Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Inspirational song’ Category


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day:

4912 Post No. : 16732

Rajesh Khanna – The Phenomenon – 9
– – – – – – – – – – – – – – – – – – – –- – –

Today 29th December’2021 is the seventy-nineth birth anniversary (29 December 1942 – 18 July 2012) of Rajesh Khanna, born as Jatin Khanna.

On this occasion we pay our tributes to him and listen a song from one of his movies.

In this ninth episode of ‘Rajesh Khanna- The Phenomenon’ we look at Rajesh Khanna movies in the year 1982. In the year 1982 the following six movies of Rajesh Khanna were released (including ‘Disco Dancer’* where he had a friendly appearance).

S No Movie Title Director Passed by Censor Board
01 Ashaanti Umesh Mehra 01.05.1982
02 Dharam Kaantaa Sultan Ahmed 28.07.1982
03 Disco Dancer* B. Subhash 10.12.1982
04 Jaanwar Ali Raza 20.12.1982
05 Raajput Vijay Anand 08.04.1982
06 Suraag** Dr Jagmohan Mundra 01.01.1982

(*Friendly Appearance, **Guest Appearance)

In the previous post in this series ‘Rajesh Khanna – The Phenomenon – 8’ we had discussed how Rajesh Khanna in the late seventies switched on to different roles exploring and introspecting himself and taking a new challenge for his ‘second innings’.

In the late seventies and early eighties, he has a string of successful movies viz. ‘Amardeep’ (1979), ’Thodi Si Bewafaai’ (1980), and critically acclaimed movies like ‘Red Rose) (1980), ‘Phir Wohi Raat’ (1980), and ‘Bandish’ (1980).

In 1981 he tasted more success with movies like ‘Dard’, ‘Dhanwan’, ‘Dil e Naadan’, ‘Qudrat’ and ‘Fifty-Fifty’.

‘Qudrat’ (1981) was a multi-starrer movie and had good success at the box-office. That saw Kaka putting more efforts to change his image and considering films in the ‘multi-starrer’ and ‘action’ genres, which he thought earlier was not his ‘cup of tea’. It can also be said that these two ‘genres’, where he was not doing films, were partly responsible for the failure of his earlier movies on the box-office.

In 1982 we had Kaka’s films like ‘Raaput’, ‘Ashaanti’, ‘Dharam Kaanta’ which were multi-starrer as well as action movies. He further continued doing such ‘multi-starrer-masaala’ films like ‘Paapi Pet Ka Sawaal Hai’, ‘Dharm Aur Qaanoon’, ‘Maqsad’, ‘Bewafaai’, ‘Awaam’, ‘Vijay’, etc. coming in the next few years.

Today’s song is from one of the above movies and that movie is ‘Ashaanti’. This song also beautifully catches the ‘spirit of team efforts’ instead of a ‘one-man-show’ and advocates ‘helping each other’ to get success.

‘Ashaanti’ is directed by Umesh Mehra for Eagle Films, Bombay, and is produced by Parvesh C. Mehra.

The movie has Rajesh Khanna, Zeenat Aman, Parveen Babi, Shabana Azmi, Mithun Chakravarty, Kanwaljeet, Amrish Puri, Jeevan, Narendra Nath, Monty, Mac Mohan, Kishore Kapoor, Yusuf Khan, Ram Sethi, Nadira, Satyen Kappu, Bob Christo, Mohan Choti, Avtar Gill, Ajay Agrawal, Amir Jambra, Yusuf, Ganesh, and others. Prem Kishan and Ramesh Deo makes a special appearance in this movie.

This movie was passed by Censor Board on 01.05.1982.

This movie has five songs composed by RD Burman. Lyrics for all the five songs are penned by Anand Bakshi. Following is the list of songs this movie had.

S.No. Song Title Singer/s Posted On
01. Ru ru ru ru … Dil diya hai maine dil diya hai Asha Bhonsle, Amit Kumar
02 Main hoon sharaabi, nahin ji nahin Shailendra Singh
03 Naa tujhse naa mujhse oye naa mujhse naa tujhse,
hamse hai yah duniya
Asha Bhonsle, Kishore Kumar, Shailendra Singh
04 Suniye main jis shahar mein jaati hoon…
laungi mirchi main Kolhapurchi
Lata Mangeshkar, Asha Bhonsle, 19.11.2017
05 Shakti de ma … o pag pag thokar khaaun chal naa paaun … Chandrashekhar Gadgil, chorus 29.12.2012

That was all around forty years back now. And if we go back further ten years to the year 1972. That is around fifty years back from now, we have the following movies of Rajesh Khanna released in that year.

(Rajesh Khanna movies – 1972)

S No Movie Title Director Passed by
Censor Board
01 Anuraag** Shakti Samanta 22.11.1972
02 Apnaa Desh Jambu 28.03.1972
03 Bawarchi Hrishikesh Mukherjee 30.06.1972
04 Dil Daulat Duniya Prem Narayan Arora 12.06.1972
05 Joroo Ka Ghulaam A Bhim Singh 07.09.1972
06 Maalik A Bhim Singh 26.10.1972
07 Mere Jeewan Saathi Ravi Nagaich 19.09.1972
08 Shaahzaadaa K. Shankar 05.09.1972

(*Guest appearance, ** Friendly/Special Appearance)

We can see all the above movies had great music too as usual for Kaka movies.

Coming back to the today’s song it is from the movie 1982 movie ‘Ashaanti’. As mentioned above Lyrics for all the songs are written by Anand Bakshi and music is composed by RD Burman.

In today’s song Rajesh Khanna is lip-syncing for the voice of Kishore Kumar, Mithun Chakravarty for Shailendra Singh, Kanwaljeet for Kishore Kumar and Zeenat Aman, Parveen Babi and Shabana Azmi are lip-syncing for the voice of Asha Bhonsle.

We can see many others in the picturisation of this song.

Let us now enjoy this foot-tapping song now …

Video

Audio

Song – Na Tujh Se Na Mujh Se, Na Mujh Se Na Tujh Se (Ashaanti) (1982) Singer -Kishore Kumar, Asha Bhosle, Shailendra Singh, Lyrics – Anand Bakshi, MD – RD Burman
Kishore Kumar + Asha Bhosle
Shailendra Singh + Asha Bhosle
Chorus

Lyrics

naa tujh se
naa mujh se
oye naa mujh se
naa tujh se
hamse hai ye duniya aa

naa tujh se
naa mujh se
naa mujh se
naa tujh se
hamse hai ye duniya aa
arey main bin tere
tu bin mere
kya
o saathiyaa
ho o saathiyaa

naa tujh se
naa mujh se
naa mujh se
naa tujh se
hamse hai ye duniya aa
main bin tere
tu bin mere
kya
o saathiyaa
ho ho o saathiyaa

tera sahaaraa ban jaaun main
mera shaaraa tu ban jaa
tera sahaaraa ban jaaun main
mera shaaraa tu ban jaa
main nadiya ki dharaa banoon
mera kinaaraa tu ban ja
dhadke tera dil
to dhadke mera jiya
o saathiyaa
ho ho o saathiyaa

naa tujh se
naa mujh se
naa mujh se
naa tujh se
hamse hai ye duniya aa
main bin tere
tu bin mere
kya
o saathiyaa
ho o saathiyaa

ho o mere binaa ye kis kaam ki
hoye hoye
iske bina main kis kaam ka
arey mere binaa ye kis kaam ki
hoye hoye
iske bina main kis kaam ka
meri ya botal ki baat hai  
aashiq hai tu kiske naam ka
dil aadhaa aadhaa donon ko hamne diya
o saathiyaa
ho ho o saathiyaa
naa tujh se
naa mujh se
naa mujh se
naa tujh se
hamse hai ye duniya aa
main bin tere
tu bin mere
kya
o saathiyaa
ho o o saathiyaa aa

naa tujh se
naa mujh se
naa mujh se
naa tujh se
hamse hai ye duniya aa
arey main bin tere
tu bin mere
kya
o saathiyaa
ho o saathiyaa

do haathon se ye taali baje
la la laa
mehfil akele se naa saje
la la la laa
do haathon se ye taali baje
mehfil akele se naa saje
sab ho magar jo ik tu naa ho
tere binaa ye ji na lagey
baati na ho jo kaise jaley ye diyaa
ho o o o saathiyaa
o ho ho o saathiyaa

naa tujh se
naa mujh se
naa mujh se
naa tujh se
hamse hai ye duniya aa
main bin tere
tu bin mere
kya kya kya kya

naa tujh se
naa mujh se
naa mujh se
naa tujh se
hamse hai ye duniya aa
main bin tere
tu bin mere
kya
o o saathiyaa aa
o saathiyaa aa

——————————————————————————–
Hindi script lyrics (Provided by Avinash Scrapwala)
——————————————————————————–

ना तुझ से
ना मुझ से
ओये ना मुझ से
ना तुझ से

हमसे है ये दुनिया आ
ना तुझ से
ना मुझ से
ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
अरे मैं बिन तेरे
तू बिन मेरे
क्या
ओ साथिया
हो ओ साथिया

ना तुझ से
ना मुझ से
ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
मैं बिन तेरे
तू बिन मेरे
क्या
ओ साथिया
हो हो ओ साथिया

तेरा सहारा बन जाऊं मैं
मेरा सहारा तू बन जा
तेरा सहारा बन जाऊं मैं
मेरा सहारा तू बन जा
मैं नदिया कि धरा बनूं
मेरा किनारा तू बन जा
धडके तेरा दिल
तो धडके मेरा जिया
ओ साथिया
हो हो ओ साथिया

ना तुझ से
ना मुझ से
ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
अरे मैं बिन तेरे
तू बिन मेरे
क्या
ओ साथिया
हो ओ साथिया

हो ओ मेरे बिना ये किस काम कि
होए होए
इसके बिना में किस काम का
अरे  मेरे बिना ये किस काम कि
होए होए
इसके बिना मैं किस काम का
मेरी या बोतल कि बात है
आशिक है तू किसके नाम का
दिल आधा आधा दोनों को हमने दिया
ओ साथिया
हो हो ओ साथिया
ना तुझ से
ना मुझ से
ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
मैं बिन तेरे
तू बिन मेरे
क्या
ओ साथिया
हो ओ ओ साथिया

ना तुझ से
ना मुझ से
ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
मैं बिन तेरे
तू बिन मेरे
क्या
ओ साथिया
हो हो ओ साथिया

दो हाथों से ये ताली बजे
ल ल ला
महफ़िल अकेले से ना सजे
ल ल ल ला
दो हाथों से ये ताली बजे
महफ़िल अकेले से ना सजे
सब हो मगर जो इक तू ना हो
तेरे बिना ये जी ना लगे
बाती न हो जो कैसे जले ये दिया
हो ओ ओ ओ साथिया
ओ हो हो ओ साथिया

ना तुझ से
ना मुझ से
ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
मैं बिन तेरे
तू बिन मेरे
क्या क्या क्या क्या

ना तुझ से
ना मुझ से
ना मुझ से
ना तुझ से
हमसे है ये दुनिया आ
मैं बिन तेरे
तू बिन मेरे
ओ साथिया आ
ओ साथिया आ आ


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4908 Post No. : 16720

I became aware that the movie ’83’ was releasing on 24 December 2021. I watched the trailer that was released on YouTube. Like most Indians, the trailer struck a chord with all normal Indians. Normal Indian means one who is interested in movies as well as cricket.

Like most normal Indians, I loved the trailer. What impressed me was the fact that Ranveer Singh, playing Kapil Dev, looked, acted, spoke and performed so much like Kapil Dev that it convinced the viewers that the movie makers had taken great pains in making the movie as authentic as possible.

Normally people go to watch a movie without knowing the story line, but here was a movie whose story was very well known to everyone. People were interested to know how the story was told and how the actors playing various cricketers had performed. For someone like me who knew the details of the world cup quite well, I realized that the plot of the World cup, as it unfolded, actually made it fit for a thrilling Hindi movie. The movie had ingredients like David vs Goliath fight, where David slays the Goliath. The movie had great drama where the team snatches win from the jaws of a certain defeat, and with that the self belief of not just a team but that of an entire nation gets ignited.

I know the story, but what about the younger generation who were not born at that time. Their knowledge of 1983 world cup is sketchy, and this movie would give them details that they were not aware of. So the main reason why I wanted to watch the movie was not to know the story (which I already knew), but for the following reasons:-
1. How the story has been told
2. How the actors have performed.
3. Refreshing the memories of those days
4. To watch the reaction of the younger generation
5. the usual reason- to watch a movie for entertainment

Like most normal Indians, the movie had caught my imagination and I began to toy with the idea of watching this movie first day first show. But then first day was 24 december 2021 and first show would have coincided with the prime time of office, so I thought that may be I should watch it second day, which was a Saturday (a holiday) as well as Christmas, making it a holiday for even those who do not have their holidays on Saturday. After lots and lots of thought, I decided that I would watch the movie first day first show and I would take CL for 24 December.

By a happy coincidence, my wife as well as daughter had to join me at my place. I was keen that they should join me in watching the movie. My wife joined me first, on 11 December. I gradually started to discuss the subject of the movie with my wife. Were you aware of the fact when India had won the cricket world cup in 1983? I asked her. Why I would not be aware? You think you are the only person aware of such matters? My wife retorted back.

She claimed that she had watched the match on TV. How could you be watching this match on TV in 1983? She claimed that TV had already arrived in Jabalpur in 1983 when she was studying in the Jabalpur Medical college. She also stated that one of her brothers, a great Jhumri Tilaiyya style farmaish sender had won a black and white TV in a radio or magazine quiz, and so her household already had a TV on those days.

When our daughter joined us one week later, I asked her whether she would like to watch the movie ’83’ first day first show. She agreed. So it was finalized. She herself booked the tickets online on her mobile. But she put a condition. We would go to the movie hall in our car, and she would drive. This made me nervous because she is not a very experienced driver, but she wants to gain expertise on car driving. In any case, her car driving skill is vastly superior to that of my wife, and she has the experience of driving cars in Goa and Mumbai so I reluctantly agreed.

It was on 22 December that I gave my application for CL. My steno came informing me that my CL card is blank, so the previous place has not sent the updated figure for my CLs. I told him that it is the updated figure as I had not taken any CL for the entire year, or for that matter any leave of any nature in the whole year.

The next day, while it was time to go home, I inquired whether the CL was sanctioned. I was informed that it was, so I went back home on the evening of 23 December knowing that I was watching the movie first day first show.

The movie was released in Gorakhpur in two different locations. The morning show on one location was at 9:30 AM and at another place it was 11:45 AM. The 9:30 AM timing was going to be too early, seeing that the daughter does not even wake up by that time so we had chosen 11:45 show which happened to be the first day first show for that location. It had the added advantage that the place was located close to our residence, so it needed less driving skill on the part of our daughter.

We left for the show with the daughter at the driver’s seat. Just as we left after the gate was opened, our junior dog Izza saw her opportunity and escaped from the gate. Now we were chasing her in the car, and she was running away on the road ahead of us. Just when we were worried that she would run up to the busy main road, she came across two street dogs. Those street dogs began to chase her. She turned back and began to run towards the residence. We turned the car back, and saw that the driver of my office car, who was asked to stay back, had caught Izza. He took her back to the residence. He is used to this task as he had to perform this task of catching the habitually “bhagodi” Izza and taking her back to the residence on quite a few occasions.

That done, we left for the show. I was not much impressed with the driving skill of the daughter, which I thought needed lots of polishing, but thankfully she managed to brave the heavy traffic (including perhaps the busiest chauraaha of Gorakhpur (called Mohaddipur chauraaha) and reached the multiplex. While parking the car in the parking lot, her reversing skills left something to be desired. but finally she managed to park the car.

When we reached the multiplex, we realized that it had four halls and the movie ’83’ was scheduled to be shown in all the four halls. But the first show that we had arrived to watch, was being showed in just one hall. It is a 3 D movie and so every movie goer was being handed over a 3 D goggle. I recalled that I had first watched a 3 D movie way back in 1980s. I recalled that I had also watched a 3 D animation movie in Bareilly in 2016. So it was going to be the third time that I would be watching a 3 D movie.

The hall was quite empty. Not more that 50 people were there. It was first show and there were obviously not too many takers for first day first show on a working day. Most viewers appeared to be old timers. Our daughter was one of the few who was not.

From the beginning on the movie, it became clear to me that the movie makers had made lots of efforts in research and story telling and what they were trying to show was more or less how it was back then in 1983.

The movie opens with PR Man Singh (played by Pankaj Tripathi) trying to arrange logistics for the Indian players who had to leave for England. Youngsters today do not realize that India was a desperately poor third world country those days. Today we may be flush with foreign currency (over $ 650 billions) and so an Indian traveler going abroad can spend any amount of foreign currency but that was not so back then. Any Indian touring abroad was looked as a financial burden on the economy because he would exhaust the scarce foreign currency that the country had. So there was a limit on the foreign currency that an India tourist could take with him. And the amount allowed was ridiculously low.

Not just Indian government even the country where you went as an Indian looked down upon you. People looked down upon Indians with condescension because Indians had not achieved anything of note at the world stage. The initial scenes of the movie captures it nicely. We see West Indian cricketers are received at the Heathrow airport with fanfare by the British Media. When the West Indies team leaves and the area clears up, we find Indian cricketers standing there, looking unwanted and uncared for. No media attention, and no one available to receive them.

There are Indians who take such humiliations lying down as a matter of life and do nothing about it. There is a small minority of Indians who tell themselves- OK, today I am getting this treatment. But I will make sure that it will not remain that way in future. It is very clear that the Indian team contained some such Individuals in its side. Gavaskar was one, Kapil Dev was another. And the rest of Indians would get molded into this way of thinking with time. There were such people in India in the other walks of life as well. Personally I counted myself among such Indians. Indians who had not achieved much but wanted to achieve it in future. Indians who had smaller ego and big self respect, who had urge to progress.

The first few scenes of the movie drives this message home emphatically and I heartily concur. And I dare say, so do most viewers watching the movie. So the movie had conquered its viewers in the first few minutes itself. The rest of the movie that followed was a glorious icing on the top of the cake.

The matches of the tournament are well chronicled. We all know about them. The matches actually followed the pattern that a well made thriller movie needs.

The initial scenes show how India loses all its practice matches, even against teams as nondescript as minor counties.

The movie shows Indians watching videos of West Indian cricketers. Indian viewers who were not born at that time get some scary introduction about the dreaded pace battery that West Indies possessed at that time. We find Srikkanth (played by Jeeva) exclaiming – “is it a cricket video or a horror film video?”

The first match that India played was against West Indies, the defending champions. The match was rain interrupted and it needed two days to get completed. The picturisation builds up the narrative nicely and beautifully. Rain interruption is used to mock Indians- “they are being saved by the rain”. When rain stops and match begins, the mocking tone changes to -“Indians did not pray to rain gods hard enough. Now they have no choice but to face the West Indians on the field.”

India kept losing wickets at regular intervals, but they kept the scoreboard moving thanks to useful contributions by most Indian batsmen, and the effort was capped by Yashpal Sharma who scored 89. India ended up on 262/8. It was the highest score of India in a world cup match. Yashpal Sharma’s 89 was the highest Individual score by an Indian batsman in a world cup match till date.

When West Indies began their chase, they were expected to overhaul the total with ease. Whether it was overconfidence, or whatever, West Indies after reaching 49 for no loss, began losing wickets at regular intervals. They were soon 130/8 and then 157/9. But not for nothing were they a two time world champions. In the first world cup match against Pakistan, Pakistan had scored 268. West Indies while chasing, kept losing wickets at regular intervals were reduced to 203/9. Still the tenth wicket partnership of Derek Murray and Andy Roberts added 64 runs to snatch victory from the jaws of defeat. Here in the match against India, the tenth wicket partnership of Garner and Roberts threatened to do the same. They had added 71 runs for the tenth wicket to take the score to 228. At that score, Garner became a bit overconfident and stepped out to hit Ravi Shastri for a six. The ball elude his bat and reached the gloves of Kirmani who effected a stumping to earn India a historical win in the world cup. It was the first world cup defeat for West Indies. It was easily the first real win for India in a world cup match.

India defeated Zimbabwe easily as expected in their second match. Then normal service seemingly resumed for India. In the next match, Australia, who had lost in a major upset to Zimbabwe in their first match pulverized India by 162 runs. In the next match, West Indie s hammered India by 66 runs. So, things were back to normal. We expected that India, apart from that upset victory against West Indies would only beat Zimbabwe, and get eliminated in the group stages.

But in the next match against Zimbabwe, the demons of 1979 seemingly surfaced again. India kept losing wickets after wickets. At 17/5, India had no business staying in the tournament, but Gods in heavens had something big in store. In that divine scheme of things, India did something that was not done before. There was a semblance of recovery when the sixth wicket partnership took the score to 77. It became 77 for six and then 78 for 7. Even the mentally toughest human would throw in the towel after that. But not the Indians at the crease. The batsmen at the crease were Kapil Dev and Madan Lal. They took the score to 140 and then it was 140 for 8. Madan Lal gone. Now only Kirmani, a decent batsman, and Sandhu, a certified rabbit with the bat were left. Kirmani kept defending, not risking his wicket, while Kapil Dev began to take calculated risk. When the curtains were drawn on Indian innings, India had not lost another wicket and had reached 266/8.

This match was not covered on TV, and so this gave the movie makers a good opportunity to picturise this match as they wished. The movie makers took some liberty with the story as well. For instance, Kapil Dev is shown using Mongoose bat during the second half of his innings. In reality, Mongoose bat was introduced by Australians (namely Mathew Hayden) some three decades later.

Kapil Dev is shown hitting sixes that clear the ground and break windscreens of cars parked there. Then Kapil Dev finds everyone applauding a single that he takes. He wonders why everyone is applauding a single. Even his partner Kirmani is clueless. Kapil Dev turns to the umpire who is also applauding. He asks the umpire what is the matter ? “You have just broken the world record. That is what is the matter.”- the umpire informs him. Indeed, Kapil Dev, while playing the knock of his life had broken the record of highest one day individual total of 171 not out, which was earlier held by New Zealand’s Glen Turner.

The Indian total was deceptively similar to the total that India had reached against West Indies in the first match that India won. When Zimbabwe chased, their start was quite West Indies like. If West Indies were 49 for no loss at one stage, then Zimbabwe too were 44 for no loss. After the first wicket fell, Zimbabwe too started to lose wickets at regular interval. They became 6 down for 117. Then Kevin Curran began to bat like Kapil Dev and took Zimbabwe to 230 for 8. Then he fell, caught by Shastri, while trying to hit Madan Lal for a six. With Curran out, India mopped up the final wicket too at 235 and thus snatched victory from the jaws of defeat.

This match was the one that suddenly ignited hopes in the minds of Indian cricket followers. For the first time ever, we could entertain hopes of qualifying for the semifinals if India could somehow win their last remaining group match against Australia. India had two defeats in group matches, whereas Australia had three (two against West Indies and one against Zimbabwe). So the last group match between India and Australia was going to be very important.

It was this match from which many Indians began to follow the world cup with heightened expectations. That was certainly the case for me.

That day was 20 June 1983. It was my birthday. As was the tradition the birthday boy would arrange for jalebi and he would be given his birthday greeting by throwing him up in the air. My birthday being celebrated thus in the evening, it was time for us to follow the India vs India match with eager anticipation. India in the first innings had reached a so so total of 248. It was an achievable target for Australia. India hopes lay in picking some quick wickets.

The matches were followed on transistor radios. Every one had transistor radios, but gregarious creatures that hostel dwellers were, they would gather up around one transistor and listened to the commentary gathered around that one transister belonging to one person. In our case, that transistor belonged to Anupam Sharma, one year senior to us. I vividly remember a few of us (from his batch as well as juniors like me) gathering in his room, and listening to the commentary of the second innings in the India vs Australia match. Trevor Chappel, who had single handedly crushed India in the first match was fortunately dismissed cheaply. Australia 3 for one. But then the second wicket partnership steadied the ship. 46/1. Easy Australia win coming up, this was the despairing thought crossing our mind.

Then much against the run of play, the second wicket falls. Australia 46/2. We all celebrated the fall of the wicket and braced for a long lull before the fall of next wicket. But soon enough, the third wicket fell, then the fourth, then the fifth. Ausralia, from 46 for one were reduced to 52/ 5. It was Roger Binny, who did the damage, claiming three wickets in no time. It was too good to be true, but Alan Border was still around.

But Indian bowlers kept claiming wickets at the other end. It was 69/6 then 79/7. Some people may have been reminded of the fact that India too were placed at that position in their previous match against Zimbabwe. The eight wicket threatened to do that. But it was at the score of 116 that the eight wicket fell (Lawson). After some more resistance, Australia lost their ninth wicket at 129 (Alan Border) followed by Geoff Thomson at the same total. Australia were bowled out for 129. India won by a huge margin of 118 runs and they stormed into the semi final, qualifying as the second team behind West Indies.

It was for the first time that India qualified for the semi final. The qualifiers from the other group were England and Pakistan. England topped their group (group A), winning five matches out of six. Their only defeat was a narrow 2 wickets defeat against New Zealand. They batted first twice and they scored 300 plus totals on two out of three occasion. They chased thrice and won these three matches by eight, seven, and nine wickets. They had a net run rate of 4.671. The mighty West Indies topped Group A with five wins as well. They batted first twice and failed to reach 300 even once. They chased on four occasions, and won three of these matches with ease, by 8, 7 and ten wickets. West Indies had a net run rate of “just” 4.308. The other qualifier from Group A was Pakistan, that tied on points with New Zealand but qualified on better run rate.

It is easy to guess that England were overwhelming favorites in the semi finals. Under normal circumstances they would have hoped to play against Australia, but they got to play India. They must have felt like it was a walk in the park in the semi final.

England indeed started well against India. Their batting line up boasted of names like Greame Fowler, Chris Tavare , David Gower, Allan Lamb, Mike Gatting and Ian Botham. They were 69 for no loss at one stage which was easily their best opening partnership while batting first. They would have expected to notch another 300 plus total. They lost their first wicket for 69, when Chris Tavare was caught behind off Binny. Then wickets began to fall at regular intervals. From 69/0 , they were reduced to 160/6. There was no heroic rearguard action from the tail, and England were bowled out for 213.

The target was not much, but could India do it ? Out of the four Indian wins in the group stages, three were while defending totals. The only time they won by chasing was against Zimbabwe when they chased a lowly total of 155. The total of 213 against England was a way bigger target and that too in the high pressure match that the semifinal was.

We, listening to the commentary on Radio were tense. India started well and were 46 for no loss. But soon enough both openers were dismissed and the total became 50/2. Mohinder Amarnath and Yashpal Sharma were at the crease. It appeared to us that Mohinder Amarnath and Yashpal Sharma were playing a test match. That is how slow they batted. 72 runs were needed and the asking rate was getting stiff. When Mohinder Amarnath departed, the score was 142. Some of us listening to the commentary felt that Mohinder Amarnath’s dismissal was a blessing in disguise. It was then that Sandip Patil, the next batsman in played in the fashion he was so well known in Indian domestic circle. He thrashed the English bowling all around and scored 51 from only 32 deliveries. It reminded us that it was just one year ago that Patil had hit Willis for six fours in one over in a test matching England just the previous year, reaching from 80 to 104 in one over.

So, India defeated England, bearded the English lion in its own den, so to say, and reached the final.

In the other semifinal. Pakistan, batting first scored 184. This target was easily chased by West Indies. They won by eight wickets. Viv Richards was unbeaten on 80.

So, it was West Indies vs India final. India were put into bat by West Indies. Indian batsmen struggled and they were all out for 183. They scored one run less than what Pakistan had scored against West Indies in the semi finals.

It was Sunday, 25 June 1983. We in our hostel had our dinner and the customary after dinner walk towards the golf ground. West Indies had begun their chase by then and had lost an early first wicket, in the form of Gordon Greenidge. But that only brought to the crease Vivian Richards the most destructive batsman in the world in all formats. He was hitting boundaries at will, when we went for our after dinner walk. When we were entering the hostel gate after finishing the walk, we heard a roar and ran to the person with the transistor. We came to know that the dangerous Richards had just been dismissed, caught Kapil Dev bowled Madan Lal. It was a great sigh of relief, but then we realized that the next man in was Clive Lloyd. His batting record against India was better than even Richards. But soon enough, Larry Gomes departed, Clive Lloyd (limping) departed and even Bacchus departed. West Indies, from being 50-1, found themselves at 77/6. Now it was up to the lower order batsmen. The target was not big, so it was not beyond the ability of West Indian tail. The seventh wicket partnership between Dujon and Marshall began to flourish, and began to gave headaches to Indian side. Come to think of it, Indian bowling consisted mostly of military medium bowlers. Tail enders traditionally bat better against such bowlers. Just when Indian fans are becoming desperate and frustrated, Kapil Dev handed the ball to Mohinder Amarnath. It was a desperate throw of the dice. Mohinder Amarnath got the breakthrough, by clean bowling Dujon. Marshall too followed caught by Gavaskar off Mohinder. Kapil Dev dismissed the ninth wicket by trapping Andy Roberts LBW. The last wicket partnership wagged a bit and then Mohinder Amarnath got one of his trademark deceptive inswinging delivery to beat Garner’s bat. The umpire readily upheld the appeal of LBW. West Indies were bowled out for 140. India had achieved the most improbable feat! They had defeated the undisputed world champions and had lifted the World Cup against all odds. India were 66-1 in betting circles before the world cup started. Those who were foolish enough to bet on India laughed all the way to the bank.

If someone was to dethrone West Indians from their lofty pedestal, then India was the last team that anyone would have thought of as the likely candidate, but it was indeed India that had done it !

The movie brought back all those happy memories. The fact that the movie was in 3 D made it feel like I was watching the matches on the ground. That is how realistic it appeared on 3 D.

This tournament was not just a world cup cricket title for India. It was far far far bigger than that. It changed the game of cricket for ever. West Indies won the title twice earlier and that hardly changed much, but this title win, which was a fluke win changed the game of cricket itself for ever. And that was mainly because Indians unlike West Indians, had the ability to take the win to the next level. Indians began to believe in themselves. Not just Indian cricketers but sportsmen in other sports as well. Till then, there was no Chess Grandmaster in India. A few years later, we had our first Chess Grandmaster in India (Vishwanathan Anand). He changed Indian chess the way this 1983 Cricket title win changed Indian cricket. Today India is in the top four among chess playing nations (all nations in the world play chess).

Cricket administration in India, alongwith Indian industry, began to assert themselves. The next world cup was held in Indian subcontinent and it was sponsored by Reliance, then an up and coming industrial house, and today a mega Indian business house.

By 1990s, BCCI had started to have a say in the running of ICC. Today BCCI in fact can be said to run world cricket economy. Today 70 % of revenue that ICC gets is from the Indian market, which ICC then distributes among its member countries. So India is helping run cricket in other countries around the world. All this was made possible because of that one freak and fluke 1983 world cup title win! Fluke it may have been, but what happened in India after that win had nothing to do with fluke. It had much to do with a new found self belief among Indians (at least among some Indians, if not all).

When India does something, it influences other countries in the neighborhood. These neighborhood countries may not admit it but they are influenced by what India does. We can see that in cricket. Cricket got a big fillip not only in India but also in neighboring countries, Pakistan won the world cup in 1992 and Sri Lanka in 1996. Bangladesh too started playing cricket seriously. Afghanistan and Nepal too followed.

If one thinks that Indian influence on its neighbors is overrated, then please realize that hockey is the national game in India and Pakistan. Till 1970s, India vs Pakistan hockey matches received same attention as India vs Pakistan cricket matches enjoy today. But India lost interest in its hockey. Today India plays hockey with Pakistan and nobody takes notice of these matches. Same is going to happen to cricket in the neighborhood of India if India stops taking interest in cricket. Even in cricket, the neighbors of India cannot go far. As an example, cricket was included in Asian games but BCCI was not interested and it did not send its teams to Asian games. After two Asian games, cricket got dropped from Asian games. It shows that Pakistan, Sri Lanka and Bangladesh cricket board on their own have negligible say even at Asian games level.

To cut a long discussion short, this 1983 World Cup title view had changed not just Indian cricket, but World cricket. It has not just changed Indian cricket, it has changed the outlook of Indian sportsmen playing other sports as well. Moreover, it had changed the outlook of Indians and also Indian industry. It was quite some transformation in the collective national psyche of India. And for that we have to say a big thank you to the Indian cricket team that brought home the 1983 world cup.

I enjoyed the movie thoroughly. The last time I enjoyed a movie like this was ‘Don’ (1978). This movie ’83’ (2021) is a movie that I can watch as many times as I can get an opportunity. I hope such opportunities come soon. In fact I am hoping to get an opportunity to watch this movie with my hostel mates with whom we followed that world cup 38 years ago. Two of my batch mates and one senior are at present posted with me in Gorakhpur. The senior whose transistor brought us the commentary of those matches is today posted as General Manager in the adjacent zone. Such great memories. Reliving those fond memories is simply priceless. The movie affords us that opportunity.

I did some research to find out who plays whom. It is interesting to note that Sandeep Patil’s role is played by his son Chirag Patil. Likewise Late Malcolm Marshall’s role is played by his son, Mali Marshall. Carl Greenidge played the role of his father Gordon Greenidge. Clive Lloyd’s son also played a role. He was 6’8″ tall, so he was signed up to play Joe Garner (6’9″). Shivnaraine Chanderpaul’s son Tej Narayan Chanderpaul was signed up to play Larry Gomes. Mohinder Amarnath, man of the match in the final, played the role of his father late Lala Amarnath. 🙂 Nina Gupta, whose dalliance with Viv Richards is well known, plays Kapildev’s mother. 🙂

Here are the details of the actors and their roles in the movie:-

Actor Role
Ranveer Singh Kapildev
Deepika Padukone Romi Kapildev
Pankaj Tripathi P R Man Singh (Manager)
Tahir Raj Bhasin Sunil Gavaskar
Jeeva Krishnammachari Srikkanth
Saqib Saleem Mohinder Amarnath
Jatin Sarna Yashpal Sharma
Chirag Patil Sandeep Patil
Dinkar Sharma Kirti Azad
Nishant Dahiya Roger Binny
Harrdy Sandhu Madanlal
Sahil Khattar Syed Kirmani
Ammy Virk Balvinder Singh Sandhu
Adinath Kothare Dilip Vengsarkar
Dhairya Karwa Ravi Shashtri
R Badree Sunil Valson
Neena Gupta Rajkumari Nikhanj (Kapildev’s mother)
Boman Irani Farokh Engineer (Former India Wicketkeeper)
Aditi Arya Inderjeet Bhardwaj
Satish Alekar BR Sheshrao Wankhede
Wamiqa Gabbi Annu Lal (Madan Lal’s wife)
Mali Marshall Malcolm Marshall
Carl Greenidge (son of Gordon Greenidge) Gordon Greenidge
Jason Lloyd (son of Clive Lloyd) Joel Garner
Tejnaraine Chanderpaul (son of Shivnarine Chandarpaul) Larry Gomes
Mohinder Amarnath Lala Amarnath (Mohinder Amarnath’s father)
Kapildev A spectator at the Tunbridge Wells match

The original song that I wanted to post was already taken up by Avinash Scrapwala whose article on this movie appeared yesterday on 24 December 2021 as he was watching the movie fist day first show at 8:30 AM. I watched first day first show at 11:45 AM and my article is appearing one day later. The song that accompanies the article is another soul stirring song “Jeetega Jeetega”. It is sung by Arijit Singh. Kausar Munir is the lyricist. Music is composed by Preetam.

PS-We managed to arrive back safely despite may dissatisfaction with the driving of the daughter. Hopefully her driving will improve soon enough to the level I feel comfortable with. 🙂

Here is this goosebump inducing song from “83”(2021)

Video (Partial)

Audio (Full)

Song-Jeetega jeetega (83)(2021) Singer-Arijit Singh, Lyrics-Kausar Munir, MD-Preetam

Lyrics

aage aage sabse aage
apna seena taan ke
aa gaye maidaan mein
hum saafa baandh ke
aage aage sabse aage
apna seena taan ke
aa gaye maidaan mein
hum jhande gaadne
ho ab aa gaye hain
jo chhaa gaye hain
jo dam ye zamaana dekhega
dekho junoon kya hota hai
zidd kya hoti hai
hum se zamaana seekhegaa
aa aa aa

jeetega jeetega
India jeetegaa
hai dua har dil ki
hai yakeen laakhon ka
jeetega jeetega
India jeetegaa
waada nibhaayenge aaaj

sar uthha ke yoon chalenge aa
phir jhuka na paaye jo ye jahaan
darr mitaake yoon ladenge aaj
phir hara na paaye jo ye jahaan
jo ab aa gaye hain
jo chha gaye hain
jo dam ye zamaana dekhega
dekho junoon kya hota hai
zidd kya hoti hai
hum se zamaana seekhhega
aa aa aa

jeetega jeetega
India jeetegaa
hai dua har dil ki
hai yakeen laakhon ka
jeetega jeetega
India jeetegaa
waada nibhaayen aaaj

hmm mm mm
hmm mm mm
(hey)
hmm mm mm
hmm mm mm
(hey)
hmm mm mm
hmm mm mm
(hey)
hmm mm mm
hmm mm mm
(hey)
hmm mm mm
hmm mm mm
(hey)
hmm mm mm
hmm mm mm
(hey)
hmm mm mm
hmm mm mm
(hey)
hmm mm mm
hmm mm mm
(hey)
hmm mm mm
hmm mm mm
(hey)
hmm mm mm
hmm mm mm
(hey)

————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————

आगे आगे सबसे आगे
अपना सीना तान के
आ गए मैदान में
हम साफा बांध के
आगे आगे सबसे आगे
अपना सीना तान के
आ गए मैदान में
हम झंडे गाड़ेंगे
हो अब आ गए हैं
जो छा गए हैं
जो दम ये ज़माना देखेगा
देखो जुनून क्या होता है
ज़िद्द क्या होती है
हम से ज़माना सीखेगा
आ आ आ

जीतेगा जीतेगा
इंडिया जीतेगा
है दुआ हर दिल की
है यकीं लाखों का
जीतेगा जीतेगा
इंडिया जीतेगा
वादा निभाएंगे आज

सर उठा के यूं चलेंगे आज
फिर झुका ना पाये जो ये जहां
डर मिटा के यूं लड़ेंगे आज
फिर हरा ना पाये जो ये जहां
जो अब आ गए हैं
जो छा गए हैं
जो दम ये ज़माना देखेगा
देखो जुनून क्या होता है
ज़िद्द क्या होती है
हम से ज़माना सीखेगा
आ आ आ
जीतेगा जीतेगा
इंडिया जीतेगा
है दुआ हर दिल की
है यकीं लाखों का
जीतेगा जीतेगा
इंडिया जीतेगा
वादा निभाएंगे आज

हम्म म्म म्म
हम्म म्म म्म
(हे)
हम्म म्म म्म
हम्म म्म म्म
(हे)
हम्म म्म म्म
हम्म म्म म्म
(हे)
हम्म म्म म्म
हम्म म्म म्म
(हे)
हम्म म्म म्म
हम्म म्म म्म
(हे)
हम्म म्म म्म
हम्म म्म म्म
(हे)
हम्म म्म म्म
हम्म म्म म्म
(हे)
हम्म म्म म्म
हम्म म्म म्म
(हे)
हम्म म्म म्म
हम्म म्म म्म
(हे)
हम्म म्म म्म
हम्म म्म म्म
(हे)

 


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4907 Post No. : 16715 Movie Count :

4551

***
Date: – 11.12.2021

Today is 11th December’2021 and its still thirteen days’ wait for the release of the movie ‘83’ on the big screen. I am eagerly waiting to watch this movie on its very first day and if possible, I will be watching its ‘first show’ whether it’s a morning or noon show 😊

In fact, I am waiting for this movie for more than a year since it was originally planned for a theatrical release in April’2020. However due to ‘Corona Pandemic’ its release kept getting postponing to new dates and nfinally it will be released on 24th December2021.

The year 1983 has been an important year of my life when I appeared for my tenth standard board exams in March-April 1983, and we were waiting for the results to be declared in June 1983.
Secondly it was the most memorable year for us- cricket loving and cricket playing boys- as India emerged victorious in the ‘1983’ cricket world cup.

I got to watch the teaser of this movie around 29th November 2021, and the teaser mentioned that the official trailer of the movie would be released on 30th November’2021. So, I was eagerly waiting to watch the ‘trailer’ because the teaser itself was very interesting.

On 30th November I watched the trailer of this movie, and I was lost in nostalgia of this famous win of Indian Cricket Team. Since then, I have been regularly watching the trailer (in Hindi and other languages) twice or thrice daily.

On 6th December2021 this song ‘lehraa do’ from this movie was released on YT and it gives me goose bumps everytime I watch it. I am thrilled and now impatiently waiting for the release of this movie in theatres. I am sure I am going to enjoy it on the big screen, with emotions and memories playing in the ‘flashback’ in my mind.

***

Date: – 17.12.2021

One week to go for ‘83’ to release in theatres. As said earlier I am already very excited to watch this movie on big screen. For the last few days I have been watching its trailer daily . On the last Sunday I watched the trailer and its song ‘lehraa do’ again on my TV at home (earlier I was watching it on the laptop 😊).

Due to my regular clicking to this movie trailer and other associated visuals of the 1983 world cup, the suggestions appearing on YT are also filled with the videos of the interviews of the real heroes of the 1983 cup, their appearances on TV show, there appearances on the launch of the movie, its poster, and similar things.

Other than the trailer of this movie ‘83’ what I watched during the recent days is the highlights of the final match of ‘world cricket cup 1983’, and highlights of the semifinal between India and England.

I repeatedly watched the famous catch of Vivian Richards by Kapil Dev in the finals.

TV had not arrived in our colony when India won the world cup in 1983. We had to listen to the commentary on Radio only. However, the ‘video parlors’ had come up in the nearest city – Akola. The operators arranged the video of the finals, after India’s famous win, for a ticket of Rs. 10/- with a complimentary cold drink.

I recall that the print of the video was not good or it may have been a copied version. But whatever was available was enough for us to enjoy the win. (My board exam results were already declared on 17th June, and I had passed in first class with 72% marks only. And now I was applying for polytechnic courses and filling up forms and submitting them. This gave me chance of visiting the city frequently. Slowly I was more on watching movies in theatres and video parlors. 😊 )

Coming back to cricket again, I was discussing about the memories of ‘world cup 1983’. As mentioned earlier, we (me and group of friends) enjoyed all the matches while listening to the commentary on Radio/Transistors.

I could not forget how I walked alone in the ground near my house with my transistor to listen to the commentary of the India-Zimbabwe match of 18th June’1983.

I recall that I had gone to the city Akola on this day of 18th June’1983. I no longer recall the purpose of that visit.

I came back from Akola by train to Paras. Reaching there I could not get any transport and decided to go home by walking. On the way I was asking friends (who had their homes on the way) the score of the match which was played between India and Zimbabwe.

I was shocked to know that India had already lost four wickets. By the time I reached home and grabbed the control of the transistor. The commentary with lot of disturbance in the network, informed me that India had lost five wickets.

In order to get better reception, I took the transistor to open field near our house where we used to play cricket. By this time Kapil Dev had started scoring runs and I was holding the transistor closer to my ears not to miss the exciting commentary of that ‘famous match’.
When I try to recollect, I can not remember more than this (now my memory is also deteriorating day by day I think 😊)

My guess is that the story of this match must be the ‘high-point’ of this movie, or it could be more than that. We all are aware that no camera team was available that day at the Royal Tunbridge Wells stadium to cover the visuals of this match. So, the video of this match is not available. (However, some photographs (very few) are said to be available now).

As a cricket fan of that era what more could we ask for than a ‘complete movie’ on this historic India win where Kapil Dev led the team to this triumph.

The eager wait is finally over. We are going to enjoy the ‘true story’ on the bigger screens on the coming 24th december 2021. Watching the movie-trailers, and other promos almost daily, has put me in full ‘83’ mode now … Other than this I also enjoyed a TV show/s where all the members of this team come together and shared the anecdotes of the tournament.
Moreover, there is one clip of the launch of the poster of the movie in Chennai and here we have Kapil Dev, Srikkanth, Kamal Hasan, other promoters of the movie and all the team member actors 😊

I had forgotten many statistics of this tournament for India’s matches so I revisited them on wiki-pages and revived the nostalgia associated with those beautiful days.

At this point we will have a brief look on India’s journey in this tournament.

SNo. Date Opponent Team Ground Scores (India/ Other Team) Result of the match
GROUP MATCHES
01 09.06.1983 West Indies Old Trafford, Manchester 262/8, 228 India won by 34 runs
02 11.06.1983 Zimbabwe Grace Road, Leicester 157/5, 155 India won by 5 wickets
03 13.06.1983 Australia Trent Bridge, Nottingham 158, 320/9 Australia won by 162 runs
04 15.06.1983 West Indies The Oval, London 216, 282/9 West Indies won by 66 runs
05 18.06.1983 Zimbabwe Nevill ground, Royal Tunbridge Wells 266/8. 235 India won by 31 runs
06 20.06.1983 Australia County ground, Chelmsford 247. 129 India won by 118 runs
KNOCK-OUT MATCHES
07 22.06.1983 England Old Trafford, Manchester 217/04. 217 India won by 6 wickets
FINALS
08 25.06.1983 West Indies Lords, London 183, 140 India won by 43 runs

One thing I specially want to mention here is about the atmosphere at the night of 25th June’1983. Everybody at home and in the neighborhood were all excited and celebrating the win. I went to sleep to rise as early as possible the next day. And while the evening of 25th June’1983 was great for all, the morning of 26th June’1983 was not less than that. There were more celebrations. All the newspapers were carrying the news of India’s historic win.

Our group of cricket-playing boys had gathered and took a round of the whole colony decorating the roads and walls of common places like club etc. we were ‘shouting’ 😊 slogans of India’s win and roaming around with joy. That was a very ‘special Sunday’ for all Indians.

At this point I would like to reproduce a brief from the ‘Moments of History’ on completion of India’s 64 years of freedom on August 15th, 2011. This was shared to me by my Guruji on mail. The winning of 1983 world cup is mentioned as below in the ‘visual chronology of post-Independent India-moments that stood out in each year of the nation’s triumphant, troubled history’ –

1983 – Kapil’s Devils go from underdogs to top dogs

Seen as underdogs going into the tournament with no hopes of clearing the league matches, the Kapil Dev-led Indian cricket team triumphed over all odds, including wagers of 100-1 in favour of the Windies in the finals of the World Cup. With a modest score of 183 to defend, the match, and subsequently the trophy, belonged to the Indian medium-pacers. When Balwinder Singh Sandhu swung the ball, Gordon Greenidge had no other choice but to edge it, helping India to its first wicket. WI’s swashbuckling batsmen had a rather meek task of adding runs to the scoreboard in little trickles, but some smart bowling, swift fielding and superlative catches by the Indian team ensured that the Cup belonged to India and India alone on that unforgettable day of June 25, 1983.

***

19.12.2021

The online advance bookings for the movie ‘83’ has started from today. As I mentioned earlier, I am going to book tickets for first day first show. The earliest show starts at 08:00 in the morning. And next is 08:15 am and 08:30 am at different locations. I should be able to catch the 08:30 show. 😊

Earlier I had planned that my younger daughter and I could be going to watch this movie as other members would be busy. But now my wife is also insisting to watch the first day – first show with me 😊. Watching the trailers of the movie have triggered her interest to watch this movie with me 😊

One slight change – now my elder daughter will be joining us in watching this movie. One family friend from her office will also join us. My younger daughter will not be able to come as she has coaching assignment that day. Maybe she will join me in my repeat watch of this movie. 😊

Meanwhile the movie’s promotional video was shown at ‘Burj Khalifa- UAE’ on 16.12.2021 evening.

***
22.12.2021

As in the news now, the movie has been screened for special invites and dignitaries. Everybody is praising the director of this movie Kabir Khan and main actor Ranveer Singh. The transformation of the actors into the ‘83’ players and their nuanced performances have been appreciated by all ‘reviews’ so far.

Also, the movie is carrying many things not known to us e.g., what was going in the minds of the players then in 1983, what personal problems they faced, and how they kept playing against all odds to win the cup.

Regarding the players of this 1983 Team, I would just quote here what Kapil Paa ji has said about his teammates on TV when the movie was launched.
“inko handle karnaa aasaan nahin tha. Ye bade character hain, aap ke liye bahot mushkil kaam honewaala hai aise character dhoondhne India mein. Aap ko nahin mil sakte, aap koshish kar sakte hain, par mil nahin sakte”

I guess Kapil Dev is saying this to the director of this movie Kabir Khan when they launched this movie four years back.

I remember the book which I had read in 2015-16 wherein Balwinder Singh Sandhu is the co-author of the book. This book is ‘The Devil’s Pack’. I would suggest that all cricket lovers of that era and current era should read this book.

Here is the brief about this book. (Reproduced from amazon.in).

When India participated in the 1983 Cricket World Cup, a handful of cricketing pundits singled the team out as a dark horse, but few expected them to win. They were up against the West Indies, England Australia, Zimbabwe, and Pakistan, all of whom had a greater reputation. India had also performed disastrously in the two previous world cup editions. But there was something different about the Indian squad of 1983. Each player in that team dreamt big, worked hard, contributed immensely to the team effort and above all, truly loved the game. Led from the front by Kapil Dev, it was a team whose members were intriguing personalities, many of whom went on to be cricketing legends.

In this book, Balwinder Singh Sandhu, a member of that 1983 squad, talks about his team-mates, drawing an intimate portrait of India’s cricketing greats. He reveals previously unknown facts about the players, the stress they faced, their behaviour off the field and how they pushed one another to excel. The Devil’s Pack is the story of a group of cricketers, seen from up-close and how they conquered the cricketing world against all odds.

***

Today we are going to enjoy this song from the movie, which is composed by Pritam, sung by Arijit Singh, and written by Kausar Munir from this movie ‘83’.

‘83’ is directed by Kabir Khan for – Reliance Entertainment, Phantom Films, Vibri Media, KA Productions, Nadiadwala Grandson Entertainment, Kabir Films.

This movie has Ranveer Singh, Deepika Padukone, Pankaj Tripathi, Tahir Raj Bhasin, Jiva, Saqib Saleem, Jatin Sarna, Chirag Patil, Dinkar Sharma, Nishant Dahiya, Harrdy Sandhu, Sahil Khattar, Ammy Virk, Adinath Kothare, Dhairya Karwa, R. Badree, Neena Gupta, Boman Irani, Aditi Arya, Satish Alekar, Wamiqa Gabbi and others.

‘83’ is based on ‘India’s journey at the 1983 Cricket World Cup’.

This movie is produced by Deepika Padukone, Kabir Khan, Vishnuvardhan Induri, Sajid Nadiadwala, Reliance Entertainment, Phantom Films and 83 Films Ltd.

Screenplay of this movie is written by Kabir Khan, Sanjay Puran Singh Chauhan and Vasan Bala.

Dialogues of this movie are written by Kabir Khan and Sumit Arora. Editing of this movie is done by Nitin Baid.
Cinematography of this movie is done by Aseem Mishra.

Music for songs of this movie is composed by Pritam and background score is composed by Julius Packiam.

This movie has four songs composed by Pritam and written by Kausar Munir, Ashish Pandit, Jaideep Sahni and Prashant Ingole. Arijit Singh, Benny Dayal and Amit Mishra have given their voices to the songs in this movie …

So, everything is set now …

With today’s song the movie ‘83’ being released in theatres today – makes its debut on the blog today.

I am signing off from writing this article today on 22.12.2021 evening and sending it to our respected editors for further needful 😊

I hope you enjoyed my feelings and all about ‘1983’ ‘Cricket World Cup’ and the movie ‘83’. (It is possible that when this article is posted on the blog I may be in theatres watching this movie on 24.12.2021)

Enjoy the movie in the theatres and enjoy this song on the blog …

Video (Partial)

Audio (Full)

Song-Lehra do lehra do(83)(2021) Singer-Arijit Singh, Lyrics-Kausar Munir, MD-Preetam
Chorus

Apna hai din ye aaj ka aa aa
duniya se jaa ke bol do
bol do
aise jaago re saathhiyon
duniya ki aankhen khol do
khol do
lehra do o o
lehra do
sarkashi ka parcham lehra do
gardish mein aen phir apni
sarzameen ka parcham lehra do
lehra do o lehra do
sarkashi ka parcham lehra do
gardish mein aen phir apni
sarzameen ka parcham lehra do

ho
haathh dhhar Ke baithhne se
kya bhala kuchh hota hai
ho haathh dhar ke baithhne se
kya bhala kuchh hota hai

ja lakeeron ko dikha
kya zor e baazu hota hai
ja lakeeron ko dikha
kya zor e baaju hota hai

himmat e mardaan agar ho
sang Khuda bhi hota hai
jaa zamaane ko dikha de
khud mein dum kya hota hai
lehra lo o lehra do
sarkashi ka parcham lehra do
gardish mein phir apni
sarzameen k parcham lehra do
lehra do o lehra do
sarkashi ka parcham lehra do
gardish mein phir apni
sarzameen ka parcham lehra do
lehra do
lehra do
lehra do
lehra do
lehra do
lehra do
lehra do
lehra do
lehra do
lehra do
lehra do
lehra do
lehra do
lehra do
lehra do
lehra do
lehra do
lehra do
sarkashi ka parcham lehra do
gardish mein phir apni
sarzameen ka parcham lehra do

—————————————-
Devanagari Script lyrics (Provided by Avinash Scrapwala)
—————————————

अपना है दिन ये आज का आ आ
दुनिया से जा के बोल दो ओ
बोल दो
ऐसे जागो रे साथियों ओ ओ ओ
दुनिया की आँखें खोल दो ओ
खोल दो
लहरा दो ओ ओ
लहरा आ दो ओ
सरकशी का परचम लहरा दो ओ
गर्दिश में ए ए फिर अपनी ई
सरज़मीन का परचम लहरा दो ओ

लहरा दो ओ ओ
लहरा आ दो ओ
सरकशी का परचम लहरा दो ओ
गर्दिश में ए ए फिर अपनी
सरज़मीन का परचम लहरा दो ओ

हो ओ हाथ धर के बैठने से
क्या भला कुछ होता है
हो ओ हाथ धर के बैठने से
क्या भला कुछ होता है
जा लकीरों को दिखा
क्या ज़ोर ए बाजू होता है
जा लकीरों को दिखा
क्या ज़ोर ए बाजू होता है
हिम्मत ए मर्दा अगर हो तो
संग खुदा भी होता है
जा ज़माने को दिखा दे
खुदमें दम क्या होता है
लहरा दो ओ ओ
लहरा दो ओ
सरकशी का परचम लहरा दो ओ
गर्दिश में ए ए फिर अपनी
सरज़मीन का परचम लहरा दो ओ
लहरा दो ओ
लहरा दो ओ
सरकशी का परचम लहरा दो ओ
गर्दिश में ए ए फिर अपनी
सरज़मीन का परचम लहरा दो

लहरा दो
लहरा दो
लहरा दो
लहरा दो

लहरा दो
लहरा दो
लहरा दो
लहरा दो

लहरा दो
लहरा दो
लहरा दो
लहरा दो

लहरा दो
लहरा दो
लहरा दो
लहरा दो
लहरा दो ओ ओ
लहरा दो ओ
सरकशी का परचम लहरा दो ओ
गर्दिश में ए ए फिर अपनी
सरज़मीन का परचम लहरा दो


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4900 Post No. : 16704

I had earlier shared a song from the movie ‘Himmat-1970’. The title of the song is ‘himmat kare insaan to kya kar nahin saktaa’. This song was posted on 03.11.2020. I had mentioned in this song-post that the song was noted by me long back i.e., in 2013.

Around the same time, I came across today’s song which is ‘agar insaan mein himmat ho to kya kar nahin saktaa’. This song is from the ‘1942’ film ‘Jungle Princess’. Today I am presenting this song.

“Jungle Princess-1942’ was directed by Homi Wadia for ‘Wadia Movietone, Bombay’.

It had Nadia, Radharani, Baby Madhuri, Shahzadi, John Kawas, Sardar Mansoor, Dalpat, Hari Shivdasani, Jal Khambata, Mitthu Miyaan, M.K. Hasan, Jiji Bhai, Gulshan Sufi and others.
As mentioned in HFGK Vol-II (1941-1950) this movie had eight songs. All these eight songs were penned by Pandit Indra. Music for this film was composed by Madhavlal D. Master.

Following is the list of songs of this movie.

S. No Song-Title Singer/s Posted On
01 Chali ri naav tu chal aage chal ri chal Gulshan Sufi, Mehdi Raza
02 Jo koyi isko peeve naam uska door hove ? (Not mentioned in HFGK) 01.03.2013
03 Musaafir kis marag se jaana Sardar Mansoor
04 Moorakh man tu kyon bharmaaya Gulshan Sufi
05 Kasam Jawaani ki ham to hai naadaan Radharani 20.04.2013
06 Lo chaand bhi jalne lagaa Sardar Mansoor 24.04.2013
07 O mainaa mastaani, o pinjre ki raani Radharani, chorus 25.04.2013
08 Agar insaan mein himmat ho to kya kar nahin saktaa Sardar Mansoor Being discussed today

We can see from the above table that four songs from this movie ‘Jungle Princess-1942’ have been posted on the blog. All these four songs were covered in ‘2013’. In other words, eight years have passed since without any further addition to the tally of songs in this movie.

Today’s song is the fifth song from this movie to be presented here.

Today’s song is sung by Sardar Mansoor. Lyrics are by Pandit Indra and music is composed by Madhavlal Damodar Master.

Let us listen to today’s song which consists of some good ‘Urdu’ poetry.


Song-Agar insaan mein himmat ho to kya kar nahin sakta (Jungle Princess)(1942) Singer-Sardar Mansoor, Lyrics-Pandit Indra, MD-Madhulal Damodar Master

Lyrics

Agar insaan mein himmat ho to kya
Kar nahin sakta
Agar insaan mein himmat ho to kya
Kar nahin sakta
Jo hai mard e zamaana
Aafaton se darr nahin sakta
Jo hai mard e zamaana
Aafaton se darr nahin sakta
Agar insaan mein himmat ho to kya
Kar nahin sakta
Agar taqdeer ki mehfil mein
Ho taqdeer ka saathi
Agar taqdeer ki mehfil mein
Ho taqdeer ka saaqi
Wo pyaala kaun sa pyaala hai ke
Jo bhar nahin sakta
Wo pyaala kaun sa pyaala hai ke
Jo bhar nahin sakta
Agar insaan mein himmat ho to kya
Kar nahin sakta

Sadaakat jiska jeena hai
Shaahaadat jiska marna hai
Sadaakat jiska jeena hai
Shaahaadat jiska marna hai
Wo mar jaata hai lekin
Naam uska mar nahin sakta
Wo mar jaata hai lekin
Naam uska mar nahin sakta
Agar insaan mein himmat ho to kya
Kar nahin sakta

Tu apni raah chalta ja
Na darr thhokar se aye bande
Khuda jiska sahaara hai
Khuda aa jiska sahaara hai
Bashar wo gir nahin sakta
Khuda jiska sahaara hai
Bashar wo gir nahin sakta
Agar insaan mein himmat ho to kya
Kar nahin sakta
Agar insaan mein himmat ho to kya
Kar nahin sakta

—————————————-
Devanagari Script lyrics (Provided by Avinash Scrapwala)
—————————————–

अगर इंसान में हिम्मत हो तो क्या
क्या कर नहीं सकता
अगर इंसान में हिम्मत हो तो क्या
क्या कर नहीं सकता
जो है मर्द ऐ ज़माना
आफतों से डर नहीं सकता
जो है मर्द ऐ ज़माना
आफतों से डर नहीं सकता
अगर इंसान में हिम्मत हो तो क्या
क्या कर नहीं सकता
अगर तकदीर की महफ़िल में
हो तकदीर का साकी
अगर तकदीर की महफ़िल में
हो तकदीर का साकी
वो प्याला कौन सा प्याला है के
जो भर नहीं सकता
वो प्याला कौन सा प्याला है के
जो भर नहीं सकता
अगर इंसान में हिम्मत हो तो क्या
क्या कर नहीं सकता

सदाकत जिसका जीना है
शहादत जिसका मरना है
सदाकत जिसका जीना है
शहादत जिसका मरना है
वो मर जाता है लेकिन
नाम उसका मर नहीं सकता
वो मर जाता है लेकिन
नाम उसका मर नहीं सकता
अगर इंसान में हिम्मत हो तो क्या
क्या कर नहीं सकता

तू अपनी राह चलता जा
न डर ठोकर से अय बन्दे आये
खुदा जिसका सहारा है
खुदा जिसका सहारा हैं
बशर वो गिर नहीं सकता
खुदा जिसका सहारा है
बशर वो गिर नहीं सकता
अगर इंसान में हिम्मत हो तो क्या
क्या कर नहीं सकता
अगर इंसान में हिम्मत हो तो क्या
क्या कर नहीं सकता


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4822 Post No. : 16599

“Hamraahi”(1945), a New Theatres, Calcutta production was the Hindi remake of Bangla movie “Udayer Pathe”(1944) by the same production house, with virtually the same team that worked in the Bagla movie. The movie, directed by debutant director Bimal Roy, had Binota Bose , Radhamohan Bhattacharya, Tulsi Chakraborty, Rekha Mullick, Debi Mukherjee, Hiralal, Ramesh Sinha, Manorama, Maya Bose, Devbala etc in it.

The movie had seven songs in it. Six songs have already been covered.

Here are the details of the songs covered in the blog so far:-

Song Date of post Remarks
Jan gan man adhinaayak jay he 15 August 2013 written and composed by Rabindranath Tagore . This song was part of movie before in became Indian national anthem
Gaaye ja tu apna geet 10 may 2014
Jigar ke daag naye gul khilaaye jaate hain 23 may 2014
Din hain bahaar ke aaye 26 november 2017
Modhu gandhe bhara mridu snigdho chhaaya 5 May 2020 Bangla language song composed by Rabindranath Tagore
Hansi chaand ki aaj niraali 28 September 2021

One can see that the future national anthem of India was present as a song in this movie, with Rabindranath Tagore duly getting credited as the composer ! He was the composer of another song (a Bangla song) in the Hindi version movie as well.

Other songs were composed by R C Boral.

The seventh and final song from “Hamraahi”(1945) is an “inspirational” song. It is sung by male and female chorus. Munshi Zakir Hussain is the lyricist. Music is composed by R C Boral.

With this song, all the songs of “Hamraahi”(1945) are covered in the movie and the movie joins the list of movies that have been YIPPEED in the blog.


Song-Badhte chalo badhte chalo badhte chalo jawaanon(Hamraahi)(1945) Singers-Male Chorus, Female chorus, Lyrics-Munshi Zakir Hussain, MD-R C Boral
All chorus

Lyrics

Badhte chalo badhte chalo badhte chalo jawaanon
Badhte chalo badhte chalo badhte chalo jawaanon
ae desh ke sapooton
mazdoor aur kisaanon
ae desh ke sapooton
mazdoor aur kisaanon

hai raasta meelon tak
aur saamne hai manzil
himmat se kaam lo to
aasaam hogi mushqil
hai raastaa meelon tak
saamne hai manzil
himmat se kaam lo to
aasaam hogi mushqil
karke use dikhaa do
jo apne dil mein thhaano
karke use dikhaa do
jo apne dil mein thhaano

badhhte chalo badhhte chalo
badhhte chalo jawaanon

aa ha ha ha
aaha
aa ha ha ha
aa ha ha
aa ha ha ha
aa ha ha
ha ha ha

?? lon ne
?? lon ne
ye rakkhe hain idaare ??
jinke sitam se laakhon
phirte hain maare maare
bhookhe mahaajanon ne
ye rakkhe hain idaare
jinke sitam se laakhon
phirte hain maare maare

ye desh ke hain dushman
inko na dost jaano
ye desh ke hain dushman
inko na dost jaano
tum inko na dost jaano
karke ise dikha do
jo apne dil mein thhaano
karke ise dikha do
jo apne dil mein thhaano
tum jo apne dil mein thhaano

tum jo apne dil mein thhaano
Badhte chalo badhte chalo badhte chalo jawaanon
ae desh ke sapooton
mazdoor aur kisaanon
ae desh ke sapooton
mazdoor aur kisaanon

Badhte chalo badhte chalo badhte chalo jawaanon


This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4776 Post No. : 16527

Celebrating 75th year of India’s independence
————————————————————

I was just talking to a friend, who is very much involved with charity work and NGO’s. I said to her that it is very important for us to be charitable in all walks of life, for the health and prosperity of our soul. Doing a small thing for someone else’s benefit, however small that thing may be, which might not require any great effort on our part, gives immense satisfaction to us. This is to be experienced and not imparted. Giving and sharing of knowledge, makes the job of a teacher and guide the most charitable one in my opinion. Giving of advice or offering verbal guidance is sometimes ridiculed. But if an experience is shared, helps someone reach a correct decision or destination, there is nothing like it, as an act of charity free of cost.

But I find in myself, a hesitancy is directly offering to help. If I come across someone in need, then I would do so in whatever capacity I can, I told the friend, but I don’t go out of my way to find if someone requires some help. This is where I lack, and the charity organisations and NGO’s do the maximum output this way. The final conclusion of this discussion was that if everyone of us is involved in small acts of charity, in whatever way and in whatever capacity we can, the world will be a much better place.

Not that it is a very bad place to live, there is good and there is evil. Most of humanity is a charitable mass. Here devilry exists, that’s how we can know and value the goodness around us. One day I found a very good friend of mine reading a so called, non-fiction book titled “There is no devil”, or some such similar thing. My instant reaction was “Hey don’t read fiction posing as non-fiction”. She is not normally into reading books and this one was a thick paperback. This incident happened some years ago. I reminded her of it recently when our conversation turned to evil doers and evil people.

I believe that the world survives because of people who mean good and are trusting.

On my own part, if I need some help or favour, I will usually directly ask for it, no beating about the bush and hinting, nor waiting for that person to offer help. This habit of mine sometimes embarrasses people, which I realise belatedly. And then I have to do damage control, by saying it is alright if you can’t do it, or if you can do only this much, that will also be a great help.

This, I am told is because I have a very trusting nature. I also find it very easy to share my problems. If I am having some difficulty, or something is not getting done and I am stuck somewhere, I will share it with someone who is on hand, or standing in front of me. Of course, not to strangers, only with people I know well, I behave in this impulsive manner. Some may thing that “yeh achha hai, apne problem doosron ko de do aur khud free ho jaao” 🙂 :-).

Often, I have found that sharing of problems and issues, lessens the worry and sometimes results in help from unexpected and unknown sources. Any which way resolution of the problem is the end result. Such help from unexpected quarters is what is called divine help.

The world as it is, is running on trust. If trust on the laws of nature and the essential goodness, correct faculties and abilities of fellow human beings was not part of the DNA of humans then there would be nothing happening here on this earth. If this was not so, no one will be able to drive a vehicle on the road, to give an example of a small routine act.

And this is the same invincible trust which makes me type these random thoughts and experiences of life and send them for posting in the blog. I have known it that I have been in the correct place and deservedly the best possible blog, with the aim of categorising the hindi film songs. Eleven years ago, when I discovered this blog, I was under the impression that film music is my favourite pass time activity(after reading). But after all these years of writing for the blog, I am not very sure that it is the film songs or the writing, which I took up in earnest only with this blog, is my favourite activity. May be listening old hindi film songs is my passion and writing about them and other things is my calling.

Where I am going with all this? Not towards any particular destination as such. Only to express the conviction that being charitable and trusting is the natural way of life for human beings. If we are living any other way than it is somewhat an unnatural state to be in. There are people around us who feel insecure at some minor/major level and they behave in a less charitable manner, maybe in some aspect of their lives. Also, there are certain paranoia’s visible around us, which don’t really amount to abnormal behaviour, but they cause a handicap to the personal growth of affected person. Not to say that I have never been uncharitable or less trusting in my life. We all the susceptible to insecurities and paranoias of different kind.

But there is certainly a way to victory out of all this, with the strength of character, belief, trust and faith. These are the things that are required to succeed in any field. Sporting activity is no different, and as we celebrate the excellent performance of Indian athletes in the recently concluded Tokyo Olympics, and a first Gold Medal in athletics, won by Neeraj Chopra, we also celebrate the victory of the individual excellence, collectively with the joy of celebrating the 74 years of independence.

A song befitting the sporting triumph and the assertion of national pride is being presented, from the film ‘Chak de India’ (2007). The song is composed by Salim-Sulieman, written by Jaideep Sahani and the singers are Sukhwinder Singh, Salim Merchant and Marianna D’cruz.

This is a background song in the movie as the women hockey team is readied to participate in the world cup. The character building, confidence instilling and disciplining steps taken by the coach are what pays eventually as each player excels personally, toughens mentally, disciplines psychologically and grows up with the team and then succeeds. True success belongs to the whole team, not to the individual players, not to the captain, nor to the coach. In this years Olympics, eerily, the reel incident replicated in real life, with the Indian hockey team defeating the touted Australian team, in a shocking upset to reach the semi-final.

One song from this film is already posted in the blog:

This blog is an important and valued place on the internet and it is an honour to be a part of it. I dread to be a cause of any mis-happening or demeaning of the integrity of the blog. This space is my karambhoomi, dear diary, sounding board and much more, and I have been open to corrections/suggestions regarding my posts, by Atul ji and Sudhir ji.

While wishing Happy Independence Day to all the readers, I also wish to thank Atul ji and Sudhir Sir, for allowing me to write to my heart’s content. I will be forever grateful and indebted to this blog and all people associated with it, my fellow guest writers, Deshmukh Sir, Kamath Sir, Peevisie’s Mom and Satyajeet Rajurkar Sir (to name a few), and all the visitors and regular commenters. The confidence expressed by these senior historians and accomplished persons in different fields, means the world to me. It humbles me and encourages me to write more and better posts in future.

Audio:

Video:

Song-Chak de chak de India (Chak De India)(2007) Singers-Sukhwinder Singh, Salim Merchant, Marianne D’Cruz, Lyrics-Jaideep Sahni, MD-Salim Sulemaan

Lyrics

Chak de ae
ho chak de India
chak de ae
ho chak de India
chak de ae
ho chak de India
chak de ae
ho chak de India
chak de ae
ho chak de India
chak de ae
ho chak de India

kuchh kariye
kuchh kariye
nas nas meri khaule
hoy kuchh kariye
hoy kuchh kariye
kuchh kariye(hoy)
kuchh kariye(hoy)
kuchh kariye
kuchh kariye
bas bas badaa bo de
ab kuchh kariye
ab kuchh kariye
kuch kariye(hoy)
kuch kariye(hoy)

ho koyi to chal zid phadiye
doobe tariye ya mariye
ho koyi to chal zid phadiye
doobe tariye ya mariye ea
he ae ae
Chak de ae
ho chak de India
chak de ae
ho chak de India
chak de ae
ho chak de India
chak de ae
ho chak de India

no where to run
no where to hide
let’s take the time
until we drop
no where to run
no where to hide
let’s take the time
until we drop

koochon mein galiyon mein
raashan ki phaliyon mein
bailon mein, beejon mein
Eedon mein, teejon mein
raiton ke daanon mein
filmon ke gaanon mein
sadkon ke gaddhon mein
baaton ke addon mein
hunkaara aaj bhar le
das baarah baar kar le
rehna na yaar peechhe
kitna bhi koi kheenche
tas hai na, mas hai ji
zid hai to, zid hai ji
ghisna yunhi, ghisna yunhi
ghisna yunhi paththar yeh ae
yea ae ae
koyi to chal zid phadiye
doobe tariye ya mariye
haaay koyi to chal zid phadiye
doobe tariye ya mariye
hey ae ae
Chak de ae
ho chak de India
chak de ae
ho chak de India
chak de ae
ho chak de India
chak de ae
ho chak de India

no where to run
no where to hide
let’s take the time
until we drop
no where to run
no where to hide
let’s take the time
until we drop
chak de ea ea ea
chak de ea ea ea
chak de ea ea ea

da da da dan
da da da dan
da da da da da da da
da da da dan
da da da dan
da da da da da da da
da da da dan
da da da dan
da da da da da da da

ladti patangon mein
bhidti umangon mein
khelon ke melon mein
balkhaati railon mein ea
gannon ke meethhe mein
khaddar mein chheente mein
dhoondo to mil jaave ae
pakka wo eenton mein ae
dam hai to aaj dikh re ae
aur khul ke aag bikhre
man jaaye asi holi
rag rag mein chal ke boli ee
tas hai na
mas hai jee ee
zid hai to
zid hai ji
pisna yunhi pisna yunhi
pisna yunhi paththar yeh ae
ae ae ae
ho koyi to chal zid phadiye
doobe tariye ya mariye
ho koyi to chal zid phadiye
doobe tariye ya mariye ae
Chak de ae
ho chak de India
chak de ae
ho chak de India
chak de ae
ho chak de India
chak de ae
ho chak de India

kuchh kariye
kuchh kariye
ab kuchh kariye
ab kuchh kariye
kuchh kariye(hoy)
kuchh kariye(hoy)

kuchh kariye
kuchh kariye
nas nas meri khaule
hoy kuchh kariye
hoy kuchh kariye
kuchh kariye(hoy)
kuchh kariye(hoy)
kuchh kariye
kuchh kariye
bas bas badaa bo de
ab kuchh kariye
ab kuchh kariye
kuchh kariye(hoy)
kuchh kariye(hoy)

ho koyi to chal zid phadiye
doobe tariye ya mariye
ho koyi to chal zid phadiye
doobe tariye ya mariye ae
he ae ae
Chak de ae
ho chak de India
chak de ae
ho chak de India
chak de ae
ho chak de India
chak de ae
ho chak de India


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4628 Post No. : 16279

Today’s song is from the movie ‘Jurm-1990’.

By the standards of this blog ‘Jurm-1990’ is a very recent movie. This movie made made its debut on the blog during its early days, viz on 12.09.2008 with its ‘heart-touching’ song ‘jab koi baat bigad jaaye, jab koi mushqil pad jaaye’. This song is said to be inspired by the song “500 miles” (Peter Paul & Mary version/ brothers four version).

Today we are going to listen to the second song from this movie. This song ‘marne ke dar se mere dil’ is said to be inspired by Madonna’s “La Isla Bonita”.

‘Jurm-1990’ was directed by Mahesh Bhatt for ‘Vishesh Films’.It was produced by Mukesh Bhatt. It had Vinod Khanna, Meenakshi Sheshadri, Sangeeta Bijlani, Shafi Inamdar and Anang Desai and supported by Sharat Saxena, Akash Khurana, Om Shivpuri, Jack Gaud, Mahesh Anand, Girija Shankar and others.

Story, Screenplay and dialogues of this movie were written by Salim Khan. Editing of this movie was done by Dimpy Bahl.

This movie was passed by Censor Board on 05.07.1990 with restricted viewing certificate i.e. ‘A’ certificate.

This movie had six songs (as per wiki) including one three-part song. Lyrics for this movie were written by Indeewar and Payam Sayeedi, and music was composed by Rajesh Roshan. Asha Bhonsle, Amit Kumar, Kumar Sanu, Sadhna Sargam, Manhar Udhas, Mohd Aziz had given their voices to the songs of this movie.

Today’s song, the second song of this movie is appearing after a gap of ‘4572’ days on the blog. It is sung by Asha Bhonsle and Mohd Aziz. Lyrics are by Indeewar and music is composed by Rajesh Roshan.

Today’s song, a motivational song, is a nice hummable song to listen to.
Sangeeta Bijlani and Vinod Khanna are seen performing on the song in the voices of Asha Bhonsle and Mohd Aziz respectively. Mahesh Anand and many other artists can also be seen present in the song which also happens to be a ‘party-song’.

I have not watched this movie, so I would request knowledgeable readers to throw more light on this movie and its songs.

Let us now enjoy today’s song …

Video

Audio

Song-Marne ke darr se mere dil jeena na tu chhod denaa (Jurm)(1990) Singers-Asha Bhonsle, Md Aziz, Lyrics-Indeewar, MD-Rajesh Roshan
Both
Chorus

Lyrics

aa
aa
aa
aa aa aa aa aa

marne ke darr se mere dil
aa aa aa
jeenaa naa tu chhod denaa aa
marne ke darr se mere dil
aa aa aa
jeenaa naa tu chhod denaa
rone ke darr se jahaan mein
hansnaa naa tu chhod denaa aa
marne ke darr se mere dil
aa aa aa
jeenaa naa tu chhod denaa
aa aa aa
rone ke darr se ae jahaan mein
hansnaa naa tu chhod denaa aa aa

marne ke darr se mere dil
aa aa aa
jeenaa naa tu chhod denaa

jab tak qismat saath naa degi
tab tak khwaab adhoore honge
ik din sapney poore honge
aahaa aa aa
aa aa aa
aa aa aa aa aa

kaam tera chalte jaanaa hai
chalnaa hi manzil paanaa hai
maut kaa naam hi ruk jaanaa hai
aa haa aa

kaanton mein ghirne ke dar se
aa aa aa
chalnaa naa tu chhod denaa aa
kaanton mein ghirne ke dar se
aa aa aa
chalnaa naa tu chhod denaa aa
rone ke darr se jahaan mein
hansnaa naa tu chhod denaa aa
marne ke darr se mere dil
aa aa aa
jeenaa naa tu chhod denaa aa

tap tap parr pa ra paa
tap tap
tarr ra paa
tap tap parr pa ra paa
tap tap
tarr ra paa

milna aur bichhad jaanaa to
hoti hai sanjog ki baatein
roz kahaan poonam ki raatein
aa haa aa
aa aa aa aa
aa aa aa aa aa

yaar se yaar khafaa hote hain
laakhon log judaa hote hain
hangaame kya kya hote hain
aa haa aa

lekin judaayi ke darr se ae
aa aa aa
milnaa naa tu chhod denaa aa
lekin judaayi ke darr se ae
aa aa aa
milnaa naa tu chhod denaa
rone ke darr se jahaan mein ae
hansnaa naa tu chhod denaa aa aa
marne ke darr se mere dil

aa aa aa
jeenaa naa tu chhod denaa aa

tu ru tu ru ru ru ru ru
ru ru ru ru ru ru ru ru ru oo oo
ru ru ru ru ru ru ru ru ru oo oo
ru ru ru ru ru ru ru ru ru oo oo
ru ru ru ru ru ru ru ru ru oo oo


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4532 Post No. : 16094

Yearwise discussion of Lata Mangeshkar songs in HFM: Part XII: Year 1958
———————————————————————————————————

In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1958.

In 1958, 115 Hindi movies contaning 906 songs were released. Lata Mangeshkar got to sing in 35 of these movies and she sang 132 songs in these movies. So Lata Mangeshkar’s voice was heard in 30 % of the movies released in 1958. Her voice was heard in 14.5 % of the songs appearing in the movies of 1958. One can notice that she sang less number of movies in less number of movies this year vis a vis the earlier yeers where she was singing more than 150 songs each year, sometimes more than 200 songs in a year.

Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1958 :-

S N Movie Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1 Aakhri Daao Madan Mohan 1 1 0 1 0 0 Majrooh Sultanpuri
2 Adaalat Madan Mohan 4 4 4 0 0 0 Rajinder Krishan
3 Aji Bas Shukriya Roshan 2 2 2 0 0 0 Farooque Kaiser
4 Amardeep C Ramchandra 2 2 2 0 0 0 Rajinder Krishan
5 Baaghi Sipaahi Shankar Jaikishan 6 6 5 1 0 0 Hasrat Jaipuri (3) Shailendra (3)
6 Baalyogi Upmanyu Chitragupta 1 3 2 0 1 0 Bharat Vyas
7 Chaalbaaz Chitragupta 2 2 1 1 0 0 Prem Dhawan
8 Chandan Madan Mohan 1 1 1 0 0 0 Rajinder Krishan
9 Do Phool Vasant Desai 5 5 3 0 2 0 Hasrat Jaipuri
10 Hathhkadi Naashaad 1 1 0 1 0 0 Indeewar
11 Jailor Madan Mohan 2 2 2 0 0 0 Rajinder Krishan
12 Kaareegar C Ramchandra 1 4 4 0 0 0 Rajinder Krishan
13 Madhumati Salil Chaudhari 5 5 3 2 0 0 Shailendra
14 Matwaala R Sudarshanam 0 2 2 0 0 0 Hargovind
15 Mausi Vasant Desai 1 2 1 1 0 0 Bharat Vyas
16 Mehandi Ravi 4 7 6 1 0 0 S H Bihari (3) Khumar Barabankvi (2) Kamil Rasheed (1) Sarwar (1)
17 Milan Hansraj Bahl 2 3 2 1 0 0 Prem Dhawan
18 Naag Champa Manna Dey 2 4 4 0 0 1 Gopal Singh Nepali (3) Anjaan + Indra Kapoor (1)
19 Panchaayat Iqbal Qureshy 3 3 2 0 1 0 Shakeel Nomani
20 Parvarish Dattaram 3 3 1 2 0 0 Hasrat Jaipuri
21 Piya Milan Ramesh 2 5 4 0 0 1 Hasrat Jaipuri (4) Harsh (1)
22 Post Box 999 Kalyanji Veerji Shah 4 4 2 2 0 0 P L Santoshi
23 Raaj Pratigya Sanmukh Babu 1 3 2 1 0 0 Bharat Vyas
24 Raaj Sinhaasan Chitragupta 1 2 1 0 1 0 Anjum Jaipuri
25 Raaj Tilak C Ramchandra 1 2 2 0 0 0 P L Santoshi
26 Saadhna N Datta 3 3 3 0 0 0 Sahir Ludhianvi
27 Sahaara Hemant Kumar 6 6 5 0 1 0 Bharat Vyas
28 Samrat Chandragupta Kalyanji Veerji Shah 8 8 4 4 0 0 Bharat Vyas (3) Indeewar (2) Hasrat Jaipuri (2) Nirupa Roy (1)
29 Saveraa Shailesh 4 4 3 1 0 0 Shailendra
30 Sitaaron Se Aage S D Burman 3 3 3 0 0 0 Majrooh Sultanpuri
31 Sohni Mahiwal Naushaad 7 7 5 2 0 0 Shakeel Badayuni
32 Son of Sindbad Chitragupta 2 5 2 1 2 0 Prem Dhawan
33 Suvarna Sundari Adi Narayana Rao 4 9 6 2 1 0 Bharat Vyas
34 Teesri Gali Chitragupta 3 4 2 1 0 0 Majrooh Sultanpuri
35 Yahudi Shankar Jaikishan 5 5 4 0 1 0 Shailendra (4) Hasrat Jaipuri (1)
Total 35 movies 23 MDs 102 132 95 25 10 1 22 lyricists

Lata Mangeshkar tied up with music directors Adi Narayan Rao, Iqbal Qureshy, Kalyanji Veerji Shah, and Ramesh for the first time in this year. She tied up with lyricists Indra Kumar, Hargovind, Harsh, Kamil Rasheed, Nirupa Roy, Sarwar and Shakeel Nomani for the first time in 1958.

Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1958 :

Year Movie count Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Remarks
1946 3 movies 4 4 4 0 0 0
1947 3 movies 5 5 3 1 0 1
1948 16 movies 50 50 37 6 4 3
1949 38 movies 134 157 103 35 12 7
1950 36 movies 114 143 93 32 14 4
1951 49 movies 189 223 158 52 10 3
1952 43 movies 149 177 138 31 4 4
1953 45 movies 170 195 149 35 5 6
1954 43 movies 140 172 144 23 4 1
1955 50 movies 165 218 177 30 10 1
1956 49 movies 168 204 153 35 13 3
1957 47 movies 129 160 110 38 7 5
1958 35 movies 102 132 95 25 10 1
Total upto 1958 457 movies 1509 1840 1364 343 93 39

One can see that Lata Mangeshkar had sung 1840 songs in movies released upto 1958. 1008 out of these 1840 songs were composed by 8 music directors namely C Ramchandra (263), Shankar Jaikishan (195), Anil Biswas (111), Husnlal Bhagatram (108), Roshan (93), S D Burman (87), Naushad (76) and Madan Mohan (75).

Likewise, the top 8 lyricists penned 1025 of these songs, viz Rajinder Krishan (325), Shailendra (183), Hasrat Jaipuri (124), Shakeel Badayuni (115), Bharat Vyas (77), Prem Dhawan (77), P L Santoshi (69) and Majrooh Sultanpuri (55).

We can see from the table of 1958 that Lata Mangeshkar sang 132 songs in Hindi movies released in 1958. The blog contains 102 of these songs. Out of 35 movies of 1958 where Lata Mangeshkar lent her voice, all her songs in 21 movies have been covered. So the balance 30 Lata Mangeshkar songs belong to 14 movies of 1958.

Alphabetically the first such movie is “Baalyogi Upmanyu”(1958). This devotional (Bhakti pradhan) movie was produced by Shankarbhai Bhatt and directed by Harsukh Bhatt for Prakash Pictures, Bombay. The movie had Sulochana, Lalita Pawar, Shalini, Kanhaiya Lal, Jeewan, Madan Puri, Gadadhar Sharam, Anil, Kailash Thakkar, Mohan Choti, Raja, Vinod Kumar, Dinanath, Seetaram, Tikaram, Athawle, Ajeet etc in it.

The movie had seven songs in it.Lata Mangeshkar had sung two solos and one female solo in the movie. One song (Lata Mangeshkar Usha Mangeshkar duet) has been covered in the past.

Here is a Lata Mangeshkar solo from “Baalyogi Upmanyu”(1958). Bharat Vyas is the lyricist. Music is composed by Chitragupta.

What a wonderful song to listen to. It is a song which is bound to cheer the listners up with its positive message.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.


Song-Duniya ke anyaayion anyaay ki hoti khair nahin (Baalyogi Upmanyu)(1958) Singer-Lata, Lyrics-Bharat Vyas, MD-Chitragupta

Lyrics

duniya ke anyaayiyon
duniya ke anyaayion
anyaay ki hoti khair nahin
bhagwaan ke ghar ka nyaay atal
wahaan der magar andher nahin
duniya ke anyaayion

sati ke sat mein tej chhupa hai aag ka
chheen sake na sukh koi mere bhaag ke
sati ke sat mein tej chhupa hai aag ka
chheen sake na sukh koi mere bhaag ke
aandhi ho barsaat ho ya toofaan ho
bujh na sakega deepak mere suhaag ka
sach ki hogi ee ee
sach ki hogi jeet sada
jismein hai zara bhi pher nahin
bhagwaan ke ghar ka nyaay atal
wahaan der magar andher nahin
duniya ke anyaayion

jisko seencha bhakti ki jal-dhaar se
jisko paala aatma ke pyaar se
jisko seencha bhakti ki jal-dhaar se
jisko paala aatma ke pyaar se
phailti rahti dharam ki bel wo
kat nahin sakti kabhi talwaar se
deen dayaalu u u
deen dayaalu
apne in bhakton ki taale ter nahin
bhagwaan ke ghar ka nyaay atal
wahaan der magar andher nahin
duniya ke anyaayion
anyaay ki hoti khair nahin
bhagwaan ke ghar ka nyaay atal
wahaan der magar andher nahin
duniya ke anyaayion


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4491 Post No. : 16016

Today 3rd November’2020 is the eighty-third birth anniversary (born on 03.11.1937) of Laxmikant Shantaram Kudalkar popularly known as Laxmikant of the music duo of Laxmikant-Pyarelal. He would have been eighty-three today if he was alive and around us. But he passed away on 25.05.1998 at the age of sixty years.

As a tribute to him here is a song from the ‘1970’ movie ‘Himmat’.

‘Himmat-1970’ was directed by Ravi Nagaich for ‘Bharti International, Madras’.

It was a social movie. It had Mumtaz, Jeetendra, Prem Chopra, K.N. Singh, Naaz, Asit Sen, Tun Tun, Parveen Pal, Aruna Irani Jagdeep, Babi, Agra, Prabhakar Reddy and others.

So far, the following three songs from this movie have been posted on the blog.

Song Posted on
Maan jaayiye maan jaayiye 20.06.2013
Jaal bichhe hain nigaahon ke 07.07.2013
Das gayi das gayi das gayi 02.08.2013

As we can see from above all the three songs were posted around the same time in 2013. However one song, whose lyrics were noted down during the same time is still pending. Today I am presenting that song from the movie. This song issung by Rafi Saab.

When I shared the above songs, I was not equipped with HFGK Vol-IV (1961-1970).

When I went through the list of the songs of this movie in HFGK Vol-IV, I discovered that a surprise song was still remaining. Moreover there are two more songs in this movie that are yet to be covered.

So, this movie has seven songs as per the details given below (in their order of appearance in HFGK (which should be in order as per the movie too);

Song Posted on
Hip hip hurray … aao piyo peene ka zamaana aaya
Hai shukr ki tu hai ladka … kya hota meri tauba agar tu
Das gayi das gayi … naagan si zulfen teri 02.08.2013
Jaal bichhe hain nigaahon ke … gaal gulaabi hai 07.07.2013
Maan jaayiye maan jaayiye 20.06.2013
Main akeli badi mushqil ghadi … baat mere dil ki
Himmat karey insaan to kya ho nahin sakta

All the seven songs in this movie were written by Anand Bakshi and they were composed by Laxmikant-Pyarelal.

Today’s song is sung by Mohd Rafi. HFGK mentions this song as the ‘theme song’ of the movie and I guess it is played in parts in the movie.

I came across one partial video of this song. The audio is for the full song and lyrics are noted as per audio version of this song,

Let us now enjoy this wonderful song written by Anand Bakshi. I like this song very much and hope you too will enjoy this motivational song …

Audio (Longer)

Video (Partial- second stanza)

Video (Partial- last stanza)

Song-Himmat karey insaan to kya ho nahin sakta (Himmat)(1970) Singer-Rafi, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus

Lyrics

Himmat karey insaan
Aa aa aa aa
Himmat karey insaan to kya ho nahin sakta
Ye jaan le naadaan to kya ho nahin sakta
Himmat karey insaan to kya ho nahin sakta
Ye jaan le naadaan to kya ho nahin sakta
Himmat karey insaan

Karti hai jise galiyon mein badnaam ye duniya
Kehti hai jise hasrat e naakaam ye duniya
Karti hai jise galiyon mein badnaam ye duniya
Kehti hai jise hasrat e naakaam ye duniya
Ban jaaye wo armaan to kya ho nahin sakta
Ye jaan le naadaan to kya ho nahin sakta
Himmat karey insaan

Himmat karey insaan
Aa aa aa aa
Himmat karey insaan to kya ho nahin sakta
Ye jaan le naadaan to kya ho nahin sakta
Himmat karey insaan to kya ho nahin sakta
Ye jaan le naadaan to kya ho nahin sakta
Himmat karey insaan

Shikwe buri kismat ke hai bujhdil ke bahaane
Tinke ki tarah tujhko udaa daala hawaa ne
Shikwe buri kismat ke hai bujhdil ke bahaane
Tinke ki tarah tujhko udaa daala hawaa ne
Ban jaaye tu chattaan to kya ho nahin sakta
Ye jaan le naadaan to kya ho nahin sakta
Himmat karey insaan to kya ho nahin sakta
Ye jaan le naadaan to kya ho nahin sakta
Himmat karey insaan
Aa aa
Aa aa
Aa aa
Aa aa aa

Jo waqt se dartey hain wo anjaan hain kitne
Wo kaam jo mushkil hai wo aasaan hain kitne
Jo waqt se dartey hai wo anjaan hai kitne
Wo kaam jo mushkil hai wo aasaan hai kitne
Ye raaz tu le jaan to kya ho nahin sakta
Ye jaan le naadaan to kya ho nahin sakta
Himmat karey insaan to kya ho nahin sakta
Ye jaan le naadaan to kya ho nahin sakta
Himmat karey insaan
Himmat karey insaan


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4444 Post No. : 15892

“Naag Mohini”(1963) was directed by Shantilal Soni for Dimple Films Bombay. This “pauraaanik” movie had Vijaya Chadhary, Mahipal, Sundar, Rajan Haksar, Bablu, Uma Dutt, Indira Bansal, Rajrani, Sood, Khursheed etc in it.

The movie had six songs in it. Four of these songs have been covered in the past.

Here is the fifth song from “Naag Mohini”(1963) to appear in the blog. the song is sung by Suman Kalyanpur. Bharat Vyas is the lyricist. Music is composed by Sardar Malik.

The song is picturised as an “inspirational” song, which to me sounds more like a “putting up a brave face” genre of song on a kid who could be Bablu going by the star cast. I request our knowledgeable readers to throw light on the identity of the kid.

Audio

Video

Song-Hum hain baalak kal ke maalik (Naag Mohini)(1963) Singer-Suman Kalyanpur, Lyrics-Bharat Vyas, MD-Sardar Malik

Lyrics

hum hain baalak
kal ke maalik
hum hain baalak
kal ke maalik
samjho mat naadaan
aa jaayen gar hathh pe apni
jhukta hai bhagwaan
ho o
hum hain baalak
kal ke maalik

jungle ho ujaad ho
saamne pahaad ho
sheron ki dahaad ho
koi na sake re humen thhaamne
din ho ya raat ho
aandhi barsaat ho
koi bhi na saath ho
badhte hi jaayen hum saamne
hum hain bachche
dhun ke sachche
sheron ki santaa aan
aa jaayen gar hathh pe apni
jhukta hai bhagwaan
ho o
hum hai baalak
kal ke maalik

dikhne mein kamzor hum
shakti mein ghanghor hum
aandhiyon ka zor hum
pade na kisi ko hum se vaasta
chaahe jalti aag ho
bhaazlu cheeta baagh ho
fan uthaaye naag ho
koi na roke humaara raasta
hum hain ladke
hum jo bhadken
ban jaaye toofaa aan
aa jaayen gar hathh pe apni
jhukta hai bhagwaan
ho o
hum hain baalak
kal ke maalik
hum hain baalak
kal ke maalik
samjho na naadaan
aa jaayen gar hathh pe apni
jhukta hai bhagwan
ho o
hum hain baalak
kal ke maalik


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16700 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2022) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16781

Number of movies covered in the blog

Movies with all their songs covered =1305
Total Number of movies covered=4565

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