Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Suman Kalyanpur solo’ Category


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article marks the 400th song as a playback singer for Suman Kalyanpur and 300th article as a guest contributor for Avinash Scrapwala in the blog.

Blog Day :

4500 Post No. : 16037

Welcome all to this post, which should have come yesterday. But as they say ‘it is better late than never’ and as we on the blog say ‘it is never too late (even if the post comes after a long gap (ranging from a week to a month) of a particular special day).
😊
In any case we will be having a song to enjoy, a look-back (or glance? 😊) on the yesteryears or a brief journey ‘down memory lane’ …

I will directly come to the point now and clear the suspense that yesterday 11th November’2020 was the eighty-fourth (born on 11.11.1936) birthday of the gorgeous, beautiful, (plus sober, decent?), cheerful, ever smiling and ‘chulbuli’ actress Mala Sinha.

On the blog we today belatedly wish her a very happy birthday and a healthy and peaceful life ahead.

I got to watch many of her movies from the ‘golden era’ or ‘black & white’ era and later many of her movies from the ‘colored’ era too. I am not going to list them all here because it will be a long list. I would only like to say that I do not remember any single movie of her ‘where I have not liked her performance’. I always like her screen presence and also her appearances in the songs or song sequences.

When I was looking for information about her initial career, I got to learn that she was an approved singer of ‘All India Radio’ but never got to playback singing in movies.
Ot of the twentythree Bangla movies she acted in, she was paired with Uttam Kumar in seven movies. Interested readers can visit for more interesting information on her on ‘wiki’ here.

On the occasion of her birthday I am going to present a song picturized on her from the movie ‘Rivaaj-1972’ which I came across recently. After listening to the song I totally fall in love with this song.

‘Rivaaj-1972’ was directed by T. Prakash Rao for ‘Sona Films, Madras’. (This movie was dedicated to the memory of the great K. Asif)

It was presented by H. Prasann Chand Nahar. K.C. Bokadia was the producer of this movie.

It had Mala Sinha, Sanjeev Kumar (the sub title for Sanjeev Kumar mentions ‘President award winner), Shatrughan Sinha, Farida Jalal, Jr Mehmood, Baby Gauri and Zeb Rehman.
They were supported by Nazir Hussain, Sulochana, Jayshree T., Pandri Bai, Mukri, Mrs. Shaukat Kaifi Azmi, Raj Kishore, Swaraj Kumar, Subrato and others.

The story of this movie was written by R. Venkatachalam. Its dialogues were written by Kaifi Azmi.
Editing of this movie was done by R. Bhaskaran.

This movie was passed by Censor Board on 19.08.1972.

The movie had eights songs (including a multiple version song) written by Kaifi Azmi, Indeevar, Hasrat Jaipuri, Anjaan, S.H. Bihari and Neeraj. Lata Mangeshkar, Mohd Rafi, Kishore Kumar, Asha Bhonsle, Manna Dey and Suman Kalyanpur were the playback singers for this movie.

Here is the list of the eight songs of this movie and the songs already posted have been added with their link;

Song Lyricist Posted On
Main teri prem deewaani meera Neeraj Being covered in this post
Tujh mein hoon main mujh mein hai tu S.H. Bihari 09.07.2013
Pyaara pyaara sabse nyaara aanewaala hai koyi hamaara Indeevar
Tujh jaisi laadli laakhon mein ek (male version) Hasrat Jaipuri
Tujh jaisi laadli laakhon mein ek (female version) Hasrat Jaipuri
Lagey koi lottery yaa jackpot lagey Anjaan 30.01.2015
Jalaa do jalaa do jaalaa do duniya ko jalaa do Kaifi Azmi 06.11.2020
Phoolon sa mahka huaa ye reshmi tan mera Anjaan

Music for this movie was composed by Shankar-Jaikishan.

Today’s song is picturized on Mala Sinha where she is lip-syncing in Suman Kalyanpur’s voice. Sanjeev Kumar and many others are also seen in the picturization of the song which happens in a temple (the famous Meera temple of Udaipur, as mentioned in the ‘wiki’ page of this movie ‘Rivaaj-1972).

The beautiful lyrics for today’s song are by Neeraj ji.

When I listened to the song for first time around a week or ten days back, I was totally taken up by this song and fall in love with it. It grows upon us if we listen to it again and again.
This beautiful composition of Shankar-Jaikishan is sung by Suman Kalyanpur and I must say what I mentioned for Mala Sinha that I have never came across a single Suman Kalyanpur song which I had not liked and enjoyed.

With the song Suman Kalyanpur has now four hundred song on the blog. Still a long to go to cover her remaining songs. It is still below half way mark if we consider the total 857 songs sung by her in Hindi movies. Today happens to be the 4500th day for the blog. Suman Kalyanpur completing her 400th song in the blog on the 4500th day for the blog sounds quite a befitting occasion.

Let us now enjoy this wonderful song …
Ed note:-Moreover, this article is the 300th article for Avinash Scrapwala as a guest contributor in the blog.

Video

Audio (Longer)

Song-Main teri prem deewaani Meera (Rivaaj)(1972) Singer-Suman Kalyanpur, Lyrics-Neeraj, MD-Shankar Jaikishan

Lyrics

main teri prem deewaani meera
meera aa

main teri prem deewaani
meera
main teri prem deewaani
aao chhaliyaa
aao naa aa
aao chhaliyaa
aao naa aa
ab to preet nibhaao naa aa
main teri prem deewaani meera
meera
meera aa
meera aa

angin tere roop saanwre ae
angin tere roop saanwre
dekh ke naina huye baawre
o behroopiyaa
ab to pal bhar
ek roop ho jaao naa
main teri prem deewaani meera
main teri prem deewaani

jeewan mera dhyaan hai teraa aa
jeewan mera dhyaan hai teraa
bol bol re kaun hai tera
har ek raah tere ghar jaaye
jaaun kidhar bataao naa
main teri prem deewaani meera
main teri prem deewaani
aao chhaliyaa
aao naa aa
ab to preet nibhaao naa aa
main teri prem deewaani meera
meera
meera aa
meera aa

tu sabke sang raas rachaaye
tu sabke sang raas rachaaye
saare jag ko naach nachaaye
ek baar mujhko bhi apni
murli shyaam banaao naa aa
main teri prem deewaani meera
main teri prem deewaani ee
aao chhaliyaa
aao naa aa
ab to preet nibhaao naa aa
main teri prem deewaani meera
meera
meera aa
meera aa
meera aa
meera aa

—————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————–
मैं तेरी प्रेम दीवानी मीरा
मीरा आ
मैं तेरी प्रेम दीवानी मीरा
मैं तेरी प्रेम दीवानी
आओ छलिया
आओ ना आ
आओ छलिया
आओ ना आ
अब तो प्रीत निभाओ ना आ
मैं तेरी प्रेम दीवानी मीरा
मीरा
मीरा आ
मीरा आ

अनगिन तेरे रूप सांवरे ए
अनगिन तेरे रूप सांवरे
देख के नैना हुए बाँवरे
ओ बहरूपिया
अब तो पल भर एक रूप हो जाओ ना
मैं तेरी प्रेम दीवानी मीरा
मैं तेरी प्रेम दीवानी

जीवन मेरा ध्यान है तेरा आ
जीवन मेरा ध्यान है तेरा
बोल बोल रे कौन है तेरा
हर एक राह तेरे घर जाए
जाऊं किधर बताओ ना
मैं तेरी प्रेम दीवानी मीरा
मैं तेरी प्रेम दीवानी
आओ छलिया
आओ ना आ
अब तो प्रीत निभाओ ना आ
मैं तेरी प्रेम दीवानी मीरा
मीरा
मीरा आ
मीरा आ

तू सबके संग रास रचाए
तू सबके संग रास रचाए
सारे जग को नाच नचाये
एक बार मुझको भी अपनी
मुरली श्याम बनाओ ना आ
मैं तेरी प्रेम दीवानी मीरा
मैं तेरी प्रेम दीवानी
आओ छलिया
आओ ना आ
अब तो प्रीत निभाओ ना आ
मैं तेरी प्रेम दीवानी मीरा
मीरा
मीरा आ
मीरा आ
मीरा आ
मीरा आ


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4486 Post No. : 16007

———————————————–————————————
Blog 10-Year Challenge (2010-2020) – Song No. 89
———————————————————————————–

This date 29 october 2020 is a different kind of blog ten year challenge. It was on this day ten years ago that I met Raja face to face in Nagpur where I was based at that time. All these days I was under the impression that the meeting had taken place recently, but no, time has sprinted away faster than Usain Bolt, and TEN years have elapsed after that memorable evening. .

For those who came in late, I was a member of a by now defunct cricket forum called Pakcricbuzz under the ID of squarecut. I used to discuss cricket of 1970s in that forum. One fine day, this new member called Raja joined and he started commenting on my posts exclaiming that he was in the same age group and he too had similar memories about cricket of 1970s. I initially thought that he was a Pakistani with surname of Raja (like Wasim Raja and Rameez Raja) but later I found that he was an Indian.

After a few days, I stumbled upon “introduction” section of that forum, where I found discussion about a new cricket forum by an Indian poster. I visited that forum called cricforum. That was in may 2005. It was quite an inactive forum at that time, but I felt comfortable there mainly because it was a forum of Indians. Two weeks later, I found that same person Raja also joining cricforum. Soon the forum began to buzz with great activity.

The forum had moderators and administrators based in Europe and USA and they needed an India based moderator. So I was made an moderator there and an announcement was made that “Atul Bhai is our new moderator.” Members of the forum congratulated me, and that included Raja too. So your name is Atul, he stated. My ID was squarecut and so it was this announcement that made Raja aware about my name.

This forum did not just discuss cricket, it discussed other topics as well, and people there had a unique kind of sense of humour which was described there as “muppetry”. Whenever India lost in cricket, which was quite often, members would roast Indian cricketers in posts that were scathing and at the same time quite funny. Then there was this person Ravi, the owner of the site, who would write hard hitting reviews of Hindi movies that were great fun to read. This person Ravi incidentally has written a guest post in this blog as well. This article gives us some idea about his sense of humour. Even I have covered him in the blog in one article on his pet-a wolf dog. I rate this article as one of the most satisfying articles written by me.

Some music lovers there began to discuss music under a subsection called Geetmala. There music loving members would write articles on a music theme. I wrote a few articles, on themes like Railway songs in Hindi movies. Others such as Raja also came up with his own theme.

It was during late 2007 and early 2008 that I was exposed to the concept of blogging. I opened a blog on blogspot platform where I started writing similar theme based articles. I wrote 50 long articles there which did not get the kind of traffic that I expected. Soon enough, I discovered wordpress platform, which I found far more easy for blogging. It was on this platform that I began to write my comments of Hindi film songs, taking up one song at a time. And soon enough, this became my main blog.

When I informed others about my blogs, some of them visited them and left notes of encouragement. Raja’s comments were especially prized ones for me, because he wrote long and elaborate comments that served as just the kind of encouragement that any budding blogger/ poster needs.

As mentioned earlier, Raja and I were members of cricforum. Raja actually met a few regulars of that forum, including Ravi, the owner of that forum. So Raja was already into “gangouts” of cricforum. Incidentally, this term “Gangout” is coined by Raja. So far this term has not found its way into Dictioneries and it is found only in this blog.

Raja was based in Holland and he would regularly visit India to meet his family members. By 2010, Raja too had become a moderator and subsequently an administrator in that forum. I too had become an adminisrator. During october 2010, Raja was planning to visit India, and another administrator called Asterix too was planning to visit India. This person Asterix was Nagpur based, and he saw a good opportunity for a get together at Nagpur. He invited a few members to come visit Nagpur. Raja was the one who agreed. So Raja boarded a train from Bangalore and arrived at Nagpur on 28 October 2010. He was recived at the Nagpur station by Asterix who took him to his home to stay with him. Raja, in those pre whatsapp days posted his status in cricforum- “Arrived Nagpur. Feeling happy. Looking forward to meet Atul.”

At Nagpur, I lived in Railway locality (called Mount Road)close to Old Vidarbha Cricket stadium. This stadium had hosted international matches till a few years ago, before the bigger stadium at Jamtha came up. I lived alone, while my wife and daughter lived across the Maharashra MP border 250 KM away. I had a very good internet connection (provided by Railways) and I also had inverter connection. So I was connected on internet round the clock even if it was raining outside and power was off. No wonder I was at my most productive as a blogger those days.

Raja, asterix and another person (Asterix’s relative) arrived at my home in the evening. I received a bear hug from Asterix. The two of us were so like minded in cricketing matters (including our “love” for Bangladeshi cricket. 🙂 ) in the forum.

After some cricket discussion, the two of them expressed their interest in my blogging process. So I took them to the room that I had earmarked for this purpose. This small room had a laptop on a computer table. When I look back at it now, I realise that I used to note down the lyrics directly from the computer. I did not use headphone or external speakers those days. Later I began to use headphones and that helped a lot. But using headphones was not yet started by me and I relied on listening to the tinny voice emanatng from the laptop. That laptop was a 2007 model, with windows XP in it.

The blog by that time had 3154 posts, a far cry from the current tally of over 16000 writeups. Many blog concepts, now taken for granted had not yet evolved. Even guest posts were in their infancy. Raja, the first guest poster in the blog had written his (and blog’s) first guest post on 26 june 2010 (blog post number 2565). Raja’s most recent guest post was the writeup for 3000th song of the blog- on 20 september 2010. It was his 31st guest post in the blog. 31 guest posts in less than three months- Raja was in a rich vein of writing form those days. 🙂

My collection of video CDs, audio CDs etc were strewn all over the place which I showed them as my musical collection. I can never arrange them systematically, no matter how half heartedly I try. 🙂 I also tried to bluff telling them that what was visible was only a part of my collection. 🙂

I had one thing with me that was quite a prized possession though. It was a diary of 1974, that I got hold of in 1975. In that diary I noted down lyrics of songs written from radio. I needed to listen to a song a few times before I could get the full lyrics right. It had about 200 plus song lyrics. That diary was also the place where I would note down scores of test matches played those days. I showed them the score card of the Port of Spain test where India scored 406/4 in the fourth innings to win the test. Raja was suitably impressed with that diary.

We spent an hour and half or so at my place. Those days we did not have cameras on mobile phones. People carried handycams. Raja had brought one such handycam. I had asked a couple of my staff to be present. One of them took our photos which Raja later put up on our cricket forum.

After one hour and half or so, we went to a nearby restaurant for dinner. Asterix, a native of Nagpur knew various places in Nagpur quite well. Our discussion continued during that time as well. Raja told us that he had watched the movie “Akeli Mat Jaiyyo”(1963) with very high expectations but he felt badly let down. 🙂 Raja has subsequently learnt to keep his expectations low while watching Hindi movies. 🙂

While discussing musical matters and bloggers, we discussed Greta (Memsaab) and her blog. Raja mentioned that Greta’s birthday fell a few days ago. We also discussed the fact that her birthday fell so close to that of Shammi Kapoor that she was a big fan of.

Those were the days when the blog followed the concept of “farmaish”. Farmaish page was a popular page of the blog. Raja himself was a big farmaish sender. Raja had sent lots of farmaishes in the blog farmaish page. I asked him for a farmaisdh face to face- easily the first such farnmaish for the blog. Raja chose the song “Baar baar din ye aaye” and dedicated it to Greta. :).

After dinner, Raja and Asterix dropped me back at my place at about 10:45 PM or so and thus ended a memorable evening / night for me.

Next day, I posted that article on Raja’s farmaish where I described this meeting in brief. This aricle received several comments including that of Raja as well.

Raja in his comment to this post wrote:-

As Atul says, the two of us finally managed to meet each other. It was really memorable for me too. I have long admired Atul’s witty comments, not just on this blog but also on our cricket forum. He has these one-liners that I call Atulisms. ??

We had a very nice time together. Atul walked me through the process he goes through to post songs on his blog. We discussed other stuff too – including a diary he used to maintain way back in 1976, with handwritten cricket scorecards and Hindi film songs. Those were pre-internet days, so every piece of info we could gather from any source was very valuable. Indeed Atul and I can relate to a lot of things – I used to also maintain cricket statistics in this manner. 🙂 🙂

Over dinner, Atul asked me for a song farmaish “on the spot”. This birthday song was fresh in my mind – I remember searching for it a few days earlier on his blog and not finding it. It is my favourite birthday song – I love Rafi’s voice in this, I love the picturisation, I love the lyrics.

I did not expect Atul to turn this around so quickly on the blog. Thanks a lot, Atul.

Four years later, I described this visit in more detail during the run up to our 10K post, when I wrote about Raja in this post. There I have quoted what Raja wrote about this visit in cricforum. Here are his reminiscences:-

I came over from Bangalore to Nagpur to meet Asterix and Atul.
I first met Asterix on the 28th evening (he picked me up from the station).
We then arranged to meet Atul the following evening (Friday – 29th).

We went over to Atul’s place. Very nice place – Atul has people at his beck and call for his household work. * jealous *

Anyway, it was a very memorable experience.

Already meeting Asterix the previous evening was a great feeling – and now meeting Atul also was just amazing.
We discussed a lot of stuff – mostly about CF of course. And about Atul’s song blog.

Asterix and Atul also expressed concern about the increasing dominance of Bangladesh on the cricket scene and how it could impact minnows like BCCI who are in the same group in the World Cup. ?? Personally I think they were more concerned about the impact on a certain cricket forum. ??

Atul then showed us how he builds up his song blog – from a blog owner’s perspective.
It was fascinating.

We also got to see some of his VCD collection. More than 150 VCDs – most of them old (forgotten) Hindi movies. These provide the raw material for his song blog to a large extent. And I am informed by Atul that this is only a part of his collection – he has much more.

The evening was already going very well – but then it went many notches higher for me when Atul showed us something else.
This really brought tears (of nostalgia) to my eyes.

He showed us a diary that he used to maintain in 1976.

In those days, he used to write down cricket scorecards of various matches going on at that time.
Seeing the names of Gavaskar, Gaekwad, Vishwanath – written in Atul’s handwriting – really made me remember those days.

I got into a major nostalgia session – Asterix cut me short (like he often does ?? ), suggesting that we could continue the discussion over dinner. ??
(Actually we had another friend with us – not a CF person – and Asterix, understandably, did not want him to get bored).

In this diary, Atul also used to write down Hindi songs. Movie, singers, music directors – and full lyrics. As much as he could capture at that time from radio. Remember these were pre-Internet days, these were days when you really had to search and hunt for info that is readily available nowadays. You had to listen to a song umpteen times before you could get it right.

I think this passion is what has now morphed into Atul’s blog. Different times, new technology – but same, burning passion.

We then went out for dinner. By then it was a little late – we dropped Atul back at his place and returned to Asterix’s place (where I was staying), with very fond memories of our meeting.

Thank you, Atul. It was a very memorable evening. 29th October 2010.

I can barely believe that ten years have past since that memorable evening. It is true. We all, as well as the blog, are ten years older since that day.

In a way, it is a different kind of Blog Ten Year Challenge. I posted a song from a movie that day. Let me post another song from the same movie ten years later.

Following songs were covered in the blog ten years ago on this date (29 october 2010):-

Blog Post number Song Movie Year of release Posting time Remarks
3149 Teri nazar mein main rahoon meri nazar mein tu 1857 1946 7:19 AM Movie YIPPEED by now
3150 Tum hamen bhool gaye Balam 1949 8:13 AM Movie YIPPEED by now
3151 Barbaad huyi dil ki duniyaa Jalpari 1952 8:51 AM 7 songs covered out of 9
3152 Hamko samajh baithhi hai ye duniyaa deewaanaa Chaar Deewaari 9:13 AM 1961 Movie YIPPEED by now
3153 Mujhe tumse muhabbat hai magar main keh nahin saktaa Bachpan 1963 9:29 AM 3 songs covered out of 7

Out of two eligible movies for Blog Ten Year Challenge today, the first movie “Jalpari”(1952) has already been taken up earlier in the day. So that leaves us with “Bachpan”(1963) as the other eligible movie.

“Bachpan”(1963) was directed by Nazar for New Panchratan pictures, Bombay. This “social” movie had Menka Irani, Saleem, Manorama, David, Daisy Irani, Bhudo Advani etc in it.

The movie had seven songs in it. Three songs have been covered in the past. Iconic Rafi song Mujhe tumse muhabbat hai magar main keh nahin saktaa was discussed on the blog on this day ten year ago.

The remaining four songs are lesser known songs. Some are even unavailable. Out of the available songs, the song under discussion shines on its own merit and deserves to be better known among music lovers. This song is sung by Suman Kalyanpur. Hasrat Jaipuri is the lyricist. Music is composed by Sardar Malik.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisatiuon of this song. The song is an ideal song to be listened to at night. It is a song that firmly belongs to the league of what I call “Chhaayaageet” songs.


Song-Mere naina mad ke pyaale (Bachpan)(1963) Singer-Suman Kalyanpur, Lyrics-Hasrat Jaipuri, MD-Sardar Malik

Lyrics(Provided by Prakashchandra)

Mere naina mad ke pyaale
Mere naina mad ke pyaale
koi aaj dil sabhaale
koi aaj dil sabhaale
main jahaan jahaan se guzri
wahin ho gaye ujaale
Mere naina mad ke pyaale

jo nazar milaaye mujh se
wohi hosh apne khoye
wohi hosh apne khoye
jise dekh loon main hans ke
wo khushi se mera hoye
wo khushi se mera hoye
use badh ke baandh le phir
mere gesu kaale kaale
mere naina mad ke pyaale
koi aaj dil sambhaale
main jahaan jahaan se guzri
wahin ho gaye ujaale
mere naina mad ke pyaale

bujhe dil ko roshni de
mere tan ke ujle saaye
mere tan ke ujle saaye
ke huyi shama jo raushan
to patange ghir ke aaye
to patange ghir ke aaye
ke amar rahenge mar kar
mujhe pyaar karne waale
mere naina mad ke pyaale
koi aaj dil sambhaale
main jahaan jahaan se guzri
wahin ho gaye ujaale
mere naina mad ke pyaale


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4482 Post No. : 15993 Movie Count :

4380

#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 107 # Tribute to Sahir Ludhianvi #
——————————————————————————–

Today 25th October’2020 is the fortieth Remembrance Day of poet-lyricist Sahir Ludhianvi. He was born on 08th March’1921 and that will mark hundred years of his stepping out on this planet earth.

Sahir Ludhianvi left this mortal world on 25th October’1980 due to heart attack when he was playing cards with his friends.

Today remembering Sahir Ludhianvi and paying him a tribute on the blog I am presenting a song penned by him for the ‘1977-movie- Jaagriti’. As per HFGK Vol-V (1971-1980) this movie was first titled as ‘Ajab Teri Sarkar’ and even its song records were released by this title. I think that affected one song of the movie which was supposed to be in four parts, but now only one of its parts is available.

“Jaagriti-1977” was directed by Rajendra Bhatia for ‘Jai Films, Bombay’. It was produced by Vimal Bhatia and Naresh Malhotra. It had Nutan, Vinod Mehra, Reena Roy, Master Satyajeet, Prem Chopra, I.S. Johar, Paintal and Asrani, with Krishnakant, Lily Chakravarty, Padma Chawhan, Ashoo and Junior Mehmood. They were supported by Ram Mohan, Karan Dewan, Sushil Bhatnagar, Birbal, Mounto, Keshav Rana, Madhu Apte, Brook Bond, Jugnu, Aditya Sharma, Manjeet, Salim, Rajesh, Raj Bachhan, Master Ripple, Master Ravi, Manmohan, Aarti, Ram Avtar, Narbada Shankar and Raaj Kishore.

Jayshree T and Helen make special appearances in this movie.

Story of this movie was written by Sharad Pilgaonkar and screenplay was written by Sachin Bhowmick. Dialogues of this movie were written by Sagar Sarhadi. Editing of this movie was done by Nand Kumar.

This movie was passed by Censor Board on 19.03.1977.

This movie had four songs written by Sahir Ludhianvi and composed to music by Laxmikant-Pyarelal. Asha Bhonsle, Suman Kalyanpur, Minoo Puroshottam, and Dilraj Kaur were the playback singers for this movie.

Today’s song is sung by Suman Kalyanpur and composed by Laxmikant-Pyarelal.

Two songs of this movie sung by Asha Bhonsle noted long back are ready with us, however I when I came across this song sung by Suman Kalyanpur I selected it for today’s presentation for ‘special’ reasons. It’s a song praising to almighty and sung by Suman Kalyanpur.

I hope you will like the song too.

With today’s song this movie ‘Jaagriti-1977’ makes its debut of the blog (and also join the same titles of movies released in ‘1949’ & ‘1954’. There was one more movie with the same title released in ‘1992’.

With the today’s movie ‘Jaagriti-1977’ making its debut on the blog, all movies where Sahir Ludhianvi had written lyrics for movies released from 1971-1980 are now represented on the blog.

S.No. Movie Year Music Director
01 Ganga Tera Paani Amrit 1971 Ravi
02 Sansaar 1971 Chitragupta
03 Bhaai Ho To Aisa 1972 Sonik Omi
04 Daastaan 1972 Laxmikant-Pyarelal
05 Aa Galey Lag Jaa 1973 R.D. Burman
06 Daag 1973 Laxmikant-Pyarelal
07 Dhundh 1973 Ravi
08 Joshila 1973 R.D. Burman
09 Mehmaan 1973 Ravi
10 36 Ghante 1974 Sapan Chakravarty
11 Deewaar 1975 R.D. Burman
12 Ek Mahal Ho Sapnon Ka 1975 Ravi
13 Zameer 1975 Sapan Chakravarty
14 Kabhie Kabhie 1976 Khayyam
15 Laila Majnu 1976 Madan Mohan
15 Laila Majnu 1976 Jaidev
16 Shankar Shambhu 1976 Kalyanji-Anandji
17 Amaanat 1977 Ravi
18 Jaagriti 1977 Laxmikant-Pyarelal
19 Nawaab Saahib 1978 C. Arjun
20 Trishul 1978 Khayyam
21 Hum Tere Aashiq Hain 1979 Ravindra Jain
22 Kaalaa Patthar 1979 Rajesh Roshan
23 Chambal Ki Qasam 1980 Khayyam
24 Chehre Pe Chehra 1980 N. Dutta
25 Insaaf Ka Taraazu 1980 Ravindra Jain
26 The Burning Train 1980 R.D. Burman

I think this movie ‘Jaagriti-1977’ must be an obscure movie of its time and may be not seen by many. I would request knowledgeable reader who have watched this movie to throw more light on the movie, its songs and artists in the movie.

let us now listen to today’s song …

Audio

Song-Ham hain teri santaan (Jaagriti)(1977) Singer-Suman Kalyanpur, Lyrics-Sahir Ludhianvi, MD-Laxmikant Pyarelal
Chorus

Lyrics

ham hain teri santaan
ham hain teri santaan
ham hain teri santaan
ham hain teri santaan

ye praan teri den hai
ye deh teraa daan
Allaah kahe koyi tujhe
ya kahe bhagwaan
ham hain teri santaan
ham hain teri santaan
ham hain teri santaan
ham hain teri santaan

ye praan teri den hai
ye deh teraa daan
Allaah kahe koyi tujhe
ya kahe bhagwaan
ham hain teri santaan
ham hain teri santaan
ham hain teri santaan
ham hain teri santaan

jeewan ke har ik mod pe
thokar se bachaana
thokar se bachaana
bhatken to hamen haath pakad
raah pe laana
raah pe laana
ham jo bhi hai jaise bhi hain
bas itnaa rahe dhyaan
ham hain teri santaan
ham hain teri santaan
ham hain teri santaan
ham hain teri santaan

duniyaa mein kabhi jhoothh ke
aage na jhuke ham
aage na jhuke ham
sach baat ke ailaan se
roke na ruken ham
roke na ruken ham
mil jaaye tere dwaar se
ham sab ko ye vardaan
ham hain teri santaan
ham hain teri santaan
ham hain teri santaan
ham hain teri santaan
ham hain teri santaan
ham hain teri santaan


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day:

4452 Post No. : 15916

23 rd September was Tanuja’s 77th Birthday and 25th September, 2020 is the 81st birth Anniversary of Feroze Khan. Incidentally, these two have acted opposite each other in at least one film, i.e. Ek Paheli (1971). These are three songs already posted in the blog from this film :

Aansoo ki ek boond hoon main
kaahe karta hai tu itna shor…tera mera ik rasta
Mera tumhaaera saath to sadiyon ka saath hai

I have seen a few songs yesterday while deciding which one to post, they are mostly in the same genre of songs where the heroine Tanuja is singing in some ruined fort like locality with a cemetery inside the ruins. I found one more song of similar setting, where the face of lady singing the song is not shown, so I could not be sure that it is Tanuja. In the song that I have selected, the smiling Tanuja is very much visible and in her customary stylish self with high heels and a small handbag dangling from one hand. The formal attire with the party dress also is not suitable for the location where she is singing the song and leading a curious Feroze khan inside the cavernous ruins of the fort, in broad daylight. She is looking like no “bhoot’, so no bhoot or rooh in this song. SumanKalyanpure is the singer of this song composed by UshaKhanna. Asad Bhopali is the lyricist.

I can find a lot of similarities between these two actors of yesteryears. Both were stylish and good looking. While Tanuja came from a film family and must have been surrounded by the family connections in the film industry, Feroz Khan was an outsider. They both had siblings in the film industry, but I think Tanuja’s sister Nutan was estranged from her family. From the filmography it is seen that most of Feroze Khan’s films are with Mumtaz. They must have a good personal equation also, much like common people do, which results in their children marrying each other. I have read somewhere these two, Mumtaz and Feroz Khan became great friends during their struggling days and Amitabh Bachchan was also a part of this friendly circle, also a struggler.

There are a lot of bad and worst things being said, heard, written and repeated about the film industry and its so called ‘movers and shakers’, in recent times. It is a known fact that all that glitters is not gold. There are always dark and murkier things below the surface. And those who choose to be part of it are going in the murky waters with their eyes open. There are hardly any secrets in this world anymore, let alone the film industry. We as outsiders can only be this much detached and away from the ugliness, and try to maintain the façade of art and culture, and hide our knowledge and apprehension behind beautiful music, or what else we find good and appreciable.

In the 50’s and 60’s decades, there were people going in the industry to make a living or decent living. Some were maybe so impoverished that, there was hardly a choice to make, between flesh trade or do hard labour in the film studio as extra artist. And there are always ambitious people ready to give all and compromise all for either easy money or name and fame, or to be rid of financial ruin caused by their family members. Too much money or too little, it is a factor. Nepotism exists here too as it does everywhere else, in any form.

This is what MeenaKumari means when she says :

Aabl apaa koyi iss dasht mein aaya hogaa
Warna aandhi mein diya kisne jalaaya hogaa

Or when she says this :

Jalti bujhti si roshni ke pare
Simta simta sa ek makaan tanhaa

This was an insider view, saying things through poetry, what cannot be said for fear of losing its charm, glitter and shine.

The two actors Feroze Khan and Tanuja have spent their lives in the industry, been right in the thick of things. We can certainly say a few good things about these two, that they were talented and their successes were due to their talent and hard work.


Song-Main ek paheli hoon barson se akeli hoon (Ek Paheli)(1971) Singer-Suman Kalyanpur, Lyrics-Asad Bhopali, MD-Usha Khanna

Lyrics

Main ek paheli hoon
barson se akeli hoon
mujhe jaan’ne walaaa koyi nahin
pehchanne waalaa koyi nahin
main ek paheli hoon
barson se akeli hoon

mere paas aa
mere meharbaan
na de door hi se
sadaa mujhe ae
main hoon ik charaagh
bujhaa huaa
tu jalaa sakey to
jalaa mujhe
tu jalaa sakey to
jalaa mujhe
main ek paheli hoon
barson se akeli hoon
barson se akeli hoon

meri kab se hai
yahi aarzoo
ke mujhe galey se
lagaaye tu
tere dil ka dard
mitaaun main
mere dil ki pyaas
bujhaaye tu
mere dil ki pyaas
bujhaaye tu
main ek paheli hoon
barson se akeli hoon

tujhe kya khabar
ke tere liye
main na jaane kab se
udaas hoon
meraa pyaar dekh ke
har ghadi
tere saathh hoon
tere paas hoon
tere saathh hoon
tere paas hoon
main ek paheli hoon
barson se akeli hoon
mujhe jaan’ne waalaa koyi nahin
pehchaan’ne waalaa koyi nahin
main ek paheli hoon
barson se akeli hoon


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4451 Post No. : 15913 Movie Count :

4366

Missing Films of 1960s – 116
– – – – – – – – – – – – – – –

Ah, wonderful. Revisiting an old friend after a very long gap. Feels good.

This series was initiated on 30th Sep, 2015, almost 5 years ago to the day. The series continued with a certain regularity almost for four years, till 1st July, 2019. That day, I had posted a rarest of the rare finds – “Taaron Bhari Raat Hai” – a song from the film ‘Hawa Mahal’ (1962), a film which is very much available in video, but sadly all its songs have been axed from the VCD release. I had written in that post, that I had even gone beyond the VCD version and searched out the VHS cassette of the film, and even that had no songs. But fortunately, searching thru film, I accidentally chanced to catch half a song that appeared at the end of the film. Probably, when the editors were making the cuts, for whatever reasons (which we do not know at this point), they had missed out the closing shots of the film, whereat one song is repeated partially as is the tradition followed in many Hindi films we know.

That was the 112th episode of this series. And I believed at that time that I had exhausted all the available films of 1960s that I could gather from all the sources I could take help from. But I was so wrong in my belief at that time. And man, am I glad that I was so wrong. Actually, as soon as that post appeared, I got a few messages from friends on the blog and off it, that hey, this here is another film available, so please check it out. I did, and found a few more films and songs available, that have helped to keep this series alive and continuing.

The frequency has reduced significantly, but surely, we have now added three more films to the series. We keep chugging along, and hopefully will continue to reduce the number of films which sit on the list of pending films from 1960s. I bring on board one more film from 1960s, that had been unavailable for quite sometime. And to let you know, there still are two more films that have been identified and I will be posting them appropriately.

The intent of the series continues today with a song from the 1965 film ‘Panch Ratan’. This obscure film had remained so for quite many years. Even the Geet Kosh did not carry the complete information about this film. The list of songs is there, but the songs themselves remained elusive for long. It appears that the songs of this film were not released on gramophone records, and so the audio version of the songs of this film remains out of reach even today. However, the video of this film has been available online for almost 10 years now, indicating that it was a major miss on my part as I started searching five years or so ago, for missing films of 1960s.

Anyway. The film is available, as are its songs. Here is the first song of this film, as it makes it debut on our blog here today. The film is produced under the banner of Broadway Pictures, Bombay, and is directed by Kamran. The film is a costume drama, with a theme that has been oft repeated in Hindi cinema and also the world cinema. The theme is the variation of the storyline in which a group of well meaning friends come together in a pact of solidarity, to overthrow a local regime of a tyrannical bad-man. Films on this theme are plenty across the world – ‘Seven Samurai’, and ‘The Magnificent Seven’ immediately come to mind, as do films like ‘Khotey Sikkey’ etc. I am sure readers will be able to add more films as examples.

The cast of the film is listed as Randhawa, Parveen Chaudhary, Kamran, Shaam Kumar, Kamal Mehra, Habeeb, Amarnath, Randhir, Meenakshi, Sadhana Khote, Fazal, Moolchand, Sabir, Anjum, Madhumati, Jeevankala, Aruna, Lakshmichaya, Saudagar Singh, Joginder Singh, Vasant Singh, and Sony Alexander etc.

The film has five songs, all in video. None of these songs have appeared any gramophone records. Four of the songs are written by Anjaan and one song is credited to Upendra. Today’s song is by Anjaan. Music for this film is composed by Sardar Malik. Today, I present the first song of this film here. This is a raj-darbaar dance song – a dance performed in a royal court setting. The singing voice is that of Suman Kalyanpur. On screen, the song has been performed by actress Aruna. The identification of the dancer has been made by our dear Prakash ji. Also, in this video clip, we can see Parveen Chaudhry, Randhir, and Kamran, seated on the raised dias watching this performance. In between, the scene cuts to a dungeon where we see Randhawa and Shaam Kumar as prisoners being tortured by the king’s soldiers. We also see three other soldiers enter the dungeon, one of whom is actually a lady dressed as a male soldier. Apparently, these three are friends of Randhawa who have come to rescue him. Their identity gets revealed as the helmet of lady gets disturbed and her long hair fall down. A melee ensues in which Randhawa and Shaam Kumar are freed and the chief of the torture chamber is put in chains. All this while the dance and the song continues in the royal court. There is help required to identify all the players in this clip, and I request Prakash ji and other knowledgeable readers and friends to please help to identify more actors.

With this song, ‘Panch Ratan’ makes its debut here on the blog. And it also bring up the 116th episode of this series. I must admit that the gap in the episodes has been quite a bit, and even this post has been prompted by the fact that another post, by Sadanand ji, is now waiting to be posted, and it uses another song of this film. When Atul ji and I received the post from Sadanand ji, I was prompted into quick action to ensure that the debut song of this film is first brought on board as part of this series and then the post by Sadanand ji gets published. I must thank him for being patient to wait for me to post this debut song. His post should be coming on within a day.

Another very interesting observation here. In the flurry of Ten Year Challenge posts, we seem to have backed away from posting debut songs. The last debut song posted here was on 5th Sept, nineteen days ago. And 46 posts ago. Meaning that in the past nineteen days, 46 songs have been posted and not a single one is from a debut film. We need to research whether this is a record. I am not sure, but seems quite like it.

I will sign off now and let you take a view and listen to this wonderful fast paced melody which is quite attractive in the first hear itself. The dance movements and expressions presented by Aruna are very impressive. A song that surely is worth watching as well as hearing.

 

Song – Saaqiya. . Uff Teri. . Ye Ada  (Panch Ratan) (1965) Singer – Suman Kalyanpur, Lyrics – Anjaan, MD – Sardar Malik

Lyrics 

saaqiya
uff teri
ye ada
saaqiya
uff teri
ye ada
tauba tauba
tauba tauba
bin piye
kya hua
ye nasha
tauba tauba
tauba tauba

duniiya ko deta hai paimaane bhar ke
hum to hain pyaase teri nazar ke
duniiya ko deta hai paimaane bhar ke
hum to hain pyaase teri nazar ke
hum ko teri
mehfil bhala
kya vaasta
kya vaasta
saaqiya
uff teri
ye ada
saaqiya
uff teri
ye ada
tauba tauba
tauba tauba
bin piye
kya hua
ye nasha
tauba tauba
tauba tauba

wo mai buri hai jo hosh uda de
aisi pila de jo hosh mein laa de
wo mai buri hai jo hosh uda de
aisi pila de jo hosh mein laa de
behke huye
sambhlen zara
aisi pila
aisi pila
saaqiya
uff teri
ye ada
saaqiya
uff teri
ye ada
tauba tauba
tauba tauba
bin piye
kya hua
ye nasha
tauba tauba
tauba tauba

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-
साक़िया
उफ़्फ़ तेरी
ये अदा
साक़िया
उफ़्फ़ तेरी
ये अदा
तौबा तौबा
तौबा तौबा
बिन पिये
क्या हुआ
ये नशा
तौबा तौबा
तौबा तौबा

दुनिया को देता है पैमाने भर के
हम तो हैं प्यासे तेरी नज़र के
दुनिया को देता है पैमाने भर के
हम तो हैं प्यासे तेरी नज़र के
हमको तेरी
महफिल भला
क्या वास्ता
क्या वास्ता
साक़िया
उफ़्फ़ तेरी
ये अदा
साक़िया
उफ़्फ़ तेरी
ये अदा
तौबा तौबा
तौबा तौबा
बिन पिये
क्या हुआ
ये नशा
तौबा तौबा
तौबा तौबा

वो मय बुरी है होश उड़ा दे
ऐसी पीला दे जो होश में ला दे
वो मय बुरी है होश उड़ा दे
ऐसी पीला दे जो होश में ला दे
बहके हुये
संभलें ज़रा
ऐसी पिला
ऐसी पिला
साक़िया
उफ़्फ़ तेरी
ये अदा
साक़िया
उफ़्फ़ तेरी
ये अदा
तौबा तौबा
तौबा तौबा
बिन पिये
क्या हुआ
ये नशा
तौबा तौबा
तौबा तौबा


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4444 Post No. : 15892

“Naag Mohini”(1963) was directed by Shantilal Soni for Dimple Films Bombay. This “pauraaanik” movie had Vijaya Chadhary, Mahipal, Sundar, Rajan Haksar, Bablu, Uma Dutt, Indira Bansal, Rajrani, Sood, Khursheed etc in it.

The movie had six songs in it. Four of these songs have been covered in the past.

Here is the fifth song from “Naag Mohini”(1963) to appear in the blog. the song is sung by Suman Kalyanpur. Bharat Vyas is the lyricist. Music is composed by Sardar Malik.

The song is picturised as an “inspirational” song, which to me sounds more like a “putting up a brave face” genre of song on a kid who could be Bablu going by the star cast. I request our knowledgeable readers to throw light on the identity of the kid.


Song-Hum hain baalak kal ke maalik (Naag Mohini)(1963) Singer-Suman Kalyanpur, Lyrics-Bharat Vyas, MD-Sardar Malik

Lyrics

hum hain baalak
kal ke maalik
hum hain baalak
kal ke maalik
samjho mat naadaan
aa jaayen gar hathh pe apni
jhukta hai bhagwaan
ho o
hum hain baalak
kal ke maalik

jungle ho ujaad ho
saamne pahaad ho
sheron ki dahaad ho
koi na sake re humen thhaamne
din ho ya raat ho
aandhi barsaat ho
koi bhi na saath ho
badhte hi jaayen hum saamne
hum hain bachche
dhun ke sachche
sheron ki santaa aan
aa jaayen gar hathh pe apni
jhukta hai bhagwaan
ho o
hum hai baalak
kal ke maalik

dikhne mein kamzor hum
shakti mein ghanghor hum
aandhiyon ka zor hum
pade na kisi ko hum se vaasta
chaahe jalti aag ho
bhaazlu cheeta baagh ho
fan uthaaye naag ho
koi na roke humaara raasta
hum hain ladke
hum jo bhadken
ban jaaye toofaa aan
aa jaayen gar hathh pe apni
jhukta hai bhagwaan
ho o
hum hain baalak
kal ke maalik
hum hain baalak
kal ke maalik
samjho na naadaan
aa jaayen gar hathh pe apni
jhukta hai bhagwan
ho o
hum hain baalak
kal ke maalik


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4439 Post No. : 15882

———————————–
This Week, That Year – 2
———————————–
06Sep – 12Sep, 2010
————————————————-
Blog ten year challenge (2010-2020)- Song Number 77
————————————————–

If nothing else, then this week 10 years ago has to be characterized as the ‘Anmol Ghadi’ week. I am sure it was by design that every day of this week (actually six days of this week, barring the last day), the first song posted every morning is a song from the 1946 film ‘Anmol Ghadi’. This film has 12 songs listed in the Geet Kosh. As we entered this week ten years ago, five of these were already posted on the blog. That left seven. I am sure Atul ji took it upon himself to get the ‘Yippeee’ status for this film in a quick order, by posting one each of the remaining seven songs on each day of the week. And be done with it.

Well almost. Starting from 6th September in 2010, all the way through 11th September, Atul ji held true to his promise and posted the first song on these six days, that belonged to this iconic film. It almost sounds as if the ‘Atul-Song-a-Day’ blog was transformed into ‘Anmol-Ghadi-Song-a-Day’ for this week.

But then, we arrive at 12th September, the last song of this film which would have brought fame and recognition – well, it could not be posted. We have six posts on the day, but no ‘Anmol Ghadi’. I am keen to know from Atul ji, what happened that made him miss this target.

I had actually scanned through the posts for ‘Anmol Ghadi’ songs for that week. And I came to realize one thing. You see, the concept Yippeee had not yet been invented on this blog. And Atul ji was just going after this film, because of its music. As I checked the complete set of songs of this film on the blog, I find that the continuous posting thing had actually started on 4th September. On that day, Atul ji has simply written that this film has 12 songs, that three are already posted and that the film has wonderful music, so let us just bring it on board quickly. That was the simple thought behind continuously posting a song from this film, as the first song of the day, from 4th to 11th Sept. then the 12th date is missed. And the final song of the film gets duly posted on 13th.

And so, my eager anticipation awaits a response from Atul ji. “Why 12th was missed.’’

Here is the chart of posts for the week, ten years ago.

 

Blog Ten Year Challenge (2010-2020) Series
Sl. No. Movie Name Year HFGK NoS ASAD NoS Deb/Yip Milestone Film Status Pending
6-Sep-10
1 Anmol Ghadi 1946 12 12 Yippeee’d
2 Ghar Ghar Ki Baat 1959 7 7 D Yippeee’d
3 Dil Bhi Tera Hum Bhi Tere 1960 9 9 Yippeee’d
4 Milan 1967 7 7 Yippeee’d
5 Sharmilee 1971 7 7 Yippeee’d
6 Priyatmaa 1977 5 5 D Yippeee’d
7-Sep-10
1 Anmol Ghadi 1946 12 12 Yippeee’d
2 Dil e Naadaan 1953 9 9 Yippeee’d
3 Dekh Kabira Roya 1957 10 10 Yippeee’d
4 Bindiya 1960 7 7 D Yippeee’d
5 Reshmi Roomaal 1961 8 8 Yippeee’d
6 Khoon Pasina 1977 4 1 D Pending 3
8-Sep-10
1 Anmol Ghadi 1946 12 12 Yippeee’d
2 Mirza Ghalib 1954 11 12 Yippeee’d
3 Chaacha Zindabad 1959 8 8 Yippeee’d
4 Ghoonghat 1960 10 6 Pending 4
5 Woh Kaun Thi 1964 6 6 Yippeee’d
6 Chor Machaaye Shor 1974 6 6 Yippeee’d
9-Sep-10
1 Anmol Ghadi 1946 12 12 Yippeee’d
2 Anjaan 1956 8 8 Yippeee’d
3 Tumsa Nahin Dekha 1957 6 6 Yippeee’d
4 Mere Mehboob 1963 9 9 D Yippeee’d
5 Milan 1967 7 7 Yippeee’d
6 Free Love 1974 4 2 Pending 2
7 Bade Dil Waalaa 1983 5 3 D Pending 2
10-Sep-10
1 Anmol Ghadi 1946 12 12 Yippeee’d
2 Saajan 1947 8 8 D Yippeee’d
3 Baazaar 1949 16 16 D Yippeee’d
4 House No 44 1955 8 8 Yippeee’d
5 Girls` Hostel 1962 6 4 D Pending 2
6 Jawaani Deewaani 1972 6 6 Yippeee’d
11-Sep-10
1 Anmol Ghadi 1946 12 12 Yippeee’d
2 Naadaan 1951 8 8 D Yippeee’d
3 Aazaad 1955 9 9 Yippeee’d
4 Daal Mein Kaalaa 1964 8 3 D Pending 5
5 Paayal 1957 9 5 D Pending 4
6 Badnaam 1975 4 4 Yippeee’d
12-Sep-10
1 Raajhath 1956 11 11 Yippeee’d
2 Basant Bahaar 1956 9 9 Yippeee’d
3 Rangoli 1962 9 9 Yippeee’d
4 Beti Bete 1964 7 9 Yippeee’d
5 Jaanwar 1965 7 7 Yippeee’d
6 Patanga 1971 7 5 D Pending 2

The numbers for the week -,

The posting continued at the then current brisk rate. The week saw a total of 43 songs posted, with the  daily rate being six songs per day, with one of the days showing up with seven. The 43 songs came from 37 films – six of them from ‘Anmol Ghadi’ and another two from the film ‘Milan’ of 1967. The remaining 35 songs are one each from 35 films.

The week witnessed as many as 13 debuts. Thirteen films made their appearance for the first time on the blog. No films got yippeee’d, with ‘Anmol Ghadi’ being the close call of almost there. Of the total 37 films featured that week, 29 have been yippeee’d during the interim decade, whereas 8 films are still awaiting completion of their songs on the blog.

The physical post numbers stretched from 2914 to 2956. So actually a blog century – the 29th, has happened in the previous week.

The guest post activity was fairly low in those times. Of the 43 posts, Atul ji accounts for 38, and only five posts came from the contributing team. Three of these posts are from Raja ji, one from Santosh Ojha ji, and one very interesting post on Shammi Kapoor from – yes, you guessed it – Greta Memsaab. A very interesting and informative post that identifies many of the side players in this group dance song – “Dekho Ab To, Kisko Nahin Hai Khabar” from the film ‘Janwar’ of 1965,

This post, having been delayed quite a bit, comes on the last day of the week under analysis. On this day, there is one film still pending for Yippeee status. The film is ‘Patanga’ from 1971. Two songs of this film are remaining to be posted. With this post we bring one of them on to the blog. Which means that this film is now just one song away from being inducted into the Yippeee hall of fame.

The song that I present today is a mujra dance song, being performed on screen by Laxmi Chhaya. There is an assortment of audience, as we regularly get to see in most mujra dance songs in films. I can clearly identify three of them. Wasti and Ajit are sitting together on a white sofa, and the bespectacled and balding Haroon is on a chair next to Ajit. The song is the regular mujra type choreography, with the dancer complaining that she has wasted her youth getting entangled with “you”, the addressal of “you” here being directed towards any of the many males sitting in the audience.

‘Patanga’ is a social film, produced under the banner of KR Films, Bombay and is directed by Kedar Kapoor. The list of actors reads as – Shashi Kapoor, Vimmi, Ajit, Rajendra Nath, Sajjan, Vasti, Ashok Kapoor, Lakshmi Chhaya, Zeb Rehman, Jagdish Raj, Ram Mohan, Leela Mishra, Praveen Pal, Geeta, Ameena Bai, Ram Avtar, Shekhar Purohit, Prem, Shiva Chandra, Ravindra Kumar, Haroon, Lal, Nasir, Balram, Santosh, and Rajkumar.

Interesting side note here that this is third film of actress Vimmi, who appeared in only 5 films during her short career that lasted from 1967 (debut in the film ‘Hamraaz’) to 1974 (‘Vachan’ being her last film).

The film has 8 songs. As mentioned above, after this post, we now have just one more song remaining for this film. Of the eight songs, four are from the pen of Neeraj, three by Hasrat Jaipuri and one penned by Indeewar. This song is from the pen of Neeraj.

The music is composed by Shankar Jaikishan. Yes, remembering Jaikishan today, on his remembrance day today. He passed away on 12th September in 1971. Interesting to note that this film was certified by the Censor Board on 20th August, 1971. It is possible that this film was just released, or maybe even released after, the passing away of Jaikishan.

The lyrics of this song have been sent in by dear Avinash ji.

And so, the penultimate song of ‘Patanga’ of 1971 – a run of the mill mujra performance as demanded by the formula.

Video

Song – Tose Najariya Ladaai, Jawaani Haaye Yun Hi Gawaai  (Patanga) (1971) Singer – Suman Kalyanpur, Lyrics – Neeraj, MD – Shankar Jaikishan

Lyrics (Provided by Avinash Scrapwala)

tose najariya ladaai
tose najariya ladaai
jawaani haaye yoon hi ganwaai
jaawani haaye yoon hi ganwaai
tose najariya ladaai
jawaani haaye yoon hi ganwaai
jaawani haaye yoon hi ganwaai
tose najariyaa ladaai ee

is se chhupa ke
us se chhupa ke
is se chhupa ke
us se chhupa ke
solah baras jo rakkhi bacha ke
solah baras jo o rakkhi bacha ke
aa aa aa aa aa aa aa
choodi wo mori tadkaai ee
choodi wo mori tadkaai
jawaani haaye yoon hi ganwaai
jaawani haaye yoon hi ganwaai
tose najariya ladaai ee

main tadpoon
mori tadpe umariya aa
main tadpoon
mori tadpe umariya
jal bin jaise tadpe machhariya
jal bin jaise ae tadpe machhariya
aa aa aa aa aa aa aa aa
haaye
kaisi ye aag lagaai ee
kaisi ye aag lagaai
jawaani haaye yoon hi ganwaai
jaawani haaye yoon hi ganwaa i
tose najariya ladaai ee

gaaon ke chhore seeti bajaayen
gaaon ke chhore seeti bajaayen
buddhhe jo dekhen surmaa lagaaye
buddhhe jo dekhen surmaa lagaaye
aa aa aa aa aa aa aa aa
ban ke jawaani maut aayi
ban ke jawaani maut aayi
jawaani haaye yoon hi ganwaai
jaawani haaye yoon hi ganwaai
tose najariya ladaai
jawaani haaye yoon hi ganwaai
jaawani haaye yoon hi ganwaai

————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————–

तोसे नजरिया लड़ाई
तोसे नजरिया लड़ाई
जवानी हाए यूं ही गंवाई
जवानी हाए यूं ही गंवाई
तोसे नजरिया लड़ाई
जवानी हाए यूं ही गंवाई
जवानी हाए यूं ही गंवाई
तोसे नजरिया लड़ाई ई

इस से छुपा के
उस से छुपा के
इस से छुपा के
उस से छुपा के
सोलह बरस जो रक्खी बचाके
सोलह बरस जो रक्खी बचाके
आ आ आ आ आ आ आ
चूड़ी वो मोरी तड़कायी ई
चूड़ी वो मोरी तड़कायी ई
जवानी हाए यूं ही गंवाई
जवानी हाए यूं ही गंवाई
तोसे नजरिया लड़ायी ई

मैं तड़पूं
मोरी तड़पे उमरिया आ
मैं तड़पूं
मोरी तड़पे उमरिया
जल बिन जैसे तड़पे मछरिया
जल बिन जैसे ए तड़पे मछरिया
आ आ आ आ आ आ आ आ
हाए
कैसी ये आग लगाई ई
कैसी ये आग लगाई
जवानी हाए यूं ही गंवाई
जवानी हाए यूं ही गंवाई
तोसे नजरिया लड़ाई ई

गाँव के छोरे सीटी बजायें
गाँव के छोरे सीटी बजायें
बुड्ढे जो देखें सुरमा लगाए
बुड्ढे जो देखें सुरमा लगाए
आ आ आ आ आ आ आ आ
बन के जवानी मौत आई
बन के जवानी मौत आई
जवानी हाए यूं ही गंवाई
जवानी हाए यूं ही गंवाई
तोसे नजरिया लड़ायी ई
जवानी हाए यूं ही गंवाई
जवानी हाए यूं ही गंवाई


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4414 Post No. : 15814

Today, August 18th 2020 is 86th Birth Day of the poet, lyricist, story, screen-play and dialogue writer, producer and director, Gulzar. His presence in Hindi film industries is an assurance that lovers of Hindi films and Hindi film songs would continue to get the opportunity to watch and listen to the meaningful films and songs. I regard Gulzar Saab as an extension of what Sahir Ludhianvi left in October 1980 – a legacy of poetry in Hindi film songs.

I have already covered a substantive information about the filmy career of Gulzar saab in my articles ae hairat-e-aashiqui jagaa mat on the occasion of his 85th birth day last year and in shaam se aankh mein nami si hai, abut 5 years back. Also, there is no dearth of information on Gulzar Saab on the internet, in the print media and his website. So, I would skip this part.

What a great journey Gulzar saab has with Hindi film industry which began in early 1960s as a lyricist. He became an assistant to Bimal Roy and eventually became a director with ‘Mere Apne’ (1971). During his almost six decades in Hindi film industry, he wrote nearly 700 songs, wrote screen-play/dialogues for nearly 50 films and directed 19 films. In addition, he wrote and directed a few TV serials like ‘Mirza Ghalib’(1988), ‘Noopur’ (1990), ‘Potli Baba Ki’ (1991), ‘Tehreer Munshi Premchand Ki’ (2004) etc. He published many novels, short stories and collections of his poems. Of late, Gulzar saab has been busy with translating in Hindi, poems in regional languages from all over India for their wider dessimination.

On the occasion of 86th birth day of Gulzar Saab, I have chosen a song of a rare combination – Gulzar-Suman Kalyanpur-Shankar-Jaikishan. The song is ‘ek thhi nindiya do thhe naina’ from the film ‘Seema’ (1971). Probably, Gulzar saab got involved in writing the lyrics of a couple of songs in this film as he was the story-screen-play-dialogue writer for the film. Surendra Mohan made his debut as a director in this film. The film was produced by Sohanlal Kanwar. The story of the film is summarised below:

Seema (Simi Garewal) has lost her parents in her childhood and she has been brought up by her caring uncle (Abhi Bhattacharya). In her grown-up years, Seema develops a superstition that whoever loved her would get the same fate as her parents. She spends her time mostly alone except with a friend, Rajni (Kanchan) who tries to erase her superstition by saying that she is still alive despite Seema loving her but of no avail.

Seema’s life gets a change when she come across a charming Sunil (Kabir Bedi). But her superstition will not allow her to reciprocate his love. He convinces her to overcome her fear and they get married in a temple. Unfortunately, after few days, Sunil dies in an accident and the fear of superstition returns to Seema as she is pregnant with his child in the womb. She gives birth to Banke (Rakesh Roshan) in secrecy as the society does not know of her marriage to Sunil. The child is brought up by her maid (Chand Usmani) who is kept away from Seema’s home out of fear of losing her child. However, Seema keeps the tab over her son’s activities from a distance.

Banke grows up cosying with Chamki (Bharathi) and also trying to discover as to who his parents are. After a lot of poignant moments in the film, it is Rajni who eventually reveals to Banke that Seema is his mother and his father had died of accident. Seema embraces Banke thus giving up her superstitions.

The song under discussion is a lori which have been picturised in the film on two occasions. First, Suman Kalyanpur sings for Simi on piano. The second, Sushma Shreshta sings for the boy which is taken over by Suman Kalyanpur singing for Chand Usmani as a continuation of the lori. In the audio clip, the entire lori is sung by Suman Kalyanpur.

‘Seema’ (1971) was Jaikishan’s last film. He died while the film was in the making.

Video Clip:

Suman Kalyanpur solo
Video

Audio

Suman Kalyanpur- Sushma Shreshtha duet
Video

Song-Ek thhi nindiyaa do thhe nainaa (Seema)(1971) Singer-Suman Kalyanpur/ Sushma Shreshtha, Suman Kalyanpur, Lyrics-Gulzar, MD-Shankar Jaikishan

Lyrics

———————————
Suman Kalyanpur Solo (based on Audio)
———————————
ek thhi nindiya
do thhe naina aa
raat ki jaayi shaam ki behna aa aa aa
raat ki jaayi shaam ki behna aa

o oo oooo
ooo ooo ooo
hmm hmm hmm hmm hmm
ek thhi nindiya
do thhe naina aa
raat ki jaayi shaam ki behna aa aa aa
ek thhi nindiya do thhe naina
raat ki jaayi shaam ki behna aa aa aa
raat ki jaayi shaam ki behna aa

roz wo pariyon jaisi nindiya aati thhi
donon judwa nainon ko bahlaati thhi
aankhon pe rakh deti thhi meethhe sapne
sapnon waali nindiya maa kahlaati thhi
ek thhi nindiya do thhe naina aa
raat ki jaayi shaam ki behna aa aa aa
raat ki jaayi shaam ki behna aa aa aa

ek thhi nindiya do thhe naina aa
raat ki jaayi shaam ki behna aa aa aa
ek thhi nindiya do thhe naina
raat ki jaayi shaam ki behna aa aa aa
raat ki jaayi shaam ki behna

roz wo pariyon jaisi nindiya aati thhi
donon judwa nainon ko bahlaati thhi
aankhon pe rakh deti thhi meethhe sapne
sapnon waali nindiya maa kahlaati thhi
ek thhi nindiya do thhe naina aa aa
raat ki jaayi shaam ki behna aa aa aa
raat ki jaayi shaam ki behna aa aa aa

oas ki boondon mein jo barsa karti thhi
wo nindiya ab do nainon se roothh gayi
chhoot gaye wo reshmi jhoole sapnon ke
chaandni jaisi lori ki dhun toot gayi
ek thhi nindiya do thhe naina aa aa
raat ki jaayi shaam ki behana aa aa aa
raat ki jaayi shaam ki behana

nindiya ki mamta ko baant ke do naina
aadhi aadhi saansen le kar jeete hain
baari baari dekhte hain toote sapne
baari baari aankh ke aansoo peete hain
ek thhi nindiya do thhe naina aa aa
raat ki jaayi shaam ki behana aa aa aa
raat ki jaayi shaam ki behana
raat ki jaayi shaam ki behana aa aa aa
raat ki jaayi shaam ki behna aa aa aa
raat ki jaayi shaam ki behna aa

—————————————————–
Lyrics: Duet Version – Sushma Shreshta, Suman Kalyanpur
—————————————————–

ek thhi nindiya do thhe naina aa
raat ki jaayi shaam ki behna aa aa
ek thhi nindiya do thhe naina
raat ki jaayi shaam ki behna aa aa
raat ki jaayi shaam ki behna aa

roz wo pariyon jaisi nindiya aati thhi
donon judwa nainon ko behlaati thhi
aankhon pe rakh deti thhi meethhe sapne
sapnon waali nindiya maa kahlaati thhi
ek thhi nindiya do thhe naina aa
raat ki jaayi shaam ki behana aa
raat ki jaayi shaam ki behana aa

oas ki boondon mein jo barsa karti thhi
wo nindiya ab do nainon se roothh gayi
chhoot gaye wo reshmi jhoole sapnon ke
chaandni jaisi lori ki dhun toot gayi
ek thhi nindiya do thhe naina aa
raat ki jaayi shaam ki behna aa aa aa
raat ki jaayi shaam ki behna

nindiya ki mamta ko baant ke do naina
aadhi aadhi saansen le kar jeete hain
baari baari dekhte hain toote sapne
baari baari aankh se aansoo peeten hain
ek thhi nindiya do thhe naina aa aa
raat ki jaayi shaam ki behna aa aa aa
ek thhi nindiya do thhe naina
raat ki jaayi shaam ki behna aa aa aa
raat ki jaayi shaam ki behna aa aa aa
raat ki jaayi shaam ki behna..aa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4401 Post No. : 15785

—————————————————
Blog 10-Year Challenge (2010-2020) – Song No.50
————————————————–

Ten years ago, viz on 5 August 2010, the blog had covered six songs from six different movies, belonging to years from 1959 to 1973. Details of these songs are as follows:-

Song post number song Movie-year Remarks
2732 Sajna lagan teri sone na de Duniyaa Naa Maane-1959 YIPPEED (All 8 songs covered)
2733 Raaz e dil unse chhupaayaa naa gayaa Apna Banaake Dekho-1962 YIPPEED (all ten songs covered)
2734 Aaj huaa meraa dil matwaalaa Chhote Nawaab-1963 YIPPEED (All 8 songs covered)
2735 Wo chale jhatak ke daaman Hamraahi-1963 YIPPEED (All 8 songs covered)
2736 Ruk jaa roktaa hai ye deewaanaa Mr X in Bombay-1964 YIPPEED (All 6 songs covered)
2737 Wo jidhar dekh rahe hain sab udhar dekh rahe hain Sabak-1973 3 songs covered out of 7

One can observe that the first five movies covered that day have already been YIPPEED by now. That leaves us with only one movie viz “Sabak”(1973), that has not yet been YIPPEED and so this movie is eligible for the blog ten year challenge today.

Out o seven songs that this movie has, only three have been covered so far.

Song Date
Barkha Rani zara jam ke barso 24 october 2008
Wo jidhar dekh rahe hain sab udhar dekh rahe hain 5 August 2010
Barkha bairan zara thham ke barso 7 october 2019

This movie was produced and directed by Jugal Kishore for Jugal Kishore Productions, Bombay. The movie had Shatrughan Sinha, Poonam, K.N.singh, Jaishree.T.,Ramesh Deo, Chandrashekhar, Master Satyajit, Ranjan, Maruti, Mumtaz Begum, Seema Deo, Rajni Bala, Rajan Kapoor, Brahmchari, Hercules, Rajpal, Kishan Kaul, Pandey, Ved Sharma, Sheroo, Kishan Thapa, Naginder, Sushil Kumar, Moolchand, Bholanath, Manohar, Jerry, Raj Verma, Omi Chopra, Uma Dutt,
Sunder Singh, Preetam Kumar, Gurmail Singh, Captain Navin Kumar, Kishan Billa, Balbir Kathoria,Kumari Rajni etc in it with guest appearances by Jugal Kishore, Abhijeet, and Nazir Hussain.

This fourth song from the movie is sung by Suman Kalyanpur. Hasrat Jaipuri is the lyricist. Music is composed by Usha Khanna.

The song is picturised on Jayshree T as a cabarat dance song. Hercules, Rajan Kapoor, K.N.Singh, Ramesh Deo,Jayashree.T., Chinoo Shikari alias Chinu Rajput(dancer) and Tyrone Aviet alias Bulbul(dancer) can also be seen in the picturisation.

Lyrics of this song were sent to me by Prakashchandra.


Song-Mann ka ye panchhi haaye kare kya (Sabak)(1973) Singer-Suman Kalyanpur, Lyrics-Hasrat Jaipuri, Md-Usha Khanna

Lyrics(Provided by Prakashchandra)

mann ka ye panchhi haayye kare kya
sone ke pinjre mein qaid ho gaya
zindagi ye phad phadaake haayye reh gayee
zaalim zamane ne kaat diye par
mann ka ye panchhi haayye kare kya
sone ke pinjre mein qaid ho gaya
zindagi ye phad phadaake haayye reh gayee
zaalim zamane ne kaat diye par
mann ka ye panchhi haayye kare kya
sone ke pinjre mein qaid ho gaya

aag hamaarey dil mein lagi hai ae
phir bhi jawaani naach rahi hai ae
aag hamaarey dil mein lagi hai
phir bhi jawaani naach rahi hai ae
apne kiye pe khush hai zamaana
hum to bane hain sabka nishaana
zindagi ye phad phadaake haayye reh gayee
zaalim zamaane ne kaat diye par
mann ka ye panchhi haayye kare kya
sone ke pinjre mein qaid ho gaya

jaayein kahaan par udd na sakey dil
raah andheri haayye rey mushkil
jaayein kahaan par udd na sakey dil
raah andheri haayye rey mushkil
duniya ke bheed mein hosh kho gaya
milta nahin hai koi raasta
zindagi ye phad phadaake haayye reh gayee
zaalim zamaane ne kaat diye par
mann ka ye panchhi haayye kare kya
sone ke pinjre mein qaid ho gaya


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4390 Post No. : 15754

Today 25th July 2020 is being celebrated as Naag Panchami falling in this year ‘shraavan maas’ shukla paksh on Panchami. Greetings to all on this occasion which also marks the beginning of many upcoming festivals in our country.

For this occasion, I had earlier noted a movie falling under ‘movies with same titles’ to be presented with a song on the blog for today. However, when I checked that movie, I do not find a suitable song ‘praising naag devtaa’ in that movie (from seventies). Then I looked a new movie from the ‘seventies’ having ‘naag’ related titles so that it can make a ‘debut’ on the blog. But I could not find a suitable song in that movie too.

In our Hindi movies we have many mythological movies where ‘naag’ or ‘naag devtaa’ had an important role and many fantasy movies having the stories of ‘snakes’, ‘female snake revenge’ and or ‘snake charmers’. I thought to present a list of all such movies which have already been represented on the blog, but for now I have differed that for a separate post later in the future. In the process I came across this wonderful song from the 1963 movie ‘Naag Mohini’. I like this song very much and as I listened to it more and more it grows on me.

Today I am presenting this melodious song picturized on screen on Master Babloo who is lip syncing in the voice of Suman Kalyanpur (yes, in those times, female singer’s voice would be the voice of a small child in songs 🙂 ).

“Naag Mohini-1963”, a mythological movie, was directed by Shantilal Soni for ‘Dimple Film, Bombay’. It has Vijaya Choudhary, Mahipal, Sunder, Rajan Haksar, Master Babloo, Uma Dutt, Indra Bansal, Rajrani, Sood and Khurshid. This movie has six songs written by Bharat Vyas and music is composed by Sardar Malik. Mohd Rafi and Suman Kalyanpur had given their voices in the songs of this movie.

So far three songs from this movie ‘Naag Mohini-1963’ have been posted on the blog. I would request knowledgeable readers to throw more light on the songs of this movie.

Let us now enjoy this wondrous song and the cute performance on the song by Master Babloo. . .

As mentioned above the song is in the voice of Suman Kalyanpur, lyrics are by Bharat Vyas and music composed by Sardar Malik.

 

Video

Audio

Song – Phan Waale Maharaj Meri Rakhna Tu Laaj (Naag Mohini) (1963) Singer – Suman Kalyanpur, Lyrics – Bharat Vyas, MD – Sardar Malik

Lyrics

phan waale mahaaraj
meri rakhna tu laaj
gun gaaun main
aaja aaja tujhe
kabse bulaaun main
aaja aaja tujhe
kabse bulaaun main

phan waale mahaaraj
meri rakhnaa tu laaj
gun gaaun main
aaja aaja tujhe
kabse bulaaun main
aaja aaja tujhe
kabse ae bulaaun main

tere phan pe jhool rahi hai
kab se duniya saari
chhoti si ye baat meri
kya tujhe padegi bhaari
tere phan pe jhool rahi hai
kab se duniya saari
chhoti si ye baat meri
kya tujhe padegi bhaari
bhakton ko deta amrit
aur kehlaata vishdaahri
sab ki bigdi baat bana di
aaj hai meri baari
tu sun naagraaj
khaali le ke jholi aaj
nahin jaaun main
aaja aaja tujhe
kabse bulaaun main
aaja aaaa tujhe
kabse ae bulaaun main

naag devta tera roop hai
jaise dhoop aur chhaaya
kisi ne jo phunkaar sahi
to pyaar usi ne paaya
naag devta tera roop hai
jaise dhoop aur chhaaya
kisi ne jo phunkaar sahi
to pyaar usi ne paaya
main anaath sa phiroon bhatakta
kisi ne na apnaaya
aaj praan ki bheekh maangne
dwaar pe tere aaya
dukhiyaara hoon main deen
teri bhakti ki been bajaaun main
aaja aaaa tujhe
kabse bulaaun main
aaja aaja tujhe
kabse ae bulaaun main

phan waale mahaaraj
meri rakhna tu laaj
gun gaaun main
aaja aaja tujhe
kabse bulaaun main
aaja aaja tujhe
kabse bulaaun main

aaja aa
aaja aa

aaja aa
aaja aa

aaja aa. . .

————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————-

फन वाले महाराज
मेरी रखना तू लाज
गुण गाऊं मैं
आजा आजा तुझे
कबसे बुलाऊं मैं
आजा आजा तुझे
कब से बुलाऊं मैं

फन वाले महाराज
मेरी रखना तू लाज
गुण गाऊं मैं
आजा आजा तुझे
कब से बुलाऊं मैं
आजा आजा तुझे
कब से ए बुलाऊं मैं

तेरे फन पे झूल रही है
कब से दुनिया सारी
छोटी सी ये बात मेरी
क्या तुझे पड़ेगी भारी
तेरे फन पे झूल रही है
कब से दुनिया सारी
छोटी सी ये बात मेरी
क्या तुझे पड़ेगी भारी
भक्तों को देता अमृत
और कहलाता विषधारी
सबकी बिगड़ी बात बना दी
आज है मेरी बारी
तू सुन नागराज
खाली ले के झोली आज
नहीं जाऊं मैं
आजा आजा तुझे
कब से बुलाऊं मैं
आजा आजा तुझे
कब से ए बुलाऊं मैं

नाग देवता तेरा रूप है
जैसे धूप और छाया
किसी ने जो फुंकार सही
तो प्यार उसी ने पाया
नाग देवता तेरा रूप है
जैसे धूप और छाया
किसीने जो फुंकार सही
तो प्यार उसी ने पाया
मैं अनाथ सा फिरूं भटकता
किसी ने ना अपनाया
आज प्राण कि भीख मांगने
द्वार पे तेरे आया
दुखियारा हूँ मैं दीन
तेरी भक्ति कि बीन बजाऊं मैं
आजा आजा तुझे
कब से बुलाऊं मैं
आजा आजा तुझे
कब से ए बुलाऊं मैं

फन वाले महाराज
मेरी रखना तू लाज
गुण गाऊं मैं
आजा आजा तुझे
कब से बुलाऊं मैं
आजा आजा तुझे
कब से बुलाऊं मैं

आजा आ
आजा आ

आजा आ
आजा आ

आजा आ. . .


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has more than 16100 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16169

Number of movies covered in the blog

Movies with all their songs covered =1244
Total Number of movies covered =4402

Total visits so far

  • 14,127,352 hits

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Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

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