Posts Tagged ‘R D Burman’
Sach mere yaar hai
Posted on: November 7, 2020
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4495 | Post No. : | 16026 |
Hullo Atuldom
“Saagar” (1985) had a cast of Dimple Kapadia, Rishi Kapoor, Kamal Hasaan, Saeed Jaffery, Nadira, Sharat Saxena, Shafi Inaamdar, Satish Kaushik, Lilliput and Madhur Jaffery. It was directed by Ramesh Sippy and was produced by G P Sippy’s ‘Sippy Films’. It was a vehicle for Dimple’s comeback into Bollywood after her sabbatical brought on by marriage and family life. She was making a comeback after a gap of about 11 years. Her heroes were also her age group so they made an eye-pleasing team.
“Saagar” was a simple love story of a rich boy falling in love with a ‘not-so-well off girl’ who helps her father run a tavern in a fishing village . She has a childhood friend (Kamal) who loves her but cannot get himself to profess it. Into this village the rich boy (Rishi) walks in, befriends Raja (Kamal) and falls in love with Mona (Dimple). There is also friendship between the three, almost reminiscent of Raj Kapoor’s “Sangam”. We have Ravi’s (Rishi) grandmother playing the spoke in the cartwheel of the lovers. We also have one friend sacrificing his love for the happiness of the other two.
All-in-all nothing spectacular just that the movie was entertaining and we had the lead actors giving good performances. The songs were written by Javed Akhtar, and RD Burman was the composer. He had Kishore Kumar (who won a Filmfare award for “Saagar kinaare”), Lata Mangeshkar, S P Balasubramaniam, Asha Bhonsle and Shailendra Singh singing the songs in the movie.
I am writing this post to wish the superstar of South Indian cinema on his 66th birthday. He has been in the industry from a young age. He began as a child-actor and I have written a brief about him in this post of mine four years ago. So let us get directly to the song and marvel at this actor’s ability to emote with his eyes.
The song is sung by SPB and is a party song which is a celebration of the characters birthday. It has Nadira and Lilliput who are aware of Raja’s feelings and Saeed Jaffery and others who are oblivious. The song also begins with RD’s trademark of making music with unusual instruments; here he has used a comb.
Wishing Kamalhassan all health and happiness today on his 66th birthday.
Song-Sach mere yaar hai (Saagar)(1985) Singer-S P Balasubrahmaniam, Lyrics-Jawed Akhtar, MD-R D Burman
Chorus
Lyrics
sach mere yaar hai
bas wohi pyaar hai
jiske badle mein koi to pyaar de
baaki bekaar hai
yaar mere
ho o yaar mere
sach mere yaar hai
bas wohi pyaar hai
jiske badle mein koi to pyaar de
baaki bekaar hai
yaar mere
ho o yaar mere
jis haathh mein ik haathh hai
us haathh ki ee kya baat hai
kyaa faasle ae kya manzilen
ik humsafar gar saath hai
jiski kismat koi yoon sanwaar de
wohi dildaar hai ae
yaar mere
ho o yaar mere
sunte thhe hum ae zindagi
gham aur khushi ka mel hai
hum ko magar aaya nazar
ye zindagi wo khel hai
koi sab jeete
sab koi haar de
hahaha
apni to haar hai
yaar mere
haan yaar mere
sach mere yaar hai
bas wohi pyaar hai
jiske badle mein koi to pyaar de
baaki bekaar hai
yaar mere
haan yaar mere
laalalalalaa
laalaalaa
laalalalalaa
laalaalaa
laalalalalaa
laalaalaa
laalalalalaa
laalaalaa
laalalalalaa
laalaalaa
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4476 | Post No. : | 15981 | Movie Count : |
4378 |
19/10/2020 – 64th Birthday of Sunny Deol
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“Betaab” (1983) was produced by the Vijayta Films banner Dharmendra. This was the debut Hindi film of its lead actors, Sunny Deol and Amrita Singh. Today is Sunny Deol’s birthday, real name Ajay Singh Deol, made his debut at the age of 27 years.
The word “Betaab” evokes the Lata Mangeshkar’s melodious song “ Betaab dil ki tamanna yahi hai” by Madan Mohan in the film “Hanste Zakhm”. For a change, this is one of the films which I have seen, when it was released. I wanted to see the songs of this film for some time now, Sunny Deol’s birthday gave me the excuse. I have seen some of them, looking for a song shot on location. Critically speaking, this is not among the better scores by R. D. Burman. This is very basic, run of the mill music score, none of the RDB versatility being in evidence. May be the 80’s monotony is catching up with me. Anand Bakshi is the lyricist.
The location of the major parts of this film is a valley in Pahalgam, Kashmir, below the road leading to the glacier. The valley is named “Betaab valley”, and all tourist vehicles stop there on the way to Amarnath cave. It is a beautiful location, with the river flowing next to it.
We visited Kashmir in May 2012. I can say that it is one place on earth where time has stood still. I found a multiple locations which were seen in so many films of 60-80’s, the same as seen in the movies. Movie makers favorite location was the Dal Lake. The area surrounding it was a lot different, from what was seen in movies like “Aarzoo”. But I could see many places at Gulmarg and Pahalgam same as it was seen in movies. Seeing the wooden shop fronts in Pahalgam town, I remembered seeing the scene is “Bobby”.
Actually, Pahalgam has much more pristine and beautiful locations and points off the beaten track also, like the area called “Mini Switzerland”. I know the technology is so much advanced, and many megapixel cameras are now available to mankind to capture the nature’s beauty. But it is a fact that the human eye’s capacity is 576 megapixel. As far as I can understand, there is no camera in the world which can click or record at 576 megapixel.
This is what Google says, going to such details on a simple search:
“We see in 576 megapixel definition when our eyes are moving, but a single glance would only be about 5-15 megapixels. What’s more, your eyes naturally have a lot of flaws that a camera or digital screen don’t. For example, you have a built-in blind spot where your optic nerve meets up with your retina.”
Fantastic ! or zabardast ! But the fact remains whatever the camera captures or the digital screen displays, are to be seen and read by human eye. Visual input to the brain is through the eyesight, the brain can read only what the eyes will transmit.
Where I am going with all this? No where. But I can’t say I appreciate the way Google tried to dodge my question:) .
tajalli hai teri ye chaand kyaa hai chaandni kyaa hai
agar nazren salaamat hain to jalwon ki kami kyaa hai
Shakeel Badayuni – Laila Majnu(1953)
But I should not count my chickens here, as artificial intelligence may be able to transmit the perfect digital picture to human mind also, for all I know.
Like I said, give me such outdoorsy songs anytime, I am presenting the Shabbir Kumar Solo from “Betaab” filmed completely on location of the said ‘Betaab Valley”. In the song, Sunny Deol has found a “tasveer” of his childhood sweetheart Amrita Singh, in a magazine. He makes a cut out of the photo and sings this song, at his farm house, where he is shown to be rearing horses, and chickens etc.
In the movie Sunny Deol kidnaps Amrita Singh from her father’s house and keeps her in the farm house (seen the song) in a bid to remind her of their childhood friendship and love.
Some more trivia about the film:
• Singer Sonu Nigam played the role of Sunny Deol’s character as a child in this film.
• This film was remade in Telugu as “Samrat” (1987) and in Kannada as “Karthik” (2011).
• This was Javed Akhtar’s first film as a solo screenwriter after Salim – Javed split.
• Singer Shabbir Kumar got his big break in Hindi films when R.D. Burman got him to sing for all the songs in this film.
The movie must be something special to be remade in Telegu and Kannada, a reversal from what usually happens. I will elaborate the bit about Shabbir Kumar is the trivia above. It was said that, all songs of the film were to be recorded by Kishore Kumar. But since Kishore Kumar was away at the time, and the songs were needed for the scheduled shooting, they were recorded in the voices of Shabbir Kumar and Lata Mangeshkar. The intention was to re-record the Shabbir Kumar portions afterwards in Kishore Kumar’s voice. But the songs turned out to be so well in Shabbir Kumar and Lata Mangeshkar’s voices, that it was decided to keep the songs as it is. And thus the career boost for Shabbir Kumar happened.
I will end the post with a dialogue (by Sunny Deol) in the film, where Amrita Singh refuses to eat the food cooked by Sunny Deol. This is the dialogue I have had to repeat sometimes to my kids, 🙂 🙂 if they disagreed with my cooking:
“Khaana hai to yahi khaana hai, nahi khaana hai to bhi yahi khaana hai”
Video
Audio
Song-Teri tasveer mil gayee teri tasveer mil gayee(Betaab)(1983) Singer-Shabbir Kumar, Lyrics-Anand Bakshi MD-R D Burman
Lyrics
Yeh meri zindagi
bejaan laash thhi
barson se pyaar ko
teri talaash thhi
yeh meri zindagi
bejaan laash thhi
barson se pyaar ko
teri talaash thhi
bas aaj meri khoyi
taqdeer mil gayee
teri tasveer mil gayee
teri tasveer mil gayee
mil gayee
mil gayee
teri tasveer mil gayee
ab ke bahaar mein
iss intezaar mein
dil ka wo haal thha
mushkil yeh saal thha
ab ke bahaar mein
iss intezaar mein
dil ka wo haal thha
mushkil yeh saal thha
deewaane ke liye
ik zanjeer mil gayee
teri tasveer mil gayee
teri tasveer mil gayee
mil gayee
mil gayee
teri tasveer mil gayee
o o o
aa aa aa
tasveer mein magar
yeh kaun hai bataa
iss ko zaraa uthha
mujh ko yahaan bithhaa
tasveer mein magar
yeh kaun hai bataa
iss ko zaraa uthha
mujh ko yahaan bithhaa
kya kaam iss ka
Raanjhe ko Heer mil gayee
teri tasveer mil gayee
teri tasveer mil gayee
mil gayee
mil gayee
teri tasveer mil gayee
aayi hai toot kar
tujh par jawaaniyaan
bachpan ki hai magar
saari nishaaniyan
aayi hai toot kar
tujh par jawaaniyaan
bachpan ki hai magar
saari nishaaniyaan
mere haseen khwaabon ki
ta’abeer mil gayee’
teri tasveer mil gayee
teri tasveer mil gayee
Aisa ho to kaisa ho
Posted on: October 13, 2020
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4470 | Post No. : | 15966 | Movie Count : |
4374 |
Hullo Atuldom
This post sees the 20th November 1981 released “Gehra Zakhm” (as written in the titles of the movie) making its debut on the blog.
It is possible that the success of “Dada” (1979) prompted the casting of Amjad Khan in a pivotal role in this, since in that period he was known more for his negative characters. Vinod Mehra was the hero -just as in “Dada”. Ranjeeta Kaur, Kadar Khan, Sheetal, Jagdeep, Satyen kappu, Om Shivpuri etc formed the rest of the cast. Master Mayur played the young Vinod Mehra and Master Titoo played Amjad Khan’s childhood. Master Ravi plays the child who is rescued by Amjad Khan from Kadar Khan’s goonda and restored to his mother with some heavy duty dialogues to the effect that “maa se badhkar koi cheez nahi”. Jagdeep is Vinod Mehra’s (Vijay) friend who keeps urging the educated unemployed Vijay to live honestly and stop coming up with get-rich schemes.
Just before I started writing this post I had a look at the movie until the point of this song. It has Kishore Kumar and Sapan Chakraborty singing for Vijay and Jimmy (Jagdeep) as they go about on a cycle along the streets of Bombay by night. They are hoping that their fortunes change and they are able to enjoy the luxuries of life. Leena Das is the dancer in the last stanza.
This movie had two lyricists- Vithalbhai Patel and Nida Fazli- penning five songs that were set to tune by Rahul Dev Burman. Asha Bhonsle, Mohd Rafi, Bhupinder, Anand Kumar (have seen his name against a few songs, but no info on him), Amit Kumar, Suresh Wadkar and Udit Narayan were the other singers in the movie.
I chanced upon this song when I googled for songs of Kishore Kumar which were not by regular lyricists meaning Anand Bakshi, Rajinder Krishan, Majrooh etc. Not that I don’t like their work, it is just that we feel that KK has not sung any other writer’s work. I also have been trying to present songs which KK has sung for actors other that Dev Anand, Rajesh Khanna and Amitabh.
As we all know one of Vinod Mehra’s earliest songs “geet gata hoon main” had Kishore Kumar giving playback. That had the distinction of being composed by Shankar Jaikishan and written by Dev Kohli and stood at number 18 in that year’s Binaca Geetmala.
To start of with he was a reluctant actor. His debut was as playback for Dev Anand. He had a solo and his first ever duet with Lata Mangeshkar in that movie after which Lata – Kishore duets have been a norm for all leading pairs. And we have 206 of those duets on our blog. We have many duets of Kishore Kumar on the blog where he has sung with Mukesh, Mohd Rafi, R D Burman, S Balbir, Amit Kumar, Mahendra Kapoor and Shailendra Singh. Today we have a song with a new partner.
The first decade saw him singing one or two songs per movie; the maximum 7 songs he sang was for “Jaalsaaz” in 1959 and 8 songs for “Suhana Geet” also in 1959. But people say that his best period was post “Aradhana” in 1969 but we cannot close our eyes to “Jewel Thief”, “Guide”, “Half Ticket”, “Manmauji”, “Jhumroo”, “Rangoli” and all the other movies for which he has lent his voice.
Yes, post 1969 he has been used for actors as varied as Sunil Dutt, Dharmendra, Jeetendra, even Pran and his own brother Ashok Kumar. Kishore Kumar’s voice has been used successfully for all heroes of the ’70s through the ’80s till death snatched him away from us 33 years ago.
Remembering this excellent actor, singer, producer, director, music director and artist on his anniversary.
Video
Audio
Song-Aisa ho to kaisa ho (Gehra Zakhm)(1981) Singers-Kishore Kumar, Sapan Chakravarty, Nida Fazli, MD-R D Burman
Both
Chorus
Lyrics
aisa ho toh kaisa ho
aisa ho toh kaisa ho
kadki bhaage
kismat jaage
jeb mein apne paisa ho o o
aisa ho toh kaisa ho
aisa ho toh kaisa ho
kadki bhaage
kismat jaage
jeb mein apne paisa ho o o
aisa ho toh kaisa ho
aisa ho toh kaisa ho
ru ru ru ru ru ru
ru ru ru ru ru ru
cheheron ki chaandni hai
zulfon ki badliyan hain
rangeen mehfilon mein
jismon ki bijliyan hain
cheheron ki chaandni hai
zulfon ki badliyan hain
rangeen mehfilon mein
jismon ki bijliyan hai
jaisa
jaisa
jaisa
jaisa
jaisa
jaisa
jaisa chaahe waisa ho
aisa ho toh kaisa ho
kadki bhaage
kismat jaage
jeb mein apne paisa ho o o
aisa ho toh kaisa ho
aisa ho toh kaisa ho
masti chhalak rahi hai
armaan machal rahe hain
paani se bheege bheege
sholay nikal rahe hain
masti chhalak rahi hai
armaan machal rahe hain
paani se bheege bheege
sholay nikal rahe hain
yehi
yehi
yehi
yehi
yehi
yehi
yehi khel hamesha ho
aisa ho toh kaisa ho
kadki bhaage
kismat jaage
jeb mein apne paisa ho o o
aisa ho toh kaisa ho
aisa ho toh kaisa ho
baa adab baa mulaiza hoshiar
alampanah ki sawaari aa rahi hai
duniya se jaake keh do
achchi hai woh jahaan hai
milane ki abb kisi se
fursat hamein kahaan hai
duniya se jaake keh do
achchi hai woh jahaan hai
milne ki abb kisi se
fursat hamein kahaan hai
aaye
aaye
aaye
aaye
aaye
aaye
aaye phir jo aana ho
aisa ho toh kaisa ho
kadki bhaage
kismat jaage
jeb mein apne paisa ho o o
aisa ho toh kaisa ho
aisa ho toh kaisa ho
aisa ho to kaisa ho aisa ho to kaisa ho
aisa ho to kaisa ho aisa ho to kaisa ho
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4467 | Post No. : | 15958 |
Hullo Atuldom
Today’s date(10 cctober 2020) is rather unique. Fellow ASAD follower Satyajitji, from down-under, pointed it out. 10102020- “never before, never again” was the reaction to that from another regular follower of the blog. Of course it is a “unique arrangement of the numbers that form the date which is appreciated by our brain”. A true statement by our in-house encyclopaedia.
Today’s post is a rather difficult one too. Never before have I faced such a dilemma. It is a case of too many options. I sifted through a whole lot of songs before I made a choice.
The song features a heroine who was not so great-looking when she made her debut in 1970. She was extremely ordinary. Very gawky. She has said in many of her interviews that she was very uncomfortable wearing all those funny, awkward dresses and costumes. She was not happy doing the dance steps she was made to perform. She was cast opposite heroes old enough to be her father- she was hardly 13 or 14 when she made her debut. She didn’t have an elder to guide her in choosing films like her contemporary Hema Malini who had her mother with her at every stage in her career.
Her first film was not in Hindi though; it was in Telugu as a child actress- not one but two- one as a 4-year old in 1958 and next in 1966 when she was 12. Her next film was in Kannada with Dr. Rajkumar as the male lead in 1969.
But she accepted all that came her way. She has survived in an industry where fortunes change every Friday. She learnt the art of perfect make-up first. Then followed it up with some strict regimen and went from gawky to gorgeous. She was already good at emoting and dancing she just polished them up and learnt from her job and gave it all she had. For some of her heroes she was a lucky mascot and sure route to success whenever their career hit a few flops. And Jeetendra has said this in so many words once. And she doesn’t tire of admitting that if given a second chance she will love to walk the same path again.
I need not specify that I am talking of Bhanurekha Ganesan who is popular as Rekha- the sweet heart of a whole generation of moviegoers. There was a time when Hema Malini was my personal favourite as also the favourite of a few of my classmates. Then I saw “Khoobsurat” 1980 (I don’t tire of telling this) following it up with “Agreement” “Jal Mahal” and the best of the times-“Umrao Jaan”. “Umrao Jaan” was the best in terms of acting, direction, songs and small wonder that she was awarded the National Award for the best Actress for that year. I had seen a few of Rekha’s movies prior to “Khoobsurat” too but most of those movies had her playing the typical film heroine where she just had to look an eye-candy flutter her eyelashes, sing a song too and scream her way through. But she was earnest in all of those too.
She was cast in many two-heroine movies like “Nagin” (this had more than two heroines), “Muqaddar Ka Sikandar”, “Ram Balram” etc. She was heroine to actors of the 60s- Raj Kumar, Sunil Dutt, Rajendra Kumar, Dharmendra, Shashi Kapoor, Feroz Khan, Biswajeet, Deb Mukherjee, Sanjeev Kumar (I am sure I am missing a few) and actors who made their debut in the later years of the 60s- Rajesh Khanna, Jeetendra, Sanjay Khan etc. She has also paired with Navin Nischol (hero in her debut film), Anil Dhawan, Randhir Kapoor, Rakesh Roshan, Amitabh Bachchan, Shatrughan Sinha, even Rishi Kapoor and Mithun Chakravarty. Some actors who were her fans as youngsters also got to be her hero- Anil Kapoor (another ageless wonder who has done two with her), Akshay Kumar for example. But Rekha herself did movies with Dilip Kumar and Dev Anand (whose fan she was) rather late in their careers. She was Shashi Kapoor’s Vasantsena in “Utsav” and Rakesh Roshan’s avenging angel in “Khoon Bhari Maang”.
Sorry I can go on and on and people will say a fan is at work here. But I cannot get enough of her and when I chanced upon this video of Hema Malini’s 70th birthday I was supremely pleased as it gave me both my favourites in one video. Such a lot of camaraderie between the two beauties, difficult to choose who is more beautiful
Getting to today’s song, it is from a movie which was directed by Manmohan Desai. As per the tradition of Manmohan Desai movies we have Randhir Kapoor and Shatrughan Sinha as brothers who get separated as children. Both like the same girl but the girl likes the simpleton from the village who has respect for even a night-club dancer. I shall not give the story of the movie will just give the name of the movie- Rampur Ka Laxman.
Wishing our ageless diva a very happy birthday with this song which shows her in one of those costumes that I spoke of earlier. It doesn’t compliment her and that hairdo was the standard which all heroines sported back then. Plus not to miss the kilos of makeup that she had on. If my memory is correct this was a song at the birthday party of the character played by Rekha and we have Sulochana (who was the mother of the heroes playing Rekha’s nanny), Roopesh Kumar, Raj Mehra, and a smart young looking Ranjeet (who is waiting in the wings for spoiling the party).
Audio
Video
Song-Arre pyaar ka samay kam hai jahaan (Rampur Ka Laxman)(1972) Singers-Kishore Kumar, Lata, Rafi, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Lyrics
arre pyaar ka samay kam hai jahaan
ladte hain log kaise wahaan
kyon mere yaar
maine bhi aaj
kya baat kahi de taali
arre pyaar ka samay kam hai jahaan
ladte hain log kaise wahaan
kyun mere yaar maine bhi aaj
kya baat kahi de taali
jo bhi kare pyaar
main uska yaar
ghalat mujhe na samajhna
main to yahaan
aaya hoon milan ke liye
main subah shaam sabka ghulaam
itna magar yaad rakhna
bura hoon main
bas dushman ke liye
ulfat ke jo pyaase ho tum
chaahat ka hoon mai nbhi sawaali
pyaar ka samay kam hai jahaan
ladte hain log kaise waha
kyon mere yar maine bhi aaj
kya baat kahi de taali
abhi ye sama hai meharbaan
jhoom ke jeele deewaane
kaisi ee haaye mastaani raat hai ae
zindagi ka lele maza
phir kya ho kaun jaane
bhaai mere ae
kuchh na tere haath hai
do char pal lehraake chal
hai zindagi kab rukne waali
pyaar ka samay kam hai jahaan
ladte hain log kaise wahaan
kyun mere yaar maine bhi aaj
kya baat kahi de taali
khel hansi aadat meri
chup rehna main na jaanoon
maine yahi ab tak jaana nahin
tum bhi mere
tum bhi mere
sabko apna hi maanoon
par ye dil sabka deewaana nahin
aur jispe hai deewaana dil
uski ada sabse niraali
pyaar ka samya kam hai jahaan
ladte hain log kaise wahaan
kyun mere yaar maine bhi aaj
kya baat kahi de taali
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4464 | Post No. : | 15950 | Movie Count : |
4371 |
Recently, I came across on internet an offer for sale of an used Extended Play (EP) record of the songs of ‘Aaj Raat Ko’, the film which I had never heard of. The EP was released in 1975 by Polydor India Ltd which had 4 songs – 2 songs on each side. All the songs were written by Majrooh Sultanpuri which were set to music by R D Burman. On checking these songs on one of the video sharing platforms, I found that all the 4 songs were uploaded in audio format. The songs were in the typical mould of R D Burman’s compositions. In one of the audio clips, a record-cover photograph was displayed with a couple of scenes from the film showing Saira Bano, Sujit Kumar and Vinod Mehra. I could not locate the full film on-line.
The description given by the uploader of the audio clip revealed that the film, ‘Aaj Raat Ko’ remained unreleased for reasons unknown. Probably, one of the reasons could be the sudden departure of Vinod Khanna who was one of the main actors in the film, to join Rajneesh in the USA. The film was revived when Vinod Khanna returned from USA in 1985. It got Censor Board certificated on January 25, 1988 under a new title ‘Faisla’ (1988). According to a comment recorded by the son of the producer of the film on the video clip of one of the songs, his father, the producer suffered huge losses due to unprofessional behaviour of some actors and the film was delayed by 13 years. According to him, this film never got released in theaters and was ultimately sold to distributors for paltry sums. The film was released on satellite television.
‘Faisla’ (1988) is now available for watching on one of the video sharing platforms but the print is so bad that images look blurred. There is loss of continuity in some places as a result of which the story in the film looks disjointed. The songs in the film are muted probably on copyright ground.
‘Faisla’(1988) was produced under the banner of Noor Jahan Films and was directed by S Ramanathan. It was a multi-cast film with Ashok Kumar, Saira Bano, Vinod Khanna, Vinod Mehra, Mehmood, Sujeet Kumar, Chandrashekhar, Ranjeet, Gajanan Jagirdar, and Bindu forming the main star cast. It is a typical Bollywood film catering to the expectations of the type of film audience who loves masala films having action, dance and comedy, villain etc. As usual, in such type of film, the story ends with victory over the evils.
All the 4 songs which were in the original film ‘Aaj Raat Ko’ (1975, UR) have been retained in ‘Faisla’ (1988). I am presenting the first song ‘champa khili daar palak jhoole pyaar’ from the film to appear on the Blog. The song is rendered by Mohammed Rafi and picturised on Vinod Mehra. Saira Bano is also present in the song sequence. Fortunately, video clip of the song is available in which the song starts with humming and two lines of the song rendered by Asha Bhosle who sings for Saira Bano. The audio clip does not have the humming by Asha Bhosle and is also shorter in terms of duration than the video clip as there is no repetition of lines of antaras. While the audios of the songs have been released under the original title. ‘Aaj Raat Ko’ (1975), the video clip of the song has been taken from ‘Faisla’ (1988).
One can make out from the voice of Mohammed Rafi that song was recorded sometime in early 1970s. During the same period, Mohammed Rafi in combination with Majrooh Sultanpuri and R D Burman had also rendered songs of the same mood, like ‘goriya kahaan tera desh re’ (Caravan, 1971) and ‘gori ke haath mein jaise ye chella’ (Mela, 1971).
With this song, ‘Aaj Raat Ko’ (1975, UR)/Faisala (1988) makes its debut on the Blog.
Video Clip:
Audio Clip:
Song-Champa khili daar palak jhoole pyaar (Faisla)(1988)/ (Aaj Raat Ko)(UR)(1975) Singer-Rafi, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Asha Bhonsle
Lyrics(Based on Video Clip)
hmm hmm hmm
hmm hmm
champa khili daar
hmm hmm hmm hmm hmm
milan ritu aayi sajaniyaa
hmm hmm hmm
hmm hmm hmm hmm
champa khili daar
palak jhoole pyaar
milan ritu hmm hmm
sajaniyaa
champa khili daar
palak jhoole pyaar
milan ritu aayi sajaniyaa
ho o ho o
champa khili daar
palak jhoole pyaar
milan ritu aayi sajaniyaa
bagiyan mein koyaliya poochhai hamse
kab aihein tohre dil ki janiyaa aan aan
champa khili daar
palak jhoole pyaar
milan ritu aayi sajaniyaa
ho o ho o o
champa khili daar
palak jhoole pyaar
na jaane kaun din aayegi
tu na jaane kab hamaar
beetenge din intzaar ke ae ae ae
jab jaaye mere aage se koyi gori kiye singaar
rah jaaun main to nihaar ke ae
ankhiyan mein chamak jaaye bindiyaa tori ee
dhadkan mein baaje re painjaniyaan aan aan aan
champa khili daar
palak jhoole pyaar
milan ritu aayi sajaniyaa
ho o ho o o
champa khili daar
palak jhoole pyaar
jis dam chale basanti hawa
to ho jaaun bekaraar
lekar main bainyyan khuli khuli ee ee
phulwa ki daar aisi lage ke dulhan bani hamaar
dole tu jaise meri gali ee
aajaa re kahaan tak sapna dekhoon oon
beeti jaaye apni to jawaniyaan aan aan aan
champa khili daar
palak jhoole pyaar
milan ritu aayi sajaniyaa
bagiyan mein koyaliya poochhai hamse ae
kab aihein tohre dil ki janiyaa aan aan aan
champa khili daar
palak jhoole pyaar
milan ritu aayi sajaniyaa
ho o ho o o
champa khili daar
palak jhoole pyaa..r
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4455 | Post No. : | 15927 |
Lata Mangeshkar – 91st birthday on 28/09/2020
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Today is the day when the “Nightingale of India”, Lata Mangeshkar was born 91 years ago.
In 1973, she won the National Film Award for Best Female Playback Singer for the song “Beeti Na Bitaayi” from the film Parichay, composed by R. D. Burman, and written by Gulzar.
In 1975, she again won the National Award, this time for the song “Roothe Roothe Piya” from the film KoraKaghaz, composed by Kalyanji Anandji.
She won her third National Film Award for Best Female Playback Singer for her rendition of the song “Yaara Sili Sili” from the film “Lekin”, which was composed by her brother Hridaynath Mangeshkar.
In 2001, Lata Mangeshkar was awarded the Bharat Ratna, India’s highest civilian honour.
A lot of information about her early days, family background and career progress are available here.
I have selected a song from 1985 to post on this occasion. Scores of her hit, known and popular songs from all decades are yet to be posted, so it was no easy task to arrive at a single song. This is a solo from the film ‘Arjun”, written by Javed Akhtar and composed by R. D. Burman. It is a typical, teasing and appeasing song, where hero Sunny Deol and Heroine Dimple are running around usual garden locations in Mumbai, while Dimple is singing this song by LataMangeshkar. Actually the stanza’s are very uplifting and motivating for someone who is dejected. Sunny deol looking like a petulant child and Dimple is trying to make him see the positive side of things. The encouraging tone sounds less romantic and more children’s song, if only heard. I was a fan of Dimple those days, and saw her few films. I thought I might have seen this one too, but when I found the video, it was clear that I was seeing it for the first time. The catchy tune and song I knew well, but remembered only the mukhda bit with hazy re-collection of words. All these years I have been humming this song, sometimes using “Neeli neeli aankhon”, after “neele neele ambar par” which was also a favourite. My sister would often correct me that it is ‘Bhoori bhoori” not ‘neeli neeli”.
I heard the pop/rock song ‘kokokorina” by Ahmed Rushdi sometime back. Stumbled upon the song at Wikipedia page on Kishore Kumar, to be precise. I heard the song, it didn’t ring a bell, so I had never heard it before. But the song seemed somewhat familiar as if its tune is taking me to some other song. On hearing it a few more times, I landed on this sometime ‘neeli’ and sometime ‘bhoori bhoori aankhon wala ekladka hai” song. I have since searched the net to find if there is a connection, or only I feel like that. Seems I am the only one who could connect these two songs. The RDB page on itwofs.com features as many as 42 songs, linking to inspiration and similar tunes. But this case of “Arjun’ song is not listed there.
I see that in the Wikipedia page also this song is mentioned in relation to RDB songs by Lata in the 80’s :
Some Rahul Dev Burman compositions for Lata in these years include “Aaja Sar-e-Bazaar” in Alibaba Aur 40 Chor (1980), “Bindiya Tarase” in Phir Wohi Raat (1981), “Thodi Si Zameen” in Sitara (1981), “Kya Yahi Pyar Hai” in Rocky (1981), “Dekho Maine Dekha” in Love Story (1981), “Tune O Rangeele” in Kudrat (1981), “Jaane Kaise Kab” in Shakti (1982), “Jab Hum Jawan Honge” in Betaab (1983), which became instantly popular, “Humein Aur Jeene” in Agar Tum Na Hote (1983), “Tujhse Naraaz Nahin” in Masoom (1983), “Kahin Na Ja” and “Jeevan Ke Din” in Bade Dil Wala (1983), “Jaane Kya Baat” in Sunny (1984), “Bhoori Bhoori Aankhon” in Arjun (1985), “Sagar Kinare” in Sagar (1985), “Din Pyar Ke Aayenge” in Savere Wali Gaadi (1986). “Kya Bhala Hai Kya”, “Khamosh Sa Afsana” and “Seeli Hawa Chhoo” in Libaas (1988).
I have made a very brief list of such songs, which starts with ‘tu meri zindagi hai”, and if two posts for today are over, then two more songs in the list remain.
As for the blog, Lata Mangeshkar’s tally stands at 3589 out of 5645.
With sixes galore, turning the matches in IPL, I will end this post with this very positive stanza of the song:
tu maane na maane aisa din aayegaa
jab duniyaa ke chehre se gham dhul jaayegaa
phool khilenge rang hansenge aanchal aanchal
aangan aangan goonjengi khushiyon ki paayal
Audio :
Video :
Song-Bhoori bhoori aankhon waala ek ladka hai (Arjun)(1985) Singer-Lata, Lyrics-Jawed Akhtar, MD-R D Burman
Lyrics
Gaga ma re
La lala
Re gasa
Aaa
oooo
oooooo
bhoori bhoori aankhon waala
ek ladka hai
sapney dekhne se jaane kyun
ghabraata hai
bhoori bhoori aankhonwaala
ek ladka hai
sapney dekhne se jaane kyun
ghabraata hai
gumsum gumsum
khoyaa khoyaa saa rehtaa hai
sapneydekhne se jaane kyun
ghabraat ahai
ho bhoori bhoori aankhon waala
ek ladka hai
lalalala
lalalala
lalalala
meri aankhon mein hain
kitne saare sapne
rang birange
meethhe meethhe
pyaare sapne
ho meri aankhon mein hain
kitne saare sapne
rang birange
meethhe meethhe
pyaare sapne
deewaane tu bhi
aankhon mein sapne rakh le
banke chamkenge raaton mein
taare sapne
ho bhoori bhoori aankhon waala
ek ladka hai
sapney dekhne se jaane kyun
ghabraata hai
tu maane na maane
aisa din aayegaa
jab duniyaa ke chehre se
gham dhul jaayegaa
o tu maane na maane
aisa din aayegaa
jab duniyaa ke chehre se
gham dhul jaayegaa
phoolkhilenge rang hansenge
aanchal aanchal
aangan aangan goonjengi
khushiyon ki paayal
ho bhoori bhoori aankhon waala
ek ladka hai
sapney dekhne se jaane kyun
ghabraata hai
gumsum gumsum
khoyaa khoyaa sa rehtaa hai
sapney dekhne se jaane kyun
ghabraata hai
lalalala
lalalala
lalalala
lalalalala
lalalalala
hoho
hoho
- In: Amitabh Bachchan songs | Amitabh Bachchan songs by Kishore Kumar | Blog ten year challenge (2010-2020) | Feelings of heart | Guest posts | Kishore Kumar solo | Kishore Kumar songs | Post by Avinash Scrapwala | Seduction song | Songs of 1980s (1981 to 1990) | Songs of 1983 | Yearwise breakup of songs
- 5 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day: |
4449 | Post No. : | 15908 |
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Blog ten year challenge (2010-2020)- Song Number 85
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Atul ji has rightly mentioned in his post regarding BTYC posts coming up regularly, having taken precedence over other projects in the process. I think, on the other hand it is also helping bring movies bring closer to ‘Yippeeee’ and also helping movies getting noticed after an interval of couple or few years where the movies earlier were having some songs posted and took a back-seat thereafter without any reason.
In some cases where many movies made their debut ten years ago and were forgotten thereafter after getting only one song posted, the ‘Blog Ten Year Challenge’ has been like a ‘boon’ for them. In turn it also gives a chance to readers to visit the songs of movie like these and recall their songs which were played then and also recall some fond memories if any.
Consider the case of one of the two movies due for ‘BTYC’ today – ‘Mahaan-1983’ which made its debut on the blog ten years back and so far, has only one song posted on the blog.
Let us have a look on the six songs posted on the blog ten years back on this day on
22.09.2010;
| Song | Movie title-Year | Remarks |
|---|---|---|
| Raaton ki neend chheen lee aankhon ke intezaar ne | Shokhiyaan-1951 | All Songs covered |
| Teri kaafir nigaah kar gayi dil ko tabaah | Miss Coca Cola-1955 | All Songs covered |
| Yaad karoon tori batiyaan | Mr Lambu-1956 | All Songs covered |
| Tum aur ham bhool ke gham | Fashion-1957 | 06 songs posted |
| Mujhe gale se lagaa lo bahut udaas hoon main | Aaj Aur Kal-1963 | All Songs covered |
| Jidhar dekhoon teri tasweer nazar aati hai | Mahaan-1983 | 01 song posted |
‘Mahaan-1983’ had some good songs like the one ‘Jidhar dekhoon teri tasweer nazar aati hai’ already posted on the blog and ‘pyaar mein dil pe maar de goli’ being the most popular song from the movie. ‘Ye din to aata hai ek din jawaani mein’ sung by Pancham and Asha Bhonsle was the other song frequently played and like then.
Music for ‘Mahaan-1983’ was composed by R.D. Burman.
I had not watched this movie then and have not watched it so far, so can’t say much about the movie.
When I noticed that this movie was due for BTYC today I went through its songs and I have selected one other song (which required more time from me to complete the ‘baat’:) ), but then noticed this lesser heard (I don’t remember to have heard this song earlier) song sung by Kishore Kumar and have selected this song for today’s presentation.
The song is lip-synced on screen by Amitabh Bachchan and also seen in picturization of the song is Zeenat Aman and also seen is a Puppet (of Ramdas Padhye the famous ventriloquist, I guess I am correct) with them.
‘Mahaan-1983’ had total seven songs in it all written by Anjaan and composed by R.D. Burman.
So far, only one song from ‘Mahaan-1983’ have been posted on the blog;
| Song | Posted On |
|---|---|
| Jidhar dekhoon teri tasweer nazar aati hai | 22.09.2010 |
I am not giving details about the movie and other songs too, and holding them for a detailed post with other song of the movie to be presented in the future on the blog.
(Unlike the song which finishes ‘aadhi baat’ I am not completing my ‘baat’ here)
Let us now enjoy today’s song from this movie. 🙂
(Lyrics noted are as per audio link which has three stanzas whereas the video link doesn’t have the second stanza as given in the audio link.)
Video
Audio (Longer)
Song-Aadhi baat ho chuki tu aadhi baat kar le (Mahaan)(1983) Singer-Kishore Kumar, Lyrics-Anjaan, MD-R D Burman
Lyrics
ae
aadhi baat ho chuki
tu aadhi baat kar ley ae
arey
aadhi baat ho chuki
tu aadhi baat kar ley ae
aaj ki is raat ko
suhaag raat kar ley
bhar le mere pyaar se ae
bhar le mere pyaar se
tu sooni maang bhar le ae ae
aadhi baat ho chuki
tu aadhi baat kar ley ae
aaj ki is raat ko
suhaag raat kar ley ae
(waah guru waah, phansaa diyaa na
arey chup, chal bhaag yahaan se)
aisi haseenaa haath na aayi
to marr jaaungaa aa
marr bhi gayaa to khudaa ko kaise
munh dikhlaaungaa aa aa
aisi haseenaa haath na aayi
to marr jaaungaa aa
marr bhi gayaa to khudaa ko kaise
munh dikhlaaungaa
chaahe aankh dikhaa
chalegaa
chaahe shor machaa
daudegaa
chaahe aankh dikhaa
chaahe shor machaa
main baaz na aaungaa aa
arey aajaa meri baanhon mein
aajaa meri baanhon mein
tu pyaar se sanwar le ae ae
aadhi baat ho chuki
tu aadhi baat kar ley ae
aaj ki is raat ko
suhaag raat kar ley ae
kamre mein hai do pyaase dil
aur dawajjaa band
sej saji hai
saji hai dulhan
hai taqdeer buland
kamre mein hai do pyaase dil
aur dawajjaa band
sej saji hai
saji hai dulhan
hai taqdeer buland
ek pal mein usey
haasil kar loon
ek pal mein usey
haasil kar loon
dil kar le jise pasand
pyaar ki rangeen raahon se ae
pyaar ki rangeen raahon se
ek baar to guzar le ae
aadhi baat ho chuki
tu aadhi baat kar ley ae
aaj ki is raat ko
suhaag raat kar ley ae
(undeciphered dialogues)
pyaar se tujhko nafrat hai
aa tujhko sikhaa doon pyaar
pyaar se jab tak sanwar na jaaye
husn hai ye bekaar
pyaar se tujhko nafrat hai
aa tujhko sikhaa doon pyaar
pyaar se jab tak sanwar na jaaye
husn hai ye bekaar
is pyaar mein jo o o
dil doob gayaa aa
is pyaar mein jo
dil doob gayaa a
wo doob ke ho gayaa paar
prem gangaa doob ke
har har gange ae
prem ganga doob ke
ye paar to utar le ae ae
aadhi baat ho chuki
tu aadhi baat kar ley
aaj ki is raat ko
jai om mangalam
sarv mangalam
shubh vivaah sampanam
putra praapti sampanam
suhaag raat kar ley …
Hamko to yaara teri yaari
Posted on: September 3, 2020
- In: Asha Bhonsle songs | Blog ten year challenge (2010-2020) | Duet | expression of love | Feelings of heart | Kishore Kumar songs | Kishore Kumar-Asha Bhonsle duet | Lyrics by Prakashchandra | Lyrics contributed by readers | Songs of 1970s (1971 to 1980) | Songs of 1977 | Yearwise breakup of songs
- 2 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4430 | Post No. : | 15860 |
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Blog 10-Year Challenge (2010-2020) – Song No. 69
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Ten years ago, the blog was covering six songs every day and seven songs every fourth day. So I was a bit surprised to note that “only” five songs were covered on 3 September 2010. But there awsa very good reasohn for that, which will become clear during our discussion here.
Here is the list of the five songs that were covered on 3n september 2010:-
| Blog post no | Song | Movie-Year | remarks |
|---|---|---|---|
| 2896 | Ab to aa jaao balam | Poonam 1952 | YIPPEED |
| 2897 | Kaare badraa tu na jaa na jaa | Shikast 1953 | YIPPEED |
| 2898 | Ye jawaani ye haseen raat Khuda khair kare | Khoobsoorat Dhokha 1959 | 4 Songs discussed out of 7 |
| 2899 | Saamne ye kaun aayaa dil mein huyi halchal | Jawaani Deewaani 1972 | YIPPEED |
| 2900 | Kyaa huaa teraa waadaa wo qasam wo iraadaa | Hum Kisise Kam Nahin 1977 | Blog century post. 7 songs discussed (out of 9) |
We can see from the above that three out of five movies that were taken up on 3 september 2010 have got YIPPEED in the bblog by now. So that leaves us with just two movies that are eligible for “Blog Ten Year CHallenge” today (3 September 2020).
“Ham Kisi Se Kam Nahin”(1977) is one of those movies. I notice that this musical blockbuster movie had made its debut in the blog on 3 september 2010. And thatsong that was discussed was a century song for the blog ! And the song was the National Aawrd winning song Kyaa huaa teraa waadaa wo qasam wo iraadaa . A movie making its debut in the blog with a blog century song ! It shows the musical calibre of the song in general and the entire movie album in particular.
Music lovers are unanimous in agreeing that “Ham Kisi Se Kam Nahin” (1977) had a stunning array of songs, that have remaiined popular to this day.
The movie had nine songs in it. Seven of them have been covered in the blog so far. Here are their details:-
| Blog post no | Song | Date | remarks |
|---|---|---|---|
| 2900 | Kyaa huaa teraa waadaa wo qasam wo iraadaa | 3 september 2010 | Debut song of movie. Blog century post |
| 5892 | Ye ladka haaye Allah kaisa hai deewaana | 28 April 2012 | |
| 8454 | Chaand mera dil chaandni ho tum | 2 August 2013 | |
| 8628 | Hai agar dushman dushman zamaana gham nahin | 2 August 2013 | |
| 13400 | Bachna ae haseenon lo main aa gaya | 5 July 2017 | Blog century post |
| 14162 | Aa dil kya mehfil hai tere kadmon mein | 13 March 2018 | |
| 14833 | Mil gaya ham ko saathi mil gaya | 10 January 2019 |
We can notice that another song from the movie, viz Bachna ae haseenon lo main aa gaya was also a blog century song. And the writeup of that song was a special writeup by Sudhir Jee. It gave details of the musicians who were involved in creating that musical masterpiece.
When the name of this movie crops up, my mind immediately goes back to the second half of 1977. My Matriculation examinations were due in February March 1978 and like a sincere conscientious student that I was, I was seriously busy preparing for that Board Examination of Bihar State Board. Those were the days when I had no distractions. The last movie that I had watched in a movie hall was “Zindagi Zindagi”(1972) in 1972 and after that I had not watched any movies in movie halls.
There was a radio set at home, a big valve radio, but that was out of order because mice had made their home inside the warm cozy cabinet of the TELERAD 4 band radio and had damaged the valves. And my father had very wisely not bothered to get the radio repaired. So no radio commentary and no Radio Ceylon and Vividh Bharati distraction either.
But filmy music blaring out of loudspeakers was a distraction no one could guard against. These days we talk of noise pollution and disturbance to people because of loudspeakers, but no one bothered those days. Playing film songs on loudspeakers in full volume day and night, no matter what, was the norm in those parts of India. And what was the movie whose songs were the most popular with those loudspeaker playing enthusiasts ? “Hum Kisi Se Kam Nahin” ! I would be trying to concentrate on my studies and my eardrums would receive songs of the movie one after the other. What rubbish songs these are, The standards of Hindi movie songs have gone to the dogs- These were the thoughts that crossed my mind while receiving constant bombardment of songs of this movie.
Fortunately, the songs of this movie failed to distract me from my studies and I was reasonably well prepared when the final exams were held in early 1978.
Having appeared for the examination, it was time for the results. Marks obtained in the examination determined which college one joined. St Xavier’s College, Ranchi was the coveted college not only for Ranchi, but for entire Bihar. Getting admission in this college was considered a matter of prestige.
I had gone to my native place after the examination. I received a letter (or was it a telegram )informing me that I had passed in first division. Detailed marks would be known only later. My father, who was also there in the village, discussed this matter with a distant relative of his, who was a progressive villager and also the headmaster cum only teacher of the only Village school. We must go meet Father XYZ of the school ABC, the progressive villager suggested. So we went some six miles by walk, and met the Father. Our distant relative informed him that this kid, his close relative had passed Matriculation examination in First division. He needs to get admitted in Ranchi’s St Xavier’s college. You know the principal of that college, so please write a letter of recommendation. The father was reluctant saying only first division may not be enough, percentage of marks also matter. But repeated insistence by my relative forced him to act. He took out a small portable typewriter (I had never seen such a modern looking typewriter) and typed out a letter. He then took an envelope, sealed it after putting the letter inside it and on the top addressed in to the Principal of St Xavier’s College. We thanked him and went back to our village.
When I went back to Ranchi and got the detailed marksheet etc, I got the form of St Xavier’s college, filled it and submitted it there. My father had decided that the recommendation letter would be used only in case I failed to get admission on my own.
When the first list of selected candidates was put up on St Xavier’s College notice board, my name was very much there. So there was no need for that recommendation letter. Nevertheless, my father opened the letter and read what was written in the recommendation letter. We found out that the father had written a very nice letter highly recommending my case for admission. But I was happy that we did not have to use such means (sifaarish) to get admission.
After I got admission in the college, I got “freedom” under the impression that I had matured being a college student. I used this new found “freedom” quite irresponsibly, I must say. I started to watch movies by bunking classes. It was in this movie watching spree that I watched “Hu Kisi Se Kam Nahin”(1979) during its second run, in 1978 or 1979, in a movie hall called “Sandhya” which was located on the same road where my college was located. By that time I had warmed up to the songs of this movie. I did not find the movie any great shakes though. I did not think then that Rishi Kapoor was really a better dancer than Tariq. I had my sympathies with Tariq.
Much to my good luck, I somehow survived by the skin of my teeth academically despite acting so recklessly. Today I have become so “mature” that I cannot spare time to watch most movies. How I wish I had some of my present “maturity” during late 1970s as well. 🙂
Today, exactly ten years after “Hum Kisi Se Kam Nahin”(1977) made its debut in the blog, here is another rollicking song from “Hum Kisi Se Kum Nahin”(1977). This song is sung by Kishore Kumar, with Asha Bhonsle chiming in towards the end of the song. Majrooh Sultanpuri is the lyricist. Music is composed by R D Burman. The song is picturised on Rishi Kapoor and Kajal Kiran.
Lyrics of this song were sent to me by Prakashchandra.
Audio link:
Video link:
Song-Hamko to yaara teri yaari jaan se pyaari (Hum Kisi Se Kum Nahin)(1977) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Lyrics(Provided by Prakashchandra)
(dialogues)
hamko to yaaraa teri yaari
jaan se pyaari
tu chaahey tod de ae
tujhko diwana kaissey chhod de
kaisey ae ae chhod de ae
hey hamko to yaraa teri yaari
jaan se pyaari
tu chaahe tod de ae
tujhko deewaana kaissey chhod de
kaissey ae ae chhod de ae ae
dil ke heerey moti aa jaa mere dil mein aa
tu hai daulat meri
aa meri manzil mein aa
ae meri tamannaa
tu kahin na ja
hayye rey haa…aaaye
kahin na jaa
ae dil ke heerey moti aa jaa mere dil mein aa
tu hai daulat meri aa meri manzil mein aa
ae meri tamannaa tu kahin na ja
hayye rey haa..aaye
kahin na jaa
hamko to yaaraa teri yaari
jaan se pyaari
tu chaahey tod de ae ae
tujhko deewana kaisey chhod de
kaisey ae ae chhod de ae
ho gaya tumhaara jab meri baahon ka haar
bech bhi daalo to mera kya hai dildaar
main to itna jaanoon
mujhko hai tumse pyaar
hayye rey haa..aaaye
tumse pyaar
ho gaya tumhaara jab meri baahon ka haar
bech bhi daalo to mera kya hai dildaar
main to itna jaanoon
mujhko hai tumse pyaar
hayye rey haa..aaye
tumse pyaar
hamko to yaraa teri yaari (dilbar)
jaan se pyaari (dilbar)
tu chaahey tod de ae ae
tujhko deewaana kaissey chhod de
kaisey ae ae chhod de ae ae
nanna
naa naa narey nanna
naa naa narey
nanna naa naa lala lalla laa laaa
laa laaa laaa laaa la laa laaaaaaa aaa aaaaaaaaaaaaa
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