Archive for the ‘Songs of 1960’ Category
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4368 | Post No. : | 15700 |
While covering songs on most days, I do not feel much pressure. The only pressure on me is that the day should not end up as a DOT day. I make sure that at least one writeup appears on the blog every day. Fortunately there has been no DOT days this year. The last DOT day of the blog was in December 2019.
The other “pressure”, apart from that of avoiding DOT day, is to make sure that guest posts are published within a day or so. If there is too much delay in publishing them then it may lead to avoidable misunderstanding. Then there is pressure of publishing articles that are topical (having to do with anniversaries, special days etc) which must be published on the appointed day otherwise they lose their relevance.
When it is a question of publishing one post to avoid DOT day, I am happy just being able to publish a bare bones article, an article that hardly has any details other than the most basic information, a far cry from some of the three thousand words plus writeups in the blog. A few of the special occasion writeups are also like that. Guest posts are “easy” because all the hard work is already done by others. It is articles by me on special occasions that put me under pressure. If I am aware of the special occasion well in advance then I am mentally prepared, but if I become aware of the special occasion only on the day when it arrives, then I am in “trouble”. It happens with me in case of many of the anniversaries, seeing that I am not very good in remembering such dates.
Then there are some many days, like Mother’s day, Father’s day, Doctor’s day, Chocolate day and other such largely artificially created days that one becomes aware of only in the morning when one starts the computer and open the search page viz google. And there is some special google doodle staring at you, informing you that it was “Milk” day on that day ! I became aware of “milk” day on the morning of 1st June 2020. I felt that I needed to write an article on the occasion. Much of my day was spend thinking about an appropriate song, because there were very few songs on milk. Then it struck me that milk products qualify as well. And there are so many Hindi film songs on “Maakhan” (butter). We in India even have a God (Lord Krishna) who is the brand ambassador of “Maakhan”. It was already afternoon when this idea struck me and then I started typing out my writeup on the topic. This article finally appeared on the blog in the afternoon at 16:39 IST.
I feel the most “pressure” when the blog reaches its nervous nineties. It means that we need to have a special song as our blog century song. Nowadays, we are barely going at the rate of two or three songs in a day and we do not seem to able to muster the kind of creative writing juices that seemed to flow in abundance till a few years ago. Those days, people would start eagerly anticipating the moment. They would sometimes even stat guessing the song, taking hint from the tallies of various artists in the blog, or basing their guess on the anniversaries to come.
Those days are behind us. Those days we were galloping at Rajdhani express speed, reaching a century in 16 days. These days we are crawling at the speed of a passenger train, reaching centuries in over 50 days.
Just like in case of special occasion songs, I obviously has to think of an appropriate song for the blog century song. The song must be a “special” song befitting the special occasion. As in the case of other “special” occasion songs, this special occasion also puts me under pressure. This time the pressure is of my own making because I myself do not pay attention to the matter in time, and start worrying about it only at the last moment.
I was aware that we are reaching out 157th century, viz song post number 15700, but it was only yesterday (2nd July 2020) when I finally realised that the century post had to be inevitably posted on 3rd July 2020, if I had to ensure that this occasion did not clash with other special occasions viz anniversaries etc.
Like on many similar blog century occasions, I have chosen a “special” song as the blog post number 15700 of the blog. This song can be described as belonging to the category of rare songs, that few people may have heard of. Forget the song, one may not even have heard the name of the movie. The movie is called “Safed Ghoda Kaala Sawaar”(1960) aka “Black Rider”(1960). It was directed by Mehmood (same as the comedian or someone else ?) for Screenarts Bombay. The B grade obscure movie had Kamran, Krishnkumari, Habeeb, Shaam, Najma etc in it. HFGK mentions five songs for this movie.
One song from this movie has been covered in the past. Here is the second song from “Black Rider” (1960) to appear in the blog. The song is sung by Balbir and Minu Prushottam with chorus. Naqsh Llayalpuri is the lyricist. Music is composed by Harbans.
The song is a qawwaali and sounds wonderful to listen to. But while most qawwaalis are quite long, this qawwaali ends after three minutes , after just two stanza, with the listeners wanting more. I wonder if this song was originally longer and only three minutes long version of the qawwaali was released on record. I request our knowledgeable readers to thow light on the movie as well as on the picturisation of the song.
[Ed Note: As Sudhir ji points out in his comment, the full song is double the length – it is 6+ minutes and appears on two sides of a 78 rpm record. Whoever has uploaded the song did not take care enough to upload the full song. Sudhir ji has now uploaded the full qawwaali and updated the lyrics.]
With this extremely rare song, the blog reaches another century in the blog. This century took 53 days. Now that we are onto song post number 15700, the next magic number 16000 appears near by. Hopefully we will reach that big landmark in a matter of another few months.
With this post done, now I feel free to post next few articles without much pressure, before it would be time for the next important events for the blog, viz blog anniversary (which falls in july itself) etc.
I take this opportunity to thank one and all for their continued support in helping this musical bandwagon keep chugging along merrily. Many more musical gems still lie ahead that we need to explore and savor.
Song – Husn Waale Khilauna Jaan Ke Dil Tod Dete Hain (Black Rider)(1960) Singers – S Balbir, Meenu Purushottam, Lyrics – Naqsh Llayalpuri, MD – Harbans
Male chorus
Female chorus
Lyrics
aa aa aa
haseenon ki adaaon ne
hazaaron ko mitaa daala
kisi ko kar diya ruswa
kisi ka ghar jalaa daala
husnwaale khilauna jaan ke dil tod dete hain
husnwaale khilauna jaan ke dil tod dete hain
nazar se loot lete hain
tadapta chhod dete hain
ishq waale laga kar aag daaman chhod dete hain
ishq waale laga kar aag daaman chhod dete hain
ye zaalim berukhi se dil ka sheesha tod dete hain
ishq waale laga kar aag daaman chhod dete hain
ishq waale laga kar aag daaman chhod dete hain
kabhi palken jhukaa ke aur
kabhi zulfon ko bikhraa ke
aa aa aa
kabhi nazren milaa ke aur
kabhi aanchal ko lehraa ke
aa aa aa
dilon ko loot lete hain
dilaason per hi behlaa ke
tamaasha dekhte hain phir
tadapte dil ko tadpaa ke
sahaara dene se pehle
sahaare chhod dete hain
sahaara dene se pehle
sahaare chhod dete hain
nazar se loot lete hain
tadapta chhod dete hain
husnwaale khilauna jaan ke dil tod dete hain
husnwaale khilauna jaan ke dil tod dete hain
hamaara naam bhi badnaam
kar daala zamaane ne
haa..aa..aan
ghazab ki talkhiyaan bhar di
mohabbat ke fasaane mein
bade hi tez hain ye ishq waale
dil lagaane mein
basa ke apne haathon
pyaar ki basti mitaane mein
ye aise raahbar hain jo bhatakta chhod dete hain
ye aise raahbar hain jo bhatakta chhod dete hain
ye zaalim berukhi se dil ka sheesha tod dete hain
ishq waale laga kar aag daaman chhod dete hain
ishq waale laga kar aag daaman chhod dete hain
haa..aa..aa..aan
bade masoom bantey hain
bahut hoshiyaar hotey hain
haa..aa..aan
sambhal paate nahin wo
jin pe inke waar hotey hain
ye zaalim ishq waale
kis qadar ayyaar hotey hain
jo in se dil lagaate hain
bahut bezaar hotey hain
mohabbat ka haseen rishta ye pal mein tod detey hain
mohabbat ka haseen rishta ye pal mein tod detey hain
nazar se loot lete hain
tadapta chhod dete hain
ishq waale laga kar aag daaman chhod dete hain
ishq waale laga kar aag daaman chhod dete hain
aaa aaa aaa aaa aaaaa
aaa aaa aaa aaaaa
husnwaale khilauna jaan ke dil tod dete hain
husnwaale khilauna jaan ke dil tod dete hain
aaa aaa aaa aaa
aaa aaa aaa aaa
ishq waale laga kar aag daaman chhod dete hain
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
आ आ आ
हसीनों की अदाओं ने
हजारों को मिटा डाला
किसी को कर दिया रुसवा
किसी का घर जला डाला
हुस्नवाले खिलौना जान कर दिल तोड़ देते हैं
हुस्नवाले खिलौना जान कर दिल तोड़ देते हैं
नज़र से लूट लेते हैं
तड़पता छोड़ देते हैं
इश्क़ वाले लगा कर आग दामन छोड़ देते हैं
इश्क़ वाले लगा कर आग दामन छोड़ देते हैं
ये ज़ालिम बेरुखी से दिल का शीशा तोड़ देते हैं
इश्क़ वाले लगा कर आग दामन छोड़ देते हैं
इश्क़ वाले लगा कर आग दामन छोड़ देते हैं
कभी पलकें झुका के और
लाभी ज़ुल्फों को बिखरा के
आ आ आ
अभी नज़रें मिला के और’
कभी आंचल को लहरा के
आ आ आ
दिलो को लूट लेते हैं
दिलासों पर ही बहला के
तमाशा देखते हैं फिर
तड़पते दिल को तड़पा के
सहारा देने से पहले
सहारा छोड़ देते हैं
सहारा देने से पहले
सहारा छोड़ देते हैं
नज़र से लूट लेते हैं
तड़पता छोड़ देते हैं
हुस्नवाले खिलौना जान कर दिल तोड़ देते हैं
हुस्नवाले खिलौना जान कर दिल तोड़ देते हैं
हमारा नाम भी बदनाम
कर डाला जमाने ने
हाँ॰॰आँ॰॰आँ
ग़ज़ब की तल्खियाँ भर दीं
मोहब्बत के फसाने में
बड़े ही तेज़ हैं ये इश्क़वाले
दिल लगाने में
बसा के अपने हाथों
प्यार की बस्ती मिटाने में
ये ऐसे राहबर हैं जो भटकता छोड़ देते हैं
ये ऐसे राहबर हैं जो भटकता छोड़ देते हैं
ये ज़ालिम बेरुखी से दिल का शीशा तोड़ देते हैं
इश्क़ वाले लगा कर आग दामन छोड़ देते हैं
इश्क़ वाले लगा कर आग दामन छोड़ देते हैं
हाँ॰॰आँ॰॰आँ॰॰आँ
बड़े मासूम बनते हैं
बड़े होशियार होते हैं
हाँ॰॰आँ॰॰आँ
संभाल पाते नहीं वो
जिनपे इनके वार होते हैं
ये ज़ालिम इश्क़ वाले
इस कदर अय्यार होते हैं
जो इनसे दिल लगाते हैं
बड़े बेज़ार होते हैं
मोहब्बत का हसीं रिश्ता ये पल में तोड़ देते हैं
मोहब्बत का हसीं रिश्ता ये पल में तोड़ देते हैं
नज़र से लूट लेते हैं
तड़पता छोड़ देते हैं
इश्क़ वाले लगा कर आग दामन छोड़ देते हैं
इश्क़ वाले लगा कर आग दामन छोड़ देते हैं
आ आ आ आ आ
हुस्नवाले खिलौना जान कर दिल तोड़ देते हैं
हुस्नवाले खिलौना जान कर दिल तोड़ देते हैं
आ आ आ आ आ
इश्क़ वाले लगा कर आग दामन छोड़ देते हैं
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day: | 4329 | Post No.: | 15621 |
“Idgaah” is a timeless classic penned by Munshi Premchand (31 july 1880-8 october 1936). This is the story of Hamid, a seven year old boy whose parents are no longer alive and he is brought up by his grandmother. On the festival day of Eid, he goes to Eid mela with his friends. While other kids buy themselves candies and toysHamid, thinking of his grandmother, buys a pair of tongs to help her make rotis, since she burns her hands trying to cook them bare-handed.
This moving tale was written by Munshi Premchand during his stay at Gorakhpur between 1916 to 1921, though the story itself could be published in 1933. The story, like many stories of Premchand, became a classic. It is a story that people, including children, can easily identify with. This story was there in my Hindi text book (class 7, I think). This story continues to be there in Indian school text books. I gather that even other regional language text books in India include this story.
TV serials came to India in 1980s, Premchand’s stories were telecast on Doordarshan in 1990s in a series called “Tehreer- Munshi Premchand Ki”.
This story too was telecast as part of this series.
The place in Gorakhpur where Munshi Premchand used to stay is today known as Premchand Park. In its rear is a famous Mazaar called Mubarak Khan Shaheed ki mazaar. There is an idgaah in front of this mazaar. Munshi Premchand used to be a regular visitor to this mazaar and he used to spend hours there.
A mela is held near this Idgaah during Eid. Munshi Premchand got the idea for his story of “Idgaah” from this particular idgaah located near his residence.
This time, there is a lockout due to coronavirus, not just in Gorakhpur, but also in India and for that matter in the entire world. It is also quite a coincidence that a similar pandemic of Spanish flue had take place in India (including Gorakhpur) from 1918 to 1919 when Munshi Premchand was in Gorakhpur. Some parts of Gorakhpur (namely Railway area called kawwaabaagh) was quarantined during those days when one person was infected with Spanish flu.
This time there will be social distancing in this famous idgaah and very few people will attend the namaaz during Eid. And there will be no mela this time.
Here is a song from Shamshad Begam on the occasion. It is a non film devotional song. One could imagine Hamid’s daadi singing this naat to her grandson on this occasion.
I have not been able to get a few words right in the lyrics. I request our knowledgeable readers to help fill in the blanks / suggest corrections as applicable.
I am not aware about the details of this song vis a vis lyricist and music director etc. I request our knowledgeable readers to fill in the details of this song.
On this occasion, I extend greetings of Eid Mubaarak to one and all. On this occasion, Let us savour this divine devotional song is the voice of Shamshad Begam.
Song-Ramzaan ka maheena bada barkaton ka hai (Shamshad Begam NFS)(1960) Singer-Shamshad Begam
Lyrics
paighaam mominon ke liye ae ae
paighaam mominon ke liye rahmaton ka hai
Ramzaan ka maheena bada barkaton ka hai
Ramzaan ka maheena bada barkaton ka hai
Jisko namaaz e roze ka armaan ho gaya
us par khudaay e paak meharbaan ho gaya
Ramzaan aaya qaid mein shaitaan aa gaya
naazil isi maheene se Quraan ho gaya
zyaada azeez rakhte thhe Ramzaan ko rasool
hoti hai is maheene mein har ik dua qubool
Ramzaan ka maheena bada barkaton ka hai
paighaam mominon ke liye rahmaton ka hai
utre hain is maheene mein taurait aur zaboor
naazil hui hai Issa pe injeel bhi zaroor
khwaab e gumaan hain is mein shab e qadr ka zahoor
momin ne is maheene mein paaya khuda ka noor
waajib hai har ameer pe Sadqaa adaa kare
daaman gul e ummeed se mohtaaj ka bhare
Ramzaan ka maheena bada barkaton ka hai
paighaam mominon ke liye rahmaton ka hai
is maah mein hi paida huye ghause nek naam
Ramzaan ka kiya hai unhone ye ehteraam
hargiz piya na doodh kabhi din mein maa salaam
bachpan mein hi huzoor ne roze rakhe tamaam
roza nazar ka noor hai dil ki ummeed hai
Ramzaan mominon ke liye goyaa eid hai
Ramzaan ka maheena bada barkaton ka hai
paighaam mominon ke liye rahmaton ka hai
Ramzaan ka maheena bada barkaton ka hai
har rozaadaar hashr ke din muskuraayega
deedaar e haq jamaal nabi ka wo paayega
dozakh ki aag se usey roza bachaayegaa
rahmat usey nawaazegi jannat mein jaayega
jo rozaadaar hai yahaan wo kaamyaab hai
iftaar bhi karaane ka behad sawaab hai
Ramzaan ka maheena bada barkaton ka hai
paighaam mominon ke liye rahmaton ka hai
karta hai roza deen mein duniya mein sarfaraaz
hai humpe farz roza rakhen aur padhen namaaz
har waqt nek kaam karen ban ke paakbaaz
har ghamzada ko kar den museebat se beniyaaz
majboor aur ghareebon ki khidmat kiya karen
jitni bhi ho khuda ki ibaadat kiya karen
Ramzaan ka maheena bada barkaton ka hai
paighaam mominon ke liye rahmaton ka hai
insaan nekiyon mein hamesha laga rahe
daaman gunaah o jurm se hardam bacha rahe
jaari dilon mein har ghadi hamd-o-sanaa rahe
har waqt lab pe zikr e habeeb e khuda rahe
Ramzaan rahmaton ka maheena hai mominon
Allah tak pahunchne ka zeena hai mominon
Ramzaan ka maheena bada barkaton ka hai
paighaam mominon ke liye rahmaton ka hai
Ramzaan ka maheena bada barkaton ka hai
Raat kaali jugnu chamken
Posted on: May 20, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day: |
4324 | Post No. : | 15614 |
“Mud Mud Ke Na Dekh”(1960) was directed by Ramesh Tiwari for N C Films, Bombay. This “Social” movie had Bharat Bhushan, Anita Guha, Jeewan, Tiwari, Prem Chopra (debut), Krishnakumari, Bela, Kammo, Helen, Naaz, Mishra, Anwari Bai, Narbada Shankar, Rajinder Kathana, Ratan Gaurang, Nemo, Prakash, Robert etc in it.
The movie had eight songs in it. Six of these songs have been covered in the past.
Today (20 may 2020) is the remembrance day of Hansraj Behl (19 November 1916 – 20 May 1984). As a tribute to him, here is another song from “Mud Mud Ke Na Dekh”(1960). This song is sung by Rafi and Shamshad Begam. Prem Dhawan is the lyricist. Music is composed by Hansraj Bahl.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
It is a very old and conservative kind of romantic song where the two spouses want to be together but they need to make sure that other family members do not take notice.
Lyrics of this song were sent to me by Prakashchandra.
Audio link (missing last stanza)
Audio link (Missing first stanza but containing an additional stanza at the end)
Song-Raat kaali jugnu chamke (Mud Mud Ke Na Dekh)(1960) Singers-Rafi, Shamshad Begam, Lyrics-Prem Dhawan, MD-Hansraj Bahl
Lyrics(Provided by Prakashchandra)
raat kaali
jugnu chamken
ullu bolen
jheengar gaayen
mendhak dete taal
aayi na aa
aayi na aa
aayi na chham chham waali sajaniya aa
aa bhi jaa
aa bhi jaa
sajaniya aa
aa bhi jaa
aa bhi jaa
sajaniya aa
aa bhi jaa
aa bhi jaa
sajaniya
aa bhi jaa
aa bhi jaa
aa aa aa aa aa
aa aa aa aa
sajaniya aa
aa bhi ja
aa bhi ja
kya karoon main
hai laachaari
aadhi soyi aadhi jaagi
boodhhi saas maa aachha
kaise aaun
kaise aaun
kaise aaun
main raja sajanwa
ye bata ye bata
sajanwa
ye bata ye bata
sajanwa
ye bata ye bata
aa aa aa aa
ye bata ye bata aa aa aa aaaachh
ye bata ye bata
sajanwa ye bata ye bata
jinko milna ho
kami hai kya ji unke waaste ae
dhoondh lete hain milan ke
wo to laakhon raaste ae
raaste
teri khaatir bana main jogi
ab to na tarsa
aa bhi ja aa
aa bhi ja aa
aaja o matwaali sajaniya
aa bhi ja aa bhi ja
sajaniya
aa bhi ja aa bhi ja
sajaniya
aa bhi ja aa bhi ja
sajaniya
aa bhi ja aa bhi ja
aa aa aa aa aa
aa aa aa aa aa
sajaniya aa bhi ja aa bhi ja
dil kahey ke
chal tu aagey
mann kahey chal peechhey
kadam kadam pe
laaj ka pehraa
daaman mera kheenchey
(haachooo)
chhod de tu duniyaadaari
bann jaa jogan hamaari
aa bhi jaa aa aa
aa bhi jaa aa aa
sunn bade gharwaali
sajaniyaa aa bhi jaa aa bhi jaa
sajaniyaa aa bhi jaa aa bhi jaa
sajan main aa gayi aa gayi
sajan main aa gayi aa gayi
sajan main aa gayi aa gayi
(aachoo)
O Parwaana, Kehta Hai Kya Afsaana
Posted on: May 6, 2020
- In: Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Geeta Dutt songs | Geeta Dutt-Mahendra Kapoor duet | Guest posts | Love song | Lyrics contributed by readers | Mahendra Kapoor songs | Post by Sudhir | Romantic song | Songs of 1950s (1951 to 1960) | Songs of 1960 | Yearwise breakup of songs
- 1 Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4310 | Post No. : | 15587 |
Maangne Se Jo Maut Mil Jaati
Kaun Jeeta Is Zamaane Mein
Lata ji’s voice is so truly a match for the sadness oozing from this song, that seems to be so steeped in dejection and sorrow. The film – ‘Sunehre Kadam’ – the last one in Hindi cinema that he composed for in 1966. And as if this expression was not adequate, the film also has another equally melancholic song to match the depths of misery – “Na Baaz Aayaa Muqaddar Mujhe Mitaane Se”.
Bulo C Rani – music director, whose talent was never in question, and yet, in his career he stayed forever, in the sidelines and under the shadows of the bigger names in film. We celebrate his 99th anniversary of birth today, 6th May.
He was born this day in the year 1921, in Hyderabad, Sindh (now in Pakistan). As is with so many of the other lesser known artists of that era, practically no biographic information is documented. His father was a well known musician in his time. Bulo himself was a good singer and used to sing sufi kalaam, especially that of Abdul Shah Lateef. His love for music brought him to Lahore. He was just 21 at that time.
The shooting and processing of the film ‘Khandaan’ (1942) was in progress. Bulo met with Ghulam Haider, but did not get much attention from him. Then he also chanced to meet with DN Madhok, and a very good friendship came about. Madhok Sb got the young Bulo to travel with him to Bombay (now Mumbai). Once there, Madhok Sb got the young musician introduced into the world of Ranjeet Studios in the music department. He assisted Khemchand Prakash and Gyan Dutt in films like ‘Chandni’ (1942), ‘Sukh Dukh’ (1942), ‘Tansen’ (1943), ‘Shahenshah Babar’ (1944) etc. In 1943 itself, his name appears for the first time in credits as a music director. He shares the music direction work with Gyan Dutt, for the film ‘Paighaan’ (1943). This is followed by a full independent responsibility for music direction, for the film ‘Caravan’ (1944).
Besides shaping up as a music director, the young Bulo was also singing. In his own films and also in films under the music direction of Khemchand Prakash and Gyan Dutt. He sang under the name of Bhola. Now that I read this name, I am wondering, whether the first name ‘Bulo’ is a variation on the name ‘Bhola’ that he used as a singer, and whether that his real first name was Bhola or Bhola-something.
With ‘Paighaam’ starts a journey of about two and a half decades during which he has given music to a little less than 600 songs in 68 or so films.
An interesting side note here. In the 1958 film ‘Al Hilal’, Bulo C created an iconic qawwaali of gigantic and everlasting popularity – “Hamen To Loot Liya Mil Ke Husn Waalon Ne”. After that, he tried to recreate the same magic in practically every alternate film that he did in the next 7 to 8 years. One qawwali by him appears in the films ‘Tin Tin Tin’ (1959), ‘Black Tiger’ (1960) , ‘Pedro’ (1960), ‘Anarbaala’ (1961), ‘Room No. 17’ (1961), ‘Jaadu Mahal’ (1962), ‘Madame Zorro’ (1962), ‘Magic Box’ (1963), ‘Haqdaar’ (1964) and ‘Son Of Hatitai’ (1965). The tone of the qawwaalis is almost similar to the iconic qawwaali of ‘Al Hilal’. But alas, none of the later qawwaalis made any lasting impression.
After the mid 1960s, no more work came his way. The mood of the Hindi film music was under transition, and like a few other music directors, he slowly faded from the memory – both of the listening public and of the film producer fraternity, He did work on some Sindhi films, and started giving coaching classes for music. Forgotten by the industry and his friends, he descended into depression in his later years. The dejection in life came to such an extreme that he eventually ended his own life (May 24, 1993). That he could not get by asking, he snatched it for himself –
maangne se to nahin mili to badh ke khud hi chheen li
jeena nahin tha aur is zamaane mein
The song presented today is quite uncharacteristic in style. This sounds more like an OP Nayyar-ish melody than a Bulo C Rani tune. The film is ‘Black Tiger’ from 1960. The film is produced by MH Doctor under the banner of Highway Pictures, Bombay and is directed by Akku. It is a stunt film with the star cast listed as Nadira, Azad, Sheikh, Ram Raseela, Habeeb, Jilani, Heera Sawant, Najma, Charanjeet, Arvind Kumar, Malik, Maqbool, Kedar, Gulab, Daatu, Sadhna, and Belan etc. Hmm, it is interesting to note – Nadira appearing in the female lead role in a stunt film in 1960. That is if she is the same Nadira that we are familiar with. I request other knowledgeable readers and friends to please add more information about this.
The film has 6 songs. 5 of them are written by Saba Afghani and the sixth one is by Tabish Kanpuri. This song is from the pen of Saba Afghani. The singing voices are of Geeta Dutt and Mahendra Kapoor. A delightful song of romantic exchange that has a very pleasing sound.
Listen and enjoy.
Song – O Parwaana, Kehta Hai Kya Afsaana (Black Tiger) (1960) Singer – Geeta Dutt, Mahendra Kapoor, Lyrics – Saba Afghani, MD – Pt Shivram
Geeta Dutt + Mahendra Kapoor
Lyrics
o parwaana
kehta hai kya afsaana
zara tum bhi kaho ji
o deewaana
laaya hai dil nazraana
zara suno suno ji
o parwaana
kehta hai kya afsaana
zara tum bhi kaho ji
ye mausam
ye raaten
ye baaten khoyi khoyi
ye masti
ye shokhi
dil kaise bachaaye koi
ye mausam
ye raaten
ye baaten khoyi khoyi
ye masti
ye shokhi
dil kaise bachaaye koi
oo oo meri adaayen
khaali na jaayen
meri adaayen. . .
khaali na jaayen
jo bhi mujhse aankh milaaye
aahen bhare
o chhalkaana
in nazron ka paimaana
zara suno suno ji
o parwaana
kehta hai kya afsaana
zara tum bhi kaho ji
khul jaayen
ye zulfen
to mehfil ko mehka den
utth jaayen
ye nazren
to duniya ko behka den
khul jaayen
ye zulfen
to mehfil ko mehka den
utth jaayen
ye nazren
to duniya ko behka den
oo oo kaali ghataayen
jhoom ke aayen
kaali ghataayen. . .
jhoom ke aayen
saawan ki rut
nacche chham chham
aage tere
pehchaana
kyun kaisa hai nishaana
zara tum bhi kaho ji
o deewaana
laaya hai dil nazraana
zara suno suno ji
sarkaa doon
main aanchal
to chanda bhi sharmaaye
kaliyon ka
dil dhadke
phoolon ko paseena aaye
sarkaa doon
main aanchal
to chanda bhi sharmaaye
kaliyon ka
dil dhadke
phoolon ko paseena aaye
ho oo dil mein samaaye
mast banaaye
dil mein samaaye. . .
mast banaaye
honth gulaabi
nain raseele
jaadu bhare
ye maana
tumhaara hai zamaana
zara suno suno ji
o parwaana
kehta hai kya afsaana
zara tum bhi kaho ji
arre deewaana
laaya hai dil nazraana
zara suno suno ji
——————————————–
Hindi script lyrics (Provided by Sudhir)
———————————————
ओ परवाना
कहता है क्या अफसाना
ज़रा तुम भी कहो जी
ओ दीवाना
लाया है दिल नज़राना
ज़रा सुनो सुनो जी
ओ परवाना
कहता है क्या अफसाना
ज़रा तुम भी कहो जी
ये मौसम
ये रातें
ये बातें खोई खोई
ये मस्ती
ये शोख़ी
दिल कैसे बचाए कोई
ये मौसम
ये रातें
ये बातें खोई खोई
ये मस्ती
ये शोख़ी
दिल कैसे बचाए कोई
ओ ओ मेरी अदाएं
खाली ना जाएँ
मेरी अदाएं॰ ॰ ॰
खाली ना जाएँ
जो भी मुझसे आंख मिलाए
आहें भरे
ओ छलकाना
इन नज़रों का पैमाना
ज़रा सुनो सुनो जी
ओ परवाना
कहता है क्या अफसाना
ज़रा तुम भी कहो जी
खुल जाएँ
ये ज़ुल्फें
तो महफिल को महका दें
उठ जाएँ
ये नज़रें
तो दुनिया को बहका दें
खुल जाएँ
ये ज़ुल्फें
तो महफिल को महका दें
उठ जाएँ
ये नज़रें
तो दुनिया को बहका दें
ओ ओ काली घटाएँ’
झूम के आयें
काली घटाएँ॰ ॰ ॰
झूम के आयें
सावन की रुत
नाचे छम छम
आगे तेरे
पहचाना
क्यों कैसा है निशाना
ज़रा तुम भी कहो जी
ओ दीवाना
लाया है दिल नज़राना
ज़रा सुनो सुनो जी
सरका दूँ
मैं आँचल
तो चंदा भी शरमाये
कलियों का
दिल धड़के
फूलों को पसीना आए
सरका दूँ
मैं आँचल
तो चंदा भी शरमाये
कलियों का
दिल धड़के
फूलों को पसीना आए
ओ ओ दिल में समाये
मस्त बनाए
दिल में समाये॰ ॰ ॰
मस्त बनाए
होंठ गुलाबी
नैन रसीले
जादू भरे
ये माना
तुम्हारा है ज़माना
ज़रा सुनो सुनो जी
ओ परवाना
कहता है क्या अफसाना
ज़रा तुम भी कहो जी
अरे दीवाना
लाया है दिल नज़राना
ज़रा सुनो सुनो जी
Karo Na Phere Gali Ke Mere
Posted on: May 1, 2020
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4305 | Post No. : | 15573 | Movie Count : |
4287 |
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Hindi songs in Bangla Films: 26
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Mumbai has been the leading Hindi film production centre in India ever since Dadasaheb Phalke produced the first silent film ‘Raja Harishchandra’ in 1913. After the release of India’s first talkie ‘Alam Ara’ in 1931, many more film production companies were set up in Mumbai, some of them owning the studios. The outdoor shootings, if any, in the initial stages of talkie films were done mostly in around Mumbai. It was quite natural that stories of some Hindi films would have Mumbai as the background portraying the many facets of the city. Obviously, in such films, there would be scenes from Mumbai and possibly one ‘Bombay-centric’ song.
The earliest Hindi film in which I found a song with Bombay (now Mumbai) as the theme is Bambai Ko Chalo Bambai Ko from ‘Kirti’ (1942) written by Pandit Phani. The song talks about Boribunder station (now Chatrapati Shivaji Maharaj Terminus), dhuen waali ghaadi (steam engine train), Bambai Ki Sethani, Kalkate ke babu, Marwaad ki rani, Kashi ke sadhu etc. In short, the song gives a glimpse of cosmopolitan character of Mumbai.
In the 1950s, there were two songs which, I feel, are quintessential of Mumbai even now. The first is, Ae Dil Hai Mushkil Jeena Yahaan Ye Hai Bombay Meri Jaan from ‘CID’ (1956) written by Majrooh Sultanpuri. At the outset, song would appear to be a fun song. But a closer look at the lyrics of the song would reveal that behind the fun, there is sarcasm. For example:
kahin building kahin traame, kahin motor, kahin mill
miltaa hai yahaan sab kuchh ik miltaa nahin dil
insaan kaa nahin kahin naam-o-nishaan
[Everything is available in Mumbai except love and humanity.]
Another example of sarcasm in the song:
kahin satta, kahin patta, kahin chori kahin race
kahin daaka, kahin faaka, kahin thokar, kahin thes
bekaaron ke hain kayi kaam yahaan
[There are many works available like gambling, pick-pocketing, burglary, horse racing etc. There is no dearth of employment for unemployed.]
But at the end, the song turns from the sarcasm to the theory of ‘karma’:
buraa duniyaa jo hai kahtaa aisaa bholaa tu na ban
jo hai kartaa wo hai bhartaa ye yahaan kaa hai chalan
dadagiri nahin milne ki yahaan
[By telling that the world is bad, one does not become good. Here, the motto is that one who works get the fruits of his work. Bullying will not fetch anything.]
The second song of 1950s I am referring to is about the flight of the homeless in Mumbai. The song does not have specific reference to Mumbai in its lyrics but the word ‘Boribunder’ in the lyrics is the indication as to which city the song is referring to. It is an iconic song, Cheen O Arab Hamaara Hindustan Hamaara from ‘Phir Subah Hogi’ (1958) which was written by Sahir Ludhianvi. Just three lines from the song sums of the problems of homeless in Mumbai in a sarcastic way:
rehne ko ghar nahin hai
saaraa jahaan hamaara
Hindustan hamaara
There are also songs like Jiska Joota Usi Ka Sar, Dil Hai Chhota Bada Shahar, Wah Re Wah Re Teri Bambai from ‘Guest House’ (1959) written by Prem Dhawan and Ye Bambai Shahar Ka Bada Naam Hai from ‘Kya Ye Bombay Hai’ (1959) written by Noor Devasi. Both the songs describe the life in Mumbai from different perspectives. Then there is a fun song, Ye Haseen Bambai Apne Ko To Jam Gayi from ‘Holiday in Bombay’ (1963) written by Anjaan and “Bambai Hamaari Bambai Ye Rajdulaari Bambai” from ‘Street Singer’ (1966) written by Hasrat Jaipuri.
As we come to 1970s, with the exponential growth of Mumbai as a business and commercial hub of India, Mumbai became one of the major preferred cities for migrant workers. The problems faced by migrants in Mumbai has been beautifully expressed in the song Seene Mein Jalan Aankhon Mein Toofaan Sa Kyon Hai from ‘Gaman’ (1978) written by Shahryar. The problem of finding homes for the middle class people in Mumbai who spent their bachelorhood in staying as paying guests is depicted in the song Do Deewaane Shahar Mein, Raat Mein Ya Dophar Mein, Aab O Daana Dhoondhte Hain Ek Aashiyaanaa Dhoondhte Hain from ‘Gharoanda’ (1977), written by Gulzar.
There are other ‘Bombay-centric’ songs in Hindi films which are mostly fun songs. One of the popular songs under this category is Ee Hai Bambai Nagariya Tu Dekh Babuaa from ‘Don’ (1978) written by Anjaan. I have not checked much about the songs on Mumbai in the 1980s and thereafter. But one song whose lyrics stand true to most of the migrants to Mumbai including those who came here to fulfil their dream of becoming artist in Hindi films is from an ‘off the mainstream’ film ‘Sankat City’ (2009). The apt song is “Mumbai One-Way Nagari Hai”.
All the ‘Bombay-centric’ songs I have enumerated above are from Hindi films. It was a pleasant surprise for me when I found one such Hindi song in Bangla film ‘Dui Bechaara’ (1960). The ‘Bombay’ song is “Karo Na Phere Gali Ke Mere Hanso Na Bolo Ji” sung by Geeta Dutt and Manna Dey. The song is written by Gulzar which is set to music by Bhupen Hazarika.
The film is not available for viewing. So it is difficult to visualise the situation of the song in the film. Probably, it could well be a stage song.
Audio Clip:
Song – Karo Na Phere Gali Ke Mere Hato Na Bolo Jee (Dui Bechaare) (Bangla) (1960) Singers – Geeta Dutt, Manna Dey, Lyrics – Gulzar, MD – Bhupen Hazarika
Both
Lyrics
karo na phere gali ke mere
hato na bolo ji
haay
jigar jalaa ke nazar churaa ke
kahaan chale ho ji
arre karo na phere gali ke mere
hato na bolo ji
aji jigar jalaa ke nazar churaa ke
kahaan chale ho ji
bahaane lagaaye toone
dekhi na Bambai teri
bahaane lagaaye toone
dekhi na Bambai teri
bura hai bigadna hamse
chalo aise roothho na
chalo dikhaa doon tumhen ghumaa doon
badaa shahar Bambai
puraana hai Boribunder
adda chor uchakkon kaa
puraana hai Boribundar
adda chor uchakkon kaa
badaa naam chori chakkar
rela dhool aur dhakkon kaa
badaa naam chori chakkar
rela dhool aur dhakkon kaa
aji chalo dikhaa doon
tumhen ghumaa doon
badaa shahar Bambai
o o o
anokhe tamaashe iske
kaisi ye Bambai teri
chalo dikhaa doon
tumhen ghumaa doon
badaa shahar Bambai
kinaare pe chaupati ke filmy pariyaan ghoomen
kinaare pe chaupati ke filmy pariyaan ghoomen
kahaan ko chale tum itni pahan ke oonchi patloonen
kahaan ko chale tum itni pahan ke oonchi patloonen
aji chalo dikhaa doon
tumhen ghumaa doon
badaa shahar Bambai
o o o o
anokhe tamaashe iske
kaisi ye Bambai teri
chalo dikhaa doon
tumhen ghumaa doon
badaa shahar Bambai
sharam bhi yahaan sharmaaye phere maari maari
sharam bhi yahaan sharmaaye phere maari maari
samundar mein dooben jaake maari baari baari
samundar mein dooben jaake maari baari baari
chalo main haari nakal hai saari
ajab shahar Bambai
ajji kaha thhaa hamne suna na tumne
chalo chhodo Bambai
chalo chalo chhodo Bambai
chalo chalo chhodo Bambai
chalo chalo chhodo Bambai
Dil Ko Ye Kya Hua
Posted on: April 30, 2020
- In: "chaayageet" song | Asha Bhonsle solo | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Happy song | joie de vivre | Love song | Lyrics contributed by readers | Post by Sudhir | Songs of 1950s (1951 to 1960) | Songs of 1960 | Yearwise breakup of songs
- 3 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4304 | Post No. : | 15571 |
chupke se kho gaya. . .
Searching through his list of songs, I chanced upon this gem of a melodious creation – one of those ‘love at first hear’ type songs that I have really come across after so many days. It has been sitting in my collection forever, and I pulled it today, looking for an unheard or less heard song to include in this post. The composition is quite atypical with a different sound structure attempted. A beautiful melody that I am sure you will also fall in love with.
Remembering C Arjun today, on the anniversary of his passing away (30 April, 1992).
Preparation for this post started a couple of days ago. And in the interim, the industry and the lovers of Hindi films have been shaken by the news of two luminaries passing away yesterday and today. Yesterday morning we got the news about Irfan Khan, who lost his battle with cancer at Kokilaben Hospital in Mumbai. The emotions are still to settle, and the second shocking news came in today morning. Rishi Kapoor, the darling Chintu Baba of the 1970s and 80s, lost his battle with leukemia at another Mumbai hospital today. Irfan Khan, 53 – too yuong, too early. Rishi Kapoor, 67 – lively, and a lot of life still to go. But alas no, this is the ‘as much’ that was ordained.
As I check out the dates on C Arjun today, when he passed away, he was 59. Just about midway between Irfan and Rishi, in terms of years. The writ of life is no one’s command – it is what it is. We see, we compare, we critique, we like, sometimes we ignore. But then, when the finality of the process dawns upon us, one is left with a vacuum somewhere inside that says – wish there was more. . .
Very little details are available about C Arjun’s life and times. The article in Pankaj Raag’s book dedicated to this music director is almost completely based on his work, the films that he did, and the wonderful songs that he has composed. Other than that, very little about the person himself.
He was born on 1st Sep, 1933 in Sindh. His full name – Arjun Chandnani, which was later modified to be C Arjun, for the sake of brevity in film circles, and to avoid any confusion with the name of his mentor music director Bulo C Rani (full name Bulo Chandirani). After partition, his family moved to and settled in Baroda.
C Arjun’s father was musically inclined and was a singer. There is no information available about his training. In one place, there is anecdotal mention that C Arjun fondly remembers being present at the recording of a song by Noorjehaan in Lahore. This anecdotal nugget does not carry any other details. We read about his career initiation in early 1950s – appearing as assistant music director working with Bulo C Rani, in films like ‘Shikaar’ (1955), ‘Aabroo’ (1956), ‘Baadshah Salaamat’ (1956) and ‘Jeevan Saathi’ (1957).
In 1958 came the hit Sindhi film ‘Abana’. In this film, C Arjun shared the credits for music direction with Bulo C Rani, and not just as an assistant. Then in 1960, he got his first break as an independent music director in Hindi cinema with the film ‘Road No. 303’. His career remained very patchy throughout, despite some of the most wonderful songs and ghazals created by him. The songs gained popularity with the listening public, but that never really translated into more work for him from the producers in the industry. Following is the list of films he has composed for,
- 1961 Main Aur Mera Bhai
- 1964 Punarmilan
- 1965 Ek Saal Pehle
- 1966 Chale Hain Sasural
- 1966 Sushila
- 1967 Lambu In Hong Kong
- 1970 Mangu Dada
- 1971 Ustad Pedro
- 1973 Guru Aur Chela
- 1975 Jai Santoshi Mata
- 1976 Raksha Bandhan
- 1977 Aankh Ka Tara
- 1977 Subah Zaroor Aayegi (possibly a re-release of Sushila from 1966)
- 1978 Nawab Saheb
- 1980 Karva Chauth
- 1981 Kaanoon Aur Mujrim
Unreleased Films
Sant Valmiki
O Mere Jaan e Jigar
Gunaahon Ka Mandir
Besides these, he also has given music to films in Sindhi, Gujarati and Haryanvi. He also has composed music for non-film albums in Sindhi. He was actually in a recording studio, rehearsing with artists for the recording of a Sindhi non-film album release, when he suffered a cardiac arrest and passed away.
Today’s song is from his debut Hindi film ‘Road No 303’. The film is produced under the banner of Mahesh Pictures, Bombay, by Bheeku Bhai and Ratan Kumar. The film is directed by Dharam Kumar. The star cast is listed as Shobha Khote, Mehmood, Bhagwan, KN Singh, Tiwari, Sheelu, Helen, Altaf, Maqbool, Raju, Mirajkar, Ramlal, Fazlu, Majnu, Joshi, Kashi, S Kerawala, Master Nisar, Bakshi and others.
The film has six songs, equally shared between the songwriters Jaan Nisar Akhtar and Naqsh Lyallpuri. This particular song is sung by Asha Bhosle. Only the audio of this song is available, and I request our more knowledgeable readers to please add more information about this song, and the movie itself.
A wonderful creation in my opinion. Listen and enjoy.
Song – Dil Ko Ye Kya Hua (Road No 303) (1960) Singer – Asha Bhosle, Lyrics – Naqsh Lyallpuri, MD – C Arjun
Lyrics
aaa aaaaaa
aaa aaaaaa
aaa aaaaaa
aaa aaaaaa
aa aaa aa aaa aa aaa aa aaa aa aaa aa aaa aa aaa aa aaa
dil ko ye kya hua
taaron ki chhaon mein
mehki hawaaon mein
chupke se kho gaya
dil
dil chupke se kho gaya
dil ko ye kya..aa hua. . .
maine khushi ka
dekha savera
jaaga ujala dooba andhera
mausam bhi hai jawaan
jhoome hai aasmaan
rangeen fizaaon mein
chupke se kho gaya
dil
dil chupke se kho gaya
dil ko ye kya..aa hua. . .
meri nazar mein
hain wo nazaare
deewana kar den jinke ishaare
saagar pe jhoom ke
lehron ko choom ke
sapnon ke gaon mein
chupke se kho gaya
dil
dil chupke se kho gaya
dil ko ye kya..aa hua. . .
mujh ko bulaayen
phoolo ki baahen
hansti hai mere jeewan ki raahen
sun ke bahaar ki
mastaana raagini
meethi sadaaon mein
chupke se kho gaya
dil
dil chupke se kho gaya
dil ko ye kya..aa hua. . .
——————————————–
Hindi script lyrics (Provided by Sudhir)
———————————————
आs आssss
आs आssss
आs आssss
आs आssss
आs आss आs आss आs आss आs आss आs आss आs आss आs आss आs आss
दिल को ये क्या हुआ
तारों की छाँव में
महकी हवाओं में
चुपके से खो गया
दिल
दिल चुपके से खो गया
दिल को ये क्या॰॰आ हुआ॰ ॰ ॰
मैंने खुशी का
देखा सवेरा
जागा उजाला डूबा अंधेरा
मौसम भी है जवां
झूमे है आसमां
रंगीं फिज़ाओं में
चुपके से खो गया
दिल
दिल चुपके से खो गया
दिल को ये क्या॰॰आ हुआ॰ ॰ ॰
मेरी नज़र में
हैं वो नज़ारे
दीवाना कर दें जिसके इशारे
सागर पे झूम के
लहरों को चूम के
सपनों के गाँव में
चुपके से खो गया
दिल
दिल चुपके से खो गया
दिल को ये क्या॰॰आ हुआ॰ ॰ ॰
मुझको बुलाएँ
फूलों की बाहें
हँसती हैं मेरे जीवन की राहें
सुनके बहार की
मस्ताना रागिनी
मीठी सदाओं में
चुपके से खो गया
दिल
दिल चुपके से खो गया
दिल को ये क्या॰॰आ हुआ॰ ॰ ॰
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4303 | Post No. : | 15569 |
During 1950s and 1960s, there were quite a few South Indian movies that were dubbed into Hindi. While dialogues were dubbed, original songs sung in the South Indian language were resung in Hindi.
“Aayi Phir Se Bahaar”(1960) is one such movie. It was a remake of Tamil movie “Raaja Raani” (1956). The movie was written by M Karunanidhi and directed by A Bhimsingh. The movie had Padmini, Sivaji Ganesan, S S Rajendran, Raja Sulochana, T A Madhuram, N S Krishnan, Rajgopal, Doraiswami, etc in it.
The Tamil movie had T R Pappa as the music ditector. When this movie was dubbed in Hindi, Vedpal Verma was tasked with recording songs in Hindi.
The Hindi version had eight songs. One song has been covered in the past.
Here is the second song from “Aayi Phir Se Bahaar”(1960) to appear in the blog. The song is sung by Lata. Vedpal Verma is the lyricist as well as the music director. The song is picturisec as a radio song.Padmini switches on the radio and this song begins to play right from the beginning. No time wasted for previos song, or announcement. In my radio listening days I could rarely time my radio switching to this perfection. 🙂
After the song is over, the radio gets switched off. So in effect, the radio gets used as a record player, which by the way was not yet invented till that time. 🙂
Song-Tu dulhan banegi teri doliya sajegi (Aayi phir Se Bahaar)(1960) Singer-Lata, Lyrics-Vedpal Verma, MD-Vedpal Verma
Lyrics
Tu dulhan banegi
teri doliya sajegi gori
laayega raaja baaraat
ho gori
laayega raaja baaraat
tu dulhan banegi
teri doliya sajegi gori
laayega raaja baaraat
ho gori
laayega raaja baaraat
chanda banega maathe ki bindiya
kaari badariya kaajal
kaari badariya kaajal
amber banega teri chunariya
aur bijuriya paayal
aur bijuriya paayal
laaj rachegi bankar mehandi
kar degi peele haath
ho gori laayega raaja baaraat
tu dulhan banegi
teri doliya sajegi gori
laayega raaja baaraat
ho gori laayega raaja baaraat
preet ye teri dulhan banegi
dulha sajan ka pyaar
dulha sajan ka pyaar
baadal banenge teri paalki
pavan jhakore ka haar
pavan jhakore ka haar
pahle milan me karna tu gori
rangreliyaan saari raat
ho gori laayega raaja baaraat
tu dulhan banegi
teri doliya sajegi gori
laayega raaja baaraat
ho gori laayega raaja baaraat
Aa jaa re tera ek sahaara
Posted on: April 28, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4302 | Post No. : | 15568 |
“Baaraat”(1960) was produced and directed by K Amarnath for K Amarnath Productions, Bombay. This “social” movie had Ajit, Shakila, Mukri, Salim, Protima Devi, Murad, Shalini, Brahm Bhardwaj, Gulnar, Pandey, Amrit Rana, Ravikant, Sheila Kashmiri, Sajjan etc in it.
The movie had eight songs in it. Seven of these songs have been covered in the past.
Details of the seven songs covered in the blog are :-
| S N | Song | Song number in blog | Date of posting |
|---|---|---|---|
| 1 | Muft huye badnaam kisi se haay dil ko lagaake | 461 | 29-Dec-2008 |
| 2 | Chalo ab kehna maan jaao | 6431 | 13-Aug-2012 |
| 3 | Zaalim kehna maan lachakti chal na | 6454 | 16-Aug-2012 |
| 4 | Pakdi gayi pakdi gayi lo gori ki chori pakdi gayi | 14288 | 21-April-2018 |
| 5 | Mohan main ek bhatka raahi | 15535 | 12-April-2020 |
| 6 | Arre jaanewaale hamaari gali aana | 15555 | 24-April-2020 |
| 7 | O baabu tel maalish karaa lo boot polish | 15561 | 26-April-2020 |
Here is the eighth and final song from “Baaraat”(1960) to appear in the blog. If the movie made its debut in the blog with an iconic song Muft huye badnaam kisi se haay dil ko lagaake, the final song from the movie is no less of an iconic song. It is sung by Lata. Majrooh sultanpuri is the lyricist. Music is composed by Chitragupta.
This “calling the beloved” genre of song is picturised on Shakila.
With this song, all the songs of “Baaraat”(1960) are covered in the blog and the movie joins the list of movies that are YIPPEED in the blog.
Song-Aaja re tera ek sahaara (Baaraat)(1960) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-Chitragupta
Lyrics
o o o o o o
o o o o
o o o
aaja re tera ek sahaara aa
aaja re tera ek sahaara
koi ye na kahe mera koi nahin
aaja re ae tera ek sahaara
jaate jaate yaad karo baaten ikraar ki
mudte hi bhool gaye kasmen wo pyaar ki
jaate jaate yaad karo baaten ikraar ki
mudte hi bhool gaye kasme wo pyaar ki
sajna wo saara waada kahaan hai tumhaara
aaja re tera ek sahaara
koi ye na kahe mera koi nahin
aaja re tera ek sahaara
sab kahen dekh gori mukhde ko mod le
kisi aur saanwre se ankhiyon ko jod le
sab kahen dekh gori mukhde ko mod le
kisi aur saanwre se ankhiyon ko jod le
par main lagaaaun kaise dil ko dubaara
aaja re tera ek sahaara
koi ye na kahe mera koi nahin
aaja re ae tera ek sahaara
roun jo pukaar ke main haaye kaisi reet hai
koi kahe ye hansi hai koi kahe geet hai
roun jo pukaar ke main haaye kaisi reet hai
koi kahe ye hansi hai koi kahe geet hai
tere bina kaun jaane dard hamaara
aaja re ae tera ek sahaara
koi ye na kahe mera koi nahin
aaja re ae tera ek sahaara
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4299 | Post No. : | 15558 |
“Baaraat”(1960) was produced and directed by K Amarnath for K Amarnath Productions, Bombay. This “social” movie had Ajit, Shakila, Mukri, Salim, Protima Devi, Murad, Shalini, Brahm Bhardwaj, Gulnar, Pandey, Amrit Rana, Ravikant, Sheila Kashmiri, Sajjan etc in it.
The movie had eight songs in it. Six of these songs have been covered in the past.
Here is the seventh song from “Baaraat”(1960) to appear in the blog. The song is sung by Rafi and Manna Dey. Majrooh Sultanpuri is the lyricist. Music is composed by Chitragupta.
The song is picturised on Ajit and Mukri who are seen trading their wares namely Tel maalish and boot polish respectively in prime location of Mumbai, viz in front of Hotel Taj. 🙂
Video has one stanza less. The audio contains the full song.
Video
Audio
Song-O baabu tel maalish karaa lo boot polish(Baaraat)(1960) Singers-Rafi, Manna Dey, Lyrics-Majrooh Sultanpuri, MD-Chitragupta
Lyrics
o baabu tel maalish
karaa lo boot polish
o baabu tel maalish
karaa lo boot polish
phool se halka sar ho jaaye tel maalish
darpan jaisa joota chamke boot polish
o baabu tel maalish
karaa lo boot polish
o baabu tel maalish
karaa lo boot polish
kehte hain daaru kise kehte hain bhang
champi karalo chadhe aankho mein rang
kehte hain daaru kise kehte hain bhang
champi karaalo chade aankhon me rang
malish kara polish kara
garmi ho sardi ho chaahe pade baarish
o babu tel malish
karalo boot polish
o babu tel malish
karalo boot polish
chamka ke doon jo abhi joote ko baandh
dharti pe sab ye kahen utra hai chaand
chamka ke doon jo abhi joote ko baandh
dharti pe sab ye kahen utra hai chaand
sar jo tera mal du zara
taare na dikhe to kabhi karo naalikh
o babu tel malish
karalo boot polish
o babu tel malish
karalo boot polish
phera jo haath laga aisa bhala
rota jo aaya wohi hansta chala
phera jo haath laga aisa bhala
rota jo aaya wohi hansta chala
are dekho idhar joota magar
ik baar to chhoone do yahi hai gujaarish
o babu tel maalish
karaa lo boot polish
o baabu tel maalish
karaa lo boot polish
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