Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1960’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4606 Post No. : 16237

“Maa Baap”(1960) was produced by Trikambhai Dave and directed by V M Vyas for Ratndeep Pictures, Bombay. The “social” movie had Rajendra Kumar, Kamini Kadam, Peace Kanal, Pran, Anar, Kumar, Naaz, Bipin Gupta, Kuldeep Kaur, Sundar, Kudsum, Romi, Leela Mishra, Baby Shobha, Keshav, Pratap Bhansali, Roop Kumar, Dinanath, Tribhuvan Sinha, Madan Sahgal, Leela Chitnis etc in it.

THe movie had eight songs in it. One song has been covered in the past.

Here is the second song from “Maa Baap”(1960) to appear in the blog. This song is sung by Lata Mangeshkar. Rajinder Krishan is the lyricist. Music is composed by Chitragupta.

This joie de vivre song is picturised on Kamini Kadam. I hope I have identified her correctly. I request our knowledgeable readers to help identify her.

Video

Audio

Song-Jal ja paraayi aag mein parwaana kah gaya(Maa Baap)(1960) Singer-Lata, Lyrics-Rajinder Krishan, MD-Chitragupta

Lyrics

aa aa aaaa aa aa
aa aa aa
jal ja paraayi aag mein parwaana kah gaya
jal ja parayi aag me parwaana kah gaya
kitne pate ki baat ik deewana kah gaya
kitne pate ki baat ik deewana kah gaya
deewaana kah gaya
jal ja parayi aag mein parwaana kah gaya

mujhko to sabki pyaas bujhaane se kaam hai
mujhko to sabki pyaas bujhaane se kaam hai
honthon tak aake raaz ye paimaana kah gaya
paimaana kah gaya
jal ja paraayi aag mein parwaana kah gaya
jal ja parayi aag mein parwaana kah gaya

deta na apne phool jo duniya ke baag ko
deta na apne phool jo duniya ke baag ko
aabaad main bhi hota ye weerana kah gaya
weerana kah gaya
jal ja parayi aag mein parwaana kah gaya
jal ja parayi aag mein parwaana kah gaya

aayi subah to aakhri taara bhi toot ke
aayi subah to aakhri taara bhi toot ke
kaisi kati hai raat ye afsaana kah gaya
afsaana kah gaya
jal ja paraayi aag mein parwaana kah gaya
jal ja paraayi aag mein parwaana kah gaya
kitne pate ki baat ik deewaana kah gaya
deewaana kah gaya
jal ja paraayi aag mein parwaana kah gaya


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4565 Post No. : 16163

Today’s song is from the film Bambai ki Billi aka Wild Cat-1960.

This was a Stunt film, produced by Aspy Irani for his own banner – Super Pictures, Bombay. The film was directed by Zahoor Ahmed. The music was by Khayyam. He was assisted by Bipin and Mehboob. This Bipin was a part of Bipin-Babul duo, who gave music to 12 films together as a team. After leaving Khayyam, Bipin assisted Madan Mohan, where Babul was already an assistant. They joined hands and made a pair of Composers as Bipin-Babul.

Film Bambai ki Billi was an interesting film.This was actually the 3rd film with this title. The history of this film is very amusing..The first film was ‘ The Wild Cat of Bombay aka Bambai ki Billi’ – a Silent film made by Imperial films co. in 1927. Their famous actress-heroine Sulochana (Ruby Meyers) was the film’s Heroine and her Hero was one Jamshed. This film was directed by a novice Mohan Bhavnani, who became a big name in later years.

After Talkie films started, Imperial began Talkie remakes of their famous and popular Silent films and in 1936, Imperial made Bambai ki Billi aka Wild Cat of Bombay. The heroine was the same-Sulochana, but this time the Hero was different- Dinshaw Billimorea. Her earlier film Hero Jamshed was also in this film, but did a side supporting role. This time the film was directed by a veteran Nandlal Jaswantlal.(He became a famous director with films like Nagin and Anarkali in the 50s.). Nandlal had already done a Talkie remake of Indira, BA-a popular silent film as Imperial’s Indira MA. This was with Sulochana and D.Billimoria. Bambai ki Billi-36 was a social film,in which Sulochana had done 8 different roles. The roles were Policeman,Gardener, Gambler, Beggar, Hyderabadi gentleman, Banana Seller, a street urchin and an European Blonde girl. By the way, Sulochana is the only actress in Hindi film world, who acted in 4 remake films having same titles and doing the same roles in all films-silent and Talkie. Her films were Madhuri, Indira MA, Bambai ki Billi and Anarkali.

Besides the interesting history of this film title, the film also boasts of a Director, who was the only person in Hindi film industry who disappeared mysteriously – for ever. The name is Aspy Irani. Film was directed by Aspi Irani,who was basically famous for stunt and C grade films. Aspy Irani was an important director from the early films. His full name was ASPANDIAR HORMUSJI IRANI. He was born in the Parsi colony, Panch Gardens in Dadar, Bombay on 8-10-1911. He started work in the film industry after he completed his secondary schooling and as all Parsis are, due to his hard work, he soon attained a top rank in the Industry. He started directing films from 1936,the early Talkie stage, when the influence of Parsi Theatre, fantasies and dramas on folklore was the staple of stunt films. All such films had a basic structure and with a little changes here and there new films hit the screens.

There was a fixed audience for such films, but as the time went by, slowly the taste of the audience changed. However Aspi Irani continued with his style till the end. He did direct few social films also but the handling of social films had a clear stamp of Aspi’s direction.

He must have directed about 50-55 films till the early 80s. Some of his films were, Naya paisa, qaidi no.911,Barood,Shabnam,Badal etc. He was married to actress Husn Bano ( daughter of actress Shareefa).

On a fine morning on 23rd November 1986,Aspi left his home in the morning for work and never ever returned. No one knows what happened to him. Since then there was no trace of this man and officially he was declared ‘missing since 23-11-1986′. What an end to a legend !

The film cast was Kumkum, Sudhir, Mukri, Nazima, TunTun, Chanda Bai, Nazir Kashmiri, Ashalata etc. etc. The Hero of the film was Sudhir – who died about 7 years ago. He was a small time villain in many big films like Deewar etc. This was his First film as a hero.

Bhagwandas Mulchand Luthria (13-4-1931 to 12 May 2014) aka Sudhir was a Bollywood film actor. He was best known for his role in the film Satte Pe Satta with Amitabh Bachchan. He acted in 226 films in a career spanning from 1962 to 2009. He was one of Bollywood’s best known villains from the 1970s through the 1990s.

His first film was Taxi Driver-1954. One gets to see his name appear first time as a male lead in the 1960 Sheikh Mukhtar film ‘Baarood’. And then again in the same year, as the male lead in the film ‘Bambai Ki Billi’. Both films have Kumkum paired opposite to him. In 1961 came the somewhat more appreciated ‘Umar Qaid’, again a Sheikh Mukhtar film, in which Sudhir is paired opposite to a very young Nazima.

In an effort to break into the next level of films, maybe, Sudhir started to work in side roles. He acted in prem patra starring sadhna and shashi kapoor 1962 as Subhash.He appeared in Apna Ghar Apni Kahani (Pyas) opposite Mumtaz in 1968, singing “Jigar me dard kaisa ishko ulfat to nhi kahate” and ‘main ye sochkar uske dar se utha tha’ (Hakeekat), ‘mujhe raat din ye khayal hai’ and ‘mere dil pe andheri sa chhan laga’ from Ek Phool Ek Bhool’.

He often played the second-in-command sidekick to villains Ajit, Prem Nath and Pran, a torturous police inspector, or a sleazy man. He was most known for his shrill voice, long moustache and sideburns. He starred in at least a dozen Amitabh Bachchan movies, such as Deewaar, Kaalia, Majboor, Sharaabi, Satte Pe Satta, Dostana, Shaan and Lal Baadshah.

The 1969 film ‘Mahal’ brought Sudhir in touch with Dev Anand, and thence started an association that would last a lifetime. Starting with ‘Gambler’(1971), Sudhir has appeared in almost every Dev Anand film, whether produced by Navketan or by any other production banner.

Other notable appearances included Feroz Khan’s 1974 hit Khote Sikkay, its sequel Kachche Heere, Dharmatma, as well as Mera Gaon Mera Desh, and roles of a handicapped thief in Dev Anand’s Hare Rama Hare Krishna (1971), as police inspector (Special Appearances) in Subhash Ghai’s Meri Jung (1985) and in the Shah Rukh Khan-starring Baadshah (1999). His last film appearances were in Jhoom Barabar Jhoom (2007) and Victoria House (2009). He was also filmmaker Milan Luthria’s paternal uncle. He died on 12 May 2014 at the age of 70. He had long been suffering from a lung infection. (based on information from wiki and an article of Sudhir ji).

The film had only 7 songs. This was a major change in the HFM. Initially, people had a fascination for film songs and hence in the early cinema of the 30’s average number of songs used to be 15 to 20 songs. In the 40s the number came down to about 10 to 12 songs and in the 50’s the number was between 6 to 8 songs. All the 7 songs of this film were written by Hasarat Jaipuri. Two songs are already covered. this will be the third song today.

All the 7 songs were good. The film was a C grade film , but the Music Director was an A grade composer. Enjoy this Geeta Dutt solo song……


Song-Dildaar tu hai mera pyaar tu hai (Bambai Ka Billi)(1960) Singer-Geeta Dutt, Lyrics-Hasrat Jaipuri, MD-Khayyam

Lyrics

dildaar tu hai
mera pyaar tu hai
ikraar kar lo ji
apna hi maano
apna hi jaano
aankhen chaar kar lo ji
dildar tu hai
mera pyaar tu hai
ikraar kar lo ji
apna hi maano
apna hi jaano
aankhen chaar kar lo ji

meharbaan dekhiye
raat kitni haseen
pyaar ki chaandni
dhal na jaaye kahin
aisa na ho tere liye mar jaayen ham
dildar tu hai
mera pyaar tu hai
ikraar kar lo ji
apna hi maano
apna hi jaano
aankhen chaar kar lo ji

tu mila
to mili
jhoom kar har khushi ee
saikdon rang mein
naach uthhi zindagi ee
mehfil teri jalwe mere teri kasam
dildaar tu hai
mera pyaar tu hai
ikraar kar lo ji
apna hi maano
apna hi jaano
aankhen chaar kar lo ji

dil dukha kar kabhi
chain milta nahin ee
jaan le
zulm ka
phool khilta nahin ee
?? samajh dil ki zubaan
kar na sitam
dildar tu hai
mera pyaar tu hai
ikraar kar lo ji
apna hi maano
apna hi jaano
aankhen chaar kar lo ji


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4548 Post No. : 16130

Remembrance Day of N Datta on 30.12.2020
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————————————–
Geeta Dutt – Solos and duets (01)
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This is a tribute post for Datta Naik, also known as N Datta, on his 33 death anniversary. It looks as if, N Datta formed a successful team with Sahir Ludhianvi as most of his popular songs are with Sahir in the period 1957-1959. He has composed a sizeable 349 songs in 54 films, out of which 221 are already in the blog.

A few weeks aga I inadvertently ended up with a short list of Geeta Dutt’s song links, which included different genre of songs, duets, solos and female duets. They are mostly so sweet and pleasing songs. Sometimes melancholy, but still sweet.

So here is the first song in the series, combined with the remembrance day tribute post of N. Datta. It is a Mohammed Rafi- Geeta Dutt duet from the 1960 film “Rickshawala”. The lyricist here is Jan Nisar Akhtar. The song actually is a sales pitch song. The sale of the humble fruit called “Chikoo”. It is called “Sapota” too. Both singers along with chorus are enthusiastically promoting it, even offering it for free, in exchange of a heart. The celebrity names are also freely taken for encouraging people to buy the fruit. So it is a fruit vendors song, who say that :

‘chehre ka ye husn badhaaye,
Nargis khaaye,
Nimmi khaaye,
khaaye madhubala”

‘ Chikoo’ is supposed to be rich in iron, so may be, it is useful in increasing ‘chehre ka husn’. I had early experience of buying ‘chikoo’ in, believe it or not Mumbai local trains. The price was unbelievable, 5-6 chickoos for Rs. 2/- only. Those were the cheap 80’s.

Only two songs from this film are posted so far :

Song Date of posting
Neeli saadi sunahra jumper 14 February 2012
Jawaani mein to ik dil ki 18 December 2018

Title of the film is ‘Rickshawala’, but there is no riksha or tonga song here. There are these marathi words repeated in the song ‘aga saku, ghe chikoo’. It means ‘O saku, buy chikoo’. ‘Saku’ may be a slang or a nickname of sort, where girls are called ‘saku’ in a teasing way.

I could find only the audio link for the song, but it is filmed on Johnny Walker and Anita Guha. Another film with only Mohammed Rafi male singer, with Lata Mangeshkar, Asha Bhosle and Geeta Dutt.


Song-Pandit ho ya lala ya Gandhi topi waala (Rickshawala) (1960) Singers-Geeta Dutt, Rafi, Lyrics-Jaan Nisaar Akhtar, MD-N Datta
Chorus
Rafi + Geeta Dutt

Lyrics

Pandit ho ya laala
ya Gandhi topi waala
jo bhi khaaye chikoo bhaiyya
kehlaaye matwaala aa
pandit ho ya laala
ya Gandhi topi waala

hoy pandit ho ya laala
ya Gandhi topi waala
jo bhi khaaye chikoo bhaiyya
kehlaaye matwaala aa

aga sakoo oo
ghe chikoo oo

joru kehti khaaoon na khaana
bhool gaye kyun chikoo laanaa
arrey joru kehti khaaoon na khaana
bhool gaye kyun chikoo laanaa

isi ki sab farmaaish karte
ho o o o o o
isi ki sab farmaaish karte
saali ho ya saalaa
kehlaaye matwaalaa aa

pandit ho ya laala
ya Gandhi topi waala

hoy pandit ho ya laala
ya Gandhi topi waala
jo bhi khaaye chikoo bhaiyya
kehlaaye matwaala aa

aga sakoo oo
ghe chikoo oo

chehre ka yeh husn badhhaaye
saari duniyaa shauq se khaaye
chehre ka yeh husn badhaaye
saari duniyaa shauq se khaaye
Nargis khaaye Nimmi khaaye ea ea
oo oooo oo ooo
Nargis khaaye Nimmi khaaye

khaaye Madhubalaa
kehlaaye matwaalaa aa
pandit ho ya laala
ya Gandhi topi waala
arey pandit ho ya laala
ya Gandhi topi waala
jo bhi khaaye chikoo bhaiyya
kehlaaye matwaala aa

aga sakoo oo
ghe chikoo oo
(aye aye ayen)

le ja jholi bhar bhar le jaa
daam na ho to dil hi de jaa
haay haaye
le ja jholi bhar bhar le jaa
daam na ho to dil hi de jaa
jaise chaahe sauda kar le ea
oo o ooo
jaise chaahe sauda kar le

kar na gadbad jhaala
kehlaaye matwaalaa a

pandit ho ya laala
ya Gandhi topi waala

oye pandit ho ya laala
ya Gandhi topi waala
jo bhi khaaye chikoo bhaiyya
kehlaaye matwaala aa

hey Bhikoo
ab to khaa chikoo oo


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4546 Post No. : 16121

Yearwise discussion of Lata Mangeshkar songs in HFM: Part XIV: Year 1960
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In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1960.

In 1960, 111 Hindi movies contaning 852 songs were released. Lata Mangeshkar got to sing in 48 of these movies and she sang 166 songs in these movies. So Lata Mangeshkar’s voice was heard in 43 % of the movies released in 1960. Her voice was heard in 19.5 % of the songs appearing in the movies of 1960.

Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1960 :-

S N Movie Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1 Aayi Phir Se Bahaar Vedpal Verma 2 2 2 0 0 0 Vedpal Verma (1) Indeewar (1)
2 Amar Shaheed Jamal Sen 0 3 2 1 0 0 Arjun
3 Angulimaal Anil Biswas 2 2 0 0 1 1 Bharat Vyas
4 Anuraadha Pt Ravi Shankar 5 5 4 0 0 1 Shailendra
5 Baaraat Chitragupta 2 2 2 0 0 0 Majrooh Sultanpuri
6 Baarood Khayyam 6 6 2 2 1 1 Hasrat Jaipuri
7 Bahaana Madan Mohan 2 2 2 0 0 0 Rajinder Krishan
8 Bambai Ki Billi Khayyam 1 3 2 1 0 0 Hasrat Jaipuri
9 Banjaarin Pardesi 1 3 2 1 0 0 Pt Madhur
10 Barsaat Ki Raat Roshan 2 2 1 1 0 0 Sahir Ludhianvi
11 Bindiyaa Iqbal Qureshi 3 3 2 1 0 0 Rajinder Krishan
12 Chaand Mere Aaja Chitragupta 4 5 3 2 0 0 Prem Dhawan
13 Chandramukhi S N Tripathi 3 3 1 1 1 0 Bharat Vyas
14 Chaudhvin ka chaand Ravi 1 1 1 0 0 0 Shakeel Badayuni
15 Chhalia Kalyanji Anandji 3 3 2 1 0 0 Qamar Jalalabadi
16 College Girl Shankar Jaikishan 5 5 1 4 0 0 Rajinder Krishan
17 Delhi Junction Kalyanji Anandji 6 6 4 1 1 0 P L Santoshi (2) Prem Dhawan (2) Farooque Kaiser (1) Gulshan Bawra (1)
18 Dil Apna Aur Preet Paraayi Shankar Jaikishan 5 5 5 0 0 0 Shailendra (4) Haasrat Jaipuri (1)
19 Dil Bhi Tera Ham Bhi Tere Kalyanji Anandji 3 3 2 1 0 0 K L Pardesi (2) Shamim Jaipuri (1)
20 Do Aadmi S N Tripathi 1 1 0 1 0 0 Prem Dhawan
21 Ek Phool Chaar Kaante Shankar Jaikishan 4 4 2 2 0 0 Shailendra (2) Hasrat Jaipuri (2)
22 Gambler Chitragupta 2 5 4 1 0 0 Prem Dhawan
23 Ghoonghat Ravi 3 3 3 0 0 0 Shakeel Badayuni
24 Girl Friend Hemant Kumar 1 1 0 0 0 1 Sahir Ludhianvi
25 Ham Hindustaani Usha Khanna 2 3 3 0 0 0 Bharat Vyas (2) Rajinder Krishan (1)
26 Honeymoon Salil Chaudhary 5 5 2 2 1 0 Shailendra
27 Jawaahar Salil Chaudhary 4 4 3 1 0 0 Prem Dhawan
28 Jis Desh Mein Ganga Bahti Hai Shankar Jaikishan 7 7 2 3 1 1 Shailendra (6) Hasrat Jaipuri (1)
29 Kaala Aadmi Dattaram 2 2 1 1 0 0 Hasrat Jaipuri
30 Kohinoor Naushad 6 6 2 4 0 0 Shakeel Badayuni
31 Laal Qila S N Tripathi 3 3 2 1 0 0 Bharat Vyas
32 Maa Baap Chitragupta 0 4 4 0 0 0 Rajinder Krishan
33 Maaya Macchendra Ramlal Heera Panna 0 4 2 1 1 0 Pt Madhur (2) Keshav (2)
34 Mughal e Azam Naushad 9 9 8 0 1 0 Shakeel Badayuni
35 Mukti Malay Chakraborty 1 1 1 0 0 0 Muneer Aarzoo
36 Naache Naagin Baaje Been Chitragupta 4 5 2 3 0 0 Majrooh Sultanpuri
37 Parakh Salil Chaudhary 4 4 4 0 0 0 Shailendra
38 Patang Chitragupta 4 4 2 2 0 0 Rajinder Krishan
39 Police Detective Chitragupta 3 4 1 2 1 0 Prem Dhawan
40 Rickshawaala N Datta 0 1 1 0 0 0 Jaan Nisaar Akhtar
41 Saaranga Sardar Malik 4 4 2 2 0 0 Bharat Vyas
42 Shrawan Kumar Pt Shivram 1 1 1 0 0 0 Bharat Vyas
43 Singapore Shankar Jaikishan 6 6 3 3 0 0 Hasrat Jaipuri (4) Shailendra (2)
44 Sinhaldweep ki sundari S N Tripathi 0 3 2 1 0 0 Bharat Vyas
45 Superman Sardar Malik 1 1 1 0 0 0 Prem Dhawan
46 Usne Kaha Thha Salil Chaudhary 3 3 1 2 0 0 Shailendra
47 Veer Durgadas S N Tripathi 1 2 1 1 0 0 Bharat Vyas
48 Zimbo comes to town Chitragupta 2 2 2 0 0 0 Prem Dhawan
Total 48 movies 24 MDs 139 166 102 50 9 5 21 lyricists

One notices that Lata Mangeshkar did not have a single song with C Ramchandra in movies released in 1959 as well as 1960 because she fell out with him. Despite that C Ramchandra continued to be the music director with highest number of songs composed for Lata Mangeshkar (263). Shankar Jaikishan, who continued to work in many movies with Lata Mangeshkar closed in at 252 songs. Overall, the top eight music directors, viz C Ramchandra (263), Shankar Jaikishan (252), Anil Biswas (116), Husnlal Bhagatram (108), Chitragupta (105), Roshan (103), Madan Mohan (96) and Naushad (91) composed 1134 songs out of 2217 songs that Lata Mangeshkar had sung in Hindi movies till end of 1960. The top six lyricists till end of 1960 for Lata Mangeshkar were Rajinder Krishan (374), Shailendra (245), Hasrat Jaipuri (166), Shakeel Badayuni (134), Prem Dhaan (125) and Bharat Vyas (124). These six lyricists had penned 1168 songs sung by Lata Mangeshkar till that time.

Lata Mangeshkar tied up with music directors Malay Chakraborty, Pardesi, Pt Ravishankar, Usha Khanna and Vedpal Verma for the first time in movies of 1960. She tied up with lyricists Arjun, K L Pardesi, Muneer Aarzoo Kaazmi and Shamim Jaipuri for the first time in movies released in 1960.

Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1960 :

Year Movie count Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Remarks
1946 3 movies 4 4 4 0 0 0
1947 3 movies 5 5 3 1 0 1
1948 16 movies 50 50 37 6 4 3
1949 38 movies 134 157 103 35 12 7
1950 36 movies 114 143 93 32 14 4
1951 49 movies 189 223 158 52 10 3
1952 43 movies 149 177 138 31 4 4
1953 45 movies 170 195 149 35 5 6
1954 43 movies 140 172 144 23 4 1
1955 50 movies 165 218 177 30 10 1
1956 49 movies 168 204 153 35 13 3
1957 47 movies 129 160 110 38 7 5
1958 35 movies 102 132 95 25 10 1
1959 58 movies 188 211 130 68 12 1
1960 48 movies 139 166 102 50 12 1
Total upto 1960 563 movies 1836 2217 1596 461 117 41

As can be seen from the table of 1960, Lata Mangeshkar sang 166 songs in 48 movies released in 1960. As many as 139 of these songs have been covered in the blog. Out of 48 movies of 1960 where Lata Mangeshkar sang, all Lata Mangeshkar songs of 35 movies are already covered. So we have to look at the remaining 13 movies of 1960 to find Lata Mangesahkar songs to discuss in the blog.

Alphabetically the first such movie that offers us such Lata Mangeshkar songs to discuss is “Amar Shaheed”(1960). This movie was originally made in Tamil as Veerpandiya Kattabomman (1959). The movie was produced and directed by B R Panthalu for Padmini Pictures, Madras. The movie had Sivaji Ganesan, Gemini Ganesan, Padmini, Raagini, S Varalaxmi, V K Ramaswami, O A K Tear, Kannan, Natrajan, M R Santanam, V R Rajagopal, Mutthulaxmi, T Lalitha, Baby Kanchan, Jawar Seetaraman etc in it.

It appears that the movie rights were bought by Alok Bharati, Madras. The movie was dubbed in Hindi as “Amar Shaheed”(1960).

It appears to me from the songs that the Hindi dubbing was done in a casual manner. From the way the songs have been dubbed, it appears to me that the person translating the songs from Tamil into Hindi tried to do a literal translation and ended up with a Hindi words that sound unnatural.

The movie had ten songs in it. Lata Mangeshkar’s voice is there in three songs. Two are solos and one is a duet with Manna Dey. None of these three songs have been covered in the blog so far.

As mentioned above, the dubbing of movie and songs leaves a lot to be desired. I have picked a song whose lyrics appears to make some semblence of sense to me. This song is sung by Lata Mangeshkar and chorus. Arjun is the lyricist. Music is composed by Jamal Sen.

The song is picturised on Padmini and others.

From what I can make out, this song is about a strong bull that can apparenty strike fear in the minds of enemy. I have struggled to get the lyrics right but I have failed miserably, especially in the chorus part. I request our readers with keener ears to help fill in the blanks andsuggest corrections.

I also request our knowledgeable readers to thro light on the movie as well as on the picturisation of the song.


Song-Alhad jawaan mera jaage (Amar Shaheed)(1960) Singer-Lata, Lyrics-Arjun, MD-Jamal Sen

Lyrics

Alhad jawaan mera jaage
is’se paala pade veer bhaage
?? koi mahaaveer re
paale mein
aaye ree
Alhad jawaan mera jaage
is’se paala pade veer bhaage
aa aa aa aa
aa aa aa aa
ho o o o
o o o o
o o
sambhaal bhool mat jaa re
kal bhoolegi ?? jaa re
jab aayega koi ??
??
sambhal ke dol mastaani
chal haule bahak mat raani

khoonkhaar roop dhare ae
sher se mel kare ae
khoonkhaar roop dhare ae
sher se mel kare
veeron ke veer
sab daude munh mod kar
r r r r

baatooni aan ??
bekaaboo pair ude
bhaage pahalwaan
chhod maidaan khule
ho o o
o o o
o o o
o o o
bhaage pahalwaan
chhod maidaan khule
aao re anjaan naadaan
dil mera hai betaab behaal
alhad jawaan mera jaage
is’se paala pade veer bhaage

ho ??
teri nazren karengi salaam
??
??
veeron ??
?? aayi
??

alhad jawaan mera jaage
is’se paala pade veer bhaage
?? koi mahaaveer re
paale mein
aaye ree
Alhad jawaan mera jaage


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4536 Post No. : 16104

“Chandramukhi” (1960) was produced by Kantilal Kanakiya and directed by Ratilal Thakur for Kanti Productions, Bombay.The movie had Manhar Desai, Kavita, B. M. Vyas, Maruti, Kanchanmala, Dalpat, Pal Sharma, Neeta Bagla, T N Sinha, Dinanath, R P Kapoor, Premlata, Anant Prabhu, Indira Bansal, Sheila Kashmiri, Maruti etc in it.

The movie had eight songs in it. Six songs movie has been covered in the past.

Here is the seventh song from the movie to appear in the blog. This song is a duet which is sung by Manna Dey and Suman Kalyanpur. Bharat Vyas is the lyricist. Music is composed by S N Tripathi.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Bas gayi hai aankhon mein (Chandrmukhi)(1960) Singers-Manna Dey, Suman Kalyanpur, Lyrics-Bharat Vyas, MD-S N Tripathi

Lyrics

bas gayi hai aankhon mein
tu ek hai laakhon mein
chhabeeli teri
raseeli teri
chhabeeli teri
raseeli teri
koi jod nahin
koi jod nahin
koi jod nahin haaye
roop ke geet gaane mein
meethi baaten banaane mein
chhabeele teri rangeele teri
chhabeele teri jod nahin
koi jod nahin
koi jod nahin

ho ho hoo or
dekh tera kum kum teeka
poonam ka chaand lage pheeka
o ghunghraale baalon ki dekh chhata
sharmaaye saawan ki kaali ghata
ho kaali ghata
ho ho ho o o o o
meetha sapna
meetha sapna
duikhaane mein
hamen apna banaane mein
chhabeele tere
rangile tere chhabeele tere jod nahin
koi jod nahin
koi jod nahin

bas gai hai aankhon mein
tu ek hai laakhon mein
chhabeeli teri
raseeli teri
chhabeeli teri
jod nahin
koi jod nahin
koi jod nahin
haaan jee


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4527 Post No. : 16087

“Angulimaal”(1960) was produced by M/s Prakash Veramal and directed by Vijay Bhatt for P V Films, Bombay. This historical movie had Nimmi, Bharat Bhushan, Anita Guha, Ulhas, Chandrashekhar, Achla Sachdev, Manmohan Krishn, Prem Adeeb, Kesri, Rammohan, Vinod Kumar, Sheela Kashmiri, Vimla, Helen etc in it.

The movie had seven songs in it. Six songs have been covered in the past. Here are their details :-

Song Date of posting Singers Remarks
Aayi aayi basanti belaa 18 March 2011 Lata Mangeshkar, Manna Dey, Meena Kapoor
Dheere dheere dhal ri chanda ( 20 April 2011 Aarti Mukherjee
Bade aaye shikaari shikaar karne 5 May 2011 Manna Dey, Asha Bhonsle
Jaa ri na bataaun main to naam chitchor kaa 6 May 2011 Lata Mangeshkar, Meena Kapoor
Mere chanchal naina madhur ras ke bhare 27 October 2018 Meena Kapoor
Buddham sharnam gachhaami 11 October 2020 Manna Dey Picturised as a Five part song

The eighth and final song from the movie is sung by a male voice and Asha Bhonsle. Bharat Vyas is the lyricist. Music is composed by Anil Biswas.

The song is picturised on Manmohan Krishn and a lady who I guess is a young Achla Sachdev. I request our knowledgeable readers to throw light on the picturisation of the song including the identification of the lady. I feel that the male voice is that of Manmohan Krishn himself, who was an occasional singer as well.

With this song, all the songs of “Angulimaal”(1960) are now covered and the movie joins the lists of movies that have been YIPPEED in the blog.


Song-Murliwaale Gopal teri sharan mein hai mera laal (Angulimaal)(1960) Singer-Asha Bhonsle, Lyrics-Bharat Vyas, MD-Anil Biswas
Murli Krishn

Lyrics

om namo brahmanayadevay
go bramhanahitayse
jagathitay krishnay govinday namo namah
om

muraliwaale gopal,
gopaal
gopal

muraliwaale gopal
teri sharan mein hai mera laal
tere charan mein hai mera laal
muraliwaale gopal
teri sharan mein hai mera laal
tere charan mein hai mera laal
tu hi rakhana ise sambhal
teri sharan mein hai mera laal
tere sharan mein hai mera laal
tere charan mein hai mera laal
muraliwale gopa aa aal

phool mera hai komal-komal
kathin tera sansaar
iski dag-mag naiya kanhaiya tu hi lagaana par
khewaiyya tu hi lagaana par
har sankat dena taa aal
teri sharan mein hai mera laal
tere sharan mein hai mera laal
tere charan me hai mera laal
muraliwale gopaa aa aal
muraliwale gopal, ho muraliwale gopal

nainon ke gangaajal se
jeewan ke paap dhula de
nainon ke gangaajal se
jeewan ke paap dhula de
apni umar chadhhaaun tujhe
mere laal ko amar bana de
mere laal ko amar bana de
hey shaanti ki liye mashaal
jagaaye jag mein jyot vishal
kare uncha bharat ka bhaa aal
teri sharan mein hai mera laal
teri sharan mein hai mera laal
tere charan mein hai mera laal
muraliwaale gopal
teri sharan mein hai mera laal
tere charan mein hai mera laal
muraliwaale gopaa aa aal


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4507 Post No. : 16050

Bhaari bhaari meena kumari
ghar mein jaa ke maara maari

This was the sales pitch sh’air by some urchins in Mumbai local trains, selling small items like hairbands, hair clips, fancy earrings, finger rings and combs etc. I have had an highly educating experience of travelling in local trains on regular basis from 1988 to 1994, during peak hours, traversing the length and breadth of Mumbai on central, western and harbor lines. The sales pitch and the bol bachchan street seller’s ingenuity in using colourful simile’s, in the present song reminded me of the long forgotten ditty above. (bhaari means costly or rich in mumbaiyya)

I have a tendency of getting involved in different types of hobbies and activities if they catch my interest. I usually follow these interests for a while till something else occupies the space in my time. In school we had a learning topic of ‘home science’. They taught cooking, stitching, crocheting, embroidery etc. But I was only doing those things, to the extent necessary. But crocheting and embroidery had sort of caught my interest and I dabbled in them whenever the opportunity arose. If my mom was doing some knitting, then I would want to take up crochet and finish the wool which she brought to knit some sweater etc. I found the creativity there fascinating, especially in embroidery. Also crocheting and embroidery with wool is quicker.

Once I saw an advert in a magazine for a thread manufacturing co. The ad had a very colourfully embroidered one dimensional ‘charminar’. Not the cigarette box, but the actual ‘charminar’ of Hyderabad. It must have been early or late 80’s. I liked the colourful mural like look of it so much, that I wanted to make it immediately. I got hold of whatever new cloth piece I could find at home, which happened to be orange. I made a drawing of the charminar on a paper and traced it on to the cloth. Once basic work is done, then there is the need for the colourful silk thread, plus a big size ring to fix the cloth and needles. All the paraphernalia was arranged and I set to work, till it finished. It is one my treasured created things, along with one another similar whimsy design which was actually front portion of a small jacket. Many years later I had that embroidered ‘charminar’ framed. Now that frame is also broken, and the orange cloth is lying somewhere in a drawer, waiting reframing or whatever is its destiny.

It so happened that I visited Hyderabad city in April 2019. There was a wedding to attend and some business related visit. It was my second visit there, first being in 2008, which incidentally coincided with the annual “Numa’ish”. It is a traditional yearly event in Hyderabad, which is an exhibition cum sale, on a huge scale and an area is devoted to this “numa’ish”. Special buses are run from the outskirts and surrounding areas for people to travel to and fro, and all that razzmatazz. People came for this exhibition in droves. Now I don’t know if it is the same with all the changes, huge malls being more attractive. I myself found it easier to roam around alone at IKEA, while my husband attended to business.

The annual “Numaish” is held in the second half of january and the night prior to ‘republic day’ all govt. building were lit up with colourful lights. We visited the ‘charminar’ on the night of 25th January, to see it aglow with white lights. During that visit we couldn’t go inside the monument, which we rectified during the 2019 visit. A portion of it was closed even, as it was damaged during the previous monsoon. The huge complex of ‘chowmohalla palace’ is in close vicinity, but it is like an oasis of peace, if feels like another place altogether in total contrast to the area surrounding ‘charminar’. I think it must have been a walled city once upon a time with its multiple gates in all 4 directions, as was traditional for great cities.

Now of course, the city manages to hold in great contrasts, with all the commercial areas hosting huge multinationals office complexes.

After the 2019 visited, I looked and looked for a song featuring the city of Hyderabad to post. But I did not find any such songs. But yesterday I was looking for a good song composed by Sardar Malik, and found this Rafi solo, a sales pitch song, composed by Sardar Malik, written by Hasrat Jaipuri which is entirely shot in locations of Hyderabad old city. It is said that “dhoondne se khudaa miltaa hai”, so what is a song, how would it not be found. I found this song when I had given up finding such a song. The movie is “Mera ghar mere bachche”(1960) and the song is picturised on Charlie. The films cast included Sohrab Modi, Sulochana, Sudesh Kumar, Kumari Naaz, Balraj – I, Daisy Irani, Kavita, Nana Palsikar, Subbiraj, Sadhna Chowdhry, and S’aadat Ali, apart from Charlie. This movie is produced and directed by Sohrab Modi.

The rendition by Rafi Sahab is as usual the star of the show second only to the magnificent charminar filmed 60 years ago. The print is good, so some other historical buildings can also be seen in the song, like Safdarjung museum(ghanta ghar), the Chowmohalla palace entrance etc.

6 out of the 9 songs in the movie are already posted in the blog :

Song Date posted
Bahaaron se poochho mere pyaar ko tum 22 September 2009
Dil mera naache thunak thunak 4 September 2010
Chanda ke desh mein rehti ek raani 11 March 2012
Wo hi oodi oodi ghataayen hain 1 July 2016
Zulm bhi karte hain aur kehte hain ke fariyaad na kar 19 June 2017
Peena haraam hai to nigaahen milaa ke pee 4 September 2020

The expressions in the song, like ‘sauda haathhon haathh hai’ , ‘muraaden dil ki bar aayen’, ‘andhere mein bahot kuchh soojh jaayegaa’, ‘aap ki munh mein ghee shakkar’,’ maare sharam ke phir gayaa paani’, so freely used are a refreshing reminder of a very civilized part of mumbaiyya dialect.

Video :

audio :

Song-Le lo jee paanch paanch aane (Mera Ghar Mere Bachche)(1960) Singer-Mohammed Rafi, Lyrics-Hasrat Jaipuri, MD-Sardar Malik

Lyrics

Mud mud ke
har koyi dekhe
maal mein kuchh to baat hai
paise do aur maal utthaao
sauda haathhon haathh hai
le lo ji le lo
paanch paanch aane ae
aayenge phir na aa
aise zamaane
haan
le lo ji le lo
paanch paanch aane ae
aayenge phir na aa
aise zamaane ae

yeh kangha leejiye
baabu
muraaden dil ki bhar aayen
koyi ganja
kare sar mein
to us ke baal aa jaayen
meraa surmaa
agar aise
ke ji andhaa lagaayegaa
to andhe ko
andhere mein
bahot kuchh soojh jaayegaa aa

ye surmaa kya hai jadoo mantar
aap ki munh mein ghee shakkar
jo bhi chaaho
le lo saayin
paise ki sab baat hai
paise do aur maal utthaao
sauda haathhon haathh hai
le lo ji le lo o
paanch paanch aane ae
aayenge phir na aa
aise zamaane
haan aane
le lo ji le lo o
paanch paanch aane ae
aayenge phir na aa
aise zamaane

ham ko London ka powder maangtaa hai
mem saab
idhar to India ka maal miltaa hai
haan khaalis hindustaani
hindustaani
chhee chhee chhee

hamaare desh ke har maal pe
duniyaa hai deewaani
videshi maal per
maare sharam ke
phir gayaa paani
lagaate hain nazar ham par
yeh cheeni aur japaani
chali aati hai lene maal
inglistaan ki naani
inglistaan ki naani eeee

tum letaa London se takkar
aap ke munh mein ghee shakkar
London waale laakh jalen
par uparwaala saathh hai
paise do aur maal utthaao
sauda haathhon haathh hai ae
le lo ji le lo
paanch paanch aane ae
aayenge phir na aa
aise zama..aane
haan aa
le lo ji le lo
paanch paanch aane ae
aayenge phir na aa
aise zamaane aewaah
le lo ji le lo
paanch paanch aane ae
aayenge phir na aa
aise zamaane


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4468 Post No. : 15961

‘Angulimaal’ (1960) was directed by Vijay Bhatt of Prakash Pictures which had been known for producing mythological and historical films among other genres. The film was a presentation of Thai Information Services Co Ltd. It is said that on the occasion of 2500th birth anniversary of Lord Buddha, Thai Government financed the film. I find from the credit title of the film that a Thai sounding name, Viratna Vidyabanich was as one of the production controllers. The star cast consisted of Bharat Bhushan, Nimmi, Anita Guha, Manmohan Krishan, Achala Sachdev, Chandrasekhar, Prem Adib, Ulhas, Kesri, Ram Mohan, Helen, Bimla, Sheila Kashmiri and Master Vinod Kumar (Vinod Mehra). The dialogues were written by a well-known Hindi writer and poet, Bhavani Prasad Mishra, the only film for which he wrote dialogues. Earlier, Bhavani Prasad Mishra had written lyrics for ‘Swayam Siddha’ (1949).

The story of the film is adapted from one of the Buddhist scriptures – ‘Angulimaal Sutta’. The story was said to have been in existence since 5th-4th Century BC which have been passed on to the next generations in the oral traditions until it was recorded in writing in the later centuries. As such, the original story of Angulimaal may have gone through some additions as it passed on to next generation in oral format. It is said that the family background of Angulimaal was not mentioned in the original story. Later on, it got incorporated in the story.

The story depicted in the film is as under:

On a stormy night, a son is born to the Royal Priest (Manmohan Krishan) of a kingdom. The Royal astrologer predicts that the boy would become a dreaded killer in his later years. The royal priest takes his new born son to the King (Prem Adib) for his blessings. The royal astrologer, however, suggests to the King that the boy should be killed to prevent him from becoming a dreaded killer. The King overrules him by saying that it is not right to kill a child when he has not committed a crime. Instead, King names him as ‘Ahinsak’ (Non-Violent) and orders that Ahinsak should be given proper education and the cultural upbringing so that he is prevented from becoming a killer.

During the 8th birthday celebration of King’s daughter, Princess Maya (Nimmi), King finds Ahinsak (Vinod Kumar) the most intelligent among the boys present at the occasion. He orders the Acharya (Ulhas) to take Ahinsak to his Gurukul for further studies. In the Gurukul, Ahinsak is introduced to Maruti, Dhanpal and Krishna among others. In the Gurukul, because of his all-round excellence in studies, sports, horse-riding and behaviour, Ahinsak becomes the darling of Acharya and his wife Gurumata (Anita Guha).

The boys have now grown up. Maruti (Chandrasekhar), Krishna (Kesri) and Dhanpal have become jealous of Ahinsak (Bharat Bhushan) as they cannot compete with him in any field. Another reason for jealousy for Maruti is that Princess Maya likes Ahinsak and Maruti is eyeing on marrying her. So, all three of them conspire to poison the mind of Acharya against Ahinsak by making some false allegations. One of the false allegations made by Dhanpal is that Ahinsak is having illicit relations with Gurumata. In the spur of the moment, Ahinsak kills Dhanpal for making a wild allegation. With this incidence, Acharya thinks that the prediction of the astrologer about Ahinsak becoming a killer may come out to be true. He expels Ahinsak from the Gurukul. His parent and his friends also shun him for life. The king announces a booty on his head. In the circumstances, he had no alternative but to run away in the forest where he makes friendship with animals but hates human beings. He starts the ruthlessly killings of human being whenever he sees them. In this process, he starts collecting a finger each of his killer. He takes a pledge to kill a thousand persons and to make a garland of fingers (Angulimaal) of those killed by him.

Angulimaal is now one short of his target of 1000 killings. He is about to kill a person in the darkness without knowing as to who the person was. The person happens to be his mother who had stepped out in search of her son and has been wandering in the forest for many days. When Angulimaal was about to kill her, he finds his hand holding a sword getting locked. He tries many times but his handis not able to raise the sword to kill the person. Then he sees a divine person appearing in front of him who is none other than Lord Buddha. Angulimaal tries to kill him but he is not able to catch-up with him. In desperation, Angulimaal asks him as to who he is.

After a series of arguments and questions, Angulimaal finds that this divine person still loves him after his horrible killings. He throws his sword and follows the advice of Lord Buddha to become a monk. He goes back to the people in the street of his royal palace, asking for forgiveness. But instead he is attacked by people throwing stones at him. He gets injured but continues to plead for forgiveness. At the right time, Princess Maya, who has become a monk, comes and rescues him from the mad crowd. She takes him to the monastery. The film ends with Angulimaal dressed as a monk, walking through the street for alms. Instead of stones, people now shower him with flowers and seeking his blessing.

There are 7 songs in ‘Angulimaal’ (1960) of which 5 songs have been covered on the Blog. All the songs were written by Bharat Vyas which was set to music by Anil Biswas. I was surprised to note that of the remaining two songs, the theme song and that too the most popular song of the film, ‘Buddham sharanam gachchaami’ is yet to be covered on the Blog. So, here is the theme song of about 10 minutes of duration which I am presenting with this article. The song is majorly rendered by Manna Dey except four lines which is rendered by Asha Bhosle lip syncing for Nimmi.

The song was not a cake walk for presentation as I found that there were many parts of the songs on the video sharing platform – some incomplete also. Fortunately, I found an audio clip of the song containing all the 6 parts of the song. Each stanza of the song has been rendered separately as background song. But video clips of a couple of parts of the song were not available. Also, it was necessary to know the sequence of each part of the song as it appears in the film. Instead of presenting the video clips in driblets, that too incomplete, I have made a new video clip by ripping off all the available parts of the song from the DVD of the film and uploaded the same. Unfortunately, Part-2 of the song is not available on the DVD of the film.

I give below the part-wise sequence of the song as appearing in the filmand the context thereof.

Part-1: As background song while credit titles of the film is displayed on the screen

Part-2: Missing in the DVD of the film. Probably this part was the continuation of Part-1. This part can be heard from the audio clip.

Part-3: The song is played in the background when Gurumata (Anita Guha) was about to commit suicide by jumping from a hill top into the river for tarnishing her name linking with Ahinsak (Bharat Bhushan). A monk’s sermons in the background stops her from committing suicide. She joins a monastery.

Part-4: Princess Maya (Nimmi) after failing to persuade Angulimaal to give up killings and join her, she is distressed that Angulimaal would continue to indulge in his killings. She decides to join monastery.

Part-5: Angulimaal (Bharat Bhushan) is about to kill his mother (Achala Sachdev). But the background song prevents him from using his sword as his hand muscle gets locked.

Part-6: Background song as Angulimaal, as a reformed man and now a monk, walks through the streets.

The lyrics in every line of the song has deep philosophical and inspirational thoughts. This song has as much of relevance today as was 60 years back when it was written by Bharat Vyas.

This is a devotional cum inspirational song which has a soothing effect on the mind.

Video Clip:(All Parts except Part-2)

Audio Clip: (All – Parts 1 to 6)

Song-Buddham sharnam gachhaami (Angulimaal)(1960) Singers-Manna Dey, Asha Bhonsle, Lyrics-Bharat Vyas, MD-Anil Biswas
Chorus
Manna Dey + Chorus

Lyrics(Based on Audio Clip)

—————————–
Part-1
—————————–

buddham sharanam gachchhaami
dhammam sharanam gachchhaami
sangham sharanam gachchhaami

ghabaraaye ae ae jab mann anmol
aa aa aa aa aa aa
hriday ho uthhe daanvaadol
aa aa aa aa aa aa

ghabaraaye jab mann anmol
aur hriday ho daanvaadol
tab maanav tu mukh se bol
buddham sharanam gachchhaami ee
tab maanav tu mukh se bol
buddham sharanam gachchhaami ee
buddham sharanam gachchhaami
dhammam sharanam gachchhaami
sangham sharanam gachchhaami

—————————–
Part-2
—————————-
jab ashaanti ka raag uthhe
laal lahu ka phaag uthe
hinsa ki wo aag uthhe
maanav mein pashu jaag uthe…ae ae
upar se muskaate ??
bheetar zahar rahe wo ghol
tab maanav tu mukh se bol
buddham sharanam gachchhaami ee
tab maanav tu mukh se bol
buddham sharanam gachchhaami ee
buddham sharanam gachchhaami
dhammam sharanam gachchhaami
sangham sharanam gachchhaami

—————————
Part-3
—————————-
aa aa aa aaa
aa aa aaa
aa aa aaa
aa aa aa aa aaa
jab dukh ki ghadiyaan aayen
aa aa aa aa
sachh par jhooth vijay paaye
aa aa aa aa
iss nirmal paavan mann par
jab kalank ke ghan chhaayen..en en
anyaayon ki aandhi se
praan uthhe jab tere dol
tab maanav tu mukh se bol
buddham sharanam gachchhaami ee
tab maanav tu mukh se bol
buddham sharanam gachchhaami ee
buddham sharanam gachchhaami
dhammam sharanam gachchhaami
sangham sharanam gachchhaami

——————————–
Part-4
——————————–
roothh gaya jab sun’ne waala
kis’se karoon pukaa…aa aar
pyaar kahaan pahchaan saka ye
ye nirdayi sansaa…r

nirdayata jab lewe jaan
daya huyi ho antardhyaan
jab ye chhota sa insaan
bhool raha apna bhagwaan aan
satya tera jab ghabaraaye
shraddha ho jab daanvaadol
tab maanav tu mukh se bol
buddham sharanam gachchhaami ee
tab maanav tu mukh se bol
buddham sharanam gachchhaami ee
buddham sharanam gachchhaami
dhammam sharanam gachchhaami
sangham sharanam gachchhaami

—————————————-
Part-5
—————————————-
buddham saranam gachchhaami
jab duniya se pyaar uthhe ae ae ae ae ae
jab duniya se pyaar uthhe
nafrat ki deewaar uthhe
maa ki mamta par jis din
bete ki talwaar uthhe….ae ae ae
aaa aaa aaa aaa
dharti ki kaaya kaanpe
ambar dagmag uthhe dol
tab maanav tu mukh se bol
buddham sharanam gachchhaami
tab maanav tu mukh se bol
buddham sharanam gachchhaami
buddham sharanam gachchhaami
dhammam sharanam gachchhaami
sangham sharanam gachchhaami
buddham sharanam gachchhaami
dhammam sharanam gachchhaami
sangham sharanam gachchhaami
buddham sharanam gachchhaami

——————————–
Part-6
———————————
door kiya jis ne jan-jan ke
vyaakul mann kaa aa andhiyaara aa aa
jiski ek kiran ko chhoo kar
chamak uthha ye jag saara

deep satya kaa sada jale
daya ahinsa sada phale
sukh shaanti ki chhaaya mein
jan-gan-man kaa prem pale ae ae
Bhaarat ke bhagawan Buddha ka
goonje ghar ghar mantra amol
hey maanav nit mukh se bol
buddham sharanam gachchhaami
hey maanav nit mukh se bol
buddham sharanam gachchhaami
buddham sharanam gachchhaami
dhammam sharanam gachchhaami
sangham sharanam gachchhaami
buddham sharanam gachchhaami
dhammam sharanam gachchhaami
sangham sharanam gachchhaami
buddham sharanam gachchhaami
dhammam sharanam gachchhaami
sangham sharanam gachchhaami


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4440 Post No. : 15885

———————————————–————————————
Blog 10-Year Challenge (2010-2020) – Song No. 78
———————————————————————————–

This day ten years ago viz 13 september 2010 saw six songs getting covered. The fist post appeared at 6:06 AM whereas the sixth and final post of the day appeared at 17:37 AM. Six songs posted within 91 minutes. That is called making short work of the daily blog target ! 🙂

Here are the details of the six songs discussed on 9 september 2010:-

Blog Post number Song Movie Year of release Remarks
2957 Man letaa hai angdaayi Anmol Ghadi 1946 YIPPEED
2958 Haay re insaan ki majbooriyaan Ghoonghat 1960 7 songs covered out of 10
2959 Jhanan jhanjhanaa ke apni paayal Aashiq 1962 YIPPEED
2960 Chale jaanaa zaraa thahro Multiple version song Around the world 1967 YIPPEED
2961 Ba hosho hawaas mein deewaanaa Night in London 1967 YIPPEED
2962 One two three baby yaa yaa yaa Kismat 1968 YIPPEED

As can be seen from the above table, five movies out of six whose songs were covered ten years ago have since been YIPPEED. “Anmol Ghadi”(1946) and “Kismat”(1968) got YIPPEED ten years back on this day viz on 13 september 2010 !

So, that leaves us with “Ghoonghat”(1960) as the sole movie eligible for today’s blog Ten year challenge.

As many as seven songs of “Ghoonghat”(1960) have been covered so far. Here are the details:-

Song Posted On
Laage naa moraa jiyaa 13.05.2009
Mori chham chham baaje paayaliyaa 14.05.2009
Kyaa kyaa nazaaren dikhaatin hai ankhiyaan 06.09.2009
Do nain milye do phool khiley 08.09.2010
Haay re insaan ki majbooriyaan 13.09.2010
Ye zindagi ka mausam aur ye samaa suhaanaa 24.03.2012
Meri pat raakho Giridhaari 8.09.2020

Here is the eighth song from Ghoonghat”(1960) to appear in the blog. This song is a stage dance performance song. It is sung by Asha Bhonsle and it is picturised on Helen and others. No, it is not a cabarat song, rather it is a proper desi dance performance, where Helen lip syncs in not just Hindi but also in Tamil, Bangla and Punjabi, accompanied by the appropriate regional dances as well.

The picturisation shows Helen and others on stage. Dancing legend Gopi Krishna also joins during the Tamil part of the song.

The audience seated in the front row include Pradeep Kumar, Bina Rai, Minu Mumtaz etc.

Shakeel Badayuni is the lyricist. Music is composed by Ravi.

Lyrics of the song were sent to me by Prakashchandra, who has done a gallant job in attempting to note down the lyrics of all the languages. I request our knowledgeable readers to help suggest corrections in the lyrics wherever applicable.

video link (Full)

audio link part 1

audio link part 2nd

Song-Dil na kahin lagaana zaalim hai ye zamaana (Ghoonghat)(1960) Singer-Asha Bhonsle, Lyrics-Shakeel Badayuni, MD-Ravi

Lyrics(Provided by Prakashchandra)

dil na kahin lagaana
zaalim hai ye zamanaa
dil na kahin lagaana
zaalim hai ye zamanaa
pyaar koi jo kare duniya kare haa…aa aa aaye
dil na kahin lagaana
zaalim hai ye zamaanaa
pyar koi jo kare duniya kare

haayye
dil na kahin lagaanaa
zaalim hai ye zamaanaa..aaa

raste mein ik din mila mujhe ik dilwaala
raste mein ik din mila mujhe ik dilwaala
kehne laga woh teri ankhiyon ka main hoon matwaala
main ne na jaana
mujhe dekhe hai zamaanaa
main to masti mein gaane lagi
yeroo putti puwwaayye inne chinanney
mmm….tongammillam perumme inne chinanney
yeroo putti puwwaayye inne chinanney
mmm….tungammillam perumme inne chinanney
yeroo putti puwwaayye inne chinanney
(haaan…aaan…aaan…aaannn )
mmm….tungammillam perumme inne chinanney( aaan…aaan…aaan…aaannn )

duniya daraane lagi
baatein banaane lagi
bhaagi rey main to apni jaan bachaa..aaaye/bachaa
dil na kahin lagaana
zaalim hai ye zamaana
pyar koi jo kare duniya kare

haa..aayye
dil na kahin lagaanaa
zaalim hai ye zamanaa

raste mein ek din mila mujhe baanka ik chhailaa
raste mein ek din mila mujhe baanka ik chhailaa
kehne lagaa woh tere saamne to chandaa bhi hai maila
main ne na jaana mujhe dekhe hai zamanaa
main to masti mein gaane lagi
tumee jey aamaar
o go tumee jey aamaar
kaane kaane shudho
ek baar bolo
tumi jey aamaar aar
tumi jey aamaar (shotti go oo ooo o o o)
o go tumi jey amaar (oo oooo oooo ooo)
tumi jey amaar(oo oooo oooo ooo)
o go tumi jey amaar (oo oooo oooo ooo)

duniya daraane lagi
baatein banaane lagi
bhaagi rey main to apni jaan bachaa.. aa aaye
dil na kahin lagaana
zaalim hai ye zamaanaa
pyar koi jo kare duniya kare

haayye haayye ae
dil na kahin lagaanaa
zaalim hai ye zamaanaa

raste mein ik din mila mujhe ik albela
raste mein ik din mila mujhe ik albela
kehne lagaa o beli tere bina dil hai akela
maine na jaanaa mujhe dekhe hai zamaana
main to masti mein gaane lagi
heyye
hadippa hadippa adippaa
balley balley balley balley balley balley ae

oyye kuwen wakirey waaliyaan
main kehniyaan
kar chhatri di chhaaon mein chhaa vikhaawe bainiyaan aan
oyye kunwen wakirey waaliyaan
main kehniyaan
kar chhatri di chhaaon mein chhaa vikhaawe bainiyaan aan

oyye kunwe wakirey waaliyaan aan aan aan
ho o o o hoo o o o ho o oo o o o o
oyye kunwen wakire waaliyaan sunnnn kikraaawein
kikra laayeen bahaar mele mitraa den aen aen aen
oyye kunwen wakire waaliyaan ?? kikraaawein
kikra laayi bahaar mele mitraawein aen aen

oyye oyye oyye oyye oyye oyye oyye oyye oyye oyye oyye oyye
balley balley balley balley balley balley ae ae
oyye oyye oyye oyye
oooooooooo
hadippa hadippa hadippa hadippa hadippa
balley balley balley balley ae ae
o o o o o o o o oo
balley balley
oyye oyye oyye oo oooooo


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4435 Post No. : 15874

———————————————–————————————
Blog 10-Year Challenge (2010-2020) – Song No. 73
———————————————————————————–

On this day ten years ago viz on 8 September 2010, six songs from six movies were covered, as was the norm those days.

Here are the details of the six songs:-

Song Movie title-Year Remarks
Aawaaz de kahaan hai duniyaa meri jawaan hai Anmol Ghadi-1946 All songs covered
Rahiye ab aisi jagah chal kar jahaan koi na ho Mirza Ghalib-1954 All songs covered
Nazren uthaa ke zaraa dekh le Chacha Zindabad-1959 All songs covered
Do nain milye do phool khiley Ghoonghat-1960 06 songs posted
Shokh nazar ki bijliyaan Wo Kaun Thi-1964 All songs covered
Aagre se ghaaghro mangaa de rasiyaa Chor Machaaye Shor-1974 All songs covered

Except one movie, all other five movies, that got represented that day have been YIPPEED by now.

That leaves us with just “Ghoonghat”(1960) as the sole movie eligible for today’s blog Ten year challenge.

As many as six songs of “Ghoonghat”(1960) have been covered so far. Here are the details:-

Song Posted On
Laage naa moraa jiyaa 13.05.2009
Mori chham chham baaje paayaliyaa 14.05.2009
Kyaa kyaa nazaaren dikhaatin hai ankhiyaan 06.09.2009
Do nain milye do phool khiley 08.09.2010
Haay re insaan ki majbooriyaan 13.09.2010
Ye zindagi ka mausam aur ye samaa suhaanaa 24.03.2012

Here is a song from “Ghoonghat”(1960). This song is sung by Lata. Shakeel Badayuni is the lyricist. Music is composed by Ravi.

The song is picturised on Bina Rai who is seen singing this bhajan in front of an idol of Lord Krishn. Though I consider my Hindi knowledge to be quite decent, I am stumped by this word “pat” in the lyrics. I request our nowledgeable readers to tel us the meaning of this word in the lyrics. Is this word in some way a synonym of “laaj” ?

Lyrics of this song were sent to me by Prakashchandra and the blog ten year challenge details were sent by Avinash Scrapwala.

audio link:

video link:

Song-Meri pat raakho Giridhaari (Ghoonghat)(1960) Singer-Lata, Lyrics-Shakeel Badayuni, MD-Ravi

Lyrics(Provided by Prakashchandra)

pat raakho o o Giridhaari
pat raakho rey ae ae ae Giridhaari

meri pat raakho giridhaari..ee
meri pat raakho giridhaari
meri pat raakho giridhaari..ee
meri pat raakho giridhaari
main dukhiya sharan tihaari..ee
meri pat raakho giridhaari..ee
meri pat raakho giridhaari

chhod tumhaara
dwaar prabhu main
kiske dwaarey jaaoon..oon..oon
chhod tumhaara
dwaar prabhu main
kiske dwaarey jaaoon..oon
tum bin meraa
kaun sahaara
kiski aas lagaaoon
ye bolo krishn muraari ee
meri pat raakho giridhaari…ee
meri pat raakho giridhaari

dekho meri
beech bhanwar mein
doob rahi hai naiyya
chaaron oar hai ghoar andhera
koi nahin khiwaiyyaan
toofaan uttha hai bhaari ee ee
mujhe shakti do o o o
mujhe shakti do banwaari ee
meri pat raakho giridhaari..eee
meri pat raakho giridhaari
main dukhiya sharan tihaari..ee ee
meri pat raakho giridhaari ee
meri pat raakho giridhaari


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 16200 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16244

Number of movies covered in the blog

Movies with all their songs covered =1252
Total Number of movies covered =4410

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