Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1957


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Kishore Kumar – his many moods …
————————————–
In my current search for missing Kishore Kumar songs on the blog, this song fits the bill perfectly. This is a song from his earlier decades i.e. before the seventies, here Kishore Kumar is singing for himself and this is the only Kishore Kumar song from ‘Asha – 1957’ that is yet to be discussed in the blog. In addition, this song also had the added qualification of being one of the ‘lesser heard’ songs too. Personally I do not recall any occasions of listening to this song in the past.

‘Aashaa-1957’ was directed by M.V.Raman for Raman Productions, Bombay. He was also the producer of this movie. The movie had Vyjayantimala, Kishore Kumar, Pran, Lalita Pawar, Om Prakash, Raj Mehra, Minoo Mumtaz, Randhir, Naina, Shivraj, Patanjali, Jagdish, Asha Parekh, Chamanpuri, Chandabai, Dhoomal, Praveen Pal, Gajendra Singh, Rajan Kapoor, Ravikant, Nand Kishore and Uma Dutt. Sundar made a guest appearance in this movie.

This movie had total of eight songs in it(including one multiple version song which is also the most known song of this movie ‘eena meena deeka’) composed by C.Ramchandra. Rajinder Krishan penned the lyrics for all the songs. Asha Bhonsle, Kishore Kumar and Lata Mangeshkar gave their voices to these songs.

This movie was passed by the Censor Board on 31.08.1957.

Four songs from this movie (five considering the one multiple version song) have been posted on the blog so far.

Let us now enjoy this final Kishore Kumar song from this movie, which talks of a ‘egalitarian society’ for all and seeking justice for the deprived ones …

As mentioned above the song is composed by C.Ramchandra and it is written by Rajinder Krishan.

Video (Full)

Audio

Song-Ek padosi raat ko soye aur doosra roye (Aasha)(1957) Singer-Kishore Kumar, Lyrics-Rajinder Krishan, MD-C Ramchandra
Chorus

Lyrics

Arey chhote aur bade ka ab to
Huaa puraana qissa
Arey duniya ki jaagir hai sabka
Ek baraabar hissaa

Ek padosi raat ko soye aur doosraa roye
Ek padosi raat ko soye aur doosraa roye
To insaaf kahaan kaa hai
Ye insaaf kahaan kaa hai
Ye insaaf kahaan ka hai
Arey kaho agar insaan kisi ki
Raah mein kaante boye
Kaho agar insaan kisi ki
Raah mein kaante boye
To insaaf kahaan ka hai
Ye insaaf kahaan kaa hai
Ye insaaf kahaan kaa hai

Banaaya maalik ne sabke liye hai
Chaand sitaaron ko
Banaaya maalik ne sabke liye hai
Chaand sitaaron ko
To phir kyaa haq hai
Haan
To phir kya haq hai bande ko
Kare taqseem bahaaron ko
Kare taqsim bahaaron ko
Sab ke baag bagiche par
Jab ek kaa kabzaa hoye
Sab ke baag bagiche par
Jab ek kaa kabzaa hoye
To insaaf kahaan kaa hai
Ye insaaf kahaan kaa hai
Ye insaaf kahaan kaa hai
Ek padosi raat ko soye aur dusraa roye
To insaaf kahaan kaa hai
Ye insaaf kahaan kaa hai
Ye insaaf kahaan ka hai

Banaa hai saanp khazaane ka
Ye hai insaan ki nadaani
Banaa hai saanp khazaane ka
Ye hai insaan ki naadaani
Bataao kitna kha lega
Bataao kitna kha lega
Ye daana aur hawaa paani
Ye daana aur hawaa paani
Arey paise jaisi cheez ki khaatir
Koyi sharaafat khoye
Paise jaisi cheez ki khaatir
Koyi sharaafat khoye
To insaaf kahaan kaa hai
Ye insaaf kahaan kaa hai
Ye insaaf kahaan kaa hai
Ek padosi raat ko soye aur dusraa roye
To insaaf kahaan kaa hai
Ye insaaf kahaan kaa hai
Ye insaaf kahaan ka hai

Sabhi ek daal ke panchhi hain
Sabhi kaa ek thikaanaa hai
Sabhi ek daal ke panchhi hain
Sabhi kaa ek thikaanaa hai
Lagaao ek saath
Lagaao ek saath naara
Ke ye janta ka zamaana hai
Ye janta kaa zamaana hai
Koyi Kisi ka beej chura kar
Apni kheti boye
Koyi Kisi ka beej chura kar
Apni kheti boye
To insaaf kahaan kaa hai
Ye insaaf kahaan kaa hai
Ye insaaf kahaan kaa hai
Ek padosi raat ko soye aur doosraa roye
To insaaf kahaan kaa hai
Ye insaaf kahaan kaa hai
Ye insaaf kahaan kaa hai

——————————-
Devnagri Script lyrics (provided by Avinash Scrapwala)
——————————
अरे छोटे और बड़े का अब तो
हुआ पुराना किस्सा आ आ
अरे दुनिया की जागीर है सबका
एक बराबर हिस्सा

एक पडोसी रात को सोये और दुसरा रोये
एक पडोसी रात को सोये और दुसरा रोये
तो इन्साफ कहाँ का है
ये इन्साफ कहाँ का है
ये इन्साफ कहाँ का है
अरे कहो अगर इंसान किसी की
राह में कांटे बोये
कहो अगर इंसान किसी की
राह में कांटे बोये
तो इन्साफ कहाँ का है
ये इन्साफ कहाँ का है
ये इन्साफ कहाँ का है

बनाया मालिक ने सबके लिए है
चाँद सितारों को
बनाया मालिक ने सबके लिए है
चाँद सितारों को
तो फिर क्या हक है
हाँ
तो फिर क्या हक है बन्दे को
करे तक्सीम बहारों को
करे तक्सीम बहारों को
सब के बाग़ बगीचे पर
जब एक का कब्ज़ा होए
सब के बाग़ बगीचे पर
जब एक का कब्ज़ा होए
तो इन्साफ कहाँ का है
ये इन्साफ कहाँ का है
ये इन्साफ कहाँ का है
एक पडोसी रात को सोये और दुसरा रोये
तो इन्साफ कहाँ का है
ये इन्साफ कहाँ का है
ये इन्साफ कहाँ का है

बना है सांप खजाने का
ये है इंसान की नादानी
बना है सांप खजाने का
ये है इंसान की नादानी
बताओ कितना खा लेगा
बताओ कितना खा लेगा
ये दाना और हवा पानी
ये दाना और हवा पानी
अरे पैसे जैसी चीज़ की खातिर
कोई शराफत खोये
पैसे जैसी चीज़ की खातिर
कोई शराफत खोये
तो इन्साफ कहाँ का है
ये इन्साफ कहाँ का है
ये इन्साफ कहाँ का है
एक पडोसी रात को सोये और दुसरा रोये
तो इन्साफ कहाँ का है
ये इन्साफ कहाँ का है
ये इन्साफ कहाँ का है

सभी एक डाल के पंछी हैं
सभी का एक ठिकाना है
सभी एक डाल के पंछी हैं
सभी का एक ठिकाना है
लगाओ एक साथ
लगाओ एक साथ नारा
के ये जनता का ज़माना है
ये जनता का ज़माना है
कोई किसी का बीज चुरा कर
अपनी खेती बोये
कोई किसी का बीज चुरा कर
अपनी खेती बोये
तो इन्साफ कहाँ का हैं
ये इन्साफ कहाँ का है
ये इन्साफ कहाँ का है
एक पडोसी रात को सोये और दुसरा रोये
तो इन्साफ कहाँ का है
ये इन्साफ कहाँ का है
ये इन्साफ कहाँ का है


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Atulites – Mumbai Meet – 20th-21st Nov’16
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My sincere thanks to Atul ji for making this year -2016 a ‘memorable year’ for me. This year, I was able to meet many of our regular members at Chennai, Bengaluru and Mumbai. In addition, I could also meet new personalities in this field of Hindi Film Music.

I may well become known as ‘always present Avinash’ instead of ‘illusive Avinash’ if it goes on like this.🙂. Bharat Bhai ji ne naam bhi aisa diya hai ki iske viruddharthi shabd agar aap ‘Google’ par dhoondhe to bhi bade atpate se hain
If you search for the opposite of ‘elusive’ you get this on Google page:

The word “elusive” has many antonyms, but most of them do not convey the exact opposite meaning the way an antonym should. Three words that reflect the opposing meaning of elusive well are “confronting,” “encountering” and “facing.”

I do not know if he has deliberately chosen to use the word ‘illusive’ instead of ‘elusive’ (Deshmukh Sir has pointed this out in one of his comments) because both have different meanings.

I would like to thank Shri Bharat Bhai Upadhyay ji, Shri Sadanand Kamath ji and Shri Arun Deshmukh Sir for all the arrangements of the ‘Mumbai Gang out’ on 20th November 2016. I also thank all our respected guests and regulars who attended the ‘gang out’ for being there and gracing the occasion.

***

On 19th November evening, when I boarded the ‘Samarsata’ (I thought they spelled wrong, and it should be ‘Samarasta’, but, even announcement at the Railway Station sounded to me as ‘Samar –Sata’🙂 ) Express at Nagpur railway station, I was more than happy and heaved a great sigh of relief.

After missing the ‘Mumbai gang outs’ three times in a row + one (which did not happen due to very less participants) finally I was going to attend it this time on 20th November 2016.

I could not attend the very first gang-out in Dec’14 due to certain developments at my work place. It happened the Second time in Aug’15 when the train ‘Prerna Express’ (Ahmedabad bound) was cancelled due to heavy rains. I was supposed to travel from Anand to Mumbai on that occasion. It happened for the third time in this current year 2016 in May when again due to work priorities I had to cancel my trip.

Fourth time it was again in this year in September when a possibility of a ‘gang-out’ was being explored but it finally didn’t materialize due to low availability of participants.

On all the previous four occasions mentioned above, my train tickets to and fro were booked and they had to be cancelled at the last minute resulting in ‘revenue-generation’ to the IR and in turn to GOI. It was a small contribution from my side for my love ‘the Indian Railways’. I have been making such contributions for the cause of the nation right from 30th Nov’1988 when I began my professional career.🙂

I arrived at the venue of meeting on the morning of 20th november 2016 with our guest invitee Mr.Deepak Chowdhari, who had joined me at Badnera Station. Three of our Senior members from Mumbai were already available there to welcome us.

After seeing me in person, they all had just this one line of remark … “aakhir aap aa hi gaye”… ‘so finally you have come for ‘Mumbai Gang-out’ !!

Sadanand ji specially made it a point to request Bharat Bhai to now remove the ‘tag’ – ‘illusive’ that he added to my name due to my tendency of backing out from previous ‘gang-outs’ at the last moment.

I will not go into the details on the proceedings of that day which our respected Deshmukh Sir has already covered in his two posts on this ‘gang out’.

I will straight away come to this song which I had already chosen in September 16 when the modalities of ‘gang out’ were being finalised.

Thinking about our respected Deshmukh Sir – ‘our in-house encyclopedia’ and keeping in mind his ‘core’ area of interest and the write-ups on the topics that I liked most i.e. ‘mythological movies’, I searched for a song that would fit in expressing my feelings of my eagerness to meet him and other members, I had chosen this film ‘Krishna Sudaama-1957’ and this song that is being discussed today.

After attending the ‘gang-out’, meeting all the members and staying with Deshmukh Sir for a day, I feel that I should pat myself on my own back for chosing this song which is just the perfect song to express my feelings.

Why?

Let me elaborate on this…

What we seek from these meetings or ‘gang outs’? What does one get and what does one feel after meeting so many knowledgeable persons in Music, movies and/or and HFM?

(PS: Now Deshmukh Sir, in his second post on the ‘gang out’ has also discussed it. I had already drafted this post in advance and I was happy to know that his views were similar to my feelings on this matter.

The first and foremost gain is the ‘everlasting joy of meeting people whom we already know through this blog’ and then the ‘eternal happiness’ we feel after meeting these people.

These are people with whom over the years we have developed a ‘strong bond of relationship’, and meeting them in person is like getting into a ‘different world altogether’ (Words fail me here to express my feelings).

In this context, what motivates and inspires me is ‘HFM’, this blog ‘ASAD’, then meeting team members of regular contributors and visitors of this blog, and last but not the least is the discussions on and about ‘HFM’.

And if one is a keen observer of people around us one can learn a lot and learn many new things in life from them.

All the things that could motivate me, inspire me and rejuvenate me were going to be there in the meet, so what more could I have asked for?

In my journey of life I have always taken care to seek ‘blessings’ and ‘best wishes’ from elderly and senior people, and also from people that I came in contact with during my professional or personal interactions. That gives me utmost satisfaction and somewhere I feel that it is this goodwill and best wishes of people accumulated over the years that is my wealth and it is this that enables me to keep me going and even succeeding in this journey of my life.

All the persons that I met in this ‘Mumbai gang out’ were seniors to me – in age and knowledge both. The only person (actually there are two) that, if by mistake🙂 looked like younger than me also had ‘greater knowledge’ of classical music and instruments. So they were all seniors to me.

They all blessed me by sharing their thoughts and their knowledge. Just the act of being in the company of such music lovers can cause one to forget all the ‘griefs’, sorrows and ‘pains of life’- if one had any.

And what a day it was !

I got this opportunity to meet all the stalwarts in person. Each and every person was so passionate about music, so generous in sharing things and so happy to meet each other.

I was to stay with Deshmukh Sir at his home for a day.Though I had taken his appointment for a full day during my communications with him prior to the visit, I was not sure if I would be staying with him, since I had never visited his place earlier.

I called him a day before the gang out (the same day evening I had to board the train) to check his schedule and my plan of return journey. He specifically reminded and insisted that ‘you are staying with me after the gang out was over’.

All of us are aware that he stays alone at Mumbai. During the travel to his home he was explaining to me that it’s a bachelor’s house and that I will find it like that and he hoped that I would feel myselfcomfortable there etc etc.

After reaching his place, I found that I had reached a ‘very well organized and maintained place’. But more surprise was in store for me. Our respected Guru ji kept inquiring with me about what I would like to have in dinner etc etc. I thought he was going to order the food from outside. But there at his place he had already done some planning for me with some special menus and for every meal time he could offer me multiple choices or combinations of multiple choices.

And last but not the least was the option of ‘food cooked by our Guru ji himself’:)

What more could I have wished for?

I will never ever forget that evening’s ‘Khichdi’, it was like ‘amrit tulya’ for me because it was cooked by Guru ji himself. This was the ‘mahaprasad’ that Guruji cooked specially for me with all his love and compassion therein.

Next day’s morning’s tea, breakfast, and lunch was a ‘divine’ experience for me and I will cherish these memories forever.

In addition, the ‘wisdom’ he shared with me and his guidance on certain aspects and on the queries which I had noted down to for discussing with him. My cup of joy was full to the brim.

***

For me this gang out and meeting all the ‘stalwarts’ there was like having the ‘darshan’ of the ‘viraat roop’ of Lord Shri Krishna. The ‘encyclopedia’ already there and with so many thoughts shared and so many things discussed was nothing less than ‘geeta ka gyaan of HFM’ for me.

My HFM related queries that I had noted down to be anwered by our seniors were like the ‘grievances’ of Sudama that he sought to get redressed from Lord Krishna in this song.🙂. The ‘nirdhanta’, ‘poverty’ or ‘inadequacies’ of Sudama is like my ignorance on the vast treasure trove of HFM.

What I got during my two days stay there in the form of ‘joy’, ‘happiness’, ‘learning’, ‘discussions’ and being a part of that ‘company’ is like getting ‘blessed by divine powers’.

It was as if the divine and spiritual powers of music had taken me to the path of ultimate happiness and peace!!

The movie:

‘Krishna Sudaamaa-1957’ a ‘mythological movie’ was directed by Shanti Kumar for Tajviristan, Bombay. It was produced by Lekhraj Bhakri. It had Nirupa Roy, Balraj Sahni, Rajkumar, Prem Adeeb, Umakant, Nand Kishore, Malay Sarkar, Santosh, Madhvi, Vimal Ghaisas, Sinha and Indira Bansal.

As per HFGK Vol III this movie had as many ten songs composed by Husnlal-Bhagatram. Lyrics for these ten songs are shared by Qamar Jalalabadi – six songs, Pt.Radheyshyam – two songs and Ramesh Gupta – two songs.

HFGK mentions that the recording of songs of this movie was completed in 1954 itself though this movie was released in 1957.

This movie was passed by Censor Board on 24.01.1957.

Today’s song is sung by Mohd Rafi and written by Qamar Jalalabadi. Music is composed by Husnlal-Bhagatram.

***

After the gang-out was over, its report was to be presented in the blog. As Kamath Sir was to get occupied with his already planned schedule and Bharat ji said that his will be only in ‘very few lines,’ we all requested Guru ji that he should write the posts. At that time I jokingly told him that from my end I will do a post as a ‘return-gift’ in return of his posts. So here is that post, and it is not a ‘return gift’ but my ‘homage’ to all whom I met on that day.


Song-Chal more manwa shyaam ke dwaare (Krishn Sudaama)(1957) Singer-Rafi, Lyrics-Qamar Jalalabadi, MD-Husnlal Bhagatram

Lyrics

Chal more manwaa
Shyaam ke dwaare
Chal more manwaa
Shyaam ke dwaare ae
Charan kamal mein jaa kar rakh de
Apne dukhde saare saare
Chal more manwaa
Shyam ke dwaare

Main nirdhan aur lamba path hai
Na koi doli na koi rath hai
Nange pairon chalaa Sudaama aa
Phool ban gaye kaante saare
Chal more manwaa
Shyaam ke dwaare

Shyam ke path par
Kaal jo aaye
Hans hans galey lagaaun oon oon
Jag ishwar Narsingh ki mahima
Ho matwaala gaaun
Ho matwaala gaaun
Dekh Sudaama roop badal kar
Aaye Mohan pyaare ae ae
Chal more manwaa
Shyaam ke dwaare

Shesh naag ka roop dekh kar
Yaad aaye Girdhaari ee ee
Ek jaan to kya hai kar doon
Sau jaanen balihaari ee
Kitni door se lene aaye
Ham ko Shyaam hamaare ae ae
Chal more manwaa
Shyaam ke dwaare

O nadiya toofaan uthhaa le
Mil ke rahenge milne waale
Chal re Sudama Shyam salona (?)
Tujhko aaj pukaare ae
Tujhko aaj pukaare ae ae
Tujhko aaj pukaare ae ae ae ae

————————————————
Devnagri script lyrics
————————————————-
चल मोरे मनवा
श्याम के द्वारे
चल मोरे मनवा
श्याम के द्वारे ए
चरण कमल में जा कर रख दे
अपने दुखड़े सारे सारे
चल मोरे मनवा
श्याम के द्वारे

मैं निर्धन और लम्बा पथ है
न कोई डोली न कोई रथ है
नंगे पैरों चला सुदामा आ
फूल बन गए कांटे सारे
चल मोरे मनवा
श्याम के द्वारे

श्याम के पथ पर
काल जो आये
हंस हंस गले लगाऊं ऊँ ऊँ
जग इश्वर नरसिंह की महिमा
हो मतवाला गाऊं
हो मतवाला गाऊं
देख सुदामा रूप बदल कर
आये मोहन प्यारे ए ए
चल मोरे मनवा
श्याम के द्वारे

शेष नाग का रूप देख कर
याद आये गिरधारी ई ई
एक जान तो क्या है कर दूं
सौ जाने बलिहारी
कितनी दूर से लेने आये
हम को श्याम हमारे ए ए
चल मोरे मनवा
श्याम के द्वारे

ओ नदिया तूफ़ान उठा ले
मिल रहेंगे मिलने वाले
चल रे सुदामा श्याम सलोना
तुझको आज पुकारे ए
तुझको आज पुकारे ए ए
तुझको आज पुकारे ए ए ए ए


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Ustaad”(1957) was produced by Darshan and directed by Nanabhai Bhatt for Shree Krishn Films, Bombay. The movie had Ashok Kumar, Anjali Devi, Anita Guha, Rehman, K N Singh, Kumkum, Bhagwan, Yashodhra, Ramesh Kapoor, Kammo, Cuckoo, Robert, Kamaldeep, Jagdish Kamal, Rajan Kapoor, Vishwanath, Verma, Yusuf H H , Sheila Vaz etc in it.

There were seven songs in this movie. Six songs from the movie have been covered in the blog.

Here is the sixth song from “Ustaad”(1957) to appear in the blog. This song is sung by Asha Bhonsle and Rafi. Jaan Nisaar Akhtar is the lyricist. Music is composed by O P Nayyar.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of the song.

With this song, “Ustaad”(1957) joins the list of movies that have all their songs covered in the blog.


Song-Kiske liye beqaraar gori aaj tera pyaar (Ustaad)(1957) Singers- Asha Bhonsle, Rafi, Lyrics-Jaan Nisaar Akhtar, MD-O P Nayyar

Lyrics

aa aa aa
aa aa aa
aa aa aa aa aa

kisi ka naam jo honthon pe baar baar aaye
koi bataaye mujhe
kis tarah ae ae karaar aaye

kiske liye bekaraar gori aaj tera pyaar
kiske liye bekaraar gori aaj tera pyaar
dil mein jaadu sa jagaaye ho o
jaadu sa jagaaye
gori teri ye pukaar
kiske liye bekaraar
gori aaj tera pyaar

tere liye bekaraar sainya aaj mera pyaar
tere liye bekaraar sainya aaj mera pyaar
mera jiyara jalaaye ho
jiyara jalaaye teri aankhon ka khumaar
tere liye bekarar sainya aaj mera pyaa..aar

khadi khadi jhoomoon main tere aage
ab to piya tose nain hain laage
ab to piya tose nain hain laage
dil mein sainya dard sa jaage
dil mein saniya dard sa jaage
kiske liye bekarar gori aaj tera pyaar
tere liye bekarar sainya aaj mera pyaar
tere liye bekarar sainya aaj mera pyaar
mera jiyra jalaaye ho o
jiyara jalaaye teri aankhon ka khumaar
tere liye bekaraar sainya aaj mera pyaa aar

teekhi teekhi nazren teer chalaayen
hum to bhare gori der se aahen
dil se nikle phir bhi duaayen
dil se nikle phir bhi duaayen

tere liye bekaraar sainya aaj mera pyaar
kiske liye bekaraar gori aaj tera pyaar
dil me jaadu sa jagaaye ho o
jadu sa jagaye gori teri ye pukaar
kiske liye bekaraar gori aaj tera pyaa aar


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Ustaad”(1957) was produced by Darshan and directed by Nanabhai Bhatt for Shree Krishn Films, Bombay. The movie had Ashok Kumar, Anjali Devi, Anita Guha, Rehman, K N Singh, Kumkum, Bhagwan, Yashodhra, Ramesh Kapoor, Kammo, Cuckoo, Robert, Kamaldeep, Jagdish Kamal, Rajan Kapoor, Vishwanath, Verma, Yusuf H H , Sheila Vaz etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Ustaad”(1957) was produced by Darshan and directed by Nanabhai Bhatt for Shree Krishn Films, Bombay. The movie had Ashok Kumar, Anjali Devi, Anita Guha, Rehman, K N Singh, Kumkum, Bhagwan, Yashodhra, Ramesh Kapoor, Kammo, Cuckoo, Robert, Kamaldeep, Jagdish Kamal, Rajan Kapoor, Vishwanath, Verma, Yusuf H H , Sheila Vaz etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is an evergreen Bhajan by Mohammad Rafi, from the film ‘Narsi Bhagat’-57. The Music Director was Ravi-one of the few composers in HFM, who could be equated with Melody with certainty.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Here is yet another melodious song- that sounds rather like a Bhajan from the 50s. The film is Fashion-57. It is sung by Lata and Hemant kumar.
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This article is written by K Satish Shenoy, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

‘Phir milenge jaanewaale yaar dasvidaaniyaa…’

Some people contend that to say ‘good bye’ is to die a little. Readers may wonder why a post introducing a song should begin with this statement.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

nand ghar anand bhayo
jai kanhaiyya lal ki

Greetings all friends on this auspicious celebration of Nandotsav today. Just a little while back, the prayers and aartis were being held in all temples celebrating the anniversary of the appearance of Krsna, in a jailhouse in Mathura. The main telecast was coming from the Janambhoomi temple in Mathura itself. All temples were crowded with devotees who had come for the darshan of infant Krsna, who appeared to Devaki and Vasudev during their confinement in the prison of Kans, the cruel and vengeful king of Mathura.  And worse, Kans was the cousin brother of the very lady, Devaki, whom he had imprisoned. The story of that confinement and of the reasons behind it has been told many times.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Miss Bombay”(1957) was produced by Gulshan Bahl and directed by Kedar Kapoor for N C Films, Bombay. The movie, described as a social movie, had Nalini Jaiwant and Ajit in lead roles with Rehman, Tiwari, Ramesh Thakur, Bhagwan, Vijay laxmi, Rajendra, Praveen Paul, Bhudo Advani, Vijay Pandit, Kathana, Urvashi, Kanchanmala etc in it.
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(© 2008 - 2016) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has over 12600 song posts by now.

This blog is active and online for over 3000 days since its beginning on 19 july 2008..

Total number of songs posts discussed

12675

Number of movies covered in the blog

Movies with all their songs covered =846 Total Number of movies covered =3551

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Blog Start date: 19 july 2008 Active for 3000 days.
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