Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Lyrics contributed by readers’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Dharti”(1970) was produced and directed by C V Sridhar for Chitralaya Productions Pvt Limited. The movie had Rajendra Kumar, Waheeda Rehman, Ajit, Balraj Sahni, Kamini Kaushal, Rajendra Nath, Kumkum, Sudesh Kumar, Pahadi Sanyal etc with Shivaji Ganeshan in a Guest appearance. This movie was the remake of a Tamil movie ‘Sivantha Mann'(1969).

Six songs from “Dharti”(1970) have been posted in the past. Here is the seventh and final song from the movie. It is sung by Lata. Hasrat Jaipuri is the lyricist. Music is composed by Shankar Jaikishan.

The song is picturised as a villain’s den song cum “dancing under duress” stage dance song and it is lip synced by Waheeda Rehman. Ajit is the chief guest in this august gathering of baddies. I am unable to identify others visible in the picturisation. So I request our knowledgeable readers to help identify others visible in the picturisation.

Lyrics of this song were sent to me by Prakashchandra.

With this song, “Dharti”(1970) joins the list of movies that have all their songs covered in the blog.


Song-Ishq ki main beemaar (Dharti)(1970) Singer-Lata, Lyrics-Hasrat Jaipuri, MD-Shankar jaikishan

Lyrics(Provided by Prakashchandra)

ishq ki main beemaar
ki wallah teer e nazar hai paar
ki wallah tujhse hua hai pyaar
uyi allah
dil hai bekaraar
ki wallah aankhon mein khumaar
ki wallah tujhpe dil nisaar
uyi allah

basre ki hoor hoon
haiya haiya haiya aa aa
basre ki hoor hoon
haiya haiya haiya
dil ka suroor hoon
haiya haiya haiya
masti mein choor hoon
choor hoon
choor chooor
haiya aa aa

ishq ki main beemaar
ki walla teer e nazar hai paar
ki walla tujhse hua hai pyaar
uyi alla
dil hai bekarar
ki wallah aankhon mein khumaar
ki wallah tujhpe dil nisaar
uyi allah

main to hoon bekhabar
haiya haiya haiya aa
main to hoon bekhabar
haiya haiya haiya
sehra ho ishq par
haiya haiya haiya
chaahe tu zulm kar
zulm kar
zulm kar
haiya aa aa

ishq ki main beemar
ki walla hteer e nazar hai paar
ki walla tujhse hua hai pyaar
uyi allah aa
dil hai bekaraar
ki wallah aankhon mein khumaar
ki wallah tujhpe dil nisaar
uyi allah

dil ki aawaaz hoon
haiya haiya haiya aa aa aa
dil ki aawaaz hoon
haiya haiya haiya
bal ke dam saaj hoon
haiya haiya haiya
ulfat ka raaz hoon
raaz hoon
raaz hoon
haiya aa aa

ishq ki main beemaar
ki wallah teer e nazar hai paar
ki wallah tujhse hua hai pyaar
uyi allah
dil hai bekaraar
ki wallah aankhon mein khumaar
ki wallah tujhpe dil nisaar
uyi allah


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
———————————————————–
# Bhoole-Bisre Geet # 50 # Shatrughan Sinha’s Birth Anniversary #
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‘Chambal Ki Qasam-1979’ was an M.P.D.Productions presentation. It was produced by V L Murlidhar and directed by Ram Maheshwary. It had Raj Kumar, Shatrughan Sinha, Moushmi Chatterjee, Farida Jalal, Ranjeet, Nirupa Roy, Paintal, Gopal Sehgal, R.Tiwari, Usha Kiran, Peace Kanwal, Jagdish Raj, Nazir Hussain, Gufi, Paro Devi, Maruti, Uma Khosla, Raj Rani, Master Bhagwan, Gurucharan, Usha(Gwalior), Pandit Ganga Prasad(Gwalior), Mansaram, Master Rajesh, Master Rahul, Master Sonu, Master Rajiv, Baby Shaloo, and Manu Arora. Pradeep Kumar makes a guest appearance in this movie, whereas Amjad Khan makes a special appearance in this movie.

Story of this movie was written by M.K.Tamanna and Screenplay was written by Benoy Chatterjee. Dialogues of this movie were written by Sagar Sarhadi and Safdar Hussain. Additional Dialouges were by Ela Maheshwary. Editing for this movie was done by D.N.Pai and M.S.Shinde. This movie was passed by Censor Board on 29.12.1979.

This movie had eight songs, which were sung by Jagjit Kaur, Lata Mangeshkar, Manna Dey, Mahendra Kapoor and Mohd Rafi. Music of this movie was composed by Khayyam Saab and lyrics for all the eight songs were penned by Sahir Ludhianvi.

Three songs of this movie have been posted on the blog so far.

Today 9th December 2016 is the 71st birth anniversary of actor and our (the fans of Seventies🙂 ) beloved Shatru Bhai aka Shatrughan Sinha (DoB 09.12.1945) .

On this occasion here is this lovely song sung by Rafi Saab and composed by Khayyam Saab. Lyrics of this ‘poetic gem’ are written by Sahir Ludhianvi.

Video

Audio

Song-She’r ka husn ho (Chambal Ki Kasam)(1979) Singer-Rafi, Lyrics-Sahir Ludhianvi, MD-Khayyaam

Lyrics

She’r ka husn ho o
She’r ka husn ho
Naghme ki jawaani ho tum
Ek dhadakti huyi
Ek dhadakti huyi
Shaadaab kahaani ho tum
She’r ka husn ho

Aankh aisi
Aankh aisi ke kanval tumse nishaani maange ae
Zulf aisi ee
Zulf aisi ke ghataa sharm se paani maange ae
Jis taraf se bhi
Jis taraf se bhi
Nazar daalen
suhaani ho tum
She’r ka husn ho

Jism aisa aa
Jism aisa ke Ajanta ka amal yaad aaye ae
Sangemarmar mein dhalaa
Sangemarmar mein dhalaa
Tajmahal yaad aaye ae ae
Pighle pighle ae
Pighle pighle huye
Rangon ki rawaani ho tum
She’r ka husn ho

Dhadkanen bunti hai jisko
Wo taraana ho tum
Sach kaho kis ke muqaddar ka khazaana ho tum
Mujhpe maail ho
Mujhpe maail ho
Ke
Dushman ki deewaani ho tum
She’r ka husn ho
naghme ki jawaani ho tum
She’r ka husn ho
She’r ka husn ho

(Maail – inclined, bent, attracted)
——————————————-
Lyrics in Devnagri Script:
——————————————-
शे’र का हुस्न हो ओ
शे’र का हुस्न हो
नगमे की जवानी हो तुम
एक धड़कती हुयी
एक धड़कती हुयी
शादाब कहानी हो तुम
शे’र का हुस्न हो

आँख ऐसी
आँख ऐसी के कँवल तुमसे निशानी मांगे ए ए
ज़ुल्फ़ ऐसी ई
ज़ुल्फ़ ऐसी के घटा शर्म से पानी मांगे ए ए
जिस तरफ से भी
जिस तरफ से भी
नज़र डालें
सुहानी हो तुम
शे’र का हुस्न हो

जिस्म ऐसा आ
जिस्म ऐसा के अजंता का अमल याद आये ए ए
संगेमरमर में ढला
संगेमरमर में ढला
ताजमहल याद आये ए ए
पिघले पिघले ए
पिघले पिघले हुए
रंगों की रवानी हो तुम
शे’र का हुस्न हो

धड़कने बुनती है जिसको
वो तराना हो तुम
सच कहो किस के मुक़द्दर का खजाना हो तुम
मुझ पे माईल हो
मुझ पे माईल हो
के
दुश्मन की दिवानी हो तुम
शे’र का हुस्न हो नगमे की जवानी हो तुम
शे’र का हुस्न हो
शे’र का हुस्न हो


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

If one were to analyse Hindi film songs by content, most of them would fall in the love-romance category. This is understandable because a very high proportion of films revolve around love and romance.

Then there are those which are based on non-romantic relationships. Parent-child, siblings, friends and so on.

Then there are inspirational songs, philosophical songs, religious songs, party songs and many other categories of songs. In fact on this blog, thanks to its fairly granular tagging, we can zoom into any specific category of songs of interest.

One particular category of songs that is not all that common is the political song. By this, I mean a song that takes on the political establishment. There are of course films depicting politicians, often in a bad light, but most of them have a romantic side to them. So the songs are also usually of the romantic type.

The first song that comes to my mind in this connection is “ye jo public hai ye sab jaanti hai “ from Roti (1974). When I checked this song on the blog just now, I could not help a wry smile as I noticed that Atul has categorized it under “ground reality”. There doesn’t seem to be a “political song” tag yet.

The song for today could also come under this “ground reality” tag. It has been sent to me by Avinashji, who has also written down the lyrics for it (both in English and Devanagari). He requested me to do a write-up on it, possibly because it lends itself to philosophical musings on politics. And Avinashji is by now familiar with my tendency to philosophise.🙂

So here goes.

First of all, I must say that my views are not specific to a particular political party. Or even limited to the Indian political environment. They could apply anywhere, at any time because they are based on first principles of citizen-government engagement.

I will try to keep this brief here because this is a song blog and not the right platform for philosophy. I don’t want to bore the readers.🙂

This song is picturised on Mehmood and a bunch of donkeys. Its core message is citizen protest against the government of the day. The donkeys supposedly represent citizen leaders who want to lead a protest to Delhi on behalf of citizen donkeys.

So what are their demands? Among others, freedom from persecution and oppression (represented by dhobi raaj). Recognition of hard work of labourers (represented by the hard-working donkey, a term sadly used as an abuse). Demand for basic necessities of life, like a roof over one’s head (a “quarter”) and food (“tamatar”).

Thus, in a nutshell, this song captures some of the most basic complaints citizens have of government. That citizens are symbolized by donkeys is a deliberate attempt to highlight their plight and thankless lives.

Although this song is almost exactly 50 years old, much of it resonates even today in Indian society.

Of course India has progressed a lot since 1967. Many more Indians lead comfortable lives today compared to people of that time.

But there are still many millions who are suffering from the plight that this song highlights.

Important in this song is the “protest” element. Mehmood not only appeals to the government but also threatens to go to the UNO, he threatens to file a case against the government (there is a picture in the background which I believe is the Bombay High Court).

Of course this is all in jest – in reality, the power imbalance between the citizen and the government makes such a course of action laughable.

And this is what I often philosophise about. And feel sad about.

The power imbalance between citizen and government.

In theory, the government, represented by the Cabinet (and the PM), and the bureaucracy which works under the government, exists for the people. In theory.

A government without people is unthinkable. If people didn’t exist, there would be no reason for a government to exist.

A government exists ONLY because there are people who need a collective force to execute tasks on their behalf. Tasks that are in common interest – like protecting people from external and internal threats. For maintaining law and order. Or providing common infrastructure that might not be feasible or practical for each individual to separately attempt for himself.

In a democracy, this is achieved through people electing leaders from amongst themselves. These leaders are vested with the right to act and decide on behalf of the population. And naturally, with such right, comes the duty to deliver to this expectation.

So, in every sense, in theory, the elected representatives are only agents of the people. Those who they appoint to work for the people (i.e the bureaucracy) are also “public servants”. So in theory, the power lies with the people.

This is also how the Constitution envisaged the situation – and provided for appropriate checks and balances in the system. This was mainly through attempting to avoid situations of conflict of interest (Executive, Legislature and Judiciary clearly separated). And through the creation of institutions that would be independent of these.

Sadly, as we all know, this is only theory.

In reality, much of this has been compromised. As a result, today, the power equation is hugely skewed in favour of the government. Citizens, supposed to be the master, often feel powerless.
Yes, they can choose to voice their views once in five years, through the ballot box. But that’s once in five years! And as long as the systemic issues are not addressed, it means, even if there’s a change of government, things are not likely to improve for the citizen.

So much of my philosophizing has to do with this. It bothers me when I see citizens behaving like slaves. We need citizens to become more aware of their rights. Duties too, of course – we often forget that too.

But if we want to have a more evolved society, we definitely need citizens to step up. We need them to not just accept a situation as it is. We need them to demand more from those in power. Make them accountable at all levels – even to the lowest level of a local project in a village or ward.

Only when we have this level of citizen engagement and empowerment, will we have the government too on its toes. The media is supposed to be the public watchdog for this purpose – but the less said about today’s media, the better.

Anyway, these thoughts crossed my mind when I listened to this song, so I thought I’d share them here on the blog. Hope I didn’t bore you too much.🙂

Once again, this has nothing to do with a specific government. It’s more about “first principles” and therefore apply in any situation.

I will now leave you to enjoy this song, starring a bunch of donkeys. And Mehmood too, of course. The song is in Rafisaab’s voice, written by Rajinder Krishan and composed by Ravi.

Enjoy!

Video

Audio

Song-Mera gadha gadhon ka leader (Meharbaan)(1967) Singer-Rafi, Lyrics-Rajinder Krishan, MD-Ravi

Lyrics(Provided by Avinash Scrapwala)

Aauon
aa aa aa aa aan

Mera Gadha Gadhon ka Leader
Kehta hai ke Dilli jaa kar
Sab Maangen apni kaum ki main
Manwaa kar aaungaa
Nahin to ghaas naa khaaungaa
Mera Gadha Gadhon ka Leader
Kehta hai ke Dilli jaa kar
Sab Maangen apni kaum ki main
Manwaa kar aaungaa
Nahin to ghaas Naa khaaungaa aa
O mera Gadha Gadhon ka Leader r r r r

Sabse pehli maang hamaari
Dhobi raaj hataa do
Aauon
aa aa aa aan

Sabse pehli maang hamaari
Dhobi raaj hataa do
Ab Na sahenge dandaa chaahe
Phaansi par latkaa do
Gar naa maani Sarkaar
Kiya inkaar
To U N O tak jaaungaa
Nahin to ghaas naa khaaungaa
O mera Gadha Gadhon ka Leader r r

Dooji maang ke zaat hamaari
Mehnat karnewaali
Aauon
aa aa aa aa

Dooji maang ke zaat hamaari
Mehnat karnewaali
Phir kyun ye insaan Gadhe ka naam
Samajhte gaali
Na badlaa ye dastoor
To ho majboor
Main in par case chalaaunga
Nahin to ghaas Naa khaaungaa
Mera Gadha Gadhon ka Leader

Teeji maang hamaari
Hamko de do ek ek quarter
Aauon
aa aa aa aa

Teeji maang hamaari
Hamko de do ek ek quarter
Hafte mein ek baar
Ghaas ke badle mile tamaatar
Gar kar do ye ehsaan
O meri jaan
Duaayein deta jaaunga
Kabhi Naa Dilli aaungaa

Mera Gadha Gadhon ka Leader
Kehta hai ke Dilli jaa kar
Sab Maangen apni kaum ki main
Manwaa kar aaungaa
Nahin to ghaas Naa khaaungaa
Mera Gadha Gadhon ka Leader r r r r r
Aauon
aa aa aa aa aan

—————————————–
Lyrics in Devnagri Script 9Provided by Avinash Scrapwala)
—————————————-
औओं आ आ आ आ आँ

मेरा गधा गधों का लीडर
कहता है के दिल्ली जा कर
सब मांगे अपनी कौम की मैं
मनवा कर आऊँगा
नहीं तो घास ना खाऊंगा
मेरा गधा गधों का लीडर
कहता है के दिल्ली जा कर
सब मांगे अपनी कौम की मैं
मनवा कर आऊँगा
नहीं तो घास ना खाऊंगा आ
ओ मेरा गधा गधों का लीडर र र र र

सबसे पहली मांग हमारी
धोबी राज हटा दो
औओं
आ आ आ आँ

सबसे पहली मांग हमारी
धोबी राज हटा दो
अब न सहेंगे डंडा चाहे
फांसी पर लटका दो
गर ना मानी सरकार
किया इनकार
तो यु एन ओ तक जाऊँगा
नहीं तो घास ना खाऊंगा आ
ओ मेरा गधा गधों का लीडर र र

दूजी मांग के जात हमारी
मेहनत करनेवाली
औओं
आ आ आ आ

दूजी मांग के जात हमारी
मेहनत करनेवाली
फिर क्यूँ ये इंसान गधे का नाम
समझते गाली
ना बदला ये दस्तूर
तो हो मजबूर
मैं इन पर केस चलाऊंगा
नहीं तो घास ना खाऊंगा आ
मेरा गधा गधों का लीडर

तीजी मांग हमारी
हम को दे दो एक एक क्वार्टर
औओं
आ आ आ आ

तीजी मांग हमारी
हम को दे दो एक एक क्वार्टर
हफ्ते में एक बार
घास के बदले मिले टमाटर
गर कर दो ये एहसान
ओ मेरी जान
दुआएं देता जाऊँगा
कभी ना दिल्ली आऊंगा

मेरा गधा गधों का लीडर
कहता है के दिल्ली जा कर
सब मांगे अपनी कौम की मैं
मनवा कर आऊँगा
नहीं तो घास ना खाऊंगा आ
मेरा गधा गधों का लीडर र र र र र
औओं
आ आ आ आ आँ


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
———————————————————–
# Bhoole-Bisre Geet # 49 # Dharmendra’s 81st Birth Anniversary #
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Today 8th December’2016 is the 81st (08.12.1935) Birth anniversary of actor and producer Dharmendra.On this occasion here is a song from the 1980 movie ‘The Burning Train’.

Many songs picturised on Dahrmendra are yet to be posted on the blog, and quite a few of his movies have not even made their debuts on the blog, so a wide choice of movies and songs are available that can be considered for an occasion like this.

However, since the lyrics of this song were already lying ready and un-posted (since Oct’2013) I have selected this song from ‘Kishore Kumar-R.D.Burman’ combination for discussion on this occasion.

‘The Burning Train -1980’ was directed by Ravi Chopra for B.R.Films, Bombay. It was produced by B.R.Chopra. Ravi Chopra also wrote the story of this movie. It had Dharmendra, Hema Malini, Vinod Khanna, Parveen Babi, Neetu Singh, Danny, Vinod Mehra, Jeetendra, Navin Nischol, Simi, Asha Sachdev, Padmini Kapila, Romesh Sharma, Payal, Asrani, Ranjeet, Iftekhar, Om Shivpuri, Sujit Kumar, Nana Palsikar, Rajendranath, Mukri, Keshto Mukherji, Padma Khanna, Komila Virk, Nazir Hussain, Indrani Mukherji, Paintal, Dinesh Thakur, Yunus Parvez, Shammi, Ravindra Kapoor, T.P.Jain, Jankidas, Jagdish Raj, Gufi, Sudha Shivpuri, M.Rajan, Uma Dhawan, Mac Mohan, Anand Balraj, Prem Bedi, Master Bittoo, Baby Khushboo, Junior Danny,Master Romy, Master Salim and others. Madan Puri, Chandrashekhar, Satyen Kappu and Urmila Bhatt make a guest appearance in this movie. Its screenplay and dialogues were written by Kamleshwar ji. Pran Mehra was the chief editor for this movie and S.B.Mane and R.P.Bapat assisted him. This movie was passed by Censor Board 20.03.1980.

This movie had six songs penned by Sahir Ludhianvi and composed by R.D.Burman. Asha Bhonsle, Kishore Kumar, Mohd Rafi, Padmini Kolhapure and Sushma Shreshtha and Usha Mangeshkar gave their voices to the songs in this movie.

Two songs of this movie have been posted on the blog. Like Olympic games, the songs of this movie also appear in the blog at four years interval.🙂. The first song from the movie to appear on the blog was ‘pal do pal ka saath hamaara’ on 08.12.2008 and the second one ‘teri hai zameen tera aasmaan’ was posted four years later on 17.10.2012. And four years later, here is this third song from the movie to appear in the blog.🙂

Let us now enjoy the beautiful verses of Sahir that are beautifully composed by R.D.Burman and sung by Asha Bhonsle and Kishore Kumar, and wish Dharmendra a very very happy birthday today!!

Video

Audio

Song-Waada haan ji waada (The Burning Train)(1980) Singers-Asha Bhonsle, Kishore Kumar, Lyrics-Sahir Ludhianvi, MD-R D Burman
Both

Lyrics

Waada
Haan waada
Ho o o
Ho o
Jab tak ambar par taare hon
Aur dharti par phool khile
Isi jagah aur isi tarah
Ham do matwaale roz milen
Samjhe ae
Jab tak ambar par taare hon
Aur dharti par phool khile
Isi jagah aur isi tarah
Ham do matwaale roz milen
Karo waada
Hmm
Haan ji waada
Haan waada
Haan ji waada aa
Ho o o o
Jab tak ambar par taare ho
Aur dharti par phool khilen
Isi jagah aur isi tarah
Ham do matwaale roz milen
Waada aa
Bolo bolo
Haan haan ji waada
Ho o o waada
Haan haan ji waada aa

Dekho ab bichhde na
Mil ke nigaah
Kahaa hai to ham sadaa
Karenge nibhaah

Tapi-tapi ghuli-ghuli saanse hai gawaah
Jiyen chaahe mare ab ghategi na chaah
Waada aa
Bolo bolo
Haan ji waada
Kaho na waada
Haan
Haan haan ji waada

O o o o
Jab tak nadiyon mein paani ho
Aur pedon ke haath hiley
Isi jagah aur isi tarah
Ham do matwaale roz miley
Bolo waada

Haan ji waada aa aa
Ek baar aur
Waada

Kahaa na waada aa

Dekho kal dhoondhe nahin
Hamko ye raah
Judaa ho ke jeena ho to
Jeena hai gunaah

Miley rahe sadaa yoonhi
Baahon ki panaah
Ghatega na kabhi mera
Pyaar hai athhaah
Waada
Bolo

Haan ji waada aa aa
Haan aa
Haan waada

Bol diyaa na waada
O o o o
Phool bichhe ho is raste mein
Ya kaanton se paanv chhile
Isi jagah aur isi tarah
Ham do matwaale roz milen

Waada
Haan ji waada
Ho
Waada

Haan ji waada
Aa aa aa

Waada
Waada

——————————————————
Devnagri script lyrics (Provided by Avinash Scrapwala)
——————————————————

वादा
हाँ वादा

हो ओ ओ
हो ओ
जब तक अम्बर पर तारे हो
और धरती पर फूल खिले
इसी जगह और इसी तरह
हम दो मतवाले रोज़ मिले
समझे ए
जब तक अम्बर पर तारे हो
और धरती पर फूल खिले
इसी जगह और इसी तरह
हम दो मतवाले रोज़ मिले
करो वादा
हं
हाँ जी वादा
हाँ वादा
हाँ जी वादा आ
हो ओ ओ ओ
जब तक अम्बर पर तारे हो
और धरती पर फूल खिले
इसी जगह और इसी तरह
हम दो मतवाले रोज़ मिले
वादा आ
बोलो बोलो
हाँ हां जी वादा
हो ओ ओ वादा
हाँ हां जी वादा आ

देखो अब बिछड़े ना
मिल के निगाह
कहा है तो हम सदा
करेंगे निबाह

तपी तपी घुली घुली साँसे है गवाह
जीयें छाहे मरे अब घटेगी न चाह
वादा आ
बोलो बोलो
हां जी वादा
कहो न वादा
हाँ
हाँ हां जी वादा

ओ ओ ओ ओ
जब तक नदियों में पानी हो
और पेड़ों के हाथ हिले
इसी जगह और इसी तरह
हम दो मतवाले रोज़ मिले
बोलो वादा

हाँ जी वादा आ आ
एक बार और
वादा

कहा ना वादा आ

देखो कल ढूंढें नहीं
हम को ये राह
जुदा हो के जीना हो तो
जीना है गुनाह

मिले रहे सदा यूँही
बाहों की पनाह
घटेगा न कभी मेरा
प्यार है अथाह
वादा
बोलो

हाँ जी वादा आ आ
हाँ आ
हाँ वादा

बोल दिया न वादा
ओ ओ ओ ओ
फूल बिछे हो इस रस्ते में
या कांटो से पाँव छिले
इसी जगह और इसी तरह
हम दो मतवाले रोज़ मिले

वादा
हाँ जी वादा
हो
वादा

हाँ जी वादा
आ आ आ

वादा
वादा


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Kishore Kumar – his many moods …
————————————–
In my current search for missing Kishore Kumar songs on the blog, this song fits the bill perfectly. This is a song from his earlier decades i.e. before the seventies, here Kishore Kumar is singing for himself and this is the only Kishore Kumar song from ‘Asha – 1957’ that is yet to be discussed in the blog. In addition, this song also had the added qualification of being one of the ‘lesser heard’ songs too. Personally I do not recall any occasions of listening to this song in the past.

‘Aashaa-1957’ was directed by M.V.Raman for Raman Productions, Bombay. He was also the producer of this movie. The movie had Vyjayantimala, Kishore Kumar, Pran, Lalita Pawar, Om Prakash, Raj Mehra, Minoo Mumtaz, Randhir, Naina, Shivraj, Patanjali, Jagdish, Asha Parekh, Chamanpuri, Chandabai, Dhoomal, Praveen Pal, Gajendra Singh, Rajan Kapoor, Ravikant, Nand Kishore and Uma Dutt. Sundar made a guest appearance in this movie.

This movie had total of eight songs in it(including one multiple version song which is also the most known song of this movie ‘eena meena deeka’) composed by C.Ramchandra. Rajinder Krishan penned the lyrics for all the songs. Asha Bhonsle, Kishore Kumar and Lata Mangeshkar gave their voices to these songs.

This movie was passed by the Censor Board on 31.08.1957.

Four songs from this movie (five considering the one multiple version song) have been posted on the blog so far.

Let us now enjoy this final Kishore Kumar song from this movie, which talks of a ‘egalitarian society’ for all and seeking justice for the deprived ones …

As mentioned above the song is composed by C.Ramchandra and it is written by Rajinder Krishan.

Video (Full)

Audio

Song-Ek padosi raat ko soye aur doosra roye (Aasha)(1957) Singer-Kishore Kumar, Lyrics-Rajinder Krishan, MD-C Ramchandra
Chorus

Lyrics

Arey chhote aur bade ka ab to
Huaa puraana qissa
Arey duniya ki jaagir hai sabka
Ek baraabar hissaa

Ek padosi raat ko soye aur doosraa roye
Ek padosi raat ko soye aur doosraa roye
To insaaf kahaan kaa hai
Ye insaaf kahaan kaa hai
Ye insaaf kahaan ka hai
Arey kaho agar insaan kisi ki
Raah mein kaante boye
Kaho agar insaan kisi ki
Raah mein kaante boye
To insaaf kahaan ka hai
Ye insaaf kahaan kaa hai
Ye insaaf kahaan kaa hai

Banaaya maalik ne sabke liye hai
Chaand sitaaron ko
Banaaya maalik ne sabke liye hai
Chaand sitaaron ko
To phir kyaa haq hai
Haan
To phir kya haq hai bande ko
Kare taqseem bahaaron ko
Kare taqsim bahaaron ko
Sab ke baag bagiche par
Jab ek kaa kabzaa hoye
Sab ke baag bagiche par
Jab ek kaa kabzaa hoye
To insaaf kahaan kaa hai
Ye insaaf kahaan kaa hai
Ye insaaf kahaan kaa hai
Ek padosi raat ko soye aur dusraa roye
To insaaf kahaan kaa hai
Ye insaaf kahaan kaa hai
Ye insaaf kahaan ka hai

Banaa hai saanp khazaane ka
Ye hai insaan ki nadaani
Banaa hai saanp khazaane ka
Ye hai insaan ki naadaani
Bataao kitna kha lega
Bataao kitna kha lega
Ye daana aur hawaa paani
Ye daana aur hawaa paani
Arey paise jaisi cheez ki khaatir
Koyi sharaafat khoye
Paise jaisi cheez ki khaatir
Koyi sharaafat khoye
To insaaf kahaan kaa hai
Ye insaaf kahaan kaa hai
Ye insaaf kahaan kaa hai
Ek padosi raat ko soye aur dusraa roye
To insaaf kahaan kaa hai
Ye insaaf kahaan kaa hai
Ye insaaf kahaan ka hai

Sabhi ek daal ke panchhi hain
Sabhi kaa ek thikaanaa hai
Sabhi ek daal ke panchhi hain
Sabhi kaa ek thikaanaa hai
Lagaao ek saath
Lagaao ek saath naara
Ke ye janta ka zamaana hai
Ye janta kaa zamaana hai
Koyi Kisi ka beej chura kar
Apni kheti boye
Koyi Kisi ka beej chura kar
Apni kheti boye
To insaaf kahaan kaa hai
Ye insaaf kahaan kaa hai
Ye insaaf kahaan kaa hai
Ek padosi raat ko soye aur doosraa roye
To insaaf kahaan kaa hai
Ye insaaf kahaan kaa hai
Ye insaaf kahaan kaa hai

——————————-
Devnagri Script lyrics (provided by Avinash Scrapwala)
——————————
अरे छोटे और बड़े का अब तो
हुआ पुराना किस्सा आ आ
अरे दुनिया की जागीर है सबका
एक बराबर हिस्सा

एक पडोसी रात को सोये और दुसरा रोये
एक पडोसी रात को सोये और दुसरा रोये
तो इन्साफ कहाँ का है
ये इन्साफ कहाँ का है
ये इन्साफ कहाँ का है
अरे कहो अगर इंसान किसी की
राह में कांटे बोये
कहो अगर इंसान किसी की
राह में कांटे बोये
तो इन्साफ कहाँ का है
ये इन्साफ कहाँ का है
ये इन्साफ कहाँ का है

बनाया मालिक ने सबके लिए है
चाँद सितारों को
बनाया मालिक ने सबके लिए है
चाँद सितारों को
तो फिर क्या हक है
हाँ
तो फिर क्या हक है बन्दे को
करे तक्सीम बहारों को
करे तक्सीम बहारों को
सब के बाग़ बगीचे पर
जब एक का कब्ज़ा होए
सब के बाग़ बगीचे पर
जब एक का कब्ज़ा होए
तो इन्साफ कहाँ का है
ये इन्साफ कहाँ का है
ये इन्साफ कहाँ का है
एक पडोसी रात को सोये और दुसरा रोये
तो इन्साफ कहाँ का है
ये इन्साफ कहाँ का है
ये इन्साफ कहाँ का है

बना है सांप खजाने का
ये है इंसान की नादानी
बना है सांप खजाने का
ये है इंसान की नादानी
बताओ कितना खा लेगा
बताओ कितना खा लेगा
ये दाना और हवा पानी
ये दाना और हवा पानी
अरे पैसे जैसी चीज़ की खातिर
कोई शराफत खोये
पैसे जैसी चीज़ की खातिर
कोई शराफत खोये
तो इन्साफ कहाँ का है
ये इन्साफ कहाँ का है
ये इन्साफ कहाँ का है
एक पडोसी रात को सोये और दुसरा रोये
तो इन्साफ कहाँ का है
ये इन्साफ कहाँ का है
ये इन्साफ कहाँ का है

सभी एक डाल के पंछी हैं
सभी का एक ठिकाना है
सभी एक डाल के पंछी हैं
सभी का एक ठिकाना है
लगाओ एक साथ
लगाओ एक साथ नारा
के ये जनता का ज़माना है
ये जनता का ज़माना है
कोई किसी का बीज चुरा कर
अपनी खेती बोये
कोई किसी का बीज चुरा कर
अपनी खेती बोये
तो इन्साफ कहाँ का हैं
ये इन्साफ कहाँ का है
ये इन्साफ कहाँ का है
एक पडोसी रात को सोये और दुसरा रोये
तो इन्साफ कहाँ का है
ये इन्साफ कहाँ का है
ये इन्साफ कहाँ का है


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Atulites – Mumbai Meet – 20th-21st Nov’16
———————————————
My sincere thanks to Atul ji for making this year -2016 a ‘memorable year’ for me. This year, I was able to meet many of our regular members at Chennai, Bengaluru and Mumbai. In addition, I could also meet new personalities in this field of Hindi Film Music.

I may well become known as ‘always present Avinash’ instead of ‘illusive Avinash’ if it goes on like this.🙂. Bharat Bhai ji ne naam bhi aisa diya hai ki iske viruddharthi shabd agar aap ‘Google’ par dhoondhe to bhi bade atpate se hain
If you search for the opposite of ‘elusive’ you get this on Google page:

The word “elusive” has many antonyms, but most of them do not convey the exact opposite meaning the way an antonym should. Three words that reflect the opposing meaning of elusive well are “confronting,” “encountering” and “facing.”

I do not know if he has deliberately chosen to use the word ‘illusive’ instead of ‘elusive’ (Deshmukh Sir has pointed this out in one of his comments) because both have different meanings.

I would like to thank Shri Bharat Bhai Upadhyay ji, Shri Sadanand Kamath ji and Shri Arun Deshmukh Sir for all the arrangements of the ‘Mumbai Gang out’ on 20th November 2016. I also thank all our respected guests and regulars who attended the ‘gang out’ for being there and gracing the occasion.

***

On 19th November evening, when I boarded the ‘Samarsata’ (I thought they spelled wrong, and it should be ‘Samarasta’, but, even announcement at the Railway Station sounded to me as ‘Samar –Sata’🙂 ) Express at Nagpur railway station, I was more than happy and heaved a great sigh of relief.

After missing the ‘Mumbai gang outs’ three times in a row + one (which did not happen due to very less participants) finally I was going to attend it this time on 20th November 2016.

I could not attend the very first gang-out in Dec’14 due to certain developments at my work place. It happened the Second time in Aug’15 when the train ‘Prerna Express’ (Ahmedabad bound) was cancelled due to heavy rains. I was supposed to travel from Anand to Mumbai on that occasion. It happened for the third time in this current year 2016 in May when again due to work priorities I had to cancel my trip.

Fourth time it was again in this year in September when a possibility of a ‘gang-out’ was being explored but it finally didn’t materialize due to low availability of participants.

On all the previous four occasions mentioned above, my train tickets to and fro were booked and they had to be cancelled at the last minute resulting in ‘revenue-generation’ to the IR and in turn to GOI. It was a small contribution from my side for my love ‘the Indian Railways’. I have been making such contributions for the cause of the nation right from 30th Nov’1988 when I began my professional career.🙂

I arrived at the venue of meeting on the morning of 20th november 2016 with our guest invitee Mr.Deepak Chowdhari, who had joined me at Badnera Station. Three of our Senior members from Mumbai were already available there to welcome us.

After seeing me in person, they all had just this one line of remark … “aakhir aap aa hi gaye”… ‘so finally you have come for ‘Mumbai Gang-out’ !!

Sadanand ji specially made it a point to request Bharat Bhai to now remove the ‘tag’ – ‘illusive’ that he added to my name due to my tendency of backing out from previous ‘gang-outs’ at the last moment.

I will not go into the details on the proceedings of that day which our respected Deshmukh Sir has already covered in his two posts on this ‘gang out’.

I will straight away come to this song which I had already chosen in September 16 when the modalities of ‘gang out’ were being finalised.

Thinking about our respected Deshmukh Sir – ‘our in-house encyclopedia’ and keeping in mind his ‘core’ area of interest and the write-ups on the topics that I liked most i.e. ‘mythological movies’, I searched for a song that would fit in expressing my feelings of my eagerness to meet him and other members, I had chosen this film ‘Krishna Sudaama-1957’ and this song that is being discussed today.

After attending the ‘gang-out’, meeting all the members and staying with Deshmukh Sir for a day, I feel that I should pat myself on my own back for chosing this song which is just the perfect song to express my feelings.

Why?

Let me elaborate on this…

What we seek from these meetings or ‘gang outs’? What does one get and what does one feel after meeting so many knowledgeable persons in Music, movies and/or and HFM?

(PS: Now Deshmukh Sir, in his second post on the ‘gang out’ has also discussed it. I had already drafted this post in advance and I was happy to know that his views were similar to my feelings on this matter.

The first and foremost gain is the ‘everlasting joy of meeting people whom we already know through this blog’ and then the ‘eternal happiness’ we feel after meeting these people.

These are people with whom over the years we have developed a ‘strong bond of relationship’, and meeting them in person is like getting into a ‘different world altogether’ (Words fail me here to express my feelings).

In this context, what motivates and inspires me is ‘HFM’, this blog ‘ASAD’, then meeting team members of regular contributors and visitors of this blog, and last but not the least is the discussions on and about ‘HFM’.

And if one is a keen observer of people around us one can learn a lot and learn many new things in life from them.

All the things that could motivate me, inspire me and rejuvenate me were going to be there in the meet, so what more could I have asked for?

In my journey of life I have always taken care to seek ‘blessings’ and ‘best wishes’ from elderly and senior people, and also from people that I came in contact with during my professional or personal interactions. That gives me utmost satisfaction and somewhere I feel that it is this goodwill and best wishes of people accumulated over the years that is my wealth and it is this that enables me to keep me going and even succeeding in this journey of my life.

All the persons that I met in this ‘Mumbai gang out’ were seniors to me – in age and knowledge both. The only person (actually there are two) that, if by mistake🙂 looked like younger than me also had ‘greater knowledge’ of classical music and instruments. So they were all seniors to me.

They all blessed me by sharing their thoughts and their knowledge. Just the act of being in the company of such music lovers can cause one to forget all the ‘griefs’, sorrows and ‘pains of life’- if one had any.

And what a day it was !

I got this opportunity to meet all the stalwarts in person. Each and every person was so passionate about music, so generous in sharing things and so happy to meet each other.

I was to stay with Deshmukh Sir at his home for a day.Though I had taken his appointment for a full day during my communications with him prior to the visit, I was not sure if I would be staying with him, since I had never visited his place earlier.

I called him a day before the gang out (the same day evening I had to board the train) to check his schedule and my plan of return journey. He specifically reminded and insisted that ‘you are staying with me after the gang out was over’.

All of us are aware that he stays alone at Mumbai. During the travel to his home he was explaining to me that it’s a bachelor’s house and that I will find it like that and he hoped that I would feel myselfcomfortable there etc etc.

After reaching his place, I found that I had reached a ‘very well organized and maintained place’. But more surprise was in store for me. Our respected Guru ji kept inquiring with me about what I would like to have in dinner etc etc. I thought he was going to order the food from outside. But there at his place he had already done some planning for me with some special menus and for every meal time he could offer me multiple choices or combinations of multiple choices.

And last but not the least was the option of ‘food cooked by our Guru ji himself’:)

What more could I have wished for?

I will never ever forget that evening’s ‘Khichdi’, it was like ‘amrit tulya’ for me because it was cooked by Guru ji himself. This was the ‘mahaprasad’ that Guruji cooked specially for me with all his love and compassion therein.

Next day’s morning’s tea, breakfast, and lunch was a ‘divine’ experience for me and I will cherish these memories forever.

In addition, the ‘wisdom’ he shared with me and his guidance on certain aspects and on the queries which I had noted down to for discussing with him. My cup of joy was full to the brim.

***

For me this gang out and meeting all the ‘stalwarts’ there was like having the ‘darshan’ of the ‘viraat roop’ of Lord Shri Krishna. The ‘encyclopedia’ already there and with so many thoughts shared and so many things discussed was nothing less than ‘geeta ka gyaan of HFM’ for me.

My HFM related queries that I had noted down to be anwered by our seniors were like the ‘grievances’ of Sudama that he sought to get redressed from Lord Krishna in this song.🙂. The ‘nirdhanta’, ‘poverty’ or ‘inadequacies’ of Sudama is like my ignorance on the vast treasure trove of HFM.

What I got during my two days stay there in the form of ‘joy’, ‘happiness’, ‘learning’, ‘discussions’ and being a part of that ‘company’ is like getting ‘blessed by divine powers’.

It was as if the divine and spiritual powers of music had taken me to the path of ultimate happiness and peace!!

The movie:

‘Krishna Sudaamaa-1957’ a ‘mythological movie’ was directed by Shanti Kumar for Tajviristan, Bombay. It was produced by Lekhraj Bhakri. It had Nirupa Roy, Balraj Sahni, Rajkumar, Prem Adeeb, Umakant, Nand Kishore, Malay Sarkar, Santosh, Madhvi, Vimal Ghaisas, Sinha and Indira Bansal.

As per HFGK Vol III this movie had as many ten songs composed by Husnlal-Bhagatram. Lyrics for these ten songs are shared by Qamar Jalalabadi – six songs, Pt.Radheyshyam – two songs and Ramesh Gupta – two songs.

HFGK mentions that the recording of songs of this movie was completed in 1954 itself though this movie was released in 1957.

This movie was passed by Censor Board on 24.01.1957.

Today’s song is sung by Mohd Rafi and written by Qamar Jalalabadi. Music is composed by Husnlal-Bhagatram.

***

After the gang-out was over, its report was to be presented in the blog. As Kamath Sir was to get occupied with his already planned schedule and Bharat ji said that his will be only in ‘very few lines,’ we all requested Guru ji that he should write the posts. At that time I jokingly told him that from my end I will do a post as a ‘return-gift’ in return of his posts. So here is that post, and it is not a ‘return gift’ but my ‘homage’ to all whom I met on that day.


Song-Chal more manwa shyaam ke dwaare (Krishn Sudaama)(1957) Singer-Rafi, Lyrics-Qamar Jalalabadi, MD-Husnlal Bhagatram

Lyrics

Chal more manwaa
Shyaam ke dwaare
Chal more manwaa
Shyaam ke dwaare ae
Charan kamal mein jaa kar rakh de
Apne dukhde saare saare
Chal more manwaa
Shyam ke dwaare

Main nirdhan aur lamba path hai
Na koi doli na koi rath hai
Nange pairon chalaa Sudaama aa
Phool ban gaye kaante saare
Chal more manwaa
Shyaam ke dwaare

Shyam ke path par
Kaal jo aaye
Hans hans galey lagaaun oon oon
Jag ishwar Narsingh ki mahima
Ho matwaala gaaun
Ho matwaala gaaun
Dekh Sudaama roop badal kar
Aaye Mohan pyaare ae ae
Chal more manwaa
Shyaam ke dwaare

Shesh naag ka roop dekh kar
Yaad aaye Girdhaari ee ee
Ek jaan to kya hai kar doon
Sau jaanen balihaari ee
Kitni door se lene aaye
Ham ko Shyaam hamaare ae ae
Chal more manwaa
Shyaam ke dwaare

O nadiya toofaan uthhaa le
Mil ke rahenge milne waale
Chal re Sudama Shyam salona (?)
Tujhko aaj pukaare ae
Tujhko aaj pukaare ae ae
Tujhko aaj pukaare ae ae ae ae

————————————————
Devnagri script lyrics
————————————————-
चल मोरे मनवा
श्याम के द्वारे
चल मोरे मनवा
श्याम के द्वारे ए
चरण कमल में जा कर रख दे
अपने दुखड़े सारे सारे
चल मोरे मनवा
श्याम के द्वारे

मैं निर्धन और लम्बा पथ है
न कोई डोली न कोई रथ है
नंगे पैरों चला सुदामा आ
फूल बन गए कांटे सारे
चल मोरे मनवा
श्याम के द्वारे

श्याम के पथ पर
काल जो आये
हंस हंस गले लगाऊं ऊँ ऊँ
जग इश्वर नरसिंह की महिमा
हो मतवाला गाऊं
हो मतवाला गाऊं
देख सुदामा रूप बदल कर
आये मोहन प्यारे ए ए
चल मोरे मनवा
श्याम के द्वारे

शेष नाग का रूप देख कर
याद आये गिरधारी ई ई
एक जान तो क्या है कर दूं
सौ जाने बलिहारी
कितनी दूर से लेने आये
हम को श्याम हमारे ए ए
चल मोरे मनवा
श्याम के द्वारे

ओ नदिया तूफ़ान उठा ले
मिल रहेंगे मिलने वाले
चल रे सुदामा श्याम सलोना
तुझको आज पुकारे ए
तुझको आज पुकारे ए ए
तुझको आज पुकारे ए ए ए ए


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Sakhi Lutera”(1955) was produced by F C Mehra and directed by Mohammad Hussain for Eagle Films, Bombay. The movie had Habib, Kamran Khan, Kamal Mehra, Pran, Randhir, Shashikala, Rajan Kapoor, Nazir Kashmiri, Amrut Rana, Kammo, Gani, Daaud, Mohammed Sandow etc in it.

The movie had six songs in it. Here is the first song from the movie to appear in the blog. This song is sung by Asha Bhonsle. Farooque Kaiser is the lyricist. Music is composed by Iqbal.

Lyrics of this song were sent to me by Prakashchandra.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.

With this song, “Sakhi Lutera”(1955) makes its debut in the blog.


Song-Tumse karte na agar pyaar to achcha hota (Sakhi Lutera)(1955) Singer-Asha Bhonsle, Lyrics-Farooque Kaiser, MD-Iqbal

Lyrics(Provided by Prakashchandra)

tumse karte ae ae ae
na agar
pyaaaar to achcha hotaa a a a a a

tumse karte na agar
pyaar to achchaa hotaa aa
tumse karte na agar
pyaar to achchaa hotaa…aaaa
dil ko lagtaa na ye
aazaar(?) toh achcha hota
tumse karte na agar

dil ki zid ne
hamein badnaam zamaane mein kiya
dil ki zid ne
hamein badnaam zamaane mein kiya
pehle hi maante gar
haar to achcha hotaa aa
dil ko lagtaa na ye
aazaar(?) to achcha hota
tumse karte na agar

sukh ke do chaar ghadi
haayye bitaate hum bhi
sukh ke do chaar ghadi
haayye bitaate hum bhi
gair bante na jo deewaar to
achchaa hotaa
dil ko lagta na ye
aazaar(?) toh achcha hotaa
tumse karte na agar

maut se pehle hai bas
ek tamanna dil ki
maut se pehle hai bas
ek tamannaa dil ki
dekh lete tumhein
ek baar to achchaa hotaa aa
dil ko lagtaa na ye
aazaar(?) toh achcha hotaa
tumse karte na agar


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Priyatama”(1977) was produced by T C Dewan and directed by Basu Chatterji for Modern Pictures, Bombay. The movie had Neetu Singh, Jeetendra, Rakesh Roshan, Asha Sachdev, Utpal Dutt, Reeta Haksar, I.S.Johar, Ritu Kamal, Murad, Sunder, Latika, Roshni, Ajay Kumar, Asrani, Deven Verma, Asit Sen, Jaya Prabha etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Swaami”(1977) was produced by Jaya Chakravarty (Hema Malini’s mother) and directed by Basu Chatterji for Jayasarthy Combines. This movie was based on a novel of Sharatchandra Chattopadhyay. The movie had Girish Karnad, Vikram, Shabana Azmi, Shahikala, Reetu Kamal, Dheeraj Kumar, Preeti Ganguly, Sudha Shivpuri, Utpal Dutt, Suresh Chatwal, Vinita Dutt/Das, Somnath, Vinod Dewan, Karthik Dutta, Deepak Kumar etc in it with Hema Malini and Dharmendra in guest appearances.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
——————————————
# Bhoole-Bisre Geet # 48 # Remembering Dara Singh on his Birth Anniversary #
—————————————————————

Today (19th November 2016) is the eighty eighth Birth anniversary of Dara Singh (19.11.1928-12.07.2012).
Read more on this topic…


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(© 2008 - 2016) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has over 12600 song posts by now.

This blog is active and online for over 3000 days since its beginning on 19 july 2008..

Total number of songs posts discussed

12675

Number of movies covered in the blog

Movies with all their songs covered =846 Total Number of movies covered =3551

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Blog Start date: 19 july 2008 Active for 3000 days.
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