Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Manna Dey


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5429 Post No. : 17809

#the Decade of Fifties –1951 – 1960 #
——————————————————————

“Shuk Rambhaa-1953” was directed by Dhirubhai Desai for ‘Chandrakala Pictures, Bombay’. Dhirubhai Desai was also the producer of this movie.

This movie was passed by Censor Board on 05.05.1953. “Shuk Rambhaa-1953” was a ‘mythological genre’ movie and partly shot in colour as per information given in HFGK Vol-III (1951-1960).

It had Anjali Devi, Bharat Bhushan, Lalita Pawar, Niranjan Sharma, Rajkumar, Ishwar Lal, Nirupa Roy, Suryakant, Jagdish Kamal, C. J. Pandey, Krishnakumari, Roopa, Kusum Thakur, and Lalit Kapoor, Chaubey ji, Dilip, Tiwari, Pandya, Lajendra, Zareena, Lathani and others.

“Shuk Rambhaa-1953” has nine songs in it which were penned by two lyricist viz. Bharat Vyas(eight songs) and Saraswati Kumar ‘Deepak’(one song).

Three songs from this movie have been posted on the blog as per details given below.

S.No Song Title Lyricist Singer/s Posted On
01 Hey shivshankar hey pralayankar Saraswati Kumar Deepak Asha Bhonsle, Unknown Male Voice 15.02.2015
02 O meri maayi de de bidaayi Bharat Vyas Master Gopal, Asha Bhonsle 02.01.2017
03 Jogi re yogi jaag re Bharat Vyas Asha Bhonsle,Manna Dey 14.08.2017

Today’s song is the fourth song from this movie “Shuk Rambhaa-1953” being presented on the blog.

It is sung by Geeta Dutt. This is the only Geeta Dutt song in this movie (as per details mentioned in Geet Kosh).

Lyrics are by Bharat Vyas and music is composed by Manna Dey.

Video of this song is available. It shows a female (Rambha ?) dancing in early morning in the bedroom of a King (Shuk ?) who is sleeping. She goes away when the King wakes up.

Ed note: It is informed by Prakashchandra that the actors seen in the picturisation are Anjali devi and Raajkumar (different from the Jaani fame Raj Kumar).

Let us now enjoy the song …

Audio

Video

Song-Mere baalon mein saawan ki ghata (Shuk Rambha)(1953) Singer-Geeta Dutt, Lyrics-Bharat Vyas, MD-Manna Dey

Lyrics

hmm mm mm
hmm hmm hmm
mm mm mm mm

aa aa aa
aha haa haa
aa ha ha
aha haa haa

mere baalon mein
saawan ki ghataa
aa haa aa
aa haa aa
mere baalon mein
saawan ki ghataa
mere gaalon par
yauwan ki chhataa
yauwan ki chhataa
main ae ae
main nav-vasant ki paagal
angdaayi hoon oon oon
main roomjhoom kar
dwaaar tere aayi hoon
oon
dwaaar tere aayi hoon

aa aa aa aa aa aa
aa aa aa aa aa aa
main ithhlaate madhuban ki
bal khaati ek kali hoon
main lehraate saagar ke
lehron ke beech pali hoon oon
bijlee ki chamak
taaron ki damak
bijlee ki chamak
taaron ki damak
phoolon ke mehak se pyaari hoon
main ae ae
main nav prabhaat ki ujjwal
arunaayee hoon oon
main roomjhoom kar
dwaaar tere aayi hoon
oon
dwaaar tere aayi hoon


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5428 Post No. : 17806

#the Decade of Fifties –1951 – 1960 #
——————————————————————

In this post I once again present a Geeta Dutt song, this time from the movie “Shri Ganesh Janma-1951”. I do not remember to have listened to this song earlier. Regulars on the blog are aware that I am a big Geeta Dutt fan. Whenever I get an opportunity to present a song sung by her I grab the opportunity with both hands and share that song here on the blog.

“Shri Ganesh Janma-1951” was a mythological movie directed by Jayant Desai. This movie was passed by Censor Board on 23.04.1951.

The cast of this movie included Nirupa Roy, Trilok Kapoor, Jeevan, Ulhas, Vasantrao Pahalwan, A. Shah, Shalini, Praveen Kumar, Master Dhuliya, Revashankar, Jugnu, Neerja, Neeru, Indira Mumtaz, Tiwari, Devchand More, Chhagan, Heera Singh, Nagotkar and others.

This movie has twelve songs all written by Bharat Vyas. Music for this movie was composed jointly by Khemchand Prakash and Manna Dey as mentioned in HFGK Vol-III (1951-1960).

Here is a brief about the songs of this movie that our respected Shri Arunkumar ji had mentioned in one of his posts while discussing earlier songs from this movie on the blog.

The film’s music was composed by Khemchand Prakash and Manna Dey together. There were 12 songs, but HFGK does not give individual credits for each song. Out of these 12 songs, not even a single song was sung by Lata Mangeshkar. In those days Lata usually avoided singing in Mythological films of B and C grades. Reason was, probably because the Producers of such films could not afford her price or maybe she was too busy with her assignments with more famous composers and bigger Banners. Such films were left for the second line singers like Asha, Geeta, Sulochana kadam, Sudha Malhotra and others of their ilk. A point to be noted, however, is that though a major singer of those times, Shamshad Begum never had qualms about singing in such films!

Following is the details of the two songs of this movie posted earlier on the blog.

S.No Song Title Singer/s Posted On
01 Shiv Shankar Daya Karo Geeta Dutt 14.02.2015
02 Naiyya paar lagaane waale Geeta Dutt, Manna Dey 21.08.2017

Today’s song is only the third song from this movie to be presented on the blog.

As mentioned above today’s song is sung by Geeta Dutt and lyrics are by Bharat Vyas.

Music is composed by Khemchand Prakash-Manna Dey.

(However, on the blog the credit for the music composer of the both the earlier songs posted is given to Manna Dey only, which I am not aware why?).

Today’s song is a nice song to listen to and is a ‘missing the beloved’ or ‘falling in love’ category songs.

Only the audio of this song is available.

Let us now enjoy the song …

Audio

Song-Deepak ke sang jaltaa patang (Shri Ganesh Janm)(1951) Singer-Geeta Dutt, Lyrics-Bharat Vyas, MD-Khemchand Prakash-Manna Dey

Lyrics

o o o
o o o
ho ho ho
o o o o o o o o o

deepak ke sang
jaltaa patang
tere binaa piyaa moraa
jaley ang ang re ae
deepak ke sang
jaltaa patang
tere binaa aa
tere binaa piyaa moraa
jaley ang ang

tere liye ae
ban ban phiroon
tu hai kahaan aan
tu hai kahaan
tere liye ae
ban ban phiroon
tu hai kahaan aan
tu hai kahaan
saathi teri
pyaasi khadi
saathi teri ee
pyaasi khadi
aajaa aajaa bujhaa
mere man ki umang re ae
deepak ke sang
jaltaa patang
tere binaa aa
tere binaa piyaa moraa
jaley ang ang

dheere dheere
din dhhaltaa hai re ae
tere binaa jee
jaltaa hai re
dheere dheere
din dhhaltaa hai re ae
tere binaa jee
jaltaa hai re
chhup chhup ke tu
tadpaa na yoon
chhup chhup ke tu
tadpaa na yoon
haaye kaise anokhe
tere ye dhhang re ae
deepak ke sang
jaltaa patang
tere binaa aa
tere binaa piyaa moraa
jaley ang ang re ae
deepak ke sang
jaltaa patang
tere binaa piyaa moraa
jaley ang ang


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5416 Post No. : 17761

“Veena”(1948) was directed by J P Advani for Jagat Pictures. The movie had Sulochana Chatterjee,Veera,Rehman,Hemavati,Leela Mishra,Girdhaari, Yakub etc in it.

“Veena”(1948) had 12 songs in it. Nine songs have been covered in the blog.

Here is the tenth song from the movie to appear in the blog. The song is sung by Manna Dey. Prem Dehalvi is the lyricist. Music is composed by Anil Biswas.

Only audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.

Lyrics of the song were sent to me by Prakashchandra.


Song-Chal tu preet nagariya raahee (Veena)(1948) Singer-Manna Dey, Lyrics-Prem Dehalvi, MD-Anil Biswas

Lyrics(Provided by Prakashchandra)

ooo ooo oo
oo ooo ooo ooo
oo ooo ooo ooo
aaa aaa o o

chal tu preet nagariyaa raahee
chal tu preet nagariyaa aaay
chal tu preet nagariyaa raahee
chal tu preet nagariyaa
ye preet nagar mein koyaal khookey
meethey bol sunaaye aey ae aen
bahey prem ras kee dhaaraa
aur amrit saa barsaaye ae
ooo ooo oooo
oooo ooo
prem ki chhaaye badariyaa
hoye prem ki chhaaye badariyaa
raahee chal tu preet nagariyaa aaay
chal tu preet nagariyaa raahee
chal tu preet nagariyaa aa aa aa

ooo ooo oooo ooo ooo ooo
o oo ooo ooo ooo
sarson phooley prem ki dhaarey
man kee harey udaasee eee
prem ke jhooley daal ke gaayein
preet nagar ke vaasee
ooo ooo oooo
oo ooo ooo
oooo oo
baajey prem bansuriyaa
heyye baajey prem bansuriyaa raahee
chal tu preet nagariyaa aaye
chal tu preet nagariyaa raahee
chal tu preet nagariyaa aaay

heyy meethee meethee chot prem ki
dil mein dard basaaye aey ae
armaanon ke thhandey jal mein
aag si lag lag jaaye
oo oo ooo
ooo ooo
jab chhalkey prem gagariyaa
jab chhalkey prem gagariyaa raahee
chal tu preet nagariyaa aaay
chal tu preet nagariyaa raahee
chal tu preet nagariyaa aay

ooo ooo
oooo ooo ooo ooo
ooo ooo oooo
ooo ooo ooo
atak na jaaye chaltee gaadee
rakhiyo kadam sambhaal
ye preet ki raahein
tirchhee aadee
aur bahut janjaal
oo oo oo
ooo ooo oooo
kathin hai prem dagariyaa
heyye kathin hai prem dagariyaa raahee
chal tu preet nagariyaa aaay
chal tu preet nagariyaa raahee
chal tu preet nagariyaa aaaye


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Blog Day :

5413 Post No. : 17756

“Maharaja”(1970) was produced and directed by Naresh Saigal for N S Films, Bombay. The movie had Nutan, Sanjay Khan (in title role), Sujit Kumar, Rajendranath, Jeewan, Tarun Bose, Manmohan Krishna, Manmohan, Rajan Haksar,
Onkar, Ameena, Lalita Kumari, Assie, Dilip Dutta, Sumal, Prabhat Kumar, Karim, Master Omi, Master Raja etc. The movie introduced Roopa. The movie also had
Helen, Nirupa Roy in special appearances with guest appearances by Hiralal, Murad, Randhir and Shashi.

“Maharaja”(1970) had five songs in it. Two songs have been covered in the past.

Here is the third song from the movie. This song is sung by Manna Dey and chorus. Akhtar Romani is the lyricist. Music is composed by Madan Mohan.

Only audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.

Lyrics of the song were sent to me by Prakashchandra.

audio link:

Song-Raste ka maal saste mein (Maharaja)(1970) Singer-Manna Dey, Lyrics-Akhtar Romani, MD-Madan Mohan
Chorus

Lyrics(Provided by Prakashchandra)

raste ka maal sastey mein
sastey ka maal bastey mein aen
raste ka maal sastey mein
sastey ka maal bastey mein
aa mere paas
mat ho udaas
kar doon main bojh halkaa aa aa
kya aitbaar kal kaa
raste ka maal sastey mein
sastey ka maal bastey mein ae ae
raste ka maal sastey mein

yennaa swaamee
swaamee ingey waa ingey waa
eeyodu bhagyaam nallaa irthaa/irukkaa/??/yatthaa
evaadu ne/ley/
your name money
you got lot money..eee

o naseebawaaley paashaahho
aao twaanoo kam dee gallaa dass ye
tussee apni watchnoo badey changey lagdey o
par twaanoo paisaa changaa lagdaaaye
aur tussee mainoo daadey changaa lagde hey/hai
rab dee meharbaanee naal
kinnaaa sohnaa mel hoyyaa aaa

koyi chalaaye chhakdaa
koyee udaaye raackitt
pehnee kisee ne dhotee
pehnaa kisee ne jaackitt
iske galey mein phandaa
uskey galey mein laackkitt
khaalee kisee kaa batuaa
aur full kisee ki paackit
tere ghar mein ho
mere ghar mein ho
farq kyaa hai pyaarey aaaa
aa aa mere paas
mat ho udaas
kar doon main bojh halkaa aaa aaa
kya aitbaar kal kaa
raste ka maal sastey mein
sastey ka maal bastey mein ae ae
raste ka maal sastey mein

aei ae money money
too roo ooo oo tu roo roooo ooo
money money
too roo ooo oo tu roo roooo ooo
money monney
aayye ae ae ae aey ae
everybody loves money money
everybody needs money money
everybody wants money money
maaanee maanee maanee ee ee ee eeee

if you haven`t got money you look so funny
if you have got money you`re nice and bright
& you dearest/?? sonny
you understand my sonny…eeee…eeeee
oo ooo so ooo so o ooo
everybody loves money money
everybody needs money money
everybody wants money money

maaneee maanee maneeee eee eee hheee eee eeee

haayyerey haayye
haayyerey haayye
haayyerey haayye mera money money
abhi idhar thhaa mera money money
kidhar gaya rey mera money money
gum gayaa rey mera money money
lutt gayaa rey mera money money
haayyerey haayye mera money money
haayyerey haayye mera money money
haayyerey haayye mera money money
haayyerey haayye mera money money


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Blog Day :

5404 Post No. : 17731

We all have heard of World Happiness Index. We have heard about it because this index gives India a very low rating. People in India who believe in this rating ironically do not believe in ratings that shows India in good light. On the other hand, there are people who wonder how India can be ranked so low when we see countries that appear in far more distress than India ranked higher than India.

There are not too many people who actually buckle down and try to go to the details of this world Happiness Index. Not even the media who report on this topic. I have been thinking of going to the depth of this World Happiness Index for quite some time but I was not able to find time. You see, people like me who are inherently happy most of the time cannot be easily persuaded to waste time analysing an Index that accuses you of belonging to a country whose population is unhappy. 🙂

Nevertheless, someone had to do the painful job of analysing this world Happiness Index. No one in India is seemingly interested so I have volunteered and I have done it. In this post, I will give my findings on this index.

World Happiness Index is published by “The Sustainable Development Solutions Network” of the UN. They release their annual report on 20 march which has been declared as International Day of Happiness.

The General Assembly of the United Nations in its resolution 66/281 of 12 July 2012 proclaimed 20 March the International Day of Happiness recognizing the relevance of happiness and well-being as universal goals and aspirations in the lives of human beings around the world and the importance of their recognition in public policy objectives.

The meeting was convened at an initiative of Bhutan, a country which recognized the supremacy of national happiness over national income since the early 1970s and famously adopted the goal of Gross National Happiness over Gross National Product.

World Happiness Index is compiled considering six characteristics to rank countries on overall happiness: GDP per capita, social support, life expectancy, freedom to make choices, generosity, and perception of corruption.

Factor Source data Remarks
GDP per capita World Bank /IMF figures Data can be considered objective
Social support Gallup polls Data is highly subjective as well be discussed later
Healthy Life expectancy WHO figures Data is objective
Freedom to make life choices Gallup polls Data is highly subjective as well be discussed later
Generosity Gallup polls Data is highly subjective as well be discussed later
Perception of corruption Gallup polls Data is highly subjective as well be discussed later

Let us discuss these factors in detail

Following two factors (out of six) can be considered Objective factors:-

Factor Maximum to Minimum range Remarks
GDP per capita 2.200 to 0.000 The GDP/capita is processed in a mathematically complicated mannner to arrive at figures where higher per capita nation gets assigned higher value. Luxembourg gets the highest value while Venezuela gets the lowest value
Healthy life expectancy 0.702 to 0.000 The life expectancy figure is processed in a mathematically complicated mannner to arrive at figures where country with higher life expectancy gets assigned higher value. Hongkong has the highest figure whereas Mozambique gets the lowest figure

I thought it was not possible to bungle in the above factors because figures for them are available on reputed sites. For example, GDP per capita is available on sites like World Bank, IMF etc. Likewise figures of Life expectancy are available on WHO site.

I notice that the country with the lowest GDP per capita in the Happiness chart is Venuzuela ! It defies logic. Venezuela per capita GDP is $ 7260 on PPP basis and $3460 on Nominal GDP basis in 2022. There are at least 50 countries behind Venezuela on GDP per capita basis. Such glaring error casts severe doubts on the authenticity of Happiness Index, at least for Venezuelans, if not for others. Had Venezuela’s rank been correct on GDP per capita basis, they would have ended up in top 30, instead of ending up at 89th position in the latest Happiness Index, (all other things remaining same).

I hope healthy life expectancy figures do not contain any such glaring errors.

The highest figure theoretically achievable for the above two factors is 2.200 + 0.702= 2.902. The lowest figure theoretically possible is 0.00. The actual highest achieved figures is 2.383 by Taiwan followed by USA of 2.370. So these two countries are the happiest if only GDP per capita and life expectancy rankings are considered. The actual lowest figures achieved on these two factors is 0.341 by Venezuela and 0.570 by Mozambique.
As discussed above, the faulty ranking of Venezuela in GDP per capita means that they end up at the very bottom when we add up its marks for the two factors.

As for India, India will be in 101th position with 1.411 marks. Pakistan with 1.238 will be at 109th position. Nepal 107th with 1.260. Bangladesh 97th with 1.487 marks. Sri Lanka 68th with 1.847 marks.

Now we come to the subjective factors. Unlike figures of GDP per capita and life expectancy which are collected and maintained by reputed world bodies with considerable experience and expertise, no well defined and accepted standards exist to measure the four subjective factors that form such a large part of World Happiness Index..Following are the four subjective factors that are considered while measuring happiness :-

Factor Maximum to Minimum range Remarks
Social support 1.620 to 0.000 Data is highly subjective as will be discussed later Iceland gets the highest rating Afghanistan the lowest
Freedom to make life choices 0.772 to 0.000 Data is highly subjective as will be discussed later .Finland scores the highest Afghanistan the lowest
Generosity 0.422 to 0.000 Data is highly subjective as will be discussed later. Indonesia scores the highest Georgia the lowest
Perception of corruption 0.561 to 0.000 Data is highly subjective as will be discussed later. Singapore scores the highest viz it is least corrupt-Romania considers itself the most corrupt

How were these figures arrived at ? Based on Gallup world polls (GWP). What are gallup polls? Gallup is an organisation that supposedly approaches a few people and ask them simple YES/ No questions. Based on the reply, the countries’ Social Support, Freedom to make choices, generosity and perception of corruption are measured and entire country gets branded. It is basically the opinion of the people polled. We know that opinions are not facts, but this World Happiness Index tries to pass off opinion of a few people as facts about a country.

Let us see what questions are asked. Under social support, the question anked is “If you were in trouble, do you have relatives or friends you can count on to help you whenever you need them, or not?”. The national average of the binary responses (0=no, 1=yes) to the Gallup World Poll (GWP) question is taken. In “social support”. India ranked an abysmal 121st is social support, but Pakistan and Bangladesh were even behind India as 123 and 132. Perhaps all these people are watchers of sad Hindi movies where society does not support the love birds. 🙂 I was under the impression that Asian countries with better social and family ties offers way more support to an individual in need than in Western countries where these ties are quite weak. Nevertheless, what people say in this poll matters in the happiness ranking , not the reality.

Under generosity, the question asked was -“Have you donated money to a charity in the past month?”. If the ansewr is yes, then the people of that counry are considered generous other wise miser. The fact that there are ways of being generous other than donating money, such as helping out by devoting time and effort, feeding hungry people free of cost etc does not count towards generosity as far as this happiness index “generosity” factor is concerned. When we look at the chart, we find that Nepal (one of the least developed countries in the world) which even today is getting loan from IMF is ranked at number 26 in Generosity. They consider themselves far more generous than G-7 countries with money like Germany (57), France (113), Japan(135) etc even though they do not lend any money to any other country. All they had to do was just to reply YES to the relevant generosity related poll and they leapfrogged most of the actually generous countries of the world. Likwise Pakistan (ranked 65) is considered more generous than China (88). 🙂 And we thought otherwise. 🙂

Freedom to make life choices is the national average of binary responses to the GWP question “Are you satisfied or dissatisfied with your freedom to choose what you do with your life?” Reply to this question throws up some hilarious rankings. Nepalese, who have hardly any options to chose from, feel that they have full freedom to make their life choices. So much so that they get a rank of 63 which is higher than USA (70) and Japan (71).

Perceptions of corruption are the average of binary answers to two GWP questions: “Is corruption widespread throughout the government or not?” and “Is corruption widespread within businesses or not?” Where data for government corruption are missing, the perception of business corruption is used as the overall corruption-perception measure. Perception of corruption polls are no less amusing. Myanmar is ranked 33 which is higher than the ranking of USA (38). Even Bangladesh at 40 considers itself less corrupt than South Korea (41), Israel (44), Spain (45) etc. In Indian sub continent, Sri Lankans consider themselves more corrupt than their other south Asian neighbours.

Theoretically the highest scoring country can score the maximum of 3.375 in the four factors (viz. 1.620 + 0.772 + 0.422+ 0.561= 3.375). The highest figure actually achieved under these categories is 3.018 by Finland followed by 3.016 by Denmark.
Likewise the worst scoring country can score a low figure of 0.000 + 0.000 +0.000 + 0.000=0.000. In reality the lowest scoring country in these categories is Afghanistan at 0.152 followed by Lebanon at 0.687.

When we combine the marks of two objective categories with the marks obtained in the four subjective categories then we get overall points under the six catogories. According to that, Singapore emerges first at 5.52 points, Denmark comes at number 2 with 5.503, Sweden is third at 5.492 , Norway is fourth at 5.486, Finland is fifth at 5.441, Israel 23rd at 4.782, USA is 25th at 4.769.

Among Indian subcontinent countries, Sri Lanka is 73rd with 3.817, Nepal at 96th with 3.173, India 101st with 3.057,Bangladesh 106th with 2.922, Pakistan is 114th with 2.649.

I can see vehement protests coming from some quarters because the World Happiness ranking shows India behind all its neigbours in general, and behind Pakistan and Bangladesh in particular.

I am going to explain how India fell behind Pakistan, Bangladesh etc despite outscoring them in the six categories. India was put behind Pakistan and Bangladesh by shifting the goalpost. Yes, those who create this world Happiness Index have kept a trick up their sleeve which they use to manipulate the ranking arbitrary at their whim and fancy. To achieve this manipulation, they have introduced another category called Dystopia + residual.

“Dystopia” is a hypothetical nation that scores the lowest under all categories. Dystopia represents the lowest national averages for each of the six key variables and is, along with residual error, used as a regression benchmark.

From the earlier discussion we have seen that “Dystopia” nation would achieve a score of 0.000 under the six categories. The country that comes the closest to Dystopia in our ranking seen so far is Afghanistan that scores 0.883. Next country after Afghanistan is Comoros with 1.847.

From the above explanation of Dystopia, one would assume that countries that score high marks (and are thus far away from the hypothetical country of Dystopia would have similar marks under the heading of Dystopia + residual. Likewise countries that score poorly under the six factors and are thus closer to Dystopia would be expected to score similar marks under the heading of Dystopia + residual. Not by a long shot ! We cannot be more wrong !

We find that countries that score very high under the six headings and countries that score abysmally can have similar scores under the heading of Dystopia + residual. On the otherhand Countries that have similar scores under the six categories can have vastly different scores under the category of Dystopia + residual. In fact, countries that were way behind after adding up their marks under the six categories were made to leapfrog other nations rather unfairly and arbitrarily.

Here are some examples to show the arbitrariness of all this.

Singapore that stood first in ranking when the scores of six categories were counted was given a score of only 1.067 in the category of Dystopia + residual. Denmark was given 2.084, Sweden 1.903, Norway 1.829 and Finland 2.423.

When this dystopia + Residual category figures were added to the sum total total of the six categories, Finland became the number one nation, whereas Singapore, for no fault of theirs was relegated from number one position down to 26th position. Israel, who were on a lowly 23rd position, jumped up to 4th because they were given a whopping 2.691 under the category of Dystopia + residual.

Let us see the above discussion in tabular form:

Country sum total marks of six categories Ranking after sum total of six categories Marks given in the category of Dystopia + residual Final marks Final ranking
Singapore 5.520 1st 1.067 6.587 26th
Finland 5.441 5th 2.363 7.804 1st
Israel 4.782 23rd 2.691 7.473 4th

We have heard that Finland was number one in the happiness ranking for the fifth year in a row. How creditable, we are told. Now we know how they are achieving their number one ranking year after year. It is by using corrupt means. It has been done by awarding them very high marks and awarding the actual winner very low marks on the artificially and fraudulently created category of dystopia + Residual.

Let us now come to the changes in ranking of Indian subcontinent nations before and after Dystopia + residual marks.

Country sum total marks of six categories Ranking after sum total of six categories Marks given in the category of Dystopia + residual Final marks Final ranking
India 3.057 101st 0.979 4.036 126th
Pakistan 2.649 114th 1.907 4.555 108th
Bangladesh 2.922 106th 1.361 4.282 118th
Nepal 3.173 96th 2.187 5.360 78th
Sri Lanka 3.817 73rd 0.625 4.442 112th

We observe that Sri Lanka was 73rd and India was 101st in the happiness ranking. But those who publish the list had other ideas. They awarded low marks to India and Sri Lanka and such high marks to Pakistan and Bangladesh under Dystopia + residual that they rose above India. In their overenthusiasm, they awarded such high marks to Nepal that it reached a rank of 78th where it hardly belongs.

India finds itself behind Pakistan and Bangladesh, and also behind countries like Mali and Liberia, but then that was because Mali and Liberia were artificially granted huge points viz 2.070 and 1.869 respectively under the category of Dystopia + residual, otherwise they were at the bottom without the grace marks provided under Dystopia + residual.

The data for this happiness index 2023 is available in the excel sheet format at this link.

The relevant page containing the above data is this and this.

So, my conclusion is, this world happiness Index is a bogus ranking. It is hogwash, it is fraud. It should not be taken seriously. The people behind this ranking are taking people for a ride by creating a list that is based on dubious data where opinions of a few hundred people are used to brand an entire nation as happy or unhappy. When even that does not serve the purpose, they further move nations up or down the list by arbitrarily increasing or decreasing their marks in the column of dystopia + error which itself is a column created to manipulate the rankings.

Gallup methodology of poll shows that they take a poll of a few hundred people without doing any due diligence to ensure that their polls follows the principles of sampling. In a country like India, whose population is more than that of any continent (other than Asia), a truly representative sampling would run into at least 25 thousand people, may be a few lakhs, and it would take elaborate preparation and vast expenditure on the scale of Indian elections opinion polls. I do not think Gallup have bothered to spend so much time, money and effort while carrying out their polls in India, if at all they have bothered to carry it out. Had they done this exercise in India, this would have been a vast exercise and we would have known about it. But we do not know anything about it. So most likely, their poll in India has been an eyewash. Few people seem to have questioned their methodology. Most people interested in Indian affairs seem to have blindly believed this happiness ranking and they have used this ranking to bash the Indian government or it has been used to troll India and Indians.

Based on the above discussion, I feel that the world Happiness Index is not worth the paper it is printed on. Indians should stop giving credence to it because plainly speaking it is nothing but a fraud that has successfully been perpetrated for over a decade by now. Forget Indians, people worldwide should also question the people behind this Index. So far they have managed to avoid scrutiny and have continued on their own merry ways.

I hope readers will now gain some insight into the mechanism of this so called World Happiness Index. The creators of this index decide the ranking beforehand and then they artificially award points under the column of Dystopia + residual. It is the most corrupt methodology to make a list.

I have not yet analysed press freedom index, democracy index, human rights index etc. There too India is ranked low behind countries that have now press freedom, no democracy and no human rights. When I analyse them, I am sure I will find similar gory details there as well.

I have mentioned in the beginning of the post that I am by nature a happy person. My guess is that most readers of this blog are also like me. I feel that music lovers are by nature well adjusted people who find it easy to stay happy most of the time. Even our film songs are no different. In almost all movies of golden era, we had happy joyuos songs where actors would be seen singing and dancing, often for no apparent reasons. On other occasions, they are singing and dancing because it is some festival/ celebration. Indians have so many festivals, and so many occasions of celebration. And all those occasions finds people singing and dancing. If that does not count towards happiness index, that is the problem of the index makers. Indians are more happy than the Happiness Index makers can ever imagine.

Here is a happy song from a movie called “Dil Ka Raja”(1972).

‘Dil Ka Raaja-1972’ was produced by A K Nadiadwala and directed by P. Madhwan for ‘Nadiadwala Associates, Bombay’. The movie had Raj Kumar, Leena Chandavarkar, Ajit, Bindu, Jagdeep, Indrani Mukherjee, Randhir, Meena T., Sheikh, Surendra Rahi, Manjeet, Omkar, Pandit Iqbal, Jankidas, Uma Dutt, Rajesh, Maqbool, Master Anil, Master Ripal, and Waheeda Rehman (in special appearance) etc in it.

The movie had five songs in it. Two songs have been covered in the past.

While looking for a joyous song to go with this post on World Happiness ranking, I came across that song. I realised that I had last heard this song in 1972, when this song was quite a popular song. I loved this song, though I had no inkling which movie this song was from. Now more than half a century later, I find myself getting reunited with this song, like how it happens in a Manmohan Desai movie.

The song is sung by Rafi, Asha Bhonsle and Manna Dey. It is picturised as a joyous dance song on Raj KUmar (double role of father and son, Leena Chandawarkar and Jagdeep plus another person that I could not uidentify. I request our knowledgeable readers to identify the unidentified person. What a wonderfully lively and joyous song ! Enjoy !


Song-Jin ke paas haathhi ghoda un ke paas dil hai thhoda (Dil ka raaja) (1972) Singers-Rafi, Asha Bhonsle, Manna Dey, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Chorus
All together

Lyrics

jinke pas haathi ghoda
un ke paas dil hai thhoda
are tum se thhoda
aaha
ke dil ka badshah
aaha
koi tum sa kahaan
aha
kahe saara jaahaan
ho rajaji ee
jinke pass haathi ghoda
un ke paass dil hai thhoda
are tum se thhoda
aaha

ke dil ka badshah
aaha
koi tum sa kahaan
aaha
kahe saara jaahan
ohh raajaji ee ee ee

yoon to kehne sun’ne ko hum bhi hain jawaan
tumse naujawaan kaun hoga
itna(?) sakhi daata ke jaise Bhagwaan
aisa to yahaan kaun hoga
ho o
chaandi ka
sone ka dil tumhaara
aaha
ke dil ka baadshah
aha
koi tumsa kahaan
aha
kahe saara jahaan
o raaja jee ee ee ee

jis ne maanga aangan
diya hai tumne gaaon
jaane raaja saari nagariya
ho o o
laakhon ke liye leke thhandi thhandi chhaanv
tani hai tumhaari chadariya
ho ho ho
laakhon ka aangan hai dil tumhaara
aha
ki dil ka baadshah
aha
koi tumsa kahaan
aaha
kahe saara jahaan
ho rajaji ee ee

ho jinke pass hathi ghoda
unn ke pass dil hai thhoda
are tum se thhoda

aaha
ke dil ka badshah
aaha
koi tum sa kahaan
aaha
kahe saara jahaan
ho ohh rajaji

o o o
o o o o
o o o o o
o jinke paas haathi ghoda
un ke paas dil hai thhoda
are tum se thhoda

aaha
ke dil ka badshah
aaha

koi tum sa kahaan
aaha
kahe saara jaahaan
o raaja jee


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5401 Post No. : 17720

———————————————–—————————————
Blog 10-Year Challenge (2013-2023) – Song No.106
————————————————————————————–

On this date ten years ago (2 May 2013), four songs from four different movies (plus one non film song) were covered in the blog. Here are the details:-

Post No Song Title Name of the movie Remarks
8021 Chamkat damkat daamini Geet Govind (1947) 4 songs covered out of 15 by now
8022 Tumbak tumba tumbak tumba Chaar Chaand (1953) 5 songs covered out of 9 by now
8023 Reh na sakoge ham bin sajan pachhtaaoge Rimjhim (1949) Movie YIPPEED in the blog by now
8024 Dil mein basa le apna bana le Rangeela(1953) 8 songs covered out of 11 by now
8025 Sunsaan Jamuna ka kinaara…meri bhi ik Mumtaz thhi Manna Dey NFS (1970)

We observe that one movie (out of four) whose songs were covered in the blog on this date ten years ago (on 2 May 2013) has since been YIPPEED in the blog. That leaves us with three unYIPPEED movies that are eligible for Blog Ten Year CHallenge today (2 May 2023).

“Geet Govind”(1947) is one of the three BTYC eligible movies.

“Geet Govind”(1947) was produced by Kanu Desai and directed by Ramchnadra Thakur. The movie had Prem Adib, Leela Desai, Sulochana Chatterjee, David, Bhagwan Das, Radhakishen, Bhimji Bhai, Ram Singh, Kanthilal, Belarani, Pesi Patel,Jawahar Kaul, Baby Annu, Rajrani, Rammurthy, Sachin, Gautam, Yusuf etc in it.

“Geet Govind”(1947) had 15 songs in it. Four songs have been covered so far.

Here is the fifth song from the movie to appear in the blog. This song is sung by Manna Dey and Rajkumari. Pt Indra Chandra is the lyricist. Music is composed by Gyan Dutt.

Only audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

Lyrics of this song were sent to me by Prakashchandra.

Audio link:

Song-Kit ho Nand Kumar (Geet Govind)(1947) Singers-Manna Dey, Rajkumari, Lyrics-Pt Indra Chandra, MD-Gyan Dutt
Both

Lyrics(Provided by Prakashchandra)

kit ho Nand kumaaaar
kit ho Nand kumaar
dhoondhat sab sansaaaar
kit ho Nand kumaar

koyal mor papeehaa mainaaa
dhoodhat tumko sabke nainaa
nis din karat pukaaaar
kit ho Nand kumaar
haan aan aa aan aaaa (aar)
kit ho Nand kumar

tum bin hriday kamal hai vyaakul
tum bin nainon ki jamunaa aakul
tum bin hriday kamal hai vyaakul
tum bin nainon ki jamunaa aakul
praanon mein peer apaaaar
kit ho Nand kumaar
haan aan aa aan aaaa (aar)
kit ho Nand kumar

Shyaam chhupey ae man ke madhuban mein
nar naaree ke madhur milan mein aen
Shyaam chhupey man ke madhuban mein
nar naaree ke madhur milan mein
jit hai ae hriday jhankaaaar
ut hai Nand kumaar
haan aan aa aan aaaa (aar)
ut hai Nand kumar

saaras kee jodee ke man mein
mor mayuree ke nartan mein aen
saaras kee jodee ke man mein
mor mayuree ke nartan mein

chhaaye hain Nand kumaaaar
chhaaye hain Nand kumaar
haan aaa haaaa (aar)
chhaaye hain Nand kumaaaar
chhaaye hain Nand kumaaaar


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5400 Post No. : 17718

———————————————–—————————————
Blog 10-Year Challenge (2013-2023) – Song No.105
————————————————————————————–

On this date ten years ago (1 May 2013), eight songs from eight different movies were covered in the blog. Here are the details:-

Post No Song Title Name of the movie Remarks
8013 Ajee dil ho qaaboo mein to Village Girl (1945) 11 songs covered out of 12 by now. Final song unavailable
8014 Tan Man Mera tarse Paataal Bhairavi (1952) 5 songs covered out of 9 by now
8015 Pyaar nahin chhupta chhupaane se Laadla (1954) 9 songs covered out of 10 by now
8016 Teri mehfil tera jalwa teri soorat dekh li Sohni Mahiwal(1958) Movie YIPPEED in the blog by now
8017 Pehle beej akela Sant Tukaram (1965) 4 songs covered out of 8 by now
8018 Jobna se chunariya khisak gayee re Dhundh (1973) Movie YIPPEED in the blog with this song
8019 O phoolon ke desh waali…Haath mere hai madhu ka pyaala Aarop (1974) Movie YIPPEED in the blog by now
8020 Bibi mendhki ri tu to paani mein ki raani Garam Coat(1955) Movie YIPPEED in the blog by now

We observe that four movies (out of eight) whose songs were covered in the blog on this date ten years ago (on 1 May 2013) have since been YIPPEED.Two more movies have only one song left to be covered, but these songs are not available. So practically only two unYIPPEED movies are eligible for Blog Ten Year Challenge today on 1 May 2023.

“Sant Tukaram”(1965) is one of the BTYC eligible movies today.

“Sant Tukaram”(1965) was produced by R A Puria and directed by Rajesh Nanda for Ashok Films, Bombay. The movie had Anita Guha, Shahu Modak, B.M.Vyas, Rohit Kumar, Madhu Apte, Badri Prasad, Kesari, Narbada Shankar, Vishwas Kunte, Rajpal, Tun Tun, Sadhna Khote, Raaj Kumar, Baby Shobha, Uma, Helen etc in it.

“Sant Tukaram”(1965) had eight songs in it. Four songs have been covered so far.

Here is the fifth song from the movie to appear in the blog. This song is sung by Asha Bhonsle and Manna Dey. Bharat Vyas is the lyricist. Music is composed by Ved Pal.

The song is picturised as a seduction song on Helen (playing seductress Rambha)and Shahu Modak.

Lyrics of the song were sent to me by Prakashchandra.

Video link:

Song-O bhole jogee sun meri paayaliya ki chhun chhun (Sant Tukaram)(1965) Singers-Asha Bhonsle, Manna Dey, Lyrics-Bharat Vyas, MD-Ved Pal
Both

Lyrics(Provided by Prakashchandra)

ye poonam ki chaandni
ye ae ae ghadiyaan aaa anmol
beet na jaaye raat ye jogee
aankhein aen ae khol
jogi o jogi
o bholey jogi sun
meree pyaaliyaa ki chhun chhun
sun o bholey jogi sun
meree paayaliyaa ki chhun chhun
raat ye beetee jaaye re
jawaani phir nahin aaye rey
jawaani phir nahin aaye rey ae aey ae

goree goree baahon mein
mera kangnaa khan khan khankey
goree goree baahon mein
mera kangnaa khan khan khankey
aayee hoon main ban thhan ke ae
aur gaaoon geet milan ke
jo tarsey aur tarsaaye rey
jawaani phir nahin aaye rey
o bholey jogee sun
meree pyaaliyaa ki chhun chhun
raat ye beetee jaaye re
jawaani phir nahin aaye rey
jawaani phir nahin aaye rey ae

kuchch mann kee pyaas bujhaa ley
kuchch tan ki aag bujhaa ley ae
kuchch mann kee pyaas bujhaa ley
kuchch tan ki aag bujhaa ley
tere paas khadee hoon jogee
mujhe apne ang lagaa ley
jo tarsey aur tarsaaye rey
jawaani phir nahin aaye rey
o bholey jogi sun
meree paayaliyaa ki chhunn chhunn
raat ye beetee jaaye re
jawaani phir nahin aaye rey ae ae
jawaani phir nahin aaye rey ae ae ae

o paththar ke insaan
tu aankhein khol
o paththar ke insaan
tu aankhein khol
dekh tu apne prabhu kee maayaa
kaisaa sundar roop banaayaa
neel kamal se ae nain banaaye
kokil jaisey bain banaaye
o o ooo
ho o o
o o o o
hoo oo
kokil jaisey baain banaaye
inhein chhod kar kyon khothaa hai
ye jeevan anmol
ye jeevan anmol
paththar ke insaan
tu aankhein ae khol

jal mein wahee hai
thhal mein wohee hai
is jeevan tan man mein wahee hai
tujhmein wahee hai
mujh mein wahee hai
dhartee ke kan kan mein wahee hai
ho o ho o ho o o
ho o
ho o o ho o dharthee ke kan kan mein wohee hai
is neeras jeevan mein jogi
prem kaa amrit ghol
prem kaa amrit ghol
paththar ke insaan tu aankhein khol

hari bol hari bol hari bol
hari bol hari bol hari bol
hari bol hari bol hari bol
hari bol hari bol hari bol

hari bol hari bol
hari bol hari bol
hari bol hari bol hari bol

hari bol hari bol
hari bol hari bol
hari bol hari bol hari bol

hari bol hari bol
hari bol hari bol
hari bol hari bol hari bol

hari bol hari bol
hari bol hari bol
hari bol hari bol hari bol

hari bol hari bol
hari bol hari bol
hari bol hari bol hari bol

hari bol hari bol
hari bol hari bol
hari bol hari bol hari bol

Hari


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5400 Post No. : 17716

#the Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # (1st May -Birth Anniversary-Manna Dey)
——————————————-——————————

Today 1st May’2023 is the one hundred and fourth birth anniversary of legendary Singer Manna Dey (01.05.1919-24.10.2013).

As per our blog statistics Manna Da has sung around thirteen hundred and fifty songs for Hindi movies.

We still have a long way to go to bring all the songs sung by him here on the blog.

Manna Da has sung a variety of songs from all ‘genres’ in Hindi movies but majority of his songs are classical based, Qawwalis, philosophical, inspirational, and motivational songs other than romantic songs.

Manna Dey’s songs of various moods are perfect songs to listen to for a music lover no matter what mood he find himself in.

I personally like his classical based, philosophical, inspirational, motivational genre of songs and the ‘Qawwalis’ sung by him.

Recently I had presented some of this songd which are ‘background’ songs in Hindi movies. Majority of them are philosophical songs as well.

Today I present another background song sung by Manna Dey. It is from the ‘1978’ movie ‘Karmyogi’.

‘Karmayogi-1978’ was directed by Ram Maheshwari for ‘A.R. Productions, Bombay’. It was produced by Anil Suri.

It had Mala Sinha, Rajkumar, Jeetendra, Rekha, Reena Roy, Ajit, Nazeer Hussain, Jagirdar, Yogita Bali, Sudhir Dalvi, Dheeraj, Kanhaiyalal, Jagdeep, Dhoomal, Mushtaq Merchant, Omkar Ema, Chandrashekhar, Jagdish Raj, Master Abbas, Master Parvez, Master Rajiv, Master Sonu and others.

Screenplay of ‘Karmayogi-1978’ was written by Benoy Chatterjee and C.J. Pavri.

Dialogues for this movie were written by Sagar Sarhadi. Ela Maheshwary was the additional dialogue writer for this movie.

Editing of this movie was done by M.S. Shinde.

This movie was passed by Censor Board on 23.10.1978.

This movie had six songs, including one multiple version song. Lyrics for all songs were written by Verma Malik and music was composed by Kalyanji-Anandji.

Lata Mangeshkar, Asha Bhonsle, Mohd Rafi, Kishore Kumar and Manna Dey were the playback singers for this movie.

In my earlier post while presenting the first song from this movie on the blog I had mentioned that I had watched this movie on VCR during my stay at Kota and i.e., may be in 1990-1991 and have forgotten the movie by now.

However, for the preparation of this post I watched this movie online (though in parts) and liked it very much.

I personally feel that this movie was one of the top movies of Raj Kumar if not a ‘milestone’ movie.

He plays a father (Shankar) and his son (Mohan) in this movie and he has done justice to both the roles with his characteristic style and dialogue delivery where he plays a ‘bitter’ human being who after being betrayed by people and having lost his wealth takes to the path of ‘crime’ for ‘instant results’ to earn ‘money’ and ‘power’.

Mala Sinha plays the wife of Shankar who is a religious lady believing in the teachings of ‘geeta’ and believing in ‘good deeds will yield good results’ or ‘karma’.

Jeetendra plays Ajay the younger brother of Mohan who walks on the path of ‘good deeds’ and is groomed by his mother as a true ‘idealist’.

Ajit is the partner of Shankar in the world of crime, but ditches him which leads to Shankar being caught by the police and is given ‘death sentence’ in the court.

Before leaving this world Shankar shares with Mohan his bitter experiences of this world and asks Mohan to take revenge from the conspirators.

Reena Roy plays Ajay’s love interest while Rekha is her elder sister who sacrifices her life for the well-being of her younger sister and plays a ‘club dancer’.

That is the ‘brief gist’ of this movie but the real thrill is watching this movie and watch the ‘fight of the principles’ through the powerful dialogues on the screen.

For the preparation of this post I watched parts of this movie which is available online.

Let us come to the song under discussion now. As mentioned above it is a background song appearing in parts on the screen.
The first part of the song is played while the titles of the movie are rolling on the screen.
This first part is again repeated as it is when Shankar leaves his wife Durga (while she is still pregnant and expecting the second child) taking Mohan with him.

The third part of this song is played when Durga has to leave the house as the house owner Kanhaiyalal seeks repayment of the loan taken by Shankar, but eyeing on her instead.

Fourth part of this song is played where we can see Mohan is growing up while his father Shankar also making progresses in his world of crime and earning a lot and living lavishly.

The next part the fifth part of this song happens when Shankar already announced a death sentence is preparing for the ‘gallows’ without having any regrets for his deeds and the path he has chosen in his life.

The last part of the song happens when Durga learns about the hanging of Shankar through a newspaper which Ajay has brought with a shawl for her.

This song is wonderful to listen to as is usually the case with Most songs sung by Manna Da.

‘Karmayogi-1978’ is ranked between – 15 to 25 – by some sources among the ‘top Hindi movies’ of ‘1978’.

Let us now listen to this song. HFGK Vol-V (1971-1980) mentions this song as a ‘two part’ song only.

Video of all parts of this song is available in one single link. The audio link does not contain the part no.3, 5 & 6 in the song.

(The part numbers mentioned in the lyrics are based on the link of the movie available online).

I think this song serves as a perfect tribute to Manna Da on his birthday today. He did his ‘karma’ with devotion and left behind an invaluable treasure of innumerable unforgettable songs for us to savour.

Video (all parts)

Audio

Song-Tere jeewan ka hai karmon se naata (Karmyogi)(1978) Singer-Manna Dey, Lyrics-Verma Malik, MD-Kalyanji Anandji

Lyrics

—————————-
(Part-1) with titles
—————————-
tere jeewan kaa hai
ae ae
karmon se naataa
tere jeewan kaa hai
karmon se naataa aa
tu hi apnaa bhaagyavidhaataa aa
o o o o
jaisi likhegaa karmon ki rekhaa
jaisi likhegaa tu
karmon ki rekhaa
dena hoga til til kaa lekhaa
o o o
dena hoga til til kaa lekhaa
tere jeewan kaa hai ae ae
karmon se naataa

aaj tu jisko achchhaa samjhe
jaan le uskaa kal kya hai ae
kal kya hai ae
soch le chalne se pehle tu
un raahon ki manzil kya hai
manzil kya hai ae
jo bhi kiyaa hai
aage aataa
tu itnaa bhi soch na paataa
o o o o
jaisi likhegaa karmon ki rekhaa
jaisi likhegaa tu
karmon ki rekhaa
dena hoga til til kaa lekhaa
o o o
dena hoga til til kaa lekhaa
tere jeewan kaa hai ae ae
karmon se naataa

—————————-
(Part-2) 00:10:11
—————————
tere jeewan kaa hai
ae ae
karmon se naataa

tere jeewan kaa hai
karmon se naataa aa
tu hi apnaa bhaagyavidhaataa aa
o o o o
jaisi likhegaa karmon ki rekhaa
jaisi likhegaa tu
karmon ki rekhaa
dena hoga til til kaa lekhaa
o o o
dena hoga til til kaa lekhaa
tere jeewan kaa hai ae ae
karmon se naataa

aaj tu jisko achchhaa samjhe
jaan le uskaa kal kya hai ae
kal kya hai
soch le chalne se pehle tu
un raahon ki manzil kya hai ae
manzil kya hai
jo bhi kiyaa hai ae
aage aataa
tu itnaa bhi soch na paataa
o o o o
jaisi likhegaa karmon ki rekhaa
jaisi likhegaa tu
karmon ki rekhaa
dena hoga til til kaa lekhaa
o o o
dena hoga til til kaa lekhaa
tere jeewan kaa hai ae ae
karmon se naataa aa

————————
(Part-3)00:22:21
———————–

sach ki raah
kaanton se bhari ee
dukh kadam kadam
pe ae aataa hai
jo dukh aur sukh mein ae
ae ae
ek rahe
wo hi karmyogi
kehlaataa hai

—————————
(Part-4)00:31:31
—————————
o o o o o o
maanaa ke kaale karmon se tujhko
khushiyaan aur sukh miltaa hai ae
khushiyaan aur sukh miltaa hai
aasmaan ko o chhoone waale ae
ye kitne din chaltaa hai ae ae
ye kitne din chaltaa hai ae
kaahe ret ke mahal banaataa
jhoothhe bal pe tu kyun itraataa
o o o o o
jaisi likhegaa karmon ki rekhaa
jaisi likhegaa tu karmon ki rekhaa
dena hoga til til kaa lekhaa
o o o
dena hoga til til kaa lekhaa
tere jeewan kaa hai ae ae
karmon se naataa
tu hi apnaa bhaagyavidhaataa aa
o o o o
jaisi likhegaa karmon ki rekhaa
jaisi likhegaa tu karmon ki rekhaa
dena hoga til til kaa lekhaa
o o o
dena hoga til til kaa lekhaa aa
dena hoga til til kaa lekhaa
dena hoga til til kaa lekhaa
aa aa

—————————
(Part-5) 01:06:00
—————————
o o o sssssssssssss
o o o
jaisi karni
waisi bharni
ye to ik sachchaayi hai
ye to ik sachchaayi hai
dekh le tu teri karni
tere aage aayi hai ae
tere aage aayi hai ae
jo hai kartaa
wo hi paataa
koyi kisi ke saath na jaataa
o o o o
jaisi likhegaa tu
karmon ki rekhaa
dena hoga til til kaa lekhaa
o o o
dena hoga til til kaa lekhaa aa
dena hoga til til kaa lekhaa

———————————–
(Part-6) 01:09:50
———————————
khushi luti ee
gharbaar gayaa aa
chhootaa jeewan kaa aa aasaathi
duniyaa ke maalik
ye to bataa aa aa aa aa
ab kaunsi pareekshaa hai ae ae baaki


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5395 Post No. : 17701

Today’s song is from a different type of film….King Kong-1962.

King Kong is actually a fictional Giant Monster resembling a Gorilla. It was created by Merian Cooper. No wonder film wallahs all over the world, especially Hollywood and then Bollywood, were attracted towards King Kong and many films were made on him. The first film King Kong was made in 1933 in Hollywood and released on 7-4-1933. The latest picture King Kong is made in Hollywood in 2022, i.e. last year. It proves that the King Kong magic is still alive !

In India, the first King Kong film was made in 1962 and the second film came in 1986. Today’s film King Kong-1962 has 3 specialities….

1. It was the First film titled King Kong in India.
2. This was Dara Singh’s First film as a Hero and
3. King Kong, the real Hungarian world famous wrestler – whose real name was Emile Czaja (pronounced Za Za) had also acted in this film, as King Kong.

” There is a child in every adult ” said Carl Jung. How true it is, is found from our own thoughts and behaviour. Given a choice, time and freedom, everyone is ready to do things he did as a child. During childhood, one has respect for unusual strength, magic,superpowers and ability to do impossible things. That is why stories of Hanuman and Bheem are popular.
Stunt and action films in olden times and films with a lot of SFX in modern times became popular.We know that we can not do these things, so people see whoever does these. From this thought alone, when stunt and action films started waning, the game of wrestling became popular. Lakhs of people watched the wrestling bouts between Indian and foreign wrestlers.

Would the film industry miss this change in social thinking ? NEVER ! From the early 60’s, Musclemen and wrestlers became Heroes in Hindi films, where the might of Physical strength was the answer to establish social equality and the rule of law. This gave way to wrestlers, Mr. Indias and Bodybuilders like Dara Singh, Randhava, Azad and others to be the central characters of films and this new genre became popular.

Most in demand was of course Dara Singh. The 60’s opened up a new Genre of Films. Films in which muscular He-men ‘acted’. Really speaking, their dialogues were delivered silently by their solid bodies and the fighting they did on the screens. Here were the Heroes who would kill dangerous Jungle animals barehanded, break Iron chains, fight with 10 people at a time, ride horses, swim expertly and overall display their physical might !
The beginning was done in 1958 with ‘Zimbo’, featuring Azad-a Parsee Bodybuilder. That way Dara Singh had entered the films in 1952 with ‘Sangdil’ and he had a wrestling match with Om prakash in ‘Pehli Jhalak’-1954. His first film as a hero -King Kong came in 1962, when he was already 34 year old !

That was a period when the Indian culture of defeats in all possible sports was on the peak and the Indians were looking for a Saviour. In Dara Singh, India found a SuperHero who won not only in India but also in Commonwealth and the World championships. Dara Singh was much more than an Actor. He was a piece of Folklore and he became a social phenomenon soon. He was a hybrid of Myth and Folklore, larger than life evocation of the Desi Hero. He represented the Indian idea of Masculinity-The Mard, a He Man. He had the muscle prowess but no aggression. He evoked security, gentleness and the right kind of patriarchy. He was proud to be a Jat and an Indian.

He was a Pehalwan trained in the Indian style of wrestling. Dara’s victories against King Kong and Zybisco in the late 50s made him a legend. Lakhs of people would gather at the venues of his bouts. He brought wrestling from the Akhadas to the Drawing rooms of Affluent homes. He remained Undefeated in 500+ bouts in his lifetime, winning Indian Championship in 1953, the Commonwealth championship in 1959 and the World Championship in 1968, when he was into acting in Hindi films full fledgedly !

He did roles of Kings, Princes, Rebels, Mutineer, Jungle Boy, Samson, Hercules, Sikander and the greatest role of his life as Hanuman. There may be 300 odd types of Ramayans, but only one Hanuman-Dara Singh. He was, for most people, the embodiment of the Monkey God. Without him the Ramayan was never the same ! Dara Singh, I am sure, would have been the original choice of even Valmiki !!!

Dara Singh was the Indian Superman. Even when he started doing character roles, the Heroes were happy to work with him. In one interview ( he gave interviews very rarely-he used blush too much), he had said,” Out of all my roles, I liked my role in Anand-70, where I was very comfortable doing my real life role-that of a Pahilwan in an Akhada !” He was probably one of the few who worked in A, B and C grade films in his life with equal ease and aplomb. Whether it was Mumtaz or Amitabh, he remained Dara Singh-Rustic, Strong, Indian, Gentle, Protective and Chivalrous.

Dara Singh was born at village Dharmuchak in Amritsar district on 19-11-1928 to Surat Singh and Balwant Kaur. He was married to Surjit Kaur Randhwa on 11-5-1961 and they had a son. From his second marriage he had 3 daughters and 2 sons. At the age of 22, he went to Singapore and won several championships. At 24 he did his first film role in Sangdil-52 and he became a Hero at 34 years of age. He did 122 Hindi films, 22 Punjabi films, besides producing 3 and directing 9 films.

He continued wrestling up to 1970. In 1978, he established his Dara Studios in Mohali, Punjab. His last film came in 2012-“Ata pata lapata”. With Mumtaz he did 16 films out of which 12 were Hit films. In those days, he was paid 4 lakh rupees per film. Dara Singh died on 12-7-2012. His brother Randhwa died on 21-10-2013 ( this news was hardly noticed).

Many Bodybuilders tried to copy Dara Singh. Their films never succeeded because people knew who the original Superman was. Indrajit, Viju Penkar, Hercules, Azad and even Randhwa did few Dara-like films, but they were never accepted by the audience. Dara Singh was Unique. One may think that his films were seen and liked only by the lower strata of society or exclusive C grade film audiences, but it was wrong. Dara Singh films were ‘Super Deluxe’ versions of B and C class films and were liked by people from Top class to bottom class. I was a great fan of Dara films and rarely missed any of them.

Today’s film King Kong-1962, a stunt film, was made by Santosh production, Bombay. It was directed by “Trick Wizard” Cinematographer and editor Babubhai Mistry. The3 songe were written by Majrooh Sultanpuri and the Musical score was by the melody King Chitragupt. The cast of the film was Kumkum, Dara Singh,Chandrashekhar, praveen Chaudhary, kamal mehra, Parshuram, Sheila kashmiri, leela mishra, Uma Dutt and King Kong-the famous wrestler himself.

The story of how Kamal Mehra came into films is very interesting. One day, when the famous producer- director Kedar Sharma was in Delhi in connection with the premier of one of his pictures, he noticed a smart young man in a queue in front of the booking office of the Odeon cinema.

The film maker was struck by the lad’s personality and signed him up on the spot. Young Kamal Mehra then came to Bombay to star opposite Geeta Bali in Kedar Sharma’s ‘Thes’ -49. Subsequently the young man has featured in several films including Dhoon in which he played the villain. Today he plays comedy roles in most of his pictures. (from Filmi Year Book-1958)
He has worked in 50 films. He directed the film Naami Chor-1977 and produced 3 films. His last film as an actor was Jeena hai pyar mein-1983.

The story of the film King Kong-1962 was…..

KING KONG-1962 is easily the best film of Dara Singh from the 60s.It also established him as a popular hero of the B and C grade films.

The story is of the set pattern,In fact most of the DS film stories are so similar in content-give or take few changes like names etc-that one wonders why this dearth of stories for DS films.The simple reason is the audience of DS films never goes to his films for story or histrionic talents of the artists,but to see the fantastic muscle shows and bouts with variety of wrestlers.

In this film,a wicked prime Minister kills the king to usurp his throne.Before he kills them,the queen and her 2 sons escape and stay in a jungle incognito.
Jingu(Dara Singh) grows up to become a very powerful He Man.His brother Badal(Chandrasekhar)becomes a happy go lucky guy.Once DS saves Radhi(Kumkum) and her saheli Chhabili(sheila Kashmiri) from a strange Dinosaur like animal and kills it.Radhi starts loving Jingu and Chhabili loves Badal.

Meanwhile the king wants to send the existing ‘King kong’ title holder to the jungle to kill the animal,but learns about the heroics of Jingu and invites him,with family, to the capital to honour him.When Jingu reaches the Darbar,the king offers him to marry the Princess(Pravin Chaudhary).Jingu refuses.

The existing Kingkong challenges Jingu and there is a bout in which Jingu wins the title of new King kong.The king learns that he is the son of ex-king,so he captures Jingu and family.Jingu breaks the iron chains,destroys the palace and captures the evil King.

The king is punished. Jingu the King Kong is crowned as new King and all are happy-especially Radhi,Badal-Chhabili and the king’s mother for having taken the revenge.

Let us now enjoy the video song from today’s film…..


Song- Dholak ye poochhe kuddum kuddum (King Kong)(1962) Singers- Kamal Barot, Manna Dey, Usha Mangeshkar, Lyrics-Majrooh Sultanpuri, MD- Chitragupt
Male voice and chorus

Lyrics

holo
aa holo
bumbum bumbum
aa
bumbum bumbum
bolo
aa holo
bumbum bum bumbum
bumbum bum bumbum

bumbum bum bumbum
bumbum bum bumbum

aa aa aa(bumbum bum bumbum
bumbum bum bumbum)
aa aa aa(bumbum bum bumbum
bumbum bum bumbum)

dholak ye poochhe
(dhum dhum)
kud dum kud dum
dholak ye poochhe
(dhum dhum)
kud dum kud dum
(dhum dhum)
bolo sarkaar kahaan ye rasta bhoole tum
bumbumbum
dholak ye poochhe
(bumbum)
kud dum kud dum
(bumbum)
dholak ye pooche
(bumbum)
kud dum kud dum
(bumbum)
bolo sarkaar kahaan ye rasta bhoole tum
dumbumbum
dholak ye poochhe
kud dum kud dum

tumhaari to phool ki duniya hai
yahaan bas dhool ki duniya hai
tumhaari to phool ki duniya hai
yahaan bas dhool ki duniya hai
jungle ki raah bhi hai
phoolon ki chaah bhi hai
dekho bahaar na ho jaaye gum
dholak ye poochhe kud dhum kud dhum
dholak ye poochhe
(bumbum)
kud dum kud dum
(dumbum)
bolo sarkaar kahaan ye rasta bhoole tum
(dhumbum)
dholak ye pooche
kud dhm kud dum

tu aanhkon mein aankhen na daal ke chal
hai jaadu ki nagri sambhaal ke chal
tu aanhkon mein aankhen na daal ke chal
hai jaadu ki nagri sambhaal ke chal
jaadu sa ho jaaye na
khanjar bhi kho jaye na
ye talwar na ho jaaye gum
dholak ye poochhe
(bumbum)
kud dum kud dum
(bumbum)
dholak ye poochhe
(bumbum)
kud dum kud dum
(dumbum)
bolo sarkaar kahaan ye rasta bhooe tum
(dumbumbum)
dholak ye poochhe
kud dum kud dum

nazar mein hai shaan shikaari ki
magar hai kamaan utaari si
nazar mein hai shaan shikaari ki
magar hai kamaan utaari si
mehlon se door bhi ho
kuchh majboor bhi ho
dekho shikaar na ho jaaye gum
dholak ye poochhe
(dumbum)
kud dum kud dum
(dumbum)
dholak ye poochhe
(bumbum)
kud dum kud dum
bolo sarkar kahaan ye rasta bhoole tum
(dumbumbum)
dholak ye poochhe
kud dum kud dum


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5390 Post No. : 17679

#the Decade of Seventies – 1961 – 1970 #
————————————————————————

In this post I am presenting a song which is a ‘qawwali’ song from the ‘1964’ movie ‘Khufia Mahal’.

I become aware of this movie only through this blog and the Geet Kosh Vol-IV (1961-1970).

I had come across the video of this song which appeared interesting to me. I thought the characters were shown performing this qawwali in boats on the water, but it is not like that. The video of this movie is available on internet and though I have not watched the movie I looked for the picturisation of this song and this song is shown as a dream sequence of the actress where the characters are shown in ‘decorative boats’ flying in the sky with clouds around.

The actress Chitra (I hope I am correct) is missing her beloved (Jairaj) and while thinking of him she has this dream sequence. Also seen in the picturisation of this song are Sundar, Tun Tun, and other actors/actresses whom I am unable to identify.

This ‘qawwali’ composition is the regular ‘husn and ishq’ ‘muqaabla qawwali’ where they are teasing each other. The composition is very enjoyable with beautiful verses by Zafar Rahi and music by Pardesi. Manna Dey and Suman Kalyanpur are the main singers accompanied by chorus.

However the audio is not in sync with the video as appeared in this video link of the movie.

Here the brief about this movie.

‘Khufia Mahal-1964’ was directed by Akkoo for ‘Amar Films’.

Akkoo was also the producer of this movie.

It had Jairaj, Chitra, Shery, Sheikh, supported by Mohammad Ali Steelman, Kasim, Mohmmad Ghori, Nanak Singh, Akram, Mohammad, Rafiq, Baburao Pahalwan, with Tun Tun, Mohna, Jilani, Arvind Kumar, Malik, Maqbool, Joshibala, Mohan Modi, and Gope Raj with Pal Sharma.
Azad, Sundar, Ram Rasila, and Indira Bansal were the guest artists in this movie.

This movie also had the wrestlers King Kong, J.D. Goldstein, and wonders Apeman, Gorilla, Jin, Flying Horse, and Mahal. HFGK also mentions ‘Mermaid’ fish (16ft long) in the list of cast of this movie.

Shyam Hindi was the writer of this movie. And Kamruddin was the editor for this movie.

The lyrics for the seven songs in this movie were shared between Shyam Hindi (four songs) and Zafar Rahi (three songs).

Mohd Rafi, Asha Bhonsle (mentioned as Asha Mangeshkar in the titles of the movie), Usha Mangeshkar, Suman Kalyanpur, Tun Tun and Manna Dey had given their voices to the songs in this movie.

Music for ‘Khufia Mahal-1964’ was composed by Pardesi.

This movie had made its debut on the blog on 09.05.2017 with its song Sar se aanchal dhalakne laga hai . However no other songs from this movie have been introduced on the blog after that song.

Today’s song is the second song from this movie to appear on this blog.

As mentioned above today’s song is sung by Manna Dey and Suman Kalyanpur. Lyrics are by Zafar Rahi and music is composed by Pardesi.

Enjoy this wonderful ‘qawwali’ and enjoy the music…

I would request knowledgeable readers who have watched this movie to add more information about this movie and its songs.

Audio

Video


Song-Hum na kehte thhe haseenon ka salaam aayegaa (Khufiya Mahal)(1964) Singers-Manna Dey, Suman Kalyanpur, Lyrics-Zafar Raahi, MD-Pardesi
Male chorus
Female chorus
Suman Kalyanpur + Female chorus
Manna Dey + Male chorus

Lyrics-

hai jo taqdeer mein saahil
to milegaa saahil
chhod do aaj safeenaa
kahin toofaanon mein

haan aan aan
phool khilte hain to
khil jaate hain patthar par bhi ee
laut aati hain bahaaren
kabhi veeraanon mein ae

qissaa e ahl e jafaa
ahl e wafaa chal jaaye
husn aur ishq ki
mehfil mein
zaraa chal jaaye ae

o o o o o
aap khud apni haqeeqat ko
nahin jaante hain
aayeenaa saamne rakhiye to
pataa chal jaaye

zindagi hai to haseenon ka
salaam aayegaa aa
zindagi hai to haseenon ka
salaam aayegaa

pyaase honthhon ke taraf
koi to jaam aayegaa aa
pyaase honthhon ke taraf
koi to jaam aayegaa aa

zindagi hai to haseenon ka
salaam aayegaa
zindagi hai to haseenon ka
salaam aayegaa aa

aap kya hain
jo haseenon ka salaam aayegaa aa

aap kya hain
jo haseenon ka salaam aayegaa

hosh ud jaayenge jab
raqs mein jaam aayegaa aa

hosh ud jaayenge jab
raqs mein jaam aayegaa

khwaab e gaflat se
jagaa jaaye to achchaa hogaa
ham hain kya
ham ko bataa jaayen to achchhaa hogaa aa
khwaab e gaflat se
jagaa jaaye to achchhaa hogaa
ham hain kya
ham ko bataa jaayen to achchhaa hogaa

aa aa aa aa aa aa
ham fakeeron ke liye
aap hi aayeenaa hain
aap hi saamne aa jaayen to
achchhaa hogaa aa
ham fakeeron ke liye
aap hi aayeenaa hain
aap hi saamne aa jaayen to
achchhaa hogaa aa

haan aan aan aan
aap jo kuchh bhi kahenge
hamen hogaa manzoor
aap jo kuchh bhi kahenge
hamen hogaa manzoor

husn ka aayeenaa
ab ishq ke kaam aayegaa aa
husn ka aayeenaa
ab ishq ke kaam aayegaa
zindagi hain to haseenon ka
salaam aayegaa

husn ke waaste
mit mit ke sanwarnaa hogaa aa
gul ki haajat hai
to kaanton se guzarnaa hogaa aa

husn ke waaste
mit mit ke sanwarnaa hogaa aa
gul ki haajat hain
to kaanton se guzarnaa hogaa aa

aa aa aa aa aa aa
aap ko rasm e wafaa kya hai
ye maaloom nahin
rehke toofaan ke maujon mein
ubharnaa hogaa aa

aap ko rasm e wafaa kya hai
ye maaloom nahin
rehke toofaan ke maujon mein
ubharnaa hogaa aa

aa aa aa aa aa aa
ishq jab aag ke dariyaa se
guzar jaayegaa aa

ishq jab aag ke dariyaa se
guzar jaayegaa

tab kahin jaa ke
mohabbat ka makaam aayegaa aa

tab kahin jaa ke
mohabbat ka makaam aayegaa aa

aap kya hain
jo haseenon ka salaam aayegaa aa

dard ki raah mein ham barsenge
patthar ban kar
gham ke seene mein
utar jaayenge khanjar ban kar
dard ki raah mein ham barsenge
patthar ban kar
gham ke seene mein
utar jaayenge khanjar ban kar

haan aan aan aan aan
ham tere naam se usko bhi
lagaa lenge galey
maut aa jaayegi jab
apnaa muqaddar ban kar
ham tere naam se usko bhi
lagaa lenge galey
maut aa jaayegi jab
apnaa muqaddar ban kar

hauslaa ye hai to mil jaayenge
ye haath abhi
husn se ishq ki honaa hai
mulaaqaat abhi

hauslaa ye hai to mil jaayenge
ye haath abhi
husn se ishq ki honaa hai
mulaaqaat abhi

aa aa aa aa aa aa
hai jo bigdi huyi
ban jaayegi wo baat abhi
pardaa uthh jaayegaa
tootenge hijaabaat abhi
hai jo bigdi huyi
ban jaayegi wo baat abhi
pardaa uthh jaayegaa
tootenge hijaabaat abhi

aa aa aa aa aa aa
dil miley hain to
mohabbat ka payaam aayegaa aa

dil miley hain to
mohabbat ka payaam aayegaa

ham na kehte thhe
haseenon ka salaam aayegaa

dil miley hain to
mohabbat ka payaam aayegaa aa


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FOURTEEN years. This blog has over 17800 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

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(© 2008 - 2023) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

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Number of movies covered in the blog

Movies with all their songs covered =1365
Total Number of movies covered=4740

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