Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Hemant Kumar


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day?:

4449 Post No. : 15906

————————————————-
Blog ten year challenge (2010-2020)- Song Number 84
————————————————–

This day ten years ago (viz 22 september 2020) was another normal day for the blog, when six songs from six different movies were discussed. First post of the day appeared at 7:29 AM and the final post at 9:12 AM.

Here are the details:-

Song Movie title-Year Remarks
Raaton ki neend chheen lee aankhon ke intezaar ne Shokhiyaan-1951 All Songs covered
Teri kaafir nigaah kar gayi dil ko tabaah Miss Coca Cola-1955 All Songs covered
Yaad karoon tori batiyaan Mr Lambu-1956 All Songs covered
Tum aur ham bhool ke gham Fashion-1957 06 songs posted
Mujhe gale se lagaa lo bahut udaas hoon main Aaj Aur Kal-1963 All Songs covered
Jidhar dekhoon teri tasweer nazar aati hai Mahaan-1983 01 song posted

One can see from the above that four out of six movies whose songs were covered ten years ago have been YIPPEED by now,

“Fashion”(1957) was one of the two as yet unYIPPEED movies.

“Fashion”(1957) was directed by Lekhraj Bhakri for Kuldip Pictures production, Bombay. The movie had Pradeep Kumar, Mala Sinha, Chandrashekhar, Manoj Kumar, Jabeen Jaleel,Sunder, Jabeen Jalil, Jagdish Sethi, Kammo, Leela Misra etc in it.

The movie had eight songs in it. six songs have been covered in the past. Here are the details :-

Song Posted On
Bahaaron se poochho ・laakh sambhaala magar kho gaya 23.09.2009
Tum aur ham bhool ke gham 22.09.2010
Madbhari hain pyaar ki palkein 05.08.2012
Dharti ki goad mein aasmaan ke chhaaon mein 19.07.2016
Honthon pe tera naam 17.10.2016
Maati ko lajaanaa naa 16.07.2019

It turns out that the last two songs of the movie were multiple version songs. The first part was a multilingual song sung by Sulochana Kadam and Mubarak Begam. The second part in Hindi was sung by Asha Bhonsle. Bharat Vyas was the lyricist. Music was composed by Hemant Kumar.

Part I is listed in HFGK as “Bindu baashi daao more haath, aaj nishi bazaari” which are in Bangla. This song is available as Bharat Ke Lok Geet. This fact is also mentioned in HFGK Part III footnote at page no.349 movie no.697.

On listening to the song, the Bangla portion is not to be found. Marathi, Gujarati, Marwadi and Punjabi portions can be heard. So it appears that the Bangla portion has got omitted for some reason.

Lyrics of this song and other BTYC details were sent to me by Avinash Scrapwala.

Lyrics of the first part (the multilingual one) as noted leaves a lot to be desired mainly because of lack of familiarity with the languages. I request our knowledgeable readers familiar with these languages to help fill in and suggest additions/ corrections in the lyrics.

With these songs, all the eight songs of “Fashion”(1957) get covered and the movie joins the list of movies that have been YIPPEED in the blog.

Moreover, Hemant Kumar now has 300 songs in the blog as a music director.

(Part-I)

Song-(Part I)Regional language folk song (Fashion)(1957) Singers-Sulochana Kadam, Mubarak Begam, Lyrics-Bharat Vyas, MD-Hemant Kumar
Song-(Part II)
Song-Naya naya fashion naya hai zamaana (Fashion)(1957) Singer-Asha Bhonsle, Lyrics-Bharat Vyas, MD-Hemant Kumar
Chorus

Lyrics (Provided by Avinash Scrapwala)

—————————————————–
Part I (Regional language song- Marathi/ Gujarati/ Marwadi/ Punjabi)
—————————————————-

sundaraa mhane dilbaraa aa
sundaraa mhane dilbaraa aa
raaj ambiraa
hasuni maj bola ji ee ee
ye kalaa
?
kuthoon tum aalaa ji
baai ga
ji ji ji ji
baai ga
ji ji ji ji
sundaraa mhane dilbaraa aa
sundaraa mhane dilbaraa aa
raaj ambiraa
hasuni maj bola ji ee ee
ye kalaa
?
kuthoon tum aalaa ji
baai ga
ji ji ji ji
baai ga
ji ji ji ji

ke garbo ghoome re gabbar ne gokh
ke garbo jaage re chaachar chowk
ke taaliyo
thaatar titar
thaatar titar vaage
ke garbo ghume re gabbar ne gokh
ke garbo jaage re chachar chowk
ke taaliyo
thaatar titar
thaatar titar vaage
ke garbo ghume re gabbar ne gokh

aaj mhane
aaj mhane jewar
?
aaj mhane jewar ??
mhaane bikaaneri
mhaane jodhaaneri
mhaane udiyaapur ni
chundadiyaa silaa di he maa
?
aaj mhane jewar ??

main heer teri
tu mera ve raajhnaa
main teri tu mera
ke teri meri ik jindadi ee bhai
ke teri meri ik jindadi ee bhai
ke saara jag vair pai gayaa
hadaa
ke ??
main heer teri
tu mera ve raajhnaa
main teri tu mera
ke teri meri ik jindadi ee bhai
ke teri meri ik jindadi ee bhai
ke saara jag vair pai gayaa
hadaa
ke ??

—————————
(Part-II)
—————————
nayaa nayaa fashion
nayaa hai zamaanaa aa
nayaa nayaa fashion
nayaa hai zamaanaa aa

badal do rang
badal do dhang
badal do rang
badal do dhang
badal do baahar bheetar
aagey peechhe
sab kuchh taanaa baanaa
bhes puraanaa aa
nayaa nayaa fashion
nayaa hai zamaanaa aa
badal do rang
badal do dhang
badal do baahar bheetar
aagey peechhe
sab kuchh taanaa baanaa
bhes puraanaa aa

nayaa nayaa fashion
nayaa hai zamaanaa aa

ek baat kahoon akkal ki
mat baat karo kal ki
kal ki duniyaa
sun meri muniyaa
aaj pad gayi halki ee ee
aaj pad gayi halki ee
ek baat kahoon akkal ki
mat baat karo kal ki
kal ki duniyaa
sun meri muniyaa
aaj pad gayi halki ee ee

baal kataa lo o
husn badhaa lo o
baal kataa lo
husn badhaa lo

badal do chaal
badal do dhaal
badal do
uttar dakshin
purab paschim
sab kuchh chhod ke taana
kahe zamaanaa aa
nayaa nayaa fashion
nayaa hai zamaanaa aa
badal do rang
badal do dhang
badal do baahar bheetar
aagey peechhe
sab kuchh taanaa baanaa
bhes puraanaa aa

nayaa nayaa fashion
nayaa hai zamaanaa aa

kapdon ka kharch bachaa lo
mat husn pe pardaa daalo
ghoonghat ke pat khol ke
jhatpat
chaar chaand chamkaa lo o
chaar chaand chamkaa lo
kapdon ka kharch bachaa lo
mat husn pe pardaa daalo o
ghoonghat ke pat khol ke
jhatpat
chaar chaand chamkaa lo o

duniyaa bhaage ae
badh gayi aage
duniyaa bhaage
badh gayi aage

badal do ?
badal do ?
badal do motor gaadi
tram ki sawaari
ud kar jaanaa
raah takta(?) hai zamaanaa aa
nayaa nayaa fashion
nayaa hai zamaanaa aa
badal do rang
badal do dhang
badal do baahar bheetar
aagey peechhe
sab kuchh taanaa baanaa
bhes puraanaa aa ・


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4448 Post No. : 15901

Today’s song is from film Daku ki Ladki-54. I remember, there was a film in 1933 with the same title, featuring Sulochana, Dinshaw Bilimorea, Ghulam Mohd. Hadi etc. In that film, Ghulam Mohd. had done the role of the Daku, Sulochana was Daku’s Ladki and Dinshaw was the Police Officer.Ghulam Mohd. was known as ” The Prince of Imperial Film Company”, in those days.

Today’s film was made by Harish Productions. Naturally, the director and the Producer was Tara Harish only. Music was by Hemant Kumar. The cast of the film was Geeta Bali, Sheikh Mukhtar, Arjun, Shivraj, Rajan Kapoor, Mukri, Sankatha Prasad, Cuckoo etc etc.

The word “Daku” regularly appeared in the film titles right from the time Talkie films started. There were a total 32 films starting with the word Daku. When the film Daku ki Ladki came in 1933, as if to counter it, a film called Daku ka Ladka came in 1935. Thank God Daku’s family did not expand further ! Interestingly, there were 16 films based on female Dakus and only 7 films on Male Dakus. I wonder, what is the Hindi word for female Daku. A Dakin ? or a Dakuin ? or is it enough just to say He Daku and She Daku ? While female Dakus were honoured by calling them Daku Rani in 5 films and Daku Maharani in 1 film, the poor He Dakus had prosaic titles like Daku Bhupat or Daku Mansoor etc.etc.

When I took up discussing the 50’s film songs, I found that a lot of melodious and good songs to be yet to be discussed. Today’s song is one such song. To listen to Lata and Hemant Kumar is nothing short of a Bliss. Out of 2 such duets from this film one had remained to be discussed. In one of her interviews, Lata had said that she had always enjoyed singing duets with Hemant Kumar. She also said ” I used to feel as if some Sadhu was singing when I heard him singing a song”.

In the Costume drama Daku ki Ladki-54, Ravi Shankar Sharma was Hemant’s assistant in composing music.In few Hemant Kumar films, Ravi has sung songs, including this film. Later on when Ravi himself became a famous and successful composer, he made Hemant Kumar sing in his films. HK was a very respected person in the industry. When he came to Bombay his Hindi was not so good. Like all Bangla people, he had inherent difficulty in pronunciation of certain Hindi words. This was because, in Bangla language, there are no such sounds as plain ” A ” (अ ). So, Arun becomes Orun and Lata becomes Lota. With great practice and hard work, he improved his Hindi. Initially, even Geeta Roy had this problem.

In the cast of the film, you will see a name Shivraj. Not much is known about this good actor. Sometimes I feel some actors have such features that they are fixed for certain roles only and they are misfits in another role. For example, can you ever imagine Rashid Khan or Kanhaiyalal in a role of a sophisticated Millionnnaire ? Or Aruna Irani or Padma Khanna in a Mythological Devi’s role ? They may be good actors, but their physical features and style of acting restricts them to certain roles only. This is true even in case of big stars. Thus, Ashok Kumar became a laughing stock as Abhimanyu or warrier Humayun in full war gear.

The name SHIVRAJ in the cast always created curiosity in my mind. I had seen this actor in several films. I was unable to get any information on him anywhere. His role as the meek husband of Kaushalya (Manorama) in the film Seeta aur Geeta-72 is unforgettable. When I started work on this post, I tried again. This time I found an article – actually an Obituary – on him in The Hindu, dated 4-6-2017. Of course it described in it only about his different roles. From some other source, I got his date of Birth and Death and a little other information.

Shivraj was born on 11-6-1920 in Madhya Pradesh. His full name was Shivraj Pandey. After doing his graduation, he came to Bombay in search of a good job, but joined the film industry. To start with he worked in Minerva as an assistant in administration, He did some film roles too without getting credited. He left Minerva and got a role in the film Sarai ke bahar-47. This was a film made by National studios. His next films were Ziddi, Majboor, Batohi, and Asha all in 1948. Then there was no looking back. Shivraj acted in 212 films. He directed 1 film, Jaani Dushman-57. He retired from work in 2000, but his last released film was Yaar meri zindgi-2008. Shivraj died on 4-6-2017.

There is also a name Arjun in the cast. Now this is a ‘ Same Name Confusion ‘ artiste. Arjun was the Hero in film Malhar-51, opposite actress Shammi (Nargis Rabadi). His name is confused with Music director C.Arjun and many people wrongly presume that C.Arjun acted in the film Malhar. This Arjun is different. His name was Arjun Bakshi Gill. His first film was Naujawan-51, then came Malhar-51.Later he acted in Daku ki Ladki-54 etc. He wrote screenplays and went on doing small roles in films. He migrated to Canada and opened a Music shop. A RMIM member met him there, and recognised Arjun as Malhar Hero. Arjun died in 2001. His daughter Jyoti Bakshi was also an actress, who died in pitiable condition in 2003.

Finally, let us take a look at dancer Cuckoo.

It was 1944. The talkies were already around for 15 years. Devika Rani and Shobana Samarth had already established their glowing presence but it was still a time when nice girls didn’t even become leading ladies, let alone do roles where they had to wriggle their hips — however tastefully — and bare flesh, which at the time meant shoulders and maybe a bit of leg. At such a time, a pretty, fresh-faced Anglo-Indian girl with eyes that danced as enchantingly as her feet appeared in two films — “Pehli Nazar”- 1945 (in which Mukesh made his debut with “Dil Jalta hai toh jalne de”) and “Mujrim -1944.” The girl’s name in the film’s credits was listed simply as “Cuckoo.” Cuckoo was perhaps the first of the most well known dancing queens of Indian Cinema. She was born on 4-2-1928. Her predecessors were many, including a dancer called Azurie, who it is said Cuckoo modeled herself on. But in terms of the sheer body of work and its impact, Cuckoo would have to be the first among Hindi cinema’s dancing queens. It was with her that “cabaret” became an almost indispensable part of films made between the 1950s and 1970s.

Her debut in 1944 was an instant hit and in the space of just the next five years, she had appeared in an incredible 49 films, including Mehboob Khan’s “Anokhi Ada” (1948), H. S. Rawail’s “Patanga” (1949) and Devendra Goel’s “Aankhen” (1950). The only major filmmaker of the time who did not feature Cuckoo in his films was V. Shantaram. In a lot of her films, her role was just a song but its impact was so electrifying that distributors considered it almost as indispensable as the heroine. Like the Helen-Asha combination later on, in many of these songs, Cuckoo’s screen `voice’ was Shamshad Begum. Together, they were responsible for some unforgettable hits.

Mehboob Khan’s films proved to be the turning points in Cuckoo’s career. Her dance numbers in hisAnokhi Ada established her as the leading dancer of the time; and Andaz, a romantic melodrama featuring Raj Kapoor, Dilip Kumar, and Nargis, gave the dancer an opportunity to showcase her acting skills.During her peak period,she was getting Rs.6000/- per dance appearance.

Cuckoo remained the top dancer of Hindi films till she was displaced by Helen and such dancer-actresses as Vyjayanthimala.Cuckoo gave dances in about 76 films. Ironically, it was Cuckoo who had initiated a 13-year-old Helen into films as a chorus dancer.Cuckoo continued to dance until the beginning of the 1960s, the last few years as part of the chorus dancing.It has been recently confirmed that Cuckoo’s real name was Cuckoo Moray.Cuckoo died a slow lingering death, due to Cancer on 30-9-1981 penniless and unattended. No one from the Film industry attended her cremation. (Thanks for some information from Cineplot and from the book”Tujhe mere geet bulate hain” by Sanjeev Tanwar).

Today’s song is a delightful duet of Lata and Hemant Kumar. Let us now enjoy it….


Song-Nazron se chhup gaya hai taqdeer ka saweraa (Daaku Ki Ladki)(1954) Singer-Lata, Hemant Kumar , Lyrics-Kaif Irfani, MD-Hemant Kumar

Lyrics

nazron se ae
chhup gaya hai ae ae
taqdeer kaa aa savera

nazron se chhup gaya hai
taqdeer kaa savera
girta hai jo bhi aansu
leta hai naam teraa
ham rah gaye tadap kar
munh zindagi ne phera
girta hai jo bhi aansu
leta hai naam teraa
nazron se chhup gaya hai
taqdeer kaa savera

duniya mein ham ye kaisi taqdeer le ke aaye
tukde dil-o-jigar ke
ashkon mein muskuraaye
hansti hai mujhpe kismat
rota hai pyaar meraa

girta hai jo bhi aansu
leta hai naam teraa
nazron se chhup gaya hai
taqdeer kaa savera

aaja ki dil liye hai maayoosiyaan nazar mein
ek shamma jal rahi hai
teri yaad ki jigar mein
baaki hai har taraf ab chhaaya hua andhera
girta hai jo bhi aansu
leta hai naam teraa
nazron se chhup gaya hai
taqdeer kaa savera
girta hai jo bhi aansu
leta hai naam teraa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4445 Post No. : 15894

We in this blog are taking the “blog Ten Year Challenge” project rather seriously. BTYC Posts are appearing regularly in the blog,

On the other hand, some older projects are seemingly getting neglected. For instance, introducing new movies in the blog, YIPPYing movies in the blog, ensuring blog centuries for artists are some of the projects that are not getting the attention that they should.

Project YIPPEE is a cherished project of the blog. We consciously post songs of movies with the aim of covering all songs of movies. 1218 movies have been YIPPEED so far.

More than 100 movies got YIPPEED in every year from 2012 to 2018. Then we slowed down. 2019 saw only 19 movies getting YIPPEED.

2020 has seen 38 movies getting YIPPEED so far. It is not that we have run ot of movies to take up. Right now there are dozens of movies with just one song left. So we have lots and lots of YIPPIable movies awaiting their turns.

“Hill Station”(1957) is one such movie. This movie was produced by A A Nadiadwala and directed by Shakti Samanta for Pushpa Pictures, Bombay. The movie had Bina Rai, Pradeep Kumar, K N Singh, Maruti, Protima Devi, Krishnkant, Shyama, Sangeeta, Kundan, Ridku, Kathana, Nirmal Kumar, Laxman Rao, Sheila Vaz, Seema, Nazeer, Kashmiri, Tiger (dog) etc in it.

The movie had seven songs in it. Six songs have been covered in the blog so far,

Here are the details of the songs covered in the blog:-

Song Date posted
Nayi manzil nayi raahein Multiple version song 21 January 2011
Muhabbat mein tadapne se qaraar aata hai is dil ko 25 May 2012
Gori gori patli kalaai re balamwa 25 February 2017
Ye maara wo maara 13 January 2019
Wo khushnaseeb hain jinko yahaan karaar mila 29 August 2020

The movie appears to be a suspense movie going by the songs in it. Quite a few songs sound like club song.

The seventh and final song from “Hill Station”(1957) is sung by Geeta Dutt. S H Bihari is the lyricist. Music is composed by Hemant Kumar.

Only the audio of the song is available. But the lyrics suggest that it is unmistakably a club song where a dancer is cautioning the hero about the evil intentions of the bad guys.

Since it is a club dance song, it may have been picturised on Shyama or Sheila Vaz. I request our knowledgeable readers to throw light on the picturisation of the song.

This song, which I heard for the first time only now, sounds like a gem, which failed to become as popular as some other club dance songs of that era.

With this song, all the seven songs of “Hill Station”(1957) have been covered in the blog and the movie joins the list of movies that have been YIPPEED in the blog.


Song-O baazigar ae ae ae baazigar(Hill Station)(1957) Singer-Geeta Dutt, Lyrics-S H Bihari, MD-Hemant Kumar

o baazigar
o baazigar
ae ae baazigar

o baazigar
ae ae ae baazigar
do pyaar ki baaten kar zara
do pyaar ki baaten kar
ha humse milaa ke milaa ke nazar r
o baazigar
ae ae baazigar
do pyaar ki baaten kar zara
do pyaar ki baaten kar
ha humse milaa ke milaa ke nazar
o baazigar

jeet samjha hai jisko teri haar hai
dekh aankhon mein zaalim tera pyaar hai
jeet samjha hai jisko teri haar hai
dekh aankhon mein zaalim tera pyaar hai
humse daaman chhudaa ke chala hai kidhar
o jaane jigar tu khel magar
haan humse milaa ke milaa ke nazar
o baazigar
ae ae ae baazigar
do pyaar ki baaten kar zara
do pyar ki baaten kar
ha humse milaa ke milaa ke nazar
o baazigar

loot lene ki tujhko nayi chaal hai
dushmanon ka bichhaaya hua jaal hai
loot lene ki tujhko nayi chaal hai
dushmanon ka bichhaaya hua jaal hai
naa phansna tu is jaal mein bekhabar
o jaane jigar tu khel magar
haan humse milaa ke milaa ke nazar
o baazigar
ae ae ae baazigar
do pyaar ki baaten kar zara
do pyaar ki baaten kar
haan humse milaa ke milaa ke nazar
o baazigar


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4438 Post No. : 15880

———————————————–————————————
Blog 10-Year Challenge (2010-2020) – Song No. 76
———————————————————————————–

This date 10 years ago (11 september 2010) was rather unremarkable, in contrast to the same day in 1893, or 2011, when rather more important events had taken place. On 11 september 1893, Swami Vivekanand delivered an iconic and eloquent speech at the Chicago Convention of Parliament of Religions. Introducing Hinduism to the world, Swami Vivekanand spoke about intolerance, religion and the need to end all forms of fanaticism. on 11 september 2001, One of the biggest terrorist attacks took place at New York.

In cricketing news, Lala Amarnath was born this day in 1911. Sri Lanka earned their first test match victory on this day in 1985 (no prizes for guessing that it was against India).

On this day in 1967, Indian troop gave a bloody nose to Chinese aggressors, when Chinese troops got a taste of their own medicine and nearly 300 plus Chinese troops was killed at Nathu La (Sikkim- China bordeer) when Brigadier Sagat Singh took matter in his own hands and retaliated in a manner that left Chinese army shellshocked for nearly half a century.

11 september 2010 was a rather more sedate day when things happened in a routine way, not only around the world but even in the blog. Six songs from six different movies were covered on that day. Here are the details :-

Blog Song number Song Movir-year Remarks
2945 Kyaa mil gayaa Bhagwaan tumhe dil ko dukhaa ke Anmol Ghadi 1946 YIPPEED
2946 Achchaa hotaa jo dil mein tu aayaa naa hotaa Naadaan 1951 10 songs covered out of 11
2947 Radha na bole na bole na bole re Aazaad 1955 YIPPEED
2948 Chaand chupchaap hai sitaare gumsum Daal Mein Kaala 1964 3 songs covered out of 8
2949 Chale chalen se sajan dheere dheere Paayal 1957 5 songs covered out of 9
2950 Mehfil meri raaten meri Badnaam 1975 YIPPEED

Three out of six of these movies have since been YIPPEED. So today we have as many as three movies that can be taken up in our “Blog Ten Year Challenge” exercise.

“Paayal”(1957), one of these BTYC eligible movies was produced By Joseph Thomas and directed by Joseph Taliath Jr.for Madras Talkies. The movie had Padmini, Sunil Dutt, David, Baby Naaz, Ragini, Bipin Gupta, Raj Mehra(Guest Artiste), Achla Sachdev, Meenu Mumtaz, Sheoraj(Shivraj),Laxman Rao, Agha,Praveen Paul,Puri,Bhavan etc in it.

The movie had nine songs in it. The movie made its debut in the blog ten years ago on this date. Five songs have been covered in the blog so far as detailed here:-

Song Date of post
Chale chalen se sajan dheere dheere 11 september 2010
Jaago aur jagaao 17 January 2011
Ae meri maut thahar 16 February 2011
Ye duniya rail niraali 5 February 2013
Maidaan mein ham jo aa jaayen 31 August 2014

Here is the sixth song from “Paayal”(1957) to appear in the blog. This song is sung by Lata. Rajinder Krishan is the lyricist. Music is composed by Hemant Kumar.

The song is picturised on Padmini as a Lord Krishn related stage dance performance song.

Lyrics of this song were sent to me by Prakashchandra.

Audio link:

video link:

Song-Piya milan ko chali Raadhika (Paayal)(1957) Singer-Lata, Lyrics-Rajinder Krishan, MD-Hemant Kumar

Lyrics (Provided by Prakashchandra)

jhuki jhuki ankhiyaan ghaayal hain
piya milan ko chali raadhika
baaj rahi paayal hai
jhuki jhuki ankhiyaan
kahen ye batiyaan
haayye jiya ghaayal hai

oonchi neechi raah preet ki
paayal chhamm chhamm doley
behkey behkey paaon padey to
dhadhak dhadhak dil boley
oonchi neechi raah preet ki
paayal chhamm chhamm doley
behkey behkey paaon padey to
dhadhak dhadhak dil boley
sunn ri saanwri tu hai baawri
dil mein tere halchal hai
piya milan ko chali Raadhika
baaj rahi paayal hai
jhuki jhuki ankhiyaan kahen ye batiyaan
haayye jiya ghaayal hai

mann hi mann mein dekh rahi hai
preet ke sundar sapney ae
jamuna tat par
raah dekhte hongey preetam apney
mann hi mann mein dekh rahi hai
preet ke sundar sapney ae
jamunaa tat par
raah dekhthe hongey preetam apney
huaa saamna koyee thhaamna
haayye badi mushkil hai
piya milan ko chali Raadhika
baaj rahi paayal hai
jhuki jhuki ankhiyaan
kahen ye batiyaan
haayye jiya ghaayal hai
piya milan ko chali Raadhika
baaj rahi paayal hai
jhuki jhuki ankhiyaan
kahen ye batiyaan
haaye jiya ghaayal hai


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4425 Post No. : 15845

———————————————–————————————
Blog 10-Year Challenge (2010-2020) – Song No. 64
———————————————————————————–

Ten years ago on this date (29 august 2010), as many as seven songs from seven different movies were covered in the blog. Here are their details:-

Blog song post number Song Movie-Year Remarks
2864 Haay mera dil le gaya koi aake ishaaron se Parbat 1952 Movie YIPPEED
2865 I love you O madam Dulhan 1958 5 songs covered (out of 8)
2866 Chaand ko dekho ji Chaand Mere Aaja 1960 6 songs covered out of 7. The seventh song too is apparently part of an already covered song
2867 Pyaase panchhi neel gagan mein geet milan ke gaayen Pyaase Panchhi 1960 5 songs covered out of 10
2868 Apni bhi kyaa zindagi hai niraali Aas Ka Panchhi 1961 YIPPEED
2869 Beta jamoore kah de duniya ko lalkaar ke Biraadari 1966 YIPPEED
2870 Chup ho aaj kaho kyaa hai baat Chhattees Ghante 1974 YIPPEED

“Dulhan”(1958) is still eligible for Blog Ten year Challenge” ten years later today (29 august 2020). The movie had nine songs in it and five of them have been covered so far.

Here are these songs of “Dulhan”(1958) that have been covered so far:-

Song Posted On
Jiyaa sharmaaye nazar jhuki jaaye 07.08.2010
I love you Madam Multiple version song 29.08.2010
Mooliram aur bhindimal ka nikal gayaa hai deewaala 14.04.2012
Mere gore gore gaal 25.11.2018

Here is the sixth song from “Dulhan”(1958) to appear in the blog. The picturisation shows Nirupa Roy leaving Raj Kaumar, but then changes her mind. Some dialogue from Raj Kumar are followed by a few lines of Hemant Kumar after which it is all Asha Bhonsle. P L Santoshi is the lyricist. Music is composed by Ravi.

HFGK mentions this song as a female solo, and the audio of the song is indeed a female solo song in Asha Bhonsle’s voice, but we can see from the picturisation that the song begins with Hemant Kumar’s voice. Remark in HFGK mentions that this song was sung by Hemant Kumar in a prose form. We can see that the picturisation combines these two seemingly separate songs to form what looks like a duet song. Incidentally, no records were made of Hemant Kumar version and it is there only in the picturisation.

Lyrics of this song were sent to me by Prakashchandra while BTYC details were provided by Avinash Scrapwala.

Lyrics of video link:(contains Hemant Kumar`s voice while the song begins)
video link:

audio link(does not contains Hemant Kumar`s lines)

Song-Rukne lage kadam aur…Kaise jaaoon main piyaa (Dulhan)(1958) Singers-Hemant Kumar, Asha Bhonsle, Lyrics-P L Santoshi, MD-Ravi

Lyrics(Provided by Prakashchandra)

(dialogues)

rukne lagey kadam
aur jhukne lagi nigaahein
aasaan ho chali hain
ulfat ki apni raahein

kaissey
jaaoon main piyaa.aaa
moraa..aaa maaney na jiyaa
tooney mujh pe
na jaaney kaissa jaadu kiyaa

kaissey jaaoon main piya
mora maaney na jiya
tooney mujh pe na jaaney kaissa jaadu kiya
tooney mujh pe na jaaney kaissa jaadu kiya
kaissey jaaoon main piya
mora maaney na jiya
tooney mujh pe na jaaney kaissa jaadu kiya
tooney mujh pe na jaaney kaissa jaadu kiyaa

ye mulaaqaat kaissi hamaari huyee
ye mulaaqaat kaissi hamaari huyee
main to pehli nazar mein tumhaari huyi
tum to nikley balamwa badey hi chhaliyaa
tum to nikley balamwa badey hi chhaliyaa
kaissey jaaoon main piya
mora maaney na jiya
tooney mujh pe na jaaney kaissa jaadu kiya
tooney mujh pe na jaaney kaissa jaadu kiyaa

bairi duniya ki baaton mein aanaa nahin
bairi duniya ki baaton mein aanaa nahin
mujhe dil se kabhi tum bhulaanaa nahin
charnon mein tumhaari rahoongi rasiya
charnon mein tumhaari rahoongi rasiya
kaissey jaaoon main piya
mora maaney na jiya
tooney mujh pe na jaaney kaissa jaadu kiya
tooney mujh pe na jaaney kaissa jaadu kiya
kaissey jaaoon main piya
mora maaney na jiya
tooney mujh pe na jaaney kaissa jaadu kiya
tooney mujh pe na jaaney kaissa jaadu kiyaa


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4425 Post No. : 15843

Today’s song is from the film Hill Station-1957.

The peak of the Golden Era of HFM was in the decade of the 50’s. In this decade, probably all operating MDs gave their best songs and the ordinary, common music loving film goer did not know how much good music he could digest. For some, it was almost an indigestion with excessive indulgence in good, Divine music and this condition had no medicine. The music lovers had to endure and enjoy the excess provision of his choicest music.

1957 – what an year it was! The best year in the Golden Era! The best year in the 50s! The best year for melody and music! Such wonderful films came in this year!!! The lineup of 1957 films looks like the selection of the creamy layer in everlasting music – ‘Mother India’, ‘Pyasa’, ‘Tumsa Nahin Dekha’, ‘Bhabhi’, ‘Asha’, ‘Miss Mary’, ‘Naya Daur’, ‘Do Aankhen Barah Haath’, ‘Paying Guest’, ‘Nau Do Gyarah’, ‘Dekh Kabira Roya’. ‘Nausherwaan e Adil, ‘Gateway Of India’, ‘Hum Panchhi Ek Daal Ke, ‘Kathputali’, ‘Sharada’ . . . Films like Baarish, Ab Dilli door nahin, Abhiman, Bada Bhai, Begunah, Beti, Chhote Babu, Coffee House, Dushman, Johnny Walker, Miss Bombay, Miss India, Mr. X, Narsi Bhagat, Paak Daaman, Pawanputra Hanuman, Ustad, Zamana, Garma Garam had equally melodious songs like other films mentioned, albeit may not be so famous. Films produced in Madras were quite popular. AVM’s ‘Bhabhi’, ‘Miss Mary’ and ‘Hum Panchhi Ek Daal Ke’, Prasad Production’s first Hindi film ‘Sharda’, and MV Raman’s film ‘Asha’ played havoc with their captive audiences. Films from south somehow have always concocted a success formula, mixing comedy, tragedy, social message, excellent production values and above all superb music, which made their films very popular everywhere.

Satyen Bose’s ‘Bandi’ brought together all the three Ganguly brothers in one film for the first time. Later he would repeat this feat in ‘Chalti Ka Naam Gaadi’ in 1958. ‘Musaafir’, Hrishikesh Mukherjee’s first Hindi film as a director, was an experimental film depicting the phases of life – birth, life, death and rejuvenation, symbolically through a succession of tenants in a house on rent. Director Amiya Chakravarty’s competition with Gyan Mukherjee came to an end with his unexpected demise while the making of ‘Kathputali’ was in progress. The film was completed by Nitin Bose. (Later, Gyan Mukherjee also passed away while making ‘Sitaron Se Aagey’ (1958) which was later completed by Satyen Bose. Both films had the same story and same heroine).

With the musical blockbuster ‘Tumsa Nahin Dekha’ from Filmistan, Nasir Hussain introduced his own success formula of entertaining films and minted crores by repeating it several times, in a new garb. This film changed Shammi Kapoor’s luck, and made him an A grade actor. However, it did not much benefit the heroine Ameeta. She remained where she was – a second grade actress. Filmistan also released ‘Paying Guest’, with chocolate hero Dev Anand, with superb music and songs composed by SD Burman. Dev also featured in ‘Nau Do Gyarah’, another musical entertainer from Navketan, his home production company.

A surprise hit that year was the socio-religious film ‘Janam Janam Ke Phere’. The song “Zara Saamne To AaO Chhaliye” became the unexpected top song of the year and an iconic one at that! ‘Apradhi Kaun’ was genuinely an excellent detective story. Amiya Chakravarty’s ‘Dekh Kabira Roya’ was a hit due to its superb music, though its cast was quite ordinary. ‘Do Aankhen Barah Haath’ got the national award. Amiya Chakravarty and Gope passed away this year. Nimmi got married. Vividh Bharati started its broadcast on 3rd October 1957.

Compared to all these musical giants. today’s film Hill Station-57 was not at all comparable. MD Hemant Kumar gave music to 9 films in 1957 alone- must be his maximum for any year. Music Aficionados still debate vehemently whether Hemant Kumar was a better singer or a better MD. As MD, he gave music to 55 films, composing 423 songs. As a singer he sang 320 songs in 173 films. In 1957, while he gave music to 9 films, he actually sang songs in 12 films.

I have not seen this film – that time or even at a later time, because I was not a fan of Bina Rai or Pradeep Kumar. Produced by A A Nadiadwala, for the banner- Pushpa Pictures, this Social film was directed by Shakti Samant. In the cast were also, K N Singh, Maruti, Prtotima Devi, Krishnakant, Shyama,Sheela Vaz and many others, including a Dog named Tiger. I always wondered, how can anybody name a Dog as Tiger, when Tigers are never known to be named as Dog. And then, what’s the role of a Dog in a Social film ? Of course in some films, trained dogs do some story turning acts, as in film ” Hum aapke hain Kaun-94″

In Hindi films, there are some senior actors ( I mean, those who have been in films for more than 25-30 years), who remained quiet, without attracting much comments or getting even few lines in the film reviews. They came, stayed and went as quietly as they remained in films. Actors like Sankatha Prasad, Niranjan Sharma,Habib, Anwar, Shaikh, Shivraj etc etc. One such name was Krishna Kant.

The name of krishna kant or K K is known to many people. Krishnakant ( 15-9-1922 to 24-10-2016) was a noted character actor of long standing. His career spanned from 1943 to 1989, a whopping 46 years. After retirement he had settled in Surat, Gujarat. His life story has been made into a Gujarati book ” Guzra hua zamana” written by the famous author Shri Biren Kothari ji. He has gifted me a copy of this book. Reading this book takes you into those times.KK had a knack of telling the history in an interesting way, with a lot many photographs. Till the last day (94 years) his memory was excellent. During my visit to Surat in early 2016, I could not meet him, due to paucity of time. This will pinch me forever. Our Sudhir ji and Bakshish Singh ji met him, when they went to Surat to meet Harsh Raghuwanshi ji.

Krishnakant acted in 109 Hindi, 16 Gujarati, 2 Bangla and 2 English movies. He has also directed 2 Hindi and 13 Gujarati films. In addition, he was active on TV in his later years. He acted in 8 Hindi and 6 Gujarati serials and directed 3 Hindi serials. He also acted in 1 Hindi and 7 Gujarati stage dramas. Here is a short Bio data of him-

Krishnakant (15-9-1922 to 24-10-2016)
————————————-
Gujarati and Hindi actor and director born in Howrah, Bengal, as Krishnakant Maganlal Bukhanwala. Son of a textile engineer; educated in Surat and in Bombay. Obtained a diploma in radio and electrical engineering (1940); then joined the Rooptara Studio in Bombay, working in the sound department. Assisted Nitin Bose for five years, then worked with Arvind Sen on Muqaddar (also acting in it) and with Subodh Mukherjee (Paying Guest, 1957). First major acting role in Phani Majumdar’s Andolan; other notable roles are a paralytic in Amiya Chakravarty’s Patita and the villain in Shakti Samanta’s Detective. Left films in the late 50s to concentrate on Gujarati theatre work (e.g. Pravin Joshi’s Manas Name Karigar) mainly with Harkrishen Mehta’s group. Returned to cinema in the early 70s; turned to direction with Dakurani Ganga, adapting Mehta’s novel Pravaha Paltavyo. Directed a series of Gujarati films based on plays or films from other languages: e.g. Visamo is based on Harkrishen Mehta’s play, in which he acted the role of an old teacher, recalling Paranjpe’s Oon Paoos (1954) and Panthulu’s School Master (1958). Also adapted Anant Mane’s Manini (1961) as Maa Dikri. With these films he introduced a novel style of urban entertainment to Gujarati cinema, although relying on conventional reformist melodrama plots about the joint family, the generation gap and the exploitation of women. Also noted actor on Hindi and Gujarati television.

FILMOGRAPHY (* also d): 1943: Paraya Dhan; 1950: Chor, Muqaddar; Mashaal; 1951: Andolan; 1952: Daag; Tamasha; Zalzala; 1953: Patita; 1954: Baadbaan; Dhobi Doctor; Naukri; 1955: Faraar; Subse Bada Rupaiya; Ghar Ghar Mein Diwali; Seema; 1956: Sailaab; Jagte Raho; Patrani; Sudarshan Chakra; Dhola Maru; 1957: Agra Road; Bandi; Begunah; Hum Panchhi Ek Dal Ke; Yahudi Ki Ladki; Bhabhi; 1958: Ghar Sansar; Detective; Howrah Bridge; Mehndi; Parvarish; Post Box 999; Delhi Ka Thug; 1959: Insaan Jaag Utha; Satta Bazaar; Madhu; Ghar Ghar Ki Baat; Jaalsaaz; 1960: Jaali Note; 1961: Tanhaai; 1963: Jivno Jugari; Vanraj Chavdo; 1969: Do Raaste; Kanku; 1971: Duniya Kya Jaane; Hathi Mere Saathi; Pyar Ki Kahani; Sharmilee; Paraya Dhan; 1972: Mere Jeevan Saathi; Do Chor; Annadata; Gunsundari No Ghar Sansar; 1973: Gaai Aur Gori; Suraj Aur Chanda; Mr Romeo; Manchali; 1974: Parinay; Ajnabi; Trimurti; Vardan; Aarop; 1975: Anari; Kala Sona; Sant Surdas; 1976: Deewangee; Koi Jeeta Koi Haara; Sajjo Rani; Dakurani Ganga*; 1977: Jagriti; Kulavadhu*; 1978: Khoon Ki Pukar; Visamo*; Maa Dikri*; Ghar Sansar*; 1979: Sonba Ane Rupba*; 1980: Maniyaro*; Meru Mulande*; Jog Sanjog*; 1981: Hotel; 1982: Prem Lagna*; Dharmo*; Jawabdaar*; 1983: Main Awara Hoon; Poojana Phool; 1986: Teesra Kinara*; Chhota Admi*; 1988: Kharidar.

(adapted from Encyclopaedia of Indian Cinema).

Today’s song is a very good, typical Lover’s song by Hemant Kumar. The song had its own share of popularity for some time in those days. Now enjoy the song, with Nostalgia…..


Song-Wo khushnaseeb hain jinko yahaan qaraar mila (Hill Station)(1957) Singer-Hemant Kumar, lyrics-S H Bihari, MD-Hemant Kumar

Lyrics

wo khushnaseeb hain jinko yahaan qaraar mila
hamen to dil jo mila wo bhi beqaraar mila
wo khushnaseeb hain jinko yahaan qaraar mila
hamen to dil jo mila wo bhi beqaraar mila
wo khushnaseeb hain

mili hain pyaar mein dar dar ki thokaren hamko
mili hain pyaar mein dar dar ki thokaren hamko
lagaaye rakhte hain seene se har ghadi gham ko
jo khatm ho na kabhi aisa intazaar mila
hamen to dil jo mila wo bhi beqaraar mila
wo khushnaseeb hain

sitam hai gham ke samandar mein har khushi doobi
sitam hai gham ke samandar mein har khushi doobi
hamaare ashq mein khud apni zindagi doobi
sahaara de koi aisa na ek baar mila
hamen to dil jo mila wo bhi beqaraar mila
wo khushnaseeb hain jinko yahaan qaraar mila
hamen to dil jo mila wo bhi beqaraar mila
wo khushnaseeb hain


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4423 Post No. : 15840

——————————————————————————————————
Blog 10-Year Challenge (2010-2020) – Song No.61
————————————————–—————————————————

Here, we move on to the second and last movie eligible today for the ‘Blog Ten-Year Challenge’.
The movie is ‘Sahaaraa-1958’.

As discussed in earlier post today the other movies represented today ten years back were as under;

Song Movie title-Year Remarks
Ritu aaye ritu jaaye duniyaa rang badalti hai Sahaaraa-1958 07 songs posted
Dil se dil takraaye Love Marriage-1959 All songs covered
Matwaali naar thumak thumak chali jaaye Ek Phool Chaar Kaante-1960 All songs covered
Phir ek baar kaho Maayaa-1961 All songs covered
Dekhi anaadi teri preet Biraadari-1966 All songs covered
Kaun sunegaa kisko sunaayen Sautan Ki Beti-1989 01 song posted

“Sahaara”(1958) had ten songs in it, including one three version song. Two parts of that three version song is covered in the blog in this post. One of its versions could not be covered because that version does not seem to be available. Counting the two versions as two separate songs (as is the case in HFGK), the seven posts in the blog have covered eight songs from the movie so far. The fact that this is a three version song was discovered by me while going through the HFGK entries for this movie. The entries of this song has been updated accordingly, by adding part 3 of this song there. Part 2 ‘Aaghaz muhabbat ki baaten kya faydaa ab dohraane se’ appearently is not available as of now.

Here are the details of the eight songs from “Sahaara”(1958) discussed so far in the blog:-

Song Posted On Remarks
So jaa dukhiyaare 24.06.2009
Ritu aaye ritu jaaye duniyaa rang badalti hai 27.08.2010
Billi bajaaye baajaa 26.11.2010
Andhhon se dayaa karnaa daataa 12.12.2010
Mujhe tarke taalluk ke liye samjhaaya jaata hai 12.12.2011 Three part song, one part unavailable
Chham chham chham chham chale wo maa 16.06.2015
Ban ke suhaagan rahi abhaagan 18.12.2016

We can see that the movie made its debut on the blog on 24.06.2009 i.e. more than eleven years ago.

Well, when I noticed that the music director of this movie is Hemant Kumar and moreover lyrics were written by Bharat Vyas I was more than happy to take a song for presentation and do not want to miss this opportunity (because of special reasons 😊 which is the matter of another post, so keep visiting the blog 😊).

“Sahaaraa-1958’ was directed by Lekhraj Bhakri for ‘Tasviristaan, Bombay’. It was produced by Kuldeep Sehgal. The movie had Meena Kumari, M. Rajan, Daisi Irani, Manoj Kumar, Geeta Sinha, Kuldeep Kaur, Kanhaiyalal, Badri Prasad Leela Mishra, Sundar, Niranjan Sharma, Sagar, Rinku, Shakeel Nomani, Khanna, Black & White, Kardar, Ameer Banu, Chandabai, Sadhna, Maya Das, Kanchanmala and others.The movie was passed by Censor Board on 08.08.1958.

Music of this movie was composed by Hemant Kumar. And lyrics for all the ten songs were written by Bharat Vyas.

The song under discussion is sung by Protima Bannerjee and composed by Hemant Kumar.

Lyrics of this song reminds me of another such song from the movie ‘Jai Santoshi Maa-1975’ – ‘jo dukh se ghabra jaaye wo nahin hind ki naari’. I think we have many songs in Hindi movies falling in this category where the ‘Bhartiya Naari’ is eulogized for her strength and sacrifices for the sake of her family. Today’s song happens in this situation in the movie.

The song is a background song where Meena Kumari can be seen travelling in a ‘bullock-cart’ returning from her ‘In-Laws house’, where her father in law requested her to suffer for the mistake of his own daughter to save his ‘prestige’ in the society …

I have not watched the full movie so can’t say much about it and its other songs …

If we can locate the missing part of the three part song then this song would see the movie getting YIPPEED. But seeing that one part of the song remains uncovered, this movie too remains technically unYIPPEED.


Song-Har dukhda sahnewaali munh se na kuchh kahnewaali(Sahaara)(1958) Singers-Hemant Kumar, Protima Bannerjee, Lyrics-Bharat Vyas, MD-Hemant Kumar
Both

Lyrics

har dukhdaa sahnewaali
munh se naa kuchh kehnewaali
har dukhdaa sahnewaali
munh se na kuchh kehnewaali
tyaag aur sewa mein
jo duniyaa se nyaari hai
haan aa aa aa
tyaag aur sewa mein
jo duniyaa se nyaari hai

dharti si dheeraj waali
ye bharat ki naari hai
bharat ki naari hai
bharat ki naari hai

ghar ki laaj ko dharm jo samjhe
karam kare sukhkaari ee
angaaron mein kood pade jo
samajh use phulwaari ee
ghar ki laaj ko dharm jo samjhe
karam kare sukhkaari ee
angaaron mein kood pade jo
samajh usey phulwaari ee

ho o o o aa aa
har aansoo peenewaali
honthon ko seenewaali

mar mar kar jeenewaali
aisi sannaari hai
haan aa aa aa
mar mar kar jeenewaali
aisi sannaari hai

dharti si dheeraj waali
ye bharat ki naari hai
bharat ki naari hai
bharat ki naari hai

gangaa si nirmal hai jiski
jamuna jaisi kaayaa aa
aisi devi apne sar par
le le dosh paraayaa aa
gangaa si nirmal hai jiski
jamuna jaisi kaayaa aa
aisi devi apne sar par
le le dosh paraayaa aa

ho o o o o aa
qurbaani karnewaali
hans hans kar marnewaali

jiske balidaanon ke aagey
duniyaa haari hai
haan aa aa aa
jiske balidaanon ke aagey
duniyaa haari hai ae

dharti si dheeraj waali
ye bharat ki naari hai
bharat ki naari hai
bharat ki naari hai
har dukhdaa sahnewaali
munh se naa kuchh kehnewaali
tyaag aur sewa mein
jo duniyaa se nyaari hai
aa aa aa aa
tyaag aur sewa mein
jo duniyaa se nyaari hai

dharti si dheeraj waali
ye bharat ki naari hai
bharat ki naari hai
bharat ki naari hai

—————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————-
हर दुखड़ा सहनेवाली
मुंह से ना कुछ कहनेवाली
हर दुखड़ा सहनेवाली
मुंह से ना कुछ कहनेवाली
त्याग और सेवा में
जो दुनिया से न्यारी है
हाँ आ आ आ
त्याग और सेवा में
जो दुनिया से न्यारी है

धरती सी धीरज वाली
ये भारत की नारी है
भारत की नारी है
भारत की नारी है

घर की लाज को धर्म जो समझे
करम करे सुखकारी ई
अंगारों में कूद पड़े जो
समझ उसे फूलवारी ई
घर की लाज को धर्म जो समझे
करम करे सुखकारी ई
अंगारों में कूद पड़े जो
समझ उसे फूलवारी ई

हो ओ ओ ओ आ आ
हर आँसू पीनेवाली
होंठों को सीनेवाली

मर मर कर जीनेवाली
ऐसी सन्नारी है
हाँ आ आ आ
मर मर कर जीनेवाली
ऐसी सन्नारी है

धरती सी धीरज वाली
ये भारत की नारी है
भारत की नारी है
भारत की नारी है

गंगा सी निर्मल है जिसकी
जमुना जैसी काया आ
ऐसी देवी अपने सर पर
ले ले दोष पराया आ
गंगा सी निर्मल है जिसकी
जमुना जैसी काया आ
ऐसी देवी अपने सर पर
ले ले दोष पराया आ

हो ओ ओ ओ ओ आ
कुर्बानी करनेवाली
हंस हंस कर मरनेवाली

जिसके बलिदानों के आगे
दुनिया हारी है
हाँ आ आ आ
जिसके बलिदानों के आगे
दुनिया हारी है

धरती सी धीरज वाली
ये भारत की नारी है
भारत की नारी है
भारत की नारी है
हर दुखड़ा सहनेवाली
मुंह से ना कुछ कहनेवाली
त्याग और सेवा में
जो दुनिया से न्यारी है
आ आ आ आ
त्याग और सेवा में
जो दुनिया से न्यारी है

धरती सी धीरज वाली
ये भारत की नारी है
भारत की नारी है
भारत की नारी है


This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4416 Post No. : 15821

“Jagadguru Shankaracharya-1955” was directed by S. Fattelal for ‘Celestial Pictures, Bombay’. It had Abhi Bhattacharya, Sulochana Chatterjee, Asha Mathur, Sapru, Krishnakumari, Ramesh Sinha, Durga Khote, Baby Nanda, Kanchanmala, Arvind Pandya, Helen, Sheri Mohan, Madhvi, Mohini, Lotan, Eruch Tarapur, C.J. Pande, Devchand, Natwar Chauhan, Champak Lala and others.

This movie had nine songs (as per HFGK- Vol-III, 1951-1960) written by Bharat Vyas and composed by Avinash Vyas. Asha Bhonsle, Geeta Dutt, Hemant Kumar, Lata Mangeshkar, Manna Dey, Mohd Rafi and Pinakin Shah had given their voices to the songs in this movie. This movie was passed by Censor Board on 12.11.1955.

So far, only two songs from this movie have been posted on the blog.

Song Date of posting
Hey ji Natwar naagar murli adhar dhar 07.10.2012
Jaago hey jaago jaago hey mahaakaal 14.11.2013

Today 20th August is the thirty-sixth ‘Remembrance anniversary’ of music director Avinash Vyas ((21 July 1912 – 20 August 1984). On this occasion here is a song from ‘Jagadguru Shankaracharya-1955’ sung by Hemant Kumar and composed by Avinash Vyas. Lyrics are by Bharat Vyas ji.

After getting associated with this blog I had got many opportunities to listen and share the songs composed by Avinash Vyas ji.

I was not aware of his work or rather his great work to the contribution of Hindi Cinema and Gujarati Cinema and Non-Film music in Gujarati. During the preparation of this post I came across this article by A.M. Vaishnav ji on ‘songs of yore’ here and also there I found comments by our Arun ji giving a brief about Avinash Vyas ji which I am reproducing below;

His full name was AVINASH ANANDRAI VYAS. His wife Sulochana Vyas was a singer and son Gaurang was/is a Music Director.
He was a multifaceted personality. he was a composer, lyricist, playback singer and writer too. In fact, he has written 75 Dance Ballets, in few of which Asha Parekh has also danced. he published 6 books in Gujrati, the last being” Vartul”-1983.
he gave music to 53 Hindi and 175 Gujrati films and 1 Rajasthani film. he got Gujrat Govt awards 10 times. The Sangeet Natak Academy of Gujrat gave him an award. He was given Padmashree in 1970. he made 8 Foreign stage shows. he had acted in a Gujrati film,” Gorakhdhanda”-1949.
His most famous film Har har Mahadev-1950 is also my favourite one.
Though neglected in Hindi, he was honoured suitably in Gujrat, in his life time.

Additional information-
Avinash Vyas collaborated with great songwriters like Qamar Jalalabadi, Madan, Prem Dhawan, Pradeep Patel, Gopal Singh Nepali, Badrinath Vyas, Sadiq Lakhnavi, Devendra, Pt. Sagar, Indeevar, Nilkanth Tiwari, Sagar Husain, Qamar Jalalabadi, Kavi Pradeep, Saraswati Kumar Deepak, Bharat Vyas, B. P. Bhargav, Raja Nene, Ramesh Gupta, Shamim Jaipuri, Indra Chandra, Raja Mehdi Ali Khan, Pt. Mukhram Sharma, Pt. Madhur and Ramesh Shastri.
Avinash’s compostitions were sung by the melodious voices of great singers like Mohammed Rafi, Suman Hemadi Kalyanpur, Anand Kumar Chitragupta, Badrinath Vyas, Dilraj Kaur, Sulochana Kadam, Asha Bhosle, Shamshad Begum, Manna Dey, Mukesh, Geeta Dutt, Hemant Kumar, Talat Mehmood, Kishore Kumar, Meena Kapoor, Ameerbai Karnataki, Krishna Kalle, Mahendra Kapoor, Madhubala Zaveri, , Mohan Tara, Lata Mangeshkar, Sudha Malhotra, S. Balbir, Husn Ara, Kavi Pradeep and Usha Mangeshkar.

I am sure Arun ji must have written in details about Avinash Vyas ji on this blog too, but I have to find and read that post.

In my childhood I must have watched many black & white Hindi movies where music was composed by Avinash Vyas, unaware of who the music director was. However, the song ‘tere dwaar khadaa bhagwaan’ from ‘Waaman Avtaar-1955’ is my all-time favorite and I would also like to mention the songs from ‘Chakradhaari-1954’ which I watched during my stay at Nagpur (exactly four years back around this time i.e. 15/16 August’2016) where I liked all the wonderful songs this movie has.

Paying our tributes to the music director Avinash Vyas today, let us now listen to today’s song …


Song-Bade bade dhoondhhe pahaad aur kan mein dhoondhna bhool gaye (Jagadguru Shankaracharya)(1955) Singer-Hemant Kumar, Lyrics-Bharat Vyas, MD-Avinash Vyas

Lyrics

bade bade dhoondhe pahaad
aur kan mein dhoondhnaa bhool gaye ae
kan mein dhoondhnaa bhool gaye ae

bade bade dhoondhe pahaad
aur kan mein dhoondhnaa bhool gaye ae
bhole bhakt bhagwaan ko apne
man mein dhoondhnaa bhool gaye ae
man mein dhoondhnaa bhool gaye
bade bade dhoondhe pahaad
aur kan mein dhoondhnaa bhool gaye
bhole bhakt bhagwaan ko apne
man mein dhoondhnaa bhool gaye ae
man mein dhoondhnaa bhool gaye ae

bade bade pothe padh padh ke
bante ho vidwaan
raamaayan mahaabharat dhoondhi
dhoondhe ved puraan
dhoondhe ved puraan
par apne saans ki chhoti si
dhadkan mein dhoondhnaa bhool gaye
bhole bhakt bhagwaan ko apne
man mein dhoondhnaa bhool gaye ae
man mein dhoondhnaa bhool gaye

saanjh savere jamunaa jal se
ragad ragad tan dhote
aur use dhoondhne
ganga ji mein lagaa rahe ho gotey ae ae
lagaa rahe ho gotey
par kisi deen ki ankhiyan ke
ansuwan mein dhoondhna bhool gaye
bhole bhakt bhagwaan ko apne
man mein dhoondhnaa bhool gaye ae
man mein dhoondhnaa bhool gaye
bade bade dhoondhe pahaad
aur kan mein dhoondhnaa bhool gaye
bhole bhakt bhagwaan ko apne
man mein dhoondhnaa bhool gaye ae
man mein dhoondhnaa bhool gaye

———————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————————-
बड़े बड़े ढूंढे पहाड़
और कण में ढूंढना भूल गए ए
कण में ढूंढना भूल गए ए

बड़े बड़े ढूंढे पहाड़
और कण में ढूंढना भूल गए ए
भोले भक्त भगवान् को अपने
मन में ढूंढना भूल गए ए
मन में ढूंढना भूल गए

बड़े बड़े ढूंढे पहाड़
और कण में ढूंढना भूल गए ए
भोले भक्त भगवान् को अपने
मन में ढूंढना भूल गए ए
मन में ढूंढना भूल गए ए

बड़े बड़े पोथे पढ़ पढ़ के
बनते हो विद्वान्
रामायण महाभारत ढूंढी
ढूंढें वेद पुराण
ढूंढें वेद पुराण
पर अपने सांस की छोटी सी
धड़कन में ढूंढना भूल गए
भोले भक्त भगवान् को अपने
मन में ढूंढना भूल गए ए
मन में ढूंढना भूल गए

सांझ सवेरे जमुना जल से
रगड़ रगड़ तन धोते
और उसे ढूंढने
गंगा जी में लगा रहे हो गोते ए
लगा रहे हो गोते
पर किसी दीन की अंखियन के
अंसुवन में ढूंढना भूल गए
भोले भक्त भगवान् को अपने
मन में ढूंढना भूल गए ए
मन में ढूंढना भूल गए
बड़े बड़े ढूंढे पहाड़
और कण में ढूंढना भूल गए
भोले भक्त भगवान् को अपने
मन में ढूंढना भूल गए ए
मन में ढूंढना भूल गए


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4368 Post No. : 15697 Movie Count :

4327

Hindi songs in Bangla Films – 33
————————————–

Music Directors, Ravi (Ravi Shankar Sharma) and Hemant Kumar (Hemant Mukherjee or Hemant Mukhopadhyay as he is known in Bangla films industry) had an interesting and collaborative partnership in the 1950s. As revealed in his multiple TV interviews, Ravi came to Mumbai in 1950 to become a playback singer. He started as a chorus singer and his first song as a chorus singer was for zara jhoom le jawaani ka zamaana in ‘Naujawaan’ (1951).

Hemant Kumar got his first Hindi film assignment as a music director in Filmistan’s ‘Anand Math’ (1952) in which Ravi got a chance as a chorus singer for the song vande maataram. Hemant Kumar seems to have found Ravi as a knowledgeable and resourceful person having good command over Hindi and Urdu, the latter being the weak points for Hemant Kumar. So, he appointed Ravi as his Music Assistant. What I have gathered from the TV interviews is that Ravi had become Hemant Kumar’s man Friday. Whenever Hemant Kumar found some ‘musical resources gap’, it was Ravi who would step in to fill the gaps – be as a musician, lyricist and singer and apprising him of the nuances of Hindi and Urdu words in lyrics.

One of the best collaborative efforts of Hemant Kumar with Ravi as his Assistant Music Director was in ‘Naagin’ (1954). All the songs of the films were super hit and Hemant Kumar won Filmfare’s Best Music Director’s Award for the film. In one of the film’s songs, Hemant Kumar did not want to use the Been as an instrument but he wanted the sound of the Been. Ravi came forward to compose the Been music on Harmonium which was played on Clavioline (a keyboard music instrument) by Kalyanji to produce Been like sound. The Been music was created on the tune of mera dil ye pukaare aaja and used in mann doley mera tann doley. The songs with Been music became so famous that HMV came out with a gramophone record covering only the Been music for which Ravi was given credit for composing the Been music.

Hemant Kumar was very much inspired by an East Bengal folk song ‘Allah megh de paani de chhaaya de tui’ which was made very popular by S D Burman when he sang this song in Jodhpur Music Festival held sometime in mid-1940s. Hemant Kumar wanted to use this folk tune in one of the songs of ‘Naagin’ (1954). But Ravi did not want the song to sound like folk tune. So, he played a variation of the mukhda tune on his harmonium based on the folk tune which Hemant Kumar liked and incorporated in the song chhod de patang meri chhod de. Only listeners of Hindi film songs with keen ears could have made out that this song was based on a folk song referred to above. At least, I can say for myself that I did not realise this fact until Ravi himself had revealed this in one of his TV interviews, despite the fact that I was aware of allah megh de paani de used in ‘Guide’ (1965) by S D Burman and I also knew that it was partially used in de de pyaar de pyaar de pyaar de re by Bappi Lahiri.

One more instance where Ravi came as a filler for Hemant Kumar’s muscian was on the day of the recording of the song na ye chaand hoga na taare rahenge for ‘Shart’ (1954). The musician playing the Clavioline did not turn up for recording. Since it was the main instrument to be used for prelude and interludes, Hemant Kumar decided to cancel the recording. But Ravi stepped in and offer to play the Clavioline. Thus, the song recording was completed as per schedule with Ravi playing the Clavioline.

During his association with Hemant Kumar, Ravi also stepped in as one-song lyricist in ‘Bandish’ (1955), ‘Arab Ka Saudagar’ (1956), Hamaara Watan’ (1956) and ‘Bandi’ (1957). Ravi as an Assistant Music Director also sang under Hemant Kumar in ‘Daaku Ki Ladki’ (1954), ‘Bahu’ (1955), ‘Lagan’ (1955), ‘Arab Ka Saudagar’ (1956), ‘Laalten’ (1956) and ‘Yahudi Ki Ladki’ (1957).

Ravi worked with Hemant Kumar as Assistant Music Director in 22 films during 1954-57 which included ‘Shart’ (1954), ‘Jaagriti’ (1954), ‘Naagin’ (1954), ‘Bahu’ (1955), ‘Bandish’ (1955), ‘Inspector’ (1956), ‘Ek Hi Raasta’ (1956), ‘Durgesh Nadini’ (1956), ‘Yahudi Ki Ladki’ (1957), ‘Ek Jhalak’ (1957), ‘Champakali’ (1957) etc. During this period, Ravi also got assignments as an independent music director in ‘Vachan’ (1955). ‘Albeli’ (1955), ‘Prabhu Ki Maya’ (1955), ‘Ayodhyapati’ (1956), ‘Ek Saal’ (1957) and ‘Narsi Bhagat’ (1957).

The association of Hemant Kumar and Ravi ended sometime in 1957, when the former advised Ravi to look for independent assignments as a music director. Hemant Kumar he felt that working with him as Assistant Music Director for a long time would restrict his musical career. Though Ravi was not keen to leave his association with Hemant Kumar, he saw logic in his mentor’s advice and parted his fruitful association with him. However, Ravi did not have to struggle to get his independent assignments as three of the production banners – Devendra Goel, S D Narang and Nadiadwala with whom he had worked as Assistant Music Director for Hemant Kumar, engaged him as music director for their films. After the success of his music in ‘Chaudhvin Ka Chaand’ (1960), Ravi never looked back in his musical journey. Before and after parting of their association, as per my counting, Hemant Kumar sang least 22 songs under the music direction of Ravi.

Hemant Kumar and Ravi also collaborated in a Bangla movie, ‘Shesh Parichaya’ (1957), where Ravi was associated as a lyricist for two Hindi songs in the film. These two songs are ‘chal aisi jagah ae dil’ and ‘jhoom jhoom kar gaa le’, both rendered by Lata Mangeshkar. Unfortunately, the film is not available for viewing online on any of the video sharing platforms. I do not have any idea about the story of the film. Whether the film ‘Shesh Parichaya’ (1957) has any connection with a novella of the same title written by Sharatchandra Chattopadhyay is difficult to guess. The only available information on-line is that the film was directed by Sushil Majumdar and Basanta Chaudhury, Sabitri Chatterjee and Chhabi Biswas acted in the film. Hemant Kumar was the music director.

I am presenting first of the two Hindi songs from “Shesh Paricay”, viz. ‘chal aisi jagah le chal’ sung by Lata Mangeshkar. The song reminds me of chali jaa chali jaa chali jaa from ‘Ham Log’ (1951).

Audio Clip:

Song-Chal aisi jagah ae dil (Shesh Parichay)((Bangla)(1957) Singer-Lata, Ravi, MD-Hemant Kumar

Lyrics

chal aisi jagah ae dil
jahaan zulm-o-sitam na ho
jahaan chain miley tujhko
chal aisi jagah ae dil
jahaan zulm-o-sitam na ho
jahaan chain miley tujhko
chal aisi jagah ae dil

bedard hai zamaana
tera saath kaun dega
tere gham ki daastaan ko…o
koi nahin sunega
bedard hai zamaana
tera saath kaun dega
tere gham ki daastaan ko..o
koi nahin sunega
seene mein daba le tu
iss gham ke fasaane ko
kehna na zamaane ko
chal aisi jagah ae dil

duniya ne aaj tujhse
badlin hai jab nighaahen
tu bhi zara badal de ae
ye zindagi ki raahen
duniya ne aaj tujhse
badlin hain jab nighaahen
tu bhi zara badal de ae
ye zindagi ki raahen
taqdeer bani dushman
jab tere mitaane ko
ghar tera jalaane ko
chal aisi jagah ae dil
jahaan zulm-o-sitam na ho
jahaan chain miley tujhko
chal aisi jagah ae dil


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day:

4361 Post No. : 15684

Today’s song, rather a beautiful Bhajan, is from the film Bhagwat Mahima-55. Earlier 3 songs/Bhajans of this film are discussed here, so it will be the 4th Bhajan from this film to appear here.

The film was made by Filmistan. It was directed by a veteran All-rounder Vithaldas Panchotiya and the music was composed by Hemant kumar- who was famous for creating Bhajans in films.

Hemant Kumar’s associaton with Filmistan started with the film Anand math-52. Director Hemen Gupta recommended his name to S.Mukherjee at that time. Having heard Hemant’s name for his Bangla songs, Mukherjee accepted his name. Earlier C Ramchandra had left Filmistan during the making of film Shabistan-51, due to the interference of his old tormentor Bibhuti Mitra, the film Director.(He was called for the film Anarkali again, after Basant Prakash had left halfway).

Hemant did many films for Filmistan like Shart-54, Samrat-54,Nagin-54, Jagriti-54, Bhagwat Mahima-55 and Durgesh nandini-56. When Hemant was asked to make music for the film Nagin, an interesting event happened. S.Mukherjee had never worked with Master Bhagwan, but he had immense faith in Bhagwan’s Music sense. Most times Mukherjee used to ask Bhagwan’s advice on song tunes of his films. One day, C Ramchandra hosted a party at his bungalow-Sai prasad, Dadar, to celebrate Silver jubilee of film Albela. When the party was in full swing, on the IIIrd floor terrace, Mukherjee called Bhagwan aside and asked him to come with him to the ground floor. Bhagwan was surprised, but without questioning, he accompanied him to the ground floor. There he saw a young man with a Harmonium. Mukherjee said,” Dada, listen to these tunes and give me your opinion.” Then he turned to that young bespectacled man and asked him to play his song tunes. After listening to the tunes, Bhagwan looked excited and said,” My God, kya superb tunes hai ye. Sab gaane hit honge”. That was Hemant Kumar with Nagin Tunes ! Needless to say that Mukherjee passed all tunes.

The decade of 1950s, besides being a part of the “Golden Era” of Hindi film music, also was a very favourable period for Religious films. This was a decade in which maximum number of Mythological/Religious films were made – a record number of 124 films in 10 years’ time. This gave an unprecedented average of One film every month for 10 years at a stretch ! This was a period when joint families still existed and there were many senior citizens in almost every family-who were keen on seeing religious films. The TV had not yet arrived and stage dramas were relegated to the second place in entertainment for families.

During the 1960s and the 1970s, the number of Religious films dwindled, as a variety of topics were handled by films – including the New Wave films, which focused on different issues of the Middle class Indians.

Film Bhagwat Mahima-55 was based on Bhagwat Puran stories. Out of all the 18 Puranas of Hindu religion, Bhagwat Puran is the most popular and most read scripture. It contains 18000 Shlokas in 12 Cantos or Chapters and has stories about Lord Shri Krishna and his devotees. Bhagwat puran has 3 main sections, which emphasize about 1) Bhakti Yog or the Spiritual path to God, 2) Dnyaan Yog or the Wisdom Path and 3) (Nishkaam) Karm Yog or the Virtuous Action Path (without expecting fruits thereof). The entire Puran is about Krishna from his birth to his exit from this world and stories about events and people connected with him throughout his Mortal life.

Hemant Kumar (16-6-1920 to 26-9-1989) excelled in religious films, with his melodious music,often sung in his own voice. Looking at his career statistics, he was more successful as a Singer in Hindi films than as a Music Director. He sang 320 songs in 173 films, while he gave music to only 55 films, composing 423 songs, in his career. I simply love his songs, especially his duets with Lata and Geeta Dutt.

When he first came to Bombay in 1951 to score music for film Anand Math-52, he had a problem with Hindi language pronunciations. As a professional, it is to his credit that he tried hard and successfully corrected his Hindi, while retaining the characteristic Bangla sweetness in his voice. Lata had once said,” when Hemant Kumar sings, you feel a Sadhu is singing !”. Hemant Kumar usually wore a Dhoti and Kurta. His voice was typically different and by nature he was a thorough Gentleman.

The director of this film was Vithaldas Panchotiya. Except those readers, who have a knowledge of early era Hindi films, it is unlikely that other readers might have even heard this name. In the early era, when the studio system was firmly established, the artistes employed by the studio had no specific duties. Anybody and everybody had to do what was needed by the company. Due to this many capable artistes became all rounders in film making.

Vithaldas Panchotiya was certainly one such person. He has been a Producer, Director, story writer, dialogue writer, screenplay writer, lyricist, Singer, Music Director and God knows what else !

Born in October 1906 in Vadnagar in Gujarat, he followed his father’s footsteps. His father worked in stage dramas and toured with the drama company. From the age of 8 years Vithaldas started acting in dramas. Later he joined Calcutta’s Alfred Drama company, owned by Madon Theatres Limited. He worked on a salary of Rs. 35 pm. While working in dramas, he established his own Gujarat Film company and produced 12 silent films in 10 years. Vithaldas first acted in silent film ‘ Dhruv charitra’-1921. He learnt dance and music too. He acted , directed, sang songs and gave music also. He acted in Talkie film ” Muflis Ashiqe”-1932, claimed to be India’s first comedy film. He acted, sang and composed music for this film.

Being a staunch Gandhian, he used to participate in rallies etc. Some of his films were Hindustan-32, Insaf ki Tope-34, Gaibi Gola-35 ( he was the writer and the director too.He gave a break to Baby Noorjahan in this film.), Khudai Khidamadgar-37 aka Garib ki Tope, Takdir ki Tope-38 etc . As per one source, he acted in 35 films, directed 10 talkie films, sang 8 songs, gave music to 1 film and wrote Lyrics to 2 films. Additionally story, dialogues and screenplay writing were also done by him. Some of his films were, Shaikh chilli-37, Khush naseeb-46, Prabhu ki maya-55, Ghar ki numaish-49, Karmaveer-38, Raman-54, Jagriti-54, Hum sab chor hain-56, Basant 60, Bhagvat mahima etc.

I find it very difficult to know exactly how many films he did in various capacities in the 1930s, as there are conflicting claims by him and Master Fida Hussain. In a few cases the details in HFGK and what he claims, gets contradicted. Some of his films in the 40s are Ramanuj-43, Giribala-47, Grihalaxmi-48, Ghar ki Numaish-48 ( released only in 1962, with the title ‘ Jai ho muhabbat ki ‘ )

Thanks to information and statistical data provided by Shri Harish Raghuwanshi ji of Surat, we know that his Filmography consists of a total 11+ 26 films. The break up is-

11 silent films
25 Talkie films as Actor and 1 film as a writer only.
9 films as a Director
2 films as Lyricist and
2 films as Music Director
As per Muvyz data, he sang 37 songs in 8 films.

from 1951 to 1960, he did 13 films- mostly ( 9) for Filmistan. He directed 2 of them. After 1960 his work was reduced. The death of his 3 sons broke him emotionally. As a true Gandhian, it was his dream to make a film- Gandhi Sangram- on mahatma Gandhi. He had done all the spade work and the Muhurat of shooting was also done on 2-10-1987, The Government had promised finance. Even Rajiv Gandhi promised him that. However nothing came to him and he died on 30-10-1996, with his dream unfulfilled.

His daughter Shradha used to work in Gujarati films. She too died in a Train accident in 2000. Her daughter Deepshikha is an actress.

The story of the film Bhagwat Mahima-55 is……

Nagar Seth, a rich man living in one of the gayest cities of India, had everything he wanted in life with one exception. And that was his having no children. His wife, Shanta, consoled him by saying that it was better not to have a child rather than have one who would ruin the fair name of the family by his mis-deeds. She narrated to her husband the story of Sukhram who served his son for three generations in the forms of a bull, a dog and a serpent, even though he could have gone to heaven without doing this service. His son, however, ill-treated the father throughout. Anyway, the story failed to impress Nagar Seth.

One day Shri Jagat Guru Shankaracharya happened to pass through the town. Shanta, who was a disciple of his, requested him to console her husband. In doing so, Shankaracharya narrated a story from the Immortal Classic, Shrimad Bhagvat, wherein Atmadev, also placed in similar circumstances, prayed for a child. Doing penance, Atmadev had `darshan of Narad Muni who gave him a fruit saying that his wife would beget a noble son if she ate the fruit. . Atmadevs wife had no faith in miracles and, on the advice of her sister, Ganga, gave the fruit to her cow.
Ganga, who was expecting a baby, offered her child to Dhundhuli (Atmadevs wife) for some consideration. Thus, Atmadev was made to believe that Ganga’s child was his own. He was named Dhundhukari.

At the same time, the cow which had eaten the fruit, also gave birth to a son who was human in every feature except his ears which were shaped like cows. This boy was also brought up by Atmadev and named “Gokarn”.

Both the boys grew up together and, in due course, became young men. Gokarn, who led a pious and righteous life, became a learned and famous man. Dhundhukari, on the other hand, grew up in bad ways and became the terror of the town. . One day, Dhundhukaris real father, i.e.Ganga’s husband, told Atmadev about his son’s real identity. This so much upset Atmadev that he went away into the forest. There, later, he lost his life.

Champa, a helpless girl and one of the many victims of Dhundhukari, conspired with some of her friends and killed Dhundhukari. Because of his manifold sins, he then became a wandering ghost. . Gokarn, who had now become a Mahatma, was at Gaya offering `Pind Dan to his deceased father when he learned about Dhundhukari’s fate. To relieve him of his ghostly existence, Gokarn offered `Pind Dan not once, but 108 times. Still, he was not successful. He then offered prayers to Suryadev on the advice of learned pandits. Suryadev, pleased with the prayers, blessed Gokarn and asked him to recite Shrimad Bhagvat for the salvation of Dhundhukari’s ghost.

Today’s Bhajan is sung by Hemant Kumar. It is a very good Bhajan rendered equally nicely by Hemant Kumar. I like it very much. You too will.


Song-Digant Nath devta anant roop sohta (Bhagwat Mahima)(1955) Singer- Hemant Kumar, Lyricist-Sarswati Kumar Deepak, MD- Hemant Kumar

Lyrics

om Japakusuma Samkaasham Kashyapeyam Mahadhyuthim
?? Tamorim Sarva Paapaghnam Pranathosmi Divakaram

Digant Nath devata
anant roop sohta
tamas kiran anek se
?? vishw paalate
Digant Nath devata
anant roop sohta
tamas kiran anek se
?? vishw paalate
Digant Nath devata

kripaalu Ravi kripa karo
kripaalu Ravi kripa karo
dayaalu Ravi daya karo
mahaan ye ?? tu
ke tum karo ??te
Digant Nath devata

suna rahe digant ke
anant ?? bhairavi
saja rahe ho tum nishaan
vishw bhar ki aarti
dukhon se ?? mukti do
ubaarne ki yukti do
sabhi ke paap taap ko
prabhu tumhi sanwaarte
Digant Nath devata
anant roop sohta
tamas kiran anek se
?? vishw paalate
Digant Nath devata
Digant Nath devata aa aa
Digant Nath devata aa aa


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 15900 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

15916

Number of movies covered in the blog

Movies with all their songs covered =1221
Total Number of movies covered =4362

Total visits so far

  • 13,837,049 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,907 other followers

Bookmark

Bookmark and Share

Category of songs

Current Visitors

Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

Archives

Stumble

visitors whereabouts

blogadda

blogcatalog

Music Blogs - BlogCatalog Blog Directory
%d bloggers like this: