Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘“Ghoonghat” song’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4263 Post No. : 15488 Movie Count :

4269

Today’s song is from a very old film, Moti ka Haar-1937. The song is sung by Ashiq Hussain. The song begins with few sentences in English. The music is by Jaddanbai. The film was produced by Jaddanbai,under the banner of her own Sangeet Film Company, Bombay. It was directed also by Jaddanbai. Though she sang few songs in this film, she did not act in it. However, her daughter Baby Rani aka Fatima Rashid aka Nargis in adult life, acted in this film.Her son, Anwar Hussain also acted in this film. The other cast in the film was Mehtab, Ashiq Hussain, P L Santoshi, Mirza,Yusuf and many more.

Jaddanbai came from a Tawaif family. In the initial stage of the Indian films,whether silent or talkie,it was difficult to get girls from good families and background. Slowly this picture changed. When Talkie started many Tawaifs, singing girls and girls from such families joined films as they fulfilled the requirement of singing and looking good, in addition to their ease on Hindi/Urdu language.
At this time, slowly many educated and girls from high society as well as middle class families started joining films. So,to distinguish these women from each others, a system of nomenclature was followed.

All the Girls coming from Singing families and Tawaif background added the suffix “Bai” to their names, like Jaddanbai, Waheedan bai, Zohrabai,Amirbai etc. The Anglo-Indian and middle class girls took the prefix of ‘ Miss” like,Miss Moti,Miss Rose,MissTara,Miss ajmat,Miss Pearl etc.Those girls who were from high society were called Devi,like Sabita Devi,Kamla Devi,Renuka Devi etc. All Marathi actresses used their full names like Shanta Apte,Minaxi Shirodkar etc.

Another point, this nomenclature was only unofficial and traditional. So some Tawaif actresses took advantage of this to hide their roots.Like, Rampyari who was from a singing family of Hyderabad, sometimes called herself as Miss Rampyari.

Do you know the meaning of the word Kaneez ? Not many may be aware of it. To understand this word,we have to go back in History. There were 565 Princely states in India before Partition. Due to patronising of fine arts like music and dance by these Princes, a new class of Nautch Girls emerged in the 19th century. All Nautch Girls were not the same. Author Michael Kinnear, in his book “The Gramophone company’s first Indian Recordings 1899-1908 “, has explained the classification and Nomenclatures of these Nautch Girls. As per that, there were 4 types…

Lowest Class…..IV Name – Khanki Prostitutes/Sex workers
Class III Name – Kaneez Daasi or servant
Class II Name – Bai ji Singing/Dancing
Class I Name – Jaan Top class singers

They all were called collectively as Tawayafs. The readers will now understand the difference between Amirbai, Waheedanbai, Jaddanbai and Tamancha Jaan, Gauhar Jaan, Malika Jaan, Zohra Jaan etc etc. In the first decade of Talkie films, almost 90% actresses were from Tawayaf families. As the time went by, their percentage went reducing as girls from respectable families started opting for a film career.

Few of these Tawayaf actresses proved to be extraordinary and they set exemplary lifestyles. I would especially mention 4 names of such actresses, who were different from the rest and did an unexpectedly praiseworthy job. They are – Indurani, Mehtab, Gohar Mamajiwala and Jaddanbai. Indurani, was educated in a Convent school in initial years and understood the importance of education. She ensured high quality education to her children and after retirement from films, settled in US with her children. ” Knowledge is the greatest wealth” – her favourite life philosophy is engraved on her Grave stone in America.

Mehtab and Gohar Mamajiwala, both managed their husband’s cine studio companies with great efficiency. Both sacrificed their film careers to be with their husbands in thick and thin and ensured that they remained a great strength to their extended families. Both these women were highly respected in film industry.

The best among the four, however, was Jaddanbai. She was a multifaceted artiste. She was an excellent singer in her early career, where she was in great demand, receiving invitations from various princely states across the Indian subcontinent. In later life, she was a screen writer, Lyricist, Music Director, Actress, Director, producer and owner of a film production company. More than this, she had earned a high reputation in the film industry. She personally knew big guns like Mehboob, Karadar etc. Jaddanbai had undoubtedly earned a special status in the industry.

Her ability to settle complex personal and professional industry disputes, her generous open kitchen for co-workers, her penchant for colourful language and the high premium placed on her advise and recommendation made her a veritable institution in Indian film industry of her times.

Not only she wrote screenplays for all her films, she also helped her estranged son-Akhtar Hussain’s ” Nargis Art Films”, by writing screenplays for his films ” Anjuman-48″ and ” Darogaji-49″. Jaddanbai was proficient in Urdu, Hindi, Bengali, Persian, Arabic and English too. Jaddanbai’s films were made to boost good morals and promote Swadeshi values. Even her first film “Talash E Haq-35” was a story of a wayward actress Feroza, who had many lovers etc, but she finally goes for Search of Truth, denouncing all worldly matters in her life.
JADDANBAI was born in 1892. She was the love child of Motilal Nehru and her mother Daleepabai, who was a beautiful Tawaif. Daleepabai was originally from a Brahmin family,but was abducted and trained as a Tawaif. Jaddanbai was picked up from a mela of kothewalas, when she was only 5 yr. old and was trained as a Tawaif.

A close look at the special feature of Nose in Nargis,Indira Gandhi,Pt.Nehru,Rajiv Gandhi or Rahul Gandhi will confirm the similarity in the Nehru clan feature. Jaddanbai used to tie Rakhi also to Pt. Jawaharlal Nehru. ( from an article by Rajnikumar Pandya ji.)
Jaddanbai started learning music under the Ustad Moinuddin Khan, Barkat ali khan, Chhaddu khan and Laabh khan. For this she shifted to Calcutta in her teens only. Though she was born in Benaras, she grew up in Allahabad, the Nehru’s home town.

She started singing gazals and soon became so famous that she cut several Gramophone records. She was invited by many kings and states like, Rampur, Indore, Gwalior, Bikaner etc. She was very popular. A Lahore based film maker, Hakim Ram Pershad was also charmed by her singing and offered her a film role. At that time she was almost 40 year old, but she was not hired for her beauty but her singing. She did the role of Gopichand’s mother in this film. She was offered a role in film Raja Gopichand-1933, by Play Art Photo tone Co. of Lahore. She did that film and also did Insan ya shaitan, also in 1933, Sewa Sadan, Prem Pariksha and Naachwali, all in 1934 in Lahore and Karachi.

After these films, she decided that she had earned a lot so far and she wanted to enter the film business. She left the well earned fame and riches to relocate to Bombay to do a film career. Those days, Calcutta was for Bangla films, Lahore for Punjabi films and Madras for Tamil/Telugu films, so only Bombay catered to Urdu/ Hindi films. Naturally Jaddanbai’s choice became Bombay.

She started her own company – Sangeet Film Co. and produced ‘Talashe Huq’ in 1935, in which her daughter Baby Rani (later Nargis) made her debut. ( actually Baby Rani had also worked earlier in film Nachwali-34, but it was uncredited ). Jaddanbai was an actor,singer, director and she also gave music to few films. Thus she became the second female music Director(after Bibbo) in India.

As an actress her films were- Raja Gopichand-33, Insan ya shaitan-33, Sewa sadan-34, Prem Pariksha-34, Naachwali-34, Talash e huq-35, Hriday Manthan-36 and Madam Fashion-36.

She also Directed few films-Madame Fashion-36, Hriday Manthan-36, Moti ka Haar-37 and Jeewan Swapna-37.

As a Music Director,her films were-Talash e huq-35, Madame fashion-36, Hriday Manthan-36, Moti ka Haar-37 and Jeewan Swapna-37.
As a singer her famous songs were- pardesiya re jara-Naachwali-34
range mehfil na raha-Prem pariksha-34
Aaina rakh do -Sewa sadan-34
Dil me jabse kisi ka-Talash e huq-35
Khoone dil ka kahin-Hriday manthan-36 and
Ho pyala mad se bhara-Madam Fashion-36.

Her singing was very enchanting and even Saigal was her fan.

She had 3 husbands in three marriages and 1 child each from every one.

First she married Narottamdas Khatri,the financier of her first film.He converted to Islam and became Bachhi Babu to marry her. She got Akhtar Hussain from him.

Her second husband was Ustad Irshaad Meer Khan, from whom she got Anwar Hussain.
Her third husband was Mohan Babu. This Uttamchand Mohanchand Tyagi was an orthodox Mohyal Brahmin from Rawalpindi. He was going to London for studying Medicine. He heard Jaddanbai’s singing and fell for her. Against all resistence from his family, he converted to Islam, became Abdul Rashid and married her. She had at last found true love and till the end, they loved each others. He was known as Mohan Babu. He was handsome,rich and good natured. From him Jaddanbai got a girl child called Fatima Rashid or Baby Rani or NARGIS. It is believed that due to her love for Mohan Babu she adopted a Hindu name of Jaya Devi Tyagi also.
Her elder son Akhtar kept away from the family, became a Director, but later started his own business away from these people. Anwar Hussain and Nargis entered films.

Jaddanbai was very well read, cultured and a social person.

She died on 8-4-1949.

The hero of film Moti ka Haar-37 was Ashiq Hussain. Not much information is available on him, except that he hailed from U.P. and that he was educated up to Matriculation, in those days. He was one of the young and good looking heros of those days. He acted in 25 films, starting with Jaddanbai’s film Talash E Haq-35 and his last film was Utho Jaago-47 – a film produced by actress Shehzadi. After the film was complete, they got married and later migrated to Pakistan. There, Ashiq Hussain turned into a full time producer and made many films. Unfortunately no information about him in Pakistan is also available. Ashiq Hussain sang 32 songs in 13 films in India.

Today’s song is sung by Ashiq Hussain. The song has some English lines in prose, before the actual song starts. Surendra and Bibbo made this style famous, with their popular song “Tumhi ne mujh ko pyar Sikhaya’in film Manmohan-36, in which at the beginning, Bibbo asks ” क्या मैं अंदर आ सकती हूं ? ” This different style of song was liked by public and then some more songs with same style were brought in by other composers. May be this song too was an attempt in this direction. With this song, film Moti ka Haar makes its Debut on the Blog.

( I thank for information used in this article from writings of Jill Nelmes and Jule Seibo from book “Women Screen writers- An International Guide”‘, article by Debashri Mukherji, titled “Screen writing and Feminist Rewriting”, article by Michael Kinnear, site http://www.pak.mag.com, http://www.muVyz.com, Film Directory 1946 and my notes).


Song-Chot maar lyo ghoonghatwa ki oat janiya (Moti Ka Haar)(1937) Singer- Ashiq Ghulam Hussain, Lyricist- Jaddanbai, MD- Jaddan bai

Lyrics

aa aa aa aa
you told me
you told me
to come with your home
tomorrow morning
jab ham wahaan pe gaye to
cheez ka pata nahin mila
I am very much ?
I am very much ??
I love and I do for you

chot maar lyo
chot maar lyo
chot maar lyo
ghoonghatwaa ki oat janiyaa
ghoonghatwaa ki oat janiyaa
chot maar lo

chot maar lo
ghoonghatwaa ki oat janiyaa
o chot maar lo
ghoonghatwaa ki oat jainiyaa
chot maar lo

phooli hai bagiya
ghata lahraayi
sooni sejariya se tu naahin bhaawe
aa jaa sejariya ki oar janiyaa
haan aa jaa jhopadiya ki oar janiyaa
haan raaja jhopadiya ki oar janiyaa
chot maar lo
ghoonghatwaa ki oat janiyaa
chot maar lo

haan
?? joruen pyaari
main shauhar unka laadlaa aa aa
main shauhar unka laadlaa
aur ghar ka numberdaar
in sab joruan ke bech kar
main utaroon ganga paar
chot maar lyo ghoonghatwaa ki oat janiyaa
chot maar lyo


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3777 Post No. : 14755

“Anmol Ratan”(1950) was directed by M Sadiq for Jaimini Dewan Productions, Bombay. The movie had Meena (Shorey ?), Karan Dewan, Gope, Gulab, Madan Puri, Nirmala ec in it. The movie had eleven songs in it. As many as ten songs have been covered in the past.

Here are the details of the ten songs from the movie that are already covered:-

Song Title

Post No.

Post Date

Laakhon mein ek hamaare sainyya laakhon mein ek 3652 14-Mar-11
Jab kisi ke rukh pe zulfen 5519 24-Feb-12
Taare wohi hain chaand wohi hai 6090 17-Jun-12
Yaad aane waale phir yaad aa rahe hain 7573 28-Feb-13
Dard mila hai tere pyaar ki nishaani 7711 19-Mar-13
Morey dwaar khule hain 7750 25-Mar-13
Shiqwa tere main gaaun 8333 12-Jul-13
Sajan aaye aadhi raat 12408 28-Sep-16
Kaale kaale baadalon mein paani 13884 7-Jan-18
Koi kah de balamwa se ut nahin jaaye 14743 12-Nov-18

Here is the eleventh and final song from “Anmol Ratan”(1950) to appear in the blog. This song is sung by Lata. D N Madhok is the lyricist. Music is composed by Vinod.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.

With this song, “Anmol Ratan”(1950) joins the list of movies that have all their songs covered in the blog.


Song-Mere ghoonghat mein do nain pukaaren piya piya din rain (Anmol Ratan)(1950) Singer-Lata, Lyrics-D N Madhok, MD-Vinod

Lyrics

mere ghoonghat mein do nain
pukaaren piya piya din rain
ho mere ghoonghat mein do nain
pukaaren piya piya din rain
ho o o
bedardi aaja re
bedardi aaja re
naina dete duhaai
duhaai re ae
naina dete duhaai
mere ghoonghat mein do nain
pukaaren piya piya din rain

raat pade sab jag soye
birhan ko neend na aaye
raat pade sab jag soye
birhan ko neend na aaye
taaron ki jhurmath mein aen aen chanda hansi udaaye
taaron ki jhurmath mein aen aen chanda hansi udaaye
o o
door desh ke vaasi tohe zara laaj na aayi
laaj na aayi re
naina dete duhaai
mere ghoonghat mein do nain
pukaaren piya piya din rain
ho o o
bedardi aaja re
bedardi aaja re
naina dete duhaai
duhaai re
naina dete duhaai

aa main tere dil mein bhar doon apne dil ki haaye
aa main tere dil mein bhar doon apne dil ki haaye
phir tu jaan sakega aa aa
kya hai peer paraayi
phir tu jaan sakega aa aa
kya hai peer paraayi
o o
bedardi ke pyaar mein
maine yoonhi umar ganwaai
umar ganwaai re ae
naina dete duhaai
mere ghoonghat mein do nain
pukaaren piya piya din rain
ho o o
bedardi aaja re
bedardi aaja re
naina dete duhaai
duhaai re
naina dete duhaai


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3679 Post No. : 14572

He was born John Prakash Rao Janumala. He spent his childhood years in Mumbai’s Dharaavi and studied only upto class VII. Then he had to do odd jobs to overcome financial problems in the family. He was a good mimic. He started to perform in stage shows such as Tabassum Hit Parade and Kalyanji-Anandji Nite etc. He was noticed by Sunil Dutt at one of the stage shows and he got a chance in “Dard Ka Rishta” in 1981. His next big movie was Gul Anand’s – Pankaj Parashar directed movie “Jalwa”. Since then he has done around 350-400 movies.

Ok we adore him as Johnny Lever.

He is one from the current crop of comedians who were (I am sure) inspired by the likes of Mehmood and Johnny Walker. Can anyone forget his teaming up with Ashok Saraf in Rakesh Roshan’s ‘Karan Arjun’ or for that matter many Rakesh Roshan directed and produced movies be it ‘Kishen Kanhaiya’, ‘Koyla’, ‘Kaho Na Pyaar Hai’, ‘Koi Mil Gaya’. He was also part of any David Dhawan movies where his character was as important as the hero’s. He is a performer whose eyes all speak. And he is a decent dancer considering he has teamed up with Govinda, Shahrukh Khan, Aamir Khan etc. for many song and dance sequences. I just realized that he is 60 already and today (14th August) he will be 61. God!!!

Today’s song is from the 1997 Rakesh Roshan directed Shahrukh Khan Movie “Koyla”. The song is something like “Mere Saamne Waali Khidki Mein. . .” from ‘Padosan’ (1968) in the sense that on screen SRK is lip synching to Johny Lever’s singing. This is because SRK plays a mute character in the movie.

The song is in the voice of Udit Narayan, music direction is Rajesh Roshan and written by Indeevar. The song happens at the wedding reception of Raja, the tyrant zamindar role played by Amrish Puri, who has conned Madhuri into marrying him after showing the pic of the mute Shahrukh Khan (who is unaware of the con). Towards the end of the song SRK discovers the bride (who is supposed to be at the reception) sitting and crying in the bedroom with Deepshika filling in for her next to Amrish Puri.

 

Song – Ghunghate Mein Chanda Hai (Koyla) (1997) Singer – Udit Narayan, Lyrics – Indiwar, MD – Rajesh Roshan
Chorus

Lyrics

ghunghte mein chanda hai
phir bhi hai phaila
chaaron oar ujaala
ghunghte mein chanda hai
phir bhi hai phaila
chaaron oar ujaala
hosh na kho de kahin
josh mein dekhne waala
hosh na kho de kahin
josh mein dekhne waala
ghunghte mein chanda hai
phir bhi hai phaila
chaaron oar ujaala
hosh na kho de kahin
josh mein dekhne waala
arey hosh na kho de kahin
josh mein dekhne wala

hmm hmmhmmhmmhmmhmm

aaj sundarta dulhan bani hai
koyi kismat ka kitna dhani hai
aaj sundarta dulhan bani hai
koyi kismat ka kitna dhani hai
munh diklaayi ki khaatir
dil kya jaan bhi hai haazir
munh diklaayi ki khaatir
dil kya jaan bhi hai haazir
baadalon ko mor dekhe,
chaand ko chakor dekhe
tujhko naseebon waala
hosh na kho de kahin
josh mein dekhne waala
hey hosh na kho de kahin
josh mein dekhne waala
ghunghte mein chanda hai
phir bhi hai phaila
chaaron oar ujaala
hosh na kho de kahin
josh mein dekhne waala
arre hosh na kho de kahin
josh mein dekhne waala

oooo
oooo

paas tu door tak hain nazaare
mil rahe hain dilon ko sahaare
paas tu door tak hain nazaare
mil rahe hain dilon ko sahaare
leke bahaaren tu aayee
door huyi hai tanhaayi
leke bahaaren tu aayee
door huyi hai tanhaayi
ghar ko sanwaar dega,
dil ko karaar dega
roop ye tera niraala
hosh na kho de kahin
josh mein dekhne waala
hey hosh na kho de kahin
josh mein dekhne waala
ghunghte mein chanda hai
phir bhi hai phaila
chaaron oar ujaala
hosh na kho de kahin
josh mein dekhne waala
hosh na kho de kahin
josh mein dekhne waala

aaaaaaaaa
aaaaaaaaa
aaaaaaaaa
aaaaaaaaa
aaaaaaaaa
aaaaaaaaa

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

घुंघटे में चंदा है
फिर भी है फैला
चारों ओर उजाला
घुंघटे में चंदा है
फिर भी है फैला
चारों ओर उजाला
होश ना खो दे कहीं
जोश में देखने वाला
होश ना खो दे कहीं
जोश में देखने वाला
घुंघटे में चंदा है
फिर भी है फैला
चारों ओर उजाला
होश ना खो दे कहीं
जोश में देखने वाला
अरे होश ना खो दे कहीं
जोश में देखने वाला

हम्म हम्म हम्म हम्म हम्म हम्म हम्म

आज सुंदरता दुल्हन बनी है
कोई किस्मत का कितना धनी है
आज सुंदरता दुल्हन बनी है
कोई किस्मत का कितना धनी है
मुंह दिखाई की खातिर
दिल क्या जान भी है हाज़िर
मुंह दिखाई की खातिर
दिल क्या जान भी है हाज़िर
बादलों को मोर देखे
चंदा को चकोर देखे
तुझको नसीबों वाला
होश ना खो दे कहीं
जोश में देखने वाला
हे होश ना खो दे कहीं
जोश में देखने वाला
घुंघटे में चंदा है
फिर भी है फैला
चारों ओर उजाला
होश ना खो दे कहीं
जोश में देखने वाला
होश ना खो दे कहीं
जोश में देखने वाला

ओ ओ ओ ओ
ओ ओ ओ ओ

पास तू दूर तक हैं नज़ारे
मिल रहे हैं दिलों को सहारे
पास तू दूर तक हैं नज़ारे
मिल रहे हैं दिलों को सहारे
लेके बहारें तू आई
दूर हुई है तनहाई
लेके बहारें तू आई
दूर हुई है तनहाई
घर को संवार देगा
दिल को क़रार देगा
रूप ये तेरा निराला
होश ना खो दे कहीं
जोश में देखने वाला
हे होश ना खो दे कहीं
जोश में देखने वाला
घुंघटे में चंदा है
फिर भी है फैला
चारों ओर उजाला
होश ना खो दे कहीं
जोश में देखने वाला
अरे होश ना खो दे कहीं
जोश में देखने वाला

आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3556 Post No. : 14265

“Naatak” (1975) was produced by C D Shah and Harish Upadhyay and directed by Sohanlal Kanwar for Filmland Production, Bombay. The movie had Vijay Arora, Moushumi Chatterjee, Snehalata, Jayashree T, Sulochana Latkar, Madhup Sharma, Raj Mehra, Raj Rani, Bhagwan Dada, Naazima, Subhash Ghai, Sunder, Tiwari aka Ramayan Tiwari, Shabina, Hari Shivdasani, Alka etc in it.

The movie had five songs in it. Four songs have been covered in the past. Here are the details of these four songs:-

Song Title

Post No.

Post Date

Saagar nahin hai to kyaa hai 7264 27-Dec-12
Zindagi ek naatak hai 14212 28-Mar-18
Sab se buri sharaab hai main hoon buri sharaab se 14245 7-Apr-18
Mera rang mera roop…raaja sach bolo main kaisi lagti hoon 14260 11-Apr-18

As can be seen, the movie made its debut as far back as in 2012. That song remained the only song from the movie in the blog till 2018 when the next three songs were covered in the blog.

Here is the fifth and final song from “Naatak”(1975) to appear in the blog. This song is sung by Lata. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.

The song is picturised as a “diversion” song on a very pretty looking Snehlata, who is seen trying to distract a very young looking Subhash Ghai.Yes, this is a song where Subhash Ghai figures as an actor.

I have not watched this movie so I am not fully sure what is the background behind this song. I request our knowledgeable readers to throw light on the picturisation of this song.

With this song, “Naatak”(1975) joins the list of movies that have all their songs covered in the blog.


Song-Jo main chehre se ghoonghat hata doon (Naatak)(1975) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

jo main chehre se ghoonghat hata doon
to chhuriyaan chal jaaye
jo main chehre se ghoonghat hata doon oon
to chhuriyaan chal jaayen
aankhen upar se neeche jhuka doon oon
aankhen upar se neeche jhuka doon
to teer chal jaaye
jo main chehre se ghoonghat hata doon
to chhuriyaan chal jaayen

meri mohabbat meri jawaani
meri mohabbat meri jawaani
in donon ki hai lambi kahaani
meri mohabbat meri jawaani
ye kahaani jo tumko suna doon oon
ye kahaani jo tumko suna doon oon
to raat dhal jaaye
jo main chehre se ghoonghat hata doon oon
to chhuriyaan chal jaayen

nazron pe kitne parde hain naqli
nazron pe kitne parde hain naqli
chehre ke peechhe chehra hai asli
nazron pe kitne parde hain naqli
jo main wo roop tumko dikha doon
jo main wo roop tumko dikha doon
to rang badal jaaye
jo main chehre se ghoonghat hata doon
to chhuriyaan chal jaayen

meri adaayen andaaz mere
meri adaayen andaaz mere
parde mein hain ye sab raaz mere
meri adaayen andaaz mere
jo main ye raaz tumko bata doon oon
jo main ye raaz tumko bata doon oon
to jaan nikal jaaye


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3551 Post No. : 14248

“Aangan”(1959) was directed by O P Datta. This movie had Rehman, Amita, Chand Usmani, Agha, Gulab, Badri Prasad, Ramavtar, Jugnu etc in it.

The movie had nine songs in it that were penned by three lyricists.

One song has been covered in the past. Here is the second song from this movie to appear in the blog. This song is a duet which is sung by Rafi and Asha Bhonsle. Rajinder Krishan is the lyricist. Music is composed by Roshan.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Ghoonghat se kyun naina jhaanke (Aangan)(1959) Singers-Rafi, Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Roshan
Both

Lyrics

ghoonghat se kyun naina jhaanke
jaan’ne waale jaan gaye
janam janam ke jeevan saathi
hum tumko pehchaan gaye
ghoonghat se kyun naina jhaanke

raat milan ki dil se mila dil
phir ye laaj ka pehra kyun
phir ye laaj ka pehra kyun
ghoonghat ke baadal ke peechhe
chhupa ye chaand sunehra kyun
chhupa ye chaand sunehra kyun
pichhle janam mein hum baadal thhe
tum thhe chanda maan gaye
janam janam ke jeevan saathi
hum tumko pehchaan gaye

ghoonghat se kyun naina jhaanke

ab to na mil mil kar bichhdoge
chhaliya ye ikraar karo
chhaliya ye ikraar karo

jeete ji wo kyun bichhde tum
jis sang itna pyaar karo
jis sang itna pyaar karo
dil mein to dekho kitne gahre
in nainon ke baan gaye
janam janam ke jeevan saathi
hum tumko pehchaan gaye
janam janam ke jeevan saathi
hum tumko pehchaan gaye

ghoonghat se kyun naina jhaanke
oho ho
hmm hmh hmm hmm hmm
aa haa ha
aa aa aa aa aa


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3512 Post No. : 14110

“Baazigar”(1959) was produced by Ram Dayal and directed by Nanabhai Bhatt for Mukul Pictures, Bombay. The movie had Nirupa Roy, Jairaj, Tiwari, Romi, Nazi, Helen, Mridula, Rana, Samson, Rajan Kapoor, Jagdish Kamal, Poonam Kapoor, Bimla, Jeewankala, Rafiq, Hanuman, Balaram, Narayan, Shafi, Dhondhu, Bihari, Vitthal, Sundar, Shammi, Majnu, Tiger (the dog), Mushtaq (the horse) etc in it.

This movie had six songs in it.

Three songs from the movie has been discussed in the past.

Here is the third song from the movie to appear in the blog. This song is sung by Usha Mangeshkar and Suman Kalyanpur. Prem Dhawan is the lyricist. Music is composed by Chitragupta.

Only the audio of this song is available. It sounds like a roadside tamasha song picturised on two dancers perhaps on Helen and Jeewankala. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Main to lut gayi duniyaawaalon zara sa ghoonghat khol ke(Baazigar)(1959) Singers-Usha Mangeshkar, Suman Kalyanpur, Lyrics-Prem Dhawan, MD-Chitragupta

Lyrics

main to lut gayi duniyawaalon
zara sa ghoonghat khol ke
maano ya na maano
dene waale dil dete hain beech bajariya bol ke
maano ya na maano

main to lut gayi duniyawaalon
zara sa ghoonghat khol ke
maano ya na maano
dene waale dil dete hain beech bajariya bol ke
maano ya na maano

laakh chhupaaya bhed magar ankhiyon ne diya bataaye
laakh chhupaaya bhed magar ankhiyon ne diya bataaye
chadhta chaand aur pyaar dilon ka chhupte nahin chhupaaye
kaisi gadi ye aankh ladi kuchh soch samajh na paayen
kar gaya koi dil ka sauda do aankhiyon mein tol ke
maano ya na maano
dene waale dil dete hain beech bajariya bol ke
maano ya na maano

naam gaya badnaam huyi main
taane de jag saara
naam gaya badnaam huyi main
taane de jag saara
galii pyaar ki sab aate hain jinko naam hai pyaara
lakh sambhala dil matwala bas na chala hamara
kuchh aise dekh tumne
dil de bethe bin mol ke
maano ya na maano
dene waale dil dete hain beech bajariya bol ke
maano ya na maano

main to lut gayi duniyawaalon
zara sa ghoonghat khol ke
maano ya na maano
aji dene waale dil dete hain beech bajariya bol ke
maano ya na maano


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3512 Post No. : 14107

“Miss India”(1957) was directed by I S Johar for Rawal Films, Bombay. The movie had Nargis, Pradeep Kumar, Nishi, Shammi, Tuntun, Sheela Vaz, Minoo Mumtaz, I S Johar, Pran etc in it.

This movie had ten songs in it. Eight songs have been covered in the past.

Here is the ninth song from the movie to appear in the blog. The song is sung by Asha Bhonsle. Rajinder Krishan is the lyricist. Music is composed by S D Burman.

The song is a dance song. It is picturised on Sheila Vaz and Narula, according to the uploader of the song. I can identify Sheila Vaz, but I had never heard of Narula before. I request our knowledgeable readers to tell us more on her.


Song-Gori zara mukhde se ghoonghat hataao na (Miss India)(1957) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-S D Burman

Lyrics

gori zara mukhde se ghoonghat hataao na
na
na
aisa bhi kya hai
sooratiya dikhaao na
na na na
gori zara
gori zara mukhde se ghoonghat hataao na
aisa bhi kya hai
sooratiya dikhaao na
na na na

shaadi se pahle sawere sawere
teri gali ke lagaate thhe phere
shaadi se pahle sawere sawere
teri gali ke lagaate thhe phere
yaad karo
yaad karo beeti wo batiyaan
bhulaao na
bhulaao na
gori zara
gori zara mukhde se ghoonghat hataao na
aisa bhi kya hai
sooratiya dikhaao na
na na na

ho o o
yaad karo ek din ambuwa ke ped tale
dholak ke sang sang
naache thhe shaam dhale
yaad karo karo
yaad
ek din ambuwa ke ped tale
dholak ke sang sang
naache the shaam dhale
bachpan ke
bachpan ke geet wahi phir se sunaao na
sunaao na
gori zara
gori zara mukhde se ghoonghat hataao na
aisa bhi kya hai
sooratiya dikhaao na
na na na

kaahe ko aayi ye zaalim jawaani
bhool gayi ekdum wo batiyaan puraani
kaahe ko aayi ye zaalim jawaani
bhul gayi ekdum wo batiyaan puraani
is’se to acha hai maike chae jaao na
na na na na
gori zara mukhde se ghoonghat hataao na
aisa bhi kya hai
sooratiya dikhaao na


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all Atulites

Today’s birthday girl was a Miss India winner in the year when my family got a TV for the first time ever. Prior to that whatever I have seen on TV (read Doordarshan) was either in other people’s houses or my chachu’s home. (As I have previously mentioned on many occasions. Those days nobody minded other people’s kids or adults too for that matter, coming in to see TV) I remember having got used to seeing the live relay of the Republic day parades, Filmfare Awards Nites, test matches, Wimbledon and opening ceremonies of Olympics or Asiad etc. They had a different charm to them specially when there would be no repeat telecasts and we used to either wake up early or sit up late to see live relays of overseas events.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Reporter Raju”(1962) was a Wadia Brothers Productions/ Basant Pictures production movie. It was produced by Homi Wadia and directed by Dwarka Khosla. The movie had Feroze Khan, Chitra, Jeevankala, Indira, Baby Vidya Rani, Manorama, Ratnamala, Sulochana Chatterjee, Shah Agha, Sunder, Majnoo, Shakeel Noomani, Raj Adeeb, Mintobai, Gani, Mohammed Ali, Geeta, Paro, Julian, B.M.Vyas, Anthny, Bismilla, Mithoo miyaa etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shreemati 420″(1956) was produced and directed by G P Sippy. The movie had Meena Shorey, Johny Walker, Om Prakash, Kamal, Rajan Kapoor, Maya Das, Helen, Hari Shivdasani, Manorama, Baby Shashi, Uma Dutt, Ratan Gaurang etc in it.
Read more on this topic…


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 15900 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

15902

Number of movies covered in the blog

Movies with all their songs covered =1218
Total Number of movies covered =4362

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