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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘sad song’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3713 Post No. : 14642

Ek kissa hai, Radha ka. There is a tale, of a girl named Radha. She was in her teens, ‘kamsin’ as they say in parlance – young and innocent in years; sporting dark tresses that reached her knees; her supremely fair and flawless skin as if made from milk; her eyes – bright, with a depth enough for a smitten heart to drown itself. She would come to the terrace to hang out the laundry for drying. Iqbal, smitten as he was with the beauty of this young lady, would wait everyday to fill his heart with her moving images. The fascination, the infatuation remained as it is, unexpressed – for he could never muster up enough courage to say or do anything to express his feelings. Fears and apprehensions of many kinds held him back. Radha, remained a puppy love dream – forever. But is sure did make a poet out of that obsessed heart that could not express itself to its beloved.

He penned the following lines, as his initiation into the world of verse writing,

खेंचते हैं अपनी जानिब यार ये गेसू मुझे
आ रही है हर तरफ से प्यार की खुशबू मुझे
एक राधा से हुई है जब से मेरी दोस्ती
सारी दुनिया कह रही है आजकल हिन्दू मुझे

These tresses of my beloved, beckon me
The fragrance of love is diffused all around me
Since my heart has made a friend named radha
All the world is calling me a hindu these days

By his own admission, he would never have taken to pen and paper, if by some God sent blessing, this infatuation would have ripened into a reciprocated affair, and if the two would have been betrothed. The world of letters, and the world of cinema would have been robbed of one of the best romantic poets of the Golden Era of the Hindi film music.

Iqbal Hussain, born on 15th April, 1927 in Jaipur, grew up to be known by his pen name more than anything else – Hasrat. And the city of his origin came in to complete his identity recognition – Jaipuri.

He passed away this day (17th September) in 1999 after a scintillating career of almost five decades as a songwriter. The unsuccessful saga of his first love was in any case immortalized. The famous aria venerating the identity of the romantic messaging device called the ‘प्रेम पत्र’ (love letter), was originally written for his Radha, of the terrace visits. The song it became is – “Ye Mera Prem Patra Padh Kar” (film ‘Sangam, 1964).

It is a temptation to revisit all the great poetry he has written, that has become popular and enduring. But then even this one night, sleepless per force, would be inadequate to do justice. But in any case, that sampling may just be a reprise for all the dear melodies that I am sure all readers and lovers of this music, have stored away in their memories.

And so I just introduce this one song today. This wonderful melody, for the longest of the time, I was under the impression that this one is already posted here. But today I discovered that it is still in waiting. The film is ‘Badnaam’ from 1952. The music director is Basant Prakash (brother of Khemchand Prakash). The baritone rich singing voice is that of Shankar Dasgupta. The verses, of course, are from the pen of Hasrat Jaipuri.

The first sub line of this poem imitates the well known starting words of the famous she’er – “Ye Ishq Nahin Asaan, Bas Itna Samajh Lijey. . .” from a ghazal by the maestro Jigar Moradabadi. But after that it goes on to take a powerful identity of its own with lines like “. . .zakhmon mein chhupa lena, tasveer e mohabbat ko. . .” and “. . .khud lut ke sikha dena, duniya ko wafa karna. . .”.

An immense ghazal – words, composition, rendition – all are superlative. With memories of Hasrat Sb, enjoy this wonderful creation.

[Author’s Note: The episode of the poet’s first love is adapted from the definitive article on Hasrat Jaipuri, from the book ‘Hindi Filmon Ke Geetkar’ by Anil Bhargav.]

Song – Ye Ishq Nahin Aasaan, Kaanton Pe Jiya Karna (Badnaam) (1952) Singer – Shankar Dasgupta, Lyrics – Hasrat Jaipuri, MD – Basant Prakash

Lyrics

ye ishq nahin aasaan
kaanton pe
kaanton pe jiya karna
kaanton pe jiya karna

ye ishq nahin aasaan
kaanton pe jiya karna
kaanton pe jiya karna
ashqon ka zehar hardam
khush ho ke piya karna
kaanton pe jiya karna

kehte hain jise ulfat
ye khel hai sholon ka
kehte hain jise ulfat
ye khel hai sholon ka
chupchaap hi jal jaana
hargiz na gila karna
kaanton pe jiya karna

zakhmon mein chhupa lena
tasveer e mohabbat ko
tasveer e mohabbat ko
zakhmon mein chhupa lena
tasveer e mohabbat ko
tasveer e mohabbat ko
khud lut ke sikha dena
duniya ko wafa karna
kaanton pe jiya karna

aise to kai toofaan
raahon mein sataayenge
aise to kai toofaan
raahon mein sataayenge
ghabra ken a darr jaana
manzil pe badha karna
kaanton pe jiya karna
ye ishq nahin aasaan
kaanton pe jiya karna
kaanton pe jiya karna

———————————-
Hindi script lyrics (Provided by Sudhir)
———————————–

ये इश्क़ नहीं आसान
काँटों पे
काँटों पे जिया करना
काँटों पे जिया करना

ये इश्क़ नहीं आसान
काँटों पे जिया करना
काँटों पे जिया करना
अशकों का ज़हर हरदम
खुश हो के पिया करना
काँटों पे जिया करना

कहते हैं जिसे उलफत
ये खेल है शोलों का
कहते हैं जिसे उलफत
ये खेल है शोलों का
चुपचाप ही जल जाना
हरगिज़ ना गिला करना
काँटों पे जिया करना

ज़ख़्मों में छुपा लेना
तस्वीर ए मोहब्बत को
तस्वीर ए मोहब्बत को
ज़ख़्मों में छुपा लेना
तस्वीर ए मोहब्बत को
तस्वीर ए मोहब्बत को
खुद लुट के सीखा देना
दुनिया को वफा करना
काँटों पे जिया करना

ऐसे तो कई तूफान
राहों में सताएंगे
ऐसे तो कई तूफान
राहों में सताएंगे
घबरा के न डर जाना
मंज़िल पे बढ़ा करना
काँटों पे जिया करना
ये इश्क़ नहीं आसान
काँटों पे जिया करना
काँटों पे जिया करना

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3690 Post No. : 14599

Mohammed Rafi – Duets – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 21
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘ट’ – टूटे तो टूटे कोई दिल का सहारा ॰ ॰ ॰

– – – –

हम आस किए जाते, तुम पास नहीं आते
जाना था चले जाते, मिलने को चले आते

Everyone has to depart, someday. But this beseeching yoke of memories is now becoming an encumbering burden, that would probably be lightened only when I myself will depart.

– – – –

Presenting the next episode in this series. With close to half of Rafi Sb’s songs already posted on the blog, it is getting to be not an easy job to find songs to fit the requirements of the series. The alphabet letter for today is ‘ट’. When we scan the list of songs, we find a long list of songs starting with ‘t’, but then on closer review, one finds that majority of these ‘t’ songs are actually for the syllable ‘त’ –  as in ‘तुम’, ‘तुम्हारे’, ‘तेरा’ etc. There are very few songs that will start with the sound of ‘ट’.

But then, the going is still good. In fact I found two very good songs that satisfy this criteria; the second one I found fit quite well into another series, so I kept that aside for now.

This song is from the film ‘Lagan’ from 1971. Prior to this, two other films by this same title have been made – on in 1941 and the second in 1955. This is the third one. The film is produced under the banner of RRK Combine of Madras (now Chennai), and is directed by Ramanna. The star cast of this film includes Nutan, Ajay Sahni, Prem Chopra, Farida Jalal, Jagdeep, Bindu, Sulochana, Shabnam, Jaishri T, Nazir Hussain, Beerbal, Dubey and Kailash Chopra amongst others.

The film is a family drama – a story about a mother (role played by Sulochana) and her two sons (roles played by Prem Chopra and Ajay Sahni aka Parikshit Sahni). They relocate from Burma to Bombay, and a good Samaritan soul (role played by Nazir Hussain) in the form of a friend of the lady’s late-husband, hands them over substantial assets that are the share of the late-husband. Life is comfortable, only that the elder son (Prem Chopra) is wayward, and seeks extra-marital happiness. His wife is on way for a child, and he mistreats her. When this become known to the mother, she resolves to take action against her elder son, and to set him right.

The film has six songs, all written by Anand Bakshi, and tuned to music by Laxmikant Pyaarelal. Some of the songs are well heard memories from radio listening days. I picked this song for being a duet of Rafi Sb, but could not locate its video. I even scanned the film quickly, but it seems this song has been excluded from the film.

A duet in the voice of Rafi Sb and Asha Bhosle, it seems like a sad song of separation. As I scanned the film, I really could not make out where and how this song might fit into the storyline. If it were a solo sad song, then it could have fit in well. But a sad song presented as a duet seems to have no place in the film.

And so, presenting the next in this series, a song that is presents  a complaint, possibly from to a separated companion, or may be to the Almighty.

Song – Toote To Toote Koi Dil Ka Sahaara  (Lagan) (1971) Singer – Mohammed Rafi, Asha Bhosle, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Rafi + Asha Bhosle

Lyrics

toote to toote koi dil ka sahaara
toote to toote koi dil ka sahaara
sahaara
ho hi raha hai phir bhi apna guzaara
ho hi raha hai phir bhi apna guzaara
roothe to roothe koi saathi hamaara
roothe to roothe koi saathi hamaara
hamaara
ho hi raha hai phir bhi apna guzaara

chaahe wafa kar chaahe kar bewafaai
chaahe wafa kar chaahe kar bewafaai
hum wo nahin jo denge teri duhaai
samjhe na samjhe zaalim tu ye ishaara
ishaara
ho hi raha hai phir bhi apna guzaara
toote to toote koi dil ka sahaara

ro ro ke phir na tera hum naam lenge
ro ro ke phir na tera hum naam lenge
baahen kisi ki bhi hum to thaam lenge
chhoote to chhoote hamse daaman tumhaara
tumhaara
ho hi raha hai phir bhi apna guzaara
toote to toote koi dil ka sahaara
roothe to roothe koi saathi hamaara
hamaara
ho hi raha hai phir bhi apna guzaara

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

टूटे तो टूटे कोई दिल का सहारा
टूटे तो टूटे कोई दिल का सहारा
सहारा
हो ही रहा है फिर भी अपना गुज़ारा
हो ही रहा है फिर भी अपना गुज़ारा
रूठे तो रूठे कोई साथी हमारा
रूठे तो रूठे कोई साथी हमारा
हमारा
हो ही रहा है फिर भी अपना गुज़ारा

चाहे वफा कर चाहे कर बेवफाई
चाहे वफा कर चाहे कर बेवफाई
हम वो नहीं जो देंगे तेरी दुहाई
समझे ना समझे ज़ालिम तू ये ईशारा
ईशारा
हो ही रहा है फिर भी अपना गुज़ारा
टूटे तो टूटे कोई दिल का सहारा

रो रो के फिर ना तेरा हम नाम लेंगे
रो रो के फिर ना तेरा हम नाम लेंगे
बाहें किसी की भी हम तो थाम लेंगे
छूटे तो छूटे हमसे दामन तुम्हारा
तुम्हारा
हो ही रहा है फिर भी अपना गुज़ारा
टूटे तो टूटे कोई दिल का सहारा
रूठे तो रूठे कोई साथी हमारा
हमारा
हो ही रहा है फिर भी अपना गुज़ारा


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3631 Post No. : 14457

Today 27th June (27th June, 1939 – 4th Jan, 1994) is the 79th birth anniversary of Rahul Dev Burman, whom we fondly remember as ‘Pancham’.

On this occasion here is a song from the 1985 Movie ‘Sitamgar’. Th film was directed by Raj N Sippy for Bikramjeet Films International, Bombay and produced by Bikram Singh Dehal. It had Dharmendra, Parveen Babi, Rishi Kapoor, Poonam Dhillon, Dr. Shreeram Lagoo, Prem Chopra, Jagdish Raj, Gurbachan, Ranvir Raj, Azad, Tilak Mehta, Raj Kaul, Shamsuddin, Nath Kamle, Ved Akash, Ashok Gaekwad, Master Alankar and Baby Geeta. Narendra Nath, Sonia Shania and Sudhir make special appearance in this movie.

Ved Aakash and Pankaj Kharbanda were the Chief Assistant Directors of this movie. Ashok Gaekwad was the Associate Director for this movie. V.N. Mayekar was the editor while Sakharam Borse assisted him in editing. Story and Screenplay of this movie was written by Mirza Brothers and dialogues were written by Dr. Rahi Masoom Raza. The movie was passed by the Censor Board on 08.03.1985.

This movie had six songs written by Majrooh Sultanpuri and composed by RD Burman (Manohari, Babloo and Martin were assistants). Asha Bhonsle, Kishore Kumar and Lata Mangeshkar gave their voices to the songs in this movie.

As the movie makes its debut on the blog today I can select only one song for today’s presentation. Going by the songs of this movie that I have already heard, I can say that some of them are very nice songs.

In 1985 the following movie with music composed by RD Burman were released,

  1. Rahi Badal Gaye
  2. Ram Tere Kitne Naam
  3. Hum Dono
  4. Ek Se Bhale Do
  5. Lava
  6. Zabardast
  7. Sitamgar
  8. Saagar
  9. Alag Alag
  10. Oonche Log
  11. Aawara Baap
  12. Arjun
  13. Hum Naujawan
  14. Shiva Kea Insaaf

From the above list one can easily understand that he was still there composing good music whereas it is said that he was passing through a lean phase and was overshadowed by other music directors during those years in the 1980s. Well, that is the subject for another post and so I am limiting my write-up for this presentation here only.

This movie also falls under one of my objective of ‘movie having the same title’. So far on the blog we have ‘Sitamgar’ from 1958 already launched earlier. As mentioned in HFGK Vol VI movie with same title was also released in 1934 & 1954, making it four times so where movies with same titles have been released. With today’s song, the film ‘Sitamgar’ of 1985 makes a debut on our blog.

Remembering Pancham Da today and his music let us move to the today’ song now. . .

 

Song – Hum Kitne Nadaan The Yaaro (Sitamgar) (1985) Singer – Kishore Kumar, Lyrics – Majrooh Sultanpuri, MD – RD Burman

Lyrics

ham kitne naadaan the yaaron
aaj ye samjhe
aaj ye jaana

ham kitne naadaan the yaaron
aaj ye samjhe
aaj ye jaana
sach hai agar to ek mohabbat
jhooth hai baaki saara fasaana
ham kitne naadaan the yaaron
aaj ye samjhe
aaj ye jaana

pad gaye jaise in aankhon pe
zulm ke nafrat ke parde
pad gaye jaise in aankhon pe
zulm ke nafrat ke parde
zindagi tera mujrim hoon main
ho sake to o maaf kar de
andhi raah ke andhe safar mein
beet gaya jeene ka zamaana
ham kitne naadaan the yaaron
aaj ye samjhe
aaj ye jaana

ab ye mohabbat ka
ehsaan hai
ye jo thhodi jaan hai mujhme
ab ye mohabbat ka
ehsaan hai
ye jo thhodi jaan hai mujhme
aap hi main jiska qaatil hoon
zindaa wo insaan hain mujhme
ham kitne naadaan thhe yaaron
aaj ye samjhe
aaj ye jaana
sach hai agar to ek mohabbat
jhooth hai baaki saara fasaana
ham kitne naadaan the yaaron
aaj ye samjhe
aaj ye jaana

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

हम कितने नादान थे यारों
आज ये समझे
आज ये जाना

हम कितने नादान थे यारों
आज ये समझे
आज ये जाना
सच है अगर तो एक मोहब्बत
झूठ है बाकी सारा फ़साना
हम कितने नादान थे यारों
आज ये समझे
आज ये जाना

पड़ गए जैसे इन आँखों पे
ज़ुल्म के नफरत के परदे
पड़ गए जैसे इन आँखों पे
ज़ुल्म के नफरत के परदे
ज़िन्दगी तेरा मुजरिम हूँ मैं
हो सके तो ओ माफ़ कर दे
अंधी राह के अंधे सफ़र में
बीत गया जीने का ज़माना
हम कितने नादान थे यारों
आज ये समझे
आज ये जाना

अब ये मोहब्बत का
एहसान है
ये जो थोड़ी जान है मुझमे
अब ये मोहब्बत का
एहसान है
ये जो थोड़ी जान है मुझमे
आप ही मैं जिसका कातिल हूँ
ज़िंदा वो इंसान हैं मुझमे
हम कितने नादान थे यारों
आज ये समझे
आज ये जाना
सच है अगर तो एक मोहब्बत
झूठ है बाकी सारा फ़साना
हम कितने नादान थे यारों
आज ये समझे …
आज ये जाना …


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3604 Post No. : 14383

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 68# Singer – Kishore Kumar
———————————————–——————–

My personal opinion is that wherever and whatever field we are we should have a purpose and we should contribute to enrich that surroundings we are, for however long or short a period we are there. It was not that I was so ‘intelligent’ since my younger days. The thinking is a result of my experience or you can say ‘mistakes’ 😊 which have taught me a lot and yes ‘age should not be the price one should pay for being experience’ (as Wise people say). But some people like me took years to realize the ‘world around’ and learn only from mistakes 😊

Ok, whatever it is!! Here on this blog ever since I have been associated with, I am trying to do so. And simultaneously I continue to keep adding something. As and when I notice it, I also try to bring to the notice of our ‘editors’ the small or big corrections and or missing links which we need to correct and or re-install. Well, it is a different matter, that since they are much busier and already loaded with lot of requests and mails, sometimes my requests just keep lying in the mail boxes (may be for years or more 😊).

 Few days back when I was browsing through my pending list I noticed the song under discussion today was pending since long. And when I just glance through some statistics of interest, I find that sharing this song with a post is going to serve some purpose.

When I was drafting this post the number of Kishore Kumar solo songs posted on the blog was at 498, so I thought I should push one ahead so that the milestone of 500 is achieved. But, in the meantime, I could not send the post and this milestone was already achieved on the blog. Later I thought maybe I send it for the auspicious ‘501’, but that also was not achieved. However, the ‘bigger reason’ to share this post was still there and posting of this song here today will push this movie- of which the today’s song is from – one step ahead in the ‘Yippeeee land’ as after this song only one song from this movie ‘Kaaran’ will be remaining to be posted on the blog.

‘Kaaran’ is a movie of 1980. Yes, as per HFGK and movie’s Censor Certificate, its movie of 1980 passed by Censor Board on 18.11.1980, maybe it was released in theatres in 1981 which is all possible. (So, this needs to be corrected on the blog and this is yet another purpose of this post).

‘Kaaran’ is directed by BR Ishara for Bhagyalakshami Chitra Mandir Combine, Bombay. It was produced by Gopi Rohra. It had Raj Kiran, Shoma Anand, Master Bittu, Arun Irani, Seema Deo, Ramesh Deo, Ashok Khanna, Sanu Sanyal, Shankar, Pardesi, PM Maniyar, RS Chopda, Shirvastava, Sunder Taneja, Kamal Thakur, Mona Sayeed, Ashish Oza, Soman Randhava, Amit Kumar, Shyam Solanki, Amarchand, and Naveen Nischol in a ‘special appearance’. Satyen Kappu, Dheeraj Kumar, Manhar Desai and Gulshan Arora make a ‘guest appearance’ in this movie. The story is written by Jyoti Swaroop and BR Ishara (spelt as B AAR Ishara in the movie titles 😊). Editing for this movie was done by LD Bhatia.

The movie has three songs – all solo songs sung by male singers viz. Kishore Kumar, Yesudas and Mohd Rafi. Lyrics for all the three songs are penned by Indeewar and music is composed by Usha Khanna. One song sung by Yesudas from this movie has been posted to cover a ‘major milestone’ on the blog i.e. 1000th lyrics Contribution of Prakashchandra ji.

Today we present the second song of this movie, which in the movie is the first song. I came across this song almost more than five years back when I was a ‘newcomer’ on the blog 😊. I have not watched this movie so can’t say much about its story and its performance at the box-office. I would request knowledgeable readers to throw more light on the movie and its songs.

With a ‘purpose’ and ‘reason’ for this presentation and continuing with the journey of Kishore Kumar’s songs from the ‘decade of seventies’ let us now enjoy this poignant song. . . 

kaaran naa jaane koi…

 

Song – Kaaran Na Jaane Koi (Kaaran) (1980) Singer – Kishore Kumar, Lyrics – Indeewar, MD – Usha Khanna

Lyrics

kaaran na jaane koi
dil royaa aankh na royi
kaaran na jaane koi
toofaan dubotaa
to shikwaa na hotaa

khewaiyya ne naiyaa duboyee ee ee
kaaran na jaane koi
dil royaa aankh na royi
kaaran na jaane koi

apna kaha na mujhko kisi ne
kya main itna paraaya hoon
chalte hain sab mujhse bachke
kya main gunaahon ka saaya hoon
phir na jaagi kismat aisi
maut ki neendiya soyi ee ee
kaaran na jaane koi
dil royaa aankh naa royi
kaaran na jaane koi

patthar ko bhi chot lagey to
aag ugalney lagta hai
jag ko jalaakar dam leta hai
jab dil jalne lagta hai
phool bana hai bahaar ka dushman
baagh bachega na koi ee ee
kaaran na jaane koi
dil royaa aankh na royi
kaaran na jaane koi

aa ha ha ha aa ha
ho ho ho o ho ho o

pyaar jinhen milta hain kisi ka
wo sansaar sajaate hain
thukraaye jaate hain jo
duniyaa mein tabaahee laatein hain
suraj ne bhi andheron mein pal kar
roshni kaise khoi ee ee
kaaran na jaane koi
dil royaa aankh na royi ee
kaaran na jaane koi

ped binaa phal
phool binaa phulwaari adhoori hoti hai
jaagti hai jab mamta mann mein
naari poori hoti hai
mom ke jaisa patthar pighla
dil royaa aankh bhi royi ee ee
kaaran na jaane koi
dil royaa aankh bhi royi
kaaran na jaane koi
kaaran na jaane koi

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

कारण न जाने कोई
दिल रोया आँख ना रोई
कारण न जाने कोई
तूफ़ान डूबोता तो शिकवा न होता
खेवैय्या ने नैय्या डूबोयी ई ई
कारण न जाने कोई
दिल रोया आँख ना रोई
कारण न जाने कोई

अपना कहा ना मुझको किसीने
क्या मैं इतना पराया हूँ
चलते हैं सब मुझसे बचके
क्या मैं गुनाहों का साया हूँ
फिर ना जागी किस्मत ऐसी
मौत कि नींदिया सोयी ई ई
कारण न जाने कोई
दिल रोया आँख ना रोई
कारण न जाने कोई

पत्थर को भी चोट लगे तो
आग उगलने लगता हैं
जग को जलाकर दम लेता हैं
जब दिल जलने लगता हैं
फूल बना है बहार का दुश्मन
बाग़ बचेगा ना कोई ई ई
कारण न जाने कोई
दिल रोया आँख ना रोई
कारण न जाने कोई

आ हा हा हा आ हा
हो हो हो ओ हो हो ओ

प्यार जिन्हें मिलता हैं किसी का
वो संसार सजाते हैं
ठुकराए जाते हैं जो
दुनिया में तबाही लातें हैं
सूरज ने भी अंधेरों में पल कर
रौशनी कैसे खोयी ई ई
कारण न जाने कोई
दिल रोया आँख ना रोई
कारण न जाने कोई

पेड़ बिना फल
फूल बिना फुलवारी अधूरी होती हैं
जागती हैं जब ममता मन में
नारी पूरी होती हैं
मोम के जैसा पत्थर पिघला
दिल रोया आँख भी रोयी ई ई
कारण न जाने कोई
दिल रोया आँख भी रोई
कारण न जाने कोई
कारण न जाने कोई


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3598 Post No. : 14361

Atul ji, in many of his posts presenting Kishore Kumar songs from the eighties has mentioned this, that though the golden era of music was over by the beginning of eighties, still many gem songs also happened to be created in the decade of eighties, and particularly in case of Kishore Kumar songs. And one of the reasons for this may be because Kishore Kumar’s peak period started in 1970 and lasted till his death in 1987.

I am presenting one such song today which is from the 1984 movie ‘Farishta’. Movies by this name have also been released in earlier decades, notably in 1958 and 1968, we had movies with the same title.

This film was Pran Saab’s presentation for his home production Sikand Films (which I was not aware of till writing of this post). It is directed by Sunil Sikand (Pran Saab’s son), who was also the producer and story writer of this movie. He also co-authored the screenplay with Tapan Chakravarty.

The cast of actors includes Ashok Kumar, Kanwaljeet Singh, Master Raju, Ambika Shourie, Danny and Pran. Bharat Bhushan, Azaad and Master Rajiv Bhatia also have supporting roles in this movie. Smita Patil makes a special appearance in this movie. The movie introduced – Shera – a wonder dog in this movie.

(Other credits: Sudesh Iyer was the Chief Assistant Director; David Dhawan was the editor; of this movie; Gyandev Agnihotri wrote the scenario; and the dialogues were written by Pradeep Roy Choudhary. It was passed by Censor Board on 13.10.1983.).

Lyrics for this movie are written by Anand Bakshi and the music is composed by RD Burman. Kishore Kumar, Amit Kumar, Suresh Wadkar, Anuradha Paudwal and Master Vivek Bajaj gave their voices to the songs in this movie.

Let us now enjoy today’s song sung by Kishore Kumar which is performed on screen by Pran Saab. Master Raju and others can be seen in the picturization of this song. With this song the movie ‘Farishta’ makes its debut on the blog today.

zamaane mein koyee hamaaraa nahin. . .

Song – Zamaane Mein Koi Hamaara Nahin (Farishta) (1983) Singer – Kishore Kumar, Lyrics – Anand Bakshi, MD – RD Burman

Lyrics

zamaane mein koi
hamaara nahin
kisi ka bhi hum ko
sahaara nahin

zamaane mein koi

zamaane mein koi
hamaara nahin ee
kisi ka bhi hum ko
sahaara nahin

naseebon ke kaale
savere to hain
garibon ke ghar mein
andhere to hain
naseebon ke kaale
savere to hain
garibon ke ghar mein
andhere to hain
koi chaand koy sitaaraa nahin
kisi ka bhi hamko
sahaara nahin

sabhi ke liye ek
duniya hai ye
hamaare liye gham ka
dariya hai ye

sabhi ke liye ek
duniya hai ye
hamaare liye gham ka
dariya hai ye
bhanwar hi bhanwar hai ye
kinaara nahin
kisi ka bhi hamko
sahaara nahin

kahin se kisi ne na
awaaz di
rahe chup khuda aur
bhagwaan bhi
kahin se kisi ne na
awaaz di
rahe chup khuda aur
bhagwaan bhi
bhagwaan bhi
kisey hum ne ja kar
pukaara nahin
kisi ka bhi hamko
sahaara nahin
sahaaraa nahin
sahaara nahin

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————
ज़माने में कोई
हमारा नहीं
किसी का भी हमको
सहारा नहीं

ज़माने में कोई

ज़माने में कोई
हमारा नहीं
किसी का भी हमको ओ
सहारा नहीं

नसीबों के काले
सवेरे तो हैं
गरीबों के घर में
अँधेरे तो हैं

नसीबों के काले
सवेरे तो हैं
गरीबों के घर में
अँधेरे तो हैं
कोई चाँद कोई
सितारा नहीं
किसी का भी हमको
सहारा नहीं

सभी के लिए एक
दुनिया हैं ये
हमारे लिए ग़म का
दरिया हैं ये

सभी के लिए एक
दुनिया हैं ये
हमारे लिए ग़म का
दरिया हैं ये
भंवर ही भंवर है ये
किनारा नहीं
किसी का भी हमको
सहारा नहीं

कहीं से किसी ने ना
आवाज़ दी
रहे चुप खुदा और
भगवान् भी

कहीं से किसी ने ना
आवाज़ दी
रहे चुप खुदा और
भगवान् भी
भगवान् भी

किसे हमने जाकर
पुकारा नहीं
किसी का भी हमको
सहारा नहीं
सहारा नहीं
सहारा नहीं

 


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3569 Post No. : 14305

Thoda Sa Dil Laga Ke Dekh. . .

Film – ‘Musafirkhana’ from 1955, she plays the role Mary, the love interest of Frankie (Johnny Walker). Mary’s mother fancies another match for her daughter, and Frankie is contemplating suicide on that account. As it often happens in films, Mary breaks out into a song, trying to lift up Frankie’s dying spirits.

1958 – she plays the role of Nargis, the bosom friend of Sheela (Nutan), in this confused and comic scenario of mixed identities and true love – ‘Aakhiri Daao’. Funny to note that Nargis is her real name. And casting credit lists her assumed name. Always life is so interesting.

On to 1960 and ‘Dil Apna Aur Preet Paraayi’. Now she is Sheela, the naughty and playful nurse, who is reprimanded by the head nurse for putting on too much lipstick. Then it is ‘Half Ticket’ in 1962. As Lily, a partner in crime with Raja Babu (Pran) – the scene is simply hilarious, as she tries again and again to pat Vijay’s (Kishore Kumar) bottom – actually his back pocket, searching for an expensive diamond that Raja Babu has hidden there. There is a whole music and dance sequence, with a tape recorder keeping company, as she tries to extract the stolen goods from Vijay, without letting him know.

In 1965, she is Stella, the au pair companion to Rita (Nanda), in the musical romantic drama ‘Jab Jab Phool Khile’. 1970, moving into senior roles; the film is ‘Purab Aur Paschim’, and she herself is Rita, the British Indian wife of Sharma (Madan Puri), always with a smoking cigarette in her hand.

Fast forward forty years, to 2012 – she is very much on screen, this time playing the mother in law to Nargis (Daisy Irani) and grandmother of Farhad (Boman Irani) in ‘Shirin Farhad Ki To Nikal Padi’.

6th March earlier this year, she passed away in her sleep, just some weeks short of her 89th birthday. A memorable career for more than six decades, with quite over 200 films in her portfolio, and a number of very successful TV serials thrown in for good measure. Nargis Rabadi – she would have been 89 today.

Born this day in 1929, Nargis’ father was a priest in the Parsi temple. She was just 3 years old when her father passed away. Her mother raised her two daughters, working as a cook at the Parsi community festivals. After completing her studies, her elder sister got a job as an office secretary at Johnson & Johnson. So when Nargis completed her studies, she also came to Johnson & Johnson, working in the packaging department.

A close family friend and uncle, Chinuu Mama, was associated with the film industry. One thing led to another, and Nargis was introduced to Sheikh Mukhtar, who at that time was searching for a second lead lady for his film ‘Ustad Pedro’ (1951). At first, he was concerned that Nargis may not be able to handle the Hindi/Urdu dialogue, being a Parsi. But Nargis talked to him and the director Harish, and they were convinced she could do the role. That’s how she got her first break in films.

And with the first break, she also got a new name. The film’s director was concerned that her name might be confused with another rising star of those years – Nargis. And so he suggested her to change her name to Shammi. She did, and the name served her well for the remainder of her life. In later years, she became to be better known as Shammi Aunty.

Stringing through the cameos above, an interesting thing emerges. Her name is Nargis. She changes that to Shammi. In the 1958 film ‘Aakhiri Daao’, her name in credit appears as ‘Shammi’, and her screen name is Nargis. Then in 2012, her screen name is not clearly evident (in ‘Shirin Farhad. . .’), but then her daughter in law (Daisy Irani) has the screen name of Nargis. 🙂

Alongside ‘Ustad Pedro’, Harish was also directing another film at the same time – ‘Malhaar’ (produced by Mukesh, the singer). Impressed by her performance during the shooting of ‘Ustad Pedro’, he cast her as the heroine of ‘Malhaar’ opposite to another new face, Arjun. Although ‘Ustad Pedro’ did good business and was popular, ‘Malhaar’ failed to impress at the box office. The prospects of growing as a leading lady in the industry slowly receded.

But on the other hand, she became very much in demand for second lead female roles. Especially if the role demanded some comic goofiness, Shammi was quite the first name that the producers thought of. With little breaks here and there, she continued her cinematic journey, playing oh so many an endearing roles, leaving behind indelible memories. The wide eyed shocked look on her face as she opens the door to find her grandson (Boman Irani) standing there, as if coming out of a melee – is simply priceless. So many more of such moments flicker through the mind’s eye, as I pull together this piece today.

The song that I present today, however, is on a more somber note, the words expressing the very emotion that the heart wants to convey – “तुम चले॰॰॰ क्यों चले”. The film is ‘Awaara Ladki’ from 1967. This is an Asha Bhosle solo rendition that is picturized on a much younger Shammi. In the clip, we also see Sudesh Kumar – with a very lost look on his face, walking away from her, and then the song begins.

It is a peculiar situation – I am reminded of the one earlier song that I had posted from this film. The emotional mood of the song and the situation of that song is precisely the same – Sudesh Kumar + lost look + walking away, only the lady singing that song is different. It is Sheela Ramani singing “Arre Jaane Waale Nazar To Mila Ja”. Discovery of these two similar songs indicate some sort of a love triangle in the film’s story. Interesting – prompts me to watch this film.

This song is not listed in the Geet Kosh, although the print does indicate that there are more songs than the four listed. Music is by Dhaniram, and the uploader of this video clip, a dear friend Dharmesh from Rohtak, has indicated that the lyrics are from the pen of Kaif Irfani. So I will go by that information for now.

Bidding a good bye to a dear goofy artist, and to the long innings she has played on screen. Rest in peace, Nargis; or maybe I should say, wallow in mirth Shammi Aunty, wherever you are.

Adios and farewell.

 

Song – Tum Chale. . . Kyon Chale  (Awaara Ladki) (1967) Singer – Asha Bhosle, Lyrics – Kaif Irfani, MD – Dhaniram

 

Lyrics

toot chukka hai
dil pehle bhi
soch to mujh par thukraate zaalim
na loot naseeba banta hai abhi bhi

tum chale. . .  kyon chale
tum chale. . .  kyon chale
doley hansi labon pe
doley hansi labon pe
bhool rahe hain muskaana
bhool rahe hain muskaana
tum chale. . .  kyon chale

dhadkan ke saaz par hook ye kehti
dhadkan ke saaz par hook ye kehti
palak kinaara nadiyaan ansuwan ki behtin
palak kinaara nadiyaan ansuwan ki behtin
shaam e gham hi mera mausam suhaana
bhool rahe hain muskaana
bhool rahe hain muskaana
tum chale. . .  kyon chale

shab se shabnam rotey rotey kehti
shab se shabnam rotey rotey kehti
besahaara aaj dekh ek taara
besahaara
sun zara haaye
kehta angaara afsaana
bhool rahe hain muskaana
tum chale. . .  kyon chale

bin ishaare tere maut bhi na aati
bin ishaare tere maut bhi na aati
tu kar ehsaan main nadaan sahi
nadaan sahi
maut ki maujon mein
beh jaaun to chale jaana
bhool rahe hain muskaana
tum chale. . .  kyon chale

tum chale. . .  kyon chale
doley hansi labon pe
doley hansi labon pe
doley hansi labon pe
doley hansi labon pe
doley hansi labon pe
doley hansi labon pe

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

 

टूट चुका है
दिल पहले भी
सोच तो मुझ पर ठुकराते ज़ालिम
ना लूट नसीबा बनता है अभी भी

तुम चले॰ ॰ ॰ क्यों चले
तुम चले॰ ॰ ॰ क्यों चले
भूल रहे हैं मुसकाना
भूल रहे हैं मुसकाना
तुम चले॰ ॰ ॰ क्यों चले

धड़कन के साज पर हूक ये कहती
धड़कन के साज पर हूक ये कहती
पालक किनारा नदियां अंसुवन की बहतीं
पालक किनारा नदियां अंसुवन की बहतीं
शाम ए ग़म ही मेरा मौसम सुहाना
भूल रहे हैं मुसकाना
भूल रहे हैं मुसकाना
तुम चले॰ ॰ ॰ क्यों चले

शब से शबनम रोते रोते कहती
शब से शबनम रोते रोते कहती
बेसहारा आज देख एक तारा
बेसहारा
सुन ज़रा हाए
कहता अंगारा अफसाना
भूल रहे हैं मुसकाना
तुम चले॰ ॰ ॰ क्यों चले

बिन इशारे तेरे मौत भी ना आती
बिन इशारे तेरे मौत भी ना आती
तू कर एहसान मैं नादान सही
नादान सही
मौत की मौजों में
बह जाऊँ तो चले जाना
भूल रहे हैं मुसकाना
तुम चले॰ ॰ ॰ क्यों चले

तुम चले॰ ॰ ॰ क्यों चले
डोले हंसी लबों पे
डोले हंसी लबों पे
डोले हंसी लबों पे
डोले हंसी लबों पे
डोले हंसी लबों पे
डोले हंसी लबों पे


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3515 Post No. : 14118

Today’s song is from the 1952 film ‘Aandhiyaan’.

The early part of the 1950s was a turbulent period for the Hindi film industry. A wholesale, but silent change was taking pace. Though the exchange of film fraternity from India to Pakistan and vice versa had slowed down, the vacancies created by the exit of actors, directors and composers were getting filled up fast. At the same time, the older generation of artistes was slowly fading out, giving way to the artists of the newer generation.

Changes were taking place even in other areas, like public tastes in music and the film contents. This automatically changed the face of the film music and the type of film stories presented. Hindi films were now becoming entertainment oriented, taking a precedence over films discussing social reforms. Surprisingly, the decade of the 50s became a ‘ Golden Period ‘ for mythological, religious and devotional films. As many as 124 such films were released in 10 years from 1950 to 1959. This gave roughly an average of one such film released every month continuously for 10 years !

Older composers like Gyan Dutt, Husnlal Bhagatram, K Datta, Hansraj Behl etc were on the decline and the newer ones like Shankar-Jaikishen, Madan Mohan, OP Nayyar etc. prospered. Some old stalwarts like Naushad, C Ramchandra and SD Burman continued their popularity for many more years. Actors, who had entered this field in the second half of the 40s pushed hard to establish themselves into this new set up. It was easier for them to adapt their working pattern to suit the new tastes. One such actor was Dev Anand.

By the end of second world war, writer director Chetan Anand was struggling hard. He wrote dramas, worked for All India Radio, worked even for BBC and finally met KA Abbas of IPTA. Meanwhile, his brother Dev Anand too, after graduation, came down to Bombay and worked in the British Censor Office at a salary of Rs. 160 pm. He too joined IPTA. The brothers worked there and acted in IPTA’s drama, ‘Zubeida’. But their target was Hindi films. Luckily, in 1945, Dev got a role in Prabhat’s film ‘Hum Ek Hain’ and same time Chetan also became Director of India Pictures’ film ‘Neecha Nagar’. Both films were released in 1946 and flopped at the same time. ‘Neecha Nagar’ was critically acclaimed but popularly rejected. Till 1948, every film of Dev Anand was a flop. ‘Ziddi’ (1948), a film which he got courtesy Ashok kumar, was a hit film. Then came Madhubala and ‘Niraala’ (1950).

One day, Dev Anand went to Makanlal Jain, owner of M and T Films, and asked for his full payment in advance and also some more as a loan. Jain liked and trusted Dev, so he gave all that money to him. Dev took all that money to Chetan Anand and said, “Let us start our own banner. I will be the hero and you be the director. Suraiyya will be our heroine”. They established Navketan in 1949. Nav means New and Ketan was the name of Chetan’s son. They established their first office in room number 147 in Famous Studios, Mahalaxmi, Bombay.

Chetan Anand had written a drama ‘The Inspector General’, inspired by Nikolai Gogol’s drama ‘The Government Inspector’. With suitable adaptation in this drama, Navketan’s first film,’Afsar’ (1950) was made on shoe string budget, within six months. The film was released on 16-6-1950. And it promptly flopped. For their next film, they called in their good friend Guru Dutt to be the director and selected a crime story. They needed a new heroine. Mona Sinha, a cousin of Uma Anand (Chetan Anand’s wife) had come to Bombay as their guest. Chetan selected her and changed her name to Kalpana Kartik. She became the heroine of 7 Navketan films. Later on, when Dev Anand married Kalpana Kartik in 1954, Chetan Anand, in addition to being his brother, also became his co-Brother ( साडू ).

The film that Guru Dutt directed for Navketan – ‘Baazi’ (1951) became a hit film and it gave Navketan the much needed stability. Two more films were planned, ‘Aandhiyaan’ (1952) and ‘Humsafar’ (1953). Again, both films were flops. Navketan decided to fall back on a crime story once again. Uma Anand wrote the story, Chetan wrote the screenplay and Vijay Anand wrote the dialogues. SD Burman was brought back for the music – the music of ‘Baazi’ had also been a hit. The film – ‘Taxi Driver’ was directed by Chetan Anand and it became an unprecedented hit film. The songs became popular and SD Burman got the Filmfare award too. ‘Taxi Driver’ was also the first film showing the new logo of Navketan for the first time.

Coming to the film we are discussing today. ‘Aandhiyaan’ was written by Chetan Anand and Hameed Bhatt – his friend from their IPTA days. This time music was composed by Ustad Ali Akbar Khan. Jaidev, who had learnt sarod from the Ustad, became his assistant for this and the next film. Ten years later Jaidev would independently give music to Navketan’s hit film, ‘Hum Dono’ (1961). All the 8 songs of ‘Aandhiyaan’ were written by Pt Narendra Sharma. 5 singers – Lata, Asha, Hemant Kumar, Laxmi Shankar and Surinder Kaur were used. Lata sang a long song in 3-parts, which is being presented today. It is almost 10 minutes long. One of the commenters on YouTube has stated that this was originally recorded as a 6-part song. Since HFGK reports only 3 parts, either the claim is wrong or the other 3 parts must have been discarded before the film took final shape.

The choreography for the film was done by Laxmi Shankar, who also sang one song in the film. The cast of the film was Dev Anand, Kalpana Kartik, Nimmi, KN Singh, MA Latif, Leela Mishra, Durga Khote etc. Johnny Walker had a small role in the film, probably as a mascot (which did not work this time). The story of the film is

Ram Mohan (Dev Anand) is a sincere and hard working advocate. He is the legal advisor to Seth Deen Dayal (MA Latif). Seth ji’s daughter Janki (Kalpana Kartik) and Ram Mohan are in love. Seth ji gives his consent for their marriage and they are engaged. Raami (Nimmi) secretly loves Ram Mohan but never expresses her love. Another businessman Kuber Das (KN Singh) wants to marry Janki.

Janki’s mother falls ill and Seth ji spends all his money on her treatment. Finally, he even asks for a loan from Kuber Das. Kuber puts a condition that Janki should marry him. With all other sources exhausted, Seth ji has no option. Janki also is ready to marry  Kuber to save her mother. Thus Kuber marries Janki. When Janki’s mother comes to know this, she goes into a shock and passes away.

Kuber wants Janki to sleep with him, but she refuses. When he forces, Janki runs away and collides with Raami, who had come there to inform her about her mother’s death. When she sees Kuber forcing Janki, Raami kills Kuber Das. She is arrested and brought to court. Before she gets to hear her sentence she dies in the courtroom itself.

Ram Mohan and Janki get married. (No. 651)

 


Song – Hai Kahin Par Shaadmaani Aur Kahin Nashaadiyaan (Aandhiyaan) (1952) Singer – Lata Mangeshkar, Lyrics – Pt Narendra Sharma, Music – Ustad Ali Akbar Khan

Lyrics (Provided by Sudhir)

———–
Part 1
———–
hai kahin par shaadmaani
aur kahin nashaadiyaan
aati hain duniya mein sukh dukh ki
sadaa yun aandhiyaan
aandhiyaan
aati hain duniya mein sukh dukh ki
sadaa yun aandhiyaan
aandhiyaan
hai kahin par shaadmaani
aur kahin nashaadiyaan

kya raaz hai
kya raaz hai..ai..ai
kya raaz hai
kya raaz hai
aaj parwaane ko bhi
apni lagan par naaz hai
naaz hai
kyon shama bechain hai
khamosh honay ke liye..e..e
kyon shama bechain hai
khamosh honay ke liye
aansuon ki kya zaroorat
aansuon ki kya zaroorat
dil ko roney ke liye
dil ko roney ke liye
tere dil ka saaz pagli
tere dil ka saaz pagli
aaj be-awaaz hai
aaj be-awaaz hai

hai kahin par shaadmaani
aur kahin nashaadiyaan..aan..aan

———–
Part 2
———–

aaa aaaa aaa
aaaaa aaaa aaa
aaaaa aaaaa aaaaa aaaaa
aaaa aaa aaaa aaa

hai kahin par shaadmaani
aur kahin nashaadiyaan
hai kahin par shaadmaani
aur kahin nashaadiyaan
aati hain duniya mein sukh dukh ki
sadaa yun aandhiyaan
aandhiyaan

aain aisi aandhiaan
aain aisi aandhiaan
aaan..dhi..aa..aa.aan
bujh gaya ghar ka chirag
dhul nahin sakta kabhi
jo pad gaya aanchal mein daa..aa..aagh
dhul nahin sakta kabhi
jo pad gaya aanchal mein daagh
the jahaan armaan
the jahaan armaan
us dil ko milin barbaadiaan
barbaadiaan

hai kahin par shaadmaani
aur kahin nashaadiyaa..aa..aan

———–
Part 3
———–

aaaa aaaa aaaa aaaa
aaaa aaaaaa aaaaaaa aaa

aaaa aaaaa aaaaaaaa
aaaaa aaaaa aaaaaaa aaaaa aaaaa aaaaaaaaaaa

zindagi ke sabz daaman mein
zindagi ke sabz daaman mein
kabhi phoolon ke baag
zindagi ke sabz daaman mein

zindagi ke surkh daaman mein
kabhi kaanton ke daagh
zindagi ke surkh daaman mein
kabhi kaanton ke daagh

kabhi phoolon ke baagh
kabhi kaanton ke daagh

phool kaanton se bhari hain
zindagi ki vaadiaan
aati hain duniya mein sukh dukh ki
sadaa yun aandhiyaan
aandhiyaan
hai kahin par shaadmaani
aur kahin nashaadiyaan

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
———–
भाग १
———–

है कहीं पर शादमानी
और कहीं नाशादियां
आती हैं दुनिया में सुख दुख की
सदा यूं आंधियाँ
आंधियाँ
आती हैं दुनिया में सुख दुख की
सदा यूं आंधियाँ
आंधियाँ
है कहीं पर शादमानी
और कहीं नाशादियां

क्या राज़ है
क्या राज़ है॰॰ऐ॰॰ऐ
क्या राज़ है
क्या राज़ है
आज परवाने को भी’
अपनी लगन पे नाज़ है
नाज़ है
क्यों शमा बेचैन है
खामोश होने के लिए॰॰ए॰॰ए
क्यों शमा बेचैन है
खामोश होने के लिए
आंसुओं की क्या ज़रूरत
आंसुओं की क्या ज़रूरत
दिल को रोने के लिए
दिल को रोने के लिए
तेरे दिल का साज़ पगली
तेरे दिल का साज़ पगली
आज बेआवाज़ है
आज बेआवाज़ है

है कहीं पर शादमानी
और कहीं नाशादियां

———–
भाग २
———–
आss आsss आss
आssss आsss आss
आssss आssss आsssss आssss
आsss आss आsss आss

है कहीं पर शादमानी
और कहीं नाशादियां
है कहीं पर शादमानी
और कहीं नाशादियां
आती हैं दुनिया में सुख दुख की
सदा यूं आंधियाँ
आंधियाँ

आईं ऐसी आंधियां
आईं ऐसी आंधियां
आं॰॰धि॰॰आ॰॰यां
बुझ गया गहर का चिराग
धुल नहीं सकता कभी
जो पदगाया आँचल में दा॰॰आ॰॰आग़
धुल नहीं सकता कभी
जो पदगाया आँचल में दाग़
थे जहां अरमां
थे जहां अरमां
उस दिल को मिलीं
बरबादीयां
है कहीं पर शादमानी
और कहीं नाशादियां

———–
भाग ३
———–
आss आss आss आss
आss आsssss आssssss आss

आss आsss आssssss
आssss आssss आssssss आssss आssss
आssssssss

ज़िंदगी के सब्ज़ दामन में
ज़िंदगी के सब्ज़ दामन में
कभी फूलों के बाग
ज़िंदगी के सब्ज़ दामन में

ज़िंदगी के सुर्ख दामन में
कभी काँटों के दाग़
ज़िंदगी के सुर्ख दामन में
कभी काँटों के दाग़

कभी फूलों के बाग
कभी काँटों के दाग़
फूल काँटों से भरी हैं
ज़िंदगी की वादियाँ
आती हैं दुनिया में सुख दुख की
सदा यूं आंधियाँ
आंधियाँ
आंधियाँ
है कहीं पर शादमानी
और कहीं नाशादियां


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3514 Post No. : 14114

#the Decade of Seventies – 1971 – 1980 #
—————————————————————
# Bhoole-Bisre Geet # 64# Singer – Kishore Kumar
———————————————–—————————-

In my opinion, Kishore Kumar’s voice reached a different and special plane altogether during late 1960s as compared to his voice prior to earlier years i.e. pre ‘Padosan'(1968) and ‘Aradhana’ (1969). He retained that “something special” in his voice for the rest of his career. His voice was at its ‘versatile peak’ during this phase of his career.

Kishore Kumar was popularly known as the voice of ‘Rajesh Khanna’ during 1970s, but he was also singing for most other actors, whether they were the established stars of the time or newcomers. Today’s song is one such special song. I became aware of this song only in September 2016.

It was during my stay at Nagpur that I had marked this song for presentation here on the blog. When I checked HFGK for this movie songs, I discovered that this song had two versions viz a ‘happy’ as well as ‘sad’. However, at that time only the sad version of this song was available, so I forwarded the movie link to my friend so that he could make the fast version of the song available in time for Holi of 2017. But somehow it did not materialize.

Later on, due to change in my job location it got further delayed. It was just about five weeks back that I requested our beloved Raja Saab to upload video of this song and he, as he always does, was kind enough to respond to my request and he has uploaded both the video versions of this song. (Thank you, Raja Saab, for the videos of both versions of this song). Meanwhile, I also discovered that audio of the ‘happy’ version was also available on YT.

This is a song celebrating ‘Holi’ – the festival of colors – and thus today on the occasion of ‘Holi’ let us enjoy this song from the ‘1975’ movie ‘Andhera’.

‘Andhera’ was directed by Tulsi Ramsay and Shyam Ramsay for their home production under the banner of Ramsay Films, Bombay. It was produced by F.U. Ramsay who also wrote the story of this movie. The star cast of this movie includes Sameer, Vani Ganpati, Surendra Kumar, Imtiaz, Helen, Satyen Kappu, Krishan Dhawan, Mukri, Dulari, Shekhar Purohit, Kumud Tripathi, Tuntun, Heeralal, Murad, Kukku, Arvind Pandya, Major Anand, Madhu, Habib, Moolchand, Seema Kapoor, Ashoo and others.

Dialogues for this movie were written by Kafeel Azar. Shyam Ramsay was the Chief Assistant Editor and Arjun Ramsay was the Associate Director. Editing was done by Bal Korde. Kumar Ramsay was the Executive Producer for this movie and he also wrote the screenplay of this movie.

This movie has four songs. Lyrics for all these songs are penned by Gulshan Bawra. Music for this movie is composed by Sonik-Omi. All the songs are solo songs; two by Kishore Kumar , and other two by Asha Bhonsle. Today’s song is sung by Kishore Kumar and it has two versions ‘happy’and ‘sad’ (or fast and slow 🙂 ). More than the fast version I like the slow version and its tune grows up on one as one listens to it repeatedly

Let us now enjoy this song!!! With this song, ‘Andhera’ (1975) makes its debut in the blog.

Wishing all readers and members of this blog a very happy, peaceful, safe and colorful Holi 2018 …!!!

 

Video-Happy version

Video (sad version-partial)

Audio-Sad version-longer

Song-Rang doonga sabko main pyaar bhari baaton se (Andhera)(1975) Singer-Kishore Kumar, Lyrics-Gulshan Bawra, MD-Sonik Omi
Unidentified Female Voice

Lyrics

hurrrrrr rrr ak

holi hai re holi hai
bhabhunaaku
gori gori chhori hai
bhabhunaaku
chhori badi bholi hai
bheegi bheegi choli hai
holi hain re bholi hai
holi hain re holi hai
holi hain ke bholi hai
holi hain ke choli hai
holi choli hat
choli holi hat
holi bholi hat

rang doonga sabko main
pyaar bhari baaton se
rang doonga sabko main
pyaar bhari baaton se
aaj koyee ee ee
aaj koyi bach na sakega
mere haathon se
aaj koyi bach na sakega
mere haathon se
rang doonga sabko main
ho laale bachiyo
ha ha
ha ha

choli bhigo doon ho o
chunari bhigo doon
mujhko kiska dar hai
har ek naari hi aaj hai gopi
kaanha har ek nar hai
holi mein jo bhi ho so kam hai
rok le mujhko
jisme dam hai re
aaj koyi ee ee
aaj koyi bach na sakega
mere haathon se
aaj koyi bach na sakega
mere haathon se
rang doonga sab ko main
ho bhonpu ahe he he
ha ha
he he ae
ah a he he he

aaj wo din hai khelen rang se
naachen gaayen milke ae
aa gori aa
in baahon mein
armaan poore hon dil ke ae
holi to hai milne ka bahaana
ab na chalega re yoon sharmaanaa
aaj koyi ee ae
aaj koyi bach na sakega
mere haathon se
aaj koyi bach na sakega
mere haathon se
rang doonga sab ko main
o goriye ye le
ha ha ha
ho o
chhodo na
ho ho he he
a ha
oh, please chhodo na
arey kaise chhodoon
chhodo na
arey nahi re
oh ho
o ho
chhodo o
nahin nahin
he he
he he
he he
bruuuurr

ye bhonpu idhar aa
ye baba
o sethiye

aaja aaja
o goriye
oye hoye
he
he

————————————————————-
(Sad Version) based on audio version which is longer one
———————————————————

rang doonga sabko main aen
pyaar bhari baaton se ae
aaj koyi bach na sakega
mere haathon se
aaj koyi bach na sakega
mere haathon se ae
choli bhigo doon
chunri bhigo doon
mujhko kiska dar hai
har ik naari ee ee aaj hai gopi ee
kaanhaa har ik nar hai
holi mein jo bhi ee ho so kam hai
rok le mujhko o
jisme dam hai
aaj koyi bach na sakega
mere haathon se
rang doonga sabko main aen
pyaar bhari baaton se
aaj koyi bach na sakega
mere haathon se ae
aaj koyi bach na sakega
mere haathon se

——————————————————————
Devnagri script lyrics (Provided by Avinash Scrapwala)
——————————————————————

हुर्र र र र र र रक
होली है रे होली है
भभुनाकू
गोरी गोरी छोरी है
भभुनाकू
छोरी बड़ी भोली है
भीगी भीगी चोली है
होली है रे भोली है
होली है रे होली है
होली है के भोली है
होली है के चोली है
होली चोली हट
चोली होली हट
होली भोली हट

रंग दूंगा सबको मैं
प्यार भरी बातों से
रंग दूंगा सबको मैं
प्यार भरी बातों से
आज कोई ई ई
आज कोई बच न सकेगा
मेरे हाथों से
आज कोई बच न सकेगा
मेरे हाथों से
रंग दूंगा सबको मैं
हो लाले बचियो
अहा हा हा हा
चोली भिगो दूं हो ओ
चुनरी भिगो दूं
मुझको किसका डर हैं
हर एक नारी ही आज है गोपी
कान्हा हर एक नर हैं
होलि में जो भी हो सो कम हैं
रोक ले मुझको जिसमें दम है रे
आज कोई ई ई
आज कोई बच न सकेगा
मेरे हाथों से
आज कोई बच न सकेगा
मेरे हाथों से
रंग दूंगा सब को मैं
हो भोपू आहे हे हे
हा हा
हे हे ए
अह अ हे हे हे
आज वो दिन हैं खेलें रंग से
नाचें गाएँ मिल के ए
आ गोरी आ इन बाहों में
अरमान पूरे हों दिल के ए
होली तो हैं मिलने का बहाना
अब न चलेगा रे यूं शर्माना
आज कोई ई ए
आज कोई बच न सकेगा
मेरे हाथों से
आज कोई बच न सकेगा
मेरे हाथों से
रंग दूंगा सब को मैं
ओ गोरिये ये ले अ हा हा हा
हो ओ
छोडो न
हो हो हे हे
अ हा
ओह प्लीज़ छोडो न
अरे कैसे छोडूं
छोडो न
अरे नहीं रे
ओह हो
ओ हो
छोडो ओ
नहीं नहीं
हे हे
हे हे
हे हे
ब्रुरु ऊऊउर्र
ये भोपू इधर आ
ये बाबा
ओ सेठिये
आजा आजा
ओ गोरिये
ओये होए
हे
हे
———————————–
(भाग -२ , धीमा स्वर या विषाद गीत)
———————————–
रंग दूंगा सबको मैं
प्यार भरी बातों से
आज कोई बच न सकेगा
मेरे हाथों से
आज कोई बच न सकेगा
मेरे हाथों से
चोली भिगो दूं
चुनरी भिगो दूं
मुझको किसका डर हैं
हर एक नारी ई ई आज है गोपी ई
कान्हा हर एक नर हैं
होली में जो भी ई हो सो कम हैं
रोक ले मुझको ओ जिसमें दम है
आज कोई बच न सकेगा
मेरे हाथों से
रंग दूंगा सबको मैं
प्यार भरी बातों से ए
आज कोई बच न सकेगा
मेरे हाथों से ए
आज कोई बच न सकेगा
मेरे हाथों से


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3493 Post No. : 14036

Noted film director and story / screenplay writer OP Dutta, passed away this day five years ago. He was 90 years when he passed away in 2012.

OP Dutta was born in the town of Gujranwaala in Punjab (now in Pakistan), in 1922. No information is available online about his early years and his education. In 1948, when he was just 26 years old, he directed the film ‘Pyar Ki Jeet’. This film was a major success, and it established Suraiya, the singer-actress as a super star.

He continued to direct films till the end of 1950s. The Hindi films directed by him are – ‘Hamaari Manzil’ (1949), ‘Surajmukhi’ (1950), ‘Ek Nazar’ (1951), ‘Parbat’ (1952), ‘Maalkin’ (1953), ‘Lagan’ (1955), and ‘Aangan’ (1959).

In the early 1950s he travelled to Pakistan and helped to set up a studio in Karachi. Till then, Lahore was the only center of film production in Pakistan. As a part of this effort, he also produced and directed the film ‘Anokhi’ from the studios in Karachi. Regulars may be familiar with this film, that has recently been discovered and is available in public domain. The heroine of this film is Sheela Ramani, and the music director is Timir Baran. This film was probably the earliest and maybe the only significant effort of collaboration between he film industries of India and Pakistan.

From 1960s onward, OP Dutta gave up direction and started writing for films – stories, screenplays, dialogues etc. Notable films from this phase of his career are ‘Chiraagh’ (1969), ‘Do Raaste’ (1969), ‘Mastaana’ (1970), ‘Jeet’ (1972), etc. Later on, he wrote stories and screenplays for some of the big hits  – ‘Kshatriya’ (1993), ‘Border’ (1997), ‘Refugee’ (2000), ‘LOC Kargil’ (2003), and ‘Umrao Jaan’ (2006).

Today’s song is from the 1955 film ‘Lagan’. From the first phase of his career, this film is the only one that OP Dutta had produced and directed (as opposed to the other films which he only directed for other production banners). The film was produced under the banner of OP Films, Bombay. The star cast of this film includes Nalini Jaywant, Sajjan, Shammi, Randhir, Om Prakash, David, Raj Mehra, Ram Avtar, Baij Sharma, Pandit Iqbal, Baby Naaz, Pappu, Shaam Lal, Uma Dutt, Shivraj, Parshuram, and Kanwar Kesho amongst others. The songs of this film are penned by Rajendra Krishan and the music is by Hemant Kumar. Interesting to note that Ravi is the assistant music director with Hemant Da.

One song of this film has already been showcased on our blog. Today’s song is a song of sadness and separation sung so wonderfully by Lata Mangeshkar. Listen and enjoy.

 

Song – Mujhe Nazar Se Utaar Kar Bhi (Lagan) (1955) Singer – Lata Mangeshkar, Lyrics – Rajendra Krishan, MD – Hemant Kumar

 

Lyrics

mujhe nazar se utaar kar bhi
na chain paaya to kya karoge
mujhe nazar se utaar kar bhi
na chain paaya to kya karoge
jisey bhula ke chaley ho dil se
jisey bhula ke chaley ho dil se
wo yaad aaya to kya karoge
to kya karoge
mujhe nazar se utaar kar bhi
na chain paaya to kya karoge

chalo ye maana bagair mere
tumhaari raaten jawaan rahengi
chalo ye maana bagair mere
tumhaari raaten jawaan rahengi
magar jo bhoole se mere khwaabon ne
aa jagaya to kya karoge
to kya karoge
mujhe nazar se utaar kar bhi
na chain paaya to kya karoge

tumhaari mehfil mein roz hogi
nai kahaani naya fasaana
tumhaari mehfil mein roz hogi
nai kahaani naya fasaana
jo baaton baaton mein naam mera
zubaan pe aaya to kya karoge
to kya karoge
mujhe nazar se utaar kar bhi
na chain paaya to kya karoge
jisey bhula ke chaley ho dil se
jisey bhula ke chaley ho dil se
wo yaad aaya to kya karoge
to kya karoge
mujhe nazar se utaar kar bhi
na chain paaya to kya karoge

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
मुझे नज़र से उतार कर भी
ना चैन पाया तो क्या करोगे
मुझे नज़र से उतार कर भी
ना चैन पाया तो क्या करोगे
जिसे भुलाने चले हो दिल से
जिसे भुलाने चले हो दिल से
वो याद आया तो क्या करोगे
तो क्या करोगे
मुझे नज़र से उतार कर भी
ना चैन पाया तो क्या करोगे

चलो ये माना बगैर मेरे
तुम्हारी रातें जवां रहेंगी
चलो ये माना बगैर मेरे
तुम्हारी रातें जवां रहेंगी
मगर जो भूले से मेरे ख्वाबों ने
आ जगाया तो क्या करोगे
तो क्या करोगे
मुझे नज़र से उतार कर भी
ना चैन पाया तो क्या करोगे

तुम्हारी महफिल में रोज़ होगी
नई कहानी नया फसाना
तुम्हारी महफिल में रोज़ होगी
नई कहानी नया फसाना
जो बातों बातों में नाम मेरा
ज़ुबां पे आया तो क्या करोगे
तो क्या करोगे
मुझे नज़र से उतार कर भी
ना चैन पाया तो क्या करोगे
जिसे भुलाने चले हो दिल से
जिसे भुलाने चले हो दिल से
वो याद आया तो क्या करोगे
तो क्या करोगे
मुझे नज़र से उतार कर भी
ना चैन पाया तो क्या करोगे


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This is the 200th song of N Datta as a music director in the blog.

Blog Day : 3481 Post No. : 13985

Missing Films of 1960s – 53
– – – – – – – – – – – – – – –

Lal Lal Gaal. . .

I know I do not need to say more. Everyone is so familiar this song. And the special thing about this song? In my humble opinion, this probably is the fastest melody that any music director has got Rafi Sb to sing. The year is 1957 and the film – ‘Mr X’.

And then, this same music director, ten years later, has got the booming voice Mahendra Kapoor to sing the softest of the melodies – “Chaand Bhi Koi Deewaana Hai. . .”. The year is 1968 and the film – ‘Apna Ghar Apni Kahaani’.

Remembering N Datta – well quite late for his anniversary (both of which fell in December). And so this post has also been in the making, for well about a month.

Searching for information about him, not much details are available about his early years. So much so that multiple different web sites repeat mostly the same few sentences. They all write that he was born 1927 in Aroba, a small village in Goa. And that he ran away from home at the age of 12, and came to Bombay to learn music. Incidentally, I also came across one article online, which is based on an interview with Roop Naik, son of N Datta. The information provided by him is different from what is available everywhere else.

According to Roop Naik, his father N Datta (full name Dattaram Baburao Naik) was actually born in Bombay. He was not even two years old when his father passed away. After this tumultuous event in life, he and his mother move back to their native village, where the child Dattaram was brought up by his maternal uncle. Close to their village home, there was a temple, where weekly sittings of bhajan singing used to take place. He was quite enamoured by the ‘Abhang’ singing of these Bhajans, and never used to miss a session. During this period, he learnt to play harmonium, and would sometimes accompany the singers in the temple.

Another high point for him used to be when the travelling performing groups would visit the village. Music was very much within him, and so he was attracted by these public performances. And so, at home, he once expressed his wish to learn music. The dressing down that he received from his uncle, convinced him that his passion to learn music, and his family’s environment simply did not go together. So, at the age of 12, this young pre-teen kid, ran away from home and came to Bombay.

This period of his life, before he started getting recognition in the industry, is an unknown. No documented information is available. Lata Mangeshkar had mentioned once that she did meet him in 1946 (he would be 19 years old then), and that he was working as an assistant to a music director whose name she recalls as Kedar Shinde. The Ed. Note with this sentence observes that she probably was talking about Ramakrisna Shinde, a music director of Marathi films, who later also gave music under the pseudo name of ‘Hemant Kedar’.

The young aspirant worked as an assistant to Ghulam Haider Sb. He would also continue to participate in temple programs. He would be part of the ‘prabhat feris’, a very early morning bhjan kirtan session, that is taken out in a procession format, passing through the streets and by-lanes of a certain neighbourhood. It is said that at one of these ‘prabhat feries’, Burman Dada (SD Burman) witnessed his singing, and called upon him to know more about him and his capabilities. That started a long and fruitful collaborative partnerships, and the young Dattaram worked as an assistant in films like ‘Baazi’, ‘Bahar’, ‘Sazaa’ and ‘Ek Nazar’ (1951), ‘Jaal’ (1952), ‘Jeevan Jyoti’ (1953) and ‘Angarey’ (1954).

During the making of ‘Baazi’, Dattaram was introduced to future stalwarts like Sahir Ludhianvi and Raj Khosla, and struck lifelong friendships. When Raj Khosla got his first break as an independent director (film ‘Milaap’, 1955), he got N Datta the first assignment as an independent music director. And from that juncture onward, one sees his career got from strength to strength – ‘Marine Drive’ (1955), ‘Chandra Kanta’ (1956), ‘Hum Panchhi Ek Daal Ke’ (1957), ‘Light House (1958), ‘Sadhna’ (1958), ‘Black Cat’ (1959), ‘Dhool Ka Phool’ (1959), ‘Dharam Putra’ (1961), and more.

I have just listed a sampler. The total films listed for him are 55. Of these, about 22 films came in or before 1961. Two important points to be noted here. 1959 seems to be his most prolific year – seven films released this year, with music by him. Secondly, his friendship with Sahir Ludhianvi, got him his first assignment with the banner of BR Films. His first film with BR Chopra is ‘Sadhna’ (1958). Next, we him again with the BR banner in ‘Dhool Ka Phool’ (1959) and ‘Dharamputra’ (1961). Just the names of these films are enough indication as to how wonderfully this relationship was developing, and the team of Sahir Sb and N Datta was producing phenomenal music together.

But then, fate intervened, and quite cruelly too. Just in his mid thirties, N Datta suffered a heart attack. The episode left him out of circulation for some months. He recovered. However, besides the health issues now in life, N Datta started another battle – a fear for his own life. It made him somewhat of an introvert person. He would be very afraid for his life, because of any episode of ill health. And his work suffered too. By the time he came out this medical emergency, BR banner had moved on. Ravi had been engaged as the music director. The first outcome was ‘Gumraah’. The commercial success of this film kind of excluded N Datta from the BR brand, for all times in the future.

The quality of his work also suffered. He continued to compose, and continue to create some fabulous and memorable songs. But his work would now be confined to B/C grade films. He continued to work till 1980 – his last film released is ‘Chehre Pe Chehra’. After that, no work probably came his way. He passed away in 1987. His later years were a struggle to keep afloat.

With today’s song, I introduce this film ‘Albela Mastaana’ from 1967. The film is produced under the banner of Pragya Pictures, Bombay and is directed by BJ Patel. The star cast includes Kishore Kumar, Bhagwan, Kaveri, Kundan, Aruna Irani, Nayna, Rajan Haksar, and Asha Nadkarni amongst others. Five songs are listed for this film, all being written by Prem Dhawan.

This song is a wonderful melancholy that is sung by Asha Bhosle. The video of this film is now available. In the visual, we see Asha Nadkarni lip syncing this song on screen. A song that in as of itself, needs to placed together with such Asha Bhosle songs like “Baithe Hain Rehguzar Par. . .” and “Tujh Se Bichhde Tere Deewaane To Mar Jaayenge”. Lovely rendition, pulling at the strands of the heart.

Song – Phir Dil Mein Dard Jaaga  (Albela Mastaana) (1967) Singer – Asha Bhosle, Lyrics – Prem Dhawan, MD – N Dutta

Lyrics

phir dil mein dard jaaga

phir dil mein dard jaaga
phir yaad teri aayi
aaja sahi na jaaye
hum se teri judaai
phir dil mein dard jaaga

badhne laga andhera
jaane ho kab savera
palkon se aansuon ki
hum ne shama jalaai
hum ne shama jalaai
phir dil mein dard jaaga
phir yaad teri aayi
aaja sahi na jaaye
hum se teri judaai
phir dil mein dard jaaga

khamosh hai zamaana
kis se kahen fasaana
khamosh hai zamaana
kis se kahen fasaana
apni sadaa bhi ab to
deti nahin sunaai
deti nahin sunaai
phir dil mein dard jaaga
phir yaad teri aayi
aaja sahi na jaaye
hum se teri judaai
phir dil mein dard jaaga

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

फिर दिल में दर्द जागा

फिर दिल में दर्द जागा
फिर याद तेरी आई
आजा सही ना जाये
हमसे तेरी जुदाई
फिर दिल में दर्द जागा

बढ़ने लगा अंधेरा
जाने हो कब सवेरा
बढ़ने लगा अंधेरा
जाने हो कब सवेरा
पलकों से आंसुओं की
हमने शमा जलाई
हमने शमा जलाई
फिर दिल में दर्द जागा
फिर याद तेरी आई
आजा सही ना जाये
हमसे तेरी जुदाई
फिर दिल में दर्द जागा

खामोश है ज़माना
किस को कहें फसाना
खामोश है ज़माना
किस को कहें फसाना
अपनी सदा भी अब तो
देती नहीं सुनाई
देती नहीं सुनाई
फिर दिल में दर्द जागा
फिर याद तेरी आई
आजा सही ना जाये
हमसे तेरी जुदाई
फिर दिल में दर्द जागा


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14600 song posts by now.

This blog is active and online for over 3700 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14648

Number of movies covered in the blog

Movies with all their songs covered =1147
Total Number of movies covered =4002

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