Archive for the ‘sad song’ Category
Hum Kitne Nadaan The Yaaro
Posted on: June 27, 2018
- In: Devnagri script lyrics by Avinash Scrapwala | Drunkard song | Feelings of heart | Guest posts | Kishore Kumar solo | Kishore Kumar songs | Lyrics contributed by readers | Melancholic song | Post by Avinash Scrapwala | sad song | Song of Regret | Songs of 1980s (1981 to 1990) | Songs of 1985 | Yearwise breakup of songs
- 3 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3631 | Post No. : | 14457 |
Today 27th June (27th June, 1939 – 4th Jan, 1994) is the 79th birth anniversary of Rahul Dev Burman, whom we fondly remember as ‘Pancham’.
On this occasion here is a song from the 1985 Movie ‘Sitamgar’. Th film was directed by Raj N Sippy for Bikramjeet Films International, Bombay and produced by Bikram Singh Dehal. It had Dharmendra, Parveen Babi, Rishi Kapoor, Poonam Dhillon, Dr. Shreeram Lagoo, Prem Chopra, Jagdish Raj, Gurbachan, Ranvir Raj, Azad, Tilak Mehta, Raj Kaul, Shamsuddin, Nath Kamle, Ved Akash, Ashok Gaekwad, Master Alankar and Baby Geeta. Narendra Nath, Sonia Shania and Sudhir make special appearance in this movie.
Ved Aakash and Pankaj Kharbanda were the Chief Assistant Directors of this movie. Ashok Gaekwad was the Associate Director for this movie. V.N. Mayekar was the editor while Sakharam Borse assisted him in editing. Story and Screenplay of this movie was written by Mirza Brothers and dialogues were written by Dr. Rahi Masoom Raza. The movie was passed by the Censor Board on 08.03.1985.
This movie had six songs written by Majrooh Sultanpuri and composed by RD Burman (Manohari, Babloo and Martin were assistants). Asha Bhonsle, Kishore Kumar and Lata Mangeshkar gave their voices to the songs in this movie.
As the movie makes its debut on the blog today I can select only one song for today’s presentation. Going by the songs of this movie that I have already heard, I can say that some of them are very nice songs.
In 1985 the following movie with music composed by RD Burman were released,
- Rahi Badal Gaye
- Ram Tere Kitne Naam
- Hum Dono
- Ek Se Bhale Do
- Lava
- Zabardast
- Sitamgar
- Saagar
- Alag Alag
- Oonche Log
- Aawara Baap
- Arjun
- Hum Naujawan
- Shiva Kea Insaaf
From the above list one can easily understand that he was still there composing good music whereas it is said that he was passing through a lean phase and was overshadowed by other music directors during those years in the 1980s. Well, that is the subject for another post and so I am limiting my write-up for this presentation here only.
This movie also falls under one of my objective of ‘movie having the same title’. So far on the blog we have ‘Sitamgar’ from 1958 already launched earlier. As mentioned in HFGK Vol VI movie with same title was also released in 1934 & 1954, making it four times so where movies with same titles have been released. With today’s song, the film ‘Sitamgar’ of 1985 makes a debut on our blog.
Remembering Pancham Da today and his music let us move to the today’ song now. . .
Song – Hum Kitne Nadaan The Yaaro (Sitamgar) (1985) Singer – Kishore Kumar, Lyrics – Majrooh Sultanpuri, MD – RD Burman
Lyrics
ham kitne naadaan the yaaron
aaj ye samjhe
aaj ye jaana
ham kitne naadaan the yaaron
aaj ye samjhe
aaj ye jaana
sach hai agar to ek mohabbat
jhooth hai baaki saara fasaana
ham kitne naadaan the yaaron
aaj ye samjhe
aaj ye jaana
pad gaye jaise in aankhon pe
zulm ke nafrat ke parde
pad gaye jaise in aankhon pe
zulm ke nafrat ke parde
zindagi tera mujrim hoon main
ho sake to o maaf kar de
andhi raah ke andhe safar mein
beet gaya jeene ka zamaana
ham kitne naadaan the yaaron
aaj ye samjhe
aaj ye jaana
ab ye mohabbat ka
ehsaan hai
ye jo thhodi jaan hai mujhme
ab ye mohabbat ka
ehsaan hai
ye jo thhodi jaan hai mujhme
aap hi main jiska qaatil hoon
zindaa wo insaan hain mujhme
ham kitne naadaan thhe yaaron
aaj ye samjhe
aaj ye jaana
sach hai agar to ek mohabbat
jhooth hai baaki saara fasaana
ham kitne naadaan the yaaron
aaj ye samjhe
aaj ye jaana
———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————
हम कितने नादान थे यारों
आज ये समझे
आज ये जाना
हम कितने नादान थे यारों
आज ये समझे
आज ये जाना
सच है अगर तो एक मोहब्बत
झूठ है बाकी सारा फ़साना
हम कितने नादान थे यारों
आज ये समझे
आज ये जाना
पड़ गए जैसे इन आँखों पे
ज़ुल्म के नफरत के परदे
पड़ गए जैसे इन आँखों पे
ज़ुल्म के नफरत के परदे
ज़िन्दगी तेरा मुजरिम हूँ मैं
हो सके तो ओ माफ़ कर दे
अंधी राह के अंधे सफ़र में
बीत गया जीने का ज़माना
हम कितने नादान थे यारों
आज ये समझे
आज ये जाना
अब ये मोहब्बत का
एहसान है
ये जो थोड़ी जान है मुझमे
अब ये मोहब्बत का
एहसान है
ये जो थोड़ी जान है मुझमे
आप ही मैं जिसका कातिल हूँ
ज़िंदा वो इंसान हैं मुझमे
हम कितने नादान थे यारों
आज ये समझे
आज ये जाना
सच है अगर तो एक मोहब्बत
झूठ है बाकी सारा फ़साना
हम कितने नादान थे यारों
आज ये समझे …
आज ये जाना …
Kaaran Na Jaane Koi
Posted on: May 31, 2018
- In: "Broken heart" song | Devnagri script lyrics by Avinash Scrapwala | Feelings of heart | Guest posts | Kishore Kumar solo | Kishore Kumar songs | Lyrics contributed by readers | Pathos | Poignant Song | Post by Avinash Scrapwala | sad song | Songs of 1970s (1971 to 1980) | Songs of 1978 | Yearwise breakup of songs
- 3 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3604 | Post No. : | 14383 |
#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 68# Singer – Kishore Kumar
———————————————–——————–
My personal opinion is that wherever and whatever field we are we should have a purpose and we should contribute to enrich that surroundings we are, for however long or short a period we are there. It was not that I was so ‘intelligent’ since my younger days. The thinking is a result of my experience or you can say ‘mistakes’ 😊 which have taught me a lot and yes ‘age should not be the price one should pay for being experience’ (as Wise people say). But some people like me took years to realize the ‘world around’ and learn only from mistakes 😊
Ok, whatever it is!! Here on this blog ever since I have been associated with, I am trying to do so. And simultaneously I continue to keep adding something. As and when I notice it, I also try to bring to the notice of our ‘editors’ the small or big corrections and or missing links which we need to correct and or re-install. Well, it is a different matter, that since they are much busier and already loaded with lot of requests and mails, sometimes my requests just keep lying in the mail boxes (may be for years or more 😊).
Few days back when I was browsing through my pending list I noticed the song under discussion today was pending since long. And when I just glance through some statistics of interest, I find that sharing this song with a post is going to serve some purpose.
When I was drafting this post the number of Kishore Kumar solo songs posted on the blog was at 498, so I thought I should push one ahead so that the milestone of 500 is achieved. But, in the meantime, I could not send the post and this milestone was already achieved on the blog. Later I thought maybe I send it for the auspicious ‘501’, but that also was not achieved. However, the ‘bigger reason’ to share this post was still there and posting of this song here today will push this movie- of which the today’s song is from – one step ahead in the ‘Yippeeee land’ as after this song only one song from this movie ‘Kaaran’ will be remaining to be posted on the blog.
‘Kaaran’ is a movie of 1980. Yes, as per HFGK and movie’s Censor Certificate, its movie of 1980 passed by Censor Board on 18.11.1980, maybe it was released in theatres in 1981 which is all possible. (So, this needs to be corrected on the blog and this is yet another purpose of this post).
‘Kaaran’ is directed by BR Ishara for Bhagyalakshami Chitra Mandir Combine, Bombay. It was produced by Gopi Rohra. It had Raj Kiran, Shoma Anand, Master Bittu, Arun Irani, Seema Deo, Ramesh Deo, Ashok Khanna, Sanu Sanyal, Shankar, Pardesi, PM Maniyar, RS Chopda, Shirvastava, Sunder Taneja, Kamal Thakur, Mona Sayeed, Ashish Oza, Soman Randhava, Amit Kumar, Shyam Solanki, Amarchand, and Naveen Nischol in a ‘special appearance’. Satyen Kappu, Dheeraj Kumar, Manhar Desai and Gulshan Arora make a ‘guest appearance’ in this movie. The story is written by Jyoti Swaroop and BR Ishara (spelt as B AAR Ishara in the movie titles 😊). Editing for this movie was done by LD Bhatia.
The movie has three songs – all solo songs sung by male singers viz. Kishore Kumar, Yesudas and Mohd Rafi. Lyrics for all the three songs are penned by Indeewar and music is composed by Usha Khanna. One song sung by Yesudas from this movie has been posted to cover a ‘major milestone’ on the blog i.e. 1000th lyrics Contribution of Prakashchandra ji.
Today we present the second song of this movie, which in the movie is the first song. I came across this song almost more than five years back when I was a ‘newcomer’ on the blog 😊. I have not watched this movie so can’t say much about its story and its performance at the box-office. I would request knowledgeable readers to throw more light on the movie and its songs.
With a ‘purpose’ and ‘reason’ for this presentation and continuing with the journey of Kishore Kumar’s songs from the ‘decade of seventies’ let us now enjoy this poignant song. . .
kaaran naa jaane koi…
Song – Kaaran Na Jaane Koi (Kaaran) (1980) Singer – Kishore Kumar, Lyrics – Indeewar, MD – Usha Khanna
Lyrics
kaaran na jaane koi
dil royaa aankh na royi
kaaran na jaane koi
toofaan dubotaa
to shikwaa na hotaa
khewaiyya ne naiyaa duboyee ee ee
kaaran na jaane koi
dil royaa aankh na royi
kaaran na jaane koi
apna kaha na mujhko kisi ne
kya main itna paraaya hoon
chalte hain sab mujhse bachke
kya main gunaahon ka saaya hoon
phir na jaagi kismat aisi
maut ki neendiya soyi ee ee
kaaran na jaane koi
dil royaa aankh naa royi
kaaran na jaane koi
patthar ko bhi chot lagey to
aag ugalney lagta hai
jag ko jalaakar dam leta hai
jab dil jalne lagta hai
phool bana hai bahaar ka dushman
baagh bachega na koi ee ee
kaaran na jaane koi
dil royaa aankh na royi
kaaran na jaane koi
aa ha ha ha aa ha
ho ho ho o ho ho o
pyaar jinhen milta hain kisi ka
wo sansaar sajaate hain
thukraaye jaate hain jo
duniyaa mein tabaahee laatein hain
suraj ne bhi andheron mein pal kar
roshni kaise khoi ee ee
kaaran na jaane koi
dil royaa aankh na royi ee
kaaran na jaane koi
ped binaa phal
phool binaa phulwaari adhoori hoti hai
jaagti hai jab mamta mann mein
naari poori hoti hai
mom ke jaisa patthar pighla
dil royaa aankh bhi royi ee ee
kaaran na jaane koi
dil royaa aankh bhi royi
kaaran na jaane koi
kaaran na jaane koi
———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————
कारण न जाने कोई
दिल रोया आँख ना रोई
कारण न जाने कोई
तूफ़ान डूबोता तो शिकवा न होता
खेवैय्या ने नैय्या डूबोयी ई ई
कारण न जाने कोई
दिल रोया आँख ना रोई
कारण न जाने कोई
अपना कहा ना मुझको किसीने
क्या मैं इतना पराया हूँ
चलते हैं सब मुझसे बचके
क्या मैं गुनाहों का साया हूँ
फिर ना जागी किस्मत ऐसी
मौत कि नींदिया सोयी ई ई
कारण न जाने कोई
दिल रोया आँख ना रोई
कारण न जाने कोई
पत्थर को भी चोट लगे तो
आग उगलने लगता हैं
जग को जलाकर दम लेता हैं
जब दिल जलने लगता हैं
फूल बना है बहार का दुश्मन
बाग़ बचेगा ना कोई ई ई
कारण न जाने कोई
दिल रोया आँख ना रोई
कारण न जाने कोई
आ हा हा हा आ हा
हो हो हो ओ हो हो ओ
प्यार जिन्हें मिलता हैं किसी का
वो संसार सजाते हैं
ठुकराए जाते हैं जो
दुनिया में तबाही लातें हैं
सूरज ने भी अंधेरों में पल कर
रौशनी कैसे खोयी ई ई
कारण न जाने कोई
दिल रोया आँख ना रोई
कारण न जाने कोई
पेड़ बिना फल
फूल बिना फुलवारी अधूरी होती हैं
जागती हैं जब ममता मन में
नारी पूरी होती हैं
मोम के जैसा पत्थर पिघला
दिल रोया आँख भी रोयी ई ई
कारण न जाने कोई
दिल रोया आँख भी रोई
कारण न जाने कोई
कारण न जाने कोई
Tum Chale. . . Kyon Chale
Posted on: April 26, 2018
- In: "Broken heart" song | Asha Bhonsle solo | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics contributed by readers | Poignant Song | Post by Sudhir | sad song | Separation song | Song not mentioned in Hindi Film Geet Kosh | Songs of 1960s (1961 to 1970) | Songs of 1967 | Yearwise breakup of songs
- Leave a Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3569 | Post No. : | 14305 |
Thoda Sa Dil Laga Ke Dekh. . .
Film – ‘Musafirkhana’ from 1955, she plays the role Mary, the love interest of Frankie (Johnny Walker). Mary’s mother fancies another match for her daughter, and Frankie is contemplating suicide on that account. As it often happens in films, Mary breaks out into a song, trying to lift up Frankie’s dying spirits.
1958 – she plays the role of Nargis, the bosom friend of Sheela (Nutan), in this confused and comic scenario of mixed identities and true love – ‘Aakhiri Daao’. Funny to note that Nargis is her real name. And casting credit lists her assumed name. Always life is so interesting.
On to 1960 and ‘Dil Apna Aur Preet Paraayi’. Now she is Sheela, the naughty and playful nurse, who is reprimanded by the head nurse for putting on too much lipstick. Then it is ‘Half Ticket’ in 1962. As Lily, a partner in crime with Raja Babu (Pran) – the scene is simply hilarious, as she tries again and again to pat Vijay’s (Kishore Kumar) bottom – actually his back pocket, searching for an expensive diamond that Raja Babu has hidden there. There is a whole music and dance sequence, with a tape recorder keeping company, as she tries to extract the stolen goods from Vijay, without letting him know.
In 1965, she is Stella, the au pair companion to Rita (Nanda), in the musical romantic drama ‘Jab Jab Phool Khile’. 1970, moving into senior roles; the film is ‘Purab Aur Paschim’, and she herself is Rita, the British Indian wife of Sharma (Madan Puri), always with a smoking cigarette in her hand.
Fast forward forty years, to 2012 – she is very much on screen, this time playing the mother in law to Nargis (Daisy Irani) and grandmother of Farhad (Boman Irani) in ‘Shirin Farhad Ki To Nikal Padi’.
6th March earlier this year, she passed away in her sleep, just some weeks short of her 89th birthday. A memorable career for more than six decades, with quite over 200 films in her portfolio, and a number of very successful TV serials thrown in for good measure. Nargis Rabadi – she would have been 89 today.
Born this day in 1929, Nargis’ father was a priest in the Parsi temple. She was just 3 years old when her father passed away. Her mother raised her two daughters, working as a cook at the Parsi community festivals. After completing her studies, her elder sister got a job as an office secretary at Johnson & Johnson. So when Nargis completed her studies, she also came to Johnson & Johnson, working in the packaging department.
A close family friend and uncle, Chinuu Mama, was associated with the film industry. One thing led to another, and Nargis was introduced to Sheikh Mukhtar, who at that time was searching for a second lead lady for his film ‘Ustad Pedro’ (1951). At first, he was concerned that Nargis may not be able to handle the Hindi/Urdu dialogue, being a Parsi. But Nargis talked to him and the director Harish, and they were convinced she could do the role. That’s how she got her first break in films.
And with the first break, she also got a new name. The film’s director was concerned that her name might be confused with another rising star of those years – Nargis. And so he suggested her to change her name to Shammi. She did, and the name served her well for the remainder of her life. In later years, she became to be better known as Shammi Aunty.
Stringing through the cameos above, an interesting thing emerges. Her name is Nargis. She changes that to Shammi. In the 1958 film ‘Aakhiri Daao’, her name in credit appears as ‘Shammi’, and her screen name is Nargis. Then in 2012, her screen name is not clearly evident (in ‘Shirin Farhad. . .’), but then her daughter in law (Daisy Irani) has the screen name of Nargis. 🙂
Alongside ‘Ustad Pedro’, Harish was also directing another film at the same time – ‘Malhaar’ (produced by Mukesh, the singer). Impressed by her performance during the shooting of ‘Ustad Pedro’, he cast her as the heroine of ‘Malhaar’ opposite to another new face, Arjun. Although ‘Ustad Pedro’ did good business and was popular, ‘Malhaar’ failed to impress at the box office. The prospects of growing as a leading lady in the industry slowly receded.
But on the other hand, she became very much in demand for second lead female roles. Especially if the role demanded some comic goofiness, Shammi was quite the first name that the producers thought of. With little breaks here and there, she continued her cinematic journey, playing oh so many an endearing roles, leaving behind indelible memories. The wide eyed shocked look on her face as she opens the door to find her grandson (Boman Irani) standing there, as if coming out of a melee – is simply priceless. So many more of such moments flicker through the mind’s eye, as I pull together this piece today.
The song that I present today, however, is on a more somber note, the words expressing the very emotion that the heart wants to convey – “तुम चले॰॰॰ क्यों चले”. The film is ‘Awaara Ladki’ from 1967. This is an Asha Bhosle solo rendition that is picturized on a much younger Shammi. In the clip, we also see Sudesh Kumar – with a very lost look on his face, walking away from her, and then the song begins.
It is a peculiar situation – I am reminded of the one earlier song that I had posted from this film. The emotional mood of the song and the situation of that song is precisely the same – Sudesh Kumar + lost look + walking away, only the lady singing that song is different. It is Sheela Ramani singing “Arre Jaane Waale Nazar To Mila Ja”. Discovery of these two similar songs indicate some sort of a love triangle in the film’s story. Interesting – prompts me to watch this film.
This song is not listed in the Geet Kosh, although the print does indicate that there are more songs than the four listed. Music is by Dhaniram, and the uploader of this video clip, a dear friend Dharmesh from Rohtak, has indicated that the lyrics are from the pen of Kaif Irfani. So I will go by that information for now.
Bidding a good bye to a dear goofy artist, and to the long innings she has played on screen. Rest in peace, Nargis; or maybe I should say, wallow in mirth Shammi Aunty, wherever you are.
Adios and farewell.
Song – Tum Chale. . . Kyon Chale (Awaara Ladki) (1967) Singer – Asha Bhosle, Lyrics – Kaif Irfani, MD – Dhaniram
Lyrics
toot chukka hai
dil pehle bhi
soch to mujh par thukraate zaalim
na loot naseeba banta hai abhi bhi
tum chale. . . kyon chale
tum chale. . . kyon chale
doley hansi labon pe
doley hansi labon pe
bhool rahe hain muskaana
bhool rahe hain muskaana
tum chale. . . kyon chale
dhadkan ke saaz par hook ye kehti
dhadkan ke saaz par hook ye kehti
palak kinaara nadiyaan ansuwan ki behtin
palak kinaara nadiyaan ansuwan ki behtin
shaam e gham hi mera mausam suhaana
bhool rahe hain muskaana
bhool rahe hain muskaana
tum chale. . . kyon chale
shab se shabnam rotey rotey kehti
shab se shabnam rotey rotey kehti
besahaara aaj dekh ek taara
besahaara
sun zara haaye
kehta angaara afsaana
bhool rahe hain muskaana
tum chale. . . kyon chale
bin ishaare tere maut bhi na aati
bin ishaare tere maut bhi na aati
tu kar ehsaan main nadaan sahi
nadaan sahi
maut ki maujon mein
beh jaaun to chale jaana
bhool rahe hain muskaana
tum chale. . . kyon chale
tum chale. . . kyon chale
doley hansi labon pe
doley hansi labon pe
doley hansi labon pe
doley hansi labon pe
doley hansi labon pe
doley hansi labon pe
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
टूट चुका है
दिल पहले भी
सोच तो मुझ पर ठुकराते ज़ालिम
ना लूट नसीबा बनता है अभी भी
तुम चले॰ ॰ ॰ क्यों चले
तुम चले॰ ॰ ॰ क्यों चले
भूल रहे हैं मुसकाना
भूल रहे हैं मुसकाना
तुम चले॰ ॰ ॰ क्यों चले
धड़कन के साज पर हूक ये कहती
धड़कन के साज पर हूक ये कहती
पालक किनारा नदियां अंसुवन की बहतीं
पालक किनारा नदियां अंसुवन की बहतीं
शाम ए ग़म ही मेरा मौसम सुहाना
भूल रहे हैं मुसकाना
भूल रहे हैं मुसकाना
तुम चले॰ ॰ ॰ क्यों चले
शब से शबनम रोते रोते कहती
शब से शबनम रोते रोते कहती
बेसहारा आज देख एक तारा
बेसहारा
सुन ज़रा हाए
कहता अंगारा अफसाना
भूल रहे हैं मुसकाना
तुम चले॰ ॰ ॰ क्यों चले
बिन इशारे तेरे मौत भी ना आती
बिन इशारे तेरे मौत भी ना आती
तू कर एहसान मैं नादान सही
नादान सही
मौत की मौजों में
बह जाऊँ तो चले जाना
भूल रहे हैं मुसकाना
तुम चले॰ ॰ ॰ क्यों चले
तुम चले॰ ॰ ॰ क्यों चले
डोले हंसी लबों पे
डोले हंसी लबों पे
डोले हंसी लबों पे
डोले हंसी लबों पे
डोले हंसी लबों पे
डोले हंसी लबों पे
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3514 | Post No. : | 14114 |
#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 64# Singer – Kishore Kumar
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In my opinion, Kishore Kumar’s voice reached a different and special plane altogether during late 1960s as compared to his voice prior to earlier years i.e. pre ‘Padosan'(1968) and ‘Aradhana’ (1969). He retained that “something special” in his voice for the rest of his career. His voice was at its ‘versatile peak’ during this phase of his career.
Kishore Kumar was popularly known as the voice of ‘Rajesh Khanna’ during 1970s, but he was also singing for most other actors, whether they were the established stars of the time or newcomers. Today’s song is one such special song. I became aware of this song only in September 2016.
It was during my stay at Nagpur that I had marked this song for presentation here on the blog. When I checked HFGK for this movie songs, I discovered that this song had two versions viz a ‘happy’ as well as ‘sad’. However, at that time only the sad version of this song was available, so I forwarded the movie link to my friend so that he could make the fast version of the song available in time for Holi of 2017. But somehow it did not materialize.
Later on, due to change in my job location it got further delayed. It was just about five weeks back that I requested our beloved Raja Saab to upload video of this song and he, as he always does, was kind enough to respond to my request and he has uploaded both the video versions of this song. (Thank you, Raja Saab, for the videos of both versions of this song). Meanwhile, I also discovered that audio of the ‘happy’ version was also available on YT.
This is a song celebrating ‘Holi’ – the festival of colors – and thus today on the occasion of ‘Holi’ let us enjoy this song from the ‘1975’ movie ‘Andhera’.
‘Andhera’ was directed by Tulsi Ramsay and Shyam Ramsay for their home production under the banner of Ramsay Films, Bombay. It was produced by F.U. Ramsay who also wrote the story of this movie. The star cast of this movie includes Sameer, Vani Ganpati, Surendra Kumar, Imtiaz, Helen, Satyen Kappu, Krishan Dhawan, Mukri, Dulari, Shekhar Purohit, Kumud Tripathi, Tuntun, Heeralal, Murad, Kukku, Arvind Pandya, Major Anand, Madhu, Habib, Moolchand, Seema Kapoor, Ashoo and others.
Dialogues for this movie were written by Kafeel Azar. Shyam Ramsay was the Chief Assistant Editor and Arjun Ramsay was the Associate Director. Editing was done by Bal Korde. Kumar Ramsay was the Executive Producer for this movie and he also wrote the screenplay of this movie.
This movie has four songs. Lyrics for all these songs are penned by Gulshan Bawra. Music for this movie is composed by Sonik-Omi. All the songs are solo songs; two by Kishore Kumar , and other two by Asha Bhonsle. Today’s song is sung by Kishore Kumar and it has two versions ‘happy’and ‘sad’ (or fast and slow 🙂 ). More than the fast version I like the slow version and its tune grows up on one as one listens to it repeatedly
Let us now enjoy this song!!! With this song, ‘Andhera’ (1975) makes its debut in the blog.
Wishing all readers and members of this blog a very happy, peaceful, safe and colorful Holi 2018 …!!!
Video-Happy version
Video (sad version-partial)
Audio-Sad version-longer
Song-Rang doonga sabko main pyaar bhari baaton se (Andhera)(1975) Singer-Kishore Kumar, Lyrics-Gulshan Bawra, MD-Sonik Omi
Unidentified Female Voice
Lyrics
hurrrrrr rrr ak
holi hai re holi hai
bhabhunaaku
gori gori chhori hai
bhabhunaaku
chhori badi bholi hai
bheegi bheegi choli hai
holi hain re bholi hai
holi hain re holi hai
holi hain ke bholi hai
holi hain ke choli hai
holi choli hat
choli holi hat
holi bholi hat
rang doonga sabko main
pyaar bhari baaton se
rang doonga sabko main
pyaar bhari baaton se
aaj koyee ee ee
aaj koyi bach na sakega
mere haathon se
aaj koyi bach na sakega
mere haathon se
rang doonga sabko main
ho laale bachiyo
ha ha
ha ha
choli bhigo doon ho o
chunari bhigo doon
mujhko kiska dar hai
har ek naari hi aaj hai gopi
kaanha har ek nar hai
holi mein jo bhi ho so kam hai
rok le mujhko
jisme dam hai re
aaj koyi ee ee
aaj koyi bach na sakega
mere haathon se
aaj koyi bach na sakega
mere haathon se
rang doonga sab ko main
ho bhonpu ahe he he
ha ha
he he ae
ah a he he he
aaj wo din hai khelen rang se
naachen gaayen milke ae
aa gori aa
in baahon mein
armaan poore hon dil ke ae
holi to hai milne ka bahaana
ab na chalega re yoon sharmaanaa
aaj koyi ee ae
aaj koyi bach na sakega
mere haathon se
aaj koyi bach na sakega
mere haathon se
rang doonga sab ko main
o goriye ye le
ha ha ha
ho o
chhodo na
ho ho he he
a ha
oh, please chhodo na
arey kaise chhodoon
chhodo na
arey nahi re
oh ho
o ho
chhodo o
nahin nahin
he he
he he
he he
bruuuurr
ye bhonpu idhar aa
ye baba
o sethiye
aaja aaja
o goriye
oye hoye
he
he
————————————————————-
(Sad Version) based on audio version which is longer one
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rang doonga sabko main aen
pyaar bhari baaton se ae
aaj koyi bach na sakega
mere haathon se
aaj koyi bach na sakega
mere haathon se ae
choli bhigo doon
chunri bhigo doon
mujhko kiska dar hai
har ik naari ee ee aaj hai gopi ee
kaanhaa har ik nar hai
holi mein jo bhi ee ho so kam hai
rok le mujhko o
jisme dam hai
aaj koyi bach na sakega
mere haathon se
rang doonga sabko main aen
pyaar bhari baaton se
aaj koyi bach na sakega
mere haathon se ae
aaj koyi bach na sakega
mere haathon se
——————————————————————
Devnagri script lyrics (Provided by Avinash Scrapwala)
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हुर्र र र र र र रक
होली है रे होली है
भभुनाकू
गोरी गोरी छोरी है
भभुनाकू
छोरी बड़ी भोली है
भीगी भीगी चोली है
होली है रे भोली है
होली है रे होली है
होली है के भोली है
होली है के चोली है
होली चोली हट
चोली होली हट
होली भोली हट
रंग दूंगा सबको मैं
प्यार भरी बातों से
रंग दूंगा सबको मैं
प्यार भरी बातों से
आज कोई ई ई
आज कोई बच न सकेगा
मेरे हाथों से
आज कोई बच न सकेगा
मेरे हाथों से
रंग दूंगा सबको मैं
हो लाले बचियो
अहा हा हा हा
चोली भिगो दूं हो ओ
चुनरी भिगो दूं
मुझको किसका डर हैं
हर एक नारी ही आज है गोपी
कान्हा हर एक नर हैं
होलि में जो भी हो सो कम हैं
रोक ले मुझको जिसमें दम है रे
आज कोई ई ई
आज कोई बच न सकेगा
मेरे हाथों से
आज कोई बच न सकेगा
मेरे हाथों से
रंग दूंगा सब को मैं
हो भोपू आहे हे हे
हा हा
हे हे ए
अह अ हे हे हे
आज वो दिन हैं खेलें रंग से
नाचें गाएँ मिल के ए
आ गोरी आ इन बाहों में
अरमान पूरे हों दिल के ए
होली तो हैं मिलने का बहाना
अब न चलेगा रे यूं शर्माना
आज कोई ई ए
आज कोई बच न सकेगा
मेरे हाथों से
आज कोई बच न सकेगा
मेरे हाथों से
रंग दूंगा सब को मैं
ओ गोरिये ये ले अ हा हा हा
हो ओ
छोडो न
हो हो हे हे
अ हा
ओह प्लीज़ छोडो न
अरे कैसे छोडूं
छोडो न
अरे नहीं रे
ओह हो
ओ हो
छोडो ओ
नहीं नहीं
हे हे
हे हे
हे हे
ब्रुरु ऊऊउर्र
ये भोपू इधर आ
ये बाबा
ओ सेठिये
आजा आजा
ओ गोरिये
ओये होए
हे
हे
———————————–
(भाग -२ , धीमा स्वर या विषाद गीत)
———————————–
रंग दूंगा सबको मैं
प्यार भरी बातों से
आज कोई बच न सकेगा
मेरे हाथों से
आज कोई बच न सकेगा
मेरे हाथों से
चोली भिगो दूं
चुनरी भिगो दूं
मुझको किसका डर हैं
हर एक नारी ई ई आज है गोपी ई
कान्हा हर एक नर हैं
होली में जो भी ई हो सो कम हैं
रोक ले मुझको ओ जिसमें दम है
आज कोई बच न सकेगा
मेरे हाथों से
रंग दूंगा सबको मैं
प्यार भरी बातों से ए
आज कोई बच न सकेगा
मेरे हाथों से ए
आज कोई बच न सकेगा
मेरे हाथों से
Mujhe Nazar Se Utaar Kar Bhi
Posted on: February 9, 2018
- In: "Aankh" song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lata song | Lover's Complaint | Lyrics contributed by readers | Missing the loved ones | Post by Sudhir | sad song | Songs of 1950s (1951 to 1960) | Songs of 1955 | Vagaries Of Love | Yearwise breakup of songs
- 1 Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3493 | Post No. : | 14036 |
Noted film director and story / screenplay writer OP Dutta, passed away this day five years ago. He was 90 years when he passed away in 2012.
OP Dutta was born in the town of Gujranwaala in Punjab (now in Pakistan), in 1922. No information is available online about his early years and his education. In 1948, when he was just 26 years old, he directed the film ‘Pyar Ki Jeet’. This film was a major success, and it established Suraiya, the singer-actress as a super star.
He continued to direct films till the end of 1950s. The Hindi films directed by him are – ‘Hamaari Manzil’ (1949), ‘Surajmukhi’ (1950), ‘Ek Nazar’ (1951), ‘Parbat’ (1952), ‘Maalkin’ (1953), ‘Lagan’ (1955), and ‘Aangan’ (1959).
In the early 1950s he travelled to Pakistan and helped to set up a studio in Karachi. Till then, Lahore was the only center of film production in Pakistan. As a part of this effort, he also produced and directed the film ‘Anokhi’ from the studios in Karachi. Regulars may be familiar with this film, that has recently been discovered and is available in public domain. The heroine of this film is Sheela Ramani, and the music director is Timir Baran. This film was probably the earliest and maybe the only significant effort of collaboration between he film industries of India and Pakistan.
From 1960s onward, OP Dutta gave up direction and started writing for films – stories, screenplays, dialogues etc. Notable films from this phase of his career are ‘Chiraagh’ (1969), ‘Do Raaste’ (1969), ‘Mastaana’ (1970), ‘Jeet’ (1972), etc. Later on, he wrote stories and screenplays for some of the big hits – ‘Kshatriya’ (1993), ‘Border’ (1997), ‘Refugee’ (2000), ‘LOC Kargil’ (2003), and ‘Umrao Jaan’ (2006).
Today’s song is from the 1955 film ‘Lagan’. From the first phase of his career, this film is the only one that OP Dutta had produced and directed (as opposed to the other films which he only directed for other production banners). The film was produced under the banner of OP Films, Bombay. The star cast of this film includes Nalini Jaywant, Sajjan, Shammi, Randhir, Om Prakash, David, Raj Mehra, Ram Avtar, Baij Sharma, Pandit Iqbal, Baby Naaz, Pappu, Shaam Lal, Uma Dutt, Shivraj, Parshuram, and Kanwar Kesho amongst others. The songs of this film are penned by Rajendra Krishan and the music is by Hemant Kumar. Interesting to note that Ravi is the assistant music director with Hemant Da.
One song of this film has already been showcased on our blog. Today’s song is a song of sadness and separation sung so wonderfully by Lata Mangeshkar. Listen and enjoy.
Song – Mujhe Nazar Se Utaar Kar Bhi (Lagan) (1955) Singer – Lata Mangeshkar, Lyrics – Rajendra Krishan, MD – Hemant Kumar
Lyrics
mujhe nazar se utaar kar bhi
na chain paaya to kya karoge
mujhe nazar se utaar kar bhi
na chain paaya to kya karoge
jisey bhula ke chaley ho dil se
jisey bhula ke chaley ho dil se
wo yaad aaya to kya karoge
to kya karoge
mujhe nazar se utaar kar bhi
na chain paaya to kya karoge
chalo ye maana bagair mere
tumhaari raaten jawaan rahengi
chalo ye maana bagair mere
tumhaari raaten jawaan rahengi
magar jo bhoole se mere khwaabon ne
aa jagaya to kya karoge
to kya karoge
mujhe nazar se utaar kar bhi
na chain paaya to kya karoge
tumhaari mehfil mein roz hogi
nai kahaani naya fasaana
tumhaari mehfil mein roz hogi
nai kahaani naya fasaana
jo baaton baaton mein naam mera
zubaan pe aaya to kya karoge
to kya karoge
mujhe nazar se utaar kar bhi
na chain paaya to kya karoge
jisey bhula ke chaley ho dil se
jisey bhula ke chaley ho dil se
wo yaad aaya to kya karoge
to kya karoge
mujhe nazar se utaar kar bhi
na chain paaya to kya karoge
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
मुझे नज़र से उतार कर भी
ना चैन पाया तो क्या करोगे
मुझे नज़र से उतार कर भी
ना चैन पाया तो क्या करोगे
जिसे भुलाने चले हो दिल से
जिसे भुलाने चले हो दिल से
वो याद आया तो क्या करोगे
तो क्या करोगे
मुझे नज़र से उतार कर भी
ना चैन पाया तो क्या करोगे
चलो ये माना बगैर मेरे
तुम्हारी रातें जवां रहेंगी
चलो ये माना बगैर मेरे
तुम्हारी रातें जवां रहेंगी
मगर जो भूले से मेरे ख्वाबों ने
आ जगाया तो क्या करोगे
तो क्या करोगे
मुझे नज़र से उतार कर भी
ना चैन पाया तो क्या करोगे
तुम्हारी महफिल में रोज़ होगी
नई कहानी नया फसाना
तुम्हारी महफिल में रोज़ होगी
नई कहानी नया फसाना
जो बातों बातों में नाम मेरा
ज़ुबां पे आया तो क्या करोगे
तो क्या करोगे
मुझे नज़र से उतार कर भी
ना चैन पाया तो क्या करोगे
जिसे भुलाने चले हो दिल से
जिसे भुलाने चले हो दिल से
वो याद आया तो क्या करोगे
तो क्या करोगे
मुझे नज़र से उतार कर भी
ना चैन पाया तो क्या करोगे
Phir Dil Mein Dard Jaaga
Posted on: January 28, 2018
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This is the 200th song of N Datta as a music director in the blog.
| Blog Day : | 3481 | Post No. : | 13985 |
Missing Films of 1960s – 53
– – – – – – – – – – – – – – –
I know I do not need to say more. Everyone is so familiar this song. And the special thing about this song? In my humble opinion, this probably is the fastest melody that any music director has got Rafi Sb to sing. The year is 1957 and the film – ‘Mr X’.
And then, this same music director, ten years later, has got the booming voice Mahendra Kapoor to sing the softest of the melodies – “Chaand Bhi Koi Deewaana Hai. . .”. The year is 1968 and the film – ‘Apna Ghar Apni Kahaani’.
Remembering N Datta – well quite late for his anniversary (both of which fell in December). And so this post has also been in the making, for well about a month.
Searching for information about him, not much details are available about his early years. So much so that multiple different web sites repeat mostly the same few sentences. They all write that he was born 1927 in Aroba, a small village in Goa. And that he ran away from home at the age of 12, and came to Bombay to learn music. Incidentally, I also came across one article online, which is based on an interview with Roop Naik, son of N Datta. The information provided by him is different from what is available everywhere else.
According to Roop Naik, his father N Datta (full name Dattaram Baburao Naik) was actually born in Bombay. He was not even two years old when his father passed away. After this tumultuous event in life, he and his mother move back to their native village, where the child Dattaram was brought up by his maternal uncle. Close to their village home, there was a temple, where weekly sittings of bhajan singing used to take place. He was quite enamoured by the ‘Abhang’ singing of these Bhajans, and never used to miss a session. During this period, he learnt to play harmonium, and would sometimes accompany the singers in the temple.
Another high point for him used to be when the travelling performing groups would visit the village. Music was very much within him, and so he was attracted by these public performances. And so, at home, he once expressed his wish to learn music. The dressing down that he received from his uncle, convinced him that his passion to learn music, and his family’s environment simply did not go together. So, at the age of 12, this young pre-teen kid, ran away from home and came to Bombay.
This period of his life, before he started getting recognition in the industry, is an unknown. No documented information is available. Lata Mangeshkar had mentioned once that she did meet him in 1946 (he would be 19 years old then), and that he was working as an assistant to a music director whose name she recalls as Kedar Shinde. The Ed. Note with this sentence observes that she probably was talking about Ramakrisna Shinde, a music director of Marathi films, who later also gave music under the pseudo name of ‘Hemant Kedar’.
The young aspirant worked as an assistant to Ghulam Haider Sb. He would also continue to participate in temple programs. He would be part of the ‘prabhat feris’, a very early morning bhjan kirtan session, that is taken out in a procession format, passing through the streets and by-lanes of a certain neighbourhood. It is said that at one of these ‘prabhat feries’, Burman Dada (SD Burman) witnessed his singing, and called upon him to know more about him and his capabilities. That started a long and fruitful collaborative partnerships, and the young Dattaram worked as an assistant in films like ‘Baazi’, ‘Bahar’, ‘Sazaa’ and ‘Ek Nazar’ (1951), ‘Jaal’ (1952), ‘Jeevan Jyoti’ (1953) and ‘Angarey’ (1954).
During the making of ‘Baazi’, Dattaram was introduced to future stalwarts like Sahir Ludhianvi and Raj Khosla, and struck lifelong friendships. When Raj Khosla got his first break as an independent director (film ‘Milaap’, 1955), he got N Datta the first assignment as an independent music director. And from that juncture onward, one sees his career got from strength to strength – ‘Marine Drive’ (1955), ‘Chandra Kanta’ (1956), ‘Hum Panchhi Ek Daal Ke’ (1957), ‘Light House (1958), ‘Sadhna’ (1958), ‘Black Cat’ (1959), ‘Dhool Ka Phool’ (1959), ‘Dharam Putra’ (1961), and more.
I have just listed a sampler. The total films listed for him are 55. Of these, about 22 films came in or before 1961. Two important points to be noted here. 1959 seems to be his most prolific year – seven films released this year, with music by him. Secondly, his friendship with Sahir Ludhianvi, got him his first assignment with the banner of BR Films. His first film with BR Chopra is ‘Sadhna’ (1958). Next, we him again with the BR banner in ‘Dhool Ka Phool’ (1959) and ‘Dharamputra’ (1961). Just the names of these films are enough indication as to how wonderfully this relationship was developing, and the team of Sahir Sb and N Datta was producing phenomenal music together.
But then, fate intervened, and quite cruelly too. Just in his mid thirties, N Datta suffered a heart attack. The episode left him out of circulation for some months. He recovered. However, besides the health issues now in life, N Datta started another battle – a fear for his own life. It made him somewhat of an introvert person. He would be very afraid for his life, because of any episode of ill health. And his work suffered too. By the time he came out this medical emergency, BR banner had moved on. Ravi had been engaged as the music director. The first outcome was ‘Gumraah’. The commercial success of this film kind of excluded N Datta from the BR brand, for all times in the future.
The quality of his work also suffered. He continued to compose, and continue to create some fabulous and memorable songs. But his work would now be confined to B/C grade films. He continued to work till 1980 – his last film released is ‘Chehre Pe Chehra’. After that, no work probably came his way. He passed away in 1987. His later years were a struggle to keep afloat.
With today’s song, I introduce this film ‘Albela Mastaana’ from 1967. The film is produced under the banner of Pragya Pictures, Bombay and is directed by BJ Patel. The star cast includes Kishore Kumar, Bhagwan, Kaveri, Kundan, Aruna Irani, Nayna, Rajan Haksar, and Asha Nadkarni amongst others. Five songs are listed for this film, all being written by Prem Dhawan.
This song is a wonderful melancholy that is sung by Asha Bhosle. The video of this film is now available. In the visual, we see Asha Nadkarni lip syncing this song on screen. A song that in as of itself, needs to placed together with such Asha Bhosle songs like “Baithe Hain Rehguzar Par. . .” and “Tujh Se Bichhde Tere Deewaane To Mar Jaayenge”. Lovely rendition, pulling at the strands of the heart.
Song – Phir Dil Mein Dard Jaaga (Albela Mastaana) (1967) Singer – Asha Bhosle, Lyrics – Prem Dhawan, MD – N Dutta
Lyrics
phir dil mein dard jaaga
phir dil mein dard jaaga
phir yaad teri aayi
aaja sahi na jaaye
hum se teri judaai
phir dil mein dard jaaga
badhne laga andhera
jaane ho kab savera
palkon se aansuon ki
hum ne shama jalaai
hum ne shama jalaai
phir dil mein dard jaaga
phir yaad teri aayi
aaja sahi na jaaye
hum se teri judaai
phir dil mein dard jaaga
khamosh hai zamaana
kis se kahen fasaana
khamosh hai zamaana
kis se kahen fasaana
apni sadaa bhi ab to
deti nahin sunaai
deti nahin sunaai
phir dil mein dard jaaga
phir yaad teri aayi
aaja sahi na jaaye
hum se teri judaai
phir dil mein dard jaaga
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
फिर दिल में दर्द जागा
फिर दिल में दर्द जागा
फिर याद तेरी आई
आजा सही ना जाये
हमसे तेरी जुदाई
फिर दिल में दर्द जागा
बढ़ने लगा अंधेरा
जाने हो कब सवेरा
बढ़ने लगा अंधेरा
जाने हो कब सवेरा
पलकों से आंसुओं की
हमने शमा जलाई
हमने शमा जलाई
फिर दिल में दर्द जागा
फिर याद तेरी आई
आजा सही ना जाये
हमसे तेरी जुदाई
फिर दिल में दर्द जागा
खामोश है ज़माना
किस को कहें फसाना
खामोश है ज़माना
किस को कहें फसाना
अपनी सदा भी अब तो
देती नहीं सुनाई
देती नहीं सुनाई
फिर दिल में दर्द जागा
फिर याद तेरी आई
आजा सही ना जाये
हमसे तेरी जुदाई
फिर दिल में दर्द जागा
Ghir Aayi Hai Ghor Ghata
Posted on: January 23, 2018
- In: "baadal" song | Devnagri script lyrics by Sudhir | Feelings of heart | Geeta Dutt solo | Geeta Dutt songs | Guest posts | Lyrics contributed by readers | Melancholic song | Pathos | Post by Sudhir | sad song | Songs of 1950s (1951 to 1960) | Songs of 1952 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This is the 800th song of Geeta Roy/Dutt to be showcased on our blog.
| Blog Day : | 3476 | Post No. : | 13966 |
ना ये चाँद होगा
ना तारे रहेंगे
मगर हम हमेशा तुम्हारे रहेंगे
A promise of a voice, that continues to remind, of a feeling, of a little tangy flavored honey, slipping down the taste buds in the rear of the tongue. A voice that is sweet, that is humble. It may haunt you, but it will never come to you as an onslsught; it surely will over power your heart, but more in the manner of a polite request saying “Naa Jaao Sainyaan Chhuda Ke Bainyaan. . .”.
A personality that was more about inward expressions. Time was in the early sixties, as her singing assignments were dwindling, in a chance phone conversation with OP Nayyar, the simple complaint she aired to him was – “Aap to hum ko bhool gaye”. The reference of course was to the many hits she had sung for him, for the duration of a short stint, from 1952 to 1958. And after delivering the super hit “Mera Naam Chin Chin Chu” (‘Howrah Bridge”) in 1958, there is really very little, actually nothing, that OPN offered her to sing. It is quite a wonder that OPN went from strength to strength starting with ‘Aasmaan’ in 1952, and working through ‘Baaz’ (1953), ‘Aar Paar’ (1954), ‘Mr And Mrs 55’ (1955), ‘CID’, ‘Chhoo Mantar’, and ‘Mr Lambu’ in 1956, ‘Johnny Walker’ and ‘Ustad’ in 1957, and then ‘Howrah Bridge’, ’12 O’Clock’, ‘Mujrim’ and ‘Mr Qartoon MA’ in 1958. Thereafter, no more OP Nayyar songs for her. In any case, as we progress from 1952 to 1958, there is a noticeable increment in Asha Bhosle’s share of singing for OPN.
In a private conversation many years later, OPN did express his regrets that he completely cut off Geeta from his portfolio. With such dwindling fortunes, it is still not a wonder that she was still able to clock close to 1300 songs in Hindi films, from 1946 to 1971, much better than many of her contemporaries. That was the magnetism in her voice.
Today, we bring on board, the 800th song of this nightingale. The film is ‘Badnaam’ from 1952. The lyrics are by Shailendra and music is by Basant Prakash. The melancholia that she has the ability to generate, sometimes defies the thought that she is also able to sing the likes of “Mera Naam Chin ChinChu”. Maybe the grand success of “Mera Sunder Sapna Beet Gaya. . .” from ‘Do Bhai’ (1947) was a portend of the path of destiny she was to follow.
This song also, tells of the sadness of a broken heart, as the clouds of gloom are gathering in the mind’s sky. And the love is itself in tears – “प्यार रोने लगा”. It was not just an expression tutored by the music director, to sing it in a particular manner. It was the reality of her life that she lived – all the way to her passing away in 1972.
It was not just the season of rains. It was her whole life.
Song – Ghir Aayi Hai Ghor Ghata (Badnaam) (1952) Singer – Geeta Dutt, Lyrics – Shailendra, MD – Basant Prakash
Lyrics
ghir aayi hai ghor ghata
ghir aayi hai ghor ghata
apni majboorion se lipat ke
pyaar rone laga
haaye
pyaar rone laga
ghir aayi hai ghor ghata
tha kya pata yun badal jaayega aasmaan
yun bante bante ujad jaayega aashiaan
pahunchi saahil pe jab meri naiyya
gham dubone laga
haaye
pyaar rone laga
ghir aayi hai ghor ghata
kaisi ye mushkil jo sochun wo kar na sakoon
haaye
main aaj marna bhi chaahun to mar na sakoon
yun mere saamne mere dil ka
khoon honay laga
haaye
pyaar rone laga
ghir aayi hai ghor ghata
ghir aayi hai ghor ghata
apni majboorion se lipat ke
pyaar rone laga
haaye
pyaar rone laga
ghir aayi hai ghor ghata
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
घिर आई है घोर घटा
घिर आई है घोर घटा
अपनी मजबूरीओं से लिपट के
प्यार रोने लगा
हाए
प्यार रोने लगा
घिर आई है घोर घटा
था क्या पता यूं बादल जाएगा आसमाँ
यूं बनते बनते उजाड़ जाएगे आशियाँ
पहुंची साहिल पे जब मेरी नैया
ग़म डुबोने लगा
हाए
प्यार रोने लगा
घिर आई है घोर घटा
कैसी ये मुश्किल जो सोचूँ वो कर ना सकूँ
मैं आज मारना भी चाहूँ तो मर ना सकूँ
यूं मेरे सामने मेरे दिल का
खून होने लगा
हाए
प्यार रोने लगा
घिर आई है घोर घटा
घिर आई है घोर घटा
अपनी मजबूरीओं से लिपट के
प्यार रोने लगा
हाए
प्यार रोने लगा
घिर आई है घोर घटा
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3474 | Post No. : | 13956 |
The film that we welcome today into Yippeee-land is the 1958 production titled ‘Baaghi Sipaahi’. The film has a total of 8 songs, seven of which have already been posted here. The details of the previous songs posted is given below.
| Chinchana Papul Chinchana Papul | 11562 | 16-Nov-15 | Shailendra |
| Samaa Ye Pyaar Ka Bahaar Ke Ye Mele | 11606 | 28-Nov-15 | Shailendra |
| O Beraham Tere Sitam | 11642 | 9-Dec-15 | Shailendra |
| Ae Dilbar Dilwaale | 12451 | 14-Oct-16 | Shailendra |
| Maan Bhi Le Ae Dil Tu Apni Haar | 12948 | 20-Feb-17 | Shailendra |
| Ruk Jaa Musaafir Pal Bhar Ko | 13761 | 23-Nov-17 | Hasrat Jaipuri |
| Muskuraati Zindagi Ko Chhod Ke | 13946 | 20-Jan-18 | Hasrat Jaipuri |
The film was produced under the banner of VP Productions, Bombay. It is a historical costume drama, produced and directed by Bhagwan Das Verma. The cast of actors is led by Ranjan and Madhubala. The other players include Poornima, Chandrashekhar, Om Prakash, Sapru, Gope, S Nazeer, Nishi, Renu Maakad, Pal Sharma, Gajendra etc.
The songs of this film are created by the team of Shailendra, Hasrat Jaipuri and Shankar Jaikishan. Out of the eight songs in this film, five are written by Shailendra and three are from the pen of Hasrat Jaipuri. Today’s Yippeee song is also written by Hasrat Jaipuri.
This film is a remake of an earlier film by the same name. In 1936, the film ‘Baaghi Sipaahi’ was released under the banner of East India Film Company, and was directed by Abdul Rashid Kardar. In this 1936 version, Gul Hamid played the lead role, and it was cited as an “important film” for him. Patience Cooper, Bimla Kumari, Mazhar Khan, Lalita Pawar, Indubala, Anees, Azurie and Mohammed Ishaaq also played significant roles along with Gul Hamid.
Now this 1936 film, in turn was based on a 1935 Hollywood production ‘Cardinal Richelieu’, released under the banner of Twentieth Century Pictures, directed by Rowland V Lee. The primary cast of actors includes George Arliss, Maureen O’Sullivan, Edward Arnold and Cesar Romero.
And then, going back further, this 1935 Hollywood film was based on the 1839 play ‘Richelieu’ by Edward Bulwer-Lytton depicting the life of the great seventeenth century French statesman Cardinal Richelieu and his dealings with King Louis XIII. Further explorations reveal that the real life Cardinal Richelieu had a very colourful and chequered life in the court of the French kings. He rose to be the Chief Minister in the court of King Louis XIII. He wielded considerable power and influence over the government, role of the church, foreign policy, and foreign military campaigns.
In his later years, Richelieu faced a plot that threatened to remove him from power. He had introduced a young man named Henri Coiffier de Ruzé, marquis de Cinq-Mars to King Louis XIII’s court. This young man was the son of a close friend. Richelieu had hoped that Cinq-Mars would become King Louis’ favourite, so that he could indirectly exercise greater influence over the monarch’s decisions. Cinq-Mars did become the royal favourite, but, contrary to Cardinal Richelieu’s expectations, he was not easy to control. The young man realized that Richelieu would not permit him to gain political power. In 1641, he participated in a failed conspiracy against Richelieu, but he himself was not discovered. Then, in the following year, he schemed once again with leading nobles (including the King’s brother, the duc d’Orléans) to raise a rebellion. He signed a secret agreement with the King of Spain, who promised to aid the rebels. However, Richelieu’s spy service discovered the plot, and seized a copy of the said agreement with the King of Spain. Cinq-Mars was promptly arrested and executed. Although King Louis approved the capital punishment, he grew more distant from Richelieu as a result.
These events form the main story line of the 1839 play, and were later adapted into the Hollywood production and then the Hindi films.
Today’s Yippeee song for this 1958 film is sung by Lata Mangeshkar. This is a sad song, that has been rendered soulfully by Lata ji. On screen we see Madhubala listening to this song being lip-synced by another actress that I am not able to identify. I request other readers to please help identify this lady.
With this song, we now welcome this 1958 film to join the list of films with all their songs covered on our blog.
Song – Dil Lagaane Waale Mat Sun Meri Kahaani (Baaghi Sipaahi) (1958) Singer – Lata Mangeshkar, Lyrics – Hasrat Jaipuri, MD – Shankar Jaikishan
Lyrics
dil lagaane waale
mat sun meri kahaani
dil lagaane waale
mat sun meri kahaani
dhadhkega dil jahaan ka
sun me meri zubaani
dhadhkega dil jahaan ka
sun me meri zubaani
maine apne dil ko
ik chaand se lagaaya
palkon ki chhaon daal ke
dil mein usey bithaaya
wo aasmaan ka pyaara
phir bhi na muskuraaya
jalti hain tamannaayen
roti hai zindgani
dil lagaane waale
mat sun meri kahaani
hmmm hmmm hmmm hmmmm
paaya hai kaun ab tak
baahon mein aasmaan ko
bulbul ke aasnuon pe
gham hoga baaghbaan ko
dil jeetna hai mushkil
chaahe phook aashiaan ko
kab qaid mein rahi hai
chaahat bhari jawaani
dil lagaane waale
mat sun meri kahaani
socha ye kyon na maine
parwaana noor ka hai
socha ye kyon na maine
chanda chakor ka hai
dil dete waqt na socha
dil dete waqt na socha
ye dil bhi aur ka hai
. . .
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
दिल लगाने वाले
मत सुन मेरी कहानी
दिल लगाने वाले
मत सुन मेरी कहानी
धड़केगा दिल जहां का
सुन के मेरी ज़ुबानी
धड़केगा दिल जहां का
सुन के मेरी ज़ुबानी
मैंने अपने दिल को
इक चाँद से लगाया
पलकों की छाँव डाल के
दिल में उसे बिठाया
वो आसमां का प्यारा
फिर भी ना मुस्कुराया
जलती हैं तमन्नाएं
रोती है ज़िंदगानी
दिल लगाने वाले
मत सुन मेरी कहानी
हम्मम हम्मम हम्मम हम्मम
पाया है कौन अब तक
बाहों में आसमां को
बुलबुल के आंसुओं पे
ग़म होगा बाग़बान को
दिल जीतना है मुश्किल
चाहे फूक आशियाँ को
कब क़ैद में रही है
चाहत भरी जवानी
दिल लगाने वाले
मत सुन मेरी कहानी
सोचा ये क्यों ना मैंने
परवाना नूर का है
सोचा ये क्यों ना मैंने
चंदा चकोर का है
दिल देते वक़्त ना सोचा
दिल देते वक़्त ना सोचा
ये दिल भी और का है
॰ ॰ ॰
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