Posts Tagged ‘Kalyanji Anandji’
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3986 | Post No. : | 15075 |
“Shankar Shambhu”(1976) was directed by Chaand for A K Movies Bombay. The movie had Feroz Khan, Vinod Khanna, Sulakshana Pandit, Bindu, Jagdeep, Ajeet, Anwar Hussain, Suhir, Sulochana, Jayshree T, Shantanu, Jankidas, Viju Khote, Kishore Sinha etc with guest appearances by Pradeep Kumar and Lalita Pawar.
The movie had five songs in it. Two songs have been covered in the past.
Here is the third song from “Shankar Shambhu”(1976) to appear in the blog. This song is sung by Suman Kalyanpur. Sahir Ludhianvi is the lyricist. Music is composed by Kalyanji Anandji.
The song is picturised as a mujra song on Bindu and Vinod Khanna.
It appears to be a rare song in the sense that it is one of rare occasions when Sahir Ludhianvi must have penned lyrics for Kalyanji Anandji.
This song appears to be a forerunner of the “Muqaddar Ka Sikandar”(1978) mujra song “Salaam e ishq meri jaan zara kubool kar le”.
Song-Mera dil churaa kar na aankhen chura (Shankar Shambhu)(1976) Singer-Suman Kalyanpur, Lyrics-Sahir Ludhianvi, MD-Kalyanji Anandji
Lyrics
mera dil chura kar na aankhen chura
mera dil chura kar na aankhen chura
sab kahenge tujhe bewafa bewafa
bewafa bewafa
dekh dil ko laga kar na dena daga
dekh dil ko laga kar na dena daga
sab kahenge tujhe bewafa bewafa
bewafa bewafa
mera dil chura kar na aankhen chura
hamne de di hai tujhko jubaan
ho hamne de di hai tujhko jubaan
tere kadmon mein niklegi jaan aan
tere kadmon mein niklegi jaan
dil ka naazuk sa hai ye aayina
dil ka naazuk sa hai ye aayina
tod dena na ae meharbaan aan
tod dena na ae meharbaan
ban ke toota agar silsila silsila
ban ke toota agar silsila silsila
sab kahenge tujhe bewafa bewafa
bewafa bewafa
mera dil chura kar na aankhen chura
gair ke ghar na rakhna kadam
ho gair ke ghar na rakhna kadam
ye sitam sah na paayenge hum m
ye sitam sah na paayenge hum
toone gar hamko dhokha diya
toone gar hamko dhokha diya
zahar kha lenge teri kasam m
zahar kha lenge teri kasam
jab janaaza uthha pyaar ka pyaar ka
jab janaaza uthha pyaar ka pyaar ka
sab kahenge tujhe bewafa bewafa
bewafa bewafa
mera dil chura kar na aankhen chura
Sambhal to le dil deewaana
Posted on: June 3, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3972 | Post No. : | 15057 |
Yesterday (2 june 2019) was Sunday. I for some reason thought that there was lots of time available with me and so I would do things that I had not done for ages. Sunday morning is the day when DD national presents ‘Rangoli’.
I used to be a regular watcher of this programme when I was based at Bilaspur. That was four to seven years ago. I have rarely watched this programme since.
On this ‘Rangoli’ programme on 2 june 2019, This presenter announced that the programme would have songs dealing with nature. I found that most songs were from 1990s from movies such as ‘Roja’ etc, with a couple of songs from 1960s. There was no value addition from the anchor on these songs while discussing the songs. May be I was expecting her too keep us enthralled like an Ameen Sayani or Nalin Shah. But then those days and those knowledgeable presenter have become rare to find. We should at least be thankful that Vividh Bharti still has good presenters with knowledge as well as passion for old songs.
I then thought that instead of finding fault in the presentation of ‘Rangoli’, I should look in the mirror. Even my articles in the blog has become routine. It is time to bring some zing and enthusiasm in my writeups.
Just as the ‘Rangoli’ programme covered mainly songs from 1990s, I too noted down the lyrics of some songs from 1990s. Somehow those songs of 1990s did not bring the same “kuchh kuchh hota hai” feeling in me. I decided to randomly pick a song from 1960s. This random picking gave me a song from ‘Phool Bane Angaarey’ (1963).
‘Phool Bane Angaarey’ (1963) was directed by Suraj Prakash for Asiatic Arts Productions Bombay. This movie had Mala Sinha, Raj Kumar, Johny Walker, Aashish Kumar, Shammi, Mumtaz Begam, Mukri, Nasreen, Tuntun, Sarita Devi, Laxmi, Leela Mishra, Chaman Puri, Ravikant, Mansaram, Bhalla etc in it.
The movie has six songs in it. Three of the most popular songs from the movie have been covered in the past.
The song under discussion, that I picked by lottery, is one that I had never heard before. But when I listened to this song, I quickly realised that my hunch about the difference in quality of songs between golden era songs and songs of 1990s was not misplaced. This forgotten and less heard song from 1960s sounded so sweet and lovely. And I had never heard this song before !
This song is sung by Lata. Anand Bakshi is the lyricist. Music is composed by Kalyanji Anandji.
It was one of the earlier songs penned by Anand Bakshi in his career. This song came in the era when classy lyrics were being written by several established lyricists. So Anand Bakshi, in a bid to make his mark among such talented lyricists came up with this gem of a song. It is ironic that many of his lesser quality songs are better known than this song.
Even the music director duo were relatively new on the scene. And in this song they have tried to create a Salil Chaudhary like effect. The song and its picturisation is reminiscent of Salil Chaudhary compositions of those years.
The song is picturised on Mala Sinha.
Yesterday (2 June 2019) gave me a feeling that I failed to utilise it to the full. Nevertheless, I noted down the lyrics of some songs from 1990s, that I will discuss next.
Song-Sambhal to le dil deewaana (Phool Bane Angaarey)(1963) Singer-Lata, Lyrics-Anand Bakshi, MD-Kalyanji Anandji
Lyrics (Provided by Prakashchandra)
dil deewaana
zara
thehar
jaana
sambhal to le dil deewaana
zara thehar jaana aa
sambhal to le dil deewaana
zara thehar jaana
abhi na saamne aana
zara thehar jaana
sambhal to le
main guzri umr ko waapas zara pukaar to loon
main apne aap ko thhoda bahut sanwaar to loon
libaas gham ka nigaahon se main utaar to loon
samaa to ho le suhaana zara thahar jaana
abhi na saamne aana
zara thehar jaana
sambhal to le
khushi bhi itni achaanak main seh na paaungi
main apne aap mein bas aaj reh na paaungi
jo tum se kehna hai mujhko
wo keh na paaungi
main yaad kar loon fasaana
zara thehar jaana
abhi na saamne aana
zara thehar jaana
sambhal to le
sataane waale
tumhen main bhi thhoda tadpaaun
talaash karte phiro tum mujhe
main chhup jaaun
hazaar kehne pe bhi saamne na main aaun
banaa loon koi bahaana
zara thehar jaana
abhi na saamne aana
zara thehar jaana
sambhal to le dil deewaana
zara thehar jaana
sambhal to le
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Hindi script lyrics (Provided by Sudhir)
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दिल दीवाना
ज़रा
ठहर
जाना
संभल तो ले दिल दीवाना
ज़रा ठहर जाना
संभल तो ले दिल दीवाना
ज़रा ठहर जाना
अभी ना सामने आना
ज़रा ठहर जाना
संभल तो ले
मैं गुज़री उम्र को वापस ज़रा पुकार तो लूँ
मैं अपने आप को थोड़ा बहुत संवार तो लूँ
लिबास ग़म का निगाहों से मैं उतार तो लूँ
समा तो हो ले सुहाना ज़रा ठहर जाना
अभी ना सामने आना
ज़रा ठहर जाना
संभल तो ले
खुशी भी इतनी अचानक मैं सह ना पाऊँगी
मन अपने आप में बस आज रह ना पाऊँगी
जो तुमसे कहना है मुझको
वो कह ना पाऊँगी
मैं याद कर लूँ फसाना ज़रा ठहर जाना
अभी ना सामने आना
ज़रा ठहर जाना
संभल तो ले
सताने वाले तुम्हें भी थोड़ा तड़पाऊँ
तलाश करते फिरो तुम मुझे
मैं छुप जाऊँ
हज़ार कहने पे भी सामने ना मैं आऊँ
बना लूँ कोई बाहाना ज़रा ठहर जाना
अभी ना सामने आना
ज़रा ठहर जाना
संभल तो ले
संभल तो ले दिल दीवाना
ज़रा ठहर जाना
संभल तो ले
Hey re raama raam kasam
Posted on: May 1, 2019
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3939 | Post No. : | 15015 |
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Blog 10-Year Challenge (2009-19) – Song No. 30
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May 1st 2019. International Labour Day. Also happens to be the date when the states of Maharashtra and Gujarat came into being from the erstwhile Bombay state in the year 1960. This happened as a consequence of the States Re-organisation Act of 1956 which defined boundaries for the states within India on the basis of languages. The Bombay State, that was formed by this act, was composed of different areas where Marathi, Gujarati, Kutchi and Konkani were spoken. There was a movement since 1956, which demanded that the state of Bombay be re-organised further on the basis of areas where Gujarati and Kutchi was a major language and other where Marathi and Konkani was majorly spoken. So, The Bombay Reorganization Act was enacted in the Indian Parliament on 25th April 1960 and the states of Gujarat and Maharashtra were born on 1st May 1960. That makes Gujarat and Maharashtra 59 years old today.
On the day these two states were born Prafulla Chandra Dey turned 41. He had already made a debut in the world of film music in the ’40s with the movie “Tamanna” which had music by his paternal uncle Krishna Chandra Dey and had a hit duet with Suraiya “Jago Aayee Usha Ponchi Boley Jago”. From then on he made his way into the hearts of music lovers across the country and sang in many Indian langauges – Bhojpuri,Magadhi, Maithili, Ounjabi, Assamese, Odia, Konkani, Sindhi, Gujarati, Marathi, Konkani, Malayalam and Nepali in addition to Hindi and Bengali.
He was trained in singing initially by his paternal uncle Krishna Chandra Dey and Ustaad Dabir Khan. He was credited with the success of Indian Classical Movies in Indian commercial movies. How can anyone forget the Raga-based songs “Sur na saje kya gaaun maain” or “Kaun aaya mere mann ke dwaare payal ki jhankar liye”. But his “Aao twist karien” and “ae bhai zara dekh ke chalo” were equally popular. He might have sung his first duet “subah ki pehli kiran” with Kishore Kumar in 1952 but their association on “ek chatur naar karke shingaar” is unforgettable. He has shared the recording studio with all the major singers of the time till the ’90s haing sung under the baton of most of India’s music directors beginning with K.C. Dey in “Tamanna” in 1942 to Shamir Tandon in 2006- that last song of Prafulla Chandra Dey a.k.a Manna Dey has been posted on the blog Duniya Waalon Ko Nahin Kuchh Bhi Khabar. Almost 102 music directors.
Now coming to the Blog Ten Year Challenge the songs that were posted on the 1st of May 2009 were:-
(1) Daa dir daaraa.. meri laadli(Andaaz)(1949) it had 2 comments and the movie is YYIIPPEEEED!
(2) Ghadi Ghadi Mora Dil Dhadke (Madhumati)(1958) had 7 comments, movie is YYIIPPEEEED!
(3) Masti mein chhed ke taraana koyi dil ka (Haqeeqat)(1964) had 4 comments, movie is YYIIPPEEEED
(4) Naach meri jaan fataafaat (Main Sundar Hoon)(1971) had 11 comments, movie is YYIIPPEEEED!!
(5) Do kadam tum bhi chalo (Ek Haseena Do Deewaane)(1972) had 6 songs with a multiple version song of which 2 are posted. (the sad Mukesh solo version is not yet posted)
(6) Haan pehli baar ek ladki mera haath pakad kar (Aur Kaun)(1979) had 12 comments and 1 out of 4 songs of this movie has been posted
The song with this post is from the 1972 romantic movie “Ek Haseena Do Diwane” which was produced by RG Films Kantibhai Zaveri and directed by S.M. Abbas. the movie had Jeetendra and Babita in the lead with Vinod Khanna as the villain. Om Prakash, Nirupa Roy, Shammi- played the elders and Johnny Walker headed a large supporting cast. The movie’s story in a nutshell as given by wikipedia-
Amar, the Nainital-based, orthodox and traditional person, obtains a degree in Engineering and re-locates to Bombay for employment. After doing so, he decides to assist his friend, Prakash, woo a wealthy and educated woman, Neeta but ends up falling in love and marrying her himself much to the chagrin of her father. Shortly after the marriage, he takes her to visit his widowed-schoolteacher mother, but she has gone on an outing. They return, and shortly thereafter arguments ensue, which escalate to such an extent that Amar assaults her, compelling her to return to her parents’ home. When she insists on a divorce – Amar refuses until and unless she lives with him for 15 days in order to create a false scenario of a happy marriage for his mother.
The song with today’s post is sung by Johnny Walker in the movie with two unknown ladies pestering him. it was a song I loved the instant I saw it. it has interlude music lifted from “Rattan”, “Pyaasa” and “Badi Behan” to add the comic element. It is written by Qamar Jalalabadi and Kalyanji Anandji were the music composers. The song brings out the full range that Manna Da was capable of.
Here I must confess that had I not attended the R.M.I.M last month i would have forgotten that Manna Dey would have turned 100 today if he had been there. Thinking of Manna Dey ……….
Audio
Video
Song-Hey re raama raam kasam kaisa aaya ye zamaana (Ek Haseena Do Deewaane)(1972) Singer-Manna Dey, Lyrics-Qamar Jalalabadi, MD-Kalyanji Anandji
Chorus
Lyrics
hey re raama
hey re raama raam kasam kaisa aaya ee zamaana
hey re raama ram kasam kaisa aaya e zamaana
mardan ka dekho kaise chhede hai janaana
mardan ka dekho kaise chhede hai janaana
(yahaan wahaan haath mat lagiyo haan)
haath lagaiho to jaiho main thaana bachaana
koi police ko bulaana bulaana
hey re raama
hey re raama raam kasam kaisa aaya ee zamaana
petticoat waalone diya humka maar
petticoat waalone diya humka maar
jabse inka dekha hua hai bantaadhaar
chhoriyan ka pyaar jhootha
pyaar ka vyopar jhootha
roop ka singar jhootha
mukh ka nikahar jhootha
aar jhootha
paar jhootha
yaari jhoothi
yaar jhootha
inse na neha lagaana lagaana
hey re raama
hey re raama raam kasam kaisa aaya ee zamaana
arre aaj tore bhaktan ka patla hai haal
aaj tore bhaktan ka patla hai haal
jai jai jai jai bajrangbali
aayi bala taal
natkhat naar khoti
kajre ki dhaar khoti
lat ki funkar khoti
ankhiyon ki maar khoti
choodi ki jhankaar khoti
chhori hushiyaar khoti
jhaanse mein inke kabahu na aana
hey re raama
hey re raama raam kasam kaisa aaya ee zamaana
mardan ka dekho kaise chhede hai janaana
haath lagaiho to jaiho main thaana
koi police ko bulaana bulaana
hey re raama
hey re raama raam kasam kaisa aaya ee zamaana
jinhen desh par garv hai u kahaan hai kahaan hai kahaan hai
ee galiyo ee koochhe e fashion ke bazaar
ee bechaare mardan pe naari ki lalkaar
chun chun ke bharat ke netan ka laao
(hey nutan
humaare hote huye nutan
hmm hmm hmm
nutan naahin netan
huyi gaya kabaada)
phir se leo
chun chun ke bhaarat ke netan ka laao
netan ka inke ee nakhre dikhaao
yadi ee karihen more dil ka bhojan
to kaise hoyega parivaar niyojan
kahaan hai kahaan hai kahaan hai kahaan hai
(yahaan hai
top
arre baap re)
koi police ko bulaana bulaana
hey re raama
hey re raama raam kasam kaisa aaya ee zamaana
hey re raama
hoye re raama
hey re raama
hoye re raama
hey re raama.
bhaag raam
hey re raama
bhaag raama
- In: Devnagri script lyrics by Avinash Scrapwala | expression of love | Feelings of heart | Guest posts | Kishore Kumar solo | Kishore Kumar songs | Lata solo | Lata song | Lyrics contributed by readers | Multiple version song | Post by Avinash Scrapwala | Songs of 1970s (1971 to 1980) | Songs of 1976 | Yearwise breakup of songs
- 3 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
3935 | Post No. : | 15010 | Movie Count : |
4112 |
#the Decade of Seventies – 1971 – 1980 #
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#Bhoole-Bisre Geet # 83 # Remembering Feroz Khan#
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Welcome all to this post of today, where, once again, I am taking you back to a song from the Seventies from a movie which is part of ‘nostalgia’ of my growing years.
In this blog we fondly discuss about ‘songs which bring back memories’. Many of my posts would fall into this ‘category’ as I have tried to share them with the memories of my childhood years and growing years thereafter.
During the ‘blog’s ten thousandth song –milestone’ I had written a post here and mentioned about few songs which for me bring back memories of my childhood and /or growing years.
At that time, I had listed many ‘prominent songs’ for me falling in ‘songs that brings back memories’ category. I had also noted that in future I may come with a second list of such songs which I get reminded time to time due to the connected memories of those years and they surface from vague and dormant memories.
Recently when I was going through this ‘first list’ of mine and noting down the songs which are yet to make it to the blog, I noticed that now very few songs from this list of mine are yet to be posted on the blog. One of these songs is the song being covered today.
And the reason for posting this song today is, it is picturised on actor Feroz Khan whom we fondly remember today on his tenth ‘Remembrance Day’.
(This song also has a female version which is picturised on actress Rekha).
Feroz Khan (25 September 1939 – 27 April 2009), born Zulfikar Ali Shah Khan, was born in Bangalore and he also breath his last in the city of Bangalore on 27th April 2009.
He came to Mumbai (Bombay then) and made his debut in Hindi movies with the movie ‘Didi’ in 1960. Initially he got smaller roles or roles in the second lead. After completing almost a decade in the Hindi Film Industry he ventured into production and direction with the movie ‘Apraadh-1972’.
Though I have not watched many of his movies, but whatever movies I had watched of him have left an indelible impression on my mind since my childhood.
And whenever the Hindi movies of the seventies will be discussed Feroz Khan’s name is going to be surely there. Because he has a special place carved for him in the midst of the so many actors of that decade and his ‘aura’ is something that cannot be forgotten by the ‘fans of the seventies’.
I never forgot the movie ‘Khotey Sikkey-1974’ which I must have watched with my elders earlier and later may be on TV. And for me it is this movie which I remembered most associated with his name. I had also shared a song from this movie when I joined this blog as a lyrics contributor.
Then I remember watching ‘Nagin-1976’, ‘Shankar Shambhu-1976’, ‘Sharaafat Chhod Di Maine-1976’, ‘Kabeela-1976’ and ‘Khoon Aur Paani-1981’ which I clearly remember of watching with my brothers and cousins may be in vacations. I think we also watched ‘Kaala Sona-1975’ and ‘Chunaoti-1979-80’ later, but I don’t remember it now.
‘Qurbaani-1980’ was a big hit in those years and all family watched it together.
Later I watched ‘Safar-191’, ‘Aadmi Aur Insaan-1970’ on TV. ‘Dharmatma-1975’ with friends on VCR (during the VCR days).
In between these years, around 1986-87 I watched ‘Aarzoo-1965’ in theatres in its re-re-released in end eighties.
After that I watched ‘Yalgaar-1992’ and ‘Dayaawan-1988’ in parts (on TV).
I watched ‘Apradh-1972’ again in 2008-2009 by buying its VCD because it had one my favourite songs in it i.e. ‘tum miley pyaar se’.
However I am yet watch his ‘Upaasna-1967’ and ‘Mela-1971’ which I think I should watch sometime in the future.
I will not go into more details about him and thus I will come to the today’s song thanking Feroz Khan for all the entertainment and those lovely memories of his movies he has given to us. His ‘cow boy’ image and specially his ‘dialogue deliveries’ riding on a horse 🙂 are his special features that I am always reminded of with his ‘steering eyes’:) (or may be, because of his image in my mind I am thinking that he might have spent more time sitting on the Horse’s back going by nature of roles he played in the majority of the movies) 🙂
Today’s movie ‘Kabeela-1976’ was directed by Bolu Khosla for ‘Khosla Enterprises, Bombay’. It was a ‘costume drama’ movie. Bolu Khosla was also the producer of this movie.
It had Feroz Khan, Rekha, Kamini Kaushal, Imtiaz, Premnath, V. Gopal, Sudhir, Shyam Kumar, Manju Bansal, Dhoomal, Surendranath, Heeralal, Habib, Baby Soniya, Darshan, Sharad Saxena and others. Bindu and Trilok Kapoor make a Special appearance in this movie.
Story of this movie was written by A.K. Agarwal. Screenplay was written by Jayant Dharmadhikari. Akhtar Romani wrote the dialogues of this movie and editing was done by Waman Bhonsle.
This movie had four songs, including one multiple version song (which is being posted today). All its songs were written by Farooque Qaisar and composed to music by Kalyanji-Anandji. Kishore Kumar, Lata Mangeshkar, and Mukesh had given their voices to the songs in this movie.
This movie was passed by Censor Board on 20.10.1976.
Today I am presenting a song from this movie which since years has been in my memory and it is a ‘catchy’ composition too. This song is in two versions male and female and sung respectively by Kishore Kumar and Lata Mangeshkar.
I could not find a separate video for the female version, but we have audio version for our listening pleasure. The female version is picturised on Rekha and male version is picturised on Feroz Khan and who we can see performing in his ‘dynamic-dashing’:) style on this song.
By the way this song ranked at number twenty-five in the annual list of ‘Binaca Geetmala-1977’.
With this song ‘Kabeela-1976 (or Qabeela-1976’) makes a debut on the blog !!
(I also had the opportunity to introduce ‘Shankar -Shambhu-1976’ on the blog. ‘Naagin-1976’ – I had already shared a song.
And as noted earlier I think this year ‘1976’ had the most impact on my mind relating to songs and movies of that year when I was around 8 years old 🙂 )
Let us enjoy today’s song now.
Male version
Video
Audio
Female version
Audio
Song-Arre koi maane ya na maane mere dil ki mehbooba ne (Kabeela)(1976) Singer-Kishore Kumar/Lata, Lyrics-Farooque Kaiser, MD-Kalyanji Anandji
Female voice
Chorus
Lyrics
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Male version-Kishore Kumar
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Arey koi maane yaa naa maane
Mere dil ki mehbooba ne
Mera tohfaa kiya qubool
Khuda ki qasam
aaj paise vasool
Paise vasool
Khuda ki qasam
aaj paise vasool
Paise vasool
Koi maane yaa naa maane
Meri dil ki mehbooba ne
Mera tohfaa kiya qubool
Khuda ki qasam
aaj paise vasool
Paise vasool
Khuda ki qasam
aaj paise vasool
Paise vasool
Aankhen teri tauba tauba
Aankhen teri tauba tauba
Zulfen allaah allaah aa aa
Zulfen allaah allaah
Chaahe kuchh ho
Thhaam liya hai
Maine tera ye pallaa
Chhodo na
Maine tera ye pallaa
Sab kuchh mera leja
Achchaa
Arey sab kuchh mera le ja
Bas ek nishaani de ja
Pyaar bharaa ye phool
De ae de ae
Ye le
Khuda ki qasam
aaj paise vasool
Paise vasool
Khuda ki qasam
aaj paise vasool
Paise vasool
Vaade kya hain
Qasmein kya hain
Vaade kya hain
Qasmein kya hain
Ye to duniyaa jaane ae
Ye to duniyaa jaane
Tera mera pyaar hai sachchaa
Baaki sab afsaane ae ae
Baaki sab afsaane
Kaahe ka ye sharmaana
Arrey kaahe ka ye sharmaana
Kaahe ka ye ghabraana
Aaj mere sang jhool
Aa …
aa naa
Lo aa gayi
Khuda ki qasam
aaj paise vasool
Paise vasool
Khuda ki qasam
aaj paise vasool
Paise vasool
——————————————————–
(Female version -Singer – Lata Mangeshkar, chorus)
——————————————————–
Koi maane yaa naa maane
Mere zulmi saanwariyaa ne
Mera tohfaa kiya qubool
Khuda ki qasam
aaj paise vasool
Paise vasool
Khuda ki qasam
aaj paise vasool
Paise vasool
Koi maane yaa naa maane
Mere zulmi saanwariyaa ne
Mera tohfaa kiya qubool
Khuda ki qasam
aaj paise vasool
Paise vasool
Khuda ki qasam
aaj paise vasool
Paise vasool
Jaane kab se dekh rahi thhi
Jaane kab se dekh rahi thhi
Main to sapne tere ae
Main to sapne tere
Tujh ko paa ke
Ho gaye poore
Ab ye sapne mere
Tu hi tu meri nazron mein
Tu hi tu meri nazron mein
Pyaar se tu meri zulfon mein
Hans ke sajaa de phool
Sajaa de naa
Khuda ki qasam
aaj paise vasool
Paise vasool
Khuda ki qasam
aaj paise vasool
Paise vasool
Hoti hai to
Ho jaane de
Hoti hai to
Ho jaane de
Donon ki ruswaayi ee ee
Donon ki ee ruswaayi
Aaj nahin to kal baajegi
Angnaa mein shehnaayi
Dil ki duniya laayi main
Dil ki duniya laayi main
Bhool ke sab ko aayi
Tu bhi ye gussaa bhool
Bhool gaye na
Khuda ki qasam
aaj paise vasool
Paise vasool
Khuda ki qasam
aaj paise vasool
Paise vasool
Khuda ki qasam
aaj paise vasool
Paise vasool
——————————————————-
(Lyrics in Devnagri Script provided by Avinash Scrapwala)
—————————————————-
Male version
—————-
अरे कोई माने या ना माने
मेरे दिल की महबूबा ने
मेरा तोहफा किया कुबूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
कोई माने या ना माने
मेरे दिल की महबूबा ने
मेरा तोहफा किया कुबूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
आँखें तेरी तौबा तौबा
आँखें तेरी तौबा तौबा
जुल्फें अल्लाह अल्लाह आ
जुल्फें अल्लाह अल्लाह
चाहे कुछ हो
थाम लिया है
मैंने तेरा ये पल्ला आ
छोडो ना
मैंने तेरा ये पल्ला आ
सब कुछ मेरा लेजा
अच्छा
अरे सब कुछ मेरा ले जा
बस एक निशानी दे जा
प्यार भरा ये फूल
दे ए दे ए
ये ले
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
वादे क्या है
कसमें क्या है
वादे क्या है
कसमें क्या है
ये तो दुनिया जाने ए
ये तो दुनिया जाने ए
तेरा मेरा प्यार है सच्चा
बाकी सब अफ़साने ए ए
बाकी सब अफ़साने
काहे का ये शरमाना
अरे काहे का ये शरमाना
काहे का ये घबराना
आज मेरे संग झूल
आ … आ ना
लो आ गयी
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
————————————
(महिला स्वर)
———————–
कोई माने या ना माने
मेरे जुल्मी सांवरिया ने
मेरा तोहफा किया कुबूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
कोई माने या ना माने
मेरे जुल्मी सांवरिया ने
मेरा तोहफा किया कुबूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
जाने कब से देख रही थी
जाने कब से देख रही थी
मैं तो सपने तेरे ए
मैं तो सपने तेरे
तुझ को पा के
हो गए पूरे
अब ये सपने मेरे
तू ही तू मेरी नज़रों में
तू ही तू मेरी नज़रों में
प्यार से तू मेरी जुल्फों में
हँस के सजा दे फूल
सजा दे ना
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
होती है तो
हो जाने दे
होती है तो
हो जाने दे
दोनों की रुसवाई ई ई
दोनों की ई रुसवाई
आज नहीं तो कल बाजेगी
अंगना में शहनाई
दिल की दुनिया लायी मैं
दिल की दुनिया लायी मैं
भूल के सब को आई
तू भी ये गुस्सा भूल
भूल गये ना
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
खुदा की क़सम
आज पैसे वसूल
पैसे वसूल
Kya Karoon Mujhko Time Nahin
Posted on: March 18, 2019
- In: "Advice" song | "Marriage counselling" song | Baag/Bagiya song | Devnagri script lyrics by Sudhir | fun timepass song | Guest posts | Kishore Kumar solo | Kishore Kumar songs | Lyrics contributed by readers | Post by Peevesie's mom | Songs of 1970s (1971 to 1980) | Songs of 1978 | Yearwise breakup of songs
- 8 Comments
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
3895 | Post No. : | 14935 | Movie Count : |
4077 |
Hullo to all in Atuldom
So, there is this thing called the 10-year challenge going-on on Facebook, at least I saw a few of my friend’s post “Then and Now” pictures. Atulji also has started something similar on the blog with this post “Inteha Ho Gai Intezaar Ki“. I found this more inspiring to participate in and I was thinking of how my association with this blog began exactly 10 years ago when my daughter stumbled on to this blog (I know I have mentioned this a number of times, sorry for repeating). Then she saw that Atulji is kind enough to post songs requested by readers (followers) – there is a dedicated ‘farmaishes’ page on the blog.
As I sat to write on my 10-year journey with the blog I thought of the first date I landed on this treasure house of lyrics and videos. I don’t remember the exact date, it must be either the 13th or 14th March as it was on 15-3-2019 Peevesie’s first farmaish got posted; a song from the Dev Anand-Nutan starrer ‘Manzil’ (1960).
From then on whenever my daughter browsed the site, I would be sitting next to her. That was the period when we had only one computer in the family and each one was allotted a fixed time slot on the internet and if there was some incoming call, we used to lose net-connectivity as ours was still the dial-up connection. It was a few years later that we switched to broadband. And the switch to broadband also was needed when the kids (who were students then) needed their own lap-tops. Times have changed and I am the only broadband user and everyone has data connect on their mobiles to which they hook their laptops most often.
Oh, I am deviating from my 10-year story.
Then on 19th March I was with Peevesie when she posted a comment to this song “Jaaneman Tum Kamaal Karti Ho” . This was followed by a comment for “Dil Aaj Shaayar Hai. . .“. Oh, we have been ustaads at commenting because the next day I visited the blog and commented on “Logon Ka Dil Agar Jeetna Tumko Hai To“. And Peevesie’s Mom was born.
From then on, I learnt how to navigate the blog, comment on it and post farmaishes. And took on Atulji’s encouragement “Nice to have your say on this song. Please offer your comments regularly as they help me to come up with songs that I may not otherwise be aware of.” And have stayed on since then.
First time I commented from my own id was for the song “Phir Tumhaari Yaad Aai Hai Sanam“. For this song Atulji’s write-up was short and crisp, his only objective being sharing his priceless discovery, that song is indeed a gem. This post also has our Rajaji in a different avatar, don’t know why he didn’t continue. (Rajaji please answer)
My first song as a contributor – first with lyrics and then with posts- came much later. I don’t remember when I started using this “Hullo to all Atulites” but I somehow liked the idea of addressing the followers of the blog. I also don’t remember which was the first song I sent to celebrate a celebrity’s birthday. But continuing that habit here is one more.
[Editor’s Note: It was “Mere Yaar Ko Mere Allah, De Ek Chaand Sa Pyaara Lalla“, on 25th September, 2012.]
But as is the norm set by Atulji in his first post of this series on ’10-year challenge’ here is a list of songs that were posted on 18th March 2009.
Na Jaane Kahaan Tum The
Rehte The Kabhi Jinke Dil Me
Phul Gendwa Na Maaro
Jaa Jaa Jaa Mere Bachpan
Aati Rahengi Bahaarein
Jalta Hai Jiya Mera
Jee Chaahe Jee Chaahe
As I revisited these posts, I see that all the posts were short and crisp with a punchline that brought a smile to the lips. These punchlines were termed ATULISM by Rajaji.
Sample this from the simple post that accompanied the song “Aati Rahengi Bahaarein” from ‘Kasme Vaade’-
Here Amitabh Bachchan, a college professor lives in a palatial residence in such opulence that would give the Nizam of Hyderabad a complex. And only three people live in this palace and one cannot see a single domestic help anywhere. 🙂
Coming back to the purpose of this post – to remember Shashi Kapoor on his 81st birthday. Its already more than a full calendar year since he passed away; time has really flown. I had written down the story synopsis for the accompanying song a long time ago. I had wanted to send this post in 2013 when Shashi would have turned 76.
‘Atithee’ is a 1978 Shashi Kapoor- Shabana Azmi- Shatrughan Sinha- Vidya Sinha movie which I suppose didn’t do very well at the box office. Not much is there on the net other than the synopsis which IMDB.com gives. And I quote
Navendhu Kumar lives a poor lifestyle with his handicapped father, Mohan, housewife mom, two unmarried sisters, Leela and Rajni, a younger brother, Kundan, and a sweetheart in Meena. He works for Avinash Gupta, however, when differences occur, he is framed by Gupta for breaking and entering, arrested by the police, tried in court, and exiled from the town for a period of 12 months. After he leaves, the family is almost destitute and is exploited by Gupta. Then some months later, a young man, Anand, comes to visit them, informing them that Navendhu has sent him. He gives them some money for day to day expenses, gets some clothes for everyone, and a wheelchair for Mohan. He arranges the marriage of Rajni with her boyfriend, Ajay, despite strong opposition from Gupta, and falls in love with Leela. What the Kumar family does not know is that Anand is a fugitive on the run from the police in Bombay, and he harbors a dark secret that will change their lives forever.
To this, I had added,
Actually, what put me on this movie is the song which was posted on ASAD on 15th May 2013. In comments to that song from ‘Manoranjan’ (1974) I had mentioned about a Shashi Kapoor song that uses ‘Goya’ ‘Chunke’ ‘Kintu’ ‘Parantu’ etc and Harveypam(ji) said he only faintly remembered it. Then I sat and searched for the song and decided that it is going to be posted on March 18th that is Shashi Kapoor’s birthday. Today is his 76th birthday.
The song is written by Verma Malik, music is by Kalyanji Anandji and the singing voice is Kishore Kumar. In the song we see Shashi Kapoor playing a kind of love guru to Gayatri and her boyfriend (cannot identify him) a nice fun song so lets enjoy.
And be reminded of the cute charming smile of Shashi Kapoor. 🙂
Video
Audio
Song – Kya Karoon Mujhko Time Nahin (Atithee) (1978) Singer – Kishore Kumar, Lyrics – Verma Malik, MD – Kalyanji Anandji
Lyrics
arre bhai ek baat yaad aayi hai
aate aate
haalan ke
lekin
magar
goya
choon ke
chunanche
kintu
parantu
socha hai ke
keh doon jaate jaate
kya
ek baat aayi hai aate aate
ek baat aayi hai aate aate
ke socha kehdoon..oo..oo..oo
jaate jaate
ke socha kehdoon..oo..oo॰॰oo
jaate jaate
aur chaahta bhi hoon keh doon yahin
keh doon
bolo
haalan ke lekin magar goya choon ke chunache kintu parantu
kya karoon time nahi
haalan ke lekin magar goya choon ke chunache kintu parantu
kya karoon time nahin
kya karoon mujhko time nahin
dekho pyar karo tum aisa
aa aa aa aaa aaa
dekho pyar karo tum aisa
duniya karti hai jaisa
mera matlab hai ki aisa
tum samajh gaye na kaisa
ek duje ko lo tum jaanch
pyar pe dekho dekho aaye na aanch
arey
arey char bajne me paanch
mar gaye
arey aur bhi main samjhata yahin
arey aur bhi main samjhata yahin
kuch aur bhi main batlata yahin
haalan ke lekin magar goya choon ke chunache kintu parantu
kya karoon time nahin
kya karoon mujhko time nahin
arey bhai ek aur kahani yaad aa gayi
ha ha ha ha haa
ek aur kahani yaad aayi
da da daan
da da daan da
da dada daan da daada
ek choti si kahani thi
hmm mmm
ek raja ek rani thi
hmm mmm
ek choti si kahani thi
ek raja ek rani thi
rani ki jo naani thi
aankh se woh kaani thi
aankh se jo kaani thi
rani ki wo naani thi
kaani thi naani thi
rani ki wo naani thi
naani naani naani
kaani kaani kaani
naani kaani naani kaani thi
arrey kuch bhi thi to kya hua
magar din raat yahi kehti thi
kehti thi wo ek hi baat
pyar me rahkna
haathon me haath
haan haan haathon me haath
arey mari paanch bajne me saat
mar gaya mera baap
arey aur bhi main samjhaata yahin
arey aur bhi main samjhaata yahin
kuch aur bhi main batlaata yahin
haalan ke lekin magar goya choon ke chunache kintu parantu
parantu
parantu
kya karoon time nahin
kya karoon mujhko time nahin
arey
arey ye dono premi kahaan chale gaye
———————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————
अरे भई एक बात याद आई है
आते आते
हालांकि
लेकिन
मगर
गोया
चूंकि
चुनाञ्चे
किन्तु
परंतु
सोचा है के
कह दूँ जाते जाते
क्या
एक बात आई है आते आते
एक बात आई है आते आते
के सोचा कह दूँ॰॰ऊं॰॰ऊं॰॰ऊं
जाते जाते
के सोचा कह दूँ॰॰ऊं॰॰ऊं॰॰ऊं
जाते जाते
और चाहता भी हूँ कह दूँ यहीं
कह दूँ
बोलो
हालांकि लेकिन मगर गोया चूँकि चुनांचे किन्तु परंतु
क्या करूँ टाइम नहीं
क्या करूँ मुझको टाइम नहीं
देखो प्यार करो तुम ऐसा
अ अ आ
अ अ आ
अ अ आ आ
देखो प्यार करो तुम ऐसा
दुनिया करती है जैसा
मेरा मतलब है कि ऐसा
तुम समझ गए ना कैसा’
एक दूजे को लो तुम जांच
प्यार पे देखो देखो आए ना आंच
अरे
अरे चार बजने में पाँच
मर गए
अरे और भी मैं समझाता यहीं
अरे और भी मैं समझाता यहीं
कुछ और भी मैं बतलाता यहीं
हालांकि लेकिन मगर गोया चूँकि चुनांचे किन्तु परंतु
क्या करूँ टाइम नहीं
क्या करूँ मुझको टाइम नहीं
अरे भई एक और कहानी याद आ गई
ह ह ह ह हा
एक और कहानी याद आई
ड ड डां
ड ड डां डा
ड डाडा डां डा डाडा
एक छोटी सी कहानी थी
हम्म हम्म
एक राजा एक रानी थी
हम्म हम्म
एक छोटी सी कहानी थी
एक राजा एक रानी थी
रानी कि जो नानी थी
आँख से वो कानी थी
आँख से जो कानी थी
रानी कि वो नानी थी
कानी थी नानी थी
रानी कि वो नानी थी
नानी नानी नानी
कानी कानी कानी
नानी कानी नानी कानी थी
अरे कुछ भी थी तो क्या हुआ
मगर दिन रात यही कहती थी
कहती थी वो एक ही बात
प्यार में रखना
हाथों में हाथ
हाँ हाँ हाथों में हाथ
अरे मरी पाँच बजने में सात
मर गया मेरा बाप
अरे और भी मैं समझाता यहीं
अरे और भी मैं समझाता यहीं
कुछ और भी मैं बतलाता यहीं
हालांकि लेकिन मगर गोया चूँकि चुनांचे किन्तु परंतु
क्या करूँ टाइम नहीं
क्या करूँ मुझको टाइम नहीं
अरे
अरे ये दोनों प्रेमी कहाँ चले गए
Radhe Krishna Bol Mukh Se
Posted on: January 9, 2019
- In: Bhajan | Bhajan cum western song | Devnagri script lyrics by Avinash Scrapwala | Devotional song | Guest posts | Krishn Bhajan | Lyrics contributed by readers | Mahendra Kapoor solo | Mahendra Kapoor songs | Post by Avinash Scrapwala | Rajesh Khanna songs | Rajesh Khanna songs by Mahendra Kapoor | Songs of 1970s (1971 to 1980) | Songs of 1972 | Yearwise breakup of songs
- 2 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
3827 | Post No. : | 14832 | Movie Count : |
4056 |
#the Decade of Seventies – 1971 – 1980 #
———————————————————–—
# Bhoole-Bisre Geet # 78 # Singer – Mahendra Kapoor #
—————————————————————————-
Today 9th January is the birth anniversary of Singer Mahendra Kapoor (9 January 1934 – 27 September 2008). Had he been alive today he would have been eighty-five years old.
On today’s occasion here is a song from the 1972 movie ‘Maalik’ sung by Mahendra Kapoor and composed by Kalyanji -Anandji. Lyrics are by Rajinder Krishan.
I have vague memories of watching this film on ‘Doordarshan’ and do not remember it now. In my childhood I had been hearing this song ‘Kanhaiyya Kanhaiyya Tujhe Aana Padega’ on loud speakers during the ‘Janmashtami’ festival. This song was very popular in those years. And after watching this movie ‘Maalik’ on ‘Doordarshan’ around 1983-1985, I came to know it was from this movie. However today on the occasion of birth anniversary of Singer Mahendra Kapoor, I am presenting herewith another Krishna song from the same film.
‘Maalik’ was directed by A Bhim Singh for Bharat Movies, Madras. It was produced by Vasu Menon. It had Sharmila Tagore, Rajesh Khanna, Deven Verma, Sonia Sahni, Bipin Gupta, Shivraj, Umesh Sharma, NS Bedi, Prem Kumar, Kabir Kumar, Baby Pinki and Ashok Kumar (in a special appearance). Story for this movie was written by Balamurugan. Dialogues of this movie were written by Rajinder Krishan (who also wrote the lyrics for all songs in this movie). Editing of this movie was done by A Paul Doraisingam. NS Bedi was also the dialogue director of this movie. This movie was passed by the Censor Board on 26.10.1972.
Rajesh Khanna played a different role in this movie from what was expected from him then and that too when he was on the peak of his career. May be because of that the movie didn’t fare well at the box-office, and may be because people might not have like to watch Rajesh Khanna in this type of role.
Our group of friends then who were the fans of Rajesh Khanna, did not like this movie much when we watched it on ‘Doordarshan’ then in 1983-85. And I remember next day we had discussed this movie and Kaka’s role in it at length. (But that is the matter for another article on Rajesh Khanna series. 🙂
The brief about this movie ‘Maalik-1972’ as given on IMDB is as below;
Rajesh and Savitri are in love, and soon they get married. They soon realize that they have a number of differences, the main one being that while Rajesh is a devout Hindu and worships Lord Krishna, Savitri does not believe in God. This leads to a number of arguments, yet both continue on with their married life. Soon a child is born to them. Unfortunately, the child is born without hands and legs. Both are anguished by this, and decide to placate God by visiting various places of worship all over India, little knowing that the truth lies elsewhere.
This movie has total thirteen songs as listed in HFGK Vol-V (1971-1980). Out of these thirteen songs, the singer’s name has not been mentioned for one song. Out of the remaining twelve songs we have one solo sung by Kishore Kumar, one solo by Lata Mangeshkar, three solo songs sung by Mahendra Kapoor and seven duets of Mahendra Kapoor with Lata Mangeshkar. That way, including the multiple version songs we have Mahendra Kapoor’s voice in as many as ten songs in this movie.
There was one movie made with the same title as ‘Maalik’ in ‘1958’. Five songs from this 1958 movie are already posted on our blog.
Today ‘Maalik’ of 1972 makes its debut on the blog. Here is this first song from this movie appearing here which is sung by Mahendra Kapoor and chorus.
Let us now listen to the today’s song in the voice of Mahendra Kapoor and chorus.
Radhe Krishna bol mukh se
tero kya laage re mol
Song – Radhe Krishna Bol Mukh Se (Maalik) (1972) Singer – Mahendra Kapoor, Lyrics – Rajendra Krishna, MD – Kalyanji Anandji
Lyrics
aaaa aa aa aa
radhe krishna bol mukh se ae
radhe krishna
bol mukh se
radhe krishna bol
tero
kya laage re mol
tero
kya laage re mol
tero
kya laage re mol
ho ho o o o
radhe krishna bol mukh se
radhe krishna bol tero
kya laage re mol
tero
kya laage re mol
(western dance music)
pee le shyam naam ka pyaala
aa aa aa aa
pee le shyam naam ka pyaala
aur ho ja saancha matwaala
aur ho ja saancha matwaala
girdhar ke rang mein rang ja
re rang ja
tero
kya laage re mol
tero
kya laage re mol
tero
kya laage re mol
(western dance music)
natwar se preet lagaa le
ae ae ae ae
natwar se preet lagaa le
chhavi sundar man mein basaa le ae
chhavi sundar man mein basaa le
bansi ki dhun mein kho ja re kho ja
tero
kya laage re mol
tero
kya laage re mol
ho ho o o
radhe krishna bol mukh se
radhe krishna bol mukh se
radhe krishna bol
mukh se re
radhe krishna bol
(western dance music)
radhe krishna bol
radhe krishna bol
radhe krishna bol
radhe krishna bol
(western dance music)
radhe krishna bol
radhe krishna bol
(western dance music)
radhe krishna bol
radhe krishna bol
radhe krishna bol
radhe krishna bol
———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————
आ आ आ आ
राधे कृष्ण बोल मुख से ए
राधे कृष्ण
बोल मुख से
राधे कृष्ण बोल
तेरो
क्या लागे रे मोल
तेरो
क्या लागे रे मोल
तेरो
क्या लागे रे मोल
हो ओ ओ ओ
राधे कृष्ण बोल मुख से
राधे कृष्ण बोल
तेरो
क्या लागे रे मोल
तेरो
क्या लागे रे मोल
(पाश्चात्य संगीत)
पी ले श्याम नाम का प्याला
आ आ आ आ
पी ले श्याम नाम का प्याला
और हो जा सांचा मतवाला
और हो जा सांचा मतवाला
गिरधर के रंग में रंग जा
रे रंग जा
तेरो
क्या लागे रे मोल
तेरो
क्या लागे रे मोल
तेरो
क्या लागे रे मोल
(पाश्चात्य संगीत)
नटवर से प्रीत लगा ले
ए ए ए ए
नटवर से प्रीत लगा ले
छवि सुन्दर मन में बसा ले ए
छवि सुन्दर मन में बसा ले
बंसी कि धुन में खो जा रे खो जा
तेरो
क्या लागे रे मोल
तेरो
क्या लागे रे मोल
हो हो ओ ओ
राधे कृष्ण बोल मुख से
राधे कृष्ण बोल मुख से
राधे कृष्ण बोल
मुख से रे
राधे कृष्ण बोल
(पाश्चात्य संगीत)
राधे कृष्ण बोल
राधे कृष्ण बोल
राधे कृष्ण बोल
राधे कृष्ण बोल
(पाश्चात्य संगीत)
राधे कृष्ण बोल
राधे कृष्ण बोल
(पाश्चात्य संगीत)
राधे कृष्ण बोल
राधे कृष्ण बोल
राधे कृष्ण बोल
राधे कृष्ण बोल
Pam para rum pam
Posted on: January 2, 2019
This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3820 | Post No. : | 14819 |
Hullo to all of Atuldom
Let me start by wishing all you readers a very Happy New Year. I hope you and your loved ones have a wonderful 2019, with a lot of happiness, good health and success in whatever you wish to achieve.
Today is the 2nd of January and our Anniversary Page tells me it is the birth anniversary of Sadashiv Amrapurkar, and the death anniversary of David.
But neither of these is the subject of my post today.
Absolutely no disrespect to them, but today’s post is about a couple of other persons who also happen to have their birthday today.
A few days ago, Avinashji contacted me and reminded me that the birthday of two Atulites was coming up. He had a song in mind, and asked me if I could do a post for the occasion.
Now every year around this time (end-Dec/early Jan) I get a bit busier than usual. I have family visiting me from overseas, as it is Christmas vacation in most places around the world. Besides, this year I have some family events also around New Year’s time, requiring me to plan and travel.
So I wasn’t absolutely sure I’d be able to write this post – so I told Avinashji I’d try.
So here I am.
I will not keep you in suspense any longer about the identity of the two Atulites involved.
First, Pradeepji. (I am taking them up one by one so that you don’t stop reading right here. And no, you’re not allowed to skip to the next part of the post. 🙂 )
If some more recent readers of this blog are not particularly familiar with Pradeepji, I can understand. In recent times, he has not been very active on the blog – but he has a long history with it. And when there is a mega occasion, like when the blog completed 10 years a few months ago, we can always expect him to write a post for the occasion.
I’ve known Pradeepji from the early days when he used to comment on the blog. Then we finally got to meet in October 2014, when we had our first Atulites’ gangout in Bangalore. Pradeepji came all the way from Chennai for the event.
It was just wonderful to meet him, as also all the other Atulites who I finally got to meet face-to-face. We had a fantastic time, discussing music (of course!) but also other stuff.
Pradeepji is multi-faceted, in that not only is he a keen lover of music in a passive sense, he also tries to use his tech-oriented mind to look for ways to propagate music. It was Pradeepji who first tried to get our blog onto mobile devices in a manner that could enhance its richness, using features of software like itunes.
Pradeepji was keen to exploit the richness of our blog beyond its existing framework. So, after discussion with Atul and others, he started a project where, when all songs of a film were covered on the blog, he would load that film’s songs onto another platform. This process would involve enriching the data by adding more tags, thus allowing for even more filtering possibilities. To provide an even more nostalgic experience, he would add a poster of the film wherever possible.
I will not discuss this project in more detail because I don’t want to expose my ignorance on it. 🙂 But some of us were happy to join in and help out. I was also involved for a brief period, but there were others who were involved for much longer.
Now, for a film to be eligible to be picked up by Pradeepji for his project, all its songs had to be posted on the blog. There’s no point in doing multiple iterations for the same film. So Pradeepji would wait for a film to be “complete”. And whenever that would happen, he would respond in the comments with a “Yippeeee”. 🙂
And that’s how the project got its name, that’s how the name stuck.
So much so, that when Atul would post the final song of a film here, he’d himself mention that the film is ready to be “Yippeeed”. In other words, ready to be taken over by Pradeepji and his team. 🙂
As a result, for many of us, if we had to represent Pradeepji with one word, it would be “Yippeeee”! 🙂
After that first Bangalore gangout, we had a couple of others too, but Pradeepji couldn’t attend. However I did get to meet him earlier this year on a visit to Chennai. Although it was only for a few minutes, not more than half an hour, it felt really good. We caught up with developments. Pradeepji, multi-faceted person that he is, is busy on multiple projects, developing websites for e-commerce. Mostly out of passion for trying out different things.
From my interactions with Pradeepji, whether face-to-face or otherwise (during the Yippeeee project), I noticed that he is not just a warm person and extremely down-to-earth, he also has a lot of energy and enthusiasm for things. I believe the term for this sort of enthusiastic persion is “zinda dil”?
Anyway, today, on his birthday, I wish him a very happy birthday on behalf of all Atulites.
Now, to our second Atulite birthday today.
If you’ve been sharp enough, you might have picked up a hint already from the way I started this post. It’s not my usual style.
There’s one Atulite who starts posts in this manner – “Hullo to all in Atuldom”.
And that is Peevisie’s Mom.
It’s her birthday also today, and it gives me great pleasure to be able to write this post to wish her on the occasion.
Now Peevisie’s Mom (PM) and I have met a few times more than Pradeepji and I. We live in the same city, so it’s easier to meet up for an occasion. We first met on that first Bangalore Gangout day in October 2014 (the same one that Pradeepji also attended). Thereafter, we met at the next one too, and also on other occasions like when Arunji and Avinashji visited Bangalore, or when Lalitha visited Bangalore (when I first got to meet Peevisie’s Dad too). Besides, we speak on the phone every now and then – usually discussing a post, or she reminds me of an anniversary coming up. 🙂
I talked about Pradeepji’s enthusiasm and his being “zinda dil” – that applies equally to PM too. She too is a very enthusiastic and cheerful person – so much so, that it even tends to rub off on an otherwise gloomy me. Everytime after a conversation with her, usually on the phone for a few minutes, I feel better. And I can’t say that for a lot of people. 🙂
She’s also one of the most active persons on our Atulite whatsapp group, participating in every discussion. But that’s the energy she brings with her – whether on the group, or in conversation or in a post. She’s a wonderfully friendly and warm person – and that warmth is infectious. Which also explains why I feel better after a conversation with her. 🙂
She’s also hugely passionate about HFM and movies – which is what brought us all together to this blog in the first place. But unlike me, her knowledge isn’t limited to any specific eras or genres. For example, I barely know 5 songs of this millennium, she would know almost every film released and its music. No wonder many of the post-2000 songs posted here are from her (and Peevisie herself, of course). And yet she also knows old songs – maybe partly because she also listens to radio or watches song programmes on TV. So her knowledge is definitely wide.
She’s very fond of this blog – we can see that she tries to post on as many anniversary occasions as possible. I remember there was a time when I had more posts here than she did. In fact at that time, I had even a few posts more than Avinashji. But clearly, they were both going to overtake me, because I was hardly posting at that time. She called me up and when this topic came up, she said “bade bhai se aage nikalne ka permission chaahiye”. 🙂 We had a good laugh about it. 🙂
All in all, she’s a wonderful friend to have – and I’m fortunate to have her as a friend.
I wish her too a very happy birthday on behalf of all Atulites.
Now, for the song for today.
It’s a song picked by Avinashji – a fitting birthday song for the occasion. I want to mention here that this post wouldn’t have happened if not for Avinashji’s initiative, so it must be seen as a joint effort by both of us.
The song is “Pam para rum pum” from Trishna (1978), a GP Sippy Productions film. It is sung by Kishore Kumar and the chorus (in which a very young Sadhana Sargam got a chance to sing).
I’ve seen this movie but I don’t recall too much of the story now. It had to do with relationships, a “murder”, suspicion etc, from what I vaguely remember. I need to watch the film again.
In any case, let’s enjoy the song, as we wish both Pradeepji and Peevisie’s Mom a very happy birthday.
Editor’s note-Today is the birthday of Sheela Ji, Avinash ji’s better half’s birthday as well. So happy birthday and many happy returns of the day to her as well.
Song-Pam para rum pum (Trishna)(1978) Singer-Kishore Kumar, Lyrics-Indeewar, MD-Kalyanji Anandji
Chorus
Lyrics
aa aa
Very good!
aa aa
Shaabaash!
Hey Pam para rum pum
Pum pum pum
Pum para rum pum
Pum pum pum
Bole bole
Jeevan ki sargam
Hey
Pam para rum pum
Pum pum pum
Pum para rum pum
Pum pum pum
Bole bole
Jeevan ki sargam
Har rang mein
Har roop mein
Har rang mein
Har roop mein
Tum hanste raho har dum
Bolo
Pam para rum pum
Pum pum pum
Pum para rum pum
Pum pum pum
Bole bole
Jeevan ki sargam
Shaabaash!
Pam para rum pum
Pum pum pum
Pum para rum pum
Pum pum pum
Bole bole
Jeevan ki sargam
Tum pyaare pyaare phoolon ko dekho
Dekho
Dekho
Hai na?
Haan
Tum pyaare pyaare phoolon ko dekho
Todey jaane se bhi hanste hain
Todey jaane se bhi hanste hain
Hanste hain jo bhi aisi adaa se
Sabke dil mein wohi baste hain
Sabke dil mein wohi baste hain
Kaisebhi haan haalaat apne bas mein ye baat
Kaise bhi haan haalaat apne bas mein ye baat
Dhoondhh sakte hain gham mein bhi khushi hum
Bolo
Pam para rum pum
Pum pum pum
Pum para rum pum
Pum pum pum
Bole bole
Jeevan ki sargam
shaabaash
Pam para rum pum
Pum pum pum
Pum para rum pum
Pum pum pum
Bole bole
Jeevan ki sargam
La la la
La la la la la
La la la
La la la la la
Kal jo aaya nahin uska gham kya
Kal jo aaya nahin uska gham kya
Kal jo beeta hai kya uska rona
Kal jo beeta hai kya uska rona
Aaj mein hi chhupa saara jeevan
Aaj ke din ko yunh hi na khona
Aaj ke din ko yunh hi na khona
Saare jeevan ka mol
Bas pyaar ke do bol
Saare jeevan ka mol
Bas pyaar ke do bol
Muskura do badal jaaye mausam
Bolo
Pam para rum pum
Pum pum pum
Pum para rum pum
Pum pum pum
Bole bole
Jeevan ki sargam
Har rang mein
Har roop mein
Har rang mein
Har roop mein
Tum hanste raho har dum
Bolo
Pam para rum pum
Pum pum pum
Pum para rum pum
Pum pum pum
Bole bole
Jeevan ki sargam
Phir se ek baar bolo
Pam para rum pum
shaabaash
Pum pum pum
Pum para rum pum
Pum pum pum
ye baat hai
Bole bole
Jeevan ki sargam
La la la
La la la la la
La la la
La la la la la
Aaiye aaiye
Aaiye
Gaaiye na
Oho come on please
La la la
La la la la la
La la la
La la la la la
———————————–
Devnagri script Lyrics (Provided by Avinash Scrapwala )
———————————–
व्हेरी गुड
शाबाश
हे तम तारा रम पम
पम पम पम
पम पारा पम पम
पम पम पम
बोले बोले जीवन की सरगम
हे तम तारा रम पम
पम पम पम
पम पारा पम पम
पम पम पम
बोले बोले जीवन की सरगम
हर रंग में
हर रूप में
हर रंग में
हर रूप में
तुम हँसते रहो हरदम
बोलो
तम तारा रम पम
पम पम पम
पम पारा पम पम
पम पम पम
बोले बोले जीवन की सरगम
शाबाश
तम तारा रम पम
पम पम पम
पम पारा पम पम
पम पम पम
बोले बोले जीवन की सरगम
तुम प्यारे प्यारे फूलों को देखो
देखो
देखो
हैं ना
हाँ
तुम प्यारे प्यारे फूलों को देखो
तोड़े जाने पे भी हँसते हैं
तोड़े जाने पे भी हँसते हैं
हँसते है जो भी ऐसी अदा से ए
सब के दिल में वही बसते है
सब के दिल में वही बसते है
कैसे भी हों हालात
अपने बस में ये बात
कैसे भी हों हालात
अपने बस में ये बात
ढूंढ सकते है
ग़म में ख़ुशी हम
बोलो
तम तारा रम पम
पम पम पम
पम पारा पम पम
पम पम पम
बोले बोले जीवन की सरगम
शाबाश
तम तारा रम पम
पम पम पम
पम पारा पम पम
पम पम पम
बोले बोले जीवन की सरगम
ला ल ला
ल ल ला ल ला
ला ल ला
ल ल ला ल ला
कल जो आया नहीं उसका ग़म क्या
कल जो आया नहीं उसका ग़म क्या
कल जो बीता है क्या उसका रोना
कल जो बीता है क्या उसका रोना
आज में ही छुपा सारा जीवन
आज के दिन को यूँही न खोना
आज के दिन को यूँही न खोना
सारे जीवन का मोल
बस प्यारे के दो बोल
सारे जीवन का मोल
बस प्यारे के दो बोल
मुस्कुरा दो
बदल जाए मौसम
बोलो
तम तारा रम पम
पम पम पम
पम पारा पम पम
पम पम पम
बोले बोले जीवन की सरगम
हर रंग में
हर रूप में
हर रंग में
हर रूप में
तुम हँसते रहो हरदम
बोलो
तम तारा रम पम
पम पम पम
पम पारा पम पम
पम पम पम
बोले बोले जीवन की सरगम
फिर से एक बार बोलो
तम तारा रम पम
पम पम पम
शाबाश
पम पारा पम पम
पम पम पम
ये बात है
बोले बोले जीवन की सरगम
ला ल ला
ल ल ला ल ला
ला ल ला
ल ल ला ल ला
ला ल ला
ल ल ला ल ला
ला ल ला
ल ल ला ल ला
आईये आईये
आईये
गाईये न
ओह ओ
कामे ऑन प्लीज …
हे ला ल ला
ल ल ला ल ला
ला ल ला
ल ल ला ल ला
Aisa banoonga actor main yaaron
Posted on: December 27, 2018
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3814 | Post No. : | 14812 |
# Superstar Child Artist – Jr. Mehmood # 5
—————————————————————————
Welcome all to this fifth article in this series, where I am presenting songs picturised on Superstar Child Artist Junior Mehmood and simultaneously exploring his filmography along with his biographical information too.
So far, we have enjoyed the following songs under this series;
Lagey koi lottery koi jackpot lagey
Birha ki rain sooni sooni sejariya
As I have mentioned in my articles earlier, Junior Mehmood was a familiar name for us children who were growing and still young in the years of the ‘seventies’, and he was the most loved ‘child artist’ in those years of early seventies.
And because of those memories and nostalgia associated with the movies he acted, some of the songs picturised on him became a part of my permanent memory.
Today’s song is one such song and which surprisingly have remained to be posted on the blog so far.
Naeem Sayyad whom we know by the name of Junior Mehmood was born on 15th November’1956 in a middle-class family in Mumbai. His father was a railway engine driver in the railways and Naeem was among the six siblings in the family.
His elder brother was a photographer and used to work for films and during one such shoot when little Naeem accompanied him to watch the shooting it so happened that when a child star working in the movie ‘Kitna Naazuk Hai Dil’ (shelved) was not able to deliver his dialogues properly that little Naeem took a dig at him saying ‘you cannot even speak these simple lines’. The director of the movie was present there and he asked little Naeem if he can speak those lines without mistake and there little Naeem got his first break to work in Hindi movies and the rest is history, as he was noticed (on the sets of ‘Suhaag Raat-1968’) by the great comedian Mehmood who not only give his name to him and recommended him to many producers/directors. Thereafter it was not looking back for Junior Mehmood and he had gone on to become the most famous and beloved ‘child artist’ during those years and also one of the richest among other junior artists then.
Junior Mehmood celebrated his 62nd birth anniversary during last month (15th November) and though I personally wished him on his birthday on the 14th evening itself I got late in sending this article for the blog due to some hectic work schedule at workplace. (I also apologise to our Editors for the delay on my part in sending this article to them, even though I had sent them a message of sending the article then).
Well, coming back to the today’s song, it is from the 1970 movie ‘Ghar Ghar Ki Kahaani’.
Yes, the movie which is mostly famous for its song ‘samaa hai suhaana suhaana, nashe mein jahaan hai’. And very aptly this movie was launched with this song on the blog ( almost ten years back now 🙂 ) in 2009.
I also mentioned in my earlier articles under this series that I am trying to list out the filmography of Junior Mehmood since I found that the filmography mentioned by various sources had some discrepancies in it.
‘Naunihaal-1967’ was his first released movie.
He shot to fame with his performance in ‘Bramhachari-1968’ wherein he also performed on Mehmood’s ‘ham kaale hain to kya hua’ (from ‘Gumnaam-1965’).
Mehmood was his ‘Guru’.
In ‘1971’ he again performed on Mehmood’s famous ‘Mehbooba mehbooba bana leo mijhe dulha’ (from ‘Sadhu Aur Shaitaan-1968’) in the movie ‘Johar Mehmood in Hong Kong’ wherein Mehmood and I.S. Johar were the main leads.
I have mentioned the above in my earlier article in this series here.
We also saw him repeating Mehmood’s ‘Hamjoli-1966’ act in the song ‘birha ki rain sooni sooni sejariya’, which was covered in the previous article in this series.
However, during the preparation of today’s article I came across a link from the movie ‘Baalak-1969’ where Junior Mehmood is performing on Shashi Kapoor’s ‘Affo Khudaa’ from the 1965 movie ‘Jab Jab Phool Khile’. I am giving this link for interested readers to watch it here (just watch it and enjoy 🙂 ).
In the song being presented today we can see him doing a ‘Shammi Kapoor, Raj Kapoor, Dilip Kumar and Mehmood’ 😊
From 1967 to 1970 he acted in twenty-three movies as mentioned in the table given below.
And from this list we can guess how popular he was in those years.
(The HFGK Vol IV (1961-1970) does not mention the release dates of the movies so it is difficult to arrange the movie according to their date of release unless otherwise I watch each movie and note down its date of release from its certificate.)
| Sno | Movie Name | Year |
|---|---|---|
| 1 | Naunihaal | 1967 |
| 2 | Gunehgaar | 1967 |
| 3 | Parivaar | 1967 |
| 4 | Brahmachari | 1968 |
| 5 | Farishta | 1968 |
| 6 | Sangharsh | 1968 |
| 7 | Suhaag Raat | 1968 |
| 8 | Vaasna | 1968 |
| 9 | Anjaana | 1969 |
| 10 | Baalak | 1969 |
| 11 | Chanda Aur Bijli | 1969 |
| 12 | Do Raaste | 1969 |
| 13 | Nateeja | 1969 |
| 14 | Pyaar Hi Pyaar | 1969 |
| 15 | Raja Saab | 1969 |
| 16 | Simla Road | 1969 |
| 17 | Vishwas | 1969 |
| 18 | Aan Milo Sajna | 1970 |
| 19 | Bachpan | 1970 |
| 20 | Ghar Ghar Ki Kahaani | 1970 |
| 21 | Harishchandra Taramati | 1970 |
| 22 | Kati Patang | 1970 |
| 23 | Yaadgaar | 1970 |
‘Ghar Ghar Ki Kahaani-1970’ was directed by T. Prakash Rao for ‘Vijaya International, Bombay’.
It was produced by B. Nagi Reddi & Chakrapani.
It had Balraj Sahni, Nirupa Roy, Bharati, Gajanan Jagirdar, Sulochana Chatterjee, Shabnam, Maruti, Praveen Pal, Jalal Agha and Rakesh Roshan with Mahesh Kumar, Baby Sonia, Master Ripple and Junior Mehmood and supported by many others.
Om Prakash, Jagdeep and Shashikala made a ‘guest appearance’ in this movie.
The story of this movie was written by Poovanan M.A while the dialogues were written by Inder Raj Anand. Editing of this movie was done by C.P. Jamboolingam.
This movie had total five songs written by Rajinder Krishan (2), Hasrat Jaipuri (2) and Qamal Jalalabadi (1).
Music for this movie was composed by Kalyanji-Anandji.
Hemlata, Kishore Kumar, Lata Mangeshkar and Mahendra Kapoor had given their voices to the songs in this movie.
(going by the titles of this movie I guess it was passed by the Censor Board on 04.11.1970) …
This movie ‘Ghar Ghar Ki Kahaani-1970’ is important from the point of view of Junior Mehmood films because he was nominated for the National Award for the best child actor for this movie. However, it awarded to Rishi Kapoor for the movie ‘Mera Naam Joker-1970’.
I was curious to know how he had felt that time and want to know from Junior Mehmood himself. When asked about it, he was very humble to say that it was a quite happy moment in his life as he was appreciated and he didn’t have any regrets on not winning the award then.
Today’s song is sung by Hemlata and written by Qamar Jalalabadi. Music is composed by Kalyanji-Anandji.
Let us now enjoy the song …
Note *** (there are some parts of the old songs of Hindi movies used in this song of which the lyrics were already available on the blog and I have copied the respective ‘antaras/song’ from the blog and reproduced here, instead of noting down the lyrics again)
Song-Aisa banoonga actor main yaaron (Ghar Ghar Ki Kahaani)(1970) Singer-Hemlata, Lyrics-Qamar Jalalabadi, MD-Kalyanji Anandji
Chorus
Lyrics
Aisa banoonga actor main yaaron
Arey aisa banoonga actor main yaaron
Rang jamaa ke chhodoongaa
Choona lagaane waalon ko
Haay haay main
Choona lagaa ke chhodoonga
Hoye hoye
Choona lagaake chhodoonga
Aisa banoonga actor main yaaron
Aaj milaa thha mujhe paglaa kahin ka
Aaj milaa thha mujhe paglaa kahin ka
Tedhi thhi topi aur nakhra thha teekhaa
Kehne lagaa abhi door hai manzil
Bhoolo na beta badi acting hai mushkil
Maine kahaa dekho kaam ye niraala
Dekho palat ke jaana laala
Govindaa aalaa re aalaa
Zaraa matki sambhaal brijbaala
Bolo chamchon
ek do aur teen chaar
sang paanch chhah saat hain gwaalaa
Govindaa aalaa re aalaa
Zaraa matki sambhaal brijbaala
Aala re aala aa °°°°°°
Arey aisa banoonga actor main yaaron
Rang jamaa ke chhodoongaa
Choona lagaane waalon ko
Haay haay main
Choona lagaake chhodoonga
Hoye hoye
Choona lagaake chhodoonga
Aisa banoonga actor main yaaron
Kal miley thhe mujhe chhaliya baabu
Apan ne kar liya fauran kaabu
Boley tum ho bilkul bachche
Akal ke kachche
Tumse ye kaam hoga aa
Maine kahaa
Hogaa hogaa
Hogaa aa
dam-dam diga-diga
mausam bheega-bheega
dam-dam diga-diga
mausam bheega-bheega
bin piye main to gira, main to gira, main to gira
haay allaah, soorat aap ki subhaan-allaah
haay allaah, soorat aap ki subhaan-allaah
haay allaah, soorat aap ki subhaan-allaah
haay allaah, soorat aap ki subhaan-allaah
Aisa banoonga actor main yaaron
Rang jamaa ke chhodoongaa
Choona lagaane waalon ko
Haay haay main
Choona lagaake chhodoonga
Hoye hoye
Choona lagaake chhodoonga
Aisa banoonga actor main yaaron
Aha haa haa haa
Waah
Parson huyi thhi ek leader se takkar
Boley chhodo filmon ka chakkar
Main bhi bilkul bhola sa ban kar
Suntaa rahaa us leader ka lecture
Maine kahaa sun o mere bhaape
Abhi lagaata hoon sur saaten ae
madhuban mein Raadhikaa naache re ae
madhuban mein Raadhikaa naache re ae
Girdhar ki muraliyaa baaje re
madhuban mein Raadhikaa naache re
haa aa aa aa aa aa aa
haa aa aa aa aa aa aa
haa aa aa aa aa aa aa
haa aa aa aa aa aa aa
mridang baaje tirkitdhum tirkitdhum taa taa
mridang baaje titakitadhuum titakitadhuum taa taa
na chaka chuum chuum thaa thay thaa thay
chaka chuum chuum chana na na chuum chuum chana na na
kran taa kran taa kran taa dhaa dhaa dhaa
ae la la la la la la la
te ta na na na na
yek chatur naar kar ke singaar
yek chatur naar kar ke singaar
mere man ke dwaar ye ghusat jaat
ham marat jaat
arey he he he
he he he
chatur naar kar ke singaar…
pa re sa, sa sa sa ni dh sa
sa re sa dha dha pa
pa dha sa re sa
sa re ga dha pa
yak chatur naar kar ke singaa… r
tirikit taat
tinak dhin ta
dhinak dhin ta
tanak dhin taa taa thai
taa ta naa
taa tu nu
taa ti ni
(classical notations not deciphered)
ayiyo yenaa maa
ghoda bola nahi to chatur bola
yek pe rehna re
ghoda bola nahi to chatur bola
gaa …
—————————
Devnagri script Lyrics(Provided by Avinash Scrapwala)
—————————-
ऐसा बनूँगा एक्टर मैं यारों
अरे ऐसा बनूँगा एक्टर मैं यारों
रंग जमा के छोडूंगा
चूना लगाने वालों को
हाय हाय मैं
चूना लगाके छोडूंगा
होए होए
चूना लगाके छोडूंगा
ऐसा बनूँगा एक्टर मैं यारों
आज मिला था मुझे पगला कहीं का
आज मिला था मुझे पगला कहीं का
टेढ़ी थी टोपी और नखरा था तीखा
कहने लगा अभी दूर है मंज़िल
भूलो न बेटा बड़ी एक्टिंग है मुश्किल
मैंने कहा देखो काम ये निराला
देखो पलट के जाना लाला
गोविंदा आला रे आला
ज़रा मटकी संभाल ब्रिजबाला
बोलो चमचो
एक दो और तीन चार
संग पांच छह सात हैं ग्वाला
गोविंदा आला रे आला
ज़रा मटकी संभाल ब्रिजबाला
आला रे आला आ °°°°°°
ऐसा बनूँगा एक्टर मैं यारों
रंग जमा के छोडूंगा
चूना लगाने वालों को
हाय हाय मैं
चूना लगाके छोडूंगा
होए होए
चूना लगाके छोडूंगा
ऐसा बनूँगा एक्टर मैं यारों
कल मिले थे मुझे छलिया बाबू
अपन ने कर लिया फ़ौरन काबू
बोले तुम हो बिलकुल बच्चे
अकल के कच्चे
तुमसे हए काम होगा आ
मैंने कहा
होगा होगा
होगा आ
डम-डम डिगा-डिगा
मौसम भीगा भीगा
डम-डम डिगा-डिगा
मौसम भीगा भीगा
बिन पिए मैं तो गिरा, मैं तो गिरा, मैं तो गिरा
हाय अल्लाह, सूरत आप की सुभान अल्लाह
हाय अल्लाह, सूरत आप की सुभान अल्लाह
हाय अल्लाह, सूरत आप की सुभान अल्लाह
हाय अल्लाह, सूरत आप की सुभान अल्लाह
ऐसा बनूँगा एक्टर मैं यारों
रंग जमा के छोडूंगा
चूना लगाने वालों को
हाय हाय मैं
चूना लगाके छोडूंगा
होए होए
चूना लगाके छोडूंगा
ऐसा बनूँगा एक्टर मैं यारों
आहा हा हा हा
वाह
परसों हुयी थी एक लीडर से टक्कर
बोले छोडो फिल्मों का चक्कर
मैं भी बिलकुल भोला सा बन कर
सुनता रहा उस लीडर का लेक्चर
मैंने कहा सुन ओ मेरे भापे
अभी लगाता हूँ सुर साते
मधुबन में राधिका नाचे रे ए
मधुबन में राधिका नाचे रे ए
गिरधर की मुरलिया बाजे रे
मधुबन में राधिका नाचे रे
हा आ आ आ आ आ आ
हा आ आ आ आ आ आ
हा आ आ आ आ आ आ
हा आ आ आ आ आ आ
मृदंग बाजे तिरकिटधूम तिरकिटधूम ता ता
मृदंग बाजे तिताकिटधूम तिताकिटधूम ता ता
न चका छुम छुम था थई था थई
चका छुम छुम चना न न छूम छुम छाना न न
क्रं ता क्रं ता क्रं ता धा धा धा
ए ल ल ल ल ल ल
ते त न न न न
एक चतुर नार कर के सिंगार
एक चतुर नार कर के सिंगार
मेरे मन के द्वार ये घुसत जात
हम मरत जात अरे हे हे हे
हे हे हे
चतुर नार कर के सिंगार
प रे सा सा सा सा नि ध सा
सा रे सा ध ध प्
प् ध सा रे सा
सा रे ग ध पा
एक चतुर नार कर के सिंगार
तिरकिट तात
तिनक धिन ता
धिनक धिन ता
तनक धिन ता ता थई
ता त ना
ता तू नु
ता ती नि
(शास्त्रीय संगीत पर आधारित कुछ बोल जो नहीं लिए गए)
अयियो एन्ना माँ
घोडा बोला नहीं तो चतुर बोला
एक पे रहना
घोडा बोला नहीं तो चतुर बोला
गा …
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