Archive for the ‘Aansoo song’ Category
Machal ke jab bhi aankhon se
Posted on: September 22, 2022
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5179 | Post No. : | 17155 |
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Blog 10-Year Challenge (2012-2022) – Song No. 98
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This date ten years ago (viz 22 September 2012) saw six songs from six different movies getting covered in the blog.
Here are the details:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 6695 | Jeet jyot tez chamak raha hai | Amar Jyoti (1936) | 8 songs out of 11 songs covered by now |
| 6696 | Unse kehna ki wo pal bhar ke liye aa jaayen | Ek Thi Ladki (1949) | Movie YIPPEED by now |
| 6697 | Boliye sureelee boliyaan | Grih Pravesh (1979) | 3 songs out of 8 covered by now |
| 6698 | Is ishq muhabbat ki kuchh hain ajeeb rasmein | Zulm Ki Pukaar(1979) | One song covered out of six by now |
| 6699 | Chanda se hoga wo pyaara | Main Bhi Ladki Hoon (1964) | Movie YIPPEED by now |
| 600 | Ye chaand to mridang hai | Shri Krishna Arjun Yudhh (1971) | One song covered out of six by now |
It can be observed that two movies (out of six) whose songs were covered on this date ten years ago have since been YIPPEED in the blo. That leaves us with four movies that are still eligible for Blog Ten Year Challenge today (on 22 September 2022).
“Grih Pravesh”(1979) is one such movie.
“Grih Pravesh”(1979) was produced and directed by Basu Bhattacharya for Aarohi Film Makers, Bombay. The movie had Sanjeev Kumar, Sharmila Tagore, Sarika, Manik Dutt, Danny, Dinesh Thakur, Master Bittoo, Sudha Chopra, Satya Bannerjee, Vimal Joshi, Nandlal Sharma, R.S.Chopra, Rajan Verma, Nitin Sethi, Ranjan, Gulzar, Shashi Jain, Nilesh, Khokha Mukerjee, Tarun Mukherjee, Devendra Khandelwal, Priyadarshinee, Master Bharat etc in it.
The movie had eight songs. Three of these songs have been covered by now.
Here is the fourth song from “Grih Pravesh”(1979) to appear in the blog. The song is sung by Bhupinder Singh. Gulzar is the lyricist. Music is composed by Kanu Roy.
The song is picturised on Sanjeev Kumar and Sharmila Tagore.
Lyrics of the song and other details were sent to me by Prakashchandra as far back as in 2012 itself !
video link:
audio link:
Song-Machal ke jab bhi aankhon se (Grih Pravesh)(1979) Singer-Bhupinder Singh, Lyrics-Gulzar, MD-Kanu Roy
Lyrics(Provided by Prakashchandra) (Based on audio link)
machal ke jab bhi aankhon se
chhalak jaate hain do aansoon..oon
machalke jab bhi aankhon se
chhalak jaate hain do aansoon
sunaa hai aabshaaron ko o
badi taqleef hoti hai
machal ke jab bhi aankhon se
chhalak jaate hain do aansoon
machal ke ae jab bhi aankhon se ae
khudaaraa ab to bujh jaaney do
iss jalti huyee lau ko…oooo
khudaaraa ab to bujh jaane do
iss jalti huyee lav/lau ko
charaagon se ae mazaaron ko
badi taqleef hoti hai
charaagon se ae mazaaron ko
badi taqleef hoti hai
machal ke jab bhi aankhon se
chhalak jaate hain do aansoon
machalke jab bhi aankhon se ae
kahoon kyaa aa woh badi maasoomiyat se
poochh baithhe hain aen aen aen
kahoon kyaa woh badi maasoomiyat se
poochh baithhe hain aen
kya sachmuch dil ke maaron ko
badi taqleef hoti hai ae
kya sachmuch dil ke maaron ko o
badi taqleef hoti hai
machal ke jab bhi aankhon se
chhalak jaate hain do aansoon
machalke jab bhi aankhon se ae
tumhaaraa kyaa tumhein to
raah de detey hain kaante bhi…..ee ee ee
tumhaaraa kyaa tumhein to o
raah de dete hain kaante bhee
magar hum khaaksaaron ko o
badi taqleef hoti hai
magar hum khaaksaaron ko o
badi taqleef hoti hai
machhalke jab bhi aankhon se
chhalak jaate hain do aansoon
sunaa hai aabshaaron ko
badi taqleef hoti hai
machal ke jab bhi aankhon se
chhalak jaate hain do aansoon
machalke jab bhi aankhon se
chhalak jaate hain do aansoon
machal ke ae jab bhi aankhon se
chhalak jaate hain do aansoon
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4563 | Post No. : | 16160 |
“Ghar” (1945) was a Sunrise Production movie. It was directed by V M Vyas. The movie had Jamuna, Nawab, Molina, Yakub, Kalyani, Dulari, Iftikar, W. M. Khan, Mohan, Mirza Musharaff etc in it.
Three songs from this movie have been discussed in the past.
Here is the fourth song from “Ghar”(1945) to appear in the blog. This rare song is sung by Rajkumari. Roopbani is the lyricist. Music is composed by A R Qureshi.
Only the audio of this melancholic song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Meri aankhon ke aansoo (Ghar)(1945) Singer-Rajkumari, Lyrics-Roopbani, MD-A R Qureshi
Lyrics
Meri aankhon ke aansoo
meri aankhon ke aansoo
aankhon mein hi so jaao
haan haan so jaao
meri aankhon ke aansoo
meri aankhon ke aansoo
aankhon mein hi so jaao
haan haan so jaao
duniyaa aa
duniya kahin badnaam na kar de
haan badnaam na kar de
meri aankhon ke aansoo
meri aankhon ke aansoo
aankhon mein hi so jaao
haan haan so jaao
vidhwa hai tu
tera ujda suhaag
vidhwa hai tu
tera ujda suhaag
tujhe hansna bhi paap
tujhe rona bhi paap
tujhe hansna bhi paap
tujhe rona bhi paap
aap na rowo
na hamko rulaao
na hamko rulaao
aap na rowo
na hamko rulaao
na hamko rulaao
meri aankhon ke aansoo
meri aankhon ke aansoo
aankhon mein hi so jaao
haan haan so jaao
poori ??
bani suhaagan
poori ??
bani suhaagan
ho gayi vidhwa
main abhaagan
choodiyaan tooti
aur kesar bikhra
choodiyaan tooti
aur kesar bikhra
meri aankhon ke aansoo
meri aankhon ke aansoo
aankhon mein hi so jaao
haan haan so jaao
koi nahin jo dewe dilaasa
koi nahin jo bandhaa de aasha
vidhwa vidhwa naam hai mera aa
aansoo peena kaam hai mera aa
dharti mujhe marne nahin deti
duniya mujhe jeene nahin deti
kaise kaatoon dukhiyaa jeewan
Bhagwaan mujhe batlaao
Bhagwaan mujhe batlaao o
meri aankhon ke aansoo
meri aankhon ke aansoo
aankhon mein hi so jaao
haan haan so jaao
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4470 | Post No. : | 15967 | Movie Count : |
4375 |
#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 105# In Remembrance – Kishore Kumar #
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Today 13th October’2020 is the thirty-third ‘Remembrance Day’ of the legendary singer Kishore Kumar.
It was on 13th October’1987 that he left this world at the age of fifty-eight only (04.08.1929-13.10.1987) leaving his family, followers and fans shocked, grief-stricken and heart-broken.
On this occasion as a tribute to him here is a song from ‘1976’ movie ‘Aaj Ka Ghar’.
I was not aware of this movie earlier until I came across this song a few years back. I guess this must be a lesser known or may be even an obscure movie (though it is now available on internet and uploaded three months back (the link which I saw).
‘Aaj Ka Ghar-1976’ was directed by Surendra Shailaj for ‘Shi Adarsh Arts, Bombay’. It was produced by Jaymala. Surendra Sinha was the production controller for of this movie.
It had Jaymala, Shreeram Lagoo, Romesh Sharma, Helen, Lalita Pawar, Baby Mona, Jalal Agha, Madan Puri, I.S. Johar, Chandrashekhar, Ramesh Deo, Master Tito and A.K. Hangal. They were supported by K.K. Purohit, Ilaben, Neelam, Jassu Ben, Jagirdar, Nazmu, Lata Sahni, Chhotu, Vinay, Hansa, Jagmohan Juneja, Mohan Thakur, Duggal, A.U. Khatri and others.
Story and screenplay of this movie was written by B.K. Adarsh whereas the basic idea was by Harin Mehta. Editing of this movie was done by Ravi Patankar. Dialogues and lyrics were written by M.G. Hashmat and revised dialogues were written by Surendra Shailaj (who directed the movie).
Music of this movie was composed by music duo Anil-Arun who composed music for many successful Marathi movies from 1971-1991. Both of them worked independently as well as a ‘team’ for Marathi movies. They also worked as assistants (music arranger) for S.D. Burman and also worked as assistants for may Hindi movies jointly as well as independently.
Anil of Anil Arun is the famous music composer and arranger Anil Mohile whereas Arun Paudwal (spouse of Anuradha Paudwal) was music director. However, as Arun Paudwal passed away in 1991 the pair was broken.
Arun Paudwal also composed music for the ‘1992’ movie ‘Meera Ka Mohan’ which was released after his death. And thereafter Anil Mohile continued to give music to Marathi Movies. He also arranged music for more than hundred programs of Lata Mangeshkar and many Hindi movies too. He passed away on 1st February’2012. Lata Mangeshkar penned a heartfelt condolence on his death as he was very close to the Mangeshkar family.
Coming back to the songs of today’s movie the movie had only three songs-one solo each by Kishore Kumar and Anuradha Paudwal and one duet of Anuradha Paudwal and Adolf.
This movie was passed by Censor Board on 31.12.1976.
Today’s song is a back-ground song sung by Kishore Kumar and written by M.G. Hashmat. Music is composed by Anil-Arun (I guess this the only Hindi movie they jointly composed music for).
They make their debut on the blog with the movie also making its debut on the blog.
In the few initial posts in this series I had presented some background songs sung by Kishore Kumar. I think it would be interesting to compile a list of such background songs he sung in Hindi movies and that gives us an interesting topic for another post in the future.
Secondly when I came back from Kenya after finishing the project there, I had planned that I will surely visit Khandwa on at least two important dates i.e. 4th August and 13th October as the Kishore fans there always have special programs on these dates, however due to the current situation I doubt if the programs would be held there.
Also couple of years back we had heard that the ancestral home of Kishore Kumar in Khandwa is either sold or bought by somebody and it is going to be renovated due to its dilapidated condition. I am not aware of its present status now(or if it has been taken over by the state government as some rumors were there?). But I will always cherish the memories my earlier visits to Khandwa to this place and the Kishore Kumar memorial there on the Khandwa-Indore road.
Remembering the ‘versatile genius’ Abhas Kumar Ganguly – Kishore Kumar today and paying our tributes, let us listen to one of his songs …
I have not watched this movie. But, from the video of the song available it seems that the song gets played in parts in the movie at various situations and twists and turns in the story of the movie.
However, the happy ‘antaraa’ is played in the beginning of the movie (with titles, as I have watched the titles) and is repeated in the end of the movie where we have a ‘happy ending’ 🙂
I hope that you like this song …
(video, parts mixed with audio)
Audio
Song-Baar baar aansuon ne bhigoyi nazar (Aaj Ka Ye Ghar)(1976) Singer-Kishore Kumar, Lyrics-M G Hashmat, MD-Anil Arun
Chorus
Lyrics
(played in background with titles)
Baar baar aansuon ne bhigoyi nazar
Jaane kyun lut gaya aaj ka aa ye ghar
Aaj ka aa aa ye ghar
Baar baar aansuon ne bhigoyi nazar
Jaane kyun lut gaya aa aaj ka ye ghar
Aaj ka ye ghar
aaj ka aa aa ye ghar
Aansuon ka zehar jo bhi
Muskuraake pee gaya
Aansuon ka zehar jo bhi
Muskuraake pee gaya
Kaaton se bhi uljha magar
Wo phool ban ke jee gaya
Ho gaya phir safal
Zindagi ka Safar
Dekh lo ik nazar
Aaj ka aa ye ghar
Aaj ka aa aa ye ghar
(Lyrics as per video link)
Baar baar aansuon ne bheegoyi nazar
Jaane kyon lut gaya aaj ka aa ye ghar
Aaj ka aa aa ye ghar
Baar baar aansuon ne bheegoyi nazar
Jaane kyon lut gaya aa aaj ka ye ghar
aaj ka aa aa ye ghar
Aaj khushiyon ke chaman mein
Kaisi ye aandhi chali
Aa aa aa aa aa
Aaj khushiyon ke chaman mein
Kaisi ye aandhi chali
Kyon tod di jhonkon ne
Gham ke shaakh se khilti kali
Chal diya baaghbaan bhi
Kali raund kar
Jaane kyun lut gaya
Aaj ka aa ye ghar
Aur koi chhod jaata
To na yoon hota gila
Aur koi chhod jaata
To na yoon hota gila
Ae aasmaan ye to bataa
Ye kis khata ki di sazaa
Kyun gaya apna hi dil mera tod kar
Jaane kyun lut gaya
Aaj ka aa ye ghar
Baar baar aansuon ne bhigoyi nazar
Jaane kyun lut gaya aaj ka aa ye ghar
Aaj ka aa aa ye ghar
meri mamtaa ki nishaani ee
bin mitaaye mit gayi
meri mamtaa ki nishaani ee
bin mitaaye mit gayi
ik deep ki thhi raushni
kyon bin bujhaaye bujh gayi ee
naa wo geet (?)
naa wo geet
naa wo dhun
naa wo swar
Jaane kyun lut gaya aaj ka aa ye ghar
Aaj ka aa aa ye ghar
Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
Gardishon mein waqt ki hain
Zindagi ke kaafile ae ae
Aa aa aa aa aa
Gardishon mein waqt ki hain
Zindagi ke kaafile
Dil se lagaaya kal jinhen
Hain aaj unse faasle
Chha gaya andhkaar
Ab main jaaun kidhar
Jaane kyun lut gaya
Aaj ka aa ye ghar
Aaj ka aa ye ghar
zindagi ki kashmakash se
toot kar jaaun kahaan
main chhoot kar is qaid se
jaaun bhi to jaaun kahaan
sholaa ban jal uthhi ee
meri shaam o sahar
Jaane kyun lut gaya
Aaj ka aa ye ghar
Aaj ka aa ye ghar
Aansuon ka zehar jo bhi
Muskuraa ke pee gaya
Aansuon ka zehar jo bhi
Muskuraa ke pee gaya
Kaanton se bhi uljha magar
Wo phool ban ke jee gaya
Ho gaya phir safal
Zindagi ka Safar
Dekh lo ik nazar
Aaj ka ye ghar
Aaj ka ye ghar
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4446 | Post No. : | 15896 |
“Hero No 1” is a movie that has been released thrice, at the gap of three decades. Films of this title have been released in 1939, 1959 and 1997.
The last named movie is not represented in the movie, but the earlier too movies are.
“Hero No 1″(1959) was produced by L G s Lal and directed by Sultan for Jawahar Films, Bombay. this stunt movie had Kamran, Nazi, Niru, Shaam , Habeeb, Leela Gupte, Heera Sawant, Ghani, D Rajkumar, Sattar, Muhammad Ali, Chaandbala, Heera, Shobha, Maqbool, Naresh Chandra, Tuntun, Sheikh etc in it.
One song has been covered in the past.
Here is the second song from “Hero No 1″(1959) to appear in the blog. This song is sung by Madhubala Jhaweri. Muzaffar Shahjahanpuri is the lyricist. Music is composed by Iqbal,
Only the audio of this rare song is available. I request our knowledgeable readers to thow light on the picturisation of the song.
Song-Mujhe fariyaad karne de mujhe aansoo bahaane de (Hero Number 1)(1959) Singer-Madhubala Jhaweri, Lyrics-Muzaffar Shahjahanpuri, MD-Iqbal
Chorus
Lyrics
aa aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa
Mujhe fariyaad karne de
mujhe aansoo bahaane de
lagi hai aag jo dil mein
lagi hai aag jo dil mein
arre zaalim bujhaane de
Mujhe fariyaad karne de
mujhe aansoo bahaane de
aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa
jigar ki chot dil ke daagh
ab main kisko dikhlaaun
main apne dard ki fariyaad
kiske paas le jaaun
dar o deewaar hi ko gham
ka afsaana sunaane de
lagi hai aag jo dil mein
lagi hai aag jo dil mein
arre zaalim bujhaane de
Mujhe fariyaad karne de
mujhe aansoo bahaane de
aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa
chaman ko loot kar
mujhpar jo fasle zulm dhaaye jaa
magar dil ek ka hai
doosre ka ho nahin sakta
muhobbat ke janaaze pe
mujhe maatam manaane de
lagi hai aag jo dil mein
lagi hai aag jo dil mein
arre zaalim bujhaane de
Mujhe fariyaad karne de
mujhe aansoo bahaane de
- In: Aansoo song | Devnagri script lyrics by Avinash Scrapwala | Feelings of heart | Guest posts | Lyrics contributed by readers | Poignant Song | Post by Avinash Scrapwala | sad song | Song from Unreleased Films of 1950s | Song from unreleased movie | Songs of 1950s (1951 to 1960) | Songs of 1959 | Suman Kalyanpur solo | Suman Kalyanpur songs | Yearwise breakup of songs
- 9 Comments
This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4320 | Post No. : | 15607 | Movie Count : |
4299 |
– नमस्कार सर जी , जय श्री कृष्ण,
अविनाश बोल रहा हूँ,
– बोलिए बोलिए अविनाश भाई,
– कैसे हैं सर आप
– मुझे क्या हुआ है ?
That is our respected Bharat Bhai. I spoke to him last in this March. Just a courtesy call. But whenever I spoke to him, he was always energetic, full of life and cheerful. . .
I used to call him occasionally, in between particularly after meeting him first time in November 2016 during the Mumbai gang-out. Thereafter the second meeting happened in April 2018 at Surat when Arun ji, Sadanand ji and Bharat Bhai came to meet Harish Raghuvanshi ji at his place.
But today, on 16th May we got this sad news of his demise on 8th of this month.
We all pray to god to rest his soul in peace!!!
Our heartfelt condolences and tributes to him!!!
This song which could have been a part of his series ‘Sureeli Suman’ which I had shared to him and requested a post, but it could not happen somehow, may be because of his health issues. . .
After coming back from Kenya to India I was eager to visit Mumbai and meet him but it could not happen.
On 19th March I called him to greet him on his birthday and also to seek his blessings, as I always used to do while ending the conversation.
– मैं आऊँगा मुंबई आपसे मिलने … मुझे आशीर्वाद दीजिये,
– वो तो हमेशा ही आपके साथ है और रहेगा, इसमें तो कोई बोलने कि बात ही नहीं है,
– ठीक है सर , मिलते है फिर …
We will miss you Sir!!!
The warmth, the love you showered in every meeting and whenever I spoke to you will always remain in memory – the musical meetings, your smiling face and your lovable presence around us will always be missed.
प्रणाम सर जी !
Song – Ummeedon Se Keh Do Ke Na Aansoo Bahaayen (Jwaalamukhi) (UR) (1950s)(1959) Singer – Suman Kalyanpur, Lyrics – Dukhi Amritsari, MD – Devraj
Lyrics
ummeedon se keh do
ke na aansoo bahaayein
rone ko ab to aa gayi hain
kaali ghataayein
ummeedon se keh do
keh do ke ab na machlen
seene mein nafratein
seene mein nafratein
keh do ke ab na tadpen
haaye
dil ki hasratein
haaye
dil ki hasratein
duniya ki nigaahon mein
kahin ham na aa jaayen
rone ko to aa gayi hain
kaali ghataayein
ummeedon se keh do
keh do ke looti duniya meri
aa ke yahin par
aa ke yahin par
keh do ke padi maut hain
chaahat ki zameen par
hai kaun wo apni
jo is arthhi ko uthhaaye
rone ko ab to aa gayi hain
kaali ghataayein
ummeedon se keh do
keh do meri duniya ko
kyun barbaad kiya hai
kyun barbaad kiya hai
keh do meri khushiyon ko
kyun nashaad kiya hain
kyun nashaad kiya hain
haalat ko meri dekh ke
na nain bhar aayen
rone ko ab to aa gayi hain
kaali ghataayein
ummeedon se keh do
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Devnagri Script lyrics (Provided by Avinash Scrapwala)
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उम्मीदों से कह दो
के न आंसू बहायें
रोने को अब तो आ गयी हैं
काली घटाएँ
उम्मीदों से कह दो
कह दो के अब न मचलें
सीने में नफरतें
सीने में नफरतें
कह दो के अब न तडपें
हाये
दिल की हसरतें
हाये
दिल की हसरतें
दुनिया की निगाहों में कहीं
हम न आ जाएँ
रोने को अब तो आ गयी हैं
काली घटाएँ
उम्मीदों से कह दो
कह दो के लुटी दुनिया मेरी
आ के यहीं पर
आ के यहीं पर
कह दो के पड़ी मौत हैं
चाहत की ज़मीन पर
हैं कौन वो अपनी
जो इस अर्थी को उठाए
रोने को अब तो आ गयी हैं
काली घटाएँ
उम्मीदों से कह दो
कह दो मेरी दुनिया को
क्यूँ बर्बाद किया हैं
क्यूँ बर्बाद किया हैं
कह दो मेरी खुशियों को
क्यूँ नाशाद किया हैं
क्यूँ नाशाद किया हैं
हालत को मेरी देख के
न नैन भर आये
रोने को अब तो आ गयी हैं
काली घटाएँ
उम्मीदों से कह दो
- In: "Gramophone" song | Aansoo song | Blog ten year challenge (2009-2019) | Devnagri script lyrics by Sudhir | Feelings of heart | Ghazal | Ghulam Ali Songs | Guest posts | How come this song was not posted earlier | Lyrics contributed by readers | MD-Singer Song | Missing the loved ones | Poignant Song | Post by Sudhir | sad song | Song of Memories | Songs of 1980s (1981 to 1990) | Songs of 1982 | Yearwise breakup of songs
- 10 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3949 | Post No. : | 15025 |
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Blog 10-Year Challenge (2009-19) – Song No. 31
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Aah, the heady days of a decade before. Posting six songs was quite the norm. On 11th May, the following films got represented on the blog.
|
Mashaal |
1950 |
| Hamraaz | 1967 |
| Aankhen | 1968 |
| Parichay | 1972 |
| Ghar | 1978 |
| Nikaah |
1982 |
Believe it or not, except for ‘Ghar’, all the remaining films made their debut on the blog that day. As I check the record of the films over the intervening years, five of the films have completed their tenure, and all their songs are now showcased here. Just one of these films has not yet been yippeee’d. And that is ‘Nikaah’ from 1982.
When ‘Nikaah’ hit the theatres in 1982, it did create a popular flutter. The doe eyed Salma Agha caught the fancy of the audiences early on. For a brief time, she was quite a rage. Then, the second quality of this film, that drew crowds and appreciation, was the music and the songs. Practically all the songs were hits, and have enjoyed lasting popularity and appeal.
The film has six songs, and four of them have already occupied their places on the blog. Browsing the list, one is once again struck with wonderment and praise, for the songs are –
| Beete Huye Lamhon Ki Kasak Saath To Hogi |
| Dil Ke Armaan Aansuon Mein Beh Gaye |
| Fazaa Bhi Hai Jawaan Jawaan |
| Dil Ki Ye Aarzoo Thhi Koi Dilruba Miley |
Fabulous songs, each one of them. Now about the remaining songs of this film. There is one qawwaali song, which is more or less incidental in the film. It is the other remaining song that is notable, unique and having its own claim to fame.
Ghulam Ali does not need any introduction to the readers. This phenomenal singer, was quite a rage in India during the 1980s and 90s. Even today, his performances are enthralling and much awaited. It is quite sad that his performance trips to India have become a victim of politics.
When this film was released, it was acknowledged that BR Chopra had accomplished almost a coup, in being successful to have a song, a ghazal actually, sung by this popular and legendary singer, included in the film. I am not sure, but perhaps this is the only instance of Ghulam Ali’s voice being a part of a Hindi film.
[Ed Note: Based on the inputs received from Anekant ji and Sadanand ji, in the comments section below – certainly this song is not the only instance of Ghulam Ali singing for Hindi films. Thanks to both for this important update. 🙂 ]
And so, as I was checking the details, I was quite taken by surprise that this song is not yet posted here on our blog. Well, today, it comes on board.
For its times, this film was a bold statement addressing social issues relating to marriage and divorce in the Muslim community. The predicament of the lady getting a raw deal in life at the hands of a whimsical male partner, whose bizarre behavior and fanciful decisions are quite supported by the norms of the society, completely unmindful of the traumatizing consequences on the mind and the psyche of the lady – and all that, for no fault of hers.
This famous ghazal, which has been one of the all time favorites outside of the film domain, is penned by Maulaana Hasrat Mohaani.
[Ed Note: Sadanand ji further informs us that this ghazal as a non-filmi creation, is also sung by Jagjit Singh for the the TV Serial ‘Kahkashaan’ (1992) produced by Ali Sardar Jaffrey. That version is already posted on our blog at “Chupke Chupke Raat Din. . .“, by Sadanand ji himself. That post also includes a detailed bio-sketch of the poet, Maulaana Hasrat Mohaani – a very interesting read. Thanks Sadanand ji.]
The music composition is by Ghulam Ali himself. The complete ghazal is of course much longer, and there are various variations in different live performances and other recordings. In the film, only two she’rs are included. There are versions of this ghazal as being in the film, which are apparently longer with more couplets, but those are the handiwork of technology only. Some folks have uploaded longer versions, which are copy-paste extensions of the visual clips, overlaid with additional audio, giving an impression of a longer song in the film. But watching with little attention, one can make out that it is a fake.
On screen, this rendition is performed by the gramophone player. Deepak Prashar, having dismissed and divorced his wife, Salma Agha, is having bouts of depressive regrets, and he misses her. If I recall rightly, it is his birthday celebration, and he invites Salma. In this clip it is cake that we encounter first. Then we see a weepy Deepak listening to this ghazal, as it plays on a gramophone in the room. Salma makes an entry, unnoticed by Deepak, and she witnesses the pain of loss and regret that Deepak is exhibiting. Rest, as part of the story, to be discussed another time.
A salute to this legendary singer from across the border, who has a very solid grounding and training in the Hindustani classical music. And this post brings this popular film to being one short of having all its songs posted here. So the yippee-dom announcement should not be too far off now. 🙂
Audio
Video
Song – Chupke Chupke Raat Din Aansoo Bahaana Yaad Hai (Nikaah) (1982) Singer – Ghulam Ali, Lyrics – Maulaana Hasrat Mohaani, MD – Ghulam Ali
Chorus
Lyrics
hmmm mmmm mmmm mmmmmm
aaa aaaa aaaaaa
hmmm mmmm mmmm mmmmmm
chupke chupke raat din
aansoo bahaana yaad hai
chupke chupke raat din
aansoo bahaana yaad hai
hum ko ab tak aashiqui ka wo
zamaana yaad hai
chupke chupke raat din
aansoo bahaana yaad hai
khench lena wo mera
parde ka kona daf-attan
khench lena wo mera
parde ka kona daf-attan
aur dupatte se wo tera
munh chhupaana yaad hai
hum ko ab tak aashiqui ka wo
zamaana yaad hai
chupke chupke raat din
aansoo bahaana yaad hai
dopehar ki dhoop mein
mere bulaane ke liye
dopehar ki dhoop mein
mere bulaane ke liye
wo tera kothe pe
nange paanv aana yaad hai
hum ko ab tak aashiqui ka wo
zamaana yaad hai
chupke chupke raat din
aansoo bahaana yaad hai
hmmmmm hmmmmmm hmmm hmmm hmmm
aaaa aaaa aaaa
hmmmmm hmmmmmm
hmmm hmmmm hmmmm
hmmm hmmmm hmmmm
hmmmm hmmmm hmmm
hmmmm hmmmm hmmm
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Hindi script lyrics (Provided by Sudhir)
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हम्मम म्ममम म्ममम म्मममममम
आs आsss आsssss
हम्मम म्ममम म्ममम म्मममममम
चुपके चुपके रात दिन
आँसू बहाना याद है
चुपके चुपके रात दिन
आँसू बहाना याद है
हमको अब तक आशिकी का
वो ज़माना याद है
चुपके चुपके रात दिन
आँसू बहाना याद है
खेंच लेना वो मेरा
पर्दे का कोना दफ़-अतन
खेंच लेना वो मेरा
पर्दे का कोना दफ़-अतन
और दुपट्टे से वो तेरा
मुंह छुपाना याद है
हमको अब तक आशिकी का
वो ज़माना याद है
चुपके चुपके रात दिन
आँसू बहाना याद है
दोपहर की धूप में
मेरे बुलाने के लिए
दोपहर की धूप में
मेरे बुलाने के लिए
वो तेरा कोठे पे
नंगे पाँव आना याद है
हमको अब तक आशिकी का
वो ज़माना याद है
चुपके चुपके रात दिन
आँसू बहाना याद है
हम्मममम हम्ममममम हम्मम हम्मम हम्मम
आss आss आsss
हम्मममम हम्ममममम
हम्मम हम्ममम हम्ममम
हम्मम हम्ममम हम्ममम
हम्मममम हम्ममम हम्मम
हम्मममम हम्ममम हम्मम
Aao Baadal Chain Se Royen
Posted on: April 19, 2019
- In: "baadal" song | "How did I forget to post this song earlier | "weepy" song | 15K Song Milestone Celebration Posts | Aansoo song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | How come this song was not posted earlier | Lyrics by Sudhir | Lyrics contributed by readers | Melancholic song | Poignant Song | Post by Mahesh Mamadapur | sad song | Songs of 1960s (1961 to 1970) | Songs of 1967 | Talat Mehmood solo | Talat Mehmood songs | Yearwise breakup of songs
- 11 Comments
This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
3927 | Post No. : | 14996 |
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Atul Song-A-Day 15K Song Milestone Celebrations – 6
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Carl Sagan, in his book, ‘Pale Blue Dot’ talks about the picture taken by Voyager I before it left the solar system. Planet Earth, the only home we have known so far appears less than a fraction of a pixel in the picture. It’s on this speck of dust like object in the vast cosmos lived every human, plant and animal we ever know and every civilization.
On this planet the greatest men in a wide variety of fields have left behind their legacies both good and bad. Their lives however great or condemnable have been spent here. In the vastness of time and space, a few years spent by great men may mean nothing. However, the legacy left behind by such men are recognized and appreciated for generations.
Theatre and entertainment arenas have also seen many a great men and women contribute their art and expertise to mankind. Quite a few are well known and many others are often not credited to the extent to which they should be.
Narrowing down to a movie and further restricting ourselves to Hindi film and non-film songs, the essence of this blog, we are now at the doorsteps of 15 thousand representations.
By these 15k representations, we all have tried to contribute our little efforts in bringing to the fore, the works of film artists – popular, less known and unknown. Amongst the main contributors, the nearly impossible tasks are taken up more experienced and knowledgeable such as Arunkumar ji, Sudhir ji, Sadanand ji etc. The painstaking efforts in collecting accurate information from various sources and contacts and posting in a concise manner is definitely not an easy task.
Then, there are specialists such as Nalini ji for reminding us of the artist’s anniversaries and Prakash ji for identifying lesser known actors on the screen. Raja ji, whose marathon posts never bore us and we have Avinash ji who pours his heart out in the posts. We have Bharat ji with his expertise and first-hand experience.
There have many others who were more contended with sending only lyrics and a few who keep giving home-works to others. 🙂 A few are more than happy to suggest corrections to the posts and lyrics etc. in the comments section. Then, there are also contributors who vanish for a while and re-appear for special occasions (pun about self intended). 🙂
And, finally we have Atul ji, the fulcrum of our activities and the force that binds us together. Atul ji marches along from one milestone to another. And when he reaches the next milestone, we are all automatically teleported there. 🙂
I never planned for any special song for this occasion. (That again, the leaders will have a plan). But seeing that a great gem of an even greater singer is yet to be posted, I decided to go for his solo.
The singer is Talat Mahmood, of whom quite a lot has already been written on the blog.
My father, an avid fan Talat saab often says that his voice is for royal people. By royal, he means to say people with special taste and I can’t agree with him more. Talat Saab’s melancholic songs sung in blue mood are a class apart, the likes of which one will never get to hear from any other singer.
There are several such songs of Talat Saab which one can hear multiple times and can only admire the grace and dignity in his voice for songs pertaining to even dejection.
- Doob Gaye Aakash Pe Tare
- Raat Ne Kya Kya Khaawb Dikaye
- Jab Kisi Ke Rukh Pe Zulfen Aake
- Beraham Aasmaan Meri Manzil Bata Hai Kahan
- Ae Dil Mujhe Aisi Jagah Le Chal
- Yeh Kis Manzil Pe Le Aayi
- Chand Mera Badalon Mein Kho Gaya
- Jab Chhaaye Kabhi Saawan Ki Ghata
- Aa Ja Ke Bulate Hain
- Phir Wohi Sham Wohi Gham
- Ashqon Mein Jo Paya Hai
- Sham-E-Gham Ki Kasam
- Ye Hawa Ye Raat Ye Chaandni
- Meri Yaad Mein Tum Naa Aansoo Bahaana
- Yaadon Ka Sahaara Na Hota
The list seems to be endless, but it’s a fact that he sang quite fewer songs compared to his other well-known contemporaries. However, Talat Saab’s voice will always be the triumph of quality over quantity.
The present song which I had not heard in the recent past is also amongst my many favourites of Talat Mahmood. There are stars and the moon in the song in case people are wondering what Carl Sagan had to do with this song in the first place. 🙂 (Kya karein, some starting problems in writing this post)
I pray for the continued longevity on the blog, active participation of all the contributors and readers as well.
Hearty Congratulations to one and all on this great achievement.
Audio
Video
Song – Aao Baadal Chain Se Royen (Aawaara Ladki) (1967) Singer – Talat Mehmood, Lyrics – Rajnikant, MD – Dhaniram
Lyrics (Provided by Sudhir)
baa..aadal aa..aaawo
baadal aawo
aawo baadal aawo. . .
aao baadal chain se royen
aao baadal chain se royen
jalti dhoop
jalti dhoop
jalti dhoop mein main hoon akela
aao baadal chain se royen
aao baadal chain se royen
khush rahen
khush rahen. . .
khush rahen ye duniya waale
khush rahen ye duniya waale
khatm hua mera mela
khatm hua mera mela
main hoon aaj akela
aao baadal chain se royen
aao baadal chain se royen
armaan the dil mein mere kitne
chanda ke
haaye chanda ke saathi taare jitne
haaye chanda ke saathi taare jitne
dooba dil armaan bhi doobe
dooba dil armaan bhi doobe
toofaan ka dekha rela
main hoon aaj akela
aao baadal chain se royen
aao baadal chain se royen
din the chaar jo beet gaye mere
din the chaar jo beet gaye mere
honge dukh ke ab derey
honge dukh ke ab derey
darr nahin par hanse bhi kaise
darr nahin par hanse bhi kaise
gham se ab tak khela
main hoon aaj akela
aao baadal chain se royen
aao baadal chain se royen
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Hindi script lyrics (Provided by Sudhir)
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बा॰॰दल आ॰॰आवो
बादल आवो
आवो बादल आवो॰ ॰ ॰
आओ बादल चैन से रोएँ
आओ बादल चैन से रोएँ
जलती धूप
जलती धूप
जलती धूप में मैं हूँ अकेला
आओ बादल चैन से रोएँ
आओ बादल चैन से रोएँ
खुश रहें
खुश रहें॰ ॰ ॰
खुश रहें ये दुनिया वाले
खुश रहें ये दुनिया वाले
खत्म हुआ मेरा मेला
खत्म हुआ मेरा मेला
मैं हूँ आज अकेला
आओ बादल चैन से रोएँ
आओ बादल चैन से रोएँ
अरमान थे दिल में मेरे कितने
चंदा के
हाए चंदा के साथी तारे जितने
हाए चंदा के साथी तारे जितने
डूबा दिल अरमान भी डूबे
डूबा दिल अरमान भी डूबे
तूफाँ का देखा रेला
मैं हूँ आज अकेला
आओ बादल चैन से रोएँ
आओ बादल चैन से रोएँ
दिन थे चार जो बीत गए मेरे
दिन थे चार जो बीत गए मेरे
होंगे दुख के अब डेरे
होंगे दुख के अब डेरे
डर नहीं पर हँसे भी कैसे
डर नहीं पर हँसे भी कैसे
ग़म से अब तक खेला
मैं हूँ आज अकेला
आओ बादल चैन से रोएँ
आओ बादल चैन से रोएँ
- In: Aansoo song | C Ramchandra - Lata duet | C Ramchandra - Lata duet | C Ramchandra songs as a singer | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Lata song | Lyrics by Sudhir | Lyrics contributed by readers | MD-Singer Song | philosophical song | Post by Arunkumar Deshmukh | Songs of 1940s (1941 to 1950) | Songs of 1949 | Yearwise breakup of songs
- 2 Comments
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3843 | Post No. : | 14854 |
Today’s song is from film ‘Bhedi Bangla’ (1949). This film was produced by Anand Subramanyam, under the banner of Jagriti films, owned by Master Bhagwan. The story, dialogues and songs were by Ehsaan Rizvi and music was by P Ramakant. This was a name used by C Ramchandra, because he was under contract with Filmistan and could not give music in his own name. It started with Raja Nene’s film Shadi Se Pehle’ in 1947, in which he first used his assistant’s name Paingankar (the joint MD was Karnad). His name was Ramakant Paingankar and was assisting Chitalkar for a long time. Later, for Bhagwan’s films like ‘Bhedi Bangla’, ‘Bhole Bhale’ (1949), ‘Babuji’ (1950), and ‘Bakshish’ (1950) also, Chitalkar used the pseudo name P Ramakant as MD (information from Marathi Chitrapat Sangeetkar Kosh by Madhu Potdar).
Master Bhagwan was a very hard working person. In the real sense, he brought in the wave of stunt films in the late 40s. After the films of Master Vithal and Fearless Nadia waned in their popularity by 1944-45, it was Master Bhagwan, who established his own Production house – Jagriti Films, and produced several stunt films. He had a set of actors and actresses, which included Baburao Pehelwan, Vasantrao Pehelwan, Azeembhai, Shanta Patel, Chanchal, Leela Gupte, Usha Shukla and Vitha Lokare.
The storyline for most of his films was also fixed. Two young vagabonds – Baburao Pehelwan and Bhagwan, come to Bombay in search of employment. One Sethji (Azeembhai) appoints them to protect him from the local criminal (Vasantrao Pehelwan). Sethji has a good looking daughter (one of the stock Heroines), who has a maid (another girl from the stock). Baburao loves Seth ji’s daughter and Bhagwan loves the maid. After lot many stunts and fighting scenes, the end would be happy. The same story with changed names and other minor changes was used in almost all his films like ‘Badla’, ‘Bahadur’, ‘Jalan’, ‘Madadgaar’, ‘Dosti’, ‘Shake Hand’, ‘Matlabi’, ‘Bach Ke Rehna’, ‘Bhole Bhale’, ‘Jeete Raho’ or such other films. The audience did not mind . They were happy with the stunts. (Did Nasir Hussain get inspiration from Bhagwan in this matter ?)
Master Bhagwan entered the film world with silent film ‘Bewafa Ashiq’ (1930). His first talkie film was ‘Himmat-e-Marda’ (1934). Initially, like all other heroes, even Bhagwan used to sing his own songs. Once he had gone to Columbia company for rehearsal and recording a song. While entering, he saw a young man sitting under a tree and writing something. After rehearsal, he saw that fellow again and even after recording the man was still writing something. Bhagwan went to him and asked with curiosity what was he writing. The man answered, I am writing songs and stories. He came to know that his name was Ehsaan Rizvi and that he too lives in Dadar like Bhagwan. He took Rizvi’s address and left.
In 1938, Bhagwan got his first film as a director- ‘Bahadur Kisaan’ (1938). He called Ehsan Rizvi and gave him the job of writing the story, dialogues and songs. From that day Ehsaan Rizvi became a part of his team. He wrote for at least 25 films of Bhagwan’s. Born in 1914, Rizvi wrote lyrics for 60 films, but most of them were B or C grade films. He however wrote dialogues and screenplay for some well known films like ‘Do Ustad’ (1959), ‘Mughal e Azam’ (1960), ‘Woh Kaun Thi’ (1964), ‘Aan Milo Sajna’ (1971), ‘Gopichand Jasoos’ (1982) etc. He had shared the Filmfare award for dialogues of ‘Mughal e Azam’, with 3 other writers. He died on 16-1-1983.
Bhagwan and CR got introduced when Bhagwan was directing film ‘Bahadur Kisaan’ for producer Chandrarao Kadam. The MD was Meer Saheb and CR was his assistant. Of course, that time he was just Ram Chitalkar. Their friendship lasted for many more years. For film ‘Bahadur Kisaan’, the background music was composed by Naushad, CR and Sajjad Hussain. Naushad played piano, CR played organ and Sajjad played mandolin. Another person Prem, played clarinet. They were all struggling artistes then.
In 1942 Bhagwan directed ‘Sukhi Jeevan’, for which CR was the MD for the first time. Bhagwan and the producer Harishchandra Rao Kadam had some dispute on payments. Bhagwan decided to start his own production company and he started Jagriti Pictures. His first film was ‘Badla’ (1943). For this film he took 80,000 from a financier, with a condition of repaying one lakh rupees after the film is released. After this film Bhagwan churned out film after film in the stunt genre. In 1949, Bhagwan made film ‘Bhedi Bangla’, which was the first of its kind – a sort of horror cum mystery film. The film was a hit film. With this film Bhagwan had reached the zenith of his stunt films.
In this film, there were several scenes, where Bhagwan sees a ghost and his eyes widen and breath is held up. Due to the strain on the eyes, they became red and swollen and after some time, suddenly, he could not see anything. He thought that he has become blind. He shouted for his brother Shanker. Bhagwan was immediately taken to a hospital in Girgaon. The doctor examined him,gave him an injection and some tablets. That night he slept like a dead man, but after getting up on next day noon, he was happy that his eyesight was normal now.
Bhagwan had noticed that whenever his film’s trial show was arranged, a handsome young man would be present there. When he saw this man at the trial show of ‘Bhedi Bangla’ again, he inquired as to who he was. The young man told him that his name was Raj Kapoor and he was son of the great Prithviraj Kapoor. Bhagwan called him and asked him why he came. Raj kapoor said, “Sir, I like your stunt films. I am your fan. In my films, I copy your dance style. Why don’t you make a social film ?”. Few days later, even CR also pushed him hard to enter the social film genre now, so that CR can openly lend his name to Bhagwan’s films as MD and his film will get the benefit of his fame. Thereafter Bhagwan started thinking about it seriously and then ‘Albela’ happened. The rest is history, as they say! The story of Albela making, some other time. . .
The story of film Bhedi Bangla was,
Shyam (Baburao Pehelwan) and Manglu (Bhagwan) are friends and good for nothing. They come to Bombay to look for easy money. They pretend to be lame and blind and start begging. However, after few days, their secret is out and and the enraged public of Bombay gives them a sound thrashing. An onlooker calls them and asks if they would do a good job, instead of this nonsense. The agree and they are appointed as watchmen for a deserted haveli. It is owned by a Sethani (Tarabai – elder sister of Sitara Devi and mother of dancer Gopi Krishna). Her daughter is beautiful Prema (Leela Gupte). There is an estate manager also (Azeembhai – who later became a famous fight master in Hindi films), who does not like their coming there.
One day the friends find the dead body of the haveli’s maali (gardener) (Inamdar) in the premises of the haveli. The estate manager complains to the police. Police start investigations. Maali had a good looking daughter – Champa (Usha Shukla). While Manglu tries to take care of her, the estate manager tells police that he suspects this duo of murdering the maali. In absence of any proof, police do not arrest them but keep an eye on them.
Suddenly, the friends start seeing ghosts in the haveli. First few days, they are scared, but realise that this is all bogus and they try to reach the bottom of the matter. Finally, they unearth a plan of the estate manager to scare everybody, so that no one will remain there and he can conduct his gold smuggling business from there. He only has murdered the maali. After solid stunts and fighting scenes, the culprits are arrested and Shyam and Prema and Manglu and Champa are united. (658).
The film had 8 songs. Most songs are available on You Tube. 4 songs are already discussed here. Today’s song is the 5th song. It is a duet of Lata and Chitalkar. All in all, ‘Bhedi Bangla’ aka ‘The House of Mystery’ was a ‘paisa vasool‘ entertainment.
(Thanks to ‘Ek Albela’ by Isaq Mujawar and Mike Barnum’s Blog, for some information used here).
Song – Aansoo Na Bahaana, Ab Aansoo Na Bahaana (Bhedi Bangla (aka House of Mystery)) (1949) Singer – Chitalkar, Lata Mangeshkar, Lyrics – Ehsaan Rizvi, Music – P Ramakant (aka C Ramchandra)
Chitalkar + Lata Mangeshkar
Lyrics (Provided by Sudhir)
aansoo na bahaana
ab aansoo na bahaana
kaanton bhari ye raah se hai
muskuraate jaana
aansoo na bahaana
ab aansoo na bahaana
kaanton bhari ye raah se hai
muskuraate jaana
mast pawan is phulwari mein
kali kali khilaati hai
mast pawan is phulwari mein
kali kali khilaati hai
usi chaman mein raen andhere
shabnam neer bahaati hai
usi chaman mein raen andhere
shabnam neer bahaati hai
tum kehte ho is jag mein
bas hansna aur hasaana
kaanton bhari ye raah se hai
muskuraate jaana
aansoo na bahaana
ab aansoo na bahaana
kaanton bhari ye raah se hai
muskuraate jaana
sukh mein to hansti hai duniya
sabka yehi haal hai
sukh mein to hansti hai duniya
sabka yehi haal hai
lekin dukh utha kar koi
hanse to phir ye kamaal hai
lekin dukh utha kar koi
hanse to phir ye kamaal hai
jag ki reet badal kar dekho
dukh ko bhi sukh banaana
kaanton bhari ye raah se hai
muskuraate jaana
aansoo na bahaana
ab aansoo na bahaana
kaanton bhari ye raah se hai
muskuraate jaana
sach poocho do dil ka milna
kaanta bhi hai phool bhi
pyaar ko sach maano to sach hai
bhool kaho to bhool bhi
sach poocho do dil ka milna
kaanta bhi hai phool bhi
pyaar ko sach maano to sach hai
bhool kaho to bhool bhi
lekin dil mein himmat ho to
khud badlega zamaana
kaanton bhari ye raah se hai
muskuraate jaana
———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-
आँसू न बहाना
अब आँसू न बहाना
काँटों भरी ये राह से है
मुसकुराते जाना
आँसू न बहाना
अब आँसू न बहाना
काँटों भरी ये राह से है
मुसकुराते जाना
मस्त पावन इस फुलवारी में
कली कली खिलाती है
मस्त पावन इस फुलवारी में
कली कली खिलाती है
उसी चमन में रैन अंधेरे
शबनम नीर बहाती है
उसी चमन में रैन अंधेरे
शबनम नीर बहाती है
तुम कहते हो इस जग में
बस हँसना और हँसाना
काँटों भरी ये राह से है
मुसकुराते जाना
आँसू न बहाना
अब आँसू न बहाना
काँटों भरी ये राह से है
मुसकुराते जाना
सुख में तो हँसती है दुनिया
सबका येही हाल है
सुख में तो हँसती है दुनिया
सबका येही हाल है
लेकिन दुख उठा कर कोई
हँसे तो फिर ये कमाल है
लेकिन दुख उठा कर कोई
हँसे तो फिर ये कमाल है
जग की रीत बदल कर देखो
दुख को भी सुख बनाना
काँटों भरी ये राह से है
मुसकुराते जाना
आँसू न बहाना
अब आँसू न बहाना
काँटों भरी ये राह से है
मुसकुराते जाना
सच पूछो दो दिल का मिलना
काँटा भी है फूल भी
प्यार को सच मानो तो सच है
भूल कहो तो भूल भी
सच पूछो दो दिल का मिलना
काँटा भी है फूल भी
प्यार को सच मानो तो सच है
भूल कहो तो भूल भी
लेकिन दिल में हिम्मत हो तो
खुद बदलेगा ज़माना
काँटों भरी ये राह से है
मुसकुराते जाना
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3812 | Post No. : | 14810 |
Today, the December 25, 2018 is the Remembrance Day of music Director, Eric Roberts akka Vinod (22/05/1922 – 25/12/1959) who left for the heavenly abode on this day of 1959 at a prime age of 37. Vinod has been one of my favourite music directors who mostly followed the ‘Punjabi Ang’ of music, introduced in Hindi films by Pandit Amarnath. He composed top class melodies in Hindi and Punjabi films. His musical career started with ‘Khamosh Nighaaen’ (1946) and composed music for 28 Hindi films till his death in 1959.
Vinod came into prominence in his filmy musical career with his excellent song compositions in ‘Ek Thhi Ladki’ (1949). One of songs from this film laara lappa laara lappa laai rakhdaa became very popular. Both Mohammed Rafi and Lata Mangeshkar sang for Vinod for the first time in this film. Despite this success, he had to share music direction in a few subsequent films with other music directors. Most of such films failed at the box office despite his good music. With this kind of his filmy career, he joined the list of talented music directors who could not sustain their successes to reach in the top bracket of the music directors.
In 1949, music director Shankar-Jaikishan made a successful debut in ‘Barsaat’ (1949). S D Burman had his first major success as a music director in ‘Shabnam’ (1949). Both these music directors consolidated their positions in the Hindi film industry after their first success. One of the main reasons for their long successful careers, in my view, was that both of them were selective in choosing the films, that too from the top banners. As against these, Vinod, after the success of ‘Ek Thhi Ladki’ (1949), continued to be mostly associated with ‘B’ grade film banners. Though a few of such films were moderately successful, it was not enough to attract attention from the top banners. In Hindi film industry, if one gets branded as a music director of ‘B’ grade films, it is very difficult to get entry into the top banners.
A few select songs among others composed by Viond are listed below as my favourite:
| Song | Singer(s) | Movie (year) |
|---|---|---|
| badla nazar aata hai | Satish Batra-Premlata | ‘Taara’ (1949) |
| ye shokh sitaare | Lata-Rafi | ‘Ek Thhi Ladki’ (1949) |
| taare wohi hain chaand wohi hai | Lata | ‘Anmol Ratan’ (1950) |
| kaaga re jaa re jaa re | Lata | ‘Wafa’ (1950) |
| nighaahon ko jab aa gayaa musukuraana | Sulochana Kadam | ‘For Ladies Only’ (1951) |
| mere barbaadiyon per muskuraane aa gaya koi | Lata | ‘Sabzbaagh’ (1951) |
| chupke se na jaa o man ke raaja | Asha Bhonsle | ‘Aag Ka Dariya’ (1953) |
| mere dil jhoom zara | S Balbir | ‘Mumtaz Mahal’ (1957) |
Among the male playback singers, who sang for Vinod, Mohammed Rafi topped the list with 33 songs. Among the female playback singers singing for him, Asha Bhonsle took the honour of singing the maximum songs (82).
As a tribute to music director, Vinod, I have selected one of my favourite songs ‘ashqon ka gar hai maut kinaara jawaab do’ rendered by Asha Bhonsle for the film ‘For Ladies Only’ (1951). The film seems to have got delayed as I remember to have seen an advertisement of this film in an old film magazine of 1949 as ‘Titlee’. Probably, at the time of the censor certification, the name of the film was changed to ‘For Ladies Only’. The film was directed by Vedi. The star cast included Kuldeep Kaur, Kamal Mehra, Satish, Sadhana Bose, Rupa Verman etc.
There were 8 songs in the film with 6 lyricists and 8 playback singers. The song under discussion was written in a ghazal format by ‘Sharma’ which I presume to be Buta Ram Sharma. Narendra Sharma never wrote ghazals for the films and Kidar Sharma rarely wrote lyrics for other banners.
Song-Ashqon ka gar hai maut kinaara jawaab do (For Ladies Only)(1951) Singer-Asha Bhonsle, Lyrics-Butaram Sharma, MD-Vinod
Lyrics
ashqon ka gar hai maut kinaara jawaab do
ashqon ka gar hai maut kinaara jawaab do
ulfat ko phir hai kiska sahaara jawaab do
ashqon ka gar hai maut kinaara jawaab do
bulbul chaman ko chhod bayabaan jaa rahe
bayabaan mein jaa rahen
kaise karoge tum ye gawaara jawaab do
ashqon ka gar hai maut kinaara jawaab do
jinse thhi zindagi wo hi jab gair ho chale
jab gair ho chale
phir aur kaun hoga hamaara jawaab do
ashqon ka gar hai maut kinaara jawaab do
dil ro raha hai apni tasalli ke vaaste
tasalli ke vaaste
jaaye kahaan ye dard ka maara jawaab do
ashqon ka gar hai maut kinaara jawaab do
Aansoo na bahaana
Posted on: August 6, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3671 | Post No. : | 14551 |
“Aaina”(1944) was directed by S M Yusuf for D R D Productions. This movie had Trilok Kapoor, Husn Bano, Kaushlya, Yakub, Gope, Yashodhara Katju, Rajkumari Shukla, Sulochana Chatterji, Mirza Musharraf, Leela Mishra, Sayyad Ahmad, Bibi, Sultan Bawa etc in it.
The movie had eight songs in it that were composed by two music directors viz Fatah Ali Khan and Gulshan Soofi. HFGK mentions three songs as composed by Fateh Ali Khan and two songs as composed by Gulshan Soofi. Music directors for three remaining songs are not known.
Five songs have been covered in the past.
Here is the sixth song from “Aaina”(1944). This song is sung by Shama. Tanveer Naqvi is the lyricist of this song. Music director for this song is not known. I have provisionally considered Gulshan Soofi to be the composer of this song.
I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Aansoo na bahaana (Aaina)(1944) Singer-Shama, Lyrics-Tanveer Naqvi, MD-Gulshan Soofi
Lyrics
aansu na bahaana
aankhon
aansu na bahaana
ye raaz hai dil ke
ye raaz hain dil ke
dil hi mein chhupaana
aansu na bahaana
aankhon
aansu na bahaana
aankhon
hai tumne jinhen ae
hai tumne jinhen
palkon ki chilman mein chhupaaya
hai tumne jinhen
palkon ki chilman mein chhupaaya
pardon mein khisaaya(?)
unhen ro kar na ganwaana
ro kar na ganawaana
aansu na bahaana
aankhon
aansu na bahaana
aankhon
tumse mili shikwa aa
taqdeer hamaari ee ee ee
tum jeet gayi ho o o
kismat hai tumhaari
ae dil
na tadapna
ae dil
na tadapna
hum pe na tadapna
ae dil na tadapna
hum pe na tadapna
wo khud hi chale aayen
wo khud hi chale aayen
asar apna dikhaana
asar apna dikhaana
aansu na bahaana
ye raaz hain dil ke
ye raaz hain dil ke
dil hi mein chhupaana
aansu na bahaana
aankhon
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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