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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1950s (1951 to 1960)’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Prabhu Ki Maaya”(1955) was directed by Vithaldas Panchotiya for Filmistan, Bombay. This mythological movie had Mubarak, Kanta, Jharna, Prem Adeeb, Narmada Shanker, Uma Devi, Mumtaz Begum, P. Kailash etc in it.

The movie had nine songs in it. Four of these songs have been covered in the past.

Here is the fifth song from “Prabhu Ki Maaya”(1955) to appear in the blog. The song is sung by Asha Bhonsle. Pt Madhur is the lyricist. Music is composed by Ravi.

The picturisation shows a naari trying to seduce a tapaswi gentleman played by Prem Adeeb (I guess). I thought that the lady was Bina Rai but her name does not figure in the cast. So she must be someone else who looks like Bina Rai. I request our knowledgeable readers to help identify her.


Song-Jogi jogan khadi tere dwaar ho (Prabhu Ki Maaya)(1955) Singer-Asha Bhonsle, Lyrics-Pt Madhur, MD-Ravi

Lyrics

jogi jogan khadi tere dwaar
ho jogi jogan khadi tere dwaar
aayi kar ke main solah singaar ho
aayi kar ke main solah singaar ho
jogi jogan khadi tere dwaar
ho jogi jogan khadi tere dwaar

chanda na maangoon sitaare na maangoon
chanda na maangoon sitaare na maangoon
duniya ki jhoothhi bahaaren na maangoon
duniya ki jhoothhi bahaaren na maangoon
maangoon piya tera pyaar ho
jogi jogan khadi tere dwaar ho
jogi jogan khadi tere dwaar
aayi kar ke main solah singaar
aayi kar ke main solah singaar
ho jogi jogan khadi tere dwaar
ho jogi jogan khadi tere dwaar

mausam suhaana ye rut hai suhaani
mausam suhaana ye rut hai suhaani
bhanwre deewaane hain kaliyaan deewaani
bhanwre deewaane hain kaliyaan deewaani
sun le jiya ki pukaar ho
jogi jogan khadi tere dwaar
ho jogi jogan khadi tere dwaar
aayi kar ke main solah singaar ho
aayi kar ke main solah singaar ho
jogi jogan khadi tere dwaar
ho jogi jogan khadi tere dwaar

koi na samjhe pujaaran ki boli
koi na samjhe pujaaran ki boli
khaali padi hai bhikaaran ki jholi
khaali padi hai bhikaaran ki jholi
bhar de ise ek baar
ho jogi jogan khadi tere dwaar
ho jogi jogan khadi tere dwaar
aayi kar ke main solah singaar
aayi kar ke main solah singaar
ho jogi jogan khadi tere dwaar
ho jogi jogan khadi tere dwaar

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Mad Bhare Nain”(1955) was produced by R L Anand and directed by Hem Chundar for Fortune Films, Bombay. The movie had Kishore Kumar, Bina Rai, David, Yashodhara Katju, Badri Prasad, Mishra, Durga Khote, Nazir Hussain, Achala Sachdev, Sarita, Bhupendar Kapoor, etc in it with Sundar billed in a guest appearance.

Six songs from this movie have been discussed in the past.

Today (14 december 2017) is the 51st remembrance day of Shailendra (30 August 1923 – 14 December 1966).

As a tribute, here is the sixth song from the movie to appear in the blog.. This song is sung by Lata. Shailendra is the lyricist. Music is composed by S D Burman.

Only the audio of this song is available. My guess is that this expression of love song was picturised on Bina Rai. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Dekho mose saanchi kaho banwaari (Mad Bhare Nain)(1955) Singer-Lata, Lyrics-Shailendra, MD-S D Burman

Lyrics

ho o o
dekho mose saanchi kaho banwaari
dekho mose saanchi kaho banwari
baans ki bansi hum se bhi pyaari
baans ki bansi
hum se bhi pyaari kaisi ye preet bihari
dekho mose saanchi kaho banwaari
dekho mose saanchi kaho banwaari

ban ke bansiya mukh se lagi rahe
sautan badi dulaari haaye raam
sautan badi dulaari
raat beraat
ho o o o
raat beraat gaave bairaniya
ud jaaye neend hamaari
dekho mose saanchi kaho banwaari
dekho mose saanchi kaho banwaari

ho o o
tum rasiya sab ke man basiya
maakhan chor muraari
haaye raam
maakhan chor muraari
maano na maano
hmm hmm hhm hmm
maano na maano hey manmohan raadha ek tihaari
dekho mose saanchi kaho banwaari
dekho mose saanchi kaho banwaari


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

After a long gap-a very long gap really-I am discussing a song from a Mythological film- Ayodhyapati-56.

This song is sung by Hemant Kumar- who had actually specialised in singing such songs in the decade of 1950s. This decade was a Golden period for Religious films, because as many as 124 Religious, Mythological and devotional films were released in the decade from 1950 to 1959. This worked out to an average of one such film released in every month for 120 months, that is 10 years, continuously. Some of the best Bhajans of Hemant Kumar are from this decade only.

Among Mythological stories, Ram katha has always been the most popular, having a slight edge over Lord Krishna’s stories. No wonder that so many films were made, from the silent era till the 1970s on this topic. After 1970s, the baton of religious films/ stories was passed on to Television and no mythological films, barring some exceptions, have been made during the last 30-40 years.

Film Ayodhyapati was slightly different from the normal movies of this genre, viz Ramkatha. The story content of this film was based on a little known but interesting chapter of Ramayana. It was related to an episode before Rama’s birth.

The central theme of the film ( and it occupied a major portion of the film ) was focused on King Dashratha and queen Kaikeyi.

The name Kaikeyi, when uttered, brings hatred, anger and disgust to one’s mind, as she is branded as a ” Villain ” in Ramayana. If one reads the original version of Ramayana, written by the sage Valmiki, one will find that the truth is entirely different. In film Ayodhyapati, the focus is on Kaikeyi- explaining how she got those two Boons, which changed the course of Ramayana, from king Dashrath.

When I went into details, I learnt so many new things. It seems, all was planned with a purpose. Lord Rama, being an incarnation of Bhagwan Vishnu, had a specific mission on this earth and Kaikeyi was made a vehicle to initiate this mission.

Rama accorded Kaikeyi full respect; he gave her his abode and released her from the cycle of births and deaths. Yet Rama’s devotees find it difficult to forgive her for banishing him to the forest. Tulasidas, however, says it was all a Cosmic Play to destroy the demons. But devotees argue that Rama could have gone to the forest anyway, to destroy the demons. Why drag Sita along? Yet a reading of Ramayana shows that all those who met Rama, Sita and Lakshmana were blessed and they attained life’s goal by seeing, meeting, serving, talking to Rama. Many lives were transformed by the vision of Rama with Sita and Lakshmana. Only one person was forever disgraced and disrespected, and that person was Kaikeyi.

No girl is named Kaikeyi lest she takes on her characteristics. This is the bhakti perspective as Kaikeyi is seen in negative light. A jnani would know that what Kaikeyi contributed to the Cosmic Drama. Hers was the greatest sacrifice as she embraced infamy forever. Rama acknowledges her sacrifice and gives her due respect when they all come to meet him in the forest and when he comes back to Ayodhya later.

Kaikeyi’s maid Manthara’s motives are clear as she wanted to serve the king’s mother. But Kaikeyi’s change of behaviour is strange. Kaikeyi was the daughter of King Ashwapati and the only sister of seven brothers. She was brave, daring, rode chariots, fought wars, was extremely beautiful, played instruments, sang and danced. King Dasaratha saw her on a hunting expedition in Kashmir and fell in love with her. Kaikeyi’s father extracted a promise that her son (his grandson) would ascend the throne. Dasaratha agreed as he had no son from any of his wives. But Kaikeyi did not bear a son and so Dasaratha married Sumitra.

It is only in old age that Dasaratha gets four sons due to a yagna ceremony and Rama is the beloved of all. Kaikeyi loves Rama more than her own son Bharata, so it was inconceivable that she would banish Rama to the forest for 14 years. Sages say all this was going according to a Cosmic Plan. Just as there are several grounds for God’s incarnation as Rama and the creation of Ravana, there are several reasons for Kaikeyi’s actions. Firstly, Dasaratha had promised the throne to Kaikeyi’s son and the promise had to be honoured as was the rule of the Raghu Dynasty- ‘Praan jaaye par vachan na jaaye’- ‘Our words must be honoured even at the cost of our life.’ Second, as a child, Rama told Kaikeyi that since he was the incarnation of Vishnu, he needed an excuse to destroy demons and save sages. He needed someone to banish Him for 14 years and chose Kaikeyi as she was the boldest of the queens. Thirdly, as a child, Kaikeyi had blackened the face of a sage in meditation and he cursed her that she too would get a similar black reputation.

Ramkatha exponent Morari Bapu, gives us a fourth reason. Kaikeyi’s guru Sage Ratna, an astrologer, predicted that she would marry the king of Ayodhya who would die due of grief for his sons. To save the Raghu Dynasty, Kaikeyi would have to ensure that for 14 years no one sat on the throne for that would lead to misfortune. Sage Ratna was father of Shravan Kumar’s grandparents. Shravan Kumar was later killed accidentally by King Dasaratha’s arrow. Shravan Kumar’s grandfather was Sage Dhoumya whose parents were Ratnavali and Sage Ratna. Sage Ratna was a royal priest of Nandigram ruled by King Ashwapati. Sage Ratna had warned her that life as a queen would be very testing and her husband would die of grief for his son. Guru Vasishtha knew of this and decided that grief for son could be death of a son so rather than one son and king dying it would be better that only the king dies. So grief of separation was introduced and Dasaratha was allowed to die. Vasishtha advised Kaikeyi to ask for her two boons — for Rama to be exiled for 14 years and throne for Bharata. He knew that Bharata would never sit on the throne as long as Rama was living. It was Vasishtha who advised Bharata to install Rama’s wooden slippers on the throne if Rama disagreed to return to Ayodhya. The whole drama was planned and the players merely acted.

Kaikeyi had been given two boons for her fighting skills. When Indra, king of gods, requested Dasaratha to fight demon Samhasura, Kaikeyi accompanied him. In the battle Dasaratha’s chariot wheel got loose and Kaikeyi put her little finger in the spoke. Soon she took the chariot to a safe place, changed the wheel, nursed the wounded king and again went in the battlefield and they won. Dasaratha promised her two boons which she laughed away. She had forgotten about these boons but not Vashishtha and Manthara. They advised her to use these boons, but the intentions were different.

Kaikeyi inherited obstinacy from her mother. Once when King Ashwapati and his queen were strolling he heard a pair of birds talking and laughed uncontrollably. Ashwapati, King of Kashmir, had the boon of understanding language of birds, insects and animals. The queen wanted to know what the bird had said but the king replied that according to the boon if he disclosed it he would die. The queen said she didn’t care whether he lived or died but he must tell her what the birds had said. The king banished her forever to her parental home. Kaikeyi was raised by maid Manthara who wanted Kaikeyi to enjoy the highest status.

Kaikeyi knew she would be abused, hated and disliked for all times to come but she agreed to be a part of God’s leela or play.(thanks to speaking tree.in for some information.)

Film Ayodhyapati-56 was produced by A.A.Nadiyadwala, under the banner of Pushpa Pictures. The film was directed by S. Fattelal. Sheikh Fattelal Yasin Mistri was born on 20-10-1897, at Kagal in Kolhapur state of Maharashtra. He was the son of a stone Mason.He took artistic education from Abalal Rehman in Kolhapur. At the age of 21 years, he co-founded Maharashtra Film Company in Kolhapur, with Baburao Painter. He worked as an alround technician, learning many aspects of film making, including cinematography to a perfection. He had a friend Vishnu Govind Damle here, who was with Fattelal till he died.

In 1929, Fattelal left Maharashtra Film Company, along with his friends, Damle, Shantaram, Dhaiber nd Sitaram Kulkarni, to establish Prabhat Film company. He was popularly known as ‘ Saheb Mama ‘. In Prabhat, Fattelal became head of the production department and built sets for all the major films of Prabhat. His sets were appreciated even in Hollywood in those days. He made a team with Damle and they first directed a silent film ” Maharathi Karna “. Their next venture was Talkie film ” Sant Tukaram”-36. This film won laurels all over India and also in the Venice film festival. He worked on film ” Gopal Krishna”-38, ” Sant Dyaneshwar”-40 and ” Sant Sakhu”-42. After Damle died in July 1945, Fattelal directed film ” Jagadguru Shankaracharys”-55 and his last film as a Director was ” Ayodhyapati”-56. Then he retired.
Fattelal died on 24-1-1964 at Bombay.

Fattelal had married actress Gulab bai alias Kamla Devi.She was an actress in Maharashtra film company and later on in Prabhat film company. Most of our readers must have seen the famous Logo of Prabhat Films. It shows a bent lady, blowing ” Tutari “. The lady was Gulab bai, on whom this logo was filmed…by Fattelal himself.

Film Ayodhyapati-56 had 11 songs. One song is already discussed here. Today’s song is the second song.Unfortunately, barring these two, no other song is presently available on You Tube or anywhere on Internet. There is a 3 part very melodious song in this film, which depicts the preparation for young Rama’s proposed coronation, which never took place then.

The cast of the film was Usha Kiran ( Kaikeyi), Abhi Bhattacharya (King Dashrath), Rajkumar-khatri ( Rama), Ratnamala (Seeta), Dar Kashmiri alias Jeevan (Narad) etc etc. We also find a name ‘ Baby Asha Parikh’- who was to debut as a Heroine within 3 years from then on. Today’s song by Hemant kumar is played in the background when lord Rama leaves Ayodhya for the banishment to Jungles for 14 years……..


Song-Chhod chaley aaj hamaare Raam Ayodhya chhod chaley (Ayodhyapati)(1956) Singer-Hemant Kumar, Lyrics-Saraswati Kumar Deepak, MD-Ravi

Lyrics

chhod chale ae ae
aaj hamaare raam ayodhya chhod chaley
chhod chale ae
aaj hamaare raam ayodhya chhod chaley
vanvaasi ban raj dulaare sabse naata tod chaley
mukh mod chaley ae
aaj hamaare raam ayodhya chhod chaley

chala raam ka sewak ban kar laxman jaisa bhai
chali jaanki ban kar apne preetam ki parchhaai
nar naari pashu panchhi sabka manyak(?) naata tod chaley
mukh mod chaley ae
aaj hamaare ram ayodhya chhod chaley

jaise bachhde chhin jaane par dekha karti gaiyya
jaise bachhde chhin jaane par dekha karti gaiyya
waise hi ro ro kar dekhen ram lakhan ko maiya
maaya mamta mahal moh in sabse naata tod chaley
mukh mod chaley ae
aaj hamare raam ayodhya chhod chaley

Laxman bina mahal hai soona
seeta bina rasoi
raam bina hai sooni ayodhya
saari parja royi
chhod ke kaliyon ki galiyaan kaanton se nata jod chaley
mukh mod chaley ae
aaj hamaare
raam ayodhya chhod chaley
aaj hamaare
raam ayodhya chhod chaley


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naag Champa”(1958) was produced and directed by Vinod Desai for Vinod Films, Bombay. This mythological movie hadNirupa Roy, Manhar Desai, Kammo, Sapru, Sundar, Baby Uma, Lalita Pawar, C J apndey, Dubey, Santosh Kumar, Uma Dutt, Nemo, R Khanna, Chhotelal, Maqbool, Devchand etc in it.

This movie had six songs in it.

One song from the movie has been covered in the past. Here is the second song from “Naag Champa”(1958) to appear in the blog. This song is sung by Lata and female chorus. Anjaan and Indra Kapoor are jointly credited as the lyricist of this song. Music is composed by Manna Dey.

Only the audio of this rare song is available. Seeing that Lata sang as many as four songs in this movie, one can assume that she sang for the leading lady, viz Nirupa Roy. So my guess is that this song was picturised on Nirupa Roy and others playing her sahelis.

I have not been able to get a word (may be more) right in the lyrics. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.


Song-Nainon mein gori kise basa liya (Naag Champa)(1958) Singer-Lata, Lyrics-Anjaan + Indra Kapoor, MD-Manna Dey
Chorus

Lyrics

aa aa aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa aa aa
aa aa aa aa aa

aa aa aa
nainon mein gori kise basa liya
mushkil mein jaan kyun phansa liya
pyaar ka khel gori
khel ke chori chori
kaahe dil ko jala liya aa
nainon mein gori kise basa liya
mushkil mein jaan kyon phansa liya
pyaar ka khel gori khel ke chori chori
kaahe dil ko jala liya aa
bura kiya
bura kiya
bura kiya

aa aa aa aa aa aa aa
aa aa aa aa
aa aa aa aa aa aa aa
aa aa aa aa

jab lehar koi chaahe
chaand gagan ka paana
oho oho ho
bas kinaaron se hi
hota sar takraana
chhal ke tujko
chal na de wo tera man basiya
haa haa
o nainon mein gori kise basa liya
mushkil mein jaan kyon phanaa liya
pyaar ka khel gori
khel ke chori chori
kaahe dil ko jala liya aa aa
bura kiya
bura kiya
bura kiya

man tera deewaana
ban gaya parwaana
oho oho ho ho
lau se preet laga ke
kaahe jaan jalaana
hai amaanat aur ki wo
dil hai jisko diya
ha ha
aa nainon mein gori kise basa liya
mushkil mein jaan kyon phansa liya
pyaar ka khel gori
khel ke chori chori
kaahe dil ko jala liya aa aa
bura kiya
bura kiya
bura kiya


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naqaab”(1955) was produced and directed by Lekhraj Bhakri for Tasveeristaan. The movie had Shammi Kapoor, Madhubala, Asha Mathur, Ajit, Heera Lal, Yashodhara Katju, Maruti etc. in it.

Five songs from this movie have been discussed in the past. Here is the sixth song from the movie to appear in the blog. This melancholic “good bye, cruet world” genre of song is sung by Lata. Prem Dhawan is the lyricist. Music is composed by Pt Govindram.

Only the audio of this song is available. This song appears to be a song that is picturised on Madhubala. Nevertheless, I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Ham tere sitam ka kabhi shiqwa na karenge (Naqaab)(1955) Singer-Lata, Lyrics-Prem Dhawan, MD-Pt Govindram

Lyrics

hum tere sitam ka kabhi shiqwa na karenge
hum tere sitam ka kabhi shiqwa na karenge
mar jaayenge par ishq ko ruswa na karenge
mar jaayenge par ishq ko ruswa na karenge

jitni wafa bhi nibh saki hum to nibha chale
jitni wafa bhi nibh saki hum to nibha chale
tum khush raho sada yahi kar ke dua chale
ab tujhse koi aur tamanna na karenge
mar jaayenge par ishq ko ruswa na karenge

hone ko hai hamaari aaj zindagi ki shaam
hone ko hai hamaari aaj zindagi ki shaam
ham to chale jahaan se lo aakhri salaam
lo aakhri salaam
hum badnaseeb ab tujhe dekha na karenge
mar jaayenge par ishq ko ruswa na karenge
hum tere sitam ka kabhi shiqwa na karenge
mar jaayenge par ishq ko ruswa na karenge


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Mamta”(1952) was produced by R B Haldia and J L Sharma and directed by Gunjal for Sishaat Films, Bombay. The movie had Sumitra Devi, Ulhas, Mirza Musharraf, Rajan Haksar, Kamal Mehra, Chitralekha, Bhagwandas, Ramesh, Rajni, Shantabai, Sadiq, Kaabil amritsari, Baby Salma, Master Raja, G P Srivastava, Sheila, paro etc in it.

The movie had eight songs in it that were penned for four lyricists.

Two songs have been covered in the past.

Here is the third song from “Mamta”(1952) to appear in the blog. This song is a duet which is sung by Rafi and Sulochana Kadam. Shyam Hindi is the lyricist. Music is composed by Sonik.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this rare song.


Song-Tera mera mera tera pyaar(Mamta)(1952) Singers-Rafi, Sulochana Kadam, Lyrics-Shyam Hindi, MD-Sonik
Both

Lyrics

tera mera mera tera pyaar
o pyaari
tera mera mera tera pyaar
tera mera mera tera pyaar
o pyaari
tera mera mera tera pyaar
karte hai nainon se naina milne ka ikraar
karte hai nainon se naina milne ka ikraar
ho pyaare
ho pyaare
tera mera mera tera pyaar
tera mera mera tera pyaar
o pyaare
tera mera mera tera pyaar

aise jaise seep se moti ee
aise jaise jyot se jyoti
aise jaise seep se moti ee
aise jaise jyot se jyoti
ya jaise jeewan se saansen aati hain har baar
ya jaise jeewan se saansen aati hain har baar
ho pyaare
ho pyare
tera mera mera tera pyaar

tera mera mera tera pyaar
o pyaari
tera mera mera tera pyaar

pyaar se duniya bair karegi ee
hum donon ko gair karegi
pyaar se duniya bair karegi
hum donon ko gair karegi

lekin maan hi legi ik din
pyaar ke aage haar
lekin maan hi legi ik din
pyaar ke aage haar
ho pyaari
o pyaari
tera mera mera tera pyaar
tera mera mera tera pyaar
o pyaare
tera mera mera tera pyaar

ik jeewan aur sau sau hain gham
ghir jaata hun inme jis dam
ik jeewan aur sau sau hain gham
ghir jaata hun inmein jis dam
us dam jyot jalaaye tere man mein mera pyaar
us dam jyot jalaaye tere man mein mera pyaar
o pyaare

o pyaari
tera mera mera tera pyaar
tera mera mera tera pyaar
o pyaare
tera mera mera tera pyaar


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naqaab”(1955) was produced and directed by Lekhraj Bhakri for Tasveeristaan. The movie had Shammi Kapoor, Madhubala, Asha Mathur, Ajit, Heera Lal, Yashodhara Katju, Maruti etc. in it.

Four songs from this movie have been discussed in the past. Here is the fourth song from the movie. This song is sung by Shamshad Begam. Prem Dhawan is the lyricist. Music is composed by Pt Govindram.

Only the audio of this song is available. It could be a sales pitch song picturised on a flower seller.

I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Chun chun ke laayi hoon main phool ye pyaar ke (Naqaab)(1955) Singer-Shamshad Begam, Lyrics-Prem Dhawan, MD-Pt Govindram

Lyrics

chun chun ke laayi hoon main
phool ye pyaar ke
phool ye pyaar ke
lega koi kismat waala
chun chun ke laayi hoon main
phool ye pyaar ke
phool ye pyaar ke
lega koi kismat waala

dekho champa pe aayi jawaani
aankh nargis ki hai mastaani
dekho khilti chameli hai
hansta gulaab haan
rang churaaye maine
saare bahaar ke
saare bahaar ke
lega koi kismat waala
chun chun ke laayi hoon main
phool ye pyaar ke
phool ye pyaar ke
lega koi kismat waala

ye phool nahin
ye to hai ulfat bhara payaam
ye phool nahin
ye to hai ulfat bhara payaam
kehte hain jaa ke husn se
ye ishq ka salaam
kehte hain jaa ke husn se
ye ishq ka salam
nazraana bhejo yaar ko
phoolon mein rakh ke dil
nazraana bhejo yaar ko
phoolon mein rakh ke dil
phir dekho kaise bante hain
sab bigde huye kaam
phir dekho kaise bante hain
sab bigde huye kaam
aayi bahaar dekho
zulfen sanwaar ke
zulfen sanwaar ke
lega koi kismat waala
chun chun ke laayi hoon main
phool ye pyaar ke
phool ye pyaar ke
lega koi kismat waala


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Gokul Ka Chor”(1959) was produced by Sharad Pai and directed by Vasant Painter for Roopvani Films, Bombay. This partially colour film had Kumkum, Romi, Heeralal, Manorama, Mohan Choti, Ratnamala, Vasantrao Pahalwan, Lalit Kapoor, Pal Sharma, Madhav Kale, S K Shukla, Vishwas, Madhu Apte, Sulochana etc in it.

Two song from this movie have been discussed in the past.

Today (30 november 2017) is the 81 st birthday of Sudha Malhotra (30 november 1936).

Sudha Malhotra had complete her century of songs in january this year. She is the latest among playback singers to have reached three figure of songs.

The writeup on her century post ives information about her career. She sang around 250 songs during her playback career. It is interesting to notice that the bulk of her playback singing took place during the period between 1957 and 1960.

On the occasion of Sudha Malhotra’s birth anniversary, here is a song from “Gokul Ka Chor”(1959). Lyrics may be common, but this song itself is a rarely heard song. This song is sung by Sudha Malhotra. Madhukar Rajasthani is the lyricist. music is composed by Sudhir Phadke.

Only the audio of this song is available. I request our knowledeable readers to throw light on the picturisation of this song.


Song-Maiyya mori main nahin maakhan khaayo (Gokul Ka Chor)(1959) Singer-Sudha Malhotra, Lyrics-Madhukar Rajasthani, MD-Sudhir Phadke

Lyrics

maiyya mori main nahin maakhan khaayo
maiyya mori main nahin maakhan khaayo
maakhan hai hi kahaan gokul mein
jo main leun khaaye
poochh tu unse jaa ke maiya
nit dho kar le jaayen
o o
paawan go ras se ang dhulte
sunke main dukh paau
sun ke dukh paayo
o o
main nahin maakhan khaayo
maiyya mori
main nahin maakhan khaayo

neer piye panchhi ke maiya
nadiya sookh na paaye ae ae
par vyaakul ho pyaas se panchhi
tat pe shor machaayen
o o
aag lagi hai jal pe maahi
dekh ke main bharmaayo
dekh ke bharmaayo o o
main nahin maakhan khaayo
maiya mori main nahin maakhan khaayo

hans ko roop liyo kaaga ne
maakhan moti khaaye
chanchal mohini maaya sabko
pag pag rahi nachaaye
ho o
paayal ki jhankaar mein maiya
baal vilaap chhupaayo
vilaap chhupaayo o o
main nahin maakhan khaayo
maiyya mori main nahin maakhan khaayo


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Nand Kishore”(1951) was produced and Vasant Joglekar for M & T Films, Bombay. The movie had Mahipal, Nalini Jaiwant, Durga Khote, Sumati Gupte, Sulochana, Sadhana Bose, Lalita Pawar, Baburao Pendharkar, Rajan, Navin Yagnik, Vasant Thengdi, Master Chhotu, Dinanath Takalkar, Chittaranjan Kolhatkar, Angre, Madhu Apte, Ramesh desai, Surendra Kumar etc in it.

This mythological movie, obviously about Lord Krishna, had nine songs in it.

Two songs from this movie has been covered in the blog in the past. Here is the third song from “Nand Kishore”(1951) to appear in the blog. This song is sung by Lata. Pt Narendra Sharma is the lyricist. Music is composed by Snehal Bhatkar.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Raadha ke man ki muralika pukaari (Nand Kishore)(1951) Singer-Lata, Lyrics-Narendra Sharma, MD-Shehal Bhatkar

Lyrics

raadha ke man ki muralika pukaari
muraari muraari muraari
muraari
raadha ke man ki muralika pukaari
muraari muraari muraari
muraari

kaanha kaanha pukaaroon
main ban mein
main ban mein
kaanha kaanha pukaaroon
main ban mein
main ban mein
kaanha kaanha uthhe goonj man mein
sune bin madhur taan muskaan khoi
sune bin madhur taan muskaan khoi
daras bin huye hain ye naina dukhaari
muraari muraari muraari
muraari
raadha ke man ki muralika pukaari
muraari muraari muraari
muraari

aaja aaja
o o murli ke raaja aaja
aaja aaja
o o murli ke raaja aaja
aaja aaja muralika suna ja
aaja aaja muralika suna ja
mere man ke mandir ka tu devta hai
mere man ke mandir ka tu devta hai
bane hain mere nain tere pujaari
muraari muraari muraari
muraari
raadha ke man ki muralika pukaari
muraari muraari muraari
muraari


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Raaj Darbaar”(1955) was directed by Balwant Bhatt for Deepak Pictures . The movie had Nirupa Roy, Ranjan, Ishwahr Lal, Ranjeet Kumari, B M Vyas, Nagpal, Keshari, Shyam Sundar, Master Baccha, Azeem, Asha Mathur, Heena, Neera end in it.

Three songs from this movie has been discussed in the past.

Here is the fourth song from “Raaj Darbaar”(1955) to appear in the blog. This song is sung by Asha Bhonsle. Shyam Hindi is the lyricist. Music is composed by Chitragupta.

Only the audio of this rare song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Bulbul ka chahchahaana phoolon ka muskuraana (Raaj Darbaar)(1955) Singer-Asha Bhonsle, Lyrics-Shyam Hindi, MD-Chitragupta

Lyrics

bulbul ka chahchahaana
phoolon ka muskuraana
bulbul ka chahchahaana
phoolon ka muskuraana
kehte hain pyaar jisko
itna sa hai fasaana
bulbul ka chahchahaana
phoolon ka muskuraana
kehte hain pyaar jisko
itna sa hai fasaana
bulbul ka chahchahaana
phoolon ka muskuraana

o o o o o o
o o o o
hai neend mein sitaare ae ae ae
hai neend mein sitare
aur raat so chuki hai
nazren uthha ke dekho
sapno mein kho chuki hai
nazren uthha ke dekho
sapno mein kho chuki hai
ho ho ho ho
chanda ki chaandni mein
dooba hua zamaana
kehte hain pyaar jisko
itna sa hai fasaana
bulbul ka chahchahaana
phoolon ka muskuraana

o o o o o o
o o o
masti mein hai bahaaren aen aen aen
masti mein hai bahaaren
mausam suroor ka hai
main bhi inhin mein aayi
sab kuchh huzoor ka hai
main bhi inhin mein aayi
sab kuchh huzaar ka hai
ho ho ho ho
gulshan luta raha hai
kaliyon bhara khazaana
kahte hai pyaar jisko
itna sa hai fasaana
bulbul ka chahchahana
phoolon ka muskuraana


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13800 song posts by now.

This blog is active and online for over 3400 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13806

Number of movies covered in the blog

Movies with all their songs covered =1031
Total Number of movies covered =3767

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Blog Start date: 19 july 2008

Active for more than 3250 days.

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