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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Ameerbai Karnataki songs’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

1943 saw titles like “Khanzarwaali”(1943) and “Pistolwaali”(1943). These were stunt movies, viz movies catering to the taste of low brow audience. These movies have been forgotten with time and their songs are extremely difficult to locate. These movies are not yet represented in the blog.

“Khanzarwaali”(1943) was directed by A M Khan for Vishnu Paradise, Bombay. This stunt movie had Chandrika, Dalpat, S Alam, S Mansoor, Amina, Prakash, Aayesha, Mahant, Rafiq, Ansari, Abbas, Bhalerao, Feroza, Shanta, Mohan Singh etc in it. None of the names ring any bells. So it is clear that the movie must have become an obscure movie even during its time.

The movie had seven songs in it. Here is the first song from “Khanzarwaali”(1943) to appear in the blog. This song is sung by Amirbai Karnataki. Afzal Lahori is the lyricist as well as the music director.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.

With this song, “Khanzarwaali”(1943) makes its debut in the blog.


Song-Yoon dekhoge agar lag jaayegi nazar(Khanzarwaali)(1943) Singer-Amirbai Karnataki, Lyrics-Afzal Lahori, MD-Afzal Lahori

Lyrics

yoon dekhoge agar
yoon dekhoge agar
lag jaayegi nazar
o baanke naina waale ae
more tirchhi nazar waale
yoon dekhoge agar
lag jaayegi nazar
o baanke naina waale ae
more tirchhi nazar waale

kaahe taako aur muskaao
kaahe taako aur muskaao
main sharmaaun
ae jee jaao
main sharmaaun
ae jee jaao
yoon na dekh mujhe matwaale
more tirchhi nazar waale
yoon dekhoge agar
yoon dekhoge agar
lag jaayegi nazar
o baanke naina waale ae
more tirchhi nazar waale

yaad tumhaari ee
man hai mera aa
yaad tumhaari ee
man hai mera aa
aashaaon ka rain basera
aa
dukh sukh ko apna le ae ae
aa
dukh sukh ko apna le
more tirchhi nazar waale
yoon dekhoge agar
yoon dekhoge agar
lag jaayegi nazar
o baanke naina waale ae
more tirchhi nazar waale
pyaar hai aisa sundar sapna
gair bane hai jismein apna
pyaar hai aisa sundar sapna
gair bane hai jismein apna
do nainan jyot jagaa le
do nainan jyot jagaa le
more tirchhi nazar waale
yoon dekhoge
yoon dekhoge agar
yoon dekhoge agar
lag jaayegi nazar
o baanke naina waale
more tirchhi nazar waale

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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from film ‘Anban’ (1944) (pronounced as un-bun). So far, only one song from this film has been discussed on our blog in 2011. This is, therefore, the second song from this film. No songs of this film are available anywhere like You Tube etc. Then, how did I get introduced to  this song ? There is a story behind this.

Mr. Jayaraman Subramaniam ji must be in his mid 70s now. He is one of the most famous and very well known record collectors of India. I found his name mentioned in several books on HFM. I have never met him, nor have I ever spoken to him on phone, though he stays in Dombivali, a suburb of Mumbai (actually, it is in Thane district). From the information I gathered from his friends, Jay ji has been in this hobby since 1960. He is one of the major names in the field of record and song collections in India and Pakistan.

He had been a regular member of RMIM group on the internet. I have been following his comments – both past and recent ones – in the group and I find that almost all senior RMIM members all over the world do respect Jayaraman ji for his extraordinary knowledge about songs, MDs and singers. He is an expert in voice identification, so he can pinpoint the singers quite accurately. This quality of Jay ji has been helpful in solving many mysteries of songs and singers, where it is not mentioned or wrongly mentioned in HFGK.

I am happy that I am on his mailing list and he writes to me often about songs etc. He seems to have accepted me as “an eminent writer” and “a serious student of old HFM “. He stays alone in his flat at Dombivali. His wife expired few years back and two sons live separately.

Mr. Jayaraman ji worked in Indian Railways and retired after a long service record. Jay ji, through his BCSP (Bharatiya Cine Sangeet Parampara) holds listening sessions of rare songs on every Sunday and some of his old friends visit him on that occasion.

I have been told that recently he has sold his entire collection, for an undisclosed value, of records and songs to our friend Deepak Chowdhari ji of Paratwada, Amaravati (Maharashtra). You will recall that Deepak ji has attended our last held Gangout at Mumbai, some time back. However, Jay ji seems to have preserved all his songs on G Cloud- from where he discusses such songs with RMIMers and other Facebook music lovers.

Recently, he had mailed this song (today’s song) from film ‘Anban’ (1944) to RMIMers, including me of course. I fell in love with this song, when I heard it. I requested Jay ji to allow me to use his song to be discussed on our blog for the benefit of our readers and he magnanimously said yes by return of mail. So a big Thank You to Jay ji. Also my thanks to our own Sudhir ji, for kindly uploading this song from his own collection on You Tube, on my request. (Sudhir ji’s copy of the song is 30 seconds longer than the one sent in by Jay ji. Also the quality of the song recording is much better.)

Here is how Jayaraman ji got this song – in his own words, “Ek bahut hee madhur TRIO gaana jise MD: Jnan Dutt ne mujhe 1973 mein diya apni ek purani sanduk se. Meri passion for cine music mehsoos kar uss ne poora sanduk dae dala jisme kareeb 150 recorden 78 rpm ke thae (cover nahin thae) aur kafi achhi condition mein thee.

Aise aise film thae unke sangeet mein jo uss wakt (1973) mein maine kabhi naam bhi sune nahin thae…aur kaha: Yeh sab tumhare liye hai – lae jaao aur sun ke hamein bathana bhoolna mat !!Ussee sanduk mein se yeh ek ‘tri-gaan’ aap sab shrotajan ke liye pesh karta hoon….ussee passion ke sath aaj 43 saalon baad , HD format par. ”

‘Anban’ (1944) was a Bharat Productions film. It was directed by Niren Lahiri. He was born on 17-7-1908 in Calcutta. He started his directorial activity with Bangla film ‘Mahakabi Kaalidas’ (1942). His Hindi films are ‘Anban’ (1944), ‘Ban Phool’ (1945), ‘Arabian Nights’ (1946), ‘Vijay Yatra’ (1948) and ‘Shobha’ (1954). Niren Lahiri died in 1972.

The cast of the film is listed as Nargis, Pahadi Sanyal, Shahnawaz, David, Mubarak, Shobhana Samarth, Jagirdar etc. The odd sounding name of Pahadi Sanyal is that of a Bengali actor, who did Bangla and Hindi films with equal ease. Normally, Bangla stars (just like the south Indian stars) had a Himalayan problem of speaking Hindi and its diction, but not Sanyal. He was an expert in speaking Hindi and Urdu. But for his Bangla looks and mannerisms, he could have been a great addition to Bombay stars. Nevertheless, he acted in 53 Hindi films, made both at Calcutta and Bombay, from 1933 to 1970. Notably he never went to Lahore to work in any film.

Though his real name was Nagendranath Sanyal, having born in the hill station Darjeeling, he was nicknamed Pahari Sanyal (one from the hills) and the name continued throughout his professional career. He was born on 22-2-1906

From his childhood itself, Sanyal was extremely fond of music and he took training under several famous music teachers of the day. Finishing his school, he joined the engineering course at the Benaras Hindu University but soon left to study Indian classical music at the Morris College of Music in Lucknow. In Lucknow, the young Pahari came in contact with the poet and composer Atulprasad Sen and soon earned fame as one of the best exponents of Atulprasad’s songs. In 1931, he joined the service of the Maharaja of Dewar as his private secretary.

In 1932, Sanyal came to Kolkata and got introduced to PC Barua through his friend the cinematographer Krishna Gopal. Sanyal got a chance to act in the New Theatres production ‘Rooplekha’ (1934) but due to contractual problems he was ultimately unable to appear in the film. But he caught the eye of Debaki Bose and joined the New Theatres as an actor on a monthly salary of Rs 150.

Pahari Sanyal made his screen debut as a singer-actor in Debaki Bose’s musical ‘Meerabai’ (1933) (in Bangla) as Chand Bhatta, a role he also did in the Hindi version ‘Rajrani Meera’ (1933). Both the films were very popular and helped in establishing him as one of the major film stars of the day. In the same year, the famous music director Pankaj Mullick used him to re-record all the songs sung originally by SD Burman for ‘Yahudi Ki Ladki’, a New Theatres Production, directed by Premankur Atorthi. As he was fluent in both the languages, Pahari Sanyal starred in most of the Hindi/Urdu versions of the Bengali films produced by New Theatres.

In the 1930s, he had a string of hits as an actor and singer in Bengali/Hindi bilinguals like ‘Bhagyachakra/Dhoop Chhaon’ (1935), ‘Devdas/Devdas’ (1935), ‘Millionaire/Karorepati’ (1936), ‘Bidyapti/Vidyapati’ (1937), ‘Sapurey/Sapera’ (1939), ‘Abhinetri/Haar Jeet’ (1940) and ‘Naukadubi/Milan’ (1946). ‘Bhagyachakra’, one of the first films in India to use playback singing, had Sanyal singing the evergreen “Keno Paran Holo Bandhan Hara” while in its Hindi version he sang “Prem Ki Naiyaa Chali Jal Mein Mori”. In ‘Karorepati’, he had the hit song “Jo Naukri Dila De” – a duet with the legendary KL Saigal. In ‘Haar Jeet’ he sang another wonderful duet, “Mast Pawan Shake Hein” with Kanan Devi. “Wo Kahen Aap Ki Do Chaah Ka Inaam Mujhe“, a song sung by him in the film ‘Milan’ was also very popular. Pahari Sanyal’s performance as Jhumro, a young and audacious snake-charmer who elopes with the heroine Chandan (Kanan Devi) in the film ‘Sapurey/Sapera’ was extremely well appreciated by both the general audience and critics.

In 1941, he received the Best Actor Award from the Bengal Film Journalists Association (BFJA) for his brilliant performance as Kumarnath in the film ‘Pratisruti’ directed by Hemchandra Chunder. After this, he went to Mumbai and acted in films like ‘Mouj’ (1943), ‘Mohabbat’ (1943), ‘Insaan’ (1944), ‘Anban’ (1944), ‘Preet’ (1945), ‘Milan’ (1946) and ‘Shravan Kumar’ (1946). In all, Sanyal worked in 53 Hindi films, both at Calcutta and Bombay. His first film was ‘Rajrani Meera’ (1933) and the last one was ‘Dharti’ (1970) in Hindi. Sanyal also sang about 42 Hindi songs in 19 films.

He is perhaps, the only male actor who has worked with KL Saigal in maximum number of films

Sanyal played the role of a Hindu ascetic (the Swami ji) in the Merchant-Ivory film ‘The Householder’ (1963). He won the BFJA Award as the Best Supporting Actor for his efforts in ‘Jaya’ (1965), a film by Chitta Basu. He also had significant roles in ‘Grihadaha’ (1967), Shakti Samanta’s ‘Aradhana’ (1969) – an understanding and sympathetic father to the heroine Sharmila Tagore, ‘Nimantran’ (1971) and ‘Shesh Parba’ (1972). ‘Kaya Hiner Kahini’ (1973) was his final film.

Sanyal’s first wife died in child birth. Later he married actress Meera Devi. Their daughter Luku Sanyal became Doordarshan’s first English newsreader and did this from 1970 to 1980. Pahari Sanyal was an extremely sophisticated man in real life. He was fluent in Bangla, Hindi, Urdu and English and read French literature in the original language. When he died on 10 February 1974, Indian cinema lost one of its leading lights. (Thanks to Upperstall for select information from its article, used in this bio sketch).

‘Anban’ (1944) film story was about king size ego and its side effects. The story of the film is summarized below.

Madhav Pandit (Jagirdar) and Pandey (Shahnawaz) are very good friends, though their thinking is different. Pandit is old fashioned and traditional, having pride for Indian customs etc. Pandey on the other hand is a liberal person accepting the good in western culture, but not having anything against our old traditions.

Madhav Pandit has a son Yadav and two daughters – Madhavi (Shobhana Samarth) and Malati (Nargis). Pandey has one son – Vijay (Pahadi Sanyal). While Yadav and Vijay are good friends, Vijay has a soft corner for Malati. Eventually, their love blooms. They, together open a school in their town to train the new generation.

The elders fix their marriage also. Pandey wants to donate some amount to the school and so he makes some suggestions to the children. Pandit resents the suggestions. He also declines the donation of Pande. Both Pandit and Pandey have a hot argument, then a quarrel and they stop talking to each other.

The marriage of Vijay and Malati is broken. In his anger, Pandit marries his elder daughter Madhavi to an older, drunkard person – Ranjan ( Mubarak), who hails from a noble family. This marriage takes place against the opposition of everybody.

Not only this, but Pandit also fixes Malati’s marriage with an old jagirdar widower. One day Pandit’s son-in-law, Ranjan is caught red handed by Vijay, when Ranjan is selling his wife’s (Madhavi’s) gold ornaments for his drinks. Vijay fires him. Ranjan, as a revenge, goes and tells false stories to Pandit about Vijay, thereby spoiling his impression.

On the day of marriage, when the baraat is to come, it is found that Malati is missing. Not only that even Vijay is missing. Pandit is shocked and very much worried for his daughter. Afraid that she might commit suicide, he is scared.

Meanwhile baraat arrives and the groom angrily blames Pandit for doing injustice to his daughter, when her marriage was already fixed. Pandit repents, meanwhile Vijay and Malati arrive. They are married by a priest in a temple. Pandey comes there and gives a lecture on controlling anger and false ego. Pandit realises his mistake. He begs every one’s pardon and Vijay and Malati are married in the same place. The groom for Malati is on her side already, convinced by Vijay about their love. All is well that ends well. (635)

The film has 8 songs, composed by Gyan Dutt and written by Pt. Madhur. Today’s song is sung by GM Durrani, Ameerbai Karnataki and Hameeda Bano, as per HFGK. Enjoy this melody. You will love the music and the tune, I am sure.


Song – Hum Aage Badhte Jaayen Duniya Peechhe Peechhe Aaye (Anban) (1944) Singer – GM Durrani, Amirbai Karnataki, Lyrics – Pt Madhur, MD – Gyan Dutt
GM Durrani + Amirbai Karnataki
GM Durrani + Amirbai Karnataki + Hamida Bano

Lyrics

hum aage badhte jaayen
duniya peechhe peechhe aaye re
peechhe peechhe aaye
hum aage badhte jaayen
duniya peechhe peechhe aaye re
peechhe peechhe aaye
jo soye
so khoye
jo soye
so khoye premi
jo jaage so paaye re
jo jaage so paaye
jo soye
so khoye premi
jo jaage so paaye re
jo jaage so paaye
hum aage badhte jaayen
duniya peechhe peechhe aaye re
peechhe peechhe aaye

udd udd kar panchhi ke jodey
chhaaya karte jaayen
udd udd kar panchhi ke jodey
chhaaya karte jaayen
hawaa ke jhonke nai jawaani
jholi bhar bhar laayen
hawaa ke jhonke nai jawaani
jholi bhar bhar laayen
hum chalte chalte gaayen
duniya thakte thakte gaaye re
thakte thakte gaaye
hum chalte chalte gaayen
duniya thakte thakte gaaye re
thakte thakte gaaye
hum aage badhte jaayen
duniya peechhe peechhe aaye re
peechhe peechhe aaye

hare hare sab ped hamen
jhuk jhuk ke deven badhaai
hare hare sab ped hamen
jhuk jhuk ke deven badhaai
nadiyon ki lehren ban jaayen
shaadi ki shehnaai
nadiyon ki lehren ban jaayen
shaadi ki shehnaai
baanson ki har pori
bansi ban ke hamen lubhaaye re
ban ke hamen lubhaaye
baanson ki har pori
bansi ban ke hamen lubhaaye re
ban ke hamen lubhaaye
hum aage badhte jaayen
duniya peechhe peechhe aaye re
peechhe peechhe aaye

kadam kadam pe hasi khushi hon
armaanon ke gaanen
kadam kadam pe hasi khushi hon
armaanon ke gaanen
hum pahunche us jageh jahaan par
baste hon deewaane
hum pahunche us jageh jahaan par
baste hon deewaane
raat sunaaye. . .
raat sunaaye apni beeti
chanda sunta jaaye re
chanda sunta jaaye
raat sunaaye. . .
raat sunaaye apni beeti
chanda sunta jaaye re

chanda sunta jaaye
hum aage badhte jaayen
duniya peechhe peechhe aaye re
peechhe peechhe aaye

hum aage badhte jaayen

hum aage badhte jaayen

hum aage badhte jaayen

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

हम आगे बढ़ते जाएँ
दुनिया पीछे पीछे आये रे
पीछे पीछे आये
हम आगे बढ़ते जाएँ
दुनिया पीछे पीछे आये रे
पीछे पीछे आये
जो सोये
सो खोये
जो सोये
सो खोये प्रेमी
जो जागे सो पाये रे
जो जागे सो पाये
जो सोये
सो खोये
जो सोये
सो खोये प्रेमी
जो जागे सो पाये रे
जो जागे सो पाये
हम आगे बढ़ते जाएँ
दुनिया पीछे पीछे आये रे
पीछे पीछे आये

उड़ उड़ कर पंछी के जोड़े
छाया करते जाएँ
उड़ उड़ कर पंछी के जोड़े
छाया करते जाएँ
हवा के झोंके नई जवानी
झोली भर भर लाये
हवा के झोंके नई जवानी
झोली भर भर लाये
हम चलते चलते गाएँ
दुनिया थकते थकते गाये रे
थकते थकते गाये
हम चलते चलते गाएँ
दुनिया थकते थकते गाये रे
थकते थकते गाये
हम आगे बढ़ते जाएँ
दुनिया पीछे पीछे आये रे
पीछे पीछे आये

हरे हरे सब पेड़ हमें
झुक झुक के देवें बधाई
हरे हरे सब पेड़ हमें
झुक झुक के देवें बधाई
नदियों की लहरें बन जाएँ
शादी की शहनाई
नदियों की लहरें बन जाएँ
शादी की शहनाई
बाँसों की हर पोरी
बंसी बन के हमें लुभाए रे
बन के हमें लुभाए
बाँसों की हर पोरी
बंसी बन के हमें लुभाए रे
बन के हमें लुभाए
हम आगे बढ़ते जाएँ
दुनिया पीछे पीछे आये रे
पीछे पीछे आये

कदम कदम पे हंसी खुशी हों
अरमानों के गाने
कदम कदम पे हंसी खुशी हों
अरमानों के गाने
हम पहुंचे उस जगह जहां पर
बसते हों दीवाने
हम पहुंचे उस जगह जहां पर
बसते हों दीवाने
रात सुनाये॰ ॰ ॰
रात सुनाये अपनी बीती
चंदा सुनता जाये रे
चंदा सुनता जाये
रात सुनाये॰ ॰ ॰
रात सुनाये अपनी बीती
चंदा सुनता जाये रे
चंदा सुनता जाये
हम आगे बढ़ते जाएँ
दुनिया पीछे पीछे आये रे
पीछे पीछे आये

हम आगे बढ़ते जाएँ

हम आगे बढ़ते जाएँ

हम आगे बढ़ते जाएँ


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The first song from the film CHAAND CHAKORI (1945), jogan banaa ke piyaa chhod gayo galiyon mein was posted on the Blog about 6 years back. Since then, no more songs from the film were covered in the Blog. In the write-up to the first song from the film, Atul ji had mentioned that very little information about the film was available online. At that time, I doubt whether any songs from this film was available on YT as I find that the first and the only song out of 13 songs from the film was uploaded by Atul ji on YT.

Even after such a long time, out of 13 songs in the film, to the best of my search, I have not found any other song of the film on YT. This shows how obscure the film has become over a period of time. Fortunately, more information about the film is now available online including the review, pictures of a few scenes and also mp3 clip of one more song from the film which I got only a few days back.

CHAAND CHAKORI (1945) was produced under the banner of Ranjit Movietone and was directed by Kidar Sharma. The star cast included Surendra, Mumtaz Shanti, Shanta Kumari, Ashraf Khan, Kesri, Sheikh, Jugal Kishore, Marutirao Pehlwan etc. According to the box office report, the film was 6th highest grossing film among the films released in 1945.

The story of the film culled out from the review published in March 1946 issue of ‘Filmindia’ is as under:

Chakori (Mumtaz Shanti) is a beggar girl who meets Birju (Surendra), a flute seller. They fall in love. They start singing together on the street. Chakori is the ward of a Madaari (Kesari) who loves her and wants to keep her with himself. Apart from singing together, Chakori helps Birju in selling his flutes to the prospective customers with the help of Bhagwan (Ashraf Khan), an eccentric philosopher. Madaari becomes jealous of Birju and finds an opportunity to send him to jail for 3 months.

After his release from the jail, Birju misses Chakori and he starts misunderstanding that she may not be interested in him. Days passed and Chakori has now graduated from the street singer to a well-known stage dancer under an assumed name Neelam. As it usually happens in the Hindi film story, some coincidence brings them together. They meet now with a different financial status. Chakori is now rich with the fame she acquired as a stage dancer while Birju is still a poor man selling flutes. The usual misunderstanding between them arises. But at the end, everything gets sorted out and they are united.

From the story of the film, I am surprised how this film became the 6th highest grosser in 1945. I remember to have read sometime back that Mumtaz Shanti was known to be a good dancer and those days film audience used to watch her films in the theatres mainly for her dances. The twist in the story – from a street singing girl to a stage dancer may have been probably done from the box office consideration.

The film had 13 songs written by Wali Sahab (6), Pandit Indra (6) and Kidar Sharma (1) which were set to music by Bulo C Rani. As many as 7 songs were sung by Ameerbai Karnataki.

Here is the second song from the film ‘man mein basaa le piyaa ko’ sung by Ameerbai Karnataki. The song was written by Wali Sahab.


Song-Man mein basaa le piya ko (Chaand Chakori)(1945) Singer-Ameerbai Karnataki, Lyrics-Wali Sahab, MD-Bulo C Rani

Lyrics

mann mein basaa le piyaa ko
mann mein basaa le
piyaa ko
piyaa ko
piyaa ko
mann mein basaa le
mann mein basaa le piyaa ko
mann mein basaa le
piyaa ko
piyaa ko
piyaa ko
mann mein basaa le

kaajaal ki dori ka jhoola banaa ke
kaajal ki dori ka jhoola banaa ke
nainon ke putli mein pi ko chhupaa ke
nainon ke putli mein pi ko chhupaa ke
patjhad mein saawan kaa mela banaa ke
patjhad mein saawan kaa mela banaa ke
piyaa ko
piyaa ko
piyaa ko mann mein basaa loon
mann mein basaa le
piyaa ko
mann mein basaa le
piyaa ko
piyaa ko
piyaa ko
mann mein basaa le

kaali kaali zulfon ki jaali banaa ke
kaali kaali zulfon ki jaali banaa ke
baalon ke jaalon mein pi ko basaa ke
baalon ke jaalon mein pi ko basaa ke
aasha ke taaaron kaa chanda banaa ke
aasha ke taaron kaa chanda banaa ke
piyaa ko
piyaa ko
piyaa ko mann mein basaa loon
mann mein basaa le piyaa ko
mann mein bassa le
piyaa ko
piyaa ko
piyaa ko
mann mein basaa le


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Gunsundari”(1948) was produced and directed by Producer Director Ratibhai Hemchander Punatar for Ajit Pictures, Bombay. The movie had Nirupa Roy, Manhar Desai, Dulari, Chhagan Romeo, Saraswati, Babu Raje, Jalejar Reuteur, Kamlesh Thakkar, Nazira, Ibrahim, Chandramukhi, Master Pransukh etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bade Nawaab Sahab”(1944) was directed by Vedi for Silver Films, Bombay. This “social” movie had Chandramohan, Pahadi Sanyal, Kumar, Pramila, Bibbo, Sushil Kumar, Shanta Patel, Leela Mishra, Kamla, Taj Mahmooda, Noor, Noor Begam, Laddan, Agha Jaan, Ghori etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

NAGAD NARAYAN (1943) was produced in Hindi and Marathi by Baburao Pendharkar under the banner of New Huns Pictures. The Marathi title of the film was ‘Paisa Bolto Aahe’ (1943). Both the versions of the films were directed by Vishram Bedekar. The star cast in Hindi version included Leela Desai, Baburao Pendharkar, Kusum Deshpande, Nayampalli, Masood, Pratima Devi, Shakir etc.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Chor”(1950) was directed by Anand Prasad Kapoor for Singh Arts Production, Bombay. The movie had Krishnakant, Cuckoo, Sona Chatterji, Meera Misra, Sankatha Prasad, Alkarani, Baby Asha, Shyama, Shanti Madhok, Shukla, David junior, Dixit, Kochar, Shekhar, Arora, Sachin Ghosh etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bolti Bulbul”(1942) aka “Shaahi Fakeer” was directed by Dhirubhai Desai for Vishnu Cinetone, Bombay. This fantassy movie had Anil Kumar, zebunnisa, Mehar Sultana, sardar Mansoor, Nawaz, Mumtaz, S Nazir, Samson, Ali, Mirajkar, Shahzaadi, Alaknanda etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Caravan”(1944) was directed by Aspi for Ranjit Movietone, Bombay. This movie had had Arun, Kamla Chatterji, Rani, Premlata, Keshari etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In our blog, we have several informal projects going on simultaneously. One of these projects is introduring songs from movies that are not yet covered in the blog. As of now, this blog has songs from 3522 movies. I consciously try to post one song from a “new” movie every day.
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(© 2008 - 2017) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has over 13300 song posts by now.

This blog is active and online for over 3200 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13351

Number of movies covered in the blog

Movies with all their songs covered =1012
Total Number of movies covered =3703

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Blog Start date: 19 july 2008 Active for 3000 days.
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