Archive for the ‘“wooing” song’ Category
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5529 | Post No. : | 17983 |
Today’s song is from the Mythological film Laxmi Narayan (1951).
Are you a believer in God ? Well I am. I am a confirmed Theist. I am also a religious person. It is surely not because I have become an old man now, but right from my childhood, I have been a religious person. The atmosphere in our joint family was very conducive to follow the religious path and ways, because of my grandfather and father. Both were experts in Sanskrit. My father had worked as a practicing PANDA (पंडा ) in Kashi (Banares), when he went underground after the Gandhi killing, in 1948-49. So, it is not the case that old age made me Religious like in the proverb ” सौ चूहे खा कर बिल्ली चली हज को ” !
India’s 99.9% population is religious minded, whichever is their religion. Those who say that there is No God are very few. I also like reading religious books and stories and seeing Mythological or religious films. One of the reasons also is that I liked the trick scenes and impressive Costumes and big sets. I have been seeing these films from a young age .
The decade of the 50s was indeed a decade of Religious films. From 1951 to 1960, there were about 120 such films, averaging 1 religious film every month for 10 years. Those were the times when even Big stars did not hesitate to act in Mythologicals. Ashok Kumar, Prithviraj Kapoor, Meena Kumari, Durga Khote, Leela Chitnis, Nalini Jaywant , Shanta Apte etc used to act in religious films without any complex. It was much much later that a few artistes were branded as “Mythological actors’, like Mahipal, Manhar Desai, Trilok Kapoor, Nirupa Roy, Prem Adib, Shobhana Samarth etc. etc.
There was a fixed and permanent audience for these films. Prakash pictures was famous for making many religious films. But other studios like Prabhat, New Theatres, Ranjit, Sagar, Basant pictures or Wadia movietone, Bombay talkies, Filmistan etc too made mythological films. Besides the eye-catching scenes, another attraction of these films used to be its music. Very melodious and memorable Bhajans were composed for these films by S N Tripathi, Bulo C Rani, Avinash Vyas, Shankarrao Vyas, Hemant Kumar, Vasant Desai etc. Some of the famous Bhajans were sung by Rafi,Hemant Kumar, Geeta Dutt and others.
Culture and Religion have a close relationship. The commonest points of Religion, followed by a majority for time immemorial, becomes the culture of the nation. Raas Garba, Ganesh Utsav, Diwali celebrations and Indian Calendar New Year days in respective regions are no more a matter of Religion by now. They have become the cultural heritage of the country. A good example is Holi or lighting done on Deepavali or touching the feet of the elders…all these constitute Culture, though its roots are traceable to religion.
Today, Religion,for most people in the world,I feel,is limited to one’s personal space and I believe, in today’s setup it is also very appropriate to limit the religion to one’s home. One should not get confused between Religion and Bhakti. Mythological films are based essentially on stories from the Holy books, like Ramayana, Mahabharat or the Puranas. Bhakti pradhan films are based on personalities engaged in devotion to their Deity. Thus, films like Narsi Bhagat or Sant Tukaram are Bhakti pradhan films,whereas,films like Pawanputra Hanuman or Veer Arjun are Mythological or Pauranik films. Films on saints like Kabir, Soordas, Tulsidas or Tyagaraja are not religious, but Mythological films are surely religious films.
However Bhakti is a way to remember,to submit to, appease or dedicate oneself to his God or Deity. Holy books classify different forms of Bhakti-the way it is or can be followed. There are 9 forms of Bhakti (नवविधा भक्ती ), as described in Vishnu Puran and Bhagwadgeeta…
| 1.Shravan…श्रवण…(Hearing) like Raja Parikshit |
| 2.Keertan…कीर्तन…(Discourse) Like Thyagaraja |
| 3.Smaran…स्मरण…( Remembering) Like Bhakta Prahlad |
| 4.Paad sevan…पाद सेवन…( Remaining at Feet)..Like Lakshmi |
| 5.Archan…अर्चना…( Worship)…Pooja |
| 6.Vandana…वंदना…(Obeisance)…Sashtang Namaskar or Prostration. |
| 7.Dasya…दास्य…( Service)…Like Hanuman |
| 8.Sakhya…सख्य…( Friendship)…Like Arjuna |
| 9.Atmanivedan…आत्मनिवेदन…(Self Dedication) Like Meerabai |
Mythological or पौराणिक films are those which are based on stories from Puranas. What is a Puran (पुराण ) ? It is a vast Genre of literature about legends and other traditional stories. There are 18 major Puranas and 18 Up Puranas (उपपुराण ). Purans unveil our glorious past encapsulated with great soul stories and provide Life Morales.
The Film Laxmi Narayan-1951 was based on a story from Vishnu Puran. It is about how Laxmi and Narayan met and got united. It has the background of ‘Samudra Manthan’ or Churning of the ocean. In our Puranas, there are stories about the SAMUDRA MANTHAN. It is believed that Kamala or Laxmi emerged from this churning and Narayan married her. In all, 14 unique, magical and invaluable things came out of the ocean after this Samudra Manthan or Churning of the Ocean.
For your information here are these 14 objects-
1. Halahal-The Poison 2.Varuni-The wine 3.Kamdhenu-Magical Cow 4. Airawat-The Flying Elephant 5. Uchhaiswas-The 6 Headed Horse 6. Apsaras like Rambha,Urvashi, Menaka etc. 7. Kaustubh Mani- A powerful Diamond 8. Kalpavriksha-The Magical Tree 9. a Divine Bow 10. Chandra-The Moon 11. Ratnas or Gems 12. Laxmi or Kamala 13. Dhanwantari-The Gods’ Physician,with a book on Ayurved and 14. The Amrit- the drink that makes one immortal.
Here is the story of the film Laxmi Narayan (1951)…. Arishtanemi, the king of Danavas was ruining Mother Earth for his own sadistic enjoyment. He had polluted the waters of the rivers. All the Gems were thrown away in the sea and everywhere there was a tale of suffering. At the same time Bhuwanmohini, daughter of Bhrigu Rishi was in the bloom of her youth and many Kings and Gods were aspiring to marry her. Indra, the King of Gods and Arishtanemi were two aspirants competing with each other, while Bhuwanmohini herself wished to marry Lord Vishnu, thanks to the praise of the Lord by Narad. Indra took away Bhuwan with him against her wishes.
To take advantage of this situation, Arishtanemi started a Yagna with Bhrigu as his Purohit. From the holy fire of the Yagna emerged Vritrasura with whose help Arishtanemi conquered the kingdom of Gods. There Arishtanemi searched for Bhuwan but she had left Indra’s palace and sat alone on the top of a mountain and prayed to the Lord to come to her rescue. Having lost his kingdom Indra prayed to God Shankar for help to conquer Arishtanemi.
God Shankar told him that only one weapon could kill Vritrasura and that it was to be made from the bones of Sage Dadhichi. Indra went to Dadhichi and served him while power-mad Arshtanemi attacked Sage Dadhichi only to be burnt down by the Sage. Indra got the weapon he wanted and won the battle with Vrittasur. Indra then went in search of Bhuwanmohini but unwilling to surrender to Indra she jumped down to the sea.
When Bhrigu learnt about this mishap he went to Lord Vishnu who was asleep and kicked him in the chest to wake him up. In anger he called out “How can you sleep sound when my daughter died crying out ? ” Lord Vishnu said,” dont worry, Oh Sage. She will come to me when time is ripe for the same. In the meanwhile let me massage your foot which must have been hurt when you struck me”. Later the Gods and the Danavas churned the great sea when Bhuwanmohini emerged as Laxmi radiant with wealth and Lord Vishnu accepted her as his consort. This union is famous in the Hindu mythology by the name LAXMI NARAYAN.
The cast of the film was Meena Kumari, Mahipal, S.N.Tripathi,Urmila, B.M.Vyas, Amarnath,Sulochana, Vasantrao pahilwan and many others. Meena Kumari, in her film career had worked in C and B grade Mythological and action films. Meena Kumari had done several Mythological and costume films before Baiju Bawra took her high up and above other Heroines. In films like Veer Ghatotkach-49, Shri Ganesh Mahima-50, Laxmi Narayan-51, Hanuman Paataal vijay-51 and Alladin aur Jadui Chirag-52 she had Mahipal as her Hero. In her later years, she always hid her earlier film Heroes. Many artistes hid their first films after they became big stars,like Mala Sinha, Kalpana, Johnny Walker, Gulzar, Mahendra kapoor etc.
Today’s song, though from a Mythological film, is not a Bhajan. Instead, it is a love duet, perhaps from Indradev’s darbar. It is sung by Sulochana Kadam and an unidentified male voice. Prakash ji would perhaps identify the pair of artistes in the video.
Editor’s note:- The male voice has been identified as Chitragupta by Sadanand Kamath jee.
Song-Chaahe laage teree haaye chaahe jaan chalee re jaaye (Lakshmi Narayan)(1951) Singers-Chitragupta, Sulochanam Kadam, Lyrics-B D Mishra, MD-S N Tripathi
Lyrics
man ko luta ke
aeji bada kathin hai ae ae
hona nau do gyaarah
aur pyaar ka daanv jeet ke gori
karoonga main pau baarah
chaahe laage teri haaye chaahe jaan chali re jaaye
chahe laage teri haaye chaahe jaan chali re jaaye
man ko luta ke
bada kathin hai
hona nau do gyaarah
pyaar ka daanv jeet ke gori
karoonga main pau baarah
chaahe lage teri haaye
chahe jaan chali re jaye
chaahe lage teri haaye
chaahe jaan chali re jaaye
o ghanchakkar sadiyal chhapar
sun le
o ghanchakkar sadiyal chhapar sun le
kahna mera
tu kaudi ka teen yahaan par nahin thhikaana tera
chaahe laage teri haaye
chaahe jaan chali re jaaye
chaahe laage teri haaye
chahe jaan chali re jaaye
main nahin hoon aisa waisa
main sab jaanoon tu kaisa
tu abhi abhi hai aayi
tu kya janae meri badaai
teri soorat bandar jaisi
teri nak chhachhundar jaisi
maano satiye meri baani
bhare indraani ghar mein paani
buddhu raaja
buddhu raaja band karo ye gappon ki bunchakki
gaal bajaane se na hoyegi baat prem ki pakki
chaahe laage teri haaye
chaahe jaan chali re jaaye
chaahe laage teri haaye
chaahe jaan chali re jaaye
dev lok mein tujhko laaya aur mitti se ratan banaaya aa aa aa
na chaahoon main swarag ki maaya
bhali mujhe mitti ki kaaya aa aa aa aa
kyun na sune tu mera kahna
haath maley pachhtaaye
arey jag mein buri kahi jaati hai kisi kisi ki haaye
chaahe laage teri haaye
chaahe jaan chali re jaaye
chaahe laage teri haaye
chaahe jaan chali re jaaye
main indr o maar bhagaaun aur indraani tujhe banaaun
achha
haan tere ek ishaare par indraani tujhe banaaun
jo baat ye sach hai teri
mil gayi jodi teri meri
tu nadi ki chanchal dhaara
jismein beete jeevan saara
o lehron ke premi raaja aa aa
o lehron ke premi raaja
ja lehron ke sang
O ?? chhail chhabeeli
karo milan mat bhang
chaahe laage teri haaye ki chaahe jaan chali re jaaye
Bin bulaaye hum chale aayein
Posted on: July 9, 2022
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5104 | Post No. : | 17042 |
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Blog 10-Year Challenge (2012-2022) – Song No. 68
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This date ten years ago (viz 9 July 2012) saw five songs from five different movies getting covered in the blog. Here are the details:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 6201 | Jo dil ki baat hoti hai | Baaz (1953) | Movie YIPPEED by now |
| 6202 | Nigaahen kyun milaayin thhin | Laal Kunwar(1952) | 8 songs covered out of 11 |
| 6203 | Khilona jaan kar tum to mera dil tod jaate ho | Khilona(1970) | Movie YIPPEED by now |
| 6204 | Agar tu aabroo apni bachaa leti to achcha thhaa | Ladki Pasand Hai(1971) | One song covered out of 8 |
| 6205 | Maana teri nazar mein | Aahistaa Aahistaa (1981) | 4 songs covered out of 8 |
One can notice that two movies (out of five) whose songs were covered ten years ago on this date have since been YIPPEED. That leaves us with three movies that are eligible for blog ten year challenge today.
“Aahistaa Aahistaa”(1981) is one of the three movies that is eligible for Blog Ten Year Challenge today (9 July 2022).
“Aahistaa Aahistaa”(1981) was produced by Sibte Hasan Rizvi and directed by Esmayeel Shroff for New World Enterprises, Bombay. The movie introduced Kunal Kapoor who was cast opposite Padmini Kolhapure. The movie also had Shammi Kapoor, Nanda, Shashikala, Girish Karnad, Aruna Irani, Kader Khan(sp.app), Deven Verma,
Rehman, Savita Bajal, Leela Mishra, Ashalata Wabgaonkar, Rakesh Bedi,Soni Razdan, Monisha, Sudhir Pandey, Deepak Puri, Ilyas contractor, Krishnakant Pandya,
Pramod Pathak, Harish, Kalu Singh, D.A.Ambaole, Master Sandeep, Baby Waheeda, baby Ghazala, Sundar Taneja, Suresh, Ramesh, Santosh Sahu etc in it.
“Aahistaa Aahistaa”(1981) had eight songs in it. Four songs have been covered so far.
Here is the ifth song from “Aahistaa Aahistaa”(1981) to appear in the blog. The song is sung by Asha Bhonsle. Naqsh Llayalpuri is the lyricist. Music is composed by Khayyam.
The song is picturised on Padmini Kolhapure and Kunal Kapoor. Padmini Kolhapure is seen making passes on KunalKapoor, which is an act that is ahead of its time even today and was very much so four decades ago when this movie was released.
Lyrics of the song and other details were sent to me by Prakashchandra.
audio link:
video link:
Song-Bin bulaaye hum chale aayein (Aahista Aahista)(1981) Singer-Asha Bhonsle, Lyrics-Naqsh Llayalpuri, Md-Khayyam
Lyrics(Provided by Prakashchandra)
bin bulaaye hum chaley aayein
bin bulaaye hum chaley aayein
gawaaraa keejiye
gawaaraa keejiye…aey…ae…ae
gawaaraa keejiye
baithh jaayein yaa chaley jaayein
baaithh jaayein yaa chaley jaayein
ishaaraa keejiye
ishaaraa keejiye..aey…ae..ae
ishaaraa keejiye…ae
haaa…aaaaa………..
hhhahhaa…haaaa
aahhaa…hhaaa..
haahaa…haa haa
laa laa laa laaa laa laaa laaa
kayee bahaaney karke
kitney mushqil se…aey ae ae
kayee bahaaney karke
kitney mushqil se…aey ae ae
hum aaye hain
hamko
lagaa leeje dil se..ae..ae
yoon na tanhaa ye haseen shaamein
yoon na tanhaa ye haseen shaamein
guzaaraa keejiye
guzaaraa keejiye…aey…ae…ae
guzaaraa keejiye
roz hum aayein ke na aayein
roz hum aayein ke na aayein
ishaaraa keejiye
ishaaraa keejiye…aey…ae…ae
ishaaraa keejiye….ae…ae
laaaalalalalalaalallala
laa laa laa lalaa laallaa laallaaa
laaaalalalalalaalallala
laa laa laa lalaa laallaa laallaaa
aapko dil ne
poojaa
aur saraahaa hai ae ae ae ae ae
aap ko dil ne
poojaa
aur saraahaa hai ae ae
khud se badhke
hamne
aapko chaahaa hai ae ae
hum deewaanon ko muhabbat se ae
hum deewaanon ko muhabbat se
pukaaraa keejiye
pukaaraa keejiye….aey…ae…ae
pukaaraa keejiye
is qadar chaahein ke na chaahein…aen
is qadar chaahein ke na chaahein
ishaaraa keejiye
ishaaraa keejiye….aey…ae…ae
ishaaraa keejiye…ae
bin bulaaye hum chaley aayein
baithh jaayein yaa chaley jaayein
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4948 | Post No. : | 16807 |
“Naseehat”(1967) was produced by Dara Singh (Parduman Singh and Saudagar Singh are listed as producers) and directed by Om Patwar for Deedar Movies, Bombay. The movie had Darasingh, Rajshree (South), Randhawa, Savita, Madan Puri, Tiwari, Sapru, Rajan Haksar, Bhagwan Sinha, Leela Mishra, Kundan, Rajan Kapoor, Samson, Uma Dutt, Keshav, Rinku, Meena, Saudagar Singh, Helen, Madhumati , Mohan Choti, etc.
Memsaab, when she was active in her blogging, had done a detailed review of this movie in her characteristic inimitable style.
The movie had six songs in it. Five songs have been covered so far. Here are their details:-
| Blog post number | Song | Date of post | Singer (s) |
|---|---|---|---|
| 2226 | Zara dekhiye meri saadgi | 9 December 2009 | Mahendra Kapoor |
| 5305 | Kabhi hamaari muhabbat ka imtihaan na lo | 16 January 2012 | Asha Bhonsle |
| 13739 | Mujhko deewaana na kar | 18 November 2017 | Asha Bhonsle |
| 16771 | Aankhon se ishaara karke hamen | 16 January 2022 | Asha Bhonsle |
| 16798 | Teri aankhon ne in aankhon se jo baat kahi | 28 January 2022 | Asha Bhonsle, Kamal Barot, Mahendra Kapoor |
Seeing that O P Nayyar was the music director, he had composed some listing music. He tended to have one male singer and one female singer who would sing for all the characters of the movie. The female singer of the movie, namely Asha Bhonsle, is thus used to give playback to the heroine REajshree (south) is three songs. In one song, she gives playback to Helen. In another song, (where Kamal Barot is another female singer), Asha Bhonsle gives playback to Helen clone, namely Madhumati.
If Asha Bhonsle was the female playback singer of choice for O P Nayyar, Rafi was his male playback singer of choice. But those days he had a falling off with Rafi, so he was forced to use another voice, namely Mahendra Kapoor for his male playback singing. This movie is one such movie.
Here is thew sixth and final song of “Naseehat”(1967) to appear in the blog. This song is sung by Mahendra Kapoor. S H Bihari is the lyricist. Music is of course by O P Nayyar.
Mahendra Kapoor had three songs in this movie. He had given playback for three different actors in these three songs.
In the song under discussion, Mahendra Kapoor givbes playback for Mohan Choti, who is seen wooing a lady whom I am unable to identify. This song appears to be part of comic side plot where another comedian pair are likewise seen running around trees in the recommended way of carrying out romance in Hindi movies of those days.
I request our knowledgeable readers to throw light on the picturisation of the song.
With this song, all the songs of “Naseehat”(1967) have been covered in the blog and the movie thus joins the list of movies that have been YIPPEED in the blog.
Song-Ya ke tum pe meri jaan shabaab aa gaya (Naseehat)(1967) Singer-Mahendra Kapoor, Lyrics-S H Bihari, MD-O P Nayyar
Lyrics
yaa yaa yaa
o ya ke tum par meri jaan shabaab aa gaya
ya ke phir mere marne ke din aa gaye
ya ke tum par meri jaan shabaab aa gaya
ya ke phir mere marne ke din aa gaye
ya ke tumko main apni khushi maan loon
ya ke phir aah bharne ke din aa gaye
ya ke tum par r
ye nazaare
ye nazaare jo mujhko deewana karen
hain bahaaron mein aise nazaare kahaan
door ho dil se dil ka andhera kabhi
aasamaanon mein aise sitaare kahaan
ya meri ee
ya meri aarzuon ki kaliyaan khilin
ya tumhaare sanwarne ke din aa gaye
ya ke tum par meri jaan shabaab aa gaya
ya ke phir mere marne ke din aa gaye
ya ke tum par
tumko dekha
tumko dekha
kadam dagmagaane lage
aisi masti fazaaon mein milti nahin
in mahakte huye gesuon ki kasam
aisi khushboo hawaaon mein milti nahin
ya ke dooba aa
ya ke dooba hua hoon main jazbaat mein
ya tumhaare ubharne ke din aa gaye
ya ke tum par meri jaan shabaab aa gaya
ya ke phir mere marne ke din aa gaye
ya ke tumko main apni khushi maan loon
ya ke phir aah bharne ke din aa gaye
ya ke tum par r
Main Shaayar To Nahin (Medley)
Posted on: June 1, 2021
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4701 | Post No. : | 16401 |
Songs Repeated in Hindi Films – 24
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The post title is always a dead giveaway, that this song belongs to the series that is recalling some of the interesting reuse of earlier songs in Hindi films.
This selection is a medley of songs that appear in the film ‘Pet, Pyaar aur Paap’ (1984), at different points in the story line. The accompanying video is an edited composite video, which brings together all the hilarious comic scenes wherein the earlier songs are used in the film.
The film comes from the banner of Sunitha Cine Arts, Madras and is produced by Mrs. G Lalitha. The story, screenplay and direction are by Dorai. The film had three songs written by Bhushan Banmali, and the music is by Bappi Lahiri.
The star cast is listed as Raj Babbar, Smita Patil, Aruna Irani, Tanuja, Hina Kausar, Chaman Bagga, Sulabha Deshpande, Mukri, Govind, Riaz, Alok, Hanif, Sushmita, Master Bobby, Lal Chand, Baby Najma, Rahul, Dulari, Deepak, Dileep, Madhav, CS Dubey, Mohan Sherry, Ram and Debu. There is also a good collection of guest artists – Mehmood, Amjad Khan, Vinod Mehra, Moushumi Chatterji and Amitabh Bachchan.
The film tells the story about an extra marital love affair of a truck driver (Raj Babbar) with a lady (Smita Patil) who lives in extreme poverty in a hutment in a slum area. The truck driver already has a family, something that he hides from the lady to start with. As the story unfolds, the secrets are revealed to both the lady love and the wife of the truck driver. The film ends in a sore tragedy with the death of the lady in stark circumstances, leaving behind an infant girl. The saving grace of the film is that the truck driver’s wife accepts the child and brings her home. The film is not very strong and convincing, in terms of characters and the progress of the story line, at least in my opinion.
It is interesting to note – this film came about in the time when the actual extra marital affair between Raj Babbar and Smita Patil was in full swing in real life. Raj Babbar had left his wife Nadira Babbar, to be with Smita Patil. On her side, this affair drew very sharp criticism for Smita from her fan base and her social activist colleagues. Smita was very active in the feminist movement in India, and supported and worked for many causes for women. Some trivia located for this film includes a small nugget that says Raj Babbar and Smita Patil financed this film.
The film that was released in 1984, became a harbinger for the future events to follow, in real life. Just two years later in 1986, Smita Patil died two weeks after giving birth to Prateik Babbar. The cause for her death is noted as complications due to child birth – a scenario that played out similarly in this film – the lady dies after giving birth to the child of the truck driver. Smita’s death is a strange and scary episode wherein reel life meets the real life in all its harshness.
The comic relief in the film is provided by Amjad Khan. He owns a cycle repair shop in the slum area. His shop is situated just opposite to the hutment of the lady. He too is a married man with children. And he too has eyes for the lady. He owns a record player, and plays music whenever the situation demands it. He expresses his love and desires by playing appropriate songs on the record player. Of course, the effect on the target audience is actually the opposite to what he expects. These small interludes in the film provide some jocularity in an otherwise mostly slow and sad film.
It is a real treat to watch Amjad play out these comedy scenes. He is at his hilarious best as he tries to imitate the action for the song that is being played, and then when challenged by Smita, his efforts to recover and control the damage are equally mirthful. I am sure you will greatly enjoy this medley.
The repeat songs are played in original, as they are being played from the records. So the credits for all these songs become due to the original artists.
Another interesting reuse episode. And yes, some more still to come.
Song – Main Shaayar To Nahin (Medley) (Pet Pyaar Aur Paap) (1984) Singer – (Multiple), Lyrics – (Multiple), MD – (Multiple)
Lyrics
main shaayar to nahin
main shaayar to nahin
magar ai haseen
jabse dekha
maine tujhko
mujhko shaayari aa gayi
main shaayar to nahin
magar ai haseen
jabse dekha maine tujhko
mujhko shaayari aa gayi
main aashiq to nahin
magar. . .
ho
he he he
ha ha ha
mere sapnon ki raani kab aayegi tu
aayi rut mastaani kab aayegi tu
beeti jaaye zindagaani kab aayegi tu
chali aa tu chali aa
mere sapnon ki raani kab aayegi tu
aayi rut mastaani kab aayegi tu
beeti jaaye zindagaani kab aayegi tu
chali aa, aa tu chali aa. . .
o ho
ahha
o jiya o
jiya o jiya kuchh bol do
arre o dil ka parda khol do
o jiya o
jiya o jiya kuchh bol do
arre ho
dil ka parda khol do
ahha haan haan haan
jab pyaar kisi se hota hai
to dard sa dil mein hota hai
tum ek haseen ho laakhon mein
bhala paa ke
akele akele
akele akele
kahaan jaa rahe ho
rahe ho rahe ho
akele akele kahaan jaa rahe ho
hamen saath le lo jahaan jaa rahe ho
akele akele kahaan jaa rahe ho
hamen saath le lo jahaan jaa rahe ho
akele akele…,
akele akele…,
akele akele…,
akele akele…,
dukhi man mere sun mera kahnaa
jahaan nahin chainaa vahaan nahin rahna
dukhi man mere
dard hamaaraa koi na jaane
apni garaj ke sab hain deevaane
kiske aage ronaa royen
des paraayaa log begaane. . .
tere mere beech mein
tere mere beech mein
kaisa hai ye bandhan anjaana. . .
kaisa hai ye bandhan anjaana. . .
kaisa hai ye bandhan anjaana. . .
maine nahin jaana. . .
Hansta Hua Ye Pyaara Chehra Tera
Posted on: May 30, 2021
- In: "wooing" song | Baag/Bagiya song | Body part song | Chehra song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics contributed by readers | MG Sreekumar Solo Songs | MG Sreekumar Songs | Post by Peevesie's mom | Songs of 2000s (2001 to 2010) | Songs of 2001 | Yearwise breakup of songs
- 1 Comment
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4699 | Post No. : | 16392 | Movie Count : |
4455 |
Hullo Atuldom
In my post for the song “Kyun Aage Peechhe Dolte Ho Bhanwaron Ki Tarah“, two years ago, I had stated that ‘Hera Pheri’ (2000) had Paresh Rawal playing Baburao Ganpatrao Apte which gave a new angle to Paresh Rawal’s career. In that post I had also said that he had played main villain in movies and had mentioned ‘Roop Ki Rani Choron Ka Raja’ (RKRCKR) in the list of movies where we could see Paresh Rawal as a negative character.
Recently there was a comment to that post where it was pointed out that ‘RKRCKR’ had Anupam Kher as the lead villain. As I was thinking about today’s post I realized another error in that post of mine. Paresh ji had shown his comic side in movies like ‘Andaz Apna Apna’ (1994), ‘Chachi 420’ (1997), ‘Mr. and Mrs. Khiladi’ (1997) etc. before ‘Hera Pheri’ happened. Sorry for the errors.
Over the years Paresh ji has played varied characters and most of them can be easily recalled. He has played the Iron Man (as Sardar Patel was called) in the 1994 release ‘Sardar’ and it is as unforgettable as many of his roles in masala movies like the Gujarati husband of a North-Indian wife in ‘Baghban’ (2003) who is forever quoting all the muhawaras (proverbs) wrong. He played the role of a father to Tabu in ‘Cheeni Kum’ (2007) who is shocked to find a 64-year old Amitabh Bachchan approaching him with a request to marry Tabu. He had played a henchman to Prem Chopra, Amrish Puri and others of the ’80s and even those characters have not been forgotten. He has shaken a leg with Akshay Kumar, Amitabh Bachchan, Suniel Shetty etc. and was not off-the-mark in them.
We have seen Paresh Rawal lip-sync songs in movies and he has had a few romantic songs too which was rather unusual considering that he was never the romantic protagonist. Today we have one such song wherein we can see Paresh Rawal wooing an astonished Mahima Chaudhry with flowers and singing a song in the voice of MG Sreekumar. The song is tuned by Anand Milind and written by Ibrahim Ashq.
The song is from the 2001 released, Priyadarshan directed and Neeraj Vora written ‘Ye Teraa Ghar Ye Meraa Ghar’. (The extra ‘a’ in the title is seen in the movie credits too)
The movie dealt with the troubles a house owner (Suniel Shetty) goes through to get his tenant’s family vacate the rented premises so that he can sell the property. Now the house owner is in a financial crunch and selling the house is an option that will work for his family. The tenant’s family (after the passing of the tenant) is being looked after by the working daughter (Mahima) and her contention is that they have been paying rent without defaulting and so the house owner cannot evict them. The movie has a few interesting and hilarious characters like the neighbor who comes like a knight-in-shining armour to Saraswati’s (Mahima) aid and retreats when he sees Dayashankar Pandey (Suneil Shetty). Similarly we have Saurabh Shukla playing Saraswati’s uncle, supposedly a goonda, who fails to help the family. Then there is OP Yadav (Paresh Rawal) an Inspector and a childhood friend to Pandey who promises to help in the eviction and ends up falling in love with Saraswati. The movie ends with Pandey and Saraswati working out a solution to their problems and the audience is entertained for close to 3 hours.
Priyadarshan had remade it from the Malayalam original ‘Sanmanassullavarkku Samadhanam’ (1986) (which should translate as ‘Peace of mind for the like-minded’). I think this was the first time that Hindi audiences heard MG Sreekumar who is a well-established singer in South Indian movies.
Here is wishing Paresh Rawal ji health and happiness on his 66th birthday. May we be entertained by you in the coming years too.
[Ed Note: Tomorrow, i.e. 31st May, is also the birth anniversary of Milind Srivastav, of the Anand-Milind duo, the music directors of this song. Wishing him many happy returns of the day.]
Audio
Video
Song – Hansta Hua Ye Pyaara Chehra Tera (Ye Teraa Ghar Ye Meraa Ghar) (2001) Singer – MG Sreekumar, Lyrics – Ibrahim Ashq, MD – Anand Milind
Paresh Rawal
Mahima Chaudhry
Lyrics
hansta hua ye pyaara chehra tera
pyaar bhara dil kabhi jhooth nahi bolta
dekha jo maine tujh ko pagal hua
hansta hua ye pyaara chehra tera
dekha jo maine tujh ko paagal hua
le le dil le le
arre de de dil de de
main hoon deewana tera
main to hoon deewana
tu ne na jaana
haaye tu ne ye na jaana aa
hansta hua ye pyaara chehra tera
dekha jo maine tujh ko paagal hua
le le dil le le
arre de de dil de de
main hoon deewana tera
main to hoon deewana
tu ne na jaana
haay tu ne yeh na jaana aa
hansta hua yeh pyara chehra tera
dekha jo maine tujh ko paagal hua
teri ada hai pyaari pyaari
kar li hain maine tujhse yaari
ho oo
teri ada hai pyaari pyaari
kar li hain maine tujhse yaari
dil maine haara
sab tujhpe vaara
dil maine haara
sab tujhpe vaara
jeena marna tere liye
hansta hua yeh pyaara chehra tera
dekha jo maine tujh ko paagal hua
tu ru ru
tu ru ru
tu ru ru ru ru
aankhen ye teri kaali kaali
gaalon pe tere chhaayi laali
ho oo
aankhen yeh teri kali kali
gaalon pe tere chhayi laali
sun le haseena
tu hai nagina
sun le haseena
tu hai nagina
aa ja meri baahon mein
hansta hua ye pyaara chehra tera
aa der ho rahi hai
dekha jo maine tujh ko paagal hua
le le dil le le
arre de de dil de de
main hoon deewana tera
main to hoon deewana
tune na jaana
haay tu ne ye na jaana aa
hansta hua ye pyaara chehra tera
dekha jo maine tujh ko paagal hua
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Hindi script lyrics (Provided by Sudhir)
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हँसता हुआ ये प्यारा चेहरा तेरा
प्यार भरा दिल कभी झूठ नहीं बोलता
देखा जो मैंने तुझको पागल हुआ
हँसता हुआ ये प्यारा चेहरा तेरा
देखा जो मैंने तुझको पागल हुआ
ले ले दिल ले ले
अरे दे दे दिल दे दे
मैं हूँ दीवाना तेरा
मैं तो हूँ दीवाना
तूने ना जाना
हाय तूने ये ना जाना
हँसता हुआ ये प्यारा चेहरा तेरा
देखा जो मैंने तुझको पागल हुआ
ले ले दिल ले ले
अरे दे दे दिल दे दे
मैं हूँ दीवाना तेरा
मैं तो हूँ दीवाना
तूने ना जाना
हाय तूने ये ना जाना
हँसता हुआ ये प्यारा चेहरा तेरा
देखा जो मैंने तुझको पागल हुआ
तेरी अदा है प्यारी प्यारी
कर ली है मैंने तुझसे यारी
हो ओ
तेरी अदा है प्यारी प्यारी
कर ली है मैंने तुझसे यारी
दिल मैंने हारा
सब तुझपे वारा
दिल मैंने हारा
सब तुझपे वारा
जीना मरना तेरे लिए
हँसता हुआ ये प्यारा चेहरा तेरा
देखा जो मैंने तुझको पागल हुआ
तु रु रु
तु रु रु
तु रु रु रु रु
आँखें ये तेरी काली काली
गालों पे तेरे छाई लाली
हो ओ
आँखें ये तेरी काली काली
गालों पे तेरे छाई लाली
सुन ले हसीना
तू है नगीना
सुन ले हसीना
तू है नगीना
आजा मेरी बाहों में
हँसता हुआ ये प्यारा चेहरा तेरा
आ देर हो रही है
देखा जो मैंने तुझको पागल हुआ
ले ले दिल ले ले
अरे दे दे दिल दे दे
मैं हूँ दीवाना तेरा
मैं तो हूँ दीवाना
तूने ना जाना
हाय तूने ये ना जाना
हँसता हुआ ये प्यारा चेहरा तेरा
देखा जो मैंने तुझको पागल हुआ
- In: "Naughty" song | "Please don't go" song | "wooing" song | Blog Ten Year Challenge (2011- 2021) | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Sudhir | Rafi solo | Rafi songs | Songs of 1960s (1961 to 1970) | Songs of 1965 | Yearwise breakup of songs
- 3 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day: |
4681 | Post No. : | 16362 |
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Blog 10-Year Challenge (2011-2021) – Song No. 22
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This Week, That Year – 5
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09May – 15May, 2011
It has been a long gap. The previous post in this series had come on 23rd Sep, 2020. And the post number was 15911. About seven and a half month’s worth of waterflow has passed under all the bridges. That was 231 days ago. And 450 posts ago. The blog has clocked four more century milestones, and is close to a fifth now.
An understatement it is – that life has changed in these past months. A lot of ideas and motivation for writing has been numbed. Even with the time and inclination both pointing in the right directions, the flow of writing is simply not coming together. Every week for the past 5 or 6 weeks, I scrutinize the 10 year challenge lists. Ideas form in the mind, but somehow do not get on to paper. For this week’s analysis and this post, I have been checking on the week status from a decade ago, for past couple of days. And then today, just decided to start off with this inability to articulate. Let’s see where it will lead to.
Maybe start with numbers. The week that was – 9th to 15th May of 2011. We saw two dot days that week – 11th and 13th May. Something was in the air during those days. Between April and May of that year, we see 10 dot days, that do not seem customary. We had 28 songs posted in that week, and given two dot days, the average productivity would be approximately 5.6 posts per day.
The 28 songs belonged to 27 different films, and only one film made a repeat appearance that week – the film ‘Pugree’ of 1948.
Considering the decades – the thirties and seventies had just one song present. In between we had 8 songs for the 1940s, 11 songs for the 1950s and 7 songs for the 1960s.
The week saw 5 debut films come on board. And the film ‘Parasmani’ of 1963 completed its run and made the Yippeee status. Of the 27 films that got featured that week, a whopping 19 films have since been Yippeee’d over the past decade. And 8 films are still awaiting more songs to complete their run on our blog. All the films have between 2 to 5 songs pending, which means none of them is one song away from being Yippeee’d.
Coming to milestones, the week saw the century milestone for music director Anil Biswas. On 10th May, with the song “Paise Ka Mantar Paise Ka Jantar“, from the 1956 film ‘Paisa Hi Paisa’, Anil Biswas clocked his first 100 songs posted on our blog.
The day by day break up and details of posts on daily basis is given in the table below.
| Blog Ten Year Challenge (2010-2020) Series | |||||||||
| Sl.No. | Movie Name | Year | HFGK NoS | ASAD NoS | Possible UT | Deb/Yip | Milestone | Film Status | Pending |
| 9-May-11 | |||||||||
| 1 | Pardesi | 1957 | 8 | 5 | Pending | 3 | |||
| 2 | Jalti Nishaani | 1957 | 8 | 6 | Pending | 2 | |||
| 3 | Chaar Dil Chaar Raahen | 1959 | 7 | 7 | Yippeee’d | ||||
| 10-May-11 | |||||||||
| 1 | Kismat | 1943 | 9 | 9 | Yippeee’d | ||||
| 2 | Milan | 1946 | 8 | 5 | Pending | 3 | |||
| 3 | Pugree | 1948 | 9 | 9 | Yippeee’d | ||||
| 4 | Meena Baazaar | 1950 | 12 | 12 | Yippeee’d | ||||
| 5 | Paarasmani | 1963 | 6 | 6 | Y | Yippeee’d | |||
| 6 | Paisa Hi Paisa | 1956 | 10 | 6 | AC – 100 (Anil Biswas) |
Pending | 4 | ||
| 11-May-11 | |||||||||
| [No Posts] | |||||||||
| 12-May-11 | |||||||||
| 1 | Pugree | 1948 | 9 | 9 | Yippeee’d | ||||
| 2 | Chaalis Din | 1959 | 8 | 5 | Pending | 3 | |||
| 3 | Faraar | 1965 | 6 | 6 | Yippeee’d | ||||
| 4 | Namaste Jee | 1965 | 8 | 4 | D | Pending | 4 | ||
| 5 | Uski Kahaani | 1966 | 2 | 2 | D | Yippeee’d | |||
| 6 | Hindustan Ki Kasam | 1973 | 4 | 4 | D | Yippeee’d | |||
| 13-May-11 | |||||||||
| [No Posts] | |||||||||
| 14-May-11 | |||||||||
| 1 | Buzdil | 1951 | 6 | 6 | Yippeee’d | ||||
| 2 | Lala Rukh | 1958 | 7 | 7 | Yippeee’d | ||||
| 3 | Apna Haath Jagannaath | 1960 | 8 | 8 | Yippeee’d | ||||
| 4 | Zindagi | 1956 | 8 | 3 | D | Pending | 5 | ||
| 5 | Faisla | 1965 | 7 | 4 | D | Pending | 3 | ||
| 15-May-11 | |||||||||
| 1 | Chandidas | 1934 | 9 | 9 | Yippeee’d | ||||
| 2 | Dil e Naadaan | 1953 | 9 | 9 | Yippeee’d | ||||
| 3 | Mirza Saahiban | 1947 | 10 | 10 | Yippeee’d | ||||
| 4 | Kaneez | 1949 | 12 | 12 | Yippeee’d | ||||
| 5 | Zameendaar | 1942 | 10 | 10 | Yippeee’d | ||||
| 6 | Kaaghaz Ke Phool | 1959 | 7 | 7 | Yippeee’d | ||||
| 7 | Shama | 1961 | 11 | 12 | Yippeee’d | ||||
| 8 | Bahaaren Phir Bhi Aayengi | 1966 | 6 | 6 | Yippeee’d | ||||
Ten years ago, this day six songs were posted from six films. Of the six films, the following four have since been Yippeee’d – ‘Pugree’ (1948), ‘Faraar’ (1965), ‘Uski Kahaani’ (1966) and ‘Hindustan Ki Kasam’ (1973). The two pending films are ‘Chaalis Din’ (1959) and ‘Namaste Ji’ (1965). For today’s post, I have picked this fun wooing song in the voice of Rafi Sb from the film ‘Namaste Ji’.
This film has an interesting background, from a collector’s perspective. For almost two decades, this film has been on the fringe of becoming available in public domain. There are collectors who have been declaring the availability of this film with tantalizing promises of making it available ‘shortly’. But that shortly has never really materialized. To the extent that there are folks who have uploaded doctored videos, i.e. songs of this film overlaid on a video sequence of another film with the same lead actors. Ah yes, we do see many an example of such shady presentations. And to tell you – the world is so full of believers, that the comment sections of such uploads contains profuse thanks for being able to see the video clip of the song. There are rare comments that point out this insidious jugglery, but such statements of accusatory truth are lost in the bevy of praises.
One of my very close and dear friends, has shown me photographs of the library shelves of another collector in Bombay, where the Betamax tape of this film, ‘Namaste Ji’ is very much visible. But no, we have had no success in being able to view or acquire this film. And so we are also not 100% certain that the titles that are sitting in the library of this other collector, whether these just blanks, to impress others. Do not know. This, and actually many other titles, have been doing rounds of collector circles and communications – that they are imminent to be released to public domain shortly.
Another very interesting variation to this scenario is the case where the original film has been dubbed into another language. Case in point is the film ‘Qaidi’ from 1957, very well known for its musical score by OP Nayyar. Now this film, as many others, was later dubbed into Tamil and other south Indian languages. The current scenario with this film is that the Hindi original of this film is not available (yet) in public domain. However the Tamil version is very much available in public domain. Some technically astute and enterprising collector has picked the video sequence from the Tamil version and has overlaid the audio of the song in Hindi. He has posted a couple of such ‘manufactured’ videos with the claim that they are the original and that he has the full film in original Hindi. After much explorations and discussions, it has been determined that the claim is spurious.
A very enticing and also tormenting situation is when actually we have real and true clips of songs and short video sequences posted online, but the entire film is simply not surfacing anywhere. Years have passed in waiting but simply no word of real existence has surfaced. Maybe I shall take this up in another post – it is getting very lengthy.
So back to ‘Namaste Ji’. The film has been produced under the banner of DM Films, Bombay (now Mumbai) and is directed by Daljeet Krishan. Is Daljeet the ‘D’ in the banner name? Not sure. The star cast as per the Geet Kosh is Ameeta, Mehmood, IS Johar, Nalini Chonkar, Ulhas, Manorama, Mridula, Rajan Haksar, Kundan, Baij Sharma, Brahmdutt, Helen, Sumita, Arti, Manjula, Vinod, Ramesh, Ajeet, Meena, Baijnath, and Nazeer.
The film has 8 songs listed. The music boasts of such all time favorites as “Mere Do Naina Matwaale Kis Ke Liye“, “Bahaaron Thaam Lo Ab Dil Mera Mehboob Aata Hai“, and “Hamen Kya Jo Har Su Ujaale Huyen Hain”. Interesting to note that so far 4 songs of this film have made their appearance on the blog. Three of them appeared in 2011, the fourth came on board in 2014. And then, a long radio silence. Yes, the fifth song makes its appearance today, after a gap of seven years.
The music composition is by GS Kohli and the song writing is shared between Anjaan and Anand Bakshi. However sadly, the song being presented today has no lyricist identified for it. Could this be a traditional or a folk song that has been reused? Yes, quite possible, from the sound of it. The language of the song sounds like Awadhi or Bhojpuri, and so it could be folk song that has been brought into this film. I request other knowledgeable friends and readers to please comment on this observation.
From the rendering of this song, it may be not wrong to surmise that this song is picturized on Mehmood. It sounds similar in rural tones, to some other songs that Mehmood had performed on screen, e.g. the song “Pipra Ke Patwa Sareekhe Doley Manwa” from the 1963 film ‘Godaan’.
So, wrapping up today’s write up, with a forlorn hope that this film shall make its appearance in the public domain, sooner than later.
Let us see.
Song – Kahaan Jayi Ho Najariya Churaaye Hum Se (Namaste Ji) (1965) Singer – Mohammed Rafi, Lyrics – [Unattributed], MD – GS Kohli
Lyrics (Provided by Prakashchandra)
kahaan jayi ho o o o
kahaan jayi ho
najariya churaaye
hum mmmm mm mm mm
hum mmm mm mm se..e
o kahaan jayi ho oo oo
kahan jayi ho o o
o kahan jayi ho najariya churaaye hamse
kahan jayi ho o o
gori gussey mein ho
gori gussey mein haayye
gori gussey mein
daaman chhudaaye hamse ae
oye
oye oye oye
kahan jayi ho o
kahan jayi ho
najariya churaaye hamse
kahan jayi ho
naagan si goriyaa chalai chaal aisey ae ae
lotey karejwaa pe haaye saanp jaise
lotey karejwaa pe haaye saanp jaisse
qaabu karee hum jeeyara pe kaise
kauno jatan to batai ho batai ho batai ho re
kahaan jayi ho
o kahan jayi ho
najariya churaaye hamse
kahan jayi ho o
oo ooo ooo
aaaa aaa aaa aaa
ooo ooo oooo ooo ooo
haaye haaye
haaye haaye
haaye
tohre basai deen o duniya bhulai bey ae
tohri duwaaree pe dhooni ramayi bey
tohri duwaaree pe dhooni ramayi bey ae
jab ban ke jogi
o jab ban ke jogi
alakh hum jagayi bey
phir kaisey bas mein
na ayi ho
na ayi ho
na ayi ho rey
kahaan jayi ho o
o kahaan jayi ho
najariya churaaye hamse
kahaan jayi ho o o
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
कहाँ जई हो ओ ओ ओ
कहाँ जई हो
नजरिया चुराये
हम्म म्ममम म्म म्म म्म
हम्म म्ममम म्म म्म से॰॰ए
ओ कहाँ जई हो ओ ओ
कहाँ जई हो ओ ओ
ओ कहाँ जई हो नजरिया चुराये हमसे
कहाँ जई हो ओ ओ
गोरी गुस्से में हो
गोरी गुस्से में हा॰॰य
गोरी गुस्से में
दामन छुड़ाए हमसे॰॰ए
ओय
ओय ओय ओय
कहाँ जई हो ओ
कहाँ जई हो
नजरिया चुराये हमसे
कहाँ जई हो
नागन सी गोरिया चलै अइसे॰॰ए॰॰ए
लोटे करेजवा पे हाय साँप जइसे
लोटे करेजवा पे हाय साँप जईस्से
क़ाबू करी हम जियरा पे कइसे
कौनौ जतन तो बतई हो
बतई हो
बतई हो रे
कहाँ जई हो
ओ कहाँ जई हो
नजरिया चुराये हमसे
कहाँ जई हो ओ
ओ ओss ओss
आsss आss आss आss
ओs ओss ओsss ओss
हाय हाय
हाय हाय
हाय
तोहरे बसइ दीन ओ दुनिया भुलई बे॰॰ए
तोहरी दुवारी पे धूनी रमइ बे
तोहरी दुवारी पे धूनी रमइ बे॰॰ए
जब बन के जोगी
ओ जब बन के जोगी
अलख हम जगइ बे
फिर कइसे बस में
न अइ हो
न अइ हो
न अइ हो रे
कहाँ जई हो॰॰ओ
ओ कहाँ जई हो
नजरिया चुराये हमसे
कहाँ जई हो ओ ओ ओ
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4636 | Post No. : | 16291 |
#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 127 # Aatish-1979#
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I had mentioned in one of my earlier post on the blog, that nowadays (since Nov’2020 end) I got to listen to the radio utilizing my morning and evening time of about an hour or so while commuting towards my workplace (in the morning) and while returning back (in the evening). And normally I tune in to ‘Vivid Bharati’ only.
This exercise has given me an opportunity to listen to many songs from yesteryears and also songs from new movies. The joy and excitement of ‘the next song to be played’ is always there as on radio we cannot play songs of our choice.
Today’s song is one such song. hen I was listening to it, it sounded familiar but then I had not attentively listened to the name of the movie while the broadcast was on. The refrain ‘salaam salaam salaam’ in this song sounded familiarbut I could not put a finger to it. So, I looked for the details of this song.
This song turned out to be from the ‘1979’ movie ‘Aatish’.
That reminded me that I had watched this movie in the ‘summer vacations’ at Akola with my brothers and cousins. But I do not remember anything about the story of this movie and other details. Only thing that is still fresh in my mind is that this was a ‘Jeetendra Movie’. 😊
I looked for the video of this song and found that this song is performed by Neetu Singh (and I must say she is looking very beautiful in this song). Jeetendra, the object of her craving, is also present in the picturization of this song.
“Aatish-1979” was directed by Ambarish Sangal for ‘M.K. Enterprises, Bombay’. It had Jeetendra, Neetu Singh, Rinku, Dheeraj, Leena Das, Om Shivpuri, Mukri, Mumtaz Begam, Master Raju, Nirupa Roy, Madan Puri, Sujit Kumar (in special appearance), Brahm Bharadwaj, Subhash Kanwal, Kamal Deep, Ranveer Raj, Chandru, Kishan, Ashok Saksena, Raj Kumar, Ram Narayan and others.
This movie was passed by Censor Board on 16.02.1979.
There were six songs in this movie written and composed by Ravindra Jain.
Here is the list of songs of this movie as appearing in HFGK Vol-V (1971-1980);
| S.No. | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Ladke ke bhes mein ladki hoon | Asha Bhonsle, Chorus | |
| 02 | Main nehlaa thhi bas nehlaa | Asha Bhonsle | Being discussed today |
| 03 | O meri laadli pyaari behnaa | Mohd Rafi, Hemlata | 13.08.2011 |
| 04 | Sharaab hai, haan, sharaab hai | Mohd Rafi, Chorus | |
| 05 | Babu manejara ve he babu, manejara ve | Lata, Rafi, Chorus | |
| 06 | Kahin naam na apnaa likh dena … | Asha Bhonsle, Hemlata, Bhushan Mehta, Mohd Rafi, chorus |
Only one song from this movie has been posted on the blog on 13.08.2011. So, one can notice that this movie is about to complete its ‘ten-year’ run on the blog within next five months. 😊
let us now listen to today’s song which is sung by Asha Bhonsle and lip-synced on screen by Neetu Singh. As mentioned above lyrics are by Ravindra Jain who has also the music director for this movie.
Audio
Video
Song-Main nehla thhi bas nehla nehle ko mil daya dahla (Aatish)(1979) Singer-Asha Bhonsle, Lyrics-Ravindra Jain, MD-Ravindra Jain
Lyrics
main nehlaa thhi
bas nehlaa
nehle ko mil gayaa dehlaa
main nehlaa thhi ee bas nehlaa
nehle ko mil gayaa dehlaa
dehle ki main bani ghulaam
dehle ki main bani ghulaam
salaam salaam salaam
o baabu salaam salaam salaam
salaam salaam salaam
baabu salaam salaam salaam
ye to bataa aa
kab doli leke aayegaa
kis din ghulaam ko o o
begam banaayegaa
ye to bataa aa
kab doli leke aayegaa aa
kis din ghulaam ko o o begam banaayegaa
o baadshaah mere dil ke
badi khushi huyi tujhse mil ke
o baadshaah mere dil ke ae
badi khushi huyi tujhse mil ke
jaa jaa(?) ke karo kalaam
jaa jaa(?) ke karu kalaam
salaam salaam salaam
o baabu salaam salaam salaam
salaam salaam salaam
baabu salaam salaam salaam
ikke dukke hote hain
duniya mein tujhse ae
chhakke panje chauke tikke
bahot hain mujhse ae
ikke dukke hote hain
duniya mein tujhse ae
chhakke panje chauke tikke
bahot hain mujhse
sattaa aur athhaa jodo
is umr kaa maal na chhodo
sattaa aur athhaa jodo
is umr kaa maal na chhodo
dil de do mujhe inaam
dil de do mujhe inaam
salaam salaam salaam
ho baabu
salaam salaam salaam
salaam salaam salaam
baabu
salaam salaam salaam
rangon ke khazaane miley
phoolon ko bahaar se ae
pyaar ka jawaab tu bhi
de de mujhe pyaar se ae
rangon ke khazaane miley
phoolon ko bahaar se ae
pyaar ka jawaab tu bhi
de de mujhe pyaar se
kya soche o dilwaale
mujhe ab to ang lagaa le ae
le haath meraa le thhaam
le haath meraa le thhaam
salaam salaam salaam
baabu salaam salaam salaam
main nehlaa thhi bas nehlaa
nehle ko mil gayaa dehlaa
main nehlaa thhi ee bas nehlaa
nehle ko mil gayaa dehlaa
dehle ki main bani ghulaam
dehle ki main bani ghulaam
salaam salaam salaam
o baabu salaam salaam salaam
salaam salaam salaam
baabu salaam salaam salaam
This article is written by Nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4629 | Post No. : | 16282 |
Rafi Sahab’s Legendary Associations – 3
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Sar jo tera chakraaye, Ya dil dooba jaaye
Aa jaa pyaare paas hamaare, Kaahe ghabraaye
Kaahe ghabraaye. . .
Ae dil hai mushkil jeena yahaan
Zara hatt ke zara bach ke
Yeh hai bombay meri jaan. . .
Jaane kahan mera jigar gaya ji
Abhi abhi yahi thha kidhar gayaa ji. . .
Gareeb jaan ke hum ko na tum mita dena
Tumhin ne dard diya hai tumhi dawaa denaa
Just to list a few of the famous Rafi solos and duets for Johny Walker.
This series is about collaborations and team work by Rafi Sahab for various artists, mainly with composers, singers and lyricists. But since the song I stumbled upon is too good, atypical rendition by Rafi Sahab for Johnny Walker, as we know the veteran comic actor. So I have included this in the series.
In the list of Rafi Sahab’s songs I counted around 125 songs of Johnny Walker. This blog already has 136 songs listed as filmed on Johnny Walker songs. The readers can view the list here.
Some of these are by other singers like Mannadey or Mahendra Kapoor etc., but they should be very few, so what I have found is possibly one of the very few around 5-10 Rafi songs actually sung on screen by Johnny Walker remaining to be posted.
‘Ghulam Begum Baadshah’ is a 1956 film produced under the banner of Niagra Films, Bombay and is directed by Jugal Kishore. The star cast of the film is listed as Sheela Ramani, Daljeet, Wazir Muhammad Khan, Altaf, Nishi, Sadiq, Paras, Khairati, Malika, R Nath, Jogendra, Preetam, Dilip Bamblaheri, Wajid Ali, Bhanesh Kumar, Shivji Bhai, Chand, Kamaldeep, Rajpuri, Prakash, and Johnny Walker
The film has six songs written by four lyricists – Indeewar, Roopbani, Shyam Hindi and Shaukat Pardesi. This song is written by Roopbani. The film’s music is composed by Sudipta Bhattacharya. Four out of six songs of this film are posted in the blog :
Aaj Hai Mujhko Khushi Jhoomti Hai Zindagi
Dil Hai Ye Tera Dil Tu Liye Jaa
Dil Se Mere Dil Mila
Jannat Ki Hoor Hoon Dil Ka Suroor Hoon
The tally of the lyricist and the music director in our blog, as per the stats page is as follows:
| Sudipta Bhattacharya | 6 |
| Roopbani | 19 |
Going by the above Sudipta Bhattacharya, was not a one film wonder and he has composed the music for at least two Hindi films or may be some non-film songs. This is a rare qawwali by a Bengali music director, discounting the excellent filmy qawwaliyan composed by RD Burman.
Such is the beauty of 50’s Rafi songs, and this song has the added attraction is being specifically sung for Johnny Walker. As a composition also I must say it is top-notch. It could have been the run of the mill, funny, chhed-chhad qawwali, but it is not so. The sense of timing of Johnny Walker and Rafi sahab’s spirited enjoyment of performing and singing is a highlight.
One can imagine the amount of time and hard work in the creation of this and the many rehearsals etc that must have been gone into creating this song.
The more times I see and hear this song, I am sure whoever is reading the post is going to see this song multiple times. Truly, it is so perfectly synchronised, composed, written, sung, performed and edited song.
Audio
Video
Song – Thoda Sa Hum Ko Sharbat e Deedar Chahiye (Ghulam Begum Baadshah) (1956) Singer – Mohammed Rafi, Lyrics – Roopbani, MD – Sudipta Bhattacharya
Unidentified Male Voice
Chorus
Lyrics
aa aaa aaaa
bahot jal kar
muhobbat mein mera dil. . .
aaj bolaa hai..ae..ae
qayamat hai tu
arey bijli hai tu
sholaa hai..ae..ae
tthoda sa hum ko sharbat-e-deedar chaahiye
tthoda sa hum ko sharbat-e-deedar chaahiye
tthoda sa hum ko sharbat-e-deedar chaahiye ea
tthoda sa hum ko sharbat-e-deedar chaahiye
pi pi ke jise jhoomen hum ko pyaar chaahiye haan
pi pi ke jise jhoomen hum ko pyaar chaahiye
tthoda sa hum ko sharbat-e-deedar chaahiye
ha ha aa
aa aa aaaa
daulat na chahiye mujhe
na maal chaahiye
aaa aaaaaa
aaaaa aaaaaaaaaa
arey roti na chahiye mujhe
na daal chahiye..ae..ae
phir kya chahiye
arey jo haathh mein hai tere
wo rumaal chahiye
samjhe na
jo haath mein hai tere
wo rumaal chahiye
jo haath mein hai tere
wo rumaal chahiye ea
jo haath mein hai tere
wo rumaal chahiye
aashiq hain hum ko
ishq ka aazaar chahiye
aashiq hain hum ko
ishq ka aazaar chahiye
arey
tthoda sa hum ko sharbat-e-deedar chaahiye..ae
ha aa
haaan aaaan
qaatil hai tu agar
to main qaatil ka
ba ba ba
baap hoon
baap hoon
naagin hai tu agar
to main zehreela saa..aanp hoon
to phir kya ho. . .
sab kuchh hoon tere ishq mein
khaana kharaab hoon
sab kuchh hoon tere ishq mein
khaana kharaab hoon
sab kuchh hoon tere ishq mein
khaana kharaab hoon
sab kuchh hoon tere ishq mein
khaana kharaab hoon
ik tere jaisa hum ko bhi dildaar chahiye
ik tere jaisa hum ko bhi dildaar chahiye
tthoda sa hum ko sharbat-e-deedar chaahiye
tthoda sa hum ko sharbat-e-deedar chaahiye
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Hindi Script Lyrics (Provided by Sudhir)
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आ आs आsss
बहोत जल कर
मुहब्बत में मेरा दिल॰॰॰
आज बोला है॰॰ए॰॰ए
क़यामत है तू
अरे बिजली है तू
शोला है॰॰ए॰॰ए
थोड़ा सा हमको शर्बत ए दीदार चाहिए
थोड़ा सा हमको शर्बत ए दीदार चाहिए
थोड़ा सा हमको शर्बत ए दीदार चाहिए
थोड़ा सा हमको शर्बत ए दीदार चाहिए
पी पी के जिसे झूमें हमको प्यार चाहिये
पी पी के जिसे झूमें हमको प्यार चाहिये
थोड़ा सा हमको शर्बत ए दीदार चाहिए
हा हा आ
आ आ आsss
दौलत ना चाहिए मुझे
न माल चाहिए
आss आsssss
आssss आsssssssss
अरे रोटी ना चाहिए मुझे
ना दाल चाहिए॰॰ए॰॰ए
फिर क्या चाहिए
अरे जो हाथ में है तेरे वो रुमाल चाहिए
समझे ना
जो हाथ में है तेरे वो रुमाल चाहिए
जो हाथ में है तेरे वो रुमाल चाहिए
जो हाथ में है तेरे वो रुमाल चाहिए
आशिक हैं हमको इश्क़ का आज़ार चाहिए
आशिक हैं हमको इश्क़ का आज़ार चाहिए
अरे
थोड़ा सा हमको शर्बत ए दीदार चाहिए॰॰ए
हा आ
हाँ॰॰आँ
क़ातिल है तू अगर
तो मैं क़ातिल का
बा बा बा
बाप हूँ
बाप हूँ
नागिन है तू अगर
तो मैं ज़हरीला साँ॰॰प हूँ
तो फिर क्या हो
सब कुछ हूँ तेरे इश्क़ में खाना ख़राब हूँ
सब कुछ हूँ तेरे इश्क़ में खाना ख़राब हूँ
सब कुछ हूँ तेरे इश्क़ में खाना ख़राब हूँ
सब कुछ हूँ तेरे इश्क़ में खाना ख़राब हूँ
इक तेरे जैसा हमको भी दिलदार चाहिए
इक तेरे जैसा हमको भी दिलदार चाहिए
थोड़ा सा हमको शर्बत ए दीदार चाहिए
थोड़ा सा हमको शर्बत ए दीदार चाहिए
Ik ladki bholi bhaali si
Posted on: March 8, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4616 | Post No. : | 16257 |
It is difficult for me to tell what I was doing during various dates of years gone by, seeing that I do not keep any diary. Diary writing used to be a great hobby of people of past generations. Now a days even the habit of writing with pen on paper has largely gone into disuse, and therefore going back don memor lane and giving accurate personal reminiscences has become difficult.
However, there are some ways. For example, I can go back say ten years and see the posts that I hame that day. From those posts, I can sometimes tell what I as doing that day in distant past.
I thought of going down the memory lane by exactly ten years to see if I can get a Blog Ten Year Challenge article written today. I found that on this day ten years ago, I had posted four writeups from four different movies. I found that one movie was still unYIPPEED.
Elated, I began to prepare my writeup. But when I checked up the links of the songs posted ten years ago, I realised that I had erred and that all the movies whose songs were discussed ten years ago on this day ere already YIPPEED. Instead of looking at the posts of 10 years ago, I had looked at the posts of 11 years ago, viz 8 March 2010.
So be it. So this article is not a Blog ten year challenge. It is an eleven year challenge, though.
The movie is “Chowkidaar”(1974). “Chowkidaar”(1974) was directed by Shyam Ralhan for Namrata Movies, Bombay. This “social” movie had Sanjeev Kumar, Yogita Bali, Vinod Khanna, Om Prakash, Jeevan, Sulochana, Sapru, Randheer, Zeb Rehman, Jayshree T, Asit Sen, Lalita Kumari, Ram Mohan, Joginder, Amrita Patel, Narmada Shankar, Uma Dhawan, Daljeet, Vimla, Dhanraj, Tilakraj, Babu Bhai, Kapila Sharma, Zebunnissa, Rajrani, Maqbool, Master Pramod, Vaishali (guest appearance) etc in it.
The movie had six songs in it. Five of these songs have been covered in the past. The movie made its debut in the blog on this date ten years ago.
Here are the details of the songs covered so far:-
| Blog post number | Song | Date of posting |
|---|---|---|
| 2337 | Ye duniya nahin jaagir kisi ki | 8 March 2010 |
| 5738 | Rehne do chanda badli mein | 5 April 2012 |
| 5745 | Thhoda sa aitbaar keejiye | 6 April 2012 |
| 11235 | Insaanon se kyun jhukte ho…zindagi zindagi | 1 July 2015 |
| 14302 | Chaloon main jidhar se | 25 April 2018 |
The movie “Chowkidaar”(1974) had made its debut in the blog on this day eleven years ago.
When I think about this date 11 years ago, I cannot tell for sure what I was doing on this date. Did I attend any omen’s day function that day ? I cannot say for sure. Out of the four songs that were discussed that day, one song was penned by Sahir Ludhianvi. But there as no mention of his birth anniversary in that post. There was no mention of International women’s day either in this post or the other posts of that day. Those were simple days for the blog hen we lived simple lives not even aware of important days of HFM ! 🙂
THese days of course we are far more knolegeable on such matters. 🙂 Today the blog has already seen seven posts, and six of them have been Sahir Ludhianvi posts.
Here is the sixth and final song from “Chowkidaar”(1974), exactly eleven years after the movie made its debut.
This song is sung by Rafi. Rajinder Krishan is the lyricist. Music is composed by Madan Mohan.
The song is picturised as an “expression of love” genre of song on Sanjeev Kumar and Yogita Bali.
A nice “expression of love” song it is. I suppose that this is a typical Woman’s day song as far as Hindi movies are concerned. Statistics bear me out because this song is the 3222nd song of this genre in the blog, which is easily one of the most common genre of songs in HFM. So this song can be described as a Woman’s day song too. Women’s need not just be subjected to dry preachy praises on this day, they need to be wooed romantically as well. 🙂 That is what this song does. 🙂
So a Happy International woman’s day to all.
With this song, all the six songs of “Chowkidaar”(1974) are covered in the blog and the movie thus gets YIPPEED in the blog.
Audio
Video
Song-Ik ladki bholi bhaali si (Chowkidaar)(1974) Singer-Rafi, Lyrics-Rajinder Krishan, MD-Madan Mohan
Lyrics
kahaan chali ho ye
sharma ke munh chhupaaye huye
kadam kadam pe
kayaamat si ek uthhaaye huye
ik ladki bholi bhaali si
ke jiska naam hai raadha
ke jiska roop hai saada
kuchh sharma ke
kuchh ghabra ke
kar gayi pyaar ka vaada
ik ladki bholi bhaali si
ke jiska naam hai raadha
ke jiska roop hai saada
kuchh sharma ke
kuchh ghabra ke
kar gayi pyaar ka vaada
ik ladki bholi bhaali si
shabnam jiska mukhda dhoye
sooraj rang nikhaare ae
shabnam jiska mukhda dhoye
sooraj rang nikhaare ae
mast pawan ka chanchal jhonka
jiske baal sanwaare
ankiyaan jiski badi badi
jiska badan phoolon ki ladi
aaj vo kaise dil de baithhi
soch rahi hai khadi khadi
ek ladki bholi bhaali si
ke jiska naam hai raadha
ke jiska roop hai saada
kuchh sharma ke
kuchh ghabra ke
kar gayi pyaar ka vaada
ik ladki bholi bhaali si
do bolon mein sab kuchh kah gayi
pyaar mein bebas ho kar rah gayi
do bolon mein sab kuchh kah gayi
pyaar mein bebas ho kar rah gayi
dil ki baat jubaan par laayi
thhokhar khaayi aur pachhtaayi
nikhri nikhri surat hai
ladki hai ya moorat hai
yahi to hai vo albeli
jiski humen zuroorat hai
ik ladki bholi bhaali si
ik ladki bholi bhaali si
ik ladki bholi bhaali si
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4577 | Post No. : | 16186 |
Hullo Atuldom
“Khoon Ka Badla Khoon” (1978) had songs by the hit team of S.H. Bihari- O.P.Nayyar; the team that gave us “kajra mohabbatwala”, “haule haule chalo more saajna”, taarif karoon kya uski”, “bahut shukriya badi meherbaani” and many more such hits in the ’60s.
“KKBK” had Vani Jairam, Pushpa Pagdhare, Uttara Kelkar, Mohd. Rafi for playback singers. It was directed by K. Parvez a.k.a Kalpataru and produced by Ratan Mohan. It had seven or eight songs of which the blog has only one song.
The cast included Bindu, Asha Sachdev, Mahendra Sandhu, Vinod Khanna, Ajit, Jayshree T., Padma Khanna, Iftekar, Imtiaz Khan, Sudhir etc. Seeing that the movie had so many actresses who could dance, makes it clear why OPN used three different female playback singers.
“KKBK” seems to be one of the movies where Asha Sachdev must have been the main female protagonist or to put it simple -the heroine. Also the poster of the movie suggests that Vinod Khanna may have been paired with Bindu
Here is the next song from ‘KKBK’ on the occasion of Omkar Prasad Nayyar’s 14th remembrance day. It is sung by Vani Jairam. It was and is frequently heard on radio. Vani Jairam had four solos in the movie of which this is the most popular. I found a very short video which suggests that Asha Sachdev is out to woo Mahedra Sandhu who seems to be some kind of under-cover officer. Also the video shows Ajit giving instructions to his ‘No 9’ etc as was the norm in all movies featuring Ajit in that period of time.
The poster that is accompanying the longer version of the song, as is available on youtube shows a rather smart and handsome Vinod Khanna, trying to shoot some one even as he is on the run.
The brief synopsis of the film that is available on IMDB.com says this: The story-line of the film revolves around a Crime Branch’s Officer and a courageous girl from another agency, they are appointed to catch a criminal gang who leaves a trade mark at their every crime scene.
So, that means it was a run-of-the-mill masala thriller that should have been entertaining for the masses. I would love to know how it fared at the box-office.
This is song number 184 of S.H. Bihari and 484 of O P Nayyar who should be thanked for the legacy that is there for us to enjoy
Video (shorter)
Audio (Full)
Song-Zulf lehraayi yo saawan ka maheena aa gaya (Khoon Ka Badla Khoon)(1978) Singer-Vani Jairam, Lyrics-S H Bihari, MD-O P Nayyar
Lyrics(Provided by Prakashchandra)
zulf lehrayi toh
zulf lehraayi toh
saawan ka maheena aa gaya aa
zulf lehraayi toh
aasmaan par haaye ae
aasmaan par baadalon ko
paseena aa gaya
haaye
zulf lehraayi toh
zulf lehraayi toh
saawan ka maheena aa gaya aa
zulf lehrayi toh
haaye re meri shokh jawaani
meheke jaise raat ki raani
dil mein pyaar ke sapne sajakar
log maren jab meri adaa par
dil mein pyaar ke sapne sajakar
log maren jab meri adaa par
haaye
mujhko bhi jeena aa gaya
zulf lehraayi toh
zulf lehraayi toh
saawan ka maheena aa gaya aa
zulf lehraayi toh
aasmaan par haaye ae
aasmaan par baadalon ko paseena aa gaya
haaye
zulf lehraayi toh
zulf lehraayi toh saawan ka maheena aa gaya aa
zulf lehraayi toh
main kya janoon ooon
rang badalna
pi ke behakna aa aa
jhoom ke chalna
yaaron ne aankhon se pilaayi
banke pawan main bhi lehraayi
yaaron ne aankhon se pilaayi
banke pawan main bhi lehraayi
mujhko bhi peena aa gaya
zulf lehraayi toh
zulf lehraayi toh
saawan ka maheena aa gaya aa
zulf lehraayi toh
aasmaan par haaye ae
aasmaan par baadalon ko paseena aa gaya
haaye
zulf lehraayi toh
zulf lehraayi toh saawan ka maheena aa gaya aa
zulf lehraayi toh
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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