Advertisements

Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Calling the beloved’ Category


This article is written by Ava Suri, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3925 Post No. : 14992 Movie Count :

4102

= = = = = = = = = = = = = = = = = = = = = = = =

Atul Song-A-Day 15K Song Milestone Celebrations – 4
– – – – – – – – – – – – – – – – – – – – – – – – – – – –

It is that time of the year again. Time to celebrate another landmark of this beloved blog by all the members who contribute to it. Congratulations to the blog, its members and readers for hitting the 15K landmark.

I tend to ‘wake up’ only during the celebrations, though I like to keep afoot of the blog, not as much as I used to. Time was when I was tethered to a chair and computer for eight hours a day when I was working. There were many hours to be whiled away at times and it was easy to read the blog more often. Now that I am retired and a new member of Grandparents Club, I find less time to sit at the laptop. I often read posts on my mobile and find it hard to post comments from there. Nevertheless, it is still my number two most visited blog. Number one is my own blog, sorry, heh heh.

From something that was once Atul ji’s hobby, posting a song a day, this blog has burgeoned into a treasure trove of information. Various contributors keep the blog humming and it now has two fathers, Atul ji has been joined by Sudhir ji. This makes it easier for the blog to keep growing. There are a number of regular contributors, Arunkumar ji Deshmukh is the Bhishm Pitamah of the blog. Nalini ji is passionate about the blog, commenting and writing posts. Sadanandji, Avinash ji, Nahm ji, Mahesh ji, Satyajit ji, Gajendraji, Satishji are some of the other stalwarts. Raja is a personal friend of mine as well as the co-mentor of the blog. Forgive me if I have forgotten the names of other contributors – my memory is shaky post-retirement. 🙂

What do I love most about this blog? Number one reason is the sheer amount of information I gather by being here. Number two is the consistency of high standards in keeping the posts original and error free. Number three is the liveliness of the blog, the constant refreshment of content.

Hindi film music is a vast ocean, no, it is more like the skies that are endless. Luckily for the lovers of this blog, there will always be new songs and new posts to keep us occupied.

Now about this song. When new movies are promoted on television, they are accompanied by one or two big songs from the film. It becomes the signature song for the movie. Hence we get to know the popular songs from each movie and hum it more often. Yet there are often hidden gems within the songs of each movie, less popular but more beautiful. We do not hear them unless we watch the movie and are struck by it or listen to the complete playlist. ‘Haasil’ has a signature song too, “Ankhen Bhi Hoti Hain Dil Ki Zubaan”. But I am struck more by this song – “Ab Ghar Aa Ja”, a classical number which plays in the background during a poignant passage in the film.

‘Haasil’ (2003) was directed by Tigamanshu Dhulia and featured Jimmy Shergill, Irfan Khan and Hrishita Bhatt. College politics and gang war in Allahabad form the backdrop in which Jimmy and Hrishita meet and fall in love. Unfortunately, Jimmy becomes involved in the gang wars between two student leaders and is forced to flee to Mumbai. But soon he realises that he cannot keep hiding and lose his girlfriend in the bargain. He decides to return to Allahabad and face the consequences.

This song plays when the hero is traveling back to Allahabad from Mumbai in a train. The picturisation is very apt, the hero is pensive as he misses his girl, also because he knows he is soon going face danger. His mood is reflected in this slow classical number.

This song will debut the movie ‘Haasil’ on the blog. If I am not mistaken, singer Javed Ali debuts on the blog too. I hope you will like the song as much as I do.

Video

Audio

Song – Ab Ghar Aa Ja, Piya Morey Aa Ja (Haasil) (2003) Singer – Javed Ali, Lyrics – Satyaprakash, MD – Jatin Lalit

Lyrics
(Based on Video Version)

piya morey aa ja

tum bin kaun
mora dukh jaane
ab ghar aa ja

kaahe aiso nithur
bhayo bataa de
ho
kaahe aiso nithur
bhayo bataa de
ho
tum bin saawan jiyaara jalaave
ab… ghar aa ja

hum se chhal na kariyo
piya morey
hum se chhal na kariyo
piya morey
hamri preet hai
tumhri pooja
hamri preet hai
tumhri pooja
ab… ghar aa ja
ghar aa ja
ghar aa ja
ghar aa..aa ja

(Based on Audio Version)

ab.. ghar aa ja
piya morey aa ja

ab ghar aa ja
piya morey aa ja 
ab ghar aa ja
piya morey aa ja 
tum bin kaun
mora dukh jaane
tum bin kaun
mora dukh jaane
ab ghar aa ja
piya more aa ja
tum bin kaun
mora dukh jaane
ab ghar aa ja…

kaahe aiso nithur
bhayo bataa de
ho
kaahe aiso nithur…
nithur…
kaahe aiso nithur
bhayo bata de
ho
tum bin saawan
jiyara jalaave
ab ghar aa ja
piya morey aa ja
ab ghar aa ja

hum se chhal naa kariyo
piya morey
ham se chhal naa kariyo… piya…
piya…
piya…
piya…
hum se chhal naa kariyo
piya morey
hamaree preet hai
tumhri puja
hamaree preet hai
tumahri puja

ab ghar aa ja
piya morey aa ja
tum bin kaun
mora dukh jaane
tum bin kaun
mora dukh jaane
ab ghar aaja…
ghar aa ja…
ghar aa..aa ja…

———————————————————-
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————-

(विडियो पर आधारित)

पिया मोरे आ जा

तुम बिन कौन
मोरा दुख जाने
अब घर आ जा

काहे अइसो निठुर
भयो बता दे
हो
काहे अइसो निठुर
भयो बता दे
हो
तुम बिन सावन
जियरा जलावे
अब॰ ॰ ॰ घर आ जा

हमसे छल ना करियो
पिया मोरे
हमसे छल ना करियो
पिया मोरे
हमरी प्रीत है
तुम्हरी पूजा
हमरी प्रीत है
तुम्हरी पूजा
अब॰ ॰ ॰ घर आ जा
घर आ जा
घर आ जा
घर आ॰॰आ जा

(औडियो पर आधारित)

अब॰ ॰ ॰ घर आ जा
पिया मोरे आ जा

अब घर आ जा
पिया मोरे आ जा
अब घर आ जा
पिया मोरे आ जा
तुम बिन कौन
मोरा दुख जाने
तुम बिन कौन
मोरा दुख जाने
अब घर आ जा
पिया मोरे आ जा
तुम बिन कौन
मोरा दुख जाने
अब घर आ जा॰ ॰ ॰

काहे अइसो निठुर
भयो बता दे
हो
काहे अइसो निठुर॰ ॰ ॰
निठुर॰ ॰ ॰
काहे अइसो निठुर
भयो बता दे
हो
तुम बिन सावन
जियरा जलावे
अब घर आ जा
पिया मोरे आ जा
अब घर आ जा

हमसे छल ना करियो
पिया मोरे
हमसे छल ना
करियो॰ ॰ ॰ पिया॰ ॰ ॰
पिया॰ ॰ ॰
पिया॰ ॰ ॰
पिया॰ ॰ ॰
हमसे छल ना करियो
पिया मोरे
हमरी प्रीत है
तुम्हरी पूजा
हमरी प्रीत है
तुम्हरी पूजा

अब घर आ जा
पिया मोरे आ जा
तुम बिन कौन
मोरा दुख जाने
तुम बिन कौन
मोरा दुख जाने
अब घर आ जा॰ ॰ ॰

घर आ जा॰ ॰ ॰

घर आ॰॰आ जा॰ ॰ ॰

Advertisements

This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3904 Post No. : 14958

———————————————–
Blog 10-Year Challenge (2009-19) – Song No. 22
————————————————

This day, ten years ago, the songs that we were listening to are listed below,

 

Dukh Ke Ab Din Beetat Naahin Devdas 1935
Antam Fantam Chhod De Babu Hum Sab Chor Hain 1956
Hai Kali Kali Ke Lab Par Lala Rukh 1958
Jaa Re Beimaan Tujhe Jaan Liyaa Private Secretary 1962
Dil Ki Girah Khol Do Raat Aur Din 1967
Apni Aadat Hai Sabko Salaam Karnaa Pyaar Deewaana 1972

 

Six songs were posted, six films represented. Over the past 10 years, four of these films have completed their run of songs – ‘Devdas’ (1935), ‘Hum Sab Chor Hain’ (1956), ‘Lala Rukh’ (1958) and ‘Raat Aur Din’ (1967).

For the remaining two films, the score card says –

‘Private Secretary’ (1962) – 4 songs posted out of total 7 listed, and
‘Pyaar Deewaana’ (1972) – 2 songs posted out of total 8 listed.

So in preparation for the Ten Year Challenge post for today, as I started to scan the remaining songs of these two films, I had to stop right at the first song that I checked, for I knew it has to be this one today. The song is a stage dance song from the film ‘Private Secretary’. The listing in the Geet Kosh is not fully informative, because the song title listed is actually the lead in verse to the song. The burden of the song comes later, and it was not apparent when I read the song title. But when I played this song – my goodness, I am amazed that a song of this caliber has been lying unnoticed for all these years. That is the reason for the urgency in my mind to post this.

This song was frequently heard on the air waves during the radio listening days, and so it is a very familiar and a favorite song from that time. After the leading verse, as soon as Lata ji starts to croon “O O O Saanwre. . .”, I just sat up straight with surprise – my God, this song, this lovely melody. Not yet posted. Hiding where all these years. And I knew it has to get posted right away.

The film ‘Private Secretary’ is produced under the banner of Radiant Movies, Bombay and is directed by Chander. The cast of actors is listed as Ashok Kumar, Jaishri Gadkar, NA Ansari, Mohan Choti, Poornima, Raja Gosavi, Neelam, Jerry, TN Sinha, Manohar Geer, Raj Kumar, Ravi Khanna, Kashi, CN Kapoor, Athawale, and Umakant. The seven songs listed are all from the pen of Prem Dhawan, and the music is composed by Dilip Dholakia. The singing voice is of Lata Mangeshkar.

The song is performed by Jaishree Gadkar on screen, as a stage performance. In the beginning of the song, we can see Ashok Kumar and Mohan Choti as part of the audience. A wonderful song and an equally wonderful performance – the song merits to be on the list of best dance songs.

Listen to this charming melody. And tell me. Did you have the same reaction as I did?

Song – O Saanwre, Aa Ja Pyaar Liyei  (Private Secretary) (1962) Singer – Lata Mangeshkar, Lyrics – Prem Dhawan, MD – Dilip Dholakia

Lyrics

pee ke daras ko tarse akhiyaan
bin saawan ke barse akhiyaan

kit gaye rasiya
o mann basiya
kaa se mann ki
boloon re batiyaan

aaaaa aaaaaa aaaaa aaaaaa
aaaaaaaa aaaaaa aaaaaa aaaaa
aaaa aaa aaa aaa aa
aaaa aaa aaa aaa aa
aaaa aaa aaa aaa aa
o saanware
aa jaa pyaar liye
gaati bahaar liye
ke tere bina morey naina huvey
baaware
o saanware
aa jaa pyaar liye
gaati bahaar liye
ke tere bina morey naina huvey
baaware
o saanware

jab se suratiya aankhon mein samaai
hum ko to laage saari duniya paraai
jab se suratiya aankhon mein samaai
jab se suratiya aankhon mein samaai
hum ko to laage saari duniya paraai
milne ki pyaas liye
ek yahi aas liye
baithi rahoon main subah shaam re
ooo ooo ooo
o saanware
aa jaa pyaar liye
gaati bahaar liye
ke tere bina morey naina huvey
baaware
o saanware

dil ko bichhaaya hai
raahon mein tumhaari
jaane kab kismet jaagegi hamaari
dil ko bichhaaya hai
dil ko bichhaaya hai
raahon mein tumhaari
jaane kab kismet jaagegi hamaari
din jaaye raat aaye
dil se na aag jaaye
saanson mein goonje tera naam re
oo oo
o saanware
aa jaa pyaar liye
gaati bahaar liye
ke tere bina morey naina huvey
baaware
oo oo saanware

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

पी के दरस को तरस गई अखियाँ
बिन सावन के बरसे अखियाँ

कित गए रसिया
ओ मन बसिया
का से मन की
बोलूँ रे बतियाँ

आssss आsssss आssss आsssss
आsssssss आsssss आsssss आssssssss
आsss आss आss आs
आsss आss आss आs
आsss आss आss आs
ओ ओ सांवरे
आ जा प्यार लिए
गाती बहार लिए
के तेरे बिना मोरे नैना हुवे
बावरे
ओ सांवरे
आ जा प्यार लिए
गाती बहार लिए
के तेरे बिना मोरे नैना हुवे
बावरे
ओ सांवरे

जबसे सुरतिया आँखों में समाई
हमको तो लागे सारी दुनिया पराई
जबसे सुरतिया आँखों में समाई
जबसे सुरतिया आँखों में समाई
हमको तो लागे सारी दुनिया पराई
मिलने की प्यास लिए
एक यही आस लिए
बैठी रहूँ मैं सुबह शाम रे
ओ ओ ओ
ओ सांवरे
आ जा प्यार लिए
गाती बहार लिए
के तेरे बिना मोरे नैना हुवे
बावरे
ओ सांवरे

दिल को बिछाया है
राहों में तुम्हारी
जाने कब किस्मत जागेगी हमारी
दिल को बिछाया है
दिल को बिछाया है
राहों में तुम्हारी
जाने कब किस्मत जागेगी हमारी
दिन जाये रात आए
दिल से ना आग जाये
साँसों में गूँजे तेरा नाम रे
ओ ओ
ओ सांवरे
आ जा प्यार लिए
गाती बहार लिए
के तेरे बिना मोरे नैना हुवे
बावरे
ओ ओ ओ सांवरे


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3903 Post No. : 14956 Movie Count :

4087

Missing Films of 1960s – 99
– – – – – – – – – – – – – – –

OK wow, we are at 99 for this series today. 🙂

The surprising thing is that this film is not yet on the blog. It is not obscure, it is not unfamiliar, it is not starring unfamiliar faces, it does not contain unfamiliar or unheard songs, and the songs are good to be heard. So then, how come?

Well, we come to it today. The film we are bringing on today is ‘Shart’ from 1969. Of course, its namesake from 1954 has legendary music and songs. The 1969 ‘Shart’ does not compare to the quality of music of the earlier one. But still, given the era we were in during late 1960s, we are still talking of primary rated artists who came together for this song. In their own right, these artists had already established themselves in the industry.

Music is by Laxmikant Pyaarelal. The lyrics are written by Anand Bakshi. And the singer of this song is Asha Bhosle. The lead pair in this film is Mumtaz and Sanjay (later known by the name Sanjay Khan). By 1969, both had made their presence felt on the box office. Mumtaz, having struggled thru from being a junior artist and then playing many a C grade films, had by this time graduated to A and B class cinema. Sanjay, being the younger brother of Feroze Khan already had a head start – appearing in big banner films opposite to top line leading ladies already.

The film was produced under the banner of Shankar Movies, Bombay, and was directed by Kewal Mishra. The star cast of this film, in addition to the lead pair mentioned above, is listed as Kumud Chhugani, Rajendra Nath, KN Singh, Ramesh Dev, Rajan Haksar, Heeralal, Shammi, Meena Rai, Murad, Ravikant, Tuntun, Ravi Khanna, and Hercules.

I do not readily recall the storyline. The song is group dance song, with Mumtaz as the lead dancer and a group of sahelis supporting her. We catch a glimpse of Ramesh Deo in the beginning of the clip. And Sanjay is seen watching this dance performance. The peculiar thing about this song is that in between we see that the lead dancer is switched, and we see another lady leading the dance, wearing exactly the same attire as Mumtaz. I request our circle of knowledgeable readers to please help identify this other lady.

It seems that the leading man, Sanjay, is equally perplexed. There is a look of baffled curiosity on his face, as he tries to figure out how the lady is being switched, as the song progresses. From a distance, it cannot be clearly made out, but in closer shots, there definitely is a switching of lead performer happening. Again, request is for those who may have seen this film, to please add information to explain this situation.

The song itself is a lovely Asha rendition, and the performance by Mumtaz is simply too good. Very energetic and very involved with the scene, she is of course the star attraction in this clip.

And after this post – we have the century post of this series coming up. Watch this space for more. 🙂 🙂

Song – Chori Se Sainyyaan Ne Mohe Pukaara  (Shart) (1969) Singer – Asha Bhosle, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal

Lyrics

oo oo oo ooo
oo oo oo ooo
oo oo
oo oooo

oo oo oo ooo
oo oo oo ooo
oo oo
oo oooo

chori se sainyyaan ne mohe pukaara
re chupke se maine bhi kiya ishaara
re kali kali jaan gayi
gali gali mach gaya shor
kali kali jaan gayi
gali gali mach gaya shor
chori se sainyyaan ne mohe pukaara
re chupke se maine bhi kiya ishaara
re kali kali jaan gayi
gali gali mach gaya shor
kali kali jaan gayi
oy gali gali mach gaya shor

pehle thi champa
phir bani gori
pad gaya ab mera naam chakori
ae suno
ae dekho
o logo
ud gayi bairan nindiya mori
pakdi gayi mere mann ki chori
bhed naa ye kaam aaya
dosh mere naam aaya
kali kali jaan gayi
gali gali mach gaya shor
chori se sainyyaan ne mohe pukaara
re chupke se maine bhi kiya ishaara
re kali kali jaan gayi
gali gali mach gaya sho..or
kali kali jaan gayi
oy gali gali mach gaya shor

main kya jaanoon
chhup ke sakhiyaan
sunti hain mere prem ki batiyaan
ae suno
ae dekho
o logo
main kya jaanoon
karte hain batiyaan
padh ke log mere naam ki patiyaan
dheere dheere baaten huin
chori mulaqaaten huin
kali kali jaan gayi
gali gali mach gaya shor
chori se sainyyaan ne mohe pukaara
re chupke se maine bhi kiya ishaara
re kali kali jaan gayi
gali gali mach gaya shor
kali kali jaan gayi
gali gali mach gaya sho..or
kali kali jaan gayi
gali gali mach gaya sho..or

lallaa lallaa lallaa lallaa
lallaa

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

ओ ओ ओ ओss
ओ ओ ओ ओss
ओ ओ
ओ ओsss

ओ ओ ओ ओss
ओ ओ ओ ओss
ओ ओ
ओ ओsss

चोरी से सैयां ने मोहे पुकारा
रे चुपके से मैंने भी किया इशारा
रे कली कली जान गई
गली गली मच गया शोर
कली कली जान गई
गली गली मच गया शोर
चोरी से सैयां ने मोहे पुकारा
रे चुपके से मैंने भी किया इशारा
रे कली कली जान गई
गली गली मच गया शोर
कली कली जान गई
ओय गली गली मच गया शोर

पहले थी चम्पा
फिर बनी गोरी
पड़ गया अब मेरा नाम चकोरी
ए सुनो
ए देखो
ओ लोगो
उड़ गई बैरन नींदिया मोरी
पकड़ी गई मेरे मन की चोरी
भेद ना ये काम आया
दोष मेरे नाम आया
कली कली जान गई
गली गली मच गया शोर
चोरी से सैयां ने मोहे पुकारा
रे चुपके से मैंने भी किया इशारा
रे कली कली जान गई
गली गली मच गया शोर
कली कली जान गई
ओय गली गली मच गया शोर

मैं क्या जानूँ
छुपके सखियाँ
सुनीत हैं मेरे प्रेम की बतियाँ
ए सुनो
ए देखो
ओ लोगो
मैं क्या जानूँ
करते हैं बतियाँ
पढ़ के लोग मेरे नाम की पतियाँ
धीरे धीरे बातें हुईं
चोरी मुलाकातें हुईं
कली कली जान गई
गली गली मच गया शोर
चोरी से सैयां ने मोहे पुकारा
रे चुपके से मैंने भी किया इशारा
रे कली कली जान गई
गली गली मच गया शोर
कली कली जान गई
गली गली मच गया शो॰॰ओर
कली कली जान गई
गली गली मच गया शो॰॰ओर

लल्ला लल्ला लल्ला लल्ला
लल्ला


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3890 Post No. : 14924 Movie Count :

4075

Missing Films of 1960s – 94
– – – – – – – – – – – – – – –

With every episode, we are closing in on clearing all the pending and available films for representation here on our blog. Today, we bring on the 1969 film ‘Pyaar’.

The word ‘Pyaar’ is likely to be one of those which are probably the most used in film titles. I have not done the search, but yes, it would be very interesting to take out a statistics on how many films have this word in their title. That being an interesting exercise in itself, I would take this to the next level – to check how many films are titled simply ‘Pyaar’. In the first five volumes of Geet Kosh, i.e. 1931 to 1980, there have been three films which are so titled. The years are 1940, 1950 and 1969.

The 1969 ‘Pyaar’ is produced under the banner of Film Makers, Calcutta, and is directed by Prahlad Sharma. The cast of actors includes Soma Salkar, Suraj, Sangeeta, Prem, Kavita, Biren, Shekhar, Alka, Jahar Rai, Baby Samli Rai, and Pandit Natwar etc. Geet Kosh lists 6 songs for this film, all of them from the pen of Prahlad Sharma (the director himself). Music is from the mind of V Balsara.

This particular song is a solo sung by Rafi Sb. The hero is trying impress upon his heart throb, not to walk away alone, but to be together. In the process, he tells her about the difficulties trying the negotiate the life’s passages alone.

With this post, we have now introduced 94 films that were earlier not represented on the blog. A few more films are yet waiting to be posted. 🙂

 

Song – Akad Ke Kahaan Chale Meri Jaan  (Pyaar) (1969) Singer – Mohammed Rafi, Lyrics – Prahlad Sharma, MD – V Balsara

Lyrics

akad ke kahaan chale meri jaan
karo na itna haaye gumaan
akad ke kahaan chale meri jaan
karo na itna haaye gumaan
akele chal na paaoge
meet mere tum kho jaaoge
abhi to kamsin ho nadaan
akad ke kahaan chale meri jaan
karo na itna haaye gumaan

bada lamba jeevan ka safar
nahin manzil ki tumhen khabar
ghiregi toofaan mein kashti
milegi tumko nahin dagar
samjhi
hamen tum le lo apne saath
kinaare se lag jaaoge
akele chal na paaoge
meet mere tum kho jaaoge
abhi to kamsin ho nadaan
akad ke kahaan chale meri jaan
karo na itna haaye gumaan

zara aane do mast bahaar
aah haa
khiloge kaliyon se dildaar
aah haa
gulabi hothon ka pee zehar
marenge bhanwre roz hazaar
oh ho ho ho
hiran si aankhon mein le nasha
hamen madhosh banaaoge
akele chal na paaoge
meet mere tum kho jaaoge
abhi to kamsin ho nadaan
akad ke kahaan chale meri jaan
karo na itna . . . . gumaan

aji sun lo mere hamdam
nahin ye nakhron ka mausam
zamaane se hum do pyaase
badi hai donon or jalan
haaye
hamaare pehlu mein aao
yakeen hai pyaas bujhaaoge
akele chal na paaoge
meet mere tum kho jaaoge
abhi to kamsin ho nadaan
akad ke kahaan chale meri jaan
karo na itna haaye gumaan
akad ke kahaan chale meri jaan
karo na itna haaye gumaan

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

अकड़ के कहाँ चले मेरी जान
करो ना इतना हाए गुमान
अकड़ के कहाँ चले मेरी जान
करो ना इतना हाए गुमान
अकेले चल ना पाओगे
मीत मेरे तुम खो जाओगे
अभी तो कमसिन हो नादान
अकड़ के कहाँ चले मेरी जान
करो ना इतना हाए गुमान

बड़ा लंबा जीवन का सफर
नहीं मंज़िल की तुम्हें खबर
घिरेगी तूफाँ में कश्ती
मिलेगी तुमको नहीं डगर
समझी
हमें तुम ले लो अपने साथ
किनारे से लग जाओगे
अकेले चल ना पाओगे
मीत मेरे तुम खो जाओगे
अभी तो कमसिन हो नादान
अकड़ के कहाँ चले मेरी जान
करो ना इतना हाए गुमान

ज़रा आने दो मस्त बहार
आ हा
खिलोगे कलियों से दिलदार
आह हा
गुलाबी होठों का पी ज़हर
मरेंगे भँवरे रोज़ हज़ार
ओ हो हो हो
हिरण सी आँखों में ले नशा
हमें मदहोश बनाओगे
अकेले चल ना पाओगे
मीत मेरे तुम खो जाओगे
अभी तो कमसिन हो नादान
अकड़ के कहाँ चले मेरी जान
करो ना इतना ॰ ॰ ॰ ॰ गुमान

अजी सुन लो मेरे हमदम
नहीं ये नखरों का मौसम
जमाने से हम दो प्यासे
बड़ी हैं दोनों ओर जलन
हाए
हमारे पहलू में आओ
यकीं है प्यास बुझाओगे
अकेले चल ना पाओगे
मीत मेरे तुम खो जाओगे
अभी तो कमसिन हो नादान
अकड़ के कहाँ चले मेरी जान
करो ना इतना हाए गुमान
अकड़ के कहाँ चले मेरी जान
करो ना इतना हाए गुमान


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3882 Post No. : 14907 Movie Count :

4072

Missing Films of 1960s – 93
– – – – – – – – – – – – – – –

With this song, we introduce the film ‘Nai Zindagi’ from 1969. As I check the Geet Kosh listings, I find two more films with the same name – one from 1943 and the second from 1951. The 1943 film has Sheikh Mukhtar and Anees Khaatoon as the lead pair. In the 1951 movie, the lead pair is Nirupa Roy and Amarnath. The one in 1969 has Dev Kumar and Kumkum as the lead stars.

This film is produced under the banner of Naaz Productions and is directed by Dada Pathaare. The star cast of this film is listed as Prithviraj, Kumkum, Dev Kumar, Jeevan, Kan Mohan, Meenakshi, Niranjan Sharma, Jagirdar, Ratnamala, Gopikrishan, and Madhumati.

The film has 6 songs, all written by Prem Dhawan. Music is composed by Chitragupt. The song presented today is rendered by Lata Mangeshkar. In this song, the lady is expressing her desire to meet her beloved again, calling out to him – that her tresses are flowing like a snake, and he should come as a snake charmer. Given that Kumkum is the leading lady, my thought is that this song could have been performed by her on the screen. But that is just a guess. I request other knowledgeable friends who may have seen this film, to please add more information about the film and this song.

With this post, the 1969 film ‘Nai Zindagi’ makes a debut on our blog.

 

Song – Bikhri Hain Laten Naagan Ki Tarah  (Nai Zindagi) (1969) Singer – Lata Mangeshkar, Lyrics – Prem Dhawan, MD – Chitragupt

Lyrics

bikhri hain laten nagan ki tareh
tu ban ke sapera aa jaa

bikhri hain laten nagan ki tareh
tu ban ke sapera aa jaa
bikhri hain laten nagan ki tareh. . .

bhooli
kabhi raahen
milte hi tumse nigaahen
oo oo oo
bhooli kabhi raahen
milte hi tumse nigaahen
behki nazar to hum behke
behki nazar to hum behke
bheki dagar kadam behke
kahaan jaaun
ye to bata jaa
bikhri hain laten nagan ki tareh
tu ban ke sapera aa jaa
bikhri hain laten nagan ki tareh. . .

chal di
tere sang mein
mohey rang le apne hi rang mein
oo oo oo
chal di
tere sang mein
mohey rang le apne hi rang mein
mann ka diya jala baithi
mann ka diya jala baithi
sapne tere saja baithi
piya mujhko galey laga ja
bikhri hain laten nagan ki tareh
tu ban ke sapera aa jaa
bikhri hain laten nagan ki tareh. . .

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

बिखरी हैं लटें नागन की तरह
तू बन के सपेरा आ जा

बिखरी हैं लटें नागन की तरह
तू बन के सपेरा आ जा
बिखरी हैं लटें नागन की तरह॰ ॰ ॰

भूली
कभी राहें
मिलते ही तुमसे निगाहें
ओ ओ ओ
भूली कभी राहें
मिलते ही तुमसे निगाहें
बहकी नज़र तो हम बहके
बहकी नज़र तो हम बहके
बहकी डगर कदम बहके
कहाँ जाऊँ
ये तो बता जा
बिखरी हैं लटें नागन की तरह
तू बन के सपेरा आ जा
बिखरी हैं लटें नागन की तरह॰ ॰ ॰

चल दी
तेरे संग में
मोहे रंग ले अपने ही रंग में
ओ ओ ओ
चल दी
तेरे संग में
मोहे रंग ले अपने ही रंग में
मन का दिया जला बैठी
मन का दिया जला बैठी
सपने तेरे सजा बैठी
पिया मुझको गले लगा जा
बिखरी हैं लटें नागन की तरह
तू बन के सपेरा आ जा
बिखरी हैं लटें नागन की तरह॰ ॰ ॰


This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3874 Post No. : 14895

Mohammed Rafi : The Incomparable (II) – Song No. 07
—————————————————

I remember during the radio days, whenever a non filmy song programme would start, we would shut down the radio.  Now it was time to play or to do some study seriously or even watch TV.  The time for all of these things was limited.  Entertainment was available only on its time with fixed hours and no more, because even if we were free the friends will be called home and play time was over.  Time spend with friends in the colony playing or just doing gup-shup was precious.

One Doordarshan showed, programs in English, Marathi and Gujarati in variety of topics, kids shows, game & sports, filmy shows, quiz shows, songs etc.  There used to be a program even for farmers called ‘Aamchi Maati Aamchi Manasa” (Our Soil and Our People).  Childrens shows such as ‘Aao Maare Saathe’ and ‘Santa Kukdi’ are there in the memory.  Shows like Sabira Merchants ‘Whats the Good Word’ and Tabassum’s ‘Phool Khile Hain Gulshan Gulshan’ and some shows by Yaqub Saeed are also in the recesses of deep memory.

Now everything is available anytime anywhere, with no fixed hours.  Unlimited everything and I am back to the same theme of technology being good, but too much dependence on it is not so good.  Its advancement are there for the human use, but what is happening all around is the other way round.  The technology of internet /wi-fi is occupying the total collective human waking time and imagination.  In fact there is nothing left to imagination, all of it is on display, so to speak.

Now back to what I was saying in the first paragraph.  So sugam sangeet and anyhting non-filmy was a no-go zone as far as I can remember.  I think it was my older sister who found those geet/songs drama shows like ‘Hawal Mahal’ etc. boring.  So Vividh Bharati and All India Radio Urdu Service, both were only used to … listen to film songs. 🙂  Now I realise that this way I missed out on the non-film songs of various singers including those of Rafi Sb.  Even Radio Ceylon was only for Binaca Geet Mala, and nothing else.  So I had zero exposure of non film songs till those private videos started on television, for popularising the private music albums.  Since my association with the blog I have learnt to appreciate the non-film songs and geets a lot better.

This post is to revive a series on Rafi Sb which I had started in 2016. The last post (no. 6) appeared in the blog on 31.07.2016, which was song No. 06 – Hum To Chale Pardes Hum Pardesi Ho Gaye.

Now his song no. 07 is a non-film ghazal which is written by Mirza Ghalib and composed by Khayyaam Sb.  And rendition is by the one and only Rafi Sb.  This is taken from the LP ‘Ghalib – Portrait of a Genius’, which was released by HMV in 1968 on the occasion of the birth centenary celebrations of this poet genius.

This is a popular ghazal and there are many renditions by other singers too.  They seem to have been circumspect in selecting the ‘asha’ar’ to include in the rendition as have Khayyaam and Rafi Sb.  This ghazal was made popular also by Gulzar Sahab, when he used a sha’ir from this ghazal for the mukhda of the song ‘Dil Dhoondta Hai Phir Wohi‘ in ‘Mausam’ (1975).

About the rendition what can one say that has not been said before.  Words are inadequate as the listeners can listen and realise.


Song – Muddat Hui Hai Yaar Ko Mehmaan Kiye Huye (NFS) (1968) Singer – Mohammed Rafi, Lyrics – Mirza Ghalib, MD – Khayyaam

Lyrics

muddat hui hai yaar ko mehmaan kiye huye..ea
josh-e-qadah se bazm charaghaan kiye huye..ea
muddat hui hai yaar ko. . .

maange hai phir kisi ko lab-e-baam par hawas 
maange hai phir kisi ko lab-e-baam par hawas 
zulf-e-siyaah rukh pe pareshaan kiye huye..ea
zulf-e-siyaah rukh pe. . .

ik nau bahaar-e-naaz ko taake hai phir nigaah
chehra farogh-e-mai se gulistaan kiye huye..ea
chehra farogh-e-mai se. . .

ji dhoondhtaa hai phir wohi fursat ke raat din
ji dhoondhtaa hai phir wohi fursat ke raat din
baitthe rahe tasavvur-e-jaanan kiye huye..ea
baitthe rahe tasavvur-e. . .

‘Ghalib’ hamen na chhed ke phir josh-e-ashk se..ea
baitthe hain ham tahaiyya-e-toofan kiye huye..ea

muddat hui hai yaar ko mehmaan kiye huye..ea..ea

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

मुद्दत हुई है यार को मेहमां किए हुये॰॰ए
जोश ए क़दाह से बज़्म चरागां किए हुये॰॰ए
मुद्दत हुई है यार को॰ ॰ ॰

मांगे है फिर किसी को लब ए बाम पर हवस
मांगे है फिर किसी को लब ए बाम पर हवस
ज़ुल्फ ए सियाह रुख पे परेशान किए हुये॰॰ए
ज़ुल्फ ए सियाह रुख पे॰ ॰ ॰

इक नौबहार ए नाज़ को ताके है फिर निगाह
चेहरा फ़रोग़ ए मय से गुलिस्ताँ किए किए हुये॰॰ए
चेहरा फ़रोग़ ए मय से॰ ॰ ॰

जी ढूँढता है फिर वही फुर्सत के रात दिन
जी ढूँढता है फिर वही फुर्सत के रात दिन
बैठे रहे तसव्वुर ए जानां किए हुये॰॰ए
बैठे रहे तसव्वुर ए॰ ॰ ॰

ग़ालिब हमें ना छेड़ के फिर जोश ए अश्क से॰॰ए
बैठे हैं हम तहइय्या ए तूफाँ किए हुये॰॰ए

मुद्दत हुई है यार को मेहमां किए हुये॰॰ए॰॰ए


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3855 Post No. : 14867

———————————————
Blog ten year challenge (2009-2019)- Song number 3
———————————————

When I began Blog ten year challenge (2009-2019) on 2 february 2019, the challenge ran for two days before hitting a roadblock that lasted two days. The reason was, allthe movies that were covered on 4 and 5 february 2009 were already YIPPEED so none of their songs were left to be covered on the same date ten year later. Same fate befell all movies (bar one) that were covered on 6 february 2009 as well.

The only movie whose song was covered on 6 february 2009 and which still has a few songs left to be discussed ten years later is “Sitaaron Se Aage”(1958). This movie was produced by V L Narasu and directed by Satyen Bose for Narasu Studio, Madras. This “social” movie had Ashok Kumar, Vyjyanti Mala, Johny Walker, Jagdeesh Sethi, Raja Sulochana, Shammi, Manmohan Krishna, Ifthikar, Kundan, Sampson, Krishnkant, Leela Mishra, Rama Sukul, Rajendra, Tony Walker, Sagar, Ravikant, Prem Dhawan, Moolchand Kapoor, Radheshyam, Bishan Khanna, Vasantrao Pahalwan, Sailen Bose, B M Dixit, Patanjali etc in it.

The movie had ten songs in it. Eight of these songs are covered in the blog. Here are the details of the eight songs covered in the past:-

Song Title

Post No.

Post Date

Chanda ki chaandni ka jaadoo 691 6-Feb-2009
O zaraa ruk jaa 2455 8-May-2010
Sambhal ke ye duniya hai 6764 1-Oct-2012
Dil le gaya gham de gaya 9072 29-Nov-2013
Mehfil mein aaye wo aaj dheere se 11484 19-Oct-2015
Sainyya kaise dhaaroon dheer 11493 21-Oct-2015
Aaj kal parson mein phoole jab sarson 13299 2-Jun-2017
Aa khilte hai gul o mere bulbul 14666 1-Oct-2018

When I checked the remaining songs, I discovered that they are part one and two of the same song. This multiple version song is sung by Asha Bhonsle. Majrooh Sultanpuri is the lyricist. Music is composed by S D Burman. The song is picturised on Vyjyanti Mala.

With this song, all the songs of “Sitaaron Se Aage”(1958) are now showcased in the blog and the movie joins the list of movies that have all their songs covered in the blog.

Part I

Part II

Song-Roye jiya aan milo more piya (Sitaaron Se Aage)(1958) Singer-Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-S D Burman

Lyrics

roye jiya aa aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa

o o
panchhi gaaye kahin pyaar se
pi kahaan pi kahaan
dekh liye dil tham ke reh gayi mai yahaan
panchhi gaye kahi pyar se
pi kaha pi kahaan
dekh liye dil thaam ke reh gayi mai yahaan
o sathiya
aan milo more piya
aa aa
roye jiya
aan milo more piya
aa aa

thhandi hawa chalne lagi
kya karoon kya karoon
mai akeli jalne lagi
kya karoon kya karoon
thandi hawa chalne lagi
kya karoon kya karoon
mai akeli jalne lagi
kya karoon kya karoon
o beliya aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa

o o
ye sandesha mera ja kaho
baadlon baadlon
raah takoon piya aa milo aa milo
ye sandesha mera ja kaho
baadlon baadlon
raah takoon piya aa milo aa milo aa milo
more piya aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa aa aa

————————————
Part II
————————————
roye jiya aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa

o o
unse kehna yehi dastaan aasmaan
aasmaan
aa nahin to phir saajna
main kahaan tu kahaan
unse kehna yehi dastaan aasmaan
aasmaan
aa nahin to phir saajna
main kahaan tu kahaan
o beliyaa aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa

din bhi chale hain bahaar ke
aa bhi ja
aa bhi jaa
reh na jaaye koi haar ke
aa bhi ja
aa bhi ja
din bhi chale hain bahaar ke
aa bhi ja
aa bhi jaa
reh na jaaye koi haar ke
aa bhi ja
aa bhi ja
o sathiyaa aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa aa aa


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3796 Post No. : 14786 Movie Count :

4042

Missing Films of 1960s – 87
– – – – – – – – – – – – – – –

Goodness, I am surprised this film is still to appear here. It is titled ‘Patni’ from 1970. The name may be unfamiliar, but when I checked out the list of songs – you know, I had that déjà vu feeling – accha, so these songs are from this film. Geet Kosh lists 5 songs for this film, and I dare say, at least four songs are very, very familiar – resounding memories from the radio listening days. Listening to them again was not the surprise; the name of the film really was.

The film comes from the banner of Film Folk of Bombay, and is directed by VR Naidu. The star cast as listed in the Geet Kosh is Indrani Mukherjee, Dev Kumar, Jagdev, Kumari Padma, Kundan, Harindranath Chattopadhyay, Rafia Sultana, AA Khan, Bazid Khan, Dhanlakshmi, Shefali, Onkar, KK Reddy (Satyajeet), Ramesh Dev, Shashi, Gaffur, Imtiaz, Ashok, and M Shetty. The five songs are all written by Indeewar, and the music is by Vishnu Khanna.

Now this name, i.e. the music director – I am hearing for the first time. As I check the Geet Kosh, his name appears only for two films – this one and ‘Pasand Apni Apni’ from 1972. The melodies of this film are really attractive, and that is why these songs have remained active in the memory for all this time. And yet, this name – the music director, is completely unfamiliar. A quick search on the net has not yielded any information. I request other knowledgeable readers to please add more information about Vishnu Khanna, and also about this film.

The song is a lovely rendition – a wonderful flowing expression of love, of the promises of being together forever and ever. Lovely words, lovely melody and superb rendition. A truly memorable love song.

 

Song – Poorab Chaloge Chaloongi, Paschim Chaloge Chaloongi  (Patni) (1970) Singer – Suman Kalyanpur, Lyrics – Indeewar, MD – Vishnu Khanna

Lyrics

purab chaloge chaloongi
paschim chaloge chaloongi
sang main tumhaare rahoongi
jahaan jaaoge
purab chaloge chaloongi
paschim chaloge chaloongi

tu jo hai gagan to main ghata hoon
tu jo hai chaman to main hawa hoon
tu jo hai gagan to main ghata hoon
tu jo hai chaman to main hawa hoon
tu hi to mera armaan hai
pyaar ka tu hi vardaan hai
sang main tumhaare rahoongi
sang main tumhaare rahoongi
jahaan jaaoge
purab chaloge chaloongi
paschim chaloge chaloongi

tera dil to meri jaan hai
tu mere liye bhagwaan hai
tera dil to meri jaan hai
tu mere liye bhagwaan hai
tu kahe saara jag chhod doon
duniya ke bandhan ko to doon
tu kahe saara jag chhod doon
duniya ke bandhan ko to doon
sang main tumhaare rahoongi
sang main tumhaare rahoongi
jahaan jaaoge
purab chaloge chaloongi
paschim chaloge chaloongi
purab chaloge chaloongi
paschim chaloge chaloongi
purab chaloge chaloongi. . .

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

पूरब चलोगे चलूँगी
पश्चिम चलोगे चलूँगी
संग मैं तुम्हारे रहूँगी
जहां जाओगे
पूरब चलोगे चलूँगी
पश्चिम चलोगे चलूँगी

तू जो है गगन तो मैं घटा हूँ
तू जो है चमन तो मैं हवा हूँ
तू जो है गगन तो मैं घटा हूँ
तू जो है चमन तो मैं हवा हूँ
तू ही तो मेरा अरमान है
प्यार का तू ही वरदान है
संग मैं तुम्हारे रहूँगी
संग मैं तुम्हारे रहूँगी
जहां जाओगे
पूरब चलोगे चलूँगी
पश्चिम चलोगे चलूँगी

तेरा दिल तो मेरी जान है
तू मेरे लिए भगवान है
तेरा दिल तो मेरी जान है
तू मेरे लिए भगवान है
तू कहे सारा जग छोड़ दूँ
दुनिया के बंधन को तोड़ दूँ
तू कहे सारा जग छोड़ दूँ
दुनिया के बंधन को तोड़ दूँ
संग मैं तुम्हारे रहूँगी
संग मैं तुम्हारे रहूँगी
जहां जाओगे
पूरब चलोगे चलूँगी
पश्चिम चलोगे चलूँगी
पूरब चलोगे चलूँगी
पश्चिम चलोगे चलूँगी
पूरब चलोगे चलूँगी॰ ॰ ॰


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3762 Post No. : 14735

“Jwaar Bhaata”(1944) was directed by Amiya Chakravarty for Bombay Talkies. The movie had Mridula, Shamim, Agha Jaan, Dilip Kumar, P F Pithawala, K N Singh, Mumtaz Ali, Arun Kumar, Vikram Kapoor, Jagannath Arora,Naseem Lodhi, C J Pandey, Khaleel etc in it. The movie is today remembered as the debut movie of Dilip Kumar.

The movie had ten songs in it. For some reason I thought that this movie was already YIPPEED. My be I confused it with some other movie. Only three songs from the movie have been discussed so far.

Here is the fourth song from “Jwaar Bhaata”(1944) to appear in the blog. This song is a calling the beloved song which is sung by Parul Ghosh. Pt Narendra Sharma is the lyricist. Music is composed by Anil Biswas.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

Some words in the lyrics are not clear. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.


Song-More aangan mein chhitki chaandni (Jwaar Bhaata)(1944) Singer-Parul Ghosh, Lyrics-Narendra Sharma, MD-Anil Biswas

Lyrics

More aangan mein chhitki chaandni
haan chaandni
ghar aaja sajan
More aangan mein chhitki chaandni
haan chaandni
ghar aaja sajan
chhedi koyal ne
chhedi koyal ne preet ki raagini
meethhi raagini
chhedi koyal ne preet ki raagini
meethhi raagini
ghar aaja sajan
More aangan mein chhitki chaandni
haan chaandni
ghar aaja sajan
More aangan mein chhitki chaandni

chanda more ang jalaaye ae
chanda more ang jalaaye
preet ki jwaala
preet ki jwaala
?? ??
chanda more ang jalaaye
kumhlaaye ho kumhlaaye ae
kumhlaaye piya bin shaalini(?)
haan shaalini(?)
ghar aaja sajan
More aangan mein chhitki chaandni
haan chaandni
ghar aaja sajan
More aangan mein chhitki chaandni

kheli sajan sang neend nigodi
kheli
haa haa
kheli sajan sang neend nigodi
tadpat nikle man ki ??
??
sajan sang neend nigodi
ho o o o o
main bani teri bairaagini
bairaagini ee
More aangan mein chhitki chaandni
haan chaandni
ghar aaja sajan
More aangan mein chhitki chaandni ee ee ee


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3727 Post No. : 14666

Today, October 1st is the birth anniversary of two iconic personalities of Hindi film music. Both started their career in Hindi film industry in Bombay (Mumbai) in 1946 – one as a music director and the other as a lyricist. Yes, it is Sachin Dev Burman’s 112th birth anniversary and Majrooh Sultanpuri’s 99th birth anniversary. Both have been my favourites amongst the music directors and lyricists of the golden era of Hindi film music. Both seem to have been made for each other. SD Burman was one of the earliest pioneers in introducing the concept of ‘tune first lyrics later’ in Hindi film music while Majrooh Sultanpuri was master in writing lyrics to the tune.

I found both of them to be non-conformists in their respective fields.  SD Burman’s compositions did not leave trails to identify them as SD Burman type of music. In my younger days, it was not easy for me to identify the songs composed by SD Burman. Had I not known in advance, I would have difficulties in knowing that songs of ‘Baazi’ (1951), ’Pyaasa’ (1957) and  ‘Nau Do Gyarah’ (1957) were composed by the same music director. Majrooh Sultanpuri on the other hand wrote lyrics of varied moods and of all genres with ease. Another common factor between these two stalwarts was that both were called as ‘old man with young heart’. If SD Burman could composed Roop Tera Mastaana at the age of 64, Majrooh Sultanpuri wrote lyrics for Raat Shabnami Bheegi Chaandni at the age of 77.

Despite both SD Burman and Majrooh Sultanpuri starting their filmy career in 1946, it took about 11 years for both of them to work together in Navketan’s  ‘Nau Do Gyaarah’ (1957), though the other collaboration, ‘Paying Guest’ (1957) was released first. The main reason was that SD Burman was already working with Sahir Ludhianvi since 1951. It was only when SD Burman stopped engaging Sahir after ‘Pyaasa’ (1957) that he found Majrooh Sultanpuri as a suitable lyricist partner. From 1957 till SD Burman’s death in October 1975, both of them worked together in 20 films composing 137 songs.

I have already written about Majrooh Sultanpuri last year while covering the song Nanha Mora Doley Mori Anganiaa. So in this article, I propose to discuss only the musical career of SD Burman.

Sachin Da (1/10/1906 – 31/10/1975) was born in Comilla, a part of Tripura at that time (now in Bangladesh). He belonged to Tripura’s royal family in which his father, Nabadwip Chandra Dev Burman, was the next in line to Tripura Royalty. However, due to some palace machinations, Nabadwip Burman was denied his right as the next king of Tripura because of which he along with his family shifted to Comilla. SD Burman’s childhood years in Comilla became his training ground for music as he became enthralled by the folk music of what was then known as East Bengal.

After graduation from a Comilla college, SD Burman enrolled for Master’s degree in English in the University of Calcutta in 1924. However, he soon gave up his studies to become the disciple of Krishna Chandra Dey (KC Dey). Later, he continued his musical training under Ustad Badal Khan and Pandit Bhishamdev Chatopadhyay.  The royal family of Tripura were the connoisseurs of Hindustani classical music. They resented SD Burman’s indulgence in singing and recording folk songs for earning as it was below dignity for a royal member of family to earn from the music. They also felt that folk songs were not meant for royalty as they were sung by the lower strata of the society. Because of this, SD Burman did not get the traditional royal welcome when he visited Agrtala after his marriage with Meera in 1938.

In 1932, SD Burman left Tripura for Calcutta (Kolkata) for pursuing his interest in music. In the same year, he approached HMV for his first recording of a non-filmy Bengali song. However, he failed in the audition test. Luckily for him, Hindustan Musical Products (Hindustan Records) offered to record his first gramophone song. The song became a major success for Hindustan Records. During 1932-1946, SD Burman recorded over 100 non-films, mostly Bengali and some filmy Bengali songs most of which became commercially successful.

Despite success as a singer in non-film songs, SD Burman had to face disappointment in 1933 when a song sung by him in the film ‘Yahudi Ki Ladki’ (1933) was deleted and was recorded afresh in the voice of Pahadi Sanyal due to the internal politics of New Theatre. In 1935, SD Burman got an opportunity to do a minor role of a beggar in Madhu Bose’s film ‘Selima’ (1935) in which he was to sing a song. At first, SD Burman refused telling that he would be ostracised from the Tripura royal family if they came to know that he was working in a film. However, Madhu Bose assured him that no one would recognise him in his make-up of a beggar with beard and moustache. So this became SD Burman’s first film song as an actor-singer.

Sometime in 1942, SD Burman got an offer from Chandulal Shah to join Ranjit Movietone as music director. The offer was declined as he did not relish the idea of leaving Kolkata. In the next two years, he found that he was not able  to get enough opportunity to compose music for Bangla films as all important banners had their own music directors in their pay rolls. These music directors would offer him to sing as a playback singer which he would not agree as his wish was to become a music director. At this juncture, he took a decision that he would not sing for any other music directors and he would sing his own compositions for films not as a playback singer but as background singer. He maintained that stand consistently after he became a part of the Bombay (Mumbai) film industry in 1946.

In early 1940s, Bengal was reeling under the worst famine. The film industry was adversely affected. There was an exodus from Kolkata to Mumbai film industry for a different reason. SD Burman knew that despite his liking for Kolkata, he had to move to Mumbai to be able to achieve his dream of becoming a music director. In October 1944, SD Burman along with his family landed in Mumbai on the invitation from Rai Bahadur Chunnilal and Sashadhar Mukherjee who had formed Filmistan with Ashok Kumar, Gyan Mukherjee and other technicians, a breakaway group from Bombay Talkies.  Burman joined Filmistan as music director.

In Mumbai, SD Burman’s greatest handicap was his inability to fully understand Hindi, leave aside Urdu.  This handicap willy-nilly made him the pioneering in ‘tune first lyrics later’ concept in Hindi film song compositions. It is said that in his first two films with Filmistan, C Ramchandra helped SD Burman in music arrangements. I guess, as a newcomer, it was difficult for him to arrange musicians and communicate with them.

His first film as a music director was ‘Shikaari’ (1946) followed by ‘Aath Din’ (1946), both produced under the banner of Filmistan.  The music of ‘Shikari’ (1946) did not create much interest in the common public though studio hands appreciated newness in his music compositions. However, songs of ‘Aath Din’ (1946) especially two songs sung by SD Burman and Pehle Na Samjhaa Pyaar Tha by Ameerbai Karnataki became popular and made him a different class of music director well-versed with the then East Bengal folk music.

SD Burman was not satisfied with his music in these two films as he did not find anyone in the streets singing his songs. On the contrary, he found his servant always humming the songs from ‘Rattan’ (1944). He felt that unless his songs became popular on the streets, his presence as a music director would never be felt in Bombay film industry.

In the meanwhile, Sashadhar Mukherjee allowed him to take up the music direction in the films outside Filmistan. In 1947, he did two films outside Filmistan – ‘Chitor Vijay’ (1947) and ‘Dil Ki Rani’ (1947) both having Raj Kapoor and Madhubala as lead pairs. Neither the films fared well on the box office front nor did the songs become popular. The only point of interest in ‘Dil Ki Rani’ (1947) was that SD Burman made Raj Kapoor to sing in his own voice a song, O Duniya Ke Rehne Waalo Bolo Kahaan Gaya Chitchor.

Filmistan entrusted SD Burman with the music direction of ‘Do Bhai’ (1947). Sashadhar Mukherjee was a hard task master who rarely got satisfied with the tunes SD Burman composed for this film. Fed up with the constant rejections of tunes by Sashadhar Mukherjee, one day, SD Burman decided to have a show down with his boss. Probably after that he would think of leaving Filmistan and go back to Kolkata. To his surprise, Sashadhar Mukherjee at once approved the first tune he played on the harmonium and asked him record the song at the earliest. The song was Mera Sundar Sapna Beet Gaya sung by Geeta Roy (later Dutt). This song made Geeta Roy a star playback singer overnight. The film was a box office success. For the first time, SD Burman heard his servant humming this song which made him very happy. In 1948, he composed songs from ‘Vidya’ (1948). It was his first film with Dev Anand and Suraiya. The film did not fare well on the box office but one song  Laayi Khushi Ki Duniya, picturised on Dev Anand and Suraiya, became very popular.

Filmistan’s ‘Shabnam’ (1949) can be regarded as SD Burman’s first real successful film as a music director as all the songs of the films became very popular. For SD Burman, it was one of his most satisfying period of his musical career as he found the songs of ‘Shabnam’ being heard on the street quite often. He even heard the labourers at Bandra Railway Station, singing one of the songs from this film in tandem with their track maintenance work.

In 1950s, SD Burman did not have much success as a music director. ‘Afsar’ (1950) was his first film for Navketan – a film production company started by Chetan Anand and Dev Anand. The film did not fare well at the box office although two songs – Naina Deewaane Ek Nahin Maane and Man Mor Huaa Matwaala became popular. ‘Pyaar’ (1950) also did not have a great run. SD Burman was now depressed that even after 5 years of his stint as a music director in Bombay film industry, he has not established himself as a successful music director. With this thought in mind, he decided to leave Mumbai and return to Kolkata.

At that time, Ashok Kumar was reviving Bombay Talkies by producing ‘Mashaal’ (1950) for which SD Burman was entrusted with the music direction. His leaving at a crucial juncture would have affected the film. After much persuasion by Ashok Kumar, SD Burman stayed back to complete the music direction of the film with a condition that after the completion of his work, he would return to Kolkata.

It so happened that ‘Mashaal’ (1950) became a box office hit film. Almost all the songs of the film became very popular. But it was Manna Dey’s song,  Upar Gagan Vishaal which drew attention of the common folk. With this song, Manna Dey seemed have announced that he had, at last, arrived in the world of Hindi film music. Manna Dey had worked as an Assistant Music Director for SD Burman but he got his first chance to sing under his baton only in ‘Mashaal’ (1950).

With the success of ‘Mashaal’ (1950), producers lined up for signing SD Burman for their films which included ‘Bahaar’ (1951), ‘Buzdil’ (1951), ‘Ek Nazar’ (1951), ‘Naujawaan’ (1951) and ‘Sazaa’ (1951). All these films had very popular songs some of which are still remembered today like Sainya Dil Mein Aana Re, Jhan Jhan Jhan Jhan Paayal Baaje, Thandi Hawaayen Lehra Ke Aayen and Tum Na Jaane Kis Jahaan Mein Kho Gaye.

But one film SD Burman  did in 1951 gave a tremendous boost to his career as a music director – it was Navketan’s ‘Baazi’ (1951). It was Guru Dutt’s first directorial venture. SD Burman’s musical treatment in this film was quite a contrast to what he had so far churned out. There were no Bengali traces in the songs. Instead, he predominantly used western and Punjabi beats. In fact, he turned Sahir Ludhinavi’s philosophical ghazal, Tadbeer Se Bigdi Huyi Taqdeer Banaa Le  into a seductive club song. All the songs of ‘Baazi’ (1951) became super hits. The success of ‘Baazi’ (1951) made SD Burman almost a permanent fixture with Navketan Banner until ‘Chhupa Rustom’ (1973). By now, he had dropped the idea of shifting to Kolkata.

The musical success of ‘Baazi’ (1951) created a successful pair of Sahir Ludhianvi and SD Burman. During 1951-57, both of them created 138 songs in 18 films. Unfortunately, due to clash of egos, they did not work together after ‘Pyaasa’ (1957).

I will not go into further details of his successful films as they are in large numbers. But there are a few films which I consider as classic insofar as SD Burman’s music is concerned. They are ‘Taxi Driver’ (1954), ‘Pyaasa’ (1957), ‘Nau Do Gyaarah’ (1957), ‘Paying Guest’ (1957), ‘Kaala Paani’ (1958), ‘Sujata’ (1959), ‘Kaala Baazar’ (1960), ‘Bandini’ (1963) ‘Tere Ghar Ke Saamne’ (1963), ‘Guide’ (1965), ‘Aradhana’ (1969), ‘Prem Pujari’ (1970), ‘Sharmilee’ (1971), ‘Tere Mere Sapne’ (1971), and ‘Abhimaan’ (1973). But within these films, there were high points in SD Burman’s musical career – ‘Baazi’ (1951), ‘Pyaasa’ (1957), ‘Guide’ (1965), ‘Aradhana’ (1969) and ‘Abhimaan’ (1973).

During 1946 until his death in October 31, 1975 SD Burman composed music for 90 films (including one unreleased film) comprising 673 songs (666 songs if I exclude 7 songs from the unreleased film). This gives an annual average of 3 films. According to those who had closely worked with SD Burman, he would consider him to be ‘busy’ if he had two films on hand. He considered himself ‘very busy’ if he had 3 films on hand. He would not take any more musical assignments until he completed one of the three films on hand. So the annual average of 3 films are within the parameter he set for himself.

It was during the recording the song, Badi Sooni Sooni Hai Zindagi Ye Zindagi  from ‘Mili’ (1975) that SD Burman got paralytic attack and was shifted to Bombay Hospital. Later, RD Burman completed the recording of the song. What an irony! When Kishore Kumar was singing this song for recording, his mentor was in the hospital in deep coma. SD Burman remained in coma for the next 5 months until his end came on October 31, 1975.

Since the article has already become very lengthy, I propose to write a second part of the article covering some other aspects of SD Burman’s Hindi film music on his Remembrance Day on October 31, 2018. There are hundreds of anecdotes in the life of SD Burman – some known and some unknown to me – which makes his musical journey very interesting. While Gulzar called him ‘Prince of Music’, Pandit Hari Prasad Charasia referred him as ‘Sangeet Sant’ (Saint of Music). Kersi Lord, who worked with SD Burman as a drummer and later as an accordionist for a very long time, called him ‘an old man with a young heart’ insofar as his music was concerned. Pandit Shiv Kumar Sharma, the santoor player called SD Burman as a wonderful person with child-like innocence.

I will end this article with a statement that SD Burman was a music director who remained at the zenith of his musical career in Hindi film industry since the success of ‘Baazi’ (1951) until his death on October 31, 1975. Even 5 year hiatus with Lata Mangeshkar (1957-62) did not affect his musical career. Some of the films for which SD Burman composed music may have failed at the box office but his music did not fail.

On the occasion of 112th birth anniversary of SD Burman and 99th birth anniversary of Majrooh Sultanpuri, I present one of their creations from ‘Sitaaron Se Aage’ (1958). The film was produced by VL Narasu, a coffee plantation magnate from the South India. The film starred Ashok Kumar, Vyjayantimala, Jagdish Sethi, Johny Walker, Shammi, Iftekhar, Raja Sulochana, Leela Mishra, Manmohan Krishna etc.

The film seems to have jinxed from the very beginning. Gyan Mukherjee was originally assigned to direct the film. He had even completed musical sitting with SD Burman. The film went into shooting floor in 1956. However, Gyan Mukherjee fell ill and was diagnosed with brain tumour. He was also afflicted by Parkinson’s disease. He passed away in November 1956. Ashok Kumar had to rope in Satyen Bose to direct the film (As revealed by late Sachin Bhowmick and quoted in ‘SD Burman – The Prince Musician’ – Anirudh Bhattacharjee & Balaji Vittal (2018).

During the making of the film, SD Burman got into tiff with Lata Mangeshkar on the issue of re-recording of the song, Sainya Kaise Dhaaroon Dheer as he wished to record the song afresh with some changes in the tune. Since Lata was leaving for a foreign trip, she could not give him the date, nor she could commit to give a priority date on her return from the trip. This enraged SD Burman to such an extent that he stopped engaging Lata Mangeshkar as a playback singer for the next 5 years. He got the above-mentioned song recorded in the voice of Asha Bhonsle. But she could not render the song the way S D Burman wanted. So he retained the originally recorded Lata version for the film. The remaining songs which were to be sung by Lata in the films were rendered by Asha Bhonsle (3) and Geeta Dutt (1).

After about 8 years from this incidence, SD Burman got his original wish fulfilled. Lata Mangeshkar recorded a song based on the tune of the song referred to above. The result was the culmination of a new song for the film ‘Guide’ (1965). The song was Mo Se Chhal Kiye Jaaye Dekho Sainya Beimaan. Incidentally, as I checked from the credit titles, Hiralal was one of the choreographers for both ‘Sitaaron Se Aage’ (1958) and ‘Guide’ (1965).

‘Sitaaron se Aage’ (1958) got delayed and finally released sometime in early 1958. The film was a musical extravaganza with Vyjayantimala performing a number of semi-classical dances in the film. A feature of the songs in this film was that  SD Burman used Western scores in a couple of songs like Chanda Ki Chaandni Ka Jaadoo and Mehfil Mein Aaaye Wo Aaj Dheere Se that sounded like waltz music.

So far 7 songs (out of 9 including one multiple version song) from this film have been covered in the Blog. I present the 8th song – ‘Aa Khilte Hain Gul, O Mere Bulbul’ sung by Lata Mangeshkar. The song was written by Majrooh Sultanpuri and picturised on Vyjayantimala as a dance song. The song is not only melodious but rhythmic as well.

[Author’s Note: Some of the information on SD Burman’s early life and early musical career has been sourced from ‘SD Burman – The World of His Music’ by Khagesh Dev Burman (translated from Bengali by SK Ray Chaudhuri), 2013.]

(Video)

(Audio)

Song – Aa Khilte Hain Gul, O Mere Bulbul (Sitaaron Se Aage) (1958) Singer – Lata Mangeshkar, Lyrics – Majrooh Sultanopuri, MD – SD Burman
Chorus

Lyrics

aa khilten hain gul
o mere bulbul
rut hai jawaan
tu hai kahaan
dilruba aa aa aaa
aa khilten hai gul
o mere bulbul
rut hai jawaan
tu hai kahaan
dilruba aa aa aaa
aa khilten hai gul
ho oo mere bulbul
mil jaa gale
kahin ye milan ki 
rut na dhale
mil jaa gale
kahin ye milan ki 
rut na dhale
 
o o o o
o o o o o 
wohi teri raahen
wohi meri aahen
wohi main hoon
wohi dil mera
o
wohi teri raahen
wohi meri aahen
wohi main hoon
wohi dil mera
wohi teri baaten
wohi meri raaten
wohi rang e mehfil mera
rah ke juda
dil na dukha
aa bhi jaa aa aa aaa
aa khilten hain gul
o mere bulbul
jiyara jaley
piya kabhi apne
din thhe bhale
o jiyara jaley
piya kabhi apne
din thhe bhale
rut hai jawaan
tu hai kahaan
dilruba aa aa aaa
aa khilten hain gul
o mere bulbul
 
aa aa aa aa
aa aa aa aaa
aa aa aa aa
aa aa aa aaa
aa aa aa aa

o o o o
o o o
raah teri takta
gham se sulagta
chaand bechaara kahaan gaya
o raah teri takta
gham se sulagta
chaand bechaara kahaan gaya
tu hi nahi aaya
dhal gaya saaya
yahaan ka taara wahaan gaya
raat dhali
jhoom chali
phir hawaa aa aa aaa
aa khilten hain gul
o mere bulbul
tum na miley
khadi khadi jaloon piya
chanda taley
ho tum na miley
khadi khadi jaloon piya
chanda taley
rut hai jawaan
tu hai kahaan
dilruba aa aa aaa
aa khilten hain gul
o o mere bulbul. . .

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

आ खिलते हैं गुल
ओ मेरे बुलबुल
रुत है जवां
तू है कहाँ
दिलरुबा आ आ॰॰आs
आ खिलते हैं गुल
ओ मेरे बुलबुल
रुत है जवां
तू है कहाँ
दिलरुबा आ आ॰॰आs
आ खिलते हैं गुल
हो ओ मेरे बुलबुल
मिल जा गले
कहीं ये मिलन की
रुत ना ढले
मिल जा गले
कहीं ये मिलन की
रुत ना ढले

ओ ओ ओ ओ
ओ ओ ओ ओ ओ
वही तेरी राहें
वही मेरी आहें
वही मैं हूँ
वही दिल मेरा

वही तेरी राहें
वही मेरी आहें
वही मैं हूँ
वही दिल मेरा
वही तेरी बातें
वही तेरी रातें
वही रंग ए महफिल मेरा
रह के जुदा
दिल ना दुखा
आ भी जा आ॰॰आ॰॰आ
आ खिलते हैं गुल
ओ मेरे बुलबुल
जियरा जले
पिया कभी अपने
दिन थे भले
जियरा जले
पिया कभी अपने
दिन थे भले
रुत है जवां
तू है कहाँ
दिलरुबा आ आ॰॰आs
आ खिलते हैं गुल
ओ मेरे बुलबुल

आ आ आ आ
आ आ आ आss
आ आ आ आ
आ आ आ आss
आ आ आ आ

ओ ओ ओ ओ
ओ ओ ओ
राह तेरी ताकता
ग़म ये सुलगता
चाँद बेचारा कहाँ गया
ओ राह तेरी ताकता
ग़म ये सुलगता
चाँद बेचारा कहाँ गया
तू ही नहीं आया
ढाल गया साया
यहाँ का तारा वहाँ गया
रात ढली
झूम चली
फिर हवा आ॰॰आ॰॰आs
आ खिलते हैं गुल
ओ मेरे बुलबुल
तुम ना मिले
खड़ी खड़ी जलूँ पिया
चंदा तले
हो तुम ना मिले
खड़ी खड़ी जलूँ पिया
चंदा तले
रुत है जवां
तू है कहाँ
दिलरुबा आ आ॰॰आs
आ खिलते हैं गुल
ओ ओ मेरे बुलबुल॰ ॰ ॰


Advertisements

Important Announcement

(© 2008 - 2019) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14900 song posts by now.

This blog is active and online for over 3900 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14995

Number of movies covered in the blog

Movies with all their songs covered =1167
Total Number of movies covered =4104

Total visits so far

  • 11,572,222 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,707 other followers

Bookmark

Bookmark and Share

Category of songs

Current Visitors

Archives

Stumble

visitors whereabouts

blogcatalog

Music Blogs - BlogCatalog Blog Directory

blogadda

Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

Advertisements
%d bloggers like this: