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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1970s (1971 to 1980)’ Category


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

Today’s post is under instructions from my husband- Peevesie’s Dad. Oh yes, he is a silent-satulite (a term coined by team Atulites when referring to spouses of Atulites, the term has no geographical or scientific connotation and will be found only in Atulite-lingo 🙂 ). He had asked me to write a post after we returned from a pilgrimage of Sabarimala, which is the abode of Swami Ayyappa. And as far as possible I fulfil every farmaish/ request of his (actually the children, Peevesie more than her brother, rag the two of us for going out of our way to fulfil each other’s requests- there have been no demands between the two of us only requests).

A recent program that I attended at Chowdiah Memorial with Asha Bhonsle as the attraction is a case in point – we were scheduled to go to Kerala on that date to drop my dear mom-in-law at our native village and my husband (sweetly) asked me to go ahead and book tickets for the show and he himself went with his mom. So, when he indulges me how can I not do what he says? 🙂 These last two months I had been looking for a song that would accompany the post but never found any song or bhajan dedicated to Ayyappa in a Hindi song album- filmy or non-filmy. Even looking up dubbed movies drew a blank. Whatever the internet had to offer were songs in the south Indian languages. But now I think I have found a way out.

The pilgrimage to Sabarimala is neither easy nor tough; what it needs is commitment on the part of the devotee. It can be undertaken by all men and females below the age of 10 and above the age of 50. There are a few legends to explain why this restriction is in place for the ladies. But the main reason, for ladies of age group 10-50 not being allowed is biological and instead of arguing against it; which some sections of the equality for females brigade has undertaken, my personal view is we should respect it. If some rule has been in place for an activity we follow it. If there is a dress code to a party we adhere to it. I have seen people follow the rule of covering their heads at gurudwaras and mosques (am not sure if churches have this rule, but have seen some sections of Kerala Christians cover their heads). If rules can be followed at these places then why not at Hindu places of worship. (I hope that my thoughts are not construed to be against equality for the female gender, they are just my way of looking at things)

The Sabarimala temple is open for a few days (of the Malayalam calendar) every month and from November 15th to January 20th (I think). Devotees who plan to undertake the trip normally live a satvik life for a period of 40 days. They abstain from wine and women, the stricter followers make their own food, visit an Ayyappa temple twice a day, walk bare foot and also don’t shave. Then just before leaving for the trip they have a ritual wherein they gather the main things needed for the pilgrimage in a bag which is carried on their heads till they reach the temple. The bag typically contains two or three coconuts, one of which is filled with ghee for the abhishek of the deity. Plus, pooja items like camphor, agarbatti, pan-supari, beaten rice etc.

The temple itself is in the Periyar Tiger Reserve of western ghats in Kerala’s Pathanamthitta District. One can go up to the Pampa river (which is at the base of the path leading up to the temple) by road, from where it is a climb of about 5 kms of which the initial 2 km or so is very steep. Of course, there are a few palkhis available to carry up those who find the climb difficult. But when one sees the passion in those climbing alongside us it spurs us to try and do the distance without palki assistance. That is what happened with me. I felt a sense of tiredness after the initial half an hour; then I saw who were the people around me. There was a small boy taking his almost 80-year-old grandparents with him. Then there was a man with a twisted ankle making his way uphill and that made me feel I should complete the route. And there is the chant of Swamiye Sharanam Ayyappa (we take refuge in you ayyappa) reverberating about the route, enough to egg you on. A seasoned devotee (like my husband who has gone close to 25 times) may do the path in about two or two and half hours depending on the weather; and I took about two hours and forty minutes in spite of the initial panting and nausea due to the height. But I must admit that then it had felt like a never-ending walk.

Now any person undertaking the pilgrimage for the first time is called a “Kanni Ayyappan” and our group had two of us. And then last month around Onam time when the temple was open my sister’s family- her husband and two nine-year-old sons- also went to the temple. The twins were the life of the group along with a few other kids. About 10-15 years back my aged parents-in-law and parents had undertaken the trip. So, what I am trying to say is age and health should not stop a determined soul from making the trip and there are experienced Ayyappas (that is the term with which the male devotees address each other) to guide those who want to make the trip and believe me it was a great experience enough to make me feel I should redo it.

Reading the above description may have sent images of the trek to Kedarnath, Yamunotri or Vaishno Devi to the reader. Even I recalled my Kedarnath, Yamunotri trip as I was chanting Swamiye Sharanam Ayyappa and singing all the Ayyappa songs I knew to myself during the walk. And in my mind, I visualised my dearest mom-in-law undertaking the Vaishno Devi pilgrimage about 10 years back. Hats off to her spirit! I hope I am half as energetic when I reach her age.

Now that I have mentioned vaishno devi I looked for a song that will show the journey to the temple in the Himalayas in Kashmir. And I found that there is a song in the 1980 released J. Om Prakash movie which shows Rameshwari and Jeetendra going to Vaishno Devi as “Mannat” fulfilment of his mother Sulochana. (wonder why she didn’t accompany them 🙂 ) it shows them trudging up to the temple along with other devotees much like what I experienced. But the difference is the distance which my mom-in-law says is close to 14 kms. The song is from the pen of Anand Bakshi and Laxmi- Pyare are the music directors. Narendra Chanchal and Mohd. Rafi are the playback.
I think this is a good song to start Navaratri with. Bolo Jai Mata Ki!

Editor’ note:- This is the sixth and final song from “Asha”(1980) to appear in the blog. with this song, “Asha”(1980) joins the list of movies that have all their songs covered in the blog.


Song-Toone mujhe bulaaya shera waaliye (Asha)(1980) Singers-Narendra Chanchal, Rafi, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus
Rafi + Chanchal

Lyrics

saanchi jyoto waali maata
maata
teri jay-jay-kaar
jay-jay-kaar
jay-jay-kaar
jay-jay-kaar

toone mujhe bulaaya shera waaliye ae
main aaya
main aaya shera vaaliye

toone mujhe bulaaya shera vaaliye
main aaya,
main aaya shera vaaliye

o jyota vaaliye
pahaada vaaliye
o mehra vaaliye ae
toone mujhe bulaaya shera vaaliye
main aaya,
main aaya shera vaaliye

o o
toone mujhe bulaaya shera vaaliye
main aaya
main aaya shera vaaliye

saara jag hai ik banjaara
saara jag hai ik banjaara
sabki manzil tera dwaara
oonche parvat lamba rasta
oonche parvat lamba rasta
par main rah na paaya shera vaaliye
toone mujhe bulaaya shera vaaliye
ho o
main aaya,
main aaya shera vaaliye
toone mujhe bulaaya shera vaaliye

soone man mein jal gayi baati
tere pathh mein mil gaye saathi
munh kholoon kya tujhse maangoon
munh kholoon kya tujhse maangoon
bin maange sab paaya
shera vaaliye ae

toone mujhe bulaaya shera vaaliye
o o o
main aaya
main aaya shera vaaliye

toone mujhe bulaaya shera vaaliye

kaun hai raaja
kaun bhikhaari
kaun hai raaja
kaun bhikhaari
ek baraabar tere saare pujaari
toone sabko darshan de ke
toone sabko darshan de ke
apne gale lagaaya shera vaaliye
toone mujhe bulaaya shera vaaliye
o jota vaaliye
pahaada vaaliye
o mehra vaaliye ae
toone mujhe bulaaya shera vaaliye
main aaya
main aaya shera vaaliye

o prem se bolo
jay maata di
o saare bolo
jay maata di
o aate bolo
jay maata di
o jaate bolo
jay maata di
o kasht nivaare
jay maata di
o paar utaare
jay maata di
devi maan bholi
jay maata di
bhar de jholi
jay maata di
o jode dar par
jay maata di
maa deke darshan
jay maata di
o jay maata di
jay maata di
jay ay ay maata di
jay maata di

jai bhavaani ki jai
pahaada vaali ki jay,
vaishno raani ki jay
ambe raani ki jay
pahada waali ki jai

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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

September 2, 2017. The lady who made the fringe-cut hair style popular would have been 76. Yes, I am talking of Sadhana and that hair style called “sadhana cut”. I am sure every girl of the 1960s and 70s would have sported the style at least once in her lifetime. Apparently this look was inspired from the British actress Audrey Hepburn (some more on this later).

Sadhana was born in a Sindhi family in Karachi (now in Pakistan). Her father was the elder brother of Hari Shivadasani; that makes Babita her first cousin and Karisma and Kareena her nieces. Post partition they settled in Mumbai where she had her schooling. She was in Bombay’s Jai Hind college when she was approached by some producer who had seen her on a college stage-play. This led to her debut in movies through the Sindhi film ‘Abaana’.

Sashadhar Mukherjee took her on to co-star his debutant son Joy Mukherjee after seeing her in an ad of the Sindhi movie. RK Nayyar, till then an assistant director, was the director of the film. It was RK Nayyar (later her husband) who worked on her look and gave her the Audrey Hepburn fringe and thus ‘Love in Simla’ became the launch vehicle for Joy Mukherjee, Sadhana and Sadhana-cut. In this film she had a tomboyish character that blooms into a beautiful lady; something akin to the ugly-duckling changing into a swan. Post the debut there were a spate of movies showcasing her talent as the simple village girl “Parakh”; or simple middle-class girl “Asli Naqli”; or the simple rich girl “Hum Dono”. That doesn’t mean she always played the simple girl, alongside these movies she also starred in Raj Khosla’s trilogy of suspense films. I don’t tire of seeing “Mera Saaya” specially the courtroom scenes and her naughty expression as the street dancer in “Jhumka Gira Re”; but then she was unforgettable in all the songs of that movie and throughout the entire movie.

If I sit to draw up a list of my favourite Sadhana songs “Lag Ja Galey Ke Phir Ye Haseen Raat Ho Na Ho”and “Naina Barse” – both from ‘Woh Kaun Thi’ (1964), will top the list which will include “Jhumka Gira Re”, “Tu Jahaan Jahaan Chalega Mera Saaya Saath Hoga” – both from ‘Mera Saaya (1966), “Tera Mera Pyar Amar” (‘Asli Naqli’, 1962) “Main To Tum Sang Nain Mila Ke” (‘Manmauji’, 1962), “Chehere Pe Khushi Chha Jaati Hai” (‘Waqt’, 1965), “Geet Tere Saaz Ka Teri Hi Awaaz Hoon” (‘Inteqaam’, 1969), and more. And the song from ‘Hum Dono’ (1962)  “Abhi Na Jaao Chhod Kar” will try to push “Lag Ja Galey Ke Phir Ye. . .” from the top of the list (depending on my mood 😊). Of course, she was a big actress much before I began to see movies with a conscious mind. Whatever I have seen is all thanks to the weekend movies shown on Doordarshan in the late 70s and 80s. But the songs, which have been playing over and over again on the radio waves made me her fan. I remember seeing her as an avenging angel in ‘Inteqaam’ (1969), scaring Manoj Kumar in ‘Woh Kaun Thi’ (1964), as also the typical eye candy act in movies like ‘Waqt’ (1965), ‘Aap Aaye Bahaar Aayi’ (1971), ‘Raajkumar’ (1964), ‘Aarzoo’ (1965) etc. (all thanks to DD).

She made a comeback to movies, briefly, after her illness starred in ‘Ek Phool Do Maali’ (1969), ‘Dil Daulat Duniya’ (1972), etc.and also produced a few movies like ‘Geeta Mera Naam’ (1974) and ‘Pati Parmeshwar’ (1989) starring Dimple Kapadia.

‘Geeta Mera Naam’ was a 1974 movie produced by RK Nayyar. Sadhana was the star and the director of the film. The film also starred Sunil Dutt, Feroz Khan, Helen and Rajendranath. The film’s music is by Laxmikant Pyarelal.

This is the synopsis that Wikipedia gives

The film tells the story of four children who are separated at a fair and unknowingly reunite years later when Geeta (Sadhana) meets Nita (also Sadhana) in prison. Nita has been wrongly accused of murder. Geeta is then caught up in a scheme to find the true killer which leads her to her brother Johnny’s (Sunil Dutt) gang.

Today’s song is sung by Asha Bhonsle with both Helen and Sadhana lip syncing to her. It looks like a pre-climax song where Feroz Khan is desperately trying to save Sadhana (I am guessing this).
[Ed Note: Prakash ji has identified the male dancer accompanying Helen in this video clip as Oscar Unger.]

Let us enjoy and think what it would have been like if Sadhana had not taken sanyaas from movies – would she have gone the way her contemporaries Asha Parekh, Mala Sinha etc. did- meaning doing mother and bhabhi roles or would she have turned full time producer etc. Oh we can let our imagination run wild and speculate.

 

Song – Mujhe Maar Daalo Main Mar Jaaungi (Geeta Mera Naam) (1974) Singer – Asha Bhosle, Lyrics – Rajendra Krishan, MD – Laxmikant Pyaarelal

 

Lyrics

haan mujhe mar daalo
main mar jaoongi
marte marte ye saabit kar jaoongi
ke zindagi bhi maut hai
maut bhi hai zindagi
zindagi bhi maut hai
maut bhi hai zindagi
mujhe mar daalo
main mar jaoongi
marte marte ye saabit kar jaoongi
ke zindagi bhi maut hai
maut bhi hai zindagi
zindagi bhi maut hai
maut bhi hai zindagi
haan

toofano se mujhe aata hai khelna
mere liye khel hai zulmon ka jhelna
haan haan haan haan haan
haan haan haan haan haan
toofano se mujhe aata hai khelna
mere liye khel hai zulmon ka jhelna
zulmo pe zulm karo
zulm sahoongi
phir bhi kahoongi
ke zindagi bhi maut hai
maut bhi hai zindagi

aaa aaa aa aaa aa
aaa aaa aa aaa aa
aaa aaa aa aaa aa
aaaa

nikhra hua hai kaisa
aaj rang sham ka
aise me kyon na aye
mazaa inteqaam ka
haan haan haan haan haan
haan haan haan haan haan
nikhra hua hai kaisa
aaj rang sham ka
aise me kyon na aye
mazaa inteqaam ka
gore badan se jo khoon bahega
beh ke kahega
ke zindagi bhi maut hai
maut bhi hai zindagi
zindagi bhi maut hai
maut bhi hai zindagi

jitna sitam karo
utna hi kam hai
jeene ki khushi hai
na marne ka gum hai
haan haan haan haan haan
haan haan haan haan haan
jitna sitam karo
utna hi kam hai
jeene ki khushi hai
na marne ka gum hai
qaatil zubaan se jo chup rahega
lahu to kahega
ke zindagi bhi maut hai
maut bhi hai zindagi
zindagi bhi maut hai
maut bhi hai zindagi

mujhe mar daalo
main mar jaoongi
marte marte ye saabit kar jaoongi
ke zindagi bhi maut hai
maut bhi hai zindagi
zindagi bhi maut hai
maut bhi hai zindagi
haan
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

हाँ मुझे मार डालो
मैं मर जाऊँगी
मरते मरते ये साबित कर जाऊँगी
के ज़िंदगी भी मौत है
मौत भी है ज़िंदगी
ज़िंदगी भी मौत है
मौत भी है ज़िंदगी
मुझे मार डालो
मैं मर जाऊँगी
मरते मरते ये साबित कर जाऊँगी
के ज़िंदगी भी मौत है
मौत भी है ज़िंदगी
ज़िंदगी भी मौत है
मौत भी है ज़िंदगी
हाँ

तूफानों से मुझे आता है खेलना
मेरे लियूए खेल है ज़ुल्मों को झेलना
हाँ हाँ हाँ हाँ हाँ
हाँ हाँ हाँ हाँ हाँ
तूफानों से मुझे आता है खेलना
मेरे लिए खेल है ज़ुल्मों को झेलना
ज़ुल्मो पे ज़ुल्म करो
ज़ुल्म सहूँगी
फिर भी कहूँगी
के ज़िंदगी भी मौत है
मौत भी है ज़िंदगी

आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ
आss

निखरा हुआ है कैसा
आज रंग शाम का
ऐसे में क्यों ना आए
मज़ा इंतकाम का
हाँ हाँ हाँ हाँ हाँ
हाँ हाँ हाँ हाँ हाँ
निखरा हुआ है कैसा
आज रंग शाम का
ऐसे में क्यों ना आए
मज़ा इंतकाम का
गोरे बदन से जो खून बहेगा
बह के कहेगा
के ज़िंदगी भी मौत है
मौत भी है ज़िंदगी
ज़िंदगी भी मौत है
मौत भी है ज़िंदगी

जितना सितम करो
उतना ही कम है
जीने कि खुशी है
ना मरने के ग़म है
हाँ हाँ हाँ हाँ हाँ
हाँ हाँ हाँ हाँ हाँ
जितना सितम करो
उतना ही कम है
जीने कि खुशी है
ना मरने के ग़म है
क़ातिल जुबां से जो चुप रहेगा
लहू तो कहेगा
के ज़िंदगी भी मौत है
मौत भी है ज़िंदगी
ज़िंदगी भी मौत है
मौत भी है ज़िंदगी

मुझे मार डालो
मैं मर जाऊँगी
मरते मरते ये साबित कर जाऊँगी
के ज़िंदगी भी मौत है
मौत भी है ज़िंदगी
ज़िंदगी भी मौत है
मौत भी है ज़िंदगी
हाँ


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The month of ‘August’ holds a very special place in our hearts. We celebrate our Independence Day on the Fifteenth day of this month every year since 1947.

In 1942 the ‘Quit India Movement’ or the ‘Bharat Chhodo Andolan’ was launched on 8th August’1942 and Gandhi ji gave a call of ‘Do or Die’. Starting 9th Aug’1942 in the next few days the whole nation witnessed the greatest uprising against the British. Today (9 august 2017) is the 75th anniversary of that important date.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all Atulwaasis

So, we are on that date of the year when we write a special post for a very special person. We have two posts by kids of the 70s who grew up listening to the works of this special person. For once I waited to see what these two are going to say before I pen my own thoughts. This is because I have come to realise that the three of us love the same things about this person- his multi talents- singing (first and foremost), comedy (acting), direction, music direction and he has also written a few songs. We are his fans and he was said to be a huge fan of K.L. Saigal. His aim was to sing like Saigal.
Read more on this topic…


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Less than a week ago, we were remembering the legend of legends amongst singers of the Hindi film industry, Mohammed Rafi, respectfully referred to by many as Rafisaab.

Today, we remember another legend of legends amongst singers – the one and only Kishore Kumar, fondly referred to by many as Kishoreda.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

hum kahin bhi hon
chale aayenge

What an extraordinary promise this is.

We had a small get together of music lovers, earlier in the day today. And for the day it is, part of our conversation revolved around Rafi Sb, and his persona, and his legacy. ‘God’s Own Man’ is the phrase expressed by one of the gathering. Certainly, all people are God’s people. But then some are special. They are ‘God’s Own People’. Humble and giving – the two traits that stand out as shining beacons in this industry that is famous for cutthroat competition, and the rule of money power. So much corruption and cruelty bleeds into it, and in turn, generates more cruelty and heartlessness.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In India, we are often required to attend get togethers (formal/ officials as well as informal/ unofficial etc). Singing of a few film songs is almost always a part of these gatherings, which are sung by enthusiastic singers and their performances are followed by polite clappings.

The songs that are sung on these gatherings are mostly from the golden era originally sung by legends. I often think of that era when these legends were still around me. I would often imagine a gathering where songs were sung not by the enthusiastic singers but by the singers who originally sang these songs. Just imagine participating in a programme where Rafi songs are being sung live by none other than Rafi himself !
Read more on this topic…


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It is that time of year.

Another year comes along, another 31st of July comes along – and once again, we remember, and pay tribute, to the one and only Rafisaab on this date.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

At the outset let me post my usual disclaimer: I am no encyclopaedia as regards the birth and death anniversaries of my favourite Bollywood actors, actresses, singers, music directors, lyricists, choreographers etc. I am assisted in keeping track of the dates by the list on our blog and the good old trust-worthy Vividh Bharati services of All India Radio. And today (27 july 2017) also I am writing this after looking up the list on our blog and listening to “Aaj Ke Phankaar” on radio.
Read more on this topic…


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (23rd July 2017) is the death anniversary of one of the most popular comedian artistes of yesteryear, Mehmood (29 September 1932 – 23 July 2004).  On this occasion I’d like to pay a humble tribute to him.

To call Mehmood just a comedian is not to do him full justice. For, apart from doing very popular comedy roles, he was also a producer and director in his own right. And he also did playback for some songs Not just that, he even wrote for a couple of films  – so, all things considered, he must be considered quite an all rounder. Of course his comedy roles are what made him a big star in the industry and these are what he is best known for.
Read more on this topic…


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(© 2008 - 2017) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13600 song posts by now.

This blog is active and online for over 3300 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13605

Number of movies covered in the blog

Movies with all their songs covered =1020
Total Number of movies covered =3725

Total visits so far

  • 9,674,706 hits

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Category of songs

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Historical dates

Blog Start date: 19 july 2008

Active for more than 3250 days.

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