Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘fun timepass song’ Category


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5092 Post No. : 17021

Today 27th June, 2022 is the eighty-third birth anniversary of Rahul Dev Burman. On our blog we already have few posts coming on this occasion. However, I was looking for a song written by Majrooh Sultanpuri who had a long association with RD Burman. Also, I wish that I should share a song sung by Kishore Kumar because the songs I shared for today didn’t have any Kishore Kumar songs.

So, here I am presenting a song from the 1980 movie ‘Aanchal’. And incidentally this happens to be a song picturized on Rajesh Khanna. I think this is a ‘bonus’ song for today’s celebration.

‘Aanchal’ was directed by Anil Ganguly for Bemisal Films Pvt Ltd. It was produced by Prem Lalwani and Mohan Lalwani. It had Rajesh Khanna, Rakhee Gulzar, Rekha, Prem Chopra, and Amol Palekar, with Leela Mishra, Shammi, Dinesh Hingoo, Ranjana Sachdev, Birbal, Sarita Devi, Asit Sen, Swapan Guha, Amol Sen, Deepak, Master Ravi, Lekha Chauhan, Master Sandeep, Suresh Desai, Saukat Bharti, Jankidas, Rajkishore, Viju Khote, and others. Abhi Bhattacharya had a friendly appearance in this movie.

Story of this movie was written by Tara Shankar Bandopadhya, and dialogues were written by Ehsan Rizvi. Screenplay of this movie was written by Sachin Bhowmick. Editing of this movie was done by Waman Bhonsle and Gurudutt Shirali. This movie was passed by Censor Board on 18.09.1980.

This movie has six songs. Lyrics for the songs in this movie are written by Majrooh Sultanpuri and music is composed by RD Burman. Lata Mangeshkar, Kishore Kumar, Asha Bhonsle, and Swapan Chakravarty had given their voices to the songs in this movie.

One song from this movie “Paise Ka Kaajal Daike Na Lo Hamri Jaan has already been discussed on the blog on 18.07.2018. This post was presented by our beloved Raja Saab and here is a brief about this movie he had mentioned in his write-up.

The film stars Kaka, Rekha, Raakhee, Amol Palekar and Prem Chopra. It’s a village-based story, where Kaka and Amol Palekar are brothers, with Raakhee married to Amol Palekar. Since Kaka is her husband’s younger brother, Raakhee treats him with great affection. Kaka too has highest regard for his bhabhi. Prem Chopra, who has a score to settle with Amol Palekar, plays mischief, creating misunderstanding in his mind about the relationship between Raakhee and Kaka. Also, doing the same to Rekha, who is in love with Kaka.

To be honest, the film picks up only in the second half – the first half is rather slow. But maybe it is a build-up to show the relationships between the characters. I was rather keen for the film to get on with the plot.

We will be discussing the details about the other songs in this movie in the future posts on the blog. Regarding the songs from this movie, I think “Bas Meri Jaan Bas. . . Maan Le Meri Baat”, “Paise Ka Kaajal Daike Na Lo Hamri Jaan“, and “Bhor Bhaye Panchhi” were well known songs from this movie. Though the overall musical score is good and other songs from this movie also needs to be listened, like the song today.

Today’s song is sung by Kishore Kumar and on screen it is Rajesh Khanna performing on this song with other artistes also seen in the picturization of this song. As mentioned above lyrics are by Majrooh Sultanpuri and music is composed by RD Burman.

Let us listen to and enjoy the today’s song now …

Video

Audio

Song – Aisa Rangeen Samaa Haaye Re (Aanchal) (1980) Singers – Kishore Kumar, Lyrics – Majrooh Sultanpuri, MD – RD Burman

Lyrics

haay haay
hoye hoye
haay haay
hoye hoye hoye
ae chal ghode
ae chal ghode
ae chal ghode
chal chal chal

he ae
aisa rangeen samaa haaye re
ho
ab to kahin se koi aaye re
saathi na yaar koi
jhagda na pyaar koi
raahi akela chalaa jaaye re ae ae
aisa rangeen samaa haaye re
ho
ab to kahin se koi aaye re
saathi na yaar koi
jhagda na pyaar koi
raahi akela chalaa jaaye re ae ae
aisa rangeen samaa haaye re
ho

ham to chale soch ke
purab waale dhaam
paschim chalaa jaaye
hamra gulfaam
ham to chale soch ke
purab waale dhaam
paschim chalaa jaaye
hamra gulfaam
phir bhi hamara yaar chalta to hai
sir nahin dum se hilta to hai
o kaisa dole re kaisa lehraaye
aisa rangeen samaa haaye re
ho
ab to kahin se koi aaye re
saathi na yaar koi
jhagda na pyaar koi
raahi akela chalaa jaaye re ae ae
aisa rangeen samaa haaye re
ho

bhagwaan balihaari
main waari
iski mundi to thheek jagah par
aa gayee

arey ham bhi mann ke raja
apni bhi hai shaan
ghode pe hawa ke
nikle seena taan
are ham bhi mann ke raaja
apni bhi hai shaan
ghode pe hawa ke
nikle seena taan
par jaise ho nadiyaa paani bina
raja adhoora raani bina
ho jeewan aadha to diya re bitaaye

aisaa rangeen samaa haaye re
ho
ab to kahin se koi aaye re
saathi na yaar koi
jhagda na pyaar koi
raahi akela chalaa jaaye re ae ae
aisaa rangeen samaa haaye re
ab to kahin se koi aaye re
saathi na yaar koi
jhagda na pyaar koi
raahi akela chalaa jaaye re ae ae
raahi akela chalaa jaaye re ae ae

ae lo
ham ghode se gir gaye
hi hi


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This is the 1,100th post by Arunkumar Deshmukh.

Blog Day :

5083 Post No. : 17006

POST NO. 1100  !!!!

Today, I have mixed feelings in my mind. One way, I am happy that I am posting my 1,100th article here and on the other way, I am wondering how did I achieve this all? My first post came up here on 1-10-2012, though I had been posting my comments on the Blog’s other posts since the end of 2010. That time I had not even dreamt that I would ever write 1100 articles here or that I would remain connected with this Blog for almost 10 years continuously.
 
A habit of seeing old films and jotting down all the film details in my diary later that day turned into almost a career of writing articles on old films, its people, songs and anecdotes etc, in the last part of my life. Not many people start a second inning after retiring from a job of 35 years – that too absolutely unconnected to what one did in the last so many years !
 
That way my life has been taking unexpected turns at every stage, unconnected with what I did earlier. After coming in the merit list of 12th standard, I joined Medical College. Midway through the first year of M.B.B.S. I left it and joined Agriculture college. I won the All India Best Cadet N.C.C. Trophy at Delhi, as a Senior Under Officer. After graduating in Agriculture, I declined the Govt. Officer’s post in the department and became a Medical Representative in Glaxo, then All India No. 1 company. After 35 years in this field, I retired as General Manager-Marketing !
 
During this period I excelled in Astrology and won the ‘Jyotish Praveen’ title from Poona Mahasabha. I also earned a Brown Belt in Judo, besides acting in dramas etc. I traveled all over India, Pakistan. Nepal and Sri Lanka, U.K. and USA. After retirement I visited Europe, Switzerland and Australia with my wife.
 
With all this done, I turned to my original love – old films and music. I learnt how to use a Computer at the age of 71 years and  using old surviving diaries started writing articles on this Blog. I interviewed close relatives of a few old-time artistes and published them on the internet. I have written on Marathi films, Telugu films and even Kannada films on different blogs. There was a time when I wrote on 5 to 6 different Blogs at a time on different topics like history of films and film songs etc. But my first love has always been AtulSongADay. I honestly believe that I could do all this in this field due to the encouragement of Atul Ji. My heartfelt thanks to him. I must also mention the name of Sudhir ji, who has always supported and helped me. We have been very good friends and are in constant touch. Thanks, Sudhir ji.
In this Blog, I got good company from friends, many I have been able to meet also BUT I HAVE YET TO MEET ATUL JI. I have never even talked to him on phone anytime ! I wish that before I end all this game, we meet at least ONCE !
At this juncture, I did some self assessment. I have kept all the logbooks wherein I first hand-write my articles, before typing them. I have 27 such log books chronicling all my 1100 posts as well as interviews, lined up serially with dates of writing, date of posting on the Blog, serial number, film,song and year details of each post. I found out some statistics.
 
In these 1,100 articles, I have written on songs from films of 1930-40 (152), 1941-50 (417), 1951-60 (412), 1961-70 (46), 1971-80 (27), 1981-90 (8), 1991-2000 (5), 2000-2010(1) 2011-20 (3)  and NFS – 29 = Total 1,100 articles. This works out to 89% posts on films from 1932 to 1960 and only 11%  after 1961. So the fact remains that less than 100 posts are done for films of the post 1961 period, contrary to my estimate of about 200 such posts. This makes me ‘The Grand Old Man’ (पुराण पुरुष) in true sense.
 
Coming to today’s film, ‘Jhamela’ (1953) was a film made by Master Bhagwan after his colossal hit film ‘Albela’ of 1951. Prior to ‘Albela’, Bhagwan was making and directing only stunt films. The making of ‘Jhamela’ has an interesting history. After ‘Albela’, Bhagwan wanted to make a film called ‘Beta Laadla’ with Raj Kapoor and Nargis. He had talked to Raj and he had accepted it for Rs. 55,000 only. Bhagwan had kept RK’s cheque also ready. Meanwhile there was a party to celebrate the ‘Albela’ success, at Sai Prasad, CR’s house.
 
During the party, there was a discussion about Bhagwan’s next social film and PL Santoshi announced ‘Jhamela’ as his next film. Bhagwan was surprised and said,”What jhamela ? There is no story, nothing.” Santoshi said “The story can come later. First you make an announcement. The name is catchy and CR will give music”. Due to pressure from guests like S Mukherjee, CR, Santoshi and other guests, Bhagwan made the official announcement.
 
However, in spite of the success of ‘Albela’, Bhagwan’s luck started going down and down. Though he made many films like ‘Jhamela’, ‘Rangeela’, ‘Bhagam Bhag’, ‘Bhala Admi’, ‘Pyara Dushman’, ‘Kar Bhala’, ‘Shola Jo Bhadke’, ‘Sachche Ka Bolbala’, ‘Hum Deewane’, ‘La Bela’ etc., he did not see same luck again. ‘Bhagam Bhag’, ‘Pyara Dushman’, and ‘Shola Jo Bhadke’ did somewhat better.
 
It was from the film ‘Albela’ that CR gave music to Bhagwan’s film in his real name. Prior to this, he gave music to his stunt films as ‘Annasaheb’.This type of use of pen names was followed by many MDs. GM Durrani gave music as Gunjan, SD Batish gave music as Nirmal Kumar. Snehal Bhatkar used several names like Vasudev, B Vasudev, VG Bhatkar and Snehal, before taking up another pen name Snehal Bhatkar for the rest of his career. Actually his name was Vasudeo and Snehal was his daughter’s name. These are well known, but today I will tell you 2 pen names FIRST time on the internet – on this Blog! Hardly anybody knows that Anil Biswas gave music to film ‘Begunah’ (1949) in the name of Haribhai. His co-MD in this film was Shyamu – none other than C Ramchandra. This information is given in the Encyclopedia of Indian Cinema by Rajadhyaksha on pages 67 and 190.
 
Although the team for ‘Jhamela’ was the same as Albela and they tried their best, still ‘Jhamela’ was not successful. Somebody had told Bhagwan that titles ending with ‘la‘ were lucky for him. Bhagwan tried this even, but he did not succeed in films like ‘Jhamela’, ‘Rangeela’, ‘Kar Bhala’, ‘Sachche Ka Bolbala’ and ‘La-Bela’. All this led to Bhagwan’s downfall to rock bottom. He had to sell his houses, cars etc and go back to the chawl where he had started from in his career. Bhagwan is a real case of ‘Rags to Riches to Rags‘.
 
Today’s song is a duet of Lata and Chitalkar.  I like duets of 2 pairs – Hemant Kumar – Lata, and Chitalkar – Lata, in that order. Even for my 1000th post on 18-8-2021  I had selected a CR song, but it was a chorus of Amirbai, Rajkumari, Durrani, Khan Mastana and CR. Today is 18-6-2022 – a gap of 10 months and 100 songs…an average of 10 posts every month for the last 10 months !
 
I once again thank all those who helped me in this fruitful journey. Enjoy the CR-Lata duet.
[Author’s Note – Some information is used from book ‘EK ALBELA’ by Isak Mujawar-with thanks. and my notes.]


Song- Kaho Ji Kaho Ji Kaho Ji, Kahin Tumse Hui Hai Mulaqaat (Jhamela) (1953) Singers – Lata Mangeshkar, Chitalkar, Lyricist – Rajendra Krishan, MD- C Ramchandra
Lata Mangeshkar + Chitalkar

Lyrics

kaho ji kaho ji kaho ji
kahin tumse hui hai mulaqaat
suno ji suno ji suno ji
hamen yaad nahin hai ye baat
kaho ji
kaho ji
kaho ji

jhoothe bahaane banaana
ye hai mardon ki aadat puraani
h h
aurat pe bharosa na karna
sun rakhi hai hamne kahaani
hato ji hato ji hato ji
mardon ki jhoothi hai zaat
suno ji suno ji suno ji
hamen yaad nahin hai ye baat
kaho ji
kaho ji
kaho ji

seekha kahan se ye tumne
raah chalte galey pad jaana
tum aise kahaan ke haseen ho
zara dho ke suratiya aana
achchha ji achchha ji achhha ji
tum to din ko bhi kehte ho raat
ja ja
suno ji suno ji suno ji
hamen yaad nahin hai ye baat
kaho ji
kaho ji
kaho ji

jaao bade tum wo ho
pachhtaaye tumhen munh laga ke
parvaah bhi yahan hai kisi ko
jaate ho to meri balaa se
aji bolo ji bolo ji bolo ji
ab kiski hui hai maat
suno ji suno ji suno ji
hamen yaad nahin hai ye baat
kaho ji
kaho ji
kaho ji

————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————

कहो जी कहो जी कहो जी
कहीं तुमसे हुई है मुलाक़ात
सुनो जी सुनो जी सुनो जी
हमें याद नहीं है ये बात
कहो जी
कहो जी
कहो जी

झूठे बहाने बनाना
ये मर्दों की आदत पुरानी
ह ह
औरत पे भरोसा ना करना
सुन रखी है हमने कहानी
हटो जी हटो जी हटो जी
मर्दों की झूठी है ज़ात
सुनो जी सुनो जी सुनो जी
हमें याद नहीं है ये बात
कहो जी
कहो जी
कहो जी

सीखा कहाँ से ये तुमने
राह चलते गले पड़ जाना
तुम ऐसे कहाँ के हसीं हो
ज़रा धो के सुरतिया आना
अच्छा जी अच्छा जी अच्छा जी
तुम दिन को भी कहते हो रात
जा जा
सुनो जी सुनो जी सुनो जी
हमें याद नहीं है ये बात
कहो जी
कहो जी
कहो जी

जाओ बड़े तुम वो हो
पछताए तुम्हें मुंह लगा के
परवाह भी यहाँ है किसी को
जाते हो तो मेरी बला से
अजी बोलो जी बोलो जी बोलो जी
अब किसकी हुई है मात
सुनो जी सुनो जी सुनो जी
हमें याद नहीं है ये बात
कहो जी
कहो जी
कहो जी


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5070 Post No. : 16991

In one of my earlier articles here, I had mentioned that the month of June is one of my most favorite months. There are several important days in this month and different anniversaries of our close ones too (including me 🙂 ).

Today 5th June is one such important day. It is the ‘World Environment Day’ today.

Here again I will repeat what I have mentioned in my post for the short song “Ye Hanste Huye Phool, Ye Mehka Hua Gulshan”  from film ‘Pyaasa’ (1957) written for ‘Environment Day – 2017’ and posted on the blog on 08.06.2017 (instead of 05.06.2017).

I am approaching today’s post in a different manner. Instead of going into the details of the environmental agencies, their history and purpose, the significant environmental issues being faced by humanity on this planet, etc. I am thinking of our Hindi films and their music. The nature is so intimately connected herein. We cannot imagine our Hindi Film Music without ‘connecting with nature.

 Well, for today I would like to make a little correction in the above lines. That year 2017 the theme of the ‘WED (World Environment Day) was ‘Connecting with Nature’ and I had tried to connect the same with the songs, lyrics and music of our Hindi movies.

This year ‘2022’ the theme of the ‘WED’ is “Only One Earth – Living Sustainably in Harmony with Nature”. So I would like to add here that I am thinking of those Hindi Films which carried a ‘message’ related to environment and our planet ‘the earth’. And since this is the blog of songs we need a song to connect this celebration today.

The movie of today ‘Aasmaan Se Gira’ (1991) has a message for all of us in its climax. Today’s song, though doesn’t exactly match the theme of today, it connects to the ‘philosophy of life’ and alerts us that ultimately our destination is ‘one’ and we have leave everything here. So let us leave everything in a good shape, better prospects, and in compassion to the humanity and nature.  Leave the ‘shad-ripus’ (kaam, krodh, lobh, moh, mad, matsar) to attain ‘moksh’. I have listened and watch this song several times and it is an enlightening song woven in comical situation in the movie. The movie also needs to be watched even though it’s a movie for children.

In today’s post I am not going into the details of this movie which I had mentioned in my earlier article with other song of this movie earlier on the blog – “Ghar Jaana Hai Mujhe, Ghar Jaana Hai“. A brief about this movie is given below.

A young prince is being trained for a time when he will grow up to become king. The lonely boy is frustrated at being kept secluded while being taught the art of statesmanship by great scholars. One day while frustrated he is crying for help ‘a strange little man’ arrives in his room.

This ‘little man’ is from another planet. His name is Trishanku. Trishanku was travelling to attend the wedding of his friend, but since the ‘rays of sorrow’ from the little prince caught him on the way he lands there to help the little prince.

The prince and Trishanku exchange views about their own worlds. Trishankhu is homesick and wishes to return back to his planet. He has his three friends from his planet who had earlier lost their way after coming to earth and then stayed back on the planet earth thereafter. Each one of the three knows the ‘part of the mantra’ that will allow Trishanku to go back to his home planet.

The two-escape trying to find ways for Trishankhu to go back. On their journey they develop a deep bonding and it is hard for Trishankhu to let go.

When Trishanku meets each of his three friends, each one gives him one part of the mantra which is presented in the form of a song and that is our song for today. It is picturised in three parts on Anil Kapoor, Sheeba, Sridevi, and Anupam Kher. The forth part of the song is picturised on Trishanku i.e. Raghuveer Yadav who is singing it at the ‘Jantar Mantar’ from where he is supposed to find his way to his planet after singing the ‘mantras’. In all the four parts of the song the little prince i.e. Master Abhishek is present in the picturisation of this song.

Finally Trishanku lands on his planet and he enters the ‘darbaar’ of his master (God of Outer Planet) i.e. ‘Baadshaah-e-Kahkashaan’ played by Amjad Khan. And, there we have the following conversation between ‘Baadshaah-e-Kahkashaan’ and Trishanku, where the master has a message for all on this ‘Planet – The Earth’.

Trishanku – takai t takai t takai t … main aa gaya ‘baadshaah-e-kahkashaan’,
                      andar aane ki ijaazat hai?

Baadshaah – aao … der lagaa di tumne, chuk gaye shaadi, yaad karte rahe sab

Trishanku – main kya karta, ve tinon itni door door thhe ek yahaan, doosra
                      wahaan , teesra jaane kahaan, badi mushqil huyi

Baadshaah – kya dekha tinon ne, pataa nahin … nahin laute… manaa kiya maine,
                       nahin maane
                       moorkh
                       bewaqoof
                       prithvi ke log
                      nahin samajhte
                      itni achchhi prithvi achaanak nahin bani… mehnat lagi.. koshish..
                      tum to thhe… yaad hain?

Trishanku –  haan yaad hain

Baadshaah – barbaad kar diya prithvi ko… tahas nahas… jung golaa barood
                         hathiyaar ladaayi … ped tod todkar nangaa kar diya prithvi ko
                         paani mein zehar … hawaa mein zehar …
                         mutthibhar log, hukumat karte karodon par
                         anaaj hain, bhookhe rehte hain laakhon… anaaj bechkar hathiyaar
                         kharidte hain
                         moorkh!  moorkh!!  moorkh!!!

Trishanku        theek kehte hain …lekin sabhi wahaan aise nahin hai …ek bachchaa hai
                            kautuk …main uski madad karna chaahtaa hoon

Baadshaah        nahin, nahin, nahin, hamaara kaanoon hai, rishta mat banana
                             prithvi ke logon ke saath… madad mat karna un murkhon ki
                             koshish ki thhi pehle kabhi, gayi bekaar… bhool jaao…bhool jaao o

 Trishanku –      theek hai prithviwaale dusht hain, lobhi hain, moorkh hain …ek doosre ka khoon choosnewaale hain, ek jhande ke pichhe aapas mein lad mar jaate hain, anaaj bechkar hathiyaar kharidte hain,  lekin sabhi aise nahin hain..kautuk jaise log bhi hai wahaan, usne yahaan aane mein meri madad ki … main bhi uski madad karna chaahta haoon…

(After this Trishanku tells Baadshaah how good and friendly Kautuk is and what consequences he may be facing after being alone now.)

Kautuk wants to play , wants to fly kite, wants to eat mango.. but Maasheela is such a cruel queen who has prohibited everything for Kautuk and he cannot even go out of his palace… saying this Trishanku breaks into tears and Baadshaah surprisingly asks him what is flowing from his eyes and why. Trishanku explains him that this is the ‘gift’ he got from the ‘people of prithvi’.

Baadshaah orders to bring Maasheela to his darbaar. And when Maasheela (Kalpana Aiyer) threatens Baadshaah of his life, the Baadshaah wants to kill her but Kautuk intervene and request Baadshaah to forgive her and he begs him for her life. 

Trishanku – dekha kitne zulm kiye hain is aurat ne is par, phir bhi ye uske praanon ki bheekh maang rahaa hai…ise kehte hain kshamaa, prem, kautuk jaise aur bhi log hain prithvi par, jab tak aise log hain hamen prithvi se naa-umeed nahin hona chahiye

(Maasheela hugs kautuk and is emotional. She asks kautuk to forgive her misdeeds. She showers her love on kautuk.)

This incident brings tears to the Baadshaah and he forgives all and with the following message…

jaao kautuk jaao… jab tak tum jaise log prithvi par rahenge …prithvi rahegi
jaao aur apne duniya ke logon ko samjhaa do…
aapsi prem khatm ho jaayega kuchh nahin bachega sab kuchh khatm ho jaayegaa

Kautuk returns to prithvi after taking a promise from Trishanku to visit him on his birthday every year.

This heart-warming film by popular TV and film director Pankaj Parashar stars a galaxy of Bollywood stars in guest appearances including Sridevi, Amjad Khan, Anil Kapoor and Anupam Kher.

Before we enjoy today’s entertaining song I just wish that may there be many such movies and may such songs which I can present for occasions like today. We need to have more movies to bring the awareness on issues of environment and pollution.

Yesterday, it was there in the news that people are throwing dead animals into canals… Many must have seen the dumping sites where every day garbage heap is dumped and which are slowly turning into big mountains …

And last but not the least … keep watching children’s movies in between … not necessary that all children’s movies are for children only. People can learn a lot from them.

Also I would like to request the film-makers that ‘meaningful movies’ on the issues around us can be made for adult audiences too and they should not limit this for the children only.

It is good to see that in recent years there have been movies coming on ‘environmental issues’ too. We will keep presenting songs from such movies in the future on the blog.

 

 

Song – Ghar Jaanam, Ghar Jaanam (Aasmaan Se Gira) (1991) Singer – Shailendra Singh, Suresh Wadkar, Kavita Krishnamurthy, Raghuveer Yadav, Master Abhishek, Lyrics – Kamlesh Pandey, MD – Louis Banks

Lyrics

Part 1

Shailendra Singh, Suresh Wadkar, Both

ghar jaanam

ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam
prithvi tyaagam
ghar jaanam
om ghar jaanam

ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam
prithvi tyaagam
ghar jaanam
om ghar jaanam

lobh, krodh, mad
maaya
matsar
sar sar sar sar
tum tar tar tar

lobh, krodh, mad
maaya
matsar
sar sar sar sar
tum tar tar tar
tum sar sar sar
tum tum sar sar
sar sar tum tum
tumsar tumsar

sarvas tyaagam
ghar jaanam
sarvas tyaagam
ghar jaanam

lobh, krodh, mad
maaya
matsar
sarvas tyaagam

ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam

prithvi tyaagam
ghar jaanam
om ghar jaanam


——————————————————————–

Part 2

Suresh Wadkar, Kavita Krishnamurthy, Both

saans baansuri

sari sari dha dhadkan
dha dha dhina dha 

saans baansuri
sari sari dha dhadkan
dha dha dhin dha
dha

tirkit dhoom tirkit dhoom dha dha

tirkit dhoom tirkit dhoom dha dha

[classical notations not deciphered]

dha tir dha tir dha dha
taa tir taa tir dha dha

dha tir kit dha dha
taa tir kit dha dha

dha tir dha tir dha dha dha
dha tir dha tir dha dha dha
dha tir dha tir dha dha dha

tatvamasi dha
shoonyam tha
shoonyam poornam
ghar jaanam

tatvamasi dha
shoonyam tha
shoonyam poornam
ghar jaanam

ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam

ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam

saans baansuri
tatvamasi dha
shoonyam poornam
ghar jaanam

ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam

ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam …

——————————————————————


Part 3

Anupam Kher, Suresh Wadkar, Chorus
Anupam Kher + Suresh Wadkar

ghar jaanam

ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
hmm hmm hmm

ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam

dhobi aaya
kapde laaya
kapde maaya aa
daag lagaaya

dhobi aaya
kapde laaya
kapde maaya aa
daag lagaaya

chintaa bikhri
dhoor pataas kar
khonch khonch kar
daag chhudaaya
dhobi aaya aa

chintaa bikhri
dhoor pataas kar
khonch khonch kar
daag chhudaaya
dhobi aaya aa

tv video
baingan aaloo
sab kuchh tyaagam
ghar jaanam

tv video
baingan aaloo
sab kuchh tyaagam
ghar jaanam

hi hi hi hi

chaadar maili
chalo utaaram
ghar jaanam

chaadar maili
chalo utaaram
ghar jaanam

ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam

ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam

dhobi aaya
kapde laaya
maya utaaram
ghar jaanam

ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam

————————————————————————


Part 4

Suresh Wadkar, Chorus

ghar jaanam

ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
prithvi tyaagam
ghar jaanam
om ghar jaanam

ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam
prithvi tyaagam
ghar jaanam
om ghar jaanam

aa aa aa aa
aa aa aa aa

lobh, krodh, mad
maaya
matsar
sarvas tyaagam
ghar jaanam
om ghar jaanam
prithvi tyaagam
ghar jaanam
om ghar jaanam

aa aa aa aa
aa aa aa aa

saans baansuri
tatvamasi dha
shoonyam poornam
ghar jaanam
om ghar jaanam
prithvi tyaagam

dhobi aaya
kapde laaya
mail utaaram
ghar jaanam
om ghar jaanam
prithvi tyaagam
om ghar jaanam



This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4961 Post No. : 16831 Movie Count :

4580

#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 168 # Missing Films of 1972 – 14#
——————————————

Today’s song is from the movie ‘Rut Rangeeli Aayee’ of the year 1972. This movie is one those still missing movie for the year 1972 on the blog. Today it makes its debut here.

‘Rut Rangeelee Aayee’ was directed by SM Pushkarna for Roshan Films, Bombay. It had Kanan Kaushal, Vijay Sharma, Jayshree T, Bharat Bhushan, Shyama, Brahmachari, Rehman, Nana Palsikar, Ramesh Deo, Madan Puri, Jagdish Malhotra, Bahri, Master Ratan and others. This movie was passed by Censor Board on 07.10.1972.

The film has four songs written by Hasrat Jaipuri and Tajdar Taj – two songs each. Music of this film was composed by Ratnadeep-Hemraj. The list of songs in this movie is as given below (as provided in HFGK).

 

Sl. No. Song Title Singer/s Lyricist
01 Husha Hayya, Sha Shaiyya…Shola Hoon Jawaan Asha Bhonsle, Chorus Hasrat Jaipuri
02 Koyi Chal Diya, Koyi Rah Gayaa Akela Mohd Rafi, Chorus Hasrat Jaipuri
03 Ek Zaraa Sa Kaam Karo, Bolo Bolo, Aaj Yahaan… Kishore Kumar, Asha Bhonsle Tajdar Taj
04 Leke Main To Champaa Chameli Baabu, Mohd Rafi, Asha Bhonsle Tajdar Taj

Today’s song is sung by Mohd Rafi and Asha Bhonsle and on screen it is lip synced by Brahmachari and Jayshree T. The song happens to be a stage drama song. However, since the movie is not available it is difficult to say in what context this song happens in the movie.

‘Rut Rangeelee Aayee’ is an obscure movie of its time. Though video of couple of its song are available. But the movie seems to be unavailable, or I could not find it.

Let us have a look on the list of movies of 1972 alphabetically after adding the today’s movie. For brevity the list given below includes the list of movies missing on the blog and list of all movies from the last post “Aaj To Mera Ho Ja Tu“, from movie ‘Ratna Daaku’ to today’s movie song-post.

 

 

Sl. No. Movie Title Director Music Director Passed by Censor Board No of Songs on the Blog No of Songs as per HFGK
1 Aakraant Girish Vaidya Jagat Singh 07.12.1972 0 No Information
17 Bachche Mere Saathi TN Babu MS Vishwanathan 17.11.1972 Songs Not Available 6
24 Bharat Darshan Khwaja Ahmed Abbas Jaidev 04.11.1972 0 No Information
45 Fighter Sheela Vijay Not Mentioned 07.10.1972 0 No Information
50 Gunfighter Johny KSR Das Aadi Narayan Rao 25.03.1972 Songs Not Available 5
53 Hunterwaali KS Reddi Satyam 02.09.1972 Songs Not Available 5
54 Jaadoo Nagari Vednatham Roghaviya Aadi Narayan Rao 05.06.1972 0 No Information
65 Kavi Sammelan Kedar Sharma 18.02.1972 We have to wait 😊 17
68 Lady James Bond KSR Das Satyam 11.07.1972 Songs Not Available 5
73 Maayaa Darpan Kumar T Shahni Bhaskar Chandavarkar 12.12.1972 0 No Information
81 Miss Chaalbaaz (Tingoo Agent 000) Ravi Rajan-Nagendra 27.11.1972 Songs Not Available 4
95 Raajdhaani Express BJ Patel L Chakravarty 04.03.1972 Songs Not Available 5
100 Ratnaa Daakoo KSR Das Satyam 29.12.1972 1 5
101 Return Of Johnny N Ramesh N Dutta 06.09.1972 1 6
102 Rivaaj T Prakash Rao Shankar Jaikishan 19.08.1972 5 8
103 Roop Teraa Mastaanaa Khalid Akhtar Lakshmikant Pyarelal 04.11.1927 7 7
104 Rut Rangeelee Aayee MM Pushkarna Ratnadeep-Hemraj 07.10.1972 Making its debut on the blog today 4

*Notes:

  1. Songs for ‘Bachche Mere Saathi’, ‘Gunfighter Johnny’, ‘Hunterwaali’, ‘Lady James Bond’ and ‘Miss Chaalbaaz’ (Tingoo Agent 000) seem to be unavailable as of now.
  2. There is no information about the songs in HFGK Vol-V (1971-1980) for the movies – ‘Aakraant’, ‘Bharat Darshan’, ‘Fighter Sheela’, ‘Jaadu Nagari’ and ‘Maaya Darpan’ as mentioned above.

With the today’s song this movie ‘Rut Rangeelee Aayee’ makes its debut on the blog.

Let us now listen to today’s melodious song and welcome ‘Rut Rangeelee Aayee’ on the blog. 😊

Video

Audio

Song – Le Ke Main To Champa Chameli Babu (Rut Rangeeli Aayi) (1972) Singer – Asha Bhosle, Mohammed Rafi, Lyrics – Tajdar Taj, MD – Ratandeep Hemraj

Lyrics

champaa chameli motiya leke aayi phoolonwaali
phool le lo o

leke main to champa chameli baabu
leke main to champa chameli baabu
raste mein khadi hoon akeli baabu
laga de in kaliyon ke daam
o mere dilbar chhaliya
laga de in kaliyon ke daam
o mere dilbar chhaliya

haaye ae
champa ya chameli na man bhaaye
champa ya chameli na man bhaaye
gori tera komal badan bhaaye
jawaani kar de mere naam
o meri chhammak chhallo o
jawaani kar de mere naam
o meri chhammak chhallo o o

gajrey
kharido gajrey
in bheeni
pyaari kaliyon le
arey chakkar
lagaaye barson
maine sajani
teri galiyon ke
meri galiyon ke na phere karna
rapat likhwa doongi teri warna
leke main to champa
aa ha
aa ha
aa ha
ho leke main to champa chameli baabu
raste mein khadi hoon akeli baabu
laga de in kaliyon ke daam
o mere dilbar chhaliya
laga de in kaliyon ke daam
o mere dilbar chhaliya

haaye
dil pe
nahin hain kaabu
kaisaa jaadu
tu ne kar daalaa

arey doongi
thhapede kas ke
aayaa majnu
hunh
bada dilwaala
tere sab nakhre hain
thhode din ke
ho loonga saare badle
main gin gin ke
aa ha champa ya chameli
ho o o oye oye oye
champa ya chameli na man bhaaye
gori tera komal badan bhaaye
jawaani kar de mere naam
o meri chhammak chhallo o
jawaani kar de mere naam
o meri chhammak chhallo o o

rang hai
nasheela jinka aa aa
laayi chunke aise gul boote
haaye haaye
tujh sa
nahin hai koyi
tere aage
saare rang jhhoothhe
tu hai bada pakkaa shikaari rasiya
ke aaj tere aage main haari rasiya
leke main to
aa ha
leke main to champa chameli baabu
raste mein khadi hoon akeli baabu
laga de in kaliyon ke daam
o mere dilbar chhaliya
laga de in kaliyon ke daam
o mere dilbar chhaliya

haan aa
champaa ya chameli na man bhaaye
champaa ya chameli na man bhaaye
gori tera komal badan bhaaye
jawaani kar de mere naam
o meri chhammak chhallo o
jawaani kar de mere naam
o meri chhammak chhallo o

o chhammo
o chhallo
o chhammo
ji chhallo
arey meri chhammak chhallo
zara aa
ahaa ahaa ahaa


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4867 Post No. : 16661 Movie Count :

4540

Missing Films of 1960s – 118
– – – – – – – – – – – – – – –

All changes with time. Does everything? There is a counter quote to this one – the more things change, the more they remain the same.

Do dreams change with time, across generations? Maybe some do. Does love change with time? I feel not. The basic understanding of emotions probably remains the same across generations, and maybe across geographies too.

Does life change? Yes, in a context, life does change with passage of time and as per the changing social and economic environment. But do the passages of life change? I believe not. Birth, growth, old age and death – all these passages visit everyone invariably.

And so does childhood – visits everyone invariably. Childhood, and its dreams – that is an experience that visits all of us immediately as we arrive in this creation. Of course the duration of this experience varies from person to person. And not to discount the fact that for some strange souls, this experience lasts a lifetime.

14th November today. Birth anniversary of Pt. Jawaharlal Nehru, the first Prime Minister of independent India. Traditionally, this day is designated as and has been celebrated as the day of Children for decades. With changing political and administrative priorities, the celebration associated with this day seems to have disappeared from our calendars. Sad to see that a child’s fun and happiness is overshadowed by political idiosyncrasies.

I cannot speak of the digital media – I do not watch TV, period. I get three newspapers at home. Today morning I felt good in my heart that two of them carry special sections of four pages each, devoted to Children’s Day. These pages carry short stories and other material for children. I feel happy that all is not changed, all is not forgotten.

Looking back into our blog, for this date of 14th November across the 13+ years of our musical journey, I find the following about this celebration.

In 2008, there was no mention of Children’s Day on the blog, on this date. In 2009 this day was a dot day, no posts. 2010 saw 6 posts, but no mention of children. 2011 turned out to be a redeeming bonanza, with the entire set of 5 posts that day were assigned to children’s songs.

2012 was again a dot day. In 2013 there were seven posts, with one for this celebration. In 2014 we had 2 celebratory posts devoted to children, out of 5. In 2015 it was 1 out of 2 and 2016 saw 2 posts out of 6. This day in 2017 had only one post, not a children’s song. 2018 had one out of two posts, 2019 had just one post and it was a children’s song. Last year, we had two songs, one of which is the celebration for the day.

So a total of 14 posts in the past 13 years. In all fairness to the blog, I must state we otherwise have 115 children’s songs already posted + many more in other categories like ‘Lullabies’, ‘Parent Child Songs’ etc.

A friend sent a greeting today that carries these words,

“Childhood is all about being wild,”
“having fun and enjoying a carefree life”
“Enjoy your childhood till it lasts.”
“Happy Children’s Day”

I liked the phrase in here – “Enjoy your childhood till it lasts.”. Of course, till it lasts, but then making it last is in our own hands. One can grow up, and take care of everything in life that needs to be taken care of, and still continue to nourish and nurture a child within. You may think it is not feasible, but I do know some people who manage to do just this.

Coming to this song for today. I must share that this song has been sitting with me for over two years now, waiting to be written for. If I remember correctly, it is Sadanand ji who sent me the link to this rare song.

So let’s talk about the rarity factor of this song. The film ‘Rahul’ is a 1964 film by Children’s Film Society, Bombay. Although it is listed in the Geet Kosh, search by me and other friends had turned up a nought, and we had lost all hope that anything about this film will ever turn up. Scarce as they are, the films of Children Film Society are anyway a rarity, and more so the songs contained within. Geet Kosh lists two songs in the film, with the footnote that the film has just two songs.

About the film now. This is a film of devotional genre. The film is directed by Ram Gabaale. The songs are written by Madhukar Rajasthani. Music for this film is by the venerated Vasant Desai. The singing voice is of Asha Bhosle accompanied by chorus.

The star cast of this film is listed as Sandeep, Achla Sachdev, Arun, Ratnamala, Jagdish Sethi, Chaman Puri, Daya Devi, Leela Chaukhaani.

This is a very interesting fun song. The accompanying image on the YouTube clip appears to be of this song itself. It seems to be a song performed by children plus a main lady dancer, all dressed as tribal folk. The song is full of animal sounds and animal references, indicating a forest ambiance having been created for this song. And the singing by Asha Bhosle is just superb. A really enjoyable children’s song.

For the child inside all of us – “Dim Dim Dim Dim Digo”.

Song – Dim Dim Dim Dim Digo  (Rahul) (1964) Singer – Asha Bhosle, Lyrics – Madhukar Rajasthani, MD – Vasant Desai
Chorus

Lyrics

[animal sounds]

aha ha ha aha
aha ha ha aha

aaa haaa
aaaa aaaa aaaa aaaa
aaaa aaaaa
aaaa aaaa aaaa aaaa
aaaa aaaaa

dim dim dim dim digo
aha ha ha ha
dim dim dim dim digo
o ooo
khamba sa gabru igo
ooo oooo
oo oooo
dim dim dim dim digo
aaaa aaaa
dim dim dim dim digo

aaha ha haa haa haa
ha haa haa haa
ho ho ho
aaha ha haa haa haa
ha haa haa haa
ho ho ho

log kahen chaahe junglee
junglee
log kahen chaahe junglee
dafli pe pade jab ungli
dafli pe pade jab ungli
sher dabaa ke
dum ko bhaage
sher dabaa ke
dum ko bhaage
apne aage chigo
ha ha ha ha ha haaa
haaaa
dim dim dim dim digo
o ho oo
dim dim dim dim digo

hum parvat parvat ghoomen
aaa aaaa
aaaaaaaaaaa aaaa aa
hum parvat parvat ghoomen
mushqil ka daaman choomen
mushqil ka daaman choomen
ho sardi garmi
barkha jhelen
sardi garmi
barkha jhelen
maut se khelen pico
aa haa haa haa
oo oo oooo
o oo o
dim dim digo
ha ha ha ha haaa
dim dim digo

bade ajab hain apne saathi
apne saathi
bade ajab hain apne saathi
bhaalu
(bear sound)

geedad
(jackal sound)
bandar
(monkey sound)

haathi
(elephant sound)
bade ajab hain apne saathi

bhaalu geedad bandar haathi
kab ye ladaai hum se thaanen
kab ye ladaai hum se thaanen
koi na jaane jhigo
oo oo oo oooo
oooo ooooo
ho oo oo
dim dim digo
ho ho oo
dim dim digo
hoo oo
khamba sa gabru igo
oooo
ooooo
oooo

dim dim digo
ha ha ha ha haaa
dim dim digo

[animal sounds]


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4447 Post No. : 15898

Hullo Atuldom

“Ham Hain Raahi Pyaar Ke” (1993) had six songs, four of which are already on the blog as under,

Bambai Se Gayi Poona, Poona Se Gayi Dilli” – a wonderful post describing life at the various “pur”s and one “Nagar” and had 31 comments

Yoon Hi Kat Jaayega Safar Saath Chalne Se” – 3000th day of blog, post by Rajaji

Ghoonghat Ki Aad Se Dilbar Ka” – has a synopsis of the movie

and “Mujhse Muhabbat Ka Izhaar Karta“.

Here is the next one.

It is inside a garment Factory. Aamir Khan (Rahul) is trying to get his sister’s or jija’s factory running so that he can look after his niece and nephew/s who are not in a mood to accept him as their  guardian. To add to Rahul’s troubles the ladies working in the factory are in a mood to ‘rag’ their new boss. The songs were written by Sameer and tuned by Nadeem Shravan. It is sung by Kedarnath Bhattacharya popular as Kumar Sanu.

We are revisiting this movie to remember Tahir Hussain on his birth anniversary (19th September 1938- 10th february 2010) who was the producer of HHRPK (acronym of the movie). Incidentally Aamir Khan (hero of HHRPK) is his son and he was the main lead in two movies of TV Films, Tahir Hussain’s production house. Tahir Hussain, who was the brother of Nasir Hussain (maker of some classics of the 60s, 70s, 80s etc.) has classics like ‘Caravan’ (1971), ‘Anamika’ (1973), ‘Zakhmee’ (1975) etc. to his name as producer. He was the director of ‘Tum Mere Ho’ starring Aamir Khan in 1990.

20th September also happens to be the birth-date of the director of HHRPK -Mahesh Bhatt. He turns 72. He is known for movies that focused on relationships for example ‘Arth’, ‘Saransh’, even his initial ‘Lahu Ke Do Rang’ showed the relation between half-brothers played by Vinod Khanna and Danny almost like ‘Naam’ starring Kumar Gaurav and Sanjay Dutt. Mahesh Bhatt movies also had other regular Bollywood masala in it – action, emotion, drama and great music/ songs.

Video

Audio

Song – Chikni Surat Tu Kahaan Tha Ab Talak Ye Bata  (Hum Hain Raahi Pyaar Ke) (1993) Singer – Kumar Sanu, Lyrics – Sameer, MD – Nadeem Shravan
Chorus

Lyrics (Based on Audio Version)

now listen girls, please understand,
first things first,
I only want a shirt.

chikni soorat 
tu kahaan tha 
ab talak ye bata
chikni soorat 
tu kahaan tha 
ab talak ye bata
chikni soorat 
tu kahaan tha 
ab talak ye bata
chikni soorat 
tu kahaan tha 
ab talak ye bata

yu naa subah se shaam karo ji 
fectory na badnaam karo ji
chalo baith ke kaam karo ji 
aise na aaraam karo ji
waqt abhi jo dhal jayega 
phir na dobara kal aayega
sun lo meri baataan 
kaise kaise sapne leke
main yahaan pe aaya 
aaya  
dekh ke in aafat ki pudiyo ko
main to ghabraaya 
haan main to ghabraaya
chikni soorat 
tu kahaan tha 
ab talak ye bata
chikni soorat 
tu kahaan tha 
ab talak ye bata

hum huye barbaad ab to
hum huye barbaad
haan haan
hum huye barbaad ab to
hum huye barbaad
tum raho aabaad jao 
tum raho aabaad
haa haa haa haa haa

congratulations 
why 
and jubilation 
what for
aaye ho tum yahaan pe pehli pehli baar 
I see
tum hamko jaano 
why not 
hamko pehchaano
oh sure
itni si baat ka bura na maano yaar
no no no no no
everybody
congratulation
and jubilation
aaye ho tum yahaan pe pehli pehli baar
tum hamko jaano 
hamko pehchaano
itni si baat ka bura na maano yaar

hey listen you beauties
you must do your duties
and don’t you trouble me like this any more
coz if I get angry
I promise you one thing
I’ll surely be throwing you out of the door
haa haa haa haa haa

help me help me help me o god
help me help me help me o god
yeh mujhko tu 
kahaan laya hai 
kya socha tha 
kya paya hai
in haseeno se mujhko bachha
in haseeno se mujhko bachha

chikni soorat 
tu kahaan tha 
ab talak ye bata
ae chikni soorat 
tu kahaan tha 
ab talak ye bata
la la la laa laa
la la la laa laa 
la la la laa la la laa
la la la laa laa (hae hae hae)
la la la laa laa (hae hae hae)
la la la laa la la laa
la la la laa laa (hae hae hae)
la la la laa laa (hae hae hae)
la la la laa la la laa
la la la laa laa
la la la laa laa 
la la la laa la la laa

 


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4439 Post No. : 15882

#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 102 # In Remembrance – Jaikishan #
————————————————————————————

Today 12th Sep 2020 is forty-ninth remembrance day of the genius music director Jaikishan of Shankar-Jaikishan duo.

Jaikishan was born on 04th November 1929 at Vansda (in Navsari district, Gujarat) and passed away on 12th September 1971 at Bombay (now Mumbai, Maharashtra). He was only 41 when he passed away and his death shook the entire film industry then.

As a tribute to him here is a song from the 1971 movie – ‘Yaar Mera’. One song from this movie – “Dil Ki Kitaab Kori Hai, Kori Hi Rehne Do” – has already been presented on the blog by Sudhir ji on 13th Sep’2013 with a heartfelt tribute to Jaikishan remembering him on his 42nd remembrance anniversary. Today we will listen another song from the same movie.

‘Yaar Mera’ was released after Jaikishan’s death and the movie was dedicated to his memory. The movie begins with this ‘couplet’. I am unable to identify the voice uttering these words, which plays in the background of the dedication title.

jo shaam savere miltaa thha
phoolon ki tarah se khiltaa thha,
aye maut, tujhe maut aa jaaye
kyon yaar ko mere chheen liyaa

Shankar Jaikishan ruled the music charts in 1971 with their “Zindagi Ek Safar Hai Suhaana” ranking top of the annual ‘Binaca Geetmala’ list. In 1971 from the total 115 released movies, Shankar Jaikishan had composed music for as many as seventeen movies plus the un-released movie ‘Bombay Talkie’ making it to total eighteen movies. Here is the list of movies where Shankar-Jaikishan composed the music and that were released (or passed by Censor Board) in 1971,

 

S No Movie Passed by Censor Board on Lyricist/s
01 Albelaa 14.10.1971 Hasrat Jaipuri
02 Andaaz 23.04.1971 Hasrat Jaipuri
03 Balidaan 27.12.1971 Verma Malik
04 Duniyaa Kya Jaane 23.08.1971 Rajinder Krishan
05 Ek Naari Ek Brahmachaari Hasrat Jaipuri, Neeraj, Anjaan, Kiran Kalyani
06 Elaan 30.04.1971 Hasrat Jaipuri, Farooq Kaiser, Verma Malik, Indeewar
07 Jaane Anjaane 17.05.1971 Hasrat Jaipuri, SH Bihari, Gulshan Bawra
08 Jawaan Mohabbat 15.05.1971 Hasrat Jaipuri, Shailendra, Rajinder Krishan
09 Kal Aaj Aur Kal 11.11.1971 Hasrat Jaipuri, Neeraj, Shaily Shailendra
10 Laal Patthar 31.12.1971 Hasrat Jaipuri, Neeraj, Dev Kohli
11 Main Sundar Hoon 18.03.1971 Anand Bakshi
12 Naadaan 20.08.1971 Hasrat Jaipuri
13 Parde Ke Peechhey 16.03.1971 Rajinder Krishan
14 Patangaa 20.08.1971 Hasrat Jaipuri, Neeraj, Indeewar
15 Preetam 26.07.1971 Rajinder Krishan, Hasrat Jaipuri
16 Seema Verma Malik, Gulzar, Indeewar
17 Yaar Mera 29.11.1971 Hasrat Jaipuri, Neeraj, SH Bihari
18 Bombay Talkie (UR) 19.02.1971 Hasrat Jaipuri, Usha Iyyer

Other than songs of ‘Andaaz’ (two songs), the songs of ‘Main Sundar Hoon’ (also two songs) made it to the list of annual Binaca Geetmala of 1971 from the above list of movies. And that can explain how tough the competition was that year.

The song “Dil Ki Kitaab Kori Hai. . .“was the only popular song from the today’s movie and it was frequently heard on radio during that time. As mentioned above this song has already been posted on the blog.

The film was directed by Atmaram for RS Productions, Bombay. Raja Ram and Satish Wagle were the producers of this movie and Jayendra Pandya was the Associate Producer of this movie. Story of this movie was written by Anand Dutta. Dialogues and screenplay of this movie were written by Abrar Alvi. Editing for this movie was done by YG Chowhan, and he was assisted by EG Shinde and DB Rana. CR Panchal was the controller of production of this movie.

The star cast of the film includes Jeetendra, Rakhee, Nazima, Helen, Paintal, Achala Sachdev, Jayant, Sajjan, Randhir, Murad, Sulochana Sr., Nana Palsikar, Radheshyam, Narbada Shankar, Krishan Dhawan, Manmohan, Raj, Darshan, MS Mehta, Fordil, A Kumar, Ram Sindhi, Mona, and Ashok Bhalla.

This movie has five songs written by Hasrat Jaipuri (two songs), Neeraj (two songs) and SH Bihari (one song). Music is composed by Shankar-Jaikishan. Mohammed Rafi, Asha Bhonsle, Suman Kalyanpur and Manna Dey are the playback singers for this movie.

Coming to today’s song, although a lesser heard song, I think it was also played intermittently on radio during those times and later on. This song is sung by Mohd Rafi and lyrics are by Neeraj. An entertaining remembrance which was lying noted since more than seven years now.

Let us now enjoy the today’s song. On screen Jeetendra is performing the song. Also seen in the picturization of the song is Manmohan and Paintal and many others…

Darr Lagey To Gaana Gaa. . .

Video

Audio

Song – Darr Lagey To Gaana Gaa (Yaar Mera) (1971) Singer – Mohammed Rafi, Lyrics – Neeraj, MD – Shankar Jaikishan

Lyrics

darr lagey to gaanaa gaa
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa
aise bhi
haan aan aa aa aa
waise bhi
mmm mmm mmm mmm

darr lagey to gaanaa gaa
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa
aise bhi ee
haan aa aa aa aa
waise bhi
mmm mmm mmm mmm
darr lagey to gaanaa gaa
aayeein
darr lagey to gaanaa gaa

jo bhi yahaan cheez hai ae
tera hi maal hai ae
jo bhi yahaan cheez hai ae
tera hi maal hai ae
tera haath thaam le ae
kis ki majaal hai
pakad bhi jaaye yaar kabhi tu
bas mein rail mein
thaane mein jail mein
bheed mein mele mein
sone mein
akele mein ae

sirf gaanaa gaa aa aa

darr lagey to gaanaa gaa
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa

duniya ko bhool ja aa
jaam zaraa thhaam le ae
haan
duniya ko bhool ja aa
jaam zaraa thhaam le ae
mauj zaraa maar le ae
ho masti se kaam le ae
chot kahin aa jaaye tujhko
ro nahin dho nahin
cheekh nahin chillaa nahin
chup nahin bhaag nahin
so nahin
jaag nahin ee
sirf gaanaa gaa aa aa aa
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa
aayee ee
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa aa

darr nahin maut se ae
khatron ko jhel tu oo
darr nahin maut se ae
khatron ko jhel tu oo
zindagi ye khel hai ae
zindagi se khel tu
phir bhi tujhko darr lage to
aate hue jaate hue
peete hue khaate hue
uthhtey hue girtey hue
jeetey hue
martey hue ae ae ae
sirf gaana gaa aa aa aa
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa
aise bhi ee
haan aan aa aa aa
waise bhi
mmm mmm mmm mmm
darr lagey to gaanaa gaa aa
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa aa

————————————————–
Devnagri Script lyrics (Provided by Sudhir)
————————————————-

डर लगे तो गाना गा
डर लगे तो गाना गा
डर लगे तो गाना गा
डर लगे तो गाना गा
ऐसे भी
हाँ आं आं आं
वैसे भी
म्मम म्मम म्मम म्मम

डर लगे तो गाना गा
डर लगे तो गाना गा
डर लगे तो गाना गा
डर लगे तो गाना गा
ऐसे भी
हाँ आं आं आं
वैसे भी
म्मम म्मम म्मम म्मम
डर लगे तो गाना गा
अईं
डर लगे तो गाना गा

जो भी यहाँ चीज़ है
तेरा ही माल है
जो भी यहाँ चीज़ है
तेरा ही माल है
तेरा हाथ थाम ले
किस की मजाल है
पकड़ भी जाये यार कभी तू
बस में रेल में
ठाणे मे जेल में
भीड़ में मेले में
सोने में
अकेले में

सिर्फ गाना गा आ आ

डर लगे तो गाना गा
डर लगे तो गाना गा
डर लगे तो गाना गा
डर लगे तो गाना गा

दुनिया को भूल जा
जाम ज़रा थाम ले
हाँ
दुनिया को भूल जा
जाम ज़रा थाम ले
मौज ज़रा मार ले
हो मस्ती से काम ले
चोट कहीं आ जाये तुझको
रो नहीं धो नहीं
चीख नहीं चिल्ला नहीं
चुप नहीं भाग नहीं
सो नहीं
जाग नहीं ईं

सिर्फ गाना गा आ आ

डर लगे तो गाना गा
डर लगे तो गाना गा
अई इ
डर लगे तो गाना गा
डर लगे तो गाना गा

डर नहीं मौत से
खतरों से खेल तू
डर नहीं मौत से
खतरों से खेल तू
ज़िंदगी ये खेल है
ज़िंदगी से खेल तू
फिर भी तुझको डर लगे तो
आते हुए जाते हुए
पीते हुए खाते हुए
उठते हुए गिरते हुए
जीते हुए
मरते हुए ए ए ए

सिर्फ गाना गा आ आ

डर लगे तो गाना गा
डर लगे तो गाना गा
डर लगे तो गाना गा
डर लगे तो गाना गा
ऐसे भी
हाँ आं आं आं
वैसे भी
म्मम म्मम म्मम म्मम

डर लगे तो गाना गा आ
डर लगे तो गाना गा
डर लगे तो गाना गा
डर लगे तो गाना गा आ


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4396 Post No. : 15770

Songs Repeated in Hindi Films – 21
– – – – – – – – – – – – – – – – – –

OK, yes, this one too.

And I am very sure most of us would not have heard, or even heard of, the third stanza in this song. Ah yes, that is the wonderful bonus we have from the repeat use of this song. I was not even aware of the existence of a third stanza of this song, before my dear friend Ahsaan Bhai (of Hapur) introduced me to this repeat song in the 1978 film ‘Nasbandi’. That was a few months ago. In wayward manner, i.e. without any proper identification etc., this song is available on you tube. And unless one is aware of what one is looking for, one is bound to miss it.

And the third stanza – I wonder where and how IS Johar was able to lay his hands on the extended version of this song. Is the film availabl somewhere? Food, and quite wholesome food at that, for thought. The repeat use is the original recording in the voice of Rafi Sb. And as such, it is not listed in the Geet Kosh, for the film ‘Nasbandi’.

Definitely, the best of the fast paced super foot tappers sung by Rafi Sb. Listening to this, one can but not cease being amazed in wonder at the spectrum of the range that Rafi Sb has rendered over the near four and a half decades of his career as a playback singer in Indian cinema.

The original song, from the film ‘Mr X’ from 1957. The film is sadly not available, not traceable at present. And so one cannot write about the picturization. However, one thing that Ahsaan Bhai has confirmed with certainty that this song is performed on screen by Johnny Walker, in the original.

The repeat song in the film ‘Nasbandi’ is presented, in original, as a background song. Now, ‘Nasbandi’ is  Johar Films production. And knowing the penchant IS Johar has for spoofing and presenting a near gobbledygook farce of the normal situations, one must see this clip with a barrelful of salt, keeping on the side, all the sensible understanding of the real world, or even the reel world. The fun in his films is very much in-your-face farce.

IS Johar was an acknowledged intellectual and man of letters. Only that his capabilities in this arena got directed towards comedy and fun. One can sense that he is making a film for fun, and in that process he is making fun of a lot of established ideas, and even well known people. He went on to produce many films of this calibre.

Another thing that I want to highlight is his penchant for the motor bike. In practically all his films that I have seen, there is one or more scene of motorbike riding, and in some cases, real dare-devilry motorbike riding, be it ‘Johar in Kashmir’ (1966), ‘Johar and Mehmood in Goa’ (1965), or ‘Johar and Mehmood in Hong Kong’ (1971). In this film too, the same gimmickry appears. This song is all about extreme motorbike riding, with display of driving skills underwater, driving on rail tracks, ascending and descending stair cases, besides the other nominal tricks of motorbike riding. One enjoys the song of course. But one also realizes – it is in the film just for the heck of it. 🙂

Ah but, this post is not about IS Johar and his films. It is the recall of this iconic song sung by Rafi Sb, and as mentioned above, the wondrous discovery of a third stanza of this song.

40 years ago, this divine virtuous voice, departed from this world of the mundane. And the world became lesser so with his departure. The artist that he was, and the humane person that was him, only rarely one finds these two attributes of eminence so pleasantly enmeshed together.

Just like water – it will take shape of whatever container one pours into. And it will take up the color of whatever it is mixed with. That is the artist in Rafi Sb. His voice in the background, almost always sounded as the voice of the actor in front. That is what water does – accepts everything, becomes everything.

Such is the same – as with Rafi Sb.

Amen.

 

Song – Laal Laal Gaal Jaan Ke Hain Laagu  (Nasbandi) (1978) Singer – Mohammed Rafi, Lyrics – Majrooh, MD – N Dutta

Lyrics

laal laal gaal
jaan ke hain laagu
o dekh dekh dekh
dil pe rahe kaabu
chor chor chor
bhaag pardesi baaboo. . .

laal laal gaal
jaan ke hain laagu
o dekh dekh dekh
dil pe rahe kaabu
chor chor chor
bhaag pardesi baaboo. . . ah

chor chor chor ye nahin hain maal o zar ke
o mor mor mor ye to hain dil o jigar ke
peele peele peele in ke laal hain niraale
neele neele neele inki ankhdiyon ke pyaale
chor chor chor ye nahin hain maal o zar ke
o mor mor mor ye to hain dil ojigar ke
peele peele peele in ke laal hain niraale
neele neele neele inki ankhdiyon ke pyaale
ajnabi pe bedhadak
khuli sadak chalate hain
chalate hain ye jaadu laal laal gaal
o laal laal gaal
jaan ke hain laagu
o dekh dekh dekh
dil pe rahe kaabu
o chor chor chor
bhaag pardesi baaboo. . . ah

haaye haaye haaye ye nigaahon ka nishaana
o vaaye vaaye vaaye koyi teer kha na jaana
o maan maan maan meri jaan meraa kehana
in ki chaal dhaal ke khayaal mein na rahnaa
haaye haaye haaye ye nigaahon ka nishaana
o vaaye vaaye vaaye koyi teer kha na jaana
o maan maan maan meri jaan meraa kehana
in ki chaal dhaal ke khayaal mein na rahnaa
ajnabi pe bedhadak
khuli sadak chalate hain
chalate hain ye jaadu laal laal gaal
o laal laal gaal
jaan ke hain laagu
o dekh dekh dekh
dil pe rahe kaabu
o chor chor chor
bhaag pardesi baaboo. . . ah

waah waah waah kya haseen hai zamaana
aah aah aah inke dhokhe mein na aana
saath saath saath naachna nazar bacha ke
haath haath haath thaamna jigar bacha ke
waah waah waah kya haseen hai zamaana
o aah aah aah inke dhokhe mein na aana
saath saath saath naachna nazar bacha ke
haath haath haath thaamna jigar bacha ke
ajnabi pe bedhadak
khuli sadak chalate hain
chalate hain ye jaadu laal laal gaal
o laal laal gaal
jaan ke hain laagu
o dekh dekh dekh
dil pe rahe kaabu
o chor chor chor
bhaag pardesi baaboo. . . ah

————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————

लाल लाल गाल
जान के हैं लागू
ओ देख देख देख
दिल पे रहे काबू
चोर चोर चोर
भाग परदेसी बाबू॰ ॰ ॰

लाल लाल गाल
जान के हैं लागू
ओ देख देख देख
दिल पे रहे काबू
चोर चोर चोर
भाग परदेसी बाबू॰ ॰ ॰

चोर चोर चोर ये नहीं हैं माल ओ ज़र के
ओ मोर मोर मोर ये तो हैं दिल ओ जिगर के
पीले पीले पीले इनके लाल हैं निराले
नीले नीले नीले इनकी अखड़ियों के प्याले
चोर चोर चोर ये नहीं हैं माल ओ ज़र के
ओ मोर मोर मोर ये तो हैं दिल ओ जिगर के
पीले पीले पीले इनके लाल हैं निराले
नीले नीले नीले इनकी अखड़ियों के प्याले
अजनबी पे बेधड़क
खुली सड़क चलाते हैं
चलाते हैं ये जादू लाल लाल गाल
ओ लाल लाल गाल
जान के हैं लागू
ओ देख देख देख
दिल पे रहे काबू
ओ चोर चोर चोर
भाग परदेसी बाबू॰ ॰ ॰

हाय हाय हाय ये निगाहों का निशाना
ओ वाये वाये वाये कोई तीर खा ना जाना
ओ मान मान मान मेरी जान मेरा कहना
इनकी चाल ढाल के ख्याल में ना रहना
हाय हाय हाय ये निगाहों का निशाना
ओ वाये वाये वाये कोई तीर खा ना जाना
ओ मान मान मान मेरी जान मेरा कहना
इनकी चाल ढाल के ख्याल में ना रहना
अजनबी पे बेधड़क
खुली सड़क चलाते हैं
चलाते हैं ये जादू लाल लाल गाल
ओ लाल लाल गाल
जान के हैं लागू
ओ देख देख देख
दिल पे रहे काबू
ओ चोर चोर चोर
भाग परदेसी बाबू॰ ॰ ॰

वाह वाह वाह क्या हसीन है ज़माना
ओ आह आह आह इनके धोखे में ना आना
साथ साथ साथ नाचना नज़र बचा के
हाथ हाथ हाथ थामना जिगर बचा के
वाह वाह वाह क्या हसीन है ज़माना
ओ आह आह आह इनके धोखे में ना आना
साथ साथ साथ नाचना नज़र बचा के
हाथ हाथ हाथ थामना जिगर बचा के
अजनबी पे बेधड़क
खुली सड़क चलाते हैं
चलाते हैं ये जादू लाल लाल गाल
ओ लाल लाल गाल
जान के हैं लागू
ओ देख देख देख
दिल पे रहे काबू
ओ चोर चोर चोर
भाग परदेसी बाबू॰ ॰ ॰


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4391 Post No. : 15757

I have carried an impression in my mind for a long time that in the 1940s, Anil Biswas rarely used full-throated playback singers like Shamshad Begum, Zeenat Begum, Zohrabai Ambalewaali, Munawwar Sultana etc. This is based on my listening many songs composed by Anil Biswas during the last about one decade. To check my ‘hypothesis’, I glanced through all the songs composed by Anil Biswas which have been tagged under his name in our Blog. In addition, I went through a couple of websites on Hindi film songs and my excel-sheets of songs for the period 1931-50, partially taken from HFGK. The main conclusions of my ad-hoc research are as under:

  1. Zeenat Begum and Munawwar Sultana did not sing for Anil Biswas though both of them had shifted to Mumbai sometime in 1944.
  2. Although Shamshad Begum had shifted to Mumbai along with the musical team of Ghulam Haider in 1942, Anil Biswas gave her chance to sing under his music direction for the first time in the film ‘Bhook’ (1947).
  3. Anil Biswas took Zohrabai Ambalewaali for the first time in the film ‘Gramophone Singer’ (1938) followed by ‘Hum Tum Aur Woh’ (1938). After a gap of nearly 9 years, she got a chance to sing for him in ‘Naiyya’ (1947) which happened to be her last film with Anil Biswas as a playback singer.
  4. Ameerbai Karnataki and Anil Biswas started their musical career almost simultaneously in Mumbai during 1935-36 and she sang for him in a couple of films as an actor-singer. But as a playback singer, she got a chance to sing under the music direction of Anil Biswas for the first time in ‘Kismet’ (1943). With the popularity of her songs in this film, Ameerbai Karnataki became one of the topmost playback singers of Hindi films.

Based on the discography of Anil Biswas as a music director, I have attempted to get the reasons as to why he did not utilize or sparingly utilized the singers listed above under his music direction. In my view, there are three main reasons for this.

  1. In most of the films for which Anil Biswas was the music director during 1936-1942, there were actor-singers like Sardar Akhtar, Husn Bano, Sitara Devi, Bibbo, Wahidan Bai, Jyoti, Maya Banerjee, Nalini Jaywant etc who sang for themselves. Whenever, Anil Biswas was in need of additional playback singer, he mostly relied on Rajkumari Dubey.
  1. During 1942-48, Anil Biswas mainly relied on his sister, Parul Ghosh, Hamida Bano, Meena Kapoor and Geeta Roy (later Dutt) as playback singers in addition to actor-singer Suraiya. From 1948 onwards, Lata Mangeshkar became his main playback singer.
  1. It is quite likely that Anil Biswas did not find full-throated singers suitable for singing his musical compositions which were mostly soft melodies.

I am presenting today, a fun song, “Ye Haseenon Ke Mele Albele” sung by Geeta Roy (later Dutt) and Shamshad Begum – a mix of husky and high-throated voices. The song is from the film ‘Bhookh’ (1947). The song is written by Dr Safdar Aah Sitapuri which is set to music by Anil Biswas. This is the first film in which Shamshad Begum sang under the music direction of Anil Biswas. Also, this is the first duet song of Geeta Dutt and Shamshad Begum.

‘Bhookh’ (1947) is the maiden film produced and directed by Dr Safdar Aah Sitapuri. The star cast includes Sheikh Mukhtar and Husna in the lead roles supported by Kanhaiyalal, Agha, Laddan, Narmada Shankar, Abu Baker, Ghulam Hussain, Miss Kiran etc. It is a debut film for Husna and Miss Kiran. From the advertisement of the film, it appears that the film is about tackling the hunger – a theme which had come into the focus of Hindi film industry in the backdrop of Bengal famine during World War II. Films like ‘Neecha Nagar’ (1946) and ’Dharti Ke Laal’ (1946) had already covered this theme.

Anil Biswas and Dr Safdar Aah Sitapuri had worked together for 15 years in 15 films with a break during 1943-44 when Anil Biswas shifted to the Bombay Talkies. As a lyricist, Safdar Aah Sitapuri worked with Anil Biswas for the first time in ‘Comrades’ (1939) followed by ‘Alladdin’ (1940) and ‘Aurat’ (1940). They worked together for the last time in ‘Maan’ (1954) which he also directed. Thereafter, he returned to teaching Urdu literature in his university and published books like ‘Amir Khusro Bhaisiyat Hindi Shaayar’, ‘Rubiyaat-e-Zamzama’(1963), ‘Meer Aur Meeryaat’ (1972), ‘Tulsidas Aur Ramcharitmanas’ (1977).

Enjoy this light-hearted fun song.

Song – Ye Haseenon Ke Mele Albele (Bhookh) (1947) Singer – Geeta Roy, Shamshad Begum, Lyrics – Dr Safdar Aah Sitapuri , MD – Anil Biswas
Geeta Dutt + Shamshad Begum

Lyrics

ye haseenon ke mele albele
ye haseenon ke mele albele
ye haseenon ke mele albele
ye haseenon ke mele albele
kaho kaisi kahi
ek dil haaye haaye
ek dil aur laakhon jhamele
ek dil aur laakhon jhamele..ae
ek dil aur laakhon jhamele
kaho kaisi kahi
ye haseenon ke mele albele
ye haseenon ke mele albele
ye haseenon ke mele albele
ye haseenon ke mele albele
 
rasiya jobna pe aankhon se maare
rasiya jobna pe aankh se maare
ye pukaara ki ho ja mere pyaare
ye pukaara
ye pukaara ki ho ja mere pyaare
main angootha dikha ke boli ye le
main angootha dikha ke boli ye le
kaho kaisi kahi
ye haseenon ke mele albele
ye haseenon ke mele albele
ye haseenon ke mele albele
ye haseenon ke mele albele
 
achchi soorat pe marna na aaya aa
achchi soorat pe marna na aaya
tumko to pyaar karna na aaya
tumko to pyaar karna na aaya
saiyaan ban jaao aake mere chele
saiyaan ban jaao aake mere chele
kaho kaisi kahi
ye haseenon ke mele albele
ye haseenon ke mele albele
ye haseenon ke mele albele
ye haseenon ke mele albele
kaho kaisi rahi

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

ये हसीनों के मेले अलबेले
ये हसीनों के मेले अलबेले
ये हसीनों के मेले अलबेले
ये हसीनों के मेले अलबेले
कहो कैसी कही
एक दिल हाय हाय
एक दिल और लाखों झमेले
एक दिल और लाखों झमेले
एक दिल और लाखों झमेले
कहो कैसी कही
ये हसीनों के मेले अलबेले
ये हसीनों के मेले अलबेले
ये हसीनों के मेले अलबेले
ये हसीनों के मेले अलबेले

रसिया जोबना पे आँखों से मारे
रसिया जोबना पे आँख से मारे
ये पुकारे के हो जा मेरे प्यारे
ये पुकारे
ये पुकारे के हो जा मेरे प्यारे
मैं अंगूठा दिखा के बोली ये ले
मैं अंगूठा दिखा के बोली ये ले
कहो कैसी कही
ये हसीनों के मेले अलबेले
ये हसीनों के मेले अलबेले
ये हसीनों के मेले अलबेले
ये हसीनों के मेले अलबेले

अच्छी सूरत पे मरना ना आया
अच्छी सूरत पे मरना ना आया
तुमको तो प्यार करना ना आया
तुमको तो प्यार करना ना आया
सैंया बन जाओ आ के मेरे चेले
सैंया बन जाओ आ के मेरे चेले
कहो कैसी कही
ये हसीनों के मेले अलबेले
ये हसीनों के मेले अलबेले
ये हसीनों के मेले अलबेले
ये हसीनों के मेले अलबेले
कहो कैसी रही


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4354 Post No. : 15673 Movie Count :

4317

Songs Repeated in Hindi Films – 20
– – – – – – – – – – – – – – – – – –

It is like cherry picking a hit parade – the repeat songs are almost always the popular hit songs that have made a serious mark on the collective memory of the audiences and lovers of Hindi films and film songs. And this song is no exception. Rather this song has been so popular – with its catchy lyrics and a very hummable melody – that one hears this song being used in many different avatars outside of the film frame – remixes, revival melodies, even background music for recorded dance performances. One can find such samples online on YT.

This iconic song, originally from the 1968 film – ‘Kismat’, has been reused in the 2011 film ‘Tanu Weds Manu’. Whereas the original song was a disguise cum diversion song, in a situation where the lead pair is trying to get away from a group of bad-men, in the newer film, this song is being used as a wooing-cum-proposal-making song. The occasion is a wedding of a friend of the leading lady. Tanuja (Kangana Ranaut) aka Tanu is trying to muster up courage to proposition Manu, who appears to be too shy and unprepared to take a step towards a relationship. Using the wedding scenario as an excuse, Tanu gets drunk (or appears to get drunk). The situation develops and reaches this song in a couple of minutes, and in the guise of this song, Tanu finally gets to speak her heart out to Manu,

kismat bana de meri
duniya basa de meri
kar le sagaai meri jaan

Please note that in this re-use, the original song has been presented as it is, the only one change is that two stanzas have been used instead of 3. So what we hear in this song are the original voices of Asha Bhosle and Shamshad Begum, the mukhda and antara lines suitably edited to present a shorter version.

The info about this reuse has been shared with me by Anekant ji. He has been a regular contributor and there is still a few more songs in my pending list for this series, that have been suggested by him.

The original song from the film ‘Kismat’ came on to this blog on 9th February, 2009. It can be accessed here – “Kajra Mohabbat Wala, Akhiyon Mein Aisa Daala“.

Check out this resue, and witness an energetic on screen performance by Kangana, who, under the supposed influence of alcohol, is desirous of presenting a Kanpuria dance for the occasion. And enjoy.

Video

Song – Kajra Mohabbat Wala Akhiyon Mein Aisa Daala  (Tanu Weds Manu) (2011) Singer – Asha Bhosle, Shamshad Begum, Lyrics – SH Bihari, MD – OP Nayyar

Lyrics

kajra mohabbat waala
akhiyon me aisa daala
kajre ne le li meri jaan
haay re main tere qurbaan
duniya hai mere peeche
lekin main tere peeche
apna bana le meri jaan
haay re main tere qurbaan
kajra mohabbat waala
akhiyon me aisa daala
kajre ne le li meri jaan
haay re main tere qurbaan

aayi ho kahaan se gori
aankhon me pyaar le ke
aayi ho kahaan se gori

aankhon me pyaar le ke
chadhti jawaani ki ye pehli bahaar leke
dilli shahar ka saara
meena bazaar leke

dilli shahar ka saara
meena bazaar leke

jhumka bareli wala
kaano me aisa daala
jhumke ne le li meri jaan
hay re main tere qurbaan
duniya hai mere peeche
lekin main tere peeche
apna bana le meri jaan
haay re main tere qurbaan

motor na bangla maangoon
jhumka na haar maangoon
motor na bangla maangoon
jhumka na haar maangoon
dil ko jalaane waale dil ka qaraar maangoon
sainya bedardi mere
thoda sa pyaar maangoon

sainya bedardi mere
thoda sa pyaar maangoon

kismat bana de meri
duniya basa de meri
kar le sagaai meri jaan
haay re main tere qurbaan

————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————

कजरा मोहब्बत वाला
अखियों में ऐसा डाला
कजरे ने ले ली मेरी जान
हाय रे मैं तेरे क़ुर्बान
दुनिया है मेरे पीछे
लेकिन मैं तेरे पीछे
अपना बना ले मेरी जान
हाय रे मैं तेरे क़ुर्बान
कजरा मोहब्बत वाला
अखियों में ऐसा डाला
कजरे ने ले ली मेरी जान
हाय रे मैं तेरे क़ुर्बान

आई हो कहाँ से गोरी
आँखों में प्यार ले के
आई हो कहाँ से गोरी
आँखों में प्यार ले के
चढ़ती जवानी की ये
पहली बहार ले के
दिल्ली शहर का सारा
मीना बाज़ार ले के
दिल्ली शहर का सारा
मीना बाज़ार ले के
झुमका बरेली वाला
कानों में ऐसा डाला
झुमके ने ले ली मेरी जान
हाय रे मैं तेरे क़ुर्बान
दुनिया है मेरे पीछे
लेकिन मैं तेरे पीछे
अपना बना ले मेरी जान
हाय रे मैं तेरे क़ुर्बान

मोटर ना बंगला माँगूँ
झुमका ना हार माँगूँ
मोटर ना बंगला माँगूँ
झुमका ना हार माँगूँ
दिल को जलाने वाले दिल का क़रार माँगूँ
सैंया बेदर्दी मेरे
थोड़ा सा प्यार माँगूँ
सैंया बेदर्दी मेरे
थोड़ा सा प्यार माँगूँ
किस्मत बना दे मेरी
दुनिया बसा दे मेरी
कर लै सगाई मेरी जान
हाय रे मैं तेरे क़ुर्बान


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 17000 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

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(© 2008 - 2022) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

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Number of movies covered in the blog

Movies with all their songs covered =1325
Total Number of movies covered=4609

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