Advertisements

Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Geeta Dutt


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Darbaar” (1955) was a Golden Movie production. It was directed by Nanubhai Bhatt. The movie had Mahipal, Chitra, Sunder, Tiwari, Kammo, Kamal, Niranjan Sharma etc in it, which suggests that it was a B grade movie.

Nine songs from this movie have been discussed in the past. Here is the tenth and final song from the movie to appear in the blog. This song is sung by Geeta Dutt. Asad Bhopali is the lyricist. Music is composed by Hansraj Bahl.

Only the audio of this song is available. My guess is that this song was picturised on Chitra. I request our knowledgeable readers to throw light on the picturisation of this song.

With this song, “Darbaar” (1955) joins the list of movies that have all their songs covered in the blog.


Song-Dupatta mera dhalak gaya sar se (Darbaar)(1955) Singer-Geeta Dutt, Lyrics-Asad Bhopali, MD-Hansraj Bahl

Lyrics

dupatta mera dhalak gaya
dhalak gaya sar se
haaye dupatta mera
dupatta mera dhalak gaya
dhalak gaya sar se
o dhalak gaya sar se
sarak gaya sar se
dupatta mera
dupatta mera dhalak gaya
dhalak gaya sar se
haaye dupatta mera

dhalka dupatta to jholi bana li
phailaake jholi main banke sawaali
maangoon dil ki muraad
kar do dil mera shaad
o o o
kar do dil mera shaad
main to khaali na jaaungi is dar se
dupatta mera dhalak gaya
dhalak gaya sar se
haaye dupatta mera

sunti hoon tum to ho sabke sahaare
aayi hoon aaj main bhi dar pe tumhaare
sun lo meri pukaar
jholi bhar do sarkaar
o o o
jholi bhar do sarkaar
meri bigdi banegi isi dar se ae ae
dupatta mera dhalak gaya
dhalak gaya sar se
haaye dupatta mera

loota chaman ho meri zaalim khizaan ne
dil pe giraai bijli phir aasmaan ne
tooti har ek aas
zindagi hai udaas
o o o
zindagi hai udaas
aapki rahmat idhar bhi zara barse
dupatta mera dhalak gaya
dhalak gaya sar se
haaye dupatta mera
dupatta mera dhalak gaya
dhalak gaya sar se
haaye dupatta mera

Advertisements

This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Riyaasat”(1955) was directed by Jaswant Jhaweri for Roopkamal Chitra, Bombay. The movie had Mahipal, Mala Sinha, Sunder, Kamal, Hiralal, Prakash, Babu Raje etc in it.

The movie had seven songs in it. One song from the movie has been covered in the past.

Here is the second song from “Riyaasat”(1955) to appear in the blog. This song is a duet sung by Geeta Dutt and Rafi. Prem Dhawan is the lyricist. Music is composed by Avinash Vyas.

Only the audio of this rare song is available. My guess is that this song is picturised on the lead pair of Mahipal and Mala Sinha, but I cannot be sure. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Aisi nazren na daal (Riyaasat)(1955) Singers-Geeta Dutt, Rafi, Lyrics-Prem Dhawan, MD-Avinash Vyas

Lyrics

aisi nazren naa daal
kar le khayaal
keh dengi aankhen saari duniya se haal
rakkho ji dil ko zara apne sambhaal
aa haa
ye gore gore gaal
lahraate baal
thumak thumak matwaali chaal
rakkhe ji kaise koi dil ko sambhaal

o o
teri mastaani aankhon mein dil mera kho gaya
ab kya karen ji
ab kya karen ji
jo bhi hona thha ho gaya

meethhi baaton ke jaal mujhpe na daal
main jaanoon pahchaanoon nazron ki chaal
rakho ji dil ko zara apne sambhaal

o o o
o o o
o o o
o o o
o o o
o o o

o o o
chhodo balam chhodo haath hamaara
jaao ji jhoothha hai pyaar tumhaara
ye tera jalaal
jaise jalti mashaal
patli kamar jaise phoolon ki daal
rakkhe ji kaise koi dil ko sambhaal

o o o
o o o
o o o
o o o
o o o
o o o
o o
o o
jab milte hain bichhde saathi to mil jaaye jag saara

deepak se mil jaaye baati to mit jaaye andhiyaara
mere dil ka sawaal
ab to na taal
nainon mein aaj zara naina to daal
rakkhe ji kaise koi dil ko sambhaal

aisi nazre na daal karle khayaal
keh dengi aankhen sari duniya se haal
rakkho ji dil ko zara apne sambhaal
o o o
o o o
o o o
aa aa aa aa aa
aa aa aaa


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Darbaar” (1955) was a Golden Movie production. It was directed by Nanubhai Bhatt. The movie had Mahipal, Chitra, Sunder, Tiwari, Kammo, Kamal, Niranjan Sharma etc in it, which suggests that it was a B grade movie.

Eight songs from this movie have been discussed in the past. Here is the ninth song from the movie to appear in the blog. This song is sung by Geeta Dutt. Asad Bhopali is the lyricist. Music is composed by Hansraj Bahl.

Only the audio of this song is available. My guess is that this song was picturised on Chitra. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Yoonhi aankhon mein aankhen daale sanam (Darbaar)(1955) Singer-Geeta Dutt, Lyrics-Asad Bhopali, MD-Hansraj Bahl

Lyrics

yoon hi aankhon mein aankhen daale sanam
tu baitha rahe
main dekha karoon
tu baitha rahe ji
main dekha karoon
hamen chhoo na sake
duniya ke sitam
tu baitha rahe
main dekha karoon
tu baitha rahe ji
main dekha karoon

dil kehta hai tujhko sajde karoon
dil kehta hai tujhko sajde karoon
tere saath jiyoon tere saath maroon
jab tak rahe mere dum mein dum
tu baitha rahe
main dekha karoon
tu baitha rahe ji
main dekha karoon

nazren hain jahaan dil bhi hai wahin
nazren hain jahaan dil bhi hai wahin
ye pyaas kabhi bujhne ki nahin
jalwon ki kasam
soorat ki kasam
tu baitha rahe
main dekha karoon
tu baitha rahe ji
main dekha karoon

ae maalik meri neendon ke
ae maalik meri neendon ke
ae chaand meri ummeedon ke
tera pyaar na ho kabhi dil se kam
tu baitha rahe
main dekha karoon
tu baitha rahe ji
main dekha karoon

yoon hi aankhon mein aankhen daale sanam
tu baitha rahe
main dekha karoon
tu baitha rahe ji
main dekha karoon

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

यूं ही आँखों में आँखें डाले सनम
तू बैठा रहे
मैं देखा करूँ
तू बैठा रहे जी
मैं देखा करूँ
हमें छू न सकें
दुनिया के सितम
तू बैठा रहे
मैं देखा करूँ
तू बैठा रहे जी
मैं देखा करूँ

दिल कहता है तुझको सजदे करूँ
दिल कहता है तुझको सजदे करूँ
तेरे साथ जीऊँ
तेरे साथ मरूँ
जब तक रहे मेरे दम में दम
तू बैठा रहे
मैं देखा करूँ
तू बैठा रहे जी
मैं देखा करूँ

नज़रें हैं जहां दिल भी है वहीं
नज़रें हैं जहां दिल भी है वहीं
ये प्यास कभी बुझने की नहीं
जलवों की कसम
सूरत की कसम
तू बैठा रहे
मैं देखा करूँ
तू बैठा रहे जी
मैं देखा करूँ

ए मालिक मेरी नींदों के
ए मालिक मेरी नींदों के
ए चाँद मेरी उम्मीदों के
तेरा प्यार ना हो कभी दिल से कम
तू बैठा रहे
मैं देखा करूँ
तू बैठा रहे जी
मैं देखा करूँ

यूं ही आँखों में आँखें डाले सनम
तू बैठा रहे
मैं देखा करूँ
तू बैठा रहे जी
मैं देखा करूँ


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Hamaara Ghar”(1950) was directed by Nanabhai Bhatt for Hindustan Chitra, Bombay. The movie had Durga Khote, Umakant Desai, Veera, Agha, Meena Kumari, Geeta Bose, David, Jankidas, Ramesh Gupta etc in it.

The movie had seven songs in it. One song from the movie has been discussed in the blog in the past.

Here is the second song from “Hamaara Ghar”(1950) to appear in the blog. This song is sung by Geeta Dutt and Rafi. Rammurty Chaturvedi is the lyricist. Music is composed by Chitragupta.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Chupke chupke dil mein mere aane waale ho (Hamaara Ghar)(1950) Singers-Geeta Dutt, Rafi, Lyrics-Rammurty Chaturvedi, MD-Chitragupta
Both

Lyrics

chupke chupke dil mein mere aane waale
ho
dekho preet nibhaana
chupke chupke dil mein mere aane waale
ho
dekho preet nibhaana
aji hanste hanste nainon mein bas jaane waale
ho
dekho bhool na jaana
hanste hanste nainon mein bas jaane waale
ho
dekho bhool na jaana

bachpan ke din bhole bhaale
khel khel mein beete
haan khel khel mein beete
bachpan ke din bhole bhaale
khel khel mein beete
ho khel khel mein beete

nayi kahaani kaho baalma
ham haare tum jeete
haan
ham haare tum jeete
nayi kahaani kaho baalma
ham haare tum jeete
haan
ham haare tum jeete

aaj umangon ka hai mela aa
aaj umangon ka hai mela

dheere dheere
dheere dheere rah rah ke tadpaane waale
ho
dekho preet nibhaana
hanste hanste nainon mein bas jaane waale
ho
dekho bhool na jaana

janam janam ke jeewan-saathi
saath kabhi na chhoote
ho saath kabhi na chhoote
janam janam ke jeewan-saathi
saath kabhi na chhoote
haan saath kabhi na chhoote
dekho apne madhur milan ka
taar kabhi na toote
ho taar kabhi na toote
dekho apne madhur milan ka
taar kabhi na toote
ho taar kabhi na toote

tum mere
main bani tumhaari ee
tum mere
main bani tumhaari
jhoom jhoom ke
jhoom jhoom ke dil mera bahlaane waale
ho
dekho preet nibhaana
chupke chupke dil mein mere aane waale
ho
dekho preet nibhaana
hanste hanste nainon mein bas jaane waale
ho
dekho bhool na jaana


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The movie title “Kitna Badal Gaya Insaan”(1957) was clearly inspired from the iconic song of “Nastik”(1954) with this mukhda.

“Kitna Badal Gaya Insaan”(1957) was directed by I S Johar for Modern Theatre, Bombay. The movie had Ajit, Nalini Jaywant, I S Johar, Kamaljeet, Uday Laxmi, Shanti, Harbans Lal, Saroja, Anil Dutta etc in it. Inbcidentally, I S Johar was the director of “Nastik”(1954) as well. Ajit, Nalini Jaywant and I S Johar were there is “Nastik” (1954) as well. So it appears that this movie was inspired by “Nastik” (1954) in more ways that one.

“Kitna Badal Gaya Insaan”(1957) had eleven songs in it. Here is the first song from the movie to appear in the blog. This song is sung by Geeta Dutt. S H Bihari is the lyricist. Music is composed by Hemant Kumar.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.

With this song, “Kitna Badal Gaya Insaan”(1957) makes its debut in the blog.


Song-Jab tum nahin to chaand sitaare main kya karoon (Kitna Badal Gaya Insaan)(1957) Singer-Geeta Dutt, Lyrics-S H Bihari, MD-Hemant Kumar

Lyrics

jab tum nahin to chaand sitaare main kya karoon
jab tum nahin to chaand sitaare main kya karoon
ye phool ye chaman ye nazaare main kya karoon
jab tum nahin to chand sitaare main kya karoon

kal tak hawa mein khel rahi thhi yahaan hansi
kal tak hawa mein khel rahi thhi yahaan hansi
chaaron taraf hai chhaai huyi aaj bekasi
dil ro raha hai gham mein tumhaare main kya karoon
ye phool ye chaman ye nazaare main kya karoon
jab tum nahin to chaand sitaare main kya karoon

tum kya gaye ke jaise chaman se gayi bahaar
tum kya gaye ke jaise chaman se gayi bahaar
har cheez ko yahaan ki tumhaara hai intzaar
meri taraha udaas hain saare main kya karoon
ye phool ye chaman ye nazare main kya karoon
jab tum nahin to chaand sitaare main kya karoon
ye phool ye chaman ye nazare mai kya karoon


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Report on Gangout in Mumbai on 29-4-2017, Part 1
—————————————————–

It so happened that Bakshish Singh ji had informed me that he would be in Mumbai, for a week, in February. Later on he informed that author Javed Hamid ji will also accompany him and so he suggested that we meet on 25th February 2017. Accordingly, all arrangements were made and plans were drawn by me and Sadanand ji. However, around 20th February or so, Bakshish ji informed me that due to a death in the family, he had cancelled his visit. So, the meeting was postponed to April end when, as per him, he would come to Mumbai with Sudhir ji and Javed ji.

In the meantime, Bharatbhai had left for a long trip to USA. These things were not new to me. even in the past,such planned meetings had been cancelled in Mumbai. Maximum number of Gangouts were planned, cancelled and also held in Mumbai, in last few years. Sigh ! Anyway, come April and once again Mails started flying between me, Sudhir ji and Sadanand ji. Now of course only two of us, me and Sadanand ji remained in Mumbai as active participants.( Nitin ji in Indore and no response from Nahm ji ). To further precipitate the matters, even Sadanand ji had expressed his doubts due to a proposed US visit. Luckily that was postponed and he was available.

Lo and behold ! As if it was mandatory, there was a death in the family of Bakshish Singh ji this time also and he cancelled his programme again. Sudhir ji too informed that even his programme was doubtful. I was following advise from Shrikrishna to Arjuna in Geeta- be a Sthitapradnya- स्थितप्रज्ञ – in adverse conditions. Means do not get affected by happenings surrounding you. I was mentally prepared for yet another cancellation of the Gangout. ( Anyway, I have decided to suggest to Bakshish Sngh ji that he should announce that he is going to Kolkata and coolly come to Mumbai !).

Sudhir ji, Bakshish Singh ji and Javed ji had plans to visit Pune also, after their seminar ( on 30th April and 1st May) was over. Because of the changed plans, even Javed ji wanted to cancel his Mumbai visit. In addition to all this, some health problem in Sudhir ji’s family put the whole plan in jeopardy !

All this uncertainty was causing hurdles in planning anything concrete for the Gangout. We were not even sure if it will take place. In all the earlier Gangouts at my place, we had lunch and Tea arrangements made by my daughters at home ( in Sudhir ji’s words “Anju-Manju event management company”). This time however, both daughters were not available, so we decided to make it a hybrid programme. My cook will make Chapati and Rice, other food will be ordered from outside and Sadanand ji would take care of the Sweets, while coming. From our side everything was planned and we sat with crossed fingers.

Finally,just one day prior to the Gangout, i.e. on Friday the 28th April, Sudhir ji confirmed that he and Javed ji have boarded the train for Mumbai and would arrive on 29th morning, as scheduled. He also confirmed that Bakshish singh ji, with all the difficulties, would reach Mumbai next day,i.e. on 30th….he would miss the Gangout but we could meet later. We heaved a sigh of relief and I gave all the finishing touches to the meeting.

As scheduled, Sudhir ji and Javed ji arrived in Mumbai on the morning of 29th April. Their train was one hour late. They alighted at Borivali and took a taxi to my place in Andheri. Normally the taxi fare would be around 250 to 300 rupees,depending on the traffic on the road. I was surprised that the Taxi driver charged them Rs. 600. They said even the meter showed this amount. This is an old trick used for outsiders, by the drivers. What they do is, they do not close the earlier trip meter to zero. Thus when the new passenger sits in the taxi, the meter starts from last reading.

I was very happy to see both of them. They were offered a welcome drink of Nimbu-Pani and over the drinks, they got the good news that they were cheated by the Taxi driver. With a sad heart, they freshened up and then had a breakfast of hot Upma and Idli sambar and Tea. By this time it was 11 am. At about 11.30 am Sadanand ji arrived with a box of sweets and Namkeen ( Kothimbir-vadi, a local delicacy) and finally….the meeting started. ( End of Part – 1 ).

Today’s song is from the film “Awara Shehzadi”-1956. The film makes its debut on the Blog with its first song.

Awara seems to be a favourite prefix of film titles. There are a total of 14 film titles having Awara in it. Funnily, the original “Awara Shehzada”was a film of 1933. It took 23 years to bring about a female version of the Title with Awara Shehzadi in 1956 ! Incidentally, film ‘Awara Shehzada’-33 was the First Talkie film, having a Double Role. Shahu Modak had done the roles of the Prince ( Rajkumar) and the Pauper ( Bholaram) in this film. It was directed by Master Vithal, the First Hero of First Talike of India, “Aalam Ara “-1931.

Film Awara Shehzadi-56 was produced by Hind Pictures and the Producer/Director was one Pyarelal. I do not know anything about this Pyarelal, but Hind pictures was originally established and owned by the successful Actor and Director Nazir Ahmed Khan. During the Partition riots, Hind pictures studio was burnt by the mob. Nazir Ahmed stood there,smoking a cigarette,watching his property turn into ashes. He must be glad, nobody recognised him. He knew that in Lahore, same type of frenzied mob had burnt Dalsukh Pancholi’s studio to ashes and he had expected its repercussions in India too. After this, shortly,he left everything he had earned in India here only and with only worn clothes left for Pakistan. There he started fro scratch again and became Pakistan’s successful produce/Director. This time he had his third wife, actress Swarnalata with him. His second wife Sitara Devi had eloped with his nephew K.Asif ( he ran a Tailoring shop then) to Delhi. Under the “Enemy Property law”-48, Hind picture studios must have been allotted to some person who had lost everything in Pakistan. May be this was that Pyarelal. I do not know. He produced and directed 4 films under the same banner-Hind pictures.

Film ‘Awara Shehzadi ‘ -56 had two MDs. Jimmy and Nashad. Composer Jimmy is one of those little known composers who never got fame or name in spite of their Talents. His real name was JAMES SINGH. he was a Christian sikh from Ludhiana. He was educated in Delhi. He started his career in Hindi films as a singer in Chorus. he could play many western instruments, especially all types of Guitars. When he failed as a singer, he became assistant to many composers. Finally, he got his chance to compose few songs for film ‘Muqaddar-50’,though with Khemchand Prakash and Bhola Shreshtha. He composed 2 duets of Asha and Kishore. The credit of teaching ” Yodelling ” to Kishore Kumar goes to Jimmy. Kishore ‘yodelled ‘ for the first time in this film.

Jimmy then gave music in 14 more films like, Shrimati ji, Smuggler, Awara Shehzadi, Sher e Baghdad, Nek khatoon, Pathan, Miss Chaalbaaz, Tarzan and Gorilla, Duniya hai dilwalon ki, Tarzan in fairy land, Khoon aur sazaa, Pyar ki baazi ,Aakhir and his last film, Sachhi Ibadat-1987. Inspite of giving sweet and melodious songs of a variety, Jimmy never came up to A class. He always remained a composer for C grade films. Anyway, as long as Kishore’s yodelling is heard, Jimmy’s name will be remembered.

In spite of my efforts, I could find only one song of this film on You Tube, so that way, it is a rare song. There were 7 songs in the film. 4 were composed by Jimmy and 3 by Nashad. Today’s song has a very good tune. Somewhere I felt that the same tune is used by another song in some film,but I could not remember that song. If any reader finds that song with similar tune, kindly put a comment here. The song is sung by Geeta Dutt and chorus. The Lyricist was Khawar Jama ( what a name ! ), who wrote 75 songs in 28 films- mostly B and C grade films. He had acted also in film Chandu-58.

The story of Awara Shehzadi was a typical one. The lead pair was Meena Shorey and Daljit. Daljit ( real name Jogender Puri) was born on 17-9-1931. He acted in 43 films and directed 2 films. All Stunt and action films. He had done 11 films with Chitra.

Meena is an unfortunate princess, who was abandoned by her father, because she was declared as a girl with lot of misfortune. A loyal maid took her and brought her up for 20 years. When she comes to know the truth, she decides to regain her position and heads to the Capital of the kingdom.

On her way, she meets a dancer. She takes her costume and proceeds. She meets the hero, who is like a Robin Hood. They fall in love. After completing the mandatory songs around trees etc, they proceed to the city. There are a series of funny and daring incidents. They are arrested as thieves, jailed, put in mental asylum and also sentenced to death. However with the help of good luck, friends and the team of Director and script writers they finally reach the king and reveal their identity.
Everything is fine after that and the lovers sing a song before the film closes.

Now let us enjoy this song.

Editor’s note- As many as 120 movies were released in the year 1956. This movie is the 100th movie of 1956 to find representation in the blog.


Song-Naach rahi naach rahi champakali (Aawaara Shahzaadi)(1956) Singer- Geeta Dutt, Lyrics- Khawar Zamaan, MD- Jimmy
Chorus

Lyrics

naach rahi naach rahi champaakali
kismat kahaan se kahaan le chali
haay kismat kahaan se kahaan le chali
champaakali champaakali champaakali
ho naach rahi naach rahi champaakali
ho naach rahi naach rahi champaakali

o o
gham ka fasana kisko sunaaun
dil ki lagi koi na jaane
gham ka fasaana kisko sunaaun
dil ki lagi koi na jaane
aankhon mein aansoo honthon pe aahen
sun le o zaalim zamaane
champaakali champaakali champaakali
ho naach rahi naach rahi champaakali
ho naach rahi naach rahi champaakali

naach naach naach rahi champaakali
kismat kahaan se kahaan le chali
haay kismat kahaan se kahaan le chali

o o o
aaho se khele taraane khushi ke
aankho mein ashkon ke mele
aahon se khele taraane khushi ke
aankhon mein ashkon ke mele
kismat ke teeron ka ban kar nishaana
rah gaye ham to akele
o o o
champaakali champaakali champaakali
ho naach rahi naach rahi champaakali
ho naach rahi naach rahi champaakali

naach naach naach rahi champakali
kismat kahaan se kahaan le chali
hay kismat kahaan se kahaan le chali

o o o
chhaai khizaayen dil ke chaman mein
roothi hain hamse bahaaren
chhaai khizaayen dil ke chaman mein
roothi hain hamse bahaaren
ujdi huyi hai khushiyon ki duniya
aise mein kisko pukaaren
champaakali champaakali champaakali
ho naach rahi naach rahi champaakali
ho naach rahi naach rahi champaakali


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from film Chaalbaaz (1958).

What an year 1958 was, in terms of musical films ! Most Music Directors had offered their best songs in this year. The popular playback singers were very busy and the musicians and the arrangers had a field day, running from this studio to that studio for rehearsals and recordings. The films that came in 1958 were full of wonderful music and one can not make choices in those films. Not only that but there was a variety of different Genres of films on offer. Historical, Costume, stunt,Mythologicals, social, Comedy….you name it and you would have it. A grade, B grade and C grade… all grades of films had A grade music. An example to quote would be “Hamen to loot liya mil ke husn walon ne…”a very popular qawwali from a C grade film like “Al Hilal “- 58.

Madan Mohan had 7 films in 1958 and almost all had superb music. Just take a look at these films of 1958… Panchayat, 24 Ghante, P.B.999, Samrat Chandragupta, Jasoos, Mausi, Do Phool, Police, Solva Saal, Sitaron se aagey, Talaq, Kaarigar, Amardeep, Yahudi, Baghi Sipahi, Sadhana, Light House, Dilli ka Thug, Adalat, Jailor, Aakhri Daav, Night Club, Khazanchi, Khota Paisa, Chandan,Kabhi andhera kabhi ujala, Mr. qartoon M.A., Mujrim, 12 o’clock, Howra Bridge, Phagun, Raagini, Sone ki chidiya, Lala Rukh, Phir subah hogi, Takdeer, Rambhakta Bibhishan, Savera, Detective, Parvarish, Suvarn Sundari, Sohni Mahiwal, Madhumati, Al Hilal, Naya Paisa, Aji bas shukriya………….

Film Chaalbaaz-58 too had very good songs, Chitragupta-the melody Maker being the composer for it. However the film being a stunt picture, songs from this film were not exposed to the elite or a larger section of population, hence it could not compete with other other film songs. As such the Indian public was drenched in lovely music from so many films in 1958 and for a stunt film there was no chance to showcase its music at all. The film had 7 songs- 5 written by Prem Dhavan and 2 by Anjum Jaipuri. Rafi, Lata, Asha,Geeta and Ram Kamlani had sung these songs. The main lead actors of the film were P.Jairaj and Nirupa Roy.

Nirupa Roy (4-1-1931 to 13-10-2004) was an enigma of Hindi Cinema. An ordinary lower middle class housewife turned into an actress due to need to survive. Funny thing was that it was her husband who had visited the studio to get a job as an actor and the studio selected his wife instead ! Nirupa Roy who acted in over 250 movies has been variously branded as a Goddess of Mythological films, a suffering wife of a poor farmer, a troubled housewife of social films, an acclaimed quintessential mother of Bollywood and even a Stunt film actress !

She has been a Heroine in 110 films, a mother in over 50 films,has been a Goddess in 50 Mythological films, a suffering wife in over 30 films and a Stunt girl in about 10 films. She sang Bhajans, romantic songs, Comedy songs, qawalis, sad songs and peasant folk songs on the screen.

She changed her Heros like “Badalate huwe saathi”. She did 18 films with Trilok Kapoor ( 50-65), 12 films with Balraj Sahni ( 53-72), 16 films with P.Jairaj ( 53-78), and 21 films with Ashok Kumar ( 56-89). She was Amitabh’s mother in 12 films and stunt Girl in 8 films. She even wrote a popular film song for film Samrat Chandragupta-58 ( Mujhe dekh chaand sharmaye – Lata).

Due to all this, one could never put any specific label to Nirupa Roy. God had given her a face which exuded Daya, Kshama,and Shanti all the time,so she suited best for the role of Goddesses in Mythological films. Not having a very beautiful face, she fitted very well as a poor farmer’s wife or a toiling,suffering middle class wife of a middle class husband. With heavy make up and Gaudy dresses, she could pass muster in Costume or Historical films. But while doing stunt films, same Nirupa Roy so ravishing,different and suitable ( in shirt and trousers) that one wondered if she was the same actress who did “Goddess “roles so convincingly ! This was possible due to her acting capabilities.

I have seen most of her stunt films. Recently, our own Raja ji said in one of his comments on the Blog that he can not think of Nirupa Roy in any dress other than a Saree or Salwar kameez ( not exact words, but with this meaning). I would stress that in films like Chaalbaaz-58 he could have seen Nirupa Roy in a different avatar all together. She has copied Fearless Nadia-almost, in being dressed in a shirt and trousers and by participating in various stunts and swordswomanship (like swordsmanship). The story of the film too was suitably built, with a trained Horse-Moti and a Trained Dog-Tiger too for masala effect.

The Director of film Chaalbaaz was Nanabhai Bhatt ( 12-6-1915 to 24-4-1999). He was her director in many films,because he directed mostly Mythological and stunt films only. Nanabhai was born as Yashwant ( pet name – Batuk) at Porbandar. Since he was the younger one he was called Nanabhai ( opposite to Motabhai-elder brother). This name continued till the end. His father was a doctor. After matriculation, he went to Mumbai in 1934, where his elder brother Balwant Bhatt was working. Balwant started with Imperial,shifted to Sagar and now was with Prakash pictures of Vijay and Shankar Bhatt. he got Nanabhai a job as Sound Recordist.Soon he graduated to Production Executive.He also wrote several screenplays.

In 1942 he directed “Muqabala”, for Homi Wadia, as Batuk Bhatt. Homi Wadia became his good friend. When Homi established his own Basant Pictures, Nanabhai joined him and directed his “Hunterwali ki Beti”-43, with Nadia again. He also did mauj, Jee Haan, Chaalis Karod etc. He directed about 50 films of various genres like Stunts, Mythologicals,crime, social, costume etc.

Nanabhai’s first wife was Hemlata. He also married Shirin banu, his Heroine of few films. To circumvent the Bigamy law, he married her in a Temple and that too in the presence of Hemlata ! He had 3 children from Hemlata and 6 from Shirin. Mukesh and Mahesh Bhatt are from Shirin. His children and grandchildren married is different religions.Thus his big family was an example of Secularism ! In addition to 9 children Nanabhai also produced 20 films under his own Deepak Pics and Gautam Chitra !

FILMOGRAPHY OF NANABHAI BHATT: 1942: Muqabala; 1943:Hunterwali Ki Beti; Mauj; 1945: Chalis Karod; 1946: Maa Baap Ki Laaj; 1947: Meerabai; 1949: Shaukeen; Veer Ghatotkach; Sudhaar; 1950: Hamara Ghar; Janmashthami; Veer Babruwahan; 1951: Lakshmi Narayan; Daman; Lav Kush; Ram Janma; 1952: Apni Izzat; Baghdad; Sinbad the Sailor; 1954: Toote Khilone; Watan; 1956: Kismet; 1957: Mr X; Ustad; 1958: Chaalbaaz; Son of Sinbad; 1959: Bazigar; Daaka; Kangan; Madam XYZ; Naya Sansar; 1960: Lal Qila; Police Detective; Zimbo Comes to Town; 1961: Teen Ustad; 1962: Baghdad Ki Raatein; Rocket Girl; 1963: Alapiranthavan; Bhootnath; Cobra Girl; 1964: Samson; 1965: Adhi Raat Ke Baad; Bekhabar; 1966: Shankar Khan; 1967: Arabian Nights; 1968: Jung Aur Aman; 1974: Jeevan Rekha; 1975: Balak Aur Jaanwar; 1976: Dharti Mata; 1981: Gajara Maru; 1982: Jaya Parvati Vrat.( Thanks to Harish Raghuwanshi ji and Encyclopedia of Indian Cinema for some information.)

Film Chaalbaaz was produced by his elder brother Balwant Bhatt and Ram Kamlani. Today’s song is only the second song to be posted here. It has a very melodious tune and is sung by Geeta Dutt and Mohd. Rafi. The story of the film is…

This is the story of the princess of a kingdom,who is very proud and selfish. She wanted her people to contribute for her crowning ceremony. Her army collected money from the people by force. A young son of a blind headman of a nearby village comes to Princes to complain against the army. He is arrested and hanged as a rebel.

Roopa (Nirupa Roy) his sister is shocked and wants to take a revenge. She dons a male costume and a hood and attacks the army people, snatching money from them and distributing to the people. She is soon declared as a rebel and becomes a wanted criminal.

Roopa and the Princess love the same young man-Randhir (P.Jairaj). Displeased with the Princess for her cruelty, Randhir leaves her court and joins Roopa and her fight against the army. He too is declared a rebel. They both are arrested by deceit and sentenced to death. Meanwhile the friends of Randhir and Roopa infiltrate the jail, liberate Randhir and Roopa.

There is a final show down when the princess and the army is attacked. A sword fight between Roopa and the princess takes place. No need to guess what will happen next. It happens same way and the end is sweet. Randheer becomes the King and Roopa becomes his Queen.


Song- Ho chat mangni to pat shaadi (Chaalbaaz)(1958) Singers-Geeta Dutt, Rafi, Lyricist- Anjum Jaipuri, MD- Chitragupta

Lyrics

ho chat mangni
to pat shaadi
na dil ko todo ji
bade lafde hain shaadi mein
ye lafde chhodo ji

ho chat mangani
to pat shadi
na dil ko todo ji
bade lafde hain shaadi mein
ye lafde chhodo ji

shaadi hogi bachche honge padega kamaana
muft ki roti khaane waale
karo na bahaana
aha shaadi hogi bachche honge
padega kamaana

muft ki roti khaane waale
karo na bahaana
ye rishta hai mohabbat ka
khushi se jodo ji
bade lafde hain shaadi mein
ye lafde chhodo ji

ho chat mangni to pat shadi
na dil ko todo ji
aha
bade lafde hain shaadi mein
ye lafde chhodo ji

shaadi hogi band bajega
karo na ghotaala
do din ki ye deewaali hai
phir hai deewaala
oho

shaadi hogi band bajega
karo na ghotaala
do din ki ye deewaali hai
phir hai deewaala
hain duniya mein bahut andhe
hamen to chhodo ji
bade lafde hain shaadi mein
ye lafde chhodo ji

gori rangat dil hai kaala
chali ho banaane

doodh se ujla naari ka man
arre o deewaane
arre gori rangat dil hai kaala
chali ho banaane

doodh se ujla naari ka man
arre o deewaane
ye dil le lo
wo dil de do
nazar na modo ji
bade lafde hain shaadi mein
ye lafde chhodo ji

ho chat mangni
to pat shadi
na dil ko todo ji
are baba re baba re
bade lafde hain shaadi mein
ye lafde chhodo ji


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Guru Ghantaal”(1956) was produced by R N Sharma and N K Kaushik and directed by S M Yusuf for V K Pictures, Bombay. This movie had Shiela Ramani, Motilal, Usha Kiran, Agha, Sundar, Mirza Musharraf, Paro, Sheikh, Kesri, Vijaybala, Ravikant , Jagdev etc in it.

According to HFGK, there were nine songs in the movie. Two songs from the movie have been covered in the blog.

Here is the third song from “Guru Ghantaal”(1956) to appear in the blog. HFGK mentions this song as a duet by Rafi and Geeta Dutt. On listening through the uploads of this song, one notices that this song has two versions. One version is sung by Rafi , Geeta Dutt and chorus, whereas another version has some additional uncredited voices as well.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.

Part I

Part II

Song-Ye kaise yog liya sarkaar (Guru Ghantaal)(1956) Singers-Geeta Dutt, Rafi, Lyrics-Pt Gaafil, MD-Lachchiram

Lyrics
——————————-
Part II
——————————-

ye kaise
yog liya sarkaar

badal kar bhesh mere dildaar
mere dildaar
badal kar bhesh mere dildaar
ye kaise yog liya sarkaar
mere sarkaaar
na kar takraar
meri sarkaar
tumhaara khench ke laaya pyaar
tumhaara

badal kar bhesh mere dildaar
ye kaise yog liya sarkaar
mere sarkaaar
na kar takraar
meri sarkaar
tumhaara khench ke laaya pyaar
tumhaara
hahahaha

jag waalon se nazar bacha ke
lekar maala tilak laga ke
lekar maala tilak laga ke
tilak laga ke
saajan kyun chhoda gharbaar
badal kar bhesh mere dildaar
mere dildaaar
aha
na kar takraar meri sarkar
tumhara khench ke laya pyaar
tumhaara

badal kar bhesh mere dildaar
ye kaise yog liya sarkar
mere sarkaaar
na kar takraar meri sarkar
tumhara khench ke laaya pyaar
tumhara
haha

ladki o ladki
ladki kadki aur bekaari
raam mister raam
mister raam bane hain prem pujaari
are ladki kadki aur bekaari
raam mister raam
mister raam bane hai prem pujari
o lekar chimta aur khartaal
bajaaye hum veena ke taar

o chhodo chhodo ji sarkar
mere sarkar
na kar takraar meri sarkar
tumhara khench ke laaya pyaar
tumhaara

badal kar bhesh mere dildaar
ye kaise yog liya sarkar
mere sarkaaar
haha
na kar takraar meri sarkar
tumhara khench ke laaya pyaar
tumhaara
haha

——————————-
part II
——————————-

o chhodo chhodo ji sarkaar
mere sarkaar
na kar takraar
meri sarkaar
tumhaara khench ke laaya pyaar
tumhaara

badal kar bhesh mere dildaar
ye kaise yog liya sarkaar
mere sarkaaar
hahaha
na kar takraar
meri sarkaar
tumhaara khench ke laaya pyaar
tumhaara
haha

chaar sau bees
o four twenty
arre waah waah
four twenty
prem pujaari
bane na durgat kahin tumhaari
four twenty
prem pujaari
bane na durgat kahin tumhaari
sambhal ja
kadkon ke sarkaar
kahin joote na pade hazaar
daran dan dindar dandan daa
patik lapatakik ??vurr

mere sarkaaar
na kar takraar
meri sarkaar
tumhara khench ke laaya pyaar
tumhaara

badal kar bhesh mere dildaar
ye kaise yog liya sarkaar
mere sarkaaar
hahaha
na kar takraar
meri sarkaar
tumhaara khench ke laaya pyaar
pyaar
pyaar
pyaar
bakshanhaar o kartaar
maula karega beda paar
bakshanhaar o kartaar
maula karega beda paar
o o o o
raam ki leela nyaari ee ee ee
raam ki leela nyaari re bande
raam ki leela nyaari
ho o o o
raam ki leela nyaari ee

jag taaran taaran bhavhi bhanjan
dharni dhaar
o dekho raam ki leela
raam ki leela
raam ki leela aa aa
raam ki leela nyaari re saadho
raam ki leela nyaari ho o o
raam ki leela nyaari

bhajo raadhe ae ae
bhajo raadhe ae ae ae
bhajo raadhe
ae ae ae

bhajo raadhe govind
bhajo raadhe govind

bhajo raadhe
o bhajo raadhe
bhajo raadhe
bhajo raadhe

bhajo raadhe govind
bhajo raadhe govind
bhajo raadhe govind
bhajo raadhe govind
bhajo raadhe govind
bhajo raadhe govind
bhajo raadhe govind
bhajo raadhe govind
bhajo raadhe govind
bhajo raadhe govind
bhajo raadhe govind
bhajo raadhe govind
bhajo raadhe govind


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It was a few days back that I received an unusual e mail from Sudhir Ji

Requesting that you may please slow down on the posts. I am trying to pull together an upcoming anniversary, against the some artist stats. So I request that you may please limit your postings to two posts for the next 5 to 6 days. I will also try to post at least one song, or maybe two, to keep the pace at 3 to 4 posts per day.

If feasible, please send me the tags information for the songs to be posted, a day in advance. I just want to ensure that the anniversary I am targeting and the stats I am trying to reach, coincide when required.

So accordingly I slowed down to two posts per day, one post being a “debutant” movie post and another post being “YIPPEE” post. But I found that Sudhir Ji himself would not be posting the promised one or two posts for the day.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Fighting Queen”(1956) was produced and directed by Nari Ghadiali for NKG productions. This stunt movie had the usual cast of Nadia, John Cawas, Pramila, Sheikh, Habeeb, Shamim Chaudhari, Noorjahaan, Anjum, Hanuman, Mustafa, Azeem, Ahmad, S Jahangeer, Shankar Shambhu qawwaal etc in it.
Read more on this topic…


Advertisements

Important Announcement

(© 2008 - 2017) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has over 13200 song posts by now.

This blog is active and online for over 3150 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13273

Number of movies covered in the blog

Movies with all their songs covered =1003 Total Number of movies covered =3703

Total visits so far

  • 9,312,056 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 2,069 other followers

Bookmark

Bookmark and Share

Category of songs

Archives

Current Visitors

visitors whereabouts

blogcatalog

Music Blogs - BlogCatalog Blog Directory

blogadda

Stumble

Historical dates

Blog Start date: 19 july 2008 Active for 3000 days.
%d bloggers like this: