Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Snehprabha Pradhan Songs’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4389 Post No. : 15751 Movie Count :

4342

The job of writing on old films and music is not an easy one, as many people may be thinking. Normally, such information is not available at one place and even if it is, the same has to be cross verified by other documents or proofs of some kind. There are many books available on these topics, but just having a book and copying from it has its own dangers. The danger to your credibility is one and misleading information is another one. I am of the firm opinion that no book on these subjects is without any errors. Every book contains incomplete information – including my own book !

After a gap of 40 years, when I again turned to old films and music and started making comments based on my notes of many years and writing articles, I quickly realised that some of my information had become old, outdated and newer evidence had emerged to prove matters differently. Secondly, as I started collecting and reading several books, I got a different perspective to what I knew. New facts had been unearthed and established myths had been busted. I also realised that a major menace of ‘Same Name Artistes’ was causing a lot of miscrediting, misinformation and injustice was being done to real performers.

As a challenge, I started work on this project and in the last 5-6 years, I dug out credible, indisputable information on at least 35 such cases- involving about 80 old artistes, comprising Actors, Singers, Composers, Directors etc. From what I read on the internet, this project has helped film historians and is quoted by them in their works. Recently, when I visited another well known Blog on old films and music, I was pleasantly surprised when I read a comment from a reader, ” I believe Arun ji, more than what any site says”. I treat this as a certificate of credibility.

In the initial years like 2011 and 2012, some of the comments I made on this and other Blogs and sites are no more valid, because new evidence had emerged and today those comments seem to be totally wrong. But then History, be it of any subject, always gets updated as new evidence, documents, Interviews, Old books, Magazine articles, Newspaper posts etc. emerge and some old bits of information get a changeover. I will give just one example.

In 2011, I had said somewhere,” C Ramchandra and Vasant Desai gave music together to 3 films, under the name of Vasant Ramchandra” and it was accepted. However when a new book was published on Vasant Pawar, Music Director, it became known that he and Ramchandra Wadhavkar-another MD made a pair as Vasant-Ramchandra and gave music to 3 films. This was confirmed in the biography of Datta Dharmadhikari-the director of these films. This way, the earlier belief was proved incorrect and matters became clear and my statement became wrong.

Many such riddles were solved when new evidence cropped up or dug out. Riddles like
1. Who sang ‘ Dilli se aya bhai Tingu’
2. Who sang ‘ Bharat ki ek sannari ki…’
3. Who actually sang songs from the film ‘ Ummeed-41’ as Noorjehan…
4. Who directed films Pariwar-56 and ‘ Apradhi Kaun-57’
and many more riddles were solved when new information came out.

Dedicated workers in this field have done a great job and enriched the old films history. Information on unknown or less known artistes came to light. This is an ongoing process. Those who write on old films and music were not living in that era, so they have to depend on available information in books and other documents. The advent of the internet too has helped, but at times it also spreads wrong or incomplete information. Thus some famous sites too have become doubtful providers of information. Enthusiasts with half knowledge are a headache because they write without checking or corroborating. They simply copy from somewhere – many times out of context. I have kept my policy- ” Never write anything, which you can not defend “.

Why I am writing all this is just to emphasize the value of credibility of what we write. Readers must understand that gaining credibility requires hard work and investment in time. Fortunately, this Blog is famous for providing information which is tested and credible. This Blog is highly respected in the Cyber world of old films and music.

Today’s song is from an obscure film Khilauna-42. It was the first film made by Amar Pictures, which came into being when National Studios was closed. National itself started when Sagar Movietone merged into it. The film was directed by Sarvottam Badami. He was born in 1910 at Channapatna in Karnataka,to a revenue officer working in Mysore. He passed his SSLC and worked as a garage mechanic and then a projectionist in Select Picture House, Bangalore, both of which were owned by Dr. Ambalal Patel. Patel moved to Bombay and financed Ardeshir Irani of Imperial Film Company, and Chimanlal Desai as a partner forming Sagar Movietone in 1930.

At the age of 19 years, Badami went to Bombay to study automobile engineering. He was asked by Ardeshir Irani who met him at a wedding to help out with the recording equipment he had purchased from abroad.

Badami helped in the sound recording department for the first Talkie in India, Ardeshir Irani’s Alam Ara (1931). Around that time a German director making the Tamil film “Harishchandra” left half-way and Badami offered to complete it, the co-director was Raja Chandrasekhar, although the co-director credit has also been cited as T. C. Vadivelu Naicker. The film turned out to be successful. He was contracted by Sagar Movietone (Sagar Film Company) to direct three films, two in Telugu and one in Tamil: Galava Rishi (Tamil), Rama Paduka Pattabhishekam and Shakuntala in Telugu. The success of these films established him as a director. His working team had people like the cinematographer Faredoon Irani, music director Anil Biswas and the Sagar Movietone favourites Sabita Devi and Motilal.

Initially, to avoid embarrassment to his family he requested not to be credited in the regional language films. He did not know Hindi but from 1932-1947, he worked for Sagar Movietone and also directed nearly 30 films in Hindi, for many others. His first Hindi film was Chandrahasa (1933) starring Noor Mohammed Charlie. He was paid Rs 2000 per film with the complete film being made within Rs 50,000. He worked with most of the top actors of the time like Motilal, Nargis, Ashok Kumar and Pahari Sanyal. He brought Mehboob Khan who was then doing roles as an extra out of obscurity and gave him the role of Sabita Devi’s father in the film Vengeance is mine(1935).

He made several films based on novels. Some of the writers whose work he used were K.M.Munshi, Sarat Chandra and Ramanlal Vasanthlal Desai. The film Aap ki Marzi (1939) was inspired by the Hollywood film Paradise for Three (1938). He became known for his satirical comedies and “socially relevant films”.His film Grihalaxmi (1934), which starred Jal Merchant and Sabita Devi had the woman getting into marriage only if her doctor husband agreed not to want children. The success of the film mitigated the enraged public reaction at the time.

He showed his understanding of media publicity required for films when in 1937, Badami resorted to woo audiences by announcing cash prizes of Rs.500, Rs.200 and Rs.100 for the best reviews of his newly released film Kulvadhu (1937). The promotional gambit worked sending audiences to the theatres. According to an interview, most of Badami’s films didn’t survive as the negatives were burnt to extract the silver from the silver nitrate.

After Aap ki Marzi-38, he followed his mentor, Dr. Patel and joined Sudama Pictures, when in 1939, Sagar Movietone merged into National Films. Badami also worked in Famous Cine Laboratories, from 46 to 48.

Apparently, in 1948 Deputy Prime Minister Vallabh bhai Patel, who was then also in charge of the Information Ministry, on a visit to the Cine Laboratories Bombay, asked Badami to help set up a Newsreel and Documentary section. The Films Division was established in 1948. He became chief producer in the newsreel department and made several documentaries. He worked in the Films Division making documentaries from 1948-1952. After that he stopped making films and returned to Bangalore to retire as “I was a forgotten man in the feature film world”. He became an industrialist by starting a manufacturing business. Later he worked as a Consultant for Kamani Group of Industries also. He died in 2005 in Bangalore, Karnataka, India.

FILMOGRAPHY: 1932: Harishchandra; Galava Rishi; Paduka Pattabhishekham; Shakuntala; 1933: Chandrahasa; 1934: Grihalakshmi; 1935: Dr. Madhurika; Vengeance is Mine; 1936: Jeevan Lata; Grama Kanya; 1937: Kokila; Kulavadhu; 1938: Three Hundred Days and After; 1939: Aap Ki Marzi; Ladies Only; 1940: Chingari; Sajani; 1941: Holiday in Bombay; 1942: Khilona; 1943: Prarthana; 1944: Bhagya Lakshmi; 1945: Ramayani; 1946: Uttara Abhimanyu; 1947: Manmani; 1951: Vinoba Bhave (Doc);1952: Roof over the head.

(Ack: Sapnon ke saudagar by Vithal Pandya, Sagar Movietone by Biren Kothari, HFGK, muVyz, Encyclopedia of Indian Cinema, and my notes)

The cast of the film “Khilauna”(1942) was Snehprabha Pradhan, Jairaj, Prabha, Satish, Kanhaiyalal, Pratima Devi, Nagendra and others. Prabha and Nagendra may be new names for most people. Prabha Rajpal was from a respectable Hindu family of Punjab. She was born on 6-6-2015 at Ludhiana. Her father Rajpal was a high ranking government officer based at Lahore. All her education was done in Lahore. She was fluent in Urtdu, Hindi, punjabi and English.

Right from childhood, she was keen on working in films. Being an orthodox family, there was opposition, but despite all this she entered films and her first film was Jung Bahadur aka DareDevil-1935. After doing some films like Dilawar-36, Awakening-36, she left Bhavnani camp and worked in Minerva’s film Atma Tarang-37 as a Heroine opposite Sohrab Modi. She was very beautiful. Then she joined Sagar and worked in films like Gramophone singer-38, ladies only-39, Civil marriage-40. Later she became a freelancer.

In all she worked in 36 films in her career. She got married to a Cinematographer Virender Ahuja and settled down after the film Veerangana-47.
When her husband was one of the producers, she worked in film Shrimati ji-52 and then retired from films.
(Ack; Filmdom, Film Directory, CITWF, HFGK and my notes).

Nagendra Majumdar was the father of Music Director Ninu (Niranjan) Majumdar. Nagendra was born in a happy family in the year 1894 in Bombay. After his father died, “Pearl Dairy” established by his father ran very well doing good business. Suddenly, Nagendra’s wife fell seriously ill and despite taking her full care, she expired. Due to neglect of the Dairy in this period, Dairy also closed down.

He shifted to Baroda and worked as a State Police Inspector.Later he worked as Watch and Ward Inspector in Baroda Railways. He left the job and started working as a hero in dramas of famous dramatist R.V.Desai. Heeralal, the owner of Laxmi Film Company, Bombay was impressed with his personality and took him to Bombay in 1926 to act in his silent films. Thus started his film career. In those days Silent films used to be completed within a month. He worked as a Hero in films of Laxmi, Jagdish and Imperial film companies.

In the same year, he directed a film ‘Paani mein aag’-1926, made by Royal Arts. Then came two more films made by Kaiser E Hind films. He also directed films for other companies. In all, he directed 15 Silent films by 1932. By then the Talkie had arrived. In the next 14 years he directed 12 Talkie films like – Ras Vilas-32, Sassi Punnu-32, Patit Pawan-33, mirza Sahibaan-33, Mera Imaan-34, Kala Wagh-34, Rangila nawab-35, Kimiyagar-36, Aaj ka Alladin aka Alladin II-36, Lehri lutera-37, Talwarwala-46 and Swadesh Sewa-46.

When offers for direction became few, he started acting in films. He acted in 12 films. When K L Saigal came to Bombay, Nagendra wanted to work with him. In the film Tansen-43, he did the role of Tansen’s (Saigal’s) father and he was very happy. Other films that he acted in were Kanchan-41,Beti-41, Khilauna-42, Bhakt Surdas-42, Armaan-42, Tansen-43, Gauri-43, Adab Arz-43, Bharthari-44, Prabhu ka Ghar-45, Ghazal-45 and Dhanna Bhagat-45.

His last 2 films came in 1946, but his health was not cooperating for quite a few years. He gave up work and took a rest. However, he suffered from paralysis and died on 22-8-1951. His son Ninu Majumdar worked in Bombay A.I.R. as head of Gujarati programmes, since 1937. By the time Nagendra died, Ninu had already started working as a Music Director.

As a Director, Nagendra had worked with the best of his times like, Master Vithal, Zubeida, Jillo, Billimorea brothers, Madhuri, Navinchandra, Durga Khote, Jairaj, Sultana, Noorjehan sr and such luminaries of those days. He had worked for Ranjit, Imperial, Sharda, Lakshmi, Jayant Desai films, Yagnik films etc etc.
( Information for this, is collated from various sources like Listener’s Bulletins No. 40 of Feb-80 and No.145 of July 2010, HFGK, muVyz, Sapnon ke Saudagar by Vithal Pandya, Silent films by Dr.Verma, Lost Treasures by Kamlakar P. and my notes.)

Film Khilauna-42 was based on the Gujarati story by Vaju Kotak. Screenplay and dialogues were by R S Chaudhari. The film was released on 21-3-1942 at Royal opera House, Bombay. It did average business at the box office. The film’s review came in the Film India issue of May 1942. Baburao Patel did not have a good opinion about the film’s direction, but he praised Snehaprabha’s acting along with Prabha. The film’s story was about a jobless artiste and a homeless girl. The love story had some complications but the end , as expected, was happy. The film had 10 songs and today’s song is its best song, according to me.


Song-Nazron ke khel khele koi kis tarah akele (Khilauna)(1942) Singers- Khan Mastana, Snehprabha Pradhan, Lyricist- Pt. Indra, MD- Khemchand Prakash
Both

Lyrics

Dil unko dhoondhta hai
Hum dil ko dhoondhte ae ae hain
manzil ke paas donon manzil ko dhoondhte hain

nazron ke khel khele
koi kis tarah akele
nazron ke khel khele
koi kis tarah akele

??
koi kis tarah akele
nazron ke khel khele
koi kis tarah akele
nazron ke khel khele

lut gayi main to soch lo
lut gayi main to soch lo

lut(?) gaya ji main to sochna
lut(?) gaya ji main to sochna
utar gayi tasweer si dil mein
aa baithhi taqdeer nazar mein
utar gayi tasweer si dil mein
aa baithhi taqdeer nazar mein
ab na aur samaay rasiya
ab na aur samaay
ab na aur samaay rasiya
ab na aur samaay

chhalkat chhalkat ?? gagariya
??
chhalkat chhalkat ?? gagariya
??
ghat ghat dolat hamri najariya
ghat ghat dolat hamri najariya
ek musaafir aaye
?? dekhoon soyi ankhiyaan
?? dekhoon soyi ankhiyaan
tanman mein ??

tanman mein aa jaaye rasiya
tanman mein aa jaaye rasiya
tanman mein aa jaaye
nazron ke khel khele
koi kis tarah akele
nazron ke khel khele


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4215 Post No. : 15416

“Anmol Moti”(1949) was directed by Shanti Kumar for Jaishakti Pictures, Bombay. This movie had Shenprabha Pradhan, Indu, Umakant, Vimal Bai, Ramesh Sinha, Kesar Bai, C S Dubey, Om Prakash Gaud, Tribhuwan Sinha, Sharad Shukla, Tikaram, Shyama etc in it.

The movie had ten songs in it. Two songs have been covered in the past in the blog.

Here is the third song from “Anmol Moti”(1949) to appear in the blog. Though its details are not mentioned in HFGK, the uploader of this song mentions that it is sung by Snehprabha Pradhan. Music is composed by Ram Ganguly.

Only the audio of this song is available. Since Snehprabha Pradhan had acted in the movie tso it follows that the song was picturised on herself.


Song-Kya khabar thhi ye muhobbat is qadar tadpaayegi(Anmol Moti)(1949) Singer-Snehprabha Pradhan, MD-Ram Ganguly

Lyrics

kya khabar thhi ye muhobbat is kadar tadpaayegi
kya khabar thhi ye muhobbat is kadar tadpaayegi
kya khabar thhi is kadar taqdeer palta khaayegi

hum to samjhe thhe muhobbat mein maza kuchch aur hai
hum to samjhe thhe muhobbat mein maza kuchch aur hai
kya khabar thhi ki humari jaan par ban jaayegi
kya khabar thhi ki humari jaan par ban jaayegi

waqt meri zindagi se sab adhoora reh gaya
waqt meri zindagi se sab adhoora rah gaya
kya khabar thhi ki khushi meri gham mein badal jaayegi
kya khabar thhi ye muhobbat is kadar tadpaayegi


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3664 Post No. : 14533

“Saalgirah”(1946) was directed by K S Daryani for Krishin Movietone, Bombay. This “social” movie had Snehprabha Pradhan, Jairaj < Bibbo, Gope, Majid, Tarabai, Chandrkala, Kumar, Pramila etc in it.

The movie had eleven rare songs in it. One song has been covered in the past.

Here is the second song from "Saalgirah"(1946) to appear in the blog. The song is sung by Snehprabha Pradhan. Wali Sahab is the lyricist. Music is composed by Bulo C Rani.

Only the audio of the song is available. It is clear that the song was picturised on Snehprabha Pradhan herself who was the leading lady in the movie.


Song-Saawan ki badariya roti hai badariya (Saalgirah)(1946) Singer-Snehprabha Pradhan, Lyrics-Wali Sahab, MD-Bulo C Rani

Lyrics

Saawan ki badariya
roti hai badariya
Saawan ki badariya
roti hai badariya
aur poochh rahi hai
mere saajan ki khabariya
aur poochh rahi hai
mere saajan ki khabariya
Saawan ki badariya
roti hai badariya

ashqon ki kahaani
unhen main kaise sunaaun
ashqon ki kahaani
unhen main kaise sunaaun
wo door hain majboor hain
kya unko bataaun
wo door hain majboor hain
kya unko bataaun
rone se bhi darti hoon
ke kah degi najariya
rone se bhi darti hoon
ke kah degi najariya
saawan ki badariya
roti hai badariya

likkha hai mere bhaag mein
din raat tarasna
likkha hai mere bhaag mein
din raat tarasna
o kaali ghata
ab tu kahin aur barasna
o kaali ghata
ab tu kahin aur barasna
kis munh se kahoon
haaye ke sooni hai sajariya
kis munh se kahoon
haaye ke sooni hai sajariya
saawan ki badariya
roti hai badariya


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Saalgirah”(1946) was directed by K S Daryani for Krishn movietone, Bombay. This movie had Snehprabha Pradhan, Jairaj, Bibbo, Gope, Majid, Tarabai, Chandrakala, Kumar, Pramila etc. in it.
Read more on this topic…


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 16000 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16067

Number of movies covered in the blog

Movies with all their songs covered =1234
Total Number of movies covered =4388

Total visits so far

  • 14,003,325 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,923 other followers

Bookmark

Bookmark and Share

Category of songs

Current Visitors

Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

Archives

Stumble

visitors whereabouts

blogadda

blogcatalog

Music Blogs - BlogCatalog Blog Directory
%d bloggers like this: