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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Manna Dey


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 55 # Qawwalis – 7#
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Under this series today we have this beautiful ‘Sufi Qawwali’ composed by C.Arjun and which is written by none other than Sahir Ludhianvi for the movie ‘Nawaab Sahib-1978’. I have vague memories of watching this movie in late seventies or early eighties, but I do not remember much about this movie or its story line. The only memory of this movie that I had carried over in my growing years and thereafter was this song ‘Hum Mein Hai Kya Ke Hamen Koi Haseena Chaahe’ sung by Mohd Rafi.

“Nawaab Sahib’ or ‘Nawaab Saheb’ (as spelled in HFGK Vol-V), a 1978 movie, was directed by Rajinder Singh Bedi for ‘Bhagaylakshmi Chitra Mandir, Bombay’. The list of actors is given as Parikshit Sahni, Tamanna, Om Prakash, Rehana Sultana, Johny Walker, Farida Jalal, Chand Usmani, Veena, Fahmi Anjum, Bharat Bhushan, Sunder, Bhanumati, Johny Whisky, Dev Kishan, and Master Ravi, Master Inu, Ranjeet Sood, Moolchand, Rajan Haksar, Chamanpuri, Kumud Tripathi and Shahid Bijnori.

Rajinder Singh Bedi also makes a ‘special appearance’ in this movie while Anand Kumar (new discovery) makes a debut in this movie.

This movie was passed by Censor Board on 24.04.1978.

The film has total five songs composed by C.Arjun and penned by Sahir Ludhianvi. Asha Bhonsle, Johny Whisky, Lata Mangeshkar, Manna Dey, Mohd Rafi and Usha Mangeshkar have given their voices to the songs in this movie, whereas one song sung by Johny Whisky also has voice of Eunuchs in it.

In the video of this song, from the conversation before the qawwaali it is clear that this qawwaali happens during the ‘Urs at Dargah-e-Sharif’. I am unable to identify the two lead actors who are performing on this ‘qawwali’ and would request knowledgeable readers to throw more light on this. Also seen in the picturisation of the song are Om Prakash, Parikshit Sahni, Tamanna, Rehana Sultan and others.

Let us now enjoy this beautiful naatiya qawwaali…


Song – Us Jaan e Do Aalam Ka Jalwaa (Nawaab Sahib) (1978) Singer – Mohammed Rafi, Manna Dey, Lyrics – Sahir Ludhianvi, MD – C Arjun
Rafi + Manna Dey
Chorus

Lyrics

aa aa aa aa aa aa aa aa
aa aa aa aa aa aa aa a a a

us jaan e do aalam ka jalwaa aa
us jaan e do aalam ka jalwaa aa
arey parde mein bhi hai
be-parda bhi hai
us jaan e do aalam ka jalwaa
parde mein bhi hai ae
be parda bhi hai
us jaan e do aalam ka jalwaa

mushtaaq nigaahon ka kaaba
kaaba aa
mushtaaq nigaahon ka kaaba
parde mein bhi hai ae
be-parda bhi hai
us jaan e do aalam ka jalwaa aa

aa aa aa aa aa
bechain rahe aashiq ki nazar
thodi si magar taskeen bhi ho
thodisi magar taskeen bhi ho
haan aan aan aa aa aa aa
bechain rahe aashiq ki nazar
haan aa aa aa aa aa
thodi si magar taskeen bhi ho
haan aa aa aa aa aa aa aa
us parda nasheen ka..aa ye mansha aa
us parda nasheen ka..aa ye mansha
arey parde mein bhi hai
haan aa aa aa aa aa haan aa aa aa
parde mein bhi hai
parde mein bhi hai
be parda bhi hai
parde mein bhi hai
be parda bhi hai ae
parde mein bhi hai
be parda bhi hai
us jaan e do aalam ka jalwaa aa

kya husn e zameen
kya rang ae falak
sab uske karishmon ki hai jhalak
sab uske karishmon ki hai jhalak
taaron mein basaa hai noor uska
taaron mein basaa hai noor uska
phoolon mein basaa hai rang uska
phoolon mein basaa hai rang uska
har roop mein shaamil roop uska
har dhang mein shaamil dhang uska
har dhang mein shaamil dhang uska
kya husn e zameen
kya rang e falak
a a a a a a
kya husn e zameen
kya rang e falak
sab uske karishmon ki hai jhalak
sab uske karishmon ki hai jhalak
awwal bhi wohi
aakhir bhi wohi
awwal bhi wohi
aakhir bhi wohi
ojhal bhi wohi
zaahir bhi wohi
ojhal bhi wohi
zaahir bhi wohi
mansoor wohi
sarmad bhi wohi
laa had bhi wohi
aur had bhi wohi
haan aa aa aa aa
sholaa bhi wohi ee
shabnam bhi wohi ee ee ee ee ee ee
sach hai ke hain khud ham bhi wohi
ee ee ee ee ee ee
makhlook se khaaliq ka rishtaa aa
haan aa aa aa aa aa
makhlook se khaaliq ka rishtaa aa
parde mein bhi hai
be parda bhi hai
us jaan e do aalam ka jalwaa aa
parde mein bhi hai
be parda bhi hai
us jaan e do aalam ka jalwaa aa

wo maalik e gul
mehboob mera
sunta hai har ik dhadkan ki sadaa
sunta hai har ik dhadkan ki sadaa
jab uska ishaara hota hai
jab uska ishaara hota hai
taqdeer sanwarne lagti hai
taqdeer sanwarne lagti hai
muddat ke taraste khwaabon ki
taabeer ubharne lagti hai
taabeer ubharne lagti hai
wo maalik e gul
mehboob mera aa
aa aa aa
aa aa aa aa aa aa aa aa aa aa aa aa
wo maalik e gul
mehboob mera aa
suntaa hai har ik dhadkan ki sadaa
suntaa hai har ik dhadkan ki sadaa
sajde me jhuka kar sar apna
sajde me jhuka kar sar apna
maange jo kabhi insaan duaa
maange jo kabhi insaan duaa
ho jaati hai har mushkil aasaan
mil jaati hai dard e dil ki dawaa aa
haan aan aan aa aa aa
aan aan aa aa aa
wo maalik e gul
mehboob mera aa
sunta hai har ik dhadkan ki sadaa
haan aa aa aa aa aa aa
hai uski ye khaas ul khaas adaa
haan aa aa aa aa aa
hai uski ye khaas ul khaas adaa
parde mein bhi hai
be parda bhi hai
us jaan e do aalam ka jalwaa aa
parde mein bhi hai ae
be parda bhi hai
us jaan e do aalam ka jalwaa aa
———————————————————-
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————-

आ आ आ आ आ आ आ आ
आ आ आ आ आ आ आ अ अ अ

उस जाने ए दो आलम का जलवा आ
उस जाने ए दो आलम का जलवा आ
अरे परदे में भी हैं
बे-पर्दा भी है
उस जाने ए दो आलम का जलवा
परदे में भी हैं
बे-पर्दा भी है
उस जाने ए दो आलम का जलवा
परदे में भी हैं
मुश्ताक निगाहों का काबा
काबा आ
मुश्ताक निगाहों का काबा
परदे में भी हैं
बे-पर्दा भी है
उस जाने ए दो आलम का जलवा

आ आ आ आ आ
बेचैन रहे आशिक की नज़र
थोडीसी मगर तस्कीन भी हो
थोडीसी मगर तस्कीन भी हो
हाँ आन आन आ आ आ आ
बेचैन रहे आशिक की नज़र
हाँ आन आ आ आ आ आ
थोडीसी मगर तस्कीन भी हो
हाँ आन आ आ आ आ आ आ आ
उस पर्दा नशीं का आ ये मंशा आ
उस पर्दा नशीं का आ ये मंशा
अरे परदे में भी हैं
हाँ आ आ आ आ आ हाँ आ आ आ
परदे में भी हैं
परदे में भी हैं
बे-पर्दा भी है
परदे में भी हैं
बे-पर्दा भी है ए
परदे में भी हैं
बे-पर्दा भी है
उस जाने ए दो आलम का जलवा आ

क्या हुस्न ए ज़मीन
क्या रंग ए फलक
सब उसके करिश्मों कि है झलक
सब उसके करिश्मों कि है झलक
तारों में बसा है नूर उसका
तारों में बसा है नूर उसका
फूलों में बसा है रंग उसका
फूलों में बसा है रंग उसका
हर रूप में शामिल रूप उसका
हर ढंग में शामिल ढंग उसका
हर ढंग में शामिल ढंग उसका
क्या हुस्न ए ज़मीन
क्या रंग ए फलक
अ अ अ अ अ अ
क्या हुस्न ए ज़मीन
क्या रंग ए फलक
सब उसके करिश्मों कि है झलक
सब उसके करिश्मों कि है झलक
अव्वल भी वोही
आखिर भी वोही
अव्वल भी वोही
आखिर भी वोही
ओझल भी वोही
ज़ाहिर भी वोही
ओझल भी वोही
ज़ाहिर भी वोही
मंसूर वोही
सरमद भी वोही
ला हद भी वोही
और हद भी वोही
हाँ आ आ आ आ
शोला भी वोही ई
शबनम भी वोही ई ई ई ई ई ई
सच है के है खुद हम भी वोही
ई ई ई ई ई ई
मखलूक से खालिक का रिश्ता आ
हाँ आ आ आ आ आ
मखलूक से खालिक का रिश्ता आ
परदे में भी हैं
बे-पर्दा भी है
उस जाने ए दो आलम का जलवा आ
परदे में भी हैं
बे-पर्दा भी है
उस जाने ए दो आलम का जलवा आ

वो मालिक ए गुल
महबूब मेरा आ
सुनता है हर इक धड़कन कि सदा
सुनता है हर इक धड़कन कि सदा
जब उसका इशारा होता है
जब उसका इशारा होता है
तकदीर सँवरने लगती है
तकदीर सँवरने लगती है
मुद्दत के तरसते ख़्वाबों की
ताबीर उभरने लगती है
ताबीर उभरने लगती है
वो मालिक ए गुल
महबूब मेरा आ
आ आ आ
आ आ आ आ आ आ आ आ आ आ आ आ
वो मालिक ए गुल
महबूब मेरा आ
सुनता है हर इक धड़कन कि सदा
सुनता है हर इक धड़कन कि सदा
सजदे में झुका कर सर अपना
सजदे में झुका कर सर अपना
मांगे जो कभी इंसान दुआ
मांगे जो कभी इंसान दुआ
हो जाती है हर मुश्किल आसान
मिल जाती है दर्द ए दिल की दवा आ
हाँ आँ आँ आ आ आ
हाँ आँ आँ आ आ आ
वो मालिक ए गुल
महबूब मेरा आ
सुनता है हर इक धड़कन कि सदा
हाँ आ आ आ आ आ आ
है उसकी ये ख़ास उल ख़ास अदा
हाँ आ आ आ आ आ
है उसकी ये ख़ास उल ख़ास अदा
परदे में भी हैं
बे-पर्दा भी है
उस जाने ए दो आलम का जलवा आ
परदे में भी हैं
बे-पर्दा भी है
उस जाने ए दो आलम का जलवा आ

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Beeswin Sadi”(1945) is an obscure movie which was produced and directed by M Bhawnani for Bhawnani Productions, Bombay. This movie had Motilal, Mazhar Khan, Nargis, Ashalata, Gope, Majumdar, Navin etc in it.

This movie had fifteen songs in it. The music of this song was actually composed by Anil Biswas, but credits for music direction were given to Pannalal Ghosh, the brother in law of Anil Biswas. Names of singers are given for only two songs in HFGK. Singers are not known for other songs.

Two songs from this movie have been covered in the past.
Here is the third song from “Beeswin Sadi”(1945) to appear in the blog. HFGK is silent about the singers of this song. A comment in the YT link mentions that this song is sung by Renuka Roy Chaudhary and Manna Dey. The commenter (son of Renuka Roy Chaudhary) mentions that contractual obligations necessitates incorrect credits in the songs of this movie to Anil Biswas’s brother in law (Pannalal Ghosh) and sister (Parul Ghosh). In this case, the female singer was Renuka Roy Chaudhary and not Parul Ghosh. The male voice is unmistakably Manna Dey’s.

Lyricist for this song (as well as other songs) is not known.

With this song, Renuka Roy Chaudhary makes her debut in the blog as a singer.


Song-Aaya hai bagiya mein kaun niraala (Beeswin Sadi)(1945) Singers-Renuka Roy Chaudhary, Manna Dey, MD-Pannalal Ghosh
Both

Lyrics

Aaya hai bagiya mein kaun niraala
jo mausam bana hariyaala
aala
Aaya hai bagiya mein kaun niraala
jo mausam bana hariyaala
aala
Aaya hai bagiya mein kaun niraala

pedon ne phoolon se daali bhari hogi
belon ne kaliyon ki maala
pedon ne phoolon se daali bhari hogi
belon ne kaliyon ki maala
maala
Aaya hai bagiya mein kaun niraala
jo mausam bana hariyaala
aala
Aaya hai bagiya mein kaun niraala

saanjh ki bela mein kirnon ka mela
sheetal pawan pyaari lahron se khela
saanjh ki bela mein kirnon ka mela
aaye vasant bahaar hai sang sang
aaye vasant bahaar hai sang sang
kunjon mein karne ujaala
ujaala

Aaya hai bagiya mein kaun niraala
jo mausam bana hariyaala
aala
Aaya hai bagiya mein kaun niraala

preet hai reet
aur reet jawaani
ee ee ee
e e e ee
ek hai ?? aur ek jawaani
mil jul bani dekho ek kahaani
deewaani duniya mein aa kar basaaya
deewaani duniya mein aa kar basaaya
donon ne prem shivaala
shivaala

Aaya hai bagiya mein kaun niraala
jo mausam bana hariyaala
aala
Aaya hai bagiya mein kaun niraala


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

We in this blog had two new resolutions and I had decided to stick to them as long as I can. One was to introduce a “new” movie daily and another was to to close the account of another movie by YIPPying it.

We are in may 2017, and both these resolutions have finally seen breaks. For instance, there was no YIPPEE song on 13 may 2017, a day that had only one post, a post that introduced a “new” song. The string on YIPPEE posts was in fact broken a few days earlier on 6 may itself when I posted a song that I thought was YIPPYing its movie but I was wrong. The “new” post string had got broken a while ago.

However, unlike most new year resolutions, these new year resolutions were not broken due to laziness or lack of motivation, rather than for more pressing reasons like inability to spend enough time near the computer, which is essential for posting article in the blog. So, we can be proud that we achieved quite a lot in the blog thanks to these resolutions.

One resolution (unstated) still continues, and it is the resolution that there would be no dot days in the blog this year.

Over one hour of Today (15 may 2017) is still remaining, so I will use this time to post a YIPPEE song for the day. This song is the sixth and final song from “Waaris”(1969). This movie was directed by Ramanna for Vasu Films, Madras. The movie had Jeetendra, Hema Malini, Sudesh Sharma, Nazima, Manorama, Daisy Irani, Sunder, Prem Chopra, Aruna Irani, Ashokan, David Abraham, Mehmood, Kamini Kaushal, Sachin etc in it.

This sith and final song from “Waaris”(1969) is sung by Asha Bhonsle, Manna Dey and chorus. Rajinder Krishan is the lyricist. Music is composed by R D Burman.

The song is picturised as a faux “jhaad phoonk” song where Hema Malini playacts as a woman who is under the spell of a buri aatmaa which Mehmood plays the hilarious looking witch doctor trying to rid Hema Malini of the buri aatmaa. Lots of other characters of the movie are also visible in the picturisation. This song is a diversion song as well. This song keeps people pre occupied and that gives Jeetendra as opportunity to climp up to the building where all this action is taking place.

With this song, “Waaris”(1969) joins the list of movies that have all their songs covered in the blog.

Song – Kaun Hai Wo Kaun Mujhe Jis Ne Jagaaya (Waaris) (1969) Singer – Lata Mangeshkar, Manna Dey, Lyrics – Rajendra Krishan, MD – RD Burman
Chorus

Lyrics

kaun hai wo kaun
mujhe jis ne jagaaya
arey dharti pe aaj yamlok se bulaaya
arey dharti pe aaj yamlok se bulaaya
arrey kau.. kau..aun hai

kaun hai wo kaun
mujhe jis ne jagaaya
arey dharti pe aaj yamlok se bulaaya
arey dharti pe aaj yamlok se bulaaya
arrey kau.. kau..aun hai

ye kangana
ye jhumka
aaa..
ye chunri ye kajra kyon
ye mehndi
ye bindiya
ye paayal ye gajra kyon
jaante nahin ho kya
mere sartaaj ko
thehro bulaati hoon
abhi yamraaj ko
kau..aun hai
kaun hai wo kaun
mujhe jis ne jagaaya
arey dharti pe aaj yamlok se bulaaya
arey dharti pe aaj yamlok se bulaaya
arrey kau.. kau..aun hai

ye bhutnaa
ye baamna
kyon aaya maala japne
hey..ey..ey..ey
ye bhutnaa
ye baamna
arey kyon aaya maala japne
kya samjhe ye chhalia
dekhe devi ke sapne
jaagi hui devi pe
aankh jo lagaaye ga
yahin baithe baithe wo bhasam ho jaayega
kau..aun hai
kaun hai wo kaun
mujhe jis ne jagaaya
arey dharti pe aaj yamlok se bulaaya
arey dharti pe aaj yamlok se bulaaya
arrey kau.. kau..aun hai

haarrup
haarrup
ulya ulya maalampo
ulya kodi bishee
yee..ee..ee
ulya ulya maalampo
ulya kodi bishee
hu..uu..uu..uu
acha kuli kacha kuli kacha kuli kacha kuli
gokhli re gokhli
haiyyaa teri pokhli
gokhli re gokhli
aiyyaa teri pokhli
bol maiyyaa bol
jaldi se khol
ey.. ey..
bol maiyyaa bol
jaldi se khol
aa.. aa..

jaldi se khol de
maanav ki potli
gokhli re gokhli
haiyyaa teri pokhli
haarrup
haa..aap
harrup
haarraa..
chhod de chhod de
pind maiyyaa chhod de
kanya kumari ka mayajaal tod de
haarrup
haarrup

ye kanya kumari hai
deewaan ki dulaari hai
ye kanya kumari hai
deewaan ki dulaari hai
beti bechaari hai
chhod de chhod de
beti bechaari hai
chhod de chhod de
chhod de chhod de
pind maiyyaa chhod de
chhod de chhod de
pind maiyyaa chhod de
bol
(chhod de chhod de)
maiyyaa bol
(pind maiyyaa chhod de)
maiyyaa bol
maiyyaa bol
maiyyaa bo..ol
bol maiyyaa bol
bhog lagaayegi
bol bol ho ke ratan kya khaaegi
charnon mein tere aam kela amrood hai
peene ko maiyyaa boodhi gaaye ka doodh hai
 oo hu hu hu hu
bhoo..hoo..hoo

bhoo bhoo
haaye haaye
bhoo bhoo
o maiyyaa bhoo bhoo
hoye hoye
bhoo bhoo

bhool hui bhool hui
maiyyaa maans dhaari hai
phal waale jaa
ab kasaai ki baari hai
hataao kharbuja
hataao tarbuja
arre jaldi se le ke aao
murgi ka chooza
arre murgi ka chalega ya bakre ka maas
aadmi ka chalega to haazir hai daas
bali nahin chaahiye
jo achhe insaan ki
to charbi khilaaun
kisi motey shaitaan ki
chhod
o pind chhod
maiyyaa chhod
o pind chhod
pind chhod
pind chhod
maaya jaal tod
(pind chhod)
pind chhod
pind chhod
maaya jaal tod
(pind chhod)
maaya jaal tod
maaya jaal tod
haa. . .

———————————-
Hindi script lyrics (Provided by Sudhir)
———————————–

कौन है वो कौन
मुझे जिसने जगाया
अरे धरती पे आज यमलोक से बुलाया
अरे धरती पे आज यमलोक से बुलाया
अररे कौ॰॰ कौ॰॰औन है

कौन है वो कौन
मुझे जिसने जगाया
अरे धरती पे आज यमलोक से बुलाया
अरे धरती पे आज यमलोक से बुलाया
अररे कौ॰॰ कौ॰॰औन है

ये कंगना
ये झुमका
आ॰॰॰
ये चुनरी ये कजरा क्यों
ये मेहंदी
ये बिंदिया
ये पायल के गजरा क्यों
जानते नहीं हो क्या
मेरे सरताज को
ठहरो बुलाती हूँ
अभी यमराज को
कौ॰॰औन है
कौन है वो कौन
मुझे जिसने जगाया
अरे धरती पे आज यमलोक से बुलाया
अरे धरती पे आज यमलोक से बुलाया
अररे कौ॰॰ कौ॰॰औन है

ये भुतना
ये बामना
क्यों आए हैं माला जपने
हे॰॰ए॰॰ए॰॰ए
ये भुतना
ये बामना
क्यों आए हैं माला जपने
क्या समझे ये छलिया
देखे देवी के सपने
जागी हुई देवी पे
आँख जो लगाएगा
यहीं बैठे बैठे वो भसम हो जाएगा
कौ॰॰औन है
कौन है वो कौन
मुझे जिसने जगाया
अरे धरती पे आज यमलोक से बुलाया
अरे धरती पे आज यमलोक से बुलाया
अररे कौ॰॰ कौ॰॰औन है

हा॰॰ड़प
हा॰॰ड़प
उल्या उल्या मालमपो
उल्या कोडी बीशी
यी॰॰ई॰॰ई
उल्या उल्या मालमपो
उल्या कोडी बीशी
हू॰॰ऊ॰॰ऊ
अच्चा कुली कच्चा कुली कच्चा कुली कच्चा कुली
गोखली रे गोखली
हईय्या तेरी पोखली
गोखली रे गोखली
अईय्या तेरी पोखली
बोल मैय्या बोल
जल्दी से खोल
ए॰॰ए॰॰
बोल मैय्या बोल
जल्दी से खोल
आ॰॰ आ॰॰
जल्दी से खोल
मानव की पोटली
गोखली रे गोखली
हईय्या तेरी पोखली
हा॰॰ड़प
हा॰॰ड़प
हा॰॰ड़प
हा॰॰ड़ा॰॰
छोड़ दे छोड़ दे
पिंड मैय्या छोड़ दे
कन्या कुंवारी का मायाजाल तोड़ दे
हा॰॰ड़प
हा॰॰ड़प

ये कन्या कुंवारी है
दीवान की दुलारी है
ये कन्या कुंवारी है
दीवान की दुलारी है
बेटी बेचारी है
छोड़ दे छोड़ दे
बेटी बेचारी है
छोड़ दे छोड़ दे
छोड़ दे छोड़ दे
पिंड मैय्या छोड़ दे
बोल
(पिंड मैय्या छोड़ दे)
मैय्या बोल
(पिंड मैय्या छोड़ दे)
मैय्या बोल
मैय्या बोल
मैय्या बो॰॰ल
बोल मैय्या बोल
भोग लगाएगी
बोल बोल हो के रत्न क्या खाएगी
चरणों में तेरे मैय्या आम केला अमरूद है
पीने को मैय्या बूढ़ी गाय का दूध है

ऊ हू हू हू
भू॰॰हू॰॰हू
भू भू
हाए हाए
भू भू
ओ मैय्या भू भू
होये होये
भू भू

भूल हुई भूल हुई
मैय्या मांसधारी है
फल वाले जा
अब कसाई की बारी है
हटाओ खरबूजा
हटाओ तरबूजा
अरे जल्दी से ले के आओ
मुर्गी का चूज़ा
अरे मुर्गी का चलेगा या बकरे का मास
आदमी का चलेगा तो हाज़िर है दास
बाली नहीं चाहिए
जो अच्छे इंसान की
तो चर्बी खिलाऊँ
किसी मोटे इंसान की
छोड़
ओ पिंड छोड़
मैय्या छोड़
ओ पिंड छोड़
पिंड छोड़
पिंड छोड़
मायाजाल तोड़
(पिंड छोड़)
पिंड छोड़
पिंड छोड़
मायाजाल तोड़
(पिंड छोड़)
मायाजाल तोड़
मायाजाल तोड़
हा॰॰॰


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

REPORT ON MUMBAI GANGOUT – Part 2
—————————————–

……Javed ji was introduced to Sadanand ji, as they were meeting each other for the first time. Even I had met him for the first time, though we had E-mail communications earlier. It so happened that, in the last Mumbai Gangout which Sudhir ji attended, he had gifted all of us a copy of Javed ji’s first Hindi book ( he has more books in Urdu), ” Kuchh kalaakaar-kuchh yaden “. After reading that book, I wrote a mail to Javed ji about certain discrepancies, I had found in the book. Actually I was hesitant whether to write such a mail to him, but my adventurism won over me and the mail was sent finally.

Happily, I received Javed ji’s reply in due course, in which he thanked me profusely and assured me that in the next editions all those corrections would be incorporated. Thus, we knew each other Electronically, before this physical meeting.

Sadanand ji and me had decided earlier that in an informal meeting of 2-3 persons, an Agenda would be superfluous. So, we did not have any written down agenda as such, but we had some points about some songs, to be discussed with Sudhir ji. Sudhir ji and Sadanand ji sat separately discussing from Sudhir ji’s Laptop. Javed ji had sent me a typed manuscript of his forthcoming Hindi book. Before sending the same to the publisher, Javed ji wanted that I see it and give my suggestions. So Sudhir ji and Sadanand ji made a pair discussing about their points and me and Javed ji sat discussing his book.

The first thing javed ji wanted me to do was to finalise the Title of the book. He had 3 Titles on offer and asked me to select one which he would give to the book. I remembered the occasion when Devika Rani had asked Yousuf-the fruit seller to select one of the 3 screen names for him- Dilip kumar, Jehangir and Vasudev. Oh my God ! Dilip Kumar and Arun Kumar ! What a coincidence !! Both in the same situation !!! We know what Yousuf selected and you will know what I suggested when the book is released soon.

My ego-balloon was soon deflated by a simple query about the lunch, as it was Lunch time already. We ordered few items from a nearby hotel. Upon its arrival and arrangements, an elaborate lunch programme was undertaken. After lunch, we decided to keep the book evaluation postponed to next day (accordingly, Javed ji came next day and we completed the exercise satisfactorily). We then discussed matters concerning the blog and related topics. However Javed ji was not able to participate, so we changed the discussions to old films and actors etc and Javed ji was kind enough to enthrall us with his knowledge.

At around 4pm we had tea with snacks. In the meantime, Sudhir ji was worried if Bakshish Singh ji would come to Mumbai next day to attend the seminar or not. Sudhir ji’s fear and the Mumbai-visit-curse took its toll and by evening Bakshish Singh ji confirmed that he has cancelled his coming as his own grandson met with an accident and had fracture of both legs-in the afternoon itself. (Next day, as a proof, he sent photographs of the poor child in plaster for both legs). The obvious conclusion was Bakshish Singh ji’s proposed Mumbai visit had caused all these mishaps !

By about 5 pm or so, Javed ji left the meeting venue to go to his relative for further stay. In the meantime Sadanand ji and Sudhir ji had planned to go to meet Khyati ji, who was to leave for USA later that night. She was in Borivali. Though keen to meet Khyati ji, after the double mishap in her family, I could not go with them due to my knee problems (doctors have advised me to avoid using stairs for a month. Khyati ji’s house was on ground floor, but my flat was on first floor !) and I was virtually under “house arrest ” !

By about 6 pm the meeting was concluded and Sudhir ji and Sadanand ji left to visit Khyati ji, along with my apologies to her. Later, I spoke to her on phone also.

Next 2 days, Sudhir ji was busy in attending his seminar. Third day also he visited Kushal ji. Next day he visited Famous Studios and also Anand ji (of he Kalyanji Anandji duo). On the 4th of May afternoon Sudhir ji shifted to his Mamaji’s place and on the 5th May, he and Javed ji left for Delhi, in the evening. Sudhir ji is hereby requested to write about his Mumbai visit.

I can not resist myself in sharing a secret of Sudhir ji, with all of you. One day, when we both were chatting in the evening, I asked Sudhir ji about his age. Pat came the answer “32 years”. I was stunned. I understood that he did not want to disclose his age. So I calculated. In 1988, Sudhir ji was working for some company in Bombay. That was 29 years ago. If he is 32 year old today, that time he must have been just 3 year old . When I pointed out this to him, with a straight face Sudhir ji answered, “Yes, I started earning early !”. Now mark my words…. very soon Sudhir ji’s name will be in The Guinness Book of World Records !!!

End of Report – Part 2
———————————-

Today’s song is from a film called ‘Hum Ek Hain’ (1969) which is making its debut in the blog. There were three films with the same title. The first ‘Hum Ek Hain’ was released in 1946, in which the lead pair of Dev Anand and Kamla Kotnis, along with Rehana and Rehman were making their debuts. Even the film’s director PL Santoshi was making his debut as a director with the film. Till them he had only worked as a lyricist and story writer. The second film with that title is today’s 1969 film and the third film was made in 1982.

Film ‘Hum Ek Hain’ (1969) was a social film, about sacrificing for the country. The film tried to put emphasis on National Integration too. The film shows a multi lingual family’s story. The main actors were Balraj Sahni and Nirupa Roy. The others in the cast were Dara Singh, Ravi Khanna, Samson, Jagdeep, Helen, Madhumati, Lalita Pawar, Rani, Savita, Naina etc etc.

The film was directed by Daljit. Daljit (real name Joginder Puri) was born in Sialkot on 17-9-1931. He was good looking. His first film was Punjabi – ‘Kauday Shah’ (1953). He entered Hindi films with ‘Noor Mahal’ (1954). He acted in 43 films, He was seen mostly in B and C grade action and stunt films. His last film as an actor was ‘Chowkidaar’ (1974). He directed 2 films. Hum ek hain-69 and Rajyogi-82. He paired with actress Chitra in 11 films.

The music director was Usha Khanna and the lyricist was Indeevar. There were only 5 songs but 8 singers were used. They were Lata, Asha, Rafi, Kamal Barot, Mukesh, Mubarak Begum, Mahendra Kapoor and Manna Dey. One song was about all religions being equal and another was stressing that all Indians were one. Looking at the type of songs and the story, I think this film must be one of those films which flooded after the 1965 war with Pakistan. During that period the patriotic fever was at peak. Looks like the film must have been delayed during its completion. By the time it came to the theatres, the fever had subsided and the topic of the film had become out of relevance. Naturally, the film flopped.

I was one of the people who went to the theatre to see the film. Here is the story in short-

In a certain town, there is a Punjabi family – husband, wife (Balraj Sahni and Nirupa Roy) and 3 sons. The eldest son Ashok, has married a Maharashtrian girl. The second son Raj, is engaged to a Kashmiri girl. The third son Dara chooses to remain bachelor. The entire family is a staunch patriotic one. All 3 sons are in Army.

In due course of time the war starts with the neighbouring country. All sons are sent on the border fronts. Two sons, Ashok and Dara die in action. During the war, the parents train their bahu as a nurse and send her on border to look after injured soldiers.

When the bodies of the dead sons are brought to the village for cremation, all the villages gather to mourn the deaths and console the family. However, Bharati Devi, the mother comes out and gives a long lecture, stating that her children did their duty to the nation and became Shaheeds. The family is proud of their sacrifice and no one should mourn their death…….

When I was checking the film’s cast etc, I found that the film’s Choreography is done by Badri Prasad and Vasant Naidu. I was surprised. Badri Prasad was a versatile and multifaceted artist of Hindi Cinema. He was an actor (first as a Hero, in the 1930s and then as a character artist) in 147 films. He was a singer – 7 films, 11 songs. He was lyricist for 1 film, 8 songs. He was a music director – 16 films, 168 songs. And he was a choreographer in 30 films. What a talent! His one daughter – Surekha Pandit was also an actress (played the role of the mother of Sharmila Tagore in film ‘Anupama’ (1966).

Similarly, the other choreographer Vasant Naidu was an active music director from 1939 to 1947, 22 films and 160 songs. He also sang in film ‘Mere Sajan’ (1941).

Strange are the ways of Filmi Duniya !!!


Song- Hum punjabi hum Bangali (Ham Ek Hain)(1969) Singers-Rafi, Manna Dey, Asha Bhonsle, Lyrics-Indeewar, MD-Usha Khanna
Chorus
All

Lyrics

hum punjabi
hum bengali
hum hain maratha
hum madrasi
hum punjabi
hum bengali
hum hain maratha
hum madrasi
baad mein kuchh aur magar
hum pahle hain bharatwasi
hum punjabi
hum bengali
hum hain maratha
hum madrasi

hoy
hoy
oho
hoy

doodh ki taaqat rakhnewaala aa aa aa
ye punjaab ka paani hai
bhagat singh ke saath yahaan aan aan
heer aur raanjhe ki kahaani hai
bhaarat ka hai roop yahi
bhaarat ki yahi jawaani hai
hum punjabi hum bengali
hum hai maratha hum madrasi

o o o
o o o
oho
hmm
oho
hmm
oho

maut ghulaami se behtar
netaji ne maut hi chuni hai
maut ghulaami se behtar
netaji ne maut hi chuni hai
ye tagore ki kavita
jisko duniya sun kar jhoomi hai
ye buniyad aazad hind ki
ye bengal ki bhoomi hai
ye buniyad aazad hind ki
ye bengal ki bhoomi hai
hum punjabi
hum bengali
hum hain maratha
hum madrasi

aa aa
aa aa aa aa aa
ye maharashtra ki paawan seema
sapna veer shivaji ka
ho sapna veer shivaji ka
hum sabne seekha hai
jis’se pahla sabak aazaadi ka
o pahla sabak aazadi ka
yahi desh ka tilak
yahi hai bharat mata ka teeka
yahi desh ka tilak
yahi hai bharat mata ka teeka
hum punjabi
hum bengali
hum hain maratha
hum madrasi

nritya aur sangeet se jo
sansaar ke man ko harti hai
har ghar ek kala ka mandir
ye dakkhan ki dharti hai
yahi hai bharat ki jal sena
jis’se duniya darti hai
yahi hai bharat ki jal sena
jis’se duniya darti hai
hum aasaami
hum hain udiya
hum gujraati raajasthani
baad mein hain kuch aur magar
hum pahle hain hindustani
hum punjabi
hum bengali
hum hain maratha
hum madrasi

ek phool ke liye chaman ko nahin ujaada jaayega
ek phool ke liye chaman ko nahi ujaada jaayega
ek daal ke liye ped ko nahi ukhaada jaayega
ek daal ke liye ped ko nahi ukhaada jaayega
dushman ko aa hi gaya
to milke pachhaada jaayega
milke pachhaada jaayega
o milke pachhaada jaayega
haan milke pachhaada jaayega


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Chhoti Chhoti Baaten” (1965) was directed by Motilal for Rajvanshi Productions, Bombay. The movie had Motilal, Nadira, Moti Sagar, Manju, Kumar, Krishan Dhawan, Leela Misra, Sangeeta, Mridula, Mubarak etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It is believed that one needs to train hard and later work hard to become anything in life. But in India, people try to avoid hard work and want to succeed overnight. People trying to use “approach” to please higher ups-be they top officials or gods, instead of working to qualify for the job, is common.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Mera Geet”(1946), a social movie, was a production of Jayshakti Pictures, Bombay. Names of its producer and director are not known. This movie had Naseem Junior, Susheel Kumar, Leela Pawar, Vikram Kapoor, Mehndi Raja, Bholaram, Kashinath, Chiman Seth, Baby Tara, Shalini, Nalini, Heera Date, Chandrika, Om Prakash Sharma, Mukri, Aathwale etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Magic Box”(1963) was directed by B J Patel for Shree Ganesh Chitra, Bombay. This obscure movie had Ranjan, Nasreen, Rajan Kapoor, Sheila R, Shree Bhagwan, Prakash, Shyam, Babu Raje, Abbas Ahmad, Akram, Maulana, Abdul etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naya Zamaana”(1971) was produced and directed by Pramod Chakraborty. The movie had Dharmendra, Hema Malini, Pran,Indrani Mukherjee, Ashok kumar, Manmohan, Shabnam, Mehmood, Dhumal, Jankidas, Lalita Pawar, Aruna Irani, Raj Mehra, V.Gopal, Roopali, Guddi, Keshav Rana, Brahma Bhardwaj, Kanu Roy, Master Alankar, Master Rippal, Randhir, Vidya, Fehmida Qureshi, Sheela, Shabana, Mona, Sabina, Daya Devi, Kusum DeshPande, Lalita Karekar, Madhup Sharma, Prem Sagar, Bishen Khanna, Jagdish Bhalla, Khurshid Khan, P.D.Lal, Nadir, Hafeez, Robert, Kirti Kumar, Sunil Kumar, Taj Azhar, Avtar Singh, Bihari, Moolchand, Nazir Kashmiri, Ratan Gaurang, Narbada Shankar, Darshan, Ramlal, Mohammed Ali, Paresh Nanda, Rajen Kapoor etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naag Champa”(1958) was produced and directed by Vinod Desai for Vinod Films, Bombay. This mythological movie had the usual suspects in it, viz. Nirupa Roy, Manhar Desai, Kammo, Sapru, Sundar, Baby Uma, Lalita Pawar, C J apndey, Dubey, Santosh Kumar, Uma Dutt, Nemo, R Khanna, Chhotelal, Maqbool, Devchand etc in it.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has over 13300 song posts by now.

This blog is active and online for over 3200 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13378

Number of movies covered in the blog

Movies with all their songs covered =1012
Total Number of movies covered =3703

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Active for more than 3250 days.

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