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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Raja’ Category


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4046 Post No. : 15175

Am writing this post with a heavy heart.
I never expected that I’d be writing a post on this occasion so soon.
But if we’ve learnt anything about life in all our lives, it is that life is unpredictable.
For all the wonderful advancements that science has made, we still don’t know who will live how long. All we know is that everyone has to go some day.

As it turned out, Independence Day 2019 was the day that Vidya Sinha, well-known heroine of (mainly) the 1970s, had to leave us and go.

When I came across the news on Twitter this (15th August) afternoon, I felt immensely sad. She had passed away in the morning.

A few days earlier I had got the news that she was on ventilator, with lung problems. That news shocked me because I had no idea that she was unwell at all. I had not heard about her for years – and then suddenly, boom, you get news like this.

So today, when I read the news of her death, it was not entirely unexpected. But that doesn’t mean it made me any less sad.

Vidya Sinha was part of my childhood, part of my schooldays.

I’ve often said I am a 1970s boy – which means my school life spanned that decade.

It is also the decade that I have most nostalgic memories of – especially with regard to films and music. In the 1980s, I was busy with higher studies, career, moving places etc – life changed quite a bit. And of course, thereafter, other priorities took over.

So it is the 1970s, and my experiences of that decade, the films I watched, the songs I listened to, that have particularly fond memories for me.

And Vidya Sinha was certainly very much part of those fond memories. As it turned out, the main part of her career was totally in that decade. Though she acted in the 80s too (and even later), I will always associate her with the 1970s.

I will not discuss her personal life – to be honest, I don’t know much about it. I am sure there are many other sources that can, and will, provide this. I will myself learn about it only from them.

This post, written so soon after her passing away, is just to pay her my own personal tribute.

Many who have remarked on her death, have referred to her as having the “girl next door” image in her films. And that’s not entirely off the mark. In many of her films, this was the type of role she played. Both her best-known films, Rajnigandha (1974) and Chhoti Si Baat (1976) portrayed her as a woman who you could easily run into in Bombay at a bus stop, waiting for a BEST bus. Or working in an office. She had that unassuming, down-to-earth image about her.

And it was this image that endeared her to many at that time.

That was the time when Hema Malini was the reigning female superstar. Zeenat Aman, Neetu Singh and Raakhee were also popular. Rekha , though not yet the star she was to become, had her fair share of films. Parveen Babi and Reena Roy were beginning to make their mark. Then there were others, like Yogeeta Bali, Moushumi Chatterjee and Sulakshana Pandit, who had their fans too.

Many of these heroines comfortably fitted the requirement of the typical mid-1970s masala film. Stories often had a plot around smuggling, or (if village-based) dacoits. There’d be song-and-dance, a car (or horse) chase, “disguises” – the usual masala stuff. Music was often loud, costumes even louder.

Then you also had the “art” films of the mid-70s. Dominated by Shabana Azmi and Smita Patil.

But there was also room for simple, wholesome entertainment – without the above-mentioned elements. Films of Hrishikesh Mukherjee and Basu Chatterjee specialized in this.

And this is where Vidya Sinha fitted in very comfortably.

She didn’t have a very prolific, or long, career – certainly not by standards of other heroines. She also didn’t have a very wide variety of roles, unlike many other heroines.

But one thing for sure. In almost every film she did, she had a role that you felt was just tailormade for her. Ok, she wasn’t a star like Hema Malini, but the roles themselves needed an understated, non-star type, actor. And no one did that better than Vidya. (In later years, Deepti Naval would do similar roles).

Vidya doesn’t quite get credit for her acting – but I think it could also be because I always felt she didn’t “act”. She just seemed to be natural for her role – you didn’t even notice her “acting”.

In those days, when I was in school, Hema, being the reigning superstar, was the favourite for many of my friends. In trying to be “hatke” :-), I preferred Vidya, Moushumi, Leena C, even Sulakshana. Their films usually had better storylines, I felt.

I’ve seen most of Vidya’s films of the time – she didn’t act in too many.
The ones that I remember are Rajnigandha (1974), Chhoti Si Baat (1976), Karm (1977), Mukti (1977), Inkaar (1977), Pati Patni Aur Woh (1978), Tumhaare Liye (1978) and Atithee (1978).

I have very fond memories of those times, and of her – which is why it hit harder to hear about her illness, and her death.

She might not be physically around anymore, but her films will remain with us. And memories of her films. I thank her for these at least.

Moving on the song for today, it is from a film Mera Jeevan (1976).

Now this is a film I do not recall seeing. But when I checked the songs, all of them seemed familiar. That’s possibly because at that time, I used to get to listen to a lot of songs, without having any clue about the film. I’d get to hear the song on radio, or through my classmates in school. Or I might even have seen the film at that time, but have no recall of it.

There are 4 songs in this film – of which 3 are already posted. The title song sung by Kishore Kumar “mera jeevan kuchh kaam na aaya” is quite well-known, as is “tera jogi aaya” by Rafisaab. The other song posted already is “Koi mere haathon mein mehendi lagaa de”, sung by Asha Bhosle. I’ve heard this song too in my schooldays.

The song that remains to be posted is “ye sooraj ye chanda ye taare”, sung by Asha Bhosle. From the clip it appears that Vidya Sinha is a teacher at a school, and singing this song to her students.

Lyrics are by MG Hashmat, probably best-known for “mera jeevan koraa kaagaz”. At least, that’s the first time I heard of him.

The song “ye sooraj ye chanda ye taare” is philosophical – talking primarily about life.

Which, given the context of this post, is most apt.

A few lines struck me as particularly poignant

Jeevan khilona hai
Kitna salona hai
Sukh dukh ke aansoo ka
Haar phirona hai
Isi khilone se
Khel rachaana hai
Kya leke aaye the
Kya leke jaana hai

So very true.

We come into this world with nothing, and with nothing we will one day return.

All we leave behind are a legacy, if at all, and memories.

Go well, Vidya Sinha.

Thank you for the memories.

May your soul rest in peace.

Om Shanti.

PS-With this philosophical song, all the songs of “Mera Jeewan”(1976) have been covered in the blog and this movie joins the list of movies that have been YIPPEED in the blog.


Song-Ye sooraj ye chanda ye taare(Mera Jeewan)(1976) Singer-Asha Bhonsle, Lyrics-M G Hashmat, MD-Sapan Jagmohan
Chorus

Lyrics

aa aa
aa aa aa
aa aa
aa aa

ye sooraj ye chanda ye taare
bolo chalte hain kis ke sahaare
bolo bolo
hamaare
nahin
uske
jisne hum sab ko banaaya hai
achcha
ye sooraj ye chanda ye taare
bolo chalte hain kis ke sahaare
sadiyon se ghoome hai
kisko ye dhoondhe hai
ye sooraj ye chanda ye taare
bolo chalte hain kis ke sahaare

nadiya ki dhaara ye
badle kinaara ye
thham nahin paaye kyun
behti hi jaaye kyun
kahaan se aati hai
kahaan ko jaati hai
kisne pukaara hai
kiska ishaara hai
ghoome zameen
aur aasmaan
manzil miley
jaane kahaan
ye sooraj ye chanda ye taare
bolo chalte hain kis ke sahaare
sadiyon se ghoome hai
kisko ye dhoondhe hai
ye sooraj ye chanda ye taare
bolo chalte hain kis ke sahaare

jeewan khilauna hai
kitna salona hai
sukh dukh ke aansu ka haar pirona hai
isi khilaune se
khel rachaana hai
kya leke aaye thhe
kya leke jaana hai
baadal kahe
jis ko jahaan
jalte dilon ka hai ye dhuaan
ye sooraj ye chanda ye taare
bolo chalte hain kis ke sahaare
sadiyon se ghoome hai
kisko ye dhoondhe hai
ye sooraj ye chanda ye taare
bolo
chalte hain kis ke sahaare
ye sooraj ye chanda ye taare

bolo
chalte hain kis ke sahaare

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This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4030 Post No. : 15147

It is that day of the year again.

The 31st of July.

A date that doesn’t need any reminder for lovers of HFM.

Of all the days in the calendar, a few stand out – and the 31st of July is one of them.

For it is the death anniversary of one of the most loved and respected figures of the Hindi film industry, Mohammad Rafi, respectfully referred to as Rafisaab.

Today on his 39th death anniversary, we on this blog, remember him with great fondness and respect.

I’ve written about Rafisaab many times here on this blog. In fact, there’s no one I have written about more than about Rafisaab.

To be honest, there really isn’t anything more for me to say that I haven’t already said before.

How I, growing up in a Kishore-dominated era, fell in love with Rafisaab’s voice.

How I’ve done all-nighters listening to Rafisaab songs, completely losing track of time.

How much I respect Rafisaab for being such a good human being, inspite of having the power to abuse his position, if he had wanted.

I’ve written about all this – and more. And I don’t want to bore readers here by repeating stuff.

Not that I get bored of writing about Rafisaab. Never. When I don’t ever get bored of listening to his voice, how can I possibly get bored of writing about him? It is such a pleasure, and an honour, to write about Rafisaab.

So whether I have any new material or not, I will write about Rafisaab – even if it is only a few lines. That is the very least I can do for someone who has given me so much joy in life. And on his Remembrance Day, I just have to write a few lines for him – to thank him for everything.

Different people make a mark in this world for different reasons. Not all leave a legacy of course, but I doubt even those who do, have any idea of the magnitude of the legacy they would leave behind. And its endurability.

I doubt Rafisaab thought about all this when he was alive. He was a simple man, happy to earn his living through the one profession that he loved, and knew he was loved for – singing. Even for that, he was humble enough to always point upwards, to God, to suggest He was to thank for everything.

Rafisaab was very soft-spoken. For all his animation while singing, he was an extremely shy person in conversation and avoided interviews. Which is also why there are very few interviews of him available out there. It is our loss, but then that was the person he was. At least we have his songs, and anecdotes of those who knew him with us.

Rafisaab was devoted to his profession – he would do riyaaz for hours. He enjoyed spending time with his family. And enjoyed playing badminton. And good food. A man who always had a smile on his lips, who never thought ill for others – on the contrary, he went out of his way to help others.

A simple man – but what a legacy!

One that he would never have imagined during his lifetime.

Even today, 39 years after he is gone, there isn’t a day when his songs are not playing on radio. There isn’t a day when HFM lovers from around the world are not listening to his songs on whatever device they have. Today, thanks to technology, we have access to music on demand.

Yes, Rafisaab has enriched the lives of millions by his sheer voice. And that, for decades. And, I am sure, will continue for decades too. Such is the love people have for Rafisaab. It transcends generations.

This is another aspect that makes me really happy for him. It is great to see young generations today, even teenagers, listen to Rafisaab’s songs. Of course, their music interests are current too – and they should be. But from what I’ve seen, many of them are still happy to listen to old HFM songs – and Rafisaab, of course. Which is why I say Rafisaab’s voice transcends generations.

In my own case, I know my next generation is also very fond of Rafisaab. My niece’s husband invariably plays Rafisaab songs in his car. Not just for me, but for himself too. Not that my niece complains. She is herself very fond of Rafisaab. 🙂 They like current songs too, but Rafisaab is a fixture in their car. Especially 1960s songs like “dil ke jharoke mein”, “pukaarta chala hoon main” and “deewana hua baadal”. I swear, I did nothing to influence them – it all happened by itself. 🙂 Actually, my niece’s father-in-law is also a Rafisaab fan, so maybe that played a role too.

Now my niece has a kid – he is not even 3, but I have a feeling he will also soon be listening to Rafisaab. 🙂

I will not be surprised if this is the story in many other families too. I hope it is – then Rafisaab’s legacy is in safe hands.

Rafisaab deserves nothing less. A person with such a divine voice, a person who had such a good heart, who did good for so many, deserves every little bit of love and respect he gets.

I always have a warm feeling, and feel energized, when I discuss, or write about, Rafisaab. His songs immediately come to my mind, THAT voice, those intonations in the rendering. I get lost, happily so, thinking about his songs.

I can keep going on and on, but then I will be repeating what I’ve written in the past. And will be boring the readers. 🙂

So I’ll just move on to the song for today.

This is from Jaani Dushman (1979). A decade right up my sleeve, given that I’m a 1970s boy. Avinashji, himself a huge Rafisaab fan, sent me the lyrics and requested me to do a write-up.

By the late 70s, Rafisaab had regained his place in public mindspace. The first half of the decade had been totally dominated by Kishore Kumar (inspite of a few Rafisaab hits). But by the mid-70s, Rafisaab began coming back. I remember Laila Majnu (1976) songs being a success. A year later, he had chartbuster hit songs in Amar Akbar Anthony (1977), Hum Kisise Kam Nahin (1977) and Apnapan (1977), to mention just three films.

And so he continued, with hits in Abdullah (1980) and Karz (1980), right until his untimely death.

Jaani Dushman (1979) was during his revival phase.

The film has the popular, foot-tapping Rafisaab-Asha Bhosle duet “tere haathon mein pehna ke chudiyaan”, but also the song of today “chalo re doli utthao kahaar” (which comes multiple times in the film, if I remember right), was popular too.

The film itself is a multi-starrer in keeping with the trend of the time. Those were the days of multi-starrers – many commercial films had two or more lead heroes and heroines. JD went a step further, and must be considered a mother of multi-starrers – it had at least 5 “heroes” – Jeetendra, Sanjeev Kumar, Vinod Mehra, Shatrughan Sinha and Sunil Dutt. And Rekha, Reena Roy, Bindiya Goswami, Neetu Singh and Sarika amongst the “heroines”. Other movies of that era that were multi-multi-starrers that come to mind are Naagin (1976) and the Burning Train (1980).

I remember seeing the film at the time, but given my pathetic memory, I don’t remember too much of it. I do remember that it was meant to be a horror film of sorts, where a monster is supposed to murder every newly-wed bride. Something like that.

The songs of the film were quite popular, and the film too did well I think.

“Chalo re doli utthao kahaar” is a background song, picturised during the bidaai of a daughter as she leaves her parents’ home. It is a typical Rafisaab song – he was very good at emotional, background songs of this type. With their ebbs and flows.

Talking of emotional, background songs, am reminded of Ravi, the composer of songs of Waqt (1965) saying he had insisted with the Chopras on Rafisaab singing “waqt se din aur raat”, though Mahendra Kapoor, and not Rafisaab, was generally their preferred singer. He had said that this song would suit Rafisaab more than anyone else.

Similarly Kalyanji Anandji picked Rafisaab to sing a couple of lines as background song in that death scene in Muqaddar Ka Sikandar (1978) – “zindagi to bewafa hai, ek din thukraayegi”. Anandji said in an interview that he was a bit embarrassed to ask Rafisaab to sing those lines, because he had no other song in the film, and it was only a couple of lines. But he wanted them to be in Rafisaab’s voice. Without the slightest ego, Rafisaab rendered those lines with his usual high standards.

L-P, ever loyal to Rafisaab, even during Kishore Kumar’s peak, used him to render the emotional background song “nafrat ki duniya ko chhod ke” of Haathi Mere Saathi (1971) even though Kishore Kumar sings the songs picturised on Rajesh Khanna.

This song for today is also an L-P composition. I request you to please listen to this song – and remember Rafisaab today.

Rafisaab, you will always be in our hearts. The years roll by, but the love and respect does not diminish one bit. For what you’ve given the world, millions are ever grateful to you.

Personally, I can’t thank you enough, hence this post as a humble tribute.

(As mentioned above, lyrics for today’s song have been provided to me by Avinashji. I thank him for providing me these lyrics).

Video

Audio

Song-Chalo re doli uthhaao kahaar piya milan ki rut aayi (Jaani Dushman)(1979) Singer-Rafi, Lyrics-Verma Malik, MD-Laxmikant Pyarelal
Chorus

Lyrics (Provided by Avinash Scrapwala)-Based on audio link

Hmm hmm hmm
Hmm hmm hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm hmm hmm

Ho o
Chalo re doli uthhaao qahaar
Piya milan ki rut aayi ee
Hmm hmm hmm
Hmm hmm hmm hmm hmm

Ho o
Chalo re doli uthhaao qahaar
Piya milan ki rut aayi ee
Pi ki nagri le jaao
Qahaar
Piya milan ki rut aayi
Chalo re doli uthhaao qahaar
Piya milan ki rut aayi
Hmm hmm hmm
Hmm hmm hmm hmm hmm

Jin nainon ki ee tu hai jyoti
Un nainon se ae barse moti
Daawaa nahin hai
koi Zor nahin hai
Beti sadaa hi paraayi hoti
Jaldi naihar se le jaao
Qahaar
Piya milan ki rut aayi
Chalo re doli uthhaao qahaar
Piya milan ki rut aayi ee

Chhaayi hai dekho hariyaali ee ee
Aayi hai rut khushiyon waali ee
Har aasha parwaan chadhi ee ee ee
Din hai Dashehra
Raat deewaali ee
Galey daal baahon ka haar
Qahaar
Piya milan ki rut aayi
Chalo re doli uthhaao qahaar
Piya milan ki rut aayi

Tan maike man teri nagariyaa
Ud jaaun main Ban ke badariyaa
Chaand nagar ko Chali chakori ee ee
Pyaasi hoon milan ki sanwariyaa
Mere sapne sajaao
Qahaar
Piya milan ki rut aayi ee
Chalo re doli uthhaao qahaar
Piya milan ki rut aayi

Sooni padi ee
Bhaiyya ki ee haveli
Vyaakul behnaa aa
Rah gayi akeli ee
Jin sang naachi
Jin sang kheli ee
Chhoot gayi wo o
Sakhi Saheli ee
Ab naa deri lagaao
Qahaar
Piya milan ki rut aayi
Chalo re doli uthhaao qahaar
Piya milan ki rut aayi
Piya milan ki rut aayi
Piya milan ki rut aayi ee

—————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————–
हं हं हं
हं हं हं हं ह
हं हं हं
हं हं हं
हं ह
हं हं हं

हो ओ
चलो रे डोली उठाओ कहार
पिया मिलन की रुत आई ई
हं हं हं
हं हं हं हं ह

हो ओ
चलो रे डोली उठाओ कहार
पिया मिलन की रुत आई ई
पि की नगरी ले जाओ
कहार
पिया मिलन की रुत आई
चलो रे डोली उठाओ कहार
पिया मिलन की रुत आई
हं हं हं
हं हं हं
हं हं ह

जिन नैनों की तू है ज्योति
उन नैनों से बरसे मोती
दावा नहीं है
कोई जोर नहीं है
बेटी सदा ही पराई होती
जल्दी नैहर से ले जाओ
कहार
पिया मिलन की रुत आई
चलो रे डोली उठाओ कहार
पिया मिलन की रुत आई ई

छायी है देखो हरियाली ई ई
आई है रुत खुशियों वाली ई
हर आशा परवान चढ़ी ई ई ई
दिन है दशहरा
रात दिवाली ई
गले डाल बाहों का हार
कहार
पिया मिलन की रुत आई
चलो रे डोली उठाओ कहार
पिया मिलन की रुत आई

तन मयके मन तेरी नगरिया
उड़ जाऊं मैं बन के बदरिया
चाँद नगर को चली चकोरी ई ई
प्यासी हूँ मिलन की सांवरिया
मेरे सपने सजाओ
कहार
पिया मिलन की रुत आई ई
चलो रे डोली उठाओ कहार
पिया मिलन की रुत आई

सूनी पड़ी ई
भैय्या की ई हवेली
व्याकुल बहना आ
रह गयी अकेली ई
जिन संग नाची
जिन संग खेली ई
छूट गयीं वो ओ
सखी सहेली ई
अब ना देरी लगाओ
कहार
पिया मिलन की रुत आई
चलो रे डोली उठाओ कहार
पिया मिलन की रुत आई
पिया मिलन की रुत आई
पिया मिलन की रुत आई ई


This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4018 Post No. : 15126

Throughout the year, this blog notes anniversaries of various artistes. We celebrate their birth anniversaries, we remember, and observe with respect, their death anniversaries.

We occasionally also celebrate birthdays of Atulites here.

But there is one date that we all celebrate every year with a lot of love.

And that is this blog’s own birthday.

Yes, today, the 19th of July is the birthday of this blog.

This is the date, 11 years ago, that Atul, who started this blog, posted its very first song “mile na phool to kaanton se dosti kar li”. A beautiful song, written by Kaifi Azmi saab, composed by Roshan, and rendered in Rafisaab’s voice.

What an auspicious start to the blog!

Since then, now a veteran of over 15000 songs, this blog continues to go strong, adding more treasures to its already abundant treasure-chest, and attracting visitors from around the globe.

At last count, the number of hits on the blog was close to 12 million!

Clearly, this blog has established itself as the go-to source for HFM lovers, especially those interested in accurate song lyrics, and with a desire to engage themselves also with a write-up associated with the song.

Over these years, starting as a one-song-a-day blog, it has evolved into multiple-songs-a-day, with a whole lot of features added to it over this period of time.

During the course of this journey, another very important development (at least for some of us here), is the formation of this group called Atulites.

It is nothing fancy as such. Atul started this journey 11 years ago, and there have been many who have visited the blog and enjoyed its content. But a few of us, have been regulars here over the years, either writing comments, or posts. We have developed a bond over the years, thanks to the blog. Many of us have had an opportunity to meet each other in person. Since it all started with Atul, we call ourselves Atulites. 🙂

As someone who has known this blog from day one, it is a great joy for me to see this blog now complete 11 years.

I’ve said this many times – but I will say it again – this blog is unlike any other blog out there. Most blogs don’t last beyond a few months or years. And even then, the posting on these blogs is sporadic. Maybe a post every few weeks, or even months.

This is mainly because it takes a lot of effort and time to post regular content on a blog. Yes, if it’s earning significant money for the author, or promotes him or her in any way, that might be motivation to keep posting. But otherwise, it loses steam, and ends up neglected.

Here, Atul has ensured that this blog has posts almost every single day since it was started. Sure, there have been the odd days without posts, but these have been very few over this 11-year period. This is truly remarkable – and is a testament to Atul’s dedication and discipline.

We must remember, and stress here, that this blog is a “labour of love” for Atul. Had it been a commercial venture, one can understand so much time and effort spent on it. But for Atul, it has just been his passion and love that has kept the blog going for all this while, with daily updates.

I must add here that, in the last few years, Atul has been helped in this process by the one and only Sudhir ji. Together they form a great team, ensuring the blog is always buzzing.
I can’t thank both of them enough for what they do for the blog.

Then there are the other contributors also who enrich the blog greatly by their contributions. Arunji is the first name that comes to mind, but there is a whole host of others – they know who they are. 🙂 Everyone has contributed in his, or her, own way to the blog.

All in all, it has been a wonderful 11-year journey. I am very glad to have been part of it, to have learnt so many songs I’d never heard before, and to have met so many wonderful people, thanks solely to this blog.

So a big thank you to Atul for this.

Even as I type this, it has just struck me that the IPL also started in 2008. The final was played on 1st June 2008 – and this blog started on 19th July 2008. I wonder whether there is a connection. Did the IPL inspire Atul to start this blog? 🙂

Now, quickly avoiding the brickbats coming my way for posing that last question, am moving on to the song for today.

I wanted a fun, lively, song because it is a happy occasion.

And, as usual, I went looking for a song from the era I am most comfortable with, while hunting for songs. That is, the 1970s. Often I come across a song that might not have been all that famous, but is special to me because I remember it from that time, and it brings back memories.

Today’s song is one such. It is from the film Dharkan (1972).

Now this film is one I distinctly remember seeing in my childhood. I remember liking it a lot too at that time. It had a different type of storyline.

From what I remember, the story was about a man travelling with his friend by train, to meet another long-lost friend (who happens to be very rich). This friend in the train gets greedy and kills this man. He then poses as him, and meets the long-lost friend, hoping to swindle him of his wealth. Of course, he needs to be careful not to get exposed.

I don’t remember the details now, but after some initial success, he begins to arouse suspicions about his identity.

The picturisation of this song reflects one such situation. As we can see, Helen and Sanjay Khan are taunting Roopesh Kumar, hinting to him that they know what he has done.

I need to see this film again – though it’s quite possible I might not like it now. 🙂 It happens sometimes that you see a film that you’d last seen decades ago – and it doesn’t have the same appeal anymore.

The moment I heard this song though, I immediately remembered the movie. It is classic Asha Bhosle, though the composer is not RD Burman, but Ravi. I remember this song very well from that time, though I’m not sure if it was popular then. The most popular song of this film was “main to chala, jidhar chale rasta” (which has already been posted here). This is the second song of the film to be posted here.

The video ends a bit abruptly, so the audio is included.

I hope you enjoy this song.

Here’s wishing the blog a very happy birthday – and many more to come.

Video

Audio

Song-Jab toone kuchh na kiya (Dhadkan)(1972) Singers-Manna Dey, Asha Bhonsle, Lyrics-Prem Dhawan, MD-Ravi
Both
Chorus

Lyrics

Paisa
Pa pa pa paisa
Daulat
Sa sa sa daulat
Haasil karne ke liye
Paap
Hahaha
Dhokha
Hohoho
Chhal
Ha
Fareb
Ha
Khoon
Lekin…
Jab toone kuchh na kiya
Kyun daraa daraa sa hai
Deewaane kyun daraa daraa sa hai

Kyun daraa daraa sa hai
Deewaane kyun daraa daraa sa hai

Jab toone kuchh na kiya
Kyun daraa daraa sa hai
Deewaane kyun daraa daraa sa hai

Kyun daraa daraa sa hai
Deewaane kyun daraa daraa sa hai

Waise to
Sab kuchh
Dekha hai
Duniya ki mehfil mein

Lekin
Aha
Koi bhi
Oho
Jaane na
Aha
Kiske kya hai dil mein
Ho
Kaun bhala yahaan kaun buraa hai

O ho ho
Kaatil hai kaun yahaan kisko pataa hai
O ho ho
Kaun bhala yahaan kaun buraa hai
Kaatil hai kaun yahaan kisko pataa hai

O ho
Chehre ka tere kyun rang udaa hai
Hahahahahahahaha
Jab toone ae ae ae
kuchh na kiya aa
Kyun daraa daraa sa hai
Deewaane kyun daraa daraa sa hai

Kyun daraa daraa sa hai
Deewaane kyun daraa daraa sa hai

Hai jhootha to
Arrey jhootha hai
Kab tak
asli roop chhupaayega

khooni to
aha
khooni hai
oho
ek din
aha
pakda hi jaayega
O o
phool jo todaa toone phir wo khila hai

ohoho
Diya bujhaaya tha jo phir wo jalaa hai
Phool jo todaa toone phir wo khila hai
Diya bujhaaya tha jo phir se jalaa hai

Tera hi kaal tere saamne khadaa hai

Jab toone kuchh na kiya
haa
Kyun daraa daraa sa hai
Deewaane kyon daraa daraa sa hai ae

Kyun daraa daraa sa hai
Deewaane kyon daraa daraa sa hai

Paisa
Pa pa pa paisa
Daulat
Sa sa sa daulat
Haasil karne ke liye
Paap
Hahaha
Dhoka
Hohoho
Chhal
Ha
Fareb
Ha
Khoon


This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4017 Post No. : 15124

The years roll by – time stops for no one.

And, just like that, it is now 7 years since that day in 2012.

I still remember that day very well – I first got the news on Facebook.

One of my friends had posted “vaada tera vaada”, saying “RIP Rajesh Khanna”.

It shook me – I immediately checked Twitter for validation. (Now Twitter is known to post fake death news from time to time. Not so long ago, they had posted news of Mumtaz’s death – thankfully, fake.) But I wanted a second source.

Sadly, and I realized this very soon with a sinking feeling, the news on 18th July 2012 was not fake. Rajesh Khanna (or Kaka, as he was more affectionately known) HAD passed away. For the past year, he had been suffering from cancer – and the cancer had finally won.

I felt miserable that day. Not that I didn’t know he was suffering from cancer, but I never expected him to go when he did.

That day my Facebook status was
Kya samjhega ye aalam koi
Badaa bhaari hai dil ye mera
Ki le gaye ho saath safar pe tumhaare
Tukda jo kabhi tha dil ye mera

Rubbish poetry, I know – but hey, it did reflect my mood.

Those were the times when I’d seek refuge in my blog. I’d just dump my thoughts onto my blog, for my own sake. It was my way of releasing my feelings, not suppressing them within.

That day too I went to my blog, and wrote a piece for Rajesh Khanna. A personal piece – well, about as personal a piece that one can write about someone he has never met, someone whose many character flaws one acknowledges, and yet someone who was a big part of one’s childhood.

I’ve written about Kaka several times here, and I don’t want to bore readers by repeating stuff.

I’ll just say a few things, and then move on to the song.

Firstly, most times when I discuss Kaka with others (I don’t do much of this anymore), I get the following reactions.
Firstly, a criticism of his acting – mostly his set mannerisms, and his hamming.
Secondly, criticism about him as a person.

I’ve noticed that people who dislike Kaka, tend to dislike him rather intensely. 🙂 On one, or both, of the above counts.

And, I must admit, they would not be wrong.

The first point first.

Without doubt, Kaka’s acting lost its freshness after a few years – and was a big reason for his decline. His superstar success lasted only a few years. During this period, he acted in a whole lot of films. Both he, and his producers, wanted to cash in on his name. Just his name used to be enough to sell a film. Sure, the films were all successful – Kaka holds the record for maximum number of consecutive hits.

But over-exposure comes with its risks. Especially when you’re boxed into a method of acting, expected to conform to set mannerisms, and a set dialogue delivery style. Yes, they made you successful, but style wears out after a while. Kaka’s mannerisms did become an issue. That the storylines also were beginning to get thin, did not help.

Much later in his career, we got to see a different Rajesh Khanna. Not THE superstar anymore, he could afford to act differently, in different roles. Let’s not forget he got his break in films by winning an acting contest, so he couldn’t have been that bad an actor. 🙂

Now, to the second point.

Again, I have to agree. It’s no secret that Kaka allowed success to get to his head. His unprofessional, and possibly even mean, behaviour with colleagues and others, left a lot of people bitter. No doubt many would have been happy to see him go down. A point made even more stark when compared with the upcoming star, Amitabh Bachchan, who was the model professional actor, punctual and polite.

I will not defend Kaka on this front at all. Much later in life, he did realize this himself.

All I will say is, every one of us has failings. Maybe if Kaka’s success had been more gradual, he’d have been a different person. Failure teaches us much more than success – Amitabh had a string of failures before becoming a superstar.

One person’s life is often a lesson for another. Just as people can tell aspiring youngsters “Look at Amitabh – how he struggled early in his career, but his perseverance and professionalism made him a superstar”, they can also say “Look at Rajesh Khanna – how he let success get to his head at a young age, and destroyed his career and relationships”.

One can learn from both.

To me, while I accept these criticisms, I will always remember, and thank, Rajesh Khanna for giving me many wonderful memories in my childhood.

That tilt of the head, that smile, that kurta, that dialogue delivery – today people might mock all of this, but in those days, these are what millions swooned over. That “Pushpa, I hate tears” line is still one of the best-known lines in Hindi cinema.

His films of that era made me feel good when I saw them in the early 70s. Later, when I saw them again, I’d still smile at “rona kabhi nahin rona”, “yahaan wahaan saare”, “nainon mein nindiya hai”, “ye shaam mastaani” and a whole lot of other songs. They’d bring back memories of my childhood.

Like one of my best friends (in class I) would always sing “pyaar deewana hota hai” from Kati Patang. It was his favourite song. I liked it a lot too, but I’d counter him with “ye shaam mastaani”. I know it sounds silly, but these are not just songs for me – they have memories attached to them. Like the incident attached to “o mere dil ke chain” – I’ve discussed the incident here earlier.

And that’s the thing. Each person’s memories are different, and therefore connect with someone is different. And while I acknowledge all Kaka’s failings, I also want to give him back a little bit of that love that I got from watching his films during my childhood.

That’s also the reason for this post. I haven’t written for a while now, but Avinashji requested me to write a post for this occasion. I was hesitant, since I sincerely believe I’ve lost my writing ability. I even told Avinashji “I can’t write anything longer than a tweet now” :-). But he was kind enough to share with me a whole lot of Kaka songs not posted yet, so I could easily pick one.

Now to the song.

Initially I thought of posting a sad song, considering it is on Kaka’s death anniversary. But then I thought again.

What I’d like to remember most of Kaka is the joy I got from watching his films, from before his decline. I think, from up there, he’d also probably like most people to remember him for those films.

So today’s song is from one of his early films – Bandhan (1969). I remember seeing this film long ago, though I don’t remember the story now.

By the way, it is exactly 50 years since this film was released. 1969 was a milestone year for Kaka – this was the year he became a superstar with Aradhana. And Do Raaste was a huge hit too.

The song “jaana hai to jao” shows early glimpses of the superstar-to-be. One can see some of those mannerisms that would become his hallmark in the coming years. And it is always fun to see Kaka and Mumtaz together, even if this was a less-known film than their more famous films to come.

The song is in the voices of Mahendra Kapoor and Asha Bhosle. Not surprising that Mahendra Kapoor was used, considering music is by Kalyanji-Anandji. The MK-KA combo had a huge hit with Upkar (1967), so KA were happy to use MK again. And at that time, Rajesh Khanna was “just another hero”. Kishore Kumar had not yet become his voice. In fact, in this film, even Mukesh sings a happy song for Rajesh Khanna. 🙂

I hope you like the song.

Thanks for the memories, Kaka.

Whatever the world might say about you, remember, when it comes to romance in film,

“tere hi to sar pe mohabbat ka taaj hai”.


Song-Arrey jaana hai to jaao manaayenge nahin (Bandhan)(1969) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Indeewar, MD-Kalyanji Anandji

Lyrics(Provided by Avinash Scrapwala)

Arrey jaana hai to jaao
arrey jaana hai to jaao manaayenge nahin
jaana hai to jaao
manaayenge nahin
nakhre kisi ke uthhaayenge nahin
nakhre kisi ke uthhaayenge nahin

eh
aana hai to aao
bulaayenge nahin
aana hai to aao
bulaayenge nahin
kadmon pe sar ko jhhukaayenge nahin
kadmon pe sar ko jhhukaayenge nahin
hmph
aana hai to aao

dekhi hai dekhi hai dekhi
arrey dekhi hai dekhi hai
tere jaisi kitni chhoriyaan
marti hain marti hain mujhper
saare gaaon ki goriyaan

arrey budhhu hai budhhu hai bilkul
tu kya dulhan laayega
Lagta hai tu kunwaara mar jaayega
Lagta hai tu kunwaara mar jaayega
hum kahen aur kya
tera bhaiyya khada
tujhe
nazron mein uski giraayenge nahin
ha ha ha
nazron me uski giraayenge nahin

arre samjhe
jaana hai to jaao manaayenge nahin
jaana hai to jaao manaayenge nahin
nakhre kisi ke uthhaayenge nahin
nakhre kisi ke uthhaayenge nahin
jaana hai to jaao

jab raaja mahaaraaja
koi mujhe byaahne aayega
jab raaja mahaaraaja
koi mujhe byaahne aayega
seene pe seene pe tere
saanp sa lahra jaayega

arrey tu hai bandariya
hmphh
chal chal
arrey tu hai bandariya
koi madaari hi tujhko le jaayega
kas ke maarega dande
nachaayega
kas ke maarega dande
nachaayega
haa haa
akl moti teri
O naak chhoti teri
mendhki ko to munh hum lagaayenge nahin
chhi chhi
mendhki ko munh hum lagaayenge nahin
eh
jaana hai to jaao
jaana hai to jaao bulaayenge nahin
jaana hai to jaao bulaayenge nahin
kadmon pe sar ko jhhukaayenge nahin
jaa
jaana hai to jaao

———————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————————
अरे जाना है तो जाओ
अरे जाना है तो जाओ
मनाएंगे नहीं
जाना है तो जाओ
मनाएंगे नहीं
नखरे किसी के उठायेंगे नहीं
नखरे किसी के उठायेंगे नहीं
ये
आना है तो आओ
बुलायेंगे नहीं
आना है तो आओ
बुलायेंगे नहीं
क़दमों पे सर को झुकायेंगे नहीं
क़दमों पे सर को झुकायेंगे नहीं
हं
आना है तो आओ

देखी है देखी है देखी
अरे
देखी है देखी है
तेरे जैसी कितनी छोरियां
मरती है मरती है मुझपे
सारे गाँव की गोरियाँ
अरे बुद्धू है बुद्धू है बिलकुल
तू क्या दुल्हन लाएगा
लगता है तू कुंवारा मर जाएगा
लगता है तू कुंवारा मर जाएगा
हम कहे और क्या
तेरा भैय्या खडा
तुझे
नज़रों में उसकी गिराएंगे नहीं
हं हं हं
नज़रों में उसकी गिराएंगे नहीं

अरे समझे
जाना है तो जाओ मनाएंगे नहीं
जाना है तो जाओ
मनाएंगे नहीं
नखरे किसी के उठायेंगे नहीं
नखरे किसी के उठायेंगे नहीं
जाना है तो जाओ

जब राजा महाराजा कोई
मुझे ब्याहने आएगा
जब राजा महाराजा कोई
मुझे ब्याहने आएगा
सीने पे सीने पे तेरे
सांप सा लहरा जाएगा

अरे तू है बंदरिया
चल चल
अरे तू है बंदरिया
कोई मदारी ही तुझको ले जाएगा
कसके मारेगा डंडे
नचाएगा
कसके मारेगा डंडे
नचाएगा
हां हां
अक्ल मोटी तेरी
ओ नाक छोटी तेरी
मेढकी को तो मुंह हम लगायेंगे नहीं
छी छी
मेढकी को मुंह हम लगायेंगे नहीं
ये
जाना है तो आओ
जाना है तो आओ
बुलायेंगे नहीं
जाना है तो आओ
बुलायेंगे नहीं
क़दमों पे सर को झुकायेंगे नहीं
जा
जाना है तो जाओ


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3928 Post No. : 14998 Movie Count :

4105

= = = = = = = = = = = = = = = = = = = = = = = =
Atul Song-A-Day 15K Song Milestone Celebrations – 8
– – – – – – – – – – – – – – – – – – – – – – – – – – – – –

Not all journeys have a pre-determined destination.

Sometimes a traveler sets off on a journey, purely with the intention of travel. For how long, which specific places he will travel to, where he will stop, who and what he will encounter…these are all unknown.

All he knows is that he has the desire to travel – and will travel for as long as he has such desire, and the ability to travel.

And it is just as well that he travels without a set destination or time-frame. That would take away from the enjoyment of the journey itself. It is not that the travel is meaningless – it certainly has a purpose. Just that the purpose is to enjoy the journey, not to keep a destination or time-frame in focus.

I’d like to think this blog is one such journey – and Atul is this traveler.

Atul has himself said many times, when he posted his first song on this blog on the 19th of July 2008, he had no idea what it would go on to become. As a music lover, all he wanted was to have a blog of his own. A place where he could post songs of his choice and share his taste with other music lovers. Pretty simple, isn’t it?

At that time, he would’ve been happy if he could have got to a 1000 songs on the blog. That would have been huge.
2000? Amazing!
5000? Are you CRAZY?
10000? Ab bas bhi karo yaar, kuchh zyaada hi ho gaya

But this traveler never stopped travelling. One step at a time, he kept walking. The milestones kept passing by. He acknowledged them – but never stopped. Sort of like “nadiya chale chale re dhaara, chanda chale chale re taara, tumko chalna hoga, tumko chalna hoga”.

Along the way, he met fellow-travellers and became friends with them. They joined him on his journey, so he had company. But he never stopped.

Yes, he might have occasionally slowed down, but the most important thing is – he never stopped.

And that is the only reason we can today celebrate this mega-milestone.

The biggest to date.

15000.

Yes, that’s a thousand songs, fifteen times over.

Mind-boggling.

But, to me, that’s not the whole story.

If you take a flight from Moscow to Vladivostok, it takes about 8 ½ hours.
The Trans Siberian Express train takes about a week.

If I had the time, I know how I’d like to travel.
I’d like to breathe in every moment of the travel – not rush it.

This blog has not rushed through these 15000 songs mindlessly, just for the purpose of statistics. If it had done so, it could’ve reached this milestone much earlier.

No, that was not the idea of this blog at all. Ever.

As I said earlier, Atul’s idea was to share songs with other music-lovers. To have these songs introduced on the blog, discussed in detail with appropriate credits to artistes, with a video/audio and full lyrics.

That was – and continues to be – the format for every single song from day one.

And when you have a format of this type, you want every song to have its own space and time. If you post 20 songs on one day, are you doing justice to each individual song? Won’t it just get lost in the crowd?

So the pace of this blog recognizes this important aspect of music appreciation – don’t overload.

So the bigger story (for me at least) is HOW we have got to 15000.

One song at a time, ranging from 1 to about 7 songs a day (7 itself is a high number), we have come this far over TEN years and NINE months. Yes, we are in our 129th month now. And the posting has not been sporadic – it has been EVERY SINGLE DAY (except for very few days when there’s been no posting).

THAT, for me, is truly astounding.

For ONE person to have THIS level of dedication, commitment and discipline, despite all sorts of constraints along the way – THAT to me is mind-boggling.

Yes, we guest posters have joined on the journey, and posted from time to time. (I’m saying this a bit hesitatingly given my own limited contribution in the last year). But, as Sudhirji pointed out in a recent post, Atul’s posts are 3 times more than all our guest posts put together. That shows the sheer weight-lifting he does.

And mind you, this is just the number of posts. There’s so much more on the blog- the various statistics, by movie, by year, by artiste and so on. And anniversary dates. Atul has truly built a repository for the ages.

That brings me to my next point.

The repository.

It is not that songs aren’t available on the net. Of course they are. There are songs all over the place.

But this blog is different. It doesn’t treat a song as just a song. There’s a narrative about it, a background wherever possible. About the film, the artistes involved. And Atul is a stickler for accuracy, so he does his level best to get the facts and lyrics 100% accurate. It’s not easy with some old songs where the audio itself isn’t clear – but he makes a genuine effort. And that is because of the type of person he is – no shortcuts, no compromises.

All of this means that the reader gets as accurate a source as possible.

Then consider the songs themselves.

Some of these songs are rare songs, which were not even available earlier on the net. Some others were available, but with limited detail. When these songs were made available here, the blog tried to give the song, and its artistes, full respect.

This is what makes this blog a treasure house, a repository for generations.

While on this point, I think I must mention fellow travelers (we call them Atulites) who have contributed greatly to enriching this blog.

Atul will be the first person to admit that his own knowledge of songs and artistes would never have been enough to make the blog what it is today. This is nothing to be ashamed of. All of us know more about some songs and eras, and less about others.

But we thankfully have some “maharathis” (they know who they are, so I won’t name them 🙂 ) who, between them are an ocean of knowledge, and like walking encyclopedias. Their contribution, whether through posts or through comments, is truly outstanding. They have enriched this blog so much, taking it to a different level altogether.

So when we talk of team effort, this is a perfect example of it.

This brings me to my next point of awe.

If this blog had been a commercial venture, I can understand a business posting songs every day, to maximize its views, and earn revenue as a result, through advertising or other means.

But Atul has been doing this as a labour of love. It started as that, in 2008 – and continues to this day with the same intent.

So a labour of love, posting songs every single day, for 129 months at a stretch, to the level of detail and accuracy that this blog has – just pause for a moment to let that sink in.

Pause.

So while we celebrate the 15000 milestone, I request everyone to try to appreciate the true significance of it.

It’s not just the number – it’s the weight of the love and effort that has gone into it. It’s like 15000 kg of love and effort.

Along the way, this blog has done something else too. Possibly unintended initially, but as “Blog Ke Side-Effects” 🙂 , it has brought us Atulites together. Many of us have met each other, we now have a whatsapp group, all thanks to the blog, and Atul.

For me, personally, it has been a very enriching journey. I’ve been fortunate to have been involved right from day one – and along the way I’ve got to know some wonderful people with an amazing level of knowledge about HFM. I’ve got to know SO many songs only through this blog.

I really can’t thank Atul enough for all this.

So even if my participation has been very limited of late, this blog, and everyone associated with it, will always have a very special place in my heart.

And on this occasion, I can only wish that the journey goes on and on as we head towards the next target of 15921. 🙂

A line that comes to mind is “apni pyaar ki gaadi chalti rahe, apni pyaar ki gaadi chalti rahe”. 🙂

Now onto the song for today.

I must admit it wasn’t easy for me to decide on a song for this occasion.

For one, not only has the blog already got 15000 songs, but even the songs still to be posted are mostly relatively new songs ( which I barely know), or lesser-known songs of a much earlier era than mine.

This makes my task somewhat difficult.

A song I had in mind got cancelled out because it had already been posted, so I had to renew my efforts.

But one thing. I did have an idea of the type of song I wanted to post.

I wanted a fun, lively song. After all it is a celebratory occasion, so why not a fun song?

The lyrics didn’t really matter too much, as long as it was a jhakkaas song. 🙂

While looking for random songs, I tend to think of the 1970s as my first choice of decade. The main reason for this is, it is the decade I grew up in – and there’s always a chance I’ll come across a song that I heard in my childhood, and that still happens to not be posted. This has happened on a few occasions with me.

I’ll be the first to admit that the 1970s songs signaled the end of what is popularly known as the golden era of music. By the time the 1970s came along, audience tastes had changed. Not just in India, but around the world. The hippie culture had come in, there was a sense of wanting to break away from the established order of things.

It was only natural that India too would be affected by this trend. Films are a good reflection of society – and films of the 1970s are markedly different from those of an earlier era.

Music, as a very important component of Indian films, also reflected this.

And no one exemplified this better than RD Burman.

RD (or Pancham as he was popularly known) was a trend-setter. Hugely gifted, he experimented a lot, with instruments, tunes and sounds. The audience, already ripe for change, embraced RD’s style wholeheartedly and made him a huge success.

It was not that RD could not compose traditional tunes – he could, and he did. But he also made a deliberate effort to invent his own style, to distinguish himself from his legendary father’s style.

I personally think music, like everything else, evolves. We need to recognize that times keep changing – and music needs an audience too. So if the audience is changing, why wouldn’t music change too?

So, as Tennyson said, “the old order changeth, yielding place to new”.

The song I have picked today is from my schoolboy days. I had heard it a few times then – we used to sing it in school. But somehow I never heard it after that, and had even forgotten all about it.

Recently I came across it again – and was surprised to find it hadn’t been posted yet.

Initially I was thinking of keeping it for an RD occasion, seeing as it has such an RD stamp about it – but then I guess this occasion is as good as any.

If we are celebrating 15000 songs on this blog, and Atul is the architect of it AND is also a 1970s schoolboy, why not a song that he might have heard in those days too?

Dil to maane na….meri jaan, meri jaan aa aa aa aa

Vintage RD & Asha Bhosle.

Ever since this song has come back into my life, I’ve enjoyed listening to it.

I hope you enjoy it too. Jhakkaas enough for you? 🙂

Congratulations to all of us, travelers on this journey, for the 15000-milestone.

And a special thanks to Atul for bringing us all together.

Looking forward to milestone 15921. 🙂


Song-Dil to maane na (Shaitaan) (1974) Singers-Asha Bhonsle, RD Burman, Lyrics-Majrooh Sultanpuri, Music-RD Burman
Chorus

Lyrics

turu turu haa
turu turu haa
turu turu haa
turu turu haa

Dil to maane na
Haa
Dil to maane na
Haa

Haa
Dil to maane na
Meri jaan
meri jaan haa haa ha ha
Dil to maane na ha ha ha ha ha
Meri jaan
Meri jaan haa ha ha ha
Dil to maane na ha
Dil ko milna to hai
Phir kisi se miley
Kya bura hai agar
Ye tujhi se miley
Gale lagoon kiske
tu hi bata de na re
dil to maane na
Haa

Meri jaan
Meri jaan haa ha ha ha ha
Dil to maane na
haa
Dil ko milna to hai
Haa
Phir kisi se miley
Haa
Kya bura hai agar
Ye tujhi se miley
Gale lagoon kiske
tu hi bata de na re
la la la la lalalala

Meri jaan
Meri jaan haa ha ha ha
Dil to maane na

Dweera tara taa taa tara taa
Haa
Dweera tara taa taa tara taa

Jaane dilbar jaane jahaan
Para para para para ha
Tum bin ab chain mujhko kahaan
Kya jaanoon main raaton ki neend
Haa
Hoy
Haa
Hu

Main to mar gayi ho kar jawaan
Rang ras ki bhari
Hai jawaani meri
Behki behki phiroon
Haaye re main baawri
Mujhe to baahon mein
Tu hi uthhaa le na re
dil to maane na
Ha

Meri jaan
Ho Meri jaan haa ha ha ha ha
Dil to maane na
Dil ko milna to hai
Phir kisi se miley
Kya bura hai agar
Ye tujhi se miley
Gale lagoon kis ke
tu hi bata de na re
la la la la lalalala

Meri jaan
Meri jaan haa ha ha ha
Dil to maane na ha

Dugdugdugdugdugdug
Dugdugdugdugdugdug
Haa
Hoy
Haa
ho
Dugdugdugdugdugdug
Dugdugdugdugdugdug
Haa
hu
Hoy
Haa

Naina tujh se jab jab lagey
Tan mein jaise sui chubhey
Pairon se na phir tan rukey
Hui
Haa
Hui
Haa
Hui

Haathon se na dhadkan dabey
Thhandi aahen bharoon
Na kisi se daroon
Main deewaani sahi
Tu bataa kya karoon
Arre lagi dil ki
Tu hi mitaa de na re
dil to maane na
haa

Meri jaan
O Meri jaan haa ha ha ha ha
Dil to maane na
Dil ko milna to hai
Phir kisi se miley
Haa
Hey
Kya bura hai agar
Ye tujhi se miley
Gale lagoon kis ke
tu hi bata de na re
dil to maane na ha ha ha

Meri jaan
Meri jaan haa ha ha ha ha
Dil to maane na
hahahahaha
Meri jaan
Meri jaan haa ha ha ha ha
Dil to maane na ha
Haaa


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3820 Post No. : 14819

Hullo to all of Atuldom

Let me start by wishing all you readers a very Happy New Year. I hope you and your loved ones have a wonderful 2019, with a lot of happiness, good health and success in whatever you wish to achieve.

Today is the 2nd of January and our Anniversary Page tells me it is the birth anniversary of Sadashiv Amrapurkar, and the death anniversary of David.

But neither of these is the subject of my post today.

Absolutely no disrespect to them, but today’s post is about a couple of other persons who also happen to have their birthday today.

A few days ago, Avinashji contacted me and reminded me that the birthday of two Atulites was coming up. He had a song in mind, and asked me if I could do a post for the occasion.

Now every year around this time (end-Dec/early Jan) I get a bit busier than usual. I have family visiting me from overseas, as it is Christmas vacation in most places around the world. Besides, this year I have some family events also around New Year’s time, requiring me to plan and travel.

So I wasn’t absolutely sure I’d be able to write this post – so I told Avinashji I’d try.

So here I am.

I will not keep you in suspense any longer about the identity of the two Atulites involved.

First, Pradeepji. (I am taking them up one by one so that you don’t stop reading right here. And no, you’re not allowed to skip to the next part of the post. 🙂 )

If some more recent readers of this blog are not particularly familiar with Pradeepji, I can understand. In recent times, he has not been very active on the blog – but he has a long history with it. And when there is a mega occasion, like when the blog completed 10 years a few months ago, we can always expect him to write a post for the occasion.

I’ve known Pradeepji from the early days when he used to comment on the blog. Then we finally got to meet in October 2014, when we had our first Atulites’ gangout in Bangalore. Pradeepji came all the way from Chennai for the event.

It was just wonderful to meet him, as also all the other Atulites who I finally got to meet face-to-face. We had a fantastic time, discussing music (of course!) but also other stuff.

Pradeepji is multi-faceted, in that not only is he a keen lover of music in a passive sense, he also tries to use his tech-oriented mind to look for ways to propagate music. It was Pradeepji who first tried to get our blog onto mobile devices in a manner that could enhance its richness, using features of software like itunes.

Pradeepji was keen to exploit the richness of our blog beyond its existing framework. So, after discussion with Atul and others, he started a project where, when all songs of a film were covered on the blog, he would load that film’s songs onto another platform. This process would involve enriching the data by adding more tags, thus allowing for even more filtering possibilities. To provide an even more nostalgic experience, he would add a poster of the film wherever possible.

I will not discuss this project in more detail because I don’t want to expose my ignorance on it. 🙂 But some of us were happy to join in and help out. I was also involved for a brief period, but there were others who were involved for much longer.

Now, for a film to be eligible to be picked up by Pradeepji for his project, all its songs had to be posted on the blog. There’s no point in doing multiple iterations for the same film. So Pradeepji would wait for a film to be “complete”. And whenever that would happen, he would respond in the comments with a “Yippeeee”. 🙂

And that’s how the project got its name, that’s how the name stuck.

So much so, that when Atul would post the final song of a film here, he’d himself mention that the film is ready to be “Yippeeed”. In other words, ready to be taken over by Pradeepji and his team. 🙂

As a result, for many of us, if we had to represent Pradeepji with one word, it would be “Yippeeee”! 🙂

After that first Bangalore gangout, we had a couple of others too, but Pradeepji couldn’t attend. However I did get to meet him earlier this year on a visit to Chennai. Although it was only for a few minutes, not more than half an hour, it felt really good. We caught up with developments. Pradeepji, multi-faceted person that he is, is busy on multiple projects, developing websites for e-commerce. Mostly out of passion for trying out different things.

From my interactions with Pradeepji, whether face-to-face or otherwise (during the Yippeeee project), I noticed that he is not just a warm person and extremely down-to-earth, he also has a lot of energy and enthusiasm for things. I believe the term for this sort of enthusiastic persion is “zinda dil”?

Anyway, today, on his birthday, I wish him a very happy birthday on behalf of all Atulites.

Now, to our second Atulite birthday today.

If you’ve been sharp enough, you might have picked up a hint already from the way I started this post. It’s not my usual style.

There’s one Atulite who starts posts in this manner – “Hullo to all in Atuldom”.

And that is Peevisie’s Mom.

It’s her birthday also today, and it gives me great pleasure to be able to write this post to wish her on the occasion.

Now Peevisie’s Mom (PM) and I have met a few times more than Pradeepji and I. We live in the same city, so it’s easier to meet up for an occasion. We first met on that first Bangalore Gangout day in October 2014 (the same one that Pradeepji also attended). Thereafter, we met at the next one too, and also on other occasions like when Arunji and Avinashji visited Bangalore, or when Lalitha visited Bangalore (when I first got to meet Peevisie’s Dad too). Besides, we speak on the phone every now and then – usually discussing a post, or she reminds me of an anniversary coming up. 🙂

I talked about Pradeepji’s enthusiasm and his being “zinda dil” – that applies equally to PM too. She too is a very enthusiastic and cheerful person – so much so, that it even tends to rub off on an otherwise gloomy me. Everytime after a conversation with her, usually on the phone for a few minutes, I feel better. And I can’t say that for a lot of people. 🙂

She’s also one of the most active persons on our Atulite whatsapp group, participating in every discussion. But that’s the energy she brings with her – whether on the group, or in conversation or in a post. She’s a wonderfully friendly and warm person – and that warmth is infectious. Which also explains why I feel better after a conversation with her. 🙂

She’s also hugely passionate about HFM and movies – which is what brought us all together to this blog in the first place. But unlike me, her knowledge isn’t limited to any specific eras or genres. For example, I barely know 5 songs of this millennium, she would know almost every film released and its music. No wonder many of the post-2000 songs posted here are from her (and Peevisie herself, of course). And yet she also knows old songs – maybe partly because she also listens to radio or watches song programmes on TV. So her knowledge is definitely wide.

She’s very fond of this blog – we can see that she tries to post on as many anniversary occasions as possible. I remember there was a time when I had more posts here than she did. In fact at that time, I had even a few posts more than Avinashji. But clearly, they were both going to overtake me, because I was hardly posting at that time. She called me up and when this topic came up, she said “bade bhai se aage nikalne ka permission chaahiye”. 🙂 We had a good laugh about it. 🙂

All in all, she’s a wonderful friend to have – and I’m fortunate to have her as a friend.

I wish her too a very happy birthday on behalf of all Atulites.

Now, for the song for today.

It’s a song picked by Avinashji – a fitting birthday song for the occasion. I want to mention here that this post wouldn’t have happened if not for Avinashji’s initiative, so it must be seen as a joint effort by both of us.

The song is “Pam para rum pum” from Trishna (1978), a GP Sippy Productions film. It is sung by Kishore Kumar and the chorus (in which a very young Sadhana Sargam got a chance to sing).

I’ve seen this movie but I don’t recall too much of the story now. It had to do with relationships, a “murder”, suspicion etc, from what I vaguely remember. I need to watch the film again.

In any case, let’s enjoy the song, as we wish both Pradeepji and Peevisie’s Mom a very happy birthday.
Editor’s note-Today is the birthday of Sheela Ji, Avinash ji’s better half’s birthday as well. So happy birthday and many happy returns of the day to her as well.


Song-Pam para rum pum (Trishna)(1978) Singer-Kishore Kumar, Lyrics-Indeewar, MD-Kalyanji Anandji
Chorus

Lyrics

aa aa
Very good!
aa aa
Shaabaash!

Hey Pam para rum pum
Pum pum pum
Pum para rum pum
Pum pum pum
Bole bole
Jeevan ki sargam
Hey
Pam para rum pum
Pum pum pum
Pum para rum pum
Pum pum pum
Bole bole
Jeevan ki sargam

Har rang mein
Har roop mein
Har rang mein
Har roop mein
Tum hanste raho har dum
Bolo
Pam para rum pum
Pum pum pum
Pum para rum pum

Pum pum pum
Bole bole
Jeevan ki sargam

Shaabaash!
Pam para rum pum
Pum pum pum
Pum para rum pum

Pum pum pum
Bole bole
Jeevan ki sargam

Tum pyaare pyaare phoolon ko dekho
Dekho
Dekho
Hai na?
Haan
Tum pyaare pyaare phoolon ko dekho
Todey jaane se bhi hanste hain
Todey jaane se bhi hanste hain
Hanste hain jo bhi aisi adaa se
Sabke dil mein wohi baste hain
Sabke dil mein wohi baste hain
Kaisebhi haan haalaat apne bas mein ye baat
Kaise bhi haan haalaat apne bas mein ye baat
Dhoondhh sakte hain gham mein bhi khushi hum
Bolo
Pam para rum pum
Pum pum pum
Pum para rum pum

Pum pum pum
Bole bole
Jeevan ki sargam

shaabaash
Pam para rum pum
Pum pum pum
Pum para rum pum

Pum pum pum
Bole bole
Jeevan ki sargam

La la la
La la la la la
La la la
La la la la la

Kal jo aaya nahin uska gham kya
Kal jo aaya nahin uska gham kya
Kal jo beeta hai kya uska rona
Kal jo beeta hai kya uska rona
Aaj mein hi chhupa saara jeevan
Aaj ke din ko yunh hi na khona
Aaj ke din ko yunh hi na khona
Saare jeevan ka mol
Bas pyaar ke do bol
Saare jeevan ka mol
Bas pyaar ke do bol
Muskura do badal jaaye mausam
Bolo
Pam para rum pum
Pum pum pum
Pum para rum pum

Pum pum pum
Bole bole
Jeevan ki sargam

Har rang mein
Har roop mein
Har rang mein
Har roop mein
Tum hanste raho har dum

Bolo
Pam para rum pum
Pum pum pum
Pum para rum pum

Pum pum pum
Bole bole
Jeevan ki sargam

Phir se ek baar bolo
Pam para rum pum
shaabaash
Pum pum pum
Pum para rum pum
Pum pum pum

ye baat hai
Bole bole
Jeevan ki sargam

La la la
La la la la la
La la la
La la la la la

Aaiye aaiye
Aaiye
Gaaiye na
Oho come on please
La la la
La la la la la
La la la
La la la la la

———————————–
Devnagri script Lyrics (Provided by Avinash Scrapwala )
———————————–
व्हेरी गुड
शाबाश

हे तम तारा रम पम
पम पम पम
पम पारा पम पम
पम पम पम
बोले बोले जीवन की सरगम

हे तम तारा रम पम
पम पम पम
पम पारा पम पम

पम पम पम
बोले बोले जीवन की सरगम

हर रंग में
हर रूप में
हर रंग में
हर रूप में
तुम हँसते रहो हरदम
बोलो
तम तारा रम पम
पम पम पम
पम पारा पम पम

पम पम पम
बोले बोले जीवन की सरगम
शाबाश
तम तारा रम पम
पम पम पम
पम पारा पम पम

पम पम पम
बोले बोले जीवन की सरगम

तुम प्यारे प्यारे फूलों को देखो
देखो
देखो
हैं ना
हाँ
तुम प्यारे प्यारे फूलों को देखो
तोड़े जाने पे भी हँसते हैं
तोड़े जाने पे भी हँसते हैं
हँसते है जो भी ऐसी अदा से ए
सब के दिल में वही बसते है
सब के दिल में वही बसते है
कैसे भी हों हालात
अपने बस में ये बात
कैसे भी हों हालात
अपने बस में ये बात
ढूंढ सकते है
ग़म में ख़ुशी हम
बोलो
तम तारा रम पम
पम पम पम
पम पारा पम पम

पम पम पम
बोले बोले जीवन की सरगम
शाबाश
तम तारा रम पम
पम पम पम
पम पारा पम पम

पम पम पम
बोले बोले जीवन की सरगम

ला ल ला
ल ल ला ल ला
ला ल ला
ल ल ला ल ला

कल जो आया नहीं उसका ग़म क्या
कल जो आया नहीं उसका ग़म क्या
कल जो बीता है क्या उसका रोना
कल जो बीता है क्या उसका रोना
आज में ही छुपा सारा जीवन
आज के दिन को यूँही न खोना
आज के दिन को यूँही न खोना
सारे जीवन का मोल
बस प्यारे के दो बोल
सारे जीवन का मोल
बस प्यारे के दो बोल
मुस्कुरा दो
बदल जाए मौसम
बोलो
तम तारा रम पम
पम पम पम
पम पारा पम पम

पम पम पम
बोले बोले जीवन की सरगम

हर रंग में
हर रूप में
हर रंग में
हर रूप में
तुम हँसते रहो हरदम
बोलो
तम तारा रम पम
पम पम पम
पम पारा पम पम

पम पम पम
बोले बोले जीवन की सरगम
फिर से एक बार बोलो

तम तारा रम पम
पम पम पम

शाबाश
पम पारा पम पम
पम पम पम

ये बात है
बोले बोले जीवन की सरगम
ला ल ला
ल ल ला ल ला
ला ल ला
ल ल ला ल ला

ला ल ला
ल ल ला ल ला
ला ल ला
ल ल ला ल ला

आईये आईये
आईये
गाईये न
ओह ओ
कामे ऑन प्लीज …
हे ला ल ला
ल ल ला ल ला
ला ल ला
ल ल ला ल ला


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3811 Post No. : 14807

After yet another hiatus of a few months, I am back on the blog today (24 december 2018).

And I’m sure most people who know me here, will know why. 🙂

Yes, it is that big day for Hindi film music lovers all around the world today – it is the birth anniversary of Mohammad Rafi, or, as he is affectionately and reverentially referred to by many, Rafisaab.

And while I might miss out on writing on any other anniversary on this blog, this is one date I try my best to never miss. As I’ve said many times before, this is my very small, entirely insignificant, way of saying “thank you” to the person who has given me countless hours of happiness in my life.

Different people derive happiness from different things. For me, music has always been a core part of my existence for as long as I can remember. I often have a song on my lips – often sub-consciously. This has occasionally led to embarrassing situations but thankfully it has never affected my love or passion for music. And I think I’m in very good company on this one – there are so many people out there for whom music is an integral part of their daily lives.

This is also one big reason we are all here together on this blog. HFM lovers, from all parts of the world, in all age-groups, sharing their love for HFM.

And when we talk of HFM, especially during its golden age, it’s hard not to talk of Rafisaab.

This is why I write tributes to him at least twice a year. On his death anniversary, and on his birth anniversary. I do write about him on other occasions too, but if I miss out on either of these occasions, I feel I’m letting him down. For all that he has given me, can’t I even write a few words on these specific occasions to pay tribute to him?

So here I am today.

Now, what should I write?

I’ve written many posts here on Rafisaab and discussed my feelings about him. About his songs, his personality, how he managed to break in and find a special place in my heart and my life, at a time when Kishore Kumar was absolutely king. There’s nothing more I can write that will not be a repetition.

Yet, the sheer joy of writing about Rafisaab is so exhilarating that, at the risk of boring readers, I will share a few thoughts.

After all, when I watch videos of Jeetendra narrating his now-famous Deedar-e-Yaar experience with Rafisaab, or Shammi Kapoor narrating his “aasmaan se aaya farishta” story about Rafisaab, or SP Balasubramaniam talking about “deewana hua baadal”, I enjoy listening to these stories every single time. I know the stories inside out by now, but the passion and love with which these stories are narrated, is itself special for me.

It would surprise no one if I said that, as an early-1970s boy, the one male singer who was my universe at that time was Kishore Kumar. In those days I’d often listen to “current songs” – and naturally that meant his songs were playing everywhere, on every single radio programme, every single day.

Other singers like Mukesh and Manna Dey (and even Rafisaab) would also figure but almost like an exception. Kishore’s was easily THE most dominant male voice of the time.

I was very fond of Kishore Kumar – in my classroom in school, my friends would all invariably sing the latest Kishore songs.

Then one day, I think it was the afternoon 1.00-1.30 programme (I don’t remember its name), I happened to listen to an old song.

At that time I had only vaguely heard of that song. So I knew a few lines but I’d never heard its rendition before.

What was this song! What was this voice! Who was this singer!

I stood transfixed. Rongte khade ho gaye.

I knew it wasn’t Kishore. And when the announcer said “abhi aapne Mohammad Rafi ko film Baiju Baawra mein sunaa”, I realized that in my universe, the one where Kishore Kumar had until then occupied almost complete mindspace, I’d have to made room for another voice.

It wasn’t as if I hadn’t heard Rafisaab songs till then. Of course I had. But my mind had been so full of Kishore, that every other voice had been drowned out in the process. Hey, I was still a young boy then, so not particularly discerning.

That song was “o duniya ke rakhwaale”.

How I wanted to hold on to that song! To listen to it again. And again.

From the initial “bhagwaan” to the “rakhwaale, rakhwaale”, I didn’t know what hit me. The highs and lows, the peaking and the ebbing, the modulations, the way he sings “bhagwan” three times at the start – and each one is a different cry to God – there was no way this song was not going to make an impact on me.

Of course those were pre-internet days. I couldn’t just search for the song and play it again. ? And where I lived, I didn’t even have access to a music store – nor would I have been able to buy a cassette even if I’d wanted to.

At that time I could only hope that I’d get to listen to the song again. In fact, that was how things were in those days. You’d listen to a song, love it – and then hope it would come in a farmaish again. 🙂

From that moment onwards, I became a keen Rafisaab listener. I am sure the same songs that I might not have paid attention to earlier, suddenly began speaking to me. I distinctly remember songs like “suhaani raat dhal chuki” (a Vividh Bharati favourite 🙂 ) , “parbaton ke pedon par”, “ek dil ke tukde hazaar hue”, “ye teri saadgi”, amongst others.

Every single song I listened to, I fell in love with.

When I listened to “kar chale hum fida”, I had tears in my eyes. Many years later I saw the film but Kaifi Azmi’s lyrics, Madan Mohan’s music and Rafisaab’s voice – how can you remain impassive to that song?

When I listened to “jaane kya dhoondhti rehti hain”, it transported me to a different world. Again Kaifi Azmi’s lyrics are magical, and Rafisaab’s rendition elevates them to a different level altogether.

Another song I got to listen to, and was extremely fond of at that time (I still am!), was “karwaan guzar gaya”. I’ve always had a soft corner for good lyrics – and Neeraj’s lyrics, even by his high standards, are just amazing in this one.

I can reel off many more songs that I listened to – each one only further confirming to me that while Rafisaab might have had a decline in the early 70s, to even suggest that he was in any manner a lesser singer than Kishore Kumar was sheer lack of understanding of music.

My paternal grandmother, who didn’t know a word of Hindi, and didn’t know who Kishore Kumar or Rafisaab were, clearly had a discerning ear. We had a cassette of Abhimaan at home – it would play a lot. It would start with “meet na mila”, and while every song in the film is a gem in its own right, she’d always tell me to play THAT song. Yes, “teri bindiya re” – which is one of my favourite songs of the 1970s.

So this is how Rafisaab managed to break into my Kishore Kumar-dominated young mind. 🙂

And since then he has a permanent and very special place in my mind and heart. In my younger days I didn’t have access to much music other than via radio – now of course it has all changed. I spend hours listening to music, many of these hours listening to Rafisaab. No particular song or playlist – just randomly listening to his songs, one after another. One moment it could be “mere mehboob tujhe”, the next “tumhaari zulf ke saaye mein shaam”, the next “aye gulbadan”. Just listening to his voice gives me so much joy – just the way he joins in in “awaaz deke hamen tum bulao” is special for me. And the way he joins in the middle of “deewana mastaana hua dil” – it’s just so awesome!

So there’s the singer Rafisaab for me.

But my post would be incomplete if I limited it to just Rafisaab’s singing.

What makes him so much more special for me is the person he was. Obviously I never got to meet him, so this is secondhand, but there isn’t a single person who knew Rafisaab, who does not vouch for what a great human being he was. It wasn’t just his soft-spoken nature, he was kindness and generosity personified. He could easily have put on airs, he could have demanded a ransom price, such was his stature and such was the demand for his voice. Yet he was made of a different stock – “kuchh aur mitti ke hi baney the”. There wasn’t a single trace of arrogance or greed in him.

Rafisaab did not hesitate to work with upcoming composers, giving them hits in the process. He knew their financial position and would even refuse to take more than just a token from them. Throughout his career, he believed that whatever he had achieved was due to the grace of God – he would often point upwards when someone praised his singing.

No wonder then that Rafisaab is remembered today not just for his voice but also for the person he was. How often do you come across a person like this?

No wonder that on his death, crowds thronged the streets of Bombay to pay respect to him. This, despite pouring rain.

Is it any wonder that I am such a big fan of Rafisaab? And I can safely say there are many who are much bigger fans of him – main to kuchh bhi nahin.

Now onto the song for today.

It is a special occasion – so I’ve picked a song that I heard for the first time today.

I wanted to pick a song from Rafisaab’s supposedly “lean” period. For some reason, this period fascinates me. I’ve always supported the underdog – so if someone tells me that a particular singer had a bad patch in a particular phase of his career, there’s a good chance I’ll listen to songs of that singer in that particular phase. 🙂 It’s just the way my mind works.

I fell in love with this song the first time I heard it today.

It has trademark Rafisaab elements in it – and is a pleasant song to listen to. I didn’t want a sad song for the occasion, after all it’s his birth anniversary.

It’s from a film, Gunaah Aur Kanoon (1970). I have no clue about the film but going by the name, it sounds a bit like Crime and Punishment. 🙂

The song itself is definitely worth a listen. Music is by Sapan Jagmohan, who might not have been in the top rung of composers, but have created quite a few memorable tunes of their own.

I hope you enjoy this song as much as I did while listening to it the first time. I have already listened to it a few times now. 🙂


Song-Aisa to kabhi mumkin hi nahin(Gunaah Aur Kanoon) (1970) Singer-Mohammad Rafi, Lyrics-Anwar Farrukhabadi, MD-Sapan Jagmohan

Lyrics

Aisa to kabhi mumkin hi nahin
Aisa to kabhi mumkin hi nahin
Mil jaaye nazar aur pyaar na ho
Mil jaaye nazar aur pyaar na ho
Jo baat janam le le dil mein
Jo baat janam le le dil mein
Us baat ka kyun izhaar na ho
Us baat ka kyun izhaar na ho
Aisa to kabhi mumkin hi nahin

Maana ke jawaani hai aayi
tauba
Ye nasheeli angdaayi ee ee
Maana ke jawaani hai aayi
Tauba ye nasheeli angdaayi
Thham thham ke baras ae shokh ghata
Thham thham ke baras ae shokh ghata
Jazbaat ki hadd se paar na ho
Jazbaat ki hadd se paar na ho
Aisa to kabhi mumkin hi nahin

Ye shaam ki surkhi gaalon par
Haaye
Ye raat ka aanchal baalon par r
Ye shaam ki surkhi gaalon par
Ye raat ka aanchal baalon par
Pad jaaye nazar tujh par jiski
Haaye pad jaaye nazar tujh par jiski
Kaise wo tera beemaar na ho
Kaise wo tera beemaar na ho
Aisa to kabhi mumkin hi nahin
Aisa to kabhi mumkin hi nahin
Mil jaaye nazar aur pyaar na ho
Mil jaaye nazar aur pyaar na ho
Aisa to kabhi mumkin hi nahin


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3751 Post No. : 14716

The Hindi film industry has seen many legends in its 100+ years of existence. Giants in their chosen field, revered by not just their generation but by generations that followed. They have a very fond place in the hearts of film lovers, who are eternally thankful for their immense contribution to cinema. They all recognise the the world of cinema would be much the poorer without this contribution.

One such legend, and one who probably elevates the worth of the term “legend”, is, without doubt, yesteryear poet and lyricist, Sahir Ludhianvi.

Today (25 october 2018)happens to be his death anniversary – and, as we’ve done on previous occasions, we pay our humble tribute to him today.

Among various artistes that I’ve written about on this blog, Sahir has probably featured the most, alongside Rafisaab. I’ve written many times about him, on his birth and death anniversaries.

And yet, I’m never bored while discussing Sahir. Yes, readers of my posts might get bored 🙂 – but I’m not.

Whenever I write about him, I feel a rush of energy in my body. The content might be repetitive, but the huge regard I have for him overcomes everything else.

Sahir’s status as poet and lyricist extraordinaire is established beyond debate. He might not have been the most popular person around (and that’s the understatement of the millennium!) but even his most ardent critics would have to grudgingly acknowledge the sheer magic of his poetry.

Such is the richness of the treasure trove that he has left us that no post can do justice to it. In previous posts on him, I have often listed some of his songs – the sheer power of many of them transports you to a different world. Yes, there’s much more to a song than just its lyrics – but with Sahir, you could be assured that the lyrics never missed your attention.

Sahir’s lyrics were a direct reflection of his personality. He had strong views on various aspects of life and society, on relationships, on politics – and never hesitated to let the world know of them. It was as if he was waiting for an opportunity to use his poetry and lyrics to convey the message that Sahir, the person, wanted to get across to the world.

Thus, when you listened to “zindagi bheekh mein nahin milti, zindagi badh ke chheeni jaati hai”, you felt it was Sahir exhorting you to demand your rights in life.

Or even, later in life, when he was disillusioned with the way things were going in his life, “main pal do pal ka shaayar hoon”.

Sahir had a very strong sense of justice and injustice in society. Early in life, when called upon to choose between his mother and his far wealthier father, he chose his mother. Till her very end, he was totally devoted to her. Many of his songs reflect the loving relationship between a mother and child.

Throughout his life, Sahir spoke out against injustice and tyranny. He spoke for the underprivileged, the marginalized, the labour class. He tried to show society a mirror, however ugly it looked. He was trenchant in his criticism of the state of affairs – “Samaj ko badal daalo” was one of his lines.

Sahir’s lament about the pathetic state of living for the poor in India is well illustrated in the poignant songs of Pyaasa (1957). “Yahaan par to jeewan se hai maut sasti” he wrote, following it up with “ye duniya agar mil bhi jaaye to kya hai”. “Jinhe naaz hai Hind par wo kahaan hain”, he said.

Continuing in this refrain, he went satirical, writing “Cheen-o-Arab hamara, Hindustan hamara, rehne ko ghar nahin hai, saara jahaan hamaara” for Phir Subah Hogi (1958).

Each line, one could feel, coming straight from the heart.

There were other aspects also that Sahir was concerned about and discussed in his lyrics. Hindu-Muslim unity for example. Always a sensitive topic, and even more so in the years following independence. But Sahir was never one to shy away from a topic – his lines “tu Hindu banega na Musalmaan banega” are some of the greatest lines of Hindi cinema.

The other thing that bothered Sahir greatly was the treatment of women in Indian society. He was deeply disturbed by the lack of respect accorded to women, thanks to a patriarchal society that privileged men over women. Sahir minced no words while lamenting this – his “aurat ne janam diya mardon ko” is a classic in Hindi cinema, with its entire theme revolving around women and how they have been treated by men in India.

It is therefore only fitting that on his death anniversary, the song picked for the blog reflects his thoughts on this topic. The song is “Seeta bhi jahaan sukh paa na saki” from Lakshmi (1982). The film was released after Sahir’s death – in fact, the film starts with a tribute to Sahir.

This song was one of several songs proposed to me for this write-up by Avinashji. As usual, he has been kind enough to prepare the lyrics for this song.

Though this song is not all that well-known, certainly not as well known as “aurat ne janam diya mardon ko”, its words are trademark Sahir. Typical of him, in this song too, he laments the way women have been treated in Indian society. But this time he uses Seeta as his example, saying even she could not find happiness on this earth. He says women have forever suffered, and in today’s world, there isn’t even a Valmiki to give a Seeta refuge in time of need. She has to fend for herself all alone, and constantly seek to avoid the predatory eye of men around her.

Talking of the predatory eye, I cannot help talking about one of the hottest topics right now in India – at least in urban India and on social media. And that is the #MeToo movement. I’m sure Sahir would have had something to say about it, had he been around. So I’m taking the liberty of sharing my thoughts on the subject.

The #MeToo movement, in my opinion, is primarily about those who have been sexually abused and harassed, coming out with their story. While these are mostly women, it is not necessarily limited to women alone. There have been a few cases of men too coming out with their horrific stories. At the moment, it is largely focussed on workplace harassment, but there’s no reason it couldn’t go way beyond that.

It is a fact that, mainly thanks to our patriarchal society, there is a huge power imbalance between men and women in India. This actually exists around the world, but the patriarchy makes it much worse in India.

Power, as we all know, is a hugely corrupting and intoxicating drug. So it is not at all surprising that those in power, mostly men, would tend to exploit those they have power over, mostly women. This shouldn’t come as a surprise to anybody.

What makes it worse, as if to add insult to injury, Indian society is also unforgiving towards women in this respect. Instead of being supportive, it tends to blame the victim. Even the woman’s own family make her feel guilty for what is essentially a man’s wrongdoing. She is often gaslighted into thinking that it is somehow her fault, that she invited it. She is encouraged to just be quiet about it, since “the honour of the family” might be at stake.

If she is a working woman, she might even be encouraged to stop working. Many women have fallen out of the workforce in India for this reason alone.

Then again, thanks to the power imbalance, she is up against it if she even chooses to seek justice through the justice system. To even make a complaint to the police, to get an FIR registered is a huge challenge. When you’re complaining about a more powerful party, the system will bend towards that party. The police will either discourage you from giving your complaint, or will mock you, or will flatly refuse to write an FIR.

If you do get past the police hurdle, you still have the rest of the justice system to deal with. Courts which will insist on evidence – which in most cases of this sort is just not available.

Besides, the other party being much more powerful, he can ensure your life is made miserable.

So justice through the normal justice system (which is often referred to as “due process”) is almost always a pipedream.

To help matters, at least in the workplace, new legislation was brought in in 2013, replacing the earlier Vishakha guidelines which laid out steps to be taken at a workplace to deal with sexual harassment complaints. An employer is supposed to set up an Internal Complaints Committee (ICC) and so on.

I won’t go into all the details, but the reality is that many employers have not even set this up. And even where this is theoretically in place, women who have complained have failed to get justice. On the contrary, it has boomeranged on them – they’ve been marked as “trouble-makers” in the organisation. Remember, they are complaining about someone who is almost invariably in a higher power position in the company.

With this being the stark reality, whether we like it or not, is it surprising that many women have just kept their pain buried within themselves? They have tolerated harassment but not brought it out in the open. Maybe they didn’t want to jeopardize their careers – after all, it is the woman who tends to bear the brunt of any negative fallout in these matters.

But now we have #MeToo.

Some women at least have decided enough is enough. It is not their shame to bear, so why should they? So they have decided to come out with their story. It is cathartic for them – it must be so hard to keep this buried within you for years.

Some of them have disclosed their identity, some have not. Some have disclosed the identity of the predator, some have chosen not to specifically name him (although there are usually enough hints in their story). It’s upto each person to decide what level of comfort she has – no one can demand she behave in a particular way.

One complaint about #MeToo is that many of these stories are coming out after many years. Ten years, even twenty years. Why didn’t they come out earlier? How can we possibly believe something that might or might not have happened a decade ago?

I feel this is unreasonable. I’ve already explained how the odds are stacked against the woman – the situation was even worse a decade ago. Besides, when women have been constantly shamed, why would they invite further ridicule by complaining, especially when they have no hope of justice?

It is only now, that thanks to the #MeToo movement, they are coming out with their story – hoping to get closure if nothing else. If they get justice, great – if not, at least they’re hoping for closure.

Many have complained that outing men on social media is not the right way to go about this. That women should follow due process – that is, go through the justice sytem of police and courts, or through the workplace structures for this purpose.

And that has worked, right? After trying all that, and hitting their heads against a wall, women have finally chosen social media as their hope for getting their message across. And who can blame them? It’s not like they didn’t want due process – it is that “due process” failed them completely.

Another criticism of #MeToo is that it is often just accusation, without evidence. And no court can possibly accept that. There’s a chance that an innocent person is maligned out of malice or whatever other reason, and his reputation totally destroyed by a #MeToo accusation.

Yes, this is possible. In the spate of accusations, it is possible that some are fake too. Which is why every accusation needs to be attempted to be vetted to the extent possible. Having said that, it is also very unreasonable and unrealistic to expect evidence in cases of sexual harassment, because of its very nature. It tends to happen behind closed doors. So there will be many cases where such evidence is just not available.

Yet another criticism is that #MeToo is about the urban elite and about sometimes seemingly trivial harassment, while women in rural India suffer far worse.

I think this is unfair. Yes, rural women suffer harassment too – possibly much more. Does that mean urban women should be silent? What sort of logic is that? Rather, we should hope the movement spreads to rural India too. Most movements anyway start with those who have relatively more agency – and then spread.

All in all, I think #MeToo in India was long overdue. It started in the US almost exactly a year ago, and exposed many well-known Hollywood personalities like Harvey Weinstein and Kevin Spacey. Around that time, an Indian in the US, Raya Sarkar, prepared a list of predators in academia – but she was unfortunately criticized and the movement did not pick up steam then in India.

Now it has.

No one knows how it will go from here. Will it evolve further? Or will it fizzle out?

I’m sincerely hoping it evolves further. I’d like to see it grow – go beyond urban India, go beyond the few sectors it has so far been largely restricted to (films, media, advertising). There must be many more cases in politics, in government and corporate India, where power is most prone to abuse. Maybe those stories are slow in coming because the women involved are less comfortable coming out with their stories.

And that’s only fair. Each person has to decide for herself – she has to weigh the consequences of her actions. We need to respect that.

One huge positive impact of #MeToo has been that men themselves seem to be re-assessing their behaviour. Not just in the past but also in the present. They seem to be becoming more sensitized and aware of boundaries and space. And about consent. At least I hope so.

Hopefully films too will become more sensitized to gender from now on. I think it is already happening. Films in the past have been hugely misogynistic, often presenting stalking as romantic! And considering how much of an influence films/TV have on society, they might have playe thei role too in moulding society into what it is today.

But then, they were a function of their times – I don’t want to dwell on the past. We can’t change that anyway.

What we can change is the present and the future. And hopefully from now on at least, we will see better-behaved men, whether triggered by #MeToo or not.

Of course, we need much more to happen. Until we dismantle patriarchy there is always going to be victim-blaming and shaming. We all know that men are the root cause of the problem, yet we will continue to blame the women and expect them to “behave themselves”.

So much more needs to happen. We can all do our bit – by calling out patriarchy when we see it, even if it happens without our close circles. By bringing up the next generation with a better understanding of gender equality so that boys don’t grow up with a sense of entitlement. This is what manifests itself in most undesirable behaviour when the boy becomes a man.

Clearly we haven’t done enough in the last 60 years, since Sahir wrote “aurat ne janam diya” in 1958. It’s a sad reflection of our society that it feels relevant even in 2018.

I’d like a future generation to listen to it and say “Oh, how horrible things were for women in those days! Thank God things are so much better today, and women don’t go through all that!”

I know I’m dreaming – but you know what they say. Ummeed pe duniya kaayam hai.

Let’s do our bit to make it happen?

Thanks for listening.


Song-Seeta bhi jahaan sukh paa na saki (Lakshmi)(1982) Singer-Mahendra Kapoor, Lyrics-Sahir Ludhianvi, MD-Usha Khanna

Lyrics (Provided by Avinash Scrapwala)

Naa tera durbhaagya nayaa hai
Naa jag ka vyavhaar nayaa aa
Naa raahon ke shool naye ae
Naa patthar dil sansaar nayaa

Seeta bhi jahaan sukh paa naa saki
Tu us dharti ki naari hai
Seeta bhi jahaan sukh paa naa saki
Tu us dharti ki naari hai
Jo zulm teri taqdeer banaa
Jo zulm teri taqdeer banaa
Wo zulm yugon se zaari hai
Seeta bhi jahaan sukh paa naa saki
Tu us dharti ki naari hai

Wo kanyaa ho ya garbhwati
Naari ko sadaa apmaan milaa
Wo kanyaa ho ya garbhwati
Naari ko sadaa apmaan milaa
Avtaaron ki nasl badhaa kar bhi
Patitaaon mein sthaan mila
Sadiyon se yahaan har ablaa ne
Sadiyon se yahaan har ablaa ne
Ro ro kar umar guzaari hai
Seeta bhi jahaan sukh paa naa saki
Tu us dharti ki naari hai

Kehne ko to devi kehlaayee
Par naar yahaan daasi hi rahi
Kehne ko to devi kehlaayee
Par naar yahaan daasi hi rahi
Do pyaar ke meethhe bolon ki
Martey dam tak pyaasi hi rahi
Jo zehar miley wo peeti jaa
Jo zehar miley wo peeti jaa
Tu kaun si Janak dulaari hai
Seeta bhi jahaan sukh paa naa saki
Tu us dharti ki naari hai

Maikaa chhoota sasuraal chhoota
Jaayegi magar jaayegi kahaan
Maikaa chhoota sasuraal chhoota
Jaayegi magar jaayegi kahaan
Ab Valmiki saa koyi rishi
Is dharti par paayegi kahaan
Ab tu ik bhatki hirni hain
Ab tu ik bhatki hirni hain
Aur mard ki aankh shikaari hai
Seeta bhi jahaan sukh paa naa saki
Tu us dharti ki naari hai
Seeta bhi jahaan sukh paa naa saki
Tu us dharti ki naari hai

——————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————————
ना तेरा दुर्भाग्य नया है
ना जग का व्यवहार नया आ
ना राहों के शूल नए ए
ना पत्थर दिल संसार नया

सीता भी जहां सुख पा ना सकी
तू उस धरती की नारी है
सीता भी जहां सुख पा ना सकी
तू उस धरती की नारी है
जो ज़ुल्म तेरी तकदीर बना
जो ज़ुल्म तेरी तकदीर बना
वो ज़ुल्म युगों से जारी है
सीता भी जहां सुख पा ना सकी
तू उस धरती की नारी है

वो कन्या हो या गर्भवती
नारी को सदा अपमान मिला
वो कन्या हो या गर्भवती
नारी को सदा अपमान मिला
अवतारों की नस्ल बढ़ाकर भी
पतिताओं में स्थान मिला
सदियों से यहाँ हर अबला ने
सदियों से यहाँ हर अबला ने
रो रो कर उम्र गुजारी है
सीता भी जहां सुख पा ना सकी
तू उस धरती की नारी है

कहने को तो देवी कहलाई
पर नार यहाँ दासी ही रही
कहने को तो देवी कहलायी
पर नार यहाँ दासी ही रही
दो प्यार के मीठे बोलों की
मरते दम तक प्यासी ही रही
जो ज़हर मिले वो पीती जा
जो ज़हर मिले वो पीती जा
तू कौनसी जनक दुलारी है
सीता भी जहां सुख पा ना सकी
तू उस धरती की नारी है

मैका छूटा ससुराल छूटा
जायेगी मगर जायेगी कहाँ
मैका छूटा ससुराल छूटा
जायेगी मगर जायेगी कहाँ
अब वाल्मीकी सा कोई ऋषि
इस धरती पर पाएगी कहाँ
अब तू इक भटकी हिरनी है
अब तू इक भटकी हिरनी है
और मर्द की आँख शिकारी है
सीता भी जहां सुख पा ना सकी
तू उस धरती की नारी है
सीता भी जहां सुख पा ना सकी
तू उस धरती की नारी है


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3721 Post No. : 14656

By now it seems to have become a routine for me to make only cameos on this blog, triggered either by a memorable event (such as the blog’s tenth anniversary) or a “nudge” from another Atulite. 🙂

I will not seek to correct this impression – for the facts speak for themselves. I will also not make any excuse of “being busy” – that would only be an insult to people like Atul and Sudhir ji who manage to give so much time to the blog, despite so many demands on their time.

So no excuse – mea culpa. Today’s post is also a result of a nudge – this time from Peevisie’s Mom.

It happens to be the birthday of Feroz Khan today – and she called me up to remind me of it. A while ago, she and I had discussed that the popular song “Hamaare Siwa. . .” (‘Apradh’ – 1972) had not yet been posted on the blog – so she called up to remind me that there was an occasion coming up to remedy the situation. 🙂 So here is the post for this song – and to remember Feroz Khan.

I remember writing about Feroz Khan earlier – I think it was a couple of years ago. I haven’t checked that post – and am writing purely from my thoughts of the moment – so kindly excuse me if much of what I say is repetitive.

Feroz Khan, for me, has his own place in Hindi cinema. There are many who had a more successful career than Feroz. Certainly as an actor, he wasn’t rated all too highly, if I’m to be brutally honest. He had his moments, but one would have to be disingenuous about his acting achievements, to put him in the same league as at least a dozen other actors/stars.

And though he was very successful as a producer/director, there have been more successful producers / directors. And yet, for me, Feroz holds his own in Hindi cinema. As a personality, he seemed to me to have something about him that made him different from others. I think it was the way he carried himself.

Much of my exposure to Feroz was, of course, in the 1970s. By that time he had turned producer – so I got to see him both as actor and producer – in films like ‘Apradh’ (1972), ‘Dharmatma’ (1975) and ‘Qurbani’ (1980). All these films have one thing in common – they are all made on a grand scale, with no expenses spared, no corners cut in producing an extravagant spectacle for the audience. Naturally this became the image of Feroz Khan in my mind – and I think, for most people. His films are glamorous, with foreign locales, expensive cars and the like. Feroz seemed to revel in this flamboyant image – and continued it through the 1980s and 90s in films like ‘Janbaaz’ (1986), ‘Dayavan’ (1988) and ‘Yalgaar’ (1992).

If the films made by him are to be taken as representative of his life, one would not be mistaken in saying that Feroz lived life king-size. I enjoyed each one of these films – they were thoroughly entertaining, with a decent story line (which is very important for me!) and good songs too. Most of the songs of films made by Feroz became super-hits, suggesting he had a good ear for music.

And yet, for me, the story doesn’t end here. It is the first half of his career, so very different from the second half, that makes his story fascinating for me. Like I’ve said before, my clearest memories of Feroz are from his films of the 1970s. But he acted in many films in the 1960s too – and any reference to his work that does not mention this would be incomplete.

One of my friends once jokingly said “Feroz Khan probably got into producing his own films because he got fed up of never getting the heroine.” 🙂

Yes, said in jest, but it is true that in many of his films till he began making his own, Feroz missed out. In some early films, he was the villain – so then it’s understandable. But in many other films too, even as the good / semi-good guy, he would end up not getting the heroine. In ‘Oonche Log’ (1964), the heroine dies – in ‘Mela’ (1970), his character dies as he “sacrifices” for his brother. And in films like ‘Aarzoo’ (1965), ‘Aadmi Aur Insaan’ (1969), ‘Pyaasi Shaam’ (1969), ‘Safar’ (1970), ‘Upaasna’ (1971), the heroine loves the other guy. Small consolation maybe that in ‘Darinda’ (1977) he manages to turn the tables on Sunil Dutt for ‘Pyaasi Shaam’ (1969). 🙂

Of course, that was how the script was written – but it always made me feel bad to see Feroz lose out. 🙂 , even though he’d occasionally get to sing lovely songs like “Darpan Ko Dekha. . .”  and “Jo Tumko Ho Pasand. . .” in the process. 🙂

Then there were those black-and-white films of the 60s. Many not well-known, probably then categorized as “B’’ films. Many with Mumtaz, herself then not in the A league. Having both gone through similar careers in the 60s, Feroz and Mumtaz were very good friends – and it’s hardly surprising that Mumtaz was his lead when he produced Apradh (1972).

One song from a Feroz “B” film I fondly remember is “Anjaan hai koi” (‘Anjaan Hai Koi’ – 1969). I think this song was quite popular in its time – at least I remember it from my childhood. Other less-known Feroz films I remember are ‘Ek Paheli’ (1971) with Tanuja (“Main Ek Paheli Hoon”) and ‘Anjaan Raahen’ (1974) with Asha Parekh (“Mujhe Nahin Poochhni Tumse Beeti Baatein”).

And of course, ‘Kashmakash’ (1973) and films like ‘Khote Sikke’ (1974) and ‘Kaala Sona’ (1975). The last-two were typical films that could have been made for Feroz – I remember enjoying both of them. 🙂

In general, I liked watching his films, especially of the 70s and later – they were never boring. Feroz himself, while never having pretensions to being a great actor, was fun to watch. And one of my favourite Rafisaab songs is picturised on him – “Jaag Dil-e-Deewaana”. 🙂 (‘Oonche Log’ – 1965).

So today, on his birthday, I have fond memories of Feroz Khan – and want to thank him for making entertaining films, with lovely songs. Today’s song is from ‘Apradh’ (1972) – the once very popular “Hamaare Siwa”. I remember listening to it a lot on radio at the time.

I saw the movie ages ago – sometime in the 70s. Have not seen it since, so I don’t remember anything of the story. I think it was something to do with smuggling, and had a lot of foreign locales, but sorry, I can’t remember any more than this. It’s surprising that in more than 10 years on this blog, the song hasn’t been posted yet. But better late than never, I guess.

So today, on Feroz Khan’s birthday, let’s all enjoy this song from his own film – the first film he produced/directed.

 

Song – Hamaare Siwa Tumhaare Aur Kitne Deewaane Hain (Apradh) (1972) Singer – Kishore Kumar, Lata Mangeshkar, Lyrics – Indeevar, MD – Kalyanji Anandji

Lyrics

hamaare siwa
tumhaare aur kitne deewaane hain
hamaare siwa
tumhaare aur kitne deewaane hain
hamaare?
haan tumhaare aur kitne thikaane hain
kasam se kisi ko nahin main jaanti
achha?
aur kisi ko nahin pehchaanti
arrey chhodo chhodo ye to bahaane hain
hamaare siwa
haan tumhaare aur kitne deewaane hain
tumhaare aur kitne thikaane hain

khoobsoorati aur wafaa
dekhi na donon ek jagah
haan haan dekhi na donon ek jagah
hote hain mard bade shakki
baat hai ye bilkul pakki
bholi si
aati ho nazar
haan haan bholi si
aati ho nazar
ho chanchal chaalaak magar
aurat ka dil jaane nahin
aap hamen pehchaane nahin
chhodo chhodo hum bhi sayaane hain
hamaare siwa
tumhaare aur kitne deewaane hain
tumhaare aur kitne thikaane hain

tum ho pareshaan kis gham se
raaz-e-dil keh do hum se
haan haan raaz-e-dil keh do hum se
apni kaho chhodo meri
karte ho kyon hera pheri
yaaron pe tohmat lagaate nahin
yaaron pe tohmat lagaate nahin
sab ko nishaana banaate nahin
khud harjaayee bhanwre ho tum
ek jagah kab thehre ho tum
chhodo chhodo hum to parwaane hain

hamaare siwa
haan tumhaare aur kitne deewaane hain
tumhaare aur kitne thikaane hain
kasam se kisi ko nahin main jaanti
hmm
aur kisi ko nahin pehchaanti
arrey chhodo chhodo ye to bahaane hain
hamaare siwa
tumhaare aur kitne deewaane hain

————————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————————

हमारे सिवा
तुम्हारे और कितने दीवाने हैं
हमारे सिवा
तुम्हारे और कितने दीवाने हैं
हमारे?
हाँ तुम्हारे और कितने ठिकाने हैं
कसम से किसी को नहीं मैं जानती
अच्छा?
और किसी को नहीं पहचानती
अरे छोड़ो छोड़ो ये तो बहाने हैं
हमारे सिवा
तुम्हारे और कितने दीवाने हैं
तुम्हारे और कितने ठिकाने हैं

खूबसूरती और वफा
देखी न दोनों एक जगह
हाँ हाँ देखी न दोनों एक जगह
होते हैं मर्द बड़े शक्की
बात है ये बिलकुल पक्की
भोली सी आती हो नज़र
हो चंचल चालाक मगर
औरत का दिल जाने नहीं
आप हमें पहचाने नहीं
छोड़ो छोड़ो हम भी सयाने हैं
हमारे सिवा
तुम्हारे और कितने दीवाने हैं
तुम्हारे और कितने ठिकाने हैं

तुम हो परेशान किस ग़म से
राज़ ए दिल कह दो हमसे
हाँ हाँ राज़ ए दिल कह दो हमसे
अपनी कहो छोड़ो मेरी
करते हो क्यों हेरा फेरी
यारों पे तोहमत लगाते नहीं
यारों पे तोहमत लगाते नहीं
सबको निशाना बनाते नहीं
खुद हरजाई भँवरे हो तुम
एक जगह कब ठहरे हो तुम
छोड़ो छोड़ो हम तो परवाने हैं
हमारे सिवा
तुम्हारे और कितने दीवाने हैं
तुम्हारे और कितने ठिकाने हैं
कसम से किसी को नहीं मैं जानती
हम्म॰॰॰
और किसी को नहीं पहचानती
अरे छोड़ो छोड़ो ये तो बहाने हैं
हमारे सिवा
तुम्हारे और कितने दीवाने हैं


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3680 Post No. : 14574

The 15th of August, is a special date in the calendar for India.

Every year, there are events across the country celebrating the day. There is flag-hoisting in schools, offices and public places. There are patriotic songs played on radio. There’s a lot more to mark the date and occasion.

All of this is understandable. After all, it was on the 15th of August that many years ago, India became an independent nation, free from British rule.

Today is the 72nd Independence Day for India. I still remember the Silver Jubilee celebrations in 1972 – I was part of my school March Past event. How time flies!

But there is more to this date than just celebration. It is an occasion that at least some of us use to reflect. On India’s journey as an independent nation so far. We take stock of where we are, and where we’d like to see us go from here.

I am sure there must be many articles written on this subject in various media publications this week. On our part, our Avinashji has sent me the lyrics for today’s song and requested me to share my thoughts on this occasion. I am therefore taking the liberty of doing so.

Whenever I think of 15th August, the first thing that comes to my mind is our Freedom Struggle and our Founding Fathers. Today we take our freedom for granted – it is hard to even imagine that we were once a colony of the British Empire.

But if it were not for the struggles and sacrifices of millions of Indians, from every corner of the country, would we have got independence when we did? We are familiar with some of the more prominent names who were part of this struggle. But there were so many more who made sacrifices, who gave up their lives for the cause – and died unsung.

I always think of them on 15th August.

Then the Founding Fathers themselves. Once India became an independent country, Britain left it to fend for itself. Can you imagine the challenges a new-born India would have faced at that time?

India was then a country reeling from the horrors of partition. Although there had been talk of partition for a while, the actual execution of the whole process was done very hastily, without enough attention to detail. Political lines were drawn to create India and Pakistan, but these were still being “negotiated”. Even on independence, many villages did not even know whether they belonged to India or Pakistan. And there were the tricky issues of princely states like Junagadh and Hyderabad. And there was Kashmir.

So things were very fluid on 15th August 1947, though technically India and Pakistan had both become independent nations.
The mass migration of millions across borders, with all the violence and pain that ensued – how can one ever forget that! People lost everything, their families, their possessions. Their entire life got uprooted as they became refugees in their new world.

Then, post independence, the massive task of bringing more than 565 princely states into the fold of one nation. How challenging was that! Some agreed to be part of India. Different tactics were needed to bring the others into the fold.

All this while communal harmony, already severely tested in the tense times leading upto the partition, was just about hanging by a thread. The partition exposed fault lines much more nakedly – there was resentment amongst Hindus in India for Muslims who had not migrated. And the other way round in Pakistan.

As we know, many Muslim artistes in the Hindi film industry even changed their names to Hindu-sounding names to avoid becoming targets of hatred, and to appeal to the largely Hindu audiences.

Such was the fragility of Indian communal harmony in the immediate aftermath of independence.

Talking of fragility, it was not only communal harmony that was fragile. Independent India had inherited unprecedented levels of poverty, exacerbated by partition woes. Its economy was in very bad shape. Poor living conditions meant disease was not uncommon. Added to this was a very high level of illiteracy and social backwardness in general.

Kashmir was still a burning issue, Gandhiji got assassinated.

The overall situation looked so bleak at one time that Life Magazine, in the late 1940s, even ran a story along the lines of “Will India survive?” Clearly the world was skeptical.

Thankfully, our Founding Fathers were not.

Even in the midst of all these seemingly insurmountable challenges, they stayed steadfast on course, buoyed by the exuberance of having a new baby to nurture and nourish. Yes, there were challenges – but, to them, these were teething troubles.

Despite differences amongst themselves (yes, they did have differences!), they were united on one thing – all of them had a dream of a strong, resilient, and free India. Their views on how to get there might have been different – Nehru might have had a socialist mindset, Rajaji a more capitalist mindset – but they shared this common dream.

This dream involved providing, for every Indian, a fair opportunity at life. A life of dignity. India would be a country where justice would be available to one and all. A country which had hitherto been suppressed, but whose peoples would now be able to breathe freely, not be enslaved to any thought. They would be free to pursue a religion of their choice. India would be a country whose people would feel a sense of fraternity towards each other, not be divided by regionalism, casteism, religion and other such divisive elements.

This dream got enshrined in the form of a Constitution for India. When India became a Republic on 26th January 1950, it further underlined the vision of the Founding Fathers – that there would be no monarchy in India, that there would be elected representatives, elected by the people. There’s a lot more in the Constitution – it lays down the terms of reference between organs of the State, separation of powers between the Executive, Legislature and Judiciary, it talks about fundamental rights and duties of citizens.

While there is always scope for improvement, and any document should be a living document kept in tune with the times, the Constitution of India does provide a great framework for the country. Without it, there would be utter chaos.

And for this Constitution too, we need to thank our Founding Fathers and their vision.

I know none of this is new to anyone – and I am rambling – but I do think that at least on Independence Day (if not on other days) we need to remind ourselves of how much struggle, sacrifice and effort went into first making India an independent nation, and then ensuring it survived against the greatest of odds.

Unless and until we appreciate the magnitude of the challenges that were faced and overcome at that time, we will not be able to value the freedom we have today.

So I hope you will excuse my rather long history lesson. 🙂 If there are any inaccuracies here, please do let me know. I’m happy to be corrected.

The song “hum laaye hain toofaan se kashti nikaal ke” comes to mind in this regard.

Now to today’s India. Let’s take stock of where we are.

We’ve come a long way from those early fragile years. Sure, we’re still not where we’d like to be, but we’re definitely not looking at an existential crisis.

Economically too we are far better off today. Although we still have millions below the poverty line, and many above it still struggling to make both ends meet, we are better off than the “independence” generation. Many of us will admit that our own fathers and forefathers had a much tougher life than we are having now.

Education levels have also significantly improved. I have doubts about the quality of education as I see many “highly-qualified” Indians unable to comprehend basics, completely lacking in logical or analytical thinking, lacking in life-skills, but that’s for another debate. Let’s just say, we have many millions more “educated” Indians today.

In many other areas, like tackling disease, or improving sanitation or road infrastructure, India is progressing. It’s a 71-year young nation now, one would expect nothing less.

So on the material front, I think India is on the right track. Still a long way to go, still a lot of poverty to eradicate, but I have hope.

My bigger concern is to do with freedom and independence. Not of India, but of Indians.

I happen to think India became free and independent on 15th August 1947 – but only in a political sense.

Indians are FAR from being free or independent, even today, 71 years later.

When Indians attained freedom from colonial rule, they expected to be able to lead their lives as free citizens. No more being slaves to anyone, no more being treated like third-class citizens.

The reality though is that we are still slaves. Not to British masters anymore, but to Indian ones.

The difference is, we didn’t elect those British masters, we now elect our Indian masters. The specific individuals change, but the underlying master-slave relationship doesn’t.

In theory, in a democracy, we, the people, have power. We elect representatives on our behalf to run the affairs of the country. These representatives are therefore “public servants”, supposed to serve the interests of the people. They are supposed to be accountable to the people for the tasks assigned to them. They are also accountable to the people for funds utilized by them because these funds are collected from, and on behalf of, the people. They are supposed to be transparent about their work, so that the public can evaluate progress (or lack of it).

This is the theory.

We all know how things work in practice.

But why don’t they work?

Simply because there is a huge power imbalance between the people and their representatives. These representatives, so-called “public servants”, have steadily increased their power quotient at the cost of the people they are supposed to serve. As it is, they have the power to make laws – so they make or modify laws to strengthen their power position, to legitimize their power grab, thus further skewing the imbalance in their favour. Sel-aggrandizement is the mantra.

This isn’t just the story of one political party – this is with practically every political party.

Which is why the solution isn’t to just replace one party with another.

The solution is to structurally redress this power imbalance.

Make the public more powerful.

How?

There is very little power in the hands of one individual. I can scream from my rooftop but my single voice means nothing.

But there is a lot of power in a large group. The larger, the better.

When a large group chooses to raise its voice, these representatives have no choice but to listen. Otherwise they know they will be on the wrong side of the numbers game.

And in a democracy, it is all about a numbers game.

But for a large group to raise its voice against the powers-that-be, it has to, first of all, be free. It must NOT have a slave mentality.

And that’s a big problem in India.

Maybe due to historical baggage of being ruled by maharajas, many Indians are still subservient to authority. They are still happy to be “ruled”. Feudalism, although less today, still plays its role in perpetuating this master-slave relationship.

This is also why SO many Indians still have this “mai-baap” attitude towards government and other powers-that-be. They fall at the feet of politicians, seeking favours, sometimes even begging for something that is their right, but has been denied to them.

And of course, the politicians then act high-and-mighty, dishing out largesse as if they are royalty. They act generous – it’s easy to be generous with other people’s money. A sizeable share of the public’s hard-earned money is distributed as an act of generosity by the politicians. And they get praise for this. Not to mention votes.

It is THIS mentality that is my biggest issue with Indians. This slave mentality.

Which is why I say India became a free country on 15th August 1947 – but Indians are still slaves.

Just to clarify, I wouldn’t blame the poor or destitute for this. They are barely struggling to survive on a daily basis – they hardly have any choice or agency. But those who DO have a choice, who don’t HAVE to grovel before the powers-that-be but still do so, they are the ones who are undermining the effort to redress the power imbalance. They are often the ones to first stand up in defence for the powers-that-be, against their own fellow citizens.

So on this Independence Day, my request to all Indians is to abolish this slave mindset – and be free. If you don’t want to be treated like a third-class citizen, you first need to stop behaving like one.

Freedom is too precious to let it be taken away from you by anyone. Like Sahir said “zindagi bheekh mein nahin milti, zindagi badh ke chheeni jaati hai…apna haq sangdil zamaane se, chheen pao, to koi baat baney”.

And please stand up for those who try to break these chains of slavery. As I said earlier, this battle cannot be fought by one individual. So when someone is trying to fight against oppression, against slavery, please support his or her effort, instead of undermining it by being loyal to the master.

Even during our Freedom Struggle, there were Indians who undermined the effort of fellow Indians by taking the side of the British. This only made the freedom struggle harder.

I hope we have learnt from that lesson.

There are a lot more thoughts in my head on this Independence Day – there are a lot more improvements I’d like to see in India. Especially with regard to society.

The thing is, if we harbour aspirations to be a truly developed nation, we need to also have progressive thought in society. Mere material progress isn’t enough.

It saddens me to see that even in 2018, some of our thinking is regressive.

Patriarchy is still rampant in Indian society – with all its negative consequences for women, and even men. It is one of the biggest reasons for rapes and other forms of violence against women.

Then, our casteism. Even today, Dalits are discriminated against – let’s not pretend they aren’t.

Indian society is full of prejudices – just look at matrimonial columns to get an idea.

There’s a lot more that bothers me – I could go on and on.

But this post has already become too long – and each of these topics deserves proper discussion and treatment of its own.

So I will stop here on these topics.

Just to clarify, I’m not saying we haven’t come a long way. We have. But we still have a very long way to go – in terms of poverty alleviation/elimination and society upgradation.

The responsibility lies largely with those of us who are relatively privileged and educated. Even the Freedom Struggle counted amongst its leaders many well-educated Indians, of whom many had had the opportunity to study or live abroad and get a different perspective on life and their country.

So those of us who are in a position to make a difference need to do so. But for that, we first need to CARE for our less-privileged fellow citizens. Instead of looking down on them, we need to think of how we can make their lives better. We need to help make them free and independent citizens. Remember, WE are the fortunate ones, to even be able to read this online. I don’t mean this in the slightest patronizing sense – the fact is that we are all privileged. Millions are not.

Also remember, those well-off Indians from the Freedom Struggle could very easily have just enjoyed their privilege instead of throwing themselves into the Struggle. They chose to make sacrifices because the cause they were fighting for, was bigger than their individual selves.

We need a similar cause that we can all rally around today. If that is the prosperity of India, it must mean the prosperity of all Indians, not just a select few. But prosperity, without peace and harmony, is useless. So the cause must encompass all these components.

India is nothing without Indians. It would be just a piece of land. So talking about “making INDIA a great nation” is all just empty rhetoric if we are not working towards making the future of INDIANS great. And again here I mean ALL Indians, not a select few.

For me it is all about the individual first. She or he is the unit-level of existence. If the individual isn’t empowered, if she or he isn’t free, what’s to celebrate about the nation being free? The nation is just a bunch of individuals, right?

You might not agree with my thoughts (and that’s perfectly fine!) – I’m just sharing them here on request of Avinashji. 

A lot more running in my head too – but this post has already become way too long now, so let me get to the song for the occasion.

It is a non-film song. A patriotic song composed by Khayyam, sung by Rafisaab, to Sahir’s lyrics.

I heard this song for the first time only a few days ago – I quite liked it. I hope you like it too.

Happy Independence Day. And thanks for your patience in tolerating this long post. 🙂


Song-Watan ki aabroo khatre mein hai (Rafi NFS)(1962) Singer-Rafi, Lyrics-Sahir Ludhianvi, MD-Khayyam
chorus
Rafi+Chorus

Lyrics

Watan ki aabroo khatre mein hai
Aa aa aa aa aa
Watan ki aabroo khatre mein hai
Hoshiyaar ho jaao
Hoshiyaar ho jaao
Hoshiyaar ho jaao o

Hamaare imtihaan ka waqt hai
Taiyyaar ho jaao
Taiyyaar ho jaao
Taiyyaar ho jaao o

Hamaari sarhadon par khoon behta hai
Jawaanon ka
Aa aa
Huaa jaata hai dil chhalni
Himaalaa ki chattaanon ka
Aa aa
Uthho rukh pher do dushman ki
Topon ke dahaanon ka aa
Aa aa
Watan ki sarhadon par aahni
Deewaar ho jaao
Hoshiyaar ho jaao
Watan ki aabroo khatre mein hai

Wo jinko saadgi mein hamne
Aankhon par bithhaaya thha
Aa aa
Wo jinko bhai kehkar
Hamne seene se lagaaya thha
Aa aa
Wo jinki gardanon mein haar
Baahon ka pehnaaya thha
Aa aa aa
Ab unki gardanon ke waaste
Talwaar ho jaao o
Aa aa aa
Ab unki gardanon ke waaste
Talwaar ho jaao o
Hoshiyaar ho jaao
Watan ki aabroo khatre mein hai

Na ham is waqt Hindu hain
Na Muslim hain
Na Isaayi
Hmm hmm hmm
Agar kuchh hain to hain
Is desh is dharti ke shaidaai
Hmm hmm hmm
Isi ko zindagi denge
Ae ae ae
Isi ko zindagi denge
Isi se zindagi paayi
Lahu ke rang se likhaa huaa
Ikraar ho jaao
Watan ki aabroo khatre mein hai
Hoshiyaar ho jaao
Hoshiyaar ho jaao
Hoshiyaar ho jaao o

Watan ki aabroo khatre mein hai

Khabar rakhna koi gaddaar
Saazish kar nahin paaye ae
Aa aa
Nazar rakhna koi zaalim
Tijori bhar nahin paaye ae
Aa aa
Hamaari kaum par ar ar ar
Hamaari kaum par
Taareekh tohmat dhar nahin paaye ae
Aa aa aa
Kafan dushman
Darindon ke liye
Lalkaar ho jaao
Lalkaar ho jaao
Lalkaar ho jaao o
Lalkaar ho jaao o
Lalkaar ho jaao o o

————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————–
वतन की आबरू खतरे में है
आ आ आ आ आ
वतन की आबरू खतरे में है
होशियार हो जाओ
होशियार हो जाओ
होशियार हो जाओ ओ

हमारे इम्तिहान का वक़्त है
तैयार हो जाओ
तैयार हो जाओ
तैयार हो जाओ ओ

हमारी सरहदों पर खून बहता है
जवानों का
आ आ
हुआ जाता है दिल छलनी
हिमाला की चट्टानों का
आ आ
उठो रुख फेर दो दुश्मन कि
तोपों के दहानों का आ
आ आ
वतन की सरहदों पर आहनी
दीवार हो जाओ
होशियार हो जाओ
वतन की आबरू खतरे में है

वो जिनको सादगी में हमने
आँखों पर बिठाया था
आ आ
वो जिनको भाई कहकर
हमने सीने से लगाया था
आ आ
वो जिनकी गर्दनों में हार
बाहों का पहनाया था
आ आ आ
अब उनकी गर्दनों के वास्ते
तलवार हो जाओ ओ
आ आ आ
अब उनकी गर्दनों के वास्ते
तलवार हो जाओ ओ
होशियार हो जाओ
वतन की आबरू खतरे में है

ना हम इस वक़्त हिन्दू है
ना मुस्लिम है
न इसाई
हम्म हम्म हम्म
अगर कुछ हैं तो है
इस देश इस धरती के शैदाई
हम्म हम्म हम्म
इसी को ज़िन्दगी देंगे
ए ए ए
इसी को ज़िन्दगी देंगे
इसी से ज़िन्दगी पायी
लहू के रंग से लिखा हुआ
इकरार हो जाओ
वतन की आबरू खतरे में है
होशियार हो जाओ
होशियार हो जाओ
होशियार हो जाओ ओ

वतन की आबरू खतरे में है

खबर रखना कोई गद्दार
साज़िश कर नहीं पाए ए
आ आ
नज़र रखना कोई ज़ालिम
तिजोरी भर नहीं पाए ए
आ आ
हमारी कौम पर र र र
हमारी कौम पर
तारीख तोहमत धर नहीं पाए ए
आ आ आ
कफ़न दुश्मन
दरिंदों के लिए
ललकार हो जाओ
ललकार हो जाओ
ललकार हो जाओ ओ
ललकार हो जाओ ओ
ललकार हो जाओ ओ ओ

Dahaan – दहान -دہان
mouth; orifice

Shaidaa. ii – शैदाई – شیدائی
lover, enamored

Tohmat – तोहमत – تہمت
Allegation, Accuse
false accusation, suspicion of guilt


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(© 2008 - 2019) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has over 15200 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

15221

Number of movies covered in the blog

Movies with all their songs covered =1178
Total Number of movies covered =4183

Total visits so far

  • 12,243,452 hits

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Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

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