Archive for the ‘“Villain’s” den song’ Category
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4522 | Post No. : | 16081 |
Sahir Ludhianvi & His Music Directors-2 – (one movie collaboration only)
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Welcome all to today’s post. In this series we will have a song from ‘Sahir & his music directors’ for ‘one movie association’ only. We have discussed this ‘one movie collaboration’ in the first article of this series here.
We are taking a ‘pause’ here instead of moving to ‘two movie collaboration’ movies of Sahir & his music directors.
Thus, I will say this article as a ‘pause post’ here in this series.
Today’s song is from the movie ‘Bhaai Ho To Aisa-1972’. So far, only one song from this movie has been posted on the blog and it was (the only popular or known song) ‘bol meri gudiya gudde ke sang jaayegi’.
This first song from this movie was posted on 24.01.2009. So, in the next couple of months this would be celebrating its twelve years on the blog. With this song being discussed today, that song would now have company. 😊
The other reason for covering a song from this movie is that I do not remember to have listened to the songs of this movie as frequently as most other songs written by Sahir Ludhianvi that I have listened to frequently and.
I have not watched this movie. But I remember to have heard the song ‘bol meri gudiya gudde ke sang jaayegi’ on radio and loud speakers in my childhood days.
‘Bhai Ho To Aisa-1972’ was directed by Manmohan Desai for ‘A.K. Movies, Bombay’. It was produced by A.K. Nadiadwala. It had Jeetendra, Hema Malini, Shatrughan Sinha, Bipin Gupta, Tiwari, Bela Bose, Viju Khote, Praveen Paul, Jankidas and Jagdeep with Indrani Mukherjee, Jayshree T, Jeevan, Ranjeet, Bobby, Sapru.
Story and screenplay of this movie was written by K.P. Pathak and dialogues were written by Prayag Raj. Kamlakar was the editor of this movie.
This movie was passed by Censor Board on 11.05.1972.
This movie had five songs written by Sahir Ludhianvi and composed by Sonik-Omi.
Lata Mangeshkar, Mohd Rafi, Asha Bhonsle and Kishore Kumar were the singers for the songs in this movie.
| S.No. | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Ho…chor…hamne phansaaya | Lata Mangeshkar | |
| 02 | Bol meri gudiya gudde ke sang jaayegi | Lata Mangeshkar, Kishore Kumar | 24.01.2009 | 03 | Aa jaa meri jawaani ko mastaani ko | Lata Mangeshkar | Being discussed today | 04 | Ae phooljhadi ae gulchhadi | Mohd Rafi | 05 | Sun le naagraja sun le mere devta | Asha Bhonsle |
Today’s song is sung by Lata Mangeshkar and on screen it is performed by Jayshree T. If one looks at the video without listening the full song somebody could well mistake it for a song sung by Asha Bhonsle.
But this is a different song where we see Jayshree T performing in front of two ‘daakus’ (Jeetendra and Jagdeep) who have kidnapped Mama (Jeevan with his daughter) and all this is done to ensure that Mama (Jeevan) believes that there is a ‘hamshakal’ of Bharat (Jeetendra) and he can tell his big brother Ram Singh (Shatrughan Sinha) about this, who is planning to kill Bharat, to get all the estate of his father on his name. However, the movie ends with everything going well as planned by the ‘director’ for the ‘audience’ 😊
I am reproducing below a brief about this movie as given on IMDB which can be helpful to understand the overall ‘plot’ 😊
“Thakur is a rich and wealthy man. He has two sons, the elder is Ram, who is married but frequents a prostitute Munnibai. The second son is Bharat, who is unmarried, and is good, virtuous, and devoted to his family, and expected to marry Roopa. While disciplining his elder son, Thakur has a heart-attack and passes away, leaving the administration of the estate to his younger son and daughter-in-law, the wife of Ram, Gayatri. This does not auger well with Ram and Mamaji, and they attempt to force Bharat to sign the estate over to them. When they fail, they conspire to kill him, and take over the estate from Gayatri. Bharat overhears this, and goes along with Ram’s plan to kill him. He then returns as Daaku Mangal Singh, his look-alike, in order to set things right. Things seem to be going well, until Bharat finds himself in a tight corner when he is accused of killing himself.”
Let us now listen to today’s song … and add one more song to the tally of songs of ‘Bhai Ho To Aisa-1972’ …
Audio
Video
Song-Aajaa meri jawaani ko mastaani ko (Bhai Ho To Aisa)(1972) Singer-Lata, Lyrics-Sahir Ludhianvi, MD-Sonik Omi
Lyrics
aaja aa
meri jawaani ko
mastaani ko o
aaja aa
meri jawaani ko
mastaani ko
roop ke lobhi ghoor rahe hain
bhar ke munh mein paani
ke maine sab ki
nazar pehchaani hai
o sainyya aaja
ke tu u u diljaani hai
re aaja aa
meri jawaani ko
mastaani ko o
aaja aa
meri jawaani ko
mastaani ko
roop ke lobhi ghoor rahe hain
bhar ke munh mein paani
ke maine sab ki
nazar pehchaani hai
o sainyya aaja
ke tu u u diljaani hai
re aaja aa
meri jawaani ko
mastaani ko o
har koyi dorey daale
aur badhh kar pyaar uchhaaley
jaan jaley ae
bas naa chaley ae
aa kar mujhe bachaa le ae
haay re
har koyi dorey daale
aur badhh kar pyaar uchhaaley
jaan jaley ae
bas naa chaley ae
aa kar mujhe bachaa le ae
aisaa naa ho teri amaanat
ho jaaye begaani
ke maine sab ki
nazar pehchaani hai
o sainyya aaja
ke tu u u diljaani hai
re aaja aa
meri jawaani ko
mastaani ko o
bairan bijlee kadke
tan kaanpe ae
aur dil dhadke
saans ghute ae
dard uthhe
nas nas mein aag bhhadke
haay re bairan bijlee kadke
tan kaanpe
aur dil dhadke
saans ghute
dard uthhe
nas nas mein aag bhhadke
ab bhi der kari to
bairi kar denge manmaani
ke maine sab ki
nazar pehchaani hai
o sainyya aaja
ke tu u u diljaani hai
re aaja aa
meri jawaani ko
mastaani ko o
aaja aa
meri jawaani ko
mastaani ko o
roop ke lobhi ghoor rahe hain
bhar ke munh mein paani
ke maine sab ki
nazar pehchaani hai
o sainyya aaja
ke tu u u diljaani hai
re aaja aa
meri jawaani ko
mastaani ko o
Dilruba Dilli waali
Posted on: November 21, 2020
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4509 | Post No. : | 16053 |
Today’s song is a multi-singer song. It is from the 1976 released Madan Mohla produced and directed “Dus Numbri”. It had Hema Malini {who seemed to be favourite of all the heroes of the 50s & 60s and wanted a lease in their career ;-)} Manoj Kumar and a whole lot of Manoj Kumar-movie-regulars viz Premnath, Pran, Kamini Kaushal and Bindu. The movie was a musical with six songs.
I have very vague memories of what the movie was all about. Something to do with Manoj Kumar and Hema’s families being friends at the start of the movie. Then Premnath gets into a group that has interests in printing fake currency, which Om Shivpuri or Pinchoo Kapoor (Hema’s father) accidentally discovers and so is promptly bumped off, which drives her mother crazy due to shock (mother is also played by Hema, that is shown in Kamini Kaushal’s flashback). Some twist in the story leads Hema to a local Aunty’s adda (tavern) and Manoj Kumar becomes a “Dus Numbri” who is out to expose the evil doers of society. He has Pran (a constable) shadowing him for most of the movie and who is later revealed to be a SP or Commissioner. Then we have Bindu, a dancer, who has some clue to the gang of currency-fakers and that gives us a situation for a song where we have Premnath, Manoj Kumar and Pran (in disguise of course) trying to outwit Bindu into parting with the die of the currency printer. Simple 🙂 . It is later that we come to know that even Bindu is also a cop-in-disguise. Here I must add that only Manoj Kumar’s horrible getup doesn’t give him away but all the other two actors can easily be recognized.
Two songs from the movie is already present on the blog. One was contribution by Avinashji –Ye duniya ek numberi to main dus numberi and other by Maheshji- Na tum ho yaar aaloo na hum hain yaar gobhi.
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Here is the third song with Asha Bhonsle, Manna Dey and Mukesh as playback singers. Let us enjoy it and wish Prem Nath Malhotra on his birthday today. He would have been 94 today.
He started his journey in Bollywood with “Ajit” in 1948 (of which we don’t have any songs on the blog). The same year we had Premnath in “Aag” his first association with Raj Kapoor and was RK’s debut as producer- director.
Incidentally Raj Kapoor’s wife Krishna was Premnath’s sister and his other sister Uma is Prem Chopra’s wife. Premnath’s brothers Narendranath and Rajendranath were also actors. He married Bina Rai, also an actress, in 1953 and his son’s Prem Kishen and Kailashnath (was called Monty in films) were actors. Prem Kishen’s daughter Akanksha is an actress and son Siddharth Malhotra is a director. (Even in these modern times there is a case of same-name confusion:- there is a Sidharth Malhotra who made his acting debut in Karan Johar’s “Student Of the Year” in 2012 who has no connection to the Premnath family).
We have many movies where Premnath has had his brothers-in-law as co-actors. We have seen him as father of Dimple Kapadia in “Bobby” which was his nephew Rishi Kapoor’s debut as an adult. That is also the first role of Premnath that I recollect. Can’t get enough of the head of a fishing community Braganza who had a peculiar way of speaking.
It was later when some black-n-white were telecast by doordarshan that I learnt that Premnath the actor first began as a hero to the likes of Madhubala, Bina Rai, Nimmi etc.I loved his acting in “Johny Mera Naam”. As also the lovable mama of Hema Malini in “Aap Beeti”, sardaar of “Roti Kapda aur Makaan”, etc. His was the central character of “Dharmatma”. He turned producer director after his marriage to Bina Rai. His last screen appearance was in 1985 in “Hum Dono” after which he reitred from acting. He passed away in 1992- 18 days before his 66th birthhday.
Remembering Premnath !
Song-Dilruba Dilli waali (Dus Numberi)(1976) Singers-Asha Bhonsle, Manna Dey, Mukesh, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal
Chorus
Lyrics
baadab
baamulahija
hoshiyaar
mehfil mein lutne waala hai pyaar
aa gayi zulfon waali
aankhon mein surma
honthon pe laali
dilruba dilli waali
dilruba dilli waali
dilwaalon mein
aa gayi
nasha ban kar uthhi
jhoom kar chha gayi
dilruba dilli waali
ha
dilruba dilli waali
dilwaalon mein aa gayi
nasha ban kar uthhi
jhoom kar chha gayi
dilruba dilli waali
subhaan allah
subhaan allah
jaisa suna thha
waisa hi paaya
aapko dekha toh yaqeen aaya
agar firdaus bar roo-e zameen ast
Hameen ast-o hameen ast-o hameen ast
aap aaye
haan
aap aaye
mil gayi daulat
humein zamaane ki
ki aap hi se
haan aap hi se
aap hi se hai raunak gareebkhaane ki
gareebkhaane ki
aap kya aaye
ghar mein bahaar aa gayi
dilruba dilli waali
ha
dilruba dilli waali
dilwaalon mein aa gayi
nasha ban kar uthhi
jhoom kar chha gayi
dilruba dilli waali
Baadab
baamulaahija
hoshiyaar
aa rahe hain aashiqon ke sardaar
tauba tauba
yeh aaj meri chashme aawaara
kya dekh rahi hai nazaara
ke mera rafeek tere kareeb
arre phoote naseeb
aapki tareef
ek aashiq gareeb
haan yeh gairon se ulfat
ye kadardaani teri
haan yeh gairon se ulfat
ye kadardaani teri
mujhko darr hai
le na doobe tujhko
naadaani teri
haan yeh gairon se ulfat
ye kadardaani teri
mujhko darr hai
le na doobe tujhko naadaani teri
banaa ke husn ko naata(?) naa yoon sitam todo
banaa ke husn ko naata(?) naa yoon sitam todo
bas apne dil hi ko samjhaao
mera gham chhodo
mera gham chhodo
ki main pee kar ye jaam
hosh mein aa gayi
dilruba dilli waali
dilruba dilli waali
ab hosh mein aa gayi
nasha ban kar uthhi
jhoom kar chha gayi
dilruba dilli waali
jo chheda maine taraana
suna aur samajh liya
samajh liya
samajh liya
sunaaya maine jo gaana
woh dil pe likh bhi liya
likh liya
like liya
aur mere dil ki baat
woh bhi yaad aa gayi
aa gayi
aa gayi
aa gayi
aa gayi
toh phir bujhaa kar chiraag
aa bhi ja
tu dil mein
dil mein
ke jalne waalon ka kya kaam mehfil mein
u u
u u u
u u
u
u u
u u u
dilruba dilli waali
dilruba dilli waali
dilwaalon mein aa gayi
nasha ban kar uthhi
jhoom kar chha gayi
dilruba dilli waali
O baazigar ae ae ae baazigar
Posted on: September 18, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4445 | Post No. : | 15894 |
We in this blog are taking the “blog Ten Year Challenge” project rather seriously. BTYC Posts are appearing regularly in the blog,
On the other hand, some older projects are seemingly getting neglected. For instance, introducing new movies in the blog, YIPPYing movies in the blog, ensuring blog centuries for artists are some of the projects that are not getting the attention that they should.
Project YIPPEE is a cherished project of the blog. We consciously post songs of movies with the aim of covering all songs of movies. 1218 movies have been YIPPEED so far.
More than 100 movies got YIPPEED in every year from 2012 to 2018. Then we slowed down. 2019 saw only 19 movies getting YIPPEED.
2020 has seen 38 movies getting YIPPEED so far. It is not that we have run ot of movies to take up. Right now there are dozens of movies with just one song left. So we have lots and lots of YIPPIable movies awaiting their turns.
“Hill Station”(1957) is one such movie. This movie was produced by A A Nadiadwala and directed by Shakti Samanta for Pushpa Pictures, Bombay. The movie had Bina Rai, Pradeep Kumar, K N Singh, Maruti, Protima Devi, Krishnkant, Shyama, Sangeeta, Kundan, Ridku, Kathana, Nirmal Kumar, Laxman Rao, Sheila Vaz, Seema, Nazeer, Kashmiri, Tiger (dog) etc in it.
The movie had seven songs in it. Six songs have been covered in the blog so far,
Here are the details of the songs covered in the blog:-
| Song | Date posted |
|---|---|
| Nayi manzil nayi raahein Multiple version song | 21 January 2011 |
| Muhabbat mein tadapne se qaraar aata hai is dil ko | 25 May 2012 |
| Gori gori patli kalaai re balamwa | 25 February 2017 |
| Ye maara wo maara | 13 January 2019 |
| Wo khushnaseeb hain jinko yahaan karaar mila | 29 August 2020 |
The movie appears to be a suspense movie going by the songs in it. Quite a few songs sound like club song.
The seventh and final song from “Hill Station”(1957) is sung by Geeta Dutt. S H Bihari is the lyricist. Music is composed by Hemant Kumar.
Only the audio of the song is available. But the lyrics suggest that it is unmistakably a club song where a dancer is cautioning the hero about the evil intentions of the bad guys.
Since it is a club dance song, it may have been picturised on Shyama or Sheila Vaz. I request our knowledgeable readers to throw light on the picturisation of the song.
This song, which I heard for the first time only now, sounds like a gem, which failed to become as popular as some other club dance songs of that era.
With this song, all the seven songs of “Hill Station”(1957) have been covered in the blog and the movie joins the list of movies that have been YIPPEED in the blog.
Song-O baazigar ae ae ae baazigar(Hill Station)(1957) Singer-Geeta Dutt, Lyrics-S H Bihari, MD-Hemant Kumar
o baazigar
o baazigar
ae ae baazigar
o baazigar
ae ae ae baazigar
do pyaar ki baaten kar zara
do pyaar ki baaten kar
ha humse milaa ke milaa ke nazar r
o baazigar
ae ae baazigar
do pyaar ki baaten kar zara
do pyaar ki baaten kar
ha humse milaa ke milaa ke nazar
o baazigar
jeet samjha hai jisko teri haar hai
dekh aankhon mein zaalim tera pyaar hai
jeet samjha hai jisko teri haar hai
dekh aankhon mein zaalim tera pyaar hai
humse daaman chhudaa ke chala hai kidhar
o jaane jigar tu khel magar
haan humse milaa ke milaa ke nazar
o baazigar
ae ae ae baazigar
do pyaar ki baaten kar zara
do pyar ki baaten kar
ha humse milaa ke milaa ke nazar
o baazigar
loot lene ki tujhko nayi chaal hai
dushmanon ka bichhaaya hua jaal hai
loot lene ki tujhko nayi chaal hai
dushmanon ka bichhaaya hua jaal hai
naa phansna tu is jaal mein bekhabar
o jaane jigar tu khel magar
haan humse milaa ke milaa ke nazar
o baazigar
ae ae ae baazigar
do pyaar ki baaten kar zara
do pyaar ki baaten kar
haan humse milaa ke milaa ke nazar
o baazigar
- In: "disguise" song | "Diversion" song | "Villain's" den song | Duet | Guest posts | Manna Dey songs | Manna Dey-Mukesh duet | Mukesh and his co singers | Mukesh songs | Post by Mahesh Mamadapur | Series of articles | Songs of 1970s (1971 to 1980) | Songs of 1976 | Yearwise breakup of songs
- 10 Comments
This article is written by Mahesh Mamadapur, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4416 | Post No. : | 15823 |
Mukesh and his co-singers –7
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There is a school of thought amongst music lovers that the voice of Manna Dey suited better for Raj Kapoor than Mukesh. While technically, there could be substance to the concept, it remains a fact that the empathy evolving from the voice of Mukesh and the emotion and expressions of Raj Kapoor’s acting on screen fitted to a T. No wonder RK upon hearing Mukesh’s demise in far off Detroit city commented that he had lost his soul. I am of the firm opinion that the voice of Mukesh on Raj Kapoor suited most aptly than the actor singing himself.
As far as Manna Dey singing for Raj Kapoor is concerned, the songs from Chori Chori, Shree 420, Dil Hi Toh Hai, Mera Naam Joker etc. come to the mind instantly. Chori Chori and Shree 420, both released in 1956 were at a time when Mukesh was experimenting with many departments of films and had also signed a contract for the film Maashuqa as an actor-singer with heroine none other than Suraiya. The Contractalso had a clause that he would not be singing for anyone else till the completion of the film. The film unfortunately got delayed and so did the successful career of Mukesh.
It is for this reason that even though Mukesh has the iconic solo, a duet with Lata and a triad with Rafi saab and Lata, Manna Dey had his share of songs in the movie Shree 420 including the popular pyar hua ikraar hua hai.
It is said that Mukesh after singing 3 songs in the film conveyed to RK that he could no longer be part of the film because of the Contract that he had signed. So why didn’t Manna Dey establish himself as a permanent or a more frequent RK voice. Well, it was the year 1958, Mukesh free from the clutches of his Contract came back as a playback singer and boy what a return that was.
Madhumati, Parvarish, Phir Subah Hogi and Yahudi all under different composers and picturised on RK and Dilip Kumar were runway hits. Mukesh had found his mojo back. Raj Kapoor understood that with Mukesh giving him playback he need not look any further. The bond between them remained forever. Body and the soul’s bonding was noticed not only by Shankar Jaikishan but by other composers also. Thus, when Raj Kapoor forayed acting for other production houses, it was usually Mukesh who was summoned for playback.
Thus, we have Manna Dey singing only a few songs for Raj Kapoor in spite of the popularity of songs from Shree 420 and Chori Chori in 1956. However, all composers were also aware of the limitations of Mukesh and the versatility of Manna Day especially for the songs based on classical music. It is pertinent to mention the song from Dil Hi Toh Hai 1963. While most of the songs from this film were sung by Mukesh, Roshan the composer rightly found it prudent to have Manna Dey sing the popular Laagaa, chunri mein daag. With due respects to other stalwarts, I am of the firm opinion that no singer could have pulled off this song as elegantly as Manna Dey.
This post and the series as such is on Mukesh’s collaboration with other singers. And in this instance also, it’s not only about Mukesh and Manna Dey singing for RK camp but for all the songs that they rendered together in HFM. But then many songs sung by Manna Dey for Raj Kapoor have also become quite popular and hence I had to devote a majority of the post for their individual songs on Raj Kapoor.
Whilst we are on the discussing the singers in unison, I should highlight that Mukesh has sung a comic solo under Manna Dey’s composition for the film Chamkee (1952). I have always been curious to know why this song was offered to Mukesh as Manna Dey himself was quite apt at singing such songs. One possible reason could be due to the bad phase that Mukesh had entered during this period and this was could have been some kind of help extended.
Coming to today’s post, here is the list of all songs in which Mukesh and Manna Dey featured together. Not surprisingly, most of them are with multiple singers and chorus. Quite a few of them are rare and popular.
1 under Anilda is famous song from a popular film. It is interesting to note that it is sung by four singers whose names start with the letter “M”. Needless to say, it’s the only one of its kind in HFM where they have come together.
2 had many songs by Mukesh featured on Raj Kapoor and Mahendra Kapoor and Manna Dey join in for other actors in the song. Its again rare to find Geeta Dutt in SJ camp.
3 and 4 are under Hemant Kumar who himself was an accomplished singer and composer but got to many sing songs by other singers in his compositions. Mukesh has sung about half a dozen songs under him.
5 is quite a comic song on which our Arunkumar ji has written a detailed post.
| S.No | Name of the Song | Movie (Year of release) | Other co-singers if any | Music Director | Lyricist |
|---|---|---|---|---|---|
| 1 | Kadam kadam se dil de | Chaar Dil Chaar Raahen (1959) | Mahendra Kapoor, Meena Kapoor | Anil Biswas | Sahir Ludhianvi |
| 2 | Hai aag hamaare seene mein | Jis Desh Mein Ganga Behti Hai (1960) | Geeta Dutt, Mahendra Kapoor, Lata Mangeshkar | Shankar Jaikishan | Shailendra |
| 3 | Mujhko mohabbat ho gayi hai | Biwi Aur Makaan (1966) | Talat Mehmood, Hemant Kumar, Joginder, | Hemant Kumar | Gulzar |
| 4 | Aa tha jab janam liya tha | Biwi Aur Makaan (1966) | Hemant Kumar | Hemant Kumar | Gulzar |
| 5 | Ye kaun hain ye kaun hain jo besahaara hain | Main Sundar Hoon (1971) | Asha Bhonsle | Shankar Jaikishan | Anand Bakshi |
| 6 | Besharmi se sharam na kar | Teen Chor (1973) | Mohammed Rafi | Sonik Omi | Rajendra Krishan |
| 7 | Na tum ho yaar aloo | Dus Numbri (1976) | Laxmikant Pyarelal | Majrooh Sultanpuri | |
| 8 | Dilruba Dilliwali | Dus Numbri (1976) | Asha Bhonsle | Laxmikant Pyarelal | Majrooh Sultanpuri |
4, 6, 7 and 8 from the above list are yet to be featured on the blog and I take up song number 7 for representation in this post.
Shri Harish Raghuwanshi of Surat, the compiler of Mukesh Geetkosh has helped me with confirming the correctness of and completeness of the above table of songs. I express my sincere thanks to him for his continued support.
Dus Numbri (1976) in which Mukesh had 04 songs was in continuation with the many songs that he was singing for Manoj Kumar during late sixties and seventies. The title song of this movie remains famous. Strangely, this title song is the only song of this film to be featured on the blog so far. Mukesh and Manoj Kumar’s combination had become quite popular with some outstanding songs. I had read somewhere that they were planning to produce a film upon the return of Mukesh from his US tour in 1976. As we are aware, Mukesh never came back from that tour as he passed away on 27 August 1976 in Detroit. This date being around the corner, my next post will be on his remembrance day and probably starting with a new series.
Song-Na tum ho yaar aaloo na hum hain yaar gobhi (Dus Numberi)(1976) Singers-Mukesh, Manna Dey, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal
Both
Lyrics
na tum ho yaar aaloo
na hum hain yaar gobhi
na tum ho yaar aaloo
na hum hain yaar gobhi
tum bhi ho yaar dhobhi
aur hum bhi yaar dhobhi
na tum ho yaar aaloo
na hum hain yaar gobhi
tum bhi ho yaar dhobi
aur hum bhi yaar dhobhi
na tum ho yaar aaloo
na hum hain yaar gobhi
suno majboori suno
tumse kya chori suno
suno majboori suno
tumse kya chori suno
ik din ka haal suno
ae Hiralal
kya bataaun huye kya kya lafde
kya bataaun huye kya kya lafde
saaheb ka suit pahan
le kar ke apni dhoban
hum bioscope chala dekhte hai
laallaallaa oy hoy
hoy hoy
ho ho
shaamat ki maat mera
saaheb bhi yaar mila
raste mein aur laga dekhne
dekha jo suit
ho diya kas kar do boot
ho gaali de de ke pakdi gardaniya
gaali de de ke pakdi gardaniya
ho machi wo dhooma dhoom (?)
wo kahin ho gayi re gum
usi hullad mein meri dhobaniya
usi hullad mein meri dhobaniya
dhoban ko le uda re
kyaa jaane kaun lobhi
dhoban ko le uda re
kyaa jaane kaun lobhi
tum bhi ho yaar dhobi
aur hum bhi yaar dhobi
na tum ho yaar aaloo
na hum hain yaar gobhi
o ho
suno majboori suno
tumse kya chori suno
suno majboori suno
tumse kya chori suno
apna bhi haal suno
ae Bansilal
coat maine bhi pehna kisi ka
coat maine bhi pehna kisi ka
arre kya thhi khabar
ke hai uske andar
ke photu hai mama inhi ka
hai aiyyo
ke photu hai mama inhi ka
dhoban ko sang liye
chehre pe rang liye
unhu
hotel pahunchaane bechaara
o oarkhaane ke baad
daala paackit mein haath
ke chukaa doon use daam saara
dena thha maal
diya photu nikaal
aisa dhokha hua mujh ko tagda
aisa dhokha hua mujh ko tagda
dhoban ne dekh
diye thhapad do ek
aur kar ke dhamaal
noch kar sar ke baal
kahin chal di wo kar ke jhagda
haay haay
kahin chal di wo kar ke jhagda
meri maal
ab haal mera sun kar
chup kyun ho
kuchh kaho jee
ab haal mera sun kar
chup kyun ho
kuchh kaho jee
tum bhi ho yaar dhobi
aur hum bhi yaar dhobi
na tum ho yaar aaloo
na hum hai yaar gobhi
suno majboori suno
tumse kya chori suno
suno majboori suno
tumse kya chori suno
hum bhi dil rakhhte to hain
pyaar kar sakte to hain
ho jee ek dhoban meri
haaye mehbooban meri
ek dam thi aazaadi
nayi nayi huyi thhi shaadi
par meri jaan e jahaan
wo gayi jaane kahaan
par meri jaan e jahaan
wo gayi jaane kahaan
aise lagti thhi
aise lagti thhi
gale haaye Raam
jaise istri chale haaye Raam
ho jabse wo gayi chali haaye Raam
main phiroon gali gali haaye Raam
arre chhod gayi dil mein kaanta
maar gyi dhobi paataa
milne ka yaar uske
koi jatan karo jee
milne ka yaar uske
koi jatan karo jee
tum bhi ho yaar dhobi
aur hum bhi yaar dhobi
na tum ho yaar aaloo
na hum hain yaar gobhi
tum bhi ho yaar dhobi
aur hum bhi yaar dhobi
na tum ho yaar aaloo
na hum hain yaar gobhi
Bingo Bingo Bingo Main Hoon Bingo
Posted on: July 27, 2020
- In: "Villain's" den song | Dance song | Devnagri script lyrics by Sudhir | Guest posts | Lyrics contributed by readers | Mohammad Aziz song | Parvati Khan Songs | Post by Peevesie's mom | Song sung by three or more singers | Songs of 1980s (1981 to 1990) | Songs of 1985 | Vijay Benedict Songs | Yearwise breakup of songs
- 3 Comments
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
|
Blog Day : |
4392 | Post No. : | 15759 | Movie Count : |
4343 |
Hullo Atuldom
“Holi kab hai? kab hai holi? kab? kab?” – these are the famous lines mouthed by the most dreaded daaku of Ramgarh. He was wanted ‘dead or alive’ and carried a reward of ‘pachhas hazaar’ on his head. And from his den he declared rather pompously “Yahan se pachhas pachhas kos door gaon mein … jab bachcha raat ko rota hai, toh maa kehti hai bete so ja … so ja nahi to Gabbar Singh aa jayega”. With the most simple and not-so-profound dialogues like ‘Kitne Aadmi The’, ‘Jo Darr Gaya Samjho Marr Gaya’ and ‘Tera kya hoga Kalia’, Gabbar Singh alias Amjad Khan had arrived on the Bollywood scene, giving life to one of the most celebrated and iconic characters in Hindi cinema.
Born in undivided India’s Peshawar in 1940, he was the first child of actor Jayant (Zakaria Khan). He was a bright student who had a Masters in Philosophy and loved to read English poets like Keats and Wordsworth and could debate on political theories or philosophies of Plato, Socrates and even Dr. Radhakrishnan. After his M.Phil he ventured on to the world of theatre to give a chance to his passion of acting that he had inherited from his father. That is where he was spotted by the writer duo Salim-Javed who recommended him to Ramesh Sippy and rest of the story is well known to all the fans of this wonderful actor.
That was 1975. Post ‘Sholay’ Amjad Khan went on to live a number of memorable characters on celluloid. Can anyone forget the risk-taking best friend Bishan of Kishan (Amitabh) in ‘Yaarana’, or the funny policeman of Kumar Gaurav’s debut ‘Love Story’. He was unforgettable as Nawab Wajid Ali Shah in Satyajit Ray’s ‘Shatranj Ke Khiladi’. What versatility. He was happy that his directors and writers saw more than a villain or a daaku in him and thanked them for not typecasting him else, we would never have seen his comic timing and his mastery in emoting any kind of role.
Today it is 28 years since his passing and we have a song that shows him trying to shake a leg with Mithun. The song is penned by Farooq Kaiser and set to tune by Bappi Lahiri. It is from the 1985 release ‘Maa Kasam’ which was directed by Shibu Mitra & had a cast of Mithun, Amjad Khan, Ranjeet, Divya Rana, Sushma Seth and Pran. It was a typical masala movie complete with dances where the lead actors are in disguise etc.
I stumbled on this song recently and filed it away to post it in remembrance of Amjad Khan. It is sung by Mohd Aziz, Vijay Benedict and Parvati Khan. We also have Kalpana Iyer as part of the group dance. We can also see Guddi Maruti and Sundar present in this clip. Just to know why everyone is dressed in tribal outfits which the Red Indians will claim as their traditional wear I need to see this movie.
Song – Bingo Bingo Bingo Main Hoon Bingo (Maa Kasam) (1985) Singer – Mohd Aziz, Vijay Benedict, Parvati Khan, Lyrics – Farooque Qaiser, MD – Bappi Lahiri
Mohd Aziz + Vijay Benedict
Lyrics
bingo bingo bingo
main hoon bingo
ringo ringo ringo
main hoon ringo
bingo bingo bingo
main hoon bingo
ringo ringo ringo
main hoon ringo
aah haa main pappi sundaram
sambhal ke rakhna har kadam
karenge chutti maa kasam
maa kasam
maa kasam
bingo bingo bingo
main hoon bingo
ringo ringo ringo
main hoon ringo
aah ha main pappi sundaram
sambhal ke rakhna har kadam
karenge chutti maa kasam
maa kasam
maa kasam
badi hai pataka
zara si yeh potti
ke dil na chura le yeh choti
kamariya hai patali
umariya hai chhoti
aankhen badi moti moti
badi hai pataka
zara si yeh poti
ke dil na chura le yeh choti
kamariya hai patali
umariya hai chhoti
aankhen badi moti moti
jao jao jao jao
tu hai jhootha
mere aage baatein na kar tu jhooti
lage hai pappi besharam
banege hum bhi bereham
karenge chutti maa kasam
maa kasam
maa kasam
bingo bingo bingo
main hoon bingo
ringo ringo ringo
main hoon ringo
lapa lap yun naache
uchhalti hai machhi
arrey laage nazariya toh achhi
bata doon main sachhi
lage hai tu acchi
thodi jawaani hai kacchi
haan
lapa lap yun naache
uchhalti hai machhi
arrey lage nazariya to achhi
bata doon main sachhi
lage hai tu achhi
thodi jawaani hai kacchi
jao jao jao jao
tukde tukde kar daaloongi
samjha hai kya bacchi
lage hai pappi kuchh garam
magar hai iss ka dil naram
karenge chutti maa kasam
maa kasam
maa kasam
bingo bingo bingo
main hoon bingo
ringo ringo ringo
main hoon ringo
aah ha mai pappi sundaram
sambhal ke rakhna har kadam
karenge chhuti maa kasam
maa kasam
maa kasam
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
बिंगो बिंगो बिंगो
मैं हूँ बिंगो
रिंगों रिंगों रिंगों
मैं हूँ रिंगों
बिंगो बिंगो बिंगो
मैं हूँ बिंगो
रिंगों रिंगों रिंगों
मैं हूँ रिंगों
आह हा मैं पप्पी सुंदरम
संभल के रखना हर कदम
करेंगे छुट्टी माँ कसम
माँ कसम
माँ कसम
बिंगो बिंगो बिंगो
मैं हूँ बिंगो
रिंगों रिंगों रिंगों
मैं हूँ रिंगों
आह हा मैं पप्पी सुंदरम
संभल के रखना हर कदम
करेंगे छुट्टी माँ कसम
माँ कसम
माँ कसम
बड़ी है पटाका
ज़रा सी ये पोट्टी
के दिल ना चुरा ले ये चोट्टी
कमरीया है पतली
उमरीया है छोटी
आँखें बड़ी मोटी मोटी
बड़ी है पटाका
ज़रा सी ये पोट्टी
के दिल ना चुरा ले ये चोट्टी
कमरीया है पतली
उमरीया है छोटी
आँखें बड़ी मोटी मोटी
जाओ जाओ जाओ जाओ
तू है झूठा
मेरे आगे बातें ना कर तू झूठी
लगे है पप्पी बेशरम
बनेंगे हम भी बेरहम
करेंगे छुट्टी माँ कसम
माँ कसम
माँ कसम
बिंगो बिंगो बिंगो
मैं हूँ बिंगो
रिंगों रिंगों रिंगों
मैं हूँ रिंगों
लपालप यूं नाचे
उछलती है मच्छी
अरे लागे नज़रिया तो अच्छी
बता दूँ मैं सच्ची
लगे है तू अच्छी
थोड़ी जवानी है कच्ची
हाँ
लपालप यूं नाचे
उछलती है मच्छी
अरे लागे नज़रिया तो अच्छी
बता दूँ मैं सच्ची
लगे है तू अच्छी
थोड़ी जवानी है कच्ची
जाओ जाओ जाओ जाओ
टुकड़े टुकड़े कर डालूंगी
समझा है क्या बच्ची
लगे है पप्पी कुछ गरम
मगर है इसका दिल नरम
करेंगे छुट्टी माँ कसम
माँ कसम
माँ कसम
बिंगो बिंगो बिंगो
मैं हूँ बिंगो
रिंगों रिंगों रिंगों
मैं हूँ रिंगों
संभल के रखना हर कदम
करेंगे छुट्टी माँ कसम
माँ कसम
माँ कसम
Tere Liye Aaya Hai Le Ke Koi Dil
Posted on: April 16, 2020
- In: "Helen" song | "Villain's" den song | Dance song | Devnagri script lyrics by Sudhir | Feelings of heart | Geeta Dutt solo | Geeta Dutt songs | Guest posts | Hindi Songs in Non-Hindi Films | Lyrics contributed by readers | Post by Sadanand Kamath | Song from regional movies | Songs of 1950s (1951 to 1960) | Songs of 1959 | Yearwise breakup of songs
- 3 Comments
This article is written by Sadanand Kamath, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4290 | Post No. : | 15542 | Movie Count : |
4283 |
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Hindi Songs in Bangla Films – 24
———————————————–
‘Gali Theke Rajpath’ (Bangla film, 1959) was written and directed by Prafulla Chakraborty. The star cast included Uttam Kumar, Sabitri Chatterjee, Chhabi Biswas, Anup Kumar, Chhaya Devi, Tulsi Chakraborty, Bikash Roy, Shyam Laha, Sheela Paul, Helen, Jahar Roy etc. I have watched the video of a moderately edited film on one of the video sharing platforms. Probably, the film’s VHS tape was damaged as I found some ‘jumps’ in the continuity of the film’s story. Unfortunately, English sub-titles are not available. A short synopsis on the cover of the VCD of the film helped me to understand the film’s story in a proper perspective.
The film opens with Raja (Uttam Kumar), a small-time thief coming out of the jail and Bhola (Anup Kumar), his close associate receives Raja outside the jail. Both of them discuss the plan for a bigger heist.
One day, Mala (Sabitri Chatterjee) arrives in their neighbourhood with her father (Tulsi Chakraborty) to reside in the locality where Raja and Bhola stay. In the first meeting with them at the time of getting down from the bus, Bhola helps Mala and her father in bringing out their belongings from the bus. But in doing so, he picks her father’s wallet. Finding his wallet missing, Raja decides to pay the fares on their behalf to impress them to be of helping nature. Within few days, Raja and Bhola became closer to Mala’s father, though Mala keeps a distance without offending them.
Mala is the only earning member by working in the theatre. She is not aware of Raja’s real identity. He tries hard to impress her to gain her attention. In the meantime, Gobardhan (Bikas Roy) has been trying to stalk Mala in his efforts to make her join films. She tells Raja and Bhloa about her problems with Gobardhan which results in both of them punishing him on more than one occasions. All these actions of the duo create good impression on Mala who starts liking Raja.
In line with their plan to strike something big, Raja and Bhola get acquainted with a businessman Datta (Chhabi Biswas) and impress him into lending them money for their business which does not exist. Datta gives them the financial support as well as goods with a proviso that if they sell the goods, he would give them concession. However, being thieves and cheaters, both of them decide neither to return the money nor the goods.
One day, Raja and Bhola are seen picking someone’s pocket in a bus in which Mala is also travelling. She comes to know the real side of Raja. She starts avoiding him. Having lost Mala, Raja decides to reform himself and becomes a changed man. He gives up pickpocketing and cheating business much against the advice of his close friend, Bhola. And then Bhola also falls in line with Raja as for him, his unimpeachable friendship with Raja is more important than his notorious vocation.
Raja approaches businessman Datta and tells him the actual truth about his activities and his love for Mala. The fact is that Datta was already aware of Raja and Bhola’s nefarious activities. He was handling with a reformist approach by testing them with financial help to start a business and become the good citizens. Datta goes and meets Mala and asks her to forgive Raja. Raja once again regains Mala’s love and the film has a happy ending.
When I watched this film, I was getting a feeling that I was watching a Bollywood film. The story of the film was nowhere near to the quality of most of the Bangla films with strong story lines. However, to the credit of the film’s director, Prafulla Chakraborty and of the main actors like Uttam Kumar, Sabitri Chatterjee, Anup Kumar and the veteran Chhabi Biswas, there was not much of dull moments in the film. The director ensured that Uttam Kumar and Anup Kumar in the roles of petty thieves with their light comical performances remained the likeable characters for the audience in their roles throughout the film.
‘Gali Theke Rajpath’ (1959) has 3 songs all of which sound like Bollywood songs insofar as musical compositions are concerned. Of the three songs, one song is in Hindi and the remaining two Bengali songs are solos sung by Asha Bhonsle and Manna Dey. Incidentally, Manna Dey sung for Uttam Kumar for the first time in this film in which he had also done yodelling.
I am presenting the only Hindi song in the film, “Tere Liye Aaya Hai Le Ke Koi Dil’ sung by Geeta Dutt. The song is picturised on Helen as a dance song in a thieve’s den in which Uttam Kumar is present. The song is written by Naqsh Layallpuri. The musical score is that of Sudhin Dasgupta, the younger brother of Kamal Dasgupta. The tune of the song sounds somewhat similar to one of the Hindi film songs of the 50s which I am not able to recall. The song has OP Nayyar style of composition.
Enjoy one more Helen song among the umpteen songs, Geeta Dutt sang for her in Hindi films.
Video (Partial)
Audio (Complete)
Song – Tere Liye Aaya Hai Le Ke Koi Dil (Gali Theke Rajpath) (Bangla) (1959) Singer – Geeta Dutt, Lyrics – Naqsh Lyallpuri, MD – Sudhin Dasgupta
Lyrics
(Based on Audio Version)
tere liye aaya hai leke koi dil
le le nazaraana o bhole qaatil
tere liye aaya hai leke koi dil
le le nazaraana o bhole qaatil
tere liye aaya
kitne haseen hain ye palkon ke saaye
dekh tujhe koi ishaaron se bulaaye
kitne haseen hain ye palkon ke saaye
dekh tujhe koi ishaaron se bulaaye
rahegi na pheeki
bahaaren zindagi ki
aa tujh ko khushi ki
dikhaa doon manzil
rahegi na pheeki
bahaaren zindagi ki
aa tujh ko khushi ki
dikhaa doon manzil
tere liye aaya hai leke koi dil
le le nazaraana o bhole qaatil
tere liye aaya
husn ke mele mein aa ke albele
wo dil hi nahi hai jo dil se na khele
husn ke mele mein aa ke albele
wo dil hi nahi hai jo dil se na khele
kehti hai fasaana
nighaahen mastaana
tuhe to samjhaana
bada hai mushqil
kehti hai fasaana
nighaahen mastaana
tuhe to samjhaana
bada hai mushqil
tere liye aaya hai leke koi dil
le le nazaraana o bhole qaatil
tere liye aaya
jalwe dikhaati yun nazaren bachaana
kar ke bahaana kisi ko tarsaana
jalwe dikhaati yun nazaren bachaana
kar ke bahaana kisi ko tarsaana
chhod ye adaayen
jo dil ko jalaayen
aa mil ke banaaye
suhaani mehfil
chhod ye adaayen
jo dil ko jalaayen
aa mil ke banaaye
suhaani mehfil
tere liye aaya hai leke koi dil
le le nazaraana o bhole qaatil
tere liye aaya. . .
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
तेरे लिए आया है ले के कोई दिल
ले ले नज़राना ओ भोले क़ातिल
तेरे लिए आया है ले के कोई दिल
ले ले नज़राना ओ भोले क़ातिल
तेरे लिए आया
कितने हसीं हैं ये पलकों के साये
देख तुझे कोई इशारों से बुलाये
कितने हसीं हैं ये पलकों के साये
देख तुझे कोई इशारों से बुलाये
रहेगी ना फीकी
बहारें ज़िंदगी की
आ तुझको खुशी की
दिखा दूँ मंज़िल
रहेगी ना फीकी
बहारें ज़िंदगी की
आ तुझको खुशी की
दिखा दूँ मंज़िल
तेरे लिए आया है ले के कोई दिल
ले ले नज़राना ओ भोले क़ातिल
तेरे लिए आया
हुस्न के मेले में आ के अलबेले
वो दिल ही नहीं है जो दिल से ना खेले
हुस्न के मेले में आ के अलबेले
वो दिल ही नहीं है जो दिल से ना खेले
कहती हैं फसाना
निगाहें मस्ताना
तुझे तो समझाना
बड़ा है मुश्किल
कहती हैं फसाना
निगाहें मस्ताना
तुझे तो समझाना
बड़ा है मुश्किल
तेरे लिए आया है ले के कोई दिल
ले ले नज़राना ओ भोले क़ातिल
तेरे लिए आया
जलवे दिखाती यूं नज़रें बचाना
कर के बहाना किसी को तरसाना
जलवे दिखाती यूं नज़रें बचाना
कर के बहाना किसी को तरसाना
छोड़ ये अदाएं
जो दिल को जलाएं
आ मिल के बनाएँ
सुहानी महफिल
छोड़ ये अदाएं
जो दिल को जलाएं
आ मिल के बनाएँ
सुहानी महफिल
तेरे लिए आया है ले के कोई दिल
ले ले नज़राना ओ भोले क़ातिल
तेरे लिए आया. . .
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4230 | Post No. : | 15439 |
“Gunaahon Ke Raaste” (1970) was directed by Radhakant for Bhanu Pictures, Bombay. The movie has Dara Singh, Sanjanaa, NA Ansari, Azaad, Renu, Johnny Whisky, Dilip Dutt, Shetty, Shri Bhagwaan, Bhupendra Singh, Rajan Kapoor, Polson, Samson, Sanjay etc in it.
The movie had six songs in it. One song has been covered in the past.
Here is the second song from the movie to appear in the blog. This song is sung by Hemlata and Manna Dey. Lyrics are penned by Naqsh Lyallpuri. The music director is Jagdish Khanna.
Video
Audio
Song-Saaqiyaa tu bhar bhar ke de jaam(Gunaahon Ke Raaste)(1970) Singers-Hemlata, Manna Dey, Lyrics-Naqsh Llayalpuri, MD-Jagdish Khanna
Lyrics
Saaqiyaa tu bhar bhar ke de
jaam yoon na dar dar ke de
saaqiyaa tu bhar bhar ke de
jaam yoon na dar dar ke de
haan
raat bhar piyenge ham
jhoom kar jiyenge ham
tere liye hai
mere liye hai
zingadi ke haseen
ye raat saaqi
milne de nazren
dhalne de mastee
ho gaye hain jawaan
jazbaat saaqui
jazbaat saaqui
saaqiyaa tu bhar bhar ke de
jaam yoon na dar dar ke de
haa
saaqiyaa tu bhar bhar ke de
jaam yoon na dar dar ke de
haa
raat bhar piyenge ham
haa
jhoom kar jiyenge ham
ni ballo
ni ballo
ni ballo
dil jaisee mehangi cheez
liye ja saste mein
ho
dil jaisee mehangi cheez
liye ja saste mein
ye phool sajega khoob
tere guldaste mein
tere guldaste mein
hoy
dil jaisee mehangi cheez
liye ja saste mein
aisa heera
aisa moti
aisa heera
aisa moti
dhoondhe se na paayegi
haay
soniye
heeriye
hadippa
aisa heera
aisa moti
dhoondhe se na paayegi
ye mauqa gar haath se tere
nikla to pachtaayegi
khada hai ik saudaagar tere raste mein
ye phool sajega khoob
tere guldaste mein
tere guldaste mein
hoy
sadqe
dil jaisee mehangi cheez
liye ja saste mein
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