Archive for the ‘Lord Shiv related songs’ Category
Jai jai jai Tripuraari
Posted by: Atul on: August 16, 2021
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
4777 | Post No. : | 16529 |
Today is the Second Shrawan Somvar of 2021, in this part of India. At the same time, for half of India, today is the Last Shrawan Somvar this year. For us here, still 3 more Mondays are in balance for this month of Shrawan. This is the beauty of India.
Our ancestors had achieved ” अनेकता में एकता “. The months, festivals,Tithis, Muhurtas and all other matters are the same all over India. Only counting the start of a month is different in different areas, depending on their geographical locations, rainfalls, crops, weather and daylight time variations. Not only this, but even adding an extra month every 33 to 35 months is also the same everywhere, unlike western method of adding extra days in some months every year and then adding an extra day every 4 years to match Solar year time frames. Ours is a Lunar based system of Calendar. So, based on the counting system there are 2 parts of India.
Hindu calendar, which ends the lunar month on no moon day, is known as Amanta or Amanta lunisolar calendar. This calendar is mainly followed in the states of Andhra Pradesh, Assam, Gujarat, Maharashtra, Karnataka, Kerala, Tamil Nadu, West Bengal and Tripura.
Hindu calendar, which ends the lunar month on full moon day, is known as Purnimanta or Purnimanta lunisolar calendar. This calendar is mainly followed in the states of Bihar, Chhattisgarh, Haryana, Himachal Pradesh, Jammu and Kashmir, Jharkhand, Madhya Pradesh, Orissa, Punjab, Rajasthan, Uttarakhand and Uttar Pradesh.
From: drikpanchang.com
It is very sad that because of intentional wrong education for the last 200 years, we were made to forget all the details of our cultural lifestyles. Thankfully, nowadays some awakening is observed. Hopefully, we should be once again getting all the lost benefits once again.
Sometime back I saw 3-4 videos on Whatsapp, wherein the surveyor asked some simple questions on our Mythology to some College students- girls and Boys. Their answers were pathetic. For example, his one question was ” whose brother was Kans ?” The young generation’s answers were Duryodhan, Ravan, Hanuman, Karna etc etc. They did not know the simple division of Ramayan and Mahabharat periods. There is no point in blaming them. Were they ever trained/ taught anything about it through their Textbooks ? No. Never ! Reading outside the Text books is non existent, especially after the arrival of Video games and Mobile phones.
Since childhood we have been hearing that there are 33 Koti (Karod) Gods in Heaven. Has anyone tried to know what is the truth ? KOTI in Sanskrit language means Level or Class. Like when you say, ” उच्च कोटी के विचार ” or ” उच्च कोटी का व्यवहार ” etc. Actually, Upnishads say that there are 33 levels of Gods or Gods are divided in 33 levels. Like this…
| No. | Class/Level |
|---|---|
| 8 | VASU means 8 Gods are at Vasu Level |
| 11 | Rudra |
| 1 | Indra |
| 1 | Prajapati |
| 12 | Adityas |
| Total 33 | Koti/Levels |
How many people know this ? It is a sad state of affairs that due to inadequate knowledge of basic concepts and matters of culture and religion, we cut a sorry figure when we are criticised on the matters of our Pride. To subscribe to the fashionable slogan ” Religion should be behind your house doors. It is a highly personal matter.” Nowadays nothing is Personal. If you are not aware of things which can protect your religion and culture you have to suffer many times. I do hope things may change in the future.
It is our belief that the Divine Trinity of Shri Bramha, Vishnu and Mahesh run and control this Universe. Bramha- the Creator, Vishnu- the sustainer and Mahesh- the destroyer regulate our Birth, Life and Death. Since Bramha has a curse that He will not be worshipped in Kaliyug, the population is divided in 2 parts – those who worship any form of Vishnu (Vaishnav/Vaishnavite) and those who worship any form of Mahesh (Shaiv/Shaivite). You will find Mythological stories, films, dramas and books etc on either Vishnu or Mahesh in their different forms. For example – The Dashavtar or the 10 incarnations of Vishnu.
God Mahesh is usually depicted as constantly doing Tap (तप ), with Ash smeared all over his body. Even his Ganas (followers/assistants) have fearful appearances. The other side of Mahesh is one who promotes arts like Dancing. You must have seen his idol Natraj – he is Shiv ji !.
Since childhood, I have been fasting on Shrawan Somvar. I am quite a religious person mentally ( not by karmkand), but I do not show off. This religious trend has been passed on to me through generations, so its in the blood, I suppose. We are staunch Shiv-Bhakts and we like anything that is about Shiv ji…..including his films. I have rarely missed any films on Shiv ji.
Today’s bhajan is from the film Jai Mahadev-1955. It is sung by Bhajan Gayak of repute – shri Gopal Mishra ji. As far as I know, he has sung only this Bhajan in a Hindi film. His private records of Bhajans are available. The Lyricist is Bharat Vyas. The music Director was Manna Dey.
Manna Dey’s Biography is available at many places on the Internet and anyone can read it easily. So, I am not giving his Biodata, but here is a different look at him from another angle.
Manna Dey ( 1-5-1919 to 24-10-2013 ) was essentially a singer, but initially he wanted to become a Composer. So, by becoming assistant first to his uncle K.C.Dey and later to Khemchand Prakash, he managed to give music to 17 films, composing 129 songs in these films, in his career. None of his composed songs became a Hit or very popular.
In contrast, he sang in 839 Hindi films and sang 1370 songs ! This output clearly proves that he was a successful singer. The problem with many singers is that they want to become Music Directors or act in the films or do both or all three ( Like Mukesh), but they do not possess that mindset.
A Composer is a Planner and a singer is an implementer. You can either be this or that. In any case an implementer rarely has the Talent of a planner. Singers like Mukesh, Talat, S D Batish, Khan mastana and few others never became famous or popular or successful Composers or actors. Singers like Talat realised this too late and spoiled his singing career too.
When Manna Dey was interviewed by Chandan Mitra for The Pioneer, on 25-10-2013, he asked him this question….
“Many people say you are the film world’s most under-rated and under-recognised singers despite being so phenomenally talented. Does this bother you ?”
Manna Dey – “It used to. I would be very hurt at being overlooked when it came to singing for the hero. Some music directors, such as Naushad saab, never used me, always relying on Rafi for the male voice. As a result, I never sang for Dilip Kumar. In my days of struggle, some producers were positively indecent. I will tell you two incidents to explain what I have undergone and how God has been on my side.
Bharat Bhushan was a big hero in the 1950s, especially after his Baiju Bawra became a major hit. His brother Shashi Bhushan decided to produce Basant Bahar and hired Shankar-Jaikishan to score the music. Shankar was my mentor in the film world and always pushed my case especially if the tunes were classical-based or very fast. They had composed Sur Na Saje, a really beautiful number. Rehearsals were complete and we were about to record when Shashi Bhushan heard I was to sing it. He said, ‘Nothing doing, get Rafi.’ Shankar argued but the producer would not listen. I was feeling very humiliated when Bharat Bhushan walked in. He heard the debate and finally said, ‘let Manna sing now. We will see what to do later.’ As you know, the song became a very big hit. At stage shows, I am requested to sing it even now.
Another time, we were about to record Yeh Raat Bheegi Bheegi for the Raj Kapoor Nargis starrer, Chori Chori. It was a South Indian production by AVM, which was owned by Chettiar. He had just flown into Mumbai that day and drove straight to the studio to attend the recording. As he entered, he yelled, ‘I don’t see Mukesh. Where is Mukesh ji’ Shankar told him, ‘You don’t see Mukesh because Manna Dey is singing this number.’ Chettiar was very angry. ‘Cancel the recording,’ he ordered, turned to me and said, ‘You go home.’ At that point Raj saab really got annoyed. He told Chettiar, ‘Manna and Manna alone will sing this number whether you like it or not.’ Few people dared to talk to a big producer like that, but then, few producers had the guts to disobey Raj Kapoor. Reluctantly, Chettiar had to allow the recording to proceed. When I finished, the same Chettiar (he was quite fat) grabbed me and wouldn’t release me from his hug!
But you are right. I never got what I fully deserved. You see, I was born into a very proud family. We had no ego but we were proud of our talent. So, I couldn’t do the rounds of producers and music directors’ homes, get into Mumbai’s sharabi-kababi culture, or sit in the durbars of big heroes. Most struggling singers have to do that even now. I was a struggling singer in my early years in Mumbai and, thereafter, when I did gain acceptance, I got somewhat typecast. Only a few music directors would experiment with me as the hero’s voice. But I don’t hold a grudge on anybody or anything. I have sung my heart out, I have got people’s love in return, I love to sing even now; I have led a contented life. What more can a person ask for ? I am very happy the way I am.”
Let us now listen to this Bhajan by Gopal Mishra ji.
Song-Jai jai jai Tripurari (Jai Mahadev)(1955) Singer-Gopal Mishra, Lyricist- Bharat Vyas, MD- Manna Dey
Lyrics
jai jai jai Tripurari
jai jai jai Tripurari
jai jai jai Tripurari
jai jai jai Tripurari
jai trilochan (?)
jai dukhmochan
jai hey mangalkaari
jai jai jai Tripurari
jai jai jai Tripurari
mukhti saddaayak charan kamal mein
sheesh jata mein shobhit gange
mukhti daayak charan kamal mein
sheesh jata mein shobhit gange
ang bhabhoot ramaaye bhole
jai kailaash bihaari
jai jai jai Tripurari
jai jai jai Tripurari
gale rund ki maal
kati mein mrig khaal
bhasm taj saaje
?? chandr bhaal
dinak din
?? damroo baaje
?? hey
jai jagvandan hey
jai trishool kar dhaari
jai jai jai Tripurari
jai jai jai Tripurari
jai jai jai Tripurari
jai jai jai Tripurari
Shankar arpan maala koyi haath na ise lagaana
Posted by: Atul on: March 27, 2021
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4635 | Post No. : | 16290 | Movie Count : | 4426 |
Today’s song is from the film Durga-1939, a film made by the prestigious Bombay Talkies. The film was directed by the studio’s German Director – Franz Osten. Some readers may wonder, how a German could direct a Hindi film, without knowing or understanding the language ? For such readers, let me tell you that Franz Osten directed not just 1 or 2 but a total of 16 films for Bombay Talkies, from its beginning. Till the end, he never learnt Hindi language ! He was not the lone German , but there was a whole team of Germans who worked in Bombay Talkies !
Not only in Bombay talkies, but Germans contributed to Indian Cinema elsewhere too and in different segments of filmmaking. Let us take a quick look at Germans in Indian Cinema, in general. Germany had a very good name in India during the olden days i.e. during the early part of the last century. I remember my Grandfather ( who expired in 1975 at the age of 91 years) always praising Germany for so many things. In India,all things German, were considered to be the Best- even better than the Vilayati or the British things !
Very few people know that Indian Cinema had a little known connection with the rise of Hitler in Germany in 1932-33. A group of men , engaged in Cinema in Germany, flocked to India in the 30’s and played a vital role in Indian Cinema and the arts of that time. After Hitler took over Germany in 1933, the German Cine Studios’ glory days were over and they were turned into Nazi Propaganda Machines !
It was at this time that several of its men left the studio and arrived in India, and contributed during the Indian cinema’s formative years.
The foremost among them is Frantz Osten, a German whom Himanshu Rai and Devika Rani met at the UFA when they went to train there (they worked with Lang and Marlene Dietrich). Osten had already been directing films for the couple since 1925, when he made Light of Asia for them from Germany.
In 1934, he came to India and the next year, after Rai founded ‘ Bombay Talkies ‘ the legendary film studio in Malad, that now lies in ruins, Osten directed its first film.
He went on to direct the famous Devika Rani-Ashok Kumar starrer, Achhut Kanya, without much knowledge of Hindi. The film, which featured the song “Main ban ki chiriya”, was shot by Joseph Wirsching; the sets were designed by Karl von Spreti and the laboratory was headed by Zolle, Osten’s team of UFA ex-members who worked for Rai’s state-of-the-art studio.
Osten and his fellow Germans directed 16 films for Rai. It was a remarkable feat for people who knew little Hindi ‘ mistaking the word “bulbul” once for a pair of bulls. While in Bombay, he became a member of the Nazi Party (1936). He was interned by the British at the outbreak of WW2 in 1939, while shooting his last film there, Kangan. Released and allowed to return to Germany (1940).
“It’s not clear if they had anything to do with the Nazi ideology, either way,” said film historian Amrit Gangar.
“If they did, it did not show in their films. But there were two other people who almost certainly migrated to India because of the persecution of Jews.”
They were Walter Kauffman, a scholar and composer interested in Oriental music, and Wilhelm Haas, a writer and a friend of Franz Kafka.
“Both were Jews, and Haas came to India because of Kauffman, who went on to found the Bombay Chamber Music Society,” Gangar added.
Kauffman arrived in 1934 after meeting director-producer Mohan Bhavnani at the UFA (where V. Shantaram also did a stint).
“Haas was in Czechoslovakia, but left the country for India just after Hitler’s invasion,” Gangar said.
Kauffman, Haas and Bhavnani worked together in Premnagar (1940), Naushad’s first film as music director. Kauffman composed the background score; Haas wrote the screenplay.
“It is debatable, but Kauffman is probably also the person behind the All India Radio signature tune. Haas was a member of the Indian chapter of PEN,” Gangar said. Haas also wrote the script for Bhavnani’s Jhooti Sharam (1939).
The story of Paul Zils ( 1-6-1915 to 30-3-1979 ) stands out, though. Zils, believed to be a Nazi sympathizer, turned up in India under strange circumstances: he was bound for Indonesia in a steamer that got torpedoed by an Indian naval ship during World War II and he was taken prisoner.
After his release, because of his film experiences, the leadership of the sales department in Ezra Mir led government documentary production company, called him to join Information films of India. End of October 1945, he came to Bombay and started his work. In March 1959 he returned to Germany.
As the studio system came to an end and individual producers took over, the days of the Germans in Indian cinema were over. Many, including Osten, went back to Germany. Set designer Spreti was appointed German ambassador to Guatemala and was later shot dead by terrorists. Josef Virsching-the Cinematographer, however, stayed back in India till his death in 1967. He did few more Hindi films too.
Most of the others remained associated with the film world abroad.
Paul Zils directed 3 Dev Anand films, according to the documents. Hindustan Hamara-50 and Zalzala-52 are found in HFGK, but the third film called ‘ Shabash”, though listed in 1949, gives no details, except the film name. ( Information adapted from the book ” Walter Kauffman” by Amit Gangar, with thanks and my notes.)
It’s not just the Germans alone, but there was an American who contributed to Tamil Cinema as a Director, during the same period i.e. 1935 to 1950. He directed not just 14 Tamil films….without understanding the language….but also a Hindi film, ‘ Meera’ in 1947…..without knowing Hindi language ! On top of it this Hindi film featured the legendary Carnatic Classical singer M.S.Subbulakshmi. This American’s name was Ellis R. Dungan (11-5-1909 to 1-12-2001).
When Himanshu Rai and Devika Rani decided to establish a modern, well equipped cinema studio in Bombay, they started getting the right persons for different departments of filmmaking. While in London, he had met Niranjan Pal (son of the great patriot Bipin Chandra Pal)-a writer of stage dramas and films. They became friends. Soon after Himanshu Rai, Niranjan also returned to India. Rai called Niranjan to Bombay to work as a writer on a very attractive salary. He arrived and he wrote stories, screen plays and dialogues for the first 8 films of Bombay Talkies. He was assisted by J S Casshyap, Najam Naqvi, and S J Hasan. Their films used simple, day to day Hindi language. Prabhat Hindi films had a profound Marathi tilt, and New Theatre Hindi films were all round and round words- too much bookish Hindi. Naturally, Bombay Talkies Hindi was acceptable in the Hindi belt easily.
After Devika Rani’s elopement episode, Himanshu Rai’s male ego and Bangla Bhadralok prestige was shattered and he had lost his peace of mind. Later he also suffered from tantrums. Once Niranjan Pal wrote an article in an outside magazine, which Rai did not like and he quarrelled with Niranjan on this. They stopped talking. Then one day, when Niranjan was about to go home in his car, Rai came running and holding the car door, started arguing with Niranjan. Finally Niranjan left-never to come back to Bombay talkies again !
Niranjan Pal was one of the very important members of the team. He had written stories of the early films. One of his hits was Achhut kanya also. He proved to be a master in recreating Village atmosphere. After he left, Himanshu Rai immediately called Saradindu Bandopadhyaya from Calcutta. He was the one who had created the famous film and TV character Byomkesh Bakshi. He joined Bombay Talkies and wrote stories of 7 films.
Film Durga’s story was also by him. This is what “Encyclopedia of Indian Cinema ” says about the film Durga…..” Rural melodrama about Durga (Devika Rani), an adolescent child of nature, living with her aged mother Heera. Unable to get the medicine required to prevent her mother’s death, one misfortune after another befalls the heroine in spite of the sympathies of the newly arrived village doctor, Jawahar (Shukul). In the absence of Niranjan Pal, the studio’s main scenarist and author of its best-known rural dramas (Achhut Kanya, Janmabhoomi, both 1936), the tale reduces itself to a purely familial narrative. It is nevertheless a key production in Devika Rani’s self-projection of urbane charm clothed in primal innocence. Osten followed it with Leela Chitnis’s first big film, Kangan (1939). Wadkar was promoted to lead actress again opposite Shukul in her next big film, Navjeevan (1939).”
Today’s song is sung by Devika Rani and Rama Shukul. With this song, film Durga-39 makes its Debut on this Blog.
Audio
Video
Song-Shankar arpan maala koyi haath na ise lagaana (Durga)(1939) Singers- Devika Rani, Rama Shukul, Lyricist- Narendranath Tuli, MD- Saraswati Devi
Lyrics
Shankar arpan maala
koyi haath ise na lagaana
haan dil bhi na tarsaana
kali kali ko man se goondha
maala to hai meri
haan koi hathh hai teri
neer neer ki rajni jaisi
neer neer ki rajni jaisi
main jungle ki cheri (??)
haan main jungle ki cheri(??)
main devi ka daas
mujhe nahin vishvaas
main devi ka daas
mujhe nahin vishvaas
Shankar(?) sunke laaj karo
kuchh bhool gayi saugandhh
main thhaa tujhe pasand
jhhagdaa chhodo milkar baithhen
jhhagdaa chhodo milkar baithhen
Shankar se li thhi maange var ki bheekh
Shankar se li thhi maange var ki bheekh
hey yogiraaj mahaan
do teri bhanvarjaal
sun yogi chatur sujaan mujhe teri de do shaan
Rat Shiv naam ki maala
Posted by: Atul on: March 11, 2021
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4619 | Post No. : | 16263 |
All but one song of “Nartaki”(1940) are already covered in the blog. Here are the details of the songs (in the order in which they are listed in HFGK Vol-I ):-(1931-1940)
| Song | Posted On |
|---|---|
| Madbhari rut jawaan hai | 21.09.2011 |
| Ye kaun aaj aayaa sawere sawere | 15.03.2011 |
| Aankh moond kar dhyaan | 10.06.2011 |
| Teri dayaa se ae daayee | 12.10.2011 |
| Kaun tujhe samjhaaye | 09.04.2020 |
| Prem ka naataa chhootaa | 09.04.2010 |
| Rat Shiv naam ki maalaa, is naam se jag ujiyaalaa | Being posted today |
Kaun tujhe samjhaaye*
(*HFGK mentions this song ‘kaun tujhe samjhaaye moorakh’ as multiple version song sung by Roopkumari (first version) and Pankaj Mallick and chorus (second version), however as noted in the post for this song above the female version of this song is not there in the movie. However, this song ‘kaun tujhe samjhaaye moorakh’ appears in two parts and since both the parts of this song are covered, we can conclude that seven songs of this movie are already covered on the blog.
Instead, one song is played in the beginning of the movie i.e. ‘hey chandrachood madanaantak shoolpaney’ , but not included in HFGK in ‘Nartaki-1940’, but this song features in ‘Yatrik-1952’ (refer my comments on this song on the blog).
Yes, this song is played in the movie Nartaki-1940 (at 4:17 to 05:36).
(Sung by Pankaj Mallick and chorus I guess). However, in the list of songs of this movie-‘Nartaki-1940’ in HFGK Vol -1 (1931-40) it is not mentioned.
During the preparation of my post with a song from the movie ‘Nartaki-1940’ I first noted down the list of songs of this movie already posted on the blog. And, after that I watched this movie, so when I came across this song in the movie, I immediately remembered this post by Deshmukh Sir on the blog, so I looked for this song on the blog. (Because I thought if the link of this post was missing, as I had forgotten that this song-post was for the movie ‘Yaatrik-1952’.
Today’s song is the only remaining song from this movie. With this song, all the songs of “Nartaki”(1940) have been covered and this movie thus gets YIPPEED in the blog.
let us enjoy this song titled “rat shiv naam ki maala” today on the occasion of Mahashivtarri.
I have not been able to note correct words at many places. I would request our readers with keener ears to kindly help and provide correct words please.
Audio
Video
Song-Rat Shiv naam ki maala (Nartaki)(1940) Singer-Chorus, Lyrics-Aarzoo Lucknowi, MD-Pankaj Mullick
Lyrics
rat shiv naam ki maala aa
rat shiv naam ki maala aa
rat shiv naam ki maala aa
rat shiv naam ki maala aa
aa aa aa rat shiv naam ki maala aa
rat shiv naam ki maala aa
is naam se jag ujiyaalaa aa
rat shiv naam ki maala aa
rat shiv naam ki maala aa
jagat sundartaa(?) baaki leelaa
jagat sundartaa (?) baaki leelaa
wohi soch ?
suraj chamkeelaa aa
wohi rang jo ?
patta bootaa phool rangeelaa
chamak rahaa hariyaala
rat shiv naam ki maala aa
rat shiv naam ki maala aa
har har panchhi jag par doley
hari hari daal pe har har boley
har har boley ae
har har boley ae
har har panchhi jag par doley
hari hari daal pe har har boley
?
aa aa aa
?
? amras ras gholey
ras gholey ae
?
?
jhoom chaley ae
jhoom chaley ae
jhoom chaley matwaalaa aa aa
rat shiv naam ki maala aa
rat shiv naam ki maala aa
is naam se jag ujiyaalaa aa
rat shiv naam ki maala aa
rat shiv naam ki maala aa
rat shiv naam ki maala aa
rat shiv naam ki maala aa
rat shiv naam ki maala aa
rat shiv naam ki maala aa
rat shiv naam ki maala aa
rat shiv naam ki maala aa
rat shiv naam ki maala aa
rat shiv naam ki maala aa
rat shiv naam ki maala aa
rat shiv naam ki maala aa
rat shiv naam ki maala aa
rat shiv naam ki maala aa
rat shiv naam ki maala aa
rat shiv naam ki maala aa …
Aayiye padhaariye
Posted by: Atul on: January 9, 2021
- In: Asha Bhonsle Mahendra Kapoor duet | Asha Bhonsle songs | Duet | Invitation song | Lord Shiv related songs | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Mahendra Kapoor songs | Songs of 1960s (1961 to 1970) | Songs of 1964 | Tourist Guide song | Yearwise breakup of songs
- 7 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4558 | Post No. : | 16152 |
“Geet Gaaya Pattharon Ne”(1964) as produced and directed by V Shantaram for V Shantaram Productions, Bombay. This “social” movie had Jeetendra, Surendra, Bharati, K Date, Mai Bhide, Nana Palsikar, C H Atma, Paresh Kumar, Dalveer Singh Parmar (Radio Ceylon announcer), Parshuram, Kamaal, Bablu etc in it.
The movie had nine songs in it. Four songs have been covered in the past.
Today (9 January 2021) is the 87th birth anniversary of Mahendra Kapoor (9 January 1934 – 27 September 2008). AS a tribute to him, here is a song from “Geet Gaaya Pattharon Ne”(1964). The song is sung by Mahendra Kapoor, Asha Bhonsle and chorus.
Only the audio of the song is available. I request our knoledgeable readers to thro light on this song which was frequently played on odspeakers in those days before it as forgotten.
Lyrics of this song were sent to me by Avinash Scrapwala.
Audio
Song-Aayiye padhaariye (Geet Gaaya Pattharon Ne)(1964) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Vishamitra Adil, MD-Ramlal
Male chorus
Female chorus
Mahendra Kapoor + Male chorus
Lyrics(Provided by Avinash Scrapwala)
Aayiye padhaariye
Aayiye padhaariye
Aayiye padhaariye
Aayiye padhaariye
Ye dekho
Shiv aur Paarwati ki shaadi
Arre jaise har ladke ki shaadi
Jaise har ladki ki shaadi
Jaise har ladki ki shaadi
Aayi baat samajh mein
Aayi
Aayiye padhaariye
Aayiye padhaariye
Aayiye padhaariye
Aayiye padhaariye
Dekho ab Kailash ke upar
Shiv aur Paarwati baithhe hain
Aankhen pyaar bhare do pyaale
Jinko tarsen duniyaa waale
Aayi baat samajh mein
Aayi
Lekin ab yahaan neeche dekho
Shiv ke yahaan bhagat Raawan ko
Jisne apne sheesh uthhaaya
Oonche parwat ke aasan ko
Oonche parwat ke aasan ko
Aayi baat samajh mein
un hoon
Aayiye padhaariye
Aayiye padhaariye
Aayiye padhaariye
Aayiye padhaariye
Dekho roop ye Paarwati kaa
Doosraa naam hai jiskaa Durgaa
Jag kaa kasht piyaa pal bhar mein
Ripu ko nasht kiyaa pal bhar mein
Arre baap re
Aayi baat samajh mein
Aayi
To aayiye padhaariye
Aayiye padhaariye
Aayiye padhaariye
Aayiye padhaariye
Par Durgaa ka kop dekh kar
Badhe shaant karne ko Shankar
Lage lubhaane nartak ban kar
Kaise
Aise
Aayi baat samajh mein
Aayi
To aayiye padhaariye
Aayiye padhaariye
Aayiye padhaariye
Aayiye padhaariye
moorakh dekho idhar ye kya hai
Shivjee ka ye roop naya hai
aundhi khopdi palken bhaari
samjha purush jo dekhe naari
hahahahaha
Laakh hanso par ye mat bhoolo
Shiv ne apni hi shakti ko
jab naari ke roop mein dhhaala
tum purushon ne hosh sambhaala
aayi baat samajh mein
aayi
to Aayiye Padhaariye
Aayiye Padhaariye
Aayiye Padhaariye
Aayiye Padhaariye
Chanda tujhko laaj na aaye
Posted by: Atul on: October 26, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4483 | Post No. : | 15994 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part V: Year 1951
———————————————————————————————————
This series began in a small way because Lata Mangeshkar had sung very few songs in her earlier years -only nine songs in first two years and 50 songs in the third year.
From her fourth year, viz 1949, Lata Mangeshkar was on her own. She sang 153 songs in 1949 and established her as the new female playback singing sensation of HFM. The next year viz 1950 saw her singing 143 songs.
Now we come to her next decade, viz the decade of 1950s. The first year of the decade, viz 1951 saw Lata Mangeshkar singing as many as 223 songs for Hindi movies that were released in this calender year. This is the highest number of songs sung by Lata Mangeshkar in movies released in a calender year. So statistically Lata Mangeshkar touched the peak of her playback career in 1951.
Here are the details of the songs that Lata Mangeshkar sang in HFM in movies that were released in 1951:-
| S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
|---|---|---|---|---|---|---|---|---|---|
| 1 | Aaraam | Anil Biswas | 5 | 5 | 5 | 0 | 0 | 0 | Rajinder Krishan (3) Prem Dhawan (2) |
| 2 | Aawaara | Shankar Jaikishan | 6 | 6 | 4 | 2 | 0 | 0 | Shailendra (3) Hasrat Jaipuri (3) |
| 3 | Adaa | Madan Mohan | 3 | 3 | 3 | 0 | 0 | 0 | Prem Dhawan (2) Raja Mehdi Ali Khan (1) |
| 4 | Afsaanaa | Husnlal Bhagatram | 5 | 5 | 5 | 0 | 0 | 0 | Asad Bhopali (4) Gafil Harnalwi (1) |
| 5 | Albelaa | C Ramchandra | 10 | 10 | 3 | 7 | 0 | 0 | Rajinder Krishan |
| 6 | Baadal | Shankar Jaikishan | 7 | 7 | 6 | 1 | 0 | 0 | Shailendra (5) Hasrat Jaipuri (2) |
| 7 | Badi Bahoo | Anil Biswas | 5 | 5 | 2 | 2 | 1 | 0 | Prem Dhawan (2) Rajinder Krishan (1) Rangeen (1) Safdar Aah Sitapuri (1) |
| 8 | Bhola Shankar | Snehal Bhatkar | 0 | 2 | 2 | 0 | 0 | 0 | Bharat Vyas |
| 9 | Bikhre Moti | Ghulam Mohammad | 1 | 4 | 3 | 1 | 0 | 0 | Akhtar ul Iman |
| 10 | Buzdil | S D Burman | 5 | 5 | 4 | 1 | 0 | 0 | Shailendra (4) Kaifi Azmi (2) incl one jointly written song |
| 11 | Daaman | K Datta | 5 | 5 | 3 | 1 | 1 | 0 | Rajinder Krishan (2) Raja Mehdi Ali Khan (2) Ehsan Rizvi (1) |
| 12 | Deedaar | Naushad | 5 | 5 | 3 | 1 | 1 | 0 | Shakeel Badayuni |
| 13 | Dholak | Shyam Sundar | 2 | 2 | 0 | 2 | 0 | 0 | Aziz Kashmiri |
| 14 | Do Sitaare | Anil Biswas | 2 | 2 | 2 | 0 | 0 | 0 | Rajinder Krishan |
| 15 | Ek Nazar | S d Burman | 5 | 5 | 4 | 1 | 0 | 0 | Rajinder Krishan |
| 16 | Ek Thhaa Raaja | C R Subbaraman | 0 | 2 | 2 | 0 | 0 | 0 | Pt Sudrshan |
| 17 | Ghazab | Unknown | 0 | 1 | 0 | 0 | 0 | 1 | A Karim |
| 18 | Gumaashta | K Datta | 1 | 2 | 2 | 0 | 0 | 0 | Wahid Qureshy |
| 19 | Halchal | Md Shafi (5) Sajjad Hussain (2) | 7 | 7 | 4 | 3 | 0 | 0 | Khumar Barabankwi |
| 20 | Ham Log | Roshan | 5 | 5 | 4 | 1 | 0 | 0 | Vishwamitra Adil Uddav Kumar |
| 21 | Jaadoo | Naushad | 4 | 4 | 4 | 0 | 0 | 0 | Shakeel Badayuni |
| 22 | Kaali Ghataa | Shankar Jaikishan | 6 | 6 | 5 | 1 | 0 | 0 | Hasrat Jaipuri (5) Shailendra (1) |
| 23 | Khazaana | C Ramchandra | 8 | 8 | 5 | 3 | 0 | 0 | Rajinder Krishan |
| 24 | Lachak | Motiram | 1 | 2 | 2 | 0 | 0 | 0 | Shakeel Badayuni (1) Shriram Vohra (1) |
| 25 | Maalti Madhav | Sudhir Phadke | 3 | 5 | 4 | 1 | 0 | 0 | Narendra Sharma |
| 26 | Madhosh | Madan Mohan | 6 | 6 | 6 | 0 | 0 | 0 | Raja Mehdi Ali Khan |
| 27 | Malhaar | Roshan | 6 | 6 | 3 | 3 | 0 | 0 | Indeewar (2) Kaif Irfani (2) Shyam Lal (1) Traditional (1) |
| 28 | Murliwaala | Sudhir Phadke | 2 | 7 | 6 | 1 | 0 | 0 | Bharat Vyas |
| 29 | Naadaan | Chic Chocolate | 6 | 6 | 3 | 3 | 0 | 0 | P L Santoshi |
| 30 | Naazneen | Ghulam Mohammad | 1 | 3 | 3 | 0 | 0 | 0 | Shakeel Badayuni |
| 31 | Nageena | Shankar Jaikishan | 4 | 4 | 3 | 1 | 0 | 0 | Shailendra (2) Hasrat Jaipuri (2) |
| 32 | Nakhre | Hansraj Bahl | 1 | 3 | 2 | 0 | 0 | 1 | Bharat Vyas (1) Aarzoo Lucknowi (1) Verma Malik (1) |
| 33 | Nand Kishore | Snehal Bhatkar | 3 | 6 | 6 | 0 | 0 | 0 | Narendra Sharma |
| 34 | Naujawaan | S D Burman | 3 | 3 | 2 | 1 | 0 | 0 | Sahir Ludhianvi |
| 35 | Pyaar Ki Baaten | Khayyaam | 2 | 2 | 2 | 0 | 0 | 0 | Khawar Zamaan |
| 36 | Sabz Baagh | Vinod | 3 | 3 | 3 | 0 | 0 | 0 | Aziz Kashmiri |
| 37 | Sagaai | C Ramchandra | 7 | 7 | 3 | 2 | 1 | 1 | Rajinder Krishan |
| 38 | Sainyyaan | Sajjad Hussain | 6 | 6 | 6 | 0 | 0 | 0 | D N Madhok (3) Rajinder Krishan (2) Hasrat Jaipuri (1) |
| 39 | Sanam | Husnlal Bhagatram | 1 | 1 | 0 | 0 | 1 | 0 | Qamar Jalalabadi |
| 40 | Sansaar | E Sankar Sastri | 3 | 7 | 6 | 1 | 0 | 0 | Pt Indra Chandra |
| 41 | Sarkaar | Pt Govindram | 0 | 2 | 2 | 0 | 0 | 0 | Mulkraj Bhakri |
| 42 | Saudaagar | C Ramchandra | 3 | 5 | 5 | 0 | 0 | 0 | P L Santoshi |
| 43 | Saza | S D Burman | 6 | 6 | 4 | 1 | 1 | 0 | Rajinder Krishan (5) Sahir Ludhianvi (1) |
| 44 | Shabistan | C Ramchandra | 2 | 2 | 0 | 1 | 1 | 0 | Qamar Jalalabadi |
| 45 | Shagun | Husnlal Bhagatram | 2 | 4 | 3 | 1 | 0 | 0 | Mulkraj Bhakri |
| 46 | Shokhiyaan | Jamal Sen | 3 | 3 | 1 | 0 | 2 | 0 | Kidar Sharma |
| 47 | Stage | Husnlal Bhagatram | 2 | 4 | 2 | 2 | 0 | 0 | Sarshar Sailaani |
| 48 | Taraana | Anil Biswas | 8 | 8 | 5 | 2 | 1 | 0 | D N Madhok (4) Prem Dhawan (3) Kaif Irfani (1) |
| 49 | Ustaad Pedro | C Ramchandra | 6 | 6 | 1 | 5 | 0 | 0 | Raja Mehdi Ali Khan |
| Total | 49 movies | 24 MDs | 187 | 223 | 158 | 52 | 10 | 3 | 37 lyricists |
From the table, we see that Lata Mangeshkar gave playback in 49 movies. 98 movies were released that year. So one can say that she got to sing in 50 % of the movies that were released in 1951. She worked with 24 music directors and 37 lyricists. It was in this year that she worked with music directors Madan Mohan, Sudhir Phadke and Roshan for the first time. She also sang the lyrics of Kaifi Azmi, Kidar Sharma, Sahir Ludhianvi and Verma Malik for the first time in this year.
Out of 223 songs that Lata Mangeshkar sang in the year, as many as 187 songs have already been covered in the blog.
“Bhola Shankar”(1951) is alphabetically the first movie of 1951 that has Lata Mangeshkar songs that have not been covered in the blog. “Bhola Shankar”(1951) was directed by Vishraam Bedekar for Famous Pictures, Bombay. The movie had Prem Adeeb, Vijaylaxmi, Mahipal Sheela Naik, Prakash Gupta, Sadhana Bose, Bhagwan, Kamal, Balaram, Ram avtaar, Jyoti, Samant, Raj Kishore, Prem Ratan, Radheshyam etc in it.
The movie had eight songs in it, including two Lata solos. Two songs from the movie have been covered.
The movie had two Lata Mangeshkar solos in it. There two songs have not been covered in the past.
Here is one of these songs.
This song is sung by Lata. Bharat Vyas is the lyricist. Music is composed by Snehal Bhatkar. Ss mentioned earlier, Snehal Bhatkar was working with Lata Mangeshkar for the first time.
Only the audio of this song is available. I request our knowledgeable readers to throw light on the picurisation of this lesser heard song.
I have not been able to note the lyrics of the song fully to my satisfaction. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.
Audio
Song-Chanda tujhko laaj na aaye (Bhola Shankar)(1951) Singer-Lata, Lyrics-Bharat Vyas, MD-Snehal Bhatkar
Lyrics
Chanda aa tujhko laaj na aaye ae
mere chhod piya ka saath
akela
man hi man muskaaye
chanda
tujhko laaj na aaye
chanda aa
jinki jataaon mein basta tu
aaj arre un bin hansta kyun
door chhupaa kar pran piyaa ko
apna roop dikhaaye chanda
tujhko laaj na aaye ae
mere chhod piya ka saath
akela
man hi man muskaaye
chanda
tujhko laaj na aaye
chanda aa
sheesh piyaa ke tohe tu pyaara
un bin laage jo angaara
un bin laage jo angaara
roothh gaye mere chandmauli to
tu kyun mukh dikhlaaye
chanda
tujhko laaj na aaye
mere chhod piya ka saath
akela
man hi man muskaaye
chanda
tujhko laaj na aaye
chanda aa
saath gagan ganga tere sautin
leti hai mujhse badle gin gin
leti hai mujhse badle gin gin
poochh ise kahin mere piya ka
baithhi na soch(?) chhupaaye
chanda
tujhko laaj na aaye
meri chhod piya ka saath
akela
man hi man muskaaye
chanda
tujhko laaj na aaye
chanda aa
Bolo Shiv Shiv Shambhu Bam Bam Bam
Posted by: Atul on: July 12, 2020
- In: Bhajan | Devnagri script lyrics by Avinash Scrapwala | Guest posts | Lord Shiv related songs | Lyrics contributed by readers | Mahendra Kapoor solo | Mahendra Kapoor songs | Post by Avinash Scrapwala | Shiv bhajan | Songs of 1970s (1971 to 1980) | Songs of 1974 | Yearwise breakup of songs
- 1 Comment
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4377 | Post No. : | 15721 | Movie Count : |
4333 |
#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 96#
—————————————
In the mission of covering ‘movies with same title’ on the blog, today’s song introduces ‘Har Har Mahadev-1974’, which is making its debut on the blog today with this song. We already have a movie ‘Har Har Mahadev’ of the year ‘1950’ on the blog.
‘Har Har Mahadev-1974’ a ‘mythological movie’ was directed by Chandrakant for ‘Joy Films’. Chandrakant was also the producer of this movie. It had Dara Singh, Jayshree Gadkar, Padma Khanna, Uma, Aruna Irani, Sujata, Gopi Kishan, Satyajeet, Abhi Bhattacharya, Randhawa, Shahu Modak, Asit Sen, Babu Raje, Arvind Pandya, Azad, Master Tito, Suryakumar, Ratnamala, Himmat Singh Chauhan, Dilip Dutt, Vishwas Kunthe, Hercules, Polsan, Moolchand, Rajrani, Saudagar Singh, Jagdish Raj, V.Gopal, Pal Sharma, Radheshyam, Rinku, Narmada Shankar, Anil Kumar, Dhanraj Pehalwan, Minal Mehta, Uma Khosla, Manjiri Desai, Devyani Thakkar, Sarita Devi, Shri Bhagwan, Sitaram, Shery, Kedar Saigal, Thakur G.S. and others. Sumitra Devi made a special appearance in this movie.
Story of this movie was written by Pragji Dosa and dialogues were written by Ramesh Pande. Editing of this movie was done by Ram Khade and Vithoba Surve.
This movie had as many as seven songs in it written by Kavi Pradeep and music composed by Kalyanji-Anandji. Singers Lata Mangeshkar, Mahendra Kapoor, Aziz Nazan and Kanchan had given their voices to the songs in this movie.
This movie was passed by censor board on 22.08.1974.
Dara Singh played the role of Mahadev in this movie. Today 12th July 2020 is the eighth remembrance anniversary (19.11.1928- 12.07.2012) of this most loved personality of Indian Cinema.
He is mostly remembered and loved for the mythological character of ‘Hanuman’, he also played Bhagwan Shiv in some of the movies viz. ‘Tulsi Vivaah-1971’, ‘Hari Darshan-1972’, and ‘Har Har Mahadev-1974’ (as per information available on ‘wiki’).
Remembering him today on his Remembrance Day and paying our tributes to him with this song picturised on him where he as Mahadev is seen in his ‘dhyan mudra’ while Jayshree Gadkar as devi Parvati is also seen.
This song a ‘shiv stuti bhajan’ is sung by Mahendra Kapoor and on screen it is lip sync by Babu Raje (playing ‘Narad muni’ here) and another actor whom I am unable to identify. There are many other artists who are performing in this wonderful song.
Let us now enjoy this song written by Kavi Pradeep ji in this auspicious month of ‘shraavan’ which is already in progression in some parts of the country and about to begin in next week in other parts of the country.
With this song ‘Har Har Mahadev-1974’ makes its debut on the blog.
Video
Audio
Song-Bolo Shiv Shambhu Shambhu bam bam bam (Har Har Mahadev)(1974) Singer-Mahendra Kapoor, Lyrics-Kavi Pradeep, MD-Kalyanji Anandji
Chorus
Lyrics
bolo shiv shiv shambhu
bam bam bam
bolo shiv shiv shambhu
bam bam bam
bolo shiv shiv shambhu
bam bam bam
ho bolo shiv shiv shambhu
bam bam bam
bolo shiv shiv shambhu
bam bam bam
are gaao re ae ae ae
ye naam hardam
ye naam hardam
jab tak hai ae
bhaai dam mein dam
bhaai dam mein dam
ho bolo shiv shiv shambhu
bam bam bam
ho bolo shiv shiv shambhu
bam bam bam
bolo shiv shiv shambhu
bam bam bam
hey pralaynkar
bheem bhayankar
hey prabhushankar swaami ee
he prabhushankar swaami ee
he vishweshwar
he parmeshwar
ishwar antaryaami ee
ishwar antaryaami ee
ye dhun hai ae ae ae
uttam anupam
uttam anupam
saare jag ke ae
yahi pitaa param
yahi pitaa param
ho bolo shiv shiv shambhu
bam bam bam
bolo shiv shiv shambhu
bam bam bam
bolo shiv shiv shambhu
bam bam bam
shiv akaam hai
dayaa dhaam hai
shiv ka naam hai sanyam
shiv ka naam hai sanyam
shivji hain mukti
shivji hain shakti
shivji hain bhakti ka sangam
shivji hain bhakti ka sangam
shiv mahimaa aa aa aa
mat samjho kam
mat samjho kam
mit jaayenge duniyaa ke gham
duniya ke gham
ho bolo shiv shiv shambhu
bam bam bam
bolo shiv shiv shambhu
bam bam bam
ho bolo shiv shiv shambhu
bam bam bam
ho bolo shiv shiv shambhu
bam bam bam
bolo shiv shiv shambhu
bam bam bam
ho bolo shiv shiv shambhu
bam bam bam
ho bolo shiv shiv shambhu
bam bam bam
ho bolo shiv shiv shambhu
bam bam bam
ho bolo shiv shiv shambhu
bam bam bam
ho bolo shiv shiv shambhu
bam bam bam
ho bam bam bam
bam bam bam
bolo shiv shiv shambhu
bam bam bam
bolo shiv shiv shambhu
bam bam bam
————————————-
Devnagri script lyrics (Provided by Avinash Scrapwala)
बोलो शिव शिव शम्भू
बम बम बम
बोलो शिव शिव शम्भू
बम बम बम
बोलो शिव शिव शम्भू
बम बम बम
हो बोलो शिव शिव शम्भू
बम बम बम
बोलो शिव शिव शम्भू
बम बम बम
अरे गाओ रे ए ए ए
ये नाम हरदम
ये नाम हरदम
जब तक है ए
भाई दम में दम
भाई दम में दम
हो बोलो शिव शिव शम्भू
बम बम बम
हो बोलो शिव शिव शम्भू
बम बम बम
बोलो शिव शिव शम्भू
बम बम बम
हे प्रलयंकर
भीम भयंकर
हे प्रभुशंकर स्वामी ई
हे प्रभुशंकर स्वामी ई
हे विश्वेश्वर
हे परमेश्वर
इश्वर अन्तर्यामी ई
इश्वर अन्तर्यामी ई
ये धुन है ए ए ए
उत्तम अनुपम
उत्तम अनुपम
सारे जग के
यही पिता परम
यही पिता परम
हो बोलो शिव शिव शम्भू
बम बम बम
बोलो शिव शिव शम्भू
बम बम बम
बोलो शिव शिव शम्भू
बम बम बम
शिव अकाम है
दया धाम है
शिव का नाम है संयम
शिव का नाम है संयम
शिवजी है मुक्ति
शिवजी है शक्ति
शिवजी है भक्ति का संगम
शिवजी है भक्ति का संगम
शिव महिमा आ आ आ
मत समझो कम
मत समझो कम
मिट जायेंगे दुनिया के ग़म
दुनिया के ग़म
हो बोलो शिव शिव शम्भू
बम बम बम
बोलो शिव शिव शम्भू
बम बम बम
हो बोलो शिव शिव शम्भू
बम बम बम
हो बोलो शिव शिव शम्भू
बम बम बम
बोलो शिव शिव शम्भू
बम बम बम
हो बोलो शिव शिव शम्भू
बम बम बम
हो बोलो शिव शिव शम्भू
बम बम बम
बोलो शिव शिव शम्भू
बम बम बम
हो बोलो शिव शिव शम्भू
बम बम बम
हो बोलो शिव शिव शम्भू
बम बम बम
हो बम बम बम
बम बम बम
बोलो शिव शिव शम्भू
बम बम बम
बोलो शिव शिव शम्भू
बम बम बम
Meri paayal jhanke baar baar
Posted by: Atul on: June 6, 2020
- In: "paayal" song | Asha Bhonsle solo | Asha Bhonsle songs | Bhajan | Blog ten year challenge (2010-2020) | Century songs for the blog | Dance song | Devnagri script lyrics by Avinash Scrapwala | Lord Shiv related songs | Lyrics by Prakashchandra | Lyrics contributed by readers | Lyrics contributor century song | Shiv bhajan | Songs of 1960s (1961 to 1970) | Songs of 1965 | Yearwise breakup of songs
- 7 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article marks the 1100th lyrics contribution by Prakashchandra in the blog.
|
Blog Day : |
4341 | Post No. : | 15644 |
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Blog 10-Year Challenge (2010-2020) – Song No. 34
—————————————————————————
The rate of posting of songs in the blog ten years ago was quite similar to the present day rate of posting, even though things were obviously much different in 2010 than what they are now. This day ten years ago (6 june 2010) was a Sunday, when the final of French open tennis tournament was played and Rafael Nadal won his fifth French open title defeating Robin Söderling of Sweden in straight sets. Now a days, no sporting events are taking place.
I find it interesting to note that the world was suffering from the pandemic of Swine Flu between January 2009 till August 2010. But India was not affected as badly as we are today affected with Corona Virus. There was no lockdown of any kind those days, though night running of trains was suspended in Naxalite affected Orissa-Jharkhand-West Bengal region (SE Rly) those days after Maoist insurgents caused derailment of Jnaneshwari express on 28 may 2010. 148 passengers had died in this ghastly accident near Jhargram.
Three songs were posted in the blog on 06.06.2010:-
| Song | Movie title-Year | Remarks |
|---|---|---|
| Deewaane aa zaraa nazrein milaa | Badaa Aadmi-1961 | All songs covered on the blog |
| Jawaab nahin gore mukhde par til kaale kaa | Kangan-1959 | All songs covered on the blog |
| Aaja mere meet re sun ke mere geet re | Jahaan Sati Wahaan Bhagwaan- 1965 | 02 of 05 songs covered |
As can be seen, only one movie out of the above three movie still has a few songs left to be covered. In other words, it is the only candidate for “Blog Ten Year Challenge” today.
This movie, “Jahaan Sati Wahaan Bhagwaan”(1965) was directed by Satish Kumar for K S Pictures, Bombay. This bhakti pradhaan movie had Prithviraj, Anita Guha, Mahipal, Krishna Kumari(North), B.M.Vyas, Sulochana Chatterji, Mohan Choti, Niranjan Sharma, Minaxi, Madhumati, Babloo, Praveen Paul, Habib, Mishri Lal, S.K.Sham, Shri Bhagwan, R.S.Dube, Santosh Kumar, Polson, Dinesh, Dalda, Shyam,and child stars Rippy, Rikky, Pinky etc in it.
The movie had five songs in it Two songs from the movie have been covered in the past.
Here are their details:-
| Song | Posted On |
|---|---|
| Din Beete ladakpan ke | 12.03.2010 |
| Aaja mere meet re sun ke mere geet re | 06.06.2010 |
Today’s song is the third song from this movie to be posted on the blog. This song is sung by Asha Bhonsle. This movie had two lyricists, viz B D Mishra and Madhukar Rajasthani but the lyricist of this song is not known. Music is composed by music director trio Lala Asar Sattar.
The song is picturised as a Lord Shiv Stuti dance song on Anita Guha and others. Among others, Meenaxi and Shirley can also be seen.
Catalyst behind this “Blog Ten Year Challenge” song was Avinash Scrapwala. He got Prakashchandra’s lyrics and also provided the Devnagri script lyrics of the song, while Lyrics of this song were sent by Prakashchandra. This happens to be his 1100th lyrics contribution in the blog. Quite an achievement by Prakashchandra. Our congratulations to this silent and prolific “Kasturi Mrig” contributor to the blog.
Audio
Video
Song-Meri paayal jhanke baar baar (Jahaan Sati Wahaan Bhagwaan)(1965) Singer-Asha Bhonsle, Lyrics-Unknown, MD-Lala Asar Sattar
Lyrics (Provided by Prakashchandra)
aaaa
aaaa aaa aaa
aaaa aaaa
aaaa
meri paayal jhanke baar baar
meri paayal jhanke baar baar
natraaj tumhaare aangan mein
natraaj tumhaare aangan mein
meri paayal jhanke baar baar
meri paayal jhanke baar baar
heera moti sonaa chaandi
kachhu naahin maangoon main
darshan dete raho
bas yahi maangoon main
bhakti ke jal se ye
charan pakhaaroon main
ankhiyon ke do diyon se
aarti utaaroon main
aarti utaaroon main
meri paayal jhanke baar baar
meri paayal jhanke baar baar
natraaj tumhaare aangan mein
natraaj tumhaare aangan mein
meri paayal jhanke baar baar
meri paayal jhanke baar baar
bholibhaali baalaa hoon main
chaturaayee jaanoon na
bhalaa kya hai buraa kya hai ae
abhi pehchaanoon naa
dekho prabhu ji koi
mohey bharmaaye naa
sat ka ujaala mere
jeevan se jaaye naa aa
jeevan se jaaye naa aa
meri paayal jhanke baar baar
meri paayal jhanke baar baar
natraaj tumhaare aangan mein
natraaj tumhaare aangan mein
meri paayal jhanke baar baar
meri paayal jhanke baar baar
—————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————————
आ
आ आ आ
आ आ आ
आ आ s s s s
मेरी पायल झनके बार बार
मेरी पायल झनके बार बार
नटराज तुम्हारे आँगन में
नटराज तुम्हारे आँगन में
मेरी पायल झनके बार बार
मेरी पायल झनके बार बार
हीरा मोती सोना चांदी
कछु नाहीं मांगू मैं
दर्शन देते रहो
बस यही मांगू मैं
भक्ति के जल से ये
चरण पखारूँ मैं
अंखियों के दो दियों से
आरती उतारूं मैं
आरती उतारूं मैं
मेरी पायल झनके बार बार
मेरी पायल झनके बार बार
नटराज तुम्हारे आँगन में
नटराज तुम्हारे आँगन में
मेरी पायल झनके बार बार
मेरी पायल झनके बार बार
भोलीभाली बाला हूँ मैं
चतुराई जानूं ना
भला क्या है बुरा क्या है ए
अभी पहचानूं ना
देखो प्रभुजी कोई
मोहे भरमाये ना
सत का उजाला मेरे
जीवन से जाए ना
जीवन से जाए ना
मेरी पायल झनके बार बार
मेरी पायल झनके बार बार
नटराज तुम्हारे आँगन में
नटराज तुम्हारे आँगन में
मेरी पायल झनके बार बार
मेरी पायल झनके बार बार
Shiv stuti
Posted by: Atul on: February 21, 2020
This article is written by Arunkumar Deshmukh, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4235 | Post No. : | 15445 |
Hearty Greetings to all readers, on the auspicious occasion of Maha Shivratri-2020. On this day, I present a special song. Today’s song is actually not a song in the usual sense, but it is “Shiv Stuti”, rendered by Geeta Dutt, Badrinath Vyas and Chorus, in the film Har Har Mahadev-1950.
Har Har Mahadev-50 was a special movie. It achieved the status of a “Flag Bearer”, for Mythological films to be made in the coming decade of the 50s. It is not that Religious films were not made earlier. In fact, right from 1931 onwards such Dharmik films were being made. However, subsequently, when a variety of Genres came to the films, these movies lagged behind. The first attempt of reviving the religious films came when film Ram Rajya-43 became a Hit film, but in the 40s Stunt films dominated, so this chance subsided. Next when Har Har Mahadev became an extremely successful film, the religious films got a realm boost.
If you look at the type of films made in the 40s and 50s, you will notice a clear shift of the tastes of Indian film audience. The decade of the 30s was of the novelty of Talking films, so people saw whatever was offered to them. But by the 40s, the Industry had become a bubbly young one and films were made as per the budgets available, tastes of the audience and lastly on the choice of the producers.
The first half of the 40s was affected by second world war. This decade brought a new class of investors/financers, who had made easy money ( read Black money) in the war period. They were ready to invest/finance in film making, but their motto was “less investment and more profits”. To achieve this, the only way was to make a C grade stunt/action film. Thus, in this decade, there was a whole lot of C grade films, consisting of Stunt/Action films, Costume dramas, Magic based imaginary films and the likes of their ilk. These films could be made in less money ( according to Bhagwan Dada, a stunt film was made in about 30 to 50 thousand rupees only) and almost at a guaranteed profit of sizable percentage. Thus, so many such films were made that we can label the 40s as ‘the decade of stunt films’. During 1941 to 1950, approximately 210 stunt/action and similar films were made, giving a rough average of 21 films per year, for 10 continuous years !
Mythological/Religious films were being made from 1931 itself. They tried to give them a competition. Though only 80 such films were made in the 40s – 1941 to 1950 – two Block Busters from this religious film genre, gave lot of hopes to makers of such films. One was Ram Rajya-1943 and the other was Har Har Mahadev-1950. In fact, the extra ordinary success of Har Har Mahadev was so encouraging, that producers turned again to making Religious films in the next decade. The cost of making a religious film was much more than producing a C grade stunt film, but the turn over and profit was also many times more than the stunt films. The audience of religious films was mainly from Middle class society, who was now earning enough money to see films.
Due to higher cost of production religious films did not have the same number of films produced in the 50s decade. However 125 films were made from 1951 to 1960, giving an average of 12 films per year or 1 film per month for 10 continuous years. In this period the stunt/action film production diminished considerably – slowly walking towards a natural death of this Genre in due course ! The decade was crowded with Musical, Social and Comedy films. Even religious films provided good songs and music, as against stunt films-where it was non existent. The audience taste spurned the Stunt/action films and those producers too turned to producing religious social, musical and comedy films.
In this process, Har Har Mahadev-50 played a major role. Not only the story, acting, direction and production values were good but its music also played a stellar role ( after Ram Rajya-1943), in reviving the wave of religious films. The credit goes to its Music Director, Avinash Vyas (21-7-12 to 20-8-84). He was comparatively new. It was his just the 5th film. Starting with Mahasati Anusuya-43, he did Lehri Badmash-44, Krishna Bhakta Bodana-44 and Gunsundari-48 till then.
The success of Har Har Mahadev-50 was also due to excellent song lyrics by Ramesh Shastri ( 2-8-1935 to 30-4-2010). He was from village Diyor, Bhavnagar dist .in Gujarat. He went to Benares to study and completed Visharad (equivalent to B.A.). He came back to Ahmedabad and studied in St. Xavier’s college. He did his Ph.D in Sanskrit. He served in Ayurvedic colleges of Bhavnagar, Baroda and Ahmedabad.
When Raj Kapoor advertised for songs for his new film, Barsat, Ramesh Shastri responded with his songs and RK selected his song-“Hawa mein udta jaayen mera laal dupatta mal mal ka”, which became an instant hit and very popular too. Same year he also wrote songs for films Ram Vivah, Shaadi ke baad and Usha Haran. In 1950, he wrote 5 songs for film Har Har Mahadev. One song by Geeta Dutt, “Kankar kankar se main poochhoon, Shankar mera kahan hai” became famous and popular. After this he wrote for his last film Jai Mahakali-51 and stopped film activity.
He retired in 1990. Though Raj Kapoor called him several times, he was not interested in films or settling in Bombay and hence he declined every time. He wrote several Bhajans in Hindi and Gujarati, under the pen name of ” Ram Sharan”. These were broadcast over A.I.R. and Radio Ceylon regularly. He suffered from Cerebral palsy and was handicapped for last 10 years. He died on 30-4-2010).
The lead pair for the film Har Har Mahadev-50 was Trilok Kapoor and Nirupa Roy. After this film both became very famous as Shankar and Parvati. They did 18 films together- all religious films. Trilok Kapoor was born at Multan on 11-2-1912 and was educated at Peshawar. He went to Bombay to join his brother. He got his first film CHAR DARVESH-1933. He went to Calcutta and did some films there. He also worked as assistant to Director Hem Chandra. In the 40s and 50s, His patent role was that of Mahadev. He did 7 films in a row for this role and in all those films Nirupa Roy was Parvati. (However, no one could ever beat the divine pair of Ram and Seeta enacted by Shobhana Samarth and Prem Adib in Ram Rajya-1943).
Trilok Kapoor did about 120 films His last film was a TV film Akanksha, which was released after his death on 24-9-1988.
As per HFGK, Trilok Kapoor the actor sang 1 solo in Aaj ki Duniya and 5 duets in Raja Rani-42. After this there are no songs on his name.
NIRUPA ROY she was a versatile actress. To prove my point, I repeat here what I had said about her few years back. Nirupa Roy (4-1-1931 to 13-10-2004) was an enigma of Hindi Cinema. An ordinary lower middle class housewife turned into an actress due to a need to survive. Funny thing was that it was her husband who had visited the studio to get a job as an actor and the studio selected his wife instead ! Nirupa Roy who acted in over 250 movies has been variously branded as a Goddess of Mythological films, a suffering wife of a poor farmer, a troubled housewife of social films, an acclaimed quintessential mother of Bollywood and even a Stunt film actress !
She has been a Heroine in 110 films, a mother in over 50 films, has been a Goddess in 50 Mythological films, a suffering wife in over 30 films and a Stunt girl in about 8 films. She sang Bhajans, romantic songs, Comedy songs, qawalis, sad songs and peasant folk songs on the screen.
She changed her Heros like “Badalate huye saathi”. She did 18 films with Trilok Kapoor ( 50-65), 12 films with Balraj Sahni ( 53-72), 16 films with P.Jairaj ( 53-78), and 21 films with Ashok Kumar ( 56-89). She was Amitabh’s mother in 12 films and stunt Girl in 8 films. She even wrote a popular film song for film Samrat Chandragupta-58 ( Mujhe dekh chaand sharmaye – Lata).
I had seen this film,not once but many times.it was full of trick scenes and It had become a cult film. Trilok Kapoor,who acted the part of lord Shiva was rumoured to have a real snake around his neck during the film shooting. Nirupa Roy who played the role of Uma,was quite scared of snakes and it became a problem. Finally,an artificial snake was used,when their joint shots were shot.
HAR HAR MAHADEV-1950 was produced and directed by Jayant Desai under the banner of Jayant Desai Production. With this one film alone Jayant Desai became a millionnaire in those days.
It was also the FIRST film where the pair of Trilok Kapoor and Nirupa Roy became a hit as Shankar-Parvati and they played this role in 6 subsequent films.
This is a story, when Tarakasur, the king of demons invades the land of gods, to avenge the insult meted out to his mother by Indra. Tarakasur wins the war and all Gods are kept in captivity-including the offender Indra.
Lord Vishnu and Bramhadev know, only Lord Shiva can defeat Tarakasur but he is in Tapascharya(Meditation). Kamdev is sent to lure Shiva from his meditation, but Shiva is so angry that, opening his Third Eye, he burns Kamdev. Now only Uma, the daughter of king Himalaya can save the world. Uma(Nirupa Roy) starts penance to propitiate Shiva(Trilok Kapoor).
Due to her earnest Bhakti and devotion, Shiva relents and breaks his Meditation. Shiva and Uma get Married and later lord shiva destroys Tarakasur, releasing all the Gods.
On this auspicious day of Mahashivratri, the marriage of Shiv-Parvati is solemnised in the midnight.
Film Munimji-55 has a very nice song depicting the marriage details. It is also posted in this blog, already.
Today (21 February 2020), on this auspicious day of Maha Shivratri – when Lord Shiv ji weds Devi Parvati, here is Shiv Stuti from film Har Har Mahadev-50. Jai Mahadev !
Editor’s note– The lyrics are in Sanskrit. Our knowledgeable readers are requested to help fill in the blanks/ suggest corrections in the lyrics.
Song-Shiv stuti (Har Har Mahadev)(1950) Singers-Geeta Roy, Badrinath Vyas, MD-Avinash Vyas
Lyrics
jai gangadhar
har har jay Girijadheesha
har jay Girijadheesha
twamam paalay nityam
twamam paalay nityam
kripya jagdeesha
har har har mahadev
kailashe giri shikhare
kalpdramvipine
?? kalpdramvipine
gunjati madhukar punje
gunjati madhukar punje
kunjavane gahne
tasmilalitsudeshe sheela manirachita
?? sheela manirachita
?? deshi sheela
tanmadhye harnikate
tanmadhye harnikate
gauri ??
har har har mahadev
vibudhvadhu bahu nrityat ?? karitam
?? karitam
kinnar gaayan kurute
kinnar gaayan kurute
sapt swar rachitam
?? mridang vaadyate
har mridang vaadyate
kuru kuru lalitam venum
kuru kuru lalitam venum
madhuram naatayate
har har har mahadev
har har har mahadev
————————
Devnagri script lyrics
————————-
जय गंगाधर हर हर जय गिरिजाधीशा ।
हर जय गिरिजाधीशा ।
त्वं मां पालय नित्यं
त्वं मां पालय नित्यं कृपया जगदीशा॥
हर हर हर महादेव
कैलासे गिरिशिखरे
कल्पद्रमविपिने ।
हर कल्पद्रमविपिने ।
गुंजति मधुकर पुंजे
गुंजति मधुकर पुंजे
कुंजवने गहने ॥
? ललितसुदेशे शीला मणिरचिता ।
हर शीला मणिरचिता ।
तन्मध्ये हरनिकटे
तन्मध्ये हरनिकटे गौरी उपवीता ? ॥
हर हर हर महादेव
विबुद्धवधू बहु नृत्यत ?? करितम
हर ?? करितम ।
किन्नर गानम कुरुते
किन्नर गानम कुरुते सप्त स्वर रचितम ॥
?? मृदंग वाध्यते ।
हर मृदंग वाध्यते ।
कुरु कुरु ललिता वेणुम
कुरु कुरु ललिता वेणुम
मधुरम नाट्यते ॥
हर हर हर महादेव
हर हर हर महादेव
Naiyya paar lagaane waale bigdi banaane waale bhole bhaale hain bholanath re
Posted by: Atul on: August 21, 2017
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today(21st August 2017) is the last Monday of the holy month of Shrawan, in the Southern, Western and some Eastern states of India. For the rest of India the Saawan month had ended on the 7th August itself. Today’s Shiv bhajan is from the film Shri Ganesha janma-1951.
Read more on this topic…
Jaag Re Yogi Jaag Re
Posted by: skapur01 on: August 14, 2017
- In: Asha Bhonsle songs | Bhajan | Devnagri script lyrics by Sudhir | Duet | Guest posts | Lord Shiv related songs | Lyrics by Sudhir | Lyrics contributed by readers | Manna Dey songs | Manna Dey-Asha Bhonsle duet | Post by Arunkumar Deshmukh | Shiv bhajan | Songs of 1950s (1951 to 1960) | Songs of 1953 | Yearwise breakup of songs
- 9 Comments
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today’s Shiv Bhajan is for the 4th Shraavan Monday – as celebrated in south, west and some eastern states of India. This bhajan is from film ‘Shuk Rambha’ (1953), made by Chandrakala Pictures and is produced and directed by Dhirubhai Desai. The lead actors were Anjali Devi (from south) and Bharat Bhushan. In the cast of this film, you will find a name Rajkumar. Most ‘knowledgeable’ sites and writers treat this actor same as the famous dialogue master Raaj Kumar ‘Jaani’. However, this is not correct. This Rajkumar is different.
Read more on this topic…
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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