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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Kalyanji Anandji


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Here is a song from Muqaddar Ka Sikandar. It is written by Anjaan and Kalyanji Anandji are the music directors. It is sung by Asha Bhonsle, Mahendra Kapoor and Lata Mangeshkar.

This movie had great songs. All Eight of them. But a lousy story line (I can see a whole lot of Atulites chuckling right Rajaji?)

We have covered five songs from the movie so this should be the sixth. This song occurs immediately after Amitabh has sent a love note to Rakhee. He being illiterate has got it written by Vinod Khanna. Now because it is in Vinod Khanna’s writing, Rakhee thinks it is a love note from Vinod Khanna. To make matters worse Amitabh Bachchan has not delivered it himself. He has asked a roadside boy to deliver it to the MEMSAAB staying in the opposite house. So, you see he has neither written it nor personally delivered it, then how will poor Rakhee know who has sent it. She goes through some documents that Vinod Khanna has been writing for her dad compares the writing and concludes that Vinod Khanna is in love with her; which is also true. To further confuse matters Vinod Khanna doesn’t know that Amitabh Bachchan is in love with Rakhee. He only knows that Amitabh Bachchan is in love and he addresses his love as MEMSAAB. So how will know he is treading on someone else’s territory?

Now let us twist the story further (hey Raam!!! Prakash Mehra what were you thinking when you wrote this story!!!) As soon as she got the letter Rakhee very happily sings “Dil toh Hai Dil” and both the heroes think it is for them. So promptly they decide to take her out on a date. Only thing is Amitabh Bachchan reaches the venue after the other two and realizes that there is an encroacher on his territory. Hmm, feel like pulling my hair out. But as a youngster in school I first fell in love with the songs. And subsequently saw the movie many times (but only on TV never in the theatre)

As if all this was not enough we have an Amjad Khan-Rekha angle in this story. She loves Amitabh Bachchan and Amjad loves her, and when they are dyingAmjad realizes Amitabh never loved Rekha (in the movie)and it was a waste of a life– Rekha’s dying.

So here we have a song which has Rakhee desperately trying to look young and boisterous and to top it she is also trying to dance a western dance I amstill trying to make out if its waltz or disco or khisco!!!! Through the movie, she is sari clad trying to look mature and here this getup make a buffoon out of her. Why oh why did she agree to subject herself and us to this torture???

I am unable to recognize the dancer who starts the song I think PCji will be of help here.

It is about eight years since the death of the maker of this Amitabh classic passed away-yes, it is nowadays considered to be a classic as the songs are still on the publics favourite-song list. And anything remotely old is termed a classic.

17 may 2017 is the eighth death anniversary of Shri Prakash Mehra (13 july 1939- 17 may 2009) who gave a new lease of life to Amitabh’s career in 1973 with “Zanjeer”. He began his career in bollywood as production controller and switched to being a director from Shashi Kapoor starrer “Haseena Maan Jayegi” in 1968. He was one of the specialists in “Masala Genre” His collaboration with the actor Amitabh Bachchan resulted in several box office blockbusters and classics, due to which Mehra was considered among the ‘Golden Directors’ of his time.

Remembering Prakash Mehra and thanking him for all the entertainment that he gave us.

Ed:-And this turns out to be the eighth and final song from “Muqaddar Ka Sikandar”(1978). so finally MKS (as we people newly familiar with the MKS system of units used to describe this movie) joins the list of movies that have all their songs covered in the blog.


Song-Pyaar zindagi hai (Muqaddar Ka Sikandar)(1978) Singers-Asha Bhonsle, Mahendra Kapoor, Lata, Lyrics-Anjaan, MD-Kalyanji Anandji
Mahendra Kapoor + Lata
All

Lyrics

Love
Haan
{Hey man, this is ??
You Like it
then why don’t you come and join
lover’s paradise}

hahahaha
hahaahaha
aaah

pyaar zindagi hai
pyaar bandagi hai
bandagi hai
yahalla yahalla
oo yaallah
oo yahalla yahalla
oo yaallah

pyaar se pyaar karo
ye umr pyaar ki hai
pyaar se pyaar karo
ye umr pyaar ki hai
pyaar bina kya jeena
ye bhi koi zindagi hai
pyaaar zindagi hai
o pyaaar bandagi hai
bandagi hai

yahalla yahalla
o yaallah
oo yahalla yahalla
o yaallah

pyaar karam pyaar dua
pyaar sitam pyaar wafa
pyaar se juda to yahaan koi nahin koi nahin
pyaar khushi pyaar nasha
kya wo nazar kya wo ada
ho kisi ka pyaar mein jo
koi nahin koi nahin
dil ko laga ke dekho
pyaar mein kya khushi hai
dil ko laga ke dekho
pyaar mein kya khushi hai
pyaar bina kya jeena
ye bhi koi zindagi hai
pyaar zindagi hai
o pyaar bandagi hai
bandagi hai
yahalla yahalla
o yaallah
oo yahalla yahalla
oyaallah

door rahe paas rahe
dil mein teri pyaas rahe
tere liye main hoon
tu hai mere liye
mere liye
pyaar sanam
pyaar khuda
yaar kabhi ho na juda
yaar bina koi yahaan
kaise jiye kaise jiye
baahon mein yaarke hi
duniya bahaar ki hai
o baahon mein yaar ke hi
duniya bahaar ki hai
pyaar bina kya jina
ye bhi koi zindagi hai

pyaaar zindagi hai
pyaar bandagi hai
bandagi hai

yallayalla
o yaallah
yallayalla
o yaallah

dekh hamen koi jaley
koi jaley
haath maley
tu jo mere saath chale
logon se kyadarna yahaan
pyaar yahaan jo na kare
khaak jiye khaak mare
yaar mere tere liye
jeena yahaan marna yahaan
mar ke bhi na mite jo
ye woh deewaangi hai
mar ke bhi na mite jo
ye woh deewaanagi hai
pyaar bina kya jeena
ye bhi koi zindagi hai

pyaar zindagi hai
o pyaar bandagi hai
bandagi hai

yahalla yahalla
o yaallah
yahalla yahalla
o yaallah

pyaar se pyaar karo
ye umr pyaar ki hai
ye umr pyaar ki hai
pyaar bina kya jeena
ye bhi koi zindagi hai
ye bhi koi zindagi hai

yalla yalla
ooyaallah,
yallayalla
ooyaallah
yallayalla
ooyaallah
yallayalla
ooyaallah
yallayalla
yallayalla
yallayalla
pyaar pyaar pyaar pyaar pyaar

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I was under the impression that “Johar Mehmood in Goa”(1965) was YIPPEED with the last song that was discussed in the blog. Now it turns out that I had incorrectly assumed that song as a multiple version song and that a song from the movie was actually left to be discussed.

So here is this missing fsong from “Johar Mehmood in Goa”(1965). This song is sung by Kamal Barot, Shamsdhad Begma and chorus. Akhtar Romani is the lyricist. Music is composed by Kalyanji Anandji.

The song is picturised as a villain’s den song cum disguise song. The song becomes innocuously enough as we see a young Simi Garewal lip syncing in Kamal Barot’s voice in a gathering of Portuguese rulers, protected by lots of security men. The next thing we see is that I S Johar and then Mehmood turn up, disguised as female dancers and lip syncing in the voices of Shamshad Begam and Kamal Barot respectively. The movie watchers are intelligent enough to see through the disguise but the Portuguese people are fooled of course. And then the accomplices of our cross dressing heroes easily kill poff the security men one by one, and replacing them with their cut outs, and none of the Portuguese big wigs notices anything amiss, of course.

This archtypically I S Johar brand picturisation of this song can be enjoyed only if one suspends one’s sense of disbelief, of course.

With this song, “Johar Mehmood in Goa”(1965) finally has all its songs covered in the blog. With this song, “Johar Mehmood in Goa”(1965) joins the listof movies that have all their songs covered in the blog.


Song-Jitni dil ki baat chhupaayi (Johar Mehmood in Goa)(1965) Singers-Kamal Barot, Shamshad Begam, Lyrics-Akhtar Romani, MD-Kalyanji Anandji

Lyrics

jitni dil ki baat chhupaayi ee
utni hi wo saamne aayi ee
arre haay mohabbat teri duhaai ee
oye mar gayi alla
haay mar gayi alla
chhod de palla,
baat badhegi mahfil mein
oye mar gayi alla
chhod de palla,
baat badhegi mahfil mein

tu bhi chup main bhi chup
dil ki baaten rakh dil mein
tu bhi chup
main bhi chup
dil ki baaten rakh dil mein
haay mar gayi alla
chhod de palla,
baat badhegi mahfil mein
oye mar gayi alla
chhod de palla,
baat badhegi mahfil mein

ek raaj chhupa ker dil mein
aaye hain bhari mahfil mein
kaise kahoon ji kaise kahoon
aji kaise kahoon ji kaise kahoon

ek raaz chhupa kar dil mein
aaye hain bhari mahfil mein

soorat pe na ja
moorat pe na ja
toofaan hai chhupa saahil mein

toofaan hai chhupa saahil mein
oy mar gayi alla
haay mar gayi alla
chhod de palla,
baat badhegi mahfil mein

tu bhi chup
main bhi chup
dil ki baaten rakh dil mein
hoy mar gayi alla
chhod de palla
baat badhegi mahfil mein

ye raah badi mushqil hai
har mod pe ek kaatil hai
kaise kahoon ji kaise kahoon
aji kaise kahoon ji kaise kahoon

ye raah badi mushkil hai
har mod pe ek kaatil hai

bahke na kadam
chal bach ke sanam
ki duoor abhi manzil hai

ki door abhi manzil hai
oy mar gayi alla
haay mar gayi alla
chhod de palla
baat badhegi mahfil me

tu bhi chup
main bhi chup
dil ki baaten rakh dil mein
haay mar gayi alla
chhod de palla
baat badhegi mahfil mein

ye shokh ada matwaare
ye mast nazar kajraare
kaise kahoon ji kaise kahoon
aji kaise kahoon ji kaise kahoon

ye shokh ada matwaare
ye mast nazar kajraare

koi yahaan mara
koi wahaan gira
sudh budh hi bisar gayee saaree

sudh budh hi bisar gayee saaree
oy mar gayi alla
haay mar gayi alla
chhod de palla
baat badhegi mahfil mein

tu bhi chup
main bhi chup
dil ki baaten rakh dil mein
haay mar gayi alla
chhode de palla,
baat badhegi mahfil mein
oy mar gayi alla
chhod de palla
baat badhegi mahfil mein


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Geet” (1970) was produced and directed by Ramanand Sagar for Sagar Art International, Bombay. The movie had Rajinder Kumar, Mala Sinha, Sujit Kumar, KumKum, Nazir Hussain, Daisy Irani, Bhagwan, TunTun, Manmohan Krishan, Ashoo, Paro, Husan Bano,HiraLal,Keshto Mukherjee, Omkar Aima, Radheshyam, Shyam Kapoor, RamAvtaar,Chaman Puri, Mirza Musharraf, Braham Bhardwaj, Dilip Dutt, Narbada Shankar, Ram Murthi, H.P.Sharma etc in it.

The movie had nine songs in it. Eight of these songs have been covered in the blog in the past.

Here is the ninth and final song from “Geet” (1970) to appear in the blog. This song is sung by Asha Bhonsle. Hasrat Jaipuri is the lyricist. Music is composed by Kalyanji Anandji.

The song is picturised on Mala Sinha as a stage dance performance. Sujit Kumar, Rajendra Kumar, Kumkum, Daisy Irani etc are also visible in the picturisation.

Lyrics of this song were sent to me by Prakashchandra.

With this song, “Geet” (1970) joins the list of movies that have all their songs covered in the blog.

video(Partial)

Audio (Full)

Song-Jo dil mein basaayi thhi (Geet)(1970) Singer-Asha Bhonsle, Lyrics-Hasrat Jaipuri, MD-Kalyanji Anandji

Lyrics (audio)(Provided by Prakashchandra)

jo dil mein basaayi thhi
tasveer mitaa denaa
tasveer mitaa denaa
jo dil mein basaayi thhi
tasveer mitaa denaa
tasveer mitaa denaa
aankhon mein basaayaa thha
nazron se giraa denaa
nazron se giraa denaa
jo dil mein basaayi thhi

mujhko to wafaa meri
kuchch raas nahin aayee
mujhko to wafaa meri
kuchch raas nahin aayee
jaati hoon tere dar se
jaati hoon tere dar se
mujhko na sadaa denaa
jo dil mein basaayi thhi
tasveer mitaa denaa
tasveer mitaa denaa

poochhe jo koyee tumse
baatein meri chaahat ki ee
poochhe jo koyee tumse
baatein meri chaahat ki
tum meri wafaaon pe
tum meri wafaaon pe
ilzaam lagaa denaa
jo dil mein basaayi thhi
tasveer mitaa denaa
tasveer mitaa denaa

phir us ki tamannaa kyaa
jo gair ki ho jaaye ae
phir us ki tamannaa kyaa
jo gair ki ho jaaye
bas itni guzaarish hai
bas itni guzaarish hai
tum mujhko bhulaa dena
tum mujhko bhulaa denaa
mujhko bhulaa denaa aa
mujhko bhulaa denaa aa
mujhko bhulaa denaa aa aa


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Several years ago, I read a tale that made my blood boil. It was about a 96 year old lady, whose palatial house was snatched away forcibly from her by greedy land grabbers and she was forced to stay in the servant quarters of her own prime property. She was no ordinary lady either. she was the first female IAS officer of India.

When media got wind of this fact, the people who had usurped her property hurriedly brought her back to the mansion to “prove” to the media that she was very much the “owner” of her property.

Law abiding people earn some amount for their living and then try to live within them. Then there are some ambitious people who work hard and improve their earning and rise in economic status. They still live within their earning.

Then there are people who do not have the capability to earn more from honest means but they would still want to get rich. The easiest way to get rich for them is to befriend a rich person and rob him/ her of her property once he/she gets weak due to age/ retirement/ sickness etc. That is what happened with Isha Basant Joshi.

This happens not only with individuals but can happen with organisations too. Take the current case of BCCI vis a vis ICC and other cricket boards.

BCCI (board of control for cricket in India), which was one of the junior partner of ICC before the liberalisation of Indian economy , is now the biggest contributor of revenue to ICC. One of the major sources of earning for ICC is by organising international tournament. Selling TV broadcast rights for these tournaments is the major source of earning for ICC.

TV broadcast company buys right to organise these tournaments hoping to earn good amount by selling ad space during telecast time. India, because of its vast population (a few times bigger than all other cricket playing and watching nations combined), is easily the biggest chunk of target audience for companies that want to buy ad space during the telecast of matches of these tournaments. It is estimated that TV broadcasters earn 70 % of their entire ad revenue for Indian TV audience.

And this Indian TV audience eagerly watches these matches because Indian team participates in these tournaments and more often than not still survives in the tournament there till the final few matches in the tournaments.

One can say that TV company bids for these telecast rights mainly because they have the assurance that this vast Indian cricket viewing public would watch the tournament matches and will bring them the bulk of their ad revenue.

Now suppose India decides not to participate in the tornament. Then what ! The TV broadcast right owner becomes jittery because they know that their revenue from that tournament would reduce drastically. Indian TV audiences would lose interest in watching cricket matches if Indian team is not participating in that tournament.

Put in simple terms, Indian cricket watching public contributes about 70 % of the entire revenue that ICC gets from TV rights. So if ICC were an organisation and its constituent bodies as its employees then BCCI is the employee that helps earn the highest percentage of revenue for its employee.

ICC then shares a part of this money received from the broadcaster among its constituent boards.

In the original “big three ” arrangement in 2014, BCCI, ECB and CA got higher share of the revenue while other board members got lower amount. The figures were based on what the respective board helped earn to the ICC, mainly through the TV rights.

Now, in the recent ICC meet in april 2017, BCCI were dealt an unexpected blow. The big three model was dismantled. Other two members of big three did not lose any amount, and the remaining boards got more money, while BCCI’s share was drastically reduced. From $ 440 millions in the 8 years cycle, their share was reduced drastically to $ 287 millions. Every one else profited at the cost of BCCI so others happily voted in favour of the proposal, with BCCI being the only one voting against it. In effect, everyone ganged up and robbed the one member that helped bring the maximum revenue to ICC.

When it comes to ICC sharing its ad revenue, one would expect the teams to share them in more or less in the same proportion in which they contribute in generating it. But no, not at all. Boards that do not contributeeven 1 % of total ad revenue want to get 4 % each from ICC. All these non performing boards ganged up together and voted to enhance their revenue and voted to reduce BCCI’s share. Boards that do not contribute even 1 % will get 4 %, whereas BCCI that helps contribute 70 % and which was assured of 22 % revenue just three years ago, had now been voted down 8-1 to receive just 11 %. In others words, eight boards ganged up to vote themselvs higher amount than what they were getting three years ago, while they voted down BCCI’s share to half. They also preached that it was BCCI’s reponsibility to help globalisation of cricket so the hefty $ 280 millions share of BCCI has been chopped off. But none of these boards themselves are prepared to take a cut of even one penny to help globalise cricket. So in effect, they are behaving like the land grabbers who want to rob a rich land owner of his property and make him their slave who would them be required to work hard so that these parasites could live off his labour. It is like that hapless lady whose estate was usurped by crooks.

It is like East India company. Not just England, even the likes of Zimbabwe, West Indies and Bangladesh become India’s rulers and start to live off India the way Brish Empire did for two centuries. India got free from them, and Britain ceased to be the most influential nation in the world.

How do we know which country’s market brings how much ad revenue to the TV rights holder (and therrefore to ICC) ? ICC should have commissioned a firm to carry out this study the way most countries commission some firms to carry out these studies. But then ICC are the last organisation that can be expected of operating in a transparant manner in a matter dealing with money.

I have thought of a way to assess the relative size of ad revenue accruing to the TV broadcaster. One can take the amount of advertisement money that the advertisers of a country spend in one year. I have taken the annual figures of ad spend of the four test playing south Asian countries, viz India, Pakistan, Bangladesh and Sri Lanka. Since all four countries are similar in culture, cricket craze etc, I havbe assumed that a good portion of this ad spend goes to the coffers of the cricket broadcaster.

star sports are the cricket broadcaster of ICC for 18 ICC tournaments from 2015 to 2023. They have won this right for an amount of $ 2000 million. So they are required to pay ICC an amount of $ 2000 millions during this 8 year period. This amount will then be distributed among the test playing board members and associates.

ICC and other nine boards ganged up to rob a big chunk of money that BCCI was helping bring to ICC. We now know who is getting how much, but ICC is silent about how much each board is bringing to the table, so that one can find out whether there is any correlation between their pay and their contribution in ICC’s earning through them.

Since ICC would not do it, I have tried to find about the approximate amount of ad money that various cricket playing nations would bring to star sports for Champions trophy 2017.

First I have found out how much ad money the advertisers of various cricket playing countries of Indian sub continent as well as West Indies and Zimbabwe are spending this year.

Following are the figures:

Ad spend per year Remarks
India $ 9515 millions
Pakistan $ 630 millions
Bangladesh $ 200 millions
Sri Lanka $ 300 millions
West Indies $ 200 millions
Zimbabwe $ 0 (insignificantly small) No figures exist

I have excluded other countries because I feel that they are more or less getting what they deserve.

So, the relative market share of these countries as far as advertisers are concerned is

Percentage of ad share by countries Remarks
India 87 %
Pakistan 6 %
Sri Lanka 3 %
Bangladesh 2 %
West Indies 2 %
Zimbabwe 0%

Note: The above figures are what I gleaned from various sources online. Figures are indicative and there may be some inaccuracies, though the overall picture is unlikely to change much despite any corrections that may get noticed/ get pointed out.
I have excluded the figures of other boards that I feel are getting what they contribute.

Let us assume that all these markets are cricket crazy markets and a good portion of their ad spend this year will go to pay star network, during their TV coverage of Chmapions Trophy.

Let us assume that an uniform portion of total ad spend of the year will be spent by advertisers during champions Trophy in all these countries. Let us assume it to be 10 % of total ad spend for the year.

So, following is what Star network will get from these countries

Countrywise expected Ad revenue to broadcaster Remarks
India $ 951 millions
Pakistan $ 63 millions
Bangladesh $ 20 millions
Sri Lanka $ 30 millions
West Indies $ 20 millions
Zimbabwe $ Nothing
Total $ 1084 millions

Star TV is required to give $ 2000 millions to ICC in eight years (2015 to 2017). They will earn half of that amount in this champions trophy itself, if only BCCI could be persuaded to sent its team. If BCCI backs out, Star sports will earn an ad revenue of less than $ 150 millions and at this rate it will never be able to see any profit. Mind you, Star have already staged one tournament, T20 world cup in 2016 after it earned the broadcast rights and it has already made a hefty profit because BCCI participated in that tournament. With BCCI participation in this tournament, Star would have already earned the amount of $ 2000 millions that it was supposed to have paid to ICC. These are still six years left and lots of more tournaments left where BCCI participation would have seen star network rolling in mind boggling profits.

So now, we know why Star network is worried at the prospects of BCCI contemplating to back out. All the looters (ICC and the other non BCCI boards) are now worried and are trying all the tricks in their books. Star network made some ex cricketers to speak in favour of BCCI participation. Most of these ex cricketers are employed as expert commentators with star as most of us are well aware. So they are serving their masters and indirectly serving the cause of the gang of looters rather than the cause of BCCI and Indian cricket fans who are their real paymasters. Gavaskar and Shashtri did not speak in that voice and so their opinions were very conveniently blacked out.

Then there are some “responsible” people who are talking about Indian cricketers missing out and Indian cricket dying out. They are either talking out of ignorance or they are in the employs of anti BCCI parties to utter such inanities. BCCI are well within their rights to back out. Clause 6.4 of Members Participation Agreement (MPA), a legally binding document between the ICC and its member boards gives BCCI this right.

If CoA is asking BCCI not to back out and participate, then it means that CoA are not aware of Clause 6.4 of Members Participation Agreement (MPA), which speaks very poorly of their knowledge of the subject on which they are administrating.

They are also not aware that BCCI is only backing out of ICC tournaments. It does not mean that they are walking out of ICC. They will continue to play bilateral series as before which include tests, ODIs and T20s. They will continue to organise IPLs as well. So, the people saying that all these will be in jeoparty need to first understand the subject before giving their opinion on the topic.

In other words, BCCI is only taking recourse to a remedy that its agreement with BCCI allows them to have.

Those who are telling us that BCCI will be a loser and that ICC should expel them, or that BCCI will find itself expelled are talking out of ignorance as pointed out earlier.

In this case, it is not BCCI but ICC that is on sticky grounds. It is ICC’s credibility and existence that is at stake. BCCI is helping them earn bulk of $ 2000 millions that they are to get from TV broadcaster. In addition BCCI is helping earn Star network many times more by participating in these tournaments. Such a valuable partner must be treated with respect and dignity. Here we find that ICC has ganged up with other boards to deprive BCCI of the money that BCCI is allowing ICC and other board members to gain.

It would be better for BCCI to organise international tournaments on its own without involving ICC. such precedents are there. the 1985 WCC tournament, where Ravi Shashti became Champions of Champion was one such example. Even at present, BCCI is dealing with star sports directly in organising TV coverage of domestic tournaments. BCCI is also organising TV coverage of IPL without involving ICC, and the profits of IPL are in billions. So, BCCI backing out of this ICC is not the end of the road for BCCI. Rather it is the end of the road for ICC. Even if ICC finally agrees to give BCCI a higher share that will still be a big deal less than what BCCI deserves. And the humiliating manner in which BCCI has been treated by ICC and other board members is something that most Indian cricket fans will never be able to forget and forgive.

I am as much a stake holder in Indian cricket as BCCI, CoA and others. I have been following Indian cricket from 1974 and I feel that it is high time BCCI asserts its right the way other assertive organisations in other parts of the world do. BCCI should form a rival organisation to ICC and invite other boards to join them. If some boards (there will be none) decide to stick with ICC, let them do that. ICC should cease to exist in near future. As Indians, let us learn to be assertive and ruthless in dealing with people who harm us and who seek to humiliate us. In this case, it is ICC. Let us finish ICC off once and for all.

I have not been able to concentrate on blogging for the last few days because of this matter. I hope to get this lead out of my chest by writing on this topic that I have been feeling very strongly about.

I, as well as many cricket loving Indians are feeling the way our forefathers felt when they were slaves of foreigners. Foreigners would loot us of our resources and get rich at our cost, whereas we would be subjected to humiliation, indignity, famine, death etc. That is what happened to Indians during British Rule. This is what also happened in Goa which remained under Potruguese rule till 1960s !

Here is a song from “Johar Mehmood in Goa”(1965) which expresses my strong feeling on the subject of BCCI and Indian cricket lovers suffering indignities at the hands of foreigners out to subjugate us. This song is sung by Mukesh and Usha Khanna. Qamar Jalalbadi is the lyricist. Music is composed by Kalyanji Anandji.

The song is picturised on I S Johar and Sonia Sahni (I guess).

With this song, “Johar Mehmood in Goa”(1965) joins the list of movies that have all their songs covered in the blog.


Song-Sikandar bhi aaye kalandar bhi aaye (Johar Mehmood in Goa)(1965) Singers-Mukesh, Usha Khanna, Lyrics-Qamar Jalalabadi, MD-Kalyanji Anandji
Mukesh + Usha Khanna

Lyrics

Sikandar bhi aaye
Kalandar bhi aaye
na koi raha hai
na koi rahegaaa

na koi raha hai
na koi rahega
na koi raha hai
na koi raha hai
na koi rahega
na koi raha hai
hai tere jaane ki baari bidesi
hai tere jaane ki
hai tere jaane ki baari bidesi
ye desh aazaad ho ke rahega
mera desh aazaad ho ke rahega
na koi raha hai
hai tere jaane ki baari bidesi
hai tere jaane ki
hai tere jaane ki baari bidesi
ye desh aazaad ho ke rahega
mera desh aazaad ho ke rahega
na koi raha hai

Sikandar ko Porus ki taaqat ne roka aa
Ghauri ko Prithvi ki himmat ne toka aa
jab khooni Naadar ne chhedi ladaai ee
ho o o
o o o o
jab khooni Naadar ne chhedi ladaai
to Dilli ki galiyon se aavaaz aayi ee
laga le tu kitna bhi zor ai sitamgar
ye desh aazaad ho ke rahega
mera desh aazaad ho ke rahega
na koi raha hai
na koi raha hai na koi rahega
na koi raha hai

Prataap ne jaan de di watan pe ae
Shivaaji ne bhagva udaaya gagan pe ae
mardon ne khaayi aazaadi ki kasmen aen
ho o o
o o o
mardon ne khaayi aazaadi ki kasmein
adaa auraton ne ki jauhar ki rasmen
kafan baandh kar raani Jhaansi pukaari
ye desh aazaad ho ke rahega
mera desh aazaad ho ke rahega
na koi raha hai
na koi raha hai na koi rahega
na koi raha hai

Siraaj aur Tipu
Zafar aur Nana aa
thha har ek inmein qaumi deevaana
yahaan le ke aaye bagaavat ki aandhi ee
Tilak, Nehru, Aazaad, Netaaji, Gaandhi ee
Bhagat Singh ki raakh ne ye pukaara
ye desh aazaad ho ke rahega
mera desh aazaad ho ke rahega
na koi raha hai
na koi raha hai na koi rahega
na koi raha hai

Halaaku raha hai na Hitler raha hai ae
Musolini kaa naa vo lashkar raha hai ae
nahin jab raha rus kaa Tzaar baaki ee
ho o o o
nahin jab raha roos kaa Tzaar baaki
to kaise rahega Saalaazaar baaki ee
Goa ka har bachcha bachcha pukaara
ye desh aazaad ho ke rahega
mera desh aazaad ho ke rahega
na koi raha hai
na koi raha hai na koi rahega
na koi raha hai

kal ko agar aaye Chaao yaa Maao o
laga denge ham zindgaani kaa daanv
hamaara hai Kashmir
NEFA hamaara aa
o o o
o o o
hamaara hai Kashmir
NEFA hamaara
kabhi jhuk sakega na jhanda hamaara aa
zara desh ke dushmanon se ye keh do
ye desh aazaad ho ke rahega
mera desh aazaad ho ke rahega
na koi raha hai
na koi raha hai na koi rahega
na koi raha hai
hai tere jaane ki baari bidesi
hai tere jaane ki
hai tere jaane ki baari bidesi
ye desh aazaad ho ke rahega
mera desh aazaad ho ke rahega
na koi raha hai
na koi raha hai na koi rahega
na koi raha hai

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

सिकंदर भी आए
कलंदर भी आए
ना कोई रहा है
न कोई रहेगा

ना कोई रहा है
न कोई रहेगा
ना कोई रहा है
ना कोई रहा है
न कोई रहेगा
ना कोई रहा है
है तेरे जाने की बारी बिदेसी
है तेरे जाने की
है तेरे जाने की बारी बिदेसी
ये देश आज़ाद हो के रहेगा
मेरा देश आज़ाद हो के रहेगा
ना कोई रहा है
है तेरे जाने की बारी बिदेसी
है तेरे जाने की
है तेरे जाने की बारी बिदेसी
ये देश आज़ाद हो के रहेगा
मेरा देश आज़ाद हो के रहेगा
ना कोई रहा है

सिकंदर को पोरस की ताक़त ने रोका॰॰आ
गौरी को पृथ्वी की हिम्मत ने टोका॰॰आ
जब खूनी नादर ने छेड़ी लड़ाई
हो ओ ओ
ओ ओ ओ ओ
जब खूनी नादर ने छेड़ी लड़ाई
तो दिल्ली की गलियों से आवाज़ आई
लगा ले तू कितना भी ज़ोर ए सितमगर
ये देश आज़ाद हो के रहेगा
मेरा देश आज़ाद हो के रहेगा
ना कोई रहा है
ना कोई रहा है
न कोई रहेगा
ना कोई रहा है

परताप ने जान दे दी वतन पे॰॰ए
शिवाजी ने भगवा उड़ाया गगन पे॰॰ए
मर्दों ने खाईं आज़ादी की कसमें
हो ओ ओ
ओ ओ ओ ओ
मर्दों ने खाईं आज़ादी की कसमें
अदा औरतों ने की जौहर की रस्में
कफन बांध कर रानी झांसी पुकारी
ये देश आज़ाद हो के रहेगा
मेरा देश आज़ाद हो के रहेगा
ना कोई रहा है
ना कोई रहा है
न कोई रहेगा
ना कोई रहा है

सिराज और टीपू
जफर और नाना
था हर एक इन में क़ौमी दीवाना
यहाँ ले के आए बग़ावत की आँधी॰॰ई
तिलक नेहरू आज़ाद नेताजी गांधी॰॰ई
भगत सिंह की राख़ ने ये पुकारा
ये देश आज़ाद हो के रहेगा
मेरा देश आज़ाद हो के रहेगा
ना कोई रहा है
ना कोई रहा है
न कोई रहेगा
ना कोई रहा है

हलाकू रहा है ना हिटलर रहा है
मसोलीनी ना वो लश्कर रहा है
नहीं जब रहा रूस का ज़ार बाकी
हो ओ ओ
ओ ओ ओ ओ
नहीं जब रहा रूस का ज़ार बाकी
तो कैसे रहेगा सलाज़ार बाकी
गोआ का हर बच्चा बच्चा पुकारा
ये देश आज़ाद हो के रहेगा
मेरा देश आज़ाद हो के रहेगा
ना कोई रहा है
ना कोई रहा है
न कोई रहेगा
ना कोई रहा है

कल को अगर आए चाओ या माओ
लगा देंगे हम ज़िंदगानी का दाव
हमारा है कश्मीर नेफ़ा हमारा
हो ओ ओ
ओ ओ ओ ओ
हमारा है कश्मीर नेफ़ा हमारा
कभी झुक सकेगा ना झण्डा हमारा
ज़रा देश के दुश्मनों से ये कह दो
ये देश आज़ाद हो के रहेगा
मेरा देश आज़ाद हो के रहेगा
ना कोई रहा है

ना कोई रहा है
न कोई रहेगा
ना कोई रहा है
है तेरे जाने की बारी बिदेसी
है तेरे जाने की
है तेरे जाने की बारी बिदेसी
ये देश आज़ाद हो के रहेगा
मेरा देश आज़ाद हो के रहेगा
ना कोई रहा है
ना कोई रहा है
न कोई रहेगा
ना कोई रहा है


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Atul ji’s 10K Song Milestone Celebrations – 1
——————————————————————–

On this blog, one thing we enjoy is, celebrations.  🙂

We are always looking for an opportunity to celebrate – and every other day, we get a reason to do so. Often it is somebody’s birthday or birth anniversary, or a milestone of a 100th or 1000th song for an artiste, or for the blog. And even if it is a death anniversary, which is not really a cause for celebration, we use the occasion to pay tribute to the concerned artiste. Many of my own posts fall in this category. An occasion gives me an opportunity to reminisce and share my thoughts.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Madaari”(1959) was produced by Ratan Kumar and directed by Babubhai Mistry for Ratan Pictures, Bombay. This movie had Ranjan, Chitra, Manhar Desai, Sundar, Kavita, Sheila Vaz, Kanchan, Jayshree Gadkar, Dalpat, Pal Sharma, Uma Dutt, Raj Adeeb, Shree Bhagwan, Sinha, R S Dubey, Murari, Vasantrao Pahalwan, Korega, Julian, Yadav, Vitthal, Indira Bansal, Nilu, Geeta, Paro, Rehana etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kangan”(1972) was directed by K B Tilak for Vikas Chiyra, Bombay. The movie had Ashok Kumar, Mala sinha, sanjeev Kumar, Mehmood, shyama, Aruna Irani, Jeewan, Asit Sen, Leela Mishra, Chandrima Bhaduri, Mridula, Sadhana Khote, Chamki, Irshad Panjtan, Babban Lal, Pal Sharma etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kangan”(1972) was directed by K B Tilak for Vikas Chiyra, Bombay. The movie had Ashok Kumar, Mala sinha, sanjeev Kumar, Mehmood, shyama, Aruna Irani, Jeewan, Asit Sen, Leela Mishra, Chandrima Bhaduri, Mridula, Sadhana Khote, Chamki, Irshad Panjtan, Babban Lal, Pal Sharma etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Mere Hamsafar” (1970) was directed by Dulal Guha for Labela Films, Bombay. This movie had Sharmila Tagore, Jeetendra, Balraj Sahni, Jeevan, Laxmi Chhaya, Suresh, Shammi, Mohan, Sheri Prakash, Thoppa, Keshto Mukherjee, Sunder etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Madaari”(1959) was produced by Ratan Kumar and directed by Babubhai Mistry for Ratan Pictures, Bombay. This movie had Ranjan, Chitra, Manhar Desai, Sundar, Kavita, Sheila Vaz, Kanchan, Jayshree Gadkar, Dalpat, pal Sharma, Uma Dutt, Raj Adeeb, Shree Bhagwan, Sinha, R S Dubey, Murari, Vasantrao Pahalwan, Korega, Julian, Yadav, Vitthal, Indira Bansal, Nilu, Geeta, Paro, rehana etc in it.
Read more on this topic…


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(© 2008 - 2017) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has over 13200 song posts by now.

This blog is active and online for over 3150 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13273

Number of movies covered in the blog

Movies with all their songs covered =1003 Total Number of movies covered =3703

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Blog Start date: 19 july 2008 Active for 3000 days.
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