Posts Tagged ‘1959’
Chaahe log karen apmaan
Posted on: June 1, 2022
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5066 | Post No. : | 16981 |
Today’s song is from the movie ‘Sati Vaishalini-1959’.
‘Sati Vaishalini-1959’ was directed by Sadhu Singh for ‘Rati Chitra, Mumbai’. It was produced by P.N. Rangeen.
It had Trilok Kapoor, Sulochana, Lalita Pawar, Ratnamala, Krishnakumari, Niranjan Sharma, Nand Kishore, Tiwari, Shyam, Hari, Krishna Kumar, Roshanlal, and others. Heeralal, Sheela Kashmiri, Savita Chatterjee, Jyoti, Niranjan Tiwari, and Kamal Kapoor had made in guest appearances in this movie.
HFGK Vol-III (1951-1960) mentions in its foot note on this movie page that this movie was also known as ‘Janam Janam Ka Naata’. HFGK also mentions that the story of this movie was based on ‘Markandeya Puraan’.
This movie was passed by Censor Board on 19.11.1959.
‘Sati Vaishalini’ had eight songs written by Bharat Vyas. Music for this movie was composed by Premnath. (As mentioned by Atul ji while presenting the first song from this movie on the blog, this Premnath is different from the actor of the same name).
This movie had made its debut on the blog on 15.10.2016 with its song ‘jab tak khadaa himaalay hai… amar rahegi is jag mein’. think This was the only song from this movie that was available for posting those days. Now music enthusiasts have uploaded one more song from this movie which we will be listening to today.
Let us have a look at the list of songs of this movie.
| SNo | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Jab tak khadaa himaalay… amar rahegi is jag mein | Mohd Rafi, chorus | 15.10.2016 |
| 02 | Aaja re aaja re… kaho ji kaun boley … | Asha Bhonsle, Rafi | |
| 03 | Tu chaahe to raat… hey gori maat sun… | Asha Bhonsle, chorus | |
| 04 | Arey vidhaata-2, mere bhaag mein toone kya likhaa | Asha Bhonsle | |
| 05 | Chaahe bhale chanda tale… ya naata janam janam ka | Asha Bhonsle | |
| 06 | Paaon mein kaante bichhe…pati mere shyam pati mere raam | Asha Bhonsle | |
| 07 | Ek sati sat ke dagar par chal padi. pi se milne ki chaah hai | Manna Dey | |
| 08 | Ghiri ghataayein ghanghor… rakshaa-2, kar bhagwaan | Asha Bhonsle, chorus |
Today’s song is ‘chaahe log kare apmaan … ye hai naata janam janam ka’. I guess that that today’s song is the ‘fifth’ song in chronological order in the movie.
This song is sung by Asha Bhonsle. Lyrics for today’s song are by Bharat Vyas and music is composed by Premnath.
Tune of this song is reminiscent of some other song, but I am not able to recall that song as of now.
Only audio of the song is available. I request knowledgeable readers to throw more light on this movie and it’s songs.
Let us listen to the song now.
Song-Chaahe log karen apmaan (Sati Vaishalini)(1959) Singer-Asha Bhonsle, Lyrics-Bharat Vyas, MD-Premnath (MD)
Lyrics
chaahe log karen apmaan
ho chaahe dushman bane jahaan
magar mere haathhon ne pakdaa haathh
jis albele balam ka
kabhi chhoote nahin pyaar
kabhi toote nahin saath
ye hai naataa janam janam ka
chaahe log karen apmaan
jinki chhabi mere ae
man ko suhaati ee
man ko suhaati
wo mere deepak
main unki baati ee ee
wo mere deepak
main unki baati
mere man mein jinka dhyaan
mere man mein jinka dhyaan
jagat mein wohi mere bhagwaan
ke jinke aage padaa sharmaaye
jhilmil chandaa poonam ka
kabhi chhoote nahin pyaar
kabhi toote nahin saath
ye hai naataa janam janam ka
chaahe log karen apmaan
mel hamaaraa jyun bijlee baadal
bijlee baadal
jaise ho ankhiyaan
ankhiyon mein kaajal
jaise ho ankhiyaan
ankhiyon mein kaajal
mere jhoome tan man praan
mere jhoome tan man praan
milaa maa tera amar vardaan
ke bujh naa paayega yamraaja se bhi
ye diyaa dharam ka
kabhi chhoote nahin pyaar
kabhi toote nahin saath
ye hai naataa janam janam ka
chaahe log karen apmaan
ho chaahe dushman bane jahaan
magar mere haathhon ne pakdaa
haathh
jis albele balam ka
kabhi chhoote nahin pyaar
kabhi toote nahin saath
ye hai naataa janam janam ka
ye hai naataa janam janam ka
ye hai naataa janam janam ka
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4995 | Post No. : | 16891 |
Today’s song is a foot tapping song from the film Fashionable wife-1959.
Nepotism,Corruption and Lack of Nationalism are the 3 ills common to most Indians.These things have been so common that not only now they are deep rooted in our behaviour, but also we have stopped considering them as vices anymore. They are a part of our life in many ways.
Corruption at every level of every aspect of our living is practiced unabashedly. From giving bribes to a policeman for breaking a traffic rule to giving bribes to get a Govt. Contract has become an easy way to replace discipline and hard work. After 15th August and 26th January, torn Indian Flags on the road and in the dustbins as well as stealing Govt. property from Railway Coaches and Govt. offices is a routine sight we come across. The plum jobs going to close relatives of big officers is no longer considered a crime !
These are very irritating matters when they concern and trouble us. If it is not concerning us, we take them philosophically !
In India these 3 criminal vices are spread to all walks of life and are found in almost every department. Can our Film Industry be far off from this ? Certainly Not !
Those already successful and adorning a high pedestal position in the film line, try to push their children or siblings into this line, irrespective of whether they have the talent or not. For others ” The Casting Couch” is seen as a kind of corruption or ‘wilful’ bribing. Making films with distorted History intentionally and glorifying the historical characters who looted India and did unlimited harm to Indians is nothing but a lack of Nationalism !
Nepotism is one ill which has been there in the films from the beginning. Bringing sons and daughters-even the wife- as actors has been there always. The Heroine of the First Indian Talkie film “Alam Ara”-1931, Zubeida had her 2 sisters and mother in the film line. One of the actors of this film- Prithviraj kapoor practically became the father of Indian films. His all sons, Grandsons, great grandsons and daughters came into films.
Acting is not a Genetic quality. It is not necessary that every successful actor or director’s children can become successful actors automatically. More often than not the star sons and daughters have (luckily) failed, saving the audience the trauma of bearing their stony presence on the silver screen. There is a long list of such failed stars, star sons and star daughters, but I quote here only a few examples.
It is said that ‘No trees can grow under a Banyan Tree’. This is absolutely true and applicable in Film industry. Except in cases like the Kapoor family, i.e. Raj,Shammi and Shashi,who made their bright careers despite the shadow of their Father and other Brothers, we find that many of the sons,daughters,brothers or sisters of many popular and famous film stars were failures and never made it big in Hindi cinema.
We know cases like Suneil Anand, Nasir Khan, Tony Walker, Naina Sahu, Meera Joglekar, Ajit Chitnis, Rajendranath, Narendranath, Anup Kumar, Mallika, Khursheed Jr., Simple Kapadiya, Shivangi Kolhapure, Preeti Ganguly, Radhika and many more. In spite of having all the backing of famous family members, these and so many others just did not make it, because Talents are not always hereditary !
They all were given fair opportunities to display their talent on the screen , but unfortunately despite their honest effort their skill could not come out & the viewers were left unimpressed . They were selected by big banners and well experienced directors were there to guide them. But their talent remained hidden inside them and with their nonexistent artistry they disappointed their mentors. Non-actor Sohan Kapila was in the romantic lead of Filmistan’s Babar , which was released in 1960. Hemen Gupta , distinguished director ,who earlier had directed Anand Math for Filmistan ,directed the movie and it also had the winning combination of Sahir & Roshan. Dependable character actor Gajanan Jagirdar did the role of great Moghal Emperor Babar . But the movie flopped ,as the new hero failed pathetically to register any emotion on his face. A big jolt for Seth Tola Ram Jalaan ,who was already facing financial problems. Mr. Kapila appeared in 2-3 movies in inconsequential roles and disappeared from the scene forever . His daughter Padmini Kapila also pursued a film career ,but could not achieve much success .
There were many other actors like him ,who got a chance to appear opposite illustrious heroines , unfortunately their effort did not make any impact on the cine loving public. Watching their miserable performance on the screen , no film maker came forward to sign them . Out of sight is out of mind ,it was a matter of time when the public as well as the film industry forgot them.
Malhaar, as the name suggests, is a musical film produced by great singer Mukesh in 1951 . It had a story by veteran actor S K Prem & its evergreen music was composed by Roshan . The movie had newcomers Arjun & Shammi (Nargis Rabadi ). Arjun did get another chance in Daku Ki Ladki to please the viewers with his emoting before the camera, but could not succeed and it was the end of his career.
Rattan Chopra the lucky boy was selected for films , among hundreds of aspirants . Mohan Kumar had suffered a huge setback when Aman flopped .He took the newcomer for Mom Ki Gudia ,opposite Tanuja, with great hopes. Unfortunately , Mom Ki Gudia failed to dispel the gloom and sank to the rock bottom. Acting was not his cup of tea ,Rattan Chopra understood & wisely opted out of the race of stardom.
K. Amarnath introduced new comer Vijay Kumar in his 1954 offering Alif Laila opposite Nimmi & Asha Mathur . Sohan Kapila and Vijay Kumar had impressive physiques , but had no clue about acting. The movie had lilting music by Shyam Sunder ,which was his last contribution towards the film industry . Helen for the first time got a chance to perform solo in the movie & for many decades she remained on top. But for Vijay Kumar it was his first & last chance.
Another non actor Premendra was introduced by old timer Vijay Bhatt in Holi Aayee Re (1970),which was directed by his younger sibling Harsukh Bhatt. It was pathetic to watch Premendra unsuccessfully trying to showcase his imaginary ability in the field of acting .The movie flopped phenomenally & a huge investment made by Bhatt Brothers went up in a cloud of smoke. Premender with Kumud Chhugani in Holi Aayee Re.
There were some more like Pratibha Sinha, Archan Gupta, Jayant Gupta, Ashok Sharma, Nusrat Kardar, Rajeev kapoor, Manish kumar, Navinchandra, Aroop kumar, Prashant, Shalini, Kaycee Mehra, Vikram, Shekhar Suman, Deepak kumar, Ajay, Som Dutt and many more.
Among them, some film names which I remember off hand are Arjun in Malhar-51, Rattan Chopra in Aman-67,Mom ki Gudia-72, Vijay Kumar in Alif laila-54,Premendra in Holi aayee re-70, Deepak kumar in Aabroo-68, Ajay in Wapas-69, Som Dutt in mann ka meet-68, Vikram in Julie-75,Rajeev Kapoor in Raam teri Ganga maili-85, Shekhar Suman in Utsav-84, Kaycee Mehra in Chhabilee-60 and Mem Didi-61, Prashant in Sehra-63, Ashok Sharma in Hamari yaad aayegi-61, Ajit Chitnis in Aaj ki baat-55, Nusrat Kardar in Dard-47, Manish in SaraswatiChandra-68, Rajiv in Nayi umar ki nayi fasal-65, Aroop kumar in Bezubaan-62 etc etc.
All this came to my mind when I saw the film cast of Fashionable wife. The cast included Jaymala, Abhi Bhattacharya, Anup Kumar, Radhakishen, Manorama, Leela Mishra, Daisy Irani and many others. heroine Jaymala was the wife of the producer, director and the owner of the banner ‘Adarshlok’, Bombay – B.K.Adarsh. This was her Debut film as a Heroine. At first glance, one will tend to feel that being the director’s wife must have been her way to be the film’s Heroine. But to be fair, she was already in the film line before marriage, though not as a Heroine.
Jaymala was born on 21-8-1938 at kasur, Punjab. She always craved to become an actress. She came to Bombay along with a relative and got a small role in the film Mandir-1948.
Her first major film was Hazar pariyan-1957. Some of her films were Ramudada, Durga pooja, Harshchandra Taramati, Love and Murder, Spy in Rome, Rambha Haran, Balak, Sampoorna Teerth Yatra, Veer Arjun, Babruwahan, Aaj ka ye Ghar etc.
She acted in 24 films. She even sang a song in the film Fashionable wife-1959.
After marriage with Adarsh Lok,she debuted as a Heroine in FASHIONABLE WIFE-1959. She had a double role in this film.Then she continued with Adarsh Lok’s films as a Heroine only. After husband’s death, she managed his production company. Her last film was Private Life-1983, as a Heroine and a Producer. Her son Taran Adarsh is a famous film critic.
She died on 27-7-1997 in Mumbai.
It is a coincidence that my last post was also on a film where sisters were seen in double roles. Today’s film also has sisters in double roles again. The film story is…
FASHIONABLE WIFE-1959 was produced and directed by Adarsh Lok, the Music Director was the duo of Suresh-Talwar ( Assistant Johnny Gomes) and the lyricist was Bharat Vyas. Story,Screenplay and Dialogues were by Waheed Qureshi. The cast was Jaymala, Abhi Bhattacharya, Anup Kumar, Leela Mishra, Iftekar, Nazir Hussain, Achala Sachdev, Radha Kishen, Manorama etc.
Girdhari and Susheela were a couple who continuously fought over only one point-how to bring their twin daughters. Susheela wanted them to be traditional and Girdhari was keen on making them ultra modern” to face the new World’. Finally the couple separated with Ragini opting for the traditional Mother and Kamini staying with her Modern Papa.
Ragini marries Balraj(Abhi Bhattacharya) and she is very happy. However her Mother in law(Leela Mishra) is not happy with her and there are daily fights, culminating in Ragini leaving her house and doing social work independently.
Kamini marries Natwar(Anup Kumar), her Dance trainer and happily lives with him, enjoying life. She has no time for any household responsibilities. She spends quite a lot arranging frequent parties. Due to all this her young devar Raju runs away from the house and Natwar is also fed up with her.
In short both the girls have a spoiled family life.
There is comic relief in the form of Manorama and Radha Kishen, who are the neighbours.
After many twists, coincidences and meaningless happenings, the girls learn their lessons. The film tries to stress that Traditional ways are always better, but they also must mix a little modernity in keeping with the times.
At the end Girdhari and Susheela unite,so do Kamini-Natwar and Balraj and Ragini.
Today’s song is sung by Jaymala and chorus. This is the only song which she ever sang in films. With this song she makes her Debut as a singer,on our Blog.
In the second half of the 50’s decade, films were deeply influenced by Rock N Roll music. This song is also like that.
Song- Paschim se aazadi aayee fashion ki shehzaadi aayee (Fashionable Wife)(1959) Singer-Jaymala, Lyrics-Bharat Vyas, MD-Suresh Talwar
Chorus
Unnown male voice
Lyrics
paschim se aazaadi aayi
fashion ki shahzaadi aayi
hey hey ae
paschim se aazaadi aayi
fashion ki shahzaadi aayi
oonchi aedi bikhre baal
lovely lovely chaal
wo lad gaye log puraane
ha ha
ab aaye naye zamaane
ha ha
ye rang badalti nayi hawaayen
gaaye naye taraane
la lar la lar la lar la lar la la la
wo beet gaye afsaane
aa haa
ab geet hain naye banaane
aa haa
ye saadi aur salwaar badalkar
frock pant pahnaane
jhat se baal karo ye down
madam sar se pahno gown
madam m m m
ha ha ha ha ha
hey paschim se aazaadi aayi
fashion ki shahzaadi aayi
oonchi aedi bikhre baal
lovely lovely chaal
ye ghar ke jhanjhat tyaago
aa haa
picnic ke liye kahin bhaago
aa haa
bandhan ki kadiyaan tod phod
dharti ki pariyaan jaago
la la la lar la la la
la lar la la la la la
makeup har waqt sambhaalo
aa haa
sheesha har baar nikaalo
aa haa
in laaj bhari do aankhon par ek kaala chashma daalo
madam munh mein lo cigarette
khula hai aazadi ki gate
madam m mm
ha ha ha ha ha
hey
paschim se aazaadi aayi
fashion ki shahzaadi aayi
oonchi aedi bikhre baal
lovely lovely chal
honthon pe lagaao laali
baalon pe chadhhaao jaali
nakhoon badha ke sister
jhatpat dhoondho apna mister
lalalala
ha ha ha ha ha
aa ha ha ha
kho jaao dance mein
ho ho
haay romance mein
aha
kho jaao dance mein
hey
haay romance mein
very good
mast bahaaron se ye aati hai sada
banke fashinable wife
bana do aaj kisi ki life
banke fashinable wife
hey
paschim se aazaadi aayi
fashion ki shahzaadi aayi
oonchi aedi bikhre baal
lovely lovely chaal
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4990 | Post No. : | 16882 |
Today’s song is from the film Do Behnen-1959.
The film was made by Brij kala Mandir, Bombay. Produced by J P Sehgal and Kailash Kapoor, it was directed by Kedar Kapoor. Music was composed by Vasant Desai and all the 7 songs were written by Kavi Pradeep. The cast of the film was Shyama, Rajendra Kumar, Chand Usmani, Radha Kishen, Tiwari, Ram Mohan, Leela Mishra and many more.
The director Kedar Kapoor (2.9.1927-5.6.1987) directed 35 films from 1954 to 1983. In his career he was branded as Dara Singh Specialist, because he directed as many as 19 films of Dara Singh. His daughter Madhu kapoor was also an actress, in those days. The pair of composer Vasant Desai and Kavi Pradeep was unusual. They came together only in 2 films of 1959, namely south made School master and Do Behnen. Kavi pradeep was not acceptable to many well known Music Directors of those times, because Pradeep insisted on singing at least one song in every film and he used to force the composer to use the tunes he made for his songs. Due to this, MDs who were famous, could afford to deny working with him, like Naushad for example. Even Vasant Desai had to give one song from both his films to Pradeep to sing.
The story of Do behnen-59 was a story of twin sisters who were poles apart in nature. Shyama did a double role for both sisters. Earlier K.A.Abbas’ story in film ” Anhonee’-1952 had handled such a story. But that too was not the first one. In 1942, the film “Muqabala” depicted 2 sisters having different natures. In that film the Stunt Queen Fearless Nadia did the double role of sisters.
Having a double role in films was not a new thing. Let us take a brief look at the history of Double roles in films. As far back as into the initial era of making silent films, a male actor, Anna Salunke, had done the double role of Shri Ram and Seeta in film ” Lanka Dahan”-1917, made by Dadasaheb Phalke. Later on actress Patience Cooper did double roles of Twin sisters in silent film “Patni Pratap”-1923 and then again as Mother and daughter in silent film “Kashmiri Sundari”-1925. Master Vithal did a double role in the film Raj Tarang-1927.
When Talkie films started, the first film to have a double role was “Awara Shehzada”-1933.The Hero was Shahu Modak. The film was based on Mark Twain’s popular novel “The prince and the pauper’ in 1881. With this film India had beaten Hollywood in this race, because the first Talkie film on this novel was made in Hollywood only in 1937, with the same title of novel. The film featured the handsome Erol Flynn. Another popular film was ” The prisoner of Zenda’ based on the novel of same name by Anthony Hope in 1894 in 1937 and 1952.
In Hindi, a major hit film on double roles was Geeta-1940. In this film the hero-Chandramohan did a role of Father and son and the Heroine Durga Khote did the double role of Mother and wife. The film advocated the principle for the first time in films that ” Crime never pays”. This theme was later used in many films like “Kismat”-43 and “Sangram”-50. Film Geeta became so popular that it was remade as “Ustad’-1957 and “Karmayogi”-1978. Ashok kumar and Raaj Kumar did double roles in these films.
In the south made film “Chandralekha’-1948, the Hero Ranjan had a double role as twin brothers. The trend of making films with double roles went on increasing steadily. I have the statistics of such films from 1931 to 2014. As per this, the double role films were 3 in the 40’s, 11 in 50’s, 37 in 60’s, 63 in 70’s, 62 in 80’s, 81 in 90’s, 45 in 2000 and 17 till 2014.
Leading actors did double roles in films thus –
Amitabh-15 films
Rajesh K. – 11 films
Mithun Ch. -11
Govinda -10
Jeetendra -9
6 films each by Akshay kr., Hema M., Rishi K., Sanjeev kr.,and Shri Devi
5 films by Anupam K., Dilip kr., Mehmood and SRKhan
4 films by Ajay D, Anil k., J.Shroff, KK, Rekha, Sadhana, Salman Khan, Shashi K.
3 films by 15 actors. 2 and 1 by many actors. I have all the names but it will be too long a list.
So much for films with double roles.
The story of Do Behnen-59 was written by eminent writer Pt. Mukhram Sharma ( 29-5-1909 to 25-4-2000): The most famous writer of stories with social themes in the fifties, Pandit Mukhram Sharma had a long association with B. R. Chopra. He had written stories for many of his hit films. Some of his notable films are Ek Hi Raasta, Aulad, Sadhna and Dhool Ka Phool. Pt. Sharma had also won Filmfare awards for Sadhna, Vachan and Aulad. His other hit films include Santaan, Do Kalian, Jeene Ki Raah, Raja Aur Rank, Dadi Maa, Gharana and Talaq. Pt. Mukhram Sharma won Sangeet Natak Academy Award (1961).
Before coming to Bombay, he was a teacher in Meerut. In 1939, he came to Bombay, but could not get any job. He moved to Poona and joined Prabhat films as a Tutor for Marathi and Hindi. In Poona, he married a Marathi actress Shanta Mujumdar.He was with Marathi films till 1952, then he came to Bombay and got the first Filmfare award for Best story for his film Aulad-54.
Then there was no looking back. After winning Filmfare awards 3 times, Academy Award and Lifetime achievement Zee award, Sharma retired in 1980 and went back to Meerut.
The story of Do Behnen-59 was……….
Bombay-based look-alike twin sisters, Vasanti and Malti ( Shyama ), live a wealthy lifestyle with their parents. Their father, Raghunath ( S.K.Prem), arranges devout Vasanti’s marriage with Ramesh ( Rajendra Kumar), who lives with his widower father, a doctor ( Tiwari), and a sister, Rekha ( Chand Usmani). After the wedding, Raghunath is shocked to find Malti singing and dancing with a male named Anokhey( Ram Mohan) in a nightclub.
He brings her home, admonishes her severely and forbids her to leave the home. In response, she elopes with Anokhey, travels to Poona and books a room in Paramount Hotel. Shortly thereafter Anokhey shows his true colors, squanders her money, starts drinking, and frequenting prostitutes. He then takes her jewelry and walks out of her life. In order to recover the rent, the Hotel Manager contacts the Mathurs, and Vasanti and her mom ( Mumtaz Begum) attend to take Malti back home.
While traveling home, the train meets with an accident and Vasanti passes away. Her mother tells everyone that it is Malti who has passed away, and compels Malti to take over as Vasanti, which she does reluctantly.
After going to her house, she finds it very difficult to adjust to the sati savitri type behaviour. However, slowly she starts loving the new house and also her husband. Ramesh many times gets puzzled with her behaviour, but ignores it.
Finally the truth is out one day, but by that time Ramesh starts liking her and so a New Malti takes over her dead sister’s place officially.
Today’s song is the 7th and the final song of this film. It makes the film ” YIPPIED ” ! It is a good song too. Enjoy….
Song-Chhum chananan nanan chhum chananan nanan bichhua bole (Do Behnen)(1959) Singer-Lata, Lyrics-Kavi Pradeep, MD-Vasant Desai
Chorus
Lata + Chorus
Lyrics
ho ho ho
papapapapa
papapapa
hahahahaha
aa aa aa aa
aa aa aa aa
aa aa aa
sa re sa re ma ha ma dha pa
pa ma ga re ma ga re sa
sa sa sa
ma pa dha
dha ni re sa
sa sa
chhum chananan nanan chhum chananan nanan chhum chananan nanan
bichhuwa bole re
tan dole
man dole
chhum chananan nanan chhum chananan nanan chhum chananan nanan
bichhuwa bole re
tan dole
man dole
sakhi dekho jawaani aayi ban thhan ke
aayi ban thhan ke/font>
jeevan mein madhu ras ghole
tan dole
man dole
chhum chananan nanan chhum chananan nanan chhum chananan nanan
bichhuwa bole re
tan dole
man dole
o o
kis manzil pe aaj hum aaye
aaj hum aaye
dekho naazuk badan lahraaye
ho lahraye balkhaye
dekho nas nas mein hai bijli tadapti
nas nas mein hai bijli tadapti
ang mein bhadke shole
tan dole
man dole
chhum chananan nanan chhum chananan nanan chhum chananan nanan
bichhuwa bole re
tan dole
man dole
badal gaya sab roop rang
sakhi badal gayi hai chaal ree
chaal ree
dhak dhak dhak mere dil ki dhadkan
dene lagi hai taal re
taal re
o o
nain nachaa le gori teer chala le
nain nachaa le gori teer chala le
aaye khushi ke jhakole ae
tan dole
man dole
chhum chananan nanan chhum chananan nanan chhum chananan nanan
bichhuwa bole re tan dole man dole
chhum chananan nanan chhum chananan nanan chhum chananan nanan
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4968 | Post No. : | 16839 |
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Blog 10-Year Challenge (2012-2022) – Song No. 22
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The month of february 2012 was a “normal” month by the standard of the blog those days. A typical day of that month saw 6, 7, or 8 songs getting covered in the blog.
23 February 2012 was very much a “normal” day for the blog in the sense that seven songs from seven different movies were covered in the blog. Here are the details :-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 5509 | Mar gaye ham jeete jee maalik tere sansaar mein | Shabaab(1954) | Movie YIPPEED by now |
| 5510 | Mere lalla ko sulaayegi nindiya | Suhaagan(1954) | Movie YIPPEED by now |
| 5511 | Saagar pe aaj maujon ka raaj | Rangoli(1962) | Movie YIPPEED by now |
| 5512 | Roshan hai tere dam se | Devdas(1935) | Movie YIPPEED by now |
| 5513 | Dekho roothha na karo baat nazron ki suno | Tere Ghar Ke Saamne(1963) | Movie YIPPEED by now |
| 5514 | Tose laage naina | Nayi Raahein (1959) | 6 songs covered out of 7 |
| 5515 | Laayi kahaan hai zindagi | Taxi Taxie(1977) | 3 songs covered out of 5 by now |
One can notice that five movies (out of seven) whose songs were represented on the blog ten years ago on this date have since been YIPPEED. That leaves us with only two movies that are yet to be YIPPEED and therefore eligible for the Blog ten year challenge today on 23 February 2022.
“Nayi Raahein”(1959) was one of the movies that are yet to be YIPPEED. This movie was produced by Devendra Goel and directed by Brij Sadanah for Goel Cine Corporation, Bombay. The movie had Geeta Bali, Ashok Kumar, Anoop Kumar, Nazir Hussain,Shobha Khote,Madan Puri, S.K.Prem, Jaswant, Radha Kishan etc in it.
The movie had seven songs in it. Six songs have already been covered. Here are their details:-
| Blog post number | Song | Date of post | Singer(s) |
|---|---|---|---|
| 3534 | Ye jhoomte nazaare tum paas ho hamaare | 18 February 2011 | Hemant Kumar, Lata |
| 4661 | Kal ka chaand aaj ke sapne Multiple version song | 20 September 2011 | Hemant Kumar, Lata |
| 5514 | Tose laage naina | 23 February 2012 | Asha Bhonsle, Rafi |
| 5606 | Kahaan teri manzil kahaan hai thhikaana | 8 March 2012 | Rafi |
| 15939 | Oy teri chulbulee chaal pe qurbaan ye dil | 2 October 2020 | Geeta Dutt, Lata |
Here is the seventh and final song from “Nayi Raahein”(1959) to appear in the blog. The song is sung by Lata Mangeshkar. Gopal Singh NEpali is the lyricist. Music is composed by Ravi.
Only the audio of this song seems to be available.
Lyrics of the song were sent to me by Prakashchandra.
With this song, all the songs of ‘Nayi Raahein”(1959) are covered in the blog and the movie joins the list of movies that have been YIPPEED in the blog.
audio link:
Song-Kiski manzil kahaan ka thhikaana (Nayi Raahein)(1959) Singer-Lata, Lyrics-Gopal Singh Nepali, MD-Ravi
Lyrics(Provided by Prakashchandra)
kiski manzil
kahaan kaa thhikaanaa
ho gayaa khatm saaraa fasaanaa
manzilon ko pataa woh bataayein
ho kaheen jisko jaanaa
dhool path mein dhuaan aasmaan mein
kaun meraa rahaa ab jahaan mein
dharm jhoothhee..ee rasm ban gayaa hai
nyaay tootee kalam ban gayaa hai ae
mard ka paap bhi khoobsoorat
pyaar karke bhi badnaam aurat
bairi hain aadmi aadmi ke ae
aisey jag mein karoon kyaa main jee ke
chaand taaron ko chamkaaney waaley ae
ek deepak agar tu bujhaa de ae
kam na hongey tere ye ujaaley
mujhko duniyaa se maalik uthhaa ley
mujhko duniyaa se maalik uthhaa ley
mujhko duniyaa se maalik uthhaa ley ae aey ae ae
Ye rut haseen ye raahen
Posted on: January 21, 2022
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4935 | Post No. : | 16780 | Movie Count : |
4568 |
Today’s song is from an obscure C grade action film Chini Jadugar-1959.
The film was made under the banner of Noshirwan Movietone, Bombay, – possibly owned by the director of this film – Noshir Engineer. He was also its Producer. He was a specialist director of action/stunt/costume films. He directed 7 films, starting with the film Inteqam-1947. The came Shamsheerbaz-53,Carnival Queen-55, Diler Daku-57, Circus Queen-59, Chini Jadugar-59 and lastly it was Noor Mahal-1965, In 5 of these films the MD was Shafi M Nagari.
The composer for the film Chini Jadugar-59 was ‘Shafi M. Nagri’. It was a riddle. Who was this Shafi Nagri ? In a few films, his name also appeared as Shafi Nagri. I was tired of searching for information in books and on the Internet, about this Shafi. Finally, the riddle was solved by Shri Girdharilal ji Vishwakarma, the famous Historian and Collector of songs. He explained that this person was none other than Shafi mohd. Nagri -popularly known as Mohd. Shafi !
Composer Mohd. Shafi ( 25-12-1925 to 30-4-1980 ) was one of those talented artistes of Hindi Film Music who was only used by others and never got enough credit for his work.He is honoured as “The original Arranger” in the industry.He was an excellent Sitar player. He started with the Imperial Film company-where he played Bulbul Tarang. In 1937 he went to Calcutta, joined New Theatres and played Sitar in films Kapal Kundala-39 and Aandhi-40, as an assistant to Pankaj Mullick and K.C.Dey. He played the sitar in the film “Ujala”-42. In this film, the Hero-Prithviraj kapoor was shown as a Sitar player,hence the expertise of Shafi was fully utilised in this film.
Starting with the film ‘Haqdaar’-46, he gave music to 19 Hindi films and 2 Marathi films. He worked with Naushad, as his assistant and Arranger, for 14 years.He was considered a ‘Dada’ in Background music.He gave Background music to about 70 films( for Naushad and others). For Mughal E Azam, K.Asif used to send his personal car to fetch him to studio. It was said that Shafi gave the first break to Suman Hemmadi(Kalyanpur) in Mangu-54 and Hemlata in the unreleased film Iraada.
Shafi had bought his first car when he was just 15 year old. He had a posh flat in Shivaji Park area of Dadar in Bombay. In the end , everything was gone.He had helped families of Shakeel Badayuni and Ghulam Mohammed after their deaths. However in his last difficult days , except Rafi, no one came for his help. In the final few months, his memory had gone. His Begum ruefully said,” Good that he does not remember anything. All took his advantage and gave him nothing. There were more things to forget than to remember ! ”
It is said that the entire music of Sohni Mahiwal-58 was done by him. Naushad was sick during this period and did not attend even one recording. “Do hanson ka joda” and “Dhoondo dhoondo re saajna” Gunga Jamuna-61 were his creations. He used to give tunes to many composers too-whoever asked for help.
It is believed that Shafi also acted in 2 films, namely Jungi Jawan-43 and Diler Detective-48. As a MD, he gave music to 19 films and composed 125 songs.
Film Chini jadugar-1959 had music by Shafi M Nagari. Now, who is this composer ? A search on HFGK gives names of films for him, namely Krishna Kanhaiya-52, Shamsheerbaz-53, Sher dil-54, Carnival Queen-55, Diler Daku-57, Circus Queen-59 and Chini Jadugar-59. Well known Music expert and collector Shri Girdharilal Vishwakarma ji has confirmed that it is none other than composer Mohd. Shafi only. In this name he gave music to 7 films and composed 48 songs.
During the Studio system and later on, few known MDs too availed of this trick to find a way out of the rules. For example, Snehal Bhatkar used different names to give music as long as he worked in HMV. C.Ramchandra used the name Annasaheb or P Ramakant when giving music to action/stunt films, Lata Mangeshkar gave music in the name of Anandghan, Hafiz Khan Mastana used the alias Gunjan and S D Batish used Nirmal Kumar. So, it is no wonder that while assisting Naushad for so many years, Mohd. Shafi used an alias for giving music to outside films.
The cast of the film Chini Jadugar consisted of Kamran, Krishnakumari,Shaikh, Habeeb,Vasantrao pehelwan, Ismail,Rajni, Moti (Dog), Ustad (Horse) and many others. Kamran was the Hero. Kamran khan Rizvi was a regular Stunt Hero and I used to enjoy his films. He started his film career with Baghi Sipahi-36, a film made by East India Film Co, Calcutta. A.R.Kardar was its Director. Later on Kamran came to Bombay, along with kardar, who was his Patron for quite some time.
Hero Kamran and Heroine Nazi was a popular combination of 12 stunt films, those days. Kamran worked in 52 films. In 1963, film Bachpan was being directed by Nazar Ahmed. He had some disputes with the Producer and he left the film midway. The Debutant Hero Salim ( father of actor Salman Khan) and Debutant Heroine Menaka ( Eldest sister of Daisy and Honey Irani…all daughters of Mrs. P.N. Irani, a greedy mother, who spoiled the childhood of her children for money) were in trouble. Kamran stepped in and completed the film by directing the balance part, without taking any money. During this period, he fell in love with Menaka and they got married. Her film career ended there only. They had one son and one daughter ( Actor, compere, Director Sajid Khan and famous Choreographer and Director Farah khan).
Kamran stopped getting Hero’s roles, as stunt films were not being made to that extent in the 70s and later period. He decided to become producer and Director. This proved to be his nemesis. He failed miserably,lost everything and became an alcoholic. He divorced Menaka, who worked as a Housekeeper in a 5 star hotel (Hotel Sea Rock) and he lived in his big flat in Versova with 2 children but no money. He died in 1985.
Kamran directed 11 films from Panch Ratan-65 to Ban Manush-80. His last film as an actor was Nastik-83.
In the cast there is the name of an actor, Shaikh. Sheikh was a Comedy actor in the 40s,50s and the 60s. He has acted in 170 films,as per Muvyz stats. He sang 10 songs in 7 films as per HFGK (Daulat ki duniya-47, Fifty Fifty-UR, Nakli Baap-49, Jiya Raja-49, Dushman-50, Hatimtai-56 and Naagmani-57).
He was essentially a B and C grade film comedian, so his name is not known to most people. Sanjeev Narvekar’s book, “Eena meena deeka” gives very little information about him. In his hey-days, he was popular in a class of people who were regulars of stunt,fantasy and action films. He was a fixture in almost all Wadia films. He was the main singer in the iconic qawali, “Humen to loot liya milke husn walon ne ‘ from the film Al Hilal-58. (It was the 5000th song on this Blog)
He had directed 2 films, Shahnaaz-48 and Mr.Toofan-63. He started his career in Hindi films with Pakke badmash-39. Before that he had acted in a Marathi film “Netaji Palkar-39″by Bhalji Pendharkar (info from CITWF). His last film was Aadamkhor-85. No information is available on his life anywhere.
Today’s song is a duet, sung by S.Balbir and Suhasini Kolhapure. She sang only 6 songs in 5 films like Sabse bada Rupiah-55, Shahi bazar-57, Chini Jadugar-59, Laalach-60 and Saaya-61., before disappearing without a trace.
With this song, film Chini Jadugar-59 makes a Debut on the Blog.
Song- Ye rut haseen ye raahen (Cheeni Jaadoogar)(1959)Singers- S Balbir, Suhasini Kolhapure, Lyricist- Akhtar Romani, MD- Shafi M. Nagari aka Mohd. Shafi
Both
Lyrics
hurr
haha
Ye rut haseen ye raahen
Ye rut haseen ye raahen
ye jawaan jawaan nigaahen
mehki hawaayen
behki fizaayen
dil kyun machal na jaaye
Ye rut haseen ye raahen
aankhon mein hai rang suhaane
honthon pe naye afsaane
ae kaash yahin thham jaayen
yoon pyaar ki ye mastaani
chhoote na saath
chhoote na haath
aao sapan ??yen
Ye rut haseen ye raahen
main phool agar ban jaaun
main bhanwra ban ke gaaun
ban jaaun agar main titli
main ban ke hawa lahraaun
aayi bahaar laayi qaraar
??yen
Ye rut haseen ye raahen
udte huye kaale baadal
lehraata hua ye aanchal
nazron mein anokhi masti
dil mein hai niraali halchal
jaage umang naache pawan
do dil jo muskuraayen
Ye rut haseen ye raahen
ye jawaan jawaan nigaahen
mehki hawaayen
behki fizaayen
dil kyun machal na jaaye
Ye rut haseen ye raahen
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4932 | Post No. : | 16774 |
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Blog 10-Year Challenge (2012-2022) – Song No. 9
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Today (18 January 2022) is a foggy wintery shivery morning in North India. To add to this woe, the nation is also into the grips of the third wave of Covid-19 virus.
This day ten years ago, viz 18 january 2012 was almost world apart. Those days I was in a stage of transition, viz I had been transferred to Bilaspur, but my attachmnent from Nagpur was still there, where I still had my accomodation. Since I had not got my accomodation at Bilaspur where I had been transferred, I would go back to Nagpur during weekends and holidaysat the first available opportunity.
Even without any proper accomodation, I had settled down well into my blogging, even if the rate of daily posts had gone down a bit.
It is clear that 18 January 2012 was no where near as difficult a day as 18 january 2022. Unlike today, when I woke up late and that too reluctantly, I has woken up early ten years ago as was my wont. Six songs were covered on that day. All these songs got covered before noon.
Here are the details of the songs covered in the blog ten years ago:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 5313 | Bichhde huye pardesi | Barsaat(1949) | Movie YIPPEED by now |
| 5314 | Apni nazar se unki nazar tak | Ham Log (1951) | Movie YIPPEED by now |
| 5315 | Muhabbat karne waale kis qadar majboor hote hain | Shahnaaz (1948) | 6 songs covered out of 12 by now |
| 5316 | Boley ye dil ka ishaara | Santaan (1959) | 3 songs covered in the blog out of 7 |
| 5317 | Jaan chali jaaye jiyaa nahin jaaye | Anjaana (1969) | Movie YIPPEED by now |
| 5318 | Tere sang pyaar main nahin todna | Naagin (1976) | Movie YIPPEED by now |
One can notice that “Santaan”(1959) is one of the movies that is not yet YIPPEED. So this movie is still eligible for Blog ten year challenge today.
So, as blog ten year challenge, here is a song from “Santaan”(1959). The song is sung by Lata. Hasrat Jaipuri is the lyricist. Music is composed by Dattaram.
The song is picturised on Kamini Kadam as a “aaj main jawaan ho gayi hoon” genre of song.
Lyrics of this song were sent to me by Prakashchandra.
video link:
Song-Chham chham main naachoon jhoomti bahaaron mein (Santaan)(1959) Singer-Lata, Lyrics-Hasrat Jaipuri, MD-Dattaram
Lyrics(Provided by Prakashchandra)
ho o ho
ho ooo ooo
aa aaa
aaa aa aaa
aaa aa aaa aaa
aaa aa aaa aaa aaa aaa aaa aaa
aaa aa aaa aaa aaa aaa aaa aaa
hmm mmm hmmm. mmm
chhamm chhamm main naachoon oon
jhoomti bahaaron mein
jaaney kis khayaal mein aen
baajey mann ke taar
ho o o ho o ho o o
aaj kiyaa hai maine pehlaa singaar
ho o o
aaj kiyaa hai maine pehlaa singaar
haayye aey ae ae ae
chhamm chhamm main naachoon oon
jhoomti bahaaron mein
jaaney kis khayaal mein aen aen
baajey mann ke taa..aa…aaa..aar
lalalaalaalaa laaa laaa laaa laaalaalala
haa aa aahaaa aa haaa aa haaa aaa
ho o ho o o o o
jaaney kyun jiyaa lehraaye ae ae
raaz ye samajh na aaye ae ae
raaz ye samajh na aaye
chhaayee rey sharam ki laalee
haaye rey na bolaa jaaye aey ae
haaye rey na bolaa jaaye
chhalkey hai pyaar haayye aey ae
chhamm chhamm main naachoon oon
jhoomti bahaaron mein
jaaney kis khayaal mein aen aen
baajey mann ke taa..aa…aaa..aar
ho o o ho o
aaj kiyaa hai maine pehlaa singaar
ho o ho o
aaj kiyaa hai maine pehlaa singaar
haayye aey ae ae ae
chhamm chhamm main naachoon oon
jhoomti bahaaron mein
jaaney kis khayaal mein aen
baajey mann ke taa..aa…aaa..aar
lalalaalaalaa laaa laaa
haa aa aahaaa aa haaa aa haaa aaa
ho o ho o o o
dekhoon jee main din mein sapnaa aa aan aa
koyee to banega apnaa..aaa
koyee to banega apnaa
khoyee rey main jinn`ke dhun mein
aayenge woh ek din angnaa
aayenge woh ek din angnaa
karoon intezaar haayye aey ae
chhamm chhamm main naachoon oon
jhoomti bahaaron mein
jaaney kis khayaal mein aen aen
baajey mann ke taar
ho o o
aaj kiyaa hai maine pehlaa singhaar
ho o o
aaj kiyaa hai mainey pehlaa singaar
haayye aey ae ae
chhamm chhamm main naachoon oon
jhoomti bahaaron mein
jaaney kis khayaal mein aen
baajey mann ke taa..aa…aaa..aar
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4917 | Post No. : | 16740 |
“Aangan”(1959) was directed by O P Datta. This movie had Rehman, Amita, Chand Usmani, Agha, Leela Mishra, Gulab, Badri Prasad, Indira Bansal, Ramavtar, Sabita Chatterji, Vijaybala, Jugnu, Kesarbai, Bazid Khan, Shantaram, Prijbhushan, Master Raja etc in it.
The movie had nine songs in it that were penned by three lyricists.
Three songs have been covered in the past. Here is the fourth song from this movie to appear in the blog. This song is sung by Asha Bhonsle. Rajinder Krishanis the lyricist. Music is composed by Roshan.
Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song, which sounds like a mother child song to me.
Song-Ankhiyon mein basiyo Raaja dheere se hansiyo raaja (Aangan)(1959) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Roshan
Lyrics
ankhiyon mein basiyo raaja hoy hoy
dheere se hansiyo raaja hoy hoy
ankhiyon mein basiyo raaja
dheere se hansiyo raaja
ui
laage na najar kisi bairan ki
ho raaja laage na najar kisi bairan ki
do nainon ka bana jhoolna
aur palkon ki dori
aur palkon ki dori
madhur madhur lori doon tujhko
jag se chori chori
jag se chori chori
madhur madhur lori doon tujhko
jag se chori chori raaja
ho raaja laage na najar kisi bairan ki
ho raaja laage na najar kisi bairan ki
ankhiyo mein basiyo raaja
dheere se hansiyo raaja ho
ho o
ho o o
hmm hmm hmm
laakhon mein koi ek hi hoga
aisi soorat waala
aisi soorat waala
isi liye to roz lagaaun
tujhko teeka kaala
tujhko teeka kaala
isi liye to roz lagaaun
tujhko teeka kaala
raaja
ho raaja laage na najar kisi bairan ki
ho raaja laage na najar kisi bairan ki
gora mukhda chaand ka tukda
door balaayen teri
door balaayen teri
maa to maa aakaash ki pariyaan
khair manaayen teri
khair manaayen teri
maa to maa aakaash ki pariyaan
khair manaye teri
raaja
ho raaja
laage na najar kisi bairan ki
ho raaja laage na najar kisi bairan ki
ankhiyon mein basiyo raaja
dheere se hansiyo raja
ho o/em>
Gori aankhon mein daale kajraa
Posted on: December 15, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4898 | Post No. : | 16699 |
“Keechak Vadh”(1959) was produced in Marathi and Hindi by Balasaheb (P K) Pathak and directed by Yeshwant Pethekar for Manik Studios, Bombay. The movie had Baburao Pendharkar (Keechak), Sumati Gupte (Draupadi), Shobhna Samarth (Sudeshna), Vishwas Kunte, Vimla Kumari, Helen etc in it.
The movie had seven songs in it.Two songs have been covered in the past.
Here is the third song from “Keechak Vadh”(1959) to appear in the song. The song is sung by Rafi, Lata and chorus. Bharat Vyas is the lyricist. Music is composed by Master Krishna Rao.
I request our knowledgeable readers to throw light on the picturisation of the song. From the sounds of it, this song could have been picturised on actors playing Arjun and Uttara, with Arjun teaching Uttara music under the disguise of Brihannala.
Song-Gori aankhon mein daale kajra(Keechak Vadh)(1959) Singers-Rafi, Lata, Lyrics-Bharat Vyas, MD-Master Krishna Rao
Chorus
Lyrics
dere tana tanana
dere na
dere tana tanana
dere na
tana dere na
tana dere na
tana dere na
derena
dere na
tana
derena
dere na
tana
dhitan tanana
tanana
dhitan tanana
dhitan tanana dere na
dere tanana tanana dere
o o o
gori aankhon mein daale kajra
ho gori aankhon mein daale kajra
aur haathon mein pahne gajra
bolo kahaan chali
bolo kahaan chali
nanhi kali sach to bata
tere piya ki hai kaun si gali ee
dere tana tanana
dere na
dere tana tanan dere na
ho o o
mere maathe pe bindiya chamke
mere maathe pe bindiya chamke
mere paanvon mein jhaanjhar dhamke
main to wahaan chali
kahaan
main to wahaan chali
nanhi kali kaise bataaun
badi door mere piya ki gali ee
dere tana tanana
dere na
dere tana tanana dere na
gori gori pariyon ki chhori si chhabili naar
chori chori nikli kyun ghar se
kyun nikli ji ghar se
deretana
deretana
sooni hai dagariya umariya hai baari baari
darti nahin kya jag
darti nahin kya jag bhar se
ho o o
kaari kaari laten latkaati
ho o
kaari kaari laten latkaati
madmaate nain matkaati
bolo kahaan chali
bolo kahaan chali
nanhi kali
sach to bata
tere piya ki hai kaun si gali ee
dere tana tanana
dere na
dere tana tanana dere na
anhkiyaan phadakti hain
jiyara dhadakta hai
jabse baji hai re baansuriya
baji hai re baansuriya
dere tana
dere tana
jab se sajan se milan ki lagan lagi
chhalki nayan ki gagariya
nayan ki gagariya
o o o
jahaan rasta take hai sanwariya
jahaan rasta take hai sanwariya
jahaan laagi hai meri najariya
main to wahaan chali
main to wahaan chali
nanhi kali kaise bataaun
badi door mere piya ki gali ee
dere tana tanana
dere na
dede tana
tanana dere na
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4852 | Post No. : | 16642 |
“Pyaar Ki Raahen”(1959) was directed by Lekhraj Bhakri for Thakur Pictures Production, Bombay. The obscure movie had Pradeep Kumar, Anita Guha, Pran, Kuldeep Kaur,Helen, Sunder, Tiwari, Om Prakash, Jeevan, etc in it.
Here are the details of thismovie, as recounted by Mr Arunkumar Deshmukh, our beloved inhouse encyclopaedia:
Kundanlal is a zamindar, who lives with his younger step brother Prakash(Pradeep Kumar), wife Gangajali(Kuldip Kaur) and Lali(Anita Guha), sister of Gangajali. This Gangajali hates Prakash and is opposed to his love with Lali. Finally, she is successful in driving him out of the house and the town. Then she fixes Lali’s marriage with Nandlal, the son Rajaram, a rich, but stingy man from Lucknow.
His elder son Amarnath is a TB patient. Inspite of the opposition of Kundanlal, Lali is ready to marry Nandlal. At the time of marriage, Rajaram brings Amarnath-TB patient as the bridegroom and Lali gets married unknowingly to Amarnath. When they return to Lucknow, Amar dies and Lali becomes widow. Rajaram puts the entire blame on Lali and starts torturing her like a mother-in-law. Despite all this Lali decides to stay there and look after that family. Slowly,Rajaram changes his mind about Lali, looking at her dutifulness and devotion to family.
Finally, Rajaram himself finds out Prakash and marries Lali off to him.
The movie had eight songs in it. Four songs have been covered in the past.
a melancholic song sung by Asha Bhonsle. Prem Dhawan is the lyricist. Music is composed by Kanu Ghosh.
Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Ham bhi is duniya mein kya taqdeer leker aaye hain (Pyaar Ki Raahen)(1959) Singer-Asha Bhonsle, Lyrics-Prem Dhawan, MD-Kanu Ghosh
Lyrics
hum bhi is duniyaa mein kya taqdeer leker aaye hain
ik khushi maangi jo hamne saikado gham paaye hain
hum bhi is duniyaa mein kya taqdeer leker aaye hain
hum bhi is duniyaa mein kya
dil ki har ik aarzoo dil mein hi ghut ke reh gayi
dil ki har ik aarzoo dil mein hi ghut ke reh gayi
har tamanna har khushi ik ashq banke beh gai
kya thhikaana unka jo kismat ke hi thhukraaye hain
hum bhi is duniyaa mein kya taqdeer leker aaye hain
hum bhi is duniyaa mein kya
zindagi ke dene waale ye bhi kya hai zindagi
zindagi ke dene waale ye bhi kya hai zindagi
jee rahe hain is tarah jaise saza hai zindagi
kuchh na poochho is jahaan ne kaise din dikhlaaye hain
hum bhi is duniyaa mein kya taqdeer leker aaye hain
hum bhi is duniyaa mein kya
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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