Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Calling the beloved’ Category


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day:

4348 Post No. : 15661

We remember Nightingale of Punjab on her remembrance day today.

Surinder Kaur (25 November 1929 – 14 June 2006) was the recipient of the prestigious Padma Shri in 2006. She was the recipient of numerous other awards including Sangeet Natak Akademi Award and also a doctorate degree by Guru Nanak Dev University. Much of her life details can be easily found on her wiki page and many other articles and interviews on the net.

Her popularity of course stems from the fact that she pioneered and popularised folk songs of Punjab to the rest of the world. However, readers are well aware that she had a very short but memorable stint in HFM in the late forties. She gave playback to 57 songs in 21 films during the golden era and many of her songs are remembered and played to this day.

She has been one of my favourite singers for as long as I can remember and there is some aspect of her voice which attracts listeners. One is bound to be spellbound and even enter some sort of a trance on hearing her voice.  Very few singers of the golden era had such combination of rustic and melodious voice. Her full-throated contemporaries being the big three of Noor Jahan, Suraiya and the versatile Shamshad Begum, it’s easy to get confused when Surinder Kaur sang especially with Shamshad Begum.

I am aware of her immense popularity in Punjab and Haryana where she is nothing less than a legend, but we shall restrict ourselves to her Hindi songs in this post. This post has taken an inordinate time for self to complete. I must admit that the delay has been by several years rather than months. A few years back one of my good friends who hails from Hisar in Haryana was on his way home from Mumbai where we were working together. He asked me if there was anything that he should bring back to me. I told him I wanted a booklet on Surinder Kaur’s Hindi songs. He had a bizarre look at me and asked; Anything else? The unanswered reply being that it would be very difficult to trace such a thing.  Well, crazy music enthusiasts have crazy requirements.

It’s not that I have taken several years only to compile these 57 songs in the form of a table. This work started several years back and due to lack of proper commitment and other priorities, the post continued to be put off several times. This year, I resolved to complete the work and am excited to bring out the compilation.

In this post an effort has been made to put together all her songs sung for Hindi movies. A compilation of all her Hindi songs has been made in a tabular column. Before we proceed to the total list, here is the table of the number of songs she sung under different composers. Since the tables are self-explanatory, not much detailing is further provided.

Composers No. of Songs
Gyan Dutt 15
A R Qureshi 7
Hansraj Behl 7
Ghulam Haider 5
Husnlal Bhagatram 5
Khurshid Anwar 4
Naashad 5
Others 9
TOTAL 57

An interesting table of her songs with different singers follows.

Singers No. of Songs
Solo 30
Mohd. Rafi 5
Mukesh 5
Ram Kamlani 2
Talat Mehmood 1
Raja Gul 1
Other female singers and chorus 13
TOTAL 57

As can be seen above, more than half of her 57 songs were sung as solo numbers while Rafi saab and Mukesh sang a maximum of 5 each with her. Many of these songs will be discussed later.

Coming to the distribution of the number of songs that she sang in each year of her short stay in Bombay, following is the table. As is evident, more than 90% of her Hindi songs were sung only in 3 years of 1948-50.

Year Number of Songs Number of Films
1947 1 1
1948 20 6
1949 17 6
1950 15 4
1951 3 3
1952 1 1
TOTAL 57 21

I have not made a table of her songs under different lyricists, but from the detailed table below it is quite evident that DN Madhok wrote the maximum of 27 out of her 57 songs.

43 of the 57 songs have been already represented on the blog and hardly 14 remain.

Starting with Ghulam Haider who introduced many such wonderful artists to HFM, Surinder Kaur sang her first song, a duet with actress-singer Munawar Sultana in the film ‘Mehndi’ in 1947. What followed was what made Surinder Kaur Surinder Kaur in HFM.

Three priceless solo gems in the film ‘Shaheed’ 1948 that made her voice a craze all over India. These songs can be heard on repetition any given day. Song No 02 remains in active memory of many music lovers and I suppose this is one song which many associate with her.

‘Pyar Ki Jeet’ (1948) is basically remembered for its Suraiya songs, but Surinder Kaur stood her ground with her solitary solo and the two triad songs. Apparently, the solo is so very similar to the songs that she sang in ‘Shaheed’ even though the composers were different. The solo at 06 is sung under much gusto and one can only admire the rendition skills of Surinder Kaur.

‘Nao’ (1948), composed by Gyan Dutt has some wonderful songs. “Ek Nazar Wo Yaad Hai Unki” is a masterpiece, which continues to linger in the mind long after being heard. I happened to hear this song only a few years back and have been absolutely smitten to it ever since. More the song plays forward, more the mind loiters behind to absorb and ponder the depth of the voice and the words being rendered.  It is from this film that I take up today’s solo for representing in this post.

Gyan Dutt who has the highest songs rendered by her for any composer continues in 1948 with ‘Lal Dupatta’. It would have been interesting to know if he would have continued with her voice had she continued to sing in HFM. Readers may be well aware that Lata Mangeshkar has a solitary solo for Gyan Dutt.

The years of 1949 and 50 were important for she sang almost all her duets with male singers in these two years. With Mukesh she sang all her 5 duets in only two films of 1949 viz. ‘Dada’ and ‘Sunehre Din’.

For very obvious reasons, these remain my personal favourites especially “Tera Kisi Se Pyar Tha“. In “Dil Do Naino Mein Kho Gaya,” it’s interesting to hear how the two singers sing in quick succession their respective lines.

Rafi saab had one duet in 1949 and the remaining 4 in the next year. My personal favourite is the one from Sabak, “Keh Do Hamen Na Bekarar Kare” which is played quite often on SLBC to this day.

Her final two years of stay in Mumbai had other composers like SD Burman and Anil Biswas try her voice under their compositions. But then, health concerns in coastal Mumbai being the reason, Surinder Kaur shifted her base to Punjab where she became a phenomena in folk songs singing.

In this post, I am afraid I have not done enough justice to the appreciation and admiration of the voice and the popularity of her songs. However, my main intention was to club all her songs in a table so that it is easy for other knowledgeable contributors to cover her balance songs to be posted on the blog.

I have relied on a couple of biographical posts on Surinder Kaur by our Sudhir ji, valuable comments by Nitin ji, cineplot blog, the highly reliable HFGK and my notes. I express my sincere gratitude to all these sources. There were a few clarifications and attributions of songs to various singers. Again, Sudhir ji took the initiative of contacting his reliable sources and helped me at arriving to the correct compilation. I further requested him to help me with the lyrics of today’s post. I express my gratitude to Sudhir ji for all the help rendered.

Yes, Surinder Kaur sang a handful of only 57 songs in the golden era, but as they say the blessings are always to be counted. We, music lovers, are fortunate to listen to her having sung some exceptionally great songs in a voice that was a class apart and on a different level altogether.

Her name will undoubtedly and forever be etched in golden letters in the annals of Hindi Film Music.

Song – Ab Tere Bin Mera Nahin Thikaana  (Naao) (1948) Singer – Surinder Kaur, Lyrics – DN Madhok, MD – Gyan Dutt

Lyrics (Provided by Sudhir)

ab tere bina
mera nahin thikaana
ab tere bina
mera nahin thikaana
o o o pardesia
ye bhool na jaana
o o o pardesia
ye bhool na jaana
ab tere bina
mera nahin thikaana

main ne suna hai
log rog laga ke pyaar ka dukh paate hain
main ne suna hai
log rog laga ke pyaar ka dukh paate hain
yahi baaten
gham se bhari raaten
dil ko samjhaate hain
yahi baaten
gham se bhari raaten
dil ko samjhaate hain
o o o dil phir se hua begaana
o o o dil phir se hua begaana
ab tere bina
mera nahin thikaana

dekho dekho ji
neha laga ke daga na dena
hamaari haaye na lena
dekho dekho ji
neha laga ke daga na dena
hamaari haaye na lena
mera nanha naazuk dil roye
dukhi hoye
dekha jaaye mo se na
mera nanha naazuk dil roye
dukhi hoye
dekha jaaye mo se na
o o o dar laage bura zamaana
o o o dar laage bura zamaana
ab tere bina
mera nahin thikaana

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

अब तेरे बिना
मेरा नहीं ठिकाना
अब तेरे बिना
मेरा नहीं ठिकाना
ओ ओ ओ परदेसिया
ये भूल ना जाना
ओ ओ ओ परदेसिया
ये भूल ना जाना
अब तेरे बिना
मेरा नहीं ठिकाना

मैंने सुना है
लोग रोग लगा के प्यार का
दुख पाते हैं
मैंने सुना है
लोग रोग लगा के प्यार का
दुख पाते हैं
यही बातें
ग़म से भरी रातें
दिल को समझाते हैं
यही बातें
ग़म से भरी रातें
दिल को समझाते हैं
ओ ओ ओ दिल फिर से हुआ बेगाना
ओ ओ ओ दिल फिर से हुआ बेगाना
अब तेरे बिना
मेरा नहीं ठिकाना

देखो देखो जी
नेहा लगा के दगा ना देना
हमारी हाय ना लेना
देखो देखो जी
नेहा लगा के दगा ना देना
हमारी हाय ना लेना
मेरा नन्हा नाजुक दिल रोये
दुखी होइए
देखा जाये मो से ना
मेरा नन्हा नाजुक दिल रोये
दुखी होइए
देखा जाये मो से ना
ओ ओ ओ डर लागे बुरा ज़माना
ओ ओ ओ डर लागे बुरा ज़माना
अब तेरे बिना
मेरा नहीं ठिकाना

 


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4345 Post No. : 15653

Saga Of Sleepless Nights – 8
– – – – – – – – – – – – – – –

aa jaao tadapte hain armaan
ab raat guzarne waali hai. . .

Good morning. It is 8 am, on Wednesday, the 10th June, 2020. We are onto the 162nd day of the year, and running through the 24th week. It is the 5th day (panchmi) of the waning moon cycle (krishna paksh) of the month of Aashaad. As per the Hijri calendar, today is the 17th day of the month of Shawwal.

The other important associations of today’s date are – it is the International Iced Tea Day – be sure to have a frosty glass of iced tea today. Today also is the International Ball Pen Day. This day in 1943, the first patent was issued in the US, for what would and has become the most popular writing instrument across the globe.

Notable Indian cinema association for today – it is the remembrance day of character actor and villain – Jeevan.
And the upcoming notable anniversaries are  – actress Shyama on 12th June and songwriter Prem Dhawan on the 13th June.

=======

This song is another one in the series of the sleepless nights saga.

aa jaao tadapte hain armaan
ab raat guzarne waali hai. . .

The song is from the 1954 film ‘Danka’. The film is a stunt cum costume drama which is produced under the banner of Goodwill Pictures, Bombay, and is directed by JP Advani. The cast of actors is listed as Nimmi, Amarnath, Mohna, Sundar, Heera Lal, Neelam, Shivraj, Uma Devi, Roop Kumar, and Om Prakash etc.

The film has eleven songs listed in the Geet Kosh. The songs are written by three lyricists – Jaan Nisar Akhtar, Nazim Panipati and Arshi Ajmeri. This song is from the pen of Jaan Nisar Akhtar. The music for this film is composed by Aziz Hindi. The singing voice is that of Lata Mangeshkar. Viewing the list actors, it seems most likely that this song would have been picturized on Nimmi.

The song is an expression of sadness, expressed by the lady, as she is calling out to her beloved, telling him about the ambiance of the lovely albeit a lonely night that she is experiencing without him. The moon, the stars, the clear skies of a calm and sad night, all are waiting with her, giving her company in this loneliness. The emotions of longing and eagerness to be with him are making this forlorn night a difficult time to pass. The mighty splendors of love turn into a sigh of melancholy in the lonely nights of separation, as the heart and the arms ache to be with the beloved. And when that happens, the mind of the poet will express itself in these beautiful verses.

This lovely song is a new discovery for me. I am hearing it for the first time, as I checked out the short list of songs that I have prepared for this series. The words, the melody, and the life infused in them through of the singing voice of Lata – all come together to create this lovely song of wait and longing.

Listen and enjoy this obscure melody from the golden era of Hindi film music.

Ed note:- With this song, Jaan Nisaar Akhtar completes 200 songs as a lyricist in the blog.

 

Song – Ye Sitaare Ye Chaand, Ye Raatein Jawaan  (Danka) (1954) Singers – Lata Mangeshkar, Lyrics – Jaan Nisar Akhtar, MD – Aziz Hindi

Lyrics

ye sitaare ye chaand
ye raaten jawaan
bata kya karoon tu kahaan main kahaan
ye sitaare ye chaand

bheegi raaten ye taaron bhara aasmaan
aa ja varna guzar jaayega ye sama
bheegi raaten ye taaron bhara aasmaan
aa ja varna guzar jaayega ye sama
tere bin soone soone hain donon jahaan
bata kya karoon tu kahaan main kahaan
ye sitaare ye chaand

kab se aankhen hain bekhwaab tere liye
tere liye
kab se aankhen hain bekhwaab tere liye
tere liye
har tamanna hai betaab tere liye
haaye tere liye
main hoon aur gham ki khaamosh tanhaaiyan
bata kya karoon tu kahaan main kahaan
ye sitaare ye chaand

chhut na jaaye ummeedon ka daaman kahin
lut na jaaye tamanna ka gulshan kahin
chhut na jaaye ummeedon ka daaman kahin
lut na jaaye tamanna ka gulshan kahin
reh na jaaye adhoori meri daastan
bata kya karoon tu kahaan main kahaan
ye sitaare ye chaand

ye sitaare ye chaand
ye raaten jawaan
bata kya karoon tu kahaan main kahaan
ye sitaare ye chaand

——————————————–
Hindi script lyrics (Provided by Sudhir)
———————————————

ये सितारे ये चाँद
ये रातें जवां
बता क्या करूँ तू कहाँ मैं कहाँ
ये सितारे ये चाँद

भीगी रातें ये तारों भरा आसमां
आजा वरना गुज़र जाएगा ये समा
भीगी रातें ये तारों भरा आसमां
आजा वरना गुज़र जाएगा ये समा
तेरे बिन सूने सूने हैं दोनों जहां
बता क्या करूँ तू कहाँ मैं कहाँ
ये सितारे ये चाँद

कब से आँखें हैं बेख़्वाब तेरे लिए
तेरे लिए
कब से आँखें हैं बेख़्वाब तेरे लिए
तेरे लिए
हर तमन्ना है बेताब तेरे लिए
हाय तेरे लिए
मैं हूँ और ग़म की खामोश तनहाईयां
बता क्या करूँ तू कहाँ मैं कहाँ
ये सितारे ये चाँद

छुट ना जाये उम्मीदों का दामन कहीं
लुट ना जाये तमन्ना का गुलशन कहीं
छुट ना जाये उम्मीदों का दामन कहीं
लुट ना जाये तमन्ना का गुलशन कहीं
रह ना जाये अधूरी मेरी दास्तान
बता क्या करूँ तू कहाँ मैं कहाँ
ये सितारे ये चाँद

ये सितारे ये चाँद
ये रातें जवां
बता क्या करूँ तू कहाँ मैं कहाँ
ये सितारे ये चाँद


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4302 Post No. : 15568

“Baaraat”(1960) was produced and directed by K Amarnath for K Amarnath Productions, Bombay. This “social” movie had Ajit, Shakila, Mukri, Salim, Protima Devi, Murad, Shalini, Brahm Bhardwaj, Gulnar, Pandey, Amrit Rana, Ravikant, Sheila Kashmiri, Sajjan etc in it.

The movie had eight songs in it. Seven of these songs have been covered in the past.

Details of the seven songs covered in the blog are :-

S N Song Song number in blog Date of posting
1 Muft huye badnaam kisi se haay dil ko lagaake 461 29-Dec-2008
2 Chalo ab kehna maan jaao 6431 13-Aug-2012
3 Zaalim kehna maan lachakti chal na 6454 16-Aug-2012
4 Pakdi gayi pakdi gayi lo gori ki chori pakdi gayi 14288 21-April-2018
5 Mohan main ek bhatka raahi 15535 12-April-2020
6 Arre jaanewaale hamaari gali aana 15555 24-April-2020
7 O baabu tel maalish karaa lo boot polish 15561 26-April-2020

Here is the eighth and final song from “Baaraat”(1960) to appear in the blog. If the movie made its debut in the blog with an iconic song Muft huye badnaam kisi se haay dil ko lagaake, the final song from the movie is no less of an iconic song. It is sung by Lata. Majrooh sultanpuri is the lyricist. Music is composed by Chitragupta.

This “calling the beloved” genre of song is picturised on Shakila.

With this song, all the songs of “Baaraat”(1960) are covered in the blog and the movie joins the list of movies that are YIPPEED in the blog.


Song-Aaja re tera ek sahaara (Baaraat)(1960) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-Chitragupta

Lyrics

o o o o o o
o o o o
o o o
aaja re tera ek sahaara aa
aaja re tera ek sahaara
koi ye na kahe mera koi nahin
aaja re ae tera ek sahaara

jaate jaate yaad karo baaten ikraar ki
mudte hi bhool gaye kasmen wo pyaar ki
jaate jaate yaad karo baaten ikraar ki
mudte hi bhool gaye kasme wo pyaar ki
sajna wo saara waada kahaan hai tumhaara
aaja re tera ek sahaara
koi ye na kahe mera koi nahin
aaja re tera ek sahaara

sab kahen dekh gori mukhde ko mod le
kisi aur saanwre se ankhiyon ko jod le
sab kahen dekh gori mukhde ko mod le
kisi aur saanwre se ankhiyon ko jod le
par main lagaaaun kaise dil ko dubaara
aaja re tera ek sahaara
koi ye na kahe mera koi nahin
aaja re ae tera ek sahaara

roun jo pukaar ke main haaye kaisi reet hai
koi kahe ye hansi hai koi kahe geet hai
roun jo pukaar ke main haaye kaisi reet hai
koi kahe ye hansi hai koi kahe geet hai
tere bina kaun jaane dard hamaara
aaja re ae tera ek sahaara
koi ye na kahe mera koi nahin
aaja re ae tera ek sahaara


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4299 Post No. : 15560

—————————————————————————
Blog 10-Year Challenge (2010-2020) – Song No. 24
—————————————————————————

“Anmol Moti”(1969) was produced and directed by S D Narang. The movie had Jeetendra, Babita, Rajendra Nath, Jayant, Aruna Irani, Shabnam, Jagdeep, Jayant, DK Sapru, Veena, Tuntun, Saul George, Gajanan Jagirdar, Jeevan, Hari Shivadasani, Jagdish Raj, Meena T, Prakash Thapa, Niranjan Sharma, Iftekhar, Uma Datt, Kanu Roy, Tiwari, Abhimanyu Sharma, Om Sahani, Baby Meena, Baby Mozal, Baby Neena, Basant, Hansa, Khursheed, Lajpat Mehra, Miss Gillain, Miss Kerian, Moolchand, Moses, Mrs Hacker, Narbada Shankar, Raj Deep, Rajan Kapoor, Ramesh, Ramlal, Razak, Sham, Sudha, Sundeep, Susheela, Uma Khosla etc in it.

The movie had six songs in it. Two songs have been covered in the past. The movie had made its debut ten years ago on this very day with the song Ae jaane chaman tera goraa badan .

That day ten years ago saw only two songs covered in the blog. The other song apart from the “Anmol Moti”(1969) debut song was Akela hoon main hamsafar dhoondhhta hoon from “Jaal”(1969). This movie has since been YIPPEED in the blog.

Only two songs from “Anmol Moti”(1969) have been covered in the blog. So there is choice of as many as four songs today as “Blog Ten Year Challenge” post. As it is, Prakashchandra as well as Avinash Scrapwala both sent songs for this challenge, and they sent different songs ! Prakashchandra sent his contribution earlier, so I am going with the song sent by him as “Blog Ten Year Challenge” post.

This song is sung by Asha Bhonsle and chorus. Rajinder Krishan is the lyricist. Music is composed by Ravi.

This is one song that I have listened to a lot of time. It is one of those iconic songs that I used to listen to during my formative years, even though I had no clue what movie these songs were from. I have listened to this song many a times, on loudspeakers as well as Radio. It is only now, more than 50 years later, on this day 25 April 2020 that I have come to know that this iconic song is from “Anmol Moti”(1969). I can be that kind of a tubelight. 🙂

The song is picturised as a boat/ river song on Babita, with Jeetendra also making a belated appearance. Many other ladies (who appear like foreigners, perhaps from Soviet Union) are also seen in the picturisation, performing synchronised swimming, underwater swimming etc.

As mentioned earlier, lyrics of this song were sent to me by Prakashchandra, who pips Avinash Scrapwala to the post for this “Blog Ten Year Challenge” opportunity.

audio link:

video link:

Song-Aaja Raaja le ke baaraat aa jaa (Anmol Moti)(1969) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Ravi
Female chorus

Lyrics(Provided by Prakashchandra)

aaaaa….aaaa aaaa….aaa aaa
aaaaa…aaaa…..aaa
aaaaa….aaaa aaaa….aaaa aaa
aa aa aa
aaa aa aa aaa
aa aa aa
aa aa aa

motiyon ki sej
bichhaayi huyi hai ae
dil ki bhi duniya
sajaayi huyi hai
aaja raajaa
leke baaraat aa jaa aa
aaja raajaa
leke baaraat aa jaa
motiyon ki sej
bichhaayi huyi hai ae
dil ki bhi duniya
sajaayi huyi hai ae
aaja raajaa
leke baaraat aa jaa
aaja raajaa
leke baaraat aa jaa

haar singaar mera
pehla pehla pyaar mera
tere liye hai
dil ki ye nagri
ankhiyon ka dwaar rajaa
tere liye hai
raah mein nainaa
lagaaye huye hain
palkon ke taarey
bichhaaye huye hain aen
aaja raajaa
leke baaraat aa jaa
aaja raajaa
leke baaraat aa jaa
motiyon ki sej
bichhaayi huyi hai ae
dil ki bhi duniya
sajaayi huyi hai ae
aaja raajaa
leke baaraat aa jaa
aaja raajaa
leke baaraat aa jaa

sapne kanwaare mere
tera intezaar karein
mere sajan
tu kya jaaney kitnaa
tujhse ye pyaar karein
mere sajan
adh-khili kaliyon ki
maalaa piroye huye
kabse khadi hoon teri
raah mein khoye huye
aaja raajaa
leke baaraat aa jaa aa
aaja raajaa
leke baaraat aa jaa
motiyon ki sej bichhaayi huyi hai ae
dil ki bhi duniya sajaayi huyi hai
aaja raajaa
leke baaraat aa jaa aa
aaja raajaa
leke baaraat aa jaa

aaaaa….aaaaaaaa….aaaaaa
aaaaa…aaaa…..aaa
aaaaa….aaa aaaaa.
aaa aaa aaa
aaaaa…aaaa…..aaa
aa aa aaaa
aa aa aa

raat milan ki
der se aayi hai ae
sajdhaj ke
door se aayi
tujhe saath laayee
sajdhaj ke
kitni bahaarein teri
yaad mein guzaar ke
aaj tujhe paaya maine
sab kuchch haar ke ae
aaja raajaa
leke baaraat aa jaa aa
aaja raajaa
leke baaraat aa jaa
motiyon ki sej bichhaayi huyi hai ae
dil ki bhi duniya sajaayi huyi hai
aaja raajaa
leke baaraat aa jaa
aaja raajaa
leke baaraat aa jaa

aaaaa….aaaa aaaa….aaaaaa
aaaaa…aaaa…..aaa aa aa
aaaaa….aaaa aaa….aaa aaa
aaaaa…aaaa…..aaa
aaaaa….aaaa aaaa….aaaaaa
aaaaa…aaaa…..aaa aa aa
aaaaa….aaaa aaa….aaa aaa
aaaaa…aaaa…..aaa
aa aa

——————————————–
Hindi script lyrics (Provided by Sudhir)
———————————————

आsss आss आss आs आs
आsss आss आs
आsss आss आss आss आs
आ आ आ
आs आ आ आs
आ आ आ
आ आ आ

मोतियों की सेज
बिछाई हुई है
दिल की भी दुनिया
सजाई हुई है
आजा राजा
ले के बारात आजा॰॰आ
आजा राजा
ले के बारात आजा
मोतियों की सेज
बिछाई हुई है
दिल की भी दुनिया
सजाई हुई है
आजा राजा
ले के बारात आजा॰॰आ
आजा राजा
ले के बारात आजा

हार सिंगार मेरा
पहला पहला प्यार मेरा’
तेरे लिए है
दिल की ये नगरी
अखियों के द्वार राजा
तेरे लिए है
राह में नैना
लगाए हुये हैं
पलकों के तारे
बिछाए हुये हैं॰ ॰ ॰
आजा राजा
ले के बारात आजा
आजा राजा
ले के बारात आजा
मोतियों की सेज
बिछाई हुई है
दिल की भी दुनिया
सजाई हुई है
आजा राजा
ले के बारात आजा॰॰आ
आजा राजा
ले के बारात आजा

सपने कंवारे मेरे
तेरा इंतज़ार करें
मेरे सजन
तू क्या जाने कितना
तुझसे ये प्यार करें
मेरे सजन
अधखिली कलियों की
माला पिरोये हुये
कब से खड़ी हूँ तेरी
राह में खोये हुये
आजा राजा
ले के बारात आजा
आजा राजा
ले के बारात आजा
मोतियों की सेज
बिछाई हुई है
दिल की भी दुनिया
सजाई हुई है
आजा राजा
ले के बारात आजा॰॰आ
आजा राजा
ले के बारात आजा

आsss आssssss आssss
आsss आss आs
आsss आsss आsss
आsss आsss आsss
आssss आsss आss
आss आss आsss
आs आs आs

रात मिलन की
देर से आई है
सजधज के
दूर से आई
तुझे साथ लाई
सजधज के
कितनी बहारें
तेरी याद में गुज़ार के
आज तुझे पाया मैंने
सब कुछ हार के
आजा राजा
ले के बारात आजा
आजा राजा
ले के बारात आजा
मोतियों की सेज
बिछाई हुई है
दिल की भी दुनिया
सजाई हुई है
आजा राजा
ले के बारात आजा
आजा राजा
ले के बारात आजा

आssss आsss आsss आsssss
आssss आsss आss आs आs
आssss आsss आss आss आss
आssss आsss आss
आssss आsss आsss आsssss
आssss आsss आss आs आs
आssss आsss आss आsss आsss
आssss आsss
आss आss


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4279 Post No. : 15519

Saga Of Sleepless Nights – 6
– – – – – – – – – – – – – – –

un aankhon mein neend kahaan
jin aankhon se preetam door base

The contest between a heart in love and the nights of loneliness is as ancient as the written word itself. Poets of yore, across the ages, and to the present times, have all written about the tribulations of the nights of loneliness. Time does pass at its own pace, but for a lonely heart pining for love, it is as if the time has come to a standstill.

The acute anxiety of the empty moments wherein apparently nothing is happening, is something that cannot be explained in words. It is a sensation that has to be experienced, to get the true flavor of the feelings that are ensconced in the words ‘hijr’ (“हिज्र”) and ‘firaaq’ (“फ़िराक़”) – the feelings of separation, the feelings of being incomplete, the feelings of anticipation, waiting, the feelings of incessant yearning that seems to rend the heart asunder.

Philosophers and poets have ruminated over this experience, and have recommended certain pursuits. There is that famous rhyme that talks about counting green bottles standing on a wall. It is based on the children’s counting nursery rhyme – “Ten Bottles on the Wall”. Folks who cannot sleep are recommended to start from, well, maybe a thousand bottles, keep knocking them down one at a time, and keep a count of the bottles left on the wall. Starting from thousand, this process is bound to get drowsy some way through getting to the target of downing all the thousand bottles from the wall.

The other, of course is counting sheep, jumping over a fence. So just keep a count of the imaginary sheep that are jumping over the make believe fence, and continue counting till the senses give way.

The more esoteric recommendation from the poets, especially for forlorn lovers longing for their mate, is to count the stars. Now this remedy may not work in urban habitats in current times – in best of times with normal pollution levels, about a score stars maybe visible. So this poetic bulwark of heartening proportions does not work in a city like Delhi. Ah yes, but in locales where the skies are clear, this assignment can be undertaken in real earnest. On a clear moonless night, the sky looks so crowded with stars, that the mission of counting stars can be a humbling task. And very well suited for the lonely hearts stricken with the malady of separation and longing.

The beauty of the poet’s mind is simply fantastic and out of this world. It goes even beyond this imagination of being assigned the task of counting the stars. Let me borrow some lines from my own article that I wrote for the song “Aaj Unke Paay e Naaz Pe Sajdaa Karenge Hum”. The lyrics of this song dwells on this task of ‘अख्तर शुमारी’ – the act of counting stars (‘अख्तर’) in the sky. The relevant portion of the lyrics goes like this,

maana shab e firaaq bhi
hoti hai is liye
har nabz e gham isi ke
sahaare guzar sakey
naqaam e ishq hijr mein
taare gina karey
hum intehaa e shauq ki
hadd se guzar gaye
lo aaj hum ne saare
sitaare bhi gin liye
ab ae shab e firaaq bataa
kya karenge hum

And I quote from my write up,

The poet has surpassed many superlatives to weave the fabric of words that makes up this song. Let me give you an example. It is quite a traditional concept in poetry, that a lonely lover in the long nights of wait and anticipation, is advised to count the stars in the sky – a metaphor that implies that neither the stars in the sky will ever be counted, and nor the wait for the beloved ever end. This refrain is encountered often in romantic poetry. But the poet of this song does one better, and goes a step beyond. He says that all the stars are now counted, and so tell me o night of long wait what should I do.

lo aaj hum ne saare sitaare bhi gin liye
ab ae shab-e-firaaq bataa kya karenge hum

A superlative expression that rises to defeat even the task of counting the stars. And poses the question, that in my crazed passion, I have even gone ahead and actually counted all the stars, so tell me what should I do now.

The poet’s imagination is endless, and so this discussion can, and will be continued elsewhere. For now, I present this oh so wonderful song rendered so lovingly by Shamshad Begum, that tells about the nights of loneliness and longing. The film is ‘Sona Chaandi’ from 1946. The lyrics are written by Wali Sahab and the music is composed by Tufail Farooqui.

The film is produced under the banner of New Bombay Theatre, Bombay and is directed by RD Pareenja. The star cast is listed as Chandni, Suresh, Kishori, Saroj Borkar, Kamla, Ghulam Rasool, Amrit Lal, Radha Kishan amongst others. There is a total of 12 songs in this film penned by three songwriters – Wali Sahab, Shamim and Khawar Zamaan. This song is written by Wali Sahab.

So let’s listen to this heartwarming winner in the ‘खनकती हुई’ voice of Shamshad Begum. The protagonist is blaming her beau for her sleeplessness – “तेरे बिना नींद ना आई रे”.

Song – Baalam Harjaai Re, Tere Bina Neend Na Aayi Re  (Sona Chaandi) (1946) Singers – Shamshad Begum, Lyrics – Wali Sahab, MD – Tufail Farooqui

Lyrics

baalam harjaai re

baalam harjaai re
tere bina neend na aayi re
neend na aayi re
o neend na aayi re
baalam harjaai re
tere bina neend na aayi re
neend na aayi re
o neend na aayi re
baalam harjaai re

bhool gaye baalam nibhaane ki rasmen
bhool gaye baalam nibhaane ki rasmen
nindiya ne kha leen na aane ki kasmen
nindiya ne kha leen na aane ki kasmen
nainon mein ratiyaan
nainon mein ratiyaan ganvaai re
tere bina neend na aayi re
neend na aayi re
ho neend na aayi re
baalam harjaai re
baalam harjaai re

mukh se na bolun
pyaare mukh se na bolun
pyaare
roye roye jaaun main
dil ki kahaani
dil ki kahaani najar se sunaaun main
dil ki kahaani najar se sunaaun main
nainon mein
nainon mein ghat ghir ke aai re. . .
nainon mein ghat ghir ke aai re
tere bina neend na aayi re
neend na aayi re
ho neend na aayi re. . .
baalam harjaai re

baalam harjaai re. . .

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

बालम हरजाई रे

बालम हरजाई रे
तेरे बिना नींद ना आई रे
नींद ना आई रे
ओ नींद ना आई रे
बालम हरजाई रे
तेरे बिना नींद ना आई रे
नींद ना आई रे
ओ नींद ना आई रे
बालम हरजाई रे

भूल गए बालम निभाने की रस्में
भूल गए बालम निभाने की रस्में
नींदिया ने खा लीं ना आने की कसमें
नींदिया ने खा लीं ना आने की कसमें
नैनों में रतियाँ
नैनों में रतियाँ गँवाई रे
तेरे बिना नींद ना आई रे
नींद ना आई रे
हो नींद ना आई रे
बालम हरजाई रे
बालम हरजाई रे

मुख से ना बोलूँ
प्यारे मुख से ना बोलूँ
प्यारे
रोये रोये जाऊँ मैं
दिल की कहानी
दिल की कहानी नजर से सुनाऊँ मैं
दिल की कहानी नजर से सुनाऊँ मैं
नैनों में
नैनों में घट घिर के आई रे
नैनों में घट घिर के आई रे
तेरे बिना नींद ना आई रे
नींद ना आई रे
हो नींद ना आई रे॰ ॰ ॰
बालम हरजाई रे

बालम हरजाई रे॰ ॰ ॰


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4273 Post No. : 15506

A rain drop falls on a smoldering matchstick. And extinguishes it. A poet sees this happening. And the poet’s mind creates the lines that go on to become an iconic song that lead the on screen performer by hand to the rising heights of super-stardom. You may have already guessed it. Ah yes, I am talking about ‘Amar Prem’ (1971) and Rajesh Khanna. The song – “Chingaari Koi Bhadke To Saawan Usey Bhujaaye”. And the poet behind this hit song – Anand Bakshi.

Remembering Anand Bakshi on his remembrance day today. He passed away this day in 2002.

A career that had quite a chequered start, lasted for more than 4 decades. And continued to produce hits after hits all the way till he passed away. Chequered in that he joined the army in 1947 as a switchboard operator in the Signals Core; left the army and came to Bombay (now Mumbai) in early 1950s; made no headway and in despair, returned to join the army; but could not get rid of the film-bug. He resigned from the army again in 1956 and came to Bombay once again. This time he stuck it out. Bhagwan Dada gave him a break in his 1958 film ‘Bhala Aadmi’. The young Anand, then 27 years old, penned six songs for that film. One song by him had already appeared in an obscure 1957 film ‘Silver King’. Sadly, maybe expectedly, no songs of ‘Silver King’ are available. His debut song is probably lost forever, barring some miracle discovery.

The stumbling start led to success, slowly but surely. Popular hits came in ones and twos, and Anand continued to push his career graph, always up and up. Seven films carried his songs in 1959. Not popular hits, but surely a few are a good listen. Attention came his way in 1960, with films like ‘Air Mail’ – “Shoon Shadap Nazron Ki Jhadap” and “Tumhin Ne Mera Dil Chheen Kar”; ‘Mehlon Ke Khwab’ – “Lo Ji Bujh Gayi Bijli Pyaar Ki”; ‘Zameen Ke Taare’ – “Tinke Pe Tinka, Chhutti Ke Din Ka”; Then in 1961 came the film ‘Razia Sultana’ with Nirupa Roy and Jairaj in lead roles. The duet written by Anand went on to become an all time favorite – “Dhalti Jaaye Raat, Keh Le Dil Ki Baat”.

Then came 1962, with the perennial favorite qawwaali – “Meri Taveer Le Ke Kya Karoge”. Plus the films ‘Mehndi Lagi Mere Haath’, ‘Baanke Saanwariya’ with a good repertoire of songs by Anand. And the year was topped by the one song he wrote for ‘Vallah Kya Baat Hai’ – “Ghame e Hasti Se Bas Begaana Hota”. He was 32 years of age.

1963 was adorned with another wonderful qawwali from his pen. The film – ‘Jab Se Tumhen Dekha Hai’, and the song – “Tumhen Husn De Ke Khuda Ne Sitamgar Banaaya Banaaya”. That year, we also have from him “Taaron Ki Chhaon Taley, Shamma Parwaane Miley” in the film ‘Zaraak Khan’, and the sterling Mukesh solo – “Chaand Aaahen Bharega” from the film ‘Phool Baney Angaare’, which was otherwise loaded with a set of charming hits.

Next was 1964 (of course 🙂 ) and the film for which Anand teamed up with Laxmi-Pyaare to produce a set of songs that have remained on the lips and in the mind of music lovers since then – ‘Mr X In Bombay’. And this was the year that this young poet made it to the Binaca Geet Mala listing (at no. 6) for the first time with the song – “Mere Mehboob Qayaamat Hogi”. What a song it is, and what a set of lilting songs this film carries. Anand’s foothold in the tinsel town was now firm and very steady.

1965 – and just the sampling of films should be enough – ‘Himalay Ki God Mein’, ‘Jab Jab Phool Khile’, ‘Lutera’, ‘Shriman Funtoosh’ and ‘Teesra Kaun’ – memorable songs that are too numerous to be listed individually. Notable mentions required though, for “Hamen Kya Jo Har Su Ujaale Huye Hain” from ‘Namaste Ji’ and “Ye Dard Bhara Afsaana” from ‘Shriman Funtoosh’. And yes – “Pyaar Ka Fasaana Bana Le Dil Deewaana” from ‘Teesra Kaun’.

Going from strength to strength, Anand rounded off the year 1966 with fabulous songs in films like ‘Aasra’, ‘Aaye Din Bahaar Ke’, ‘Devar’, ‘Pati Patni’, ‘Preet Na Jaane Reet’, ‘Professor X’,  and ‘Sunehre Qadam’.

In 1967, Anand completed 10 years of his career in the Bombay film industry with top hits in films like ‘Milan’, ‘Farz’, ‘Night In London’, ‘Aamne Saamne’, ‘Milan Ki Raat’, ‘Chandan Ka Palna’, and ‘Taqdeer’. What more to say.

The remaining years of the 1960s decade – even listing a sampler would be too much space to cover. Suffice to say that the super hit “Mere Sapnon Ki Raani. . .” that truly launched Rajesh Khanna on the way to super stardom, came from the pen of Anand Bakshi.

And he would go on writing for another three and a half decades – including perennial favorites like “Hum Ko Tumse Ho Gaya Hai Pyaar Kya Karen” (‘Amar Akbar Anthony’, 1977), “Tujhe Dekha To Ye Jaana Sanam” (‘Dilwaale Dulhaniya Le Jaayenge’, 1995), and thousands more – in fact a total of 3,500 songs spread out across more than 635 films. Such a career cannot be done justice in a single blog post. 🙂

Thanks Anand Bakshi ji, for so many wonderful memories to hum and enjoy.

Coming to the song for today. As I was seeking to get one of his earliest songs to present today, I came upon this wonderful Rafi solo that has been tuned by S Mohinder. The film is ‘Sun To Le Haseena’ which belongs to his debut year 1958.

Produced under the banner of Filmistan Limited, the film is directed by SP Bakshi. The star cast is listed as Shashikala, Ravindra Kapoor, Agha, P Kailash, Badri Prasad, Randhir, Gulab, Sabita Chatterjee, Kanu Rai, Manju, Manohar Geer, Majnu, Vitthal Das Panchotia, Madhu Apte, Ramlal, Leela, Bazid Khan, Rajeshwar Singh, Noor, Chandramohan, Pathak, Shantaram, Ravi Tandon, Sundar, and Pal.

The film has a total of seven songs written by four songwriters, with Anand’s contribution tally is three. (Other songwriters are Sarshaar Sailaani, Kaif Irfaani and Raahil Gorakhpuri). This is the second song of this film, written by him to be showcased here, and the third song from the film.

Rafi Sb has rendered this call-to-the-beloved song with gusto. A very interesting listen, I am sure you will agree.

Song – De Deedar, O Dildaar (Sun To Le Haseena) (1958) Singer – Mohammed Rafi, Lyrics – Anand Bakshi, MD – S Mohinder

Lyrics

de deedar. . .
o dildaar. . .
haaye jhaank jharokhe se ik baar
aashiq tere dar pe aa ke ban gaya chowkidaar
ke de deedar. . .
o dildaar. . .

hota hai kahin kuchh khatka
lagta hai mujhe ik jhatka
hota hai kahin kuchh khatka
lagta hai mujhe ik jhatka
pal chhalak chhalak jaata hai
mere armaanon ka matka
mere armaanon ka matka. . .
har aahat pe chaunk ke jaani hota hoon taiyaar
ke de deedar. . .
o dildaar. . .
haaye jhaank jharokhe se ik baar
aashiq tere dar pe aa ke ban gaya chowkidaar
ke de deedar. . .
o dildaar. . .

o nakhre takhre waali
ye raat hai kaali kaali..ee. . .
o nakhre takhre waali
ye raat hai kaali kaali
kar saamne chaand sa mukhda
chaahe chhup ja de kar gaali
chaahe chhup ja de kar gaali. . .
varna faand ke aa jaaunga ye oonchi deewaar
ke de deedar. . .
o dildaar. . .
haaye jhaank jharokhe se ik baar
aashiq tere dar pe aa ke ban gaya chowkidaar
ke de deedar. . .
o dildaar. . .

main tujh pe ho ke lattu
tere naam ka ho gaya rattu..uu. . .
main tujh pe ho ke lattu
tere naam ka ho gaya rattu. . .
tere gham ka utha ke bojha
bana aadmi se main tattu
bana aadmi se main tattu. . .
ab tadpa tadpa ke zaalim yun na mujhko maar
ke de deedar. . .
o dildaar. . .
haaye jhaank jharokhe se ik baar
aashiq tere dar pe aa ke ban gaya chowkidaar
ke de deedar. . .
o dildaar. . .

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

दे दीदार॰ ॰ ॰
ओ दिलदार॰ ॰ ॰
हाए झांक झरोखे से इक बार
आशिक तेरे दर पे आके बन गया चौकीदार
के दे दीदार॰ ॰ ॰
ओ दिलदार॰ ॰ ॰

होता है कहीं कुछ खटका
लगता है मुझे ईक झटका
होता है कहीं कुछ खटका
लगता है मुझे ईक झटका
पल छलक छलक जाता है
मेरे अरमानों का मटका
मेरे अरमानों का मटका॰ ॰ ॰
हर आहट पे चौंक के जानी होता हूँ तैयार
के दे दीदार॰ ॰ ॰
ओ दिलदार॰ ॰ ॰
हाए झांक झरोखे से इक बार
आशिक तेरे दर पे आके बन गया चौकीदार
के दे दीदार॰ ॰ ॰
ओ दिलदार॰ ॰ ॰

ओ नखरे टखरे वाली
ये रात है काली काली॰॰ई॰ ॰ ॰
ओ नखरे टखरे वाली
ये रात है काली काली
कर सामने चाँद सा मुखड़ा
चाहे छुप जा देकर गाली
चाहे छुप जा देकर गाली॰ ॰ ॰
वरना फांद के आ जाऊंगा ये ऊंची दीवार
के दे दीदार॰ ॰ ॰
ओ दिलदार॰ ॰ ॰
हाए झांक झरोखे से इक बार
आशिक तेरे दर पे आके बन गया चौकीदार
के दे दीदार॰ ॰ ॰
ओ दिलदार॰ ॰

मैं तुझपे हो के लट्टू
तेरे नाम का हो गया रट्टू॰॰उ॰ ॰ ॰
मैं तुझपे हो के लट्टू
तेरे नाम का हो गया रट्टू॰ ॰ ॰
तेरे ग़म का उठा के बोझा
बना आदमी से मैं टट्टू
बना आदमी से मैं टट्टू॰ ॰ ॰
अब तड़पा तड़पा कर ज़ालिम यूं ना मुझको मार
के दे दीदार॰ ॰ ॰
ओ दिलदार॰ ॰ ॰
हाए झांक झरोखे से इक बार
आशिक तेरे दर पे आके बन गया चौकीदार
के दे दीदार॰ ॰ ॰
ओ दिलदार॰ ॰


This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4258 Post No. : 15480

———————————————————————————
Blog 10-Year Challenge (2010-2020) – Song No. 11
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‘Satyam Shivam Sundaram’ (1978) was directed by Raj Kapoor for his home production RK Films, Bombay. He dedicated this movie to his beloved friend singer Mukeshchandra whom we fondly know as Mukesh.

The cast of the film includes Kanhaiyalal, AK Hangal, David, Hari Shivdasani, Leela Chitnis, Sheetal, Baby Padmini, Baby Komal, Tun Tun, Vishwa Mehra, Mansaram, Pardesi, Shriram Shastry, Nandini, Mona, Seema, Mani, Yasmin, Bina, Subroto Mahapatra and Javed Khan.

The story of this movie was written by Jainendra Jain. Radhu Karmakar was the Director of Photography. Raj Kapoor who produced and directed this movie was also the editor of this movie.

HFGK lists nine songs and one dialogue track released on records of this movie. The total nine songs are including of their parts and the title song is mentioned to be in four parts. There are two more songs (the ‘aarti’ and ‘shlokas’ with the titles, and ‘’Yashomati maiyya se boley…’) in the movie having two parts. Narendra Sharma, Anand Bakshi and Vithhal Bhai Patel wrote the songs for this movie. Music for this movie was composed by Laxmikant-Pyarelal. Lata Mangeshkar, Manna Dey, Bhupinder, Mukesh, and Nitin Mukesh who debuted as a singer in this movie had given their voices to the songs in this movie.

This movie was passed by Censor Board on 22.03.1978 with restricted viewing certificate.

Three songs from ‘Satyam Shivam Sundaram-1978’ posted on the blog earlier are as follows;

Song  Posted On
 Yashomati maiyya se boley Nandlala  07.09. 2008
 Satyam Shivam Sundaram  15.03.2010
 Suni jo unke aane ki aahat …  11.02.2020

I watched this movie much later in nineties (I think so). However, I remember, in my childhood, the two songs from this movie were very much popular viz. the title song “Satyam Shivam Sundaram“and “Yashomati maiyya se boley Nandlala” as they were frequently played on loud speakers and radio. The title song was also the most favorite number of almost all ‘orchestras’ which used to play it during ‘Ganesh Festival’ or other festival programs. However, I didn’t like both these songs then.

Rather I very much like the song “Chanchal Sheetal Nirmal Komal” and the song being presented today, maybe I heard them on radio during those years. Later on, when I bought the album of this movie (an audio cassette in late eighties) the song “Suni Jo Unke Aane Ki Aahat” also become my favorite song from this movie with all other songs.

When I checked the ‘annual Binaca Geetmala’ for the year ‘1978’ I found ‘Yashomati maiyya se…’ (as expected), at number seven and the song was, surprisingly for me, not the title song of the movie but it was “Chanchal Sheetal Nirmal Komal” ranking at number twenty-four of the list.

Well coming back to the ‘Blog ten-year challenge’ today we have two songs posted on this day ten years back as follows;

 Song  Movie title-Year  Remarks
 Satyam Shivam Sundaram  Satyam Shivam Sundaram (1978)  03 of 09 songs posted
 Hai isi mein pyaar ki aabroo  Anpadh (1962)  All Songs posted on the

Blog

As one of the movies i.e. ‘Anpadh’ (1962) is already ‘Yippeeee éd’ on the blog we have ‘Satyam Shivam Sundaram’ to be represented with a song on the blog today. The song I have selected today was noted long time back and was pending for posting. It is sung by Lata Mangeshkar and Bhupendra. I like this song very much and particularly for those few lines sung by Bhupendra Singh which makes this song very very special of course with great singing by Lata Mangeshkar and so greatly composed by Laxmikant-Pyarelal to the beautiful lyrics by Vithhal Bhai Patel.

Let us enjoy this wonderful song now …

(Note: – In the movie, this song appears in two parts. The video of the second part is not available now however full audio of this song is available).

Video (Partial)

Audio (Complete)

Song – Sainyaan Nikas Gaye Main Naa Ladi Thi (Satyam Shivam Sundaram)(1978) Singers – Lata Mangeshkar, Bhupendra, Lyrics – Vithalbhai Patel, MD – Laxmikant Pyarelal

Lyrics (Based on audio link)

rangmahal ke dus darwaaze
rangmahal ke..ae dus darwaaze
naa jaane kaun si khidki khuli thhi
sainyya nikas gaye
main naa ladi thhi
sainyya nikas gaye
main naa ladi thhi
sar ko jhukaaye..ae main to
chupke khadi thhi
sainyya nikas gaye
main naa ladi thhi
sainyya nikas gaye..ae
main naa ladi thhi

piyaa..aa..aa
kaun gali gaye shyaam
piyaa..aa..aa
kaun gali gaye shyaam
mori sudh naa leenhi haaye raam
piyaa..aa..aa
kaun gali gaye shyaam

ang mere gehne
pyaasi umariyaa
ang mere gehne
pyaasi umariyaa
jogan ho gayee
main bin sanwariyaa
haathon mein mere ae
mehndi rachi thhi
mehndi mein mere
ansuwan ki ladi thhi
sainyya nikas gaye
main naa ladi thhi
sainyya nikas gaye
main naa ladi thhi

aa aa aa
aa aa aa

chhod piyaa ghar
nehar jaaoon
chhod piyaa ghar
nehar jaaoon
kaun dehri
ab sees jhukaaoon
kar singaar main
dulhan bani thhi
aisi dulhan se
kunwaari bhali thi
sainyya nikas gaye
main naa ladi thhi
sainyya nikas gaye
main naa ladi thhi

—————————————————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————————————————————–

रंगमहल के दस दरवाज़े
रंगमहल के ए दस दरवाज़े
ना जाने कौन सी खिड़की खुली थी ई
सैंय्या निकस गए
मैं ना लड़ी थी
सैंय्या निकस गए
मैं ना लड़ी थी
सर को झुकाए॰॰ए मैं तो
चुपके खड़ी थी
सैंय्या निकस गए
मैं ना लड़ी थी
सैंय्या निकस गए॰॰ए
मैं ना लड़ी थी

पिया॰॰आ॰॰आ
कौन गली गए श्याम
पिया॰॰आ॰॰आ
कौन गली गए श्याम
मोरी सुध ना लीन्ही हाए राम
पिया॰॰आ॰॰आ
कौन गली गए श्याम

अंग मेरे गहने
प्यासी उमरिया
अंग मेरे गहने
प्यासी उमरिया
जोगन हो गयी
मैं बिन सांवरिया
हाथों में मेरे॰॰ए
मेहंदी रची थी
मेहंदी में मेरे
अंसुवन कि लड़ी थी
सैंय्या निकस गए
मैं ना लड़ी थी
सैंय्या निकस गए
मैं ना लड़ी थी

आ आ आ
आ आ आ

छोड़ पिया घर
नैहर जाऊं
छोड़ पिया घर
नैहर जाऊं
कौन देहरी
अब सीस झुकाऊँ
कर सिंगार मैं
दुल्हन बनी ई थी
ऐसी दुल्हन से
कुंवारी भली थी
सैंय्या निकस गए
मैं ना लड़ी थी
सैंय्या निकस गए
मैं ना लड़ी थी


This article is written by Sadanand Kamath, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4257 Post No. : 15478 Movie Count :

4266

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Hindi Songs in Bangla Films – 22
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‘Banarasi’ (1962, Bangla film) was produced by Ruma Guha Thakurta and was directed by her husband, Arup Guha Thakurta. The film was based on a story written by novelist Bimal Mitra (he also wrote the story of the film ‘Sahab Bibi Gholam’).  The main actors in the film are Soumitra Chatterjee, Ruma Guha Thakurta, Tulsi Chakraborty, Tarun Kumar, Asha Devi, Maneka Devi, Shyam Laha etc. The film is available on a video sharing platform with English sub-titles.

I had heard of Ruma Guha Thakurta (Ruma Devi for Hindi film audience) as an occasional actor in Hindi films and an ex-wife of Kishore Kumar. Finding her name in the Bangla film under discussion, that too not only as an actor-singer but also as a producer of the film, I thought I need to know more about her than what I had the impression about her in my mind. Fortunately, information about her is available on-line including her interview on Doordarshan.

Ruma Devi (03/11/1934 – 03/06/2019) was born as Ruma Ghosh (later known as Ruma Guha Thakurta after her second marriage) in a family of talented vocalists. She was the niece of Satyajit Ray.

Ruma Devi started as a dancer in Uday Shankar’s troupe in Almora. Later, she shifted to Bombay (now Mumbai) and worked as a child actor in her first film, the Bombay Talkies’ ‘Jwaar Bhata’ (1944). She worked in three more Hindi films – ‘Mashaal’, 1950 (’Samar’ in Bangla), ‘Afsar’ (1950) and ‘Raag Rang’ (1952). She got married to Kishore Kumar in 1951. After the birth of their son, Amit Kumar in 1952, Ruma Devi stopped working in the films.

In 1958, Ruma Devi and Kishore Kumar parted amicably. Ruma Devi shifted to Kolkata and set up Calcutta Youth Choir (CYC) in collaboration with her maternal uncle, Satyajit Ray and Salil Chowdhury. Throughout her life, she was actively involved with CYC. In 1974, she led a troupe of singers and dancers of CYC to participate in Copenhagen Youth Festival where CYC won the first prize.

In 1959, she worked in her first exclusive Bangla language film, ‘Ganga’ (‘The River’, 1960) as a supporting actor. Her role in the film was critically acclaimed. She worked in about 60 Bangla films from 1950 through 1998 during which she was associated with the renowned  directors like Satyajit Ray in ‘Abhijan; (1962) and ‘Ghanashatru’ (1989), with Tapan Sinha in films like ‘Atithi’ (1959) and ‘Nirjon Saikote’ (1963) and with Tarun Majumdar in films like ‘ Palatak; (1963) and ‘Balika Bodhu’ (1967). She also worked in Bangla films as a playback singer and did choreography in a couple of Bangla films. Her last film as an actor was Mira Nair’s English film ‘The Namesake’ (2006).

In 1960, Ruma Devi got married to director Arup Guha Thakurta with whom she has a son, Ayan and a daughter, Sromona Chakroborty who is a singer.

Ruma Devi passed away in her sleep on 03/06/2019 at her Kolkata residence due to old age-related problems.

The story of ‘Banarasi’ (1962) is as under:

Ratan (Soumitra Chatterjee) works as a draftsman in the railways and stays in an old man’s house in Kolkata as a paying guest. The only person with whom he shares his personal matters and who also help him financially in case of need is his close friend, Monty (Tarun Kumar). One day, while returning from watching a play in the theatre, Ratan sees a girl who has stopped her horse driven coach to buy a paan. The girl’s face resembles that of his childhood friend, Sona (Ruma Guha Thakurta) who was kidnapped at the ghats of River Ganga in Banaras. He watches her until she gets down from the coach and enters a building. Ratan wants to meet her but Monty discourages him by saying that the building houses courtesans. But Ratan is anxious to visit her to ascertain whether she is really Sona, his childhood friend to whom he was to marry later.

One day, without the knowledge of Monty, Ratan visits Sona and comes to know that the girl he saw earlier was indeed Sona whose life has now changed after her kidnapping and she has become a courtesan with a new name ‘Banarasi’. Ratan tells her that he wants to marry her and both of them can still start a life afresh by shifting to a place away from Kolkata where no one would know their background. After much persuasion, Sona agrees. Ratan arranges his transfer to a remote village where Railway is lying new tracks. Sona runs away with Ratan in the night.  Both of them get married in a temple at Kalighat and travel by train to their new place of work in a remote village.

The station master of the village railway station accommodates him in his house until he gets the staff quarters. Both Ratan and Sona are happy. However, their happiness is short lived as Ratan comes across a calendar with her picture as a courtesan in a shop. Now Sona’s past haunts him and there is some tension between husband and wife. Their tension is further compounded when one of Sona’s old clients who has halted in the village on a business trip, recognises Sona. She and Ratan are humiliated in the presence of villagers. Sona decides to leave her husband as she feels that it was due to her past that Ratan has to face the humiliation in the society. She leaves the house in the dead of the night. Ratan, on not finding her wife in the house, goes out searching for her. He meets Sona halfway and promises her that no matter what the society says, he would always be with her. With these words, Ratan accompanies Sona to an uncharted place leaving everything behind in the house.

The film was critically acclaimed but did not do well on the box office front. Probably, the theme of the story was familiar. The extent of sympathy which the director of ‘Umrao Jaan’ (1981) created for the character of the courtesan was missing in the character of courtesan in ‘Banarasi’ (1962). However, both Soumitra Chatterjee and Ruma Guha Thakurta have given sensitive performances as per the demand of their respective roles.

By now, I have come to know that Bangla films with courtesan’s theme or scenes have a couple of Hindi songs. In ‘Banarasi’ (1962) also, there are 3 Hindi songs of which two are mujra songs and the third is a partial holi song in Bhojpuri dialect. I am presenting one of the two mujra songs, “Shabnam To Royi Royi” sung by Ruma Guha Thakurta who is singing for herself as a courtesan. The song is written by Nyay Sharma which is set to music by Ustad Ali Akbar Khan.

Song – Shabnam To Royi Royi, Taare Bhi Roye Bairi (Banarasi)(Bangla) (1962) Singer – Ruma Guha Thakurta, Lyrics – Nyay Sharma, MD – Ustad Ali Akbar Khan

Lyrics

shabnam to royi royi
taare bhi roye bairi
ab to tu aaja aaja
jaanewaale aaja..aa
jaanewaale aaja
shabnam to royi royi
taare bhi roye bairi
ab to tu aaja aaja
jaanewaale aaja..aa
jaanewaale aaja
 
taare bhi royen
meri raahen bhi royen
nigaahen bhi royen
meri duaa’en bhi royen
taare bhi royen
meri raahen bhi royen
nigaahen bhi royen
meri duaa’en bhi royen
manzil to khoi khoi
saathi bhi khoye bairi
ab to tu aaja aaja
jaanewaale aaja
jaanewaale aaja
 
royen muraaden apni
aanchal nahin hai
samjhi hum jisko saahil
saahil nahin hai
kashti to soi soi
kinaare bhi soye bairi
ab to tu aaja aaja
jaanewaale aaja..aa
jaanewaale aaja

shabnam to royi royi
taare bhi roye bairi
ab to tu aaja aaja
jaanewaale aaja..aa
jaanewaale aaja
 
palkon ne haar piroye
kis ko pehnaa’en
hichki malhaar gaaye
kis ko sunaa’en
palkon ne haar piroye
kis ko pehnaa’en
hichki malhaar gaaye
kis ko sunaa’en
hasrat to royi royi
nazaare bhi roye bairi
ab to tu aaja aaja
jaanewaale aaja. . .
jaanewaale aaja

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

शबनम तो रोई रोई
तारे भी रोये बैरी
अब तो तू आजा आजा
जानेवाले आ जा॰॰आ
जानेवाले आजा
शबनम तो रोई रोई
तारे भी रोये बैरी
अब तो तू आजा आजा
जानेवाले आ जा॰॰आ
जानेवाले आजा

तारे भी रोएँ
मेरी राहें भी रोएँ
निगाहें भी रोएँ
मेरी दुआएं भी रोएँ
तारे भी रोएँ
मेरी राहें भी रोएँ
निगाहें भी रोएँ
मेरी दुआएं भी रोएँ
मंज़िल तो खोई खोई
साथी भी खोये बैरी
अब तो तू आजा आजा
जानेवाले आजा॰॰आ
जानेवाले आजा

रोएँ मुरादें अपनी
आँचल नहीं है
समझी हम जिनको साहिल
साहिल नहीं है
कश्ती तो सोई सोई’
किनारे भी सोये बैरी
अब तो तू आजा आजा
जानेवाले आजा॰॰आ
जानेवाले आजा

शबनम तो रोई रोई
तारे भी रोये बैरी
अब तो तू आजा आजा
जानेवाले आ जा॰॰आ
जानेवाले आजा

पलकों ने हार पिरोये
किस को पहनाएँ
हिचकी मल्हार गाये
किसको सुनाएँ
पलकों ने हार पिरोये
किस को पहनाएँ
हिचकी मल्हार गाये
किसको सुनाएँ
हसरत तो रोई रोई
नज़ारे भी रोये बैरी
अब तो तू आजा आजा
जानेवाले आ जा॰॰आ
जानेवाले आजा


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4205 Post No. : 15395

Memories that are pure gold – the mention of his name brings to mind a limited set of memories. Ah but these memories are pure gold.

Remembering Vijay Anand today, on his birth anniversary. He would have been 86 today.

Without any doubts, the best and the most remarkable sense of visualization of music. Not just thinking of films with Navketan – ‘Nau Do Gyaarah’ (1957), ‘Kaala Bazaar’ (1960), ‘Tere Ghar Ke Saamne’ (1963), ‘Guide’ (1965), ‘Jewel Thief’ (1967), ‘Johnny Mera Naam’ (1970) and more, his films outside of Navketan are also as memorable for their songs. ‘Teesri Manzil’ (1966) being the most popular and loved film for its songs, and their presentation. Of course, no one counters the wholesome effect of “O Haseena Zulfon Waali”. But then, see “O Mere Sona Re Sona Re Sona Re”. The superb performances in this song by both Shammi Kapoor and Asha Parekh are the handiwork of a most capable director, who knows how to bring out the maximum impact of everything that goes into presenting a song – the ambience, the words, the music, the facial expressions, the body language, crafting the merger of actions with music, the give and take between the two protagonists – everything brought together to convey this latent feeling in the heart, bringing it to the lips, and then expressing it with an un-tethered exuberance on the part of the lady, and a coy displeasure (to start with) on part of the gentleman. The end result – as Atul ji has often pointed out – after three stanzas, all is well and the lovers are seen walking hand in hand.

Take ‘Black Mail’ (1973) and the wonderfully soft rendition of a surreal presence of the loved one – felt through the written word, the voice of lover echoing through the letters, and the presence is so real that the lady wakes up with a start having felt the reality of a kiss on her forehead. Yes, the song is “Pal Pal Dil Ke Paas, Tum Rehti Ho”. I am never tired of replaying this song, the video I mean. Just the song itself is great, but its presentation on screen has enhanced its beauty and impact many folds.

Vijay Anand has also appeared in a handful of films. In some of the films that he directed himself, and he is not in the list of actors, one can catch a glimpse of him in very brief cameo appearances. However, he has appeared in bigger roles, and also as a hero. The first film in which he made his debut in a meaty role is ‘Joru Ka Bhai’ from 1955, a comedy film in which the lead pair was Balraj Sahni and Sheela Ramani.

His next major appearance is as the hero of the 1957 film ‘Agra Road’, a cops and robbers type of story. Next we see him on screen along with his two elder brothers, Chetan and Dev, in the 1960 film ‘Kala Bazaar’ which he also directed. In this film he plays the role of the ex-boyfriend of Waheeda Rehman, who has gone for higher studies to France, and returns with his amorous loyalties shifted elsewhere.

After a gap of four years, he is seen once again in a supporting role in ‘Haqeeqat’ (1964), a film that had a large ensemble of main line stars. The next gap is much longer – 7 years. And he makes his screen appearance once again in the 1971 film ‘Tere Mere Sapne’, a film that he has directed himself. His role in this film as Dr. Jagannath Kothari, a famous gynecologist (in film), is very impressive and effective.

The next film is ‘Chhupa Rustom’ in 1973. Dev and himself, are police agents who go undercover to capture a gang of smugglers. Once again, this film is directed by him. His role, masquerading as a shady, brash, small time, two-timing con man brings out the comedian in him – in my opinion one of his best screen appearances. This film is an Indianized version of the famous novel by Alistair MacLean – ‘Fear Is The Key’.

Parallel to ‘Chhupa Rustam’ in 1973, he also appeared in the film ‘Double Cross’. In this, he appears in a double role as the hero and his twin brother who is on the wrong side of the law. He was not yet 40, but he looked quite overage for this twin brothers roles. He appears to be trying very hard to be the role, but was not convincing. The con-man role in ‘Chhupa Rustam’ was a great act, but in ‘Double Cross’ he did not quiet click. It is interesting to note that in the role of the brother on the right side of the law, Vijay is a professional photographer. That rang a bell in my mind and I checked. Very much so, the film ‘Heera Panna’ in which Dev Anand plays the role of a professional photographer also, was released in 1973 itself. As one compares the two performances, they are quite similar in mannerism, attire and body language. Now who was copying from whom? 🙂

In 1973 came another good film, produced and directed by his elder brother Chetan – ‘Hindustan Ki Kasam’. He played the role of a fighter pilot, coming from a family of soldiers and pilots. There is a brief but a great monologue by him in this film – “Saathiyo, Dosto, Hum Hi To Aaj Ke Arjun Hain. . .”. (It can be viewed at 39:40 on the timeline at the link for the film ‘Hindustan Ki Kasam‘.) He presents this monologue, takes to the skies and then does not return. A short role, albeit an impressive one.

A year later he produced the film ‘Chor Chor’ (1974), but did not direct it himself. It is a suspense thriller that did not make it good on the box office, however, it was praised by the critics and reviewers. The film had no songs, and its star cast was very interesting. Vijay had assembled many actors of yesteryears for this film – Trilok Kapoor, Jairaj, and Ranjan. The female lead opposite to Vijay himself is Leena Chandawarkar. I have not seen this film, but it seems interesting enough to merit a view.

In 1974, he appeared in another film, in a very impressive performance once again. The film ‘Kora Kaagaz’, and he is cast with Jaya Bhaduri as the leading pair. The film is about an idealistic romance that transforms into matrimony. And the matrimony cannot withstand the reality of social relations and issues of personal choices – it breaks apart. Alas, there is a happy ending as the estranged spouses meet and make up in railway waiting room. Another very impressive performance.

Then, after a gap of another 4 years, Vijay appeared in another very good role – that of a rich landlord, very well performed. The film is ‘Main Tulsi Tere Aangan Ki’. A gem of a film by Raj Khosla, Vijay is pitted against two seasoned performers – Nutan as his first and legally wedded wife and Asha Parekh as his second companion in life, whom he brings home much to the dislike of the first lady of the house.

In 1981, came the film ‘Ghungroo Ki Awaaz’ – a tale of haunting and intrigues. Once again, Vijay finds himself out of his depth. Is that a reflection of being a very good director and then come to act under the direction of another director who may not be as well capable. Don’t know whether we should draw this comparison. But then this film is not in my list of impressive performances by Vijay.

In 1984, Chetan Anand produced and directed ‘Hum Rahe Na Hum’ in which Vijay and Shabana Azmi played the lead pair. Then in 2001, he produced and directed ‘Jaana Na Dil Se Door’ in which he and brother Dev played senior roles in a film with an impressive star cast that includes Kamini Kaushal, Mohnish Behl, Moushumi Chatterji, Indrani Bannerjee, Dinesh Hingoo and Vikram Gokhale.

Vijay also appeared in a mini series on TV in 1994, titled ‘Tehkikaat’, in the role of Sam D’Silva, an investigator.

Readers would remember that Alfred Hitchcock always made it point to appear in his own films in a fleeting cameo appearance. That was his signature mark in his films, and the audiences would eagerly await to catch his appearance as they viewed his films for the first time. Vijay Anand has also a similar reputation, albeit we are not sure we have tracked down his cameos in all the films that he directed. A brief list of what I have been able to compile.

He appears in ‘Funtoosh’ (1956) as a young out-of-work writer, who meets Funtoosh (Dev Anand) after he is released from the mental hospital. Funtoosh gifts him a pen to write.

Then in ‘Tere Ghar Ke Saamne’ (1963) he appears in the stairwell of Qutab Minar, wearing spectacles, walking down the stairs with two other persons, as Dev and Nutan are busy with their amorous inclinations singing “Dil Ka Bhanwar Karey Pukaar”.

In ‘Guide’ (1965), we hear his voice, as an unknown stranger is asking about Raju guide on the railway platform. Just a very brief dialogue.

In ‘Jewel Thief’ (1967), we hear his voice on the phone, in a brief conversation with Helen.

In ‘Prem Pujari’ (1970) he appears very briefly in the role of a spy, a fleeting cameo.

Again in 1970 ‘Johnny Mera Naam’, we hear his voice very briefly as an officer of Nepal Police greets Iftekhar at the Kathmandu airport, welcoming him to Nepal.

Here is a very interesting on screen appearance trivia. Hollywood producer and director, Mike Judge of the ‘Beavis And Butthead’ fame, was a great fan of Vijay Anand. In fact, in his animated film ‘Beavis And Butthead Do America’, there is a song being played in a casino in Las Vegas. On stage, among the musicians, there is a guitar player accompanying the singer. Mike Judge had based this character on Vijay Anand. The song in that film is ‘Love Roller Coaster’, available on YouTube; just click on the link.

A brief list of shelved films of Vijay Anand.

After ‘Rajput’ (1982) and before ‘Main Tere Liye’ (1988), Vijay Anand launched ‘Dekha Jaayega’ with Anil Kapoor and Jackie Shroff. Anil backed out at last moment. After a brief gap, the film was planned again with Saif Ali in place of Anil, but was later shelved.

In 1988, he planned the film ‘Dosti Ka Taqaaza’ starring Mithun and Govinda. It was later shelved.

He appeared in the film ‘Insha Allaah’ as the hero opposite to Zarina Wahab. The film was later shelved.

He directed ‘Chura Lenge Ankhon Se Kajal’ (1992) with Akshay Kumar and Kareena Karishma Kapoor. This film was also shelved.

In 1997 he starred in and directed the NFDC (National Film Development Corporation) film ‘Nyaymurty Krishnamurty’. This film also did not see the light of the day.

In the 1990s, he also started working on another film ‘Pal Pal Dil Ke Paas’, which could not be completed, probably did not go beyond the planning stage.

OK, so today’s song. It is contributed by Avinash ji. The film is ‘Ghungroo Ki Awaaz’. The story is of a family conspiracy with shades of reminders from the film ‘Mera Saaya’. The protagonist falls in love, the lady dies in confusing circumstances, then she returns as a ghost to haunt the man. The plot finally nails down another family member, who is attempting to get rid of the protagonist, for the sake of inheritance. There are maybe some more films that are based on this scenario.

The music is by RD Burman, the words are from the pen of Vijay Anand himself and Kishore Kumar is the playback voice.

A heartfelt salute to this celluloid artist who donned many a hat in his career, and had left behind a memorable legacy.

 

Video

Audio

Song – Tere Ghungroo Ki Awaaz  (Ghungroo Ki Awaaz) (1981) Singer – Kishore Kumar, Lyrics – Vijay Anand, MD – RD Burman

Lyrics (Provided by Avinash Scrapwala)

ho o o mere hamraaz
kaisa hai ye raaz
bulaati hai aur kho jaati hain
tere ghunghroo ki aawaaz
tere ghunghroo ki aawaaz

ho o o mere hamraaz
kaisa hai ye raaz
bulaati hai aur kho jaati hain
tere ghunghroo ki aawaaz
tere ghunghroo ki aawaaz

sitaaron ne sajaayee thhi dagar
hawaaon ne jhulaaya bhi magar
hmm hmm hmm
sitaaron ne sajaayee thhi dagar
hawaaon ne jhulaaya bhi magar
jalaa daaley
jalaa daaley
pankh naseebon ne
reh gayee hasrat e parwaaz
tere ghunghroo ki aawaaz
ho o o mere hamraaz
kaisa hai ye raaz
bulaati hai aur kho jaati hain
tere ghunghroo ki aawaaz
tere ghunghroo ki aawaaz

andheron mein chhupi hai kiran
milan hai par ye kaisa milan
hmm hmm hmm
hmm hmm hmm
andheron mein chhupi hai kiran
milan hai par ye kaisa milan
adhura hai
adhura hain
geet jeewan ka
aur toota toota saaz
tere ghunghroo ki aawaaz

ho o o mere hamraaz
kaisa hai ye raaz
bulaati hai aur kho jaati hain
tere ghunghroo ki aawaaz
tere ghoonghroo ki aawaaz
tere ghoonghroo
ki aawaaz

————————————————————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————————————————-

हो ओ ओ मेरे हमराज़
कैसा है ये राज़
बुलाती है और खो जाती हैं
तेरे घुँघरू कि आवाज़

हो ओ ओ मेरे हमराज़
कैसा है ये राज़
बुलाती है और खो जाती हैं
तेरे घुँघरू कि आवाज़

सितारों ने सजाई थी डगर
हवाओं ने झुलाया भी मगर
हं हं हं
सितारों ने सजाई थी डगर
हवाओं ने झुलाया भी मगर
जला डाले
जला डाले
पंख नसीबों ने
रह गयी हसरत ए परवाज़
तेरे घुँघरू कि आवाज़
हो ओ ओ मेरे हमराज़
कैसा है ये राज़
बुलाती है और खो जाती हैं
तेरे घुँघरू कि आवाज़

अंधेरों में छुपी है किरण
मिलन है पर ये कैसा मिलन
हं हं हं
हं हं हं
अंधेरों में छुपी है किरण
मिलन है पर ये कैसा मिलन
अधूरा हैं
अधुरा हैं
गीत जीवन का
और टूटा टूटा साज़
तेरे घुँघरू कि आवाज़

हो ओ ओ मेरे हमराज़
कैसा है ये राज़
बुलाती है और खो जाती हैं
तेरे घुँघरू कि आवाज़
तेरे घुँघरू कि आवाज़
तेरे घुँघरू ..
कि आवाज़


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4095 Post No. : 15241

Today, 4th October, is the 88th birthday of Sandhya Mukherjee. The grand old dame is one of the premier playback singers in Bangla cinema. In Hindi films, her contribution is limited to about 30 songs. Her involvement in Hindi films starts with the 1948 film ‘Jhoothi Kasmen’, and her singing assignments are spread over a decade and a half, till the mid 1960s.

A chance encounter with this song prompted the preparation of this post. I came across this song just a few hours ago, and listening to it was love at first hear. Such a lovely melody and arrangement, and such wonderful rendition, this song belongs to that category of unknown and hidden gems, which surprise the listener with their simplicity and beauty. I have listened to it many times since I discovered it earlier in the evening, and I do not seem to be getting enough of it.

The film is ‘Ratnadeep’ from 1952. The film is produced and directed by the legendary Debaki Kumar Bose, for the banner of Chitramaya, Calcutta. The cast of actors is listed as Anuva Gupta, Manju Dey, Molina Devi, Chhaya Devi, Tangamani, Harini, Bakul Ghosh, Abhi Bhattacharya, Pahadi Sanyal, Niteesh Mukherji, Tulsi Chakravarty, Kamal Mishra, Raj Kumar Soni, Sudheer  Chakraborty, Gokul Mukherji, and Gauri Shankar. The film is based on the Bangla novel of the same name, written by Prabhat Kumar Mukherjee.

Eight songs are listed for this film. The music director is Robin Chatterji. Two of the songs are traditional bhajans originally composed by Meerbai and Vidyapati. The remaining six songs have been written by the songwriters Pandit Madhur and Mahendra Pran. However, the lyricist for each individual song is not specifically identified.

We wish Sandhya ji a very happy 88th birthday. May she be blessed with many more years of good health and happiness.

Song – Raat Ne Aa Ke Din Ko Chooma, Saanjh Suhaani Aayi  (Ratnadeep) (1952) Singers – Sandhya Mukherji, Lyrics – [Unattributed], MD – Robin Chatterji

Lyrics

raat ne aa ke
din ko chooma
saanjh suhaani aayi aayi
saanjh suhaani aayi
saanjh suhaani aayi manwa doley
raat ne aa ke
din ko chooma
saanjh suhaani aayi

chanda karey ishaare
koi mujhe pukaare
chanda karey ishaare
kya jaanun main aaj bhala kyon
mann hi mann sharmaai
saanjh suhaani aayi aayi

baalapan ke sapne jaage
jaagi mast jawaani
haaye jaagi mast jawaani
duniya ki har ?? suhaani
?? ban karv itraai
tum ban jaao main o saajan
aawo main tum ban jaaun
ye madmaati saanjh salona
ye madmaati saanjh salona
salona sandesa laai
saanjh suhaani aayi aayi

aankhon se tum dil mein aaye
phir bhi rahe kyon praaye
phir bhi rahe kyon praaye
itna to batla do kyon tum
aaj baney harjaai
saanjh suhaani aayi aayi
saanjh suhaani aayi aayi
saanjh suhaani aayi aayi

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

रात ने आ के
दिन को चूमा
साँझ सुहानी आई आई
साँझ सुहानी आई
साँझ सुहानी आई मनवा डोले
रात ने आ के
दिन को चूमा
साँझ सुहानी आई

चंदा करे इशारे
कोई मुझे पुकारे
चंदा करे इशारे
क्या जानूँ मैं आज भला क्यों
मन ही मन शरमाई
साँझ सुहानी आई आई

बालपन के सपने जागे
जागी मस्त जवानी
हाए जागी मस्त जवानी
दुनिया की हर ?? सुहानी
?? बन कर इतराई
तुम बन जाओ मैं ओ साजन
आवो मैं तुम बन जाऊँ
ये मदमाती साँझ सलोना
ये मदमाती साँझ सलोना
सलोना सँदेसा लाई
साँझ सुहानी आई आई

आँखों से तुम दिल में आए
फिर भी रहे क्यों पराये
फिर भी रहे क्यों पराये
इतना तो बतला दो क्यों तुम
आज बने हरजाई
साँझ सुहानी आई आई
साँझ सुहानी आई आई
साँझ सुहानी आई आई

 


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has exactly 15700 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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Total number of songs posts discussed

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Movies with all their songs covered =1211
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