Advertisements

Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Kalyanji Anandji


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3921 Post No. : 14986

———————————————–
Blog 10-Year Challenge (2009-19) – Song No. 28
————————————————

Looking at 13th April of ten years ago, the post score card was six songs.

Ghar Aaya Mera Pardesi Aawaara 1951
Teri Duniya Me Jeene Se To Behtar Hai Ke Mar Jaayen House No 44 1955
Tu Kahan Ye Bataa Is Nasheeli Raat Mein Tere Ghar Ke Saamne 1963
Iktara Bole Yaadgaar 1970
O Neele Parbaton Ki Dhaara Aadmi Aur Insaan 1969
Prem Kahaani Me Ik Ladka Hota Hai Prem Kahaani 1975

Two of the six films represented that day had made their debut – ‘House No. 44’ (1955) and ‘Yaadgaar’ (1970). Of the six films, five are already yippeee’d over the past 10 years. The one film that still awaits all its songs to be posted is ‘Yaadgaar’. Today, we bring to fore the fourth third song of this film, from a total of six songs listed.

Manoj Kumar, having started his career in 1958 with films like ‘Panchaayat’ and ‘Sahaara’, turned a writer and a producer less than a decade later. His first venture was ‘Shaheed’ in released 1965. The film was directed by S Ram Sharma under the banner of KPK Movies, Bombay. Then in 1967, under the new banner of Vishal International, he produced and directed ‘Upkar’. Coming close on the heels of the 1965 conflict with Pakistan, and the sudden demise of Lal Bahadur Shastri in Jan 1966, this film rode a wave of popularity on the sentiments of nationalism and social integration, and became one of the major blockbusters of the 1960s. The film also established the image and tag name of Mr. Bharat for him.

In 1970, he followed it up with ‘Purab Aur Paschim’, again from his own banner of Vishal International, another film that is on the same theme of nationalism and Indian culture, further strengthening that image. The fact that the title role he played in these two films has the name ‘Bharat’ helped a lot, of course.

In 1970 came another film that followed in the footsteps of his earlier creations, with the similar socially relevant theme of nationalism and Indian culture. Although not from the banner of Vishal International (the production house was Kunal Chitra, Bombay), the film was directed by S Ram Sharma, an old friend who had also directed ‘Shaheed’ of 1965. As with ‘Shaheed’, the story and screenplay is written by Manoj Kumar himself.

The cast of actors for this film is listed as Nutan, Manoj Kumar, Pran, Prem Chopra, Kamini Kaushal, Mehmood (Junior), Madan Puri, Tiwari, Mohan Choti, Lalita Chatterjee, Asit Sen, Lakshmichaya, Shammi, Manmohan, Paulson, Jayshree, Kuljeet, Renu, Raj Kishore, Harbans Pape, Kirti Behal, Manohar, Naidu, Beerbal, Hansraj, Shrinath, Mohan Jerry, Dubey, Sabeena, Manohar Gosvai, Kesho Rana, Brahm Bhardwaj, Sobati, Aleeja, Genius, Darshan M, Ravikant, Chandra, Mohan Chhotu, Narbada Shankar, and Ramlal etc. One cannot help but notice a set of names that had had become regular in the cast of actors in his films – Kamini Kaushal, Pran, Madan Puri, Prem Chopra, Asit Sen, Tiwari, Mohan Choti, Manmohan, Shammi etc.

The theme song of this film is “Iktaara Bole, Sun Sun Kya Kahe Ye Tumse”. The song was a major hit in its time, as the film tried to address the malaise of degradation of social values in the Indian society. The song touches upon a series of topics like population, corruption in routine life, fashion, cold war and deteriorating relations between nations, political leaders, religious dogmas etc. The theme runs in parallel to the romantic love interest between Manoj Kumar and Nutan, touching also upon the class/caste conflict in the society.

This song carries forward this message of class/caste conflict and the desire for social equality. The scenario relates to the class conflict in religion. A number of people are waiting outside a temple, to enter and to worship theie God. But the pujari (priest) at the temple, temporarily halts the entry of devotees into the temple, as the chief patron of the temple is expected shortly. Rana Shamsher Singh (role played by Tiwari) is the rich man who has provided the funding for the temple, and so the temple is known by his name – Rana Mandir. As other devotees wait to enter the temple, a war of words breaks out between Bhanu (name of the role played by Manoj Kumar, thankfully not Bharat, as in ‘Upkar’ and ‘Purab Aur Paschim’) and Rana, which turns into this song that tells about God and his relationship to His devotees. The words tell that God is not necessarily housed in the temple, and that He also manifests Himself in many other locations and endeavors that also involve the poor and the downtrodden of the society.

The words of this song are from the pen of Indeewar, who also wrote the iconic “Kasme Waade Pyaar Wafa Sab. . .” for Manoj Kumar’s ‘Upkar’. The music is by Kalyanji Anandji. This music director duo was the regular MDs for Manoj Kumar’s films – ‘Upkar’, ‘Purab Aur Paschim’ and ‘Yaadgar’. But come 1972, Manoj Kumar switched to Laxmikant Pyaarelal with his next venture ‘Shor’.

The singing voice is of Mahendra Kapoor, the playback singer that Manoj Kumar preferred for himself. Listen to this typical ‘Bharat’ message that helped further strengthen the image of Mr Bharat.

Song – Wo Khet Mein Milega, Khalihaan Mein Milega  (Yaadgaar) (1970) Singer – Mahendra Kapoor, Lyrics – Indeewar, MD – Kalyanji Anandji
Chorus
Tiwari

Lyrics (Provided by Avinash Scrapvaala)

aaye jahaan bhagwaan se pehle
kisi dhanwaan ka naam
us mandir ke dwaar khade khud
royen krishna aur raam

dhanwaan ko pehle miley
bhagwaan ke darshan
darshan ko tarastaa rahey
jo bhakt ho nirdhan
ye dakshina ki reet
ye pandon ke chhalaawe
dukaan mein biktey huye
mandir ke chadhaawe
aise hi agar
aise hi agar dharm ka vyaapar
chalega
bhagwaan ka duniya mein
koi naam na legaa
aisi jageh pe jaa ke tu kuchh bhi na paayega
bhagwaan aisa mandir khud chhod jaayegaa
chhod jaayega
chhod jaayega

bhagwaan raana mandir mein nahin
to aur kahaan milegaa

wo khet mein milega
khalihaan mein milegaa
wo khet mein ae milegaa
khalihaan mein milegaa
bhagwaan to ae bande..ae
bhagwaan to ae bande
insaan mein ae milegaa
wo khet mein milega
khalihaan mein milegaa

dhanwaan jo hai jhoothha..aa
ho ho o o 
shaitaan ke baraabar
aa aa aa aa
nirdhan agar hai sachchaa
bhagwaan ke baraabar
wo dhong mein nahin hai
imaan mein milegaa..aa
wo khet mein milegaa

ganga se bhi hai paawan
ho ho o o 
mazdoor ka paseena
aa aa aa aa
paani na koi samjhe
anmol ye nagina
aise hi paseenon ke nirmaan mein milegaa
wo khet mein milegaa

geeta sunaa rahaa hai..ae
aawaaz mein kalon ki..ee
taqdeer likh rahaa hai
nokon se wo halon ki..ee
mazdoor mein milegaa aa
wo kisaan mein ae milegaa aa
wo khet mein ae milegaa
khalihaan mein milegaa
bhagwaan to ae bande
insaan mein ae milega..aa
wo khet mein milega
khalihaan mein milega
wo khet mein milega
khalihaan mein milega
wo khet mein milega
khalihaan mein milega

bhagwaan to ae bande
insaan mein ae milega

———————————————————-
Hindi script lyrics (Provided by Avinash Scrapvaala)
———————————————————-

आये जहां भगवान से पहले
किसी धनवान का नाम
उस मंदिर के द्वार खड़े खुद
रोयें कृष्ण और राम

धनवान को पहले मिले
भगवान् के दर्शन
दर्शन को तरसता रहे
जो भक्त हो निर्धन
ये दक्षिणा कि रीत
ये पंडों के छलावे
दूकान में बिकते हुए
मंदिर के चढ़ावे
ऐसे ही अगर॰॰र
ऐसे ही अगर धर्म का व्यापार चलेगा
भगवान् का दुनिया में
कोई नाम ना लेगा
ऐसी जगह पे जाके तू कुछ भी न पायेगा
भगवान् ऐसा मंदिर खुद छोड़ जाएगा
छोड़ जाएगा
छोड़ जाएगा

(भगवान् राणा मंदिर में नहीं
तो और कहाँ मिलेगा)

वो खेत में मिलेगा
खलिहान में मिलेगा
वो खेत में ए मिलेगा
खलिहान में मिलेगा
भगवान् तो ए बन्दे॰॰ए
भगवान् तो ए बन्दे
इंसान में ए मिलेगा
वो खेत में मिलेगा
खलिहान में मिलेगा

धनवान जो है झूठा॰॰आ
हो हो ओ ओ
शैतान के बराबर
आ आ आ आ
निर्धन अगर है सच्चा
भगवान् के बराबर
वो ढोंग में नहीं है
ईमान में मिलेगा॰॰आ॰॰आ
वो खेत में मिलेगा

गंगा से भी है पावन
हो हो ओ ओ
मजदूर का पसीना
आ आ आ आ
पानी न कोई समझे
अनमोल ये नगीना
ऐसे ही पसीनों के निर्माण में मिलेगा
वो खेत में मिलेगा

गीता सुना रहा है॰॰ए
आवाज़ में कलों कि॰॰ई
तकदीर लिख रहा है
नोकों से वो हलों की॰॰ई
मजदूर में मिलेगा॰॰आ
वो किसान में ए मिलेगा॰॰आ
वो खेत में मिलेगा
खलिहान में मिलेगा

भगवान् तो ए बन्दे
इंसान में ए मिलेगा॰॰आ     
वो खेत में मिलेगा
खलिहान में मिलेगा
वो खेत में मिलेगा
खलिहान में मिलेगा
वो खेत में मिलेगा
खलिहान में मिलेगा


भगवान् तो ए बन्दे
इंसान में ए मिलेगा

 

Advertisements

This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3895 Post No. : 14935 Movie Count :

4077

Hullo to all in Atuldom

So, there is this thing called the 10-year challenge going-on on Facebook, at least I saw a few of my friend’s post “Then and Now” pictures. Atulji also has started something similar on the blog with this post “Inteha Ho Gai Intezaar Ki“. I found this more inspiring to participate in and I was thinking of how my association with this blog began exactly 10 years ago when my daughter stumbled on to this blog (I know I have mentioned this a number of times, sorry for repeating). Then she saw that Atulji is kind enough to post songs requested by readers (followers) – there is a dedicated ‘farmaishes’ page on the blog.

As I sat to write on my 10-year journey with the blog I thought of the first date I landed on this treasure house of lyrics and videos. I don’t remember the exact date, it must be either the 13th or 14th March as it was on 15-3-2019 Peevesie’s first farmaish got posted; a song from the Dev Anand-Nutan starrer ‘Manzil’ (1960).

From then on whenever my daughter browsed the site, I would be sitting next to her. That was the period when we had only one computer in the family and each one was allotted a fixed time slot on the internet and if there was some incoming call, we used to lose net-connectivity as ours was still the dial-up connection. It was a few years later that we switched to broadband. And the switch to broadband also was needed when the kids (who were students then) needed their own lap-tops. Times have changed and I am the only broadband user and everyone has data connect on their mobiles to which they hook their laptops most often.

Oh, I am deviating from my 10-year story.

Then on 19th March I was with Peevesie when she posted a comment to this song “Jaaneman Tum Kamaal Karti Ho” . This was followed by a comment for “Dil Aaj Shaayar Hai. . .“. Oh, we have been ustaads at commenting because the next day I visited the blog and commented on “Logon Ka Dil Agar Jeetna Tumko Hai To“. And Peevesie’s Mom was born.

From then on, I learnt how to navigate the blog, comment on it and post farmaishes. And took on Atulji’s encouragement “Nice to have your say on this song. Please offer your comments regularly as they help me to come up with songs that I may not otherwise be aware of.” And have stayed on since then.

First time I commented from my own id was for the song “Phir Tumhaari Yaad Aai Hai Sanam“. For this song Atulji’s write-up was short and crisp, his only objective being sharing his priceless discovery, that song is indeed a gem. This post also has our Rajaji in a different avatar, don’t know why he didn’t continue. (Rajaji please answer)

My first song as a contributor – first with lyrics and then with posts- came much later. I don’t remember when I started using this “Hullo to all Atulites” but I somehow liked the idea of addressing the followers of the blog. I also don’t remember which was the first song I sent to celebrate a celebrity’s birthday. But continuing that habit here is one more.
[Editor’s Note: It was “Mere Yaar Ko Mere Allah, De Ek Chaand Sa Pyaara Lalla“, on 25th September, 2012.]

But as is the norm set by Atulji in his first post of this series on ’10-year challenge’ here is a list of songs that were posted on 18th March 2009.

Na Jaane Kahaan Tum The
Rehte The Kabhi Jinke Dil Me
Phul Gendwa Na Maaro
Jaa Jaa Jaa Mere Bachpan
Aati Rahengi Bahaarein
Jalta Hai Jiya Mera
Jee Chaahe Jee Chaahe

As I revisited these posts, I see that all the posts were short and crisp with a punchline that brought a smile to the lips. These punchlines were termed ATULISM by Rajaji.

Sample this from the simple post that accompanied the song “Aati Rahengi Bahaarein” from ‘Kasme Vaade’-

Here Amitabh Bachchan, a college professor lives in a palatial residence in such opulence that would give the Nizam of Hyderabad a complex. And only three people live in this palace and one cannot see a single domestic help anywhere. 🙂

Coming back to the purpose of this post – to remember Shashi Kapoor on his 81st birthday. Its already more than a full calendar year since he passed away; time has really flown. I had written down the story synopsis for the accompanying song a long time ago. I had wanted to send this post in 2013 when Shashi would have turned 76.

‘Atithee’ is a 1978 Shashi Kapoor- Shabana Azmi- Shatrughan Sinha- Vidya Sinha movie which I suppose didn’t do very well at the box office. Not much is there on the net other than the synopsis which IMDB.com gives. And I quote

Navendhu Kumar lives a poor lifestyle with his handicapped father, Mohan, housewife mom, two unmarried sisters, Leela and Rajni, a younger brother, Kundan, and a sweetheart in Meena. He works for Avinash Gupta, however, when differences occur, he is framed by Gupta for breaking and entering, arrested by the police, tried in court, and exiled from the town for a period of 12 months. After he leaves, the family is almost destitute and is exploited by Gupta. Then some months later, a young man, Anand, comes to visit them, informing them that Navendhu has sent him. He gives them some money for day to day expenses, gets some clothes for everyone, and a wheelchair for Mohan. He arranges the marriage of Rajni with her boyfriend, Ajay, despite strong opposition from Gupta, and falls in love with Leela. What the Kumar family does not know is that Anand is a fugitive on the run from the police in Bombay, and he harbors a dark secret that will change their lives forever.

To this, I had added,

Actually, what put me on this movie is the song which was posted on ASAD on 15th May 2013. In comments to that song from ‘Manoranjan’ (1974) I had mentioned about a Shashi Kapoor song that uses ‘Goya’ ‘Chunke’ ‘Kintu’ ‘Parantu’ etc and Harveypam(ji) said he only faintly remembered it. Then I sat and searched for the song and decided that it is going to be posted on March 18th that is Shashi Kapoor’s birthday. Today is his 76th birthday.

The song is written by Verma Malik, music is by Kalyanji Anandji and the singing voice is Kishore Kumar. In the song we see Shashi Kapoor playing a kind of love guru to Gayatri and her boyfriend (cannot identify him) a nice fun song so lets enjoy.

And be reminded of the cute charming smile of Shashi Kapoor. 🙂

Video


Audio

Song – Kya Karoon Mujhko Time Nahin (Atithee) (1978) Singer – Kishore Kumar, Lyrics – Verma Malik, MD – Kalyanji Anandji

Lyrics

arre bhai ek baat yaad aayi hai
aate aate
haalan ke
lekin
magar
goya
choon ke
chunanche
kintu
parantu
socha hai ke
keh doon jaate jaate
kya
ek baat aayi hai aate aate
ek baat aayi hai aate aate
ke socha kehdoon..oo..oo..oo
jaate jaate
ke socha kehdoon..oo..oo॰॰oo
jaate jaate
aur chaahta bhi hoon keh doon yahin
keh doon
bolo
haalan ke lekin magar goya choon ke chunache kintu parantu
kya karoon time nahi
haalan ke lekin magar goya choon ke chunache kintu parantu
kya karoon time nahin
kya karoon mujhko time nahin

dekho pyar karo tum aisa
aa aa aa aaa aaa
dekho pyar karo tum aisa
duniya karti hai jaisa
mera matlab hai ki aisa
tum samajh gaye na kaisa
ek duje ko lo tum jaanch
pyar pe dekho dekho aaye na aanch

arey
arey char bajne me paanch
mar gaye

arey aur bhi main samjhata yahin
arey aur bhi main samjhata yahin
kuch aur bhi main batlata yahin
haalan ke lekin magar goya choon ke chunache kintu parantu
kya karoon time nahin
kya karoon mujhko time nahin

arey bhai ek aur kahani yaad aa gayi
ha ha ha ha haa
ek aur kahani yaad aayi
da da daan
da da daan da
da dada daan da daada
ek choti si kahani thi
hmm mmm
ek raja ek rani thi
hmm mmm
ek choti si kahani thi
ek raja ek rani thi
rani ki jo naani thi 
aankh se woh kaani thi
aankh se jo kaani thi
rani ki wo naani thi
kaani thi naani thi
rani ki wo naani thi
naani naani naani
kaani kaani kaani
naani kaani naani kaani thi
arrey kuch bhi thi to kya hua
magar din raat yahi kehti thi
kehti thi wo ek hi baat
pyar me rahkna
haathon me haath
haan haan haathon me haath

arey mari paanch bajne me saat
mar gaya mera baap

arey aur bhi main samjhaata yahin
arey aur bhi main samjhaata yahin
kuch aur bhi main batlaata yahin
haalan ke lekin magar goya choon ke chunache kintu parantu
parantu
parantu
kya karoon time nahin
kya karoon mujhko time nahin

arey
arey ye dono premi kahaan chale gaye

———————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————

अरे भई एक बात याद आई है
आते आते
हालांकि
लेकिन
मगर
गोया
चूंकि
चुनाञ्चे
किन्तु
परंतु
सोचा है के
कह दूँ जाते जाते
क्या
एक बात आई है आते आते
एक बात आई है आते आते
के सोचा कह दूँ॰॰ऊं॰॰ऊं॰॰ऊं
जाते जाते
के सोचा कह दूँ॰॰ऊं॰॰ऊं॰॰ऊं
जाते जाते
और चाहता भी हूँ कह दूँ यहीं
कह दूँ
बोलो
हालांकि लेकिन मगर गोया चूँकि चुनांचे किन्तु परंतु
क्या करूँ टाइम नहीं
क्या करूँ मुझको टाइम नहीं

देखो प्यार करो तुम ऐसा
अ अ आ
अ अ आ
अ अ आ आ
देखो प्यार करो तुम ऐसा
दुनिया करती है जैसा
मेरा मतलब है कि ऐसा
तुम समझ गए ना कैसा’
एक दूजे को लो तुम जांच
प्यार पे देखो देखो आए ना आंच

अरे
अरे चार बजने में पाँच
मर गए

अरे और भी मैं समझाता यहीं
अरे और भी मैं समझाता यहीं
कुछ और भी मैं बतलाता यहीं
हालांकि लेकिन मगर गोया चूँकि चुनांचे किन्तु परंतु
क्या करूँ टाइम नहीं
क्या करूँ मुझको टाइम नहीं

अरे भई एक और कहानी याद आ गई
ह ह ह ह हा
एक और कहानी याद आई
ड ड डां
ड ड डां डा
ड डाडा डां डा डाडा
एक छोटी सी कहानी थी
हम्म हम्म
एक राजा एक रानी थी
हम्म हम्म
एक छोटी सी कहानी थी
एक राजा एक रानी थी
रानी कि जो नानी थी
आँख से वो कानी थी
आँख से जो कानी थी
रानी कि वो नानी थी
कानी थी नानी थी
रानी कि वो नानी थी
नानी नानी नानी
कानी कानी कानी
नानी कानी नानी कानी थी
अरे कुछ भी थी तो क्या हुआ
मगर दिन रात यही कहती थी
कहती थी वो एक ही बात
प्यार में रखना
हाथों में हाथ
हाँ हाँ हाथों में हाथ

अरे मरी पाँच बजने में सात
मर गया मेरा बाप

अरे और भी मैं समझाता यहीं
अरे और भी मैं समझाता यहीं
कुछ और भी मैं बतलाता यहीं
हालांकि लेकिन मगर गोया चूँकि चुनांचे किन्तु परंतु
क्या करूँ टाइम नहीं
क्या करूँ मुझको टाइम नहीं

अरे
अरे ये दोनों प्रेमी कहाँ चले गए


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3839 Post No. : 14851

Mohammed Rafi – Duets – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 33
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘स’ – सुन गोरी खोल ज़रा घूँघट का डोर ॰ ॰ ॰

– – – –

॰ ॰ ॰जिनके मिलन को तरसे
वो तो ना आए
मौसम आए जाये॰ ॰ ॰

It is your words that tell of this predicament. Seasons come and go, as they have, year on year on year. . .  but the one who this heart wants to listen to again, has not returned after going away. . .

– – – –

Rafi Sb has sung playback for a whole range of performers all the way from mid 1940s to early 1980s, and then some. He never declined to sing for any actor, be that a newcomer, a junior artist, or even non-entities who made just one song, one film appearances. On the other hand, the association of Rafi Sb’s voice with some very important and specific performers, has been well discussed and documented. Almost invariably, Rafi Sb was the singing voice for these artists, no matter what.

One name that is very familiar in this context is Johnny Walker. Starting his career as a small time comedian, Johnny Walker went on to command such importance in the film world that his role, and invariably a song lip-synched by him, was part of a formula in the world of Hindi cinema. Pick any Johnny Walker film in 1950s and 1960s – you can be sure there is also a song performed by him, with playback from Rafi Sb. Rafi Sb was able to create that unique and peculiar rendition for Johnny Walker songs, that blended so seamlessly with actor’s dialogue delivery and acting styles. That is the depth of the singing prowess of Rafi Sb. And it applies across all actors. He sang for them, in their own styles, almost completely making himself invisible inside that actor.

Today’s song in this series is a typical Johnny Walker song. The film is ‘Phool Baney Angaarey’ from 1963. The film is produced under the banner of Asiatic Arts Production, and is directed by Suraj Prakash. This is a social drama that weaves a story of a joint family during the period of India’s 1962 war with China. The star cast includes Mala Sinha, Raj Kumar, Johnny Walker, Ashish Kumar, Shammi, Mumtaz Begum, Mukri, Nasreen, Tuntun, Sarita Devi, Lakshmi, Leela Mishra, Chaman Puri, Ravikant, Mansaram, and Bhalla amongst others.

Geet Kosh lists six songs for this film. All songs are written by Anand Bakshi, and the music is composed by Kalyanji Anandji. Two songs of this film are already showcased here.

In this duet, Rafi Sb is accompanied by Kamal Barot. On screen, the song is performed by Johnny Walker and Shammi. The scenario is the first night of a newlywed couple. The groom is making efforts and requesting the bride to open her ghunghat and allow him to see her face. The exchange is comical, of course, given that Johnny Walker is the groom. He even mentions that yes, they have met before also, but that he just wants to confirm that he got married to the same person.

Enjoy this fun song, the penultimate in this series. Concluding episode should be coming shortly. 🙂

Song – Sun Gori Khol Zara Ghunghat Ka Door  (Phool Baney Angaarey) (1963) Singer – Mohammed Rafi, Kamal Barot, Lyrics – Anand Bakshi, MD – Kalyanji Anandji

Lyrics 

sun gori khol zara ghunghat ka door
ghunghat ka door
honay bhi de zara akhiyaan four
oon hoon
sun gori khol zara ghunghat ka door
ghunghat ka door
honay bhi de zara akhiyaan four

yaad hai tujhe chaupaati ka wo footpath
hui thi jahaan hamaari pehli mulaqaat
aaa haan
yaad hai tujhe chaupaati ka wo footpath
hui thi jahaan hamaari pehli mulaqaat
dekhoon zara tu hai wahi ya hai koi aur
sun gori khol zara ghunghat ka door
ghunghat ka door
honay bhi de zara akhiyaan four
oon hoon
sun gori khol zara ghunghat ka door
ghunghat ka door
honay bhi de zara akhiyaan four

main hoon tera husband
tu hai meri wife
ye hi afsos to rahegi saari life
ain
kya kaha
hee
arey main hoon tera husband
tu hai meri wife
ye hi afsos to rahegi saari life
life pe karenge hum phir kabhi gaur
sun gori khol zara ghunghat ka door
ghunghat ka door
honay bhi de zara akhiyaan four
oon hoon
sun gori khol zara ghunghat ka door
ghunghat ka door
honay bhi de zara akhiyaan four
bhaai
four

yaad hai tujhe wo mera taan tod saang
saang tha kaahe ka wo thi murge ki baang
[cock a doodle sounds]
yaad hai tujhe wo mera taan tod saang
sang tha kaahe ka wo thi murge ki baang
tu ne usi baang pe kaha tha once more
o sun gori khol zara ghunghat ka door
ghunghat ka door
honay bhi de zara akhiyaan four
oon hoon
sun gori khol zara ghunghat ka door
ghunghat ka door
honay bhi de zara akhiyaan four

———————————————————
Hindi Script Lyrics (Provided by Sudhir)
———————————————————

सुन गोरी खोल ज़रा घूँघट का डोर
घूँघट का डोर
होने भी दे ज़रा अखियाँ फोर
ऊँ हूँ
सुन गोरी खोल ज़रा घूँघट का डोर
घूँघट का डोर
होने भी दे ज़रा अखियाँ फोर

याद है तुझे चौपाटी का वो फूटपाथ
हुई थी जहां हमारी पहली मुलाकात
आ हाँ
याद है तुझे चौपाटी का वो फूटपाथ
हुई थी जहां हमारी पहली मुलाकात
देखूँ ज़रा तू है वही या है कोई और
सुन गोरी खोल ज़रा घूँघट का डोर
घूँघट का डोर
होने भी दे ज़रा अखियाँ फोर
ऊँ हूँ
सुन गोरी खोल ज़रा घूँघट का डोर
घूँघट का डोर
होने भी दे ज़रा अखियाँ फोर

मैं हूँ तेरा हसबेंड
तू है मेरी वाइफ़
ये ही अफसोस तो रहेगा सारी लाइफ
ऐं
क्या कहा
ही
अरे मैं हूँ तेरा हसबेंड
तू है मेरी वाइफ़
ये ही अफसोस तो रहेगा सारी लाइफ
लाइफ पे करेंगे हम फिर कभी गौर
सुन गोरी खोल ज़रा घूँघट का डोर
घूँघट का डोर
होने भी दे ज़रा अखियाँ फोर
ऊँ हूँ
सुन गोरी खोल ज़रा घूँघट का डोर
घूँघट का डोर
होने भी दे ज़रा अखियाँ फोर

याद है तुझे वो मेरा तान तोड़ सांग
सांग था काहे का वो थी मुर्गे की बांग
[मुर्गे की बांग का शब्द]
याद है तुझे वो मेरा तान तोड़ सांग
सांग था काहे का वो थी मुर्गे की बांग
तूने उसी बांग पे कहा था वंस मोर
ओ सुन गोरी खोल ज़रा घूँघट का डोर
घूँघट का डोर
होने भी दे ज़रा अखियाँ फोर
ऊँ हूँ
सुन गोरी खोल ज़रा घूँघट का डोर
घूँघट का डोर
होने भी दे ज़रा अखियाँ फोर


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3827 Post No. : 14832 Movie Count :

4056

#the Decade of Seventies – 1971 – 1980 #
———————————————————–—
# Bhoole-Bisre Geet # 78 # Singer – Mahendra Kapoor #
—————————————————————————-

Today 9th January is the birth anniversary of Singer Mahendra Kapoor (9 January 1934 – 27 September 2008). Had he been alive today he would have been eighty-five years old.

On today’s occasion here is a song from the 1972 movie ‘Maalik’ sung by Mahendra Kapoor and composed by Kalyanji -Anandji. Lyrics are by Rajinder Krishan.

I have vague memories of watching this film on ‘Doordarshan’ and do not remember it now. In my childhood I had been hearing this song ‘Kanhaiyya Kanhaiyya Tujhe Aana Padega’ on loud speakers during the ‘Janmashtami’ festival. This song was very popular in those years. And after watching this movie ‘Maalik’ on ‘Doordarshan’ around 1983-1985, I came to know it was from this movie. However today on the occasion of birth anniversary of Singer Mahendra Kapoor, I am presenting herewith another Krishna song from the same film.

‘Maalik’ was directed by A Bhim Singh for Bharat Movies, Madras. It was produced by Vasu Menon. It had Sharmila Tagore, Rajesh Khanna, Deven Verma, Sonia Sahni, Bipin Gupta, Shivraj, Umesh Sharma, NS Bedi, Prem Kumar, Kabir Kumar, Baby Pinki and Ashok Kumar (in a special appearance). Story for this movie was written by Balamurugan. Dialogues of this movie were written by Rajinder Krishan (who also wrote the lyrics for all songs in this movie). Editing of this movie was done by A Paul Doraisingam. NS Bedi was also the dialogue director of this movie. This movie was passed by the Censor Board on 26.10.1972.

Rajesh Khanna played a different role in this movie from what was expected from him then and that too when he was on the peak of his career. May be because of that the movie didn’t fare well at the box-office, and may be because people might not have like to watch Rajesh Khanna in this type of role.

Our group of friends then who were the fans of Rajesh Khanna, did not like this movie much when we watched it on ‘Doordarshan’ then in 1983-85. And I remember next day we had discussed this movie and Kaka’s role in it at length. (But that is the matter for another article on Rajesh Khanna series. 🙂

The brief about this movie ‘Maalik-1972’ as given on IMDB is as below;

Rajesh and Savitri are in love, and soon they get married. They soon realize that they have a number of differences, the main one being that while Rajesh is a devout Hindu and worships Lord Krishna, Savitri does not believe in God. This leads to a number of arguments, yet both continue on with their married life. Soon a child is born to them. Unfortunately, the child is born without hands and legs. Both are anguished by this, and decide to placate God by visiting various places of worship all over India, little knowing that the truth lies elsewhere.

This movie has total thirteen songs as listed in HFGK Vol-V (1971-1980). Out of these thirteen songs, the singer’s name has not been mentioned for one song. Out of the remaining twelve songs we have one solo sung by Kishore Kumar, one solo by Lata Mangeshkar, three solo songs sung by Mahendra Kapoor and seven duets of Mahendra Kapoor with Lata Mangeshkar. That way, including the multiple version songs we have Mahendra Kapoor’s voice in as many as ten songs in this movie.

There was one movie made with the same title as ‘Maalik’ in ‘1958’. Five songs from this 1958 movie are already posted on our blog.

Today ‘Maalik’ of 1972 makes its debut on the blog. Here is this first song from this movie appearing here which is sung by Mahendra Kapoor and chorus.

Let us now listen to the today’s song in the voice of Mahendra Kapoor and chorus.

Radhe Krishna bol mukh se
tero kya laage re mol

Song – Radhe Krishna Bol Mukh Se (Maalik) (1972) Singer – Mahendra Kapoor, Lyrics – Rajendra Krishna, MD – Kalyanji Anandji

Lyrics

aaaa aa aa aa
radhe krishna bol mukh se ae
radhe krishna
bol mukh se
radhe krishna bol
tero 
kya laage re mol
tero
kya laage re mol
tero
kya laage re mol
ho ho o o o
radhe krishna bol mukh se
radhe krishna bol tero
kya laage re mol
tero
kya laage re mol

(western dance music)

pee le shyam naam ka pyaala
aa aa aa aa
pee le shyam naam ka pyaala
aur ho ja saancha matwaala
aur ho ja saancha matwaala
girdhar ke rang mein rang ja
re rang ja
tero
kya laage re mol
tero
kya laage re mol
tero
kya laage re mol

(western dance music)

natwar se preet lagaa le
ae ae ae ae
natwar se preet lagaa le
chhavi sundar man mein basaa le ae
chhavi sundar man mein basaa le
bansi ki dhun mein kho ja re kho ja        
tero
kya laage re mol
tero
kya laage re mol
ho ho o o
radhe krishna bol mukh se
radhe krishna bol mukh se
radhe krishna bol
mukh se re
radhe krishna bol

(western dance music)

radhe krishna bol
radhe krishna bol
radhe krishna bol
radhe krishna bol

(western dance music)

radhe krishna bol
radhe krishna bol

(western dance music)

radhe krishna bol
radhe krishna bol
radhe krishna bol
radhe krishna bol

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

आ आ आ आ
राधे कृष्ण बोल मुख से ए
राधे कृष्ण
बोल मुख से
राधे कृष्ण बोल
तेरो
क्या लागे रे मोल
तेरो
क्या लागे रे मोल
तेरो
क्या लागे रे मोल
हो ओ ओ ओ
राधे कृष्ण बोल मुख से
राधे कृष्ण बोल
तेरो
क्या लागे रे मोल
तेरो
क्या लागे रे मोल

(पाश्चात्य संगीत)

पी ले श्याम नाम का प्याला
आ आ आ आ
पी ले श्याम नाम का प्याला
और हो जा सांचा मतवाला
और हो जा सांचा मतवाला
गिरधर के रंग में रंग जा
रे रंग जा
तेरो
क्या लागे रे मोल
तेरो
क्या लागे रे मोल
तेरो
क्या लागे रे मोल
 
(पाश्चात्य संगीत)

नटवर से प्रीत लगा ले
ए ए ए ए
नटवर से प्रीत लगा ले
छवि सुन्दर मन में बसा ले ए
छवि सुन्दर मन में बसा ले
बंसी कि धुन में खो जा रे खो जा
तेरो
क्या लागे रे मोल
तेरो
क्या लागे रे मोल
हो हो ओ ओ
राधे कृष्ण बोल मुख से
राधे कृष्ण बोल मुख से
राधे कृष्ण बोल
मुख से रे
राधे कृष्ण बोल

(पाश्चात्य संगीत)

राधे कृष्ण बोल
राधे कृष्ण बोल
राधे कृष्ण बोल
राधे कृष्ण बोल

(पाश्चात्य संगीत)

राधे कृष्ण बोल
राधे कृष्ण बोल

(पाश्चात्य संगीत)

राधे कृष्ण बोल
राधे कृष्ण बोल
राधे कृष्ण बोल
राधे कृष्ण बोल


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3820 Post No. : 14819

Hullo to all of Atuldom

Let me start by wishing all you readers a very Happy New Year. I hope you and your loved ones have a wonderful 2019, with a lot of happiness, good health and success in whatever you wish to achieve.

Today is the 2nd of January and our Anniversary Page tells me it is the birth anniversary of Sadashiv Amrapurkar, and the death anniversary of David.

But neither of these is the subject of my post today.

Absolutely no disrespect to them, but today’s post is about a couple of other persons who also happen to have their birthday today.

A few days ago, Avinashji contacted me and reminded me that the birthday of two Atulites was coming up. He had a song in mind, and asked me if I could do a post for the occasion.

Now every year around this time (end-Dec/early Jan) I get a bit busier than usual. I have family visiting me from overseas, as it is Christmas vacation in most places around the world. Besides, this year I have some family events also around New Year’s time, requiring me to plan and travel.

So I wasn’t absolutely sure I’d be able to write this post – so I told Avinashji I’d try.

So here I am.

I will not keep you in suspense any longer about the identity of the two Atulites involved.

First, Pradeepji. (I am taking them up one by one so that you don’t stop reading right here. And no, you’re not allowed to skip to the next part of the post. 🙂 )

If some more recent readers of this blog are not particularly familiar with Pradeepji, I can understand. In recent times, he has not been very active on the blog – but he has a long history with it. And when there is a mega occasion, like when the blog completed 10 years a few months ago, we can always expect him to write a post for the occasion.

I’ve known Pradeepji from the early days when he used to comment on the blog. Then we finally got to meet in October 2014, when we had our first Atulites’ gangout in Bangalore. Pradeepji came all the way from Chennai for the event.

It was just wonderful to meet him, as also all the other Atulites who I finally got to meet face-to-face. We had a fantastic time, discussing music (of course!) but also other stuff.

Pradeepji is multi-faceted, in that not only is he a keen lover of music in a passive sense, he also tries to use his tech-oriented mind to look for ways to propagate music. It was Pradeepji who first tried to get our blog onto mobile devices in a manner that could enhance its richness, using features of software like itunes.

Pradeepji was keen to exploit the richness of our blog beyond its existing framework. So, after discussion with Atul and others, he started a project where, when all songs of a film were covered on the blog, he would load that film’s songs onto another platform. This process would involve enriching the data by adding more tags, thus allowing for even more filtering possibilities. To provide an even more nostalgic experience, he would add a poster of the film wherever possible.

I will not discuss this project in more detail because I don’t want to expose my ignorance on it. 🙂 But some of us were happy to join in and help out. I was also involved for a brief period, but there were others who were involved for much longer.

Now, for a film to be eligible to be picked up by Pradeepji for his project, all its songs had to be posted on the blog. There’s no point in doing multiple iterations for the same film. So Pradeepji would wait for a film to be “complete”. And whenever that would happen, he would respond in the comments with a “Yippeeee”. 🙂

And that’s how the project got its name, that’s how the name stuck.

So much so, that when Atul would post the final song of a film here, he’d himself mention that the film is ready to be “Yippeeed”. In other words, ready to be taken over by Pradeepji and his team. 🙂

As a result, for many of us, if we had to represent Pradeepji with one word, it would be “Yippeeee”! 🙂

After that first Bangalore gangout, we had a couple of others too, but Pradeepji couldn’t attend. However I did get to meet him earlier this year on a visit to Chennai. Although it was only for a few minutes, not more than half an hour, it felt really good. We caught up with developments. Pradeepji, multi-faceted person that he is, is busy on multiple projects, developing websites for e-commerce. Mostly out of passion for trying out different things.

From my interactions with Pradeepji, whether face-to-face or otherwise (during the Yippeeee project), I noticed that he is not just a warm person and extremely down-to-earth, he also has a lot of energy and enthusiasm for things. I believe the term for this sort of enthusiastic persion is “zinda dil”?

Anyway, today, on his birthday, I wish him a very happy birthday on behalf of all Atulites.

Now, to our second Atulite birthday today.

If you’ve been sharp enough, you might have picked up a hint already from the way I started this post. It’s not my usual style.

There’s one Atulite who starts posts in this manner – “Hullo to all in Atuldom”.

And that is Peevisie’s Mom.

It’s her birthday also today, and it gives me great pleasure to be able to write this post to wish her on the occasion.

Now Peevisie’s Mom (PM) and I have met a few times more than Pradeepji and I. We live in the same city, so it’s easier to meet up for an occasion. We first met on that first Bangalore Gangout day in October 2014 (the same one that Pradeepji also attended). Thereafter, we met at the next one too, and also on other occasions like when Arunji and Avinashji visited Bangalore, or when Lalitha visited Bangalore (when I first got to meet Peevisie’s Dad too). Besides, we speak on the phone every now and then – usually discussing a post, or she reminds me of an anniversary coming up. 🙂

I talked about Pradeepji’s enthusiasm and his being “zinda dil” – that applies equally to PM too. She too is a very enthusiastic and cheerful person – so much so, that it even tends to rub off on an otherwise gloomy me. Everytime after a conversation with her, usually on the phone for a few minutes, I feel better. And I can’t say that for a lot of people. 🙂

She’s also one of the most active persons on our Atulite whatsapp group, participating in every discussion. But that’s the energy she brings with her – whether on the group, or in conversation or in a post. She’s a wonderfully friendly and warm person – and that warmth is infectious. Which also explains why I feel better after a conversation with her. 🙂

She’s also hugely passionate about HFM and movies – which is what brought us all together to this blog in the first place. But unlike me, her knowledge isn’t limited to any specific eras or genres. For example, I barely know 5 songs of this millennium, she would know almost every film released and its music. No wonder many of the post-2000 songs posted here are from her (and Peevisie herself, of course). And yet she also knows old songs – maybe partly because she also listens to radio or watches song programmes on TV. So her knowledge is definitely wide.

She’s very fond of this blog – we can see that she tries to post on as many anniversary occasions as possible. I remember there was a time when I had more posts here than she did. In fact at that time, I had even a few posts more than Avinashji. But clearly, they were both going to overtake me, because I was hardly posting at that time. She called me up and when this topic came up, she said “bade bhai se aage nikalne ka permission chaahiye”. 🙂 We had a good laugh about it. 🙂

All in all, she’s a wonderful friend to have – and I’m fortunate to have her as a friend.

I wish her too a very happy birthday on behalf of all Atulites.

Now, for the song for today.

It’s a song picked by Avinashji – a fitting birthday song for the occasion. I want to mention here that this post wouldn’t have happened if not for Avinashji’s initiative, so it must be seen as a joint effort by both of us.

The song is “Pam para rum pum” from Trishna (1978), a GP Sippy Productions film. It is sung by Kishore Kumar and the chorus (in which a very young Sadhana Sargam got a chance to sing).

I’ve seen this movie but I don’t recall too much of the story now. It had to do with relationships, a “murder”, suspicion etc, from what I vaguely remember. I need to watch the film again.

In any case, let’s enjoy the song, as we wish both Pradeepji and Peevisie’s Mom a very happy birthday.
Editor’s note-Today is the birthday of Sheela Ji, Avinash ji’s better half’s birthday as well. So happy birthday and many happy returns of the day to her as well.


Song-Pam para rum pum (Trishna)(1978) Singer-Kishore Kumar, Lyrics-Indeewar, MD-Kalyanji Anandji
Chorus

Lyrics

aa aa
Very good!
aa aa
Shaabaash!

Hey Pam para rum pum
Pum pum pum
Pum para rum pum
Pum pum pum
Bole bole
Jeevan ki sargam
Hey
Pam para rum pum
Pum pum pum
Pum para rum pum
Pum pum pum
Bole bole
Jeevan ki sargam

Har rang mein
Har roop mein
Har rang mein
Har roop mein
Tum hanste raho har dum
Bolo
Pam para rum pum
Pum pum pum
Pum para rum pum

Pum pum pum
Bole bole
Jeevan ki sargam

Shaabaash!
Pam para rum pum
Pum pum pum
Pum para rum pum

Pum pum pum
Bole bole
Jeevan ki sargam

Tum pyaare pyaare phoolon ko dekho
Dekho
Dekho
Hai na?
Haan
Tum pyaare pyaare phoolon ko dekho
Todey jaane se bhi hanste hain
Todey jaane se bhi hanste hain
Hanste hain jo bhi aisi adaa se
Sabke dil mein wohi baste hain
Sabke dil mein wohi baste hain
Kaisebhi haan haalaat apne bas mein ye baat
Kaise bhi haan haalaat apne bas mein ye baat
Dhoondhh sakte hain gham mein bhi khushi hum
Bolo
Pam para rum pum
Pum pum pum
Pum para rum pum

Pum pum pum
Bole bole
Jeevan ki sargam

shaabaash
Pam para rum pum
Pum pum pum
Pum para rum pum

Pum pum pum
Bole bole
Jeevan ki sargam

La la la
La la la la la
La la la
La la la la la

Kal jo aaya nahin uska gham kya
Kal jo aaya nahin uska gham kya
Kal jo beeta hai kya uska rona
Kal jo beeta hai kya uska rona
Aaj mein hi chhupa saara jeevan
Aaj ke din ko yunh hi na khona
Aaj ke din ko yunh hi na khona
Saare jeevan ka mol
Bas pyaar ke do bol
Saare jeevan ka mol
Bas pyaar ke do bol
Muskura do badal jaaye mausam
Bolo
Pam para rum pum
Pum pum pum
Pum para rum pum

Pum pum pum
Bole bole
Jeevan ki sargam

Har rang mein
Har roop mein
Har rang mein
Har roop mein
Tum hanste raho har dum

Bolo
Pam para rum pum
Pum pum pum
Pum para rum pum

Pum pum pum
Bole bole
Jeevan ki sargam

Phir se ek baar bolo
Pam para rum pum
shaabaash
Pum pum pum
Pum para rum pum
Pum pum pum

ye baat hai
Bole bole
Jeevan ki sargam

La la la
La la la la la
La la la
La la la la la

Aaiye aaiye
Aaiye
Gaaiye na
Oho come on please
La la la
La la la la la
La la la
La la la la la

———————————–
Devnagri script Lyrics (Provided by Avinash Scrapwala )
———————————–
व्हेरी गुड
शाबाश

हे तम तारा रम पम
पम पम पम
पम पारा पम पम
पम पम पम
बोले बोले जीवन की सरगम

हे तम तारा रम पम
पम पम पम
पम पारा पम पम

पम पम पम
बोले बोले जीवन की सरगम

हर रंग में
हर रूप में
हर रंग में
हर रूप में
तुम हँसते रहो हरदम
बोलो
तम तारा रम पम
पम पम पम
पम पारा पम पम

पम पम पम
बोले बोले जीवन की सरगम
शाबाश
तम तारा रम पम
पम पम पम
पम पारा पम पम

पम पम पम
बोले बोले जीवन की सरगम

तुम प्यारे प्यारे फूलों को देखो
देखो
देखो
हैं ना
हाँ
तुम प्यारे प्यारे फूलों को देखो
तोड़े जाने पे भी हँसते हैं
तोड़े जाने पे भी हँसते हैं
हँसते है जो भी ऐसी अदा से ए
सब के दिल में वही बसते है
सब के दिल में वही बसते है
कैसे भी हों हालात
अपने बस में ये बात
कैसे भी हों हालात
अपने बस में ये बात
ढूंढ सकते है
ग़म में ख़ुशी हम
बोलो
तम तारा रम पम
पम पम पम
पम पारा पम पम

पम पम पम
बोले बोले जीवन की सरगम
शाबाश
तम तारा रम पम
पम पम पम
पम पारा पम पम

पम पम पम
बोले बोले जीवन की सरगम

ला ल ला
ल ल ला ल ला
ला ल ला
ल ल ला ल ला

कल जो आया नहीं उसका ग़म क्या
कल जो आया नहीं उसका ग़म क्या
कल जो बीता है क्या उसका रोना
कल जो बीता है क्या उसका रोना
आज में ही छुपा सारा जीवन
आज के दिन को यूँही न खोना
आज के दिन को यूँही न खोना
सारे जीवन का मोल
बस प्यारे के दो बोल
सारे जीवन का मोल
बस प्यारे के दो बोल
मुस्कुरा दो
बदल जाए मौसम
बोलो
तम तारा रम पम
पम पम पम
पम पारा पम पम

पम पम पम
बोले बोले जीवन की सरगम

हर रंग में
हर रूप में
हर रंग में
हर रूप में
तुम हँसते रहो हरदम
बोलो
तम तारा रम पम
पम पम पम
पम पारा पम पम

पम पम पम
बोले बोले जीवन की सरगम
फिर से एक बार बोलो

तम तारा रम पम
पम पम पम

शाबाश
पम पारा पम पम
पम पम पम

ये बात है
बोले बोले जीवन की सरगम
ला ल ला
ल ल ला ल ला
ला ल ला
ल ल ला ल ला

ला ल ला
ल ल ला ल ला
ला ल ला
ल ल ला ल ला

आईये आईये
आईये
गाईये न
ओह ओ
कामे ऑन प्लीज …
हे ला ल ला
ल ल ला ल ला
ला ल ला
ल ल ला ल ला


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3814 Post No. : 14812

# Superstar Child Artist – Jr. Mehmood # 5
—————————————————————————

Welcome all to this fifth article in this series, where I am presenting songs picturised on Superstar Child Artist Junior Mehmood and simultaneously exploring his filmography along with his biographical information too.

So far, we have enjoyed the following songs under this series;

Lagey koi lottery koi jackpot lagey

Na koi paisa na ilm

Mera naam hai Mehmood

Birha ki rain sooni sooni sejariya

As I have mentioned in my articles earlier, Junior Mehmood was a familiar name for us children who were growing and still young in the years of the ‘seventies’, and he was the most loved ‘child artist’ in those years of early seventies.

And because of those memories and nostalgia associated with the movies he acted, some of the songs picturised on him became a part of my permanent memory.

Today’s song is one such song and which surprisingly have remained to be posted on the blog so far.

Naeem Sayyad whom we know by the name of Junior Mehmood was born on 15th November’1956 in a middle-class family in Mumbai. His father was a railway engine driver in the railways and Naeem was among the six siblings in the family.

His elder brother was a photographer and used to work for films and during one such shoot when little Naeem accompanied him to watch the shooting it so happened that when a child star working in the movie ‘Kitna Naazuk Hai Dil’ (shelved) was not able to deliver his dialogues properly that little Naeem took a dig at him saying ‘you cannot even speak these simple lines’. The director of the movie was present there and he asked little Naeem if he can speak those lines without mistake and there little Naeem got his first break to work in Hindi movies and the rest is history, as he was noticed (on the sets of ‘Suhaag Raat-1968’) by the great comedian Mehmood who not only give his name to him and recommended him to many producers/directors. Thereafter it was not looking back for Junior Mehmood and he had gone on to become the most famous and beloved ‘child artist’ during those years and also one of the richest among other junior artists then.

Junior Mehmood celebrated his 62nd birth anniversary during last month (15th November) and though I personally wished him on his birthday on the 14th evening itself I got late in sending this article for the blog due to some hectic work schedule at workplace. (I also apologise to our Editors for the delay on my part in sending this article to them, even though I had sent them a message of sending the article then).

Well, coming back to the today’s song, it is from the 1970 movie ‘Ghar Ghar Ki Kahaani’.
Yes, the movie which is mostly famous for its song ‘samaa hai suhaana suhaana, nashe mein jahaan hai’. And very aptly this movie was launched with this song on the blog ( almost ten years back now 🙂 ) in 2009.

I also mentioned in my earlier articles under this series that I am trying to list out the filmography of Junior Mehmood since I found that the filmography mentioned by various sources had some discrepancies in it.

‘Naunihaal-1967’ was his first released movie.

He shot to fame with his performance in ‘Bramhachari-1968’ wherein he also performed on Mehmood’s ‘ham kaale hain to kya hua’ (from ‘Gumnaam-1965’).

Mehmood was his ‘Guru’.

In ‘1971’ he again performed on Mehmood’s famous ‘Mehbooba mehbooba bana leo mijhe dulha’ (from ‘Sadhu Aur Shaitaan-1968’) in the movie ‘Johar Mehmood in Hong Kong’ wherein Mehmood and I.S. Johar were the main leads.
I have mentioned the above in my earlier article in this series here.

We also saw him repeating Mehmood’s ‘Hamjoli-1966’ act in the song ‘birha ki rain sooni sooni sejariya’, which was covered in the previous article in this series.

However, during the preparation of today’s article I came across a link from the movie ‘Baalak-1969’ where Junior Mehmood is performing on Shashi Kapoor’s ‘Affo Khudaa’ from the 1965 movie ‘Jab Jab Phool Khile’. I am giving this link for interested readers to watch it here (just watch it and enjoy 🙂 ).

In the song being presented today we can see him doing a ‘Shammi Kapoor, Raj Kapoor, Dilip Kumar and Mehmood’ 😊

From 1967 to 1970 he acted in twenty-three movies as mentioned in the table given below.

And from this list we can guess how popular he was in those years.
(The HFGK Vol IV (1961-1970) does not mention the release dates of the movies so it is difficult to arrange the movie according to their date of release unless otherwise I watch each movie and note down its date of release from its certificate.)

Sno Movie Name Year
1 Naunihaal 1967
2 Gunehgaar 1967
3 Parivaar 1967
4 Brahmachari 1968
5 Farishta 1968
6 Sangharsh 1968
7 Suhaag Raat 1968
8 Vaasna 1968
9 Anjaana 1969
10 Baalak 1969
11 Chanda Aur Bijli 1969
12 Do Raaste 1969
13 Nateeja 1969
14 Pyaar Hi Pyaar 1969
15 Raja Saab 1969
16 Simla Road 1969
17 Vishwas 1969
18 Aan Milo Sajna 1970
19 Bachpan 1970
20 Ghar Ghar Ki Kahaani 1970
21 Harishchandra Taramati 1970
22 Kati Patang 1970
23 Yaadgaar 1970

‘Ghar Ghar Ki Kahaani-1970’ was directed by T. Prakash Rao for ‘Vijaya International, Bombay’.

It was produced by B. Nagi Reddi & Chakrapani.

It had Balraj Sahni, Nirupa Roy, Bharati, Gajanan Jagirdar, Sulochana Chatterjee, Shabnam, Maruti, Praveen Pal, Jalal Agha and Rakesh Roshan with Mahesh Kumar, Baby Sonia, Master Ripple and Junior Mehmood and supported by many others.

Om Prakash, Jagdeep and Shashikala made a ‘guest appearance’ in this movie.

The story of this movie was written by Poovanan M.A while the dialogues were written by Inder Raj Anand. Editing of this movie was done by C.P. Jamboolingam.

This movie had total five songs written by Rajinder Krishan (2), Hasrat Jaipuri (2) and Qamal Jalalabadi (1).
Music for this movie was composed by Kalyanji-Anandji.

Hemlata, Kishore Kumar, Lata Mangeshkar and Mahendra Kapoor had given their voices to the songs in this movie.

(going by the titles of this movie I guess it was passed by the Censor Board on 04.11.1970) …

This movie ‘Ghar Ghar Ki Kahaani-1970’ is important from the point of view of Junior Mehmood films because he was nominated for the National Award for the best child actor for this movie. However, it awarded to Rishi Kapoor for the movie ‘Mera Naam Joker-1970’.

I was curious to know how he had felt that time and want to know from Junior Mehmood himself. When asked about it, he was very humble to say that it was a quite happy moment in his life as he was appreciated and he didn’t have any regrets on not winning the award then.

Today’s song is sung by Hemlata and written by Qamar Jalalabadi. Music is composed by Kalyanji-Anandji.

Let us now enjoy the song …

Note *** (there are some parts of the old songs of Hindi movies used in this song of which the lyrics were already available on the blog and I have copied the respective ‘antaras/song’ from the blog and reproduced here, instead of noting down the lyrics again)


Song-Aisa banoonga actor main yaaron (Ghar Ghar Ki Kahaani)(1970) Singer-Hemlata, Lyrics-Qamar Jalalabadi, MD-Kalyanji Anandji
Chorus

Lyrics

Aisa banoonga actor main yaaron
Arey aisa banoonga actor main yaaron
Rang jamaa ke chhodoongaa
Choona lagaane waalon ko
Haay haay main
Choona lagaa ke chhodoonga
Hoye hoye
Choona lagaake chhodoonga
Aisa banoonga actor main yaaron

Aaj milaa thha mujhe paglaa kahin ka
Aaj milaa thha mujhe paglaa kahin ka
Tedhi thhi topi aur nakhra thha teekhaa
Kehne lagaa abhi door hai manzil
Bhoolo na beta badi acting hai mushkil
Maine kahaa dekho kaam ye niraala
Dekho palat ke jaana laala
Govindaa aalaa re aalaa
Zaraa matki sambhaal brijbaala
Bolo chamchon
ek do aur teen chaar
sang paanch chhah saat hain gwaalaa
Govindaa aalaa re aalaa
Zaraa matki sambhaal brijbaala

Aala re aala aa °°°°°°
Arey aisa banoonga actor main yaaron
Rang jamaa ke chhodoongaa
Choona lagaane waalon ko
Haay haay main
Choona lagaake chhodoonga
Hoye hoye
Choona lagaake chhodoonga
Aisa banoonga actor main yaaron

Kal miley thhe mujhe chhaliya baabu
Apan ne kar liya fauran kaabu
Boley tum ho bilkul bachche
Akal ke kachche
Tumse ye kaam hoga aa
Maine kahaa
Hogaa hogaa
Hogaa aa
dam-dam diga-diga
mausam bheega-bheega
dam-dam diga-diga
mausam bheega-bheega
bin piye main to gira, main to gira, main to gira
haay allaah, soorat aap ki subhaan-allaah
haay allaah, soorat aap ki subhaan-allaah
haay allaah, soorat aap ki subhaan-allaah
haay allaah, soorat aap ki subhaan-allaah

Aisa banoonga actor main yaaron
Rang jamaa ke chhodoongaa
Choona lagaane waalon ko
Haay haay main
Choona lagaake chhodoonga
Hoye hoye
Choona lagaake chhodoonga
Aisa banoonga actor main yaaron
Aha haa haa haa
Waah

Parson huyi thhi ek leader se takkar
Boley chhodo filmon ka chakkar
Main bhi bilkul bhola sa ban kar
Suntaa rahaa us leader ka lecture
Maine kahaa sun o mere bhaape
Abhi lagaata hoon sur saaten ae
madhuban mein Raadhikaa naache re ae
madhuban mein Raadhikaa naache re ae
Girdhar ki muraliyaa baaje re
madhuban mein Raadhikaa naache re
haa aa aa aa aa aa aa
haa aa aa aa aa aa aa
haa aa aa aa aa aa aa
haa aa aa aa aa aa aa
mridang baaje tirkitdhum tirkitdhum taa taa
mridang baaje titakitadhuum titakitadhuum taa taa
na chaka chuum chuum thaa thay thaa thay
chaka chuum chuum chana na na chuum chuum chana na na
kran taa kran taa kran taa dhaa dhaa dhaa
ae la la la la la la la
te ta na na na na

yek chatur naar kar ke singaar
yek chatur naar kar ke singaar
mere man ke dwaar ye ghusat jaat
ham marat jaat
arey he he he
he he he
chatur naar kar ke singaar…
pa re sa, sa sa sa ni dh sa
sa re sa dha dha pa
pa dha sa re sa
sa re ga dha pa
yak chatur naar kar ke singaa… r
tirikit taat
tinak dhin ta
dhinak dhin ta
tanak dhin taa taa thai
taa ta naa
taa tu nu
taa ti ni

(classical notations not deciphered)

ayiyo yenaa maa
ghoda bola nahi to chatur bola
yek pe rehna re
ghoda bola nahi to chatur bola
gaa …

—————————
Devnagri script Lyrics(Provided by Avinash Scrapwala)
—————————-
ऐसा बनूँगा एक्टर मैं यारों
अरे ऐसा बनूँगा एक्टर मैं यारों
रंग जमा के छोडूंगा
चूना लगाने वालों को
हाय हाय मैं
चूना लगाके छोडूंगा
होए होए
चूना लगाके छोडूंगा
ऐसा बनूँगा एक्टर मैं यारों

आज मिला था मुझे पगला कहीं का
आज मिला था मुझे पगला कहीं का
टेढ़ी थी टोपी और नखरा था तीखा
कहने लगा अभी दूर है मंज़िल
भूलो न बेटा बड़ी एक्टिंग है मुश्किल
मैंने कहा देखो काम ये निराला
देखो पलट के जाना लाला
गोविंदा आला रे आला
ज़रा मटकी संभाल ब्रिजबाला
बोलो चमचो
एक दो और तीन चार
संग पांच छह सात हैं ग्वाला
गोविंदा आला रे आला
ज़रा मटकी संभाल ब्रिजबाला

आला रे आला आ °°°°°°
ऐसा बनूँगा एक्टर मैं यारों
रंग जमा के छोडूंगा
चूना लगाने वालों को
हाय हाय मैं
चूना लगाके छोडूंगा
होए होए
चूना लगाके छोडूंगा
ऐसा बनूँगा एक्टर मैं यारों

कल मिले थे मुझे छलिया बाबू
अपन ने कर लिया फ़ौरन काबू
बोले तुम हो बिलकुल बच्चे
अकल के कच्चे
तुमसे हए काम होगा आ
मैंने कहा
होगा होगा
होगा आ

डम-डम डिगा-डिगा
मौसम भीगा भीगा
डम-डम डिगा-डिगा
मौसम भीगा भीगा
बिन पिए मैं तो गिरा, मैं तो गिरा, मैं तो गिरा
हाय अल्लाह, सूरत आप की सुभान अल्लाह
हाय अल्लाह, सूरत आप की सुभान अल्लाह
हाय अल्लाह, सूरत आप की सुभान अल्लाह
हाय अल्लाह, सूरत आप की सुभान अल्लाह

ऐसा बनूँगा एक्टर मैं यारों
रंग जमा के छोडूंगा
चूना लगाने वालों को
हाय हाय मैं
चूना लगाके छोडूंगा
होए होए
चूना लगाके छोडूंगा
ऐसा बनूँगा एक्टर मैं यारों

आहा हा हा हा
वाह
परसों हुयी थी एक लीडर से टक्कर
बोले छोडो फिल्मों का चक्कर
मैं भी बिलकुल भोला सा बन कर
सुनता रहा उस लीडर का लेक्चर
मैंने कहा सुन ओ मेरे भापे
अभी लगाता हूँ सुर साते
मधुबन में राधिका नाचे रे ए
मधुबन में राधिका नाचे रे ए
गिरधर की मुरलिया बाजे रे
मधुबन में राधिका नाचे रे
हा आ आ आ आ आ आ
हा आ आ आ आ आ आ
हा आ आ आ आ आ आ
हा आ आ आ आ आ आ

मृदंग बाजे तिरकिटधूम तिरकिटधूम ता ता
मृदंग बाजे तिताकिटधूम तिताकिटधूम ता ता
न चका छुम छुम था थई था थई
चका छुम छुम चना न न छूम छुम छाना न न
क्रं ता क्रं ता क्रं ता धा धा धा

ए ल ल ल ल ल ल
ते त न न न न
एक चतुर नार कर के सिंगार
एक चतुर नार कर के सिंगार
मेरे मन के द्वार ये घुसत जात
हम मरत जात अरे हे हे हे
हे हे हे
चतुर नार कर के सिंगार
प रे सा सा सा सा नि ध सा
सा रे सा ध ध प्
प् ध सा रे सा
सा रे ग ध पा
एक चतुर नार कर के सिंगार
तिरकिट तात
तिनक धिन ता
धिनक धिन ता
तनक धिन ता ता थई
ता त ना
ता तू नु
ता ती नि

(शास्त्रीय संगीत पर आधारित कुछ बोल जो नहीं लिए गए)

अयियो एन्ना माँ
घोडा बोला नहीं तो चतुर बोला
एक पे रहना
घोडा बोला नहीं तो चतुर बोला
गा …


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3793 Post No. : 14779

“Khan Dost”(1976) was directed by Dulal Guha for Ramayan Chitra Mandir, Bombay. The movie had Raj Kapoor, Shatrughan Sinha, Mithu Mukherji (new discovery), Satyen Kappu, Sulochana, Asit Sen, Jagdish Raj, Maruti, Prakash, Shekhar Purohit, Rajan Haksar, Duggal, Saminder Pande, Chandulal, Rajrani, Amar Sen, Sameer, Baby Lubna etc, with special appearances by Subhash Ghai, Jagdeep, Sundar, Leela Mishra and Yogita Bali.

The movie had three songs in it. One song has been covered in the past.

Here is the second song from “Khan Dost”(1976) to appear in the blog. This song is sung by Manna Dey. Indeewar is the lyricist. Music is composed by Kalyanji Anandji.

The song is picturised as a poignant song on Shatrughan Sinha who plays a prisoner and who is seen looking back at his wasted life with regret in this picturisation. The pictorisation also shows Satyen Kappu playing a jailor and Raj Kapoor playing his subordinate.

Incidentally, Hindi movie jails look like a police station where a prisoner is seen kept behind bars in a small room. That is because Hindi moviemakers cannot differentiate between a police station and a jail. 🙂

Audio

Video

Song-Meri zindagi tujhpe roye (Khan Dost)(1976) Singer-Manna Dey, Lyrics-Indeewar, MD-Kalyanji Anandji

Lyrics

meri zindagi mujhpe roye ae
roye

meri zindagi mujhpe roye ae
roye
meri zindagi mujhpe roye ae
roye
main kaam kisi ke na aa saka
main kaam kisi ke na aa saka
main pyaar kisi ka na pa saka
koi aise umr na khoye
meri zindagi mujhpe roye ae
roye

jo karz liya hai saanson ka
wo karz chuka na paaya
jo karz liya hai saanson ka
wo karz chuka na paaya
baaqi hi raha har karz mera
koi farz nibha na paaya
ab waqt kahaan kuchh kar sakoon
ab waqt kahaan kuchh kar sakoon
koi zakhm kisi ka bhar sakoon
ab pachhtaaye kya hoye
meri zindagi mujhpe roye ae
roye

kuchh bhi na kamaaya jeevan mein
maine sab kuchh hi ganvaaya
kuchh bhi na kamaaya jeevan mein
maine sab kuchh hi ganvaaya
jisne dikhlaai duniya mujhe
us maa ka dil bhi dukhaaya
jis pe hon gunaahon ke saaye
jis pe hon gunaahon ke saaye
wo chain kahaan se paaye
dariya bhi ye daag na dhoye
meri zindagi mujhpe roye ae
roye
main kaam kisi ke na aa saka
main pyaar kisi ka na pa saka
koi aise umr na khoye
meri zindagi mujhpe roye ae
roye
roye


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3736 Post No. : 14682

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 73 # Aaayo aayo Navratri tyohaar #
———————————————————————-

Season’s greetings and best wishes to all for the Navratri Festival starting today (10 october 2018)!!!

I have mentioned in a few of my earlier write-ups that festivals too bring back many memories and they in turn bring back memories of songs which we have heard years before… in my case ‘years before’ generally means ‘in my childhood days or in those years when I was growing’ 🙂

Today’s song is one such song which normally comes to my mind during celebration of the ‘Navratri festival’ every year. I was under impression that this song must have been posted on the blog earlier, however much to my surprise, this song is mot yet covered till now. And that gives me this opportunity to share this song today on the blog.

I vaguely remember that in our colony where we were staying then (for me after my birth in 1968 to 1984 when I was in eleventh standard :)) during Navratri Festival or Durga Pooja Festival the Durga Pooja Idol would be worshipped in the Colony Club or special ‘pandals’ arranged near the ‘Club Building’ and the ‘Stage’ (meant for the various programs held during the festival). However, unlike the ‘Ganpati Festival’ during which various ‘cultural programs’ would be held, during ‘Navratri’ it was mostly the staging of ‘Ramleela’ for nine/ten days.

I do not have any more special memories except a few songs that were played on the loud speakers and the “Ramleela” which I vaguely remember. Ttoday’s song is one such song that was frequently played on loud speakers during this festival and had been lying dormant in my memories since then.

The song that I am going to present today is from the ‘1971’ movie ‘Johar Mehmood in Hong Kong’.
Going by the date of passing of this movie by the Censor Board I was almost three years old then, when the movie was released. Johar whenever he combined with Mehmood in movies and Mehmood specially for his movies were always a point of discussion among the elders in the family. I remember watching ‘Johar Mehmood in Goa’ and ‘Johar Mehmood in Hong Kong’ with my Uncles. I do not remember if I also watched ‘Johar Mehmood in Kashmir’. These movies had good songs or good entertaining songs, so the songs were also not easily forgettable given their performances on these songs.

“Johar Mehmood in Hongkong” (1971) was produced by Madan Chopra and K.Z. Sheth. It was directed by S.A. Akbar.

It was M.O. Bawazir’s presentation for Mahesh Ashish.

The movie had I.S. Johar, Mehmood, Sonia Sahni, Aruna Irani, Tiwari, Kamal Kapoor, Tuntun, Manorama, Madhumati, Haroon, and Pran. Agha, Mukri, Jr. Mehmood, Polson, Shaikh, B.B. Bhalla, Raj Kishore, Khairati, Murad appear as Guest Artistes in this movie.

This movie was written by I.S. Johar who also wrote the screenplay and dialogues for this movie. Vithal Bankar was the editor for this movie.

Music for this movie was composed by Kalyanji Anandji who were assisted by Babla and where Parte was the arranger and Frank Fernand the Conductor.
There were Six songs in this movie penned by Qamar Jalalabadi (four songs) and two songs are jointly credited to Qamar Jalalabadi and Indeevar (as per HFGK).

Asha Bhonsle, Mohd Rafi, Mukesh, Shamshad Begam, Manna Dey and Usha Timothi gave their voices to the songs in this movie.
As per HFGK Lakshmi Shankar, Usha Khanna and Usha Mangeshkar’s voice has been in one song each, however their names are not mentioned in the titles of this movie (available on YT).

This movie was passed by Censor Board on 04.01.1971.

So far two songs from this movie have been posted on the blog. Today’s song is the third song from this movie to appear on the blog.

Today’s song happens during the ‘Navratri Celebrations’ which all ‘Hindustanis’ living in Hong Kong celebrate every year and send the ‘Garba matka’ to India. Our heroes Mahesh and Ramesh (readers can easily guess who is Mahesh and who is Ramesh) who successfully flee away from jail with other accomplices after giving ‘Jamal ghota’ to Kamal Kapoor, Pran & Co and reach Murad (who is head of the Indian Embassy in the movie I guess) with the ‘secret formula’. Murad advices them that the formula can be easily sent to India in this ‘matka’.

‘Ambe maiyya’ ab hamaari aur hamaare desh ki raksha tere haath hai, desh ke drohi e pujaariyon ko Bharat bhejne se pehle hi khatm kar dena chahte hai, magar Ambe maiyya agar Ramesh aur Mahesh khatm ho jaayen to tu apni chhah bhujaaon se chhah Ramesh aur Mahesh paida kar ke desh ke drohiyon ko chakkar mein daal dena.
Jai Ho …

That is what Ramesh praises to Ambe Maa before the song …

And that is why we have this patriotic garba and seeking the blessings of the goddess to save the mother land and our country …

The movie ends with this song on a happy note where the enemies die their own death and our heroes board the flight for India dancing and enjoying with the ‘secret formula’ in the ‘Garba Pot’.

From today the auspicious festival starts all over India.In Gujarat especially the excitement and preparations for the festival had already begun much earlier when I was there. The ‘garba and dandia’ bhajans and songs had already started playing on in shops, restaurants and public places where the celebrations were to be held.

I had wiitnessed all that during my brief two weeks stay in Gujarat. I have returned back to my work place as per planning and had to travel on Sunday and reaching my destination on this Monday evening >:)I am missing all that excitement a lot now 🙂

Today’s song is sung by Mohd Rafi and Mukesh. And since it involved Singer Mukesh I thought I should consult our Mahesh ji if I can do write-up with this song and he immediately responded that I can ‘go ahead’, thanks to Mahesh ji.

I also take this opportunity to wishing all a very ‘Happy Navratri Festival’ and may it be peaceful and enjoying for all and may the Goddess blessed us all with her blessings and gives us energy to do good for all and fight the evil within and around us …

Let us now enjoy this song composed by Kalyanji Anandji and sung by Mohd Rafi and Mukesh …

Video

Audio

Song-Hey aayo aayo navraatri tyohaar (Johar Mehmood in Hongkong)(1971) Singers-Rafi, Mukesh, Lyrics-Qamar Jalalabadi, MD-Kalyanji Anandji
Chorus

Lyrics

Hey Mai ee ee ee ee ee ee ee ee
Hey jab jab bheer padi bhaktan par
Hey toone suni ee pukaar
Ae Mai ee ee ee ee ee ee ee ee
Jiski rakshaa tu karey
Usey kya maarey sansaar

Usey kya maarey sansaar
hey ae aayo aayo navraatri tyohaar
He re aayo aayo navraatri tyohaar
Ho Ambe maiyyaa
teri jai jaikaar
Ho Ambe maiyyaa teri jai jaikaar

Hey ae kar de kar de ae
kar de kar de ae
Bhakton ka bedaa paar
Hey ae kar de kar de
Bhakton ka bedaa paar
Ho Ambe maiyyaa

teri jai jaikaar
Ho Ambe maiyyaa teri jai jaikaar

Ham to baalak tere maata
Aur tu jeewan daata hai
Aur tu jeewan daata hai
Koyi usko chhoo nahin paata
Teri sharan jo aata hai

Teri sharan jo aata hai
Hey ae ae ae
Aayi sinh pe sawaar teri shakti apaar
Tujhe Ambey Jagdambe jag saara jaane re
Ho jag saara jaane re
Aaj apna
Aaj apna
Dikhaa de chamatkaar

Ho o aaj apnaa dikha de chamatkaar
Ho Ambe maiyyaa teri jai jaikaar
Ho Ambe maiyyaa teri jai jaikaar
Kar de kar de
Bhakton ka bedaa paar
Ho kar de kar de
Bhakton ka bedaa paar
Ho Ambe maiyyaa teri jai jaikaar
Ho Ambe maiyyaa teri jai jaikaar

Vipadaa mein hai desh hamaara
Tu hi bachaane waali hai
Tu hi bachaane waali hai
Aanchal mein ye deep chhupaa le
Aandhi aane waali hai

Aandhi aane waali hai
Hey ae ae ae
bairi pichhe pade
Hamen ghere khade
Tujhe Ambey Jagdambe jag saaraa jaane re
Ho jag saara jaane re
Deshdrohi ka
Deshdrohi ka
Kar de bantaa dhaar
Ho o Deshdrohi ka
Kar de bantaa dhaar
Ho Ambe maiyyaa teri jai jaikaar
Ho Ambe maiyyaa teri jai jaikaar
Kar de kar de
Bhakton ka bedaa paar
Ho kar de kar de
Bhakton ka bedaa paar
Ho Ambe maiyyaa teri jai jaikaar
Ho Ambe maiyyaa teri jai jaikaar

Chaaron khaane chit hai dushman
Usne hamko maan liyaa aa
Usne hamko maan liyaa
Naacho gaao mauj manaao
Maiyya ne kalyaan kiya

Maiyya ne kalyaan kiya
Hey ae ae ae
Aisi devi ne aaj raakhi bhakton ki laaj
Tujhe Ambey Jagdambe jag saaraa jaane re ae
Ho o jag saara jaane re
Nahin bhulenge
Ho nahin bhoolenge tera upkaar

Ho o nahin bhoolenge tera upkaar
Ho Ambe maiyyaa teri jai jaikaar
Ho Ambe maiyyaa teri jai jaikaar
Aayo aayo navraatri tyohaar
Ho o aayo aayo navraatri tyohaar
Ho Ambe maiyyaa teri jai jaikaar
Ho Ambe maiyyaa teri jai jaikaar

————————————————————-
Devnagri Script lyrics(Provided by Avinash Scrapwala)
————————————————————-

हे मई ई ई ई ई ई ई ई ई
हे जब जब भीर पड़ी भक्तन पर
हे तूने सुनी ई पुकार

ए मई ई ई ई ई ई ई ई ई
जिसकी रक्षा तू करे
उसे क्या मारे संसार

उसे क्या मारे संसार

हे ए आयो आयो नवरात्रि त्यौहार
हे रे आयो आयो नवरात्रि त्यौहार
हो अम्बे मैय्या
तेरी जय जयकार
हो अम्बे मैय्या तेरी जय जयकार

हे ए कर दे कर दे ए
कर दे कर दे ए
भक्तों का बेड़ा पार
कर दे कर दे ए
हे ए भक्तों का बेड़ा पार
हो अम्बे मैय्या

तेरी जय जयकार
हो अम्बे मैय्या तेरी जय जयकार

हम तो बालक तेरे माता
और तू जीवन दाता है
और तू जीवन दाता है
कोई उसको छू नहीं पाता
तेरी शरण जो आता है

तेरी शरण जो आता है
हे ए ए
आई सिंह पे सवार तेरी शक्ति अपार
तुझे अम्बे जगदम्बे जग सारा जाने रे
हो जग सारा जाने रे
आज अपना
आज अपना
दिखा दे चमत्कार

हो ओ आज अपना दिखा दे चमत्कार
हो अम्बे मैय्या तेरी जय जयकार
हो अम्बे मैय्या तेरी जय जयकार
कर दे कर दे ए
भक्तों का बेड़ा पार
हो कर दे कर दे
भक्तों का बेड़ा पार
हो अम्बे मैय्या तेरी जय जयकार
हो अम्बे मैय्या तेरी जय जयकार

विपदा में है देश हमारा
तू ही बचाने वाली है
तू ही बचाने वाली है
आँचल में ये दीप छुपा ले
आंधी आने वाली है

आंधी आने वाली है
हे ए बैरी पीछे पड़े
हमें घेरे खड़े
तुझे अम्बे जगदम्बे जग सारा जाने रे
हो जग सारा जाने रे
देशद्रोही का
देशद्रोही का
कर दे बंटा धार
हो ओ देशद्रोही का
कर दे बंटा धार
हो अम्बे मैय्या तेरी जय जयकार
हो अम्बे मैय्या तेरी जय जयकार
कर दे कर दे
भक्तों का बेड़ा पार
हो कर दे कर दे
भक्तों का बेड़ा पार
हो अम्बे मैय्या तेरी जय जयकार
हो अम्बे मैय्या तेरी जय जयकार

चारों खाने चित है दुश्मन
उसने हमको मान लिया आ
उसने हमको मान लिया
नाचो गाओ मौज मनाओ
मैय्या ने कल्याण किया

मैय्या ने कल्याण किया
हे ए ए ए
ऐसी देवी ने आज राखी भक्तों कि लाज
तुझे अम्बे जगदम्बे जग सारा जाने रे ए
हो ओ जग सारा जाने रे
हो नहीं भूलेंगे तेरा उपकार
हो ओ नहीं भूलेंगे तेरा उपकार
हो अम्बे मैय्या तेरी जय जयकार
हो अम्बे मैय्या तेरी जय जयकार
आयो आयो नवरात्रि त्यौहार
हो ओ आयो आयो नवरात्रि त्यौहार
हो अम्बे मैय्या तेरी जय जयकार
हो अम्बे मैय्या तेरी जय जयकार


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3721 Post No. : 14656

By now it seems to have become a routine for me to make only cameos on this blog, triggered either by a memorable event (such as the blog’s tenth anniversary) or a “nudge” from another Atulite. 🙂

I will not seek to correct this impression – for the facts speak for themselves. I will also not make any excuse of “being busy” – that would only be an insult to people like Atul and Sudhir ji who manage to give so much time to the blog, despite so many demands on their time.

So no excuse – mea culpa. Today’s post is also a result of a nudge – this time from Peevisie’s Mom.

It happens to be the birthday of Feroz Khan today – and she called me up to remind me of it. A while ago, she and I had discussed that the popular song “Hamaare Siwa. . .” (‘Apradh’ – 1972) had not yet been posted on the blog – so she called up to remind me that there was an occasion coming up to remedy the situation. 🙂 So here is the post for this song – and to remember Feroz Khan.

I remember writing about Feroz Khan earlier – I think it was a couple of years ago. I haven’t checked that post – and am writing purely from my thoughts of the moment – so kindly excuse me if much of what I say is repetitive.

Feroz Khan, for me, has his own place in Hindi cinema. There are many who had a more successful career than Feroz. Certainly as an actor, he wasn’t rated all too highly, if I’m to be brutally honest. He had his moments, but one would have to be disingenuous about his acting achievements, to put him in the same league as at least a dozen other actors/stars.

And though he was very successful as a producer/director, there have been more successful producers / directors. And yet, for me, Feroz holds his own in Hindi cinema. As a personality, he seemed to me to have something about him that made him different from others. I think it was the way he carried himself.

Much of my exposure to Feroz was, of course, in the 1970s. By that time he had turned producer – so I got to see him both as actor and producer – in films like ‘Apradh’ (1972), ‘Dharmatma’ (1975) and ‘Qurbani’ (1980). All these films have one thing in common – they are all made on a grand scale, with no expenses spared, no corners cut in producing an extravagant spectacle for the audience. Naturally this became the image of Feroz Khan in my mind – and I think, for most people. His films are glamorous, with foreign locales, expensive cars and the like. Feroz seemed to revel in this flamboyant image – and continued it through the 1980s and 90s in films like ‘Janbaaz’ (1986), ‘Dayavan’ (1988) and ‘Yalgaar’ (1992).

If the films made by him are to be taken as representative of his life, one would not be mistaken in saying that Feroz lived life king-size. I enjoyed each one of these films – they were thoroughly entertaining, with a decent story line (which is very important for me!) and good songs too. Most of the songs of films made by Feroz became super-hits, suggesting he had a good ear for music.

And yet, for me, the story doesn’t end here. It is the first half of his career, so very different from the second half, that makes his story fascinating for me. Like I’ve said before, my clearest memories of Feroz are from his films of the 1970s. But he acted in many films in the 1960s too – and any reference to his work that does not mention this would be incomplete.

One of my friends once jokingly said “Feroz Khan probably got into producing his own films because he got fed up of never getting the heroine.” 🙂

Yes, said in jest, but it is true that in many of his films till he began making his own, Feroz missed out. In some early films, he was the villain – so then it’s understandable. But in many other films too, even as the good / semi-good guy, he would end up not getting the heroine. In ‘Oonche Log’ (1964), the heroine dies – in ‘Mela’ (1970), his character dies as he “sacrifices” for his brother. And in films like ‘Aarzoo’ (1965), ‘Aadmi Aur Insaan’ (1969), ‘Pyaasi Shaam’ (1969), ‘Safar’ (1970), ‘Upaasna’ (1971), the heroine loves the other guy. Small consolation maybe that in ‘Darinda’ (1977) he manages to turn the tables on Sunil Dutt for ‘Pyaasi Shaam’ (1969). 🙂

Of course, that was how the script was written – but it always made me feel bad to see Feroz lose out. 🙂 , even though he’d occasionally get to sing lovely songs like “Darpan Ko Dekha. . .”  and “Jo Tumko Ho Pasand. . .” in the process. 🙂

Then there were those black-and-white films of the 60s. Many not well-known, probably then categorized as “B’’ films. Many with Mumtaz, herself then not in the A league. Having both gone through similar careers in the 60s, Feroz and Mumtaz were very good friends – and it’s hardly surprising that Mumtaz was his lead when he produced Apradh (1972).

One song from a Feroz “B” film I fondly remember is “Anjaan hai koi” (‘Anjaan Hai Koi’ – 1969). I think this song was quite popular in its time – at least I remember it from my childhood. Other less-known Feroz films I remember are ‘Ek Paheli’ (1971) with Tanuja (“Main Ek Paheli Hoon”) and ‘Anjaan Raahen’ (1974) with Asha Parekh (“Mujhe Nahin Poochhni Tumse Beeti Baatein”).

And of course, ‘Kashmakash’ (1973) and films like ‘Khote Sikke’ (1974) and ‘Kaala Sona’ (1975). The last-two were typical films that could have been made for Feroz – I remember enjoying both of them. 🙂

In general, I liked watching his films, especially of the 70s and later – they were never boring. Feroz himself, while never having pretensions to being a great actor, was fun to watch. And one of my favourite Rafisaab songs is picturised on him – “Jaag Dil-e-Deewaana”. 🙂 (‘Oonche Log’ – 1965).

So today, on his birthday, I have fond memories of Feroz Khan – and want to thank him for making entertaining films, with lovely songs. Today’s song is from ‘Apradh’ (1972) – the once very popular “Hamaare Siwa”. I remember listening to it a lot on radio at the time.

I saw the movie ages ago – sometime in the 70s. Have not seen it since, so I don’t remember anything of the story. I think it was something to do with smuggling, and had a lot of foreign locales, but sorry, I can’t remember any more than this. It’s surprising that in more than 10 years on this blog, the song hasn’t been posted yet. But better late than never, I guess.

So today, on Feroz Khan’s birthday, let’s all enjoy this song from his own film – the first film he produced/directed.

 

Song – Hamaare Siwa Tumhaare Aur Kitne Deewaane Hain (Apradh) (1972) Singer – Kishore Kumar, Lata Mangeshkar, Lyrics – Indeevar, MD – Kalyanji Anandji

Lyrics

hamaare siwa
tumhaare aur kitne deewaane hain
hamaare siwa
tumhaare aur kitne deewaane hain
hamaare?
haan tumhaare aur kitne thikaane hain
kasam se kisi ko nahin main jaanti
achha?
aur kisi ko nahin pehchaanti
arrey chhodo chhodo ye to bahaane hain
hamaare siwa
haan tumhaare aur kitne deewaane hain
tumhaare aur kitne thikaane hain

khoobsoorati aur wafaa
dekhi na donon ek jagah
haan haan dekhi na donon ek jagah
hote hain mard bade shakki
baat hai ye bilkul pakki
bholi si
aati ho nazar
haan haan bholi si
aati ho nazar
ho chanchal chaalaak magar
aurat ka dil jaane nahin
aap hamen pehchaane nahin
chhodo chhodo hum bhi sayaane hain
hamaare siwa
tumhaare aur kitne deewaane hain
tumhaare aur kitne thikaane hain

tum ho pareshaan kis gham se
raaz-e-dil keh do hum se
haan haan raaz-e-dil keh do hum se
apni kaho chhodo meri
karte ho kyon hera pheri
yaaron pe tohmat lagaate nahin
yaaron pe tohmat lagaate nahin
sab ko nishaana banaate nahin
khud harjaayee bhanwre ho tum
ek jagah kab thehre ho tum
chhodo chhodo hum to parwaane hain

hamaare siwa
haan tumhaare aur kitne deewaane hain
tumhaare aur kitne thikaane hain
kasam se kisi ko nahin main jaanti
hmm
aur kisi ko nahin pehchaanti
arrey chhodo chhodo ye to bahaane hain
hamaare siwa
tumhaare aur kitne deewaane hain

————————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————————

हमारे सिवा
तुम्हारे और कितने दीवाने हैं
हमारे सिवा
तुम्हारे और कितने दीवाने हैं
हमारे?
हाँ तुम्हारे और कितने ठिकाने हैं
कसम से किसी को नहीं मैं जानती
अच्छा?
और किसी को नहीं पहचानती
अरे छोड़ो छोड़ो ये तो बहाने हैं
हमारे सिवा
तुम्हारे और कितने दीवाने हैं
तुम्हारे और कितने ठिकाने हैं

खूबसूरती और वफा
देखी न दोनों एक जगह
हाँ हाँ देखी न दोनों एक जगह
होते हैं मर्द बड़े शक्की
बात है ये बिलकुल पक्की
भोली सी आती हो नज़र
हो चंचल चालाक मगर
औरत का दिल जाने नहीं
आप हमें पहचाने नहीं
छोड़ो छोड़ो हम भी सयाने हैं
हमारे सिवा
तुम्हारे और कितने दीवाने हैं
तुम्हारे और कितने ठिकाने हैं

तुम हो परेशान किस ग़म से
राज़ ए दिल कह दो हमसे
हाँ हाँ राज़ ए दिल कह दो हमसे
अपनी कहो छोड़ो मेरी
करते हो क्यों हेरा फेरी
यारों पे तोहमत लगाते नहीं
यारों पे तोहमत लगाते नहीं
सबको निशाना बनाते नहीं
खुद हरजाई भँवरे हो तुम
एक जगह कब ठहरे हो तुम
छोड़ो छोड़ो हम तो परवाने हैं
हमारे सिवा
तुम्हारे और कितने दीवाने हैं
तुम्हारे और कितने ठिकाने हैं
कसम से किसी को नहीं मैं जानती
हम्म॰॰॰
और किसी को नहीं पहचानती
अरे छोड़ो छोड़ो ये तो बहाने हैं
हमारे सिवा
तुम्हारे और कितने दीवाने हैं


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3650 Post No. : 14495

“Raaj darbaar” song used to be an important part of small budget B grade movies of early 1960s. These songs would typically be sung by two singers and one of them would be Kamal Barot. 🙂

Two or more female dancers would give a synchronised dance performance, watched by royals seated proudly on their thrones.

Movies may be B grade but the music was mostly A grade stuff, seeing that there was a good supply of A grade music directors badly in need of assignments. While some of these music directors continued to languish in these movies , some of them quickly graduated to A grade stuff. 1963 saw an interesting case when the music of Parasmani (1963) became a runaway hit and that catapulted Laxmikant Pyarelal , till then assistants to Kalyanji Anandji, to big league.

“Sunahri Naagin”(1963) was also a curious case. It came in the same year as “Parasmani”(1963) and it shared several artists with “Parasmani”(1963). For instance, Babubhai Mistri was the director in both the movies and Mahipal was the hero in both of them.

If Laxmikant Pyarelal were the music directors in “Parasmani”(1963) then “Sunahri Naagin”(1963) had music by their mentors viz Kalyanji Anandji.

“Sunahri Naagin”(1963) had eight songs in it. Four songs from the movie have been covered in the blog. All these songs were covered in 2010 ! There has been a lull for eight years since then.

Here is the fifth song from “Sunahri Naagin”(1963) to appear in the blog. This is a raj darbaar song which is picturised on several female dancers. I am unable to identify them and I request our knowledgeable readers to help identify them.

The song is sung by Kamal Barot (what did I say earlier 🙂 ) and Mubarak Begam. Ved Prakash is the lyricist. Music is composed by Kalyanji Anandji.


Song-Main to ho gayi re badnaam (Sunahri Naagin)(1963) Singers-Kamal Barot, Mubarak Begam, Lyrics-Ved Prakash, MD-Kalyanji Anandji

Lyrics

wafaaon ka aalam
mitne laga hai
mohabbat ka dam
phir ghutne laga hai

main to ho gayi re badnaam
lete lete tera naam
main to ho gayi re badnaam
lete lete tera naam
saanwariya
kisko doon ilzaam
saanwariya
kisko doon ilzaam
main to ho gayi re badnaam
lete lete tera naam
saanwariya
kisko doon ilzaam
saanwariya
kisko doon ilzaam

<ye dil to tera deewaana hai
chaahat se bhara paimaana hai
itna bhi mujhe maaloom nahin
itna bhi mujhe maaloom nahin
apna hai ya begaana hai
main to ho gayi re badnaam
lete lete tera naam
saanwariya
kisko doon ilzaam
saanwariya
kisko doon ilzaam

ek teer jigar ke paar hua
aur dard gale ka haar hua
kuchh haal ajab sa hai dil ka
kuchh haal ajab sa hai dil ka
jabse tera deedaar hua
main to ho gayi re badnaam
lete lete tera naam
saanwariya
kisko doon ilzaam
saanwariya
kisko doon ilzaam

bhoole se mohabbat kar baithe
ye kaisi qayaamat kar baithe
dil hamse baghaawat kar baitha
dil hamse baghaawat kar baitha
ham dil se baghaawat kar baithe
main to ho gayi re badnaam
lete lete tera naam
saanwariya
kisko doon ilzaam
saanwariya
kisko doon ilzaam


Advertisements

Important Announcement

(© 2008 - 2019) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 15000 song posts by now.

This blog is active and online for over 3900 days since its beginning on 19 july 2008.

Total number of songs posts discussed

15003

Number of movies covered in the blog

Movies with all their songs covered =1167
Total Number of movies covered =4106

Total visits so far

  • 11,590,126 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,706 other followers

Bookmark

Bookmark and Share

Category of songs

Current Visitors

Archives

Stumble

visitors whereabouts

blogcatalog

Music Blogs - BlogCatalog Blog Directory

blogadda

Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

Advertisements
%d bloggers like this: