Posts Tagged ‘Kalyanji Anandji’
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4626 | Post No. : | 16277 | Movie Count : |
4420 |
If you search in google for ‘history of post cards in India’ top of the results yields this result;
In July 1879, the Post Office of India introduced a quarter anna postcard that could be posted from one place to another within British India. This was the cheapest form of post provided to the Indian people to date and proved a huge success. … The postcard facility continues to this date in independent India.
***
Regulars on the blog are aware of how some members of this blog are fond of talking about our social institutions or our public transports and communication, like railways and post departments specifically.
Actually, it would not be wrong to say that some members like me are madly in love with the railways and postal departments in our country. And why not, both the railways and postal departments have their presence all over the country and these services also play major roles in nation building and national integration. I have a BIG nostalgia associated with both of these services.
***
I remember in my childhood days I was, (even now I am), very much fascinated with the postal services, their stationery. The overall atmosphere in a ‘post-office’ have always fascinated me.
A ‘post-card’ costing fifteen paise was very much popular and the most preferred one to send letters among families and friends, and others. Due to my interest in books and magazines I was frequently using it for getting various publications.
I used to order books through VPP and sometimes even if I could not buy books, I would ask for the ‘list of publications’ from various publishers. We needed to send only a ‘post card’ and in return there would be an envelope carrying printed list with printed pictures of some of the books. That would give me immense pleasure.
I was also having my library containing story books and magazines for children to read mainly during summer vacations.
The simple ‘post-card’ costing fifteen paise was used for many things like conveying important messages or urgent messages, as it was said that the post-cards were delivered faster than the ‘inland letter’ and ‘envelopes.
My Grand Father staying at Akola (i.e., 25 kms from Paras) was always using post-card to send us letters. And it was the same with most other people.
Years back I had pursued my correspondence studies through IGNOU wherein all the study materials were delivered by post and all communication was through posts only. So, one can guess how close the post services are to my heart. 😊
I do not remember anyone raising any ‘privacy violation issues’ those days for ‘post-cards’. I vividly remember that a ‘postman’ would never read your letters unless requested by those who could not read. They would make it a point to handover the letters to the ‘addressee’ and to no one else.
***
After coming back from Kenya in Dec’2019, I got to visit the post office here in Vadodara many times particularly for dispatch of my daughter’s online shop products and other communications. I noticed how the department has been now given a modernized look and we can also see attractive guidelines and information painted on the walls giving it a ‘super-market’ type look.
But I also noticed someting that has not changed over the years. It is a one iron-box used for storing ‘stamps’ (a box little big than or similar to a metal school box of those days) and the ‘sorting room’ or ‘chamber’ having wooden partition separating it from general office.
Another change that I noticed is in the price of the post card, inland letter and envelope. Now we have to pay fifty paise for a post card.
I have a vague recollection that I have seen post cards of ten paise or five paise as well ! May be when I was a child, I must have seen them some with my ‘stamp-collecting’ friends.
Slowly and gradually After the advent of mobile phones and many modes of faster communication the ‘postal modes’ has Slowly and gradually taken the back-seat.
Recently for the sake of nostalgia I bought one piece each of ‘post card’, inland letter and envelope’.
***
What we discussed above is all good one side of the ‘coin’ (or post-card I should say) including happy memories and nostalgia.
On the other side there is another side. Now people do not find time to write letters as they are ‘busy’ in life. Sometimes it can even create misunderstandings between two close friends, where lack of response from either side can strain their relations.
People close to you or even not so close to you always have expectations. And there are some people who are not at all punctual like others, to return a call or a reply to a letter and reciprocate with same zeal and enthusiasm. It may be inadvertentand not deliberatel, but not responding for whatever reason may affect our relations with others.
As an example, it is my habit even now to call each and every friend that I am in contact with, even if they do not reciprocate with the same enthusiasm (I expect somebody should also given me a call and give me a pleasant surprise ).
I have noticed that nowadays people will send you friend requests, emails, WhatsApp messages or use all kind of social networks. On the other hand they generally avoid face to face conversation or the joy of meeting a person and giving him (or her) a hug (😊). In older days people would jump at the opportunity of meeting each other (I mean jump with joy 😊).
Communicating with our near and dear ones is so cheap and affordable, still there are some who cannot find time to communicate with others.
In older days, such people would be described as ‘arey yaar wo to pandrah paise ka ek post card bhi nahin bhejta hai’ or ‘kam se kam pandrah paise ka ek card hi post kar dete Bhai’, ‘itne dinon se tumhaari koyi khabar hi nahin aayi, pandrah paise ka card bhi nahin kharid sakte the kya, aisi bhi kya kanjusi’😊 (I have still maintained to keep the conversation in sophisticated language … and not using dialects 😊)
After remonstating thus, the long lost friends would readily forgive you and give you benefit of doubt in view of the various reasons given by you for responding. And after a little good natured quarrel everything would be fine among the aggrived and the aggriever.
What about someone who is in love with you and has ‘nyochhawar’ed’ (slang?) oneself on you, she or he will definitely say what the lady in today’s song is saying …
I will not repeat it here instead let us listen to this in today’s song …
Jayshree T is performing this song from the ‘1979’ movie ‘Ahinsaa’. We can see Ranjeet and others in the picturization of this mujra song.
“Ahinsaa-1979” was directed by Chand for ‘Ashwin Arts, Bombay’. It was produced by Shiv Kumar.
Story of this movie was written by Chand and K.B. Pathak and dialogues were written by Jainendra Jain. Editing of this movie was done by B.S. Glaad. It had Sunil Dutt, Rekha, Prem Nath, Ranjeet, Nirupa Roy, Alka, Kamini Kaushal, Rajendra Nath, Jayshree T., Jairaj, Trilok Kapoor, Tun Tun, Kundan, Mohan Shery, Bhagwan, Romeo, Jankidas, Birbal, Raj Kishore, Master Raju, Shiv Kumar, Keshav Rana, Rajan Haksar, Narendra Pathak, Major Anand, Ranveer Raj, Hiralal and others. Om Shivpuri, Dev Kumar, Shakti Kapoor, Shyamlee make a friendly appearance in this movie. Asrani make a special appearance in this movie.
This movie had four songs. Two were written by Rajkavi Tulsi and one each by Ram Bharadwaj and Anjaan.
Asha Bhonsle, Mohd Rafi, Manna Dey, Anand Kumar C., and Badri Prasad (mentioned in HFGK not in the movie titles) had given their voices to the songs in this movie.
Music of this movie was composed by Kalyanji-Anandji.
This movie was passed by Censor Board on 12.06.1979.
let us enjoy this rocking(😊) mujra song dedicated to the lovely ‘post-cards’ what they were in the seventies – ‘khat, pandrah paise waalaa’. Just out of curiosity I counted and noted that the word ‘pandrah paise waalaa’ appears ‘sixteen’ times in the song…
With today’s song this movie “Ahinsaa-1979” makes its debut on the blog. (It also serves another purpose of bringing ‘movies with same title on the blog’. We already have “Ahinsaa-1947” on the blog.
I have not watched today’s movie so can’t say much about its storyline but we can get idea of the story of this movie from the following dedication in titles;
‘This movie is dedicated to all those criminals and dacoits who surrendered themselves to the law with the inspiration of Loknayak Shri. Jayaprakash Narayan’
I had come across the today’s song a few months ago when I was looking for ‘Kalyanji-Anandji’ composed songs.
On going through other songs of this movie I find only song sounding familiar to me which is ‘Yaar mera rab ho gaya’ only. I was curious to know about the other songs so I listened to them and found today’s song as an interesting 😊 song.
Let us now listen to today’s song. Lyrics for the today’s song are by Ram Bharadwaj and music is composed by Kalyanji-Anandji.
Video
Audio
Song-Maine tan man de daala saiyya solah saal waala (Ahinsa)(1979) Singer-Asha Bhonsle, Lyrics-Ram Bhardwaj, MD-Kalyanji Anandji
Lyrics
aa aa aa aa
aa aa aa aa aa aa
aa aa aa
khoyi khoyi si rehti hoon
le le ke tera naam
hansi udaaye har subah
aur dank maare shaam
maine tan man de daalaa aa
maine tan man de daalaa
sainyya solah saal waalaa aa
maine tan man de daalaa
sainyya solah saal waalaa
par toone to khat bhi na daalaa
haaye
pandrah paise waalaa
bairi pandrah paise waalaa
pandrah paise waalaa
bairi pandrah paise waalaa
tan man de daalaa
sainyya solah saal waalaa
par toone to khat bhi na daalaa
arey pandrah paise waalaa
bairi pandrah paise waalaa
pandrah paise waalaa
bairi pandrah paise waalaa
ye mardon ki jaat
nibhaaye naa saath
muyee mardon ki jaat
nibhaaye naa saath
jo aurat ko samjhe
khilaunaa aa
kabhi bante hain yaar
kabhi karte hain pyaar
jo dikhaate hain sapnaa salonaa
hai tujhko qasam
ye bataa de balam
hai tujhko qasam
ye bataa de balam
kya souten ne tere din phere ae
arey kaalaa jaadu daalaa
bairi kaalaa jaadu daalaa
kaalaa jaadu daalaa
bairi kaalaa jaadu daalaa
tan man de daalaa
sainyya solah saal waala
par toone to khat bhi na daalaa
kyun
pandrah paise waalaa
bairi pandrah paise waalaa
pandrah paise waalaa
bairi pandrah paise waalaa
dekh main phuljhadi
tere dar pe khadi ee
dekh main phuljhadi
tere dar pe khadi
mujhe pehnaa de pyaar ka kangnaa aa
ye hai arzi meri
ye hai marzi meri
tere nainon mein hai mujhe basnaa
mere dil mein hai jo
naa jaane tu wo
mere dil mein hai jo
naa jaane tu wo
kaise bedardi sainyya se ae ae
kaahe padaa paalaa
bairi kaahe padaa paalaa
kaahe padaa paalaa
bairi kaahe padaa paalaa
tan man de daalaa
sainyya solah saal waala
par tune to khat bhi na daalaa
arey pandrah paise waalaa
bairi pandrah paise waalaa
pandrah paise waalaa
bairi pandrah paise waalaa
Chanda Kaahe Ka Tera Maama
Posted on: March 8, 2021
- In: "appeasement" song | "chaand" song | Children's song | Chorus song | Devnagri script lyrics by Sudhir | Guest posts | Lyrics contributed by readers | Mahendra Kapoor songs | Manhar Udhas songs | Manna Dey songs | Post by Sudhir | Song sung by three or more singers | Songs of 1960s (1961 to 1970) | Songs of 1969 | Yearwise breakup of songs
- 7 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day: |
4616 | Post No. : | 16256 |
A celebration of 100 years of Sahir Ludhianvi – his 700th song being posted on our blog.
A hundred years today. Being celebrated by the 700th post on our blog.
Sahir Ludhianvi – the “. . . Pal Do Pal Ka Shaayar. . .“, who would be actually “. . . Har Ik Pal Ka Shaayar. . .“, being relevant for all times, and responsive to all the pitfalls and tragedies of the human experience. But then also, never to be discounted for romanticism a la “Ye Raat Ye Chaandni Phir Kahaan. . .” and “Yoon To Hamne Laakh Haseen Dekhe Hain“, or even as “Phir Na Keeje Meri Gustaakh Nigaahi Ka Gila“, or the upbeat strings of “Mere Labon Pe Dekho Aaj Bhi Taraane Hain. . .“, or even the most in depth portrayal of the bhakti (devotion) sentiment, as in “Aan Milo Aan Milo Shyaam Saanwre“, and “Tum Bansi Ho Main Taan, Ham Tum Do Nahin” and even more intense in “Aaj Sajan Mohey Ang Laga Lo. . .“.
Yes, it is the poet who is Har Ik Pal Ka Shaayar, touching all the facets of experiences of life, from the time when a child is pining for the moon as a toy, and all the way to the derelict conclusion of the human life as in “Lo Apna Jahaan Duniyawaalo, Hum Is Duniya Ko Chhod Chale“.
Sahir Sb seemed to have an affinity for the phrase ‘pal do pal’. We hear these words in ‘Railway Platform’ (1957) –
Pal Do Pal Ka Saath Hamaara, Pal Do Pal Ki Yaari
Aaj Ruke To Kal Karni Hai Chalne Ki Tayaari
Basti Basti Parvat Parvat. . .
Repeated in ‘Mehmaan’ (1974)
. . .
Pal Do Pal Dhoom Machha Ley
Yoon Mar Mat Mar Mat Yaaraa
In ‘Zameer’ (1975), he would write
Zindagi Hansne Gaane Ke Liye Hai Pal
Do Pal. . .
Then again in ‘Burning Train’ (1980), reminding us of the shades of ‘Railway Platform’
Pal Do Pal Ka Saath Hamaara
Pal Do Pal Ke Yaaraane Hain. . .
And yes, ‘Kabhi Kabhi’ (1976) of course,
Main Pal Do Pal Ka Shaayar Hoon
Pal Do Pal Meri Kahaani Hai
Pal Do Pal Meri Hasti Hai
Pal Do Pal Meri Jawaani Hai
In ‘Pyaasa’ of 1957, he had posed three very profound questions in the lines of poetry he wrote for that film. At a personal level, the query was “Jaane Wo Kaise Log The Jin Ke Pyaar Ko Pyaar Mila“. On the plane of social strife and stigma he had asked “Jinhen Naaz Hai Hind Par Wo Kahaan Hain“. And then, the ultimate question of life that he has posed is “Ye Duniya Agar Mil Bhi Jaaye To Kya Hai“. The film gains its depths, attempting to interpret and address these questions. And more than sixty years later, these questions continue to haunt the discerning mind. Timeless queries, one would say, but still, crystallized for once in words by Sahir.
There is this one incisive insight that the poet possesses, or maybe the other way round, this incisive insight possesses the poet. Each verse, each song that he has penned in his lifetime, goes well beyond the simple words that he wrote. His words, his lines offer you, nay they force you to take a pause and think – what profundity, in just this simple arrangement of 8, 10 or 15 words. And the thought will stay in the mind for much much longer that what it took to simply read the words for once.
This life, ‘zindagi’ – the incisive insight brings out so many facets that the poet examined it. In 1954, he penned the following for ‘Taxi Driver’
Ae Meri Zindagi
Aaj Raat Jhoom Le, Aasmaan Ko Choom Le
Kis Ko Pata Hai Kal Aaye Ke Na Aaye. . .
For ‘Munim Ji’in 1955, he wrote
Ek Taraf Haseen Jalwe Hain
Ik Taraf Jawaani
Zindagi Hai Zinda. . .
In 1958, his words for ‘Light House’ are
Tang Aa Chuke Hain Kashmakash-e-Zindagi Se Hum
Thukra Na Den Jahaan Ko Kahin Be-dilee Se Hum
With 1960 came ‘Barsaat Ki Raat’ and the promising words are
Zindagi Bhar Nahin Bhoolegi Wo Barsaat Ki Raat. . .
1962, and it is ‘Hum Dono’, with the lines
Main Zindagi Ka Sath Nibhata Chala Gaya. . .
With ‘Aaj Aur Kal’, 1963, ‘Zindagi’ was a most depressing thought.
Maut Kitni Bhi Sangdil Ho Magar
Zindagi Se To Meharbaan Hogi
‘Chandi Ki Deewaar’ and 1964, another depressing sentiment
Kahin Qaraar Na Ho Aur Kahin Khushi Na Miley
Hamaare Baad Kisi Ko Ye Zindagi Na Mile
And then, a refreshing thought in 1965, with these lines in ‘Shagoon’,
Ham Hain Maayoos Magar Itne Bhi Maayoos Nahin
Ek Na Ek Din To Yah Ashqon Ki Ladi Tootegi
Ek Na Ek Din To Chhatenge Ye Ghamon Ke Baadal
Ek Na Ek Din To Ujaale Ki Kiran Phootegi
Zindagi Zulm Sahi Zabr Sahi Gham Hi Sahi
On to 1969, and the life is a happenstance – film is ‘Aadmi Aur Insaan’,
Zindagi Ittefaaq Hai
Kal Bhi Ittefaaq Thi Aaj Bhi Ittefaaq Hai
And in the same film, we have the sobering sentiment as,
Zindagi Ki Raah Mein Khushi Ke Phool Bhi
Zindagi Ki Raah Mein Ghamon Ki Dhool Bhi
Zindagi Kabhi Yaqeen Kabhi Gumaan Hai
Har Qadam Pe Teraa-Meraa Imtahaan Hai
Zindagi Ke Rang Kai Re Saathi Re. . .
Come 1975, and it is ‘Ek Mahal Ho Sapnon Ka’; the refrain once again is downbeat as in
Dekha Hai Zindagi Ko Kuchh Itna Qareeb Se
Chehre Tamaam Lagne Lage Hain Ajeeb Se
But then it is ‘Zameer’ in the same year that bounces back to say,
Zindagi Hansne Gaane Ke Liye Hai Pal Do Pal
Ise Khona Nahin Kho Ke Rona Nahin
Plus a more sobering thought, from the same film,
Tum Bhi Chalo Hum Bhi Chalen
Chalti Rahe Zindagi
Naa Zameen Manzil Naa Aasmaan
Zindagi Hai Zindagi
With ‘Kaala Pathar’ in 1979 came the motorcycling song that infused the bubbling spirit of freedom and hope.
Jaate Huye Qadmon Se
Aate Huye Qadmon Se
Bhari Rahegi Raahguzar
Jo Ham Gaye To Kuchh Nahin
Ik Raastaa Hai Zindagi
Jo Tham Gaye To Kuchh Nahin
Ye Qadam Kisi Muqaam Pe
Jo Jam Gaye To Kuchh Nahin
Coming to the song being presented today. It is a wonder that I thought of, as I listened to this song today after a very long time. Yes, a child pining for getting the moon to play with. And with the ‘बाल हठ’ (a child’s obduracy), it is an overwhelming experience to be able to convince the child and talk it out of its impossible wish. As I listened, I am reminded of the story from the Ramayan – the passage where Ram, as a toddler, one day gets into His mind that he wants the moon to play with. No amount of coaxing and appeasing and promises by the parents and others can talk Him out of His insistence. And the accompanying wailing and waving of arms is making Kaushalya and Dashrath very worried and uncomfortable. Rajguru, Vashishth ji is summoned for help. He arrives and says, well, if the child is wanting the moon, give Him the moon. The parents are confused, and ask Vashishth ji, as to how to make that happen.
Rajguru asks for a large dish (‘परात’) with raised edges. The dish is placed in front of the child, and is filled with water. Instantly, the likeness of the moon is reflected in the water in the dish. So Vashishth ji beckons the child and points to the reflection and says, here is the moon, now play. So the toddler Ram, seeing that the moon is now so close, puts His hands in water, but swish and splash as He may, He is not able to hold in hand, the reflection that can be seen with the eyes. But the splashing play pleases Him, and the wailing is forgotten.
Sahir Sb is addressing the same situation in this song, likely that the child is insisting on visiting ‘Chanda Mama’. And as is the rule in Hindi films – well, you have a song to for a three-minute-disposition-of-a-difficult-situation. The lines in the song are actually trying to reason with the child, based on some simple logic statements, that aim at convincing the child that they (the three bad men in the film) are much better suited to be ‘Mamma’ to the child than the distant moon.
So there is arguments like, hads ‘Chanda Mama’ ever visited you? Has ‘Chanda Mama’ ever invited you to his place. He just sits in the sky and creates a fake uproar. Where as we (the three bad men in the film) are with you every day. We play with you, we take care of you and bring you toys. And so, as is wont in Hindi films, all it takes is three minutes of music and song to change the mind of any individual in any situation. Start the song, and you can time the mind conversion almost exactly to 3 minutes (maybe plus a few more seconds).
The video of this song is not available, but it most certainly is picturized on Geeta (role played by Baby Rani) who plays the upset little child, wanting the moon, and the three bad men – Govind, Joseph and Nazir (roles played by Pran, Ajit and Anwar Hussain respectively). The singing voice for the three bad men are back played by Manna Dey, Mahendra Kapoor and Manhar. The singing voice is not identified for a few lines at the end of the song, which are apparently lip synced by the child.
The film is ‘Nanha Farishta’ from 1969. A film by T Prakash Rao, is a touching tale of three criminals whose lives are transformed by the love a small child girl they have kidnapped. The star cast of this film includes Pran, Ajit, Anwar Hussain, Baby Rani, Padmini, Pandharibai, Balraj Sahni, Johnny Walker, Suresh, Mukri, Raj Mehra, Sunder, Maruti, and Prem Kumar.
The film has four songs, all penned by Sahir Sb. The music is composed by Kalyanji Anandji. Two of the four songs are already showcased on our blog. This is the third song to find its place here, as the centenary celebration of this gifted poet. And we also add the celebration of adding the 700th song by Sahir Sb to our blog.
A very refreshingly joyful song – yes, Sahir Sb had the versatility to pen such gems also.
Listen and enjoy.
Song – Chanda Kaahe Ka Tera Maama (Nanha Farishta) (1969) Singer – Manna Dey, Mahendra Kapoor, Manhar, Unidentified Child Voice, Lyrics – Sahir Ludhianvi, MD – Kalyanji Anandji
Manna Dey + Mahendra Kapoor + Manhar
Lyrics
arre chanda kaahe ka tera mamma
mamma
chanda kaahe ka tera mamma
naabhe ke naama na jaama
jaama
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre hum hain tere mammaa
chanda kaahe ka tera mamma
na tujh se milne dharti pe aaye
na tujh ko apni nagri dikhaaye
hum ko to chanda bilkul na bhaaye
bilkul na bhaaye
hamen bilkul na bhaaye
amber pe baitha chaahat jataaye
jhootha machaaye humgaama. . .
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre hum hain tere mammaa
chanda kaahe ka tera mamma
hum tujh ko nit nit godi khelaayen
arre nehla dhula ke powder lagaayen
haathi dilaayen ghoda dilaayen
haathi dilaayen munni ghoda dilaayen
naach aur ga ke kartab dikhaayen
tak dhin tak dhin sa re ga ma. . .
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre hum hain tere mammaa
chanda kaahe ka tera mamma
tu hai chaheti tu hai dulaari
mariam hamaari seeta hamaari
dil tujh pe sadqe
jaan tujh pe waari
donon jahaan se tu hum ko hai pyaari
hum ne tera haath thaama. . .
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre tum ho mere mammaa
chanda kaahe ka tera mamma
chanda nahin hai mera mamma
mamma
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre hum hain tere mammaa
————————————————————
Hindi Script Lyrics (Provided by Sudhir)
————————————————————
अरे चंदा काहे का तेरा मामा
मामा
चंदा काहे का तेरा मामा
नाभे के नामा ना जामा
जामा
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
चंदा काहे का तेरा मामा
ना तुझसे मिलने धरती पे आए
ना तुझको अपनी नागरी दिखाये
हमको तो चंदा बिलकुल ना भाए
बिलकुल ना भाए
हमें बिलकुल ना भाए
अंबर पे बैठा चाहत जताए
झूठा मचाये हंगामा॰ ॰ ॰
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
चंदा काहे का तेरा मामा
हम तुझको नित नित गोदी खिलाएँ
अरे नहला धुला के पाउडर लगाएँ
हाथी दिलाएँ घोड़ा दिलाएँ
हाथी दिलाएँ मुन्नी घोड़ा दिलाएँ
नाच और गा के करतब दिखाएँ
तक धिन तक धिन सा रे गा मा॰ ॰ ॰
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
चंदा काहे का तेरा मामा
तू है चहेती तू है दुलारी
मरियम हमारी सीता हमारी
दिल तुझपे सदक़े
जां तुझपे वारी
दोनों जहां से तू हमको है प्यारी
हमने तेरा हाथ थामा॰ ॰ ॰
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे तुम हो मेरे मामा
चंदा काहे का तेरा मामा
चंदा नहीं है मेरा मामा
मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4616 | Post No. : | 16250 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part XXIV: Year 1970
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In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1970.
In 1970, 98 Hindi movies containing 805 songs were released. Lata Mangeshkar got to sing in 54 of these movies and she sang 129 songs in these movies. So Lata Mangeshkar’s voice was heard in 55.1 % of the movies released in 1969. Her voice was heard in 16 % of the songs appearing in the movies of 1970.
Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1970 :-
| S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
|---|---|---|---|---|---|---|---|---|---|
| 1 | Aan Milo Sajna | Laxmikant Pyarelal | 3 | 3 | 1 | 2 | 0 | 0 | Anand Bakshi |
| 2 | Anand | Salil Chaudhary | 1 | 1 | 1 | 0 | 0 | 0 | Gulzar |
| 3 | Aansoo Aur Muskaan | Kalyanji Anandji | 1 | 2 | 2 | 0 | 0 | 0 | Indeewar |
| 4 | Abhinetri | Laxmikant Pyarelal | 3 | 6 | 4 | 2 | 0 | 0 | Majrooh Sultanpuri |
| 5 | Bachpan | Laxmikant Pyarelal | 2 | 3 | 3 | 0 | 0 | 0 | Anand Bakshi |
| 6 | Bhagwan Parshuram | Jai Kumar | 0 | 1 | 1 | 0 | 0 | 0 | Madan |
| 7 | Bhai Bhai | Shankar Jaikishan | 0 | 2 | 2 | 0 | 0 | 0 | Hasrat Jaipuri |
| 8 | Daghaabaaz | Dilip Roy | 0 | 2 | 2 | 0 | 0 | 0 | B D Mishra |
| 9 | Darpan | Laxmikant Pyarelal | 2 | 3 | 3 | 0 | 0 | 0 | Anand Bakshi |
| 10 | Dastak | Madan Mohan | 3 | 3 | 3 | 0 | 0 | 0 | Majrooh Sultanpuri |
| 11 | Devi | Laxmikant Pyarelal | 1 | 2 | 0 | 2 | 0 | 0 | Anand Bakshi |
| 12 | Dharti | Shankar Jaikishan | 4 | 4 | 2 | 2 | 0 | 0 | Rajinder Krishan (2) Hasrat Jaipuri (2) |
| 13 | Ehsan | R D Burman | 0 | 1 | 1 | 0 | 0 | 0 | Majrooh Sultanpuri |
| 14 | Geet | Kalyanji Anandji | 3 | 3 | 1 | 2 | 0 | 0 | Anand Bakshi (2) Hasrat Jaipuri (1) |
| 15 | Ghar Ghar Ki Kahaani | Kalyanji Anandji | 0 | 2 | 2 | 0 | 0 | 0 | Rajinder Krishan (1) Hasrat Jaipuri (1) |
| 16 | Gopi | Kalyanji Anandji | 3 | 3 | 1 | 2 | 0 | 0 | Rajinder Krishan |
| 17 | Harishchandra Taramati | Hridaynath Mangeshkar | 1 | 4 | 4 | 0 | 0 | 0 | Veerendra Mishra |
| 18 | Heer Ranjha | Madan Mohan | 4 | 4 | 3 | 0 | 0 | 1 | Kaifi Azmi |
| 19 | Himmat | Laxmikant Pyarelal | 1 | 1 | 0 | 1 | 0 | 0 | Anand Bakshi |
| 20 | Holi Aayee Re | Kalyanji Anandji | 2 | 2 | 1 | 0 | 0 | 1 | Indeewar |
| 21 | Humjoli | Laxmikant Pyarelal | 2 | 2 | 0 | 2 | 0 | 0 | Anand Bakshi |
| 22 | Ishq Par Zor Nahin | S D Burman | 5 | 5 | 4 | 1 | 0 | 0 | Anand Bakshi |
| 23 | Jawaab | Laxmikant Pyarelal | 1 | 2 | 1 | 1 | 0 | 0 | Rajinder Krishan |
| 24 | Jeewan Mrityu | Laxmikant Pyarelal | 3 | 3 | 2 | 1 | 0 | 0 | Anand Bakshi |
| 25 | Johny Mera Naam | Kalyanji Anandji | 2 | 2 | 2 | 0 | 0 | 0 | Indeewar |
| 26 | Jwaala | Shankar Jaikishan | 1 | 6 | 3 | 1 | 1 | 1 | Rajinder Krishan (5) Shailendra (1) |
| 27 | Kab Kyon Aur Kahaan | Kalyanji Anandji | 1 | 1 | 1 | 0 | 0 | 0 | Indeewar |
| 28 | Kati Patang | R D Burman | 2 | 2 | 1 | 1 | 0 | 0 | Anand Bakshi |
| 29 | Kaun Ho Tum | Usha Khanna | 0 | 1 | 1 | 0 | 0 | 0 | Raja Mehdi Ali Khan |
| 30 | Khilauna | Laxmikant Pyarelal | 1 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
| 31 | Maa Aur Mamta | Laxmikant Pyarelal | 3 | 3 | 1 | 2 | 0 | 0 | Anand Bakshi |
| 32 | Maharaja | Madan Mohan | 1 | 1 | 1 | 0 | 0 | 0 | Kaifi Azmi |
| 33 | Man Ki Aankhen | Laxmikant Pyarelal | 2 | 2 | 0 | 2 | 0 | 0 | Sahir Ludhianvi |
| 34 | Mastaana | Laxmikant Pyarelal | 1 | 4 | 2 | 2 | 0 | 0 | Anand Bakshi |
| 35 | Mere Humsafar | Kalyanji Anandji | 3 | 3 | 2 | 1 | 0 | 0 | Anand Bakshi |
| 36 | Pagla Kahin Ka | Shankar Jaikishan | 2 | 2 | 1 | 1 | 0 | 0 | Hasrat Jaipuri |
| 37 | Pardesi | Chitragupta | 4 | 4 | 3 | 0 | 1 | 0 | Majrooh Sultanpuri |
| 38 | Pavitra Paapi | Prem Dhawan | 1 | 1 | 1 | 0 | 0 | 0 | Prem Dhawan |
| 39 | Pehchaan | Shankar Jaikishan | 1 | 1 | 0 | 1 | 0 | 0 | Verma Malik |
| 40 | Prem Pujaari | S D Burman | 3 | 3 | 2 | 1 | 0 | 0 | Neeraj |
| 41 | Priya | Kalyanji Anandji | 0 | 1 | 1 | 0 | 0 | 0 | Indeewar |
| 42 | Purab Aur Paschim | Kalyanji Anandji | 1 | 1 | 0 | 0 | 0 | 1 | Santosh Anand |
| 43 | Pushpaanjali | Laxmikant Pyarelal | 2 | 3 | 2 | 1 | 0 | 0 | Anand Bakshi |
| 44 | Raaton Ka Raja | R D Burman | 1 | 2 | 1 | 1 | 0 | 0 | Majrooh Sultanpuri |
| 45 | Saas Bhi Kabhi Bahu Thhi | R D Burman | 0 | 2 | 1 | 1 | 0 | 0 | Rajinder Krishan |
| 46 | Sachcha Jhoothha | Kalyanji Anandji | 2 | 2 | 0 | 2 | 0 | 0 | Qamar Jalalabadi (1) Indeewar (1) |
| 47 | Safar | Kalyanji Anandji | 1 | 1 | 1 | 0 | 0 | 0 | Indeewar |
| 48 | Samaaj Ko Badal Daalo | Ravi | 2 | 3 | 1 | 1 | 1 | 0 | Sahir Ludhianvi |
| 49 | Sau Saal Beet Gaye | Usha Khanna | 0 | 4 | 2 | 2 | 0 | 0 | Indeewar |
| 50 | Sharaafat | Laxmikant Pyarelal | 1 | 5 | 5 | 0 | 0 | 0 | Anand Bakshi |
| 51 | Suhaana Safar | Laxmikant Pyarelal | 0 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
| 52 | The Train | R D Burman | 2 | 2 | 1 | 1 | 0 | 0 | Anand Bakshi |
| 53 | Truck Driver | Sonik Omi | 0 | 1 | 1 | 0 | 0 | 0 | Indeewar |
| 54 | Yaadgaar | Kalyanji Anandji | 1 | 1 | 1 | 0 | 0 | 0 | Indeewar |
| Total | 54 movies | 15 MDs | 86 | 130 | 84 | 39 | 3 | 4 | 18 lyricists |
Lata Mangeshkar worked with 15 music directors and 18 lyricists in these 54 movies released in 1970. Shankar Jaikishan with 406 songs in the voice of Lata Mangeshkar were the leading music directors for her followed by C Ramchandra with 274 songs. Other top music directors for Lata Mangeshkar were Chitragupta (227), Laxmikant Pyarelal (215), Madan Mohan (174), Kalyanji Anandji (157), Roshan (144), S D Burman (134), Naushad (126), Hemant Kumar (124), Anil Biswas (120), Husnlal Bhagatram (108) and Vasant Desai (104). Together these thirteen music directors composed 2313 songs out of 3383 songs that Lata Mangeshkar had sung in Hindi movies till end of 1970. The top nine lyricists till end of 1969 for Lata Mangeshkar were Rajinder Krishan (492), Shailendra (361), Hasrat Jaipuri (274), Majrooh Sultanpuri (241), Prem Dhawan (195), Shakeel Badayuni (189), Bharat Vyas (180), Anand Bakshi (171) and Sahir Ludhianvi (114). These eight lyricists had penned 2217 songs sung by Lata Mangeshkar till that time.
Lata Mangeshkar collaborated with Jai Kumar Parte as a music director in a Hindi movie for the first time this year. Santosh Anand and Veerendra Mishra were two lyricists who got to collaborate with Lata Mangeshkar for the first time in movies released this year.
Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1970 :
| Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
|---|---|---|---|---|---|---|---|---|
| 1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
| 1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
| 1948 | 16 movies | 50 | 50 | 37 | 6 | 4 | 3 | |
| 1949 | 38 movies | 134 | 157 | 103 | 35 | 12 | 7 | |
| 1950 | 36 movies | 114 | 143 | 93 | 32 | 14 | 4 | |
| 1951 | 49 movies | 189 | 223 | 158 | 52 | 10 | 3 | |
| 1952 | 43 movies | 149 | 177 | 138 | 31 | 4 | 4 | |
| 1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
| 1954 | 43 movies | 140 | 172 | 144 | 23 | 4 | 1 | |
| 1955 | 50 movies | 165 | 218 | 177 | 30 | 10 | 1 | |
| 1956 | 49 movies | 168 | 204 | 153 | 35 | 13 | 3 | |
| 1957 | 47 movies | 129 | 160 | 110 | 38 | 7 | 5 | |
| 1958 | 35 movies | 102 | 132 | 95 | 25 | 10 | 1 | |
| 1959 | 58 movies | 188 | 211 | 130 | 68 | 12 | 1 | |
| 1960 | 48 movies | 139 | 166 | 102 | 50 | 12 | 1 | |
| 1961 | 44 movies | 125 | 152 | 88 | 55 | 5 | 4 | |
| 1962 | 40 movies | 118 | 129 | 84 | 40 | 5 | 0 | |
| 1963 | 37 movies | 103 | 111 | 62 | 38 | 8 | 3 | |
| 1964 | 46 movies | 122 | 133 | 91 | 31 | 8 | 3 | |
| 1965 | 42 movies | 83 | 91 | 71 | 17 | 1 | 2 | |
| 1966 | 49 movies | 104 | 133 | 110 | 14 | 8 | 1 | |
| 1967 | 44 movies | 92 | 106 | 67 | 38 | 8 | 3 | |
| 1968 | 33 movies | 83 | 84 | 59 | 19 | 5 | 1 | |
| 1969 | 43 movies | 77 | 97 | 67 | 27 | 2 | 1 | |
| 1970 | 54 movies | 86 | 130 | 84 | 39 | 3 | 4 | |
| Total upto 1970 | 995 movies | 2856 | 3383 | 2389 | 779 | 170 | 63 |
It can be seen from the table of 1970 that Lata Mangeshkar sang 130 songs in 54 movies released in 1970. 86 of these songs are already covered in the blog.
All Lata Mangeshkar songs from 30 movies of 1970 are already covered in the blog. So 44 Lata Mangeshkar songs from 24 movies of 1970 are still available to be discussed.
Alphabetically the first movie of 1970 that offers us Lata Mangeshkar songs to be discussed is “Aansoo Aur Muskaan”(1970).
“Aansoo Aur Muskaan”(1970) was produced by Ananthaswami and directed by P Madhvan for Screen Gems, Madras. The movie had Hema Malini, Ajay Sahni, Om Prakash, Bobby, Jagdeep, Suresh, Maruti, David, Bindu, Shabnam, Tuntun, Birbal, Padmini, Manmohan, Kishore Kumar etc in it.
The movie had six songs in it. Three songs have been covered so far. Lata Mangeshkar had sung two solo songs in it. One song sung by her has been represented in the blog so far.
Here is another Lata Mangeshkar song from “Aansoo Aur Muskaan”(1970). Indeewar is the lyricist. Music is composed by Kalyanji Anandji.
The song is picturised on a child artist. I request our knowledgeable readers to help identify her. My guess from the starcast is that she is Bobby.
Audio
Video
Song-Taara koi bhi aaj gagan se toota nahin (Aansoo Aur Muskaan)(1970) Singer-Lata, Lyrics-Indeewar, MD-Kalyanji Anandji
Lyrics
o maa aa aaa
o maa aa aa aa
o maa aa aa
o maa aa aa
taara koi bhi aaj gagan se toota nahin een
tara koi bhi aaj gagan se toota nahin
sahaara kisi ka aaj kisi se chhoota nahin
phir kyun maa toot gaya mamta ka naata pyaara aa
taara koi bhi aaj gagan se toota nahin
o maa aa aa aa
o maa aa aa
sabki hi maayen phoolon ko apne baahon ke jhoole jhulaaye ae ae
baaho ke jhule jhulaye
maathe ko sehalake chumke palke
meethi si lori sunaaye aen
mithi si lori sunaaye
chidiya chugaaye bachcho ko daane
kyun tune mujhko bisaara
taara koi bhi aaj gagan se toota nahin
kaahe mujhe tu duniya mein laayi
kaahe bani maa tu meri ee
kaahe bani maa tu meri
paalee naa jaaye, sambhaalee naa jaaye, tujhse jo santaan teri ee
tujhse jo santaan teri
khelegi kab tak aankh michauli
mann mera dhoondh ke haara
tara koi bhi aaj gagan se toota nahin
sahaara kisika aaj kisi se chhoota nahin
phir kyun maa toot gaya mamta ka naata pyaara aa
taara koi bhi aaj gagan se toota nahin
o maa aa aa aa
o maa aa aa
o maa aa
o maa aa aa
Kab tak kheloon pyaar ka khel
Posted on: February 25, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4605 | Post No. : | 16236 |
“Pyaase Panchhi”(1961) as produced by Shankar Bhai Bhatta and Vijay Bhatt and directed by Harsukh Bhatt for Shree Prakash Pictures, Bombay. The movie had Mehmood, Ameeta,Jeevan, Leela Misra,Agha, Malika, David, Niranjan Sharma, Uma Khosla, Athavle, Loban, Omprakash Sharma, C.L.Shah, Narbada Shanker, Baby Shobha etc in it.
Ten songs ae listed in HFGK for this movie. But song number 3 and 10 are one and the same. So in effect “Pyaase Panchhi”(1961) has nine songs in it.
Seven songs from the movie have been covered in the past.
Here is the eighth song from “Pyaase Panchhi”(1961) to appear in the blog. This song is sung by Rafi and Suman Kalyanpur. Qamar Jalalabadi is the lyricist. Music is composed by Kalyanji Anandji.
The song is picturised on Agha and Malika, playing Romeo and Juliet respectively as a stage performance song, being watched by a housefull audience.
Lyrics of this song were sent to me by Prakashchandra.
Video(full song)
Audio (Partial song)
Song-Kab tak kheloon pyaar ka khel (Pyaase Panchhi)(1961) Singers-Rafi, Suman Kalyanpur, Lyrics-Qamar Jalalabadi, MD-Kalyanji Anandji
Lyrics(Based on Video link) (Provided by Prakashchandra)
Aaa…aaa…aaaa…aaaahhaa
majnoo bhi bann chukaa hoon
majnu bhi bann chukaa hoon
Farhaad bann chukaa hoon
arrey Farhaad bhi bann chukaa main
ab bann ke Romeo..o o main…ae
tere dar pe aa gayaaa..aaa..aa hoon..oon
kab tak kheloon pyaar ka khel
pass karo ya fail gori
paas karo ya fail
kab tak kheloon pyaar ka khel
pass karo ya fail gori
paas karo ya fail
pyaar ko toone samjhaa khel
kaisey hogaa mel
bolo kaisey hogaa mel
pyaar ko toone samjhaa khel
kaisey hogaa mel
bolo kaisey hogaa mel
kab tak tere naaz uthhaaoon
kab tak dar par thhokar khhaaoon oon
kab tak tere naaz uthhaaoon
kab tak dar par thhokar khaaoon
dil ye kehta hai mar jaaoon
tum par main ilzaam lagaaoon
zaalim tujhko bhejoon jail
paas karo ya fail gori
paas karo yaa fail
pyaar ko toone samjhaa khel
kaisey hogaa mel
bolo kaisey hogaa mel
arrey kab tak kheloon pyaar ka khel
pass karo ya fail gori
paas karo ya fail
hum to nahin hain aisey waisey
pyaar karein hum tum se kaisey
hum to nahin hain aisey waisey
pyaar karein hum tum se kaisey
only in audio link:
(mast haseenon ke saanche mein
laakhon phirte hain tum jaisey)
jaao tum ho bilkul fail
kaisse hogaa mel
bolo kaissey hogaa mel
kab tak kheloon pyaar ka khel
paas karo ya fail gori
paas karo ya fail
ho gayaa gul mera pyaar ka dabba
mar gaya main to haayye rabbaa..aaa
ho gayaa gul mera pyaar ka dabba
mar gaya main to haayye rabbaa
tu hai agar Lailaa ki Ammaa
main bhi hoon Majnu ka Abba
hoke rahega apnaa mel
paas karo ya fail gori
paas karo ya fail
pyaar ko toone samjhaa khel
kaissey hogaa mel
bolo kaisey hogaa mel
arrey kab tak kheloon pyaar ka khel
pass karo ya fail
gori paas karo ya fail
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4561 | Post No. : | 16158 |
“Tamanna”(1969) was directed by K P Atma for K S Pictures, Bombay. This “social” movie had Mala Sinha, Biswajeet, Shashikala, Agha, Nazima, Deven Verma, Nazeer Hussain, Sulochana, Sajjan, Achla Sachdev, Asit Sen, Krishn Dhaan, Rasheed Khan, Narbada Shankar, Kesri, Khairaati, Vimal Raj, Moolchand, Radheshyam, Sayyad, Md Ibrahim, Fatima, Santosh etc in it.
The movie had five songs in it. To of these songs have been covered in the past.
Here is the third song from “Tamanna”(1969) to appear in the blog. This song is sung by Asha Bhonsle, Rafi and chorus. Anand Bakshi is the lyricist. The O P Nayyarish Punjabi dance music is composed by Kalyanji Anandji.
The song is picturised as a dance song on Mala Sinha, Biswajeet and others. It is a song that deserved to be better knon, but it ended up as an obscure song from an qually obscure movie.
Unnoticeably, ith this song, Kalyanji Anandji complete their 600th song in the blog as music directors.
Song-O soniya matwaaliya main jaan gayi dilwaaliyaa(Tamanna)(1969) Singers-Asha Bhonsle, Rafi, Lyrics-Anand Bakshi, MD-Kalyanji Anandji
Female chorus
Male chorus
Lyrics
hoy
ho o o
o o o o
o o o
o soniya matwaaliya
main jaan gayi dilwaaliya
o soniya matwaaliya
main jaan gayi dilwaaliya
akela
akela mohe jaan ke tu raste mein chhedega
akela mohe jaan ke tu raste mein chhedega
o soniya matwaaliya
main jaan gayi dilwaaliya
akela
akela mohe jaan ke tu raste mein chhedega
akela mohe jaan ke tu rashte mein chhedega
hoy hoy hoy hoy
hoy hoy hoy hoy
hoy hoy hoy hoy
hoy hoy hoy hoy
tere saath main o panhaaran teri saari sakhiyaan
tere saath main o panharan teri sari sakhiya
main kaise chhedoonga tujhko
dekhen sabki ankhiyaan
dekhen sabki ankhiyaan ankhiyaan
dekhen sabki ankhiyaan
thhodi der mein paniya bhar ke chal dengi sab sakhiyaan
reh jaaungi jab main akeli
tab hongi ye batiyaan
tab hongi ye batiyaan batiyaan
tab hongi ye batiyaan
tab hongi ye batiyaan batiyaan
tab hongi ye batiyaan(aa aa aa aa aa aa aa)
o peele kurte waliya
main jaan gayi dilwaliya
akela
haay haay
akela mohe jaan ke tu raste mein chhedega
akela mohe jaan ke tu rashte me chhedega
o o o o o
o o o o o
main pardesi
is panghat pe
pyaas bujhaaaane aaya
main pardeshi is panghat pe pyaas bujhaane aaya
pyaas bujhaayi na toone
ulta ilzaam lagaaya
ulta ilzaam lagaaya
ulta ilzaam lagaaya
jab bhi koi pyasa pardesi
panghat pe aaya
lut gayi mar gayi koi gujariya
man ka chain ganwaaya
man ka chain ganwaaya ganwaaya
man ka chain ganwaaya
hoy hoy
man ka chain ganwaya ganwaya
man ka chain ganwaya
o o o o
o bhole mukhde waliya
main jaan gayi dilwaliya akela
akela mohe jaanke
tu rashte mein chhedega
akela mohe jaan ke
tu raste mein chhedega
hoy hoy hoy hoy
hoy hoy hoy hoy
hoy hoy hoy hoy
hoy hoy hoy hoy
na te aaj baisakhi da mela
kudiya na aaj holi
na te aaj baisakhi da mela
kudiya na aaj holi
phir main kaise kheloonga
tere sang aankh michauli
tere sang aankh michauli
tere sang aankh michauli
ab kya aayegi baisakhi
kya aayegi holi
tab tak to tu le jaayega
sajna meri doli ho
sajna meri doli doli
sajna meri doli
hoy hoy
sajna meri doli doli
sajna meri doli
(aa aa aa aa aa aa)
o neeli pagdi waliya
main jaan gayi dilwaliya
akela
aah ri paaniye
akela mohe jaanke tu rashte mein chhedega
akela mohe jaanke tu raste mein chhedega
o soniya matwaliya
main jaan gayi dilwaliya
akela aa
akela mohe jaanke tu rashte mein chhedega
akela mohe jaanke tu raste mein chhedega
hurr
Ik baat kahoon main sajnaa
Posted on: January 7, 2021
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4556 | Post No. : | 16149 | Movie Count : |
4402 |
#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 117 #Happy Birthday Reena Roy
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Today’s song is from the ‘1978’ movie ‘Karmayogi’. I was longing to share a song from this movie and launch this movie on the blog since long (actually for many years now 😊).
However, the song I had earlier planned to share is not today’s song, but a different song from this movie.
Today’s song was heard frequently on radio and loudspeakers in those days when I was about ten and half years old (considering the date of censor certificate of this movie).
The reason for introducing this song today here on the blog is to celebrate and wish yesteryears beautiful actress Reena Roy a ‘very happy birthday’ today. She turns sixty-three today (born on 7th January’1957).
We wish her a safe, healthy and peaceful life ahead.
I had in my earlier post mentioned about Reena Roy’s movies that I watched and liked too, so I am not going to repeat the same here. We will straightway come to today’s movie and the song.
‘Karmayogi-1978’ was directed by Ram Maheshwari for ‘A.R. Productions, Bombay’. It was produced by Anil Suri. It had Mala Sinha, Rajkumar, Jeetendra, Rekha, Reena Roy, Ajit, Nazeer Hussain, Jagirdar, Yogita Bali, Sudhir Dalvi, Dheeraj, Kanhaiyalal, Jagdeep, Dhoomal, Mushtaq Merchant, Omkar Ema, Chandrashekhar, Jagdish Raj, Master Abbas, Master Parvez, Master Rajiv, Master Sonu and others.
This movie was passed by Censor Board on 23.10.1978.
This movie had six songs, including one multiple version song. Lyrics for all songs were written by Verma Malik and music was composed by Kalyanji-Anandji.
Lata Mangeshkar, Asha Bhonsle, Mohd Rafi, Kishore Kumar and Manna Dey were the playback singers for this movie.
Lata Mangeshkar had sung only one solo song in this movie and this is the same song being presented today.
None of the songs from this movie made it to the annual list of ‘Binaca Geetmala-1978’ or 1979. However, today’s song made it to the ‘shadow list’ of songs or ‘songs of the next rung’ of the annual ‘Binaca Geetmala’ of 1979.
I had watched this movie on VCR during my stay at Kota circa 1990-1991. Though I have now forgotten the story of the movie, but I always remember a song from this movie. That song is another song sung by Asha Bhonsle and picturized 0n Rekha.
I had forgotten about today’s song but recently when I checked the Asha Bhonsle song for a post, I rediscovered this Lata Mangeshkar song. After listening to it, I recalled that this song was playedfrequently on loudspeakers during its time.
That is all for this post today. We wait for the next interesting post with other song of this movie. Till then let us once again wish Reena Roy a ‘very happy birthday’, and listen to today’s lovely song …
As mentioned above this song is sung by Lata Mangeshkar and lyrics are penned by Verma Malik. Music is composed by Kalyanji-Anandji.
With today’s song ‘Karmayogi-1978’ makes its debut on the blog. 😊
Video
Audio
Song-Ik baat kahoon main sajnaa (Karmyogi)(1978) Singer-Lata, Lyrics-Verma Malik, MD-Kalyanji Anandji
Lyrics
ik baat kahoon main sajnaa aa
ik baat kahoon main sajnaa aa
ik baat kahoon main sajnaa
tujhko main samajh ke apnaa
dil chaahe mera
tere sang rehnaa aa
dil chaahe mera
tere sang rehnaa
rehnaa
ye baat kisi se naa kehnaa
naa kehnaa
ye baat kisi se naa kehnaa
ik baat kahoon main sajnaa aa
bin soche
bin samjhe
main to ho gayi tere bas mein o o
ho gayi tere bas mein
dekho teri meri
ik baat hai jo
haan ye
baat rahe aapas mein
jin nainon ne tujhko chaahaa
aaj miley wo nainaa
ye baat kisi se naa kehnaa
naa kehnaa
ye baat kisi se naa kehnaa aa
ik baat kahoon main sajnaa aa
teri yaad se
tere pyaar se
meri dhadkan ne kar li sagaayi
ho o o
dhadkan ne kar li sagaayi
tujhe paa liyaa
apnaa liyaa
mujhe
naa samajhnaa paraayi
chaahti hoon jeewan bhar main
tere sapnon mein rehnaa
ye baat kisi se naa kehnaa
naa kehnaa
ye baat kisi se naa kehnaa aa
ik baat kahoon main sajnaa aa
tujh ko main samajhke apnaa
dil chaahe mera
tere sang rehnaa
rehnaa
dil chaahen mera
tere sang rehnaa
rehnaa
ye baat kisise naa kehnaa
naa kehnaa
ye baat kisise naa kehnaa
ik baat kahoon main sajnaa aa
————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————–
इक बात कहूं मैं सजना आ
इक बात कहूं मैं सजना आ
इक बात कहूं में सजना
तुझको मैं समझके अपना
दिल चाहे मेरा
तेरे संग रहना आ
दिल चाहे मेरा
तेरे संग रहना
रहना
ये बात किसीसे ना कहना
ना कहना
ये बात किसीसे ना कहना
इक बात कहूं मैं सजना आ
बिन सोचे
बिन समझे ए
मैं तो हो गयी तेरे बस में ओ ओ
हो गयी तेरे बस में
देखो तेरी मेरी
इक बात है जो
हाँ ये
बात रहे आपस में
जिन नैनों ने तुझको चाहा
आज मिले वो नैना
ये बात किसीसे ना कहना
ना कहना
ये बात किसीसे ना कहना आ
इक बात कहूं मैं सजना आ
तेरी याद से
तेरे प्यार से
मेरी धड़कन ने कर ली सगाई
हो ओ ओ
धड़कन ने कर ली सगाई
तुझे पा लिया
अपना लिया
मुझे
ना समझना परायी
चाहती हूँ जीवनभर मैं
तेरे सपनों में रहना
ये बात किसीसे ना कहना
ना कहना
ये बात किसीसे ना कहना आ
इक बात कहूं मैं सजना आ
तुझको मैं समझके अपना
दिल चाहे मेरा
तेरे संग रहना आ
दिल चाहे मेरा
तेरे संग रहना
रहना
ये बात किसीसे ना कहना
ना कहना
ये बात किसीसे ना कहना
इक बात कहूं मैं सजना आ
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4544 | Post No. : | 16118 |
Sahir Ludhianvi & His Music Directors-3 – (two-movie collaboration only)
Welcome all to today’s post, the third in this series. Today we look into a ‘two-movie collaboration’ between Sahir and his music directors.
Here is the list where Sahir had worked with the music directors in two movies each;
| S.no | Name of the Movie | Year | Music Director | Songs of lyricist in the blog | Song penned by lyricist in movie as per HFGK | Song penned by lyricist in movie as per the book -The People’s Poet |
|---|---|---|---|---|---|---|
| 1 | Doraaha | 1952 | Anil Biswas | 1 | 1 | 1 |
| 2 | Chaar Dil Chaar Raahein | 1959 | Anil Biswas | 7 | 7 | 6 |
| 3 | Hum Hindustani | 1960 | Usha Khanna | 1 | 1 | 1 |
| 4 | Vaasna | 1968 | Chitragupta | 6 | 6 | 6 |
| 5 | Nanha Farishta | 1969 | Kalyanji-Anandji | 1 | 4 | 4 |
| 6 | Sansaar | 1971 | Chitragupta | 7 | 7 | 7 |
| 7 | 36 Ghante | 1974 | Sapan Chakravarty | 4 | 4 | 4 |
| 8 | Zameer | 1975 | Sapan Chakravarty | 7 | 7 | 8 |
| 9 | Shankar Shambhu | 1976 | Kalyanji-Anandji | 5 | 5 | 5 |
| 10 | Hum Tere Aashiq Hain | 1979 | Ravindra Jain | 1 | 6 | 6 |
| 11 | Insaaf Ka Taraazu | 1980 | Ravindra Jain | 4 | 4 | 4 |
| 12 | Lakshmi | 1982 | Usha Khanna | 2 | 2 | 2 | TOTAL | 46 | 54 | 54 |
Out of the twelve movies listed above we have already covered the songs of ten movies and only two movies viz. ‘Nanha Farishta-1969’ and ‘Ham Tere Aashiq Hain-1979’ are remaining where only one song from each of these movies is posted.
We go to the older movie first which is ‘Nanha Farishta-1969’. One song from this movie was posted on the blog on 14.11.2014.
‘Nanha Farishta-1969’ was directed by T. Prakash Rao for ‘Vijaya International, Madras’. It was produced by B. Nagi Reddi and Chakrapani. This movie was presented by B Nagi Reddi.
It had Pran, Ajit, Anwar Hussain, Padmini, Balraj Sahni and Baby Rani, who were supported by Suresh, Mukry, Raj Mehra, Sundar, Maruti, Prem Kumar and Johny Walker.
Story of this movie was written by Thuraiyoor K. Moorthy and dialogues were written by Inder Raj Anand. Editing of this movie was done by B.S. Glaad.
This movie had four songs which were written by Sahir Ludhianvi and music was composed by Kalyanji-Anandji.
The playback singers for this movie are Lata Mangeshkar, Mohd Rafi, Asha Bhonsle, Kishore Kumar, Manna Dey, Mahendra Kapoor and Manhar (the titles of the movie also mentioned the name of Balbir in the list of playback singers, however HFGK has not mentioned Balbir’s name for any song of this movie)
HFGK mentions the following four songs from this movie;
| Song | Posted On |
|---|---|
| O natkhat nanhi laadli tujhe dekhe | Being posted today |
| Chandaa kaahe ka tera maama | |
| O re o, sharaabi tujhme ek kharaabi | |
| Bachche mein hai bhagwaan | 14.11.2014 |
Let us now enjoy today’s song sung by Lata Mangeshkar.
Music is composed by Kalyanji-Anandji and as mentioned above lyrics are by Sahir Ludhianvi.
Padmini is seen lip-syncing in Lata Mangeshkar’s voice. Baby Rani, Pran, Ajit, Anwar Hussain and Balraj Sahni (in sad version) are also seen in the picturisation.
Audio
Video Part I (Happy version)
Video Part II (Sad version)
Song-O natkhat nanhi laadli tujhe dekhe tera mama (Nanha Farishta)(1969) Singer-Lata, Lyrics-Sahir Ludhianvi, MD-Kalyanji Anandji
Lyrics
Part I-Happy version
————————————–
O o o o
O o o o o o
O o
O natkhat nanhi laadli
Tujhe dekhe
Tera maama
chandaa maama
O natkhat nanhi laadli
Tujhe dekhe
Tera maama
chandaa maama
Ab jhatpat kehna maan ri
Tujhe dekhe
Tera maama
chandaa maama
Har raat ko chandaa aaye ae
Har raat ko chandaa aaye
Aur doodh malaai laaye ae
Chaandi ki thhaali mein
Sone ki pyaali mein
Tu khaaye
chandaa muskaaye
O natkhat
O natkhat nanhi laadli tujhe dekhe
Tera maama
chandaa maama
o o o o o
Tu gudiya pyaari pyaari ee
Tu gudiya pyaari pyaari
Maama ki raaj dulaari ee
Chun-chun ke taaron ko
Bun-bun ke haaron ko
Tera maama tujhko pehnaaye
O natkhat
O natkhat nanhi laadli tujhe dekhe
Tera maama
chandaa maama
Yoon tera mukhdaa damke ae
Yun tera mukhdaa damke
Jyun nabh par chandaa chamke
Wo ambar ka moti hai
Tu dharti ki jyoti hai
Teri jyoti jug jug lehraaye
O natkhat
O natkhat nanhi laadli tujhe dekhe
Tera maama
chandaa maama
O o o o
Hmm hmm hmm hmm hmm
Hmm hmm hmm
hmm hmm hmm
——————————-
PART – II (sad)
——————————-
O natkhat nanhi laadli
Tujhe dekhe
Tera maama
chandaa maama
O gudiya pyaari pyaari
Maama ki raaj dulaari
Tera maama nabh ka moti
Aur tu dharti ki jyoti
Teri jyoti jug jug lehraaye
O natkhat nanhi laadli tujhe dekhe
Tera maama….
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4518 | Post No. : | 16075 |
Some regulars of the blog are more keen eyed than most people and they keep looking for important events taking place in the blog. One important event happened in the blog yesterday. I became aware of it mainly because some regulars pointed it out in our whatsapp group.
On this day in the afternoon, the blog silently registered its 14 millionth visitor. The blog began 12 years ago on 19 july 2008 and it took the blog 4517 days to reach this magic figure on 29 november 2020.
Here is a summary of all the million visitors that have taken place in the blog so far :-
| Visitor number | Date achieved | Blog day number | Days taken for the million hits | Remarks |
|---|---|---|---|---|
| 1 million | 25 October 2010 | 829 | 829 | Slowest one million @ 1206 visitors per day |
| 2 millions | 7 November 2011 | 1207 | 378 | @2645 visitors per day |
| 3 millions | 7 April 2012 | 1359 | 152 | Fastest one million @ 6579 visitors per day |
| 4 millions | 10 December 2012 | 1606 | 247 | @ 4049 visitors per day |
| 5 millions | 29 October 2013 | 1929 | 323 | @3096 visitors per day |
| 6 millions | 12 October 2014 | 2277 | 348 | @2873 visitors per day |
| 7 millions | 4 July 2015 | 2542 | 265 | @ 3773 visitors per day |
| 8 millions | 20 April 2016 | 2833 | 291 | @ 3436 visitors per day |
| 9 millions | 24 February 2017 | 3143 | 310 | @ 3226 visitors per day |
| 10 millions | 14 January 2018 | 3467 | 324 | @ 3086 visitors per day |
| 11 millions | 22 November 2018 | 3779 | 312 | @ 3205 visitors per day |
| 12 millions | 4 July 2019 | 4003 | 224 | @ 4464 visitors per day |
| 13 millions | 8 February 2020 | 4222 | 219 | @ 4566 visitors per day |
| 14 millions | 29 November 2020 | 4517 | 295 | @ 3390 visitors per day |
Overall rate of visitors till now is 3099 visitors per day.
The above table shows that the blog, despite dealing in a non populist topic in a non TRP seeking manner, still draws a regular stream of visitors. It certainly serves as a source of encouragement for us.
I remember that the blog used to have visitors in trickles (in double figures in a day) during its early days. It was on 16 august 2008 that the blog touched three figures in a day for the first time. It was on 23 january 2009 (189th day of the blog) when more than one thousand visitors visited the blog for the first time. 5 August 2009 saw more than 2000 visitors for the first time in a day. The blog has even seen over ten thousand visits in a day. Here are the details:-
| Date | Number of visitors | Blog day | Remarks |
|---|---|---|---|
| 19 July 2008 | 4 | 1 | Only four visitors on the first day. Only occasion of single digit visitors in a day |
| 20 July 2008 | 12 | 2 | First time the blog reached double figure of visitors on the second day of the blog |
| 16 August 2008 | 253 | 29 | First time the blog reached three figures of visitors in a day |
| 23 January 2009 | 1145 | 189 | First time the blog reached four figures of visitors in a day |
| 29 August 2009 | 2071 | 407 | First time the blog reached 2000 visitors in a day |
| 15 July 2011 | 3060 | 1092 | First time the blog reached 3000 visitors in a day |
| 4 October 2011 | 4137 | 1173 | First time the blog reached 4000 visitors in a day |
| 7 October 2011 | 5379 | 1176 | First time the blog reached 5000 visitors in a day |
| 9 October 2011 | 6082 | 1178 | First time the blog reached 6000 visitors in a day |
| 10 October 2011 | 7561 | 1179 | First time the blog reached 7000 visitors in a day |
| 12 October 2011 | 9824 | 1181 | First time the blog reached 8000 visitors in a day |
| 12 October 2011 | 9824 | 1181 | First time the blog reached 9000 visitors in a day |
| 19 October 2011 | 10630 | 1188 | First and only time the blog reached 10000 visitors in a day |
It took the blog more than 1000 days before it could get 3000 plus visitors in a day. But then all of a sudden, the blog touched heights of 4000 plus, 5000 plus, 6000 plus, 7000 plus, 8000 plus , 9000 plus and 10000 plus visits in a day in the month of October 2011, all within 15 days !
All these figures are interesting figures and they have been achieved without making any conscious attempts. In fact, we are not even aware how and why these visitors find us. All we know from wordpress stats is that the blog gets hits from all around the globe. Indiais the major country where this blog gets viewed the most and USA comes second. Other major countries from where this blog gets viewed are UK, Pakistan, Malaysia, Canada, UAE, Mauritius, Australia, Sri Lanka, Singapore, South Africa etc.
All we can conclude from the above is that Hindi movie music, especially those created decades ago, enjoy good following all around the world among music lovers of Indian origin and sometimes even among non Indian origin persons. People who are looking for difficult to find songs are likely to find their way into the blog. Some of them, after stumbling upon the blog may decide to bookmark the blog for further reference.
It gives us encouragement to find that we are visited even by people who are themselves associated with HFM and they sometimes post messages in the blog or contact us as well.
The figures about visitors to the blog are in a way a reflection on the fact that the work being done in the blog for old HF songs is being noticed and appreciated. And this is just the reward that we, like most normal human beings seek. Such appreciation is just the tonic that keeps us motivated and make us do this work regularly without taking any breaks.
On this occasion, here is a song from “Ek Shrimaan Ek Shrimati”(1969). This song is sung by Rafi and Lata. Rajinder Krishan is the lyricist. Music is composed by Kalyanji Anandji.
Only the audio of the song is available as of now. This movie was produced by Surinder Kapoor and directed by Bhappi Sanie for Amar Chhaya Productions. The movie had Shashi Kapoor, Babita, Kamini Kaushal, Om Prakash, Helen, Rajendra Nath, Laxmi Chhaya, Mumtaz Begum, Mohan Choti, Dhumal, Hari Shivdasani, Sudhir, Sulochana Latkar, Sujata, Snehlata, Jagadish Kamal, Maqbool, Devi Chand, Baba Benjamin, Shobha, Madan Kenny etc in it. So, my guess is that thd song was picturised on Shashi Kapoor and Babita. I request our knowledgeable readers to throw light on the picturisation of the song.
Audio
Song-Jeewan pathh par pyaar ne chhedi madhur madhur sargam(Ek Shrimaan Ek Shrimati)(1969) Singers-Rafi, Lata, Lyrics-Rajinder Krishan, MD-Kalyanji Anandji
Both
Lyrics
jeewan pathh par pyaar ne chhedi
madhur madhur sargam
jeewan pathh par pyaar ne chhedi
madhur madhur sargam
aa aa aa aa
bhool chale hain saari duniya
preet ki dhun mein hum m m
jeewan pathh par pyaar ne chhedi
madhur madhur sargam
mehke huye nazaare kehte hain aao pyaare ae
kab se saja rahe hain
hum raaste tumhaare
hum raaste tumhaare
der se aayi in raahon mein
paayal ki chham chham m m
jeewan pathh par pyaar ne chhedi
madhur madhur sargam
jeewan pathh par pyaar ne chhedi
madhur madhur sargam
ab apna aashiyaana
phoolon ke darmiyaan hai
ab ye zameen hai apni
apna hi aasmaan hai
apna hi aasmaan hai
duniya bhar mein aaj basa den
pyaar ki khusboo hum m m
jeewan pathh par pyaar ne chhedi
madhur madhur sargam
jeewan pathh par pyaar ne chhedi
madhur madhur sargam
soyi hui tamanna
angdaayi le rahi hai
ab to milan ki manzil
aawaaz de rahi hai
aawaaz de rahi hai
dekh zamaane saathh chale hain
saathh chalenge hum m m
jeewan pathh par pyaar ne chhedi
madhur madhur sargam
bhool chale hain saari duniya
preet ki dhun mein hum m m
jeewan pathh par pyaar ne chhedi
madhur madhur sargam
madhur madhur sargam
madhur madhur sargam
hmm hmm hmm hmm hmm hmm
hmm hmm hmm hmm hmm hmm
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4499 | Post No. : | 16033 |
Hullo Atuldom
“Satta Baazaar” (1959) was a Nagina Films production. It was directed by Ravindra Dave and starred Meena Kumari and Balraj Sahni in the lead with Johnny Walker leading the supporting cast of Ramayan Tiwari, Asit Sen, Suresh, Uma Dutt, Narmada Shankar etc. Vijaya Choudhury played Balraj Sahni’s daughter Kala. It had music by Kalyanji Anandji and Hasrat Jaipuri, Shailendra, Indeevar and Gulshan Bawra were the lyrics in-charge. Hemant Kumar, Mohd Rafi, Lata Mangeshkar, and Suman Kalyanpur were the playback singers.
Of the movie’s eight songs, four have been posted on the blog. The movie’s best and most popular song was posted on 21st February 2009:- Tumhen yaad hoga. The next song suno jee aankde ka dhandha came in 2012. It was followed by Chaandi ke chand tukdon ke liye. Zara thherhro jee Abdul Gaffa was the last song posted. It has a wonderful post by our in-house encyclopedia Shri Arunkumar Deshmukhji. He has given us the story of the movie too in there along with the biography of actor Suresh (real name Nazim Ahmed as Sir has mentioned in his post).
Today’s song I discovered when I was looking for a song, when I was writing a post for music director Kalyanji’s anniversary in August and filed it away for use on another occasion. The occasion is the birth anniversary of Badruddin Jamaluddin Kazi popular as Johnny Walker.
He was born in Indore and came to Bombay (as Mumbai used to be called) to earn a living and help look after his family. He took up various jobs before becoming a Conductor in Bombay’s BEST Undertaking. His anecdotes are there in this this video where he speaks to Tom Alter about how he modulated his voice for enhancing his characters. That is an interesting video. He speaks about how Balraj Sahni found his way of going about his job good enough to recommend him to Guru Dutt.
Today’s song is a dance with folk art in it. It has Johnny Walker and Sabita Chatterjee (in Marathi getup) teasing each other on the occasion of Vijaya Choudary’s engagement.
Let us think of Johnny Walker entertainer and enjoy Mohd Rafi singing as if Johnny himself is singing in typical Marathi folk style. Suman Kalyanpur is the voice for Sabita Chatterjee.
Video
Audio
Song-Arre jaa jaa na chhed maan bhi jaa (Satta Bazar)(1959) Song-Suman Kalyanpur, Rafi, Lyrics-Shailendra, MD-Kalyanji Anandji
Female chorus
Male chorus
Rafi + Male chorus
Lyrics
juniya o muniya ye kaun aaya
dekho ji dekho ji sher aaya
iski munchh dekho,
jaise bigade nawab
iski patli kamar,
jaise shaayar ka khwaab
iske kaan dekho
ki iske naak dekho
ki iski dum dekho,
dum dekho
dum dekho
agg baai
agg baai
arre ja ja na chhed maan bhi ja
arre ja ja na chhed maan bhi ja
humein phir phir na gher maan bhi ja
kahin bigde na sher maan bhi ja
ho kahin bigde na sher maan bhi ja
karo hamse na pher dekh liya
bade aaye diler dekh liya
yeh kaagaz ka sher dekh liya
yeh kaagaz ke sher dekh liya
dekh liya
dekh liya
dekh liya
ji dekh liya
arre ja ja na chhed
maan bhi ja
humein phir phir na gher
maan bhi ja
kahin bigde na sher
maan bhi ja
ho kahin bigade na sher
maan bhi ja
arre sau sau bhes badal ke,
tum hamko chhalne aaye
kya kya baatein banaayi,
kya kya sapne dikhlaye
arre sau sau bhes badal ke,
tum hamko chhalne aaye
kya kya baatein banaayi,
kya kya sapne dikhlaaye
kispe bhala yeh jaadoo chala
woh rah gaye
woh rah gaye jaal bichhaaye
arre ja ja na chhed
maan bhi ja
humein phir phir na gher
maan bhi ja
o kahin bigade na sher
maan bhi ja
kahin bigade na sher
maan bhi ja
agg baai
agg baai
arre hum toh ramte jogi,
chal denge desh paraaye
jab ud jaayega panchhi,
tab kya hoga pachhtaaye
arre hum toh ramte jogi,
chal denge desh paraaye
jab ud jaayega panchhi,
tab kya hoga pachhtaaye
chhodo yeh khel
kar lo ji mel
kahin mausam
kahin mausam chala na jaaye
karo hamse na pher dekh liya
bade aaye diler dekh liya
ye kaghaz ka sher dekh liya
ye kaghaz ke sher dekh liya
dekh liya
dekh liya
dekh liya
ji dekh liya
gar sachche ho dilwaale,
toh baat hamari maano
yeh nakli bhes utaaro
aur hamse bair na thhaano
arre waah waah waah waah kaa baat kah di
gar sachche ho dilwaale,
toh baat hamaari maano
yeh nakli bhes utaaro,
aur hamse bair na thhaano
kaisi bhali yeh mann ki gali
ab toh
arre ab toh humein pehchaano
arre ja ja na chhed
maan bhi ja
humein phir phir na gher
maan bhi ja
kahin bigade na sher
maan bhi ja
kahin bigade na sher
maan bhi ja
agg baai
agg baai ho
agg baai
agg baai ho
ji ji ji
ji ji ji
ji ji ji
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