Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Suman Kalyanpur


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Blog Day :

4370 Post No. : 15703

“Mahasati Behula”(1964) was directed by Shanti Kumar for Adarshlok, Bombay. The movie had Mahipal, Jaimala, Lalita Pawar, Niranjan Sharma, Ulhas, Mridula etc in it.

This by now forgotten mythological movie had nine songs in it. One song has been covered in the past.

Today (5 July 2020) is the 38th remembrance day of Bharat Vyas (6 January 1918-5 July 1982 ). As a tribute to this legendary lyricist, who worked mostly in mythological movies, here is another song from “Mahasati Behula”(1964).

Like the first song, this song too is a duet which is sung by Suman Kalyanpur and Mukesh. Bharat Vyas is the lyricist. Music is composed by Pt Shivram.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song. My guess is that this song is picturised on Mahipal and Jaimala.

This song mentions “poonam ka chaand” and that makes this song a topical song, seeing that today is poornima (guru poornima). In addition, today this poonam ka chaand is also figuring in a chandragrahan, the third chandragrahan for the year 2020.

Lyrics of this song were sent to me by Avinash Scrapwala.


Song-Chamke chaand poonam ka (Mahasati Behula)(1964) Singers-Suman Kalyanpur, Mukesh, Lyrics-Bharat Vyas, MD-Pt Shivram
Both

Lyrics(Provided by Avinash Scrapwala)

Chamke chaand poonam ka
Chhalke pyaar shabnam ka
Hum tum sang jab milte
Badle rang mausam ka

Chamke chaand poonam ka
Chhalke pyaar shabnam ka
Aa aa aa
Aa aa aa aa
Aa aa aa
Aa aa aa

Do man magan jab naache
Pariyon ke ghunghar baaje

Priyatam mere rang raache
Sapne hue sab saanche
Ghunghat
Aa aa aa aa aa
Ghunghat ude resham ka
Chhalke pyaar shabnam ka
Hum tum sang jab milte
Badle rang mausam ka

Chamke chaand poonam ka
Chhalke pyaar shabnam ka
Aa aa aa aa aa
Hmm hmm hmm
Hmm hmm hmm

Jab tak hain chaand sitaare
Honge nahin hum nyaare
Ganga ki hum lehren hain
Jamuna ke hum hain kinaare
Sangam
Aa aa aa aa
aa aa
Sangam hai apne milan ka
Chhalke pyaar shabnam ka
Hum tum sang jab milte
Badle rang mausam ka

Chamke chaand poonam ka
Chhalke pyaar shabnam ka
Aa aa aa aa aa
Hmm hmm hmm
Hmm hmm hmm

Sapnon mein tum ho chhaaye
Dhadkan mein tum hi samaaye
Duniya ne jaal bichhaaye
Hum tum bichhad na paaye

Goonje
Aa aa aa aa aa aa
Goonje geet sargam ka
Chhalke pyaar shabnam ka
Hum tum sang jab milte
Badle rang mausam ka

Chamke chaand poonam ka
Chhalke pyaar shabnam ka


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4341 Post No. : 15643 Movie Count :

4309

“Hare Krishna”(1974) was directed by K Kameshwar rao for Mukesh Enterprises, Madras. This movie which wsas a mythological movie. had Hema Malini, Jaylalitha, N T Ram Rao, Jamuna, Devika, Rama Prabha, Kanta Rao, S V Ranga Rao, Nag Bhushanam, Rukmini, Satyabhama etc in it.

From the star cast, it appears that the movie was dubbed from a South indian movie. I request our knowledgeable readers to throw light on the picturisation of the movie. The star cast is very interesting of course as it contains two actors who became Chief Ministers of two south Indian states.

This movie had five songs in it. Here is the first song from “Hare Krishna”(1974) to appear in the blog. The song is sung by Suman Kalyanpur and Rafi. B D Mishra is the lyricist. Music is composed by S N Tripathi.

Only the audio of this Radha- Krishna song is available. I reuest our knowledgeable readers to throw light on the picturisation of this song. My guess is that this song was picturised on Hema Malini and N T Rama Rao. But I could be wrong.

Lyrics of this song were sent to me by Nitin Shah.

With this song. Hare Krishna”(1974) makes its debut in the blog.


Song-Bansi ki dhun sun balmu (Hare Krishna)(1974) Singers-Suman Kalyanpur, Rafi, Lyrics-B D Mishra, MD-S N Tripathi
Both

Lyrics(Provided by Nitin Shah)

bansi ki dhun sun balmu
pyaar mein naachke main to jhoomoon
moh liya is man ko
toone maadhav in nainan ko
hey maadhav in nainan ko

tore hi nainan mein chhupoon
aa tere milan ko main tadpoon
nand kishore ki priye tu u
jhankaar more man ki tu
jhankaar more man ki tu

o o o o o
aa ha ha ha ha
aaa aaa aaa aaa
aaa aaa aaa aaa

vrindaavan ke gokul gaanv ka
tu hai salona sundar saanwra
vrindaavan ke gokul gaanv ka
tu hai salona sundar saanwra
sakhiyon ke sang raas rachaavat
hai mujhko priy ati bhaaya
hai mujhko priy ati bhaaya
vrindaavan ki na to sakhiyaan ab wo
ek tuhi hai saathi ab to
vrindavan ki na to sakhiyaan ab wo
ek tuhi hai saathi ab to
hey sajni ee ee ee ee
hey sajni
ras rang ki baaton se
main ho chuka tumhaara ab to
main ho chuka tumhaara ab to
tore hi nainan mein chhupoon
aa tere milan ko main tadpoon oo

o o o
bansi ki dhun sun balmu
pyaar mein naachke main to jhoomoon
bansi ki dhun sun balmu
pyar mein naachke main to jhoomoon
moh liya is man ko
tune maadhav ke nainan ko

haan re maadhav ke nainan ko


This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4320 Post No. : 15607 Movie Count :

4299

– नमस्कार सर जी , जय श्री कृष्ण,
अविनाश बोल रहा हूँ,

– बोलिए बोलिए अविनाश भाई,

– कैसे हैं सर आप

– मुझे क्या हुआ है ?

That is our respected Bharat Bhai. I spoke to him last in this March. Just a courtesy call. But whenever I spoke to him, he was always energetic, full of life and cheerful. . .

I used to call him occasionally, in between particularly after meeting him first time in November 2016 during the Mumbai gang-out. Thereafter the second meeting happened in April 2018 at Surat when Arun ji, Sadanand ji and Bharat Bhai came to meet Harish Raghuvanshi ji at his place.

But today, on 16th May we got this sad news of his demise on 8th of this month.

We all pray to god to rest his soul in peace!!!

Our heartfelt condolences and tributes to him!!!

This song which could have been a part of his series ‘Sureeli Suman’ which I had shared to him and requested a post, but it could not happen somehow, may be because of his health issues. . .

After coming back from Kenya to India I was eager to visit Mumbai and meet him but it could not happen.

On 19th March I called him to greet him on his birthday and also to seek his blessings, as I always used to do while ending the conversation.

– मैं आऊँगा मुंबई आपसे मिलने … मुझे आशीर्वाद दीजिये,

– वो तो हमेशा ही आपके साथ है और रहेगा, इसमें तो कोई बोलने कि बात ही नहीं है,

– ठीक है सर , मिलते है फिर …

We will miss you Sir!!!

The warmth, the love you showered in every meeting and whenever I spoke to you will always remain in memory – the musical meetings, your smiling face and your lovable presence around us will always be missed.

प्रणाम सर जी !

 

 

Song – Ummeedon Se Keh Do Ke Na Aansoo Bahaayen (Jwaalamukhi) (UR) (1950s)(1959) Singer – Suman Kalyanpur, Lyrics – Dukhi Amritsari, MD – Devraj

Lyrics

ummeedon se keh do
ke na aansoo bahaayein
rone ko ab to aa gayi hain
kaali ghataayein
ummeedon se keh do

keh do ke ab na machlen
seene mein nafratein
seene mein nafratein
keh do ke ab na tadpen
haaye
dil ki hasratein
haaye
dil ki hasratein
duniya ki nigaahon mein
kahin ham na aa jaayen
rone ko to aa gayi hain
kaali ghataayein
ummeedon se keh do

keh do ke looti duniya meri
aa ke yahin par
aa ke yahin par
keh do ke padi maut hain
chaahat ki zameen par
hai kaun wo apni
jo is arthhi ko uthhaaye
rone ko ab to aa gayi hain
kaali ghataayein
ummeedon se keh do

keh do meri duniya ko
kyun barbaad kiya hai
kyun barbaad kiya hai
keh do meri khushiyon ko
kyun nashaad kiya hain
kyun nashaad kiya hain
haalat ko meri dekh ke
na nain bhar aayen
rone ko ab to aa gayi hain
kaali ghataayein
ummeedon se keh do

—————————————————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————————————————————–

उम्मीदों से कह दो
के न आंसू बहायें
रोने को अब तो आ गयी हैं
काली घटाएँ
उम्मीदों से कह दो

कह दो के अब न मचलें
सीने में नफरतें
सीने में नफरतें
कह दो के अब न तडपें
हाये
दिल की हसरतें
हाये
दिल की हसरतें
दुनिया की निगाहों में कहीं
हम न आ जाएँ
रोने को अब तो आ गयी हैं
काली घटाएँ
उम्मीदों से कह दो

कह दो के लुटी दुनिया मेरी
आ के यहीं पर
आ के यहीं पर
कह दो के पड़ी मौत हैं
चाहत की ज़मीन पर
हैं कौन वो अपनी
जो इस अर्थी को उठाए
रोने को अब तो आ गयी हैं
काली घटाएँ
उम्मीदों से कह दो

कह दो मेरी दुनिया को
क्यूँ बर्बाद किया हैं
क्यूँ बर्बाद किया हैं
कह दो मेरी खुशियों को
क्यूँ नाशाद किया हैं
क्यूँ नाशाद किया हैं
हालत को मेरी देख के
न नैन भर आये
रोने को अब तो आ गयी हैं
काली घटाएँ
उम्मीदों से कह दो


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Blog Day :

4300 Post No. : 15562

Today (26 april 2020) is the 4300th day for the blog.

This date happens to be Akshay Tritiya.

According to a whatsapp message shared in our WA group, it is on this day that Satyug and Treta Yug started. Parshuram, the sixth avatar of Lord Vishnu, appeared on earth on this day. The gates pf Badrinath open today. River Ganga , as a result of Bhagirath’s tapasya, arrived on earth on this day. The war of Mahabharat ended today and with that the Dwapar yug came to an end.

What an important day our 4300th day in the blog has turned out to be. 🙂 Is it a coincidence ? People who are familiar with the various incidents involving the blog will know that some higher forces are guiding the blog and we are just the means.

For instance, when I look back at the beginning of the blog, I realise that the blog was started on 19 july 2008 which was important from the point of view of Indian calendars as well as Western calender. That date was the beginning of the month of Saawan, a month that is perhaps the biggest source of inspiration for Hindi movie songs. And that day happened to be the 201st day of the calendar year !

4300 days is a century day alright, but what can I write on this occasion. My creative juices do not flow as much as they did one decade back and so I was quite at a loss for ideas.

Then I thought of a far-fetched idea. Today is 4300th day after the blog started. Likewise there was a date that precedes the beginning of the blog by 4300 days. What date was that ? What was I doing on that day ?

My calculation shows that the 4300th day prior to 19 july 2008 gives us the date of 10 October 1996. It was Thursday, Ashwin , Krishn trayodashi, the day of Masik Shivratri, which is observed every month on Chaturdashi Tithi during Krishna Paksha, which fell on this date.

Where was I on that day ? I was at Hubli. I had spent two years one month at Hubli and I was on the verge of being transferred. To the best of my knowledge, my transfer order was not issued by this date. It was issued a few days later and I was transferred to Secunderabad.

Did any important event happen on that day ? On checking, I find that Australian cricket team has arrived India those days and they played a solitary test. This one off test was played in New Delhi and it started on this day, viz 10 october 1996 !

Guess what was the result ! India won the test in four days, winning by 7 wickets.

When I look back at those days, i find that my postings in those parts of the country had some interesting results on the polity of the nation. When I was allotted that zone of South Central Railway, no one in India even thought that a South Indian could ever be Indian PM. My posting in those parts changed all that.

My first posting was in Andhra Pradesh followed by Marathwada (Nizam area). The next general election saw Narsimha Rao, belonging to the same parts becoming PM of the nation. No one can deny that this event, which was a big freak event in Indian history changed the fate of India for the better.

My next posting was to Hubli. To make matters doubly interesting, the next general election saw H D Devegowda of Karnataka becoming the PM of India !

PM ship was not the only thing I was causing to happen. Cricket in those parts also saw reaching its zenith. Azharuddin of Hyderabad became Cricket captain of India and remained so for one decade.

After I joined at Hubli, Karnataka became cricketing powerhouse of India.

Take this test, that began on 10 october 1996 for example. There were as many as five Karnataka players in the playing XI. Four out of five bowlers were from Karnakata and together they claimed 16 out of 20 Australian wickets to fall.

The five Karnataka players who played in this test team were Anil Kumble, Rahul Dravid, Venkatesh Prasad, Sunil Joshi and David Johnson.

While Kumble had made his debut six years ago, other four had made their debuts in 1996 itself. David Johnson in fact made his test debut in this test.

Please remember that Jawagal Srinath was not there in the playing XI !

In subsequent years, more Karnataka players played for India, namely Dodda Ganesh and Vijay Bhardwaj.

Having done my bit for Karnataka cricket, I went back to Hyderabad. As soon as I got posted there, VVS Laxman of Hyderabad made his test debut in November 1996. 🙂 Forget V V S Laxman, I ensured that even a mediocre player called Noel David got to play for India. 🙂

All these players may thank me later. I am in no hurry to get thanked. 🙂 Ye to mera farz thha.

Enough of those old memories. Let us now round up the discussion with a song.

While looking for a song to go with this writeup, I came across a song that was quite popular those days, though I never became aware of its details. Just now, I have become aware that this iconic song is from “Munimjee”(1972). This movie, produced and directed by Jugal Kishore for Jugal Kishore Productions, Bombay had Yogita Bali, Anil Dhawan, Ramesh Deo, Jayshree T, Junior Mehmood, Nazeer Hussain, Chandrashekhar, Maruti, Leela Mishra, R Wasti, Shahgul, Mohan Sherry, Ranjan, Narbad Shankar, Tulsi, James Bond Julian, Sudesh, Jagdeesh Shrotia, Deepak Thakur, Ratan Gaurang, Amrit Mahendra, Naginder, child artist Master Mohit, Parween Kotak, Nawal Kishore, Jameel, Saleem, Ali Raza, Balchand, Ravi, baby Manisha etc in it.

The movie had six songs in it. One song from the movie has been covered. The song under discussion is definitely the only reason why this movie is remembered. Personally I only remembered the song, I was not even aware of the movie. 🙂

The sensuous song is picturised on Jayshree T and a sadly miscast Ramesh Deo as a frolicking in water song.

The song is sung by Suman Kalyanpur. Lyrics of this song were supposedly penned jointly by Hasrat Jaipuri and Neeraj. This lyrics appears to be the work of Neeraj to me, though.

Usha Khanna is the music director.

Audio

Video

Song-Paani mein jale mera gora badan (Munimjee)(1972) Singer-Suman Kalyanpr, Lyrics-Hasrat Jaipuri, MD-Usha Khanna

Lyrics

paani mein jale
paani mein jale mera gora badan paani mein
paani mein jale
paani mein jale mera gora badan paani mein
mere badan ki jwaala se
lahron mein dekho kaisi lagai agan
lagi agan pani mein
paani mein jale
paani mein jale mera gora badan
pani mein

dekho o o
thhandi thhandi aag ye sataaye
aaye ae
aake koi aag ye bujhaaye
dekho o
thhandi thhandi aag ye sataaye
aaye
aake koi aag ye bujhaaye
jaloon main
jale dil
jale ?? haaye re
paani mein jale
paani mein jale mera gora badan paani mein
mere badan ki jwaala se
lahron mein dekho kaisi laagi agan
laagi agan
paani mein
paani mein jale
paani mein jale mera gora badan paani mein

aaya aa
kal koi sapnon mein aaya
aake ae
aake mujhe usne jagaaya
aaya aa
kal koi sapnon mein aaya
aake ae
aake mujhe usne jagaaya
bola main tere liye aaya hoon
haaye re
paani mein jale
paani mein jale mera gora badan paani mein
mere badan ki jwaala se
lahron mein dekho kaisi laagi agan
laagi agan
paani mein
paani mein jale
paani mein jale mera gora badadan paani mein


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4165 Post No. : 15339

“Jung Aur Aman”(1968) was directed by Nanubhai Bhatt for Metro Movie Production, Bombay. This movie had Dara Singh, Mumtaz, Jayant, Nadira, Mohan Choti, Krishna Kumari, Rajen Haksar, Murad etc in it.

The movie had five songs in it. One song has been covered in the past.

Here is the second song from “Jung Aur Aman”(1968) to appear in the blog. The song is sung by Suman Kalyanpur. Prem Dhawan is the lyricist. Music is composed by G S Kohli.

The song is picturised as a dancing under duress genre of song where Dara Singh is tied at a stake and Mumtaz has to dance to save his life. So this song is picturised under circumstances similar to “Basanti in kutton ke aage mat naachna” circumstance in “Sholay” (1975). 🙂


Song-Mar jaayenge chaahne waale tere (Jung aur Aman)(1968) Singer-Suman Kalyanpur, Lyrics-Prem Dhawan, MD-G S Kohli

Lyrics

mar jaayenge chaahne waale tere
mar jaayenge chaahne waale tere
par ishq to rusva na hoga
mar jaayenge chaahne waale tere
hum ne to kabhi socha hi nahin ee ee
hum ne to kabhi socha hi nahin
anjaam hamaara kya hoga
mar jaayenge chaahne waale tere
par ishq to rusva na hoga
mar jaayenge chaahne waale tere

mere humdum yahaan o o o
mere humdum yahaan
do dilon ki jubaan
laakh samjhaao koi samajhta nahin
ishq hai gar khata o o o
ishq hai gar khata
jurm hai gar wafa
to bhala kaun ye jurm karta nahin
ye khata hamne ki
haan wafa hamne ki
de de sazaa ham sajaavaar hain
mar jaayenge chaahne waale tere
par ishq to rusva na hoga
mar jaayenge chaahne waale tere

mere khwaabon mein to o o
mere khwaabon mein to
roz aate thhe tum
aaj kismat se deedaar bhi ho gaya
aaj hai saamne o o o
aaj hai samne
phir se jalva wohi
jo dekha ke jhalak thha kahin kho gaya
ab to nikle sanam
tere kadmom mein dam
is haseen maut ke hum talabgaar hain
mar jaayenge chaahne waale tere
par ishq to rusva na hoga
mar jaayenge chaahne waale tere
hum ne to kabhi socha hi nahin ee ee
hum ne to kabhi socha hi nahin
anjaam hamaara kya hoga
mar jaayenge chaahne waale tere
par ishq to rusva na hoga
mar jaayenge chaahne waale tere


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4149 Post No. : 15315

Though most Hindi movies are based on native themes, often drawn from mythology, folk tales, history, contemporary day to day life etc, there have been movies based on non Indian topics as well.

Tarzan for some reason has been a very popular non Indian character that gets covered in Hindi movies quite often.

That is not all, it often gets combined with some other unrelated characters/ topics as well. For instance, we have movies that combine Tarzan with characters from enirely different locations, viz “Tarzan and Kingkong”, “Tarzan in Fairyland”, “Tarzan comes to Delhi”, “Tarzan and Captain Kishore” etc.

That is not all. Tarzan, an early 19th century character finds himself pitted against characters/ items separated in time by hundreds and even thousands of years. For instance “Tarzan and Delilah”, “”Tarzan and Hercules,” “Tarzan aur Jaadui Chiraag” etc.

1960s was a decade when Hindi B grade movie makers took particular fancy to Tarzan and made most of the above Tarzan movies. There were two Tarzan movies in 1963 and three each in 1964, 1965 and 1966, one each in 1968, 1969 and 1970. 15 Tarzan movies in one decade !

Here is a song from a Tarzan movie called “Rocket Tarzan”(1963). How Tarzan dwelling in Jungles of Africa meets American or European Rockets, only the moviemakers can tell. This movie was directed by B J Patel for Peoples Pictures, Bombay. The movie had Shanti Lal, Rajan Kapoor, Babu Raje, Bhopali, Polsan, Shakila Bano etc in it.

The movie had six songs in it. One song has been covered in the past. While covering that song, Mr Arunkumar Deshmukh, our beloved inhouse encyclopaedia, provided the story of the movie. It goes like this :

Professor Anil sets up his Lab to do research on rockets, in a Jungle to keep it a secret. His daughter Mala was looking after him. One day Mala is saved from a Tiger by the king of the Jungle Tarzan and as a duty, she immediately falls in his love. One day the king and queen of the jungle tribe come to meet the professor. The king has a tumour in his neck. The Professor treats him successfully and the king promises him full cooperation and protection. This is, however not liked by the King’s advisor Niranjan.

After few days, Niranjan kidnaps Mala and blackmails the professor to give him the secret formula to make such rockets which will take the man to the Moon. Tarzan arrives and in a fight rescues Mala.

Niranjan is very angry and he puts a fire to the Professor’s laboratory and in that fire all his secret formulae and the Rocket prototype is burnt down. Tarzan throws Niranjan into the same fire.

The professor decides to return to the City, but Mala chooses to remain with Tarzan in the Jungle.(Jungle mein mangal).

Here is another song from “Rocket Tarzan”(1963). The song is sung by Suman Kalyanpur and chorus. Yogesh is the lyricist. Music is composed by Robin Bannerji.

This song is a catchy and hummable song. One would imagine this to be a club dance song, rather than a song from a Tarzan movie. But that is how it is.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.


Song-Hum tumko mana rahe hain (Rocket Tarzan)(1963) Singer-Suman Kalyanpur, Lyrics-Yogesh, MD-Robin Bannerji
Chorus

Lyrics

lalalala
lala
lalalala

hum tumko mana rahe hain
tum hamko mana rahe ho
chhodo bhi
chhodo bhi zaalim
hamko kyun aazma rahe ho
hum tumko mana rahe hain

ye bekaraar dil hi
meri to zindagi hai
manzil mujhe milegi
dil ko mere yaqeen hai
?? hoga ik din ye sab zamaana
hum tumko mana rahe hain
tum hamko mana rahe ho
chhodo bhi
chhodo bhi zaalim
hamko kyun aazma rahe ho
hum tumko mana rahe hain

kab tak juda rahenge
yoon manzilon se rahe
kab tak rahengi tanha
yoon aarzu ki baahen
raahon ki mushkilon ko
ik din hai sar jhukaana

hum tumko mana rahe hain
tum hamko mana rahe ho
chhodo bhi
chhodo bhi jalim hamko kyun aazma rahe ho
hum tumko mana rahe hain


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4147 Post No. : 15313

“Zingaaro” (1963) was directed by Chandrakant for Jai Films, Bombay. The movie had Jairaj, Zabeen, Tiwari, Bela Bose, Lakshmi Chhaaya, Aruna Irani, Maruti, Mridula, Baburao Pehalwan, Babu Raje, Radheyshyam, Moolchand, Gani Pehalwan, Julian etc.
The film has six songs. One song has been covered in the past.

Here is the second song from “Zingaaro” (1963) to appear in the blog. The song is sung by Mahendra Kapoor, Suman Kalyanpur and chorus. Prem Dhawan is the lyricist. Music is composed by S N Tripathi.

Only the audio of the song is available. From the sounds of it, the song is a qawwaali. I request our knowledgeable readers to throw light on the picturisation of the song.


Song-Arre adaa se muskura dena…aap se humko mohabbat ho gayi (Zingaaro)(1963) Singers-Mahendra Kapoor, Suman Kalyanpur, Lyrics-Prem Dhawan, MD-S N Tripathi
Male chorus
Female chorus

Lyrics

are adaa se muskura dena
aur haseen sar jhuka lena aa aa
haseenon ko bhi kitna sahal hai
bijli gira dena

ae ji aap se haaye
aap se humko mohabbat ho gayi
ho gayi
ae ji aap se humko mohabbat ho gayi
ho gayi

aur hashr se pehle kayaamat ho gayi
ho gayi
aur hashr se pehle kayaamat ho gayi
ho gayi

ishq ka mat naam lo ae meharbaan aan
ishq ka

aji ishq ka mat naam lo ae meharbaan aan
kya karoge
hoye hoye
kya karoge
jo museebat ho gayi
ho gayi

aji aap se humko mohabbat ho gayi
ho gayi

aa aa aa aa aa aa aa
are ishq mein peechhe haten jo
hum vo deewaane nahin
aji kyun nahin ji, kyun nahin
nahin hum vo deewaane nahin
jalne se jo khauf khaaye
hum vo parwaane nahin
aji kyun nahin ji kyun nahin
nahin hum vo parwaane nahin
jo garajte hain baraste hi nahin
aayega na aap par humko yaqeen

jala do haaye
jala do haddiyaan meri
jala do o
uda do
uda do
dhajjiyaan meri uda do
khata-e-ishq ki aisi saza do
meri hasti hi duniya se mita do
mita do
mita do
mita do
o o o

chhodiye hum aazmaaish kar chuke
kar chuke ji kar chuke
hum aazmaaish kar chuke

aapki sachchi wafa pe mar chuke
mar chuke ji mar chuke
sachchi wafa pe mar chuke

aa aa aa aa
humko bhi haaye
humko bhi thhodi si chahat ho gayi

ho gayi
humko bhi thhodi si chahat ho gayi
ho gayi

aapse humko mohabbat ho gayi ee ee
aapse humko mohabbat
haay
mohabbat
hoye
mohabbat ho gayi ee ee
hashr se pehle kayamat ho gayi ee ee
hashar se pehle kayaamat
haay
kayamat
haay
kayamat ho gayi
ee ee

ho gayi ho gayi
ho gayi

ho gayi
ho gayi
ho gayi
ho gayi


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4145 Post No. : 15311

“Tarzan and Kingkong”(1965) was directed by A Shamsheer for Amrit Kala Mandir, Bombay. the movie had Randhawa, Dara Singh, Mumtaz, Shyam Kumar, Bela Bose, Rani, Heera Saawant, Rajen Kapoor, Bhagwan, Roopesh Kumar etc in it.

The movie had six songs in it. Two songs have been covered in the past.

Here is the third song from “Tarzan and Kingkong”(1965) to appear in the blog. The song is sung by Suman Kalyanpur. Anjaan is the lyricist. Music is composed by Robin Bannerji.

The song is picturised as a rajdarbaar dance song. I am unable to identify the daner. I request our knowledgeable readers to help identify her. One can identify Shyam Kumar and Bhagwan among the audience.


Song-Dil toone kehna maana (Tarzan aur Kingkong)(1965) Singer-Suman Kalyanpur, Lyrics-Anjaan, MD-Robin Bannerji

Lyrics

dil toone kehna maana kis beimaan ka aa aa
kuchh bhi bharosa nahin
kuchh bhi bharosa nahin
jiski jubaan ka
haay kehna maana kis beimaan ka aa aa
dil toone kehna maana

bedardi baalma khudgarzi
bedardi baalma khudgarzi
main samjhoon main jaanoon re teri marji
main samjhoon main jaanoon re teri marji
haay pahle churaaye jiyaa phir tadpaaye
bairi badala chukaaye kaise mere ehsaan ka aa aa
kuchh bhi bharosa nahin
kuchh bhi bharosa nahin
jiski jubaan ka
haay kehna maana kis beimaan ka aa aa
dil toone kehna maana

jaa julmi dekh li teri yaari
jaa julmi dehk li teri yaari
o chhaliyaa hai jhoothi ye dildaari
o chhaliyaa hai jhoothi ye dildaari
are ankhiyaan ji waade kare aankhe beisraaye
haay koi thikaana nahin jis beimaan ka aa aa
kuchh bhi bharosa nahin
kuchh bhi bharosa nahin
jiski jubaan ki
haay re kehna maana kis beimaan ka aa aa
dil toone kehna maana aa aa


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4098 Post No. : 15244

There are some very special memories related to this song. Memories of certain flights of fancy, associated with the expressions and emotions contained here in.

Greetings to Usha Khanna ji, on her 78th birthday today (7th October). It is sixty years now that she made her debut as a music director, way back in 1959 – ‘Dil Deke Dekho’, a film by Filmalya’s Sashadher Mukherjee. She recounts with a glee now, but then she was very nervous. Of course, just seventeen, recently out of school, and so miraculously given a break for a big name Shammi Kapoor starrer film. The first song recorded was “Megha Re Boley. . .”.  She walked into the recording studio with Sonik, who was the arranger for that film. She recalls that some musicians actually whistled at her as she made her way toward the group. And then Sonik told them that she is the music director. Quite a silence of disbelief followed.

Her nervousness was heightened by the fact that she would be directing Rafi Sb for her first song. The rehearsals and the recordings happened. Then at the end of the recording Rafi Sb asked her whether the song was recorded to her satisfaction. She recounts that she was too dazed and overcome by just his presence, and that she stammered in agreement. Then Rafi Sb told her – you are the music director. No matter who the singer is, but you are the boss. Even if I make a mistake, then you should correct me. Usha Khanna says that she was forever in Rafi Sb’s debt for giving her that encouragement and that advise.

More than 4 decades of active career and about 200 films in her portfolio, there are many a memorable songs and melodies that she has created – one of those music directors who would make you hear again. Ah, this one! Usha Khanna? Wow.

Listening to her music, one feels a lot of similarity with OP Nayyar. Of course that was the era that Nayyar Sb ruled with his rhythmic melodies, and other music directors would try to create music inspired by him. So Usha Khanna was also influenced by that style, but then she is not limited to style alone. There is definitely a lot of her own creativity that has gone into her work, else she would not have survived in this industry for four decades. And that too, being of a gender that generally is not associated with the work of a music director. The earlier names we can think of – Jaddan Bai, Bibbo, Saraswati Devi – all names from 1930s and 40s, when the classical music was the forte, and these ladies were trained and grounded in the classical mould.

Not Usha Khanna. She in fact, has no formal training in music. Her father, Manohar Lal Khanna, a lyricist active in the industry from late 1940s to 1960s, was her segue into music. He would write the lyrics and she would informally compose tunes for his songs at home. It was a creative spark and something special about her melodies that capture attention of her fathers industry friends like OP Nayyar and Indeewar. One thing led to another, and she was placed before Sashadher Mukherjee for an interview. The conversation started uncomfortably with singing, and ended very comfortably with music direction. S Mukherji, impressed with her tenacity and consistency (he had asked her to create two new tunes and present to him every day, for a year – think about doing that!!) gave her the first break with ‘Dil Deke Dekho’, and followed it up with ‘Hum Hindustani’ (1960). After these two films, Usha was quite much on her way. That she was able to sustain her standing in the industry for four decades, speaks volumes about her talent and her approach. Might we also notice that contemporaneous to her, and subsequently, we do not hear of any other lady music director in the industry whose performance has left a mark on the music history of Indian cinema.

Ah yes, about the flights of fancy that I mentioned about, in the first para. Regulars are aware that this song forms a part of a tandem pair. The accompanying song is the hit sung by Mukesh – “Barkha Rani, Zara Jam Ke Barso”. Yes of course, that is the better known and the more popular song in comparison. However, this rendition by Suman Kalynapur is no less pleasant, alluring and engaging. Rather more so. So when this film was released, the teenager in me was still at school. And as with a boy’s fancies at that age, of course, I do not have to put it in words. Suffice to say that right from the time I heard these two songs for the first time, my liking has always been for the Suman Kalyanpur version. The fancy connected with the Mukesh song is that there would be a charming princess for whom the boy in me would sing this song. However, the fancy associated with the Suman Kalyanpur song is that there would be charming beautiful princess who would be singing this song for me. That appealed so much more to me, that my flight of fancy those days was someone singing this song for me. Aaye haaye – the heart still takes a swing at this thought. 🙂

Quick summary – the film is ‘Sabak’ from 1973, produced and directed by Jugal Kishore, songs written by Sawan Kumar and Hasrat Jaipuri, and music by Usha Khanna. The star cast of this film is listed as Shatrughan Sinha, Poonam, Jaishri T, Jugal Kishore, Ranjan, KN Singh, Nazeer Hussain, Master Satyajeet, Chandrashekhar, Brahmchari, Hercules, Mumtaz Begum, Ramesh Dev, Seema, Rajnibala, Maruti, Rajpal, Kishan Kaul, Ved Sharma, Rajan Kapoor, Moolchand, Bholanath, Manohar, Jerry, Omi Chopra, Uma Dutt, Pritam Kumar, Raj Verma, Kishan Billa, and Sundar Singh.

Once again, wishing Usha ji a very happy birthday and praying for many more healthy and comfortable returns of this day.

Ah yes, the lyrics of this song have been sent in by our dear Prakashchandra ji.

 

Song – Barkha Bairan, Zara Tham Ke Barso  (Sabak) (1973) Singers – Suman Kalyanpur, Lyrics – Saawan Kumar Tak, MD – Usha Khanna

Lyrics (Provided by Prakashchandra)

barkha bairan
zara tham ke barso
pee mere aa jaayen to
chaahe jam ke phir barso..oo..oo..oo
barkha bairan
zara tham ke barso
pee mere aa jaayen to
chaahe jam ke phir barso..oo..oo..oo
barkha bairan

pee se hai mera milan
kyon hai ree tujh ko jalan
pee se hai mera milan
kyon hai ree tujh ko jalan
haaye re paapan zaraa ruk jaa
zara tham jaana re
barkha bairan
zara tham ke barso
pee mere aa jaayen to
chaahe jam ke phir barso..oo..oo..oo
barkha bairan

pee ko mere aane de
ang se lag jaane de
pee ko mere aane de
ang se lag jaane de
phir tu dushman
yun barasna
jaane paayen wo na re..e..e
barkha bairan
zaraa tham ke barso
pee mere aa jaayen to
chaahe jam ke phir barso..oo..oo..oo
barkha bairan

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

बरखा बैरन
ज़रा थम के बरसो
पी मेरे आ जाएँ तो
चाहे जम के फिर बरसो॰॰ओ॰॰ओ॰॰ओ
बरखा बैरन
ज़रा थम के बरसो
पी मेरे आ जाएँ तो
चाहे जम के फिर बरसो॰॰ओ॰॰ओ॰॰ओ

पी से है मेरा मिलन
क्यों है री तुझको जलन
पी से है मेरा मिलन
क्यों है री तुझको जलन
हाए रे पापन ज़रा रुक जा
ज़रा थम जा ना रे
बरखा बैरन
ज़रा थम के बरसो
पी मेरे आ जाएँ तो
चाहे जम के फिर बरसो॰॰ओ॰॰ओ॰॰ओ

पी को मेरे आने दे
अंग से लग जाने दे
पी को मेरे आने दे
अंग से लग जाने दे
फिर तू दुश्मन
यूं बरसना
जाने पाएँ वो ना रे॰॰ए॰॰ए
बरखा बैरन
ज़रा थम के बरसो
पी मेरे आ जाएँ तो
चाहे जम के फिर बरसो॰॰ओ॰॰ओ॰॰ओ
बरखा बैरन


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4020 Post No. : 15132

21st July, 1969 – a tiny me was waiting for the arrival of the school bus, around 6.40 am in the morning, at the end of the lane where we lived, in Karol Bagh area of Delhi. Three, maybe four other friends, going to the same school – executing the normal morning routine, with strap bags on shoulders, waiting to espy the school bus that we all recognized oh so well, to take a turn from a crossing about 200 metres away – to come, and to gobble us up, and to carry us to yet another day at the school. I think, it was too early in life to philosophize about the love-hate relationship with education, school and school teachers. It was still kind of an eager fun to travel in the bus and get to a classroom, and spend time watching teachers do their things on the blackboard, for us. Ah yes, the blackboards back then were actually black, and white chalks were then the standard instrument of communication between the teacher and us.

Sorry, I am jumping the gun – classroom and education is not the topic today; ‘waiting for the bus’ is. So as I was saying, four five of us kids were at the appointed place, at the appointed time – waiting to be picked. Some of these memories are so vivid and crystal clear in the mind, as if it was just yesterday. Ah yes, does seem like yesterday. I remember there was a bakery and confectionery shop right on the corner where we used to wait for the bus. It was a family run business – two brother partners. Over the years, the ownership of that shop has remained in the family, but the subject matter of the shop has changed from confectionery to designer clothing today. I still remember, the board on the shop – ‘Paul’s – Bakers and Confectioners’.

The kids’ interest of course was in the candies, toffees and chocolate items displayed in the shop’s show cases. The shop would be open before we reached the waiting point, because being a baker, he was catering to the early morning needs of milk and bread supply, to the early riser families, which, in those times, was practically all the families in the neighborhood.

Ah, sorry, I digress again – waiting for the bus it was. So the different thing that happened on that morning was the the bus did not come on time. It was kind of a pleasant, expectation filled feeling in the kiddy hearts – is the bus not coming today? Well, bus used to be late once in a while. And the tiny minds would be inventing conjectures about the school being closed for this or that unimaginable reason. But then, those dreams used to be shattered within a matter of minutes – late it would be, but then it would appear on the horizon, and the young footsteps would prance on to the four steps and into bus, starting another day at the school.

But that day, the few minutes extended into many minutes – and no bus. Although we were all in the mood to run back home and make a pompous announcement of the mystery of the disappearing bus. Of course, none had the courage to do so. It was a mindless wait, but the instructions to this kiddy platoon was to stay rooted to the bus stop area, and not to wander away – no matter how late the bus was. And we waited. No, the parents were not with us. We kids were in that gray transition zone of trust building age, that the parents would drop us at the bus stop, and head back home, with the confidence that the kid would certainly board the bus and spend another productive day at the school. And so we waited.

One of the more enterprising member of this waiting platoon ventured into the bakery shop and asked for time. “Seven o five”, we were told – goodness the bus was twenty five minutes late. This had never happened before. It was a first in the long years of the tiny age of experiences that the kiddy minds had accumulated till then. But then, in the absence of any instructions for this unexpected, first time, unheard of situation, we were clueless as to what should be done. So we waited – did not have courage to venture back home – the certain thought in mind was that parents would simply scold us and ask us to get back to the bus stop immediately and wait some more. There must be a valid reason – breakdown, accident, petrol finish – whatever, but it will come. So go back.

But it didn’t come. Another fifteen minutes passed. Still no bus. The uncomfortable squirming had now transformed into an anxious fear – have we already missed it? Has the bus come and gone and all of us missed it by a minute or something. Now the fear started to grow, since if the bus had already gone, then the fault would be ours that we were a minute or two too late to reach the bus stop. And so what were we doing, while ambling towards the bus stop from home, how did we reach the bus stop late? And why? All sorts of uncomfortable thoughts were now cycling through the mind. And we waited.

But the tension was unbearable now. The urge was to rush back home, but in the absence of an explanation, the apprehension of the consequences did not allow us to move. First time in the long years of tiny experiences, we were facing a helpless situation, the CPUs of mind were primitive and no conclusive directions were forthcoming.

Finally, we saw a ray of hope. We espied a senior student of our school, walking towards our bus stop. This person used to board from the next stop on the route, about half a mile ahead. He came, he declared, and we conquered. 😀 😀

He informed us that the bus would not be coming that day, since the school had declared a holiday. So head back home and take a day off. Whoosh. . . the mounds of stones of uncertainty were suddenly lifted, a new energy seemed to flow now, in place of the helpless limbo. I am very very sure, all would have had this ‘Whoosh’ experience sometimes in school life – an unexpected holiday announcement. It was like ‘छप्पड़ फाड़ के’ – I am using this phrase in hind sight. Of course I was not aware of this phrase or its implications at that time.

Then one of us had the curiosity strong enough to ask, what happened, why this unannounced holiday. The senior was not very sure himself. He said his father had called the school, and the school had announced the holiday – it was because of the moon landing. Totally bewildered with this information the tiny brains could not process, we externally expressed relief and happiness, lugged the bags over the shoulders once again, and walked back home.

It was almost one hour after the bus time, and of course the parents were totally surprised to see me back at the doorway. Dad asked what was the matter. And I recounted in brief, about the wait, the senior student, the information about the holiday announcement and moon landing. Dad started to laugh. He had already known about this news – well he was part of the editorial team that published the morning paper. So he already had the information about the event in the late hours of the previous night. But there was no news in the papers about the school holidays. So then he ventured to confirm – went to another neighbor’s place to make a call to the school. We did not have a phone at home in those times. He returned after a few minutes, and his smile confirmed the announcement, and laid to rest any apprehensions, that I would be held to fault, for making up such tall story.

I asked him, and he explained, quite lucidly of course – he had prepared the news story for print just a few hours prior. But much of that did not register into the brain. The moon landing, Apollo 11, US spacecraft, Neil Armstrong – some key phrases stuck in the mind. I took up the newspaper and read through the story. The quantum and the quality of significance did not sink in then. But yes, this idea did sink in very earnestly that the event that happened was some towering, huge, first of its kind accomplishment by USA. In the later years, as my interest grew in scientific topics, I would come to realize the depth of significance and importance of this huge event. The man had landed on another celestial body for the first time in the history (known history??) of the mankind. Yes, it was huge.

On 25th May, 1961, John F Kennedy, the then US President, made this proposal to the US Congress, to land a man on the moon before the end of the decade. Of course, the objective was achieved on 20th July, 1969.

And so the event, and its earth shattering significance has stayed with me now, for all these years – all because the schools declared a holiday that day – to celebrate this towering achievement of the human race. The man had reached the moon, and the school was closed in celebration.

Today, we are celebrating the 50th anniversary of that accomplishment. Over the past 50 years, the science of astronautics, and the technology had progressed by leaps and bounds. But the ‘man on the moon’ event has this envious and non-duplicate-able quality about it – what more to say. The US scientists and NASA took almost 8 years to accomplish the target that their famous president had set for them. Long before that, the Indian cinema had already responded with the film ‘Rocket Girl’, in 1962, and with this humorous and lilting melody created by Prem Dhawan and Chitragupt.

Searching for an appropriate song for this celebration, I chanced to discover this fabulous gem of a song that has probably been considered lost and consigned to the deep. I tried to search for songs with reference to ‘chaand’. Another song from this film – “Na Jaane Chaand Kaisa Hoga” – is an iconic, popular hit song that is already posted on the blog. When I read the words of the mukhda of this, I was very curious to search and pull out this song, because the mukhda kind of hints at traveling to the moon. With some time spend, I am able to locate this song in my collection. As far as I could check online, this song is not yet available. So I prepared and uploaded this song, and here am presenting it for this celebration today.

Listening this song, I am so surprised that this song has remained obscure all these years. A vintage Chitragupt melody that takes the listener on a journey of lilting extravaganza – so beautifully tuned and so exquisitely arranged. The humming composition simply is not getting out of my mind at this time – the lady wants to travel to the land of the moon and have a romance amongst the stars, and gentleman is not at all convinced that they would reach there alive. 🙂  The words of the song are so interestingly crafted – it is a veritable treat to listen to.

‘Rocket Girl’ is a film from 1962, produced under the banner of Film Sansar, Bombay and is directed by Nanabhai Bhatt. The cast of actors is listed as Naaz, Sudesh Kumar, Jagdish Raj, Nilofer, Kanchanmala, Brahm Bhardwaj, Genius, Lal Bahadur, Mohammad Bhai, Ameer, Sandow, Shafi, Shammi, and Bhagwan Dada. Six songs are listed for this film, all from the pen of Prem Dhawan, with wonderful music compositions coming from the mind of Chitragupt.

I have no idea whether this film is about space travel, and visit to the moon. Listening to the two songs, it appears that his film is about space travel, I request our more knowledgeable readers to add more information about this film.
[Ed Note: Details about the film ‘Rocket Girl’ have already been posted by Arun ji, our in-house encyclopedia, with the earlier posted song of this film – “Na Jaane Chaand Kaisa Hoga”. The same are also available at Atul Movies – Rocket Girl (1962). Thanks to Aero Survey for this reminder.]

Fifty years of moon landing – and a surprisingly wonderful song to go along with – enjoy.

 

Song – Aa Ja Chalen Piya Chaand Waale Des Mein  (Rocket Girl) (1962) Singer – Suman Kalyanpur, Manna Dey, Lyrics – Prem Dhawan, MD – Chitragupt

Lyrics

aa ja chalen piya chaand waale des mein
taaron mein hum jaa ke pyaar karenge
aa ja chalen piya chaand waale des mein
taaron mein hum jaa ke pyaar karenge
teri kasam wahaan khair nahin jaan ki
marna hi hai to yahin pe marenge

basti nai sitaaron mein basaayenge
gaye jo wahaan palat ke naa aayenge
basti nai sitaaron mein basaayenge
gaye jo wahaan palat ke naa aayenge
aisi baaton se hum nahin darenge
na na na na
teri kasam wahaan khair nahin jaan ki
marna hi hai to yahin pe marenge
oo oo oo
aa ja chalen piya chaand waale des mein
taaron mein hum jaa ke pyaar karenge

jhoothe hain sabhi ye kisse chaand waand ke
le chaloon tujhe main zulfon mein baandh ke
jhoothe hain sabhi ye kisse chaand waand ke
le chaloon tujhe main zulfon mein baandh ke
jaao akele hum aahen bharenge
na na na na
aa ja chalen piya chaand waale des mein
taaron mein hum jaa ke pyaar karenge
oo oo oo
teri kasam wahaan khair nahin jaan ki
marna hi hai to yahin pe marenge

kehte the tumhin
sitaare doonga tod ke
honge meri jaan
ye waade kisi aur ke
mil ke jiye hain mil ke hi marenge
na na na na
teri kasam wahaan khair nahin jaan ki
marna hi hai to yahin pe marenge
oo oo oo
aa ja chalen piya chaand waale des mein
taaron mein hum jaa ke pyaar karenge
oo oo oo
teri kasam wahaan khair nahin jaan ki
marna hi hai to yahin pe marenge. . .

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

आ जा चलें पिया चाँद वाले देस में
तारों में हम जाके प्यार करेंगे
आ जा चलें पिया चाँद वाले देस में
तारों में हम जाके प्यार करेंगे
तेरी क़सम वहाँ खैर नहीं जान की
मरना ही है तो यहीं पे मरेंगे

बस्ती नई सितारों में बसाएँगे
गए जो वहाँ पलट के ना आएंगे
बस्ती नई सितारों में बसाएँगे
गए जो वहाँ पलट के ना आएंगे
ऐसी बातों से हम नहीं डरेंगे
ना ना ना ना
तेरी क़सम वहाँ खैर नहीं जान की
मरना ही है तो यहीं पे मरेंगे
ओ ओ ओ
आ जा चलें पिया चाँद वाले देस में
तारों में हम जाके प्यार करेंगे

झूठे हैं सभी ये किस्से चाँद वांद के
ले चलूँ तुझे मैं ज़ुल्फों में बांध के
झूठे हैं सभी ये किस्से चाँद वांद के
ले चलूँ तुझे मैं ज़ुल्फों में बांध के
जाओ अकेले हम आहें भरेंगे
ना ना ना ना
आ जा चलें पिया चाँद वाले देस में
तारों में हम जाके प्यार करेंगे
ओ ओ ओ
तेरी क़सम वहाँ खैर नहीं जान की
मरना ही है तो यहीं पे मरेंगे

कहते थे तुम्हीं
सितारे दूँगा तोड़ के
होंगे मेरी जान
ये वादे किसी और के
मिल के जिये हैं मिल के ही मरेंगे
ना ना ना ना
तेरी क़सम वहाँ खैर नहीं जान की
मरना ही है तो यहीं पे मरेंगे
ओ ओ ओ
आ जा चलें पिया चाँद वाले देस में
तारों में हम जाके प्यार करेंगे
ओ ओ ओ
तेरी क़सम वहाँ खैर नहीं जान की
मरना ही है तो यहीं पे मरेंगे


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has over 15700 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

15723

Number of movies covered in the blog

Movies with all their songs covered =1212
Total Number of movies covered =4329

Total visits so far

  • 13,615,209 hits

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Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

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