Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Romantic song’ Category


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day:

4365 Post No. : 15692

Hullo Atuldom

Today I did a tiny research with the resources available at my disposal. I have inferred that the music duo Kalyanji Anandji have scored music for most of the movies where Feroz Khan was in the lead; till the time of Kalyanji’s passing in 2000. In fact, I found two Feroz Khan starring movies, on our blog, that are on the threshold of being yippeee’d. One has two songs left, but the album of that movie shows that Kalyanji-Anandji have given music for three sequences where there is no song. I am sure one music piece has Helen burning the dance floor, that is as brilliant as is the theme music for that movie. So for today we leave that movie alone and concentrate on the one that is one short of yippeee-hood.

That film is ‘Shankar Shambhu’ (1976). The four out of possible five songs from that move were posted thus:-

No. Song Title Post No. Post Date
1 Hum Lootne Aaye Hain Hum Loot Ke Jaayenge 11964 1-Apr-16
2 Aa Pahunchi Hai Is Mele Mein Saddi Aaj Sawaari 12492 25-Oct-16
3 Mera Dil Chura Kar Na Aankhen Churaa 15075 17-Jun-19
4 Gar Nibhaane Ki Himmat Na Thhi Aap Mein 15565 27-Apr-20

The final song of the movie is sung by Asha Bhonsle and Mohammad Rafi. It has Feroz Khan romancing Sulakshana Pandit in various locations. If my memory is right the couple have just got wet because they jump out of the boat on which they were having a joy ride in a lake to escape from constables led by Bhagwan Dada.

I don’t know what is there left to write about the music duo that the readers of this blog don’t know. So without much ado let us get to the song and thank Kalyanji Virji Shah (who would have been 92 today) and his brother Anandji Virji Shah for the treasure trove of songs that they have left for us to relish. And on the blog we have 583 from a possible 1435 songs i.e. not even halfway done.

With this post now, ‘Shankar Shambhu’ has all its songs on the blog.

Video

Audio

Song – Bheege Huye Jalwon Par Aise Na Nazar Daalo  (Shankar Shambhu) (1976) Singer – Asha Bhosle, Mohammed Rafi, Lyrics – Sahir Ludhianvi, MD – Kalynji Anand ji
Asha Bhosle + Mohammed Rafi

Lyrics 

bheege huye jalwon par 
aise na nazar daalo
bheege huye jalwon par 
aise na nazar daalo
bheege huye jalwon par 
aise na nazar daalo
dil chaahe idhar rakho 
par aankh udhar daalo
bheege hue jalwon par

in garam nigaahon se 
jazbaat bhadakte hain
in garam nigaahon se 
jazbaat bhadakte hain
ehsaas sulagta hai 
armaan dhadkate hai
ruk jaao 
ruk jaao
ruk jaao abhi dil par
itna na asar dalo
bheege huye jalwon par 
aise na nazar daalo
bheege huye jalwon par

soyi hui dhadkan ko 
khud tumne jagaaya hai
soyi hui dhadkan ko 
khud tumne jagaaya hai
saanso se pukaara hai 
nazaron se bulaaya hai
mat apni khataon ko
mat apni khataon ko 
ab aur ke sar daalo
oooo
bheege huye jalwon par 
aise na nazar daalo
bheege huye jalwon par

kab hamne kaha tumse 
hum tum pe nahin marte
kab hamne kaha tumse 
hum tum pe nahin marte
tum kuch bhi kaho tum par 
ilzam nahi dharte
bereham ho 
bereham ho
bereham ho qaatil ho 
ye qatl bhi kar daalo
hmmm mm hmm
hmmm mm hmm
dil chaahe idhar rakho 
par aankh udhar daalo

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

भीगे हुये जलवों पर
ऐसे न नज़र डालो
भीगे हुये जलवों पर
ऐसे न नज़र डालो
भीगे हुये जलवों पर
ऐसे न नज़र डालो
दिल चाहे इधर रखो
पर आँख उधर डालो
भीगे हुये जलवों पर

इन गरम निगाहों से
जज़्बात भड़कते हैं
इन गरम निगाहों से
जज़्बात भड़कते हैं
एहसास सुलगते हैं
अरमान धड़कते हैं
रुक जाओ
रुक जाओ
रुक जाओ अभी दिल पर
इतना ना असर डालो
भीगे हुये जलवों पर
ऐसे न नज़र डालो
भीगे हुये जलवों पर

सोई हुयी धड़कन को
खुद तुमने जगाया है
सोई हुयी धड़कन को
खुद तुमने जगाया है
साँसों से पुकारा है
नज़रों से बुलाया है
मत अपनी खताओं को
मत अपनी खताओं को
अब और के सर डालो
ओ ओ
भीगे हुये जलवों पर
ऐसे न नज़र डालो
भीगे हुये जलवों पर

कब हमने कहा तुमसे
हम तुम पे नहीं मरते
कब हमने कहा तुमसे
हम तुम पे नहीं मरते
तुम कुछ भी कहो तुमपे
इल्ज़ाम नहीं धरते
बेरहम हो
बेरहम हो
बेरहम हो क़ातिल हो
ये कत्ल भी कर डालो
हम्ममम म्मम हम्ममम
हम्ममम म्मम हम्ममम
दिल चाहे इधर रखो
पर आँख उधर डालो

 


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4310 Post No. : 15587

Maangne Se Jo Maut Mil Jaati
Kaun Jeeta Is Zamaane Mein

Lata ji’s voice is so truly a match for the sadness oozing from this song, that seems to be so steeped in dejection and sorrow. The film – ‘Sunehre Kadam’ – the last one in Hindi cinema that he composed for in 1966. And as if this expression was not adequate, the film also has another equally melancholic song to match the depths of misery – “Na Baaz Aayaa Muqaddar Mujhe Mitaane Se”.

Bulo C Rani – music director, whose talent was never in question, and yet, in his career he stayed forever, in the sidelines and under the shadows of the bigger names in film. We celebrate his 99th anniversary of birth today, 6th May.

He was born this day in the year 1921, in Hyderabad, Sindh (now in Pakistan). As is with so many of the other lesser known artists of that era, practically no biographic information is documented. His father was a well known musician in his time. Bulo himself was a good singer and used to sing sufi kalaam, especially that of Abdul Shah Lateef. His love for music brought him to Lahore. He was just 21 at that time.

The shooting and processing of the film ‘Khandaan’ (1942) was in progress. Bulo met with Ghulam Haider, but did not get much attention from him. Then he also chanced to meet with DN Madhok, and a very good friendship came about. Madhok Sb got the young Bulo to travel with him to Bombay (now Mumbai). Once there, Madhok Sb got the young musician introduced into the world of Ranjeet Studios in the music department. He assisted Khemchand Prakash and Gyan Dutt in films like ‘Chandni’ (1942), ‘Sukh Dukh’ (1942), ‘Tansen’ (1943),  ‘Shahenshah Babar’ (1944) etc. In 1943 itself, his name appears for the first time in credits as a music director. He shares the music direction work with Gyan Dutt, for the film ‘Paighaan’ (1943). This is followed by a full independent responsibility for music direction, for the film ‘Caravan’ (1944).

Besides shaping up as a music director, the young Bulo was also singing. In his own films and also in films under the music direction of Khemchand Prakash and Gyan Dutt. He sang under the name of Bhola. Now that I read this name, I am wondering, whether the first name ‘Bulo’ is a variation on the name ‘Bhola’ that he used as a singer, and whether that his real first name was Bhola or Bhola-something.

With ‘Paighaam’ starts a journey of about two and a half decades during which he has given music to a little less than 600 songs in 68 or so films.

An interesting side note here. In the 1958 film ‘Al Hilal’, Bulo C created an iconic qawwaali of gigantic and everlasting popularity – “Hamen To Loot Liya Mil Ke Husn Waalon Ne”. After that, he tried to recreate the same magic in practically every alternate film that he did in the next 7 to 8 years. One qawwali by him appears in the films ‘Tin Tin Tin’ (1959), ‘Black Tiger’ (1960) , ‘Pedro’ (1960), ‘Anarbaala’ (1961), ‘Room No. 17’ (1961), ‘Jaadu Mahal’ (1962), ‘Madame Zorro’ (1962), ‘Magic Box’ (1963), ‘Haqdaar’ (1964) and ‘Son Of Hatitai’ (1965). The tone of the qawwaalis is almost similar to the iconic qawwaali of ‘Al Hilal’. But alas, none of the later qawwaalis made any lasting impression.

After the mid 1960s, no more work came his way. The mood of the Hindi film music was under transition, and like a few other music directors, he slowly faded from the memory – both of the listening public and of the film producer fraternity, He did work on some Sindhi films, and started giving coaching classes for music. Forgotten by the industry and his friends, he descended into depression in his later years. The dejection in life came to such an extreme that he eventually ended his own life (May 24, 1993). That he could not get by asking, he snatched it for himself –

maangne se to nahin mili to badh ke khud hi chheen li
jeena nahin tha aur is zamaane mein

The song presented today is quite uncharacteristic in style. This sounds more like an OP Nayyar-ish melody than a Bulo C Rani tune. The film is ‘Black Tiger’ from 1960. The film is produced by MH Doctor under the banner of Highway Pictures, Bombay and is directed by Akku. It is a stunt film with the star cast listed as Nadira, Azad, Sheikh, Ram Raseela, Habeeb, Jilani, Heera Sawant, Najma, Charanjeet, Arvind Kumar, Malik, Maqbool, Kedar, Gulab, Daatu, Sadhna, and Belan etc. Hmm, it is interesting to note – Nadira appearing in the female lead role in a stunt film in 1960. That is if she is the same Nadira that we are familiar with. I request other knowledgeable readers and friends to please add more information about this.

The film has 6 songs. 5 of them are written by Saba Afghani and the sixth one is by Tabish Kanpuri. This song is from the pen of Saba Afghani. The singing voices are of Geeta Dutt and Mahendra Kapoor. A delightful song of romantic exchange that has a very pleasing sound.

Listen and enjoy.

Song – O Parwaana, Kehta Hai Kya Afsaana  (Black Tiger) (1960) Singer – Geeta Dutt, Mahendra Kapoor, Lyrics – Saba Afghani, MD – Pt Shivram
Geeta Dutt + Mahendra Kapoor

Lyrics

o parwaana
kehta hai kya afsaana
zara tum bhi kaho ji
o deewaana
laaya hai dil nazraana
zara suno suno ji
o parwaana
kehta hai kya afsaana
zara tum bhi kaho ji

ye mausam
ye raaten
ye baaten khoyi khoyi
ye masti
ye shokhi
dil kaise bachaaye koi
ye mausam
ye raaten
ye baaten khoyi khoyi
ye masti
ye shokhi
dil kaise bachaaye koi
oo oo meri adaayen
khaali na jaayen
meri adaayen. . .
khaali na jaayen
jo bhi mujhse aankh milaaye
aahen bhare
o chhalkaana
in nazron ka paimaana
zara suno suno ji
o parwaana
kehta hai kya afsaana
zara tum bhi kaho ji

khul jaayen
ye zulfen
to mehfil ko mehka den
utth jaayen
ye nazren
to duniya ko behka den
khul jaayen
ye zulfen
to mehfil ko mehka den
utth jaayen
ye nazren
to duniya ko behka den
oo oo kaali ghataayen
jhoom ke aayen
kaali ghataayen. . .
jhoom ke aayen
saawan ki rut
nacche chham chham
aage tere
pehchaana
kyun kaisa hai nishaana
zara tum bhi kaho ji
o deewaana
laaya hai dil nazraana
zara suno suno ji

sarkaa doon
main aanchal
to chanda bhi sharmaaye
kaliyon ka
dil dhadke
phoolon ko paseena aaye
sarkaa doon
main aanchal
to chanda bhi sharmaaye
kaliyon ka
dil dhadke
phoolon ko paseena aaye
ho oo dil mein samaaye
mast banaaye
dil mein samaaye. . .
mast banaaye
honth gulaabi
nain raseele
jaadu bhare
ye maana
tumhaara hai zamaana
zara suno suno ji
o parwaana
kehta hai kya afsaana
zara tum bhi kaho ji
arre deewaana
laaya hai dil nazraana
zara suno suno ji

——————————————–
Hindi script lyrics (Provided by Sudhir)
———————————————

ओ परवाना
कहता है क्या अफसाना
ज़रा तुम भी कहो जी
ओ दीवाना
लाया है दिल नज़राना
ज़रा सुनो सुनो जी
ओ परवाना
कहता है क्या अफसाना
ज़रा तुम भी कहो जी

ये मौसम
ये रातें
ये बातें खोई खोई
ये मस्ती
ये शोख़ी
दिल कैसे बचाए कोई
ये मौसम
ये रातें
ये बातें खोई खोई
ये मस्ती
ये शोख़ी
दिल कैसे बचाए कोई
ओ ओ मेरी अदाएं
खाली ना जाएँ
मेरी अदाएं॰ ॰ ॰
खाली ना जाएँ
जो भी मुझसे आंख मिलाए
आहें भरे
ओ छलकाना
इन नज़रों का पैमाना
ज़रा सुनो सुनो जी
ओ परवाना
कहता है क्या अफसाना
ज़रा तुम भी कहो जी

खुल जाएँ
ये ज़ुल्फें
तो महफिल को महका दें
उठ जाएँ
ये नज़रें
तो दुनिया को बहका दें
खुल जाएँ
ये ज़ुल्फें
तो महफिल को महका दें
उठ जाएँ
ये नज़रें
तो दुनिया को बहका दें
ओ ओ काली घटाएँ’
झूम के आयें
काली घटाएँ॰ ॰ ॰
झूम के आयें
सावन की रुत
नाचे छम छम
आगे तेरे
पहचाना
क्यों कैसा है निशाना
ज़रा तुम भी कहो जी
ओ दीवाना
लाया है दिल नज़राना
ज़रा सुनो सुनो जी

सरका दूँ
मैं आँचल
तो चंदा भी शरमाये
कलियों का
दिल धड़के
फूलों को पसीना आए
सरका दूँ
मैं आँचल
तो चंदा भी शरमाये
कलियों का
दिल धड़के
फूलों को पसीना आए
ओ ओ दिल में समाये
मस्त बनाए
दिल में समाये॰ ॰ ॰
मस्त बनाए
होंठ गुलाबी
नैन रसीले
जादू भरे
ये माना
तुम्हारा है ज़माना
ज़रा सुनो सुनो जी
ओ परवाना
कहता है क्या अफसाना
ज़रा तुम भी कहो जी
अरे दीवाना
लाया है दिल नज़राना
ज़रा सुनो सुनो जी


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4305 Post No. : 15576

Imagine, a tall and lanky young man from India, trained to be a wrestler, and a state level sportsman from Bengal, appearing in the Indian contingent at the Olympics in 1936 / 1940 / 1944. Unfortunately (or maybe fortunately) the Olympics of 1940 and 1944 were cancelled due to the ongoing World War II. Had there been peace in the world during those years, maybe the course of history of the Hindi film music may have been different.

Well OK, the previous paragraph is quite speculative. But yes, the fact is that in his younger years, PC Dey was much more inclined towards body building and wrestling. Trained by one Gorobabu, a pehalwan of repute in Bengal, he represented his institution, Vidyasagar College of Calcutta (now Kolkata) at the state level championships and reached the finals in his category. Never mind that his uncle, the renowned KC Dey, would continue to press him to take his music training more seriously. But that was not to be so. Well, for some time at least.

The young Prabodh Chandra developed weakness in his eyesight, which became a handicap in continuing his proposed career as a wrestler. Getting into the wrestling ring with eyeglasses was never a good option. And so, this vision problem coupled with the second World War eventually decided the career path for this young man. And that, to the greater gain and benefit for the music lovers of this country.

Remembering Manna Dey, the stalwart singer of Indian film industry, on the 101st anniversary of his birth today. Born in 1919, we celebrate it today in 2020.

His uncle, KC Dey would goad him, guide him and train him with a vision to for Manna Da to become one of the top singers in the country. In 1942, KC Dey was preparing music for the film ‘Tamanna’. He called upon his nephew to sing a duet with Suraiya – “Jaago Aayee Usha. . .”. With this song, the film career of Manna Dey was launched.

A little time later, Vijay Bhatt and Shankar Rao Vyas approached KC Dey to request him for playback singing in their upcoming film – ‘Ram Rajya’ (1943). Understandably, KC Dey declined the offer, since he would never give playback to any other actor. Providence would have it that the young Manna was also in the room at that time. Vijay Bhatt then directed his attention to the nephew singer. The consent was given and the agreement was in place. Manna Dey would sing for Shankar Rao Vyas in this upcoming film. The song “Tyagmayi Tu Gayi. . .” is the first solo song recorded by Manna Da.

More recordings followed. And then we come to 1950, and the film ‘Mashaal’. The song is “Upar Gagan Vishal“. Manna Dey, and his voice have arrived on to the Hindi film stage.

But then, yes, there is more to his voice than just the film songs. There is a wonderful set of non-film songs that he has recorded during his career. I bring to attention this endearingly beautiful piece, that is written by Madhukar Rajasthani. The music composition is by Manna Da himself. A wondrous song of the first tryst between the lovers. So less words, so short and sweet. And yet, the entire saga of that encounter is ensconced in this brief song of two antaraas. A small pearl from the nose pin of the damsel, gets loose and is lost. And the poet says,

kajraari akhiyaan
reh gayin roti re. . .

Beautiful, simply delightful – that is the softness of this singing voice. Manna Dey – at 101.


Song – Sajni. . . Nathli Se Toota Moti Re (Manna Dey – NFS) (1982) Singer – Manna Dey, Lyrics – Madhukar Rajasthani, MD – Manna Dey

Lyrics

sajni..ee

sajni..ee

nathli se toota moti re
nathli se toota moti re
kajraari akhiyaan
reh gayin roti re
kajraari akhiyaan
reh gayin roti re
nathli se toota moti re
sajni..ee
nathli se toota moti re

roop ki agiya
ang mein laagi
ang mein laagi
kaise chhupaa..aaye
laaj abhaagi
laaj abhaagi
manwa. . .
kehta. . .
bhor kabhi na hoti re
kajraari akhiyaan
reh gayin roti re
nathli se toota moti re

bholi dulhaniya
palken jhukaaye
palken jhukaaye
ghunghatwa mein
sehme lajaaye
sehme lajaaye
balmaa..aa
padhaaye
preet ki pehli pothi re
kajraari akhiyaan
reh gayin roti re
nathli se toota moti re

——————————————–
Hindi script lyrics (Provided by Sudhir)
———————————————

सजनी॰॰ई

सजनी॰॰ई

नथली से टूटा मोती रे
नथली से टूटा मोती रे
कजरारी अखियाँ
रह गईं रोती रे
कजरारी अखियाँ
रह गईं रोती रे
नथली से टूटा मोती रे
सजनी॰॰ई
नथली से टूटा मोती रे

रूप की अगिया
अंग में लागि
अंग में लागि
कैसे छुपा॰॰आए
लाज अभागी
लाज अभागी
मनवा॰ ॰ ॰
कहता॰ ॰ ॰
भोर कभी ना होती रे
कजरारी अखियाँ
रह गईं रोती रे
नथली से टूटा मोती रे

भोली दुलहनीया
पलकें झुकाये
पलकें झुकाये
घूंघटवा में॰ ॰ ॰
सहमे लजाये
सहमे लजाये
बलमा॰॰आ
पढ़ाये
प्रीत की पहली पोथी रे
कजरारी अखियाँ
रह गईं रोती रे
नथली से टूटा मोती रे


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4293 Post No. : 15547

Another of those “aa ha” moments, as I was searching for a song to celebrate an anniversary. Sitting on my hard disk for a long time, I just pulled it up and listened to it, as I searched for a song by Khusheed Bano, And wow, what a wonderful creation this one turns out to be. And with a surprise bonus that saved me some extra effort.

Well actually, this post should have come on board yesterday (18 Apr). Having missed the birth anniversary of Khursheed Bano on 14th April, as I checked the anniversaries page, I found that I was still in time for her anniversary of passing away on 18th April. So I started the search and prep for a song sung by her. As luck would have it, I narrowed down to this wonderful song which is such a pleasing listen.

The twist comes in like this. As I checked from the Geet Kosh in my search, and identified this song from the 1941 film ‘Pardesi’, I noted that the GK lists the singer for this song as Khursheed and chorus. But when I played this song, I was taken by surprise to discover that this song is actually a duet, and that too, a delightful romantic duet. To check on the identity of the male voice, I turned to our dear friend, Girdhari Lal ji (of Jodhpur), and requested him for identification. His response was immediate – the male voice is that of Kantilal.

And then another part clicked into place. I immediately went back to the anniversaries list to confirm, and yes my memory was right. 18th April also is the birth anniversary of singer actor Kantilal. And so the celebrations connected and coalesced together into this one song.

Interesting to note that today’s song is one of those rare combinations wherein we have two actor-singers singing together. Yes, there are other pairs that we can list – Surendra – Noorjehaan, Suraiya – Surendra, KL Saigal – Suraiya, KL Saigal – Khursheed etc. Kantilal is also a singer of certain repute, active during the early years Hindi cinema. He has appeared as an actor, and has sung songs that he has performed himself on screen. He has also given playback to other artists. About today’s song, my take is that this song is not performed by Kantilal himself on screen although he himself is also listed as one of the actors in the film. In all probability he has given playback for Motilal. Motilal used to sing off and on. In some films, we find his name listed as singer, and in some films we see him lip syncing other playback singers. In ‘Pardesi’, he is the lead actor, but his name does not appear in the list of singers. And since, in this film, he is paired opposite to Khursheed, and that she is the other singer in this song, it would follow logically that Motilal is lip syncing Kantilal voice in this song.

Now, for the details. We already have a good set of posts giving details about this film and the artists, I will not attempt to re-present that information. However, I will give the links to where these details can be perused.

About the film – ‘Pardesi’, the film synopsis has been posted by our dear Arun ji, in his post for the song “Ab Kahaan Basera Apna”. In the same post, we also can read a brief biosketch about Khursheed Bano.

Our dear Sadanand ji has also presented another brief about Khursheed in his post for the song “Pehle Jo Mohabbat Se Inkaar Kiya Hotaaa”, also from the same film.

Regarding actor-singer Kantilal, I refer to another post by Arun ji, for the song “Dhanwaalon Ki Duniya Hai Ye, Nirdhan Ke Bhagwaan” from the film ‘Holi’ from 1940.

The film ‘Pardesi’ is from the house of Ranjit Movietone, and is directed by Chaturbhuj Doshi. The list of actors, as per Geet Kosh, is – Motilal, Khurshid, Snehprabha, E Billimoria, Durgesh, Keshari, Kantilal, and Bhagwan Das amongst others. The film has 15 songs listed. The songwriters listed for this film are DN Madhok and PL Santoshi. However, specific songwriter for individual songs, is not identified for all songs. As such also for this song – the specific songwriter is not identified. Music for this film is by Khemchand Prakash.

So with this song, we pay our tributes to Khursheed Bano and Kantilal on their anniversaries today. So many things to cherish for, in memory. 🙂

[Author’s Note: The available recording is certainly not the best. I have not been able to decipher one word in the 3rd antraa. I request other readers with keener ears to please help make the correction. Thanks.]

Song – Morey Angna Mein Ambuwa, Ambuwa Ki Daali  (Pardesi) (1941) Singers – Khursheed, Kantilal, Lyrics – [Unattributed], MD – Khemchand Prakash
Khursheed + Kantilal

Lyrics

more angana mein ambuwaa..aa

more angana mein ambuwaa
ambuwa ki daali
daali pe koel bol gayi re. . .
bol gayi re
more angana mein ambuwaa
ambuwa ki daali
daali pe koel bol gayi re. . .
bol gayi re

dol gayi re
dol gayi re
dol gayi re
dol gayi re
duniya dilon ki dol gayi re
duniya dilon ki dol gayi re
more angana mein ambuwaa
ambuwa ki daali
daali pe koel bol gayi re. . .
bol gayi re

dekh sajanwa kaliyan khil gayi. . .
dekh sajanwa kaliyan khil gayi
kaliyon ko bhanwara
bhanwre ko kaliyan
kaliyon ko bhanwara
bhanwre ko kaliyan
mil gayi re
mil gayi re
mil gayi re
mil gayi re
more angana mein ambuwaa
ambuwa ki daali
daali pe koel bol gayi re. . .
bol gayi re

phoolon ki ot sajanwa lag gayi. . .
phoolon ki ot sajanwa lag gayi
kaanton ki meethi kor
kaanton ki meethi kor
?? ras mein ras ghol gayi re
haan haan bol gayi re
ras ghol gayi re
ras ghol gayi re
more angana mein ambuwaa
ambuwa ki daali
daali pe koel bol gayi re. . .
bol gayi re

more angana mein ambuwaa. . .

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

मोरे अंगना में अंबुवा॰॰आ

मोरे अंगना में अंबुवा
अंबुवा की डाली
डाली पे कोयल ॰ ॰ ॰
बोल गई रे
मोरे अंगना में अंबुवा
अंबुवा की डाली
डाली पे कोयल बोल गई रे॰ ॰ ॰
बोल गई रे

डोल गई रे
डोल गई रे
डोल गई रे
डोल गई रे
दुनिया दिलों की डोल गई रे
दुनिया दिलों की डोल गई रे
मोरे अंगना में अंबुवा
अंबुवा की डाली
डाली पे कोयल बोल गई रे॰ ॰ ॰
बोल गई रे

देख सजनवा कलियाँ खिल गईं॰ ॰ ॰
देख सजनवा कलियाँ खिल गईं
कलियों को भँवरा
भँवरे को कलियाँ
कलियों को भँवरा
भँवरे को कलियाँ
मिल गईं रे
मिल गईं रे
मिल गईं रे
मिल गईं रे
मोरे अंगना में अंबुवा
अंबुवा की डाली
डाली पे कोयल बोल गई रे॰ ॰ ॰
बोल गई रे

फूलों की ओट सजनवा लग गई॰ ॰ ॰
फूलों की ओट सजनवा लग गई
काँटों की मीठी कोर
काँटों की मीठी कोर
?? रस में रस घोल गई रे
हाँ हाँ बोल गई रे
रस घोल गई रे
रस घोल गई रे
मोरे अंगना में अंबुवा
अंबुवा की डाली
डाली पे कोयल बोल गई रे॰ ॰ ॰
बोल गई रे

मोरे अंगना में अंबुवा॰ ॰ ॰


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4154 Post No. : 15321

As I have said in one of my recent posts, whenever I read something inspiring, be it a poem or an article, it inspires me to write something of my own thoughts. Nowadays there is less and less readable material forthcoming from the print media. The blog and its posts are sometimes savior’s for the intellect. One such article was the post by Sudhir Sir – “Gandhi Tere Desh Mein Ye Kaisa Atyachaar“, on the birth anniversary of Mahatma Gandhi.  It appeared quite late in the night, but as I read it completely, it was a thoroughly readable and thought provoking post. At least I found it thought provoking and for the next few days the matters and the quotes from the Mahatma’s books, and my own thought relating to them were reverberating in my mind. I wrote a lengthy comment on the post which I am reproducing here.

Sir,

Congratulations on writing such an extensive, studied article on Mahatma Gandhi and his philosophies. Reading it, I realised I haven’t read any of his books.  Being a Kitaabi keeda from childhood hasn’t helped me reach out to any of Mahatma’s books. Where ever I have found a bookshelf and a rack of books I tend to go through the titles and authors. In my defence, I can only say that non-fiction is not my strong case. Nevertheless, it is sad and tragic that the works of such great thinking minds are nowhere to be found in present day libraries.

The para’s you quote from his writings, about non-violence and cowardice; I dare say are the sort of philosophy which is popular as well as non-popular, depending on disparities in viewpoints.

I will quote an incident to explain what I mean. This happened in friends household. The son was playing football with his friends. A few other boys from the neighborhood, came up to one of the boy and started beating him over some fight or rivalry. All the friends including my friend’s son ran away from there. The boy came home and told the parents about this. This was just a school going kid. The father said, how can you do this, being a punjab da puttar, how could you not help your friend. The son said, if tried to help him than they will start hitting me too. Logic here, self-preservation not cowardice, the mother opined.

In the light of the above incident, the Mahatma’s point is first one will try to stop the violence by non-violence. But avoiding the situation altogether is not non- violence, but cowardice.  As opposed to valour.  The will to defend the one in difficult situation. Not just defend, but save. This is valour, opposite of cowardice.

But this is an era of “tamashbeen”.  A vast majority of public now prefers to just be a bystander and watch, rather than doing anything to stop the violence. Which neither here, nor there. This is a side kick of mass media. We are used to watching violence and it doesn’t make us flinch. A humans natural tendency to reject violence is gone. We watch it like it is a natural movie watching experience.

I believe, big cities are little better, with regards to violence of any kind. For the disruption is bigger and inconvenient. Crowd will be of various dispositions in any urban setting, someone will be a local and saner than others. Hopefully.

One more point, I would make here is about the “decay” of creation. The decay in creation is caused by impurities. The very nature of creation in mortal. What has started will end, whatever has lived will die. A natural death. Like some civilisation of the past died, due to natural calamities and became a step for newer civilisation to develop.

It is the truth which is pure. The lies added to it make it impure, and cause decadence. The civilisations that decay and then die of decadence,  rot. No new civilisation can emerge from such decayed rot.

So, we as humans, the superior among all creation, have a duty to preserve this purity in ourselves.

Regards.

I realize that the comment is just one dimensional, and could not carry the total sum of my impressions on the article.   I have said that non-fiction is not my strong case, and here I am, daily trying my hand at writing non-fiction  :).

Now I simply must quote this from the article :

It goes to establish that Gandhi was no ordinary soul, and such souls appear on this planet quite rarely. Albert Einstein has so beautifully summed it up in his tribute – “Generations to come will scarce believe that such a one as this ever in flesh and blood walked upon this earth”.

Of course I have read this quote before and this is not fiction. Another important thing he highlighted was about the discourse around ‘the relevance of the Mahatma today’.  And films like “Lage Raho Munna Bhai” were just a final stone dropped in the (already dry) pond, through the popular film media, to explain to the second generation Indians born after the end of the Gandhian era, that over dose of Gandhian philosophy like any other philosophy is also capable of creating a ‘chemical locha’ in the mental equilibrium.

May be the decay of this great civilization of homo-sapiens has started. The very nature of creation is temporary; all that exists will be destroyed one day.  The Universe may be infinite, but the only definite thing here is death. So be it, whether it is the death of a philosophy, a society or a world. The very wisdom of this species is in danger of being homogenized with its earlier extinct versions.

If one really gives deep thought about the situation the human race is facing, it feels as if the ‘Qayamat’ is truly underway.  The life we are living is like a tight rope walk of ‘pul-e-siraat‘.  One wrong step and below is hellfire. It’s that difficult to keep to the truth, obey the truth and keep faith in the truth.

But then there is a superior power, the creator, the sustainer and the nourisher of all that exists. As Allama Iqbal said :

mudda’ee laakh buraa chaahe to kya hota hai
wohi hota hai jo manzoor-e-khuda hotaa hai

So I have here a very positive kind of feel good song written by Javed Akhtar from ‘Dil Chahta Hai’ (2001).  The singer is Srinivas and composers are Shankar-Ehsan-Loy.   Yeah, the name of composers has a message in it.  I can try and translate the middle one i.e. ‘Ehsan’.

We all are familiar with word  ‘ehsaan‘ in songs like “Ehsaan Mere Dil Pe Tumhaara Hai Dosto” and “Ehsaan Tera Hoga Mujh Par“. The word ‘ehsan’ is a related word, with a change in meaning.  It means the ‘beauty of good conduct’. Or rather the beauty of best behavior.

The song I am presenting has a dream like quality with Dimple in white, Akshaye Kumar in white, and a white canvas.  The portrait of Dimple gradually develops on the canvas, while the Akshaye is dreaming on of pure water streams, dipping his hand into the stream,  full moon, in a dreamy halo of light and roshni.   In this moon light, all the colours are amalgamated to make a portrait, in which the fragrances are visibly mingling. Moon, stream, clouds, song, rain and butterflies are all in favour – in favour of the flavor of love, that is created of such different matter.  Some physical and some metaphorical matter, to make the billions and trillions of DNA that comprise this universe.

Video

Audio

Song – Kaisi Hai Ye Rut Ke Jis Mein Phool Ban Ke Dil Khile (Dil Chaahta Hai) (2001) Singer – Srinivas, Lyrics – Javed Akhtar, MD – Shankar-Ehsan-Loy

Lyrics

kaisi hai ye rut ke jis mein
phool ban ke dil khile. . .

kaisi hai ye rut ke jis mein
phool ban ke dil khile
ghul rahe hain rang saare
ghul rahi hain khushbooen
chaandni jharne ghataayen
geet baarish titliyaan
hum pe ho gaye hain
sab meherbaan
kaisi hai ye rut ke jis mein
phool ban ke dil khile

dekho
nadi ke kinaare
panchhi pukaare..ea
kisi panchhi ko
dekho
ye jo nadi hai
milne chali hai..ea
saagar hi ko
ye pyaar ka hi
saara hai kaarwaan
kaisi hai ye rut ke jis mein
phool ban ke dil khile

ho ooo
kaise
kisi ko bataayen
kaise ye samjhaayen..en
kya pyaar hai
iss mein
bandhan nahin hai
aur na koi bhi
deewar hai
suno pyaar ki niraali
hai daastaan
kaisi hai ye rut ke jis mein
phool ban ke dil khile
ghul rahe hain rang saare
ghul rahi hain khushbooen
chaandni jharne ghataayen
geet baarish titliyaan
hum pe ho gaye hain
sab meherbaan

kaisi hai ye rut ke jis mein
phool ban ke dil khile
hnmnmnmnm
hmnmnmnmnmn
hnmnmnmnm
hmnmnmnmnmn
hnmnmnmnm
hmnmnmnmnmn
hnmnmnmnm
hmnmnmnmnmn

———————————————————-
Hindi script lyrics (Provided by Nahm)
———————————————————-

कैसी है ये रुत के जिस में
फूल बन के दिल खिले॰ ॰ ॰

कैसी है ये रुत के जिस में
फूल बन के दिल खिले
घुल रहे हैं रंग सारे
घुल रही हैं खुशबूएं
चाँदनी झरने घटाएँ
गीत बारिश तितलियाँ
हम पे हो गए हैं
सब मेहेरबाँ
कैसी है ये रुत के जिस में
फूल बन के दिल खिले

देखो
नदी के किनारे
पंछी पुकारे॰॰ऐ
किसी पंछी को
देखो
ये जो नदी है
मिलने चली है॰॰ऐ
सागर ही को
ये प्यार का ही सारा
है कारवां
कैसी है ये रुत के जिस में
फूल बन के दिल खिले

हो॰ ॰ ॰
कैसे
किसी को बताएं
कैसे ये समझाएँ॰॰ऐं
क्या प्यार है
इसमें
बंधन नहीं है
और न कोई भी॰॰ई
दीवार है
सुनो प्यार की निराली
है दास्ताँ
कैसी है ये रुत के जिस में
फूल बन के दिल खिले
घुल रहे हैं रंग सारे
घुल रही हैं खुशबूएं
चाँदनी झरने घटाएँ
गीत बारिश तितलियाँ
हम पे हो गए हैं
सब मेहेरबाँ

कैसी है ये रुत के जिस में
फूल बन के दिल खिले
हम्म ह्म म्न हम्न
हम्म ह्म म्न हम्न
हम्म ह्म म्न हम्न
हम्म ह्म म्न हम्न
हम्म ह्म म्न हम्न
हम्म ह्म म्न हम्न
हम्म ह्म म्न हम्न
हम्म ह्म म्न हम्न
हम्म ह्म म्न हम्न
हम्म ह्म म्न हम्न


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4095 Post No. : 15241

Today, 4th October, is the 88th birthday of Sandhya Mukherjee. The grand old dame is one of the premier playback singers in Bangla cinema. In Hindi films, her contribution is limited to about 30 songs. Her involvement in Hindi films starts with the 1948 film ‘Jhoothi Kasmen’, and her singing assignments are spread over a decade and a half, till the mid 1960s.

A chance encounter with this song prompted the preparation of this post. I came across this song just a few hours ago, and listening to it was love at first hear. Such a lovely melody and arrangement, and such wonderful rendition, this song belongs to that category of unknown and hidden gems, which surprise the listener with their simplicity and beauty. I have listened to it many times since I discovered it earlier in the evening, and I do not seem to be getting enough of it.

The film is ‘Ratnadeep’ from 1952. The film is produced and directed by the legendary Debaki Kumar Bose, for the banner of Chitramaya, Calcutta. The cast of actors is listed as Anuva Gupta, Manju Dey, Molina Devi, Chhaya Devi, Tangamani, Harini, Bakul Ghosh, Abhi Bhattacharya, Pahadi Sanyal, Niteesh Mukherji, Tulsi Chakravarty, Kamal Mishra, Raj Kumar Soni, Sudheer  Chakraborty, Gokul Mukherji, and Gauri Shankar. The film is based on the Bangla novel of the same name, written by Prabhat Kumar Mukherjee.

Eight songs are listed for this film. The music director is Robin Chatterji. Two of the songs are traditional bhajans originally composed by Meerbai and Vidyapati. The remaining six songs have been written by the songwriters Pandit Madhur and Mahendra Pran. However, the lyricist for each individual song is not specifically identified.

We wish Sandhya ji a very happy 88th birthday. May she be blessed with many more years of good health and happiness.

Song – Raat Ne Aa Ke Din Ko Chooma, Saanjh Suhaani Aayi  (Ratnadeep) (1952) Singers – Sandhya Mukherji, Lyrics – [Unattributed], MD – Robin Chatterji

Lyrics

raat ne aa ke
din ko chooma
saanjh suhaani aayi aayi
saanjh suhaani aayi
saanjh suhaani aayi manwa doley
raat ne aa ke
din ko chooma
saanjh suhaani aayi

chanda karey ishaare
koi mujhe pukaare
chanda karey ishaare
kya jaanun main aaj bhala kyon
mann hi mann sharmaai
saanjh suhaani aayi aayi

baalapan ke sapne jaage
jaagi mast jawaani
haaye jaagi mast jawaani
duniya ki har ?? suhaani
?? ban karv itraai
tum ban jaao main o saajan
aawo main tum ban jaaun
ye madmaati saanjh salona
ye madmaati saanjh salona
salona sandesa laai
saanjh suhaani aayi aayi

aankhon se tum dil mein aaye
phir bhi rahe kyon praaye
phir bhi rahe kyon praaye
itna to batla do kyon tum
aaj baney harjaai
saanjh suhaani aayi aayi
saanjh suhaani aayi aayi
saanjh suhaani aayi aayi

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

रात ने आ के
दिन को चूमा
साँझ सुहानी आई आई
साँझ सुहानी आई
साँझ सुहानी आई मनवा डोले
रात ने आ के
दिन को चूमा
साँझ सुहानी आई

चंदा करे इशारे
कोई मुझे पुकारे
चंदा करे इशारे
क्या जानूँ मैं आज भला क्यों
मन ही मन शरमाई
साँझ सुहानी आई आई

बालपन के सपने जागे
जागी मस्त जवानी
हाए जागी मस्त जवानी
दुनिया की हर ?? सुहानी
?? बन कर इतराई
तुम बन जाओ मैं ओ साजन
आवो मैं तुम बन जाऊँ
ये मदमाती साँझ सलोना
ये मदमाती साँझ सलोना
सलोना सँदेसा लाई
साँझ सुहानी आई आई

आँखों से तुम दिल में आए
फिर भी रहे क्यों पराये
फिर भी रहे क्यों पराये
इतना तो बतला दो क्यों तुम
आज बने हरजाई
साँझ सुहानी आई आई
साँझ सुहानी आई आई
साँझ सुहानी आई आई

 


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4092 Post No. : 15236

I have been meaning to write a post on Majrooh Sultanpuri for some months now to commemorate the 100th birth Anniversary of a poet and film song writer par excellence.   But as usual one puts somethings on back burner and postpones things for some other time.

Last week I started the lyrics of this song from ‘Qayaamat Se Qayaamat Tak’ (1988), incidentally on my iPad and saved the file in yahoo mail. But that file is not opening in the any of the computers, so this post again didn’t even start.  Today is 1st October, 2019.  A very nice post by Sadanad Kamath Sir has appeared in the blog, which is quiet inspiring and it gave fresh ammunition to my jaded thoughts to start this write up.

Majrooh Saab’s super success with all music director, big and small, prolific and selective, is not comparable to anyone else.   None of the major song writers in his era can boast a list of composers as comprehensive as him, and more importantly successful, famous and hit songs.  Be it Madan Mohan and SD Burman, Chitragupt and Laxmikant Pyarelal, or RD Burman, Roshan, Rajesh Roshan & Khaiyyam, least of all Naushad & OP Nayyar, C Ramchandra & Salil Chaudhary also. I don’t have to start listing the beautiful lyrical and profound songs, Majrooh Saab wrote with/for all these composers.

Among his contemporaries, Kaifi Azmi, Sahir Ludhianvi, Shailendra, Hasrat Jaipuri, Rajendra Krishnan, Shakeel Badayuni, Qamar Jalaalabadi, later on Indeevar, Anand Bakshi and Gulzar etc., most were aligned with a music director or a film production  group etc.  Music Directors also preferred to work with a single lyricist or a couple at a time.  Among the major composers only SD Burman seemed to have worked with all of the above listed lyricist, as well as Majrooh.

Sahir Ludhianvi was more prone to making tributes to other poets in his songs.  But Majrooh seems to have paid a ‘khiraj-e-aqeedat’ to his fellow progressive poet Faiz Ahmed Faiz in Madan Mohan’s “Chiraag’ song “Teri Aankhon Ke Siwa Duniya Mein Rakha Kya Hai”.  This line is part of the immortal Nazm by Faiz – “Mujh Se Pehli Si Mohabbat Mere Mehboob Na Maang“.

In recent times, I have found that reading good work by others inspires me to write my own thoughts.  This is truer about poetry.  When I listen to some poets work, it given wings to my thoughts too.  I feel like writing something not necessarily on similar lines, better or superior, but some verse, some tributary sentences.

One can only wonder how such great creative minds must have felt when they heard some inspiring work of other greats and felt like expanding on the theme.  In this instance Majrooh Saab has gone on another tangent –

teri aankhon ke siwaa duniya mein rakkha kya hai
ye utthen subha chale, ye jhuken sham dhaley
mera jeena mera marna inhi palkon ke taley

As a poet with a heart that was Majrooh, why won’t he say –

dil me rakh lena ise haathon se ye chhoote na kahin
geet naazuk hai mera sheeshe se bhi toote na kahin

In my earlier tribute post for Majrooh Saab I have stated that just the lyrical poetry in “Rahen Na Rahen Hum, Mehka Karenge” in ‘Mamta’ (1966) is enough to make his place in the ‘Hall of Fame’ of Hindi film music.   Many colourful songs for Nasir Hussain’s films are written by Majrooh Saab for OP Nayyar and RD Burman.

The new age songs written by Majrooh for the film ‘Khaamoshi’ (1996) are among my favourites.  This time I have chosen a song from the 1988 film ‘Qayaamat Se Qayaamat Tak’ produced by Nasir Hussain and directed by his son Mansoor Khan for launching of Tahir Hussain’s son Aamir Khan. Incidentally dialogues, story and screenplay all are credit to Nasir Hussain.  The song starts with prelude music of clocks going “tick tock tick tock” in a departmental store, where Juhi Chawla has come to shop with her parents, Dalip Tahil and Beena.  She accidentally runs into Aamir Khan, who has promised his parent that he will not meet and talk to Juni Chawla for 6 month (?) or so. Aamir Khan and Juhi Chawla belong to two Rajput families who are at logger heads with each other over past broken alliances among the families due to which Dalip Tahil’s sister had committed suicide.

Juhi Chawla and Aamir Khan met during a picnic trip to Mount Abu and fell in love without knowing that their families are having this rivalry.  Due to this, the love story is actually doomed to end in tragedy, but at the time of this song the lovebirds are unaware of this and are happily waiting for the wait period to get over. The singers are Udit Narayan and Alka Yagnik, and the music is by Anand-Milind. The songwriter is one and only Majrooh Sultanpuri.   If I remember correctly, this was the film which started the trend of abbreviating the name of film as QSQT.

A song of hope and happy endings. A song with birthday parties, picnic on cycles and dreamy dates and marking days in the calendar till happy days are here again.

Song – Ae Mere Humsafar, Ek Zara Intezaar (Qayaamat Se Qayaamat Tak) (1988) Singer – Udit Narayan, Alka Yagnik, Lyrics – Majrooh Sultanpuri, MD – Anand Milind

Lyrics 

ae mere
humsafar
ek zara intezaar
sun sadaayen
de rahi hai
manzil pyaar ki
ae mere
humsafar
ek zara intezaar
sun sadaayen
de rahi hai
manzil pyaar ki

ab hai judaai ka mausam
do pal ka mehmaan
kaise na jaayega andhera
kyun na thamega toofaan
ab hai judaai ka mausam
do pal ka mehmaan
kaise na jaayega andhera
kyun na thamega toofaan
kaise na milegi
manzil pyaar ki
ae mere
humsafar
ek zaraa intezaar
sun sadaayen
de rahi hai
manzil pyaar ki

pyaar ne jahaan pe rakkha hai
jhoom ke qadam ek baar
wahin se khula hai koi rasta
wahin se giri hai deewaar
pyaar ne jahaan pe rakkha hai
jhoom ke qadam ek baar
wahin se khula hai koi rasta
wahin se giri hai deewaar
roke kab ruki hai
manzil pyaar ki
ae mere
humsafar
ek zara intezaar
sun sadaayen
de rahi hai
manzil pyaar ki

———————————————————-
Hindi script lyrics (Provided by Nahm)
———————————————————-

ए मेरे
हमसफर
एक ज़रा इंतजार
सुन सदाएं
दे रही हैं
मंज़िल प्यार की
ए मेरे
हमसफर
एक ज़रा इंतजार
सुन सदाएं
दे रही हैं
मंज़िल प्यार की

अब है जुदाई का मौसम
दो पल का महमाँ
कैसे न जाएगा अंधेरा
क्यूँ न थमेगा तूफान
अब है जुदाई का मौसम
दो पल का महमाँ
कैसे न जाएगा अंधेरा
क्यूँ न थमेगा तूफान
कैसे न मिलेगी
मंज़िल प्यार की
ए मेरे
हमसफर
एक ज़रा इंतजार
सुन सदाएं
दे रही हैं
मंज़िल प्यार की

प्यार ने जहां पे रक्खा है
झूम के कदम एक बार
वहीं से खुला है कोई रस्ता 
वहीं से गिरि है दीवार
प्यार ने जहां पे रक्खा है
झूम के कदम एक बार
वहीं से खुला है कोई रस्ता
वहीं से गिरि है दीवार
रोके कब रुकी है
मंज़िल प्यार की
ए मेरे
हमसफर
एक ज़रा इंतजार
सुन सदाएं
दे रही हैं
मंज़िल प्यार की


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4087 Post No. : 15228

———————————————–——————————————
Blog 10-Year Challenge (2009-19) – Song No. 47
——————————————————————————————

When one discussed a movie of 1940s, one often assums by default that it must be a “boring” movie, one which may not hold the interest of later generation movie goers. And when one finds that this movie has Ashok Kumar and Leela Chitnis in lead roles, people who have seen them in character roles may consider dropping the idea of watching the movie.

But what if I tell you that this movie from 1941 is a laugh riot ? And that this movie was the original inspiration of “Padosan”(1968) ? I am sure that people will suddenly get interested in knowing more about this movie.

“Jhoola”(1941) was directed by Gyan Mukherji for Bombay Talkies, Bombay. This movie, a “social” movie had Leela Chitnis, Ahok Kumar, Shah Nawaz, V H Desai, Mumtaz Ali, Karuna Devi, Shahzadi, Rajkumari Shukla, Meenu Cooper, M A Aziz, Kaazi, Master Laxman, Leeladhar Sharma, Iqbal Bai, B M Dixit, Jyoti, Dulaari, Nana Palsikar etc in it.

The movie had eleven songs in it. Five of these songs have been covered in the past. This movie has a song that goes Ek chatur naar karkar singaar . Yes, I mentioned that this movie is the original source for “Padosan”(1968) and this song is the inspiration of that famous “Padosan”(1968) Kishore Kumar Manna dey laugh riot.

If “Padosan”(1968) had Mehmood then “Jhoola”(1941) had his father Mumtaz Ali lip syncing the wonderful stage dance song Main to Dilli se dulhan laayaa re.

“Jhoola”(1941) had made its debut in the blog on 26 september 2009, viz exactly ten years ago, with the evergreen song Chali re chali re meri naao chali re .

This day that year ten years ago, the blog was at its usual prolific best. Six songs from six different movies were covered in the blog on that day. Five out of six of those movies have already been covered in the blog. “Jhoola”(1941) remains the only un YIPPEED movie from that day.

Here are the details of the songs that were discussed on 26 september 2009:

Song Movie title-Year Remarks
Tera mujhse hai pahle ka naata koi Aa Gale Lag Jaa-1973 All Songs covered in the blog
Har aas ashqbaar hai Kinaare Kinaare-1963 All Songs covered in the blog
Dekha naa jaaye socha naa jaaye Mr India-1961 All Songs covered in the blog
Kahaan chhod ke chalaa hai tu Anjaan-1956 All Songs covered in the blog
De bhi chuke ham dil nazraana dil kaa Jaal-1952 All Songs covered in the blog
Chali re chali meri naao chali re Jhoola-1941 05 of 11 songs covered

According to HFGK, the movie had 12 songs. I find that the song Ek chatur naar karkar singaar does not find mention if HFGK. To compensate for that, the song under discussion today gets mentionc twice (as song number 6 and 11). So the count of songs in the movie remains accurate, viz 12.

Today, as part of Blog ten year challenge, here is another song from “Jhoola”(1941). Like the song that was covered ten years ago, this song too is a duet sung by Ashok Kumar and Leela Chitnis. In the song ten years ago, the leading duo were riding a boat, here they ride a ghodagaadi, and while doing so, Ashok Kumar makes gentle 1940s style passes on Leela Chitnis, asking the love letter back. Leela Chitnis teases him back 1940s style responds 1940s style viz.

Dekho kah doongi
Haan haan dekho kah doongi
Tumhaare man ki batiyaan

and subsequently

Hamri gali mein dekho
Tum kal se aana chhodo
Varna hansengi hamaari sakhiyaan

The lyrics by Kavi Pradeep are quite cute and romantic. The romantic song, in which both make paasses at each other must have been quite a rage in those pre independence days.

Music is composed by Saraswati Devi.

Lyrics of this song were sent to me by Avinash Scrapwala.

Video

Audio

Song-Ek baat bataao hamen gori (Jhoola)(1941) Singers-Ashok Kumar, Leela Chitnis, Lyrics – Kavi Pradeep, Music – Saraswati Devi
Both

Lyrics (Based on video link) (Provided by Avinash Scrapwala)

chaliye …

Ek baat bataao hamen gori
Kaho kisne sikhaayi tumhen chori
o gori
kisne sikhaayi tumhen chori
Ek chor se mera naata
wo meri gali mein aata aa
Haan usne sikhaayi hamen chori ee
Haan haan usne sikhaayi hamen chori

Hhahahahaha

Dekhiye meri chhitthhiyaan
De dijiye
Laayiye

Dekho kah doongi
Haan haan dekho kah doongi
Tumhaare man ki batiyaan
Tumne chori chori bheji
Hamen patiyaan
Tumne chori chori bheji
Hamen patiyaan
Dekho kah doongi
Haan haan dekho kah doongi
Tumhaare man ki batiyaan

Chori pe seenazori
Ham se karo naa gori ee
Chori pe seenazori
Ham se karo naa gori
De do hamaari ham ko patiyaan
Dekho kah doongi
De do hamaari ham ko patiyaan
Dekho kah doongi
Tumhaare man ki batiyaan

Baatein banaana chhodo
Chori chhipaana chhodo
Hamri gali mein dekho
Tum kal se aana chhodo
Hamri gali mein dekho
Tum kal se aana chhodo
Varna hansengi hamaari sakhiyaan
Dekho kah doongi
Haan haan dekho kah doongi
Tumhaare man ki batiyaan

Meetthi meetthi baaton mein
Hamko bhulaaya tumne
Bholaa sa man hamaara
Chanchal banaaya tumne

Meetthi meetthi baaton mein
Hamko bhulaaya tumne
Bholaa sa man hamaara
Chanchal banaaya tumne

Badi raseeli hain tumhaari
Ankhiyaan
Dekho kah doongi
Haan haan dekho kah doongi
Tumhaare man ki batiyaan

Chhodo ye baatein gori
Aao aao kishori
Tumne ki hamse chori
Hamne ki tumse chori
Tumne ki hamse chori
Hamne ki tumse chori

Aao basaa len dil ki duniya
Dekho kah doongi
Aao basaa le dil ki duniya
Dekho kah doongi
Tumhaare man ki batiyaan
Dekho kah doongi
Tumhaare man ki batiyaan

————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————
चलिए…

एक बात बताओ हमें गोरी
कहो किसने सिखाई तुम्हे चोरी
ओ गोरी
किसने सिखाई तुम्हे चोरी
एक चोर से मेरा नाता
ओ मेरी गली में आता आ
हाँ उसने सिखाई हमें चोरी ई
हाँ हाँ उसने सिखाई हमें चोरी

हा हा हा हा हा

देखिये मेरी चिट्ठियाँ
दे दिजिये
लाईये
देखो कह दूँगी
हाँ हाँ देखो कह दूँगी
तुम्हारे मन की बतियाँ
तुमने चोरी चोरी भेजी
हमें पतियाँ
देखो कह दूँगी
हाँ हाँ देखो कह दूँगी
तुम्हारे मन की बतियाँ

चोरी पे सीनाजोरी
हम से करो ना गोरी ई
चोरी पे सीनाजोरी
हम से करो ना गोरी
दे दो हमारी हम को पतियाँ
देखो कह दूँगी
दे दो हमारी हम को पतियाँ
देखो कह दूँगी
तुम्हारे मन की बतियाँ

बातें बनाना छोडो
चोरी छिपाना छोडो
हमरी गली में देखो
तुम कल से आना छोडो
हमरी गली में देखो
तुम कल से आना छोडो
वरना हँसेगी हमारी सखियाँ
देखो कह दूँगी
हाँ हाँ देखो कह दूँगी
तुम्हारे मन की बतियाँ

मीठी मीठी बातों में
हम को भुलाया तुमने
भोला सा मन हमारा
चंचल बनाया तुमने

मीठी मीठी बातों में
हम को भुलाया तुमने
भोला सा मन हमारा
चंचल बनाया तुमने

बड़ी रसीली है तुम्हारी
अँखियाँ
देखो कह दूँगी
हाँ हाँ देखो कह दूँगी
तुम्हारे मन की बतियाँ

छोडो ये बातें गोरी
आओ आओ कीशोरी
तुमने की हमसे चोरी
हमने की तुमसे चोरी
तुमने की हमसे चोरी
हमने की तुमसे चोरी

आओ बसा ले दिल की दुनिया
देखो कह दूँगी
आओ बसा ले दिल की दुनिया
देखो कह दूँगी
तुम्हारे मन की बतियाँ
देखो कह दूँगी
तुम्हारे मन की बतियाँ


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4023 Post No. : 15136

[Ed Note: With sincere apologies to the author and the readers. This write up was delivered to the editors much in advance of the blog anniversary date. It is our oversight that we missed posting it on 19th July. The lapse is regretted.]

As the blog turns 11 today, we can celebrate the first step in the double digit age milestone.  Numerilogically, 11 means 1+1=2 . Does this mean second stage of second phase ?  Or 11 simply means gyarah number ki bus.  Mumbaikar’s know that gyarah number bus means ‘to walk on two feet’.  Walking walking we have reached the 15000 plus figuratively.

So. . . its “Chalte Chalte Mere Ye Geet Yaad Rrakhna. . .  Kabhi Alvida Na Kehna. . . Kabhi Alvida Na Kehna. . .

Flashback related to this song. . .  My first day in college :

Coming from a girls only Urdu medium school, trepidation crowding the mind, how will I fit in and all that.  Admission was done, fees paid whether I wanted to study Commerce or not, it was a done deal.  Backtracking from a path already taken was a no no… in the family.   It was a good reputed college of Mumbai, my elder sister was happy that at least I got a good college bit more away from the usual Urdu medium crowd, than she had managed.  She had changed streams from Science (which she was very keen to do) to Commerce, at the last moment, just to avoid going to a college (not so good) which was very close to home and right next to the school.

Nobody in the family expected me to do well in Xth as my math was very week.  In the surprised euphoria of me doing well in SSC, the decision was taken to try for the good college, a little away from the residence, involving commute by bus. My elder sister had a big hand in convincing the parents. So no 11 number ki bus for me, rather real BEST buses.

I remember the day of my admission. Two days after the SSC results my father took my elder sister and me to the college. After the procedure was completed, while going back home, my sister had a brain wave of watching a movie, to celebrate my admission to the college and also my 15th birthday. I have said in an earlier post that my elder sister has a great sense of occasion.  My father dropped us to the theatre, waited to get the tickets and left for his office.  The movie was ‘Ab Aayega Mazaa’ (1984) with Anita Raj and Raja Bundela.

So, first day of college @ 12 noon, the class started to fill up.  Some of us girls found each other, sat in a row separate from the boys.   Actually now what is known as a column, was a row in the class room. First period happened to be of English.

The lady lecturer asked all of us to introduce ourselves and talk about interests hobbies etc.  One of the boys said he like to sing and the lecturer having found a ‘bakra’ was no going to let go. So the boy ‘marta kya na karta’ sang this song in the class:

Chalte Chalte Mere Ye Geet Yaad Rrakhna. . .  Kabhi Alvida Na Kehna. . .

The song as it is, is unforgettable, and with it this event of my first day of college is attached. Our college consisted of a motley crowd of upper, middle and lower crusts’s girls and boys.  It had an ‘Urdu society’ with a Parsi Professor heading it and having its own notice board.  Yes, the notice board was a great source of prestige during those times 🙂 .

The present song post is an almost sufiana song, a critically acclaimed song from the 2006 film ‘Kabhi Alvida Na Kehna’.  Very unusual situation for a spectacular song, composed by Shankar-Ehsaan-Loy.  There are three singers namely Shankar Mahadevan, Carlisa Monterio & Shafqat Amaanat Ali.  Javed Akhtar is one of the lyricists. There is a Wikipedia page dedicated to this song.  (I Wonder – do all songs have a page like this? )   Carlisa Monterio is the female singer who has penned the lines “Love Will Find A Way” as per the page on Wikipedia. I call this song almost sufiana, because it gives that feeling when one listens to the audio only.

It is picturized on Shah Rukh Khan and Rani Mukherjee, who are married to Priety Zinta and Abhishek Bachchan respectively. The two are also seen planning their respective wedding anniversary celebration, while meeting up from time to time at spectacular locations in Philadalphia, USA. They are both unhappy with their spouses and are still trying to continue in those marriages. Movie characters are rather fickle, not usually seen to be serious about their commitments. No doubt that divorce is sometimes the only way out of an abusive / real bad marriage.  What is real bad and little bad, sort of can be worked at, is again relative. It is commendable that some civilized societies decided to reform and allow divorce as a permitted practice during 20th century. It was hailed as a step towards better rights for women.

Marriages and divorces in films are no mirror for realities. From what I have observed of bad marriages, one partner may be a major cause of discontent, but both partners suffer. Being the chief cause in a bad marriage doesn’t in anyway alleviate the personal sufferings. Parting ways in civilized manner should be a choice, but only if there is no way of reconciliation.

Also, because marriages are made in heaven, as human beings and social animals, we have a duty to safeguard this institution.  Husband and wife’s is the primary relationship on which family is based and develops as a unit, it is the root of the family tree.

So this is a celebratory song for the 11th anniversary of the blog, and song no. 2 of the Mitwa trilogy.  Ideally this would have been the 3rd and final song of the trilogy, but since the Anniversary is here, this song is the one I choose to post.

Happy anniversary to all my fellow travelers on the blog.

Video

Audio

Song – Mitwa..aa, Kahen Dhadhkanen Tujh Se Kya (Kabhi Alvida Na Kehna) (2006) Singer – Shankar Mahadevan, Carlisa Monterio,  Shafqat Amaanat Ali, Lyrics – Javed Akhtar, MD – Shankar Ehsan Loy

Lyrics 

love will
find a way
jaaniye ea
heeriye ea
love will
find a way
jaaniye ea
heeriye ea

mere mann ye bataa de tu
kis oar chala hai tu
kya paaya nahin tu ne
kya dhoondh rahaa hai tu. . .
jo hai ankahee
jo hai ansunee
wo baat kya hai bata..aa
mitwaa aa aaaaa aaaaa aaaaaa
kahen dhadkanen tujh se kya aa
mitwa aa aaa aaaaa aaaa
ye khud se to na tu chhupa

love will
find a way
jaaniye ea
heeriye ea

ho ooo oo
mere man ye bataa de tu
kis oar chalaa hai tu
kya paaya nahin tu ne
kya dhoondh rahaa hai tu
jo hai ankahee
jo hai ansunee
wo baat kya hai bata..aa
mitwaa aa aaaaa aaaaa aaaaaa
kahen dhadkanen tujh se kya
mitwa aa aaa aaaaa aaaa
ye khud se to na tu chhupa

ga ma pa dha ni
ni sa
ga ma pa dha na
dha ni
ni ra
pa ma
ga ma pa ni
ga ma pa dha ni
ni sa
ga ma pa dha na
dha ni
ni ra
pa ma
pa ma ga ni
mitwaa aaa
aaaa aaa
aaaaa aaaaa

jeewan dagar mein
dagar mein
dagar mein
prem nagar mein
nagar mein
nagar mein
jeewan dagar mein
prem nagar mein
aaya nazar mein
jab se koyi hai
tu sochta hai
tu puchhta hai
jis ki kami thhi
kya yeh wohi hai
haan ye wohi hai
haan ye wohi hai
ea ea yeee aaaeaaa eaaa
tu ek pyaasa
aur ye nadi hai
kaahe nahi iss ko tu
kkul ke bataaye
jo hai ankahee
jo hai ansunee
wo baat kya hai bataa aaa
mitwa aa aaaaa aaaaa aaaaaa
kahen dhadkanen tujh se kya
mitwa aa aaa aaaaa aaaa
ye khud se to na tu chhupaa

ho ooo
teri nigaahen
pa gayee raahen
par tu ye soche
jaaun na jaaun
ye zindagi jo
hai naachti to
kyun bediyon mein
hain tere paaon
preet ki dhun par
nach le paagal …al
udtaa agar hai
udne de aanchal
kaahe koi apne
ko aise tarsaaye
jo hai ankahee
jo hai ansunee
wo baat kya hai bataa aaa
mitwa aa aaaaa aaaaa aaaaaa
kahen dhadkanen tujh se kya
mitwa aa aaa aaaaa aaaa
ye khud se to na tu chhupaa
mere mann ye bataa de tu
kis oar chala hai tu
kya paaya nahin tu ne
kya dhoondh raha hai tu..

love will
find a way
jaaniye ea
heeriye ea
mitwa aa aaaaa aaaaa aaaaaa
love will
find a way
jaaniye ea
heeriye ea
mitwa aa aaaaa aaaaa aaaaaa
love will
find a way
jaaniye ea
heeriye ea


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4003 Post No. : 15105 Movie Count :

4148

Hullo to all in Atuldom

July the 3rd is the date when the son of a favorite singer of mine, who is equally my favourite turns a year younger. It is the 67th birthday of Amit Kumar Ganguly. The all-rounder musician – he is a playback singer and music director in addition to being an actor and director.
He made his acting debut as an 11 or 12-year-old in “Door Gagan Ki Chaon Mein” (1964) and had his father singing for him “aa chal ke tujhe main leke chaloon ek aise gagan ke tale”. He played a mute kid whose eyes conveyed a lot of emotion. His eyes still convey a lot of emotion- we mostly see mischief there. 🙂 His next screen appearance was again with his father in a short role in “Door Ka Rahi” (1971). “Main ik panchchi matwala re” was a song that was recorded for the movie which was later edited out from the final cut of the movie and used inn a later Kishore Kumar production “Mamta Ki Chaon Mein”. Whatever acting he has done is mostly in movies produced by his father. He has acted in about six movies and took on the mantle of director to complete his fathers’ “Mamta ki Chaon Mein” which released in 1989; two years after his father, the legendary Kishore Kumar, passed away.

I have seen a video on youtube where Amit Kumar mentions how his proud father Kishore Kumar presented him on stage as part of a “Kishore Kumar Nite” in the 70s. He has related how the father-son duo had planned on his entry on to the stage and so many other anecdotes are there in that video.

I made some mental notes after seeing that video. Today’s song is selected from those notes- the first song that I discovered in that video has been shared on the blog by Sudhirji – a Madan Mohan marvel “hai shaam badi matwali” from the 1980 release “Chaalbaaz” which was one of the first few songs that he sang outside of his father’s production.

The very first time that he sang for someone other than his father was for the music director duo Sapan- Jagmohan. (I know that either our in-house encyclopedia or Sudhirji have written a brief introduction to this lesser known music director jodi). The movie was “Darwaza” by the Ramsay Brother’s production house.

The movie had a cast of Anju Mahendru, Shyamlee, Anil Dhawan, Imtiaz Khan, Shakti Kapoor, Sheetal, etc etc. The movie had Naqsh Lyallpuri as the lyricist. It movie had around three songs all of them solos -two by Asha Bhonsle and one was by Amit Kumar. “Darwaza” released in 1978, was reasonably popular. I remember we were not allowed to see the movie as it was given an “Adults Only” certificate by the censor board, it was supposed to be a horror movie. I have not yet seen it, 🙂

So here we are wishing our dear Amit Kumar a very happy birthday (belated) with a song which, though not as popular as his “bade achche lagte hain” or other songs of his under R D Burman’s baton, is very soothing to the ears.


Song-Hosh mein ham kahaan (Darwaaza)(1978) singer-Amit Kumar, Lyrics-Naqsh Llayalpuri, MD-Sapan Jagmohan

hosh mein
hum kahaan
mil gaye ae
do dil jawaan
ye samaa
aisi waisi baaton mein kho jaaye na aa
hosh mein
hum kahaan
arre mil gaye
do dil jawaan
ye samaa
aisi waisi baaton mein kho jaaye na aa
hosh mein
hum kahaan
arre mil gaye
do dil jawaan

ho o o
ik aag si jaagi mere jazbaat mein
kaise ghata pyaasi rahe barsaat mein
o o
ik aag si jaagi mere jazbaat mein
kaise ghata pyaasi rahe barsaat mein
arre ye sama
aisi waisi baaton mein kho jaaye na
hosh mein hum kahaan
arre mil gaye do dil jawaan

ho o o
mehke labon ki taazgi de do mujhe
pal bhar mere dil ki khushi de do mujhe
o o o
mehke labon ki taazgi de do mujhe
pal bhar mere dil ki khushi de do mujhe
ye sama
aisi waisi baaton mein kho jaaye na
hosh mein hum kahaan
arre mil gaye do dil jawaan
ye sama
aisi waisi baaton mein kho jaaye na
hosh mein hum kahaan
arre mil gaye do dil jawaan
hosh mein
hmm hmm
arre mil gaye


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has over 15700 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

15723

Number of movies covered in the blog

Movies with all their songs covered =1212
Total Number of movies covered =4329

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Active for more than 4000 days.

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