabbat ne badal din haalaten
kuchh iss tarah dil ki
ke manzil par pahunch ke bhi
talaash hamko hai manzil ki

kahaa ham ne dil e naadaan
zara thham ja qaraar aaya
aa aa aa aa aa
aa aa aa
koi taqdeer ki uljhi huyi zulfen sanwaar aayaa
aa aa aa aa aa
magar dil ne kaha hans kar
mohabbat naam hai gham ka
aaa aaa aaa
aaa aaa aa
ye daulat kya mili
ke badh gayin betaabiyaan dil ki
ye daulat kya mili
ke badh gayin betaabiyaan dil ki
mohabbat ne badal din haalaten
kuchh iss tarah dil ki

udhar iss baat ka aa shiqwaa
aa aa
ke milne ko taraste hain
ae ae ae
ae ae
idhar ye gham ki hansne se
bhi aansoo hi baraste hain
ae ae ae ae
ajab toofaan hai ae ae ae logon
mohabbat naam hai ae jiska
aaa aaa aaa
aa aa aa aa
aa
khabar saahil ko kashti ki
na kashti ko hai saahil ki


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Nakhre”(1951) was produced by Mohanlal Wahai and directed by Surya Kumar for Paro Pictures, Bombay. This by now forgotten movie had Geeta Bali, Nasir Khan, Jeewan, David, Heera Sawant, Vijaya, Badri Prasad, Ramesh, Laxmanrao, M S Pathak, Paro etc in it.

There were ten songs in this movie that were sung by eight singers and penned by four lyricists.

One song from the movie has been discussed in the blog. Here is the second song from “Nakhre”(1951) to appear in the blog. This song is sung by G M Durrani. Tahir lucknowi is the lyricist. Music is composed by Hansraj Bahl.

Only the audio of this forgotten gem of a song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.


song-Jitna bhulaaoge mujhe utna hi main yaad aaoonga (Nakhre)(1951) Singer-G M Durrani, Lyrics-Tahir Lucknowi, MD-Hansraj Bahl

Lyrics

Jitna bhulaaoge mujhe
utna hi main yaad aaoonga
jitna bhulaaoge mujhe
utna hi main yaad aaoonga
jitna bhulaaoge

dil ki khushi le jaaoonga
dil se bhula kar dekh lo
daag e jigar ban jaaoonga
daaman bachaa kar dekh lo
aankhon hi mein chhip jaaoonga
aankhen churaa kar dekh lo
dil ki tadap ban kar tumhen main
umr bhar tadpaaoonga
jitna bhulaaoge mujhe
utna hi main yaad aaoonga
jitna bhulaaoge

mujhko bhulaana chaahte ho
to bhulaa kar dekh lo
gar aazmaana chaahte ho
aazmaa kar dekh lo
jaao kisi ki aankh se
aankhen milaa kar dekh lo
har aankh ki putli mein main
tumko nazar aa jaaoonga aa
jitna bhulaaoge mujhe
utna hi main yaad aaoonga
jitna bhulaaoge


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bedardi” (1951) was directed by Kidar Sharma for Ranjit Movietone presentation. The movie had Geeta Bali, Nimmi, Cuckoo, Jaswant, Amirbai Karnataki, Nazira, Manju, Rashid Khan etc in it.

Seven songs from this movie have been discussed in the blog in the past. Here is the eighth song from “Bedardi”(1951) to appear in the blog.
This song is sung by Shamshad Begam and chorus. Kidar Sharma is the lyricist. Music is composed by Roshan.

Only the audio of this lively song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

I have not been able to get a few words right in the lyrics of the song. I request our readers with keener ears to help fill in the gaps/ suggest corrections in the lyrics as applicable.

after this song, only one song from the movie is left to be discussed. This song- “Nanadiya jaane na de”- sung by Nimmi is apparently not available online. The record number of this song is not given in HFGK, so it appears taht the song was there only in the movie. Unless this final elusive song can be located, “Bedardi” (1951) will remain unYIPPEED in the blog.


Song-Ho baalam kitna zaalim haay (Bedardi)(1951) Singer-Shamshad Begam, Lyrics-Kidar Sharma, MD-Roshan
Chorus

Lyrics

ho baalam kitna zaalim
haay
ki isko taras na aaye
haay
o paapi bada sataaye
haay haay haay haay haay
ho baalam kitna zaalim
haay
ki isko taras na aaye
haay
o paapi bada sataaye
haay haay haay haay haay

jo koi preet(?) jataaye
haay
jo koi geet sunaye
haay
ye sunkar chidh jaaye
haay
kabhi kaabu na aaye
haay balam kitana zalim
haay
ki isko taras na aaye
haay
o paapi bada sataaye
haay haay haay haay haay

bahaane laakh banaaye
haay
koi kaise samjhaaye
haay
koi dil leke jaaye
haay
ye usko yoon thukraaye
haay baalam kitna zaalim
haay
ki isko taras na aaye
haay
o paapi bada sataaye
haay haay haay haay haay

ye itna rob jamaaye
haay
hansi isko na aaye
haay
khushi isko na bhaaye
haay
hamesha aankh dikhaaye
haay baalam kitna zaalim

ho baalam kitna zaalim
haay
ki isko taras na aaye
haay
o paapi bada sataaye
haay haay haay haay haay
ho baalam kitna zaalim
haay
ki isko taras na aaye
haay
o paapi bada sataaye
haay haay haay haay haay

jo koi preet(/) jataaye
haay
jo koi geet sunaye
haay
ye sunkar chidh jaaye haay
kabhi kaabu na aaye
haay baalam kitana zaalim
haay
ki isko taras na aaye
haay
o paapi bada sataaye
haay haay haay haay haay

bahaane laakh banaaye
haay
koi kaise samjhaaye
haay
koi dil leke jaaye
haay
ye usko yoon thukraaye
haay baalam kitna zaalim
haay
ki isko taras na aaye
haay
o paapi bada sataaye
haay haay haay haay haay

ye itna rob jamaaye
haay
hansi isko na aaye
haay
khushi isko na bhaaye
haay
hamesha aankh dikhaye
haay balam kitana jaalim
haay
ki isko taras na aaye
haay
o paapi bada sataaye
haay haay haay haay haay


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Darbaar” (1955) was a Golden Movie production. It was directed by Nanubhai Vakil. The movie had Mahipal, Chitra, Sunder, Tiwari, Kammo, Kamal, Niranjan Sharma etc in it, which suggests that it was a B grade movie.

Seven songs from this movie have been discussed in the past.

Today (20 may 2017) is the 33rd remembrance day of Hansraj Bahl ( 19 november 1916- 20 may 1984). On this occasion, here is the the eighth song from the movie to appear in the blog. This song is sung by Shamshad Begam. Asad Bhopali is the lyricist. Music is composed by Hansraj Bahl.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Meri jaan jaati hai mujhko sambhaalo (Darbaar)(1955) Singer-Shamshad Begam, Lyrics-Asad Bhopali, MD-Hansraj Bahl

Lyrics

aa aa aa
aa aa
aa aa aa aa

meri jaan jaati hai
mujhko sambhaalo
meri jaan jaati hai
mujhko sambhaalo
o o o
wo baanka jo jaata hai
usko bula lo
usko bula lo
meri jaan jaati hai
mujhko sambhaalo
meri jaan jaati hai
mujhko sambhaalo

bahaaren chaman se juda kar rahe ho
bade naa-samajh ho
ye kya kar rahe ho
bade naa-samajh ho
ye kya kar rahe ho
zara socho samajho
zara dekho bhaalo
o o o
wo baanka jo jaata hai
usko bula lo
usko bula lo
meri jaan jaati hai
mujhko sambhaalo

main naghma hoon lekin mera saaz wo hai
agar saaz main hoon
to aawaaz wo hai
agar saaj main hoon
to aawaaz wo hai
chale jaao roothhe huye ko manaa lo
o o o
wo baanka jo jaata hai
usko bula lo
usko bula lo
meri jaan jaati hai
mujhko sambhaalo

khushi do ghadi ki hai gham jeete jee ka
tumhe kya mila dil dukhaa kar kisi ka
tumhe kya mila dil dukhaa kar kisi ka
mohabbat karo zindagi ka maza lo
o o o
wo baanka jo jaata hai
usko bula lo
usko bula lo
meri jaan jaati hai
mujhko sambhaalo
meri jaan jaati hai
mujhko sambhaalo


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(© 2008 - 2017) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has over 13200 song posts by now.

This blog is active and online for over 3150 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13273

Number of movies covered in the blog

Movies with all their songs covered =1003 Total Number of movies covered =3703

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Blog Start date: 19 july 2008 Active for 3000 days.
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