Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Lyrics contributed by readers’ Category


This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4281 Post No. : 15526 Movie Count :

4281

If there was a category like ‘post inspired by fellow Atulite’ or ‘post inspired by Atulite WA group chat’, this post would have been included under that category. This past Sunday there was a discussion between me and Peevesie’s Mom ji regarding the theme of the ‘Rangoli’ this week, which was Jaya Bhaduri/Bachchan, and so I messaged to her that I was expecting a post from her. Instead, she asked me that even I can do a post. And she also pointed out the birth anniversary of actor Jeetendra (and so if there was a song of Jaya Bachchan and Jeetendra, it would have been suitable for the post).

But then, few days back I myself had sent a song to Atul ji requesting to post it on the birth anniversary of another Jaya i.e. Jayaprada whose birth anniversary was on 3rd April. And that thought inspired (? 😊) me – Yes, I can do this post combining the anniversaries of both Jayaprada and Jeetendra – and yes, this song, which I liked, was already there and the film has not made a debut on the blog. And one more purpose was getting achieved i.e. to introduce ‘movie with the same title’ on the blog. So here is a song from ‘Tohfa’ (1984). One movie with the same title ‘Tohfa’ was released in 1947 and this movie has already been represented on the blog with seven songs covered out of total ten songs in it.

The 1984 film ‘Tohfa’ was directed by K Raghavendra Rao for Suresh Productions, Madras. It was produced by D Rama Naidu. The star cast includes Jeetendra, Sridevi, Jayaprada, Kader Khan, Shakti Kapoor, Mohan Choti, Urmila Bhatt, Leela Mishra, Jagdeep, Aruna Irani, Jayshree T, Master Rinku and others. Asrani makes a friendly appearance in this movie.

Dialogues for this movie are written by Kader Khan and editing of this movie was done by KA Marthand. The movie was passed by Censor Board on 21.01.1984.

The film has five songs (including one two-part song). Lyrics are written by Indeevar. Music of this movie is composed by Bappi Lahiri. Asha Bhonsle, Kishore Kumar, Lata Mangeshkar and SP Balasubramaniam have given their voices to the songs in this movie.

Today’s song is sung by Kishore Kumar and Lata Mangeshkar and lip syncing it on screen are Jeetendra and Jayaprada respectively.  Also seen in the picturization of this song is Master Rinku who gets to lip sync few lines in between the song in the voice not credited in the movie titles and also not mentioned in HFGK Vol-VI (1981-1985).

3rd April was actress Jayaprada’s fifty eighth (born on 03.04.1962) birth anniversary and here on the blog we are wishing her a belated Happy Birthday and a happy, healthy and peaceful life ahead.

Also, Jeetendra celebrates his seventy-eighth birth anniversary today on 7th April (born on 07.04.1942) and we wish him too a very Happy Birthday today and a happy, healthy and peaceful life ahead.

Now coming back to 1984. This year, Jeetendra and Jayaprada were seen together in the following movies;

S No Movie Name Music Director Passed by Censor Board
1 Haisiyat Bappi Lahiri 10.08.1984
2 Maqsad Bappi Lahiri 30.04.1984
3 Tohfaa Bappi Lahiri 21.01.1984

If we consider the annual ‘Binaca Geetmala’ list of 1984 as many as four songs from the movie ‘Tohfa’ were represented there. Today’s song ranked at number twenty-seven, while other songs ranked at number 3 – “Pyar Ka Tohfa Tera, Bana Hai Jeevan Mera” (title song), number 4 was “Ek Aankh Maaroon To”, and number twenty-six was “Gori Tere Ang Ang Mein’.

And if we consider movies with music composed by Bappi Lahiri, the annual list Binaca Geetmala of 1984, contained as many as eight movies – ‘Sharaabi’, ‘Tohfaa’, ‘Mawaali (1983)’, ‘Maqsad’, ‘Haisiyat’, ‘Wanted’, ‘Kaamyaab’, and ‘Qaidi’.

Let us now enjoy the today’s song, which I like most from this movie. In the movie, the second stanza of the song is repeated when Jayaprada dies, leaving a child behind to Sridevi and Jeetendra also present there.

With this song ‘Tohfa’ (1984) makes its debut on the blog.

Editor’s note:- This song happens to be the 200th duet of Lata and Kishore Kumar in the blog.

Video

Audio

Song – Albela Mausam, Kehta Hai Swagatam (Tohfa)(1984) Singers – Lata Mangeshkar, Kishore Kumar, Lyrics – Indeewar, MD – Bhappi Lahiri
Unidentified Voice
Lata Mangeshkar + Kishore Kumar
Lata Mangeshkar + Kishore Kumar + Unidentified Voice

 

Lyrics (Based on audio link)

o ho o ho o
ho ho ho o

o ho ho o
o ho o ho o

mehki kyun gali gali
khili kyun kali kali
kya kehti hai hawa

mehki kyun gali gali
khili kyun kali kali
kya kehti hai hawa

tujhe har khushi miley
lambi zindagi miley
deti hai ye dua

albela mausam
kehta hai swaagatam

albela mausam
kehta hai swaagatam

ringa ringa roses
pocket full of posies
hai sha
bu sha
all fall down

ha ha ha
ha ha ha

kaun sa hai wo phool
ke jis’se aangan banta hai gulshan
jab aanchal mein laal hansega
ghar ban jaayega madhuban
kaun se hain wo deep ke jin se
darte hain andhiyaare
ghar mein ujaala. . .
bhar dete hai

sundar nain tumhaare
sundar nain tumhaare

albela mausam
kehta hai swaagatam
albela mausam
kehta hai swaagatam

johnny johnny
yes pappa
eating sugar
no pappa
telling lie
no pappa
open your mouth
ha ha ha

ha ha ha ha

kyun pooja ke baad hi bolo
maang bhara karte hain
lambi umar sindoor ki ho
ham ye maanga karte hai
ye to kaho jeevan ke safar ki
aakhri aarzoo kya hai
tujh se pehle main utth jaaun
maine ye socha hai
agley janam mein, , ,
donon milenge. . .
apnaa ye waada hai
apnaa ye waada hai
albela mausam
kehta hai swaagatam
albela mausam
kehta hai swaagatam

mehki kyun gali gali
khili kyun kali kali
kya kehti hai hawa

tujhe har khushi miley
lambi zindagi miley
deti hai ye dua

albela mausam
kahta hai swaagatam
albela mausam
kahta hai swaagatam

—————————————————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————————————————————–

ओ हो ओ हो ओ
हो हो हो ओ

हो हो हो ओ
ओ हो ओ हो ओ

महकी क्यूँ गली गली
खिली क्यूँ कलि कलि
क्या कहती है हवा

महकी क्यूँ गली गली
खिली क्यूँ कलि कलि
क्या कहती है हवा

तुझे हर ख़ुशी मिले
लम्बी ज़िन्दगी मिले
देती है ये दुआ

अलबेला मौसम
कहता है स्वागतम
अलबेला मौसम
कहता है स्वागतम

रिंगा रिंगा रोज़ेस
पाकेट फुल ऑफ पोज़ीस
हू शा
बू शा
औल फॉल डाउन

हा हा हा
हा हा हा

कौन सा है वो फूल
के जिससे आँगन बनता है गुलशन
जब आँचल में लाल हंसेगा
घर बन जाएगा मधुबन
कौन से हैं वो दीप के जिनसे
डरते हैं अंधियारे
घर में उजाला. . .
भर देते है
सुन्दर नैन तुम्हारे
सुन्दर नैन तुम्हारे

अलबेला मौसम
कहता है स्वागतम
अलबेला मौसम
कहता है स्वागतम

जॉनी जॉनी
येस पाप्पा
ईटिंग शुगर
नो पाप्पा
टेल्लिंग ए लाई
नो पाप्पा
ओपन योर माउथ
हा हा हा

हा हा हा हा

क्यूँ पूजा के बाद ही बोलो
माँग भरा करते है
लम्बी उम्र सिन्दूर की हो
हम ये मांगा करते है
ये तो कहो जीवन के सफ़र की
आखरी आरज़ू क्या है
तुझसे पहले मैं उठ जाऊं
मैंने ये सोचा है
अगले जनम में॰ ॰ ॰
दोनों मिलेंगे॰ ॰ ॰
अपना ये वादा है
अपना ये वादा है
अलबेला मौसम
कहता है स्वागतम
अलबेला मौसम
कहता है स्वागतम

महकी क्यूँ गली गली
खिली क्यूँ कलि कलि
क्या कहती है हवा

तुझे हर ख़ुशी मिले
लम्बी ज़िन्दगी मिले
देती है ये दुआ

अलबेला मौसम
कहता है स्वागतम
अलबेला मौसम
कहता है स्वागतम


This article is written by Sadanand Kamath, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4280 Post No. : 15522 Movie Count :

4278

Today morning, I saw a message in my mail box from Sudhir ji in which he gave me a link of a Hindi song from a Bangla film which I have not covered so far in the series ‘Hindi songs from Bangla Films’. I took the note of the song and told him that I will write an article covering the song in the coming days. In the afternoon, I got another message from Sudhir ji on whatsapp with an urgent note that today is the birth anniversary of Suchitra Sen and I should write an article on the occasion covering the song referred to by him which is picturised on Suchitra Sen.

Suchitra Sen has been one of my favourite actresses since I saw her performance in ‘Aandhi’ (1975). After watching her performances in many Bangla films in the recent period, my admiration for her as a performing artist has grown. So, it is an opportunity for me to write  a tribute to her on behalf of our blog on the  occasion of  her 89th birth anniversary today, April 6th.

Most of the Hindi film audience may not be much familiar with Suchitra Sen as she had acted in only 7 Hindi films.  Her Hindi films were ‘Devdas’ (1955) in the role of Paro with Dilip Kumar, ‘Musafir’ (1957) with Shekhar, ‘Champakali’ (1957) with Bharat Bhushan,  ‘Sarhad’ (1960) and ‘Bambai Ka Babu’ (1960) with Dev Anand, ‘Mamta’ (1966) with Ashok Kumar / Dharmendra and ‘Aandhi’ (1975) with Sanjeev Kumar. It was the latter two films which made her well-known amongst Hindi film audiences of that time. Unfortunately, there was no occasion for further opportunity to work in Hindi films as she took voluntary retirement 1978 from the film industry.

Suchitra Sen (06/04/1931 – 17/01/2014) whose real name was Roma Dasgupta. She was born in Sen Bangabaari village in Pabna district in East Bengal (now Bangla Desh). The family migrated to Calcutta (now Kolkata) during the partition in 1947. At the age of 16, she got married to Dibanath Sen, a marine engineer and a son of an industrialist. She joined Bangla film industry in 1952 with the support from her father-in-law and her husband who financed her initial films.

Suchitra Sen’s first film was ‘Shesh Kothay’ (1952) which was never released. Her first officially released film was ‘Saat Number Kayedi’ (1953) in which her lead actor was Uttam Kumar who had been then labelled as a ‘flop hero’ due to films in which he worked in 1948-52 flopped at the box office. It was a coincidence that his first film with Suchitra Sen became a box office hit. Since then, the Suchitra Sen-Uttam Kumar pair worked in about 30 films. Almost all of which became box office hits.

During her filmy career (1952-78), Suchitra Sen worked in about 60 films (including 7 Hindi films). I have seen some of her Bangla films which gives me an impression that she was selective, especially from 1960 onwards, in choosing the films with good story line in which she as a heroine got more or less equal footages with the hero of her films. A few of films of her during this period were with woman-oriented stories.

Among the Bangla films I watched, Suchitra Sen gave excellent performances in ‘Saat Pake Bandha’, ‘Uttar Phalguni’ and ‘Deep Jwele Jai’. I feel that she reserved her best for these three films. These films were critically acclaimed and were remade in Hindi like ‘Mamta’ (1966) from ’Uttar Phalguni’ (1963), ‘Kora Kaagaz’ (1974) from ‘Saat Paake Bandha’ (1963), ‘Khamoshi’ (1966) from ‘Deep Jwele Jaai’ (1959) etc

Apart from her good performances and box office success records as an actor, Suchitra Sen’s professional approach to her career must have made the film producers to give her preference while choosing  the heroine. For instance, she refused the role in one of Satyajit Ray’s film because he wanted her to give bulk dates for shooting which would have affected the producers of her other films.

Sometime in 1970, Suchitra Sen lost her husband while on a visit to the USA. One of her close confidants was of the view that though she did not cancel any schedule of shooting at that time, her husband’s death was the beginning of her moving towards a secluded life. The failure of her film ‘Pranay Pasha’ (1978), made her to retire from the film industry at the age of 47. However, over a period of time, it became evident that with retirement from the films, she had also shunned public life. She spent her last 35 years in her house as recluse, confining herself within a close circle of family and a few friends. During this period, she did not attend any public functions. She refused Dada Saheb Phalke Award in 2005 just to avoid going to Delhi and the public glare.

Suchitra Sen suffered from lung infections for which she was admitted in a Kolkata hospital sometime in December 2013. She had almost recovered from her ailment but on January 17, 2014, she got a cardiac arrest which took her life.

[Note: Some of the information on Suchitra Sen is based on a number of articles available on-line including some from Gopal Krishna Roy, a film journalist with United News of India who remained one of a very few  close confidants of  Suchitra Sen until her death].

On the occasion of Suchitra Sen’s  birth anniversary, here is a very popular Meera bhajan “Barse Badariya Saawan Ki’ which is sung by Geeta Dutt for the Bangla film ‘Grihaprabesh’ (1954). The song is picturised on Suchitra Sen and a girl whom I am not able to recognise.  The song is intercepted after the mukhda with Bangla dialogues between Suchitra Sen and  Uttam Kumar who joins them. After the end of the dialogue, the song is resumed with Uttam Kumar playing tabla.

As per www.geetadutt.com , the other voice in the bhajan in the mukhda part is that of Krishna Banerjee who lip sync for the girl. Mukul Roy is the music director.

In the audio version of the song uploaded by SAREGAMA, the song starts after the dialogues in the sound track version of the song. The lyrics are based on the video version of the song.

This popular Meera bhajan has been rendered by many singers including Lata Mangeshkar, Suman Kalyanpur, Sudha Malhotra and other Hindustani classical singers. Geeta Dutt adds one more variation to this bhajan and I like it. Suchitra Sen lends serenity to the bhajan.

Video

Audio

Song – Barse Badariya Saawan Ki (Grihaprabesh) (1954) Singer – Geeta Dutt, Krishna Bannerjee, Lyrics – Meerabai, MD – Mukul Roy

Lyrics

barse badariya saawan ki

barse badariya saawan ki
saawan ki man bhaavan ki
saawan ki man bhaavan ki
barse badariya saawan ki
barse badariya saawan ki
barse badariya saawan ki

saawan ki man bhaavan ki
saawan ki man bhaavan ki

[dialogues]

saawan mein umagyo mero manwa
saawan mein umagyo mere manwa
bhanak suni hari aawan ki
bhanak suni hari aawan ki

umad ghumad chahun disi se aayo
umad ghumad chahun disi se aayo
damini damake jhar laawan ki
damini damake jhar laawan ki
barse badariya saawan ki
barse badariya saawan ki

nanhi nanhi boondan meha barse
nanhi nanhi boondan meha barse
sheetal pawan suhaavan ki
sheetal pawan suhaavan ki

meera ke prabhu girdhar naagar
meera ke prabhu girdhar naagar
aanand mangal gaawan ki
aanand mangal gaawan ki

barse badariya saawan ki
barse badariya saawan ki
saawan ki man bhaavan ki
saawan ki man bhaavan ki
barse badariya saawan ki
barse badariya saawan ki

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

बरसे बदरिया सावन की

बरसे बदरिया सावन की
सावन की मन भावन की
सावन की मन भावन की
बरसे बदरिया सावन की
बरसे बदरिया सावन की
बरसे बदरिया सावन की

सावन की मन भावन की
सावन की मन भावन की

[संवाद]

सावन में उमगयो मेरो मनवा
सावन में उमगयो मेरो मनवा
भनक सुनी हरी आवन की
भनक सुनी हरी आवन की

उमड़ घुमड़ चहुं दिश से आयो
उमड़ घुमड़ चहुं दिश से आयो
दामिनी दमके झर लावन की
दामिनी दमके झर लावन की
बरसे बदरिया सावन की
बरसे बदरिया सावन की

नन्ही नन्ही बूंदन मेहा बरसे
नन्ही नन्ही बूंदन मेहा बरसे
शीतल पवन सुहावन की
शीतल पवन सुहावन की

मीरा के प्रभु गिरिधर नागर
मीरा के प्रभु गिरिधर नागर
आनंद मंगल गावन की
आनंद मंगल गावन की

बरसे बदरिया सावन की
बरसे बदरिया सावन की
सावन की मन भावन की
सावन की मन भावन की
बरसे बदरिया सावन की
बरसे बदरिया सावन की


This article is written by Sadanand Kamath, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4280 Post No. : 15521

In my last article, I had discussed playback singer and actor Shyam Kumar, who has acted in many Hindi films but remained unidentified for most of the Hindi film audience. In this write-up, I am presenting one more such actor who has made us to notice him in many films but remained unsung because he did very small roles in most of the films in which he got opportunity to act – mostly as a sidekick, a henchman, a doctor, barman, hotel manager etc.  Though his roles in most of the films have been very brief say, not be more than 5 minutes duration but whatever he did as an actor in varied roles, it was noticeable to the filmy audience. The actor is Keshav Rana whose face in the films may be familiar to many cine audience but may not be known by his name to them.

I had seen Keshav Rana in some of the films in the late 60s and early 70s during which I was active in watching films almost every week-end but I was not aware of his name.  His acting as a police inspector in ‘Seeta Aur Geeta’ (1972) in a comical situation has still remained in my memory.  I did not know his name until I started collecting the pictures of personalities connected with Hindi films during the last 5-6 years. It was a co-incidence that his image propped up when I was searching for something else. And the image of Keshav Rana emerged as a scene from a film ‘Dillagi’ (1966). That was the beginning of my work to identify him in many more films.

Not much information about the early life of Keshav Rana is available on-line. The only information I know from IMDb is that his full name is Keshav Singh Rana and he belongs to Faizabad in UP. From his filmography, it appears that he came to Mumbai to join the film industry in the later half of 1950s. His first film as an actor was ‘Anjaan’ (1956). His most active years was 1960s and 1970s when he worked in around 50 and 70 films, respectively. On a rough count, Keshav Rana must have worked in around 130 films during 1956-1986.

During the last fortnight, I have seen some important films with Keshav Rana’s  scenes under prominent banners like that of Shakti Samanta, Arjun Hingorani, Ramesh Sippy, J Omprakash, BR Chopra, Prakash Mehra etc. He did a variety of roles in the films but in most of the films, he was moslty typecast as  Police Inspector/Commissioner, Doctor,  Hotel Manager, Barman, a patron of mujra dances etc.  In others films, he mostly performed roles in negative shades and sidekicks to the main actors. Of the films of Keshav Rana, I watched, the only film in which he got a relatively longish role of Puran Bahadur in negative shade of a blackmailer was in ‘Dillagi’ (1966).

Keshav Rana excels in negative roles with a smiling face. But behind his smiling face lies his evil and manipulative designs to blackmail his victims. In this role, he generally avoids fighting and bloodbath in most of his films. He leaves these parts to other henchmen. For example, in films like ‘Dillagi’(1966) and ‘Muqaddar Ka Sikandar’ (1978), he takes out his Rampuri knife but never uses it. Instead, he entrusts his fellow henchmen to fight it out. His light comical roles as a police inspector in ‘Seeta Aur Geeta’ (1972) with Hema Malini (as Geeta) and as a barman in ‘Shaan’ (1980) with Amitabh Bachchan have been well appreciated.

I have uploaded an audio clip incorporating along with the song, the screen shots of scenes in which Keshav Rana appears in some of his important films. Check out the audio link below.

‘Qatl’ (1986) appears to be Keshav Rana’s last film after which he did not act in any film. I could not get any information as to what he did thereafter.

Keshav Rana had played a small role of a patron of a kotha dancer in ‘Ganga Maiya Tohe Piyari Chadhaibo’ (1962), the first Bhojpuri film.  The film was directed by Kundan Kumar. The star cast included Kumkum, Ashim Kumar, Nazir Hussain, Tiwari, Bhagwan Sinha, Helen, Leela Mishra, Kumari Khanna (Padma Khanna) etc. The story, screen-play and dialogues were written by Nazir Hussain. Songs were written by Shailendra which were set to music by Chitrgupt.

I am presenting the song ‘Luk Chhip Badra Mein Chamke Jaise Chanwa’ from the first Bhojpuri film rendered by Lata Mangeshkar and picturised on Kumkum who is dancing for the patron, Keshav Rana.

Listening to the song in audio clip gives a feel of the dance in a nautanki (folk theatre) in the rural Bhojpuri region. And why not? Both Shailendra and Chitragupt hail from Bhojpur region of Bihar.

Video

Audio

Song – Luk Chhip Badra Mein Chamke Jaise Chanwa (Ganga Maiya Tohe Piyari Chadhaibo) (1962) Singer – Lata Mangeshkar, Lyrics – Shailendra, MD – Chitragupt

 

Lyrics

luk chhip badra mein chamke jaise chanwa
mora mukh damke
mori kusumi re chunariya itar gamke
mori kusumi re chunariya itar gamke
luk chhip badra mein chamke jaise chanwa
mora mukh damke
mori kusumi re chunariya itar gamke
mori kusumi re chunariya itar gamke
 
sonwa aisan piyar mor rangwa
phoolwa aisan komal mor angwa
sonwa aisan piyar mor rangwa
phoolwa aisan komal mor angwa
hirani aisan kajarwa naina chamke
kajrwa naina chamke
mora mukh damke
mori kusumi re chunariya itar gamke
mori kusumi re chunariya itar gamke
 
hamri baari umar ladkoriya
bhanwra neha lagaae barjoriya
hamri baari umar ladkoriya
bhanwra neha lagaawe barjoriya
hum t dolat paayaliya mori chhamke
paayaliya mori chhamke
mora mukh damke
mori kusumi re chunariya itar gamke
mori kusum re chunariya utar gamke
 
champa phoole chameli phoole bagiya
sudhi na lihale ram balam beragiya
champa phoole chameli phoole bagiya
sudhi na lihale ram balam beragiya
kehu na jaane basela kahunwa ramke
basela kahunwa ramke
mora mukh damke
mori kusumi re chunariya itar gamke
mori kusumi re chunariya itar gamke

luk chhip badra mein chamke jaise chanwa
mora mukh damke
mori kusumi re chunariya itar gamke
mori kusumi re chunariya itar gamke

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

लुक छिप बदरा में चमके जैसे चनवा
मोरा मुख दमके
मोरी कुसमी रे चुनरिया इतर गमके
मोरी कुसमी रे चुनरिया इतर गमके
लुक छिप बदरा में चमके जैसे चनवा
मोरा मुख दमके
मोरी कुसमी रे चुनरिया इतर गमके
मोरी कुसमी रे चुनरिया इतर गमके

सोनवा ऐसन पियर मोर रंगवा
फुलवा ऐसन कोमल मोर अंगवा
सोनवा ऐसन पियर मोर रंगवा
फुलवा ऐसन कोमल मोर अंगवा
हिरनी ऐसन कजरवा नैना चमके
कजरवा नैना चमके
मोरा मुख दमके
मोरी कुसमी रे चुनरिया इतर गमके
मोरी कुसमी रे चुनरिया इतर गमके

हमरी बारी उमर लरकोरिया
भंवरा नेहा लगावे बरजोरिया
हमरी बारी उमर लरकोरिया
भंवरा नेहा लगावे बरजोरिया
हम त डोलत पायलिया मोरी छ्मके
पायलिया मोरी छ्मके
मोरा मुख दमके
मोरी कुसुमि रे चुनरिया इतर गमके
मोरी कुसुमि रे चुनरिया इतर गमके

चंपा फूले चमेली फूले बगिया
सुधि न लिहले राम बलम बैरगिया
चंपा फूले चमेली फूले बगिया
सुधि न लिहले राम बलम बैरगिया
केहू न जाने बसेला कहुंवा रमके
बसेला कहुंवा रमके
मोरा मुख दमके
मोरी कुसुमि रे चुनरिया इतर गमके
मोरी कुसुमि रे चुनरिया इतर गमके

लुक छिप बदरा में चमके जैसे चनवा
मोरा मुख दमके
मोरी कुसमी रे चुनरिया इतर गमके
मोरी कुसमी रे चुनरिया इतर गमके


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4280 Post No. : 15520

“Chaalbaaz” is a vey common title in Hindi movies. Movies with this title were released in 1958, 1969, 1980 and 1989. All these movies are represented in the blog.

“Chaalbaaz”(1958) was produced by Balwant Bhatta nd Ram Kamlani and directed by Nanabhai Bhatt for Neolight Films Bombay. This “stunt” movie had Nirupa Roy, Jairaj, Nishi, K N Singh, Shammi , Jagdeesh, Samir Kumar, Cuckoo, David, Bhagwan, Moti (Horse), Tiger (Dog) etc in it.

This movie had seven songs in it. Three songs have been covered in the past.

Here is the fourth song from “Chaalbaaz”(1958) to appear in the blog. This song is sung by Lata. Prem Dhawan is the lyricist. Music is composed by Chitragupta.

Only the audio of this song is available. I request our knowledeable readers to throw light on the pcturisation of this song. This is an “expression of love” song that sounds like a “Chaayaageet” song too, which best heard late at night.


Song-Koi dil ko lage apna apna (Chaalbaaz)(1958) Singer-Lata, Lyrics-Prem Dhawan, MD-Chitragupta

Lyrics

o o o
o o o
o o o
aa aa aa aa
aa aa aa aa
koi dil ko lage apna apna
ise pyaar kahoon ya sapna aa
ise pyaar kahoon ya sapna
koi dil ko lage apna apna
ise pyaar kahoon ya sapna aa
ise pyaar kahoon ya sapna

aankhon ki hai kuchh naadaani
kuchh baat na dil ne maani
aankhon ki hai kuchh naadaani
kuchh baat na dil ne maani
dil dola
kuchh bola
aur ban gayi ek kahaani
sukh chain diya aur seekh liya
aadhi raaton ko tadapna aa
ise pyaar kahoon ya sapna
koi dil ko lage apna apna
ise pyaar kahoon ya sapna aa
ise pyaar kahoon ya sapna

kab tak main raaz chhupaaun
sau baar main kehnaa chaahoon
kab tak main raaz chhupaaun
sau baar main kehnaa chaahoon
ghabraaun
sharmaaun
kehte kehte ruk jaaun
keh bhi na sakoon
reh bhi na sakoon
kya haal hua ye apna aa
ise pyaar kahoon ya sapna
koi dil ko lage apna apna
ise pyaar kahoon ya sapna aa
ise pyaar kahoon ya sapna

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

ओ ओ ओ
ओ ओ ओ
ओ ओ ओ

आ आ आ आ
आ आ आ आ

कोई दिल को लगे अपना अपना
इसे प्यार कहूँ या सपना॰॰आ
इसे प्यार कहूँ या सपना
कोई दिल को लगे अपना अपना
इसे प्यार कहूँ या सपना॰॰आ
इसे प्यार कहूँ या सपना

आँखों की है कुछ नादानी
कुछ बात ना दिल ने मानी
आँखों की है कुछ नादानी
कुछ बात ना दिल ने मानी
दिल डोला
कुछ बोला
और बन गई एक कहानी
सुख चैन दिया
और सीख लिया
आधी रातों को तड़पना
इसे प्यार कहूँ या सपना
कोई दिल को लगे अपना अपना
इसे प्यार कहूँ या सपना॰॰आ
इसे प्यार कहूँ या सपना

कब तक मैं राज़ छुपाऊँ
सौ बार मैं कहना चाहूँ
कब तक मैं राज़ छुपाऊँ
सौ बार मैं कहना चाहूँ
घबराऊँ
शरमाऊँ
कहते कहते रुक जाऊँ
कह भी न सकूँ
रेह भी ना सकूँ
क्या हाल हुआ ये अपना॰॰आ
इसे प्यार कहूँ या सपना
कोई दिल को लगे अपना अपना
इसे प्यार कहूँ या सपना॰॰आ
इसे प्यार कहूँ या सपना


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4279 Post No. : 15519

Saga Of Sleepless Nights – 6
– – – – – – – – – – – – – – –

un aankhon mein neend kahaan
jin aankhon se preetam door base

The contest between a heart in love and the nights of loneliness is as ancient as the written word itself. Poets of yore, across the ages, and to the present times, have all written about the tribulations of the nights of loneliness. Time does pass at its own pace, but for a lonely heart pining for love, it is as if the time has come to a standstill.

The acute anxiety of the empty moments wherein apparently nothing is happening, is something that cannot be explained in words. It is a sensation that has to be experienced, to get the true flavor of the feelings that are ensconced in the words ‘hijr’ (“हिज्र”) and ‘firaaq’ (“फ़िराक़”) – the feelings of separation, the feelings of being incomplete, the feelings of anticipation, waiting, the feelings of incessant yearning that seems to rend the heart asunder.

Philosophers and poets have ruminated over this experience, and have recommended certain pursuits. There is that famous rhyme that talks about counting green bottles standing on a wall. It is based on the children’s counting nursery rhyme – “Ten Bottles on the Wall”. Folks who cannot sleep are recommended to start from, well, maybe a thousand bottles, keep knocking them down one at a time, and keep a count of the bottles left on the wall. Starting from thousand, this process is bound to get drowsy some way through getting to the target of downing all the thousand bottles from the wall.

The other, of course is counting sheep, jumping over a fence. So just keep a count of the imaginary sheep that are jumping over the make believe fence, and continue counting till the senses give way.

The more esoteric recommendation from the poets, especially for forlorn lovers longing for their mate, is to count the stars. Now this remedy may not work in urban habitats in current times – in best of times with normal pollution levels, about a score stars maybe visible. So this poetic bulwark of heartening proportions does not work in a city like Delhi. Ah yes, but in locales where the skies are clear, this assignment can be undertaken in real earnest. On a clear moonless night, the sky looks so crowded with stars, that the mission of counting stars can be a humbling task. And very well suited for the lonely hearts stricken with the malady of separation and longing.

The beauty of the poet’s mind is simply fantastic and out of this world. It goes even beyond this imagination of being assigned the task of counting the stars. Let me borrow some lines from my own article that I wrote for the song “Aaj Unke Paay e Naaz Pe Sajdaa Karenge Hum”. The lyrics of this song dwells on this task of ‘अख्तर शुमारी’ – the act of counting stars (‘अख्तर’) in the sky. The relevant portion of the lyrics goes like this,

maana shab e firaaq bhi
hoti hai is liye
har nabz e gham isi ke
sahaare guzar sakey
naqaam e ishq hijr mein
taare gina karey
hum intehaa e shauq ki
hadd se guzar gaye
lo aaj hum ne saare
sitaare bhi gin liye
ab ae shab e firaaq bataa
kya karenge hum

And I quote from my write up,

The poet has surpassed many superlatives to weave the fabric of words that makes up this song. Let me give you an example. It is quite a traditional concept in poetry, that a lonely lover in the long nights of wait and anticipation, is advised to count the stars in the sky – a metaphor that implies that neither the stars in the sky will ever be counted, and nor the wait for the beloved ever end. This refrain is encountered often in romantic poetry. But the poet of this song does one better, and goes a step beyond. He says that all the stars are now counted, and so tell me o night of long wait what should I do.

lo aaj hum ne saare sitaare bhi gin liye
ab ae shab-e-firaaq bataa kya karenge hum

A superlative expression that rises to defeat even the task of counting the stars. And poses the question, that in my crazed passion, I have even gone ahead and actually counted all the stars, so tell me what should I do now.

The poet’s imagination is endless, and so this discussion can, and will be continued elsewhere. For now, I present this oh so wonderful song rendered so lovingly by Shamshad Begum, that tells about the nights of loneliness and longing. The film is ‘Sona Chaandi’ from 1946. The lyrics are written by Wali Sahab and the music is composed by Tufail Farooqui.

The film is produced under the banner of New Bombay Theatre, Bombay and is directed by RD Pareenja. The star cast is listed as Chandni, Suresh, Kishori, Saroj Borkar, Kamla, Ghulam Rasool, Amrit Lal, Radha Kishan amongst others. There is a total of 12 songs in this film penned by three songwriters – Wali Sahab, Shamim and Khawar Zamaan. This song is written by Wali Sahab.

So let’s listen to this heartwarming winner in the ‘खनकती हुई’ voice of Shamshad Begum. The protagonist is blaming her beau for her sleeplessness – “तेरे बिना नींद ना आई रे”.

Song – Baalam Harjaai Re, Tere Bina Neend Na Aayi Re  (Sona Chaandi) (1946) Singers – Shamshad Begum, Lyrics – Wali Sahab, MD – Tufail Farooqui

Lyrics

baalam harjaai re

baalam harjaai re
tere bina neend na aayi re
neend na aayi re
o neend na aayi re
baalam harjaai re
tere bina neend na aayi re
neend na aayi re
o neend na aayi re
baalam harjaai re

bhool gaye baalam nibhaane ki rasmen
bhool gaye baalam nibhaane ki rasmen
nindiya ne kha leen na aane ki kasmen
nindiya ne kha leen na aane ki kasmen
nainon mein ratiyaan
nainon mein ratiyaan ganvaai re
tere bina neend na aayi re
neend na aayi re
ho neend na aayi re
baalam harjaai re
baalam harjaai re

mukh se na bolun
pyaare mukh se na bolun
pyaare
roye roye jaaun main
dil ki kahaani
dil ki kahaani najar se sunaaun main
dil ki kahaani najar se sunaaun main
nainon mein
nainon mein ghat ghir ke aai re. . .
nainon mein ghat ghir ke aai re
tere bina neend na aayi re
neend na aayi re
ho neend na aayi re. . .
baalam harjaai re

baalam harjaai re. . .

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

बालम हरजाई रे

बालम हरजाई रे
तेरे बिना नींद ना आई रे
नींद ना आई रे
ओ नींद ना आई रे
बालम हरजाई रे
तेरे बिना नींद ना आई रे
नींद ना आई रे
ओ नींद ना आई रे
बालम हरजाई रे

भूल गए बालम निभाने की रस्में
भूल गए बालम निभाने की रस्में
नींदिया ने खा लीं ना आने की कसमें
नींदिया ने खा लीं ना आने की कसमें
नैनों में रतियाँ
नैनों में रतियाँ गँवाई रे
तेरे बिना नींद ना आई रे
नींद ना आई रे
हो नींद ना आई रे
बालम हरजाई रे
बालम हरजाई रे

मुख से ना बोलूँ
प्यारे मुख से ना बोलूँ
प्यारे
रोये रोये जाऊँ मैं
दिल की कहानी
दिल की कहानी नजर से सुनाऊँ मैं
दिल की कहानी नजर से सुनाऊँ मैं
नैनों में
नैनों में घट घिर के आई रे
नैनों में घट घिर के आई रे
तेरे बिना नींद ना आई रे
नींद ना आई रे
हो नींद ना आई रे॰ ॰ ॰
बालम हरजाई रे

बालम हरजाई रे॰ ॰ ॰


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4279 Post No. : 15518

———————————————–——————————-
Blog 10-Year Challenge (2010-2020) – Song No. 16
——————————————————————————

When I look back on this day (5 april) ten years ago, this output of this blog had begun to go up. Four songs were covered on 5 april 2010 which was a 100 % improvement on two songs a day that the blog had got reduced to.

Following three sons were covered on that day :

Song Movie title-Year Remarks
Palat meri jaan tere qurbaan Aan Milo Sajna-1970 All songs covered
Duniya hamaare pyaar ki yoon hi jawaan Lahore-1949 08 of 10 songs covered
Bhool na jaana aaj ki baatein Waapas-1943 All songs covered
Door desh ka rahnewaala aayaa Jawab-1942 All songs covered

We can see that three of the movies whose songs were covered have already been YIPPEED during the past ten years. That leaves us with just one movie which qualifies to be discussed under “Blog Ten Year Challenge”.

This movie is “Lahore”(1949). “Lahore” (1949) was based on the aftermath of India’s partition following independence. This movie produced by Jaimini Dewan and directed by M L Anand for was Jaimini Dewan production. The movie had Karan Dewan, Nargis, Kuldeep, Pratima Devi, Gulab, Om Prakash, Randhir, Balakram, Urvashi, Ram Avtaar etc in it.

The movie had ten songs in it. Eight of these songs have been covered in the blog:-

Song Posted On
Bahaarein phir bhi aayengin 20.04.2009
Duniya hamaare pyaar ki yoon hi jawaan 05.04.2010
Toote huye armaanon ki ik duniya basaaye 12.08.2010
Sun lo sajan meri baat 10.11.2011
Wohi rota hua ek dil 06.05.2013
Ik aas badhaaye jaati hai 16.07.2013
Us dil ki kismat kya kahiye 04.06.2014
Bhagwaan kahaan hai 03.10.2016

That leaves us two more songs from the movie. Here is the ninth song from the movie. This song is sung by G M Durrani. Rajinder Krishan is the lyricist. Music is composed by Shyam Sundar.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

Lyrics of this song were sent to me by Avinash Scrapwala.

Now just one song from “Lahore” (1949) is left to be covered. I have not been able to locate this song “Hum jahaan mein aaye hain aansoo bahaane ke liye” sung by Karan Dewanby > If our readers are able to locate this song then I request them to bring the song to our notice.

(audio)
Song-Hamne circus mein naukri kar li (Lahore)(1949) Singer-G M Durrani, Lyrics-Rajinder Krishan, MD-Shyam Sundar

Lyrics(Provided by Avinash Scrapwala)

Hamne ae
hamne circus mein ae
naukri ee ee
kar li ee ee
ho o o o o
hamne circus mein
naukri ee ee
hamne circus mein
naukri kar li ee ee
he he he
o
naa miley rozgaar
ho o
naa miley
naa miley
naa miley rozgaar joote se
ae ae ae
naa miley rozgaar joote se

ishq ke marz ki
dawaa ye hai
haan aan aan aan aa
ishq ke marz ki
dawaa ye hai
ae ae ae ae
ho pal mein utrey bukhaar
ho o pal mein utrey bukhaar
joote se ae ae ae
pal mein utrey bukhaar
joote se

nayi tehzeeb tera kya kehnaa
haan aan aan aan aa
haan aan aan aan aa
nayi tehzeeb
dha dha dha sa ga
ga dha
ga dha
ga dha
ha

(sargam ….)

ha ha
nayi tehzeeb
nayi tehzeeb tera kya kehnaa aa
aa aa

o jaan se jyaada pyaar
ho o
jaan se
jaan se
jaan se jyaada pyaar joote se
ae ae ae
jaan se jyaada pyaar joote se

gair se lift
lift
maang lenge ham
maa aa aa aa ang
maa aa aa aa
aa aa aang
maa aa aa aa aang
maa aa aa aa aang
maa aa aa aa aang
gair se lift maang lenge ham
hm hm hm hm

o naa sahi teri car
ho o
naa sahi
naa sahi
naa sahi
teri car
joote se
naa sahi
teri car
joote se

————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————-
हमने ए
हमने सर्कस में ए
नौकरी ई ई
कर ली ई ई
हो ओ ओ ओ ओ
हमने सर्कस में
नौकरी ई ई
हमने सर्कस में
नौकरी कर ली ई ई
हे हे हे

ना मिले रोज़गार
हो
ना मिले
ना मिले
ना मिले रोज़गार जूते से
ए ए ए
ना मिले रोज़गार जूते से
इश्क के मर्ज़ कि
दवा ये है
हाँ आँ हाँ हाँ आ
इश्क के मर्ज़ कि
दवा ये है
ए ए ए ए
हो पल में उतरे बुखार
हो ओ पल में उतरे बुखार
जूते से ए ए ए
पल में उतरे बुखार
जूते से
नयी तहज़ीब तेरा क्या कहना
हाँ आँ आँ आँ आँ आ
हाँ आँ आँ आँ आँ आ
नयी तहज़ीब
ध ध ध सा
सा
ग सा ग सा
गधा आ
हे हे
(सरगम …)

नि नि सा
ग ग रे सा गा पा
गा अ…

नयी तहज़ीब
नयी तहज़ीब तेरा क्या कहना आ
आ आ
ओ जान से ज्यादा प्यार
हो ओ
जान से
जान से
जान से ज्यादा प्यार जूते से
ए ए ए
जान से
जान से ज्यादा प्यार जूते से
गैर से लिफ्ट
लिफ्ट
मांग लेंगे हम
माँ s s s s s s ग
माँ आ आ आ ग
माँ आ आ आ आ आ ग
माँ आ आ आ ग
माँ आ आ आ ग
माँ आ आ आ ग
गैर से लिफ्ट मांग लेंगे हम
ह्म ह्म ह्म ह्म
ओ ना सही तेरी कार
हो ओ
ना सही
ना सही
तेरी कार
जूते से
ना सही
तेरी कार
जूते से


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4278 Post No. : 15516

Hullo Atuldom

The song with this post was very popular in the 70s. We can hear it occasionally even now on the AIR’s Vividh Bharati. It is sung by Lata Mangeshkar and Kishore Kumar. Anand Bakshi is the lyricist with RD Burman as the music director.

‘Bhanwar’ (1976) was directed by Bhappie Sonie and had a cast headed by Ashok Kumar, Randhir Kapoor, Parveen Babi, Aruna Irani, Asrani, Ranjeet, Kamini Kaushal, Nadira, Madan Puri etc. Two songs from this movie are already posted on this blog.

We are having the third song today to remember Parveen Babi – today on her 71st birthday. This beautiful lady was born in Junagadh and had her schooling in Ahmedabad. She made her debut opposite Salim Durrani (‘Charitra’, 1973) but her first success was opposite Amitabh Bachchan in ‘Majboor’ (1974). She had a good run at the box office and co-starred with all the heroes of her time. Her career spanned around 15/16 years from 1973 to 1988 with one movie releasing rather late in 1991. She led a lonely life after she stopped acting and withdrew from public eye. She passed away on 20th Jan, 2005.

Thinking of the beautiful Parveen Babi today with this song

 

Song – Aankhen Milaayenge Baaten Sunaayenge  (Bhanwar) (1976) Singer – Lata Mangeshkar, Kishore Kumar, Lyrics – Anand Bakshi, MD – RD Burman
Lata + Kishore

Lyrics 

aankhen milaayenge

baaten sunaayenge

aankhen milaayenge
baaten sunaayenge
palken bichhaayenge
zulfen bikhraayenge
phir kisi din
aaj kya karenge
ho aaj sirf gaana gaayenge
aankhen milaayenge
baaten sunaayenge
palken bichhaayenge
zulfen bikhraayenge
phir kisi din
bhai aaj kya karenge
ho aas sirf gaana gaayenge

gaane ke liye yahaan aana kya zaroori tha
jaane ke liye ye bahana kya zaroori tha
gaane ke liye yahaan aana kya zaroori tha
jaane ke liye ye bahana kya zaroori tha
achha maan jaate hain
nahi tadpaate hain 
ye baat huyi na
la la laa laa laa laa laa laa
mil ke leheraayenge 
kabhi paas aayenge
kabhi door jaayenge
roothenge manaayenge
phir kisi din
oho aaj kya karenge, 
ho aaj sirf gaana gayenge

pyar mein gile shiqwe ka mauka deti ho
ghar se bula ke raste me dhokha deti ho
pyar mein gile shiqwe ka mauka deti ho
ghar se bula ke raste mein dhokha deti ho
achha chalo theek hai 
kuchh bhi ho preet hai
wada raha naa
haan wada
la la laa laa laa laa laa laa
preet ye nibhaayenge 
aankhon mein basaayenge
tumko naa rulaayenge 
hasenge hasaayenge, 
phir kisi din
bhai aaj kya karenge, 
ho aaj sirf gaana gaayenge

aankhen milaayenge 
baatein sunaayenge
palke bichhaayenge 
zulfen bikharaayenge
phir kisi din
to aaj kya karenge
aaj sirf gaana gaayenge
aaj sirf gaana gaayenge
lal laa la la la laa
lal laa la la la la laa

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

आँखें मिलाएंगे

बातें सुनाएँगे

आँखें मिलाएंगे
बातें सुनाएँगे
पलकें बिछाएंगे
ज़ुल्फें बिखराएंगे
फिर किसी दिन
आज क्या करेंगे
हो आज सिर्फ गाना गाएँगे
आँखें मिलाएंगे
बातें सुनाएँगे
पलकें बिछाएंगे
ज़ुल्फें बिखराएंगे
फिर किसी दिन
भई आज क्या करेंगे
हो आज सिर्फ गाना गाएँगे

गाने के लिए यहाँ आना क्या ज़रूरी था
जाने के लिए ये बहाना क्या ज़रूरी था
गाने के लिए यहाँ आना क्या ज़रूरी था
जाने के लिए ये बहाना क्या ज़रूरी था
अच्छा मान जाते हैं
नहीं तड़पाते हैं
ये बात हुई ना
ल ल ला ला ला ला ला ला
मिल के लहराएंगे
कभी पास आएंगे
कभी दूर जाएँगे
रूठेंगे मनाएंगे
फिर किसी दिन
ओ हो आज क्या करेंगे
हो आज सिर्फ गाना गाएँगे

प्यार में गिले शिकवे के मौका देती हो
घर से बुला के रस्ते में धोखा देती हो
प्यार में गिले शिकवे के मौका देती हो
घर से बुला के रस्ते में धोखा देती हो
अच्छा चलो ठीक है
कुछ भी हो प्रीत है
वादा रहा ना
हाँ वादा
ल ल ला ला ला ला ला ला
प्रीत ये निभाएंगे
आँखों में बसाएँगे
तुमको ना रुलाएंगे
हंसेंगे हंसाएंगे
फिर किसी दिन
भई आज क्या करेंगे
हो आज सिर्फ गाना गाएँगे

आँखें मिलाएंगे
बातें सुनाएँगे
पलकें बिछाएंगे
ज़ुल्फें बिखराएंगे
फिर किसी दिन
तो आज क्या करेंगे
आज सिर्फ गाना गाएँगे
आज सिर्फ गाना गाएँगे
ला ला ल ल ल ल ला
ला ला ल ल ल ल ला


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4277 Post No. : 15514 Movie Count :

4276

Although not listed in the anniversaries list on our blog, a message yesterday from Mahesh ji reminded that it was the remembrance day of the music director Robin Chatterji. Some more discussion followed in which it was mentioned that Rafi Sb had never sung under the  baton of this music director. Something tickled in the memory and I searched through the Geet Kosh listings and my collection, coming up with this wonderful solo of Rafi Sb, that he has sung for Robin Chatterjee, in a Bhojpuri film.

Remembering Robin Chatterjee on the anniversary of his passing away (2nd April, 1976).

As is the fate of many such lesser known and lesser appreciated artists, there is very little information available about him. His date of birth is recorded as 8th January, 1914. No details about his family or early years is available. One name is available – his first teacher of classical music was Keshab Ganesh Dhekan. Robin started his career with the venerable New Theatres, in their music department. He sang in the chorus line for NT films like ‘Adhikar’ (1938).

Some records indicate that worked as an assistant to music director Anupam Ghatak. He and Anupam had learnt music from the same teacher (KH Dhekan). Apparently he assisted Anupam Ghatak with some of his films during 1939-40.

Information about his earliest films as an independent music director is not very specific. Based on Geet Kosh listings, the first Hindi film where we see his name appear as a music director is ‘Raaj Lakshmi’ (1945). Listings show that he shared the music direction responsibility for this film with Dhiren Mitra. This film was produced under the banner of MP Productions, Calcutta (now Kolkata). This film has the distinction of being the debut film for Talat Mehmood, as a singer in Hindi films. Prior to this, he had sung under the pseudonym of Tapan Kumar, all recordings being for Bangla films or for non-film Hindi and Bangla songs. The debut solo songs for him in this film are “Jaago Musaafir Jaago, Kholo Mann Ka Dwaar” and “Tu Sun Le Matwaale”.

Browsing through the Geet Kosh, we find the following films listed with his name as the music director –

‘Raj Laxmi’ (1945) (w Dhiren Mitra)
‘Tum Aur Main’ (1947)
‘Wo Dono’ (1947)
‘Sabyasachi’ (1948)
‘Ratnadeep’ (1952)
‘Firdaus’ (1953) (w Roshan)
‘Pehli Shaadi’ (1953)
‘Afreeka’ (1954)
‘Majboori’ (1954)
‘Shobhaa’ (1954)
‘Dhaake Ki Malmal’ (1956) (w OP Nayyar)
‘Saiyan Se Bhaile Milanva’ (1964)
‘Chimni Ka Dhuaan’ (1973)

and possiblye ‘Miss Toofaan Mail’ (1958), for which the name of the music director is given simply as Robin.

Of these, the credits for ‘Raj Lakshmi’ are shared with Dhiren Mitra, for ‘Firdaus’ are shared with Roshan and for ‘Dhaake Ki Malmal’ are shared with OP Nayyar. The film ‘Saiyan Se Bhaile Milanva’ is a Bhojpuri film. And the film ‘Chimni Ka Dhuaan’ was probably completed sometimes in the first half of 1960s, but its release was delayed by many years, finally releasing in 1973.

The above list of films shows a career with sizeable gaps. However, there is other information that says he was also active, rather very active in the Bangla film industry, as well as in the non-film and folk song genres. There are more details available about his films in Bangla. He has scored music for many films starring Suchitra Sen, for whom he has preferentially used the voice of Sandhya Mukherjee.

One additional bit of information from my own memory. I do remember seeing the name Robin Chatterjee as the sound recordist in the credits of some films. I am not sure that such credits are referring to the same person – possibly so.

My personal experience, and also preference, is that to appreciate the music and songs of lesser known and lesser discussed artists is to pull together as many songs of such an artist, as possible, and then listen to them at a stretch, within one, two, three sittings. In my humble opinion, this way one gets a much better feel for both the quality and the quantity of the body of work for the artist. This in turn provides a much better and a wider appreciation of his or her work. In my effort to pull together information and body of work about such artists, I find that I have not yet come across a single instance where I may have failed to appreciate the quality of work created by the artist. For that reason, I humbly state that I never will dismiss an artist only because he or she is lesser known and his/her body of work is obscure and not easily accessible. The same has been my experience with the songs tuned and composed by Robin Chatterjee. We already have 24 songs on our blog, for which he is the music director – please check out in case interested.

About this film, there are no details available, other than the name of the production banner – Messers Technicians Enterprise. No listings of actors is available either. Only the name of the music director, the singers and a list of 4 songs is available.

About this film – it is produced under the banner of Messers Technicians Enterprise, and is directed by PL Santoshi. The name should  be very familiar – PL Santoshi has been active in Hindi films as a lyricist, story/screenplay writer, dialogue writer and director, since the mid 1930s, all the way to his passing away in 1978. The star cast is listed as Sujit Kumar, Saeeda Khan, Sabita Chatterjee, Tarun Kumar, Jahar Rai etc. It is a story about the sacrifices the wife (Saeeda Khan) makes to care for and nurse her husband (Sujit Kumar), who is suffering from the memory loss.

The Geet Kosh lists 4 songs for this film. There are two solos by Suman Kalyanpur, one solo by Rafi Sb (today’s presentation), and one duet of Rafi Sb and Sandhya Mukherjee. Although the name of the lyricist is not specifically mentioned in any source, it is very likely that PL Santoshi has most likely written some or all songs of this film. However, it needs to be confirmed.
[Ed Note: PL Santoshi has directed 20+ films during his career, and he has written some or all songs for 15 of them.]

Regardless, it is a naughty, wonderfully playful song of appreciation – appreciation of the beauty of a young belle. Listen and enjoy.

[Acknowledgements: The above article uses information and details from the Geet Kosh, the book ‘Dhunon Ki Yatra’ by Sh Pankaj Raag, the book ‘Cinema Bhojpuri, 2010’ by Avijit Ghosh, and the web page on Anupam Ghatak at Indiancine.ma/wiki. Thanks to Sadanand ji for providing the information about the film, from the book by Avijit Ghosh.]

[Ed Note: I believe that the lyrics in the Bhojpuri dialect are not difficult to follow. As the lines are perused, there may be a little transliteration required for one line. In case there is a comment/request, the transliteration of the full lyrics can be provided. The difficult line maybe, “peear peear galba pa chhitke lallaiya” or “पीयर पीयर गलबा पे छिटके लल्लइया”. In simpler Hindi, the line says “pyaare pyaare peele peele gaalon pe laali chhitki hai” or “प्यारे प्यारे पीले पीले गालों पे लाली छिटकी है”. 🙂 ]
[Ed Note: Thanks to dear AK ji for making the correction in the above transliterated line of lyrics.]

Song – Jabse Dekh Li Suratiya Tohaar Goriya (Sainyan Se Bhaile Milanva) (1964) Singer – Mohammed Rafi, Lyrics – [Unattributed], MD – Robin Chatterjee

Lyrics

jab se dekh li

jab se dekh li suratiya tohaar goriya
jab se dekh li suratiya tohaar goriya
bas mein na jiyara hamaar goriya
bas mein na jiyara hamaar goriya
jab se dekh li suratiya tohaar goriya
ho goriyaa. . .

umariya hai baari patli kamariya
umariya haee. . .
umariya hai baari patli kamariya
najariya hai teekhi kataar goriya
mar gai lee
najariya hai teekhi kataar goriya
bas mein na jiyara hamaar goriya
bas mein na jiyara hamaar goriya
jab se dekh li suratiya tohaar goriya..ha

peear peear galba pa chhitke lallaiya
peear peear
peear peear galba pa chhitke lallaiya
bole to chooe ras dhaar goriya
aa haa
bole to chooe ras dhaar goriya
bas mein na jiyara hamaar goriya
bas mein na jiyara hamaar goriya
jab se dekh li suratiya tohaar goriya

hamka lut gaili lut jaee hai nagariya
hamka. . .
hamka lut gaili lut jaee hai nagariya
jaiha na ban tthan bajaar goriya
kaise chalbu
jaiha na ban tthan bajaar goriya
bas mein na jiyara hamaar goriya
o bas mein na jiyara hamaar goriya
jab se dekh li suratiya tohaar goriya
o goriyaa. . .

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

जबसे देख ली

जबसे देख ली सुरतिया तोहार गोरीया
जबसे देख ली सुरतिया तोहार गोरीया
बस में ना जियरा हमार गोरीया
बस में ना जियरा हमार गोरीया
जबसे देख ली सुरतिया तोहार गोरीया
हो गोरीया॰ ॰ ॰

उमरिया हई बारी पतली कमरिया
उमरिया हई॰ ॰ ॰
उमरिया हई बारी पतली कमरिया
नजरिया है तीखी कटार गोरीया
मर गई ली
नजरिया है तीखी कटार गोरीया
बस में ना जियरा हमार गोरीया
बस में ना जियरा हमार गोरीया
जबसे देख ली सुरतिया तोहार गोरीया॰॰हा

पीयर पीयर गलबा पे छिटके लल्लइया
पीयर पीयर
पीयर पीयर गलबा पे छिटके लल्लइया
बोले तो चूए रस धार गोरीया
आ हा
बोले तो चूए रस धार गोरीया
बस में ना जियरा हमार गोरीया
बस में ना जियरा हमार गोरीया
जबसे देख ली सुरतिया तोहार गोरीया

हमका लुट गईली लुट जई है नगरिया
हमका॰ ॰ ॰
हमका लुट गईली लुट जई है नगरिया
जईहा ना बन ठन बजार गोरीया
कैसे चल्बू
जईहा ना बन ठन बजार गोरीया
बस में ना जियरा हमार गोरीया
ओ बस में ना जियरा हमार गोरीया
जबसे देख ली सुरतिया तोहार गोरीया
हो गोरीया॰ ॰ ॰


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day: 4277 Post No.: 15513

———————————————–——————————-
Blog 10-Year Challenge (2010-2020) – Song No. 15
——————————————————————————

Now a days we have been managing one or two posts a day daily. When I look back ten years ago, we had similar situation in the blog even in those days.

For instance, on this day ten years ago, viz on 3 april 2010, two songs were covered in the blog viz:

Song Movie title-Year Remarks
Main pyaar ka deewaanaa Aayi Milan Ki Bela-1964 All Songs posted
Aayi jhoom ke bahaar Insaaniyat-1955 07 of 17 songs posted

“Insaaniyat”(1955) was produced and directed by S S Wasan for Gemini Pictures, Madras. This movie had Dilip Kumar, Dev Anand, Bina Rai, Vijaylaxmi, Jayant, Jairaj, Shobhana Samarth, Badr Prasad, Kumar, Agha, Mohana, Zippy (Chimpanzee), T Mukherjee, Ishwar Lala, G v Sharma, Vijay Rao, G Bhatt etc in it.

The movie had a whopping 17 songs in it. Seven of these songs have been covered so far.

Song Posted On
Tere sang sang piyaa khel ke main rang 15.07.2009
Chup chup chup hone lagaa kuchh 23.08.2009
Aayi jhoom ke bahaar 03.04.2010
Main bandar hoon shahar kaa … 24.05.2010
Apni chhaayaa mein bhagwaan bithhaa le mujhe 31.07.2013
Raja beta bada hoke jaayega school 30.04.2019
Gori kar le tu aaj singaar 11.12.2019

The third song from this movie viz.Aayi jhoom ke bahaar was covered in the blog ten years ago. So this gives us an opportunity to cover another song from the movie under the “Blog Ten year Challenge” series. So here is the eighth song from “Insaaniyat”(1955). This song is sung by Asha Bhonsle and chorus. Rajinder Krishan is the lyricist. Music is composed by C Ramchandra.

The song is picturised as a rajdarbaar dance song. I am unable to identify the dancer lip syncing in Asha Bhonsle’s voice. I request our kowledgeale readers to help identify her as well as others seen in the picturisation.

Lyrics of this song were sent to me by Avinash Scrapwala, who keeps a keen eye on “Blog Ten Year Challenge” opportunities which have been rather limited for the last few weeks.


Song-Haseenon ka manzoor kar lo salaam (Insaaniyat)(1955) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-C Ramchandra
chorus

Lyrics(Provided by Avinash Scrapwala)

Haseenon ka manzoor Kar lo salaam
Tumhaari mohabbat ke Ham hai ghulaam
Ham hain ghulaam
Tere ham hai ghulaam
Haseenon ka manzoor Kar lo salaam
Tumhaari mohabbat ke Ham hai ghulaam
Ham hain ghulaam
Tere ham hai ghulaam

mere mukhde ka til hai tumhaare liye ae
mera naazuk sa dil hai tumhaare liye ae
mere mukhde ka til hai tumhaare liye
mera naazuk sa dil hai tumhaare liye
tumhaare liye
mere honthhon ke jaam
tumhaare liye
mere honthhon ke jaam

Tumhaari mohabbat ke Ham hai ghulaam
Ham hain ghulaam
Tere ham hai ghulaam
Haseenon ka manzoor
Kar lo salaam
Tumhaari mohabbat ke
Ham hai ghulaam
Ham hain ghulaam
Tere ham hai ghulaam

—————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————————————
हसीनों का मंज़ूर कर लो सलाम
तुम्हारी मोहब्बत के हम हैं ग़ुलाम
हम हैं ग़ुलाम
तेरे हम हैं ग़ुलाम
हसीनों का मंज़ूर कर लो सलाम
तुम्हारी मोहब्बत के हम हैं ग़ुलाम
हम हैं ग़ुलाम
तेरे हम हैं ग़ुलाम

मेरे मुखड़े का तिल है तुम्हारे लिए ए
मेरा नाज़ुक सा दिल है तुम्हारे लिए ए
मेरे मुखड़े का तिल है तुम्हारे लिए
मेरा नाज़ुक सा दिल है तुम्हारे लिए
तुम्हारे लिए
मेरे होंठों के जाम
तुम्हारे लिए मेरे होंठों के जाम

तुम्हारी मोहब्बत के हम हैं ग़ुलाम
हम हैं ग़ुलाम
तेरे हम हैं ग़ुलाम
हसीनों का मंज़ूर कर लो सलाम
तुम्हारी मोहब्बत के हम हैं ग़ुलाम
हम हैं ग़ुलाम
तेरे हम हैं ग़ुलाम


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4274 Post No. : 15509 Movie Count :

4275

Songs Repeated in Hindi Films – 18
– – – – – – – – – – – – – – – – – –

So this suggestion and reminder from Anekant ji, dropped into my mail box yesterday. And I take this opportunity to present this repeat song that is so appropriate for the continuing celebrations of Navratri.

The original song – “Tu Ne Mujhe Bulaaya Sheraanwaaliye“, is from the film ‘Aasha’ (1980) and on screen it is performed by Jeetendra and others. Reena Roy is present in the picturization. Fast forward eight years to 1988 and the song has been repeated in the film ‘Do Waqt Ki Roti’ (1988), as is. Meaning, it is not a re-recording. The song has been replayed as original. The only difference is that a full antaraa is deleted. The original song has two antaraas, and this reuse song has only one.

‘Do Waqt Ki Roti’ is produced by MP Aggarwal and is directed by Satpaal. The primary cast of actors is listed as Feroz Khan, Sanjeev Kumar, Reena Roy, Sulakshana Pandit, Nirupa Roy, Amjad Khan, Shakti Kapoor, Satyendra Kappu, Ranjeet, and Jagdeep. The film has five songs, other that this reuse song.

The interesting similarity that the music directors of these two films are the same. So maybe that is why the reuse may not have been a problem. However, as usual, this reuse song is not listed in the list of songs of this film.

Today is the sixth day of Navratri celebrations. The incarnation of the Goddess Mother that is worshipped today is Maa Kaalratri or Maa Mahakaali. I would like to discuss this appearance of the Mother in a little more detail. It is quite possible that the readers may be quite familiar with this description.

The description is as per the Devi Bhagwat. As it their wont – the Devatas have been defeated by two powerful aruras (demons) – Shumbh and Nishumbh, and had lost the occupation of the Kingdom of Heavens. The commander of the asura armies was another demon named Raktbeej. Raktbeej had a boon that he had received from Brahma ji. As is usual the asuras, after long periods of penance and austerities, would always end up asking for the blessing of longevity – that they could never be destroyed. This boon has been asked for by the asuras in many different forms. Raktbeej asked for this boon in the form that in case he is in a battle, and he is wounded, then when his blood touches the ground in form of drops, every drop will immediately form a replica of the Raktbeej himself. So even if he is wounded, just by the result of this blessing, an army of Rakbeej clones will be created. By this way, Raktbeej may never be vanquished, and he would only get stronger with additional forces of clones of himself to support him.

The Devatas were in despair, and they prayed to the Mother Goddess. She appeared and asked them what were they seeking from Her. They explained the predicament in their battle against Shumbh and Nishumbh – that they, the Devatas will never be able to defeat the asuras, as long as their commander Raktbeej is leading them. The Mother Goddess assured them of help, and sent them away to wage another war on the asuras. The battle started. Devatas started to target Raktbeej, but his blessing still obstructed the Devatas to make any headway in the fight. In fact, when Devatas would inflict any blow Raktbeej, the drops of blood from his body, as they touched the ground, would sprout into another Raktbeej, thus strengthening the army of asuras.

The Mother Goddess then took on the form of Maa Kaali and joined the battle. The appearance and demeanor of the Mother in the Kaali form was frightening. Completely black in appearance from head to toe, wearing black, long black hair loose open and waving, a garland made of skulls in the neck, and wearing a skirt made from the limbs of the dead, with a khadag (a sword like weapon, curved in a different way) in one hand, and bowl made from the outer layer of a coconut, in the other hand. The fearful appearance was further enhanced with a long red tongue that perpetually remained outside the mouth, waving like a blood red serpent.

She reached close to Raktbeej and hit him with the khadag. An injured Raktbeej started to bleed from his wounds. Maa Kaali reached out with her waving tongue and started to lap up every drop of his blood that oozed out of his wounds. Working feverishly with her long tongue, she picked up very drop of blood from Raktbeej’s body, and continued to strike him. Losing blood, he started to become weak, as he continued to lose blood and his strength. And the boon was going waste because Maa Kali did not allow the drops of his blood to reach the ground. Finally, Maa Kaali cut off the head of Raktbeej with a blow from her khadag. To catch the falling blood from the dethatched neck, Maa Kali held the coconut bowl under it, once again not allowing even a drop of blood to fall on the ground. As the cup would overflow, Maa Kaali would drink from it, to make room to hold more blood.

The appearance and sight of the Mother was really frightful. She seemed to not be under Her own control. Waving the khadag in anger, she started to destroy anything and anybody that crossed her path. The army of asuras was thus decimated, but the Mother could not be stopped. The Devatas then prayed to Lord Shiv and requested him to rescue them from the wrath of Maa Kaali. Lord Shiv appeared to face Maa Kaali, but he too could not dissuade her and calm her down. She continued in her stride, destroying everything in her path. Then Lord Shiv lay down on the ground, in the path where she was headed. Maa Kaali continued in her stride and finally set a foot on Lord Shiv himself. Realizing suddenly that she had stepped on to her own consort, she came to a halt. Her anger dissipated, she stepped back and became calm.

There is a reason that describe this episode today. Today is the day of the worship of Maa Kaalratri, or Maa Kaali, and so it is appropriate to recount her legend. I remember hearing this narrative recounted to me by elders, or reading it in books, and I always used to wonder at the bizarre description of this event. Years passed and as I came to high school, I would finally get a reasonable explanation of this narrative. In the biology class, as we read about viruses and infections and deadly diseases, it suddenly came together in my mind that this description of Maa Kaali is so analogous to weeding out a deadly disease. Raktbeej is the infection that multiplies incessantly. The more you try to root it out, the more it spreads. Like the drops of blood falling on ground, it is the viruses that attack healthy cells, they multiply, and then attack more healthy cells.  Maa Kaali is likened to the antidote to the infection, that attempts to cut down the avenues for the infection to spread, not allowing it to reach more healthy cells thus depriving it of its resources to multiply.

That is quite much the situation that is faced by the world in present times. An unbridled and unknown new infection is running rampant through the human population, incurring a very high toll of fatalities. The mechanism of isolation and social distancing is analogous to not allowing the drops of blood of Raktbeej to fall on the ground, and not find newer option to breed and grow. The ideas that had formed in my mind during my high school studies of biology, are kind of getting reflected in the events of this worldwide spread of the deadly virus infection. The containment solution is in being isolated and not allowing propagation. Countries that are practicing this measure, are being somewhat successful in minimizing the fatal damage to the population. And the nations that, for whatever reason of culture or politics are failing to exercise this discipline, are on the way to incur heavy losses in terms of human life. A scenario that is described in our ancient texts is playing out in the real world with a very eerie congruence.

So, the day to pray to Maa Kaali today, is the day also to understand this mechanism of disallowing Raktbeej to replicate itself and to curtail the damage that can be done by an uncontrolled spread of this contagion.

May the Mother Goddess Maa Kaali appear once again on this earth, and destroy this Raktbeej like malady, cleanse this earth and rescue her children.

Ameen.

 

Song – Tu Ne Mujhe Bulaaya Sheraanwaaliye  (Do Waqt Ki Roti) (1988) Singer – Narendra Chanchal, Rafi, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Chorus

Lyrics

saanchi jyoto waali maata. . .
maata. . .
teri jai jaikaar
jai jaikaar. . .‎
jai jaikaar. . .‎
jai jaikaar. . .

‎‎tu ne mujhe bulaaya sheraanwaaliye. . .
main aaya main aaya sheraanwaaliye
tu ne mujhe bulaaya sheraanwaaliye. . .
main aaya main aaya sheraanvaaliye
‎o jyotaan vaaliye
pahaadaan vaaliye
o mehraan vaaliye. . .
tu ne mujhe bulaaya sheraanvaaliye. . .
main aaya main aaya sheraanvaaliye
o o o
tu ne mujhe bulaaya sheraanvaaliye. . .
main aaya main aaya sheraanvaaliye

kaun hai raaja
kaun bhikhaari
kaun hai raaja
kaun bhikhaari
ek baraabar tere saare pujaari
tu ne sab ko darshan de ke
tu ne sab ko darshan de ke
apne gale lagaaya sheraanvaaliye
tu ne mujhe bulaaya sheraanvaaliye
o jyotaan vaaliye
pahaadaan vaaliye
o mehraan vaaliye. . .
tu ne mujhe bulaaya sheraanvaaliye. . .
main aaya main aaya sheraanvaaliye

‎o prem se bolo

jai maata di
o saare bolo
jai maata di
o aate bolo
jai maata di
o jaate bolo
jai maata di
o kasht nivaare
jai maata di
o paar utaare
jai maata di
devi maan bholi
jai maata di
bhar de jholi
jai maata di
o jode darpan
jai maata di
maa de ke darshan
jai maata di
o jai maata di
jai maata di
jai. . . maata di..ee..ee
‎jai maata di‎
jai maata di‎
jai maata di‎
sheraanwaali ki jai

jai maata di‎
jai maata di‎
pahaadaan vaali ki jai,

jai maata di‎
jai maata di
‎vaishno raani ki jai

jai maata di‎
jai maata di‎
ambe raani ki jai

jai maata di
‎jai maata di‎
pahadaan waali ki jai‎


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

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