Archive for the ‘Inspirational song’ Category
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5670 | Post No. : | 18178 |
Greetings and wishing all friends and readers a very Happy and a Promising Republic Day.
The nation has come a long way from the first Republic Day in 1950. 73rd celebration of this momentous event that proclaimed and established India as a Republic. The new Constitution of the nation, which had been under discussion, preparation, reviews and approval process for the previous three years, was finally signed by the members of the Constituent Assembly and adopted as the guiding document for the nation.
The Constituent Assembly was setup in December of 1946 with 389 members – partly elected by the Provincial Assemblies and partly nominated. Some members got disengaged from the team during it progress through the years. On the day it was adopted, the membership stood at 299. The major drafting work was done by the seven member drafting committee, led by Dr BR Ambedkar. The other six members of the drafting committee were KM Munshi, Muhammed Sadulla, Alladi Krishnaswamy Iyer, N Gopalaswami Ayyangar, Devi Prasad Khaitan and BL Mitter.
The signing ceremony took place on 24th January, 1950, and the Constitution came into force on 26th Januray.
It is interesting to know – in the intervening period of about 3 years, i.e. from 15th August 1947 to 26th January, 1950, India continued to have a status of a Dominion under the British Crown. The defense forces of the country were controlled by the British. India continued to be governed by the Govt Of India Act (1935).
A part of the Constitution – 16 articles of the total 395 articles – came into force on 26th November 1949. Finally, on 26th January 1950, the previous governing instruments i.e. the Govt Of India Act (1935) and the Indian Independence Act (1947), both belonging to the British regime, were officially repealed and India was declared a Republic. Over years, more than 100 amendments have been made to the constitution, bringing the total no. of articles to 470.
Lest we forget, the Preamble of our Constitution states as follows,
WE, THE PEOPLE OF INDIA having solemnly resolved to constitute India into a SOVEREIGN SOCIALIST SECULAR DEMOCRATIC REPUBLIC and to secure to all its citizens:
JUSTICE, social, economic and political;
LIBERTY of thought, expression, belief, faith and worship;
EQUALITY of status and of opportunity; and to promote among them all
FRATERNITY assuring the dignity of the individual and the unity and integrity of the Nation;
IN OUR CONSTITUENT ASSEMBLY this twenty-sixth day of November, 1949, do HEREBY ADOPT, ENACT AND GIVE TO OURSELVES THIS CONSTITUTION.
A powerful set of statements, established by profound thought and discussion, from which flow all the remaining components of the Constitution, and all the laws that are enacted by the Parliament or State Assemblies must adhere to this framework.
Independence came to our nation on 15th August, 1947, but the concluding part of this process that established the sovereignty and the framework to govern came on 26th January, 1950.
An event of profound significance, it is a celebration of continued existence of this nation.
I present today, a poetry snippet from the 1973 film by Chetan Anand – ‘Hindustan Ki Kasam’. The film is a life drama that plays itself out on the background of the India-Pakistan war of 1971. The films is a salute the guardians of the independence and sovereignty of our nation – our armed forces.
There are two parts to this snippet. The first part is rendered at the beginning of the film. The scene is simply the view from a plane in its flight through the clouds and its landing back on the ground. This part is in the background. The rendering voice clearly is of Chetan Anand. This part is setting the stage for the second part. It is a brief summary of the message of Bhagvadgita – as Krishna tells Arjun the secrets of Atma and non-attachment.
The second part of this snippet is delivered by Ranbir (role played by Vijay Anand). He is a Wing Commander with the Indian Air Force. He is posted on a forward air base. He flies sorties to counter enemy planes and attack enemy on the ground. He is celebrating his promotion at a party when the war breaks out.
The scene is of this snippet is that he is ready to take off on a sortie. In the maintenance hangar he spends a few minutes with his friends on the maintenance team. A jolly exchange about the birth of a son to one of the mechanics leads into the question – when will this war come to an end. Vijay Anand responds by talking about the message of Karma from the Bhagvadgita. He mentions that he learnt it from the writings of a poet of Urdu. The mechanics team requests to listen to that poetry. And the pilot obliges by reciting the lines he has read.
Then he marches off to his plane, never to return – his plane is shot by the enemy during that sortie, and he is fatally injured.
The verses are written by Kaifi Azmi. Chetan Anand, the director, has made excellent use of the message of Bhagvadgita as a preamble to the call of duty that a soldier, a pilot has to respond to.
The two brothers, Chetan and Vijay, need no introduction. This trio of brothers – with Dev Anand – is the second most prominent family in Hindi films, next only to the Kapoors. Last Monday, 22nd January, it was the birth anniversary of the youngest of these three – Vijay, also known by his other popular name – Goldie. Born on 22nd January in 1934 at Gurdaspur in Punjab, he is probably the most talented of all the three brothers.
But it has to be a passing reference today. Will take another opportunity to write more about him.
Once again, greetings for the Republic Day.
And an honorable tribute to our defense forces – the guardians of our independence and sovereignty.
Song – Dosto Hum Aaj Ke Arjun Hi To Hain (Hindustan Ki Kasam) (1973) Singer – Chetan Anand, Vijay Anand, Lyrics – Kaifi Azmi, MD –
Lyrics
Part I
aur phir krishn ne arjun se kaha
na koi bhai na beta na guru
ek his shakl ubharti hai har aaine mein
aatma marti nahin
jism badal leti hai
dhadkan is seene ki ja chhupti hai us seene mein
jism lete hain janam
jism fana hote hain
jism lete hain janam
jism fana hote hain
aur jo ik roz fana hoga
wo paida hoga
ik kadi tootti hai
doosri ban jaati hai
khatm ye silsila e zindagi phir kya hoga
Part II
saathiyo dosto
hum aaj ke arjun hi to hain
hum se bhi krishn yahi kehte hain
ke zindagi sirf amal
sirf amal
sirf amal
aur ye bedard amal suleh bhi hai jung bhi hai
aman ki mohini tasveer mein hain jitney rang
unhin rangon chhupa khoon ka ek rang bhi hai
jung rehmat hai ke laanat
ye sawaal ab na utha
jung jab aa hi gayi sar pe
to rehmat hogi
door se dekh na bhadke huye sholon ka jalaal
isi dozakh ke kisi koney mein jannat hogi
saathiyo dosto
hum aaj ke arjun hi to hain
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Hindi script lyrics (Provided by Sudhir)
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Part i
और फिर कृष्ण ने अर्जुन से कहा
ना कोई भाई ना बेटा ना भतीजा ना गुरु
एक ही शक्ल उभरती है हर आईने में
आत्मा मरती नहीं
जिस्म बादल लेती है
धड़कन इस सीने की जा छुपती है उस सीने में
जिस्म लेते हैं जनम
जिस्म फना होते हैं
जिस्म लेते हैं जनम
जिस्म फना होते हैं
और जो इक रोज़ फना होगा
वो पैदा होगा
इक कड़ी टूटती है
दूसरी बन जाती है
खत्म ये सिलसिला ए ज़िंदगी फिर क्या होगा
Part II
साथियो दोस्तो
हम आज के अर्जुन ही तो हैं
हम से भी कृष्ण यही कहते हैं
के ज़िंदगी सिर्फ अमल
सिर्फ अमल
सिर्फ अमल
और ये बेदर्द अमल सुलह भी है जंग भी है
अमन की मोहिनी तस्वीर में हैं जितने रंग
उन्हीं रंगों में छुपा खून का एक रंग भी है
जंग रहमत है के लानत
ये सवाल अब ना उठा
जंग जब आ ही गई सर पे
तो रहमत होगी
दूर से देख ना भड़के हुये शोलों का जलाल
इसी दोज़ख के किसी कोने में जन्नत होगी
साथियो दोस्तो
हम आज के अर्जुन ही तो हैं
Ek hain sab Hindustani
Posted on: January 26, 2024
- In: Asha Bhonsle solo | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Inspirational song | lullaby | Lyrics by Prakashchandra | Lyrics contributed by readers | Number song | Patriotic song | Songs of 1960s (1961 to 1970) | Songs of 1970 | Thousandth song for the artist | Thousandth song in the blog | Yearwise breakup of songs
- 7 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This song post marks the 1000th song of Laxmikant Pyarelal as music directors in the blog.
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5670 | Post No. : | 18177 |
Today (26 January 2024) is Republic Day of India.
India became a republic on 26 January 1950. That was easily a red letter day in the history of Modern India. It was on this day that India decided to be a country that would be a democracy where each citizen, irrespective of his caste, creed, religion, gender, economic status etc would enjoy equality without discrimination. The country would be governed according to the acts of Indian constitution that was adopted on this date.
It is to the great credit of India that the country has followed the constitution of India and the ideals of Indian constitution have been followed in spirit and letter. Today, 74 years later, India is in a much better position that what it was when the fledgling nation of India tried to find its feet. Foreign powers, including those who were the erstwhile rulers of India had predicted that India would fall apart in a matter of decades. Those people, long gone by now, have been proved wrong. Then there were foreign powers that kept interfering in the internal affairs of India, trying to destabilize and divide the nation and to keep it backward. Despite their efforts, India kept growing, albeit at glacial pace.
There are people who look back at past with selectively and opine that “hamaare zamaane mein sab kuchh achcha thha“. That was hardly the case if one collects facts and examines them and compare them with other nations of that time, and secondly when we make comparisons with today.
For instance, India today is in a much better position today than in 1950. Literacy rate was 18.3% in 1951. In 1947, it was 12%. It is 77.77 % in 2023. So India had come up a long way. Our literate population may not be all that educated and employable, but good progress has been made. Now we have to ensure that our population is not just literate but are also capable of acting as trained manpower in wide variety of industries. These industries, by the way, were conspicuous by their absence in 1940s, when India became independent and subsequently became a republic.
Economy is the backbone of any industry. Economically India continued to be a very week country till 1990. Present generation Indians will not believe it if they are informed that Indian economy ran on doles and loans till 1990. Foreign currency was scarce and so if some Indian wanted to get foreign currency in order to go abroad, he had to run from pillars to post. If he was lucky, he would get a ridiculously meager amount of foreign currency.
Though Indian constitution was formed with the aim of helping Indians realize their potential and lead dignified lives, the constitution was not really used that way all the time. In a democracy, it is expected that people are allowed to do something unless it is expressly forbidden. But Indian government often passed rules that forbid people to do things unless they were expressly permitted. One such draconian rule was FERA (Foreign Exchange Regulation Act). According to it, all foreign exchange was the property of Government. Holding foreign currency and dealing in it was forbidden. This act killed any kind of industrial and business activities in India because one simply could not import any goods and services from abroad.
It was only in 1999 that this draconian act was repealed and it was replaced by FEMA (Foreign Exchange Management Act). Now keeping foreign currency and trading in it is no longer an offence. One can freely buy foreign currency while going abroad. One can also import foreign items on Amazon etc. paying in foreign currency online. Till 25 years ago, it was expressly prohibited and forbidden.
In any case, foreign exchange was in short supply till 1990 because Indian economy itself was closed and isolated from world economy. Closed economy of USSR was called Iron Curtain. India economy that aped USSR was likewise called Bamboo Curtain.
USSR collapsed in late 1980s and early 1990s. India, whose economy was propped up artificially thanks to USSR, collapsed.
As fate would have it, India miraculously survived. It was very fortuitous that right man found himself becoming appointed as the PM of India in 1991. Once he realized that Indian economy was in dire straits, he systematically and with great planning and due diligence kept bringing in reforms after reforms, and that too in a manner that often flew under the radar yet they were major reforms that altered the course of Indian economy. People who were till then not allowed to be part of Indian economy were now allowed to participate in running the economy. Draconian acts that forbid people to do anything unless expressly allowed were replaced by new acts that allowed everything to be done unless expressly forbidden.
The results slowly began to come. Three decades have passed after the Indian economy was opened up. Now, Indian Government no longer has to borrow money from IMF (something that almost every neighbor of India still does). Unlike in the past, India is flush with foreign currency because foreigners believe in Indian economy and they invest their money in Indian stock exchange. The foreign businesses have their branches in India. Not just that, some Indian business houses have become global brands.
India still has a long way to go. Indians cannot rest on their laurels. Annual per capita earning of Indians is only $ 2,400 or so. A country is called high income country when annual per capita income of that country crosses $12,000. So Indian per capita income must become five times its present value for India to be considered as a high income nation viz a developed nation. Assuming that the population remains constant, it means India GDP must touch $ 18 trillions. If an economy grows at 7 % per annum, that economy doubles in ten years. With this rule of thumb, we can see that Indian GDP needs to become 5 times its current size. So India will need to keep developing its economy at 7 % per annum for 25 years. If the growth rate could be made higher than 7 % then the target could be achieved in lesser time.
On this occasion, here is a song from ‘Devi’ (1970). ‘Devi’ was produced by TM Kittu & AV Subramaniam and directed by V Madhusudana Rao for Olympic Pictures, Madras. The movie had Nutan, Sanjeev Kumar, Rehman, Lalita Pawar, Farida Jalal, Mehmood, Aruna Irani, Dina Gandhi aka Dina Pathak, Gajanan Jagirdar, Manorama, Madan Puri, Baby Sarika (aka Moppet Suraj), Mukri, Lalita Kumar aka Lalita Sinha, Manmohan Krishna, Vishwa Mehra, Mallik, Sulochana Latkar etc. in it.
The film had five songs in it. Three songs have been covered in the past.
This song, the fourth from the movie to appear in the blog is sung by Asha Bhonsle. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.
Lyrics of this song were sent to me by Prakashchandra many republic days and independence days ago. He had also sent a video link of the song. According to Prakashchandra, the song was picturised on Nutan, Dina Pathak, Baby Sarika aka Moppet Suraj and Manmohan Krishna.
Pyarelal Sharma has been given Padma Bhushan in the list of Padma awards that were announced on 25 January 2024, on the eve of Republic Day. So this song is an appropriate song to mark the occasion.
What is more, this song is the 1000th song of Laxmikant Pyarelal in the blog. They become the second music directors (firs being Shankar Jaikishan) to reach four figures of songs in the blog.
I take this opportunity to wish each and every Indian (wherever they are) a very happy Republic Day. India is marching ahead proudly and is on its way to take its rightful place among the nations of the world.
Audio
Video
Song-Ek hain sab Hindustani (Devi)(1970) Singer-Asha Bhonsle, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics (Provided by Prakashchandra)
ek
ek hain sab hindustani
ek hain sab hindustani
jo do samjhe ae
jo do samjhe
us ki hai ye naadaani ee
do
hum sa bke do haath hain
haath hain apne saath to saare saath hain ae
teen
aagey number teen hai
jhoothh bada bud-soorat hai
aur sach badaa haseen hai
chaar
chaar dishaaon mein sab dhaam
chaar dishaaon mein sab dhaam
purab pachchim uttar dakkhin unn ke naam
ek do teen chaar
chaar ke aagey paanch hai
phoolon mein khushboo hai
aag mein kyaa hai
aanch hai
chhe kaa roop niraalaa hai
aisa waisa darwaaze ka taalaa hai ae
saat
sur hai saat sitaar mein
sa re ga ma pa dha ni
sa ni dha pa ma ga re sa
sur hai saat sitaar mein
saat achchambhe hain saare sansaar mein
aathh
aathh baje hain sun aagey
woh achcha
jo jaldi soye
aur jaldi jaagey
number nau ka hai kehna
number nau ka hai kehna
paas bhalon ke
door buron se tum rehna aa
dus
bas
bas karo ab so jaao
bas karo ab so jaao
meethhe meethhe sapnon mein tum kho jaao…ooo
ek hain sab hindustaani
hmmm….hmmmm…hmmmm….hmm hmmm hmmmm
hmmm….hmmmm…hmmmm….hmm hmmm….hmmm
hmmmmm……hmmm hmmmm
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Hindi script lyrics (Provided by Sudhir)
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एक
एक हैं सब हिंदुस्तानी
एक हैं सब हिंदुस्तानी
जो दो समझे॰॰ए
जो दो समझे
उसकी है ये नादानी
दो
हम सबके दो हाथ हैं
हाथ हैं अपने साथ तो सारे साथ हैं
तीन
आगे नंबर तीन है
झूठ बड़ा बदसूरत है
और सच बड़ा हसीन है
चार
चार दिशाओं में सब धाम
चार दिशाओं में सब धाम
पूरब पश्चिम उत्तर दख्खिन उन के नाम
एक दो तीन चार
चार के आगे पाँच है
फूलों में है खुशबू
आग में क्या है
आंच है
छह का रूप निराला है
ऐसा वैसा दरवाज़े का ताला है
सात
सुर हैं सात सितार में
सा रे गा मा पा धा नि
सा नि धा पा मा गा रे सा
सुर हैं सात सितार में
सात अचम्भे हैं सारे संसार में
आठ
आठ बजे हैं सुन आगे
वो अच्छा
जो जल्दी सोये
और जल्दी जागे
नम्बर नौ का क्या कहना
नम्बर नौ का क्या कहना
पास भलों के
दूर बुरों से तुम रहना
दस
बस
बस करो अब सो जाओ
बस करो अब सो जाओ
मीठे मीठे सपनों में तुम खो जाओ॰॰ओ
एक हैं सब हिंदुस्तानी
ह्म्मम ह्म्ममम ह्म्ममम
ह्म्म ह्म्मम ह्म्ममम
ह्म्मम ह्म्ममम ह्म्ममम
ह्म्म ह्म्मम ह्म्मम
ह्म्ममम ह्म्मम ह्म्ममम
- In: Asha Bhonsle solo | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Inspirational song | Lyrics contributed by readers | Post by Sadanand Kamath | Song from Biopic Film | Songs of 2010s (2011 to 2020) | Songs of 2019 | Songs of Encouragement | Yearwise breakup of songs
- 4 Comments
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5533 | Post No. : | 17991 | Movie Count : |
4814 |
‘Saand Ki Aankh’ (2019) was produced by Anurag Kashyap under the banner of Reliance Entertainment and was directed by Tushar Hiranandani. The main cast included Taapsee Pannu, Bhumi Pednekar, Prakash Jha, Vineet Kumar Singh, Preeta Bakshi, Sara Arjun, Kavita Vaid, Himanshu Sharma, Shad Randhawa, Nikhat Khan etc.
The film is a biopic of two aged women from the Johri village in Uttar Pradesh (UP) – Chandro Tomar and Prakashi Tomar who had become the professional sharpshooters during their 60s and won many awards and medals despite facing obstacles from their patriarchs. They had appeared in Amir Khan’s TV Show ‘Satyamev Jayate’, Season-1, Episode 11. Currently, their granddaughter, Seema Tomar is the only Indian woman shooter who has won the Silver Medal at the International Shooting Sport Federation World Cup held in England in 2010.
The film is an affirmative attempt on woman’s emancipation. The initial a month long shooting of the film was done in Chandro and Prakashi’s old house in Johri village and around in the Baghpat district of UP. There is some influence of Haryanvi dialect in Johri village due to its proximity to Haryana. Hence, in the dialogues, the film has used Haryanvi dialect mix with Hindi. During the shooting, Taapsee Pannu stayed with the joint family of Chandru and Prakashi for more than a month to get familiar with their way of life and they spoke with their body language. Bhumi Pednekar may have learnt the Haryanvi dialect in-house as her mother, Sumitra Hooda-Pednekar is from Haryana.
The gist of the story of the film is as under:
Chandro (Bhumi Pednekar) and her sister-in-law, Prakashi (Taapsee Pannu) based in a village in Uttar Pradesh, are a part of a patriarchal joint family. Now grandmothers, they have spent most of their six decades of life doing household chores, working in the agricultural fields, collecting fodders for their milch animals and looking after children. The men-folks of the family led by the eldest, Rattan Singh Tomar (Prakash Jha) who is also the Sarpanch of the village spend most of their time sitting on the cots kept in the verandah and smoking hookah. Chandro and Prakashi feel that they have spent nearly six decades of their life without a purpose. In the back of their mind, they hate patriarchal ways of the society, but they have accepted the system as a fait–accompli. Their smiling faces show a life of fulfillment.
Dr. Yashpal (Vineet Prakash Singh) has recently opened a shooting academy in the village. Chandro and Prakashi takes their granddaughters to enrol in the shooting academy on the assumption that after becoming shooters, they will get government job. Out of curiosity, the grandmothers hold the shooting guns and discover that they have skill to shoot the bull’s eye. Over a period of time, they become expert in shooting under the guidance of Dr Yashpal and participate in many local and regional shooting competitions and winning many medals. The men-folks in the family are not aware of what these two women have achieved as they used to go for shooting practices in the pretext of visiting the temples and attending satsang. The grandmas now encourage their granddaughters, Shefali (Sara Arjun) and Seema (Pritha Bakshi) to become shooters.
Soon, the men-folks of the family learn through newspapers what Chandro and Prakashi have done which was considered taboo for women for going out and mingling with men. To add to their insult, they also learn that their granddaughters are also being trained for shooting. The hell breaks out in the family with Rattan Singh throwing out all the medals won by Chandro and Prakashi and ordering them to stop participating in the shooting competitions. Somehow, with the great efforts by Dr Yashpal, Rattan Singh reluctantly allows the granddaughters to join the shooting academy.
The film ends with Seema, the granddaughter of Prakashi receiving a rousing welcome in her village after winning the silver medal in shotgun shooting in an international competition in London. The family patriarch, Rattan Singh Tomar and other elder male members of the family join the villagers in the celebrations.
When Bhumi Pednekar and Taapsee Pannu were chosen to play the roles of Chandro and Prakashi who were in their 60s, there were some murmurs in the film industry as to why some elder actors with their proven ability to do such roles were not considered. After watching the film, I feel that both of them have justified their selection with immaculate delivery of dialogues in Haryanvi dialect coupled with their body language. Both have acted superbly. Their on-screen chemistry make us believe that they are real sister-in-law. Both of them won the Filmfare and Star Screen Critics’ Awards for Best Actress.
For the first time, I have seen Prakash Jha in a major role in the film. He acts superbly as the patriarch of the family with a villainous touch. However, as the film comes to an end, I do not hate his character. He has acted like a typical Haryanvi tau who wants his writ to be followed by his family without appearing him to be a confrontist.
The film has 5 songs written by Raj Shekhar which have been set to music by Vishal Mishra. I am presenting the first song, “Aasmaan Ooncha Hai Mera, Tu Hi Chhoo Lena” from the film to appear on the Blog. The song is rendered by Asha Bhosle. To the best of my knowledge, this is Asha Bhosle’s last solo song released for a Hindi film as on date.
The song is played in the background while granddaughters are leaving home for shooting training in Delhi. The situations depict the feelings of Chandro and Prakashi their granddaughters are facing initial hiccups in staying away from the family for a long time for pursuing their career. During their training the scenes also show the difficulties they faced and overcome these obstacles to achieve their dream of becoming the country’s top shooters. In their pursuits, their grandmothers motivate them over the phone. The song is a mix of melancholy and inspiration in keeping with the scenes.
Music director, Vishal Mishra had said in an interview which appeared on ‘Cinema Express’ dated October 8, 2019, as to why he was keen to take Asha Bhosle for the song who had not sung for the film for a long time. I quote:
I had to make a melody that had a special divinity to it. As soon as the song was composed, lyricist Raj Shekhar and I wondered how we could convince Asha ji to sing this track. After listening to it, Asha ji loved it so much that she said, “aaj kal aise gaane bante nahin hain” (such songs are not made anymore).
It is just a coincidence that the lyrics of the song fit well on Asha Bhosle’s early life when she was struggling to make a career in playback singing. Her husband had thrown her out of his house and pregnant Asha with her two children had taken shelter in her mother’s house some time in the mid-1950s. I visualise this song as if some celestial voice has inspired Asha Bhosle in those difficult years to boldly face the problems. Despite many ups and down in her professional career and in her personal life, Asha Bhosle never gave up. And she overwhelmingly succeeded in ‘touching the sky’ (“aasmaan….. chhoo lena” in the lyrics) in her singing career. Note a line in the song, “सारी दुनिया साथ ही फिर गाएगी, हाँ गाएगी”.
After listening this song, now I know as to why music director, Vishal Mishra and the lyricist, Raj Shekhar were keen to get then 86-year Asha Bhosle to render this melancholic and inspirational song. This song touched my heart.
Video
Audio
Song – Aasmaan Ooncha Hai Mera, Tu Hi Chhoo Lena (Saand Ki Aankh) (2019) Singer – Asha Bhosle, Lyrics – Raj Shekhar, MD – Vishal Mishra
Lyrics
hmm hmm hmm
hmm hmm hmm…
hmm hmm hmm
hmm hmm hmm…
hmm hmm hmm hmm
hmm hmm
hmm hmm hmm hmm
hmm hmm
aasmaan ooncha hai mera
tu hi chhoo lena
mere saare sapne tere
tu hi jee lena
raat hai gehri badi
par jaayegi
ye jaayegi
raat hai gehri badi
par jaayegi
haan jaayegi
aasmaan ooncha hai mera
tu hi chhu lena…
mere saare sapne tere
tu hi jee lena….
raat hai gehri badi
par jaayegi
haan jaayegi
raat hai gehri badi
par jaayegi
ye jaayegi
o ri laado mann kare to
o ri laado mann kare to
titli ban jaana
odhni ke rang le
ud jaana…..
ja falak pe kuchh sitaare
neeche giraana
kitni ho tirti (??) hawa
tu naa aana….aa
tujhko udta dekhne ko hum bhi aayenge
saath un unchayiyon par muskuraayenge
ujli subah teri khaatir aayegi
haan aayegi
raat hai gehri badi
par jaayegi
ye jaayegi
ab nahin bas baat dekho…
ab nahin bas baat dekho
teri yaa meri
tujhko dekhen kitni aankhen
sapne bhari
kitno ka hi kal chhupa hai
aaj mein tere
unke suraj bhi khilenge
saath tere..
meri teri unki khaatir
karna tujhe hai
sab ki ummeeden hain tujhse
udna tujhe hai
saari duniya saath hi phir gaayegi
haan gaayegi
raat hai gehri badi
par jaayegi
haan jaayegi
raat hai gehri badi
par jaayegi
haan jaayegi
————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
हम्म हम्म हम्म
हम्म हम्म हम्म
हम्म हम्म हम्म
हम्म हम्म हम्म
हम्म हम्म हम्म हम्म
हम्म हम्म
हम्म हम्म हम्म हम्म
हम्म हम्म
आसमां ऊंचा है मेरा
तू ही छू लेना
मेरे सारे सपने तेरे
तू ही जी लेना
रात है गहरी बड़ी
पर जाएगी
ये जाएगी
रात है गहरी बड़ी
पर जाएगी
हाँ जाएगी
आसमां ऊंचा है मेरा
तू ही छू लेना
मेरे सारे सपने तेरे
तू ही जी लेना
रात है गहरी बड़ी
पर जाएगी
हाँ जाएगी
रात है गहरी बड़ी
पर जाएगी
ये जाएगी
ओ री लाडो मन करे तो॰ ॰ ॰
ओ री लाडो मन करे तो
तितली बन जाना
ओढ़नी के रंग ले
उड़ जाना॰ ॰ ॰
जा फ़लक पे कुछ सितारे
नीचे गिराना
कितनी हो तीरती (??) हवा
तू ना आना
तुझको उड़ता देखने को हम भी आएंगे
साथ उन ऊंचाईओं पर मुस्कुराएंगे
उजली सुबह तेरी खातिर आएगी
हाँ आएगी
रात है गहरी बड़ी
पर जाएगी
ये जाएगी
अब नहीं बस बात देखो॰ ॰ ॰
अब नहीं बस बात देखो
तेरी या मेरी
तुझको देखें कितनी आँखें
सपने भरी
कितनों का ही कल छुपा है
आज में तेरे
उनके सूरज भी खिलेंगे
साथ तेरे
मेरी तेरी उनकी खातिर
करना तुझे है
सबकी उम्मीदें हैं तुझसे’
उड़ना तुझे है
सारी दुनिया साथ ही फिर गाएगी
हाँ गाएगी
रात है गहरी बड़ी
पर जाएगी
हाँ जाएगी
रात है गहरी बड़ी
पर जाएगी
ये जाएगी
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5398 | Post No. : | 17707 |
———————————————–—————————————
Blog 10-Year Challenge (2013-2023) – Song No.100
————————————————————————————–
On this date ten years ago (29 April 2013), six songs from six different movies were covered in the blog. Here are the details:-
| Post No | Song Title | Name of the movie | Remarks |
|---|---|---|---|
| 8001 | Mera husn lootne aayaa | Chandralekha (1948) | 8 songs covered out of 11 by now |
| 8002 | Chanda ki chaandni na suhaaye to kya karen | Duniya Ek Saraai (1947) | 5 songs out of 9 by now |
| 8003 | Tere saath chal rahe hain ye zameen ye chaand taare | Angaarey(1954) | Movie YIPPEED by now |
| 8004 | Itni si baat ka fasaana na banaao | Ek Ladki Saat Ladke(1961) | Movie YIPPEED by now |
| 8005 | Ham pe daya rakhna | Aas (1953) | Movie YIPPEED in the blog with this song |
| 8006 | Jaa jaa jaa jaa tujhe ham jaan gaye | Sehraa (1963) | Movie YIPPEED by now |
We observe that four movies (out of six) whose songs were covered in the blog on this date ten years ago (on 29 April 2013) have since been YIPPEED in the blog. That leaves us with two unYIPPEED movies that are eligible for Blog Ten Year Challenge today (29 April 2023).
“Chandralekha”(1948) is one BTYC eligible movie today.
“Chandralekha”(1948) was produced and directed by S S Vasan for Gemini Chitra, Madras. This blockbuster big budget movie had T.R.Rajkumari, M.K.Radha, Ranjan, Sundri Bai, Yashodra Katju, L.Narayan Rao, Subbayya Pillai, V.H.Janaki, H.Krishnamurthy, B.S.Kalla, A.K.Chopra, Sundar Rao, Varalakshmi etc in it.
“Chandralekha”(1948) had 11 songs in it. Eight songs have been covered in the blog by now.
Here is the ninth song from the movie to appear in the blog. The song is sung by chorus. Pt Indra Chandra is the lyricist. Music is composed by R Vaidhyanathan.
The song is played in the background as horse riding warriors are seen racing away towards somewhere (battlefield) in perfect formation, one after the other.
Lyrics of this song were sent to me by Prakashchandra.
This song is the 100th song in this year under the Blog Ten Year Challenge (2013-2023). We are still in on 29 April 2023. More than eight months are still left. Lots and lots of songs (1200 to be exact) were covered in the blog in 2013 between 30 April 2013 to 31 december 2013. Many of the movies of these songs are still unYIPPEED so we can hopefully have record number of songs under BTYC in this year, breaking previous year’s record of 140 songs set in BTYC (2012-2022).
This also happens to be the 100th post in the current month of April 2023. So we continue to live up to our new year resolution of posting 100 or more songs in each month in this year. Hopefully we will continue to stick to this resolution throughout the year and even beyond.
Audio link:
[https://www.youtube.com/watch?v=G4Y9g7ix1CY]
video link:
Song-Nazar milaaye jaa tu kadam badhaaye jaa (Chandralekha)(1948) Singer-Chorus, Lyrics-Pt Indra Chandra, MD-R Vaidhyanathan
Lyrics(Provided by Prakashchandra)
nazar milaaye jaa
tu kadam badhaaye jaa
tu hawaa jamaaye jaa
gaa dil se gaanaa aan
chaltey chal chalaa chal
manzil par chalaa chal
chaltey chal chalaa chal
manzil par chalaa chal
teer chalaanaa nazron ke chubhtey jaanaa
teer chalaanaa
nazron ke chubhtey jaanaa
pyaar sabko diye jaa
pyaar sabkaa liye jaa
pyaar sabko diye jaa
pyaar sabkaa liye jaa
badhey jaao
ladey jaao o ooo
judey jaao
judey jaao
nazar milaaye jaa
tu kadam badhaaye jaa
tu hawaa jamaaye jaa
gaa dil se gaanaa aan
chalte chal chalaa chal
manzil par chalaa chal
chalte chal chalaa chal
manzil par chalaa chal
teer chalaanaa nazron ke chubhtey jaanaa
teer chalaanaa nazron ke chubhtey jaanaa
pyaar sabko diye jaao
pyaar sabkaa liye jaao
badhey jaao
badhey jaao o ooo
judey jaao
judey jaao
nazar milaaye jaa
kadam badhaaye jaa
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5387 | Post No. : | 17670 |
“Do Dulhe”(1955) was directed by K J Mahadevan for United Film Arts, Madras in association with Gemini, Madras. The movie had Shyama (As Parvati, Sajjan (as Kanhaiya, Kundan), Vanaja (as Dulari), Agha (as Banke), David as (Devi Dayal), Kanhaiyalal (as Purohit), Lalita pawar ((As Sethani), Achla sachdev (as Kundan`s mother), B.M.Vyas (as Vrijmohan Gupta), Suryakantam (as dumb woman), G.V.Shama (as Rikshaw-Wallah), Venkat (as dance master), Ishwarlal (as Ekadashi Vaidya), H.Krishnamurti (as clerk), L.R.Mudaliar (as Postman), Vijaya Rao (as doctor), Indravadan Mehta (as Kundan`s father), Deshraj (as Soda subedar), Sugeshini (as Beggar girl), Koushal (as beggar), Jaya etc in it.
The movie had 11 songs in it. Six songs have been covered so far.
Here is the seventh song from the movie to appear in the blog. This song is sung by Rafi. Pt Indra Chandra is the lyricist. Music is composed by B S Kalla.
The song is picturised on Shyama playing a dukhiyaaree naaree, as this song gets played in the background.
Lyrics of this song and other details were sent to me by Prakashchandra.
Video
Audio
Song-Tai na kar paaye jise tu kaun si manzil hai wo (Do Dulhe)(1955) Singer-Rafi, Lyrics-Pt Indra Chandra, MD-B S Kalla
Lyrics(Provided by Prakashchandra)
hal na kar paaye ae jisey tu
kaun si mushqil hai woh o o
tai na kar paaye ae jisey tu
kaun si manzil hai woh
ab kaun si manzil hai woh o o
chaah gar hogee to beshque
raah bhi mil jaayegee ee
aarzoo dil kee teri
aahon se hee jal jaayegee ee
aarzoo dil kee teree
aahon se hee jal jaayegee ee
ho naheen saktaa hai achchaa
kaun saa bismil hai woh o
tai na kar paaye ae jisey tu
kaun si manzil hai woh o
ab kaun si manzil hai woh o o
zindagee aur maut
do hain karwatein insaan kee ee ee
tum sadaa rotee eee raho o o
marzee hai ye ae bhagwaan kee ee
ab iraadon mein tumhaarey
josh kuchch baaqee naheen een
jeene waaley marney kaa bhee
hosh kuchch baaqee naheen
hosh kuchch baaqee naheen een een
Chun chun ke phool le lo
Posted on: August 15, 2022
- In: Devnagri script lyrics by Sudhir | Guest posts | Inspirational song | Lyrics contributed by readers | NFS | patriotic NFS | Patriotic song | Post by Sadanand Kamath | Protest song | Shubha Mudgal NFS | Shubha Mudgal Solo Song | Shubha Mudgal Songs | Songs of 2000s (2001 to 2010) | Songs of 2008 | Yearwise breakup of songs
- 12 Comments
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5141 | Post No. : | 17101 |
Greetings to all the readers of the Blog on the occasion of आजादी का अमृत महोत्सव on the 75th Year of Independence of India today, August 15, 2022. Independence Day is the reminder to all of us about the sacrifices a large number of Indians made during the freedom struggle to achieve independence on August 15, 1947. Thanks to the history books, the present generation is aware of the sacrifices for the independence struggle, made by Mahatma Gandhi, Jawaharlal Nehru, Netaji Subhas Chandra Bose, Sardar Vallabhbhai Patel, Lala Lajpat Rai, Lokmanya Bal Gangadhar Tilak, Bipin Chandra Pal, Shaheed Bhagat Singh, Chandra Shekhar Azad and many more. But lets us not forget to remember hundreds of other freedom fighters whose sacrifices, by and large, remained in anonymity. One such name which I came to know recently was that of Vidyadhari Bai, a tawaif (courtesan) who, apart from composing and singing patriotic songs in her musical performances, she also provided financial and logistic support to freedom fighters.
A few months back, I had purchased Amritlal Nagar’s Hindi book ‘Ye Kothewalian’ (1958) which gives an account of the life of some courtesans of the early 20th Century. In this book, there is a chapter on Vidyadhari Bai of Jesuri in Chandauli block of the then Banaras district. There is also an addenda chapter which gives an account of Mahatma Gandhi’s meeting with some courtesans of Banaras sometime in 1921 during which he advised Vidyadhari Bai to sing nationalist songs while giving her musical performances in big cities and in princely states. Accordingly, she wrote and rendered some patriotic songs in all her concerts. The courtesans of Banaras formed a Tawaif Sabha to support the independence struggle. Husna Bai, one of the prominent courtesans of Banaras chaired the meeting of the Sabha during which she acknowledged that it was at the initiative of Vidyadhari Bai that Tawaif Sabha was formed.
Saba Dewan’s recent book ‘Tawaifnama’ (2019), more or less, confirms that Vidyadhari Bai organised a series of smaller meetings at her home to enthuse other courtesans to the cause of the non-cooperation movement. She was joined in these efforts by another courtesan, Sultana who too had been closely tracking the unfolding political scenario. Both of them prevailed upon Husna Bai to call a meeting of the entire community to work out the details of the agenda. Tawaifs, who actively participated in the mutiny of 1857, would once again have to come forward and contribute their bit to the nationalist cause. This was not just their duty as daughters of India but also the need of the hour if they did not wish to be consigned to the dustbin of history. They also felt that times were changing and tawaifs too would have to keep pace with fast-changing social and political scenarios in India.
Vidyadhari Bai was a contemporary of Gauhar Jaan. She was born in Jesuri village in present Chandauli district. Her grandfather, Purushottam Rai was a musician. There is confusion as to which year she was born – 1874 or 1881? She got musical training from Pandit Ram Sumeru Mishra, a Sarangi player and later from Ustad Naseer Khan of Darbhanga. She started singing in her early teens with Jayadev’s poems. With this, she became so famous that she started getting invitations from royal courts all over India for her concerts. She became the court singer in the court of Raja of Banaras. She excelled in khayaal, taraana, thumri, dadra, tappa, ghazal and bhajans. It is said that her singing voice was so mesmerizing that even the passer-by would be tempted to attend her concerts. She was so popular that in her concerts, to witness her performances, a large number of people were perforce standing in the back due to shortage of space for sitting. Besides Hindi and Urdu, she was a proficient singer in Marathi, Gujarati, Bangla and Punjabi languages.
Vidyadhari Bai was a fashion icon for the ladies of the royal and landlords’ families. However, after Mahatma Gandhi’s call to shun foreign goods, she stopped wearing jewelries and imported cloth. In all her concerts, she would render at least one patriotic song. Probably, she was the first courtesan to perform mujra by singing patriotic songs.
In her native village, Jesuri, Vidyadhari Bai had constructed a one-story bungalow with some out-houses which became the perfect hideout for freedom fighters to avoid arrest from the British police. During this period, she used to provide financial assistance to them besides regularly donating some part of her income for the cause of India’s freedom movements.
In the early 1940s, probably when the old age had caught up with Vidyadhari Bai and with the decline of the tawaif system, she returned to Jesuri and stayed in her house with her brother’s family. Since she used to donate a large part of her earnings for the cause of freedom movements and also help financially the freedom fighters’ families, she did not have much savings during the latter part of her life. During this period, she started teaching musical lessons to students free of charge.
Vidyadhari Bai had a premonition that her end was near. So, she shifted to Mukti Bhavan in Banaras on May 9, 1971. On the very next day, May 10, 1971, she breathed her last in her 90s, unsung and in anonymity. As per her own submission, she did not get any recognition or honor from the Government.
As mentioned earlier, Amritlal Nagar’s ‘Ye Kothewalian’ (1958) included a letter from Vidyadhari Bai about her meeting with Mahatma Gandhi in Banaras. She wrote in the letter that on his suggestion, some courtesans had decided to start their musical performances with renditions of nationalist songs. Lyrics of one such song written and sung by her, “Chun Chun Ke Phool Le Lo” was included in the letter. She said in the letter that she rendered this song in all her performances despite the presence of policemen from the police stations of the areas of her performances for keeping a close watch on the visitors. The song lives on today – it was included in Hindustani classical singer Shubha Mudgal’s album, ‘Swadheenta Samar Geet’ (2008), a collection of songs from the freedom movement.
On the occasion of the 75th Independence Day, I am presenting the same song rendered by Shubha Mudgal. The music was composed by her husband, Aneesh Pradhan. While composing the song, he has used mainly harmonium and tabla probably to give a feel of the period during which Vidyadhari Bai had rendered this song. In 2011, the couple collaborated with theater director Sunil Shanbhag on a musical drama ‘Stories in a Song’, one episode of which recreated Mahatma Gandhi’s meeting with the courtesans of Tawaif Sabha.
This song takes us back to more than a century to recreate a part of the history of India’s freedom movements.
————————————————————————————————————————————————-
Acknowledgements: In addition to the books I mentioned in my article, I am also thankful to ‘Sureele Dinon Ki Daastan’ and Dr. Manish Kumar Mishra for their videos on Vidyadhari Bai which gave some useful additional information on her.
Audio Clip:
Song-Chun chun ke phool le lo (Shubha Mudgal NFS)(2008) Singer-Shubha Mudgal, Lyrics-Vidyadhari Bai, MD-Aneesh Pradhan
Lyrics
aaa aaa aaa aaa aaaa aa
aaa aaa aaa aaa aaaa aa
aaa aaa aaa aaa aaaa aa
aa aa aa aa aaaa
chun chun ke phool le lo o o….o
chun chun ke phool le lo
armaan rah na jaaye
chun chun ke phool le lo
armaan rah na jaaye
ye Hind kaa bageecha
gulzaar rah na jaaye ae
ye Hind kaa bageecha
gulzaar rah na jaaye
chun chun ke phool le lo
armaan rah na jaaye
chun chun ke phool le lo
armaan rah na jaaye
ye Hind kaa bageecha
gulzaar rah na jaaye ae
ye Hind kaa bageecha
gulzaar rah na jaaye
aa aa aa aaaaa aa aaaa
ye wo chaman nahi hai….ai ae ae
ye wo chaman nahin hai
lene se ho ujaad
ye wo chaman nahin hai
lene se ho ujaad
ulfat kaa jismen kuchh bhi
ehsaan rah na jaaye
ulfat kaa jismen kuchh bhi
ehsaan rah na jaaye
bhar do jawaan bandon
jailon mein chaahe bhar do
bhar do jawaan bandon
jailon mein chaahe bhar do
maata pe koi hota qurbaan rah na jaaye…..ae
aa aa aa aaaaaaa aaa
aa aa aa aaaaaaa aa
maata pe koi hota qurbaan rah na jaaye
chhal-o-fareb se tum Bharat kaa maal looto
chhal-o-fareb se tum Bharat kaa maal looto
iske liye yaa koi saamaan rah na jaaye
iske liye yaa koi saamaan rah na jaaye
ye Hind kaa bageecha
gulzaar rah na jaaye
ye Hind kaa bageecha
gulzaar rah na jaaye
chun chun ke phool le lo
armaan rah na jaaye
chun chun ke phool le lo….o
Bharat na rah sakega hargij ghulaamkhaana….aaaaaaa aa
Bharat na rah sakega hargij ghulaamkhaana
aazaad hoga hoga
aaya hai wo zamaana
aazaad hoga hoga
aaya hai wo zamaana..aa
khoon khaulne laga hai….ai ae
khoon khaulne laga hai ab Hindustaniyon kaa
khoon khaulne laga hai ab Hindustaniyon kaa
kar denge zaalimon ke band bas jurm dhaana
kar denge zaalimon ke band bas jurm dhaana..aa
qaumi tirange jhande pe jaan nisaar unki
qaumi tirange jhande pe jaan nisaar unki
Hindu Masih Muslim gaate hain ye taraana
Hindu Masih Muslim gaate hain ye taraana
aa aa aaaaa
parwaah ab kise hai…ai ae
parwaah ab kise hai
iss jail-o-daman ki
parwaah ab kise hai
iss jail-o-daman ki
ik khel ho raha hai
phaansi pe jhool jaana
ek khel ho raha hai
phaansi pe jhool jaana
Bharat watan hamaara
Bharat ke ham hain bachche
Bharat watan hamaara
Bharat ke ham hain bachche
maata ke waaste hai manzoor sar kataana
maata ke waaste hai manzoor sar kataana
ye Hind kaa bageecha
gulzaar rah na jaaye ae
ye Hind kaa bageecha
gulzaar rah na jaaye
chun chun ke phool le lo….ooo
chun chun ke phool le lo
armaan rah na jaaye
chun chun ke phool le lo
armaan rah na jaaye
chun chun ke phool le lo
armaan rah na jaaye
ye Hind kaa bageecha
gulzaar rah na jaaye ae
ye Hind kaa bageecha
gulzaar rah na jaaye
chun chun ke phool le lo………o
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
आ आ आ आ आ आ
आ आ आ आ आ आ
आ आ आ आ आ आ
आ आ आ आ आ
चुन चुन के फूल ले लो॰॰ओ
चुन चुन के फूल ले लो
अरमान रह ना जाये
चुन चुन के फूल ले लो
अरमान रह ना जाये
ये हिन्द का बगीचा
गुलज़ार रह ना जाये
ये हिन्द का बगीचा
गुलज़ार रह ना जाये
चुन चुन के फूल ले लो
अरमान रह ना जाये
चुन चुन के फूल ले लो
अरमान रह ना जाये
ये हिन्द का बगीचा
गुलज़ार रह ना जाये
ये हिन्द का बगीचा
गुलज़ार रह ना जाये
आ आ आ आsss आ आsss
ये वो चमन नहीं है॰॰ऐ
ये वो चमन नहीं है
लेने से हो उजाड़
ये वो चमन नहीं है
लेने से हो उजाड़
उल्फ़त का जिस में कुछ भी
एहसान रह ना जाये
उल्फ़त का जिस में कुछ भी
एहसान रह ना जाये
भर दो जवान बंदों
जेलों में चाहे भर दो
भर दो जवान बंदों
जेलों में चाहे भर दो
माता पे कोई होता क़ुरबान रह ना जाये॰॰ए
आ आ आ आsssss आ
आ आ आ आsssss आ
माता पे कोई होता क़ुरबान रह ना जाये
छल औ फरेब से तुम भारत का माल लूटो
छल औ फरेब से तुम भारत का माल लूटो
इसके लिए या कोई सामान रह ना जाये
इसके लिए या कोई सामान रह ना जाये
ये हिन्द का बगीचा
गुलज़ार रह ना जाये
ये हिन्द का बगीचा
गुलज़ार रह ना जाये
चुन चुन के फूल ले लो
अरमान रह ना जाये
चुन चुन के फूल ले लो॰॰ओ
भारत ना रह सकेगा हरगिज़ ग़ुलामखाना आ आ
भारत ना रह सकेगा हरगिज़ ग़ुलामखाना
आज़ाद होगा होगा
आया है वो ज़माना
आज़ाद होगा होगा
आया है वो ज़माना॰॰आ
खूँ खौलने लगा है॰॰ऐ
खूँ खौलने लगा है अब हिंदुस्तानीओं का
खूँ खौलने लगा है अब हिंदुस्तानीओं का
कर देंगे ज़ालिमों के बंद बस जुर्म ढाणा
कर देंगे ज़ालिमों के बंद बस जुर्म ढाणा॰॰आ
कौमी तिरंगे झंडे पे जां निसार उनकी
कौमी तिरंगे झंडे पे जां निसार उनकी
हिन्दू मसीह मुस्लिम गाते हैं ये तराना
हिन्दू मसीह मुस्लिम गाते हैं ये तराना
आ आ आssss
परवाह अब किसे है॰॰ऐ
परवाह अब किसे है
इस जेल ओ दमन की
परवाह अब किसे है
इस जेल ओ दमन की
इक खेल हो रहा है
फांसी पे झूल जाना
इक खेल हो रहा है
फांसी पे झूल जाना
भारत वतन हमारा
भारत के हम हैं बच्चे
भारत वतन हमारा
भारत के हम हैं बच्चे
माता के वास्ते है मंजूर सर कटाना
माता के वास्ते है मंजूर सर कटाना
ये हिन्द का बगीचा
गुलज़ार रह ना जाये
ये हिन्द का बगीचा
गुलज़ार रह ना जाये
चुन चुन के फूल ले लो॰॰ओ
चुन चुन के फूल ले लो
अरमान रह ना जाये
चुन चुन के फूल ले लो
अरमान रह ना जाये
चुन चुन के फूल ले लो
अरमान रह ना जाये
ये हिन्द का बगीचा
गुलज़ार रह ना जाये
ये हिन्द का बगीचा
गुलज़ार रह ना जाये
चुन चुन के फूल ले लो॰॰ओ
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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