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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1979’ Category


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3737 Post No. : 14688

This song from the film Suhaag  (1979) has been waiting in my drafts for a long time now. It is a group song based on Punjabi folk and a popular one at that.

It so happened that when I saw Peevesie’s Mom’s post yesterday on Rekha’s birthday, got an idea in the mind to do a post for Amitabh & Rekhas birthday together with a song of both of them.  There are a lot of songs featuring these two as a couple yet to be posted in the blog.

Somehow I  thought of the song “Naam Re. . . Sabse Bada Tera Naam, O Sheronwaali” from Suhaag, as a trio celebration of Amitabh Bachchan and Rekha’s birthdays plus Navratri.  But when I looked up the movie in the list, this song is already posted by Peevesie’s Mom in 2016. So that choice got ruled out.

Further yesterday was blue day for Navratri, there was a photo session of all ladies in the office, which is the norm all over nowadays in Mumbai offices at least. A colleague made a collage of those photos and put it on the status of the office ladies whatsapp group. It so happened she had mistakenly included one group photograph from another office.

When I pointed it out to her, she said “galti se ho gaya re. . .” . I asked my husband if there was a song with the word ‘galti‘ , he said there was no such song but there is a song with the word ‘bhool‘,  e.g. “Hum Se Bhool Ho Gayee Hum Ka Maafi Dai Do” (‘Ram Balram’, 1980). I remembered the song “Hum Se Ka Bhool Hui Jo Ye Sazaa Hum Ko Mili” (‘Janta Hawaldar’, 1979). But since the song from ‘Ram Balram’ has both Rekha & Amitabh I shared the link to that song in the group. I am appreciated for thinking of a song at the drop of a hat, since we have a Hindi film song for all moments and occasions. I have reliable help in this endeavor, what with my husband being a filmy buff, YouTube etc. 🙂

So back to the song – today is yellow day and in this song at least Parveen Babi can be seen in full yellow, sunny splendour. And it has both Rafi  & Asha Singing for Amitabh & Rekha.  Asha Bhosle in giving playback to Parveen Babi too and Shailendra Singh is doing the honours for Shashi Kapoor. Anand Bakshi is the lyricist for this song composed by Laxmikant Pyarelal. Amitabh Bachchan is in disguise in this song to hide his identity from friend Shashi Kapoor, which is uncovered at the end of the song by Shashi Kapoor. Overall a colourful and enjoyable song to suit a celebratory occasion.

This bhangra song is filmed in the old Blighty’s Hyde Park – London, if I am not mistaken.


Song – Teri Rabb Ne Bana Di Jodi (Suhaag) (1979) Singer – Mohammed Rafi, Asha Bhosle (for Rekha), Asha Bhosle (for Parveen Babi), Shailendra Singh, Lyrics – Anand Bakshi, MD – Lakshmikant Pyaarelal
Mohammed Rafi + Asha Bhosle

Lyrics

teri rabb ne banaa di jodi..ee
teri rabb ne
teri rabb ne banaa di jodi 
tu haan kar ya na kar yaaraa
o yaaraa
ye bole jogi ka iktaaraa ho..oo 

o teri rabb ne banaa di jodi 
tu haan kar ya na kar yaaraa
o yaaraa
yeh bole jogi ka ik taaraa ho..oo 

kya bole teraa iktaaraa
kya bole
o kya bole teraa iktaaraa
mujhe kya lena hai jogi
o jogi ee 
meri shaadi marzi se hogi..ee
ho..oo

kya karne hain ghode haathi..ee
kya karne hain baaraati 
nainon ki is doli mein..ea
chal mujhe bittha le saathi
ke aisi ladki kahaan milti hai
gudiya ki tarah hilti hai
din raat tadapte hain bhanwre
tab ek kali khilti hai
hatt
jaao mujhe jaane do..oo
hatt jaao 
o hatt jaao mujhe jaane do
na khankaao khan khan kangana aa
o kangana
mujhe nahin ban’na tera sajna..aa
ho..oo

pehle kyun aankh ladaayi
gori ki neend churaayi
pehle kyun aankh ladaayi
gori ki neend churaayi
kar ke badnaam kisi ko..oo
banata hai ab harjaayi
iss jatt yamle se darna 
ab tu inkaar na karna
chup kar ke ban ja dulha
ye laathi dekh le varna
mat baandho zabardasti se..ea
mat baandho
o mat baandho zabardasti se
mere sar sehre ki ladiyaan
o ladiyaan 
tumhen lag jaayengi hathkadiyaan..aan
ho..oo 

sach bole duniyaa saari..ee
ye ishq buri beemari
tu ne mera dil todaa..aa
mar jaaun maar kataari
chal chhod isey deewani..ee
mat kar barbaad jawaani
laakhon hain is ke jaise
laakhon mein ek tu raani

saun rabb di main mar jaawaan
o saun rabb di
o saun rabb di main mar jaawaan
ladaaayi thhi ye to jhoothi
o jhoothi..ee
pehen le pyaar ki ye angoothi..ee
ho..oo
teri rabb ne banaa di jodi..ee
teri rabb ne
o teri rabb ne banaa di jodi..ee
teri rabb ne

o teri rabb ne banaa di jodi..ee
teri rabb ne
o teri rabb ne banaa di jodi..ee
teri rabb ne

———————————————————
Hindi Script Lyrics (Provided by Sudhir)
———————————————————

तेरी रब्ब ने बना दी जोड़ी
तेरी रब्ब ने
तेरी रब्ब ने बना दी जोड़ी
तू हाँ कर या ना कर यारा
ओ यारा
ये बोले जोगी का इकतारा हो॰॰ओ

ओ तेरी रब्ब ने बना दी जोड़ी
तू हाँ कर या ना कर यारा
ओ यारा
ये बोले जोगी का इकतारा हो॰॰ओ

क्या बोले तेरा इकतारा
क्या बोले
ओ क्या बोले तेरा इकतारा
मुझे क्या लेना है जोगी
ओ जोगी॰॰ई
मेरी शादी मर्ज़ी से होगी॰॰ई
हो॰॰ओ

क्या करने हैं घोड़े हाथी॰॰ई
क्या करने हैं बाराती
नैनों की इस डोली में
चल मुझे बिठा ले साथी
के ऐसी लड़की कहाँ मिलती है
गुड़िया की तरह हिलती है
दिन रात तड़पते हैं भँवरे
तब एक काली खिलती है
हट्ट॰॰ जाओ मुझे जाने दो
हट जाओ
ओ हट जाओ मुझे जाने दो
ना खनकाओ खन खन कंगना
ओ कंगना
मुझे नहीं बनना तेरा सजना॰॰आ
हो॰॰ओ

पहले क्यों आँख लड़ाई
गोरी की नींद चुराई
पहले क्यों आँख लड़ाई
गोरी की नींद चुराई
कर के बदनाम किसी को
बंता है अब हरजाई
इस जट्ट यमले से डरना
अब तू इंकार ना करना
चुप कर के बन जा दूल्हा
ये लाठी देख ले वरना
मत बांधो ज़बरदस्ती से
मत बांधो
ओ मत बांधो ज़बरदस्ती से
मेरे सर सेहरे की लड़ियाँ
ओ लड़ियाँ
तुम्हें लग जाएंगी हथकड़ियाँ॰॰आं
हो॰॰ओ

सच बोले दुनिया सारी
ये इश्क़ बुरी बीमारी
तू ने मेरा दिल तोड़ा॰॰आ
मर जाऊँ मार कटारी
चल छोड़ इसे दीवानी॰॰ई
मत कर बर्बाद जवानी
लाखों हैं इस के जैसे
लाखों में एक तू रानी
सौं रब्ब दी मैं मर जांवाँ
ओ सौं रब्ब दी
ओ सौं रब्ब दी मैं मर जांवाँ
लड़ाई थी ये तो झूठी
ओ झूठी॰॰ई
पहन ले प्यार की ये अंगूठी॰॰ई
हो॰॰ओ

तेरी रब्ब ने बना दी जोड़ी
तेरी रब्ब ने
ओ तेरी रब्ब ने बना दी जोड़ी
तेरी रब्ब ने
ओ तेरी रब्ब ने बना दी जोड़ी
तेरी रब्ब ने

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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3702 Post No. : 14624

Hullo Atuldom

‘Aangan Ki Kali’ was a movie directed by Harsh Kohli. One song from this movie has been posted earlier – “Sainyya Bina Ghar Soona” . Prakashchandra ji has given the story of the movie in the comments to that post. After reading it I feel nice that I missed seeing the movie when it released but I have a feeling that I might have seen it on Doordarshan at some point of time. But as Atulji has said in that post, the songs of that movie are still there in my memory.

So when I was thinking what song to send across to post on the occasion of Rakesh Roshan turning a year older (he turns 69) I remembered this lovely father’s love for daughter song. It is just that I was surprised that Bappi Lahiri was the music director and it was penned by Shaily Shailendra.

Rakesh Roshan the actor, producer, director made his acting debut in 1970 with ‘Ghar Ghar Ki Kahani’ opposite to Bharathi. Most of his single hero roles were in movies where the heroine was of central importance. But then he was more successful as a film maker beginning with ‘Aap Ke Deewane’ (1980).

Almost all his movies were successful as a director too – his first directorial being ‘Khudgarz’ (1987). He has an industry full of well-wishers and friends and most of them did walk-in appearances in the movies he made- Jeetendra in ‘Aap Ke Deewane’ and Rishi Kapoor in ‘Khudgarz’. He is one of the directors whose movies begin with the alphabet ‘K’- ‘Khudgarz’, ‘Khel (1992), ‘Karan Arjun’ (1995), ‘Kaho Na Pyar Hai’ (2000), ‘Koi Mil Gaya’ (2003), ‘Krissh’ (2006) etc.

So here is wishing Rakesh Roshan a very Happy Birthday.

Song – Na Rona Munni Na Tu Ro (Aangan Ki Kali) (1979) Singer – Kishore Kumar, Lyrics – Shaily Shailendra, MD – Bappi Lahiri

Lyrics

na rona
munni na tu ro oo
nanhe nanhe moti yun na kho

na rona
munni na tu ro
nanhe nanhe moti yun na kho
papa tujhpe jaan dete hain
mummy ki tu pyari hai na ro..oo
na rona
munni na tu ro
nanhe nanhe moti yun na kho

kali muskaaye to dekho
khil ke wo phool bane aee
chanda jo hanse raaton mein
door hon andhere ghane
aise hi
hamesha
tum bhi hanso
hanso hanso
na rona
munni na tu ro
nanhe nanhe moti yun na kho

badon ki baaton ka munni meri
kabhi bura maano nahin
bholi bhali soorat pyaari
lambi lambi taano nahin
rootho na
dekho na
ab to hanso
hans bhi do
na rona
munni na tu ro
nanhe nanhe moti yun na kho
papa tujhpe jaan dete hai
mummy ki tu pyari hai na ro
na rona
munni na tu ro
nanhe nanhe moti yu na kho

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
ना रोना
मुन्नी ना तू रो
नन्हें नन्हें मोती यूं ना खो

ना रोना
मुन्नी ना तू रो
नन्हें नन्हें मोती यूं ना खो
पापा तुझपे जान देते हैं
मम्मी की तू प्यारी है ना रो॰॰ओ
ना रोना
मुन्नी ना तू रो
नन्हें नन्हें मोती यूं ना खो

कली मुस्काए तो
खिल के फूल बने॰॰ए
चंदा जो हँसे रातों में
दूर हों अंधेरे घने
ऐसे ही
हमेशा
तुम भी हंसो
हंसो हंसो
ना रोना
मुन्नी ना तू रो
नन्हें नन्हें मोती यूं ना खो

बड़ों की बातों का मुन्नी मेरी
कभी बुरा मानो नहीं
भोली भाली सूरत प्यारी
लंबी लंबी तानो नहीं
रूठो ना
देखो ना
अब तो हंसो
हंस भी दो
ना रोना
मुन्नी ना तू रो
नन्हें नन्हें मोती यूं ना खो
पापा तुझपे जान देते हैं
मम्मी की तू प्यारी है ना रो
ना रोना
मुन्नी ना तू रो
नन्हें नन्हें मोती यूं ना खो


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3675 Post No. : 14563

# The Special Voices of the Decade (1971-1980) – 5 # Suresh Wadkar #
———————————————–———————————–——————

Welcome all to this fifth article in this series where we are discussing Special Voices that made their debut in HFM in the Seventies and carved their own niche on the HFM scene.

Some of them enjoyed success for a little while only to fade away with passage of time. Some of them became popular and continued to remain so for considerable time.

No matter how they fared at the HFM scene, all of them contributed in enriching HFM. All of them provided music lovers with many memories to cherish and savour.

Today we will be discussing about one such talented artist- Singer- who made his debut in 1977 and over the years has given us many memorable songs and who is active even now (I think his latest film song was from ‘Bramhaand Nayak Sai Baba-2016’ and a NF -ghazal album sung by him was released in 2016 in memory of his guru ‘Acharya Jiyalal Vasant’ i.e. ‘Chupke Chupke’) In addition, he is active in singing Marathi and other regional language songs as well.)

In his career spanning almost forty years, he has more than five hundred songs to his credit (if the sources I am referring to are correct). And given the number of songs he has sung I can say that his must be the most prolific artist among all the artists who will be featuring in this series …

Incidentally I get a chance to share one of his songs for our ASAD – 10th anniversary celebrations. And regulars to this blog who have listened to this song ‘Kaale kaale baadal jab bhi chhayenge’ and the male voice in it, I am sure must be still feeling the sweetness, the magic and the melodious range of this voice lingering in their ears still now or for that matter of any songs sung by him leave this impact on the listeners as usual.

***

Suresh Ishwar Wadkar was born on 7th August’1954 in Kolhapur (Maharashtra).
We wish him a belated happy Birthday and healthy and peaceful life ahead…
(Belatedly as I could not finish the write up in time and send it to our editors in time).

Another story of coming from a very humble background and scaling newer heights through sheer dedication, sincerity and perseverance in the field of music.

Suresh Wadkar’s father was a ‘mill worker’ in Sitaram Mills. His father was very fond of music and particularly ‘bhajans’. And the surroundings in which he grown up was traditional and cultural as all festivals were celebrated with fervour and music being an intrinsic part of it.

His father was very fond of ‘bhajans’ and he used to attend many programmes of ‘bhajans’ where Suresh then 4/5 years old used to accompany his father in these programmes of ‘Bhajan’. That is where he got with in all our traditions and cultures and listening to talented singers. And as it happened he was singing something and that was noticed by his father, and thus started his formal training classes in music when he was five only.

His guru from Sangli Shri Digrajkar was then giving him lessons in singing. He advised Suresh’s father to let Suresh continue with music and singing.

When he was eight he come to Acharya Jiyalal Vasant’s gurukul and Acharya ji groomed him into what he is today. He took care of all of his education and all. And looking into his passion when he was only thirteen years old his guru Jiyalal ji advised him to give training to other students in his institute.
Looking at his understanding of music, Acharya ji advised Suresh Wadkar to pursue education and degree in music. Following his guru’s advice Suresh Wadkar joined Prayag Sangeet Samiti and secured his degree of ‘Prabhakar’ in music and later joined ‘Arya Vidya Mandir’ in Mumbai as a ‘Music Teacher.

Suresh Wadkar, naturally, has great respect and admiration for his Guru ji and other disciples at the ‘gurukul’ – his ‘guru bhai’ and ‘guru behen’ and his elder sister i.e. daughter of Acharya ji – Prem Vasant– he speaks about them with great love and passion. And he has in deep sense all the gratitude for whatever his ‘guru ji’ has given to him and that is why after his ‘guru ji’ passed away being an elder among all the disciples he has shouldered the responsibility of his ‘guru ji’s legacy’ in the form of the school of music founded by his guru – ‘Ajivasan’ (this also gives online training in music).

He also started an online music school, called SWAMA (Suresh Wadkar Ajivasan Music Academy), (an innovative initiative) under Ace Open University continue to impart training in music in New Jersey. He, his wife, and his ‘guru sister’ visits every three months to supervise the operations and classes going on there.

and for him ‘music’ is the most difficult and greatest form of art which needs more dedication, seriousness and religiousness in efforts.

He has very high regards towards all the music directors who had given him the opportunity to sing and specially for the Mangeshkars he speaks about them with respect and gratitude. In his interview here one can listen his thoughts and just imagine what kind of a ‘noble’ and ‘pure’ character must be and that is what I think we finds in his voice too.

He was also present in the recent Jaidev Birth Centenary celebrations held at NCPA (NCPA Bandish music festival) Mumbai where our Respected Senior Shri Bharat Bhai was also present.

***

How this ‘anokhi aawaaz’ make his debut in the Hindi Film Industry is another interesting story.

It so happened that in 1970s (in 1976 to be specific) a big musical competition organised by ‘Sur-Singaar Sansad’ was held where participants aspiring to be singers from all over India participated this competition.
However, Suresh Wadkar’s singing impressed everybody and he was awarded ‘Madan Mohan Puraskar’.
Famous music directors like Jaidev, Ravindra Jain, Pt Hridaynath Mangeshkar, Sudhir Phadke and Pt Shivkumar Sharma and Pt Hariprasad Chaurasia (Shiv-Hari) were the panel of the judges who judge the competition and selected the winner.

Ravindra Jain while announcing Suresh Wadkar as winner also announced that he will be singing a song in his next movie and thus happened ‘vrishti pade taapur tupoor’ …

The next opportunity for Suresh Wadkar came straight way from the most respected and talented Music director Jaidev ji who given him the opportunity to sing in ‘Gaman-1978’. Later on, Suresh Wadkar also worked with him as his assistant and sing for him whenever he was given an opportunity to do so.

While assisting Jaidev ji he got to learn many things of music and the nuances of composing music.

Somehow as they say it was destined to be, Lata Mangeshkar is said to have heard about this voice and she was so impressed by his singing that she recommended him to the famous music duo Laxmikant-Pyarelal and also to Khayyam Saab and Kalyanji bhai-Anand ji bhai.

After that, it was no looking back for Suresh Wadkar and he keep getting many opportunities from all music directors ruling the HFM at that time.

***

For me, I have vague memories of this song ‘vrishti pade taapur tupoor’ being frequently heard on radio & loudspeakers and I do like it very much.

Then ‘seene mein jalan’, I remember I liked it very much and may be that was the time when for the first time I must have been got to know about the singer or we among friends must have discussed about this voice (looking my interests in HFM since childhood, I think I can say that).

Then I remember this song from ‘Krodhi’ in 1981 ‘chal chameli baag mein’ was a regular at the ‘Binaca Geetmala’ and it stood 16th in the annual programme of the Binaca Geetmala that year.
However, the next year’s – 1982’s ‘Binaca Geetmala’ in its annual programme saw as many as four songs having Suresh Wadkar’s voice viz. ‘Main hoon Prem Rogi’, ‘Meri qismat mein tu nahin shaayad’, ‘Muhabbat hai kyaa cheez hamko bataao’ all from ‘Prem Rog-1982’ and ‘Megha re megha re’ from ‘Pyaasa Saawan-1981’.

I think with the songs of ‘Prem Rog-1981’ Suresh Wadkar became a household name and almost all of its songs were a huge hit though ‘bhanware ne khilaaya phool’ is my favourite. It is different thing that not this song but the other songs of ‘Prem Rog’ (couple of which I don’t like then), make to the annual ‘Binaca Geetmala’.

Before that we had ‘megha re megha re’ from ‘Pyaasa Saawan’ taking us to reach out the clouds about to rain ‘the message of love’ … and we got soaked in the melodious voice of Suresh Wadkar …

Surprisingly before that we had his voice at number seven of annual ‘Binaca Geetmala-1979’ singing ‘Jijaaji jiaaji honewaale jijaaji’ in which he lent voice for Vinod Mehra in ‘Saajan Bina Suhaagan-1978’.

In 1981 we also have the magical ‘ye aankhen dekh kar ham saari duniya’ from ‘Dhanwan’ which spelled its magic on audience and it was too very popular and is also one of my favourite songs. (and this was his first song to appear on our blog).

After that I remember may be sometime around 1982-83 when I was on a visit to Nagpur (may be for watching the cricket between India and Pakistan at my Uncle’s home, on TV which had just reached us then, and into the old city market I heard this song playing on Radio ‘shaam rangeen huyi hai’ and I was totally taken away by this song. At that time, I was not knowing which movie it was from. Many years I keep searching for this song which I later got to know (I think it was because of this blog only) it was from. It was from the 1981 movie ‘Kaanoon Aur Mujrim’. Once again, a gem of song but not rewarded and forgotten in the midst of other popular songs then.

Also, I cannot forget ‘ae zindagi gale lagaa le’ from ‘Sadma-1983’, so close to our hearts and may have been liked by many many like me.

‘Likhne waale ne likh daale’ from Arpan from the same year was on 19th while meri qismat mein tu nahin shaayad was on 12th in 1983 annual list of ‘Binaca Geetmala’.

Later on, we have ‘aur kyaa ahad e wafaa hote hain’ from ‘Sunny-1984’, ‘saanjh dhaley gagan taley’ from ‘Utsav-1984’, then we have gems of songs from ‘Sur Sangam-1985, popular songs coming from ‘Ram Teri Ganga Maili-1985’, ‘Khaamosh sa afsaana paani se likhaa hota’ from the UR – Libaas -1988, ‘sooni sooni ankhiyon mein’ and ‘rakibon se habibon se’ from ‘Laal Dupattaa Mal Mal Ka’, ‘lagi aaj saawan ki phir wo jhadi hai’, ‘surmayi shaam is tarah aaye’ from ‘Lekin-1990’, ‘Dil-1991’, ‘Sangeet-1992’, and there are many.
Many are my favourites too… like ‘tumse mil ke aisaa lagaa’, ‘dhadkan zaraa ruk gayee hai’, ‘husn pahaadon ka’ and many …

And how can I forget ‘hamraahi mere hamraahi’ and ‘aur is dil mein kyaa rakhaa hai’, then I had also watched this movie ‘Yaadon Ki Kasam-1985’ which had ‘Baithh mere paas tujhe dekhta rahoon’.
I also remember ‘chaudhavin raat hai, ab chaand dikha de apna’ from ‘Yaadon Ke Mausam-1990’ which was frequently heard and popular then …

Not to forget ‘chappa chappa charkha chale’ and ‘chhod aaye ham wo galiyaan’ both from ‘Maachis-1996’.

There are many … and I would like to note here that the list of his Marathi songs is another long list where I have my favourites and many gems of songs which he has sung in Marathi.

The list goes on and on and we cannot list them all (at least the popular ones) here due to space constraint (and if I have missed to mention any prominent one I would like readers to forgive me for that).

After coming into the contact with this blog initially I had shared few of his songs (in 2012-13) like ‘Goron ki naa kaalon ki’ (from Disco Dancer, which I think was also quite popular in those years), then ‘Kabhi ajnabi thhe (Title Song), and ‘Surmayi shaam’ from ‘Lekin’ which remains to be posted yet. And there are many of songs still to be posted on the blog and the reason may be that since his career started at the end of seventies and picked up later in the eighties, we still have a long way to go to represent his songs on the blog (as of now 57 only).

So, I will stop the listing them here and come back to the today’s post now …

For this post, selecting a song was very difficult because as I said above, we still have a long way to go and there are many songs to choose from.

However, I had this song ‘Ram Dulari maike gayi’ 🙂 from ‘Meri Biwi Ki Shaadi’ in my mind since many years and I had decided that I will select only this song and not any other. (And it was from a movie of seventies and nostalgic for me too 🙂 )

But, while I was browsing through the filmography of Suresh Wadkar songs I came across this movie and when I listened to this song I was totally taken by it and it started growing on me as I listened to it again and again. This was from the movie ‘Bhayaanak-1979’ composed by Usha Khanna.

I had not watched this movie earlier and even now. From the star cast I can guess that this song is lip synced on screen by Ravi Kumar, a newcomer, who was paired with Razia Sultana, another newcomer. The picturisation of this song and its singing by Suresh Wadkar makes it very special.
As the movie didn’t fare well at the box office, I think this and other songs of this movie were forgotten easily.

‘Bhayaanak-1979’ was directed by S.U. Saiyed for ‘AVM Arts International’.

It had Mithun Chakravarty, Sadhoo Meher, Niloo Phule, Chandrashekhar, Mushtaq Merchant, C.S. Dubey, Jagdish Raj, Shaheen Khan, Sushila Raut, Annu Dhawan, Sadhna Khote, Hamid Rakesh, Major Anand, Fatima, Mannu Arora, Master Danny Jr., Master Abid, Master Anis, M. Miquel, and Madan Joshi and Om Shiv Puri were the other star cast of this movie.

Ranjeeta had a special appearance in this movie. Sharad Saxena makes a Guest appearance in this movie.

The movie introduced Ranjan Garewal, Shashi Ranjan and a ‘fresh romantic pair Ravi Kumar and Razia Sultana’ (as per the movie titles 😊)

Warsi Ahmed Siddiq was the Chief Assistant Director of this movie.

Harish Choudhry was the editor of this movie, and he was assisted by Sudhir Deshpande.
M.Maroof wrote the script of this movie. Munir Shah was the Dialogue Director.
Dialogues were written by Madan Joshi, while the story was by the AVM arts story department.

It was passed by Censor Board on 23.08.1979.

It was a suspense movie released for restricted viewing with ‘A’ certificate.

Lyrics of the five songs in this movie were penned by Indivar and music was composed by Usha Khanna.

Suresh Wadkar, Hemlata, Anuradha Paudwal (wrongly spelled Paduwal in the titles of the movie) gave their voices to the songs in this movie.

(Source of Information for this post – I have used the various YT links giving biographical details of Suresh Wadkar, then his Interview available here, which I would like interested readers should visit and listen to his story in his own voice.
I also referred to Wikipedia and other information on internet and songs in my memory 
When I thought of this write up considering the information available I thought I would be able to send it before 7th Aug, however after going into the details of his life and career I doubt whether I have been able to do justice to the feelings and thoughts going in my mind, as the enormity of his talent, his struggle and what he has achieved is such that it requires a detailed study or a ‘full biography’ in the form of a book (at least for me).

Let us now enjoy today’s song … and savour this ‘magical voice’ of Suresh Wadkar. I would once again request readers to forgive me if I have from my side not been to that level in bringing this biographical sketch here. For me the memories of the voice and nostalgia, of course, is the first thing close to my heart and this is my endeavor in return for all the beautiful memories this voice and the other voices have given to me …

Earlier we had the following four posts in this series, I am listing them below for interested readers …

Maa ne kahaa thha o beta
Haseen haseen waadiyon
Jin khoja tin paayiyaan
Yoon lagne lagi aajkal zindagaani

Audio (Full version)

Video (partial)

Song=Dhuaan sa uthha dekho chaaron oar (Bhayaanak)(1979) Singer-Suresh Wadkar, Lyrics-Indeewar, MD-Usha Khanna

Lyrics

O o o o
Ho o o o o o
Ho o o o o
O raani ee

Dhuaan saa utthha aa
Dekho chaaron oar re ae
Kahin kho na jaaye
Mera chitchor re ae
Mera chitchor
Dhuaan saa utthha aa aa
Dekho chaaron oar re ae
Kahin kho na jaaye
Mera chitchor re ae
Mera chitchor
Dhuaan saa utthha aa
Dekho chaaron oar re ae ae ae

Ghirne lagey hain
Man pe andhere
Ghirne lagey hain
Man pe andhere
Phoolon ke roop mein
Baithhe lutere
Dil to hai komal
Duniya kathor re ae
O o o o o o
Dhuaan saa utthha aa
Dekho chaaron oar re ae ae ae

Jeena safal ho
Tujhko jo paa loon
Jeena safal ho
Tujhko jo paa loon
Parde mein dil ke
Tujhko chhupaa loon
Dekh le naa roop tera
Koi bhi chakor re ae
O o o o o o
Dhuaan say utthha aa
Dekho chaaron oar re ae ae ae

Husn-o-wafaa ka
Aisaa tu sangam
Husn-o-wafaa ka
Aisaa tu sangam
Tujhko jo dekhoon
Mit’taa hai har gham
Tod de na koyi
Teri meri dor re ae
O o o o o o o
Dhuaan say utthha aa
Dekho chaaron oar re ae ae ae
Kahin kho na jaaye
Mera chitchor re ae
Mera chitchor
Dhuaan say utthha aa aa
Dekho chaaron oar re ae ae ae

————————————–
Devnagri Script lyrics(Provided by Avinash Scrapwala)
—————————————
ओ ओ ओ ओ
हो ओ ओ ओ ओ ओ
हो ओ ओ ओ ओ
ओ रानी ई

धुंआ सा उठा आ
देखो चारों ओर रे ए
कहीं खो न जाए
मेरा चितचोर रे ए
मेरा चितचोर

धुंआ सा उठा आ आ
देखो चारों ओर रे ए
कहीं खो न जाए
मेरा चितचोर रे ए
मेरा चितचोर
धुंआ सा उठा आ
देखो चारों ओर रे ए ए ए

घिरने लगे हैं
मन पे अँधेरे ए
घिरने लगे हैं
मन पे अँधेरे ए
फूलों के रूप में
बैठे लूटेरे ए
दिल तो है कोमल
दुनिया कठोर रे ए
ओ ओ ओ ओ ओ
धुंआ सा उठा आ
देखो चारों ओर रे ए ए ए

जीना सफल हो
तुझको जो पा लूं
जीना सफल हो
तुझको जो पा लूं
परदे में दिल के
तुझको छुपा लूं
देख ले ना रूप तेरा
कोई भी चकोर रे ए
ओ ओ ओ ओ ओ
धुंआ सा उठा आ
देखो चारों ओर रे ए ए ए

हुस्न-ओ-वफ़ा का
ऐसा तू संगम
हुस्न-ओ-वफ़ा का
ऐसा तू संगम
तुझको जो देखूं
मिटता है हर ग़म
तोड़ दे न कोई ई
तेरी मेर दो रे ए
धुंआ सा उठा आ
देखो चारों ओर रे ए ए ए
कहीं खो न जाए
मेरा चितचोर रे ए
मेरा चितचोर
धुंआ सा उठा आ आ आ
देखो चारों ओर रे ए ए ए


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3672 Post No. : 14555

Bappi Lahiri is a music director whose name is to this date associated with “Disco” music. He is also regarded as one who hastened the end of the golden era of HFM.

It may sound ironic that when one has to discusses Bappi Lahiri’s better compositions in HFM, one discusses his non disco songs, many of them from his pre disco phase. Even the great compositions of Bappi Lahiri during his “disco” phase were non disco songs. It was not “Disco Dancer” (1982) songs, but non disco songs from “Namak Halal”(1982), “Sharaabi”(1984) and “Aitbaar”(1985) that are fondly remembered to this day.

Why is it so ? It is easy enough to explain. Look at the singers of the non disco movies. Look at the lyrics of the non disco movie songs vis a vis the Disco movie songs. And also look at the actors who featured in the songs. Chalk in disco, cheese in non disco songs.

In this blog we mostly cover music of HFM era. Bappi Lahiri began his career when HFM era was still on and he created some memotable songs in his earlier movies. “Zakhmee”(1975) caught the imagination of the music lovers. I for a considerable period thought that R D Burman was the composer for this movie !

“Chalte Chalte”(1976) title song has become an iconic farewell song and it is sung in all get togethers in India till today that are held to bid farewell to people.

Songs of “Toote Khilaune”(1978) and “Shiksha”(1979) unfortunately did not become popular but what great songs they were. I feel that the failure of his great songs early in his career may have turned Bappi Lahiri into a cynic and he may have told himself-“to hell with classy music that does not sell.” His “disco” music indeed began selling like hot pakodas.

I intend to cover all available songs of music directors who were active during the golden era of HFM. Bappi Lahiri is a music director who only partially belongs to the golden era, so all his songs will not be covered in the blog. While I will cover all his songs created till 1980s, I will cover only those post 1980 songs of Bappi Lahiri that I feel belong here. There are indeed some such post 1980 songs, viz “Namakhalaal”(1982), “Sharaabi”(1984) etc that I have discussed earlier.

Bappi Lahiri is now on 99 songs in the blog. I had originally intended to cover one of his remaining worthy songs from post 1980 era, but now I feel that I should post one “rare” song on this occasion as we often do in the blog. This “rare” song is from a “rare” movie. This movie is “Ahsaas”(1979) which was a quickie movie made by G P Sippy in between his “mega” projects that he was known for. The movie, which was directed by S K Suri for Sippy Films, Bombay had a cast of largely unknown newcomers. Deena and Parwez were the lead pair. Others in the cast were Rakesh Bedi, Kiran Vairaale, Sahil, Reeta Raani Kaul, Chaand Usmani, Leela Mishra, Sundar, Mohan Sherry, Asha Potdar, Arun Desai, Deepak Raj, Sanjay Kaushik, Ashok Junior, K S Deshpande, Deenanath etc. Realising that the movie would fail to attract audiences unless it had a few big names, the movie makers had roped in names like Shammi Kapoor, Shashi Kapoor, Simmy, Bindu, Simple Kapadia and Amjad Khan. Amitabh Bachchan and Bindiya Goswami were also there in special roles. HFGK does not mention mention their names, but their faces were plastered prominently in the publicity posters of this movie.

Amitabh Bachchan and Bindiya Goswami figure in one party song in “Ahsaas”(1979). This song has been forgotten by most music lovers. I have chosen this song to serve as the 100th song of Bappi Lahiri in the blog. This song is sung by Lata and chorus. Bindiya Goswami lip syncs in Lata’s voice,Amitabh Bachchan, who towers over every other participant in the picturisation dances in the song with a girl nearly one and a half foot shorter than him.

This forgotten sung is sung nicely by Lata. Indeewar is the lyricist. His lyrics show how a good lyricist could turn a song meant for a routine situation into a nice hummable song. It is sad that he and Anjaan would later be reduced to pen inane lyrics in future.

Here is this superb “party” song from a forgotten movie, which is the 100th song of Bappi Lahiri in the blog as a music director. With this, Bappi Lahiri becomes the 36th music director and 85th artist overall to notch a century of songs in the blog.


Song-Roothho na Roothho na (Ahsaas)(1979) Singer-Lata, Lyrics-Indeewar, MD-Bappi Lahiri
Chorus

Lyrics

Let us give the dancing couple a big hand

Roothho naaa
Roothho naaa
ghadi ghadi yoon tum
chhoti chhoti baaton pe
dil mera todo na
haan
ghadi ghadi yoon tum
chhoti chhoti baaton pe
dil mera todo na
haan
roothho naaa
roothho naaa
ghadi ghadi yoon tum
chhoti chhoti baaton pe
dil mera todo na
haan
ghadi ghadi yoon tum
chhoti chhoti baaton pe
dil mera todo na

kukkuk kukukkuk kuk
kukkuk kukukkuk kuk
kukkuk kukukkuk kuk
kukkuk kukukkuk kuk

laa laa laa
laa laa laa
laa laa laa
laa laa laa

armaan to hain laakhon magar
waqt hai kam
jo pal miley pyaar mein
usey guzaaro sanam
armaan to hain laakhon magar
waqt hai kam
jo pal miley pyaar mein
usey guzaaro sanam
aisa na sitam karo
pyaar ko na kam karo
gussa chhodo na
ho
aisa na sitam karo
pyaar ko na kam karo
gussa chhodo na
hu
roothho naaa
roothho naaa
ghadi ghadi yoon tum
chhoti chhoti baaton pe
dil mera todo na
haan
ghadi ghadi yoon tum
chhoti chhoti baaton pe
dil mera todo na
hu

naacho zara
haathhon mein tum haath liye
masti mein tum jhoomo
mujhe saath liye
naacho zara
haathhon mein tum haath liye
masti mein tum jhoomo
mujhe saath liye
rahna hai sang
main to rangoon ek rang mein
mukhda modo na
hu
rahna hai sang
main to rangoon ek rang mein
mukhda modo na
ho
roothho naaa
roothho naaa
ghadi ghadi yoon tum
chhoti chhoti baaton pe
dil mera todo na
haan
ghadi ghadi yoon tum
chhoti chhoti baaton pe
dil mera todo na
ho

kukkuk kukukkuk kuk
kukkuk kukukkuk kuk
kukkuk kukukkuk kuk
kukkuk kukukkuk kuk

laa laa laa
laa laa laa
laa laa laa
laa laa laa
laa laa laa
laa laa laa
laa laa laa
laa laa laa

lallalalla
lallalallala
lallalalla
lallalallala
lallalallala
ho
lallalalla
lallalallala
laalaalaalaalaa


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3665 Post No. : 14535

Here is that day again.

Yes, it is the 31st of July (2018) today – which for HFM lovers, wherever they are in the world, signifies just one thing.

The death anniversary of Mohammad Rafi – respectfully referred to as Rafisaab, by one and all.

I am sure there will be events around the country to solemnly mark the occasion. Why just in the country, probably even across the world, considering how distributed India’s diaspora around the world is.

Millions of people will be remembering today as Rafisaab’s Remembrance Day – a term we also often use on this blog.

Truth is, at least for me (and I’m sure it’s true for many), every single day of the year is Rafisaab’s Remembrance Day. For there isn’t a single day in the year that I do not remember Rafisaab in some way or the other. It is usually in the form of a song I’m listening to – or sometimes singing (thankfully only to myself). 🙂

Of course, the 31st of July adds a huge extra layer of remembrance because it brings with it a sense of loss. Although it is 38 years now, this sense of loss remains. And for me, it will remain all my life.

As I sit to write this post, I’m not sure what I should write about Rafisaab that I haven’t already written here.

The thing is, I’ve written a lot about Rafisaab here. My posts here might be relatively infrequent now but I make it a point to always write a post on Rafisaab’s birth and death anniversaries. These are two dates I never miss. It is just my very small way of paying tribute to Rafisaab, and thanking him for enriching my life in a way, and to an extent, that I just cannot describe.

And I’d like to think, he is up there, smiling as always, reading these tributes.

There isn’t much I can think of writing now that I haven’t already written before. And although I don’t mind repeating myself, I don’t want to bore the readers. Having said that, I never tire of repeatedly watching the same tributes to Rafisaab on youtube. I’ve listened to Jeetendra’s story of Deedaar-e-Yaar multiple times, SP Balasubramaniam’s story about “deewaana hua baadal” multiple times. 🙂 And each time, it feels good to listen to it.

But that’s different from my repeating stories, that too in text, not video. Besides, they speak about their personal experiences involving interaction with Rafisaab – mine are just my personal thoughts.

So I will refrain from repeating myself.

One thing I will say – I’ve often felt lucky that Rafisaab’s era was before mine. Imagine somebody living in the 1920s/30s and passing away before 1947. He or she would never have had the opportunity of listening to Rafisaab. Of course there were greats even then – like Saigal saab and Pankaj Mallick, but we now have the good fortune of being able to listen to them AND to Rafisaab, Talat Mahmood, Lataji and others.

Future generations will have even more music available to them, in addition to what is available today.

That’s the greatness of a legacy. Every individual has to die sometime – nobody can do anything about that. Yes, one can delay the inevitable – but it is still inevitable. No one has yet invented the elixir of immortality – and that might not be such a bad thing.

Coming to Rafisaab, I’ve spent hours and hours listening to him. I’ve spent all night listening to his songs. It starts with one song, then I think “ok, one more”, then “one more” and so it goes on. On youtube, you keep getting prompted anyway – so it’s just one click after another. You start with “chaudvin ka chand ho”, then, as if on cue, you’re prompted “abhi na jao chhod kar”, which then takes you to “deewana hua baadal”, which takes you to “pukaarta chala hoon main” and so on. You know the drill – you’re hooked. This has happened to me many times.

Not that I’m complaining. It has always been a thoroughly enjoyable experience. I often don’t even watch the video – I just close my eyes and let Rafisaab’s voice take over. And suddenly everything seems to either fall in place, or become inconsequential. For that period at least. When SPB says that at the end of a long day in the recording studios he would come home and listen to Rafisaab to relax, I think I can understand where he’s coming from. Rafisaab’s voice can be extremely relaxing, if you listen to the right songs. I don’t know how often I’ve listened to “ab kya misaal doon” (Aarti-1962) or “maine shaayad tumhe pehle bhi kahin dekha hai” (Barsaat Ki Raat – 1960). And think of songs like “husnwaale tera jawaab nahin” (Gharana–1961) or “ek haseen shaam ko” (Dulhan Ek Raat Ki – 1967) or “mujhe dekh kar aapka muskuraana” (Ek Musafir Ek Haseena – 1962). And if you’re looking for duets, how about “theheriye hosh mein aa loon” with Suman Kalyanpur (Mohabbat Isko Kehte Hain – 1965) or “dil pukaare” with Lata (Jewel Thief – 1967) or “phir miloge kabhi is baat ka vaada kar lo” with Asha (Ye Raat Phir Na Aayegi – 1966). And of course, one of my all-time favourites – which is why I keep coming back to it – “abhi na jao chhod kar” with Asha (Hum Dono – 1961). 🙂

And so many more. I just realized that all the songs I’ve mentioned above, which came randomly to my mind, are all 1960s songs – but this is purely a coincidence. One can find a treasure of songs from the 1950s or even 1970s. Yes, even the 1970s, when Rafisaab was supposed to be going through a lean patch for the first half of the decade. The half in which he still gave us songs like “tum jo mil gaye ho” (Hanste Zakhm – 1973) and “aaj mausam bada beimaan hai” (Loafer – 1973). And my favourite Rafisaab duet song of the 1970s – “teri bindiya re” (Abhimaan – 1973) with Lata, which I have listened to a zillion times, and can never have enough of.

Rafisaab sang practically every genre, from qawwali and devotional songs to rock-n-roll and romantic songs, adjusting his singing style and voice for every actor, depending on the needs of the situation. He was always conscious that he was the playback voice – and that the actor on screen was bringing that song to the audience in “his” (the actor’s) voice. This elevated not just the song, but often even the film, for the viewers, because very often the songs of the film carried the film. 🙂

And, to add to all this, as if his divine voice wasn’t enough, he was also one of the most gentle souls the industry has ever seen. In an industry where ego clashes and tempers were not uncommon, he was ever-smiling, ever accommodating of others, never throwing his weight around – which he could very easily have done. He had a very big heart, ever generous and helpful to those in need. And he did a lot of it without publicity. It was only after he died, that a number of his charitable actions came to light.

So SUCH is the person Rafisaab was. Will we ever see another like him in the industry? Hard enough to imagine another singer like him – add to that his nature, and I think it’s safe to rule out the chance of another Rafisaab. No, Rafisaab was one of a very special kind – like SPB says, we were just very lucky he came in our midst before he was called back.

Indeed, he was 100% right when he sang “mujh ko mere baad zamaana dhoondhega”.

I will now move on to today’s song.

As it is the 31st of July, I have selected a song, sung by Rafisaab of course, about the inevitability of passing away. It is a very short song from the film Amardeep (1979) – but it suits the occasion perfectly. Lyrics have been provided to me, as usual, by Avinashji.

The song’s lyrics, written by Anand Bakshi, talk about how death is inevitable. And yet how sudden and shocking an unexpected death can be. “Tum aise gaye, aise bhi jaata nahin koi”. Everyone knows how sudden Rafisaab’s death was. That was just no way to go. Everyone was in shock – and he was just 55.

The song also refers to having a smile on one’s face even while dead. “Kyon mar ke bhi honthon pe hansi khel rahi hai”- this could also be said of Rafisaab. He was ever-smiling, reportedly even in death.

This song brought a lump to my throat.

Also, listening to his voice only further made me realize how wonderful his voice was even just a year before he passed away. It left me with a loss of what might have been. I felt he had so much more singing in him.

Anyway, one cannot control these things. One can only be thankful for what one has got. And we have got a LOT from Rafisaab. A price can never be put on his legacy – it is just priceless. He will be in our hearts for ever, and remembered for ever.

Rafisaab is truly “amar” in this sense – and lighting amardeep in all our hearts.

Thank you, Rafisaab.

Thank you for everything.

bahut shukriya, badi meherbaani,
hum sab ki zindagi mein huzoor aap aaye

Audio

Video


Song-Duniya mein sada rehne ko aata nahin koi (Amardeep)(1979) Singer-Rafi, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

Duniya mein sadaa rehne ko
Aata nahin koyi
Tum jaise gaye aise bhi
Jaata nahin koyi

Kyun mar ke bhi honthhon pe hansi
Khel rahi hai ae
Sab jaante hain aur
Bataata nahin koyi ee

Dil pehle hi dartaa thaa
Ke jal jaayega daaman
Daaman se amardeep
Bujhaataa nahin koyi
Bujhaataa nahin koyi ee
Bujhaataa nahin koyi

—————————————–
(Devnagri Script lyrics) Provided by Avinash Scrapwala)
—————————————–
दुनिया में सदा रहने को
आता नहीं कोई
तुम जैसे गए ऐसे भी
जाता आ नहीं कोई

क्यूँ मर के भी होंठों पे हंसी
खेल रही है ए
सब जानते हैं और
बताता नहीं कोई ई

दिल पहले ही डरता था
के जल जाएगा दामन
दामन से अमरदीप
बुझाता नहीं कोई
बुझाता नहीं कोई ई
बुझाता नहीं कोई


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3658 Post No. : 14521

ASAD 10th Anniversary Celebrations – 18
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#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 70 #
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Congratulations to Atul ji and all team members on this tenth anniversary of this wonderful musical blog!!! Our beloved blog – ASAD – has completed ten years now and as expected the celebration has to be bigger and bigger.  And other than this being a great achievement, it’s also the time to gear up for the next bigger celebrations i.e. 15000 posts, 20000 next and more. . .

For this special occasion, and as it was expected of, all members were asked to share their joy and happiness through write ups and songs. So, when the ‘circular’ 😊 to this effect was received in mail and the deadline was given I started to look for those special subjects close to heart, which can be shared here on the blog with songs on this special occasion. I started thinking over the main reason for me to be associated with this blog – which is nostalgia and specifically related to the movies of the ‘seventies’, and the years when I was growing.

When my association with this blog started, and I started sending contribution for lyrics, they were mainly the songs which have over the years been in my memory since childhood and/or those which I have been looking for all the years during which I grown up – songs that used to be there and were listened to during those years – the seventies. . . and continuing to the initial years of the ‘eighties’. . .

There was something special there in those years. I think that the decade of seventies, from the point of view of ‘History of Hindi Cinema’ was a very important decade since it has many things happening in those years. But since it is subject of a different post I will not go into the detail (which I wish to write) in today’s article here.

Next, I started thinking about the movies which made news or hits or were popular in those years, then the stars, and the directors who ruled the roost and enthral the audiences with their charisma and talent. . .  If we look back now on this decade the very first thing that comes to our mind is the rise of Superstardom of Rajesh Khanna. But then in those years I was not the fan of Rajesh Khanna which I became much in the later years of the decade and in the starting years of the eighties.

And the movie watching years those bring back memories for me I think are 1973 (when I was five years old) to 1980 or 1981 to 1982 till I get into tenth standard. These years are very ‘nostalgic’ years for me I think, because many memories of movies and songs for me are from these years. So, what were the specialities of these years – ‘multi starrer movies’, ‘lost and found’ stories, ‘revenge stories’, ‘mythological movies too’, then we have ‘movies with dacoits looting the ‘gaon’ and the poor villagers’, etc. We were not the fan of any actor or actresses, we just loved to watch the movies whatever be the cast.

In my childhood, movies were the biggest entertainment other than outdoor sports, plays, then orchestras, radio and then there were movies. I vaguely remember that I always use to think the stars acting in movies were from a different planet and not like us. Then I used to think how a person who dies in a movie came back again in another movie?😊 And it took me sometime to understand the reality and come to know that the ‘stars’ are actually normal human beings like us.

Movies were the biggest fascination for us then and may be for many like me. From buying tickets for a movie and getting entry into the theatre and then the darkness surrounding gradually and starting the ‘newsreel’ everything was mesmerizing. Sometimes if we got delayed we had to enter in the darkness and then the gate-keeper will come and guide us the way signalling with a torch. And after the ‘newsreel’ (always in black and white 😊) finally the censor certificate of the movie which we eagerly await to the titles of the movie – all fascinating and spellbinding.

Then as I have mentioned earlier we brothers used to collect the cut pieces of films of movies and try to watch them after magnifying from a small mirror (sometimes a piece of mirror) to reflect the sunlight and finally projecting on a piece of cloth (preferably white) in a room which was covered to create darkness even in a daylight outside. I also remember that there was the advertisement for the 16mm projectors in newspapers and magazines which always attracted me and I was always thinking of buying one 😊 (which was not possible and never became possible) 😊.

Reading about movies and stars in print media and discussions about movies and the personal likes and dislikes among friends/groups was almost a routine. And yes, the ‘booklets’ for the songs of the movies, though I don’t remember to have bought many but yes we used to buy them and sing the songs reading from it 😊

Every summer vacation was special and awaited because of movie watching only. It was the main attraction of the vacations as we used to travel to stay with paternal grandparents and cousins would also gather from different places and together we used to watch movies in theatres – ah, how wonderful those were the days!!!

Sometimes on Sundays or a holiday we would even watch back to back movies to utilise the time as we have to travel back to our colony around 25 kms from the district place. The today’s movie we are discussing was passed by the Censor Board on 06.04.1979 and in all possibility, I am sure that I watched it in that ‘summer vacation’ that year. We children were very crazy about watching movies and I think this continued so far till ‘Laawaaris’ (1982) where I remember to get the tickets I joined the long queue which was I think around 500 metres from the ticket window, and it was already on the road where we sat in the queue for a long time 😊.

Recollecting it now all that happened seems to be very crazy and exciting. And I had to share this one incident when I was beaten up by my father as I was disappointed and started shedding tears for not getting ticket to watch a movie as it became house full. The movie was ‘Jaani Dushman’ from 1979. It was directed by Rajkumar Kohli who has given us many multi starrer movies and I have watched many of them viz. ‘Nagin’ (1976), ‘Jaani Dushman’ (1979), ‘Naukar Biwi Ka’ (1983), ‘Raaj Tilak’ (1984), ‘Jeene Nahin Doonga’ (1984), and ‘Insaniyat Ke Dushman’-1987’. After that I think I have not watched any movies from this production house.

At first, for this post I was thinking of a song from a Manmohan Desai movie or a song from a ‘multi starrer movie’, but selected this movie because to watch it I had to first undergo my father’s fury 😊. How is that possible? Was the movie was not for children? Yes, it was not for us – children – then to watch this movie, because it was released with an ‘A’ certificate (released with restricted viewing) 😊. But, I can now guess that may be on my insistence my father may have been somehow agreed to allow us to watch the movie.

However, we could not get the tickets as the show was house full and we – me and my younger brothers were standing watching movie posters – I got disappointed and tears rolled my eyes and the next moment was darkness in front of my eyes because my father had slapped me since I started crying for watching a movie. Later on, my father called me separately and told me to go alone next day to watch the movie and don’t take my younger brothers with me since they will be frightened, as the movie was said to be a ‘HORROR’ movie 😊. Next day I watched the movie and never feel scared while watching the movie, as the movie was making news as a ‘horror’ movie or like that. I was just above eleven years old then 😊.

I don’t remember having watched this movie again after that, either on TV or in theatre. Watching a suspense thriller again doesn’t generate the same interest and thrill. However, I think I should watch it for nostalgia and to enjoy its beautiful songs again. This movie has some very good songs and so far, only two of its songs have been posted on the blog. And when I go through these two posts by Atul ji I find he also had expressed similar feelings about this movie and he had also watched it as a ‘non-adult’, but still he was elder than me then 😊.

The song I present today is a ‘happy song’ to suit our celebration mood and reviving the nostalgia. In the movie too it occurs in celebration after Bindiya Goswami’s marriage and her ‘doli’ not being looted and the ‘dulhan’ not getting killed by the ‘Jaani Dushman’ 😊. The pitcturisation of this song has some typical specialities of that period – the village, the celebration, the grandeur and the music and the multi star cast. . . And over and above all we have Sanjeev Kumar and Shatrughan Sinha in their ‘own style’ 😊 and with so many other artists present in this song. The orchestra music by Laxmikant-Pyarelal makes it very special and nostalgic to revive those memories. . .

So, let us enjoy this song and revive some ‘bhooli bisri yaadein’. . . on this special occasion 😊

And actually, in the flow of the song I was thinking,

blog nahin koi ASAD jaisa
leader nahin koi mere ‘leader’ jaisa
editor nahin koi hamaare ‘editor’ jaisa
aur ‘contributor’. . .
nahin koi hamaari team jaisa 😊

 

Song – Mausam Na Koi Bahaar Jaisa (Jaani Dushman) (1979) Singer – Kishore Kumar, Mahendra Kapoor, Asha Bhosle, Lyrics – Verma Malik, MD – Laxmikant Pyaarelal
Female Chorus
Male Chorus

Lyrics

arey sun bhai sadho
bol re madho
sun bhai sadho
arey bol re madho

ho ho ho ho ho o
ho ho ho ho ho o
chhum chhum chhanana na na
chhum chhum chhum
ho ho ho ho ho o
ho ho ho ho ho o

chhum chhum chhanana na na
chhum chhum chhum
ho ho ho ho ho o
ho ho ho ho ho o
 
mausam na koi bahaar jaisa
tohfa na phoolon ke haar jaisa
saaz na koi sitaar jaisa
raag na koi malhaar jaisa
haan aa

heera nahin kohinoor jaisa
haan
parbat nahin koh-e-toor jaisa
haan
meethha na koi khajoor jaisa
haan
meva na dekha angoor jaisa

jaanch liya parakh liya
soch liya
gaur kiya
rishte bhi dekhe
naate bhi dekhe
naata naa koi pyaar jaisa
suraj bhi dekha
chanda bhi dekha
par dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa
naata nahin koi pyaar jaisa
dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa

roop tera kaagaz ki paati
dhoop lage murjhaaye
hey roop tera kaagaz ki paati
dhoop lage murjhaaye
aa tujhko palkon mein rakh loon
daal baahon ke saaye
roop gori tera patang jaisa
arey ang nahin tere ang ang jaisa
he rang nahin hothon ke rang jaisa
haan
sang nahin sajna ke sang jaisa

jaanch liya parakh liya
soch liya
gaur kiya
dil bhi dekhe dilwaale bhi dekhe
dil nahin dekha dildaar jaisa
raje bhi dekhe
mahaaraje bhi dekhe
par dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa
naata nahin koi pyaar jaisa
dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa

ho
ho ho ho ho
ho
ho ho ho ho o o
ho
ho ho ho ho o o

ban ke main sapna suhaana
teri neendon mein kho jaaun
he ban ke main sapna suhaana
teri neendon mein kho jaaun
main pyaar ki chandni mein ji chaahe so jaaun
kyunki
dukh naa judaai ki maar jaisa
sukh nahin dil ke qaraar jaisa
yaar nahin koi mere yaar jaisa
haan
jantar bhi dekhe mantar bhi dekhe
jaadoo naa koi pyaar jaisa
preet bhi dekhi
preetam bhi dekhe
par dekha na saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa
naata nahin koi pyaar jaisa
dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa

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Hindi script lyrics (Provided by Avinash Scrapwala)
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अरे सुन भाई साधो
बोल रे माधो
सुन भाई साधो
अरे बोल रे माधो

हो हो हो हो हो ओ
हो हो हो हो हो ओ
छुम छुम छनन न न 
छुम छुम छुम
हो हो हो हो हो ओ
हो हो हो हो हो ओ
छुम छुम छनन न न 
छुम छुम छुम
हो हो हो हो हो ओ
हो हो हो हो हो ओ

मौसम न कोई बहार जैसा
तोहफा न फूलों के हार जैसा
साज़ न कोई सितार जैसा
राग न कोई मल्हार जैसा
हाँ आ
हीरा नहीं कोहिनूर जैसा
हाँ
परबत नहीं कोह ए तूर जैसा
हाँ
मीठा न कोई खजूर जैसा
हाँ
मेवा न देखा अंगूर जैसा
जांच लिया
परख लिया

सोच लिया
गौर किया
रिश्ते भी देखे
नाते भी देखे
नाता ना कोई प्यार जैसा
सूरज भी देखा
चंदा भी देखा
पर देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा
नाता नहीं कोई प्यार जैसा
देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा

रूप तेरा कागज़ कि पाती
धुप लगे मुरझाये
हे धुप लगे मुरझाये
आ तुझको पलकों में रख लूं
डाल बाहों के साए
रूप गोरी तेरा पतंग जैसा
अरे अंग नहीं तेरे अंग अंग जैसा
हे रंग नहीं होठों के रंग जैसा
हाँ
संग नहीं सजना के संग जैसा
जांच लिया परख लिया
सोच लिया
गौर किया
दिल भी देखा दिलवाले भी देखे
दिल नहीं देखा दिलदार जैसा
राजे भी देखे
महाराजे भी देखे
पर देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा
नाता नहीं कोई प्यार जैसा
देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा

हो
हो हो हो हो
हो
हो हो हो हो हो ओ
हो
हो हो हो हो हो ओ

बन के मैं सपना सुहाना
तेरी नींदों में खो जाऊं
हे बन के मैं सपना सुहाना
तेरी नींदों में खो जाऊं
मैं प्यार कि चांदनी में जी चाहे सो जाऊं
क्यूंकि
दुःख ना जुदाई कि मार जैसा
सुख नहीं दिल के करार जैसा
यार नहीं कोई मेरे यार जैसा
हाँ
जंतर भी देखे
मंतर भी देखे

जादू ना कोई प्यार जैसा
प्रीत भी देखि
प्रीतम भी देखे
पर देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा
नाता नहीं कोई प्यार जैसा
देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3585 Post No. : 14337

#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 67#
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On our blog we have a ‘category’ of ‘songs excluded from movie’, and so far, seventy-nine songs have been posted/included in this category of songs. Today I present a song from the movie ‘Kaalaa Pathhar’ (1979), which belongs to this category.

I vaguely remember to have watched this movie in theatre when I must be 11/12 years old. Thereafter just six-seven years back I got its DVD from an online store to enjoy the movie again and revive the nostalgia. But, I was aware of the today’s song many years before, or exactly since 1991 when I got recorded this movie’s songs from the LP record, for my choice compilation of ‘Daag-Deewaar-Kaalaa Pathhar’ songs in a 90 min cassette.

‘Kaalaa Patthar’ was directed by Yash Chopra for his home productions Yashraj Films, Bombay. This movie was passed by Censor Board on 09.08.1979.

Its cast holds a ‘galaxy of stars’ which includes Shashi Kapoor, Rakhi Gulzar, Amitabh Bachchan, Shatrughan Sinha, Neetu Singh, Parveen Babi, Prem Chopra, Parikshit Sahni, Romesh Sharma and Poonam Dhillon (in special appearance), Manmohan Krishna, Madan Puri, Iftekhar, Satyen Kappu, Yunus Parvez, Geeta Siddharth, Gautam Sarin, Sharat Saxena, Mac Mohan, Sudesh Mahaan, Sudhir Dalvi, Sudha Chopra, Harish, Mohan Sheri, Vikas Anand, Jagdish Raj, Suresh Oberoi, Prem Sagar, Pardesi, Nazeer Kashmiri, Ashok Razdan and many others.

This movie has six songs, penned by Sahir Ludhianvi and composed by Rajesh Roshan. Interesting to note that the background music for this movie is by Salil Chaudhary. Kishore Kumar, Lata Mangeshkar, Mahendra Kapoor, Mohd Rafi, Pamela Chopra, S.K. Mahan, and Usha Mangeshkar have given their voices to the songs in this movie.

So far, three songs from this movie have been posted on the blog, and the song being presented today is the fourth song from this movie to appear on our blog. The previous posted song of this movie appeared on the blog on 24.05.2012. Wow. . . six years wait to get to the next song. 🙂

Today’s song is written by Sahir Ludhianvi and thus this is the third song of Sahir Ludhianvi which I am able to share here under the category of ‘songs excluded from movie’, the earlier two being, Kya Tum Wahi Ho – from ‘Mann Ki Aankhen’ (1970) and Ja Ri Behna Jaa Tu Apne Ghar Ja from ‘Trishul’ (1978).

The other Sahir songs which were excluded from movies, and which have been posted on the blog so far are also listed here – Rut Phire Par Din Hamaare – from ‘Pyaasa’ (1957), Yoon Hi Dil Ne Chaaha Tha Rona Rulaanaa – from ‘Dil Hi To Hai’ (1963) and Saajan Bin Neend Naa Aawe – from ‘Munimji’ (1955).

HFGK Vol- V doesn’t mention anything about ‘exclusion’ of this song from the movie. I would request knowledgeable readers to share information if any they have about this song please.

 Let us now enjoy the today’s song, which I do like very much. 🙂

 Mujhe pyaar ka tohfa de ke. . .

Song – Mujhe Pyaar Ka Tohfa De Ke (Kaala Pathhar) (1979) Singer – Usha Mangeshkar, Mohammed Rafi, Lyrics – Sahir Ludhianvi, MD – Rajesh Roshan

Lyrics

mujhe pyaar ka tohfa de ke
tapti baahon mein leke
mujhe pyaar ka tohfa de ke
tapti baahon mein le ke
meri har saans mein pyaas jagaa di
tumne ae kya kiya

he ae

tumne itna uksaaya
dil roke ruk na paaya
tumne itna uksaaya
dil roke ruk na paaya
mere ehsaas mein aag lagaa di
tumne kya kiya

ek chhed thhi wo yunhi si
tum jisko haqeeqat samjhe
ae ae ae ae
jab chhed na thhamne paayi
ham usko mohabbat samjhe
ho o
o o
us chhed ke sadke jaayen
jis chhed se tumko paayen
us chhed ke sadke jaayen
jis chhed se tumko paayen
zaraa si chhed ne baat banaa di
tumne ae kya kiya

dil ik din to jaana thhaa
hamne socha jaane do
ho o o
o o
haaye
is dil ko thhaam ke rakkho
itna na lehraane do
o o
o o
ye dil kab lehraata thha
har ik se katraata thha
ye dil kab lehraata thha
har ik se katraata thha
tumhi ne mel ki raah sujhaa di
tumne kya kiya

o ho ho ho ho
aa aa aa aa
o o o o
aa aa aa aa aa

thhamne do meri dhadkan
aisi bhi kya wahshat hai
ae ae ae ae
hamne apni keh di hai
tum bolo kya niyat hai
ho o
o o
bolun to kaise bolun
dil apna kaise kholun
bolun to kaise bolun
dil apna kaise kholun
mere hothon pe mohar lagaa di
tumne kya kiya

mujhe pyaar ka tohfa de ke
tapti baahon mein le ke
mujhe pyaar ka tohfa de ke
tapti baahon mein le ke
meri har saans mein pyaas jagaa di
tumne ae kya kiya

he ae ae

tumne itna uksaaya
dil roke ruk na paaya
tumne itna uksaaya
dil roke ruk na paaya
mere ehsaas mein aag lagaa di
tumne kya kiya

 

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

मुझे प्यार का तोहफा दे के
तपती बाहों में लेके
मुझे प्यार का तोहफा दे के
तपती बाहों में लेके
मेरी हर साँस में प्यास जगा दी
तुमने ए क्या किया आ

हे ए ए ए

तुमने इतन उकसाया
दिल रोके रुक ना पाया
तुमने इतन उकसाया
दिल रोके रुक ना पाया
मेरे एहसास में आग लगा दी
तुमने ए क्या किया

इक छेड़ थी वो यूंही सी ई
तुम जिसको हकीकत समझे
ए ए ए ए ए ए
जब छेड़ न थमने पायी ई
हम उसको मोहब्बत समझे
हो ओ ओ ओ
उस छेड़ के सदके जाएँ
जिस छेड़ से तुमको पायें
उस छेड़ के सदके जाएँ
जिस छेड़ से तुमको पायें
ज़रा सी छेड़ ने बात बना दी
तुमने ए क्या किया

दिल एक दिन तो जाना था
हमने सोचा जाने दो
हो ओ ओ
हो हाए ए
इस दिल को थाम के रखो
इतना ना लहराने दो
ओ ओ ओ ओ ओ
ये दिल कब लहराता था
हर इक से कतराता था
ये दिल कब लहराता था
हर इक से कतराता था
तुम्ही ने मेल कि राह सुझा दी
तुमने क्या किया

ओ हो हो हो हो
आ आ आ आ
ओ ओ ओ ओ
आ आ आ आ आ

थमने दो मेरी धड़कन
ऐसी भी या वहशत है
ए ए ए ए
हमने अपनी कह दी है
तुम बोलो क्या नियत है
हो ओ ओ ओ ओ
बोलूं तो कैसे बोलूं
दिल अपना कैसे खोलूं
बोलूं तो कैसे बोलूं
दिल अपना कैसे खोलूं
मेरे होंठों पे मोहर लगा दी
तुमने ए क्या किया

मुझे प्यार का तोहफा दे के
तपती बाहों में लेके
मुझे प्यार का तोहफा दे के
तपती बाहों में लेके
मेरी हर साँस में प्यास जगा दी
तुमने ए क्या किया आ

हे ए ए ए
तुमने इतन उकसाया
दिल रोके रुक ना पाया
तुमने इतन उकसाया
दिल रोके रुक ना पाया
मेरे एहसास में आग लगा दी
तुमने ए क्या किया


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This song is the 14300th song post in the blog.

Blog Day : 3567 Post No. : 14300

Series of Rafi songs-Rafi with music directors
—————————————————————-
(Pal do pal ka saath)-MD composing just one Rafi song
——————————————————————-
Part II-Chaand Pardesi
—————————-

If one thinks that posting “blog century” songs is quite a straight forward matter then think again. Though we have posted as many as 142 blog century posts, hardly any of them were easy picks. I had to think hard and long before finding songs befitting the occasion.

As the number of centuries mounted, we began to combine those blog centuries with other special occasions, viz. artist century, contributor century, artist anniversaries etc.

The post under discussion marks the 143rd century for the blog. In other words, it is the song post number 14300 for the blog.

I just mentioned that selecting “blog century” songs is not a trivial matter. Let me describe the thought process/ behind the scene activities that took place before I settled on this particular song as the “blog century” song.

First thing first. I had made up my mind that I would author this post. The reason was simple. I realised that our other contributors, including the usual century author Sudhir Jee were hard pressed for time these days. So I decided that I needed to write this post.

Many of our special posts including century posts have tended to appear towards the midnight, which may be prime time for TV but not for the blog. Blog prime time is day time on a weekday, so I made up my plan that this article should appear by morning today (24 april 2018) which happens to be tuesday.

When the day began, the tally of posts stood at 14297, so it meant that three posts needed to be posted, including two posts prior to the century post.

Did I have any song in mind for the “blog century” post ?

Yes, I had. It was a rare song, and quite a remarkable song. I had discovered this song a few months ago and I had noted down its lyrics as well. It was a long song and noting down the lyrics took a good amount of time. I had earmarked this song as a special song, to be covered as a “blog century” post or any such occasion.

This song had another qualification. I had begun my series of Rafi songs called (Pal do pal ka saath)-MD composing just one Rafi song. I had begun this series by aiming to cover those music directors who composed just one song with Rafi. I had decided that these songs would be special occasion songs in the blog. The first (and so far only) song in the series was composed by Arun Raghavan. I had combined this song to mark several special occasions, viz. that song was the 2800th Rafi song in the blog and the movie, which got introduced in the blog with the song was the 3800th movie covered in the blog.

My planned song that I had earmarked also fitted the same bill. It was also the only Rafi song composed by that music director.

With time, I realised that this song could be combined to mark another extremely rare occasion which few regulars may be able to guess. It could become the 500th Rafi-Asha Bhonsle duet in the blog !

So I had silently made sure that the tally of Rafi-Asha Bhonsle duet had gradually inched upto the 499 mark in the blog. 🙂

So, when the time arrived to post the 14300th song article, I had every thing covered. Or that is what I thought.

When I began to search for this song in my hard disk, I was unable to locate it. I had noted down its lyrics spending several hours. I was sure it was there somewhere but where ? I managed to locate the video in my hard disk but not the lyrics.

OK, I will have to note the lyrics again, I thought.

When I began to listen to the song, I received another jolt. This song that I was remembering as a Rafi-Asha Bhonsle duet had another voice in it. So my carefully laid plans got thrown out of the window immediately.

What to do now ? Now I needed to search for songs composed by other composers who worked with Rafi in just one song. This list is fortunately very much there in my excel sheet, and show I immediately began to search for Rafi songs composed by these one Rafi song composers.

The songs that I located were just solo Rafi songs, and they somehow did not sound worthy of being the blog century song. Nevertheless, one such Rafi song, after repeated listening began to grow upon me and I decided that this song was going to be the song for the occasion. So I noted down the lyrics of the song.

On just a whim, I decided to check up another solo Rafi song composer. And guess what ? This song was very much a Rafi-Asha Bhonsle duet !

When I listened to the song, I realised that it was an suitable replacement for the song that I had originally planned and which turned out to have more than two voices.

So, I got a song which was the only occasion when this music director got to utlise Rafi’s voice in his compositions. And this song happens to be the 500th Rafi-Asha Bhonsle duet in the blog.

This song in question is from a forgotten movie called “Ban Maanush”(1979). It was directed by Kamram Khan for O K Films, Bombay. The movie had Dara Singh, Padma Khanna, Kamran, Uma Dhawan, Mohan Choti, Sundar, Ratan Mala, Monal, Rajan Kapoor, Habeeb, Hamid Khan, Sawan, Chaachi, Sabir, Ramjanam singh, Danny Junior (new discovery), Jagdep (special appearance) etc in it.

“Ban Maanush”(1979) had three songs in it. This song under discussion is the first song from the movie to appear in the blog. So “Ban Maanush”(1979) makes its debut with this rare and special song.

The video of this song is very much available. One can see that the song is picturised as a qawwaali song where a gentleman and a lady assisted by their respective teams of chorus sing this song.

Good qawwaali’s in Hindi movies always have great lyrics in them. And this qawwaali is no exception. Farooque Kaiser is done very well in penning the lyrics of this song. Music is composed by Chaand Pardesi.

Qawwaali is one genre of song where picturisation plays as important a role as the lyrics is savouring and enjoying the song. The saying “the song is better heard than seen” does not apply to qawwaalis.

Qawwaalis were normally seen in muslim social movies. In these movies, qaawwaali are one occasion where the two genders are seen interacting with each other in full public view. It is one occasion where the two genders openly use amorous terms and the public (otherwise quite conservative) do not mind. I think this kind of qawwaalis have been invented in Hindi movies and I do not think amir Khusro, the creator of Qawwaali might have imagined that the qawaalis would serve this pupropse, viz helping the two genders (who otherwise remain segregated) to interact with each other and express their feelings with each other.

To help avoid embarrassment that may result if one a male and a female were to sing the song, the lead singers are supported by friends of the same gender to lend moral support by singing in chorus.

Another thing that one notices in these filmy qawwaalis are that the lyrics of this songs are quite liberal and broadminded and not at all conservative and narrow minded. One is readily reminded of the epic qawwaali of “Barsaat Ki Raat”(1960) that covers lots and lots of topics viz. Krishna, Radha, Meera, Buddha, Maseeh etc.

The qawwaali under consideration is a nice “expression of love” genre of qawwaali. I can see that Padma Khanna lip syncs in Asha Bhonsle’s song, but I am unable to identify the gentleman who lip syncs in Rafi’s voice.

This qawwaali is a forgotten gem from my college days which I had never heard before.

In summary, here are the salient features of this song post:-

1. This song is the only Rafi song that music director Chaand Pardesi composed in his career. And what a superb song it is. This article is our way of honouring the one Rafi song music director Chaand Pardesi.

2. This song is the 500th duet song sung by Rafi and Asha Bhonsle. What to say about this feat. These two legends have easily sung the most number of duets songs ever. I have not yet counted the number of duets sung by them, but I have read an estimate this puts this figure to over 800 ! The second most prolific duet singing pair happens to be Rafi-Lata pair. They are a “distant” second with “just” 400 plus duets. 🙂

3. This song is the 14300th song of the blog. The previous blog century was achieved on 23 march 2018. So this century has taken 32 days.

There was a time when we used to clock centuries in 16 days. We may have slowed down, and in the course of this century we even had a dot day, but at least the musical bandwagon is still on the move. And this matters a lot.

We are on the verge of several landmarks in addition to the usual blog century landmarks. Lots of artists are closing in to their century and multiple century marks. Even a regular contributor is stuck on 199 (hint ! hint ! 🙂 ). So there are lots of exciting and interesting events ahead of us.

When one considers this series (pal do pal ka saath), this was only the second episode. There are more music directors with justone Rafi song to their credit. Their time would also come and we will honour them too with similar special write ups.

As for now, I take this opportunity to thank one and all for their continuous support for nearly ten years. That reminds me, we are on the verge of completing ten years in another four months. Here is hoping that this musical bandwagon will continue to roll on and on and in the process we will find ourselves acquainted with lots and lots of great musical gems, and some of them for the first time.

This special song may well be the first time many of our music lovers will get to listen to this song. Here is this wonderful song from the golden era of HFM. Enjoy !


Song-Uthhaaye maine naina to aar paar honge(Ban Maanush)(1979) Singer-Rafi, Asha Bhonsle, Lyrics-Farooque Kaiser, MD-Chaand Pardesi
Male chorus
Female chorus

Lyrics

aa aa aa aa
aa aa aa aa
aa aa aa aa
rang bhi uda uda hai
kadam bhi ruke ruke
kaise karenge pyaar ye
naina jhuke jhuke

uthaaye maine naina
to aar paar honge
tumhi ek nahin
sab nisaar honge

uthaaye maine naina
to aar paar honge
tumhi ek nahin
sab nisaar honge

uthhaaye maine naina
to aar paar honge
tumhi ek nahin
sab nisar honge

hum jisko dil de den
usi ke yaar honge
tumhaari tarah to hazaar honge
hum jisko dil de den
usi ke yaar honge
tumhaari tarah to hazaar honge

hum jisko dil de den
usi ke yaar honge
tumhaari tarah to hazaar honge
uthhaaye maine naina
to aar paar honge

tumhaari tarah to hazaar honge

ishq waale wafa nahin karte
daawe karte hain khoob badh chadhh kar
jab nibhaane ki baat aati hai
bhool jaate hain pyaar ye dilbar

bhool jaate hain pyar ye dilbar
bhool jaate hain pyar ye dilbar

aa aa aa aa
aa aa aa aa
husn waale daga nahin karte
ye hamaara yakeen hain dilbar
jinke baalon mein phool khilte hain
ho nahin sakte unke dil patthar
ho nahin sakte unke dil patthar
ho nahin sakte unke dil patthar

aa aa aa aa aa
ae mere dard e jigar
itni taareef na kar
naaz itne na uthha
humko sar pe na bithha
humko maaloom hai sab
teri chahat ka sabab
dard ye tune diya
pyaar to humne kiya

pyaar to humne kiya
pyaar to humne kiya

aaj phir tera pyar maanga hai
ik zara sa karar maanga hai
phir wahi intzaar maanga hai
phir tera etbar manga hai
dard ka razdaar maanga hai
dil ka aayina daar manga hain
jinko jannat ka shauk hai maangen aen aen
humne allaah se yaar manga hai
humne allaah se yaar maanga hain
humne allah se yaar maanga hai

sab kuch khuda se maang liya
uthte nahi hain, mere haath is dua ke baad
humne allah se yaar maanga hai
humne allah se yaar maanga hai

aa aa aa aa
aa aa aa aa
duaayen mangne se
chhaanv zulfon ki nahin milti
mohabbat zindagi ki sabse
mushqil aazmaayish hain
tadap hai dard hai aansu hain
ruswaai bhi hai ismein
magar ye aazma lene ke
kaabil aazmaayish hai

ye dil chaahe toote
padenge hum na jhoothhe
tumhare liye bekaraar honge
ye dil chaahe toote
padenge hum na jhhoothhe
tumhaare liye bekarar honge

ye dil chahe toote
padenge hum na jhhoothhe
tumhaare liye bekraar honge
uthhaaye maine naina
to aar paar honge
tumhi ek nahin
sab nisaar honge

uthhaaye maine naina
to aar paar honge
tumhi ek nahin
sab nisaar honge

uthhaaye maine naina
to aar paar honge
tumhi ek nahin
sab nisaar honge

hum jisko dil de den
usi ke yaar honge
tumhi ek nahin
sab nisaar honge


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3502 Post No. : 14072

#the Decade of Seventies – 1971 – 1980 #

—————————————————————
# Bhoole-Bisre Geet # 63# Khayyam Saab’s 91st birth anniversary
———————————————–—————————

Today 18th February 2018 (born on 18th February 1927) is the Ninety-first birth anniversary of Mohammed Zahur “Khayyam” Hashmi Saab, better known as Khayyam Saab to all of us.

On this occasion here is a rare song from the movie ‘Meena Kumari Ki Amar Kahaani-1979’. Music of this film was composed by Khayyam Saab.

‘Meena Kumari Ki Amar Kahaani – 1979’ was directed by Sohrab Modi for ‘Shaili Films, Bombay’. It had Dolly (as ‘Meena Kumari’), Bharat Bhushan, Madhu Malini, Meena Irani, Sunita Irani, Sunita Dheer, Twinkle, Jayshree T., Bandini, Jagdeep, Keshto Mukherjee, Ratna, Javed Khan, Bina Baba, Zery, Kedar Sehgal, Baby Parveen, and Sona (as ‘Madhubala’).

Lyrics of this film were by Afzal Shadab (all songs) and Music was composed by Khayyam Saab.

As per information available in HFGK this film had two songs. (However as mentioned in HFGK this film also included some dialogues and songs from some of the films of Meena Kumari viz. Azad’1955, Sharda’1957, Chirag Kahaan Roshni Kahaan’1959, Ghazal’1964, Chandan Ka Palna’1967 and Pakeezah’1971).

This film was based on Meena Kumari’s life and was passed by censor board on 28.11.1979.
I am neither much aware about this movie nor I have watched it, so I can not say much about this movie and its box office performance.
I would request knowledgeable readers to throw more light on this movie and its songs.

I was quite in dilemma while deciding a song for today’s occasion, because there are still many many beautiful gems composed by Khayyam Saab that are yet to be posted on the blog here.

However, while going through the list of movies for which Khayyam Saab has composed music, I find that this is the only movie from the decade of 1971-1980 that is yet to make an entry on the blog. So today we get introduced to this movie on the blog.

During 1971-1980 we have the following movies of which the music was composed by Khayyam Saab;

Khayyam’s movies of 1971-1980
Name of movie Year
Pyaase Dil 1974
Sankalp 1974
Mutthi Bhar Chawal 1975
Sandhya 1975
Kabhie Kabhie 1976
Shankar Hussain 1977
Trishul 1978
Chambal Ki Kasam 1979
Khaandaan 1979
Meena Kumari Ki Amar Kahaani * 1979
Noorie 1979
Thodisi Bewafai 1980

(* making a debut on the blog today)

Out of the two songs in this movie one song is a solo song sung by Mahendra Kapoor and lip synced by Bharat Bhushan on the screen and being posted here today.
The actresses Dolly and Sona who played the role of Meena Kumari and Madhubala in the film are also seen in the picturization of this song with others.

The other song is a duet sung by Asha Bhonsle and Lata Mangeshkar.

Wishing Khayyam Saab, a ‘Very Happy Birthday’ today and a ‘healthy and peaceful’ life ahead, let us now enjoy this song!!!


Song-Wafaa e ishq mein khoye jahaan milte hain (Meena Kumari Ki Amar Kahaani)(1979) Singer-Mahendra Kapoor, Lyrics-Afzal Shadab, MD-Khayyam

Lyrics

Jo udaatey thhe laakhon ki neendein
Ab wo zere zameen so gaye
Haay mitti ki aagosh mein
Kaise kaise haseen so gaye

Wafaa e ishq mein
Khoye jahaan milte hain
Wafaa e ishq mein
Khoye jahaan milte hain
Bhatakti rooh ke ae ae ae
Bhatakti rooh ke
Aksar nishaan miltey hain aen
Wafaa e ishq mein
Khoye jahaan milte hain

Wo badnaseeb jo
Duniya se naamuraad gaye
Wafaa ke maare huye
De ke apni yaad gaye
Nazar se chhupke
wo hi meharbaan miltey hain
Bhatakti rooh ke ae ae ae
Bhatakti rooh ke
Aksar nishaan miltey hain ae
Wafaa e ishq mein
Khoye jahaan milte hain

Jo baazi haar gaye hain
Yahaan muhabbat mein
Qaraar unko nahin milta
Apni jannat mein
Sukoon e dil ke liye
Bezubaan miltey hain
Bhatakti rooh ke ae ae ae
Bhatakti rooh ke
Aksar nishaan miltey hain ae
Wafaa e ishq mein
Khoye jahaan milte hain

Hawaa mein udtaa huaa
Inka aashiyaana hai ae
Wahaan pe pardanasheenon ka ab
Thhikaana hai ae ae ae
Jahaan galey se zameen aasmaan miltey hain
Bhatakti rooh ke ae ae ae
Bhatakti rooh ke
Aksar nishaan miltey hain ae
Wafaa e ishq mein
Khoye jahaan milte hain

Chhupaa huaa hai koi raaz
Inke aane mein
Ke jaise bhool gaye hon
Ye kuchh zamaane mein
Zameen pe aise kayi raazdaan miltey hain
Bhatakti rooh ke ae ae ae
Bhatakti rooh ke
Aksar nishaan miltey hain ae
Wafaa e ishq mein
Khoye jahaan milte hain
Wafaa e ishq mein
Khoye jahaan milte hain
Wafaa e ishq mein
Khoye jahaan milte hain

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

जो उड़ाते थे लाखों की नींदें
अब वो जेरे ज़मीन सो गए
हाय मिटटी की आगोश में
कैसे कैसे हसीन सो गए

वफ़ा ए इश्क में
खोये जहान मिलते हैं
वफ़ा ए इश्क में
खोये जहान मिलते हैं
भटकती रूह के ए ए ए
भटकती रूह के
अक्सर निशान मिलते हैं ए
वफ़ा ए इश्क में
खोये जहान मिलते हैं

वो बदनसीब जो
दुनिया से नामुराद गए
वफ़ा के मारे हुए
दे के अपनी याद गए
नज़र से छुपके
वो ही मेहरबान मिलते हैं
भटकती रूह के ए ए ए
भटकती रूह के
अक्सर निशान मिलते हैं ए
वफ़ा ए इश्क में
खोये जहान मिलते हैं

जो बाज़ी हार गए हैं
यहाँ मुहब्बत में
करार उनको नहीं मिलता
अपनी जन्नत में
सुकून ए दिल के लिए
बेजुबान मिलते हैं
भटकती रूह के ए ए ए
भटकती रूह के
अक्सर निशान मिलते हैं ए
वफ़ा ए इश्क में
खोये जहान मिलते हैं

हवा में उड़ता हुआ
इनका आशियाना है ए
वहाँ पे पर्दानशीनों का अब
ठिकाना हैं ए ए ए
जहां गले से ज़मीन आसमान मिलते हैं
भटकती रूह के ए ए ए
भटकती रूह के
अक्सर निशान मिलते हैं ए
वफ़ा ए इश्क में
खोये जहान मिलते हैं

छुपा हुआ है कोई राज़
इनके आने में
के जैसे भूल गए हो
ये कुछ ज़माने में
ज़मीन पे ऐसे कई राजदान मिलते हैं
भटकती रूह के ए ए ए
भटकती रूह के
अक्सर निशान मिलते हैं ए
वफ़ा ए इश्क में
खोये जहान मिलते हैं
वफ़ा ए इश्क में
खोये जहान मिलते हैं
वफ़ा ए इश्क में
खोये जहान मिलते हैं


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3473 Post No. : 13949

“Heera Moti”(1979) was produced by Ratan Mohan and directed by Chaand for R M Art Productions, Bombay. The movie had Shatrughna Ainha, Reena Roy, Danny Denzongpa, Bindu,Purnima,Ajit, Om Shiv Puri, Anwar Hussain, Narendranath, Dev Kumar, Shetty, Randheer, Omkar, Master Raju, Jairaj,
Rajan Haksar, Master Saleem, Radhey Shayam, Keshav Rana, Bhagwan Dada, Rajan Kapoor etc in it.

The movie had six songs in it. Two of these songs have been covered in the blog. One was covered in 2009 another in 2013.

Here is the third song from “Heera Moti”(1979) to appear in the blog. The song is sung by Dilraj Kaur. Ahmad Wasi is the lyricist. Music is composed by O P Nayyar.

Only the audio of this song is available. One can notice that Dilraj Kaur was being asked to sing in Asha Bhonsle style. In fact, in the post Asha Bhonsle phase of his career, O P Nayyar tried to make other female singers to sing like Asha Bhonsle but he was unable to recreate the same magic with them.

I request our knowledgeable readers to throw light on the picturisation of this song. My guess is that this song was picturised on Reena Roy.

Lyrics of this song were sent to me by Prakashchandra long ago.


Song-Tum khud ko dekhte ho sada apni nazar se (Heera Moti)(1979) Singer-Dilraj Kaur, Lyrics-Ahmad Wasi, MD-O P Nayyar

Lyrics (Provided by Prakashchandra)

haayye ae ae ae ae ae
meri nazron mein mohabbat ka khumaar
aa hi gayaa
dil ko aanaa thaa kisi par ek baar
aa hi gayaa
pyaar na karne ki qasmein khaayeen thhen maine magar
aaj tum
jab saamne
aaye toh pyaar aa hi gayaa

tum khud ko dekhte ho sadaa apni nazar se
tum khud ko dekhte ho sadaa apni nazar se
dekho meri jaan khud ko kabhi
meri nazar se ae ae
haaye meri nazar se
tum khud ko dekhte ho o

oyye oyye hoyye hoyye hoyye
ye reshmi zulfein
ahhaa haaa aa aa
ye reshmi zulfein
tere kaandhe pe jhukaa doon
nikhri huyee is raat ko main
aur sajaa doon
main aur sajaa doon
matwaalaa banaa doon tujhe
matwaalaa banaa doon tujhe
matwaali nazar se
dekho meri jaan khud ko kabhi
meri nazar se
haayye meri nazar se
tum khud ko dekhte ho o

aahhaaa hhaaaa hhaaa
o ho ho ho
o o o
aaa haa. haa
tan phool saa
baanhon ki lachak jaise ho daali
main roop kaa ik baag hoon
tu baag kaa maali
main roop kaa ik baag hoon
tu baag kaa maali
mere baag ka maali
rakhwaali karo tum meri ee
rakhwaali karo tum meri
duniyaa ki nazar se
dekho meri jaan khud ko kabhi
meri nazar se
haayye meri nazar se
tum khud ko dekhte ho o

oye
oyye oyye hoyye hoyye
deewaani hoon teri ee
aa..haa…aaa
deewaani hoon
dil thhaam ke
raste mein khadi hoon
dil tod de yaa jod de
kadmon mein padi hoon
kadmon mein padi hoon
likh de meri taqdeer zaraa
likh de meri taqdeer zaraa
apni nazar se
dekho meri jaan khud ko kabhi
meri nazar se ae ae
haaye meri nazar se
tum khud ko dekhte ho o


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14700 song posts by now.

This blog is active and online for over 3700 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14701

Number of movies covered in the blog

Movies with all their songs covered =1147
Total Number of movies covered =4018

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Blog Start date: 19 july 2008

Active for more than 4000 days.

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