Archive for the ‘Aansoo song’ Category
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5450 | Post No. : | 17856 | Movie Count : |
4769 |
Today’s song is from a debut making film ‘Ek Aurat’ from 1948.
This is one of those 206 films made between 1931 to 2012, whose title started with the word ‘EK’ – the most favourite prefix of the filmmakers. Out of these 206 films, 32 films started with ‘Ek Aur. . .’. Just a trivia !
Trivia aside, let us talk about today’s film, ‘Ek Aurat’. The film was produced and directed by SD Narang. He was also the film’s hero.
Today’s film is an indicator how hard working filmmakers, after the Partition, left Lahore but did not leave making films. Narang was one of the pioneers and he had done good work in Lahore to establish its Film Industry, but he was forced to leave the city and run to the other far off side of the country, Calcutta- a thriving film city in Eastern India. This most educated person in the Indian Film industry ever, Narang’s life story is very inspiring.
Here is a story which is stunning and unbelievable ! He was born on 18-6-1918, at Lyallpur, Punjab. He studied hard and got higher education. First he did B.Sc., then completed M.B.B.S. and became a Medical Doctor. Later he submitted a Thesis and got his Ph.D. All this from Lahore Medical College. He also wrote some research papers and two books. With this sparkling education, he could have had a luxurious living, but he chose to join the uncertain Film World. True to his wont, he succeeded here too and became a hero, producer, director, studio owner, a lyricist and a writer.
Yes, in the early era of the late 1930s, when educated people were a rarity, this highly qualified young man came into films. His name was SATYA DEV NARANG or simply, SD Narang. (18-6-1918 to 25-1-1986 ). Here are some highlights of his life, adapted from the site sdnarangsfan.com…with thanks.
1. During his life, from 1918 to 1986, he served the Indian Film Industry, at three capitals of this industry, Lahore (1936 to 1946), Calcutta (1947 to 1951) and Bombay (1952 to 1980), as hero, producer, director, writer and studio owner.
2. He had the distinction of being the highest educated man in the film industry. He was B.Sc., M.B.B.S and Ph.D from Lahore Medical College.
3. He had the credit of being the debut making leading man of ‘Khazanchi’ (1941) which was the first Indian film to celebrate Platinum Jubilee.
4. He was the youngest leading man in Lahore, who played the lead in ‘Khazanchi’, ‘Ravi Paar’, ‘Zamindar’, ‘Patwari’, ‘Gawandi’, ‘Thekedar’, ‘Sahara’, ‘Yeh Hai Zindagi’ (his first venture as producer-director) and ‘Kamini’.
5. In Calcutta he produced ‘Chittagong Armoury Raid’, which was India’s First Revolutionary Film. He also produced ‘Nai Bhabhi’, ‘Ek Raat’, ‘Aprajita’, and ‘Chiner Putul’ and also played the leading roles in these films. Apart from his own movies, he played the lead in ‘Iran Ki Ek Raat’ and ‘Kajari’, which were produced by other producers.
6. After partition, he had to leave Lahore, like a refugee, leaving all his assets and immovable property behind him. With his hard work and experience once again he was able to establish himself as the hero, producer, director, writer and studio owner at Calcutta. But the studio proved a disaster for him. Being a soft hearted person, he was giving credit to the producers, who used to shoot their films in his studio. They duped him and he had to suffer heavy losses. With this bitter experience he left the city and entered the City of Dreams and the capital of entertainment, Bombay, in 1952.
7. Being a passionate movie maker, Dr. SD Narang was able to get himself settled in Bombay, within a very short span of time. He had already dedicated himself to the silver screen. Once again he rose from his own ashes, like a phoenix.
8. He made his presence felt in a big way in the big City of Bombay.
He produced and directed many films with big stars. In ‘Tanhai’ and ‘Darban’ he played the leading role himself. Some of the important films produced by him in Bomby (now Mumbai) include, ‘Arab Ka Saudagar’, ‘Yahudi Ki Ladki’, ‘Dilli Ka Thug’, ‘Sagai’, ‘Babul Ki Galiyan’, ‘Do Thug’, ‘Ram Kasam’, ‘College Girl’, ‘Do Ustad’, ‘Kismatwala’ and ‘Nishanebaaz’. He had also produced ‘Shehnai’, which was India’s first Air-Force film.
9. He was also the producer of ‘Bombay Ka Chor’, which was India’s first ‘Holiday-on-Ice’ movie.
10. He has also the credit of producing India’s first under-water-movie, ‘Anmol Moti’, a Jeetendra and Babita starrer.
11. The movie maker with Midas touch, Dr. SD Narang, had spent his 50 golden years of his cinematic profession, in the service of Silver Screen. (1936-86)
12, Before venturing into the film industry as the leading man, SD Narang, had an aptitude for research and while studying in Lahore Medical College, he did research on ‘Binocular Theory Of Vision’, which was published in his college magazine. He bagged the Ph.D and became the Doctor of Philosophy, though he was already a Doctor of Medicine.
13, Apart from being the author of a novel ‘Hippy Aur Yogi’ and ‘Human Psychology’, he had written a most praiseworthy book, ‘An Introduction To The Theory Of Bio-Economics’. It was actually a new approach to diagnosis and cure of inflation and poverty. If applied to the present global financial crisis, it can change the face of the fiscal fate of the world.
14. In 1960 he got married to actress of his time Smriti Biswas, with whom he had played the lead in many films. After her marriage she stopped signing new films, and decided to play the roles of faithful wife and caring mother. She preferred to prepare food for her beloved sons Rajiv Narang and Satyajeet Narang.
The film ‘Ek Aurat’ was made under the banner of Bengal National Studios, Calcutta. The cast of the film was Narang, Geetashree, Smriti Biswas, Sundar, Heeralal and many Bangla artistes. I remember Smriti’s role as Master Bhagwan’s beloved in the film ‘Bhagam Bhag’ (1956).
The 10 songs of this film were written by BM Sharma who also wrote for other films like ‘Nai Bhabhi’ (1950), ‘Roop Kahani’ (1950), ’25th July’ (1951), ‘Anmol Sahara’ (1952), ‘Chhoti Maa’ (1952) and ‘Yatrik’ (1952). The music directors were Gopen Mullick and Harbaksh Singh. No information on Harbaksh Singh.
Gopen Mullick was a well known name as a composer in Bangla films and non film songs, till 1966. In Hindi, he did only this one film. However his wife Rekha Mitra Mullick (born on 26-8-1929) acted and sang few songs in Hindi films like ‘My Sister’ (1944), ‘Hamrahi’ (1945), ‘Shair’ (1949), ‘Do Bigha Zameen’ (1953), ‘Parineeta’ (1953), ‘Kohinoor’ (1960) and ‘Teesri Kasam’ (1967). She also acted in Bangla and Tamil films. She acted as Rekha Mitra and sang as Rekha Mullick.
Smriti Biswas, a protestant Bangla Christian was born in Calcutta on 17-2-1932. She studied in Missionary girls school. Her father and mother, both, were Headmaster and Headmistress in other schools. Smriti had a liking for acting. When she was just 12 year old, she acted in the film ‘Hamrahi’ and ‘Dwand’ (Bangla). When this was known in her house, she was put in another school. Later, the family shifted to Lahore. There Smriti acted in the film ‘Ragini’ (1945), opposite Pran and also some other films.
After Partition, they came to Delhi. Smriti met Dr. SD Narang, actor, producer and director. He starred in the film ‘Ek Baat’ and Bangla film ‘Chinni Putul’, which became a hit film. In 1951, Smriti shifted base to Bombay. According to her interview, before coming to Bombay she had acted in 26 films. However no details are available for this. In 1953 she acted in ‘Shamsheer’ and also as a heroine of Dev Anand in the film ‘Hum Safar’ (1953).
Though she was a star in Calcutta and Lahore, in Bombay she mostly got roles as a vamp only. She claims to have worked in 90 films. Some of her well known films are ‘Dilli Ka Thug’, ‘Baap Re Baap’, ‘Bhagam Bhag’, ‘Sailaab’, ‘Jagte Raho’, ‘Aab e Hayaat’, ‘Hamdard’, ‘Teen Batti Char Raasta’, ‘Abhimaan’, ‘Daaka’ etc . As per one source, she acted in 43 films. Her last film was ‘Modern Girl’ (1961).
Smriti was proficient in fluent English, riding, swimming and cooking. She could play sitar, harmonium and guitar. She was very jolly like a tomboy. Smriti got married to Dr. Narang in 1960 and left films forever. She has 2 sons. After the death of Narang in 1986, she gave her bungalow for development to a builder, who cheated her and she became homeless. She changed 28 houses in Bombay. She also lost her houses in Delhi and Mahabaleshwar due to crooked relatives. Finally, poor Smriti shifted to Nashik and lives in a 500 sq.feet flat. Till last year she was in Nashik.
Today’s song is sung by Sandhya Mukherjee and is composed by Gopen Mullick. With this song, film ‘Ek Aurat’ and Music Director Gopen Mullick make their debut on this Blog.
Song-Aankhen hain milin aansoo bahaane ke liye kya (Ek Aurat)(1948) Singer-Sandhya Mukherjee, Lyrics-BM Sharma, MD-Gopen Mullick
Lyrics
aankhen hain milin
aansu bahaa aa aane ke liye kya aa
aankhen hain milin aansu bahaane ke liye kya
aur dil hai mila toot hi jaane ke liye kya
duniya mein ham ghareeb hain ye boley aasmaan
duniya mein ham ghareeb hain ye boley aasmaan
paida huye hain thhokaren khaane ke liye kya
paida huye hain thhokaren khaane ke liye kya
chhoti si aarzoo bhi na poori ho hamaari
chhoti si aarzoo bhi na poori ho hamaari
uthhti hai tamannaayen so jaane ke liye kya
uthhti hai tamannaayen so jaane ke liye kya
ik zindagi mein maut ko pukaaren laakh baar
ik zindagi mein maut ko pukaaren laakh baar
paayee hai jabaan ?? bulaane ke liye kya
aankhen hain milin aansoo bahaane ke liye kya
Aankh mein kyun ashq ho
Posted on: May 23, 2023
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5422 | Post No. : | 17784 |
“Bhookh” (1947) was produced and directed by Dr Safdar Aah Sitapuri. The movie had Sheikh Mukhtar, Husna, Kanhaiyalal, Agha, Laddan, Narmada Shankar, Abu Baker, Ghulam Hussain, Miss Kiran etc in it.
“Bhookh” (1947) had eight songs in it. Two songs have been covered in the blog.
Here is the third song from the movie to appear in the blog. This song is sung by Geeta Roy (alter Dutt). Safdar Aah Sitapuri is the lyricist. Music is composed by Anil Biswas.
Only audio of this melancholic song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Aankh mein kyun ashq ho(Bhookh)(1947) Singer-Geeta Dutt, Lyrics-Safdar Aah Sitapuri, MD-Anil Biswas
Lyrics
aankh mein kyun ashq ho
lab pe rahe haaye kyun
aankh mein kyun ashq ho
ujde huye aashiyaan yaad teri aaye kyun
aankh mein kyun ashq ho
toot gaya dil ka taa aa aar
lut gayi ee ee
lut gayi meri bahaar
toot gaya dil ka taar
mast hawa aa aa
mast hawa aaye kyun
kaali ghataa chhaaye kyun
aankh mein kyun ashq ho
lab pe rahe haaye kyun
aankh mein kyun ashq ho
bhool gaye tum humen
hum tumhen kaise bhulaayen
bhool gaye tum humen
dil mein basi hai jo yaad
dil mein basi ee ee
dil mein basi hai jo yaad
dil se bhala jaaye kyun
aankh mein kyun ashq ho
lab pe rahe haaye kyun
aankh mein kyun ashq ho
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5405 | Post No. : | 17734 |
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Blog 10-Year Challenge (2013-2023) – Song No.113
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On this date ten years ago (6 May 2013), six songs from six different movies (plus one non film song) were covered in the blog. Here are the details:-
| Post No | Song Title | Name of the movie | Remarks |
|---|---|---|---|
| 8046 | Bhala thha kitna apna bachpan | Hemant Kumar NFS(1941) | |
| 8047 | Raushni apni umangon ki luta kar chal diye | Naadaan (1943) | 4 songs covered out of 11 by now |
| 8048 | Kis tarah bhoolega dil unka khayaal aaya huaa | Village Girl (1945) | 11 songs covered out of 12. Final song not available as of now |
| 8049 | Najariya mein aaiho | Nadiya Ke Paar (1948) | Movie YIPPEED in the blog with this song |
| 8050 | Wohi rota hua ek dil | Lahore (1949) | 9 songs covered out of 10 by now |
| 8051 | Jahaan jaayenge deewaane wahin mehfil jamaa lenge | Isi Ka Naam Duniya Hai (1962) | 3 songs covered out of 8 by now |
| 8052 | Dil haarne waale aur bhi hain | Dil Diyaa Dard Liyaa (1966) | Movie YIPPEED in the blog with this song |
We observe that two movies (out of six)) whose songs were covered in the blog on this date ten years ago (on 6 May 2013) have since been YIPPEED in the blog. Both these movies in fact got YIPPEED on this very day ten years ago. That leaves us with four unYIPPEED movies that are eligible for Blog Ten YEar Challenge. Two of these unYIPPEED movies have just one song left to be covered. But these songs were rare and elusive songs. These movies are “Village Girl” (1945) and “Lahore”(1949).
The final song of “Village Girl”(1945) continues to be unavailable. Final song of “Lahore”(1949) was also turning out of be just as elusive. So it came as a pleasant surprise to me when I found this song in my inbox to be covered under the Blog Ten Year Challenge today. Personally I was unable to locate this song but Prakashchandra, who sent me the lyrics of the song managed to discover it. On checking up, I found out that this song was uploaded one year back. In one year, this song had just 35 views and one like !
The movie “Lahore”(1949) was produced by Jaimini Dewan and directed by M L Anand for Jaimini Dewan productions,Bombay. The movie had Nargis, Karan Dewan, Kuldip, Pratima Devi, Om Parkash, Gulab, Balakram, Randhir, Urvashi, Ram Avtar, Kathana, Chanda Bai, S.BabuRao, Lalit Mohan, Manohar etc in it.
“Lahore”(1949) had ten songs in it. Nine songs have been covered in the past. Here are the details :-
| Blog post number | Song | Singer/s | Posted On |
|---|---|---|---|
| 1126 | Bahaarein phir bhi aayengin | Lata Mangeshkar | 20 April 2009 |
| 2389 | Duniya hamare pyaar ki yoon hi jawaan rahe | Karan Dewan-Lata Mangeshkar | 5 April 2010 |
| 2771 | Toote huye armaanon ki ik duniyaa basaaye | Lata Mangeshkar | 12 August 2010 |
| 4975 | Sun lo sajan meri baat | Lata Mangeshkar-Karan Dewan | 10 November 2011 |
| 8050 | Wahi rota hua ek dil | Karan Dewan | 6 May 2013 |
| 8355 | Ik aas badhaaye jaati hai | Lata Mangeshkar | 16 July 2013 |
| 9878 | Us dil ki kismat kya kahiye | Lata Mangeshkar | 4 June 2014 |
| 12420 | Bhagwaan kahaan hai | Manna Dey | 3 October 2016 |
| 15518 | Hamne circus mein naukri kar li | G M Durrani | 5 April 2020 |
Here is the tenth and final song from “Lahore”(1949) to appear in the blog. The song is sung by Karan Dewan. Rajinder Krishan is the lyricist. Music is composed by Shyam Sundar.
Only audio of the song is available. In case this song was picturised, it was obviously picturised on Karan Dewan himself.
Lyrics of the song were sent to me by Prakashchandra.
With this song, “Lahore” (1949) finally has all its songs covered in the blog. The movie thus gets YIPPEED in the blog and joins the list of movies that have already been YIPPEED in the blog.
Song-Hum jahaan mein aaye hain aansoo bahaane ke liye (Lahore)(1949) Singer-Karan Dewan, Lyrics-Rajinder Krishan, MD-Shyam Sundar
Lyrics
hum jahaan mein aaye hain aen
hum jahaan mein aaye hain aen
aansoo bahaaney ke liye ae
aansoo bahaaney ke liye ae
ik tamashaa banke duniyaa
ik tamashaa banke duniyaa
ko hansaane ke liye ae
aansoo bahaane ke liye
kuchch sisktee aarzooyein
kuchch sisktee aarzooyein
kuch tadptee eee ee
kuchch tadptee hasratein
dil ko ye daulat milee ee ee
dil ko ye daulat milee ee ee
duniyaa basaaney ke liye ae
aansoo bahaaney ke liye ae
hum jahaan mein aaye hain aen
aansoo bahaaney ke liye ae
aansoo bahaaney ke liye
woh bhi gham kee aag ko o o o
woh bhi gham kee aag ko oo
badhkar hawaa dene lagey
maine jo tinkey chuney thhe
maine jo tinkey chuney thhe
aashiyaane ke liye ae
aansoo bahaaney ke liye ae
hum jahaan mein aaye hain aen
aansoo bahaaney ke liye ae
aansoo bahaaney ke liye
ae meri taqdeer kee
ae meri taqdeer kee
gardish mujhey ae ae ae
gardish mujhe itnaa bataa
kab talak ronaa padegaa
kab talak ronaa padegaa
muskuraaney ke liye ae
aansoo bahaaney ke liye ae
hum jahaan mein aaye hain aen
aansoo bahaaney ke liye ae
aansoo bahaaney ke liye ae
Machal ke jab bhi aankhon se
Posted on: September 22, 2022
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5179 | Post No. : | 17155 |
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Blog 10-Year Challenge (2012-2022) – Song No. 98
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This date ten years ago (viz 22 September 2012) saw six songs from six different movies getting covered in the blog.
Here are the details:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 6695 | Jeet jyot tez chamak raha hai | Amar Jyoti (1936) | 8 songs out of 11 songs covered by now |
| 6696 | Unse kehna ki wo pal bhar ke liye aa jaayen | Ek Thi Ladki (1949) | Movie YIPPEED by now |
| 6697 | Boliye sureelee boliyaan | Grih Pravesh (1979) | 3 songs out of 8 covered by now |
| 6698 | Is ishq muhabbat ki kuchh hain ajeeb rasmein | Zulm Ki Pukaar(1979) | One song covered out of six by now |
| 6699 | Chanda se hoga wo pyaara | Main Bhi Ladki Hoon (1964) | Movie YIPPEED by now |
| 600 | Ye chaand to mridang hai | Shri Krishna Arjun Yudhh (1971) | One song covered out of six by now |
It can be observed that two movies (out of six) whose songs were covered on this date ten years ago have since been YIPPEED in the blo. That leaves us with four movies that are still eligible for Blog Ten Year Challenge today (on 22 September 2022).
“Grih Pravesh”(1979) is one such movie.
“Grih Pravesh”(1979) was produced and directed by Basu Bhattacharya for Aarohi Film Makers, Bombay. The movie had Sanjeev Kumar, Sharmila Tagore, Sarika, Manik Dutt, Danny, Dinesh Thakur, Master Bittoo, Sudha Chopra, Satya Bannerjee, Vimal Joshi, Nandlal Sharma, R.S.Chopra, Rajan Verma, Nitin Sethi, Ranjan, Gulzar, Shashi Jain, Nilesh, Khokha Mukerjee, Tarun Mukherjee, Devendra Khandelwal, Priyadarshinee, Master Bharat etc in it.
The movie had eight songs. Three of these songs have been covered by now.
Here is the fourth song from “Grih Pravesh”(1979) to appear in the blog. The song is sung by Bhupinder Singh. Gulzar is the lyricist. Music is composed by Kanu Roy.
The song is picturised on Sanjeev Kumar and Sharmila Tagore.
Lyrics of the song and other details were sent to me by Prakashchandra as far back as in 2012 itself !
video link:
audio link:
Song-Machal ke jab bhi aankhon se (Grih Pravesh)(1979) Singer-Bhupinder Singh, Lyrics-Gulzar, MD-Kanu Roy
Lyrics(Provided by Prakashchandra) (Based on audio link)
machal ke jab bhi aankhon se
chhalak jaate hain do aansoon..oon
machalke jab bhi aankhon se
chhalak jaate hain do aansoon
sunaa hai aabshaaron ko o
badi taqleef hoti hai
machal ke jab bhi aankhon se
chhalak jaate hain do aansoon
machal ke ae jab bhi aankhon se ae
khudaaraa ab to bujh jaaney do
iss jalti huyee lau ko…oooo
khudaaraa ab to bujh jaane do
iss jalti huyee lav/lau ko
charaagon se ae mazaaron ko
badi taqleef hoti hai
charaagon se ae mazaaron ko
badi taqleef hoti hai
machal ke jab bhi aankhon se
chhalak jaate hain do aansoon
machalke jab bhi aankhon se ae
kahoon kyaa aa woh badi maasoomiyat se
poochh baithhe hain aen aen aen
kahoon kyaa woh badi maasoomiyat se
poochh baithhe hain aen
kya sachmuch dil ke maaron ko
badi taqleef hoti hai ae
kya sachmuch dil ke maaron ko o
badi taqleef hoti hai
machal ke jab bhi aankhon se
chhalak jaate hain do aansoon
machalke jab bhi aankhon se ae
tumhaaraa kyaa tumhein to
raah de detey hain kaante bhi…..ee ee ee
tumhaaraa kyaa tumhein to o
raah de dete hain kaante bhee
magar hum khaaksaaron ko o
badi taqleef hoti hai
magar hum khaaksaaron ko o
badi taqleef hoti hai
machhalke jab bhi aankhon se
chhalak jaate hain do aansoon
sunaa hai aabshaaron ko
badi taqleef hoti hai
machal ke jab bhi aankhon se
chhalak jaate hain do aansoon
machalke jab bhi aankhon se
chhalak jaate hain do aansoon
machal ke ae jab bhi aankhon se
chhalak jaate hain do aansoon
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4563 | Post No. : | 16160 |
“Ghar” (1945) was a Sunrise Production movie. It was directed by V M Vyas. The movie had Jamuna, Nawab, Molina, Yakub, Kalyani, Dulari, Iftikar, W. M. Khan, Mohan, Mirza Musharaff etc in it.
Three songs from this movie have been discussed in the past.
Here is the fourth song from “Ghar”(1945) to appear in the blog. This rare song is sung by Rajkumari. Roopbani is the lyricist. Music is composed by A R Qureshi.
Only the audio of this melancholic song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Meri aankhon ke aansoo (Ghar)(1945) Singer-Rajkumari, Lyrics-Roopbani, MD-A R Qureshi
Lyrics
Meri aankhon ke aansoo
meri aankhon ke aansoo
aankhon mein hi so jaao
haan haan so jaao
meri aankhon ke aansoo
meri aankhon ke aansoo
aankhon mein hi so jaao
haan haan so jaao
duniyaa aa
duniya kahin badnaam na kar de
haan badnaam na kar de
meri aankhon ke aansoo
meri aankhon ke aansoo
aankhon mein hi so jaao
haan haan so jaao
vidhwa hai tu
tera ujda suhaag
vidhwa hai tu
tera ujda suhaag
tujhe hansna bhi paap
tujhe rona bhi paap
tujhe hansna bhi paap
tujhe rona bhi paap
aap na rowo
na hamko rulaao
na hamko rulaao
aap na rowo
na hamko rulaao
na hamko rulaao
meri aankhon ke aansoo
meri aankhon ke aansoo
aankhon mein hi so jaao
haan haan so jaao
poori ??
bani suhaagan
poori ??
bani suhaagan
ho gayi vidhwa
main abhaagan
choodiyaan tooti
aur kesar bikhra
choodiyaan tooti
aur kesar bikhra
meri aankhon ke aansoo
meri aankhon ke aansoo
aankhon mein hi so jaao
haan haan so jaao
koi nahin jo dewe dilaasa
koi nahin jo bandhaa de aasha
vidhwa vidhwa naam hai mera aa
aansoo peena kaam hai mera aa
dharti mujhe marne nahin deti
duniya mujhe jeene nahin deti
kaise kaatoon dukhiyaa jeewan
Bhagwaan mujhe batlaao
Bhagwaan mujhe batlaao o
meri aankhon ke aansoo
meri aankhon ke aansoo
aankhon mein hi so jaao
haan haan so jaao
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4470 | Post No. : | 15967 | Movie Count : |
4375 |
#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 105# In Remembrance – Kishore Kumar #
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Today 13th October’2020 is the thirty-third ‘Remembrance Day’ of the legendary singer Kishore Kumar.
It was on 13th October’1987 that he left this world at the age of fifty-eight only (04.08.1929-13.10.1987) leaving his family, followers and fans shocked, grief-stricken and heart-broken.
On this occasion as a tribute to him here is a song from ‘1976’ movie ‘Aaj Ka Ghar’.
I was not aware of this movie earlier until I came across this song a few years back. I guess this must be a lesser known or may be even an obscure movie (though it is now available on internet and uploaded three months back (the link which I saw).
‘Aaj Ka Ghar-1976’ was directed by Surendra Shailaj for ‘Shi Adarsh Arts, Bombay’. It was produced by Jaymala. Surendra Sinha was the production controller for of this movie.
It had Jaymala, Shreeram Lagoo, Romesh Sharma, Helen, Lalita Pawar, Baby Mona, Jalal Agha, Madan Puri, I.S. Johar, Chandrashekhar, Ramesh Deo, Master Tito and A.K. Hangal. They were supported by K.K. Purohit, Ilaben, Neelam, Jassu Ben, Jagirdar, Nazmu, Lata Sahni, Chhotu, Vinay, Hansa, Jagmohan Juneja, Mohan Thakur, Duggal, A.U. Khatri and others.
Story and screenplay of this movie was written by B.K. Adarsh whereas the basic idea was by Harin Mehta. Editing of this movie was done by Ravi Patankar. Dialogues and lyrics were written by M.G. Hashmat and revised dialogues were written by Surendra Shailaj (who directed the movie).
Music of this movie was composed by music duo Anil-Arun who composed music for many successful Marathi movies from 1971-1991. Both of them worked independently as well as a ‘team’ for Marathi movies. They also worked as assistants (music arranger) for S.D. Burman and also worked as assistants for may Hindi movies jointly as well as independently.
Anil of Anil Arun is the famous music composer and arranger Anil Mohile whereas Arun Paudwal (spouse of Anuradha Paudwal) was music director. However, as Arun Paudwal passed away in 1991 the pair was broken.
Arun Paudwal also composed music for the ‘1992’ movie ‘Meera Ka Mohan’ which was released after his death. And thereafter Anil Mohile continued to give music to Marathi Movies. He also arranged music for more than hundred programs of Lata Mangeshkar and many Hindi movies too. He passed away on 1st February’2012. Lata Mangeshkar penned a heartfelt condolence on his death as he was very close to the Mangeshkar family.
Coming back to the songs of today’s movie the movie had only three songs-one solo each by Kishore Kumar and Anuradha Paudwal and one duet of Anuradha Paudwal and Adolf.
This movie was passed by Censor Board on 31.12.1976.
Today’s song is a back-ground song sung by Kishore Kumar and written by M.G. Hashmat. Music is composed by Anil-Arun (I guess this the only Hindi movie they jointly composed music for).
They make their debut on the blog with the movie also making its debut on the blog.
In the few initial posts in this series I had presented some background songs sung by Kishore Kumar. I think it would be interesting to compile a list of such background songs he sung in Hindi movies and that gives us an interesting topic for another post in the future.
Secondly when I came back from Kenya after finishing the project there, I had planned that I will surely visit Khandwa on at least two important dates i.e. 4th August and 13th October as the Kishore fans there always have special programs on these dates, however due to the current situation I doubt if the programs would be held there.
Also couple of years back we had heard that the ancestral home of Kishore Kumar in Khandwa is either sold or bought by somebody and it is going to be renovated due to its dilapidated condition. I am not aware of its present status now(or if it has been taken over by the state government as some rumors were there?). But I will always cherish the memories my earlier visits to Khandwa to this place and the Kishore Kumar memorial there on the Khandwa-Indore road.
Remembering the ‘versatile genius’ Abhas Kumar Ganguly – Kishore Kumar today and paying our tributes, let us listen to one of his songs …
I have not watched this movie. But, from the video of the song available it seems that the song gets played in parts in the movie at various situations and twists and turns in the story of the movie.
However, the happy ‘antaraa’ is played in the beginning of the movie (with titles, as I have watched the titles) and is repeated in the end of the movie where we have a ‘happy ending’ 🙂
I hope that you like this song …
(video, parts mixed with audio)
Audio
Song-Baar baar aansuon ne bhigoyi nazar (Aaj Ka Ye Ghar)(1976) Singer-Kishore Kumar, Lyrics-M G Hashmat, MD-Anil Arun
Chorus
Lyrics
(played in background with titles)
Baar baar aansuon ne bhigoyi nazar
Jaane kyun lut gaya aaj ka aa ye ghar
Aaj ka aa aa ye ghar
Baar baar aansuon ne bhigoyi nazar
Jaane kyun lut gaya aa aaj ka ye ghar
Aaj ka ye ghar
aaj ka aa aa ye ghar
Aansuon ka zehar jo bhi
Muskuraake pee gaya
Aansuon ka zehar jo bhi
Muskuraake pee gaya
Kaaton se bhi uljha magar
Wo phool ban ke jee gaya
Ho gaya phir safal
Zindagi ka Safar
Dekh lo ik nazar
Aaj ka aa ye ghar
Aaj ka aa aa ye ghar
(Lyrics as per video link)
Baar baar aansuon ne bheegoyi nazar
Jaane kyon lut gaya aaj ka aa ye ghar
Aaj ka aa aa ye ghar
Baar baar aansuon ne bheegoyi nazar
Jaane kyon lut gaya aa aaj ka ye ghar
aaj ka aa aa ye ghar
Aaj khushiyon ke chaman mein
Kaisi ye aandhi chali
Aa aa aa aa aa
Aaj khushiyon ke chaman mein
Kaisi ye aandhi chali
Kyon tod di jhonkon ne
Gham ke shaakh se khilti kali
Chal diya baaghbaan bhi
Kali raund kar
Jaane kyun lut gaya
Aaj ka aa ye ghar
Aur koi chhod jaata
To na yoon hota gila
Aur koi chhod jaata
To na yoon hota gila
Ae aasmaan ye to bataa
Ye kis khata ki di sazaa
Kyun gaya apna hi dil mera tod kar
Jaane kyun lut gaya
Aaj ka aa ye ghar
Baar baar aansuon ne bhigoyi nazar
Jaane kyun lut gaya aaj ka aa ye ghar
Aaj ka aa aa ye ghar
meri mamtaa ki nishaani ee
bin mitaaye mit gayi
meri mamtaa ki nishaani ee
bin mitaaye mit gayi
ik deep ki thhi raushni
kyon bin bujhaaye bujh gayi ee
naa wo geet (?)
naa wo geet
naa wo dhun
naa wo swar
Jaane kyun lut gaya aaj ka aa ye ghar
Aaj ka aa aa ye ghar
Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
Gardishon mein waqt ki hain
Zindagi ke kaafile ae ae
Aa aa aa aa aa
Gardishon mein waqt ki hain
Zindagi ke kaafile
Dil se lagaaya kal jinhen
Hain aaj unse faasle
Chha gaya andhkaar
Ab main jaaun kidhar
Jaane kyun lut gaya
Aaj ka aa ye ghar
Aaj ka aa ye ghar
zindagi ki kashmakash se
toot kar jaaun kahaan
main chhoot kar is qaid se
jaaun bhi to jaaun kahaan
sholaa ban jal uthhi ee
meri shaam o sahar
Jaane kyun lut gaya
Aaj ka aa ye ghar
Aaj ka aa ye ghar
Aansuon ka zehar jo bhi
Muskuraa ke pee gaya
Aansuon ka zehar jo bhi
Muskuraa ke pee gaya
Kaanton se bhi uljha magar
Wo phool ban ke jee gaya
Ho gaya phir safal
Zindagi ka Safar
Dekh lo ik nazar
Aaj ka ye ghar
Aaj ka ye ghar
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4446 | Post No. : | 15896 |
“Hero No 1” is a movie that has been released thrice, at the gap of three decades. Films of this title have been released in 1939, 1959 and 1997.
The last named movie is not represented in the movie, but the earlier too movies are.
“Hero No 1″(1959) was produced by L G s Lal and directed by Sultan for Jawahar Films, Bombay. this stunt movie had Kamran, Nazi, Niru, Shaam , Habeeb, Leela Gupte, Heera Sawant, Ghani, D Rajkumar, Sattar, Muhammad Ali, Chaandbala, Heera, Shobha, Maqbool, Naresh Chandra, Tuntun, Sheikh etc in it.
One song has been covered in the past.
Here is the second song from “Hero No 1″(1959) to appear in the blog. This song is sung by Madhubala Jhaweri. Muzaffar Shahjahanpuri is the lyricist. Music is composed by Iqbal,
Only the audio of this rare song is available. I request our knowledgeable readers to thow light on the picturisation of the song.
Song-Mujhe fariyaad karne de mujhe aansoo bahaane de (Hero Number 1)(1959) Singer-Madhubala Jhaweri, Lyrics-Muzaffar Shahjahanpuri, MD-Iqbal
Chorus
Lyrics
aa aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa
Mujhe fariyaad karne de
mujhe aansoo bahaane de
lagi hai aag jo dil mein
lagi hai aag jo dil mein
arre zaalim bujhaane de
Mujhe fariyaad karne de
mujhe aansoo bahaane de
aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa
jigar ki chot dil ke daagh
ab main kisko dikhlaaun
main apne dard ki fariyaad
kiske paas le jaaun
dar o deewaar hi ko gham
ka afsaana sunaane de
lagi hai aag jo dil mein
lagi hai aag jo dil mein
arre zaalim bujhaane de
Mujhe fariyaad karne de
mujhe aansoo bahaane de
aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa
chaman ko loot kar
mujhpar jo fasle zulm dhaaye jaa
magar dil ek ka hai
doosre ka ho nahin sakta
muhobbat ke janaaze pe
mujhe maatam manaane de
lagi hai aag jo dil mein
lagi hai aag jo dil mein
arre zaalim bujhaane de
Mujhe fariyaad karne de
mujhe aansoo bahaane de
- In: Aansoo song | Devnagri script lyrics by Avinash Scrapwala | Feelings of heart | Guest posts | Lyrics contributed by readers | Poignant Song | Post by Avinash Scrapwala | sad song | Song from Unreleased Films of 1950s | Song from unreleased movie | Songs of 1950s (1951 to 1960) | Songs of 1959 | Suman Kalyanpur solo | Suman Kalyanpur songs | Yearwise breakup of songs
- 9 Comments
This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4320 | Post No. : | 15607 | Movie Count : |
4299 |
– नमस्कार सर जी , जय श्री कृष्ण,
अविनाश बोल रहा हूँ,
– बोलिए बोलिए अविनाश भाई,
– कैसे हैं सर आप
– मुझे क्या हुआ है ?
That is our respected Bharat Bhai. I spoke to him last in this March. Just a courtesy call. But whenever I spoke to him, he was always energetic, full of life and cheerful. . .
I used to call him occasionally, in between particularly after meeting him first time in November 2016 during the Mumbai gang-out. Thereafter the second meeting happened in April 2018 at Surat when Arun ji, Sadanand ji and Bharat Bhai came to meet Harish Raghuvanshi ji at his place.
But today, on 16th May we got this sad news of his demise on 8th of this month.
We all pray to god to rest his soul in peace!!!
Our heartfelt condolences and tributes to him!!!
This song which could have been a part of his series ‘Sureeli Suman’ which I had shared to him and requested a post, but it could not happen somehow, may be because of his health issues. . .
After coming back from Kenya to India I was eager to visit Mumbai and meet him but it could not happen.
On 19th March I called him to greet him on his birthday and also to seek his blessings, as I always used to do while ending the conversation.
– मैं आऊँगा मुंबई आपसे मिलने … मुझे आशीर्वाद दीजिये,
– वो तो हमेशा ही आपके साथ है और रहेगा, इसमें तो कोई बोलने कि बात ही नहीं है,
– ठीक है सर , मिलते है फिर …
We will miss you Sir!!!
The warmth, the love you showered in every meeting and whenever I spoke to you will always remain in memory – the musical meetings, your smiling face and your lovable presence around us will always be missed.
प्रणाम सर जी !
Song – Ummeedon Se Keh Do Ke Na Aansoo Bahaayen (Jwaalamukhi) (UR) (1950s)(1959) Singer – Suman Kalyanpur, Lyrics – Dukhi Amritsari, MD – Devraj
Lyrics
ummeedon se keh do
ke na aansoo bahaayein
rone ko ab to aa gayi hain
kaali ghataayein
ummeedon se keh do
keh do ke ab na machlen
seene mein nafratein
seene mein nafratein
keh do ke ab na tadpen
haaye
dil ki hasratein
haaye
dil ki hasratein
duniya ki nigaahon mein
kahin ham na aa jaayen
rone ko to aa gayi hain
kaali ghataayein
ummeedon se keh do
keh do ke looti duniya meri
aa ke yahin par
aa ke yahin par
keh do ke padi maut hain
chaahat ki zameen par
hai kaun wo apni
jo is arthhi ko uthhaaye
rone ko ab to aa gayi hain
kaali ghataayein
ummeedon se keh do
keh do meri duniya ko
kyun barbaad kiya hai
kyun barbaad kiya hai
keh do meri khushiyon ko
kyun nashaad kiya hain
kyun nashaad kiya hain
haalat ko meri dekh ke
na nain bhar aayen
rone ko ab to aa gayi hain
kaali ghataayein
ummeedon se keh do
—————————————————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————————————————————–
उम्मीदों से कह दो
के न आंसू बहायें
रोने को अब तो आ गयी हैं
काली घटाएँ
उम्मीदों से कह दो
कह दो के अब न मचलें
सीने में नफरतें
सीने में नफरतें
कह दो के अब न तडपें
हाये
दिल की हसरतें
हाये
दिल की हसरतें
दुनिया की निगाहों में कहीं
हम न आ जाएँ
रोने को अब तो आ गयी हैं
काली घटाएँ
उम्मीदों से कह दो
कह दो के लुटी दुनिया मेरी
आ के यहीं पर
आ के यहीं पर
कह दो के पड़ी मौत हैं
चाहत की ज़मीन पर
हैं कौन वो अपनी
जो इस अर्थी को उठाए
रोने को अब तो आ गयी हैं
काली घटाएँ
उम्मीदों से कह दो
कह दो मेरी दुनिया को
क्यूँ बर्बाद किया हैं
क्यूँ बर्बाद किया हैं
कह दो मेरी खुशियों को
क्यूँ नाशाद किया हैं
क्यूँ नाशाद किया हैं
हालत को मेरी देख के
न नैन भर आये
रोने को अब तो आ गयी हैं
काली घटाएँ
उम्मीदों से कह दो
- In: "Gramophone" song | Aansoo song | Blog ten year challenge (2009-2019) | Devnagri script lyrics by Sudhir | Feelings of heart | Ghazal | Ghulam Ali Songs | Guest posts | How come this song was not posted earlier | Lyrics contributed by readers | MD-Singer Song | Missing the loved ones | Poignant Song | Post by Sudhir | sad song | Song of Memories | Songs of 1980s (1981 to 1990) | Songs of 1982 | Yearwise breakup of songs
- 10 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3949 | Post No. : | 15025 |
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Blog 10-Year Challenge (2009-19) – Song No. 31
——————————————————————————————
Aah, the heady days of a decade before. Posting six songs was quite the norm. On 11th May, the following films got represented on the blog.
|
Mashaal |
1950 |
| Hamraaz | 1967 |
| Aankhen | 1968 |
| Parichay | 1972 |
| Ghar | 1978 |
| Nikaah |
1982 |
Believe it or not, except for ‘Ghar’, all the remaining films made their debut on the blog that day. As I check the record of the films over the intervening years, five of the films have completed their tenure, and all their songs are now showcased here. Just one of these films has not yet been yippeee’d. And that is ‘Nikaah’ from 1982.
When ‘Nikaah’ hit the theatres in 1982, it did create a popular flutter. The doe eyed Salma Agha caught the fancy of the audiences early on. For a brief time, she was quite a rage. Then, the second quality of this film, that drew crowds and appreciation, was the music and the songs. Practically all the songs were hits, and have enjoyed lasting popularity and appeal.
The film has six songs, and four of them have already occupied their places on the blog. Browsing the list, one is once again struck with wonderment and praise, for the songs are –
| Beete Huye Lamhon Ki Kasak Saath To Hogi |
| Dil Ke Armaan Aansuon Mein Beh Gaye |
| Fazaa Bhi Hai Jawaan Jawaan |
| Dil Ki Ye Aarzoo Thhi Koi Dilruba Miley |
Fabulous songs, each one of them. Now about the remaining songs of this film. There is one qawwaali song, which is more or less incidental in the film. It is the other remaining song that is notable, unique and having its own claim to fame.
Ghulam Ali does not need any introduction to the readers. This phenomenal singer, was quite a rage in India during the 1980s and 90s. Even today, his performances are enthralling and much awaited. It is quite sad that his performance trips to India have become a victim of politics.
When this film was released, it was acknowledged that BR Chopra had accomplished almost a coup, in being successful to have a song, a ghazal actually, sung by this popular and legendary singer, included in the film. I am not sure, but perhaps this is the only instance of Ghulam Ali’s voice being a part of a Hindi film.
[Ed Note: Based on the inputs received from Anekant ji and Sadanand ji, in the comments section below – certainly this song is not the only instance of Ghulam Ali singing for Hindi films. Thanks to both for this important update. 🙂 ]
And so, as I was checking the details, I was quite taken by surprise that this song is not yet posted here on our blog. Well, today, it comes on board.
For its times, this film was a bold statement addressing social issues relating to marriage and divorce in the Muslim community. The predicament of the lady getting a raw deal in life at the hands of a whimsical male partner, whose bizarre behavior and fanciful decisions are quite supported by the norms of the society, completely unmindful of the traumatizing consequences on the mind and the psyche of the lady – and all that, for no fault of hers.
This famous ghazal, which has been one of the all time favorites outside of the film domain, is penned by Maulaana Hasrat Mohaani.
[Ed Note: Sadanand ji further informs us that this ghazal as a non-filmi creation, is also sung by Jagjit Singh for the the TV Serial ‘Kahkashaan’ (1992) produced by Ali Sardar Jaffrey. That version is already posted on our blog at “Chupke Chupke Raat Din. . .“, by Sadanand ji himself. That post also includes a detailed bio-sketch of the poet, Maulaana Hasrat Mohaani – a very interesting read. Thanks Sadanand ji.]
The music composition is by Ghulam Ali himself. The complete ghazal is of course much longer, and there are various variations in different live performances and other recordings. In the film, only two she’rs are included. There are versions of this ghazal as being in the film, which are apparently longer with more couplets, but those are the handiwork of technology only. Some folks have uploaded longer versions, which are copy-paste extensions of the visual clips, overlaid with additional audio, giving an impression of a longer song in the film. But watching with little attention, one can make out that it is a fake.
On screen, this rendition is performed by the gramophone player. Deepak Prashar, having dismissed and divorced his wife, Salma Agha, is having bouts of depressive regrets, and he misses her. If I recall rightly, it is his birthday celebration, and he invites Salma. In this clip it is cake that we encounter first. Then we see a weepy Deepak listening to this ghazal, as it plays on a gramophone in the room. Salma makes an entry, unnoticed by Deepak, and she witnesses the pain of loss and regret that Deepak is exhibiting. Rest, as part of the story, to be discussed another time.
A salute to this legendary singer from across the border, who has a very solid grounding and training in the Hindustani classical music. And this post brings this popular film to being one short of having all its songs posted here. So the yippee-dom announcement should not be too far off now. 🙂
Audio
Video
Song – Chupke Chupke Raat Din Aansoo Bahaana Yaad Hai (Nikaah) (1982) Singer – Ghulam Ali, Lyrics – Maulaana Hasrat Mohaani, MD – Ghulam Ali
Chorus
Lyrics
hmmm mmmm mmmm mmmmmm
aaa aaaa aaaaaa
hmmm mmmm mmmm mmmmmm
chupke chupke raat din
aansoo bahaana yaad hai
chupke chupke raat din
aansoo bahaana yaad hai
hum ko ab tak aashiqui ka wo
zamaana yaad hai
chupke chupke raat din
aansoo bahaana yaad hai
khench lena wo mera
parde ka kona daf-attan
khench lena wo mera
parde ka kona daf-attan
aur dupatte se wo tera
munh chhupaana yaad hai
hum ko ab tak aashiqui ka wo
zamaana yaad hai
chupke chupke raat din
aansoo bahaana yaad hai
dopehar ki dhoop mein
mere bulaane ke liye
dopehar ki dhoop mein
mere bulaane ke liye
wo tera kothe pe
nange paanv aana yaad hai
hum ko ab tak aashiqui ka wo
zamaana yaad hai
chupke chupke raat din
aansoo bahaana yaad hai
hmmmmm hmmmmmm hmmm hmmm hmmm
aaaa aaaa aaaa
hmmmmm hmmmmmm
hmmm hmmmm hmmmm
hmmm hmmmm hmmmm
hmmmm hmmmm hmmm
hmmmm hmmmm hmmm
———————————————————-
Hindi script lyrics (Provided by Sudhir)
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हम्मम म्ममम म्ममम म्मममममम
आs आsss आsssss
हम्मम म्ममम म्ममम म्मममममम
चुपके चुपके रात दिन
आँसू बहाना याद है
चुपके चुपके रात दिन
आँसू बहाना याद है
हमको अब तक आशिकी का
वो ज़माना याद है
चुपके चुपके रात दिन
आँसू बहाना याद है
खेंच लेना वो मेरा
पर्दे का कोना दफ़-अतन
खेंच लेना वो मेरा
पर्दे का कोना दफ़-अतन
और दुपट्टे से वो तेरा
मुंह छुपाना याद है
हमको अब तक आशिकी का
वो ज़माना याद है
चुपके चुपके रात दिन
आँसू बहाना याद है
दोपहर की धूप में
मेरे बुलाने के लिए
दोपहर की धूप में
मेरे बुलाने के लिए
वो तेरा कोठे पे
नंगे पाँव आना याद है
हमको अब तक आशिकी का
वो ज़माना याद है
चुपके चुपके रात दिन
आँसू बहाना याद है
हम्मममम हम्ममममम हम्मम हम्मम हम्मम
आss आss आsss
हम्मममम हम्ममममम
हम्मम हम्ममम हम्ममम
हम्मम हम्ममम हम्ममम
हम्मममम हम्ममम हम्मम
हम्मममम हम्ममम हम्मम
Aao Baadal Chain Se Royen
Posted on: April 19, 2019
- In: "baadal" song | "How did I forget to post this song earlier" song | "weepy" song | 15K Song Milestone Celebration Posts | Aansoo song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | How come this song was not posted earlier | Lyrics by Sudhir | Lyrics contributed by readers | Melancholic song | Poignant Song | Post by Mahesh Mamadapur | sad song | Songs of 1960s (1961 to 1970) | Songs of 1967 | Talat Mehmood solo | Talat Mehmood songs | Yearwise breakup of songs
- 11 Comments
This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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3927 | Post No. : | 14996 |
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Atul Song-A-Day 15K Song Milestone Celebrations – 6
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Carl Sagan, in his book, ‘Pale Blue Dot’ talks about the picture taken by Voyager I before it left the solar system. Planet Earth, the only home we have known so far appears less than a fraction of a pixel in the picture. It’s on this speck of dust like object in the vast cosmos lived every human, plant and animal we ever know and every civilization.
On this planet the greatest men in a wide variety of fields have left behind their legacies both good and bad. Their lives however great or condemnable have been spent here. In the vastness of time and space, a few years spent by great men may mean nothing. However, the legacy left behind by such men are recognized and appreciated for generations.
Theatre and entertainment arenas have also seen many a great men and women contribute their art and expertise to mankind. Quite a few are well known and many others are often not credited to the extent to which they should be.
Narrowing down to a movie and further restricting ourselves to Hindi film and non-film songs, the essence of this blog, we are now at the doorsteps of 15 thousand representations.
By these 15k representations, we all have tried to contribute our little efforts in bringing to the fore, the works of film artists – popular, less known and unknown. Amongst the main contributors, the nearly impossible tasks are taken up more experienced and knowledgeable such as Arunkumar ji, Sudhir ji, Sadanand ji etc. The painstaking efforts in collecting accurate information from various sources and contacts and posting in a concise manner is definitely not an easy task.
Then, there are specialists such as Nalini ji for reminding us of the artist’s anniversaries and Prakash ji for identifying lesser known actors on the screen. Raja ji, whose marathon posts never bore us and we have Avinash ji who pours his heart out in the posts. We have Bharat ji with his expertise and first-hand experience.
There have many others who were more contended with sending only lyrics and a few who keep giving home-works to others. 🙂 A few are more than happy to suggest corrections to the posts and lyrics etc. in the comments section. Then, there are also contributors who vanish for a while and re-appear for special occasions (pun about self intended). 🙂
And, finally we have Atul ji, the fulcrum of our activities and the force that binds us together. Atul ji marches along from one milestone to another. And when he reaches the next milestone, we are all automatically teleported there. 🙂
I never planned for any special song for this occasion. (That again, the leaders will have a plan). But seeing that a great gem of an even greater singer is yet to be posted, I decided to go for his solo.
The singer is Talat Mahmood, of whom quite a lot has already been written on the blog.
My father, an avid fan Talat saab often says that his voice is for royal people. By royal, he means to say people with special taste and I can’t agree with him more. Talat Saab’s melancholic songs sung in blue mood are a class apart, the likes of which one will never get to hear from any other singer.
There are several such songs of Talat Saab which one can hear multiple times and can only admire the grace and dignity in his voice for songs pertaining to even dejection.
- Doob Gaye Aakash Pe Tare
- Raat Ne Kya Kya Khaawb Dikaye
- Jab Kisi Ke Rukh Pe Zulfen Aake
- Beraham Aasmaan Meri Manzil Bata Hai Kahan
- Ae Dil Mujhe Aisi Jagah Le Chal
- Yeh Kis Manzil Pe Le Aayi
- Chand Mera Badalon Mein Kho Gaya
- Jab Chhaaye Kabhi Saawan Ki Ghata
- Aa Ja Ke Bulate Hain
- Phir Wohi Sham Wohi Gham
- Ashqon Mein Jo Paya Hai
- Sham-E-Gham Ki Kasam
- Ye Hawa Ye Raat Ye Chaandni
- Meri Yaad Mein Tum Naa Aansoo Bahaana
- Yaadon Ka Sahaara Na Hota
The list seems to be endless, but it’s a fact that he sang quite fewer songs compared to his other well-known contemporaries. However, Talat Saab’s voice will always be the triumph of quality over quantity.
The present song which I had not heard in the recent past is also amongst my many favourites of Talat Mahmood. There are stars and the moon in the song in case people are wondering what Carl Sagan had to do with this song in the first place. 🙂 (Kya karein, some starting problems in writing this post)
I pray for the continued longevity on the blog, active participation of all the contributors and readers as well.
Hearty Congratulations to one and all on this great achievement.
Audio
Video
Song – Aao Baadal Chain Se Royen (Aawaara Ladki) (1967) Singer – Talat Mehmood, Lyrics – Rajnikant, MD – Dhaniram
Lyrics (Provided by Sudhir)
baa..aadal aa..aaawo
baadal aawo
aawo baadal aawo. . .
aao baadal chain se royen
aao baadal chain se royen
jalti dhoop
jalti dhoop
jalti dhoop mein main hoon akela
aao baadal chain se royen
aao baadal chain se royen
khush rahen
khush rahen. . .
khush rahen ye duniya waale
khush rahen ye duniya waale
khatm hua mera mela
khatm hua mera mela
main hoon aaj akela
aao baadal chain se royen
aao baadal chain se royen
armaan the dil mein mere kitne
chanda ke
haaye chanda ke saathi taare jitne
haaye chanda ke saathi taare jitne
dooba dil armaan bhi doobe
dooba dil armaan bhi doobe
toofaan ka dekha rela
main hoon aaj akela
aao baadal chain se royen
aao baadal chain se royen
din the chaar jo beet gaye mere
din the chaar jo beet gaye mere
honge dukh ke ab derey
honge dukh ke ab derey
darr nahin par hanse bhi kaise
darr nahin par hanse bhi kaise
gham se ab tak khela
main hoon aaj akela
aao baadal chain se royen
aao baadal chain se royen
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Hindi script lyrics (Provided by Sudhir)
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बा॰॰दल आ॰॰आवो
बादल आवो
आवो बादल आवो॰ ॰ ॰
आओ बादल चैन से रोएँ
आओ बादल चैन से रोएँ
जलती धूप
जलती धूप
जलती धूप में मैं हूँ अकेला
आओ बादल चैन से रोएँ
आओ बादल चैन से रोएँ
खुश रहें
खुश रहें॰ ॰ ॰
खुश रहें ये दुनिया वाले
खुश रहें ये दुनिया वाले
खत्म हुआ मेरा मेला
खत्म हुआ मेरा मेला
मैं हूँ आज अकेला
आओ बादल चैन से रोएँ
आओ बादल चैन से रोएँ
अरमान थे दिल में मेरे कितने
चंदा के
हाए चंदा के साथी तारे जितने
हाए चंदा के साथी तारे जितने
डूबा दिल अरमान भी डूबे
डूबा दिल अरमान भी डूबे
तूफाँ का देखा रेला
मैं हूँ आज अकेला
आओ बादल चैन से रोएँ
आओ बादल चैन से रोएँ
दिन थे चार जो बीत गए मेरे
दिन थे चार जो बीत गए मेरे
होंगे दुख के अब डेरे
होंगे दुख के अब डेरे
डर नहीं पर हँसे भी कैसे
डर नहीं पर हँसे भी कैसे
ग़म से अब तक खेला
मैं हूँ आज अकेला
आओ बादल चैन से रोएँ
आओ बादल चैन से रोएँ
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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