Archive for the ‘Prison / Prisoner’s Song’ Category
Khatm hua din jaltey jaltey
Posted on: April 23, 2022
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5027 | Post No. : | 16936 |
Today’s song is from the movie ‘Raaste Aur Manzil-1968’.
One song from this movie was posted on the blog more than six years ago on 21.12.2015. I had shared lyrics for that song ‘main bahot door bahot door’. Music for this movie was composed by Ram Kadam.
Ram Kadam (August 1916 – 19 February 1997) was a famous and prominent music director of Marathi movies. I love his compositions in Marathi movies. Incidentally I had been instrumental in introducing his three Hindi movies viz. ‘Sant Tulsidas-1972’, ‘Raaste Aur Manzil-1968’ and ‘Pinjara-1973’ wherein I had shared lyrics for songs posted on the blog.
I didn’t have any information about the movie ‘Raaste Aur Manzil’ at that time as I was not equipped with HFGK Vol-IV those days.
But now, armed with HFGK Vol-IV (1961-1970) I am presenting another song from this movie and also details of the movie . This movie seems to be an obscure movie of its time and more details or videos of this movie seems to be unavailable.
“Raaste Aur Manzil-1968” was directed by C. Vishwanath for ‘Saira Productions, Bombay’. It had Naseer, Azra, Bharati, Janraj, Sabina, Sushma, Pratima Devi, Master Sachin, Sabnoor, Surendra Chutki, Girish, Kadam, Waghmare, Karandikar, Angre, Bal Krishna, Babu, Salim, Karnik, Yakub, Nawab, Moolchand Kapoor, Surendra Mota, Nazir Kashmiri and others.
“Raaste Aur Manzil” had five songs in it which were written by Ibrahim Faiz M.A.
Music for this movie was composed by Ram Kadam.
Here is the list of songs from this movie.
| SNo | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Agar gham sataaye mera naam lena | Not mentioned | |
| 02 | Kaise keh doon ki mulaaqaat nahin hoti | Krishna Kalle | |
| 03 | Aaoonga main aaoonga | Krishna Kalle | |
| 04 | Main bahot door chalaa aaya hoon | Mohd Rafi | 21.12.2015 |
| 05 | Khatm hua din jaltey jaltey | … Mohd Rafi |
HFGK doesn’t mention the singer’s name for the first song in the above list. Though, it does mention the name of Asha Bhonsle along with Mohd Rafi and Krishna Kalle, in the singer’s name for this movie in its foot-note for this movie-page.
Today’s song is sung by Mohd Rafi and the video of this song is luckily available. (Thanks to up-loader of this song).
We can see an actor, whom I am unable to identify, shown in jail singing this song. This song is a sad song and I do not know in what context it happens in the movie. We can see others artists (as prisoners) in the picturisation of this song.
I would request knowledgeable readers to throw more light on this movie and its songs.
Let us listen to today’s song now which is a nice composition to listen to …
Video
Audio
Song-Khatm hua din jaltey jaltey (Raaste Aur Manzil)(1968) Singer-Rafi, Lyrics-Ibrahim Faiz, MD-Ram Kadam
Lyrics
Jaltey jaltey
Ho gayi gham ki raat
Ho gayi gham ki raat
Khatam hua din jaltey jaltey
Ab to meri naakaam ummeedon
Ab to meri naakaam ummeedon
Pal do pal ka saath
Khatam hua din
Khatam hua din
Gham ke sahaare din beete hain
Aas liye phir bhi jeete hain
Gham ke sahaare din beete hain
Aas liye phir bhi jeete hain
Khatam ho ab to
Dukh ki chinta
Khatam ho ab to
Dukh ki chinta
Khatam ho dukh ki baat
Khatam ho dukh ki baat
Khatam hua din
Khatam hua din
Mamta ka aadhaar kahaan hai
Mera paagal pyaar kahaan hai
Mamta ka aadhaar kahaan hai
Mera paagal pyaar kahaan hai
Ek kiran hai wo bhi komal
Ek kiran hai wo bhi komal
Kaun de apna saath
Kaun de apna saath
Khatam hua din
Jaltey jaltey
Ho gayi gham ki raat
Ho gayi gham ki raat
De Taali, De De De De Taali
Posted on: June 20, 2020
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4355 | Post No. : | 15675 | Movie Count : |
4318 |
Hullo Atuldom
In one of his recent posts our Avinash ji has suggested that there should be a category of posts – ‘Post inspired by fellow Atulite’ or ‘Post inspired by Atulite WA group chat’. I would like to borrow a phrase from Sudhir ji ‘thank you for the nudge’ and direct it towards Avinash ji. If not for Avinash ji I would have written this post a month later. Don’t know how I mixed up dates. And there have been posts wherein Atul ji has credited me with being good at remembering dates. It is not so Atul ji, calendars also need reminders.
I am 100% sure that the followers of this blog and non-followers too will be aware of a movie that released in the 70s. 1975 to be exact. It went by the name ‘Sholay’. It was a multi-star-cast movie that ran for years in a single cinema hall in Mumbai. This blog has already covered each and every song possible from that movie with detailed posts accompanying them. I am sure, the readers are wondering, why I am revisiting the movie then? Well ‘Sholay’ is something like an ‘Amar Akbar Anthony’ (1977) or any other formula movie. ‘AAA’ had a lost-and-found formula which was repeated in many movies after it. ‘AAA’ itself was a copy of numerous movies preceding it with the lost-and-found theme. It can be safely said that Indian movies thrive as much on the stories of the Ramayan and Mahabharata as they do on the lost-and-found theme.
So, where does ‘Sholay’ fit, in the scheme of things? Well, the ‘Thakur-Dacoit-Hired help’ formula has been repeated in a few movies too. Personally I have seen three movies on that story-line, there may be more. Two of them had a female for Thakur. That is, someone out to avenge the injustice meted out to her assisted by guys – ladies were SUPPOSED to be naajuk, bebas, etc. and a widow to add masala to the story. I am sure a woman of the new millennium will protest at the description of bebas, naajuk – even I will protest. There were Basanti and Radha as love interests in ‘Sholay’ – all the remakes also had ladies to distract the Veeru and Jai of the remakes.
Yesterday I saw ‘Army’ which had released on 28th June 1996 i.e. exactly 8 days short of 24 years ago. It was directed by Raam Shetty, produced by Nitin Manmohan and Mukul Anand and had music by Anand Milind. This is one of the ‘Sholay’ remakes that I spoke of in the previous paragraph. It has Sridevi playing a pregnant widow out to avenge her husband’s death for which she takes the help of five prisoners who are on the death-row. I hope the ‘Sholay’-connect has been explained. Explaining further- there it is two prisoners, here it is five. There the prisoners escape hoodwinking the ‘Angrezon ke zaamane ka Jailor‘; here Sridevi helps the prisoners get out of prison using sleep-inducing sweets. In ‘Sholay’; the thakur’s house was on a hillock overlooking the village, even that was replicated in ‘Army’. The prisoner’s are holed up in a secluded house that overlooks the area adjoining the palace of Sridevi’s tormentor. This was then the background of the movie from which I am presenting a song to our today’s birthday boy.
Coming back to the thoughts expressed in the opening paragraph, I asked Avinash ji if he was aware of the favourites of our today’s birthday boy. Favourite actor, singer, music director etc. Both of us thought hard and found that we don’t know much about his favourites but he knows all of us fairly well. What I do know, he has a ‘more than’ good knowledge about cricket and movies. He loves his pets and they are the family that live with him as his wife is working in a different town and daughter is a student elsewhere. Of late I have discovered that he has a love for the progresses that the country has made in the various sectors post the ’98 Pokharan tests. He is proud to be employed in the biggest service provider of the nation.
In addition to all that he has a unique sense of humor, which surfaces often on the blog in his posts and is given the title “Atulism” by our very own Rajaji.
Its is the birthday of the brain behind this blog, our Ranchiwala Gaanewala (Sudhir ji’s title for him). Wish you a very Happy Birthday Atul ji from your Army of contributors. We wish you all the best with lots of fun and music.
Today’s song is a lively song where the prisoners are having a party-like song and dance before escaping from the prison. It is sung by Alka Yagnik, Abhijeet and Vinod rathod. The two male singers are playback for Ravi Kishan. Ronit Roy, Sudesh Berry, Mohnish Behl and Harish who feed the jailor Kiran Kumar a laddo during the song and the favour is returned by the jailor. So when the song ends the rest of Sridevi’s Army have to bodily carry him out of the prison. It was an entertaining movie but becomes too violent towards the end. Whatever gory violence was snipped out of ‘Sholay’ found itself here.
Once again wishing our leader Atul ji a very Happy Birthday
Song – De Taali, De De De De Taali (Army) (1996) Singer – Alka Yagnik, Abhijeet, Vinod Rathod, Lyrics – Sameer, MD – Anand Milind
Chorus
Lyrics
hae haa ho
hae haa ho
hae haa ho
hae haa ho
hae haa ho
hae haa ho
hae haa ho
chaudi chaudi sadak nahin
koi tadak ya bhadak nahin
oonche oonche ghar nahin
lafda jhagda darr nahin
shor sharabaa yahaan nahin
khoon kharaba yahaan nahin
kehne wale jail kahein
par yahaan badi khush haali
de taali de de de de taali
de taali de de de de taali
chaudi chaudi sadak nahin
koi tadak ya bhadak nahin
oonche oonche ghar nahin
lafda jhagda darr nahin
shor sharaba yahan nahin
khoon kharaba yahan nahin
kehne wale jail kahein
par yahan badi khush haali
de taali de de de de taali
de taali de de de de taali
aaaa aaaa aaaa
hansi udaaye yaar hamaari
baat koi na maane
hum kaise andar aayein hain
koi bhi na jaane
baahar jeena hai to yaaro paisa chaahiye
khaana peena hai to yaaro paisa chaahiye
naukri maangoon to sarkaar paisa maange
khaali ghoomoon to dost yaar paisa maange
taxi chalaoon hawaldaar paisa maange
ghar jo jaoon to parivaar paisa maange
kisi bank mein mera koi khata nahin
koi fokat mein khaana khilaata nahin
apna to yeh kehna hai
humko andar rehna hai
apna toh yeh kehna hai
humko andar rehna hai
yahan toh apni zindagi hai tension se khaali
de taali de de de de taali
de taali de de de de taali
hae haa ho
hae haa ho
bina degree ke kaam yahaan sab ko mile
kaam karte hi daam yahaan sab ko mile
yahaan time se roti sab ko mile
dal chaawal boti sab ko mile
bina bhaade ke kholi sab ko mile
arre yaar humjoli sab ko mile
haan haa haa haaa
hoo hoo oo
aaj ka din bhi achha din hai
sundar bada muhoorat hai
tum jaise logon ki pyaare
baahar bahut zaroorat hai
baahar jao
jaa ke duniya walon ko samjhao
subah shaam marne waalon ko tum jeena sikhlaao
jo bhi baahar jayega woh jeevan bhar pachhtayega
jo bhi baahar jaayega
woh jeevan bhar pachhtayega
baahar jaake milegi humko nafrat gurbat gaali
de taali de de de de taali
de taali de de de de taali
chaudi chaudi sadak nahin
koi tadak ya bhadak nahin
oonche oonche ghar nahin
lafda jhagda darr nahin
shor sharaba yahaan nahin
khoon kharaba yahaan nahin
kehne wale jail kahein
par yahaan badi khush haali
de taali de de de de taali
de taali de de de de taali
hae haa ho
hae haa ho
hae haa ho
hae haa ho
Ye To Qismat Hai, Meri Jaan Varna
Posted on: March 2, 2019
This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3879 | Post No. : | 14902 |
Mohammed Rafi : The Incomparable (II) – Song No. 08
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While I was writing the previous post of this series few days ago, I was maybe suffering from lack of motivation. So I could not be very expressive and just tried to put together some random thoughts and to start the series again.
Today I am glad that somehow this series has begun again. Simply because I have spent this week in sharing with all those around me with some musical sense, a link I found on YouTube. Sharing it because that is the only thing I could do short of shouting on rooftops that look what I have found.
Years ago I was a regular visitor http://www.mohdrafi.com. I was just visiting and reading the various articles that were posted and sometimes making some comments. Overtime that passivity was a bit tedious and the writings and articles there felt repetitive and somewhat amateurish. It never inspired any inclination to be more active, though it is a very good site dedicated to the memory of Rafi Sb and full of information about him.
While being a Rafi fan myself, I have often wondered how can people be so over the top in praise and eulogies of some mortals, so as to call him God, Farishta and what not. The fans of Rafi Sb are so so much – deewane and parwaane on him as if these words were coined for them only, if the readers know what I mean.
Whatsapp university tells me that a human mind can store or process 1 million billion bits of data in a lifetime. In this same humble brain there are various tidbits of information stored by me too, some which has come to fore during this momentous week. I have remembered that during the 70’s Rafi Sb used to go on a lot overseas tours to do stage shows. And years ago I had/heard an audio cassette of one of these shows. With the advent of YouTube the things and all type of rare and songs and videos became accessible. Now I remember myself searching for the video clips of stage shows by Mohammed Rafi Sb. And I found and saw small clips of these shows. But I had not found any longish recording links of complete stage shows. Over the years I stopped looking for those. I can’t recall now when was the last time I really looked for this lost treasure. I had may be subconsciously given up on ever finding any such thing. It was as if I had convinced myself that they don’t exist.
So It was while just browsing for more inspiring songs by Rafi Sb in the labyrinth of YouTube, I found this video recording of Rafi Sb’s live concert of 1979 at Montreal, Canada. I was dumb founded that something like this has existed for the last 38 years without being uploaded anywhere and it has surfaced in July 2018. It was a heaven sent gift for me and it has triggered all sort of memories of all that was there in the deep recess of my mind. At first I really thought it just cannot be, a video recording of such significance being uploaded now, it was too good to be true. It is of 1.15 hours. Here is the link – Mohammed Rafi Live Concert Video – Montreal 1979
As I said above I just couldn’t believe that finally I am seeing something like this. This is the first time something so comprehensive video is uploaded on the net. It was a year before the end of the true Golden era of Hindi film music. And how the maestro is performing, it is to be seen and heard to be believed. And the singing gets better and better as song after song are getting rendered from his soul. I have asked this question to many people I have shared the video with, that what do they think that he is singing from his throat, mouth or heart? Some say that the throw of voice is phenomenal and someone said that this is just not possible to be so much more than the original soundtrack in live performance.
What can one say? As some of the comments are surmising that “hamaari auqaat nahi hai ke Rafi sahaab ke baare mein kuch keh saken“. What we can do is just listen to this incredible performance and thank the uploader of this best of the best generosity on his part. This is a boon to Rafi fans like me 39 year after the event. But one thing it creates is a hunger for more such recordings, which have started surfacing now. Let us hope and pray the other such treasures are safe somewhere in the world and will surface in due course, in our lifetime. I am truly humbled by the good fortune of being able to experience something like this.
Naushad Sb had this to say about Rafi Sb “aaj mausiqui ko tujh pe naaz hai“. This has made me see that all this highest of high praises were showered on him by various peers and contemporaries were really heartfelt and never were they too much. I rather think they felt speechless when contemplating what to say about Rafi Sb and took a short cut and called him God of music.
Someone has commented that Rafi Sb does not need the award of ‘Bharat Ratna’ rather the award needs Rafi Sb to mean something. Not intending to be political, I can but agree with this. More so with the history and the civilisation from which such a sur samraat has emerged. Something else I have understood with this ethereal experience is that those who can deny the truth in the statement that “Rafi ko nahi suna to kya suna?” could do so because of their ignorance of the subject matter.
Today I am presenting a rare song by Rafi Sb from the film ‘Duniya Hai Dilwaalon Ki’ (1966). Music is by Jimmy (aka James Singh) and the lyricist of this qawwali is Anjum Jaipuri. As can be expected it is a delightful qawwali containing a repertoire of mumbaiyya terminology. They could have used this one in ‘Munna Bhai MBBS’ series too.
And there is the ‘whistle sound’ in the middle of singing. Rafi Sb has done this in the live concert too, i.e. whistled in the middle of the Punjabi song and then continued to sing in the same breath. Unbelievable, that the microphone is able to capture the bass and the echo in the words that are falling from the mouth like precious jewels in a free fall in a hall full of people watching. Yes there is that ‘goonj‘ in the words as they are resonating from the mike, and the sound of the end of the earlier word still can be head even as he starts the next word. This is the only explanation of the sound of the word already sung and the start of the next word at the same time. May be this happened with others also, I don’t know.
The simplicity, humbleness of the person while acknowledging the applause. The only concession to any showmanship on Rafi Sb’s part is the formal attire, which has to be more as a form of respect for the audience than anything else. His God gifted ability is there for all to see. I can empathise with the people who were part of the recording studio set up, witnessing the phenomenal singing day in and day out for all those years, for being in so much in awe of the personality so as to call him God.
Anyways , all we can do is listen and try not to faint with the awesomeness of it all. And thank the Almighty God for blessing us with this gift just as he blessed Rafi Sb.
Song – Ye To Qismat Hai, Meri Jaan Varna (Duniya Ha Dilwaalon Ki) (1966) Singer – Mohammed Rafi, Lyrics – Anjum Jaipuri, MD – Jimmy
Chorus
Unidentified Male Voice
Lyrics
koyi kuchh bhi kahe pyaare
magar yeh baat pakki hai..ea..eaaaaaaa
yahaan aata hai wo jis per
koyi ilzaam hotaa hai
haa aaan
sabab koyi..ee..eeee
na koyi thhaa
jo yun khinch kar
chale..ea aaye
yeh to qismat hai
meri jaan varnaa
kaun apni khushi se aaye yahaan
daane daane pe
naam hota hai
wo hi daane hamen le aaye yahaan
yeh to qismat hai
meri jaan varnaa
kaun apni khushi se aaye yahaan
daane daane pe
naam hota hai
wo hi daane hamen le aaye yahaan
yeh to qismat hai
meri jaan
yaar apna ik imaamudeen thha
manchala thha aur bahot shauqeen thhaa
haan aaan
saathh choupaati gaye ham ghoomne
arey husnwaalon par lagaa woh jhoomne
to phir
kabhi ladki ko yoon bulaata thha
dheere dheere seeti bajaata thha
(whistle sound)
dheere dheere seeti bajaata thha
ganga jamuna ke gaane gaata thha
raj ki tarha muskuraata thha
ek ladki jo zaraa…
ek ladki jo zara jaadi thhi
pehne huey wo kaali saadi thhi
us ki aankhon mein deep jalte thhe
dekhnewaale aankhen malte thhe
raat soyee thhi us ke baalon mein
chaand hansta thha gore gaalon mein
aayi shaamat usey salaam kiyaa
us ne chappal se apni kaam liyaa
haan aaan
chhed khaani ka mazaa mehenga pada
aur ham ko pyaare
jail mein aana pada
ho ho hoo
yeh to qismat hai
meri jaan varnaa
kaun apni khushi se aaye yahaan
daane daane pe
naam hota hai
wo hi daane hamen le aaye yahaan
yeh to qismat hai
meri jaan
dhoka diya naseeb ne
ban kar bigad gayaa
haay haay hai
arey kadke ki jeb mein
jo mera haath pad gaya
to phir
khol ke dekha paakit khaali thha
paakit wala bhi khud sawaali thha
band kaaghaz mein dil ki tehreeren
husnwaalon ki chand tasweeren
apni qismat ke rang aise thhe
ek sigret thhi chaar paise thhe
chaar paison mein guzar kab hotee
husnwaalon ki nazar kab hotee
inhen daulat se pyaar hota hai
in ki balaa ke koi rota hai
aaya gussa to paakit phaink diya
paakit waale ne mujh ko dekh liya..aa
haan aan
bhaagnaa chahaa magar main gir pada
jaise uttha muhn pe ek thappad padaa
haan aan
apne peshe se huyi nafrat mujhe
jail mein karni padi kasrat mujhe
ho ho
yeh to qismat hai
meri jaan varnaa
kaun apni khushi se aaye yahaan
daane daane pe
naam hota hai
wo hi daane hamen le aaye yahaan
yeh to qismat hai
meri jaan
aa aaa aaaa aaaa
aa aaaa aaa
haan aan
baap zinda thha
bohat aaraam thha
ghar mein apna ramchander naam thha
aur ab
hamen ab ramu dada kehte hain
chaal mein gangu ki hum rehte hain
tezi mandi ka dhanda hota thha
apni masti mein banda sota thha
yun hi phokat mein kaam chalta thha
kaale ghode tak naam chaltaa thha
dil mein chaahat thhi badi sehre ki
aane waali thhi ghadi sehre ki ee
haan aan
maa qasam apna yeh dil kaala nahin
doston ki baat ko talaa nahin
haan aan
laaye ismuggling ka sona chaal mein
raamchander ko phasaaya jaal mein
haa..aan
o yeh to qismat hai
meri jaan varnaa
kaun apni khushi se aaye yahaan
yeh to qismat hai
meri jaan varnaa
kaun apni khushi se aaye yahaan
daane daane pe
naam hota hai
wo hi daane hamen le aaye yahaan
yeh to qismat hai
meri jaan
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Hindi script lyrics (Provided by Sudhir)
———————————————————-
कोई कुछ भी कहे प्यारे
मगर ये बात पक्की है॰॰ए॰॰ए॰॰ए
यहाँ आता है वो जिस पर
कोई इल्ज़ाम होता है
हाँ॰॰आं
सबब कोई॰॰ई॰॰ई
ना कोई था
जो यूं खिच कर
चले आए
ये तो किस्मत है
मेरी जाँ वरना
कौन अपनी खुशी से आए यहाँ
दाने दाने पे
नाम होता है
वो ही दाने हमें ले आए यहाँ
ये तो किस्मत है
मेरी जाँ वरना
कौन अपनी खुशी से आए यहाँ
दाने दाने पे
नाम होता है
वो ही दाने हमें ले आए यहाँ
ये तो किस्मत है
मेरी जाँ
यार अपना इक इमामुद्दीन था
मनचला और बहोत शौकीन था
हाँ॰॰आं
साथ चौपाटी गए हम घूमने
अरे हुस्न्वालोन पर लगा वो झूमने
तो फिर
कभी लड़की को यूं बुलाता था
धीरे धीरे सीटी बजाता था
(सिटी का स्वर)
धीरे धीरे सीटी बजाता था
गंगा जमुना के गाने गाता था
राज की तरह मुसकुराता था
एक लड़की जो ज़रा॰॰॰
एक लड़की जो ज़रा जाड़ी थी
पहने हुए वो काली साड़ी थी
उसकी आँखों में दीप जलते थे
देखनेवाले आँखें मलते थे
रात सोई थी उसके बालों में
चाँद हँसता था गोरे गालों में
आई शामत उसे सलाम किया
उसने चप्पल से अपनी काम लिया
हाँ॰॰आं
छेड़खानी का मज़ा महंगा पड़ा
और हम को प्यारे
जेल में आना पड़ा
हो हो हो॰॰ओ
ये तो किस्मत है
मेरी जाँ वरना
कौन अपनी खुशी से आए यहाँ
दाने दाने पे
नाम होता है
वो ही दाने हमें ले आए यहाँ
ये तो किस्मत है
मेरी जाँ
धोखा दिया नसीब ने
बन कर बिगड़ गया
हाय हाय हाय
अरे कड़के की जेब में
जो मेरा हाथ पड़ गया
तो फिर
खोल के देखा पाकिट खाली था
पाकिट वाला भी खुद सवाली था
बंद काग़ज़ में दिल की तहरीरें
हुस्न्वालोन की चंद तस्वीरें
अपनी किस्मत के रंग ऐसे थे
इक सिगरेट थी चार पैसे थे
चार पैसों में गुज़र कब होती
हुस्नवालों की नज़र कब होती
इन्हें दौलत से प्यार होता है
इनकी बला से कोई रोता है
आया गुस्सा तो पाकिट फेंक दिया
पाकिट वाले ने मुझे देख लिया॰॰आ
हाँ॰॰आं
भागना चाहा मगर मैं गिर पड़ा
जैसे उठा मुंह पे एक थप्पड़ पड़ा
हाँ॰॰आं
अपनी पेशे से हुई नफरत मुझे
जेल में करनी पड़ी कसरत मुझे
हो हो
ये तो किस्मत है
मेरी जाँ वरना
कौन अपनी खुशी से आए यहाँ
दाने दाने पे
नाम होता है
वो ही दाने हमें ले आए यहाँ
ये तो किस्मत है
मेरी जाँ
आ आs आss आss
आ आss आs
हाँ॰॰आं
बाप ज़िंदा था
बोहत आराम था
घर में अपना रामचंदर नाम था
और अब
हमें अब रामू दादा कहते हैं
चाल में गंगू की हम रहते हैं
तेज़ी मंडी का धंधा होता था
अपनी मस्ती में बंदा सोता था
यूं ही फोकट में काम चलता था
काले घोड़े तक नाम चलता था
दिल में चाहत थी बड़ी सेहरे की
आने वाली थी घड़ी सेहरे की॰॰ई
हाँ॰॰आं
माँ कसम अपना दिल काला नहीं
दोस्तों की बात को टाला नहीं
हाँ॰॰आं
लाये इस्मग्लिंग का सोना चाल में
रामचंदर को फसाया जाल में
हाँ॰॰आं
ये तो किस्मत है
मेरी जाँ वरना
कौन अपनी खुशी से आए यहाँ
ये तो किस्मत है
मेरी जाँ वरना
कौन अपनी खुशी से आए यहाँ
दाने दाने पे
नाम होता है
वो ही दाने हमें ले आए यहाँ
ये तो किस्मत है
मेरी जाँ
Meri zindagi mujh pe roye
Posted on: December 6, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3793 | Post No. : | 14779 |
“Khan Dost”(1976) was directed by Dulal Guha for Ramayan Chitra Mandir, Bombay. The movie had Raj Kapoor, Shatrughan Sinha, Mithu Mukherji (new discovery), Satyen Kappu, Sulochana, Asit Sen, Jagdish Raj, Maruti, Prakash, Shekhar Purohit, Rajan Haksar, Duggal, Saminder Pande, Chandulal, Rajrani, Amar Sen, Sameer, Baby Lubna etc, with special appearances by Subhash Ghai, Jagdeep, Sundar, Leela Mishra and Yogita Bali.
The movie had three songs in it. One song has been covered in the past.
Here is the second song from “Khan Dost”(1976) to appear in the blog. This song is sung by Manna Dey. Indeewar is the lyricist. Music is composed by Kalyanji Anandji.
The song is picturised as a poignant song on Shatrughan Sinha who plays a prisoner and who is seen looking back at his wasted life with regret in this picturisation. The pictorisation also shows Satyen Kappu playing a jailor and Raj Kapoor playing his subordinate.
Incidentally, Hindi movie jails look like a police station where a prisoner is seen kept behind bars in a small room. That is because Hindi moviemakers cannot differentiate between a police station and a jail. 🙂
Audio
Video
Song-Meri zindagi tujhpe roye (Khan Dost)(1976) Singer-Manna Dey, Lyrics-Indeewar, MD-Kalyanji Anandji
Lyrics
meri zindagi mujhpe roye ae
roye
meri zindagi mujhpe roye ae
roye
meri zindagi mujhpe roye ae
roye
main kaam kisi ke na aa saka
main kaam kisi ke na aa saka
main pyaar kisi ka na pa saka
koi aise umr na khoye
meri zindagi mujhpe roye ae
roye
jo karz liya hai saanson ka
wo karz chuka na paaya
jo karz liya hai saanson ka
wo karz chuka na paaya
baaqi hi raha har karz mera
koi farz nibha na paaya
ab waqt kahaan kuchh kar sakoon
ab waqt kahaan kuchh kar sakoon
koi zakhm kisi ka bhar sakoon
ab pachhtaaye kya hoye
meri zindagi mujhpe roye ae
roye
kuchh bhi na kamaaya jeevan mein
maine sab kuchh hi ganvaaya
kuchh bhi na kamaaya jeevan mein
maine sab kuchh hi ganvaaya
jisne dikhlaai duniya mujhe
us maa ka dil bhi dukhaaya
jis pe hon gunaahon ke saaye
jis pe hon gunaahon ke saaye
wo chain kahaan se paaye
dariya bhi ye daag na dhoye
meri zindagi mujhpe roye ae
roye
main kaam kisi ke na aa saka
main pyaar kisi ka na pa saka
koi aise umr na khoye
meri zindagi mujhpe roye ae
roye
roye
- In: "Showing off" song | Dev Anand songs | Dev Anand songs by Kishore Kumar | Feelings of heart | Kishore Kumar solo | Kishore Kumar songs | Lyrics by Prakashchandra | Lyrics contributed by readers | Prison / Prisoner's Song | Songs of 1970s (1971 to 1980) | Songs of 1973 | Yearwise breakup of songs
- 3 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Shareef Badmaash”(1973) was produced by Dev Anand and directed by Raj Khosla for Navketan, Bombay. The movie had Dev Anand, Hema Malini, Ajit, Jeevan, Helen, Bhagwan, Sapru,Trilok Kapoor, Sudhir, Capt.Man Mohan, Sham Kumar,Mridula, Manmohan(Guest),Late Rashid Khan, Hercules, Uma Dutt, Ved Puri, Shah Agha, Minal Mehta, MackMohan, Sudarshan Sethi, Dhanna, Gurbachan Singh, Janki Dass, Viju Khote, Kirti Kumar, Dilip Dutt, Nawab, Birbal etc in it.
Read more on this topic…
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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