Archive for the ‘Songs of 1963’ Category
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5006 | Post No. : | 16906 |
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Blog 10-Year Challenge (2012-2022) – Song No. 39
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This date ten years ago (viz 2 april 2012) saw as many as seven songs from seven different movies getting covered in the blog. Here are the details:-
| Blog Post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 5716 | Raamji ki nikli sawaari | Sargam(1979) | Movie YIPPEED by now |
| 5717 | Hamen dam daike sautan ghar jaana | Ye Dil Kisko Doon (1963) | 8 songs out of 10 covered |
| 5718 | Kitna haseen hai ye jahaan | Hum Saaya (1968) | Movie YIPPEED by now |
| 5719 | Phir miloge kabhi is baat ka waada karlo | Ye Raat Phir Na Aayegi(1966) | Movie YIPPEED by now |
| 5720 | Ab aage teri marzi | Devdas (1955) | Movie YIPPEED by now |
| 5721 | Pyaar kyaa hota hai | Ek Kali Muskaayi(1968) | Movie YIPPEED by now |
| 5722 | Dil ki veeraaniyaan ishq ki parchhaaiaan | Ham Log(1951) | Movie YIPPEED by now |
It can be seen that six movies (out of 7) whose songs were covered on 2 April 2012 have since been YIPPEED in the blog. That leaves us with only one movie that is still eligible to Blog ten Year challenge today (2 April 2022).
“Ye Dil Kisko Doon”(1963) is that movie. It was produced by B D Kapoor and directed by K Mishra for Bindu Kalamandir. The movie had Shashi Kapoor, Ragini , co-starring Jayashree Gadkar, Jeevan, Anwar, Sajjan, Naazi, Kumar, Agha, Madhumati, Kundan, Asit Sen, Samson, Mirza Musharaf, Kamal Mehra, Khurshid, W.M.Khan , Mirajkar,Mansaram,Vishi,Tiger,etc in it.
The movie had ten songs in it. Eight songs have been covered so far.
Here is the ninth song from “Ye Dil Kisko Doon”(1963) to appear in the blog. The song is sung by Rafi, Asha Bhonsle and chorus. Qamar Jalalabadi is the lyricist. Music is composed by Iqbal Qureshi.
The song is picturised on Shashi Kapoor, Ragini, Aruna, Jeewan and others.
Lyrics of the song were sent to me by Prakashchandra
video link:
Song-Kya hua maine agar ishq ka izhaar kiya (Ye Dil Kisko Doon)(1963)Singers-Rafi, Asha Bhonsle, Lyrics-Qamar Jalalabadi, MD-Iqbal Qureshi
Chorus
Lyrics(Provided by Prakashchandra)
kyaa huaa
kyaa huaa
kya huaa maine agar
ishq ka izhaar kiyaa
aapse pyaar kiyaa…aaa
kyaa huaa
kyaa huaa
kya huaa maine agar
ishq ka izhaar kiyaa
aapse pyaar kiyaa…aaa
aapne kyon mujhey ruswaa sar-e-baazaar kiyaa
khoob ye pyaar kiyaa
kyaa huaa
kyaa huaa
kya huaa maine agar
ishq ka izhaar kiyaa
aapse pyaar kiyaa
aapne kyon mujhey ruswaa sar-e-baazaar kiyaa
khoob ye pyaar kiyaa
pyaar hai ek junoon
hamein maaloom na thhaa
ishq mein hothaa hai yoon..oon
hamein maaloom na thhaa
jaadugar tera qusoor(??)
hamein maaloom na thhaa
maar dogey hamein yoon..oon
hamein maaloom na thhaa
hai khataa
hai khataa aap ki
phir husn pe kyon waaar kiyaa
khoob ye pyaar kiyaa
kyaa huaa
kyaa huaa
kya huaa maine agar
ishq ka izhaar kiyaa
aapse pyaar kiyaa…aaa
aapne kyon mujhey ruswaa sar-e-baazaar kiyaa
hh khoob ye pyaar kiyaa
ho gaye tujhpe fidaa..aaa
teri aankhon ki qasam
yehee manzil hai meree
teri zulfon ki qasam
tooney seekhi na wafaa
mere waadon ki qasam
hamein aaye na yakeen
teri baaton ki qasam
hamne kyon hamne kyon
muft mein phir dil ko gunehgaar kiyaa
huhh haayye kyon pyaar kiyaa..aaa
kyaa huaa
kyaa huaa
kya huaa maine agar
ishq ka izhaar kiyaa
aapse pyaar kiyaa aaa..aa
aapne kyon mujhey ruswaa sar-e-baazaar kiyaa..aaa
khoob ye pyaar kiyaa
Ye dil kisko doon
Posted on: March 26, 2022
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4999 | Post No. : | 16897 |
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Blog 10-Year Challenge (2012-2022) – Song No. 37
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This date ten years ago (viz 26 March 2012) saw five songs from five different movies covered in the blog. Here are the details:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 5696 | Raam duhaayi hai raam duhaayi hai | Neki Aur Badi (1949) | 8 songs covered by now out of 10 |
| 5697 | Jab tak duniya rahi rahegi | Ye Dil Kisko Doon (1963) | 6 songs covered by now out of 10 |
| 5698 | Lo ek kali muskaayi | Ek Kali Muskaayi(1968) | Movie YIPPEED by now |
| 5699 | Aaye ho to dekh lo duniya zara | Chiraag Kahaan Roshni Kahaan(1959) | Movie YIPPEED by now |
| 5700 | Kehne waale tu bhi keh le | Qawwali Ki Raat(1964) | Movie YIPPEED by now |
We can see that three movies (out of five) whose songs were covered ten years ago have since been YIPPEED by now.
That leaves us with two movies that are eligible for Blog Ten years Challenge.
“Ye Dil Kisko Doon”(1963) is one of the two movies that are still unYIPPEED.
“Ye Dil Kisko Doon”(1963) was directed by Kanak Mishra for Bindu Kala Mandir, Bombay. The movie had Shashi Kapoor, Ragini, Agha,Jayshree Gadkar, Jeevan, Sajjan, Asit Sen etc. in it.
“Ye Dil Kisko Doon”(1963) had 10 songs in it. Six songs have been covered so far.
As Blog Ten Year Challenge, here is another song from “Ye Dil Kisho Doon”(1963). This song is the title song of the movie. It is sung by Rafi. Qamar Jalalabadi is the lyricist. Music is composed by Iqbal Qureshi. The song is picturised on Shashi Kapoor. The person with the trumpet could be dance directed Herman Benjamin, as guessed by Prakashchandra.
Lyrics of the song were sent to me by Prakashchandra.
video link:
audio link:
Song-Ye dil kisko doon (Ye dil Kisko Doon)(1963) Singer-Rafi, Lyrics-Qamar Jalalabadi, MD-Iqbal Qureshi
Lyrics(Provided by Prakashchandra)
ye aey ae dil kisko doooon
ye aey ae dil kisko doooon
log kehtey hain to sach hi kehtey hongey
log kehtey hain to sach hi kehtey hongey
main hoon deewaana
dil hai mastaana
gham se begaana
main hoon deewaanaa
dil hai mastaanaa
gham se begaana
log kehtey hain to sach hi kehtey hongey
log kehtey hain to sach hi kehtey hongey
dharti bichchaunaa meraa
taarey khilauna meraa
raahon mein udthey jugnu
chaandi aur sonaa meraa
main aen aen dilwaalaa hoon
arrey main aen aen matwaalaa hoon oon
na main daulat maangoon
na main jannat maangoon
dil ka qaraar maangoon rey
main sachchaa pyaar maangoon rey
dil ka qaraar maangoon rey
main sachchaa pyaar maangoon rey
hmm ye aey ae dil kisko doon oon
huhh ye aey ae dil kisko doon oon
log kehtey hain to sach hi kehthey hongey
log kehtey hain to sach hi kehthey hongey
main hoon deewaana
dil hai mastaana
gham se begaana
main hoon deewaana
dil hai mastaana
gham se begaana
log kehtey hain to sach hi kehtey hongey
log kehtey hain to sach hi kehtey hongey ae
mast qalandar hoon main
dil ka sikandar hoon main
koyi na samjhey mujhko
gehraa samandar hoon main
main aen aen shehzaadaa hoon oon
yoon…oon to saadaa hoon oon
naa shaitaan se rishthaa
naa main hoon farishthaa
main to aadam ka beta hoon
main to hawwaa ka beta hoon
main to aadam ka beta hoon
main to hawwaa ka beta hoon
ye aey ae dil kisko doon oon (ummmm…ummm)
ye aey ae dil kisko doon oon (ummmm…ummm)
log kehtey hain to sach hi kehtey hongey
log kehtey hain to sach hi kehtey hongey
main hoon deewaana
dil hai mastaana
gham se begaana
main hoon deewaana
dil hai mastaana
gham se begaana
log kehtey hain to sach hi kehtey hongey
log kehtey hain to sach hi kehtey hongey
ye aey ae dil kisko doon oon (ummmm…ummm)
ye aey ae dil kisko doon oon (ummmm…ummm)
(ummmm…ummm..yaaaa)
(ummmm…ummm..yaaa)
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4996 | Post No. : | 16893 |
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Blog 10-Year Challenge (2012-2022) – Song No. 35
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And Kavi Pradeep has written a couple of lines for people such as these. . .
kya log thhey wo deewaane
kya log thhey wo abhimaani
Lines that describe so aptly the young rebel lions of India – a group that came together to fight for unshackling the chains of the oppressive and cruel alien rule that had continued to serve its own ends, at the cost of the assets and riches of our nation. A group that had members from all parts of the country, a group that was formed cutting across all the divisions and components of the society – Bhagat Singh, Chandrashekhar Azaad, Bhai Parmanand, Kartar Singh Sarabha, Batukeshwar Dutt, Ashfaaqullah, Shivaram Rajguru, Sukhdev, Ramprasad Bismil, Harnam Singh Saini, Bhagwati Charan Vohra, Durgawati Devi, Kishori Lal, Dharam Singh Hayatpur, Jatendranath Das, Sher Ali Afridi, Jai Dev Kapur, Shiv Verma, Kundan Lal, Mahabir Verma, Rajendra Lahiri, Thakur Roshan Singh, Sachindra Bakshi, Keshab Chakravarty, Banwari Lal, Murari Lal Gupta, Mukundi Lal, Manmathnath Gupta, Mohammed Abdullah, Gaya Prasad, Kanwal Nath Tiwari, Vijay Kumar Sinha, Prem Dutt, Des Raj, Ajay Kumar Ghosh. . . the list goes on and on in the pages of the history of the nation’s struggle for freedom.
Yes, they were “deewaane”. Theirs was a single-mindedness of purpose that put to shame even the word ‘deewaana’ itself. Bhagat Singh was a scholar of political ideologies, and his beliefs, his writings are wondrous gems coming from a mind so young. Violence was not his first or last resort, ideas and ideologies were. On 8th April, 1929, when he and BK Dutt threw two bombs in the legislative assembly in Delhi, they also threw leaflets explaining their cause and their action. The leaflet was written by Bhagat Singh himself. A line in the leaflet says – “It is easy to kill individuals but you cannot kill the ideas. Great empires crumbled, while the ideas survived.” He went on to say – “पिस्तौल, बम, तलवार क्रान्ति नहीं लाते, बल्कि क्रान्ति विचारों की शान से पैदा होती है।” (Revolutions are born from the glory of ideas, not from pistols, bombs or swords).
And yes, they were “abhimaani” indeed. The dignity and pride of self-esteem was paramount. His belief in his right to freedom was steadfast. For him, violence was just an instrument for implementing and showcasing the ideas of freedom. To that end, even Gandhi ji has written in one of his famous articles in the magazine ‘Young India’. The article is titled ‘Between Cowardice and Violence’. In this, Gandhi ji writes,
“My creed of nonviolence is an extremely active force. It has no room for cowardice or even weakness. There is hope for a violent man to be some day non-violent, but there is none for a coward. I have, therefore, said more than once….that, if we do not know how to defend ourselves, our women and our places of worship by the force of suffering, i.e., nonviolence, we must, if we are men, be at least able to defend all these by fighting.”
Bhagat Singh himself wrote these words, when making a statement in court, during the trial of the bombing case –
“Force when aggressively applied is ‘violence’ and is, therefore, morally unjustifiable, but when it is used in the furtherance of a legitimate cause, it has its moral justification”.
After the killing of police officers Saunders in Lahore, Bhagat Singh and his associates escaped and had gone underground. When the plans were made to lob bombs in the Legislative Assembly, at first the group was against Bhagat Singh’s participation, because of his earlier association with the Saunders case. In the end, he prevailed and the group agreed to let him take the lead. The bombs were thrown, the leaflets were flung in the ensuing confusion. And it would have been an easy thing for Bhagat Singh and BK Dutt to escape under the cover of the cloud of smoke. But they stood their ground and let themselves be arrested. For Bhagat Singh believed that striking and then fleeing only ended up proclaiming them as terrorists. His purpose was to stand his ground, be arrested, and then get a visibility and a platform to expound his message to the public at large.
The trial of Bhagat Singh and his associates was, at best, a mockery of the Britisher’s own judicial system. The process adopted by the trial court was put in place through an unauthorized ordinance promulgated by the Viceroy, Lord Irwin. The ordinance itself was never approved by the Legislative Council or the Privy Council, as required by their own law. And it lapsed, even before seeing the light of approval by any authority.
On this fateful day in 1931, the execution was carried out in secrecy, and one day in advance of the announced schedule. The mortal remains of the executed heroes were removed from the jail premises in motor lorries in the dead of the night, and disposed of at an unknown place on the banks of Sutlej river, close to Ferozepur.
The news of the execution broke in newspapers on 25th March, 1931. A nation mourned the demise of the young rebel heroes. Gandhi ji said the following,
Bhagat Singh did not wish to live. He refused to apologise, or even file an appeal. Bhagat Singh was not a devotee of non-violence, but he did not subscribe to the religion of violence. He took to violence due to helplessness and to defend his homeland. In his last letter, Bhagat Singh wrote, ” I have been arrested while waging a war. For me there can be no gallows. Put me into the mouth of a cannon and blow me off.” These heroes had conquered the fear of death. Let us bow to them a thousand times for their heroism.
Subhash Bose praised the ultimate sacrifice with the words, “Bhagat Singh has become the symbol of the new awakening among the youths”.
Pt Nehru acknowledged that Bhagat Singh’s popularity was leading to a new national awakening. He said,:
“He was a clean fighter who faced his enemy in the open field … he was like a spark that became a flame in a short time and spread from one end of the country to the other dispelling the prevailing darkness everywhere”. He would later also write, “Bhagat Singh did not become popular because of his act of terrorism but because he seemed to vindicate, for the moment, the honour of Lala Lajpat Rai, and through him of the nation. He became a symbol, the act was forgotten, the symbol remained, and within a few months each town and village of the Punjab, and to a lesser extent in the rest of northern India, resounded with his name. Innumerable songs grew about him and the popularity that the man achieved was something amazing”.
Mohammed Ali Jinnha wrote,
“. . . he believes in the justice of his cause … however much you deplore them and, however, much you say they are misguided, it is the system, this damnable system of governance, which is resented by the people”.
Four years after Bhagat Singh’s execution, the Director of the Intelligence Bureau, Sir Horace Williamson, wrote: “His photograph was on sale in every city and township and for a time rivaled in popularity even that of Mr. Gandhi himself”.
The singular act of ‘deewangi’ and ‘abhimaan’ has made Bhagat Singh a symbol of willful resistance against injustice, in any form or color. These were the young men with a determination of steel, whose resolve to not apologize and not to sign a mercy petition, for their acts of unbridled bravery in the face of an oppressive tyranny.
And the world remembers them. Even more than the image of any other leader of the non-violent or the violent versions of the struggle for freedom, even today one encounters the image of Bhagat Singh staring back from the sides of trucks, rear windshields of cars and other private and public vehicles, graffiti and motifs on the walls in the most unexpected places. It is an enduring legend that has caught the fancy of the people’s minds, from generation to generation.
Ashfaqullah Khan, another legendary martyr who was executed in 1927, at an age of 27 years, for his role in the Kakori train robbery case, wrote this original verse,
शहीदों के मज़ारों पर जुड़ेंगे हर बरस मेले
वतन पे मरने वालों का यही बाकी निशां होगा
On the mausoleums of martyrs
Carnivals of celebration will assemble every year
This shall remain as the last vestige
Of those who sacrificed themselves for the country
Today’s song is from the 1963 film ‘Shaheed Bhagat Singh’. The verses are penned by Qamar Jalaalabaadi and the music is composed by Husnlal Bhagatram. The singing voice is not identified, and I request friends and readers to please help identify it.
The poetry in this song is in Punjabi language. In the lyrics section, I have attempted to also present the lines of poetry in translated Hindi. I seek apology if this translation is not perfect and poetical enough.
23rd March will serve to sustain the legacy and the memory of Bhagat Singh and others.
Lest we forget.
Song – Chadh Ke Sooli Bharat Maa De Jis Ne Kasht Nivaare (Shaheed Bhagat Singh) (1963) Singer – Unattributed, Lyrics – Qamar Jalaalabaadi, MD – Husnlal Bhagatram
Lyrics
waareya jinen desh ton
bachpan ditti ghol jawaani
kadey wi saanu bhagat singh di
bhulni nahin qurbaani
chadh ke sooli bharat maa de
jis ne kasht nivaare
bhagat singh kaumi parwaana
kadey na hind visaare
chadh ke sooli bharat maa de
jis ne kasht nivaare
bhagat singh kaumi parwaana
kadey na hind visaare
dhan dhan sardar kishen singh
janm jide ghar paaya
thar thar dharti amber kamban
putt sherni jaaya
ghutti de azaadi waali
maata dudh pilaaya
bharat maa ne lai ke us ton
apni god bahaaya
kendi mere kasht nivaarin
je tu mera jaaya
pooja teri hove
mere dukh haringe saare
bhagat singh kaumi parwaana
kadey na hind visaare
chadh ke sooli bharat maa de
jis ne kasht nivaare
bhagat singh kaumi parwaana
kadey na hind visaare
public safety bill firangi
jadon banaavan lagge
hind lai ik navi musibat
hot jagaavan lagge
bhagat singh te dutt enaan nu
mazaa chakhaavan lagge
vich assembly baamb maareya
sab ghabraavan lagge
khabraan gaiaan london
gorey soch daudaavan lagge
hun na bharat sahe ghulami
kaaran kameti saare
bhagat singh kaumi parwaana
kadey na hind visaare
chadh ke sooli bharat maa de
jis ne kasht nivaare
bhagat singh kaumi parwaana
kadey na hind visaare
ona dinaan saandars kise ne
goli naal udaaya
kaatil os da bhagat singh nu
gairaan ne thehraaya
ik baamb da ik katal da
dohra case chalaaya
jhoothiaan lai gawaahiaan onu
faansi da hukam sunaaya
sun ke hukam maut da khidyaa
matthe vatt na paaya
gaj ke naare sheraan vaangu
inqlaab de maare
bhagat singh kaumi parwaana
kadey na hind visaare
chadh ke sooli bharat maa de
jis ne kasht nivaare
bhagat singh kaumi parwaana
kadey na hind visaare
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Hindi script lyrics Punjabi words (Provided by Sudhir Kapur)
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वारेया जिनें देश तों बचपन
दित्ति घोल जवानी
कदे वी सानु भगत सिंह दी
भुलनी नहीं कुर्बानी
चढ़ के सूली भारत माँ दे
जिसने कष्ट निवारे
भगत सिंह कौमी परवाना
कदे ना हिन्द विसारे
चढ़ के सूली भारत माँ दे
जिसने कष्ट निवारे
भगत सिंह कौमी परवाना
कदे ना हिन्द विसारे
धन धन सरदार किशन सिंह
जनम जिदे घर पाया
थर थर धरती अंबर कम्बन
पुत्त शेरनी जाया
घुट्टी दे आज़ादी वाली
माता दुद्ध पिलाया
भारत माँ ने लै के उस तों
अपनी गोद बहाया
कैन्दी मेरे कष्ट निवारीं
जे तू मेरा जाया
पूजा तेरी होवे
मेरे दुख हरींगे सारे
भगत सिंह कौमी परवाना
कदे ना हिन्द विसारे
चढ़ के सूली भारत माँ दे
जिसने कष्ट निवारे
भगत सिंह कौमी परवाना
कदे ना हिन्द विसारे
पब्लिक सेफ़्टी बिल फिरंगी
जदों बनावन लग्गे
हिन्द लई इक नवी मुसीबत
होर जगावन लग्गे
भगत सिंह ते दत्त एनां नू
मज़ा चखावन लग्गे
विच असेंबली बाम्ब मारेया
सब घबरावन लग्गे
खबरान गईआं लंदन
गोरे सोच दौड़ावन लग्गे
हुन ना भारत सहे गुलामी
करन कमेटी सारे
भगत सिंह कौमी परवाना
कदे ना हिन्द विसारे
चढ़ के सूली भारत माँ दे
जिसने कष्ट निवारे
भगत सिंह कौमी परवाना
कदे ना हिन्द विसारे
ओनां दिनां साँडर्स किसे ने
गोली नाल उड़ाया
कातिल ओस दा भगत सिंह नू
गैरां ने ठहराया
इक बाम्ब दा इक क़तल दा
दोहरा केस चलाया
झूठियाँ लाई गवाहियाँ ओनू
फांसी दा हुकम सुनाया
सुन के हुकम मौत दा खिडया
मत्थे वाट्ट ना पाया
गाज के नारे शेरां वांगू
इंकलाब दे मारे
भगत सिंह कौमी परवाना
कदे ना हिन्द विसारे
चढ़ के सूली भारत माँ दे
जिसने कष्ट निवारे
भगत सिंह कौमी परवाना
कदे ना हिन्द विसारे
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Hindi script lyrics Hindi words (Provided by Sudhir Kapur)
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जिसने अपना बचपन देश पर वार दिया
और घोल दी अपनी जवानी
हम कभी भी भगत सिंह की
नहीं भूलेंगे ये कुर्बानी
चढ़ कर सूली पर जिसने
भारत माँ के कष्ट निवारे
भगत सिंह कौमी परवाना
कभी ना हिन्द भूल पाये
धन्य है सरदार किशेन सिंह
जिनके घर पे जन्म पाया
धरती और अंबर थर थर काँपें
इस वीर शेरनी के पुत्र से
माँ ने जिसे दूध में
आज़ादी की घुट्टी पिलाई
और भारत माँ ने उसे ले कर
अपनी गोद में बैठाया
उससे कहा तू मेरा बेटा
मेरे कष्ट निवार दे
तेरी पूजा होगी
जो तू मेरे दुख हर ले सारे
अंग्रेजों ने जब पब्लिक सेफ़्टी बिल
के बनाने की करी तैयारी
हिन्द के लिए एक नई मुसीबत
और जगाने लगे
भगत सिंह और बटुकेश्वर दत्त
इनको मज़ा चखाने लगे
असेम्बली के बीच बम्ब मारा
सब घबरा गए
लंदन तक खबर जा पहुंची
अंग्रेजों की सोच दौड़ लगाने लगी
सब कहने लगे के अब
भारत गुलामी और नहीं सहने वाला
उन्हीं दिनों पुलिस अफसर साँडर्स का
किसी ने क़तल कर दिया
और गैरों ने भगत सिंह को
क़ातिल कह के फंसा दिया
और भगत सिंह पर दोहरा मुक़द्दमा चला
बम्ब का और क़तल का
झूठी गवाहियां करवा कर
भगत सिंह को फांसी की सज़ा सुना दी
फांसी का हुकम सुन के वो खुश हुआ
माथे पर एक भी बल नहीं आया
और शेर की तरह गरज कर
इंकलाब के नारे लगाए
Ye baat nahin hai kehne ki
Posted on: February 17, 2022
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4962 | Post No. : | 16832 |
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Blog 10-Year Challenge (2012-2022) – Song No. 20
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17 February 2012, the day exactly ten years ago saw as many as six songs from six different movies getting covered in the blog. Here are their details:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 5465 | Mera jeewan saathi bichhad gaya | Baabul(1950) | Movie YIPPEED by now |
| 5466 | Bhool ja ae dil | Ham Sab Chor Hain(1956) | Movie YIPPEED by now |
| 5467 | Gham gaya to gham na kar | Gyaarah Hazaar Ladkiyaan(1962) | Movie YIPPEED by now |
| 5468 | Chaand jaisa badan | Rustam e Baghdad(1963) | One song out of 6 covered by now |
| 5469 | Kaun jaaney har bahaaney | Do Bhai(1961) | Movie YIPPEED by now |
| 5470 | Kuchh tumhe aur bhi aata hai sataaney ke siwaa | Baadshah (1964) | Movie YIPPEED by now |
Today, ten years later, five out of the six movies whose songs were covered on that day have already been YIPPEED The only movie not yet YIPPEED from that date is “Rustam e Baghdad”(1963). “Rustam e Baghdad”(1963) had made its debut in the blog on that day ten years ago. After that, no other song from the movie has been covered in the blog even though the movie has six songs in all and they are available as well !
“Rustam e Baghdad”(1963) was produced by Bany Talwar and Kirpal R Mirchandani and directed by B J Patel for Hanna Films, Bombay. The movie had Dara Singh, Chandrashekhar, Vijaya Chaudhary, Shakila Bano Bhopali, Polson, Bhagwan, Rajan Kapoor, Shashimala, Shri Bhagwan, H D Shukla, Devchand, Maya, Sumitra, Zebunnisa, Prince Kumali etc in it
Today, as “Blog Ten Year Challange”, here is the second song from “Rustam e Baghdad”(1963). The song is sung by Asha Bhonsle. Asad Bhopali is the lyricist. Music is composed by N Datta.
The song is lip synced by Shakila Bano Bhopali. Chandrashekhar and another person (playing his hanger on) are also visible in the picturisation.
Lyrics of the song were sent to me by Prakashchandra.
video link:
Song-Ye baat nahin hai kehne ki (Rustam e Baghdad)(1963) Singer-Asha Bhonsle, Lyrics-Asad Bhopali, MD-N Datta
Lyrics(Provided by Prakashchandra)
ye ae baat naheen hai ae kehney ki
hum kehtey huye ae sharmaatey hain
ye ae baat naheen hai ae kehney ki
hum kehtey huye ae sharmaatey hain
sarkaar kaa jee behlaaney ke
andaaz hamein bhee aate hain
ye ae baat naheen hai ae kehney ki
hum kehtey huye ae sharmaate hain
ye ae baat naheen hai kehne ki
hum aap ke hain
dil aapkaa hai
aur dil mein muhabbat aapki hai
woh aankh kisee ko o kyaa dekhein
jinn aankhon mein soorat aapki hai
hum shukr se sajdey ae kartey hain
jab aap nazar aa jaate hain
sarkaar ka jee behlaaney ke
andaaz hamein bhee aate hain
ye baat naheen hai ae kehney ki
hum kehtey huye sharmaatey hain
ye baat naheen hai kehney kee
zulfon ki mehakti chhaaon liye
aankhon ke chhalaktey jaam liye ae
khaamosh larajtey ae honthon par
armaan bharey ae paighaam liye
hum aapki jaanib badhtey hain
aur aap hamein aen thukraate hain
sarkaar ka jee behlaaney ke
andaaz hamein bhee aate hain
ye aey ae baat naheen hai ae kehney ki
hum kehtey huye sharmaatey hain
ye ae baat naheen hai ae kehney kee..eee…eee
Unse pehchaan huyi jaati hai
Posted on: February 8, 2022
- In: Asha Bhonsle solo | Asha Bhonsle songs | Blog Ten Year Challenge (2012-2022) | expression of love | Feelings of heart | Guest posts | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Avinash Scrapwala | Songs of 1960s (1961 to 1970) | Songs of 1963 | Yearwise breakup of songs
- 2 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4953 | Post No. : | 16819 |
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Blog 10-Year Challenge (2012-2022) – Song No. 15
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Today’s song is from a ‘1963’ movie ‘Mere Armaan Mere Sapne’.
One song from this movie was represented on the blog on this date ten years ago i.e., on 08.02.2012.
As many as eight song-posts appeared on the blog on 8 February 2012. This impressive rate of output is nearly is nearly thrice the present strike rate of the blog ten years later. 😊
The eight songs co vered on the blog on 8 February 2012 are listed below (In ascending order i.e., the last song of the day is at the bottom)
| Song | Movie title-Year | Remarks |
|---|---|---|
| Ek musaafir aaye baba ek musaafir jaaye | Duniya Ek Saraai(1947) | 04 of 09 songs posted |
| Seene pe mere barq giraakar chale gaye | Lekh(1949) | 10 of 15 songs posted |
| Ghir ghir aaye badarwaa kaare | Daak Babu(1954) | 06 of 10 songs posted |
| Ae chaand zaraa chhup jaa | Laat Saab(1967) | All songs covered |
| Jaane tamanna kya kar daala | CID-909(1967) | All songs covered |
| Badi naazuk hai ye manzil | Joggers Park (2003) | 01 song posted |
| Maujon mein doob gayaa saathi hamaaraa | Jawaan Mard(1966) | 01 of 06 songs posted |
| Tera aanaa bhi dhokhaa thhaa | Mere Armaan Mere Sapne(1963) | 03 of 07 song posted |
From the above table we can see that as many as six movies are eligible for today’s ‘Blog Ten-Year Challenge’.
We are going to listen a song from the 1963 movie ‘Mere Armaan Mere Sapne’ as part of today’s ‘Blog Ten-Year Challenge’.
‘Mere Armaan Mere Apne’ was directed by Arvind Soni for ‘Lalit Kala Mandir, Bombay’. It was a social drama movie. It had Pradeep Kumar, Kumari Naaz, Asim Kumar, Jayshree Gadkar, Sumitra Devi, Pran, Asit Sen, Agha, Manmohan Krishna, Badri Prasad, Padma Devi, Paro Devi, Johny Whisky, Samar Chatterjee, Pal Mahendra, and others.
This movie had seven songs written by Rajinder Krishan and composed by N. Dutta.
Today’s song is sung by Asha Bhonsle. It is lip-synced by Sumitra Devi. Also seen in the picturisation of the song is Asim Kumar. (The details about the actor and actress have been given by our dear Prakash ji 😊)
Three songs from this movie ‘Mere Armaan Mere Sapne’ have been posted on the blog so far. Here are their details:-.
| S No | Song | Date of posting |
|---|---|---|
| 1) | Aankhen hamaari hon sapne tumhaare hon | 16.01.2012 |
| 2) | Tera aanaa bhi dhokha thhaa | 08.02.2012 |
| 3) | Duniya mein aaya hai to phool khilaaye jaa | 01.10.2012 |
Today’s song is the fourth song from this movie to be presented on the blog.
Let us listen to today’s song now. Lyrics for this song were sent by Prakashchandra.
Video
Audio
Song-Unse pehchaan huyi jaati hai (Mere Armaan Mere Sapne)(1963) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-N Datta
Lyrics (Provided by Prakashchandra)
unse pehchaan huyi jaati hai
unse pehchaan huyi jaati hai
raah aasaan huyi jaati hai
unse pehchaan huyi jaati hai
pyaar ki raah kaa deewaanaa hai
kis tarhaa maan loon begaanaa hai
khwaab hai yaa koyi afsaanaa hai ae
khwaab hai yaa koyi afsaanaa hai
aankh hairaan huyi jaati hai
aankh hairaan huyi jaati hai
unse pehchaan huyi jaati hai
raah aasaan huyi jaati hai
unse pehchaan huyi jaati hai
meri raaton ki sahar laayaa hai
der se laayaa magar laayaa hai
saath apney woh nazar laayaa hai ae
saath apney woh nazar laayaa hai
jo meri jaan huyi jaati hai
jo meri jaan huyi jaati hai
unse pehchaan huyi jaati hai
raah aasaan huyi jaati hai
unse pehchaan huyi jaati hai ae
meri taqdeer sanwar jaayegi
dil ki tasweer nikhar jaayegi
ab ye tanhaayi kidhar jaayegi
ab ye tanhaayi kidhar jaayegi
ye bhi hairaan huyi jaati hai
ye bhi hairaan huyi jaati hai
unse pehchaan huyi jaati hai
raah aasaan huyi jaati hai
unse pehchaan huyi jaati hai ae
- In: "gratitude" song | "Please don't go" song | Blog century song | Calling the beloved | Century songs for the blog | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Love song | Lyrics contributed by readers | Poignant Song | Post by Sudhir | praising a person | Songs of 1960s (1961 to 1970) | Songs of 1963 | Suman Kalyanpur solo | Suman Kalyanpur songs | Yearwise breakup of songs
- 12 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 16800th post in the blog.
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Blog Day : |
4942 | Post No. : | 16800 |
Centuries – pivotal events. And always welcome. Give us a quantized measure of manageable progress. Like one part of a lo..ong project accomplished. Or like completing one cycle of an endless process. Would we like to compare with the earth going around the sun? Maybe not a good idea. A century taking 365 days to complete. Or maybe compare to Victor Trumper and Don Bradman and Majid Khan – getting a century in the very first session of a test match. Ah but that maybe going too fast for this crowded bandwagon of Atulites.
Well then maybe the Phileas Fogg of the Victorian Britain, who put the girdle around the world in eighty days. Hmm. . . that could be a close measure. Although I assure you that this bandwagon is trotting along somewhat faster than him, and his trusted valet – Passepartout. Now this name always intrigued me till the time I discovered that this faithful valet was a Frenchman. And that explained a lot that happened in the saga of the precise Mr. Fogg.
So let’s see. We are now at the 168th century mark on this trip into the dreamland of music. If he did a Fogg-Song-A-Day on his trip, one girdle of the earth would account for 80 songs. And if he did this 168 times, he would have enjoyed the flavor of 13,440 editions of Hindi film music. So yes, we are doing better than him on that count.
[Ah yes, you may catch the misdirection in my drift, but then this is just a tongue in cheek opening of the one hundred and sixty eighth hundred milestone post of remarkable blog.]
Remarkable is just one word, and it is incapable of spanning the entire gamut of emotions that arise when I begin to describe this blog. And its accomplishments. And yes, we have a gargantuan accomplishment, as recent as three days ago, that we must also talk about. And we will.
So yes, remarkable is an inadequate qualifier. Into the fourteenth year now, and few months away from completing it. And no bureaucratic or corporate infrastructure to drive it. And appearing on a day to day basis, just like the sun rising in the east every day. The drive of THE one person, and the “साथी हाथ बढ़ाना. . .” pull and push of the entire bandwagon. In my entire personal experience of all the young years I have, I have never seen or even heard someone mention something similar; of the classic real life manifestation of the celebrated poetic idiom of Majrooh Sb – “. . . लोग साथ आते गए, और कारवां बनता गया”.
Beyond all the kudos and accolades and all the bouquets and all the doffed headgear that we can shout out with joy, we must also acknowledge and honor – that element of destiny that actually drives all the human endeavors. Like the Marco of ‘Guide’ says to Raju, when he discovers the lost caves of ancient history, replete with sculpted beauties – a lifetime of aspirations realized. He says, “. . . लेकिन तुम जानते हो राजू, आज तक कोई पारखी यहाँ तक क्यों नहीं आया? क्योंकि ये काम मेरी किस्मत में लिखा था।” [“But do you know Raju, why no connoisseur has ever reached here? Because this discovery was destined to be my endeavor.”]
Yes, the endeavors of the chosen, ordained by destiny. For other than that, there is no plausible explanation as to why it happens so in the affairs of men and in the flow of history. Accomplishments, discoveries, explorations, deeds of triumph – history always has a name written on them. It is never that hordes of men discovered America, or that a whole school of mathematicians got together to propose the methods of Calculus. History always has a name – a singular busybody to associate with high tides of achievements.
This blog, by any measure, is a feat of incalculable perseverance, and defined merit that has endured years and years of continuity. And that is yet an understatement, as for the subject matter that this blog deals with – the unending ocean of music that is the Hindi film song. And a project that has now assumed a life of its own. At the 16,800 mark today, we are just about at the one third mark, considering just the first five decades of Hindi cinema. And not even at one fifth, if the scale expands to cover almost the entire ten decades of film music – as the time passes. Only an insightful vision can fathom the purpose, the purposefulness, and the lasting dedication that has brought this humble beginning that started with saying – “Miley Na Phool To Kaanton Se Dosti Kar Li” to that zenith of accomplishment where the burden of the group song now is
Geeton Se Dosti Hai, Music Se Yaari Hai
Aise Maze Ki Pyaare Zindagi Hamaari Hai
A Labor of Love – so rightly printed in the banner of our home page. There is no other way accomplishments of such enormous magnitude are made. Decidedly yes, one song at a time. But the cumulative effect of the persistent doggedness and the dedicated perseverance brings us here to this pinnacle of a looming mountain range ahead.
There is so much about this blog that boggles the mind that I would like to propose we stop calling this Atul-Song-a-Day Blog and start calling it Atul-Song-a-Day Boggler. Because that is what happens with this bandwagon – a new mind boggling something or the other week-in and week-out. Everything is so colossal and titanic about this blog that it is now beyond even creating wonder in the minds of regulars.
And yet, we have events on the blog that shake us all. Three days ago, on 25th Jan, the visitor clock on our home paged logged in the 15 Millionth visit. Atul ji had done some basic averaging to announce that we are clocking more than three thousand visitors per day, which in turn translates to two visitors hitting this blog every minute. Quite a crazy number considering that this blog deals with a topic that one would consider as not being the choice of majority of the social media users. Hindi film song, and that too pre 1980s. And goodness, non digital music – who would prefer that in this age. But of course, the numbers belie expectations. 3000+ hits a day – I am sure very few non-commercial, non-social-media web sites can boast of such a massive following.
So, 168th century. And 15 million visitors. Celebrations are called for and have been announced. But of the date today, there is one more celebration that we must honor and observe. Suman Kalyanpur, an eminent and essential Diva of Hindi cinema, turns 85 today.
The profiles and biographies and discographies – all have been touched upon and presented in numerous posts on this blog itself. I will not attempt to present those details again. I will talk about Suman Kalyanpur, as I see her in my mind, an artist, an accomplished singer who has made her mark on the history of Indian cinema, in face of many odds and struggles.
The singular expression that comes to mind when her name is mentioned – a quiet and humble persona that has led a blemish-less career as a playback singer, a career that has lasted almost four decades of active performance. The tinsel town that is India’s film industry, is a hard and difficult place to survive. Much has been said about the circumstances that have been faced by many a talented and gifted artists who did not get their seat on the stage of first tier performers. And it is surprising to see many a name that did not make it.
But surely, here is a name that was not a first preference of the top line banners and music directors. Despite that, to make a mark and leave behind memories of songs that will never be forgotten – that is surely an accomplishment. A major part of her repertoire belongs to the B and C grade cinema. And when one listens to those obscure and forgotten sounds and melodies, one is surely inclined to wonder.
Today, I present an obscure and unheard melody – a song from an obscure film from 1963 – ‘Royal Mail’. One of the many variations of the theme of Zorro that have kept appearing regularly in Indian cinema. For a long time, this film was unavailable, until recently, when the video of this appeared online. Although the film is available now, but all the songs of this film are not. Especially this song, a solo rendition by Suman Kalyanpur – I have not been able to locate it online, and so I have uploaded it from my collection.
Way back in 2014, I had uploaded one song of this film, at the request of a reader of another blog. That song is “Chali Jaaye Re Jeevan Ki Gaadi”. The lead pair in this film are somewhat unknown names – Mahesh Kumar and Ambika. The above mentioned song was picturised on this lead pair. And today’s song also features the lead pair. Mahesh Kumar is present in the clip, but only Ambika is lip syncing the song. The dialogues leading into the song indicate the situation. The Rajkumari (Ambika) was in some trouble, and a masked vigilante (Mahesh Kumar) saves her. This masked person is known in the land as Royal Mail, and is a friend of the poor and the oppressed, and a foe of the oppressors. And when he asks permission to leave, Rajkumari breaks into this song, expressing her gratitude and requesting the masked masquerader to stay and accept her love.
The words are from the pen of Indeevar, and the music is by Avinash Vyas. An unheard and lovely song that I post today, to honor Suman ji on her 85th birthday. I wish her well, I wish her good health and comfort and I wish her many more such celebrations to follow.
So, we have had centuries today, we have had millions, and we also have an important birthday celebration. 28th Jan, 2022 – a red letter day of sorts.
I wish Atul ji, and the rest of the gang of bandwagoneers many more centuries up ahead. That the drums may keep rolling and the band keeps on playing – all the wonderful music that we love.
I would like to close this post with some lines remembered from the very first song posted by Atul ji, four thousand nine hundred and forty one days ago –
ab aage jo bhi ho anjaam, dekha jaayega
khuda tarash liya, aur bandagi kar li
Happy listening.
Song – Zindagi Dene Wale Dil To Mera Leta Jaa (Royal Mail) (1963) Singer – Suman Kalyanpur, Lyrics – Indeewar, MD – Avinash Vyas
Lyrics
zindagi dene waale
dil to mera leta ja
pyaar tu de ke na de
yaad to apni deta ja
zindagi dene waale
dil ki aankhon se tujhko dekha
hum ne pehchaan liya
tere dil ki pooja mein
hum ne tujhe apna maan liya
hum ne tujhe apna maan liya
zindagi dene waale
dil to mera leta ja
pyaar tu de ke na de
yaad to apni deta ja
zindagi dene waale
phool sa dil seena parbat sa
tujh sa koi dildaar kahaan
tere iraade rok sakey jo
aisi hai deewaar kahaan
aisi hai deewaar kahaan
zindagi dene waale
dil to mera leta ja
pyaar tu de ke na de
yaad to apni deta ja
zindagi dene waale
sab kuchh de kar kuchh na liya
tu kaisa dene waala hai
tera shukriya jaane waale
kaisa jaadu daala hai
kaisa jaadu daala hai
zindagi dene waale
dil to mera leta ja
pyaar tu de ke na de
yaad to apni deta ja
zindagi dene waale
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Hindi script lyrics (Provided by Sudhir Kapur)
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ज़िंदगी देने वाले
दिल तो मेरा लेता जा
प्यार तू दे के ना दे
याद तो अपनी देता जा
ज़िंदगी देने वाले
दिल की आँखों से तुझको देखा
हमने पहचान लिया
तेरे दिल की पूजा में
हमने तुझे अपना मान लिया
हमने तुझे अपना मान लिया
ज़िंदगी देने वाले
दिल तो मेरा लेता जा
प्यार तू दे के ना दे
याद तो अपनी देता जा
ज़िंदगी देने वाले
फूल सा दिल सीना परबत सा
तुझ सा कूई दिलदार कहाँ
तेरे इरादे रोक सके जो
ऐसी है दीवार कहाँ
ऐसी है दीवार कहाँ
ज़िंदगी देने वाले
दिल तो मेरा लेता जा
प्यार तू दे के ना दे
याद तो अपनी देता जा
ज़िंदगी देने वाले
सब कुछ दे कर कुछ ना लिया
तू कैसा देने वाला है
तेरा शुक्रिया जाने वाले
कैसा जादू डाला है
कैसा जादू डाला है
ज़िंदगी देने वाले
दिल तो मेरा लेता जा
प्यार तू दे के ना दे
याद तो अपनी देता जा
ज़िंदगी देने वाले
Chaand taley jhoom jhoom
Posted on: December 29, 2021
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4912 | Post No. : | 16730 |
Today, December 29, 2021 is the 6th Remembrance Day of Subir Sen, singer, actor and the music director in Hindi and Bangla films. The resemblance of his voice with that of Hemant Kumar seems to have influenced the music director, Shankar-Jaikishan to try him as a playback singer in Hindi films. Subir Sen sang just 28 songs in Hindi films in the span of around 12 years. Most of the songs he rendered became popular.
Subir Sen (24/07/1934 – 29/12/2015) was born in Assam and grew up in Guwahati where his father had a pharmacy business. He completed his matriculation from Guwahati. From the childhood, he was drawn towards music and this was the reason that made his father to shift to Kolkata after selling his pharmacy business. During his growing up days, he was highly influenced by the singing of Dhananjay Bhattacharya, Hemant Kumar and Talat Mehmood. When he started singing their songs in some programmes, the audience started appreciating his renditions. He felt that he can also sing like his favourite singers which made him to pursue the singing as a career.
Subir Sen enrolled himself in Marris College of Music (later renamed as Bhatkhande Music Institute), Lucknow. During the third year of his college, he received the first prize for singing a vilambit Khayal in raag Purvi. Later, he learnt Hindustani classical music from Acharya Chinmoy Lahiri, a vocalist in Hindustani classical music. On the advice of Acharya Chinmoy, Subir Sen learnt the Thumri singing from Usha Ranjan Mukherjee for over 2 years.
On an invitation from Guru Dutt, Subir Sen along with the music director, Sudhin Dasgupta shifted to Mumbai and became the part of the Guru Dutt’s Films for his film under production (probably for ‘Pyaasa’1957). However, though they were on the payroll of Guru Dutt Films, they never got opportunity to sing in his film. It is said that Guru Dutt sent Subir Sen to S D Burman for audition. He introduced himself as a singer who sang in the style of Hemant Kumar. S D Burman rejected him without taking his audition by asking him as to why he should use him when he can have the original voice of Hemant Kumar. (Source: Interview of Pandit Shiv Kumar Sharma on S D Burman).
While Sudhin Dasgupta returned to Kolkata, Subir Sen got an opportunity to sing for the first time in Hindi films under the baton of Shankar-Jaikishan who were impressed with the resemblance of his voice with that of Hemant Kumar. The first song he sang in Hindi film was manzil wohi hai pyaar ki raahi badal gaye in ‘Kathputli’ (1957) picturised on Balraj Sahni. The song became very popular and was one of the three songs from ‘Kathputli’ (1957) to figure in the top 32 songs of Binaca Geetmala for the year 1958. In 1959-60, Subir Sen sang six songs in six films with six music directors (including one under the baton of Hemant Kumar), all of which became popular.
Subir Sen again came into the attention when his song, dil mera ek aas ka panchhi picturised on Rajendra Kumar (who was nick named as ‘Jubilee Kumar’), became even more popular than his first song, ranking 5th among the top 32 Hindi film songs of Binaca Geetmala for the year 1961.
With the kind of the early successes, Subir Sen must have dreamt of a bright future for him as a playback singer in Hindi films. But his discography in the table given below reveals that his playback singing career in Hindi films did not reach to a level to make a living out of it. In most of the films, he got the opportunity to sing only one song.
| No. | Songs | Name of the Film | Co-singer | Music Director |
|---|---|---|---|---|
| 1 | manzil wohi hai pyaar ki | Kathputli (1957) | Solo | Shankar-Jaikishan |
| 2 | pyaar mein milna sanam | Ardhaangini (1959) | Lata | Vasant Desai |
| 3 | main rangeela pyaar ka raahi | Chhoti Bahen (1959) | Lata | Shankar-Jaikishan |
| 4 | gori tere natkhat nainaa | Ham Bhi Insaan Hain (1959) | Geeta Dutt | Hemant Kumar |
| 5 | dil leke jaate ho kahaan | O Tera Kya Kehna (1959) | Kamal Barot | Kalyanji Virji Shah |
| 6 | hamen in raahon pe chalna hai | Maasoom (1960) | Aarti Mukherjee | Robin Banerjee |
| 7 | gar tum bura na maano | Mehlon Ke Khwaab (1960) | Asha Bhosle | S Mohinder |
| 8 | dheere chalaao zaraa | Aas Ka Panchhi (1961) | Asha Bhosle | Shankar-Jaikishan |
| 9 | dil mera ek aas ka panchhi | Aas Ka Panchhi (1961) | Solo | Shankar-Jaikishan |
| 10 | bahaare luta ke nazaare dikha ke | Anarbala (1961) | Suman Kalyanpur | Bulo C Rani |
| 11 | dekho na jaao ae jaaneman | Boy Friend (1961) | Solo | Shankar-Jaikishan |
| 12 | sun le daastaan yoon na sata | Passport (1961) | Solo | Kalyanji-Anandji |
| 13 | aa jaa re nain dwaare | Roop Ki Rani Choron ka Raja (1961) | Chorus | Shankar-Jaikishan |
| 14 | chanda salone itna bata de | Sati Renuka (1961) | Suman Kalyanpur | S L Merchant |
| 15 | kya kaha zara phir kaho | Gangu (1962) | Geeta Dutt | Kalyanji-Anandji |
| 16 | kasam na lijiye kasam na dijiye | Jaadoo Mahal (1962) | Purnima Seth | Bulo C Rani |
| 17 | Jeewan ki lambi raahon par | Pick Pocket (1962) | Mahendra Kapoor | Sardar Malik |
| 18 | thaam mujhe gir na jaaun | Raaz Ki Baat (1962 UR) | Solo | Robin Banerjee |
| 19 | chaand tale jhoom jhoom | Jab Se Tumhen Dekha Hai (1963) | Suman Kalyanpur | Dattaram |
| 20 | gagan ke chanda na poochh hamse | Apne Huye Paraaye (1964) | Lata | Shankar-Jaikishan |
| 21 | haath chod de mera bedardi | Hukum Ka Ekka (1964) | Aarti Mukherjee | Robin Banerjee |
| 22 | bujh gaya dil ka diya | Jaadui Anghooti (1964) | Solo | Suresh Kumar |
| 23 | ab to aisa lagta hai | Roop Sundari (1964) | Solo | Sardar Malik |
| 24 | jaago anjaani raajdulaari | Ek Soorat Do Dil (1968) | Aarti Mukherjee | Bijan Pal |
| 25 | aah dil mein hai | Rani Chandravati (1968, UR) | Solo | S N Tripathi |
| 26 | Ye pukaar kiske liye | Rani Chandravati (1968, UR) | Suman Kalyanpur | S N Tripathi |
| 27 | sedin dujone dulechhinu bone (Bangla) | Anubhav (1971) | Solo | Rabindranath Tagore |
| 28 | koi mera ho gaya | Midnight (1972) | Solo | Subir Sen |
The initial euphoria Subir Sen created in Hindi film music due to the resemblance of his voice with that of Hemant Kumar may have becoming a stumbling block in his playback singing career. It would be a natural response from the music directors that they would rather work with Hemant Kumar who had already established himself as a playback singer than Subir Sen. Also, producers, directors, actors and the film financiers/distributors have their own preferences for playback singers among the established ones.
Ashutosh Banerjee, music director who had composed many Bangla films and non-film songs for Subir Sen was of the view that while in Mumbai, Subir Sen started listening to a lot of western music during which Jim Reeves and Nat King Cole became his favourite singers. From Jim Reeves, he picked up the tonal quality and from Nat King Cole the drama in singing. In his subsequent renditions, Subir Sen was influenced by the styles of these two American singers.
Some changes in Subir Sen’s rendition style are evident in his later songs. For instance, in ‘dheere chalo zara’ from ‘Aas Ka Panchhi’ (1961), one can feel some shades of Mukesh in the song. In ‘dekho na jaaneman’ which he sang for Shammi Kapoor in ‘Boy Friend’ (1961), his voice sounds somewhat different giving a feel of Manna Dey. I have listened to some of his Bangla non-film songs and I feel that he had adapted to a style of rendition to sound somewhat different from Hemant Kumar’s voice. For examples, ‘oy ujjwal din’ and ‘pagol hawa’ (a rehash of non-film Bangla song originally sung by Jatileshwar Mukherjee and ‘na jaane tum’ from ‘Chhoti Si Baat’, 1976).
With his playback singing career in Hindi films getting stangnated, Subir Sen returned to Kolkata sometime in early 1970s. He recorded hundreds of Bengali modern and Rabindra Sangeet numbers over three decades. He also acted along with Uttam Kumar in Bangla film, ‘Momer Alo’ (1964) and in Hindi film “Anubhav’ (1971).
Subir Sen and also Dwijen Mukherjee could not create a place for themselves in Hindi films mainly because they were born with their voice boxes almost similar to Hemant Kumar. And both of them were the contemporary of Hemant Kumar and in competition with him. Also, they came at a time when the troika of the main male playback singers – Mohammed Rafi, Mukesh, Talat Mehmood and later Kishore Kumar had already well-established in Hindi film industry.
On the occasion of the 6th Remembrance Day of Subir Sen, I am presenting ‘chaand tale jhoom jhoom tirak rahi hai’ rendered by him with Suman Kalyanpur for the film ‘Jab Se Tumhen Dekha Hai’ (1963). The song is written by Shailendra which is set to music by Dattaram.
With this song, all the six songs of ‘Jab Se Tumhen Dekha Hai’ have been covered in the Blog.
Acknowledgements:
1. Videos of interview of Subir Sen by Kolkata Gaan available on YouTube. Since the interview was conducted in Bengali, I requested Partha Chanda ji for the English translation which he promptly sent me with the links of a couple of Subir Sen’s Bangla songs. Thanks Partha Chanda ji.
2. Interview of Ashutosh Banerjee which appeared on The Times of India E-Paper, updated on 29/12/2015.
Audio Clip:
Song-Chaand taley jhoom jhoom (Jab Se Tumhen Dekha Hai)(1963) Singers-Suman Kalyanpur, Subir Sen, Lyrics-Shailendra, MD-Dattaram
Suman Kalyanpur + Subir Sen
Male chorus
Female chorus
All chorus
Lyrics
ha aa aa aa
ha aa aa aa
ha aa aa aa
ha
ho o o o
ho o o
o o o o
ha aa aa aa
ha aa aa aa
ha aa aa aa
ha
ho o o o
ho o o
o o o o
chaand tale jhoom jhoom
thirak rahi hai ghoongharwaaliyaan
mastiyon ki aaj dhoom
khushi baja rahi hai taaliyaan
haand tale jhoom jhoom
thirak rahi hai ghungharwaaliyaan
mastiyon ki aaj dhoom
khushi baja rahi hai taaliyaan
ho o o o
aa aa aa
o o o o
ho o o o
aa aa aa
ho o o o
aa aa aa aa
ho o o o
ho o o o
aa aa aa
o o o o
chori chori dil ko mere kaun gaya chhoo
aaj meri har nazar pe kis ki justujoo
aa aa aa
o o o o
aa aa aa
o o o o
bekaraar mera pyaar meri aarzoo
mere dil ko bhaa gayi hai aaj tu hi tu
haay main bhi aaj main nahi tu bhi nahin tu
hoy
chaand tale jhoom jhoom
thirak rahi hai ghungharwaaliyaan
mastiyon ki aaj dhoom
khushi baja rahi hai taaliyaan
ha aa aa aa
ha aa aa aa
ha aa aa aa
ha
ho o o o
o o o
o o o o
ha aa aa aa
ha aa aa aa
ha aa aa aa
ha
ho o o o
o o o
o o o
aaj itne paas hain jo kal thhe paraaye
saamne hai jo kabhi thhe khwaab mein aaye
la ra ra ra
la ra la ra li ra
la la la la
la ra la ra li ra
dekhti hai par nigaah sochti nahin
kya bharam kya hai sach ye jaanati nahi
o mere dil ki manzile hain bas yahin kahin
hoy
chaand tale jhoom jhoom
thirak rahi hai ghungharwaaliyaan
mastiyon ki aaj dhoom
khushi baja rahi hai taaliyaan
ho o o o
ha aa aa
o o o
ho o o o
ha aa aa
o o o
be-dhadak ye dil mein mere aa raha hai kaun
apni raah mujhko bhi bhula raha hai kaun
ha aa aa aa
ho o o o
ha aa aa aa
ho o o o
dheere dheere dil se dil mein la raha hai kaun
dekhiye to pyaar se bula raha hai kaun
o kya khabar ye mujhko aajma raha hai kaun
chaand tale jhoom jhoom
thirak rahi hain ghungharwaaliyaan
mastiyon ki aaj dhoom
khushi baja rahi hain taaliyaan
chaand tale jhoom jhoom
thirak rahi hai ghungharwaaliyaan
mastiyon ki aaj dhoom
khushi baja rahi hai taaliyaan
Muhammad Shah Rangeeley
Posted on: November 10, 2021
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4863 | Post No. : | 16654 |
‘Jab Se Tumhen Dekha Hai’ (1963) was produced by Surinder Kapoor under the banner of Amar Chhaaya Films and was directed by Kedar Kapoor. The star cast included Geeta Bali and Pradeep Kumar in the lead role with the supporting cast of Agha, Vijaylaxmi, Siddhu, Sunder, Tun Tun, Mohan Choti, Ravikant etc. Shammi Kapoor, Shashi Kapoor, Om Prakash, Bhagwan, Kumkum, and Shyama made their guest appearances in the film. This was Surinder Kapoor’s maiden film as a producer.
I was wondering as to how Surinder Kapoor could manage to rope in Shammi Kapoor and Shashi Kapoor for the qawwali song in the film. It became clear when I came to know that Surinder Kapoor was the cousin of Prithviraj Kapoor. When he shifted to Mumbai from Peshawar in 1950, Prithviraj Kapoor helped him in getting his first job as an assistant to K Asif in ‘Mughal-e-Azam’ (1960). Since the film took a lot of time to be completed, Surinder Kapoor left K Asif and became the Secretary to Geeta Bali. Kedar Kapoor, the film’s director was from Peshawar. Probably, he may also be related to Prithviraj Kapoor.
It was Geeta Bali who encouraged Surinder Kapoor to become a film producer. She arranged the finance, the crew and the cast. So, getting the guest actors for the qawwali song became an easy task for Surinder Kapoor. The film was launched in 1958 and got completed in 1963. The film did not fare well on the box office. This was the last released film of Geeta Bali.
‘Jab Se Tumhen Dekha Hai’ (1963) had six songs in the film written by Shailendra (5) and Anand Bakshi (1) which were set to music by Dattaram. Four songs have been covered on the Blog.
Here is the 5th song ‘Muhammad Shah Rangeele gaawat aaj prem raag’ from the film to appear on the Blog. The song is rendered by Manna Dey on the words of Shailendra. The video clip of the song is not available on any video sharing platform. So, it is difficult to know as to in which context, this song was picturised in the film. My wild guess is that the song may have been picturised on Agha in a comical situation using the bandish-based classical song.
Muhammad Shah ‘Rangeela’ was the Mughal emperor during 1719 to 1748. He was a patron of performing arts and music. His court had many musicians, the prominent among them being Niyamat Khan who used to compose bandishes under his pen name. ‘Sadarang’ and his nephew, Feroz Khan under the pen name of ‘Adarang’. Sadarang has been credited with the introduction of Khayal as a form of Hindustani classical music. He composed many Khayal bandishes for his desciples which included a few women from the harem of Muhammed Shah ‘Rangeela’.
There are some persons who are known by their work and not by their names. Niyamat Khan was one of them whose name is unknown for the present generation. Some of us may have listened to his khayal bandishes rendered by stalwarts like Pandit Bhimsen Joshi, Ustad Amir Khan, Ustad Rashid Khan, etc without knowing that these were composed by Niyamat Khan ‘Sadarang’.
One of the Khayal bandish composed by Niyamat Khan was ‘Muhammad Shah rangeele re, tum bin main kya karoon badariya, nit na suhaawe’ in raag Miyan Ki Malhar in praise of Muhammad Shah. The song under discussion is based on this bandish with different ‘bole’ written by Shailendra and composed by Dattaram in raag ‘Miyan Ki Malhar’. It is rendered as ‘chhota khayal’.
By the way, Muhammad shah rangeele re from ‘Nadirshah’ (1968) was also based on the abovementioned bandish. Both ‘Nadirshah’ (1968) and ‘Jab Se Tumhen Dekha Hai’ (1963) took a long time to be completed and released. So, it is difficult to guess as to which one of two films got inspired from this bandish first.
Audio Clip:
Song-Muhammad Shah rangeeley (Jab Se Tumhen Dekha Hai)(1963) Singer-Manna Dey, Lyrics-Shailendra, MD-Dattaram
Lyrics
hriday na…………….th
hey ae ae na…….th
aa aa aa aa aaa
aa aa aaaa
aa aaa
dhoom ta na ta na na
pranaam
muhammad shah rangeele
muhammad shah rangeele ae
muhammad shah rangeele
gaawat aaj prem raag
gaawat aaj prem raag
sur bade nasheele ae
muhammad shah rangeele
rangeele
rangee…..le
pa……aa
ma ma ma ni pa….aa
ma ma..aa
pa ni…ee pa…aa
pa pa pa ni
pa pa pa ni
pa pa pa sa
pa ni pa ni
pa pa ni
pa ni dha
ma dha pa
ma pa ga ma
dha ni dha ni dha ni dha ni
pa ni..ee
pa ni
pa ni
tere bin jee na sakoon
tere bin jee na sak……………oon
jee na sak…oon
na sakoon
tere bin jee na sakoon
tere bin jee na sakoon
jee na sakoon
tere bin
jee na sakoon
tere bin
tere bin jee na sakoon
lekin ab kya main karoon
lekin ab kya kya main karoon
lekin ab kya kya main karoon
saans saans kehti aas
saans saans kehti aas
jee..ee le
jee..ee le
jee..ee le
muhammad shah rangeele
muhammad shah rangeele
gaawat aaj prem raag
gaawat aaj prem raag
sur bade nasheele ae
muhammad shah rangeele
rangeele
rangee…..le
Kaahe paap kamaaye re bande
Posted on: May 7, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4676 | Post No. : | 16353 |
“Chandrashekhar Azad”(1963) was directed by Jagdish Gautam for Kwatra Films, Bombay. This patriotic movie had Jairaj, Nirupa Roy, Indira Billi, Leela Mishra, Majnoo, Indira Bansal, Tuntun, Altaf, Kuldeep Chaand, Dharampal, Ravikant, Bhagwan Sinha, Jagdeesh Kamal, Harun, Jagdish Gautam, Kabuli, Rafia Sultna, Manohar Geer, Prem Lata, Gopal Sahgal, Zillani, Sarala, Niranjan Sharma, Sheikh, Babu, Rajinder etc in it.
The movie had five songs in it. One song has been covered in the past.
Today (7 May 2021) is the 20th remembrance anniversary of Prem Dhawan (13 June 1923-7 May 2001). On this occasion, here is a song from “Chandrashekhar Azad”(1963). This song is sung by Rafi and chorus. Prem Dhawan is the lyricist. Music is composed by Sardul Kwatra.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this philosophical song.
Lyrics of this song were sent to me by Avinash Scrapwala.
Song-Kaahe paap kamaaye re bande kuchh bhi kaam na aayegaa (Chandrashekhar Azad)(1963) Singer-Rafi, Lyrics-Prem Dhawan, MD-Sardul Kwatra
chorus
Lyrics(Provided by Avinash Scrapwala)
Kaahe paap kamaaye re bande
Kuchh bhi kaam na aayegaa
Tod ke tan ka pinjraa ek din
Man panchhi ud jaayegaa
Kaahe paap kamaaye re bande
Kuchh bhi kaam na aayegaa
Tod ke tan ka pinjraa ek din
Man panchhi ud jaayegaa
Ud jaayegaa
Ud jaayegaa
Ye panchhi ud jaayegaa
Ye panchhi ud jaayegaa
Kaahe paap kamaaye re bande
Ae ae
Raam bolo
Ke bhaiyya raam bolo
O bolo Raam bolo
Ke bhaiyya raam bolo
Takht taaj ye raaj paat
Kuchh bhi to jaata saath nahin
Kuchh bhi to jaata saath nahin
Rok sake udtey panchhi ko
Ye to kisi ke haath nahin
Bhai ye bhi to kisi ke haath nahin
Laakh lagaa le pehre phir bhi
Laakh lagaa le pehre phir bhi
Zor nahin chal paayega
Tod ke tan ka pinjraa ek din
Man panchhi ud jaayegaa
Kaahe paap kamaaye re bande
Ae ae ae
Raam bolo
Ke bhaiyya raam bolo
O bolo Raam bolo
Ke bhaiyya raam bolo
Kya kya soche sochne waala
Par kya kuchh ho jaata hai
Are par kya kuchh ho jaata hai
Jaane waala haath na aata
Aisa kahin kho jaata hai
Are aisa kahin kho jaata hai
Ek baar jo taara tootaa aa
Ek baar jo taara tootaa
Phir wo nazar na aayegaa
Tod ke tan ka pinjraa ek din
Man panchhi ud jaayegaa
Kaahe paap kamaaye re bande
Ae ae ae ae
Raam bolo
Ke bhaiyya raam bolo
O bolo Raam bolo
Ke bhaiyya raam bolo
Na teri na meri duniya
Na gore na kaale ki
Bhai na gore na kaale ki
Yahaan chali
Aur sadaa chalegi
Marzi upar waale ki
Ab marzi upar waale ki
Bura bhala jaisa bhi karega
Bura bhala jaisa bhi karega
Waisa hi phal paayega
Tod ke tan ka pinjraa ek din
Man panchhi ud jaayegaa
Ud jaayegaa
Ud jaayegaa
Ye panchhi ud jaayegaa
Ye panchhi ud jaayegaa
Kaahe paap kamaaye re bande
Ae ae ae ae
Raam bolo
Ke bhaiyya raam bolo
O bolo Raam bolo
Ke bhaiyya raam bolo
O bolo Raam bolo
Ke bhaiyya raam bolo
Ye panchhi ud jaayegaa
Aa aa
O bolo Raam bolo
Ke bhaiyya raam bolo
O bolo Raam bolo
Ke bhaiyya raam bolo
O bolo Raam bolo
Panchhi ud jaayegaa
Ke bhaiyya raam bolo
O bolo Raam bolo
Ke bhaiyya raam bolo
O bolo Raam bolo
Ke bhaiyya raam bolo
O bolo Raam bolo
Ke bhaiyya raam bolo
O bolo Raam bolo
Ke bhaiyya raam bolo
O bolo Raam bolo
Ke bhaiyya raam bolo
O bolo Raam bolo
Ke bhaiyya raam bolo
O bolo Raam bolo
Ke bhaiyya raam bolo
O bolo Raam bolo
Ke bhaiyya raam bolo
Ye panchhi ud jaayegaa
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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