Archive for the ‘Lata song’ Category
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4940 | Post No. : | 16793 |
Rafi Sahab’s Legendary Associations – 10
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73rd Republic Day of India
ek hai apni zameen
ek hai apna gagan
ek hai apna jahaan
ek hai apna watan
apne sabhi sukh ek hain
apne sabhi gham ek hain
aawaaz do
aawaaz do ham ek hain
ham ek hain
“What is it that I want? The same as you, the same as everyone else. I want to be physically safe and healthy, financially secure and personally happy. I want the same confidence in my abilities, in my environment and social acceptance. I have the same worries and aspirations for future. Same apprehensions if the children will turn out well and have good careers or not.”
This is me, in conversation with a dear friend and a long-time colleague. This conversation happened some 15-16 years ago. Actually, we were on the same page in the topic, she was not coming from any opposite direction at all. But she was the one clear on the causes of a problem, I was the one confused.
But things are a lot clearer to me now, exactly what I wanted to explain at that time is more obvious now.
apne sabhi sukh ek hain
apne sabhi gham ek hain
The causes of happiness for the common man are the same everywhere, whatever is the religion, caste, race, region, language, state or country they are allied to. The aspirations are same and the apprehension and causes of sadness are also the same essentially. This is the way a social environment develops, where people go and join hands with each other in times of happiness and sadness.
Today the country is celebrating 73rd Republic Day.
The constitution gives us the right to live with dignity. What is a person’s dignity? it is not just the pride in its citizenship, its values and its integrity. A person’s dignity is the self-belief that I have done nothing wrong and don’t mean any harm to anyone. And a feeling of security, that me, my life, my livelihood and my family is safe. A sense of belonging that makes us feel responsible for the safety and security of fellow citizens and has assurance of reciprocation. Also, that I deserve all that I command. Personally, socially and professionally.
As a citizen it is a right to demand and acquire good education, an adequate health facility, a great judicial system and better law enforcement agencies, plus a media which gives us information, that really mattered. Real information, on what has been done to give the above rights to the citizens.
With the slow and gradual increase of opportunities in education and personal growth, the inequalities have also increased. A success story in monetary terms and career, is just not enough. It is also important to have balanced and broad-minded success stories. Rationality and seeing an issue in a truly international perspective are what will make a successful person intellectually empowered.
At the ripe old age of 75, we should have been a mature people.
Do we see enough, do we care enough?
Do we bother to call out the misbehaviour, of miscreants we see on the streets? Are we bold to speak out against injustice?
Are we smart enough to sift through the crap fed to us day in and day out in the guise of news and entertainment?
Do we bother to check the authenticity of WhatsApp forwards before sharing with other people?
Do we even care that our ‘can’t care less’ attitude is destroying the centuries old social fabric of our society and stripping us of our identity as a people, the whole world, looked at with respect?
Munshi Premchand said “Communalism, whenever it raises its head, it comes within a cloak. Because it is ashamed of coming alone or walking alone. “
Yes, at the age of 75, we are a nation of most young people in the world. Being second largest population in the world, with an average age of 28 years, the figures of young people and children are just hugest in the world. If these young people are a part of work force and aspire for personal growth and are able to collectively individually, contribute to the nation building, what can be built and achieved is mind boggling.
But are we looking at what the young population of this country is aspiring to be?
What is the ambition of an average Indian youngster?
what are their hopes?
What are their priorities?
It is very important to channelise the energies and ambitions of youth towards personal and professional excellence. There is enough talent, brains and hands in this country to make it an economic force. But for that we have to rise above the politics of religion, caste, us and they, region etc.
There was a story of cats and a monkey, we used to hear and read as children. Lately I have not seen it repeated anywhere. So here is the story for refreshing the memory of readers:
Two cats are fighting for a roti. The monkey comes and tells them to stop fighting and make two equal pieces of the roti. The cats agree and make two parts. The monkey tells them the two parts are not equal, one is larger and the other is smaller. He advises the cat holding the larger piece, to break a small part and give it to him, so both the cats have equal portions. The result is again the same, the parts of the roti the cats have are still not equal. So, the other cat is asked to break a small piece and give it to the monkey, to establish the equality. So on and so forth the dispute continues, till the whole roti is finished, while the cats remain empty handed in the end.
Similar is the case of inequality in opportunities in our set up. In the name of equalising those opportunities, the opportunists among us are gobbling up the parts and parcel. Keeping the marginalised sections divided and fighting imaginary/perceptive fights with each other. It is not a true cut and dried, there are multiple layers to these differences, perceptions of not getting a fair share of the ‘roti’. The majority/minorities tussle is but one layer of it and the cloak which Munish Premchand referred to. The real divide here is still the have’s and have nots. Then there is a gender divide, which is inherent and keeps getting uglier.
Where does all this leave the common man, with its apprehensions and aspirations? With their same dukh and sukh, I spoke about in the first para.
“I have the same worries and aspirations for future. Same apprehensions if the children will turn out well and have good careers or not.”
It is true, that once I had children, all my self-interests and care less impulsiveness gave way to worries of the future. Not the least of which was the worry for their safety, physical, emotional and psychological. Major part of their time was spent outside the home, in school and in the creche. How the things that they imbibe from the social atmosphere will affect their character, their thought processes and their choices and priorities? This was a cause of worry for me.
Yes, these ills in society are stemming for this one vice, i. e. selfishness. A few days ago, I had a big discussion with my son, regarding the self-interest of sections of society, and the marginalised sections of the society, who are still outside a certain margin. This margin is not unbreachable. We can see it breached in some developed states in the country. In most parts of the country, the focus of the populace is on the personal growth, better life quality and the common interests of the common man.
My son, interestingly was coming from the other direction in the discussion. I have managed to make an inroad in the way, he looks at opportunities for himself and for others, his fellow countrymen, who have the talent, ability and deserve to take their rightful place in the progress and development of the country, I hope, because he has not come to me with any counter-arguments on the topic :-).
This is my quest to make a balanced, truly intellectual success story out of my children. There is no ‘ism’ in this thought process, just a bit of logic and unselfishness. The conscious unwillingness to get embroiled in a conflict of interests which is a matter of perception. This really is a distraction, which our youth do not need.
The problems and issues in our country are centric and specific to our country. These have to be looked at with a prism of our own, not look for solutions to it, from examples of other nations and other societies.
I will move on to the song post.
The song is an iconic song from the 1981 film “Kranti’. The punch line, or the concluding line of the song is
Mera chana hai apni marzi kaa
Marzi ka bhai marzi ka
Yeh dushman hai khudgarzi kaa
Khudgarzi ka khudgarzi kaa
“mera chana’ can be interpreted as ‘my passion’ or ‘my goal’, which really is to treat ‘khudgarzi’ i.e. selfishness as the enemy.
The song is iconic, as it has three legends of hindi film music singing it with the son of another legend. Mohammed Rafi, Kishore Kumar and Lata Mangeshkar are singing for Dilip Kumar, Shatrughan Sinha and Hema Malini, whereas Nitin Mukesh is giving playback to Manoj Kumar in the song, which is written by Santosh Anand and composed by Laxmikant-Pyarelal.
I used to hear the ‘sponsored programme’ of this film on Vividh bharati, I have seen the movie also long back. But I only recalled that Rafi Sahab is singing just one line for Dilip Kumar in this song. But now that I have seen and heard the song multiple times, the lines Rafi sahab is singing towards the end of the song, are definitely very significant and elevate the whole song to another level. The composition and orchestration have been kept very simple and basic by Laxmikant-pyarelal, so this is not a crowded song, with all these greats singing their parts, independently and together, with male and female chorus to add to the group.
This is the only song of these four singers. For Rafi sahab’s series, this must be the last such song remaining to be posted in the blog where Rafi sahab and Kishore Kumar are singing together, with or without Lata Mangeshkar and Nitin Mukesh. For Rafi-Lata duets, there are a few songs, at least one of them I plan to include in the series. So, this post takes care of Rafi sahab’s association with Kishore kumar, Nitin Mukesh and Santosh Anand.
Let us go to the song, and listen to the rendition which is a real ‘hair raising’ experience.
Audio:
Video:
Song-Chana jor garam baabu main laaya mazedaar chana jor garam(Kraanti)(1981) Singers-Lata Mangeshkar, Kishore Kumar, Nitin Mukesh, Mohammed Rafi, Lyrics-Santosh Anand, MD-Laxmikant Pyarelal
Lata Mangeshkar + Kishore Kumar
Female chorus
Male chorus
Lyrics
Tum tum ta ra ra ra
Tum tum ta ra
Tum tum ta ra ra ra
Tum tum ta ra
Tum tum ta ra ra ra
Tum tum taram
Tum tum ta ra ra ra
Tum tum taram
Tum tum taram taram
Tum tum taram taram
Duniya ke hain laakh dharam
Par apna ek karam
Chana jor garam
Chana jor garam baabu
Main laayi majedaar
Chana jor garam
Chana jor garam baabu
Main laaya majedaar
Chana jor garam
Mera chana bana hai a’alaa
Jis mein daala garam masaala
iss ko khaayegaa dilwaala
Chana jor garam
Mera chana khaa gayaa goraa
Mera chana khaa gayaa goraa
Khaa ke ban gayaa tagda ghodaa
Main ne pakad ke usse marodaa
Maar ke tangdi uss ko todaa
Chana jor garam
Chana jor garam baabu
Main laaya majedaar
Chana jor garam
Mere chane ki aankh sharaabi
Sharaabi ee
chane ki aankh sharaabi
Ho oo
Iss ke dekho gaal gulaabi
Gulaabi ee
dekho gaal gulaabi
ho …
iss ka koyi nahin jawaabi
iss ka koyi nahin jawaabi
jaise koyi kudi punjaabi
jaise koyi kudi punjaabi ee
naache chhanan chhanan
naache chhanan chhanan
kothhe chadh ke tainu pukaaraan
sun le mere balam
chana jor garam
Chana jor garam baabu
Main laayi majedaar
Chana jor garam
Meraa chana khaa gaye gore
Gore meraa
chana khaa gaye gore
ho gore
jo ginti mein hain thhode
ho phir bhi maare ham ko kode
phir bhi maare ham ko kode
Tum tum taram taram
Tum tum taram taram
Laakhon kode toote phir bhi
Toota na dum kham
chana jor garam
Chana jor garam baabu
Main laaya majedaar
Chana jor garam
Chana jor garam baabu
Main laaya majedaar
Chana jor garam
Chana jor garam
Chana jor garam
Chana jor garam
Chana jor garam(hoo oooo)
Chana jor garam(oooooo)
Chana jor garam(aa aaaa)
Chana jor garam(aaa aaaa)
Chana jor garam(ooo oooo)
Chana jor garam(ooo oooo)
Aaa aaaaaa
Aaaaa aaaaaa
Aaaaa aaaa
Ooooo oooo
Oooooo oooo
Oooo oooooo
Ooooooo
Aaaa aaaaaa
Aaaaaa
Aaaaaaaa
Aaaaaa
Ho oooo oooo
Mera chana hai apni marzi kaa
Marzi ka bhai marzi ka
Mera chana hai apni marzi kaa
Marzi ka bhai marzi ka
Yeh dushman hai khudgarzi kaa
Khudgarzi ka khudgarzi kaa
Sar kafan baandh ke niklaa hai
Deewaana hai yeh pagla hai
Mera chana hai apni marzi kaa
Marzi ka bhai marzi ka
Apnon se naataa jodegaa
Gairon se sar ko phodegaa
Apna yeh vachan nibhaayegaa
Maati ka karz chukaayegaa aa
chana hai apni marzi kaa
Marzi ka bhai marzi ka
Mit jaane ko mit jaayegaa
Azaad watan kar jaayegaa
Na to chori hai
Na to daakaa hai
Bas yeh to ek dhamaaka hai
Dhamaake mein aawaaz bhi hai
Ek soz bhi hai ae
Ek saaz bhi hai
Samjho to baat yeh saaf bhi hai
Aur na samjho to raaz bhi hai
Apni dharti apna hai gagan
Yeh meraa hai meraa hai watan
Apni dharti apna hai gagan
Yeh meraa hai meraa hai watan
Iss par jo aankh utthaayegaa
Zinda dafnaayaa jaayegaa
Mera chana hai apni marzi kaa
Marzi ka bhai marzi ka
Yeh dushman hai khudgarzi kaa
Khudgarzi ka khudgarzi kaa
Mera chana hai apni marzi kaa
Marzi ka bhai marzi ka
Yeh dushman hai khudgarzi kaa
Khudgarzi ka khudgarzi kaa
Aaa aaaaa
Aaaa aaaaa
Aaaa aaaaa
Aaaa aaaaa
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4932 | Post No. : | 16774 |
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Blog 10-Year Challenge (2012-2022) – Song No. 9
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Today (18 January 2022) is a foggy wintery shivery morning in North India. To add to this woe, the nation is also into the grips of the third wave of Covid-19 virus.
This day ten years ago, viz 18 january 2012 was almost world apart. Those days I was in a stage of transition, viz I had been transferred to Bilaspur, but my attachmnent from Nagpur was still there, where I still had my accomodation. Since I had not got my accomodation at Bilaspur where I had been transferred, I would go back to Nagpur during weekends and holidaysat the first available opportunity.
Even without any proper accomodation, I had settled down well into my blogging, even if the rate of daily posts had gone down a bit.
It is clear that 18 January 2012 was no where near as difficult a day as 18 january 2022. Unlike today, when I woke up late and that too reluctantly, I has woken up early ten years ago as was my wont. Six songs were covered on that day. All these songs got covered before noon.
Here are the details of the songs covered in the blog ten years ago:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 5313 | Bichhde huye pardesi | Barsaat(1949) | Movie YIPPEED by now |
| 5314 | Apni nazar se unki nazar tak | Ham Log (1951) | Movie YIPPEED by now |
| 5315 | Muhabbat karne waale kis qadar majboor hote hain | Shahnaaz (1948) | 6 songs covered out of 12 by now |
| 5316 | Boley ye dil ka ishaara | Santaan (1959) | 3 songs covered in the blog out of 7 |
| 5317 | Jaan chali jaaye jiyaa nahin jaaye | Anjaana (1969) | Movie YIPPEED by now |
| 5318 | Tere sang pyaar main nahin todna | Naagin (1976) | Movie YIPPEED by now |
One can notice that “Santaan”(1959) is one of the movies that is not yet YIPPEED. So this movie is still eligible for Blog ten year challenge today.
So, as blog ten year challenge, here is a song from “Santaan”(1959). The song is sung by Lata. Hasrat Jaipuri is the lyricist. Music is composed by Dattaram.
The song is picturised on Kamini Kadam as a “aaj main jawaan ho gayi hoon” genre of song.
Lyrics of this song were sent to me by Prakashchandra.
video link:
Song-Chham chham main naachoon jhoomti bahaaron mein (Santaan)(1959) Singer-Lata, Lyrics-Hasrat Jaipuri, MD-Dattaram
Lyrics(Provided by Prakashchandra)
ho o ho
ho ooo ooo
aa aaa
aaa aa aaa
aaa aa aaa aaa
aaa aa aaa aaa aaa aaa aaa aaa
aaa aa aaa aaa aaa aaa aaa aaa
hmm mmm hmmm. mmm
chhamm chhamm main naachoon oon
jhoomti bahaaron mein
jaaney kis khayaal mein aen
baajey mann ke taar
ho o o ho o ho o o
aaj kiyaa hai maine pehlaa singaar
ho o o
aaj kiyaa hai maine pehlaa singaar
haayye aey ae ae ae
chhamm chhamm main naachoon oon
jhoomti bahaaron mein
jaaney kis khayaal mein aen aen
baajey mann ke taa..aa…aaa..aar
lalalaalaalaa laaa laaa laaa laaalaalala
haa aa aahaaa aa haaa aa haaa aaa
ho o ho o o o o
jaaney kyun jiyaa lehraaye ae ae
raaz ye samajh na aaye ae ae
raaz ye samajh na aaye
chhaayee rey sharam ki laalee
haaye rey na bolaa jaaye aey ae
haaye rey na bolaa jaaye
chhalkey hai pyaar haayye aey ae
chhamm chhamm main naachoon oon
jhoomti bahaaron mein
jaaney kis khayaal mein aen aen
baajey mann ke taa..aa…aaa..aar
ho o o ho o
aaj kiyaa hai maine pehlaa singaar
ho o ho o
aaj kiyaa hai maine pehlaa singaar
haayye aey ae ae ae
chhamm chhamm main naachoon oon
jhoomti bahaaron mein
jaaney kis khayaal mein aen
baajey mann ke taa..aa…aaa..aar
lalalaalaalaa laaa laaa
haa aa aahaaa aa haaa aa haaa aaa
ho o ho o o o
dekhoon jee main din mein sapnaa aa aan aa
koyee to banega apnaa..aaa
koyee to banega apnaa
khoyee rey main jinn`ke dhun mein
aayenge woh ek din angnaa
aayenge woh ek din angnaa
karoon intezaar haayye aey ae
chhamm chhamm main naachoon oon
jhoomti bahaaron mein
jaaney kis khayaal mein aen aen
baajey mann ke taar
ho o o
aaj kiyaa hai maine pehlaa singhaar
ho o o
aaj kiyaa hai mainey pehlaa singaar
haayye aey ae ae
chhamm chhamm main naachoon oon
jhoomti bahaaron mein
jaaney kis khayaal mein aen
baajey mann ke taa..aa…aaa..aar
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4921 | Post No. : | 16751 |
#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 154 # (Actress Reena Roy’s birth anniversary)
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Today 7th January’2022 is the 65th birthday of actress Reena Roy (born on 07th January’1957).
In my growing years,(the seventies) and further in eighties she was one of the leading actresses in Bollywood.
I got to watch many of her movies in my growing years and later when I was a grown-up boy.
I have earlier written an article on her birthday on the blog. I am not going to repeat the same again. I liked her performance in all the movies which I have watched of her so far. I love to watch her movies whenever I get a chance or whenever they are played on TV channels.
The discussion on the movies of the ‘decade of seventies’ is incomplete without the mention of this actress and her films. We are not going to discuss the list of her movies in this article. She had been a part of many prominent movies of the ‘seventies’ and ‘early eighties.’ And today’s movie is one of her prominent movies from the end-seventies.
Today’s movie is ‘Jaani Dushman-1979’.
“Jaani Dushman-1979’ was directed by Raj Kumar Kohli for his home productions ‘Shankar Movies, Bombay’.
Raj Kumar Kohli was also the producer of this movie.
The movie had a long list of star cast like Sunil Dutt, Sanjeev Kumar, Shatrughan Sinha, Reena Roy, Neeta Mehta, Shobhini Singh, Roopesh Kumar, Madan Puri, Shakti, Anwar Hussain, Amrish Puri, Murad, Sulochana, Jayshree T., Indrani Mukherji, Aarti, Sheetal, Raza Murad, Jagdeep, Paintal Mac Mohan, Ram Soni, Maruti and a long list of other artists.
Vinod Mehra, Vikram, Prem Nath, Rekha, Neetu Singh, Bindiya Goswami, Sarika make special appearance in this movie.
Yogeeta Bali and Aruna Irani make a guest appearance in this movie.
And actor Jeetendra make a ‘above-all – special appearance’ in this movie.
Screenplay of this movie was written by Charandas Shokh, and Jaggi Ram Pal. Story Idea of this movie was by Hakim Lata.
Dialogues in this movie were written by Inder Raj Anand. Editing of this movie was done by Shyam and he was assisted by Kishan and Kalyan.
This movie was passed by Censor Board on 06.04.1979 under ‘A’ certificate.
This movie had six songs written by Verma Malik and composed by Laxmikant-Pyarelal.
Lata Mangeshkar, Kishore Kumar, Mohd Rafi, Asha Bhonsle, Anuradha, and Shatrughan Sinha had given their voices to the songs of this movie.
Following is the list of songs of this movie.
| SNo. | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Chalo re doli uthhaao kahaar | Mohd Rafi | 31.07.2019 |
| 02 | O meri jaan bol meri jaan | Kishore Kumar, Anuradha | 28.11.2015 |
| 03 | Tere haathon mein pahna ke choodiyaan | Mohd Rafi, Asha Bhonsle, chorus | 28.12.2008 |
| 04 | Saare rishtey naate tod ke aa gayi | Lata Mangeshkar | Being discussed today |
| 05 | Sun bhai saadho, bol re maadho | Kishore Kumar, Asha Bhonsle, Mahendra Kapoor, chorus | 24.07.2018 |
| 06 | Aisi waisi naa samajh sajanaa | Asha Bhonsle, Shatrughan Sinha |
We can see from the above table that four songs of this movie have already been posted on the blog earlier. This movie started its journey on the blog in the initial period of the blog viz in 2008- the first year of the blog.
However, the second song from this movie had to wait for almost seven years and it was posted on 28.11.2015. This movie again got overlooked and its third and fourth songs were posted on the blog on 24.07.2018 & 31.07.2019 respectively. Its after another ‘more than two-years’ gap that the fifth song from this movie is being discussed on the blog.
I wish to see this movie in the ‘Yippeeee-land’ and that is the reason I selected a song from this movie. Earlier I was looking for a new movie to be introduced on the blog and had almost finalized a song from it. But now let us help 😊 ‘Jaani-Dushman’ to a step closer to ‘Yippeeee-land’.
Today’s song is the sole Lata Mangeshkar song in this movie. This is also a solo song.
On screen it is Reena Roy lip-syncing the song and we can see Sunil Dutt in the picturisation of this song with Reena Roy.
Wishing Reena Roy, a ‘very happy birthday’ and a ‘healthy’ and ‘peaceful’ life ahead, let us now listen to the today’s song.
The available video of this song is a partial one and the audio version is having full song.
Over to the song now …
Audio (Longer)
Video (Partial)
Song-Saare rishtey naate tod ke aa gayi (Jaani Dushman)(1979) Singer-Lata, Lyrics-Verma Malik, MD-Laxmikant Pyarelal
Lyrics
ho ho o o o o
o o o o
ho o o
o o o o
o o o o
saare rishtey naate tod ke aa gayi
le main tere waastey
sab chhod ke aa gayi
le main tere waastey
sab chhod ke aa gayi
saare rishtey naate tod ke aa gayi
le main tere waastey
sab chhod ke aa gayi
le main tere waastey
sab chhod ke aa gayi ee
le main tere waastey
sab chhod ke aa gayi
le main tere waastey
sab chhod ke aa gayi
likh di hai tere naam
pyaar bhari arzi
ho o o
likh di hai tere naam
pyaar bhari arzi
dukh dena
sukh dena
aage teri marzi
sukh dena
sukh lena
aage teri marzi
ho o o
o o o o o
tujhse naseeb ko main
jod ke aa gayi
le main tere waastey
sab chhod ke aa gayi
le main tere waastey
sab chhod ke aa gayi
donon nahin jaante
dil ka lagaanaa
ho o o
donon nahin jaante
dil ka lagaanaa
main bhi anjaani thhi ee
tu bhi anjaanaa
main bhi anjaani thhi ee
tu bhi anjaanaa
ho o o
o o o
phir bhi tere sang
man jod ke aa gayi
le main tere waastey
sab chhod ke aa gayi
le main tere waastey
sab chhod ke aa gayi
toone bulaaya jab
toone pukaaraa
ho o o
toone bulaaya jab
toone pukaaraa
rokne lagaa meri raahen
jag saaraa
rokne lagaa meri raahen
jag saaraa
ho o o
o o o o
saare jag se main
mukh mod ke aa gayi
le main tere waastey
sab chhod ke aa gayi
le main tere waastey
sab chhod ke aa gayi
le main tere waastey
sab chhod ke aa gayi ee
le main tere waastey
sab chhod ke aa gayi
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4918 | Post No. : | 16743 |
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Blog 10-Year Challenge (2012-2022) – Song No. 03
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This day ten years ago (4 January 2012) was a prolific day for the blog. As many as eight songs from eight different movies were covered on that day.
Here is the list of the songs that were covered in the blog on 4 january 2012:-
| Blog post number | Song | Movie (Year) | MD | Lyricist | Singer(s) | Remarks |
|---|---|---|---|---|---|---|
| 5241 | Jeewan ki beena ka taar boley | Raani Roopmati (1959) | S N Tripathi | Bharat Vyas | Lata | Movie YIPPEED by now |
| 5242 | Phool sa chehra chaand si rangat | Raat Aur Din(1967) | Shankar Jaikishan | Hasrat Jaipuri | Rafi | Movie YIPPEED by now |
| 5243 | Teri haseen nigaah ka ehsaanmand hoon | Devi(1970) | Laxmikant Pyarelal | Anand Bakshi | Rafi-Lata | 2 songs covered out of 5 |
| 5244 | Tan mann tere rang rangoongee | Archana (1973) | Shankar Jaikishan | Neeraj | Lata | 3 songs covered out of 6 |
| 5245 | Diye jalte hain phool khilte hain | Namak Haraam(1973) | R D Burman | Anand Bakshi | Kishore Kumar | Movie YIPPEED by now |
| 5246 | Kisi baat par main kisi se khafaa hoon | Bemisaal(1982) | R D Burman | Anand Bakshi | Kishore Kumar | Movie YIPPEED by now |
| 5247 | Apne hothhon ki bansi banaa le mujhe | Gambler(1970) | S D Burman | Neeraj | Lata-Kishore Kumar | Movie YIPPEED by now |
| 5248 | Zindagi ke safar mein guzar jaate hain jo makaam | AapKi Kasam (1974) | R D Burman | Anand Bakshi | Kishore Kumar | Movie YIPPEED by now |
One can notice that six out of eight movies whose songs were covered ten years ago have since been YIPPEED. Only two movies, whose songs were covered that day are eligible for Blog Ten Year Challenge today on 4 January 2022.
“Archana”(1973) is one of the movies.
“Archana”(1973) was directed by Satpal for Vikram Pictures, Bombay. The movie had Mala Sinha, Sanjeev Kumar, Snehlata, Jagdeep, Manmohan Krishna, Bobby, Jagridar, V. Gopal, Sulochana, Shabnam, Madhu, Sushila, Shibana, Om Prakash, Jr Mehmood etc in it.
The movie had six songs in it. Three songs of “Archana”(1973) have been covered in the blog. Here are the details:-
| Song | Date of post | Singer(s) |
|---|---|---|
| Tan mann tere rang rangoogee | 4 January 2012 | Lata |
| Janamdin tujhko mubaarak ho | 15 November 2020 | Asha Bhonsle |
| Jiyaa mein laagaa morey baan preet ka | 19 December 2021 | Manna Dey |
Today, as blog ten year challenge, here is another song from “Archana”(1973) to appear in the blog. This song is sung by Lata. Hasrat Jaipuri is the lyricist. Music is composed by Shankar Jaikishan.
The song is picturised on Mala Sinha around waterfalls, river streams etc.
Lyrics of this song were sent to me by Prakashchandra.
Audio (Full song)
Video(Partial song)
Song-Jaise jaise preetam se pyaar badhaa jaaye (Archana)(1973) Singer-Lata, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan
Lyrics(audio link)(Provided by Prakashchandra
jaisey jaisey
jaisey jaisey ae
jaisey jaise preetam se pyaar badhaa jaaye ae
waisey waisey meraa nikhaar badhaa jaaye
jaisey jaise preetam se pyaar badhaa jaaye ae
waisey waisey meraa nikhaar badhaa jaaye
haan aan jaisey jaisey preetam se pyaar badhaa jaaye ae
waisey waisey meraa nikhaar badhaa jaaye
paani ke darpan mein dekhoon jo chhaayaa
chhaayaa mein preetam nazar mujhe aayaa
milney ki aashaa hai jaa kar miloongi
dil maine khoyaa to saajan ko paayaa
khoye khoye
khoye khoye ae
khoye khoye dil mein iqraar badhaa jaaye
jaisey jaisey preetam se pyaar badhaa jaaye
haan jaisey jaisey preetam se pyaar badhaa jaaye ae
waisey waisey meraa nikhaar badhaa jaaye
mausam jo aayaa hai le kar taraaney
bhejaa piyaajee ne mujhko bulaaney
jaaoongi saj-dhaj ke bann`ke dulhaniyaa
aur jaake baitoongi unn`ke sarhaaney
dheerey dheerey
dheerey dheerey ae
dheerey dheerey meraa singaar badhaa jaaye
jaisey jaisey preetam se pyaar badhaa jaaye
haan jaisey jaisey preetam se pyaar badhaa jaaye ae
waisey waisey mera nikhaar badhaa jaaye
saanson ke taaron mein unn`ki sadaa hai
unn`ki rahoongi yehee faislaa hai
main unn`ke darshan ki pyaasi pujaaran
dil jisne jeetaa meraa devtaa hai
pyaasey pyaasey
pyaasey pyaasey ae
pyaasey pyaasey nainon mein khumaar badhaa jaaye
jaisey jaisey preetam se pyaar badhaa jaaye ae
haan jaisey jaisey preetam se pyaar badhaa jaaye ae
waisey waisey mera nikhaar badhaa jaaye
hmmm hmmm hmmmm
hmmm hmmm
hmmm hmmm hmmmm
hmmm hmmm
hmmm hmmm hmmmm
hmmm hmmm
hmmm hmmm hmmmm
hmmm hmmm
This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4913 | Post No. : | 16733 |
There have been two excellent reviews of 83 film which was released recently on 24 December 2021. As such there is not much to add to the review per se. But then the event itself is engraved in golden moments and letters in the annals of sporting history of our country. Well, there always was hockey in which we ruled the roost in those days. People had little doubts in their minds on the continued dominance of West Indies which had already won the first as well as the second world cup in 1975 and 79 respectively. Dark horses India created history by upsetting West Indies in the finals by successfully defending a modest score of 183 runs, a record which stands tall to this day.
Apart from songs and films, railways and cricket (of bygone era) remain amongst the favourite topics on the blog. So, when Avinash ji posted his euphoric post on having watched the film 83 first day first show, there was lot of buzz on our WhatsApp group and its was rather decided that whosoever watches the film should make attempts to write a post on the experiences of not only the film or the event but their own expectations, memories etc.
Well, I am here with my post and would request whatapp group members to ignore reading the next one-line para for obvious reasons and the cliché for which I have become rather infamous. 🙂
I was all but 9 in 1983, having born in Feb’74.
Thus, I knew about India having won the 1983-world cup only a few years later. [Sachin Tendulkar at 10 in the movie is seen dancing in the streets (on someone’s shoulders)]. As such, this post of mine could be some sort of damp squib for keen readers. To add to the misery of writing this post, I am not an avid follower of cricket or for that matter any sport. But, whenever India plays, I always follow up with keen interest. For the said reasons, I am yet to see a full IPL match and can say with enough conviction that I will never ever watch such a match. Further, I have almost completely stopped watching television and my TV table is now occupied by various indoor plants, a new hoppy which I have recently cultivated. Above the TV, creepers such as money plants and broken heart are scaling up the wall to reach the slab. 🙂
However, I have been following follow-up stories of 1983 world cup with all interests. I could completely understand what Kapil Dev’s unbeaten innings of 175 meant for the team, tournament and our country as a whole. With the advent of internet, I have visited web sites pertaining to cricket world cup several times and tried the understand the circumstances under which India went on to upset the two-time defending champions. A perfect example of dark horses turning out to be derby winners. A day after the match, London Times, a British newspaper apparently had the headline “Kapil’s men turn world upside down” on its front page.
With whatever little I have watched on cricket, Kris Srikkanth has been one of my favourite cricketers. In my opinion, he remains one of the few players who played mainly for the crowds. He successfully faced some of the most lethal fast bowlers of different teams.
I remember reading an article in India Today magazine wherein there was a beautiful article entirely dedicated to him. I had been searching for this article published in March 1987 all these years and with renewed interest, I happened to get hold of it in the magazines’ s archives articles. I would recommend readers to spare time to read the article. There have been many a great Indian cricket player over the years. But, the style, controlled aggression, antics on field etc, no one can match the peerless Kris Srikkanth.
Ball racing to the boundary like a bullet was the hallmark of his batting. For every ball that he faced it was always the viewers and not Kris Srikkanth who were afraid that the ball would end up disturbing the furniture behind. He long walks away from the crease towards square-leg umpire, frequent twisting of his nose, closing of his eyes in a flutter, the cursory glance at the skies as if he was reporting to someone after each ball, the meticulous and fast curling of the bat, his legs positioned wide apart on the crease while batting etc. will remain etched in active memories of avid lovers of the game.
Coming back to 1983, but remaining with Kris Srikkanth and his batting style, I am always happy of the fact that with a regal 38 he was the highest scorer of the finals in spite of a few towering batsmen on the opposite camp. Viv Richards scored 33 and that was the second highest individual score in the final.
With all such fond memories, the viewing of the film was for me like travelling back in a time machine. My wife along with my daughter studying II PU are now placed at D.K. Friday 24, the release date of the film, they ended up at U.K. on an unexpected, unplanned and a totally unscheduled visit. My wife has played this pleasant prank on me a couple of times and so even though it was quite surprising, it took just a nano second for me to realise that, yes, they were here for a visit.
On Saturday, 25 Dec, my daughter started this slow and silent campaign that we ought to watch a movie in the only (non-ac) theatre in this town. I do not even bother to follow up which movie plays as I do not go to theatres often. But in this case and to my inner delight it was 83 of all the films that was being screened on that day. And seeing that my daughter was killing time brooding and surfing net for tickets, story etc. I decided that the movie had to be watched anyhow. And so, I saw the film along with my daughter.
Watching films in movie theatres with my wife needs a special mention here. I was placed in Mumbai when I got married in 2003. (Yes, in 3 years, I will be slaying the seven-year itch for the third consecutive time) 🙂
Instead of watching some junk Hindi or Hollywood movie, I thought I would begin my married-life-film-watching-experiences-with-spouse by watching a scientific documentary in the newly opened world’s largest IMAX dome theatre at Bhakti Park, Wadala. My Monorail site was hardly half a km away from the theatre though my residence was far away.
I later realised that my excitement of watching a documentary in a dome theatre was wholly a one-way traffic. Having a keen interest in astronomy, I got rivetted to the documentary show on stars, planets and galaxies. Being a dome theatre, the seats were obviously push back as well as quite reclining on which my wife comfortably dozed off for the entire show. On completion of the show of which I was totally absorbed in, I asked my wife if she had enjoyed the show. She had a brutal reply that she had dozed off from the word go. I realised that we both were travelling in the vastness of space while the documentary was being screened. The only difference was that I had my eyes wide open. 🙂
Thus, being the experience (there were a few more), my wife decided to stay put at home for some house-hold chores and I accompanied my daughter for the 83 show.
The description of the movie has been amply presented in the two posts posted and will be elaborated more when others write in. And so, I will have limited non-chronological bullet-wise observations on the film.
• The film aptly starts with the now legendary catch taken by Kapil Dev dismissing a batsman who could have easily denied India the Cup. Viv Richards. As the ball tends to safely fall into the hands of Kapil Dev, the titles begin, and the movie starts.
• Ranveer Singh has gotten into the skin of the character he plays that of captain Kapil Dev himself. Many a times, his dialogue delivery is simply impeccable. Hats off to him for his efforts in portraying the role with such similarity.
• Kris Srikkanth remains what he has been to the team during their hey days and during the various film promos and stories told on TV earlier too, a complete entertainer.
• The film has tried to keep the aura of those days alive by displaying the runs scored, nature of batsman getting out etc. I only wish, they had more such displays and retained them for a bit longer time than shown in the movie.
• The mood of the nation, prior, during and after the tournament has been captured well.
• The unbeaten knock of 175 by Kapil Dev against Zimbabwe in a do or die match as well as that of the tournament should have been covered in more detail especially since the actual recording and telecast never happened.
• The rotating of the antenna by Indian public with TV sets for better reception brought back fond memories. 🙂
• The premonition of players and other officials remaining still in their positions in the pavilion when the batsman was in good flow is to be seen to be believed and appreciated.
• Kapil Dev pep talk in the dressing room should have been more elaborate and frequent even if they were in Hindi. It has been shown as if he hardly spoke which I feel could not have been the case.
• Kapil Dev’s encouragement talk to his players during the innings break that West Indies team have to still make the “paltry” 183 runs and we will not allow them to achieve it easily is quite emotional and superb.
• PR Man Singh, the Indian manager who accompanied the team to the tournament has been played quite well by Pankaj Tripathi of Mirzapur TV series fame. Given the time space he occupies in the film, Pankaj Tripathi had done full justice to the role. I understand he went to stay with the real Man Singh for a few days in Hyderabad to prepare himself for the role. Much appreciated.
• Wamiqa Gabbi plays Madan Lal’s wife. Why am I mentioning this? I really donno. 🙂 So, (Don’t) keep guessing.
The detailed wiki page of the film has a soundtrack length of about 54 minutes. For obvious reasons, there is no playback as far as songs are concerned. For many in this blog self included the names of present lyricists, singers, composers etc. are all Greek and Latin. Our Avinash ji offered me to send lyrics of any song that I could pick up in the film. That indeed would have made my task a lot easier and I thank him for the outreach.
However, surfing the net whilst writing the post, I came across a very apt song for the occasion. On 17 August 1983 Lata Mangeshkar apparently performed live in a concert in Delhi to facilitate and also raise funds for the winning team on their spectacular victory in the Cricket World Cup tournament.
Joining her in chorus were Nitin Mukesh, Suresh Wadkar and even members of the team including the captain himself. The song for the special occasion was written by renowned lyricist Indeewar and the tune composed by Hridaynath Mangeshkar. It gives me immense pleasure to bring forth this special song to the readers of the blog.
I would also like to reproduce a snap taken during the Cup award ceremony with Indians occupying the entire ground at Lord’s. It amply showcased the euphoric mood of our nation on winning the world cup in 1983.
Lastly, I would like to end the post with my strong conviction that it’s never too late to honour Kapil Dev with the Bharat Ratna for what he has achieved for our country.
Jai Hind.
Concert song sung on 17 August 1983.
Song-Bharat vishv Vijeta apna Bharat vishv vijeta (Patriotic NFS)(1983) Singers-Lata, Nitin Mukesh, Suresh Wadkar, Lyrics-Indeewar, MD-Hridaynath Mangeshkar
Lyrics
Bharat Vishv vijeta apna
Bharat Vishv vijeta
Bharat Vishv vijeta apna
Bharat Vishv vijeta
sang hai vishv vijeta apna
sang hai vishv vijeta
sang hai vishv vijeta apna
sang hai vishv vijeta
har ek disha mein vijay miley hamen
iska bal hai deta
har ek disha mein vijay miley hamen
iska bal hai deta
Bharat Vishv vijeta apna
Bharat Vishv vijeta
Bharat Vishv vijeta apna
Bharat Vishv vijeta
ek taraf Bharat ke khilaadi
ek taraf thha saara jahaan
ek taraf Bharat ke khilaadi
ek taraf thha saara jahaan
jahaan ekta wahaan safalta
jahaan manobal vijay wahaan
jahaan ekta wahaan safalta
jahaan manobal vijay wahaan
khele apne khilaadi yoon
thha kaun jo takkar leta
khele apne khilaadi yoon
thha kaun jo takkar leta
Bharat Vishv vijeta apna
Bharat Vishv vijeta
Bharat Vishv vijeta apna
Bharat Vishv vijeta
sang hai vishv vijeta apna
sang hai vishv vijeta
sang hai vishv vijeta apna
sang hai vishv vijeta
khel ki duniya mein Bharat ne
likha hai itihaas naya
khel ki duniya mein Bharat ne
likha hai itihaas naya
jeet sada kaayam rakhne ko
jaga hai vishwaas naya
jeet sada kaayam rakhne ko
jaga hai vishwaas naya
yahi haathh laye hain vijay ye
yahi to Bhaagy praneta
yahi haathh laye hain vijay ye
yahi to Bhaagy praneta
Bharat Vishv vijeta apna
Bharat Vishv vijeta
Bharat Vishv vijeta apna
Bharat Vishv vijeta
sang hai vishv vijeta apna
sang hai vishv vijeta
sang hai vishv vijeta apna
sang hai vishv vijeta
vande maatram, vande maatram, vande maatram
vande maatram, vande maatram, vande maatram
vande maatram, vande maatram, vande maatram
vande maatram, vande maatram, vande maatram
————————-
Devnagri script lyrics
————————-
भारत विश्व विजेता अपना,
भारत विश्व विजेता,
भारत विश्व विजेता अपना,
भारत विश्व विजेता |
संग है विश्व विजेता अपना,
संग है विश्व विजेता,
संग है विश्व विजेता अपना,
संग है विश्व विजेता |
हरेक दिशा में विजय मिले हमें,
इसका बल है देता,
हरेक दिशा में विजय मिले हमें,
इसका बल है देता |
भारत विश्व विजेता अपना,
भारत विश्व विजेता,
भारत विश्व विजेता अपना,
भारत विश्व विजेता |
एक तरफ भारत के खिलाडी,
एक तरफ था सारा जहाँ,
एक तरफ भारत के खिलाडी,
एक तरफ था सारा जहाँ |
जहां एकता, वहां सफलता,
जहां मनोबल, विजय वहां |
जहां एकता, वहां सफलता,
जहां मनोबल, विजय वहां |
खेले अपने खिलाडी यूं,
था कौन जो टक्कर लेता?
खेले अपने खिलाडी यूं,
था कौन जो टक्कर लेता?
भारत विश्व विजेता अपना,
भारत विश्व विजेता,
भारत विश्व विजेता अपना,
भारत विश्व विजेता |
संग है विश्व विजेता अपना,
संग है विश्व विजेता,
संग है विश्व विजेता अपना,
संग है विश्व विजेता |
खेल की दुनिया में भारत ने लिखा है इतिहास नया,
खेल की दुनिया में भारत ने लिखा है इतिहास नया,
जीत सदा कायम रखने को जगा है विश्वास नया |
जीत सदा कायम रखने को जगा है विश्वास नया |
यही हाथ लाए है विजय ये, यही तो भाग्य प्रणेता,
यही हाथ लाए है विजय ये, यही तो भाग्य प्रणेता |
भारत विश्व विजेता अपना, भारत विश्व विजेता,
भारत विश्व विजेता अपना, भारत विश्व विजेता |
संग है विश्व विजेता अपना, संग है विश्व विजेता,
वंदे मातरम, वंदे मातरम. वंदे मातरम |
वंदे मातरम, वंदे मातरम. वंदे मातरम |
वंदे मातरम, वंदे मातरम. वंदे मातरम |
वंदे मातरम, वंदे मातरम. वंदे मातरम |
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4901 | Post No. : | 16706 |
Today’s song is from the film Badi Maa-1945.
No wonder that the word Maa is one of the favorites of our film makers. There were 5 films called Maa and its varieties like Badi Maa, Chhoti Maa. Then there were Maa films with Baap, Beta, Beti, Behen,Biwi, Mamata, Aanchal, Pyaar, Aansoo, Saugandh, Shakti, and Qasam. Additionally, Durga and Santoshi Maa were also made. Almost 30 films about Maa at one place in the index book. I did not try other letters of the alphabet to see more films with the word maa – like Naani Maa etc !
BADI MAA-1945 was a film of Prafull Pictures of Master Vinayak (Father of actress Nanda).It was produced and directed by Master Vinayak with music by K.Datta or Datta korgaonkar or D.P.Korgaonkar.The story was by V.S.Khandekar,noted Marathi writer,who was ,later,the First Marathi recipient of Gyanpeeth Award for his novel “YAYAATI”.The lyrics were by Anjum Pilibhiti,Zia Sarhadi and Raja Badhe,who was a noted Marathi poet.
Master Vinayak was forced to produce this war effort movie to save his company,because the Govt. At that time desperately needed public support for their war efforts.Such pictures were given grants for production also.if they refused,the consequences were dire. The word Badi Maa,in this film meant Motherland-India.
Today’s song is one of Lata’s early songs in Hindi films. Being brought up in a Marathi atmosphere, initially, she had to struggle very hard to learn Hindi / Urdu word pronunciations, which, like a good learner, she picked up fast. Entering Film world was not so easy, but Master Vinayak played a vital role in establishing her in films or at least in bringing her to the notice of other stalwarts, because he himself died quite early in 1947 itself.
After Deenanath Mangeshkar’s death, Lata was adopted by Master Vinayak. In 1942, vinayak directed his last film for navyug Films “Pahili Mangalagaur”. he gave a small role and one song to her in that film. Then he, with the help of friend Vasant joglekar got her a song in Marathi film ” Kiti Hasaal’. However it was removed from the film before its release. In 1943, Vinayak launched his own Prafulla Pictures and madr 6 movies – 3 Marathi and 3 Hindi.
In the film Gajabhau-44 he gave Lata a hindi song. Then in the film Subhadra, Lata got 3 songs. In 1945, he directed ‘Badi Maa’. Lata and Asha got acting roles and Lata got 2 songs. In Jeevan yatra-46, she sang one song. And finally in 1947, Lata sang her first Hindi playback song in the film ” Aap ki Sewa mein”.
Vinayak died almost immediately after our Independence, but he had done the basic ground work to give a beginning to Lata’s career. Lata was later helped by Ghulam Haider, Khemchand Prakash and Anil Biswas. Then she never looked back.
The story of the film Badi Maa-45 was written by V.S.Khandekar. In those days there were Bangla, Gujarati, Hindi and Marathi writers with almost all film companies to assist in stories and dialogues. V. S. Khandekar was a very popular and famous writer in Marathi.
Vishnu Sakharam Khandekar (11 January 1898 – 2 September 1976) was a Marathi writer from Maharashtra. He was the first Marathi author to win the prestigious Jnanpith Award.
Khandekar was born on 11 January 1898 in Sangli, Maharashtra. His father was a munsif (a subordinate official) in Sangli principality where he spent his childhood and completed his early education. In his early life, he was interested in acting in movies and staged various dramas during school days.
After passing his matriculation exam in 1913, Khandekar joined Fergusson College, Pune. In 1920, he started working as a school teacher at a school in Shiroda.
Khandekar’s writing career began in 1919 when Shrimat Kalipuranam, his first work, was published, and continued to 1974 when his novel Yayati was published.
In 1920, Khandekar started working as a school teacher in a small town, Shiroda, in the present-day Sindhudurg district of the Konkan region in Maharashtra. He worked in that school until 1938. While working as a teacher, Khandekar produced in his spare time abundant Marathi literature in various forms. In his lifetime, he wrote sixteen novels, six plays, around 250 short stories, 50 allegorical stories, 100 essays, and over 200 critiques. He worked and founded Khandekari alankar in Marathi grammar.
In 1941, Khandekar was elected as the president of the annual Marathi Sahitya Sammelan (Marathi Literary Conference) in Solapur. In 1968, the Government of India honoured him with a Padma Bhushan award in recognition of his literary accomplishments. Two years later, he was also honoured with the Sahitya Akademi Fellowship of the Indian Sahitya Akademi. in 1974, he was awarded the Jnanpith Award, country’s highest literary recognition, for his novel Yayati. Shivaji University at Kolhapur, Maharashtra conferred on him an honorary degree of D.Litt. In 1998, the Government of India issued a commemorative postage stamp in his honour.
Khandekar’s novel Yayāti (ययाति) received three prestigious awards: A Maharashtra State Award (1960), a Sahitya Akademi Award (1960), and a Jnanpith Award (1974).
Films on his novels were made in Marathi (5), Hindi (3 – Chhaya-36, Jwala-38 and Amrut-41) and in Telugu and Tamil (1 – Dharm Patni-41). He wrote stories, lyrics and dialogues for Marathi and Hindi films too.
Here is his Filmography as per the Indian Cinema Encyclopedia-
1936: Chhaya (Writer, Lyricist), 1938: Dhruva (Lyricist), Jwala (Writer, Lyricist), Jwala (Writer, Lyricist), 1939: Devata (Writer, Lyricist, Screenplay, Dialogue), Mera Haq (Writer, Lyricist), Sukhacha Shodh (Writer, Lyricist), 1940: Lagna Pahave Karun (Writer, Lyricist, Screenplay), 1941: Amrit, Amrit (Writer, Lyricist), Dharma Patni (Writer, Story), Dharmapatni (Writer, Story), Sangam (Writer, Lyricist), 1942: Sarkari Pahune, Tuzhach (Writer, Lyricist), 1943: Mazhe Bal (Writer, Lyricist), 1945: Badi Maa, 1946: Subhadra, 1948: Mandir, 1953: Soneri Savli, 1960: Antaricha Diva (Writer, Lyricist), 1961: Mansala Pankh Astaat (Writer, Lyricist, Story, Screenplay, Dialogue), 1962: Sunbai (Lyricist)
The cast of the film Badi Maa was Noorjahan, Ishwarlal, Yaqub, Jog,Meenakshi, Sitara, Leela Mishra, Damuanna, Lata Mangeshkar and others. The story of the film Badi Maa-45 was…..
In Dinapur,Durgadas(Salvi) was worried about his son Dinesh(Ishwarlal) studying in London,due to attacks by Germans.Moneylender Ghanashyam(Girish)agrees to write off his loan,if his daughter Usha(Meenakshi) marries his son Rajendra(Yakoob).But Rajendra and Mona(Sitara Devi) are Japanese spies in India.When Durgadas refuses ,his house is confiscated,sold and he is on road. Ghanashyam’s daughter Hema(Noorjehan) does not like this as she loves Dinesh.Dinesh comes back to find father poor and destitute.SuddenlyJapanese attack the village and Rajr=endra helps them .Usha urges Rajendra to fight for Badi Maa i.e. Motherland and dies due to bullets.Rajendra repents and saves his village,along with Dinesh.In this,Rajendra dies for the motherland or Badi Maa.
Dinesh and Hema marry.
Let us now listen to this song by Lata, Meenakshi Shirodkar and chorus.
Song- Janani Janmabhoomi (Badi Maa)(1945) Singers- Meenakshi Shirodkar, Lata Mangeshkar, Lyricist- Anjum Pilibhiti, MD- Datta Korgaonkar
chorus.
Lyrics
Janani Janmabhoomisch
swargdapi gariyasi
swargdapi gariyasi
Janani Janmabhoomisch
swargdapi gariyasi
tum maa ho
badi maa
tum maa ho
badi maa
nyaay ke jag mein
deep jala do
o o o o o
soye huye hirday ko jaga do
nyaay ke jag mein
deep jala do
soye huye hirday ko jaga do
dharti ko
aakaash bana do
bana do
aakaash bana do
tum maa ho
badi maa
tum maa ho
badi maa
tum maa ho
badi maa
tum maa ho
badi maa
chhote baalak bilakh rahe hain
aen aen aen
nange bhookhe sisak rahe hain
nange bhookhe sisak rahe hain
daulatwaale ae ae
daulatwaale
hulas rahe hain
julam sitam ka raaj mita do
tum maa ho
badi maa
tum maa ho
badi maa
tum maa ho
badi maa
tum maa ho
badi maa
badli gham ki aisi chhaayi
chhaayi
dushman hua hai
bhai ka bhai
dushman hua hai
bhai ka bhai
hindu musalmaa sikh isaai
hindu musalmaa sikh isaai
ab tum sabko
galey mila do
o o o o
o o o
ab tum sabko galey mila do
o o o o
o o o o
tum maa ho
badi maa
tum maa ho
badi maa
tum maa ho
badi maa
tum maa ho
badi maa
tum maa ho
badi maa
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4900 | Post No. : | 16705 |
Some people may have noticed that today is the 4900th day for the blog. So today the blog completes a century. Unlike blog centuries, this time bound century gets clocked automatically without any conscius effort on our part.
I looked back at all the 49 time bound centuries that the blog has clocked so far. Here are their details :-
| Blog day number | Date | Songs posted on the day |
|---|---|---|
| 100 | 26 October 2008 | 2 |
| 200 | 3 February 2009 | 6 |
| 300 | 14 May 2009 | 6 |
| 400 | 22 August 2009 | 6 |
| 500 | 30 November 2009 | 4 |
| 600 | 10 March 2010 | 2 |
| 700 | 18 June 2010 | 2 |
| 800 | 26 September 2010 | 3 |
| 900 | 4 January 2011 | 3 |
| 1000 | 14 April 2011 | 6 |
| 1100 | 23 July 2011 | 6 |
| 1200 | 31 October 2011 | 5 |
| 1300 | 8 February 2012 | 8 |
| 1400 | 18 May 2012 | 5 |
| 1500 | 26 August 2012 | 7 |
| 1600 | 4 December 2012 | 4 |
| 1700 | 14 March 2013 | 9 |
| 1800 | 22 June 2013 | DOT day |
| 1900 | 30 September 2013 | 2 |
| 2000 | 8 January 2014 | 6 |
| 2100 | 18 April 2014 | 6 |
| 2200 | 27 July 2014 | 3 |
| 2300 | 4 November 2014 | 4 |
| 2400 | 12 February 2015 | 5 |
| 2500 | 23 May 2015 | 2 |
| 2600 | 31 August 2015 | DOT day |
| 2700 | 9 December 2015 | 4 |
| 2800 | 18 March 2016 | 3 |
| 2900 | 26 July 2016 | 6 |
| 3000 | 4 October 2016 | 4 |
| 3100 | 12 January 2017 | 4 |
| 3200 | 22 April 2017 | 3 |
| 3300 | 31 July 2017 | 4 |
| 3400 | 8 November 2017 | 4 |
| 3500 | 16 February 2018 | 4 |
| 3600 | 27 May 2018 | 2 |
| 3700 | 4 September 2018 | 3 |
| 3800 | 13 December 2018 | 2 |
| 3900 | 23 March 2019 | 2 |
| 4000 | 1 July 2019 | 3 |
| 4100 | 9 October 2019 | 1 |
| 4200 | 17 January 2020 | 2 |
| 4300 | 26 April 2020 | 3 |
| 4400 | 4 August 2020 | 5 |
| 4500 | 12 November 2020 | 4 |
| 4600 | 20 February 2021 | 1 |
| 4700 | 31 May 2021 | 7 |
| 4800 | 8 September 2021 | 3 |
| 4900 | 17 December 2021 | 2 |
One can notice that a few posts were covered on most century days. There were two exceptions, namely day 1800 (22 july 2013) and 2600 (31 august 2015) that were DOT days. The highest number of posts, viz 9, were published on 1700th day (14 may 2013).
I thought that I should cover a song from movies that have figured on an earlier century day. But I realised that it was easier said than done. Most century day movies have since been YIPPEED or otherwise no songs from those movies are available.
With some difficulty, I zeroed in on a movie namely “Devtaa”(1956). A song from this movie had appeared on the blog on the 1000th day on 14 april 2011. More than one decade later, this movie still remnains unYIPPEED and its remnaining songs are readily available. So songs of this movie are good candidates for my blog century day challenge.
“Devtaa”(1956) was produced by K S Narayanan and directed by Patanna for Narayanan and Company, Bombay. This “kaalpnik” movie had Anjali Devi, Vyjyanti Mala, Ganesh, Kumari Kamla, Bipin Gupta, Krishna Kumari, Agha Indira, Nambiar, Roop Kumar, Kamal Krishn etc in it.
The movie had eight songs in it. Five songs have been covered in the past.
Here is the sixth song from “Devtaa”(1956) to appear in the blog. The song is sung by Lata. Rajinder Krishan is the lyricist. Music is composed by C Ramchandra.
The song is picturised on Vyjyanti Mala and Gemini Ganeshan (mentioned as Ganesh in the credits).
So, here is a movie whose songs figured in the blog on 1000th day and also on the 4900thday of the blog.
Song-Zaalim teri aankhon ne kya cheez pila di hai (Devta)(1956) Singer-Lata, Lyrics-Rajinder Krishan, MD-C Ramchandra
Lyrics
zaalim teri aankhon ne
kya cheez pila di hai
zaalim teri aankhon ne
kya cheez pila di hai
ulfat ke siva saari
duniya hi bhula di hai
bas ek nazar dekha
aur loot liya dil ko
bas ek nazar dekha
aur loot liya dil ko
lutkar bhi mere dil ne
khush hoke dua di hai
zaalim teri aankhon ne
kya cheez pila di hai
jab se tujhe dekha hai
kuchh hosh nahin mujhko
jab se tujhe dekha hai
kuchh hosh nahin mujhko
har cheez zamaane ki
har cheez zamaane ki
nazron se gira di hai
zaalim teri ankhon ne
kya cheez pila di hai
dil pyaar kare jis’se
wo dard diya dil ko
aa aa aa aa
aa aa
aa aa
dil pyaar kare jis’se
wo dard diya dil ko
jalne me maza aaye
jalne me maza aaye
wo aag laga di hai
Gori aankhon mein daale kajraa
Posted on: December 15, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4898 | Post No. : | 16699 |
“Keechak Vadh”(1959) was produced in Marathi and Hindi by Balasaheb (P K) Pathak and directed by Yeshwant Pethekar for Manik Studios, Bombay. The movie had Baburao Pendharkar (Keechak), Sumati Gupte (Draupadi), Shobhna Samarth (Sudeshna), Vishwas Kunte, Vimla Kumari, Helen etc in it.
The movie had seven songs in it.Two songs have been covered in the past.
Here is the third song from “Keechak Vadh”(1959) to appear in the song. The song is sung by Rafi, Lata and chorus. Bharat Vyas is the lyricist. Music is composed by Master Krishna Rao.
I request our knowledgeable readers to throw light on the picturisation of the song. From the sounds of it, this song could have been picturised on actors playing Arjun and Uttara, with Arjun teaching Uttara music under the disguise of Brihannala.
Song-Gori aankhon mein daale kajra(Keechak Vadh)(1959) Singers-Rafi, Lata, Lyrics-Bharat Vyas, MD-Master Krishna Rao
Chorus
Lyrics
dere tana tanana
dere na
dere tana tanana
dere na
tana dere na
tana dere na
tana dere na
derena
dere na
tana
derena
dere na
tana
dhitan tanana
tanana
dhitan tanana
dhitan tanana dere na
dere tanana tanana dere
o o o
gori aankhon mein daale kajra
ho gori aankhon mein daale kajra
aur haathon mein pahne gajra
bolo kahaan chali
bolo kahaan chali
nanhi kali sach to bata
tere piya ki hai kaun si gali ee
dere tana tanana
dere na
dere tana tanan dere na
ho o o
mere maathe pe bindiya chamke
mere maathe pe bindiya chamke
mere paanvon mein jhaanjhar dhamke
main to wahaan chali
kahaan
main to wahaan chali
nanhi kali kaise bataaun
badi door mere piya ki gali ee
dere tana tanana
dere na
dere tana tanana dere na
gori gori pariyon ki chhori si chhabili naar
chori chori nikli kyun ghar se
kyun nikli ji ghar se
deretana
deretana
sooni hai dagariya umariya hai baari baari
darti nahin kya jag
darti nahin kya jag bhar se
ho o o
kaari kaari laten latkaati
ho o
kaari kaari laten latkaati
madmaate nain matkaati
bolo kahaan chali
bolo kahaan chali
nanhi kali
sach to bata
tere piya ki hai kaun si gali ee
dere tana tanana
dere na
dere tana tanana dere na
anhkiyaan phadakti hain
jiyara dhadakta hai
jabse baji hai re baansuriya
baji hai re baansuriya
dere tana
dere tana
jab se sajan se milan ki lagan lagi
chhalki nayan ki gagariya
nayan ki gagariya
o o o
jahaan rasta take hai sanwariya
jahaan rasta take hai sanwariya
jahaan laagi hai meri najariya
main to wahaan chali
main to wahaan chali
nanhi kali kaise bataaun
badi door mere piya ki gali ee
dere tana tanana
dere na
dede tana
tanana dere na
Main hoon sher Punjab ka
Posted on: December 14, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4897 | Post No. : | 16697 |
Hullo Atuldom
“Gopichand Jaasoos”(1982) was written, produced and directed by Naresh Kumar for Dimple Films, Bombay. The movie had Raj Kapoor, Zeenat Aman, Prem Chopra, I.S.Johar, Viju Khote, Sujit Kumar, Rajan Haksar, Pinchoo Kapoor, Gurbachan Singh, Manmohan Krishna, Sunder, Raj Kishore, Jugnu, Brahm Bhardwaj, Rattan Gurang, Mama, Ram Murti, Ram Lal, Billa, with friendly appearances by Sanjana, Ram Mohan, Chandrashekhar, Meher Mittal and guest appearance by Vinod Mehra.
If I am not wrong Dimple Films was the banner under which Naresh Kumar (was he brother of Rajendra Kumar?) made films. He had made “Do Jasoos” in 1975 which had Rajendra Kumar and Raj Kapoor playing ‘bumbling detectives’ Dharamchand and Karamchand. This 1982 movie had Gopichand as the Jasoos, so do we call it a sequel? 🙂
The 6 songs of the movie were penned by Santosh Anand and Munsif and Usha Khanna was the music director. Kamlesh Awasthi gives playback for Raj Kapoor and I felt his voice was Nitin Mukesh-like. Lata Mangeshkar and Asha Bhonsle were the female playbacks. Two songs of the movie are present on the blog.
| Song | Date of post |
|---|---|
| Cheen nahin Japan nahin Gopichand Jasoos | 5 June 2015 |
| Chhoti si gilasiya mein bhang hamen dai de | 19 November 2016 |
Chhoti si gilasiya mein bhang hamen dai de was on the occasion of the darling of moviegoers, of the 70s and 80s, Zeenie baby’s birthday. Today, 14th December, is the 97th birth anniversary of Ranbir Raj Kapoor- son of Prithviraj and Ramsarni Devi Kapoor, brother of Shamsher Raj Kapoor, Balbir Raj Kapoor and two sisters. Ranbir Raj Kapoor is father to Randhir (Dabboo), Rishi (Chintu), Rajeev (Chimpu) and Ritu and Rima. He has grandchildren who are into Bollywood too.
We are remembering Raj Kapoor, who was also called the Greatest Showman of Indian Cinema (in his time) or the Charlie Chaplin of Indian Cinema- this because he had adopted the Chaplin style of walking when he portrayed the common man, in Awara, Shree 420 etc., who was cheerful and honest inspite of adversities.
I may have seen his best works rather late in my life, after his passing in 1988 to be more exact, but I have definitely relished Shree 420, Awara, Anari, Jaagte Raho, Chori Chori etc. I loved all the songs of all his films be they of the 50s, 60s, or even the later ones- when he produced and directed movies and his sons played the lead. The songs of all his films have stood the test of the times and are popular internationally too. The 70s and early 80s also saw Raj Kapoor acting in films which were not from his ‘RK Films’- ‘Abdullah’, ‘Khan Dost’, ‘Do Jasoos, ‘Naukri’ etc. His last on-screen appearance was in ‘Vakil Babu’ (a full-fledged role) though he was seen in a Siddharth Kak made documentary that was based on the life and times of ‘Raj Kapoor – the Showman’ (in 1987).
He was working on the script of “Henna” after tasting success with “Ram Teri Ganga Mali” when his journey in this mortal world was cut short due to complications arising from his Asthama.
I could go on and on writing about Raj Kapoor and his songs many of which were philosophical like ‘sajan re jhooth mat bolo’; ‘kisiki muskuraahaton pe ho nisaar’; and the most popular of them all which was prophetic too “jeena yahan marna yahan” which had the poignant line “kal khel mein hum ho na ho gardish mein taarein rahenge sada, bhoologe tum, bhoolenge woh par hum tumhaare rahenge sada.” These words sealed his place in our hearts.
Today’s song is a baraat song where we have Raj Kapoor as a Sardar leading the proceedings in the voice of Kamlesh Awasthi with Zeenat Aman looking gorgeous as Punjaban (like I have said in my last post to the song from this movie, Zeenat Aman looked great in whatever she wore) singing in Lata Mangeshkars’ voice.
Video
Audio
Song-Main hoon Sher Punjab ka (Gopichand Jasoos)(1982) Singers-Kamlesh Awasthi, Lata, Lyrics-Munsif, MD-Usha Khanna
Male chorus
Female chorus
Lyrics
oye balle balle
main hoon sher punjab ka
hai shahar mera patiyala
ishq hi meri jaat hai
aur husn ka hoon matwaala
main jatti punjab ki
hai shahar mera ludhiyana
jab se solah saal ki ho gayi
aashiq hua zamaana
main aashiq hoon dildaar
o sun mere yaar
pyaar sikha doonga
ranjha bankar tujhko heer bana doonga
main ranjha bankar tujhko heer bana doonga
sun majnu ke ustaad
ye rakhna yaad
ishq bhula doongi
main numbardar ki chhori
qaid kara doongi
main numbardar ki chhori
qaid kara doongi
goriye zulf teri
goriye zulf teri lehraaye
gore mukhde pe
gore mukhde se takraaye
jaise naagin koi
jaise naagin koi bal khaaye
been baja doonga
ranjha bankar tujhko heer bana doonga
main ranjha bankar tujhko heer bana doonga
zulf to naagin hai
zulf to naagin hai mastani
jisko das le re
jisko dase na maange paani
kyun tu chaahe re
kyun tu chaahe jaan ganwaani
rapat likha doongi
main numbardar ki chhori
qaid kara doongi
main numbardar ki chhori
qaid kara doongi
goriye nain tere
goriye nain tere maykhaane
patle honth tere
patle honth tere paymaane
sharaabi hum bhi hai
sharabi hum hain bade puraane
pee ke dikhaauga
ranjha bankar tujhko heer bana doonga
main ranjha bankar tujhko heer bana doonga
husn ek aisa hai
husn ek aisa hai maykhana
bhara hai zahar se
re bhara hai zahar se har paymana
padega sab kuchh re
padega sab kuchh yahaan ganwaana
hosh ganwaa doongi
main numbardar ki chhori
qaid kara doongi
main numbardar ki chhori
qaid kara doongi
maia ranjha bankar tujhko heer bana doonga
main numbardar ki chhori
tujhko qaid kara doongi
Jeena kya hai jaana maine
Posted on: December 6, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4889 | Post No. : | 16687 | Movie Count : |
4547 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part LXIII: Year 2015
———————————————————————————————————
In this episode, the 63nd episode, we cover Lata Mangeshkar songs that she sang in Hindi movies released in 2015. In the previous episode, we covered a Lata Mangeshkar song from a movie of 2011. So this time we should have covered a movie song of 2012. But it turns out that Lata Mangeshkar did not sing any songs in Hindi movies released in 2012, 2013 and 2014. In 2015, she sang one song in a movie. So, in this episode we jump over three years and arrive at the year of 2015.
Lata Mangeshkar sang just one song in one movie released in 2015.
Here are the details of the song sung by Lata Mangeshkar in Hindi movies released in 2011 :-
| S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
|---|---|---|---|---|---|---|---|---|---|
| 1 | DunnoY2 Life is a moment | Nikhil Kamath | 0 | 1 | 1 | 0 | 0 | 0 | Vimal Kashyap |
| Total | 1 movie | 1 MD | 0 | 1 | 1 | 0 | 0 | 0 | 1 lyricist |
Lata Mangeshkar worked with 1 music director and 1 lyricist in this one movie released in 2015.
Laxmikant Pyarelal were the most prolific music directors with Lata, with 664 songs in HFM with Lata Mangeshkar by the end of 2007. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. R D Burman with 332 Lata Mangeshkar and Kalyanji Anandji with 307 songs were next ahead of C Ramchandra with 275 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (204), S D Burman (179),Naushad (146), Roshan (144), Hemant Kumar (127), Anil Biswas (120), Bappi Lahiri (112), Rajesh Roshan (111), Salil Chaudhary (109), Husnlal Bhagatram (108), and Vasant Desai (104). Together these seventeen music directors composed 3742 songs out of 5244 songs that Lata Mangeshkar had sung in Hindi movies till end of 2015. Anand Bakshi with 731 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (555), Majrooh Sultanpuri (407), Shailendra (361), Hasrat Jaipuri (301), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (156). These ten lyricists had penned 3252 songs sung by Lata Mangeshkar till that time.
The above figures have remained unchanged for several years because Lata Mangeshkar no longer got to collaborate with the above music directors and lyricists after 2000.
Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 2015 :
| Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
|---|---|---|---|---|---|---|---|---|
| 1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
| 1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
| 1948 | 17 movies | 51 | 57 | 42 | 8 | 4 | 3 | |
| 1949 | 40 movies | 142 | 160 | 105 | 35 | 13 | 7 | |
| 1950 | 36 movies | 116 | 143 | 93 | 32 | 14 | 4 | |
| 1951 | 49 movies | 190 | 223 | 158 | 52 | 10 | 3 | |
| 1952 | 43 movies | 151 | 177 | 138 | 31 | 4 | 4 | |
| 1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
| 1954 | 43 movies | 142 | 172 | 144 | 23 | 4 | 1 | |
| 1955 | 50 movies | 173 | 218 | 177 | 30 | 10 | 1 | |
| 1956 | 49 movies | 174 | 204 | 153 | 35 | 13 | 3 | |
| 1957 | 47 movies | 132 | 160 | 110 | 38 | 7 | 5 | |
| 1958 | 35 movies | 104 | 132 | 95 | 25 | 10 | 1 | |
| 1959 | 58 movies | 190 | 211 | 131 | 68 | 12 | 1 | |
| 1960 | 48 movies | 142 | 166 | 102 | 50 | 9 | 5 | |
| 1961 | 44 movies | 128 | 152 | 88 | 55 | 5 | 4 | |
| 1962 | 40 movies | 119 | 129 | 84 | 40 | 5 | 0 | |
| 1963 | 37 movies | 105 | 111 | 62 | 38 | 8 | 3 | |
| 1964 | 46 movies | 123 | 133 | 91 | 31 | 8 | 3 | |
| 1965 | 42 movies | 84 | 91 | 71 | 17 | 1 | 2 | |
| 1966 | 49 movies | 105 | 133 | 110 | 14 | 8 | 1 | |
| 1967 | 44 movies | 94 | 106 | 67 | 38 | 8 | 3 | |
| 1968 | 33 movies | 84 | 84 | 59 | 19 | 5 | 1 | |
| 1969 | 43 movies | 78 | 97 | 67 | 27 | 2 | 1 | |
| 1970 | 54 movies | 91 | 130 | 84 | 39 | 3 | 4 | |
| 1971 | 52 movies | 107 | 126 | 71 | 52 | 3 | 0 | |
| 1972 | 62 movies | 100 | 151 | 86 | 60 | 3 | 2 | |
| 1973 | 60 movies | 93 | 138 | 94 | 37 | 3 | 4 | |
| 1974 | 55 movies | 71 | 104 | 66 | 33 | 0 | 5 | |
| 1975 | 45 movies | 62 | 90 | 50 | 35 | 3 | 2 | |
| 1976 | 41 movies | 58 | 97 | 53 | 39 | 1 | 4 | |
| 1977 | 50 movies | 50 | 96 | 59 | 27 | 8 | 2 | |
| 1978 | 46 movies | 60 | 90 | 48 | 34 | 3 | 5 | |
| 1979 | 42 movies | 38 | 66 | 37 | 25 | 2 | 3 | |
| 1980 | 43 movies | 28 | 71 | 43 | 21 | 3 | 4 | |
| 1981 | 46 movies | 40 | 88 | 48 | 34 | 2 | 4 | |
| 1982 | 45 movies | 28 | 82 | 41 | 37 | 1 | 3 | |
| 1983 | 33 movies | 29 | 73 | 36 | 37 | 0 | 0 | |
| 1984 | 39 movies | 11 | 70 | 32 | 33 | 4 | 1 | |
| 1985 | 40 movies | 21 | 72 | 39 | 31 | 0 | 2 | |
| 1986 | 27 movies | 4 | 41 | 22 | 17 | 0 | 2 | |
| 1987 | 12 movies | 4 | 21 | 13 | 8 | 0 | 0 | |
| 1988 | 21 movies | 9 | 43 | 24 | 17 | 1 | 1 | |
| 1989 | 19 movies | 10 | 38 | 20 | 16 | 1 | 1 | |
| 1990 | 9 movies | 4 | 12 | 3 | 9 | 0 | 0 | |
| 1991 | 16 movies | 6 | 57 | 35 | 20 | 1 | 1 | |
| 1992 | 12 movies | 3 | 25 | 12 | 13 | 0 | 0 | |
| 1993 | 14 movies | 3 | 49 | 22 | 23 | 2 | 2 | |
| 1994 | 12 movies | 5 | 39 | 9 | 28 | 0 | 2 | |
| 1995 | 4 movies | 2 | 8 | 3 | 4 | 0 | 1 | |
| 1996 | 5 movies | 2 | 14 | 7 | 7 | 0 | 0 | |
| 1997 | 5 movies | 1 | 21 | 2 | 14 | 4 | 1 | |
| 1998 | 3 movies | 4 | 11 | 3 | 7 | 0 | 1 | |
| 1999 | 7 movies | 3 | 14 | 6 | 7 | 0 | 1 | |
| 2000 | 2 movies | 3 | 5 | 1 | 2 | 0 | 2 | |
| 2001 | 6 movies | 2 | 12 | 6 | 5 | 0 | 1 | |
| 2002 | 2 movies | 1 | 8 | 3 | 5 | 0 | 0 | |
| 2003 | NIL movies | 0 | 0 | 0 | 0 | 0 | 0 | |
| 2004 | 1 movie | 4 | 9 | 2 | 4 | 0 | 3 | |
| 2005 | 3 movies | 1 | 4 | 3 | 1 | 0 | 0 | |
| 2006 | 1 movie | 1 | 1 | 0 | 1 | 0 | 0 | |
| 2007 | 1 movie | 1 | 1 | 0 | 1 | 0 | 0 | |
| 2008 | 0 movie | 0 | 0 | 0 | 0 | 0 | 0 | |
| 2009 | 1 movie | 1 | 1 | 1 | 0 | 0 | 0 | |
| 2010 | 1 movie | 1 | 1 | 1 | 0 | 0 | 0 | |
| 2011 | 1 movie | 1 | 1 | 1 | 0 | 0 | 0 | |
| 2012 | 0 movie | 0 | 0 | 0 | 0 | 0 | 0 | |
| 2013 | 0 movie | 0 | 0 | 0 | 0 | 0 | 0 | |
| 2014 | 0 movie | 0 | 0 | 0 | 0 | 0 | 0 | |
| 2015 | 1 movie | 0 | 1 | 1 | 0 | 0 | 0 | |
| Total upto 2015 | 1884 movies | 3767 | 5244 | 3390 | 1515 | 213 | 126 |
“DunnoY2 Life is a moment”(2015) is the only movie released in 2015 that had a song in it which was sung by Lata Mangeshkar.
“DunnoY2 Life is a moment”(2015) was directed by Kapil Sharma for Movies Masti Magic Studios, Mumbai. The movie had Zeenat Aman, Kapil Sharma, Yuvraaj Parashar, Meera, Sadia Khan, Danish Bhat, Roniel Rajkunwar, Tonje Gjevjon, Injeborg Kolle, Edith Roth Gjevjon, Nasrullah Qureshi, Saru Maini, Nary Singh, Rahul Chaudhary, Shubham Sharma, Rahool Chaudhary, Kushal Anand, Manisha Mendonza, Shashi Shaini, Sara Marielle Gaup Beaska, Mona Krager, Ellen Froysaa, Amir Malik, Tarje F. Jortoft , Marius Loftum etc in it.
The movie had four songs in it. One song has the voice of Lata Mangeshkar.
Here is that song.
The song is sung by Lata Mangeshkar and chorus. Vimal Kashyap is the lyricist. Music is composed by Nikhil Kamath.
The song is picturised on Yuvraj Parashar and Kapil Kaustubh Sharma.
Lyrics of the song and other details are provided by Prakashchandra.
With this song, the movie “DunnoY2 Life is a moment”(2015) makes its debut in the blog.
Lata Mangeshkar did not sing any other songs in Hindi movies released in the subsequent years. So with this article, we have come to the end of this marathon series of Lata Mangeshkar songs which began on monday 27 september 2020 and continued for 63 mondays without a break.
List of Lata Mangeshkar songs till 1985 can be taken from the six volumes of HFGK. Songs from 1986 till 1989 can be seen from Lata Mangeshkar Gandhar Swaryatra. But no list of Lata Mangeshkar songs after 1989 is available. Searching for Lata Mangeshkar songs after 1989 was a voyage which was undertaken by me, and also by Prakashchandra (independent of each other). In the process, we may have discovered several Lata Mangeshkar songs that few music lovers may have been aware of.
I take this opportunity to thank Prakashchandra, who on his own initiative was searching for Lata Mangeshkar songs independentally. Searching for Lata Mangehkar songs sung by her after 2000 is like searching for needle in haystack, and prakashchandra has been a great help in this backbreaking work. I cannot thank him enough for this work which he undertook on his own for last so many weeks.
The yearwise breakup of Lata Mangeshkar songs is done and dusted with. During this journey, I have come up with vast amount of statistics pertaining to Lata Mangeshkar songs. For instance, I can now tell you how many male duets and how many female duets she has sung with which singers. I can give exact number of songs that she has sung for various music directors and lyricists. I will come up with those statistics sometime in future on suitable occcasions.
In future, I may undertake similar exercises for other big name singers as well. Keep watching these spaces.
As the final offering of this series here is the very last song of Lata Mangeshkar that she sang in Hindi movies:-
Song-Jeena kya hai jaana maine (DunnoY2 Life is a moment)(2015) Singer-Lata, Lyrics-Vimal Kashyap, MD-Nikhil Kamat
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Lyrics(Provided by Prakashchandra)
jeena kya hai
jaanaa maine
jab se tumko jaanaa hai ae aey ae ae
lamhaa lamhaa..aa
kwaahish hai ye ae
bas tumko hee paanaa hai ae ae
ho oho o ho o
neendon se
dooriyan see hain
chain bin tere
ab naheen..een..een..een
rehti hoon main
ab jahaan kaheen
yaad aatey ho
tum waheen..een
I don`t know why
I don`t know why
I don`t know why
don`t know why
I don`t know why
ek doojey mein hee..ee..ee
saans hum lete hain..aen..aen
dard bhee khushee khushee..ee
baant hum lete hain…en..en
hai alag duniyaa se aey ae ae
rishtaa teraa meraa..aa.
manzilon se aagey..ey
rastaa teraa meraa..aaaa
chaahey le chal (chaahey le chal)
tu jahaan bhee (tu jahaan bhee)
sang tere aanaa hai ae ae ae
tere liye ae ae
duniyaa kya hai ae ae
khud ko bhool jaanaa hai ae ae
o ho o o
neendon se
dooriyaan see hain
chaain bin tere
ab naheen..een
rehti hoon main
ab jahaan kaheen
yaad aatey ho
tum waheen ..een
I don`t know why
I don`t know why
I don`t know why
don`t know why
I don`t know why
khwaab ye hai agar..rr…rrr
khwaab ye na tootey aey ae ae ae
maangey dil yehee duaa..aa..aaa
saath ye naa chootey aey ae
khaas har lamhaa hai aey
paas tere honey se aey ae ae
dartaa hai dil meraa..aaa
tumko kho dene se ae ae
ishq kyaa hai (ishq kyaa hai)
pyaar kyaa hai (pyaar kyaa hai)
tumse milke jaanaa hai aey ae ae
phoolon mein hai ae
khushboo jaisey aey ae ae
tujh mein yoon kho jaanaa hai ae ae
o ho o o
neendon se
dooriyaan see hain
chaain bin tere
ab naheen..een..een
rehti hoon main
ab jahaan kaheen
yaad aatey ho
tum waheen een
I don`t know why
I don`t know why
I don`t know why
don`t know why
I don`t know why
jeena kya hai
jaanaa maine
jab se tumko jaanaa hai ae aey ae ae
lamhaa lamhaa..aan
kwaahish hai ye ae
bas tumko hee paanaa hai ae ae
ho oho o ho o o
neendon se
dooriyan see hain
chain bin tere
ab naheen..een..een..een
rehthi hoon main
ab jahaan kaheen
yaad aatey ho
tum waheen..een
I don`t know why
I don`t know why
I don`t know why
don`t know why
I don`t know why
aaaa…aaa…aaa….aaaaa
aaa..aaa…aaaaa…aaa…aaaan…aaaa
oo …oo.ooo…ooo…ooo
oo ooo ooo ooo ooo ooo ooo
ooo ooo ooo
aaa…aaa…aaa…aaa…aaaa
aaa …aaaan…aaa…aaaa
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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