Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Shamshad Begam Rafi duet’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shreemati 420″(1956) was produced and directed by G P Sippy. The movie had Meena Shorey, Johny Walker, Om Prakash, Kamal, Rajan Kapoor, Maya Das, Helen, Hari Shivdasani, Manorama, Baby Shashi, Uma Dutt, Ratan Gaurang etc in it.

This movie had nine songs in it. Seven of these songs have been discussed in the past.

Here is the eighth song from “Shreemati 420″(1956) to appear in the blog. This song is sung by Rafi and Shamshad Begam. Majrooh Sultanpuri is the lyricist. Music is composed by O P Nayyar.

Only the audio of this song is available. I requested our knowledgeable readers to throw light on the picturisation of this song.

After this song, only one more song is left. But this song, a Shamshad Begam song-“tum to hamre man meinb Bhagwan banke” does not seem to be available. So unless this song gets located, “Shreemati 420″(1956) will remain unYIPPEED and joins the list of movies whose final songs are not available , at least for now.


Song-Hey Bhagwaan kit jaaye base ho (Shrimati 420)(1956) Singers-Rafi, Shamshad Begam, Lyrics-Jaan Nisaar Akhtar, MD-O P Nayyar

Lyrics

gulaab chand ki tere jag mein kamaai ho nahin sakti
khudaai chhod de
tujhse khudaai ho nahin sakti
hey bhagwan kit jaaye base ho
hamri khaak udaaye
hamri khaak udaaye bhagwan
hey bhagwan kit jaaye

hum daulat waalon se tumhri shaan zamaane bhar mein ae ae
mandir aur shivale hamne baandh diye ghar ghar mein aen aen
mandir aur shivale hamne
aa aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa
mandir aur shivaale hamne
baandh diye ghar ghar mein aen aen
phir bhi nahin tum sunte bhagwan
phir bhi nahin tum sunte bhagwan
pade ho kaan daabaaye
hey bhagwan kit jaaye

mere gore gore gaal
raseeli ankhiyaan
mere gore gore gaal
raseeli ankhiya
jaadu kar gayi tori meethhi meethhi batiyaan
raat rangeeli dekh more sainya
raat rangeeli dekh more sainya
chanda ke rang jaisi gori gori bainya
chanda ke rang jaisi gori gori bainya
mukhda sajan jaise phool patiyaan aan
mukhda sajan jaise phool patiyaan
mere gore gore gaal raseeli ankhiyaan
mere gore gore gaal raseeli ankhiyaan

aa aa aa
ghar se gharwaali baahar
mera hua munh kaala aa aa
kaahe nikaala tumne hamri
izzat ka deewaala aa aa
gair ke sang meri
gair ke sang meri joru naache
mohe neend nahin aaye
hey bhagwan kit jaaye

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Paaras”(1949) was directed by Anant Thakur for All India Pictures, Bombay. The movie had Rehman, Kamini Kaushal, Murad, K. N. Singh, Madhubala, Sulochana Chatterji, Sapru, Gope, Amar, Pratima Devi, Cuckoo etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Paaras”(1949) was directed by Anant Thakur for All India Pictures, Bombay. The movie had Rehman, Kamini Kaushal, Murad, K. N. Singh, Madhubala, Sulochana Chatterji, Sapru, Gope, Amar, Pratima Devi, Cuckoo etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naazneen” (1951) was directed by N K Ziri (?) for All India Pictures. The movie had Nasir Khan, Madhubala, Pratima Devi, Cuckoo, Jayant, Agha, Chanchal, Ram Avtaar, Om Prakash etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 21
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‘ढ’
“ढोलक को खूब बजाओ, जानी को खूब नचाओ”

Today’s alphabet letter has been the most elusive to locate. Statistically, ‘ढ’ is one of the lesser used letters, and so, the songs starting with words starting with this alphabet are comparatively fewer in number. As I was poring through the song lists from various sources, the search always ended with just three songs starting with ‘ढ’. And incidentally, these three are well known songs, and are already posted on our blog. The search through the lists, whether from Geet Kosh or other sources, is sometimes a problem, because at times a leading couplet appears in the beginning, and ‘mukhda’ of the song appears in the later part of the title. Searching for such words in the title is a difficult and tedious task. But after some extra effort I was able to identify this song. Then I went back into the Geet Kosh again, and confirmed that the ‘mukhda’ of this song indeed starts with the word ‘ढोलक’.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s – 50
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Khud samajh lo ke iltijaa kya hai
Hamhin keh den to phir mazaa kya hai

Iltijaa= Request, desire

The matla (first) she’r of the above ghazal penned by Arzoo Lucknawi is apparently addressed to the ‘maashooqa’ (beloved) by ‘aashiq’ (lover) saying that the former should get a hint, may be the way he talks and treat the beloved, as to what is his request or what he is desirous of. There is no fun if he reveals his request/desire.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 5
– – – – – – – – – – – – – – – – – – – – – – – – – –

‘ऊ’
“ऊंची एड़ी है मांग टेड़ी टेड़ी दुपट्टा रंगदार कर के”

I am glad that I posted this song when I did. As per my search, this is possibly the last song of Rafi Sb that starts with ‘ऊ’, and not yet posted on our blog. Just made it by cat’s whiskers. Otherwise, I would have been expressing regrets, just like for ‘ई’.  🙂
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Saawan”(1959) was produced by Gulshan Behl and directed by Ramesh Tiwari for N C Films. The movie had Bharat Bhushan, Ameeta, Tuntun, Jeevan, Achala Sachdev, Leela Mishra, Tiwari(aka ramayan tiwari), Helen, Nishi, Majnu, Naaz, Kathana, Jagdish Kanwal etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Comedians were given due importance in old time films in general and in the Golden Era in particular. This fact can be noticed in movies produced from late 40s to late 60s.

Good, quality comedians entered films and succeeded. Roles were created and written for them and songs were filmed on them. A variety of comedy was offered to the audience. Slapstick comedy, situational comedy, farce, physical comedy and comedy of events- all these were lapped up by the public. Comedians like Dikshit and Ghori, V.H.Desai, Gope, Yaqub, Noor Mohd. Charlie became indispensable parts of films being produced those days.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – The Incomparable – 9
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Yes, it is that monsoon season. Monsoon has made the Mumbai city and the surrounds all “jal thal’. What came as welcome relief from the heat soon turned to a deluge, causing disruption.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has more than 12900 song posts by now.

This blog is active and online for over 3000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

12964

Number of movies covered in the blog

Movies with all their songs covered =909 Total Number of movies covered =3641

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Blog Start date: 19 july 2008 Active for 3000 days.
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