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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Love song’ Category


This article is written by Gajendra Khanna, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3926 Post No. : 14995 Movie Count :

4104

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Atul Song-A-Day 15K Song Milestone Celebrations – 5
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It is so heartening to see our beloved blog reaching yet another big milestone of 15000 songs being posted! Over a decade plus of hard work by all involved has made this possible but above all it has been Atul ji’s steadfast disciplined hard work which has led to it. I first of all congratulate him for this achievement. Your dedication, hard work and encouragement is always inspiring us. I have run out of hats to raise for all the wonderful work you have been doing here on this blog. May God always bless you and give you strength to achieve all your goals in your personal and official life.

I also wish to thank all the other contributors who have all become my friends during the journey of this blog. It has been a pleasure knowing you and Its always enjoyable meeting all of you. I think we should celebrate soon with a celebratory party Hangout (online or offline) with all of us meeting in spite of the time zone differences which separate us but love for music at the end of the day never fails to join us. Keep smiling always and be ever happy all of you!

For today’s song post I have chosen a song I was in love with when the movie released. This movie had some lovely songs under the baton of ace composers Jatin-Lalit and it makes its debut on the blog with this song. The movie was directed by a favourite director of mine, Kundan Shah whose film ‘Jaane Bhi Do Yaaro’ (1983) is a delightful watch for all avid movie lovers even today years after its release (I shudder to hear talks of it being remade. Classics should be best left untouched. ‘Albert Pinto Ko Gussa Kyun Aata Hai’ (1980) was touched just last week and all critics unanimously agree it was best left untouched). The movie’s name of course is ‘Kabhi Haan Kabhi Naa’ which was a 1994 release. Many big names and soon to be big names participated in this delightful movie whose main details are as given below:-

Movie: Kabhi Haan Kabhi Naa (1994)
Director: Kundan Shah
Starcast: Shahrukh Khan, Suchitra Krishnamoorthi, Deepak Tijori, Rita Bhaduri, Satish Shah, Anjan Srivastav, Goga Kapoor, Tiku Talsania, Ravi Baswani, Naseeruddin Shah, Juhi Chawla
Producer: Vikram Mehrohtra
Banner: Shemaroo Video Pvt Ltd
Release Date: February 25th 1994

This is how Wikipedia describes the movie:-

‘Kabhi Haan Kabhi Naa’ (lit. Sometimes yes, Sometimes no) is a  1994 Indian Hindi romantic coming-of-age comedy film directed by Kundan Shah and starring Shah Rukh Khan, Suchitra Krishnamurthy, Deepak Tijori and Naseeruddin Shah. This is one of the rare mainstream Hindi movies in which the hero plays the role of a loser. It is widely considered to be one of Shah Rukh Khan’s best performances, and he has said that it is his favourite film. He received the Filmfare Critics Award for Best Performance for his role. Produced on a budget of ₹1.4 crore, the film grossed ₹5.5 crore, equivalent to ₹84 crore (US$12 million) adjusted for inflation. At the 39th Filmfare Awards, it won the Critics Award for Best Film and the Critics Award for Best Actor for Shah Rukh Khan, who also won the Best Actor award for ‘Baazigar’ (1993) at the same ceremony.

I still remember seeing this slice of life movie in a theatre. I was now old enough to go to a theatre by myself and I made the most of the period watching many of the good movies of the period. In spite of the movie being released during exam times, my parents permitted me to watch it and I enjoyed watching it. All the actors in the movie had done really good roles. Suchitra Krishnamurthy had made her acting debut with the movie. Many critics didn’t like her acting but I felt she tried her best giving a genuineness to the performance. She didn’t appear in much movies due to her personal life decisions but I have liked the few and far between movies she did. During the pop boom, she had done a handful of albums too whose cassettes I have enjoyed in those days. ‘Dole Dole’ was a particular favourite with me. Deepak Tijori who was the other lead also did a wonderful role. He was a competent actor and I feel its sad that we have not been able to see much of him for many years. He’s been more active in the field of direction though. As it is I love movies set in Goa and have thoroughly enjoyed movies set there.

Not many may be knowing that this movie was also remade in Telugu by the name Swapnalokam (1999) starring Jagapathi Babu.

Here is the plot of the movie:-

Sunil (Shah Rukh Khan) is woken up from his dream of marrying the girl he loves, Anna (Suchitra Krishnamurthy), by Sunil’s sister (Sadiya Siddiqui). Sunil is a happy-go-lucky scamp who loves music and is not interested in studies, which bothers his father, Vinayak (Anjan Srivastav). Sunil, Anna, and Chris (Deepak Tijori) are 3 members of a 6-person music band, who are looking to make it big. Anna rejoins the group after being away for a while, which makes Chris happy too, as he too loves Anna. After Anna reenters his life, Sunil begins to try and change his ways in order to get Anna to fall in love with him.

During a performance at a friend’s wedding, Sunil realizes that Anna and Chris have some chemistry between them. Sunil is devastated, so he decides to create a rift between Anna and Chris. Sunil eventually gets caught in his own web of lies. Anna, furious with Sunil for such a betrayal, slaps him and decides to never talk to Sunil ever after. Sunil is thrown out of the band for being a miscreant. However, as luck were to have it, fortune favours Sunil who saves the band from being heckled at a local club performance by putting on a stellar show, so the entire band forgives and forgets.

Meanwhile, Anna’s father has been giving thought to getting her settled in life and decides that Chris is worthy of the honour. He makes his intentions known to approach Chris’ parents with a proposal. However, Chris’ parents have other ideas and decide Chris’ marriage to their friend’s daughter. Anna and her family are dejected.

Sunil consoles Anna during this time and the tide slowly turns in his favour. Anna’s father, having realized that Sunil will love and take care of Anna, convinces Anna to marry Sunil. Sunil is overjoyed until he realizes Anna still loves Chris. Sunil decides to reunite the two and get them married. On the wedding day, as Chris and Anna are about to exchange rings, Chris’ ring slips out of his hand and rolls out of sight. Everybody starts searching for it. Sunil spots the ring but feigns ignorance, even as his younger sister gazes at him with a heavy heart. Eventually, Chris locates the ring and the couple gets married.

Just after the wedding, Sunil is shown sitting on the sidewalk, dejected and heartbroken. By happenstance, a random girl (Juhi Chawla in a guest appearance), who is lost and is seeking directions, approaches Sunil. Sometime later, Sunil and the girl are seen walking in the moonlight and talking merrily.

Anthony and Vasco, two criminals who are a part of the story, see Sunil with the new girl and break the fourth wall, saying that Sunil will be alright. The criminals hear the police siren and immediately scamper away as the credits roll.

If you’ve not watched the movie yet, do catch this feel good movie. It had some of the best performances and the late Renu Saluja had also edited it well. I heard sometime back that Shah Rukh Khan has bought the rights of the movie. Don’t know if he’s planning to remake it but its definitely one of his best and sincere performances. The movie was a sleeper hit and made more than double (nearly 5.5 crores) on the box office in those days.

The song’s lyrics have been very thoughtfully written by Majrooh Sultanpuri sahib and sung lovingly by the flavour of those days, Kumar Sanu. The combination of Majrooh Sahib with Jatin-Lalit was one of the top combinations for me in the 1990s. Just like the song, I pray that we never wake up from the suroor of good music we all live in all the time and keep singing songs of our love for music as well as each other.

Song – Ae Kaash Ke Ab Hosh Mein Hum Aane Na Paayen (Kabhi Haan Kabhi Naa) (1994) Singer – Kumar Sanu, Lyrics – Majrooh Sultanpuri, MD – Jatin Lalit

Lyrics

ae kaash ke hum hosh mein
ab aane na paayen
ae kaash ke hum hosh mein
ab aane na paayen
bas naghme tere pyaar ke
gaate hi jaayen
ae kaash ke hum hosh mein
ab aane naa paayen
ae kaash ke hum hosh mein
ab aane naa paayen

khilti mehakti
yeh zulfon ki shaam
hanste khanakte
yeh hothhon ke jaam
khilti mehakti
yeh zulfon ki shaam
hanste khanakte
yeh hothon ke jaam
aa jhoom ke saaz uthhayen
bas naghme tere pyaar ke
gaate hi jaayen
ae kaash ke hum hosh mein
ab aane na paayen
bas naghme tere pyaar ke
gaate hi jaayen
ae kaash ke hum hosh mein
ab aane na paayen

laa laa laall laa
laalla laa laa laa
laa laa laa laa la laall laa

ho bas agar tum hamaare sanam
hum to sitaaron pe rakh den kadam
ho bas agar tum hamaare sanam
hum to sitaaron pe rakh den kadam
saaraa jahaan bhool jaayen
bas naghme tere pyaar ke
gaate hi jaayen
ae kaash ke hum
hosh mein ab aane na paayen
ae kaash ke hum
hosh mein ab aane na paayen
bas naghme tere pyaar ke
gaate hi jaayen
ae kaash ke hum
hosh mein ab aane na paayen
ae kaash ke hum
hosh mein ab aane na paayen

———————————————————-
Hindi script lyrics (Provided by Gajendra Khanna)
———————————————————-

ए काश के हम होश में
अब आने ना पायें
ए काश के हम होश में
अब आने ना पायें
बस नग़मे तेरे प्यार के
गाते ही जायें
ए काश के हम होश में
अब आने ना पायें
ए काश के हम होश में
अब आने ना पायें

खिलती महकती
ये ज़ुल्फों की शाम
हँसते खनकते
ये होंठों के जाम
खिलती महकती
ये ज़ुल्फों की शाम
हँसते खनकते
ये होंठों के जाम
आ झूम के साज़ उठायें
बस नग़मे तेरे प्यार के
गाते ही जायें
ए काश के हम होश में
अब आने ना पायें
बस नग़मे तेरे प्यार के
गाते ही जायें
ए काश के हम होश में
अब आने ना पायें

ला ला लाल्ला ला
लाल्ला ला ला ला
ला ला ला ला ल लाल्ल ला

हो बस अगर तुम हमारे सनम
हम तो सितारों पे रख दें कदम
हो बस अगर तुम हमारे सनम
हम तो सितारों पे रख दें कदम
सारा जहाँ भूल जायें
बस नग़मे तेरे प्यार के
गाते ही जायें
ए काश के हम होश में
अब आने ना पायें
ए काश के हम होश में
अब आने ना पायें
बस नग़मे तेरे प्यार के
गाते ही जायें
ए काश के हम होश में
अब आने ना पायें
ए काश के हम होश में
अब आने ना पायें

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This article is written by Ava Suri, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3925 Post No. : 14992 Movie Count :

4102

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Atul Song-A-Day 15K Song Milestone Celebrations – 4
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It is that time of the year again. Time to celebrate another landmark of this beloved blog by all the members who contribute to it. Congratulations to the blog, its members and readers for hitting the 15K landmark.

I tend to ‘wake up’ only during the celebrations, though I like to keep afoot of the blog, not as much as I used to. Time was when I was tethered to a chair and computer for eight hours a day when I was working. There were many hours to be whiled away at times and it was easy to read the blog more often. Now that I am retired and a new member of Grandparents Club, I find less time to sit at the laptop. I often read posts on my mobile and find it hard to post comments from there. Nevertheless, it is still my number two most visited blog. Number one is my own blog, sorry, heh heh.

From something that was once Atul ji’s hobby, posting a song a day, this blog has burgeoned into a treasure trove of information. Various contributors keep the blog humming and it now has two fathers, Atul ji has been joined by Sudhir ji. This makes it easier for the blog to keep growing. There are a number of regular contributors, Arunkumar ji Deshmukh is the Bhishm Pitamah of the blog. Nalini ji is passionate about the blog, commenting and writing posts. Sadanandji, Avinash ji, Nahm ji, Mahesh ji, Satyajit ji, Gajendraji, Satishji are some of the other stalwarts. Raja is a personal friend of mine as well as the co-mentor of the blog. Forgive me if I have forgotten the names of other contributors – my memory is shaky post-retirement. 🙂

What do I love most about this blog? Number one reason is the sheer amount of information I gather by being here. Number two is the consistency of high standards in keeping the posts original and error free. Number three is the liveliness of the blog, the constant refreshment of content.

Hindi film music is a vast ocean, no, it is more like the skies that are endless. Luckily for the lovers of this blog, there will always be new songs and new posts to keep us occupied.

Now about this song. When new movies are promoted on television, they are accompanied by one or two big songs from the film. It becomes the signature song for the movie. Hence we get to know the popular songs from each movie and hum it more often. Yet there are often hidden gems within the songs of each movie, less popular but more beautiful. We do not hear them unless we watch the movie and are struck by it or listen to the complete playlist. ‘Haasil’ has a signature song too, “Ankhen Bhi Hoti Hain Dil Ki Zubaan”. But I am struck more by this song – “Ab Ghar Aa Ja”, a classical number which plays in the background during a poignant passage in the film.

‘Haasil’ (2003) was directed by Tigamanshu Dhulia and featured Jimmy Shergill, Irfan Khan and Hrishita Bhatt. College politics and gang war in Allahabad form the backdrop in which Jimmy and Hrishita meet and fall in love. Unfortunately, Jimmy becomes involved in the gang wars between two student leaders and is forced to flee to Mumbai. But soon he realises that he cannot keep hiding and lose his girlfriend in the bargain. He decides to return to Allahabad and face the consequences.

This song plays when the hero is traveling back to Allahabad from Mumbai in a train. The picturisation is very apt, the hero is pensive as he misses his girl, also because he knows he is soon going face danger. His mood is reflected in this slow classical number.

This song will debut the movie ‘Haasil’ on the blog. If I am not mistaken, singer Javed Ali debuts on the blog too. I hope you will like the song as much as I do.

Video

Audio

Song – Ab Ghar Aa Ja, Piya Morey Aa Ja (Haasil) (2003) Singer – Javed Ali, Lyrics – Satyaprakash, MD – Jatin Lalit

Lyrics
(Based on Video Version)

piya morey aa ja

tum bin kaun
mora dukh jaane
ab ghar aa ja

kaahe aiso nithur
bhayo bataa de
ho
kaahe aiso nithur
bhayo bataa de
ho
tum bin saawan jiyaara jalaave
ab… ghar aa ja

hum se chhal na kariyo
piya morey
hum se chhal na kariyo
piya morey
hamri preet hai
tumhri pooja
hamri preet hai
tumhri pooja
ab… ghar aa ja
ghar aa ja
ghar aa ja
ghar aa..aa ja

(Based on Audio Version)

ab.. ghar aa ja
piya morey aa ja

ab ghar aa ja
piya morey aa ja 
ab ghar aa ja
piya morey aa ja 
tum bin kaun
mora dukh jaane
tum bin kaun
mora dukh jaane
ab ghar aa ja
piya more aa ja
tum bin kaun
mora dukh jaane
ab ghar aa ja…

kaahe aiso nithur
bhayo bataa de
ho
kaahe aiso nithur…
nithur…
kaahe aiso nithur
bhayo bata de
ho
tum bin saawan
jiyara jalaave
ab ghar aa ja
piya morey aa ja
ab ghar aa ja

hum se chhal naa kariyo
piya morey
ham se chhal naa kariyo… piya…
piya…
piya…
piya…
hum se chhal naa kariyo
piya morey
hamaree preet hai
tumhri puja
hamaree preet hai
tumahri puja

ab ghar aa ja
piya morey aa ja
tum bin kaun
mora dukh jaane
tum bin kaun
mora dukh jaane
ab ghar aaja…
ghar aa ja…
ghar aa..aa ja…

———————————————————-
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————-

(विडियो पर आधारित)

पिया मोरे आ जा

तुम बिन कौन
मोरा दुख जाने
अब घर आ जा

काहे अइसो निठुर
भयो बता दे
हो
काहे अइसो निठुर
भयो बता दे
हो
तुम बिन सावन
जियरा जलावे
अब॰ ॰ ॰ घर आ जा

हमसे छल ना करियो
पिया मोरे
हमसे छल ना करियो
पिया मोरे
हमरी प्रीत है
तुम्हरी पूजा
हमरी प्रीत है
तुम्हरी पूजा
अब॰ ॰ ॰ घर आ जा
घर आ जा
घर आ जा
घर आ॰॰आ जा

(औडियो पर आधारित)

अब॰ ॰ ॰ घर आ जा
पिया मोरे आ जा

अब घर आ जा
पिया मोरे आ जा
अब घर आ जा
पिया मोरे आ जा
तुम बिन कौन
मोरा दुख जाने
तुम बिन कौन
मोरा दुख जाने
अब घर आ जा
पिया मोरे आ जा
तुम बिन कौन
मोरा दुख जाने
अब घर आ जा॰ ॰ ॰

काहे अइसो निठुर
भयो बता दे
हो
काहे अइसो निठुर॰ ॰ ॰
निठुर॰ ॰ ॰
काहे अइसो निठुर
भयो बता दे
हो
तुम बिन सावन
जियरा जलावे
अब घर आ जा
पिया मोरे आ जा
अब घर आ जा

हमसे छल ना करियो
पिया मोरे
हमसे छल ना
करियो॰ ॰ ॰ पिया॰ ॰ ॰
पिया॰ ॰ ॰
पिया॰ ॰ ॰
पिया॰ ॰ ॰
हमसे छल ना करियो
पिया मोरे
हमरी प्रीत है
तुम्हरी पूजा
हमरी प्रीत है
तुम्हरी पूजा

अब घर आ जा
पिया मोरे आ जा
तुम बिन कौन
मोरा दुख जाने
तुम बिन कौन
मोरा दुख जाने
अब घर आ जा॰ ॰ ॰

घर आ जा॰ ॰ ॰

घर आ॰॰आ जा॰ ॰ ॰


This article is written by K Satish Shenoy, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3924 Post No. : 14991 Movie Count :

4101

= = = = = = = = = = = = = = = = = = = = = = = =

Atul Song-A-Day 15K Song Milestone Celebrations – 3
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Founders of Infosys (who started their venture reportedly on a Rs 10K seed capital) may not have imagined where their efforts will lead to, one day. Apple company, which started their journey from a garage, may not have guessed how big they will grow one day.  Atul Ji when he single-handedly started this blog (with moral encouragement from friends like Raja Ji – as I understand & others who showed thumbs up at that time) may not have had an idea how far the journey will progress.

But here we – Atulites – are, looking at 15000 posts!!!!. No mean feat in the era of information & social media explosion. No success is without a reason. I would say that sheer commitment, passion, dedication of Atul Ji,  Sudhir ji, Arun Ji, Sadanand Ji and all the other contributors & innumerable visitors to the blog have helped to make it to where we are today. Acha lagata hai na?

This post utilises three punch words, all prompted by today’s song.  They are : ‘achha lagata hai’, ‘seedhe point pe aao na’  & ‘short me batalao na’.

I have covered ‘achha lagata hai’ in first para. I will now ‘come to the point’ in this Para  🙂 . Today’s song is from film ‘Aarakshan’ (2011). After ‘permission’ from seniors, to write on recent songs, I have chosen this one. This film makes its debut in ASAD, with this post.

The film is by Prakash Jha on the topic of reservation. I have seen this movie. It was not at all hard hitting as I expected. But I loved the music by Shankar Ehsaan Loy. The singers are Mohit Chauhan & Shreya Ghoshal. Lyrics are by Prasoon Joshi. I took to this song from the word Go. Fresh tune, feel young lyrics, joyously sung, lovingly enacted by Saif & Deepika, exciting orchestration are what appealed to me. ‘sun ke achha laga‘. I hope aap ko bhi achha lagega . I feel young all over again listening to this song 🙂 .

Today’s generation loves to keep it short – no patience for details/clarity, eh?  ‘LOL’, ‘ASAP’ ‘ILU’ and such short forms are the flavour of the youngsters. Hence, as for the last punch word ‘short me batalao na’, I end this post. 🙂

Video

Audio

Song – Achha Lagta Hai (Aarakshan) (2011) Singer – Mohit Chauhan, Shreya Ghoshal, Lyrics – Prasoon Joshi, MD – Shankar Ehsaan Loy
Chorus

Lyrics (Based on Audio Version)

jhatak kar zulf jab tum
tauliye se baarishein azaad karti ho
achha lagta hai
hila kar honth jab bhi
haule haule guftagu ko saaz karti ho
achha lagta hai

oo oo oo
khushboo se behlaao na
seedhe point pe aao na
aaankh me aankhein daal ke keh do
khwaabon mein tehlaayo na
zara short mein
batlao na
seedhe point pe
aao na
seedhe point pe aao na. . .

la la laa laa
la la lal laa laa
la la laa laa
la la lal laa laa

alag ehsaas hota hai. . .
tumhaare paas hone ka
sarakti sarsarahat ki nadi mein reshmi lamhe
bheegone ka

o ho ho
zara sa mod kar gardan
jab apni hi adaa pe naaz karti ko
achha lagta hai

oo oo oo
lafzon se behlaao na
jhoothi moothi behkaao na
haathon ko haathon mein le ke
wo teen shabd tapkaao na
zara short mein
batlaao na
seedhe point pe
aao na
haan seedhe point pe aao na. . .

wo tere dhyaan ki khushboo
main sar tak odh leta hoon
bhatakti saans ko
teri gali mein gungunaane
chhod deta hoon

ho ho ho
tum apni khidkiyon ko khol kar
jab bhi naye aaghaaz karti ho
achha lagta hai

oo oo oo
gali gali gali gali gali
gali bhatkaao na
ghadi ghadi uljhaao na
senti ho
main jaan gai hoon
action bhi dikhlaao na
zara short mein
batlaao na
seedhe point pe
aao na
o seedhe point pe aao na. . .

achhaa. . .

o seedhe
o seedhe
o seedhe point pe
aao na. . .

la la laa laa
la la lal laa laa
la la laa laa
la la lal laa laa
la la laa laa
la la lal laa laa

———————————————————-
Hindi script lyrics (Provided by K Satish Shenoy)
———————————————————-

झटक कर ज़ुल्फ़ ज तुम तौलिये से
बारिशें आज़ाद करती हो
अच्छा लगता है
हिला कर होंठ जब भी
हौले हौले गुफतगु को साज़ करती हो
अच्छा लगता है

ओ ओ ओ
खुशबू से बहलाओ ना
सीधे पौइंट पे आवो ना
आँख में आंखे डाल के कह दो
ख़्वाबो में टहलाओ ना
ज़रा शौर्ट में
बतलाओ ना
सीधे पौइंट पे
आवो ना
सीधे पौइंट पे आवो ना॰ ॰ ॰

ल ल ला ला
ल ल लल ला ला
ल ल ला ला
ल ल लल ला ला

अलग एहसास होता है॰ ॰ ॰
तुम्हारे पास होने का
सरकती सरसराहट की नदी में रेशमी लम्हे
भिगोने का
ओ हो हो
ज़रा सा मोड़ कर गर्दन
जब अपनी ही अदा पे नाज़ करती हो
अच्छा लगता है

ओ ओ ओ
लफ्जों से बहलाओ ना
झूठी मूठी बहकाओ ना
हाथों को हाथ में ले के
वो तीन शब्द टपकाओ ना
ज़रा शौर्ट में
बतलाओ ना
सीधे पौइंट पे
आवो ना
सीधे पौइंट पे आवो ना॰ ॰ ॰

वो तेरे ध्यान की खुशबू
मैं सर तक ओढ़ लेता हूँ
भटकती सांस को
तेरी गली में गुनगुनाने छोड़ देता हूँ
हो हो हो
तुम अपनी खिड़कीयों को खोल कर
जब भी नए आग़ाज़ करती हो
अच्छा लगता है

ओ ओ ओ
गली गली गली गली गली
गली भटकाओ ना
घड़ी घड़ी उलझाओ ना
सेंटी हो
मैं जान गई हूँ
एक्शन भी दिखलाओ ना
ज़रा शौर्ट में
बतलाओ ना
सीधे पौइंट पे
आवो ना
सीधे पौइंट पे आवो ना॰ ॰ ॰

अच्छा ॰ ॰ ॰

ओ सीधे
ओ सीधे
ओ सीधे पौइंट पे
आवो ना॰ ॰ ॰

ल ल ला ला
ल ल लल ला ला
ल ल ला ला
ल ल लल ला ला
ल ल ला ला
ल ल लल ला ला


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3923 Post No. : 14989

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Atul Song-A-Day 15K Song Milestone Celebrations – 2
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Welcome all to this special occasion where we are now celebrating Fifteen thousand song-posts on the blog!!!  My heartiest congratulations to Atul ji, Sudhir ji and our respected senior and other team members on the blog and to all of our readers and well-wishers of this blog.

Well, my ‘love story’ (‘Prem Kahaani’, pehle ‘affair’ likhnewaala tha, phir ‘relationship’, phir thhik karke ‘love story’ likha  🙂 ) with this blog started around 2009 and it was because of Sahir Saab’s song ‘Dil Karta O Yaara Dildaara Mera Dil Karta’ (which I was looking because it was in my memory and nostalgic for me). So, thanks are very much due to Sahir Saab and I thank him for that. (I am sure he is accepting it there 🙂 )

My first comment was also on a song penned by Sahir Saab ‘Kashti Ka Khamosh Safar Hai’ – that was in 2009. Still, it took me three years more to become a contributor on this blog which happened in 2012.

How much I loved this blog and how HFM was my hobby earlier and became a passion later, and how HFM and this blog became an important part of my life thereafter, has been mentioned by me in few of my other posts on the blog. So, I will not go into more details on that. Rather I would like to write what I have not said earlier.

I came into writing when I was studying into eighth standard and my first article was published from a district newspaper from Akola then. It was an article about Chetan Chauhan when he was dropped from the playing side of India in test cricket. After that few more articles, all on cricket, were published in the same newspaper that time. Simultaneously after that I was approaching tenth standard and the board examinations, but still cricket was always on top in my mind. I did send few articles to the popular magazines in circulation then, but they were returned with some suggestions to me and that gave me a learning on how to plan and arrange the articles.

However, everything changed after I passed out matriculation and joined vocational subjects in eleventh instead of the subjects I liked most i.e. ‘Arts’. I have mentioned that journey on the blog in this article here. And during these two years I was more on movies and cricket and so as expected I failed in the examination. After that I joined a construction company and start working there and continued to working after that.

Now between all these years i.e. 1985 to 2009 I was working and continuing with my hobby of collecting cassettes, watching movies, listening music. And that was the biggest recreation and motivation for me during all those years. It so happened in 2009 that my close friends working in the same company with me in Kachchh but in different units/departments, push me to take up writing and that is how I started my blog and after that my younger daughter who used to write regularly became a part of that blog.

So finally the circle came to round and life brought me back to my passion of writing after a gap of almost twenty-seven years. And when I came into contact with this blog and started sending my contribution for lyrics earlier in 2012 I thought to give a try for writing articles and my first article appeared on the blog in 2013.

When I became a lyric contributor to the blog, that was my ‘new birth’ and at that point, life started again for me with new purpose, new energy, inspiration and motivation. And all these factors – purpose, energy, inspiration, motivation, celebration, and nostalgia keep growing further as my journey with the blog has been continued and still going …

Many childhood memories of watching movies, of songs from movies of yesteryears, keep surfacing and it was like one memory triggering other memory and bringing close to its related vague memories of those beautiful years. I started getting connected to many incidences which were lying dormant in my memory or which I had forgotten. And, I must say that since coming into the contact with the blog and specially after having HFGK Vol-V (1971-1980) when I started sharing song posts of songs with the seventies, I had been transformed to that era only when my age was growing between eight to fifteen years.

In my circles whenever someone asks my age, I always used to tell them that ‘I am only seventeen years old and do not to grow more than that’. But the blog has reduced my age between eight-fifteen and I keep shuffling in that ‘age-era’ only i.e. if I considered up to 1983. And if I considered up to 1980 then my age is twelve years only.

I think I have also mentioned this earlier that finding this blog and being a part of this was a feeling like ‘this was the destination of my life’ and ‘all these years of life I was alive for this purpose only’. Always feeling fortunate and blessed to be a part of this journey and a member of this team …

Meeting some of the team members and seniors in the group during the ‘gang-outs’ has given many unforgettable memories and those are the most cherished moments of my life. And it is going to continue in future too 🙂 . The joy from discussions during such meetings and sharing of thoughts also cannot be expressed in words. And most importantly during such meetings I also got a chance to meet many respected and dedicated ‘like-minded peoples’ who in their own capacity are not less than a ‘encyclopaedia’ about yesteryears Hindi films and Hindi film music.

Thanking again to Atul ji and all other members and this wonderful blog. . . I am trying to express my feelings in the following ‘poem’;

उन यादों को, उन किस्सों को,
उस कहानी को,
शायद इसी दिन के लिए संभाला था
मन गुंजन करता ये भंवर
शायद इसी पल के लिए बेताब था

 दिल का ये भंवर
नादान ही तो था
कुंज कुंज करता गुंजन
भीतर भीतर बेचैन था
मिले जो आप तो ये चहकने लगा
सुरीली यादें बिखेरने लगा
बचपन फिर से मुस्काया
जवानी ने जैसे ली अंगडाई
एक कहानी को मंजिल मिली
कुछ यादों को भूली हुयी तारीख मिली
कुछ किस्सों को एक पड़ाव मिला
तन्हाई को एक महफ़िल मिली
साथी नए नए मिले
सुरीले सफ़र का कारवां मिला

 

And let us now enjoy the song with a vintage Kishore voice from the 1971 movie ‘Kal Aaj Aur Kal’. (Yes, the year of this movie is to be corrected as ‘1971’ on the blog and for the two posts already posted on the blog. Though in the second post one tag ‘songs of’ is correct i.e. ‘songs of 1971’)

‘Kal Aaj Aur Kal’ was directed by Randhir Kapoor for R.K. Films, Bombay. This was Randhir Kapoor’s first movie too and he was introduced or launched in style with also given direction of this movie. It was produced by Raj Kapoor.

It had Prithviraj Kapoor, Raj Kapoor, Babita, Narendranath, Roopesh Kumar, Achala Sachdev, David, Tiwari, Iftekhar, Abhi Bhattacharya, Vishwa Mehra, Sarita, Aarti, Asha Chandra, Shri Ram Shastri, Mansaram, Sumita Khurana, Pardesi, Uma Dutt, Rashid Khan, Mandhir Siyal, Prakash Mishra, Ranveer Raj, Ghanshyam Rohida and others.

Story, Screenplay and Dialogues of this movie were written by Virendra Sinha. Editing of this movie was done by S.R. Kabre. It was passed by Censor Board on 11.11.1971.

This movie has six songs penned by three lyricists – Hasrat Jaipuri (two songs), Neeraj (three songs) and Shaily Shailendra (one song). Music for this movie is composed by Shankar-Jaikishan. Asha Bhonsle, Kishore Kumar, Manna Dey, Mukesh, and Sharda had given their voices to the songs in this movie.

I think I have watched some part of this movie or may be the whole movie on TV or somewhere else, but I do not remember it now except I remember vaguely about its storyline. Knowledgeable readers may kindly throw more light on this movie and its songs please.

Two songs from this movie have already been posted on the blog earlier. And the today’s song is the third song of this movie being presented on the blog on the special occasion of ‘Blog’s 15k Songs Festival’ 😊

Today is also the 97th birth anniversary of songwriter Hasrat Jaipuri.


Song – Bhanwre Ki Gunjan Hai Mera Dil (Kal Aaj Aur Kal) (1971) Singer – Kishore Kumar, Lyrics – Hasrat Jaipuri, MD – Shankar Jaikishan
Chorus

Lyrics

bhanware ki gunjan
hai mera dil
kab se sambhaale rakha hai dil
tere liye
tere liye
tere liye
tere liye
bhanware ki gunjan
hai mera dil
kab se sambhaale rakha hai dil
tere liye
tere liye
tere liye
tere liye

mujhe kab se thhi pyaar ki justaju
meri zindagaani mein hai tu hi tu
mujhe kab se thhi pyaar ki justaju
meri zindagaani mein hai tu hi tu
main aaya hoon duniya mein tere liye
mere dil mein jhoomein teri aarzoo
bhanware ki gunjan
hai mera dil
kab se sambhaale rakha hai dil
tere liye
tere liye
tere liye
tere liye

tere liye
hmm hmm hmm
aa ha haa
hmm hmm hmm
tere liye
hmm hmm hmm
hmm hmm hmm

gagan se bhi ooncha mera pyaar hai
tujhi par mitoonga ye iqraar hai
gagan se bhi ooncha mera pyaar hai
tujhi par mitoonga ye iqraar hai
tu itna samajh le
mere humsafar
tere pyaar se mera sansaar hai
bhanware ki gunjan
hai mera dil
kab se sambhaale rakha hai dil
tere liye
tere liye
tere liye
tere liye

bhanware ki gunjan
hai mera dil
kab se sambhaale rakha hai dil
tere liye
tere liye
tere liye
tere liye

hmm hmm hmm
he he he ae
hmm hmm hmm
ho ho ho ho

tiri ri ri ri ri ri ee ee ee
hmm hmm hmm
tudu du du du du oo oo oo
hmm hmm hmm
tiri ri ri ri ri ri ee ee ee
hmm hmm hmm
tudu du du du du oo oo oo

———————————————————-
Hindi script lyrics (Provided by Avinash Scrapvaala)
———————————————————-

भंवरे कि गुंजन
है मेरा दिल
कब से संभाले रक्खा है दिल
तेरे लिए
तेरे लिए
तेरे लिए
तेरे लिए

भंवरे कि गुंजन
है मेरा दिल
कब से संभाले रक्खा है दिल
तेरे लिए
तेरे लिए
तेरे लिए
तेरे लिए

मुझे कब से थी प्यार कि जुस्तजू
मेरी ज़िंदगानी में है तू ही तू
मुझे कबसे थी प्यार कि जुस्तजू
मेरी ज़िंदगानी में है तू ही तू
मैं आया हूँ दुनिया में
तेरे लिए
मेरे दिल में झूमें
तेरी आरज़ू 
भंवरे कि गुंजन
है मेरा दिल
कब से संभाले रक्खा है दिल
तेरे लिए
तेरे लिए
तेरे लिए
तेरे लिए

तेरे लिए
हम्म हम्म हम्म
आ हा हा
हम्म हम्म हम्म
तेरे लिए
हम्म हम्म हम्म
हम्म हम्म हम्म

गगन से भी ऊंचा मेरा प्यार है
तुझी पर मिटूंगा ये इक़रार है
गगन से भी ऊंचा मेरा प्यार है
तुझी पर मिटूंगा ये इक़रार है
तू इतना समझ ले
मेरे हमसफ़र
तेरे प्यार से मेरा संसार है

भंवरे कि गुंजन
है मेरा दिल
कब से संभाले रक्खा है दिल
तेरे लिए
तेरे लिए
तेरे लिए
तेरे लिए

भंवरे कि गुंजन
है मेरा दिल
कब से संभाले रक्खा है दिल
तेरे लिए
तेरे लिए
तेरे लिए
तेरे लिए

हम्म हम्म हम्म
हे हे हे ए
हम्म हम्म हम्म
हो हो हो हो

टीरी रि रि रि रि ई ई ई
हम्म हम्म हम्म

टुडू डू डू डू डू ऊ ऊ ऊ
हम्म हम्म हम्म
टीरी रि रि रि रि ई ई ई
हम्म हम्म हम्म
टुडू डू डू डू डू ऊ ऊ ऊ

 


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3922 Post No. : 14988 Movie Count :

4100

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Atul Song-A-Day 15K Song Milestone Celebrations – 1
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Hullo to Atuldom.

Let me wish all a very Happy New Year.

No, my post is not late by three and half months, it is just that India is a country which follows a calendar called Shak Samvat which the Hindus follow and Hijri which the Muslims follow. The new year by the Hijri calendar starts sometime in September but as far as the Hindu Calendar is concerned every region seems to have a different time of the year when the new year starts. And each region has a name for its New Year’s Day – Gudi Padva (Samsaar Padvo in Konkani), Ugadi, Poila Baishak (in East Indian States), Bighu (Bikhu in Uttarakhand), Bishuva Sankranti, Cheti Chand, Vishu or Chitra Vishu (in Kerala and Tamil Nadu), I am sure I am missing a few names in this list – what do I do, we have a vast country. But the common thread here is most of the above are in March – April of the Gregorian calendar (only in some parts new Year is during Diwali and southern part of Kerala has its new year at Onam). In Punjab it is Baishakhi, celebrated on the Mesha Sankraanti which occurs today for this year (generally it is 13th April). So now that explains why I wished Happy New Year.

14th April also happens to be the birth anniversary of the architect of the constitution of India, first law and justice minister and one of India’s founding fathers – Bharat Ratna Bhimrao Ramji Ambedkar or Babasaheb Ambedkar as he is popularly known the world over.

He was a jurist, economist, politician and social reformer who inspired the Dalit Buddhist movement and campaigned against social discrimination towards the untouchables (Dalits), while also supporting the rights of women and labour. My tributes to him on his 128th birthday without spelling his biography here.

There is another event which takes up my day on 14th April every year. In addition to it being our New Year (what we call Vishu) it is the birthdate of a very special person. There is a departure from the usual this year in that the New Year is on the 15th but birthdates don’t change, do they?

So, 14th April is the birthdate of part-time Atulite, full-time Satulite. He is at that year of life when people hang up their boots (he is not hanging them yet) and try to find time for other pleasures and hobbies that took a back seat when they were working hard to make ends meet. This Satulite calls himself Peevesie’s Dad. He takes pleasure in the achievements of his family – his son, daughter, brothers-sisters, brothers & sisters -in-law; is a big bhakt of his parents and parents-in-law; and is generous in encouraging his wife and kids towards whatever they are good at and forever supportive.

Infact he tried his level best to teach me to ride a two-wheeler and didn’t actually give up on me, but I must say I was a bad student who took a whole decade to master riding a two-wheeler. And was rewarded with a two-wheeler to ease my work load as soon as I mastered it. 🙂

As a teenager and right upto the end of my student days I was a staunch hater of any kind of automation and computers in particular. I had a feeling that each computer would eat up the job opportunity of two or three deserving humans (people called me crazy, maybe I was). But it does seem to have replaced a lot of things in people’s lives. Now, today’s birthday boy tried to change my mindset vis-à-vis computers and persuaded me to enroll myself in one of the many match-box size training institutes that tutored commoners about Word, Excel, PowerPoint etc, in addition to teaching a crash course in Corel or PageMaker. He thought it will be a useful skill, I must admit he was not wrong. Then he initiated me into the World-Wide Web and emails, and I am 100% sure he is ruing the day I agreed to learn all that he tried to get me to learn. He finds me at the desktop most of the time these days, and zooming in and around Bangalore (never unnecessarily) on a two-wheeler. And am also sure (secretly) he must be thanking my nervousness of being behind the wheel of a four-wheeler 😉

Oh, there are so many things that I can thank him for – he has lived half his life trying to understand me and my ways and moods. We have common interests in most aspects of life, possibly a little too much of compatibility, according to our children. The song with this post is ideal to express everything that I need to tell him. And the best part about the song is that it is not a lovey-dovey young couple song but a song choreographed on a motley group of honeymoon tourists which has a middle aged couple (Shabana Azmi – Boman Irani), mismatched couple (Ameesha Patel – Karan Khanna), small- town couple (Kay Kay Menon – Raima Sen), seemingly perfect couple (Minisha Lamba – Abhay Deol); and two other couples (Sandhya Mridul – Vikram Chatwal & Dia Mirza – Ranvir Shorey) who are on honeymoon but not exactly in love. (Dia Mirza and Ranvir are not in this song but they are part of the tourists in the Honeymoon Travels bus.) It is from the 2007 Reema Kagti directed “Honeymoon Travels Pvt. Ltd.” The music for this song is by Vishal- Shekhar and Javed Akhtar is the lyricist. Sunidhi Chauhan and Shekhar Ravjiani are the playback. The movie was produced by Farhan Akhtar and Ritesh Sidhwani. I am in love with the choreographer of this song who has allowed the actors do their own thing which adds to the sweetness of the song.

Today’s song is a party song filmed aboard a cruise ship in Goa. I think the song is ideal for one more occasion – partying for the post number 15000 (FIFTEEN THOUSAND Phew!) of the blog. Let me try to list out all that we are celebrating in this series of celebratory posts – 10 complete years of the blog, 10 year challenge (on-going series); 1,15,40,016 hits (as I write this); 3919 days of existence (at the time of writing this) AND 11032 posts by our fearless leader (as Sudhir calls Atul ji) – we celebrated Atulji’s 10000 individual posts but missed complimenting him for tirelessly giving us 11000 posts. And the biggest point of celebration – post number 15000. In addition to celebrating the New Calendar in various parts of the country.

It has taken five years to get to 15k from 10k with numerous milestones and centuries strewn enroute.  The blog has bonded all of its regular followers, some of who are contributors in various avatars, in a bond like none other, a whole bunch of unrelated people who had never dreamt of being friends and don’t mind being called Atulites. For all this and more to come I thank ASAD the blog which is our collective addiction.

Also a very Happy Birthday to our Satulite.


Song – Sajnaa Ji Vaari Vaari Jaaun Ji Main (Honeymoon Travels) (2007) Singer – Sunidhi Chauhan, Shekhar Ravijani, Lyrics – Javed Akhtar, MD – Vishal Shekhar
Chorus

Lyrics

sajnaa ji vaari vaari jaaun ji main
sajnaa ji vaari vaari jaaun ji main
tu hi to mera sansaar hai
aisa mera pyaar hai
aisa mera pyaar hai
sajnaa ji vaari vaari jaaun ji main
sajnaa ji vaari vaari jaaun ji main
tu hi to mera sansaar hai
aisa mera pyaar hai
aisa mera pyaar hai
charnon mein jo na jagah paaun ji main
charnon mein jo na jagah paaun ji main
to mera jeena hi bekaar hai
aisa mera pyaar hai
aisa mera pyaar hai

mera maan hai tu
abhimaan hai tu
meri pooja hai tu
mera dhyaan hai tu
tu devta mein pujaaran
sajnaa tujh pe main arpan
tere gungaan hee to gaaun ji main
haan tere gungaan hee to gaaun ji main
tu hi to mera sansaar hai
aisa mera pyaar hai
aisa mera pyaar hai

sajnaa ji vaari vaari jaaun ji main
sajnaa ji vaari vaari jaaun ji main
tu hi to mera sansaar hai
aisa mera pyaar hai
aisa mera pyaar hai
ae. . . ae. . . ae. . .

ooo ooo
ooo ooo ooo
vaari vaari
ooo ooo
ooo ooo ooo
vaari vaari
ooo ooo
ooo ooo ooo
vaari vaari
ooo ooo
ooo ooo ooo
vaari vaari
ooo ooo
ooo ooo ooo
vaari vaari
ooo ooo
ooo ooo ooo

o meri dhadkan mein tu
mere tan mann mein tu
meri sanson mein tu
mere nainan mein tu
tu hai to chamke kajra
tu hai to mehke gajra
tere bina to na jeene paaun ji main
haan tere bina to na jeene paaun ji main
tu hi to mera sansaar hai
aisa mera pyaar hai
aisa mera pyaar hai

sajnaa ji vaari vaari jaaun ji main
sajnaa ji vaari vaari jaaun ji main
tu hi to mera sansaar hai
aisa mera pyaar hai
aisa mera pyaar hai
charnon mein jo na jagah paaun ji main
charnon mein jo na jagah paaun ji main
to mera jeena hi bekaar hai
aisa mera pyaar hai
aisa mera pyaar hai

———————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————

सजणा जी वारी वारी जाऊँ जी मैं
सजणा जी वारी वारी जाऊँ जी मैं
तू ही तो मेरा संसार है’
ऐसा मेरा प्यार है
ऐसा मेरा प्यार है’
सजणा जी वारी वारी जाऊँ जी मैं
सजणा जी वारी वारी जाऊँ जी मैं
तू ही तो मेरा संसार है’
ऐसा मेरा प्यार है
ऐसा मेरा प्यार है
चरणों में जो ना जगह पाऊँ जी मैं
चरणों में जो ना जगह पाऊँ जी मैं
तो मेरा जीना ही बेकार है
ऐसा मेरा प्यार है
ऐसा मेरा प्यार है

मेरा मान है तू
अभिमान है तू
मेरी पूजा है तू
मेरे ध्यान है तू
तू देवता मैं पुजारन
सजणा तुझ पे मैं अर्पण
तेरे गुणगान ही तो गाउँ जी मैं
हाँ तेरे गुणगान ही तो गाउँ जी मैं
तू ही तो मेरा संसार है’
ऐसा मेरा प्यार है
ऐसा मेरा प्यार है

सजणा जी वारी वारी जाऊँ जी मैं
सजणा जी वारी वारी जाऊँ जी मैं
तू ही तो मेरा संसार है’
ऐसा मेरा प्यार है
ऐसा मेरा प्यार है
ऐ॰ ॰ ॰ ऐ॰ ॰ ॰ ऐ॰ ॰ ॰

ओ ओ
ओ ओ ओ
वारी वारी
ओ ओ
ओ ओ ओ
वारी वारी
ओ ओ
ओ ओ ओ
वारी वारी
ओ ओ
ओ ओ ओ
वारी वारी
ओ ओ
ओ ओ ओ
वारी वारी
ओ ओ
ओ ओ ओ

ओ मेरी धड़कन में तू
मेरे तन मन में तू
मेरी साँसों में तू
मेरे नैनन में तू
तू है तो चमके कजरा
तू है तो महके गजरा
तेरे बिना तो जी ना पाऊँ जी मैं
हाँ तेरे बिना तो जी ना पाऊँ जी मैं
तू ही तो मेरा संसार है’
ऐसा मेरा प्यार है
ऐसा मेरा प्यार है

सजणा जी वारी वारी जाऊँ जी मैं
सजणा जी वारी वारी जाऊँ जी मैं
तू ही तो मेरा संसार है’
ऐसा मेरा प्यार है
ऐसा मेरा प्यार है
चरणों में जो ना जगह पाऊँ जी मैं
चरणों में जो ना जगह पाऊँ जी मैं
तो मेरा जीना ही बेकार है
ऐसा मेरा प्यार है
ऐसा मेरा प्यार है


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3906 Post No. : 14962 Movie Count :

4089

Missing Films of 1960s – 101
– – – – – – – – – – – – – – –

And yet, once again, another melodious and enchanting song. And once again, from a film that one has not heard anything about. The film is ‘Surya Devta’ from 1969 – as obscure as it can get. I have not heard of this film or its songs, before finding them in the Geet Kosh.

The film is produced by Alice Pictures, Bombay and is directed by Sharad Desai. The cast of actors is listed as Nirupa Roy, Ashish Kumar, Manimala, Sapru, Jeevan, Shekhar, Amrit Patel, Sarita Khatau, P Kailash, Sarita Devi, Shukla, Dalpat, Bhoj Kumar, and Kapoor.

The film has six songs listed. The lyrics are written by two poets – Madan and Bharat Vyas. Today’s song is written by Madan. The music is composed by Avinash Vyas. The singing voice is of Suman Kalyanpur.

As I am preparing this post, and checking the genre categories, I realize that this song is an opposite genre of the “Please Don’t Go” type songs. Something like “Please Let Me Go” song. 🙂 I can think of one or two other such songs.

But what a lovely melodious composition, and what a lovely rendering by Suman Kalyanpur. A song that surely should have been more heard and more known.

Listen and enjoy.

 

Song – Jaane De, O Bedardi Jaane De  (Surya Devta) (1969) Singer – Suman Kalyanpur, Lyrics – Madan, MD – Avinash Vyas

 

Lyrics

jaane de
oo bedardi jaane de
oo bedardi jaane de
morey maathe ki bindiya bikhar gai re
koi poochhega to kya kahungi main
jaane de
oo bedardi jaane de

rok ke meri raah
naam badnaam na kar mere pyaar ka
rok ke meri raah
naam badnaam na kar mere pyaar ka
chaaron taraf pehra hai sainyyaan
is bairi sansaar ka
ab milne ki ghadiyaan guzar gayin re
koi poochhega to kya kahungi main
jaane de
oo bedardi jaane de

door rahoongi tan se sainyyaan
mann to hai tere paas re
door rahoongi tan se sainyyaan
mann to hai tere paas re
janam janam se hoon main teri
kar mujh pe vishwaas re
more kajre ki kor bigad gayi re
koi poochhega to kya kahungi main
jaane de
oo bedardi jaane de
morey maathe ki bindiya bikhar gai re
koi poochhega to kya kahungi main
jaane de
oo bedardi jaane de

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

जाने दे
ओ ओ बेदर्दी जाने दे
ओ ओ बेदर्दी जाने दे
मेरी माथे की बिंदिया बिखर गई रे
कोई पूछेगा तो क्या कहूँगी मैं
जाने दे
ओ बेदर्दी जाने दे

रोक के मेरी राह
नाम बदनाम ना कर मेरे प्यार का
रोक के मेरी राह
नाम बदनाम ना कर मेरे प्यार का
चारों तरफ पहरा हैं सैंय्या
इस बैरी संसार का
अब मिलने की घड़ियाँ गुज़र गईं रे
कोई पूछेगा तो क्या कहूँगी मैं
जाने दे
ओ बेदर्दी जाने दे

दूर रहूँगी तन से सैंय्या
मन तो है तेरे पास रे
दूर रहूँगी तन से सैंय्या
मन तो है तेरे पास रे
जनम जनम से हूँ मैं तेरी
कर मुझ पे विश्वास रे
मोरे कजरे को कोर बिगड़ गई रे
कोई पूछेगा तो क्या कहूँगी मैं
जाने दे
ओ बेदर्दी जाने दे
मेरी माथे की बिंदिया बिखर गई रे
कोई पूछेगा तो क्या कहूँगी मैं
जाने दे
ओ बेदर्दी जाने दे


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3905 Post No. : 14959 Movie Count :

4088

Missing Films of 1960s – 100
– – – – – – – – – – – – – – –

Ah, finally, we get to a new type of century today. This series of bringing on board the missing films of 1960s becomes the series that has clocked 100 posts – a first one for our blog. This series got initiated three and half years ago on 30th September, 2015, and we arrive at the century station for it, at the rate of about 2 to 3 songs per month on average. The pace could have been faster, yes, but well, we have what we have. 🙂

As you must be aware, this series got kicked off by the efforts of Khyati Ben. She got into the exercise to check how many films of the 1960s (period from 1961 to 1970) have been brought on board our blog, and which ones are still waiting to be included. She came up with a list of some 190+ films, still waiting in the wings. The analysis resulted in this exercise, to bring on board as many of these 190+ films are traceable / available. And it got assigned to yours truly. 🙂

I will wait to present the final analysis of numbers, as there is still about seven of eight more films that are traceable and will be represented here. So bear with me for a little more time for that.

The film that we bring on board today is an obscure and lesser known film by the name ‘Ek Masoom’ from 1969. The interesting thing about this film is that although the gramophone records of this film have been available, the film itself was not available for a very long time. Finally, the film surfaced about a year ago, and I acquired a copy of it through a collector friend. Video clips of some of the songs are now available on the YouTube.

The film is produced under the banner of GNS Films Bombay, and is directed by Akhtar Khalid. The cast of actors listed for this film is Tanuja, Saleem Durrani, Prem Chopra, Surendra, Abhi Bhattacharya, Uma, Azra, Sulochana, Helen, Jagdeep, Murad, Mohan Choti, and Baby Masoom. I have a concern about this list. The name of Saleem Durrani is included. However, I have seen the film, and the Saleem Durrani (the cricketer) that we are familiar with, is not visible in this film. The lead actor opposite to Tanuja is a different person. One possibility is that this actor also has the name Saleem Durrani, or has used this name in this film. I request our more knowledgeable readers to please help to identify the male actor in this song. The face is completely new and unfamiliar.

The film itself is a cops and robbers tale and Mohan Choti plays the role of a gangster boss. The lead person, whom we are trying to identify, plays a triple role in this film. He appears in different situations with different names, causing a lot of confusion to the people around him. And then finally, there is court room drama where all the three appear one by one, and the mystery of the correct identity is solved.

The film does not have much to write home about. The direction and editing is below par and leaves a lot to be desired. The storyline moves with fits and starts. But the songs – now that is a different story, as usual. Seven songs are listed for this film. The music is by N Dutta. The lyricist’s name is just very, very unfamiliar – Fareed Tonki. As I checked some more, I find his name in just one more film – ‘Zaalim Tera Jawab Nahin’ (1960), and one unreleased film ‘Aqidat Ke Phool’. Checking on our blog, I find that one creation by him is posted here. This is a famous non-film qawwaali – “Raste Alag Alag Hain Thikaana To Ek Hai”. So the gentleman is represented already on our blog, although no other information is traceable so far about him. His name, Fareed Tonki, suggest that he may be from the town named Tonk, in Rajasthan.

The song that I present today is an exquisite duet of Rafi Sb and Asha Bhosle – such a lovely lost gem this one is. The composition is easy paced and and light, and the rendition is very soft and soothing. A very pleasing song to hear to. (Of course, the song is much better heard than viewed.) On screen, it is Tanuja, and this gentleman that I am not able to identify.

Song – Poochh Le Dil Se Mere Ho Na Agar Mera Yakeen  (Ek Masoom) (1969) Singer – Mohammed Rafi, Asha Bhosle, Lyrics – Fareed Tonki, MD – N Dutta
Mohammed Rafi + Asha Bhosle

Lyrics

hmmmmm mmmmmm mmmm
hmmmmm mmmmmm mmmm
hmmmm hmmmm hmmmm hmmm

pooch le
dil se mere
ho na agar mera yakeen
pooch le dil se mere
ho na agar mera yakeen
pooch le dil se mere
ho na agar mera yakeen
main mohabbat hoon
mohabbat ke siwa kuchh bhi nahin
ae sanam
teri kasam
mujhko to hai tujh pe yakeen
par zamaane ka ye kehna
hai ke tu mera nahin
pooch le dil se mere
ho na agar mera yakeen

har taraf phaili hain ye
rangeeniaan rukhsaar ki
har taraf phaili hain ye
rangeeniaan rukhsaar ki
tere hi dum se to hai
shadaabiaan gulzar ki
tu jahaan rakhe kadam
phool khilen laakhon wahin
pooch le dil se mere
ho na agar mera yakeen

saamne tu hai mere
aur main tujhe dekha karoon
saamne tu hai mere
aur main tujhe dekha karoon
tere jalwon mein ab
shaam o sehar khoi rahoon
chhod ke daaman tera
jaaun na main aur kahin
ae sanam
teri kasam
mujhko to hai tujh pe yakeen

dil mera hai aaina
gar hai nazar pehchaan le
pehle hi pehchaan ke
dil hai diya ye jaan le
hum se kyon duniya jaley
ulfat koi jurm nahin
pooch le dil se mere
ho na agar mera yakeen
main mohabbat hoon
mohabbat ke siwa kuchh bhi nahin
pooch le dil se mere
ho na agar mera yakeen

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

हम्मममम म्मममम म्मम
हम्मममम म्मममम म्मम
हम्ममम हम्ममम हम्ममम हम्म

पूछ ले
दिल से मेरे
हो ना अगर मेरा यकीं
पूछ ले दिल से मेरे
हो ना अगर मेरा यकीं
पूछ ले दिल से मेरे
हो ना अगर मेरा यकीं
मैं मोहब्बत हूँ
मोहब्बत के सिवा कुछ भी नहीं
ए सनम
तेरी कसम
मुझको तो है तुझ पे यकीं
पर ज़माने का ये कहना
है के तू मेरा नहीं
पूछ ले दिल से मेरे
हो ना अगर मेरा यकीं

हर तरफ फैली हैं ये
रंगीनियाँ रुखसार की
हर तरफ फैली हैं ये
रंगीनियाँ रुखसार की
तेरे ही दम से तो है
शादाबियाँ गुलज़ार की
तू जहां रखे कदम
फूल खिलें लाखों वहीं
पूछ ले दिल से मेरे
हो ना अगर मेरा यकीं

सामने तू है मेरे
और मैं तुझे देखा करूँ
सामने तू है मेरे
और मैं तुझे देखा करूँ
तेरे जलवों में अब
शाम ओ सहर खोई राहून
छोड़ के दामन तेरा
जाऊँ ना मैं और कहीं
ए सनम
तेरी कसम
मुझको तो है तुझ पे यकीं

दिल मेरा है आईना
गर है नज़र पहचान ले
पहले ही पहचान के
दिल है दिया ये जान ले
हम से क्यों दुनिया जले
उलफत कोई जुर्म नहीं
पूछ ले दिल से मेरे
हो ना अगर मेरा यकीं
मैं मोहब्बत हूँ
मोहब्बत के सिवा कुछ भी नहीं
पूछ ले दिल से मेरे
हो ना अगर मेरा यकीं


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3898 Post No. : 14948 Movie Count :

4084

Missing Films of 1960s – 98
– – – – – – – – – – – – – – –

It is such a delight to ferret out unheard songs from obscure and unfamiliar films. So many times, I come across the film names and then move on because it is unfamiliar. So many times I pause at a film folder in my collection, thinking whether I have opened it before. But then usually, other pressing matters take precedence and I say ‘oh well’, and move on.

But there are other times, when I have to get inside the folder and check out the contents. Like today’s song. A film like ‘Kaurav Pandav’ from a year like 1970 – never read anything about the film, never heard its music before, not sure what I will find in there, given the names of artists. But you know what, over the years, experience has taught me that the contents of such folders almost always never fail to surprise – with one or more forgotten gems that are almost lost under the sand dunes of time.

What does one say for the song like this post? Remarkable, unheard gem, lovely melodious, rare of the rare, never heard of the film – are some comments I get from friends after they hear my upload on YouTube. What a superlative find this song is. Suman Kalyanpur at her subdued best, meaningful and wonderful lyrics from Anjaan, and a melody that is such a lovely reminiscent throwback on the golden era of melody – from another obscure artist of that era – Suresh Kumar. All the attributes come together to bring out such a lovely song – the type that you won’t even get to hear on Radio Ceylon (now SLBC).

This film also has an alternate title – ‘Sampoorn Mahabharat’. The film is produced under the banner of Firdaus Films, Bombay and is directed by S Dosani. The star cast includes Arvind Pandya, Sadhana Khote, Meenakshi, Shyam Irani, Shetty, Shri Bhagwan, Anjum, Fazal Khan, Jilani, Radheshyam, Dinesh Kumar, Pintu, Jagdish Kanwal, Prem Sagar, Amrit Rana, Prakash, RP Kapoor, Champaklala, V Prem, Narbada Shankar, Bihari Singh, Shri And Shrimati Kapoor, Savita, Krishna Duggal, and Vasundhara.

Geet Kosh lists 6 songs for this film, four written by Anjaan and two by Yogesh. This song is from the pen of Anjaan. Music is by Suresh Kumar, a lesser known music director from 1950s and 60s; he also created music as one partner in the duo of Suresh-Talwar.

What else to say – just listen to the song. And the wonder is that this, and many more like this, are still unheard, still hidden, and many may even be lost already. But of course, small mercies to be grateful for, that we find what we can. And we listen and enjoy.

Brief note about the homework assignment from Khyati Ben.  We are now shortly coming to the end of this series – a handful of traceable films remain. We should get the century milestone with this series in a few days. Then we will be able to claim that all possible films of 1960s which can be traced wherever, are now represented here. I will give the specific numbers when I close this series.

So how about someone doing a similar exercise for the 1950s. If someone takes up the task to list out all the pending films of 1950s, I promise that I will go after to locate and trace and bring them up here on our blog. Request is to all members of bandwagon – one enthusiastic volunteer needed. 🙂

 

Song – Pardesi Piya Se Kiya Pyaar  (Kaurav Pandav) (1970) Singer – Suman Kalyanpur, Lyrics – Anjaan, MD – Suresh Kumar

Lyrics

moti chugne gayi re hansini
maansarovar teer
pankh pankh par raajhans ne
likh di preet ki peer

aaaaaaaaa aaaaaaaa
aaaaaaaaaaaaa aaaa

pardesi piya..aa..aa

pardesi piya se kiya pyaar
akele mora jiya na lagey
akele mora jiya na lagey
jaane chhalia darad na hamaar
jaane chhalia darad na hamaar
akele mora jiya na lagey
akele mora jiya na lagey
pardesi piya se kiya pyaar. . .

akhion se bichhda
akhion ka kajra
rootha kalaion se albela gajra
akhion se bichhda
akhion ka kajra
rootha kalaion se albela gajra
ud gai nindiya
bujh gai bindiya
tujh bin o rasia
mora murjhaaye solaa singaar
mora murjhaaye solaa singaar
akele mora jiya na lagey
akele mora jiya na lagey
pardesi piya se kiya pyaar. . .

kuchh to bata ja
bairi sanwariya
kaise kategi akeli umariya
kuchh to bata ja
bairi sanwariya
kaise kategi akeli umariya
chaand jalaaye raat rulaaye
chain naa aaye piya
soona laage re sansaar
soona laage re sansaar
akele mora jiya na lagey
akele mora jiya na lagey
pardesi piya se kiya pyaar. . .

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-
मोती चुगने गई रे हंसिनी
मानसरोवर तीर
पंख पंख पर राजहंस ने
लिख दी प्रीत की पीर

आssssssss आssssss
आssssssssssss आsss

परदेसी पिया॰॰आ॰॰आ

परदेसी पिया से किया प्यार
अकेले मोरा जिया ना लागे
अकेले मोरा जिया ना लागे
जाने छलिया दरद ना हमार
जाने छलिया दरद ना हमार
अकेले मोरा जिया ना लागे
अकेले मोरा जिया ना लागे
परदेसी पिया से किया प्यार॰ ॰ ॰

अखिओं से बिछड़ा
अखिओं का कजरा
रूठा कलईओं से अलबेला गजरा
अखिओं से बिछड़ा
अखिओं का कजरा
रूठा कलईओं से अलबेला गजरा
उड़ गई नींदिया
बुझ गई बिंदिया
तुझ बिन ओ रसिया
मोरा मुरझाए सोला सिंगार
मोरा मुरझाए सोला सिंगार
अकेले मोरा जिया ना लागे
अकेले मोरा जिया ना लागे
परदेसी पिया से किया प्यार॰ ॰ ॰

कुछ तो बता जा
बैरी साँवरिया
कैसे कटेगी अकेली उमरिया
कुछ तो बता जा
बैरी साँवरिया
कैसे कटेगी अकेली उमरिया
चाँद जलाए रात रुलाये
चैन ना आए पिया
सूना लागे रे संसार
सूना लागे रे संसार
अकेले मोरा जिया ना लागे
अकेले मोरा जिया ना लागे
परदेसी पिया से किया प्यार॰ ॰ ॰


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3897 Post No. : 14941 Movie Count :

4081

Missing Films of 1960s – 97
– – – – – – – – – – – – – – –

Goodness, what a lovely duet this one is. The film is ‘Sampooran Teerath Yatra’ from 1970. I have heard of this film earlier, but never did get an opportunity to listen to its songs. As I planned to bring this film on board in this series, I was checking out the songs of this film. And when I played this duet, I am verily bowled over by the sweetness of this composition.

The film is produced by Roopesh Pictures, Bombay. Now this is a very interesting co-incidence that I notice. The previous song in this series, “Ae Aasmaan Waale Is Waqt Tu Kahaan Hai”, is from the film ‘Ziarat Gahe Hind’. As discussed in that write up, that film is a story of pilgrimage to the Muslim places of worship. Today’s film is a story of pilgrimage to the Hindu places of worship. And guess what, both are produced by the same company – Roopesh Pictures, Bombay. And both released in the same year – 1970. Very, very interesting. 🙂

The film ‘Sampooran Teerath Yatra’ is directed by Dhirubhai Desai. The cast of actors includes Sushma, Ashish Kumar, Jeevan, Niranjan Sharma, Anand Tiwari, SK Shukla, Sahu Modak, Lata Arora, Zeba, Radha, Rajshri, Pal Sharma, Vishnu Pandey, Hari Ram, Dalpat, Master Kukku, Vidya, Ramlal, Deenanath, and Dalda.

Geet Kosh lists 5 songs for this film. All the songs are written by Madan. The music is composed by Pt Shivram. The singing voices are of Mahendra Kapoor and Hemlata. On screen, the song is performed by Ashish Kumar and Sushma.

It appears to be a wedding night song. The couple is meeting for the first time in their private chambers. And they sing this duet of promises of love that go across the cycles of birth and death, and even transcends the aeons. It is such a beautifully constructed song, and has been equally charmingly rendered by Mahendra Kapoor and Hemlata. Mahendra ji is at his softest best – yes, actually in some places, the voice of Hemlata overshadows his voice.

A lovely song, a must listen.

Song – Hum Hain Tumhaare Tum Hamaare  (Sampooran Teerath Yatra) (1970) Singer – Mahendra Kapoor, Hemlata, Lyrics – Madan, MD – Shivram
Mahendra Kapoor + Hemlata

Lyrics

aaa aaa aaaaaa aaa
aaa aaa aaaaaa aaa

aaa aaa aaaaaa aaa
aaa aaa aaaaaa aaa

hum hain tumhaare tum hamaare
hum jab jab lenge janam sansaar mein
jiyenge tere hi ho ke
marenge tere hi pyaar mein
hum hain tumhaare tum hamaare
hum jab jab lenge janam sansaar mein
jiyenge tere hi ho ke
marenge tere hi pyaar mein

aaa aaa aaaaaa aaa
aaa aaa aaaaaa aaa

akaash pe chalta chaand
dhara pe chalti meri
prem kahaani re sainyyaan
ho oo oo morey sainyyaan
is yug se kya yug yug se hamaari
preet puraani
ho sajni
preet puraani
ho oo oo mori sajni
milan ki madhur ghadi phir se aai hai
aao ye waada kar len hum
jiyenge tere hi ho ke
marenge tere hi pyaar mein
hum hain tumhaare tum hamaare
hum jab jab lenge janam sansaar mein
jiyenge tere hi ho ke
marenge tere hi pyaar mein

aaa aaa aaaaaa aaa
aaa aaa aaaaaa aaa

chaahe laakh uthe toofaan magar
mera saath naa chhoote
ho sainyyaan
saath naa chhoote
ho oo oo morey sainyyaan
ye jag roothe to roothe magar
mera pyaar na roothe
dekho ji
pyaar na roothe
ho oo oo mori sajni
sajan is dukh sukh ki duniya mein reh kar
jeeyenge jab tak tum aur hum
jiyenge tere hi ho ke
marenge tere hi pyaar mein
hum hain tumhaare tum hamaare
hum jab jab lenge janam sansaar mein
jiyenge tere hi ho ke
marenge tere hi pyaar mein

aaa aaa aaaaaa aaa
aaa aaa aaaaaa aaa

oo oo oo oooo oo
oo oo oo oooo oo

mmm mmmm mmmmm mm
mmm mmmm mmmmm mm

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

आs आs आsssss आss
आs आs आsssss आss

आs आs आsssss आss
आs आs आsssss आss

हम हैं तुम्हारे तुम हमारे
हम जब जब लेंगे जनम संसार में
जिएंगे तेरे ही हो के
मरेंगे तेरे ही प्यार में
हम हैं तुम्हारे तुम हमारे
हम जब जब लेंगे जनम संसार में
जिएंगे तेरे ही हो के
मरेंगे तेरे ही प्यार में

आs आs आsssss आss
आs आs आsssss आss

आकाश पे चलता चाँद
धरा पे चलती मेरी
प्रेम कहानी रे सैंया
हो ओ ओ मोरे सैंया
इस युग से क्या युग युग से हमारी
प्रीत पुरानी
हो सजनी
प्रीत पुरानी
हो ओ ओ मोरी सजनी
मिलन की मधुर घड़ी फिर से आई है
आओ ये वादा कर लें हम
जिएंगे तेरे ही हो के
मरेंगे तेरे ही प्यार में
हम हैं तुम्हारे तुम हमारे
हम जब जब लेंगे जनम संसार में
जिएंगे तेरे ही हो के
मरेंगे तेरे ही प्यार में

आs आs आsssss आss
आs आs आsssss आss

चाहे लाख उठे तूफान मगर
मेरा साथ ना छूटे
हो सैंया
साथ ना छूटे
हो ओ ओ मोरे सैंया
ये जग रूठे तो रूठे मगर
मेरा प्यार ना रूठे
देखो जी
प्यार ना रूठे
हो ओ ओ मोरी सजनी
सजन इस दुख सुख की दुनिया में रह कर
जिएंगे जब तक हम और तुम
जिएंगे तेरे ही हो के
मरेंगे तेरे ही प्यार में
हम हैं तुम्हारे तुम हमारे
हम जब जब लेंगे जनम संसार में
जिएंगे तेरे ही हो के
मरेंगे तेरे ही प्यार में

आs आs आsssss आss
आs आs आsssss आss

ओs ओs ओsssss ओss
ओs ओs ओsssss ओss

म्मम म्ममम म्मममम म्म
म्मम म्ममम म्मममम म्म


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3897 Post No. : 14940

The Many Colors of Love #29 – The Covenants of Love
– – – – – – – – – – – – – – – – – – – – – – – – – – – – –

And so wrote the scribe

kar le dil ka sauda dil se
dil milta hai mushkil se
(‘Yahudi Ki Ladki’, 1957)

The transactions of heart are bound, but by just one covenant – it is the treasures of heart in exchange only for treasures of heart. No other exchange is possible, no other exchange is expected, nothing else in this whole wide world can be traded for the treasures of heart. For those who may want to, or expect to transact this exchange for something else, then they do not understand the true meaning of love.

And this thought brings up this song today. The burden of this song reiterates this maxim –

deta hai dil de
badle mein dil ke
ghe ghe ghe ghe
ghe re saaiba
pyaar mein sauda nahin

For the longest of time, I was under the impression that this song is already posted. And the reason for that is, that the song “Jhooth Bole Kauwwa Kaate” has been around on the blog for almost two years now. Being familiar with the film, one clearly remembers that these two songs are tandem songs, presented on screen one after the other – rather one flows into the next. Yes, true that Geet Kosh lists these two songs separately, but somehow in my mind, I have carried this impression that these two are a single song.

So when I posted the song by Narendra Chancalon 10th March (“Beshaq Mandir Masjid Todo“), and I reviewed the status of this film on our blog, I realized that this song is not yet posted – we are following the Geet Kosh convention. Since the day I have posted “Beshaq Mandir Masjid. . .”, it has been kind of an eagerness within, to see this movie yippeee’d here. Part of that is being surprised that songs of this film are not yet all on here.

This particular song is performed on screen by Premnath and Rishi Kapoor.  We are into about a third of the film. The two young hearts are now committed to each other, beyond any repair. Although not of legal age yet, but they want to get married and be partners for life. Premnath is non-committal, in the sense that he would do whatever makes his daughter happy. Pran, on the other hand, is a calculating and a manipulative person, eyeing this relationship with suspicion. As he sees the intensity of his son’s emotions, he decides to make a manipulative move, in an attempt to drive a wedge between the young lovers.

He asks his son to invite his beloved and her family for dinner. The young man is extremely excited. Not worldly wise as his businessman father, he thinks his father is a great man and is agreeing with his son’s wishes and choice for a life partner. Little does he know what his father has planned.

With this joyful and amiable news, he rushes to his beloved’s home, to present the invite himself. At her place, a fishermen’s neighborhood, another wedding is in progress. The ambiance is celebratory. There is singing and dancing, congratulations and the auspicious throwing of rice – in short, the mood is just right to share the supposedly wonderful news.

Without much preamble, Rishi delivers the invite to Premnath. The latter accepts forthwith with the comment that for his daughter’s happiness, he will gladly bow his head at the door of anyone, but he will never bend his knees. And to explain his comment, he breaks out in this song – that in the matters of love it is only the treasure of the heart which is to be exchanged for another treasure of heart. There is no other bargaining chip in the matters of love. Rishi readily joins in this song – the theme is so easily understood and reflected in his own mind. For him too, love is simply a give and take of the treasures of the heart.

Manna Dey starts this song, giving playback for Premnath. Shailendra Singh joins in for Rishi Kapoor. As always, it is a delight to watch a song in an RK film. The complete scenario and the ambiance are so totally focused on the song, its emotions and its renditions. Midway through the song, Dimple makes an appearance, as she is preparing for the next part of the song – yes, “Jhooth Boley. . .”. She is just there for now, not participating – but her face, her eyes are going along with the song that her beau is singing. The emotions expressed by her are so endearing, so freshly young, as she coyly and silently expresses herself in response to the lines that Rishi is performing. This small interlude is so charming, so. . . so winning. Dimple simply stole a million hearts right here in this song. Yes – you guessed it right, I too was smitten, and was in love. 🙂

One word in the lyrics had intrigued me right from the start. It is the word ‘ghe’, ‘घे’. Over the decades, this word has been presented variously and almost always erroneously. Some lyrics wrote this down as ‘khe’, ‘खे’; other places would write it down as ‘le’, ‘ले’; even today, the hindi-geet-mala web page for this song has actually written it down as ‘khel’, ‘खेल’. Wonder how they got to it, it does not even fit into the rendered metre of this line.

Once the internet was available, I had done the search for this word in Konkani language. Given that the entire scenario was a Goan neighborhood, it was only logical to seek this word in the local lingua. In Konkani, the word ‘ghe’, ‘घे’ means ‘to take’. The expression follows the lines which say

deta hai dil de
badle mein dil ke

And the young man, and the chorus responds with

ghe ghe ghe ghe
ghe re saaiba

saying – hey young man, just take this bargain, take.. take.. take.. take..  Once this meaning is known, the lyrics fall in place so beautifully.

‘Bobby’ is so close to the heart, and I mean the film, and Bobby. It appeals to an age, a mind set, and emotions – that I am never going to grow out of. It is 1973 forever.

And the talisman for life is forever – “प्यार में सौदा नहीं”.

[Editor’s Note: The initial lines of this song, which are in Konkani, have been provided by Dr Pradeep Shetty ji, in his comment below. The line is now added to the lyrics below. Thanks Dr Pradeep ji.]

[Video – Song Reprised at the end of the film.]

Song – Na Chaahoon Sona Chaandi (Bobby) (1973) Singer – Manna Dey, Shailendra Singh, Lyrics – Vithalbhai Patel, MD – Laxmikant Pyaarelal
Chorus

Lyrics

aagey naari
tujya matyancha phoolan paaya saoree
aagey naari
tujya matyancha phoolan paaya saoree

laallallall laa la llallall laa llallall laa
laallallall laa la llallall laa llallall laa

[Dialogue between Premnath and Rishi Kapoor]

na chaahoon sona chandi
na chaahoon heera moti
ye mere kis kaam ke

aaaa aaaaa aaaaaaaa aaaa aaa

na maangu bangla baadi
na maangu ghoda gaadi
ye to hain bas naam ke

aaaaa aaaaaa

deta hai dil de
badle mein dil ke
deta hai dil de
badle mein dil ke
ghe ghe ghe ghe
ghe re saaiba
pyaar mein sauda nahin
ghe ghe ghe ghe

ghe re saaiba
pyaar mein sauda nahin

o lall o lall laa laa
lallal laa laa laa
lallaa laa laa laa laa laa
lallal lallal laa laa

na jaanu mulla qaazi
na jaanu kaaba kaashi
main to hoon prem piyaasa re
mere sapnon ki rani
hogi tum ko hairaani
main to tera deewaana re
deti hai dil de
badle mein dil ke
deti hai dil de
badle mein dil ke
ghe ghe ghe ghe
ghe re saaiba
pyaar mein sauda nahin
ghe ghe ghe ghe
ghe re saaiba
pyaar mein sauda nahin

pyaar mein sauda nahin

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

आगे नारी
तुज्या मात्यांचा फूलाँ पाया साओरी
आगे नारी
तुज्या मात्यांचा फूलाँ पाया साओरी

लाल्लल्लल्ल ला ल ल्लाल्लल्ल ला ल्लाल्लल्ल ला
लाल्लल्लल्ल ला ल ल्लाल्लल्ल ला ल्लाल्लल्ल ला

[प्रेमनाथ और ऋषि कपूर की बात चीत।]

ना चाहूँ सोना चाँदी
न चाहूँ हीरा मोती
ये मेरे किस काम के

आsss आssss आsssssss आsss आss

ना माँगूँ बंगला बाड़ी
ना माँगूँ घोड़ा गाड़ी
ये तो हैं बस नाम के

आssss आsssss

देता है दिल दे
बदले में दिल के
देता है दिल दे
बदले में दिल के
घे घे घे घे घे
घे रे सायबा
प्यार में सौदा नहीं
घे घे घे घे घे

घे रे सायबा
प्यार में सौदा नहीं

ओ लल्ल ओ लल्ल ला ला
लल्लल ला ला ला
लल्ला ला ला ला ला
लल्लल लल्लल ला ला

ना जानूँ मुल्ला क़ाज़ी
ना जानूँ काबा काशी
मैं तो हूँ प्रेम पियासा रे
मेरे सपनों की रानी
होगी तुमको हैरानी
मैं तो तेरा दीवाना रे
देती है दिल दे
बदले में दिल के
देती है दिल दे
बदले में दिल के
घे घे घे घे घे
घे रे सायबा
प्यार में सौदा नहीं
घे घे घे घे घे
घे रे सायबा
प्यार में सौदा नहीं

प्यार में सौदा नहीं


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 15000 song posts by now.

This blog is active and online for over 3900 days since its beginning on 19 july 2008.

Total number of songs posts discussed

15032

Number of movies covered in the blog

Movies with all their songs covered =1171
Total Number of movies covered =4120

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