Posts Tagged ‘1958’
Kaam Karo. . . Mat Aaraam Karo
Posted on: January 21, 2022
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4935 | Post No. : | 16782 |
Geeta Dutt – Solos and Duets – 07
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I started this series in December 2020 with great enthusiasm, just after Geeta Dutt’s 900th song post had appeared in the blog. The following 6 posts appeared in the series up to June 2021.
There has been a long break in this series inadvertently. Meanwhile, I have compiled a list of group songs of Mohammed Rafi – Geeta Roy/Dutt with other singers.
| Sl. No. | Song | Film | Composer |
| Singers | Year | Lyricist | |
| 1 | Hum Banjaare Sang Hamaare | Saajan | C Ramachandra |
| Mohd Rafi, Lalita Deulkar, Geeta Dutt | 1947 | Moti | |
| 2 | Sambhal Sambhal Ke Jaiyyo | Saajan | C Ramachandra |
| Mohd Rafi, Lalita Deulkar, Geeta Dutt | 1947 | Ram Murti | |
| 3 | Kyon Karta Maan Jawaani Ka | Naach | Husnlal Bhagatram |
| Mohd Rafi, Lata Mengeshkar, Geeta Dutt | 1949 | Mulkh Raj Bhakri | |
| 4 | Lab Pe Fariyaad Hai Dil Barbaad Hai | Naach | Husnlal Bhagatram |
| Mohd Rafi, Lata Mengeshkar, Geeta Dutt | 1949 | Mulkh Raj Bhakri | |
| 5 | Ban Ban Kar Mit Gayin Hai Taqdeer Ki Lakeeren | Gauna | Husnlal Bhagatram |
| Mohd Rafi, Geeta Dutt, Shamshad | 1950 | Qamar Jalaalabaadi | |
| 6 | Mere Jaisi Nahin Milegi | Khamosh Sipahi | Hans Raj Bahal |
| Mohd Rafi, Geeta Dutt, Ram Kamlaani | 1950 | D N Madhok | |
| 7 | Kabhi Ye Saath Na Choote | Kisi Ki Yaad | Hans Raj Bahal |
| Mohd Rafi, Geeta Dutt, Paaro | 1950 | Moti | |
| 8 | Hum Hain Kheton Ke Maharaj Hamen Darr Kaahe Ka | Sheesh Mahal | Vasant Desai |
| Mohd Rafi, Geeta Dutt, Pushpa Hans | 1950 | Nazim Panipati | |
| 9 | Humne Bhi Pyar Kiya | Nakhre | Hans Raj Bahal |
| Mohd Rafi, Lata Mangeshkar, Geeta Dutt | 1951 | Hasrat Lakhnavi | |
| 10 | Ulfat Ki Zindagi Ke Jo Saal Hon Hazaar | Hungama | C Ramachandra |
| Mohd Rafi, Lata Mangeshkar, Geeta Dutt | 1952 | Rajinder Krishan | |
| 11 | Kya Bataaun Mohabbat Hai Kya | Parbat | Shankar Jaikishan |
| Mohd Rafi, Lata Mangeshkar, Geeta Dutt | 1952 | Shailendra | |
| 12 | Nadiya Kinaare Mora Dera Mashaal Jale Saari Ratiyaan | Tarang | Chitragupta |
| Mohd Rafi, Shamshad, Geeta, Chitragupta | 1952 | Ram Murty | |
| 13 | Mera Dulha Shehar Se Aaya Re | Do Dulhe | B S Kalla |
| Mohd Rafi, Geeta Dutt, Sarla | 1955 | Pt Indra | |
| 14 | Ek Taraf..Joru Ne Nikala Hai Deewala | Madhur Milan | Bulo C Rani |
| Mohd Rafi, Geeta Dutt, A R Ojha | 1955 | Raja Mehndi Ali Khan | |
| 15 | Aaj Tera Gunehgaar Banda | Khul Ja Sim Sim | Hans Raj Bahal |
| Mohd Rafi, Geeta Dutt, Shashi Raj | 1956 | Asad Bhopali | |
| 16 | Gunaahon Ka Chirag Kabhi Jal Na Sakega | Agra Road | Roshan |
| Mohd Rafi, Geeta Dutt, Shamshad | 1957 | Bharat Vyas | |
| 17 | Bhaiya Kaam Karo Mat Aaraam Karo | Balyogi Upmanyu | Chitragupta |
| Mohd Rafi, Geeta Dutt, Usha Mangeshkar | 1958 | Bharat Vyas | |
| 18 | Hamen Maar Gayi Tirchhi Nazariya Tori | Chaal Baaz | Chitragupta |
| Mohd Rafi, Geeta Dutt, Usha Mangeshkar | 1958 | Anjum Jaipuri | |
| 19 | Do Do Hain Deewaane Mere Parwaane | Baazigar | Chitragupta |
| Mohd Rafi, Balbeer, Geeta Dutt | 1959 | Prem Dhawan | |
| 20 | Kaun Jaane Re Baba | Jawani Ki Hawa | Ravi |
| Mohd Rafi, Asha Bhonsle, Geeta Dutt | 1959 | Shailendra | |
| 21 | Teri Taqdeer Ka Sitaara Kamaal Hai | Zabak | Chitragupta |
| Mohd Rafi, Balbeer, Geeta Dutt | 1961 | Prem Dhawan | |
| 22 | Takht Na Hoga Taaj Na Hoga | Aaj Aur Kal | Ravi |
| Mohd Rafi, Manna Dey, Geeta Dutta | 1963 | Sahir Ludhianvi | |
| 23 | Agar Hum Tumhen Dekh..Jinhen Rukh Se Parda | Haqdaar | Bulo C Rani |
| Mohd Rafi, Geeta Dutt, Nirmala, Manna Dey | 1964 | Prem Warbartani | |
| 24 | Hum Khoob Jante Hain Kya Dil Mein Hai Tumhaare | – Film Hi Film – Saajan Ki Galiyaan (UR) |
Shankar Jaikishan |
| Mohd Rafi, Suman Kalyanpur, Geeta Dutt | 1983 (1960s) |
Hasrat Jaipuri |
Songs at Sl. No. 6, 7, 9, 13, 14, 15, 17, 23 & 24 are not yet posted in the blog. The song I am presenting today is at Sl. No. 17, i.e. from the film ‘Balyogi Upmanyu’ (1958). Bharat Vyas is the lyricist of this mythological film’s songs composed by Chitragupt. Here Mohammed Rafi and Usha Mangeshkar are accompanying Geeta Dutt for singing this song talking of hard work, fruits of hard work, farming, self-confidence, hope and a certain bragging attitude etc. But the happy spirit of the song is infectious, and one can listen to it again and again.
The following 2 songs of this movie are posted in the blog, making this the 3rd song.
Baalyogi Upmanyu(1958)(2/8) MD-Chitragupta
Duniya Ke Anyaaiyon Anyaay Ki Hoti Khair Nahin
Mann Nirgun Ke Geet Ab Gaata Jaa
I found this song a few days ago, while looking for Chitragupt-Rafi songs, and I thought it is a very enjoyable and nice composition. All three singers are in sync with the accompanying chorus. I need to post some solos to even out the series. There are too many songs by Geeta Dutt in obscure films. I have not done bad so far, considering the songs were all new songs for me. Hope to find some known, popular songs not yet posted to fit in the series.
Song – Kaam Karo. . . Mat Araam Karo (Balyogi Upmanyu) (1958) Singer – Mohammed Rafi, Geeta Dutt, Usha Mangeshkar, Lyrics – Bharat Vyas, MD – Chitragupt
Male Chorus
Female Chorus
Male + Female Chorus
Lyrics
sukhi nahi woh
jo sone chaandi mein hain..ae madhosh
dhani bade nirdhan hain bhaiyaa..aa
sachcha dhan santosh
ho ho oooo
haay ea
aa haa haa
aa haa
haa haa haa
aaaa aaaa
aa haa haa
aa haa
haa haa haa
aaaa aaaa
aa haa haa
aa haa
haa haa haa
aaaa aaaa
neelam aur panne se (??) hamaare
sone si chamke ret ho ooo
neelam aur panne se (??) hamaare
sone si chamke ret ho ooo
chaandi se baadal
barse gagan se
jhoome hamaare khet ho
ho bhaiya
kaam karo
mat aaraam karo
kaam karo
(ho ho oo oooo)
mat aaraam karo
kaam karo
(ho ho oo oooo)
mat aaraam karo
raja hain hum
maharaaja hain hum
hamein duniya ne na pehchaana
ho ho ho ho ho ho ho ho
ha ha ha aa aa haa aa aaa
rajaa hain hum
maharaajaa hain hum
hamein duniya ne na pehchaana aa
ambar hai pyaara
chhat par hamaara
dharti hamaara khazaana
ho bhaiya
kaam karo
mat aaraam karo
kaam karo
(ha ha ha aa aaa aaa aa)
mat aaraam karo
kaam karo
mat aaraam karo
(aa aaa aaaa aaaaa)
apne parishram ki na jo miley
wo khaane ki aadat hai khoti
apne parishram ki na jo miley
wo khaane ki aadat hai khoti
hum ko to laage meethhi badi
apne mehnat ki rookhi do roti
ho bhaiyaa
kaam karo
mat aaraam karo
kaam karo
(ho ho oo oooo)
mat aaraam karo
kaam karo
(ho ho oo oooo)
mat aaraam karo
o ho ho ooooo
jab girtaa hamaara paseena
to ye dharti ugalti nageena
ho ho ho ho ho ho ho ho
ha ha ha aa aa haa aa aaa
jab girtaa hamaara paseena
to ye dharti ugalti nageena aa
ham maruthal ko madhuban banaate
rituon ka badal den maheena
ham maruthal ko madhuban banaate
rituon ka badalte maheenaa
ho bhaiyya
kaam karo
mat aaraam karo
kaam karo
(ho ho oo oooo)
mat aaraam karo
kaam karo
(ho ho oo oooo)
mat aaraam karo
kaam karo
(ho ho oo oooo)
mat aaraam karo
(ho ho ooooo)
- In: Baag/Bagiya song | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Happy song | Love song | Lover's tête-à-tête | Lyrics contributed by readers | Manna Dey songs | Manna Dey Suman Kalyanpur duet | Post by Sudhir | Songs of 1950s (1951 to 1960) | Songs of 1958 | Suman Kalyanpur songs | Yearwise breakup of songs
- Leave a Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day: |
4909 | Post No. : | 16723 |
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This Week, That Year – 8
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07Nov – 13Nov, 2011
OK yes, the tag line is correct, but the date is definitely out of sequence. Sincere apologies for this parallax effect. This is not the week of 7th Nov. This post should have come at least 6 weeks ago. And truly, the post template and lyrics and all the tag stuff was ready then, but the words to compose the post were trapped behind some real and imagined ‘constraints’.
Ah but you will say, why pitch in with the week of 7th Nov now, six weeks later. Well surely, for a special reason. That was a special week, with a very special milestone reached by the blog. On Saturday, the 13th November, 2011, we reached the 5000th post. That day, the blog had been in existence for 1,213 days – exactly 3 years, 3 months and 26 days. And we completed 5,000 posts, at a simple daily average of 4+ songs – day on day.
Superlatives have become repetitive on this blog now, as we have written time and again about the blog’s progress over the years. But the wonder is that the wonder simply does not cease to amaze – the wonder of the blog itself, of being on the blog, of being part of the bandwagon. Whether the pace is slow or fast, we have never been without steam.
Looking back then, from this 13+ years vantage point, it seems like just a speck on the past time line. But just think about it – about the feelings then, on arriving at the 5000th station of this journey. And I am sure, as we looked ahead at the future, this 16,700+ post compendium, was not even visible on the time line. And probably not even in the minds of the bandwagoneers. Some member or members did mention 10,000, maybe. But going beyond that, then crossing the 15,000 mark, and still continue to merrily chug along – probably that thought did not even cross anyone’s mind. The ambience has changed so much since those days 10 years ago. Now, the feeling is that nothing is impossible for this bandwagon and its fearless leader.
It was a dhamaaka celebration. A celebration that store the hearts of everyone – literally. The blog ne loot liya mil ke gaana sun’ne waalon ko. . .
It was a calculated and a planned choice – the song I mean. Lyrics from the pen of Shewan Rizvi, music composed by Bulo C Rani and rendered with such zest and fervor by Ismail Azaad Qawwaal. And on screen, a name that we had some hard time digging up and confirming – Sheikh, the comedian. Yes, the qawwaali “Hamen To Loot Liya Mil Ke Husn Waalon Ne”. The qawwali that merits to be counted amongs the top 5 iconic qawaalis in Hindi films. That was the choice for the 5000th milestone song for the blog. The write up that day was a shared effort by Atul ji, Raja ji and yours truly. It truly is an honor to be part of that write up.
Ten years later, as we look back, it surely is a major joy that we picked this song for the 5000th milestone.
Now let’s play the numbers game for the week that was – from 7th to 13th November. A whopping 50 songs were posted that week, for an average of little above 7 songs per day. Quite a prolific week that was. Total number films showcased were 43. The film ‘Khel’ of 1950 made four appearances, the film ‘Mayur Pankh’ of 1956 made 3 appearances and ‘Anurodh’ from 1977 made two. The film name ‘Taqdeer’ appeared twice in that week, albeit from different years – 1943 and 1967.
The decade of 1941-50 was represented by 11 songs, the decade of 1951-60 by 12 songs, the decade of 1961-70 by 17 songs, the decade of 1971-80 by eight songs, and the 80s and 90s were represented by one song each. And so 1960s was the prominent decade with almost 30% songs posted that week.
As many as 13 films made their debut this week, and yes, 3 films also got Yippeee’d already. All three films are from 1970s – ‘Amar Prem’ (1971), ‘Mili’ (1975) and ‘Anurodh’ (1977). Since that week was done, 18 more films that appeared in that week are Yippeee’d by now.
We had two major artist milestone also come up that week. Hasrat Jaipuri completed 300 appearances on the blog, on 12th November with the song “Tu Kyun Mujhko Pukaare” from the film ‘Mayur Pankh’. And then on the 13th, the 5000th post also celebrated the century of songs composed by Bulo C Rani.
Here is the week’s data in table form.
| Blog Ten Year Challenge (2011-2021) Series | |||||||||
| Sl.No. | Movie Name | Year | HFGK NoS | ASAD NoS | Possible UT | Deb/Yip | Milestone | Film Status | Pending |
| 7-Nov-11 | |||||||||
| 1 | Khel | 1950 | 9 | 9 | Yippeee’d | ||||
| 2 | Stree | 1961 | 11 | 8 | 1 | Pending-c | 2+ 1 UT | ||
| 3 | Hum Deewaane | 1965 | 8 | 3 | 1 | D | Pending-c | 4+ 1 UT | |
| 4 | Paalki | 1967 | 10 | 9 | Pending | 1 | |||
| 5 | Chhoti Si Mulaaqaat | 1967 | 7 | 7 | Yippeee’d | ||||
| 6 | Pyaar Ki Baazi | 1967 | 5 | 2 | 1 | D | Pending-c | 2+ 1 UT | |
| 7 | Anurodh | 1977 | 6 | 6 | Yippeee’d | ||||
| 8 | Rudaali | 1993 | 8 | 4 | Pending | 4 | |||
| 8-Nov-11 | |||||||||
| 1 | Dharam | 1945 | 10 | 4 | 3 | D | Pending-c | 3+ 3 UT | |
| 2 | Patanga | 1949 | 10 | 10 | Yippeee’d | ||||
| 3 | Hum Matwaale Naujawaan | 1961 | 7 | 6 | Pending | 1 | |||
| 4 | Samson | 1964 | 5 | 5 | Yippeee’d | ||||
| 5 | Dara Singh, The Iron Man | 1964 | 6 | 3 | Pending | 3 | |||
| 6 | Mere Sanam | 1965 | 9 | 9 | Yippeee’d | ||||
| 7 | Mom Ki Gudiya | 1972 | 5 | 5 | Yippeee’d | ||||
| 8 | Kinaara | 1977 | 8 | 6 | Pending | 2 | |||
| 9-Nov-11 | |||||||||
| 1 | Village Girl | 1945 | 12 | 11 | 3 | Yc | 3 UT | ||
| 2 | Khel | 1950 | 9 | 9 | Yippeee’d | ||||
| 3 | Mastaana | 1954 | 8 | 9 | Yippeee’d | ||||
| 4 | Doctor Z | 1959 | 8 | 5 | 2 | D | Pending-c | 1+ 2 UT | |
| 5 | Raaz | 1967 | 8 | 7 | 1 | Yc | 1 UT | ||
| 6 | Sachcha Jhootha | 1970 | 6 | 5 | Pending | 1 | |||
| 7 | Mili | 1975 | 3 | 3 | Y | Yippeee’d | |||
| 8 | Kotwal Sahab | 1977 | 3 | 3 | D | Yippeee’d | |||
| 10-Nov-11 | |||||||||
| 1 | Lahore | 1949 | 10 | 9 | Pending | 1 | |||
| 2 | Nageena | 1951 | 8 | 8 | Yippeee’d | ||||
| 3 | Chalti Ka Naam Gaadi | 1958 | 8 | 8 | Yippeee’d | ||||
| 4 | Aas Ka Panchhi | 1961 | 7 | 7 | Yippeee’d | ||||
| 5 | Asli Naqli | 1962 | 7 | 7 | Yippeee’d | ||||
| 6 | Watan Se Door | 1968 | 5 | 3 | D | Pending | 2 | ||
| 7 | Shubh Chintak | 1989 | 3 | 1 | D | Pending | 2 | ||
| 8 | Man Jeete Jag Jeet | 1973 | 10 | 2 | D | Pending | 8 | ||
| 11-Nov-11 | |||||||||
| 1 | Namoona | 1949 | 9 | 7 | Pending | 2 | |||
| 2 | Taqdeer | 1967 | 8 | 8 | Yippeee’d | ||||
| 3 | Duniya | 1968 | 6 | 7 | Yippeee’d | ||||
| 4 | Inquilaab | 1956 | 8 | 8 | Yippeee’d | ||||
| 5 | Mayur Pankh | 1953 | 6 | 6 | D | Yippeee’d | |||
| 6 | Anurodh | 1977 | 6 | 6 | Y | Yippeee’d | |||
| 12-Nov-11 | |||||||||
| 1 | Khel | 1950 | 9 | 9 | Yippeee’d | ||||
| 2 | Bhai Saahab | 1954 | 10 | 6 | 2 | D | Pending-c | 2+ 2 UT | |
| 3 | Mayur Pankh | 1953 | 6 | 6 | AC – 300 (Hasrat Jaipuri) | Yippeee’d | |||
| 4 | Kavi Kaalidas | 1959 | 9 | 10 | Yippeee’d | ||||
| 5 | Mulzim | 1963 | 7 | 5 | 5 | Yc | 5 UT | ||
| 6 | Amar Prem | 1971 | 6 | 6 | Y | Yippeee’d | |||
| 13-Nov-11 | |||||||||
| 1 | Taqdeer | 1943 | 10 | 4 | 2 | D | Pending-c | 4+ 2 UT | |
| 2 | Jagbeeti | 1946 | 9 | 4 | 5 | D | Yc | 5 UT | |
| 3 | Khel | 1950 | 9 | 9 | Yippeee’d | ||||
| 4 | Mayur Pankh | 1953 | 6 | 6 | Yippeee’d | ||||
| 5 | Miss Coca Cola | 1955 | 8 | 8 | Yippeee’d | ||||
| 6 | Al Hi Laal | 1958 | 8 | 2 | 2 | D | BC – 5000/AC – 100 (Bulo C Rani) | Pending-c | 4+ 2 UT |
Since 13th November of 2011, after this iconic qawwaali was posted, just one more song from the film ‘Al Hi Lal’ has appeared on the blog. That song is “Amma Main Bada Hoke Bahut Kaam Karoongaa” which appeared on the blog on 29th July, 2017. Here is one more song from this film – a duet sung by Manna Dey and Suman Kalyanpur. This is a lilting melodious song af a lovers’ tete-a-tete – a typical running-around-the-tree love song. On screen, this song is lip synced by Mahipal and Shakila.
The song is written by Shewan Rizvi, music composed by Bulo C Rani. The lovers are complaining about stolen hearts, and are naming each other as the thief responsible for it. Apparently it seems that once the qawwaali became the big hit that it is, somehow the remaining songs got very little attention from the listeners. This song is a wonderful one in its own right, but not so well known. I too got to hear it for the first time as I was searching for other songs of this film.
Listen to this lovely duet, I am sure you will like it.
Song – Tum Ho Dil Ke Chor, Kare Dil Shor (Al Hi Laal) (1958) Singer – Manna Dey, Suman Kalyanpur, Lyrics – Shewan Rizvi, MD – Bulo C Rani
Manna Dey + Suman Kalyanpur
Lyrics
tum ho dil ke chor
kare dil shor
tumhen pehchaan liya. . .
o ho ho haan
aaj khula ye raaz
hamaara raaz
kisi ne jaan liya
aa haan
tum ho dil ke chor
kare dil shor
tumhen pehchaan liya
aaj khula ye raaz
hamaara raaz
kisi ne jaan liya
bedard ne deke dard
kiya dil sard
nigaahen pher ke
teri chaah ne
dil ki aah ne loota
raah mein hamko gher ke
laakh bachaaya
bach nahin paaya
dil ye hamaara
tum par aaya
o ho ho haan
tum ho dil ke chor
kare dil shor
tumhen pehchaan liya
aaj khula ye raaz
hamaara raaz
kisi ne jaan liya
o mast nazar
jaata hai kidhar
ik teer sa dil pe maar ke
badnaam na ho
badnaam na kar
ilzaam na de bekaar ke
raaz hamaara
tu ne jaana
jaan na le
bedard zamaana
o ho ho haan
tum ho dil ke chor
kare dil shor
tumhen pehchaan liya
aaj khula ye raaz
hamaara raaz
kisi ne jaan liya
sharma ke na ja
tadpa ke na ja
iqraar to kar le pyaar ka
jab aankh jhuke
aur lab na hiley
ye matlab hai iqraar ka
neechi nigaahen
dil ki kahaani
pyaar ki hai ye
khaas nishaani
o ho ho haan
tum ho dil ke chor
kare dil shor
tumhen pehchaan liya
aaj khula ye raaz
hamaara raaz
kisi ne jaan liya
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Hindi script lyrics (Provided by Sudhir Kapur)
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तुम हो दिल के चोर
करे दिल शोर
तुम्हें पहचान लिया॰ ॰ ॰
ओ हो हो हाँ
आज खुला ये राज़
हमारा राज़
किसी ने जान लिया
आ हाँ
तुम हो दिल के चोर
करे दिल शोर
तुम्हें पहचान लिया
आज खुला ये राज़
हमारा राज़
किसी ने जान लिया
बेदर्द ने देके दर्द
किया दिल सर्द
निगाहें फेर के
तेरी चाह ने
दिल की आह ने लूटा
राह में हमको घेर के
लाख बचाया
बच नहीं पाया
दिल ये हमारा
तुम पे आया
ओ हो हो हाँ
तुम हो दिल के चोर
करे दिल शोर
तुम्हें पहचान लिया
आज खुला ये राज़
हमारा राज़
किसी ने जान लिया
ओ मस्त नज़र
जाता है किधर
इक तीर सा दिल पे मार के
बदनाम ना हो
बदनाम ना कर
इल्ज़ाम ना दे बेकार के
राज़ हमारा
तू ने जाना
जान ना ले
बेदर्द ज़माना
ओ हो हो हाँ
तुम हो दिल के चोर
करे दिल शोर
तुम्हें पहचान लिया
आज खुला ये राज़
हमारा राज़
किसी ने जान लिया
शर्मा के ना जा
तड़पा के ना जा
इक़रार तो कर ले प्यार का
जब आँख झुके
और लब ना हिले
ये मतलब है इक़रार का
नीची निगाहें
दिल की कहानी
प्यार की है ये
खास निशानी
ओ हो हो हाँ
तुम हो दिल के चोर
करे दिल शोर
तुम्हें पहचान लिया
आज खुला ये राज़
हमारा राज़
किसी ने जान लिया
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4888 | Post No. : | 16686 |
“Amar Deep”(1958) was directed by T Prakashrao for Shivaji Productions, Bombay. This movie had Dev Anand, Vyjayantimala, Ragini, Johny Walker, Padmini, Pran, David, Bipin Gupta, Mukri, Shivraj etc with Guest appearances by Om Prakash, Anwar Hussain and Randheer.
The movie had 12 songs in it. Eleven songs have been covered in the past. Here are the details of the songs already covered in the blog:-
| Blog post number | Song | Date of posting | Singer(s) |
|---|---|---|---|
| 1942 | Taali lo dhintaanaa | 18 September 2009 | Asha Bhonsle |
| 2085 | Mere man ka baawraa panchhi kyun baar baar dole | 24 October 2009 | Lata Mangeshkar |
| 3038 | Dekh hamen aawaaz na denaa Multiple version song | 28 September 2010 | Rafi, Asha Bhonsle |
| 6517 | Dil ki duniya basa ke saanwariya | 26 August 2012 | Lata Mangeshkar |
| 10641 | Lene se inkaar nahin aur dene ko taiyyaar nahin | 5 January 2015 | Rafi |
| 10942 | Ab dar hai kiska pyaare | 7 march 2015 | Rafi |
| 12685 | Is jahaan ka pyaar jhoothhaa | 13 December 2016 | Asha Bhonsle, Rafi, Manna Dey |
| 14406 | Le lo le lo gubbaare | 9 June 2018 | C Ramchandra |
| 15651 | Laagi apni najariya kataar ban ke | 9 June 2020 | Asha Bhonsle |
| 16673 | Kisi din zara dekh mera bhi ho ke | 25 November 2021 | Asha Bhonsle |
As one can see, this movie made its debut in the blog as far back as on 18 september 2009. Today, more than 12 years later, this movie finally finds its twelfth and final song getting covered in the blog.
This final song of “Amar Deep”(1958) is sung by Asha Bhonsle. Rajinder Krishan is the lyricist. Music is composed by C Ramchandra.
Only the audio of the song is available. I requuest our knowledgeable readers to throw light on the picturisation of this song.
With this song, all the songs of “Amar Deep”(1958) have been covered in the blog. The movie thus joins the list of movies that have been YIPPEED in the blog.
Song-Ye jee chaahta hai kisi din main teri (Amar Deep)(1958) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-C Ramchandra
Lyrics
ye jee chahata hai kisi din main teri
nigaahon ki saari udaasi chura loon
agar ho ijaajat
agar ho inaayat
tere gham ko main apni kismat bana loon
ye jee chaahta hai
kidhar ja raha hai mohabbat ke raahi
kidhar ja raha hai mohabbat ke raahi
idhar dekh manzil teri mera dil hai
idhar dekh manzil teri mera dil hai
tujhe kya khabar hai
ye dil tera ghar hai
tu chaahe to is dil mein tujhko chhupa loon
ye jee chaahta hai
ajab ye safar hai teri zindagi ka
ajab ye safar hai teri zindagi ka
ke hai har kadam par andhera andhera
ke hai har kadam par andhera andhera
jo teri khushi ho to raaho mein teri
amar deep main apne dil ka jala loon
ye jee chaahta hai kisi din main teri
nigaaho ki saari udaasi chura loon
ye jee chaahta hai
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4878 | Post No. : | 16673 |
“Amar Deep”(1958) was directed by T Prakashrao for Shivaji Productions, Bombay. This movie had Dev Anand, Vyjayantimala, Ragini, Johny Walker, Padmini, Pran, David, Bipin Gupta, Mukri, Shivraj etc with Guest appearances by Om Prakash, Anwar Hussain and Randheer.
The movie had 12 songs in it. Ten songs have been covered in the past.
Here is the eleventh song from “Amar Deep”(1958) to appear in the blog. This song is sung by Asha Bhonsle. Rajinder Krishan is the lyricist. Music is composed by C Ramchandra.
Vyjyanti Mala was the lead actor in the movie with Dev Anand and so this song has to be pictuurised on them. But I have my doubts about the identity of the lady. I request our knowledgeable readers to help identify the lady.
Song-Kisi din zara dekh mera bhi ho ke (Amar Deep)(1958) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-C Ramchandra
Lyrics
hmm hmm hmm
aur dard se majboor
o o o o
kyun phir bhi nahin meri mohabbat tujhe manzoor
kisi din zara dekh mera bhi hoke
kisi din zara dekh mera bhi hoke
kahaan tak diye jaayega dil ko dhokhe
kahaan tak diye jaayega dil ko dhokhe
kisi din zara dekh mera bhi hoke
kisi din zara
wo aaraam jiski zaroorat hai tujhko
zaroorat hai tujhko
wo aaraam jiski zaroorat hai tujhko
zaroorat hai tujhko
milega tujhe
ho milega tujhe meri baahon mein khoke
kisi din zara dekh mera bhi hoke
kisi din zara
tera dil hi khud tera dushman hai warna
tera dil hi khud tera dushman hai warna
tujhe muskuraane se kyun koi roke
kahaan tak diye jaayega dil ko dhokhe
kisi din zara dekh mera bhi hoke
kisi din zara
mere iltiza hai sama bhi ja inmein
ho sama bhi ja inmein
mere iltiza hai sama bhi ja inmein
khule hain in aankhon ke kab se jharokhe
kisi din zara dekh mera bhi hoke
kisi din zara
Ye Zaalim Nigaahon Ki Ghaat
Posted on: November 14, 2021
- In: "Advice" song | Asha Bhonsle solo | Asha Bhonsle songs | Club song | Dance song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Happy song | joie de vivre | Lyrics contributed by readers | Post by Sadanand Kamath | Songs of 1950s (1951 to 1960) | Songs of 1958 | Yearwise breakup of songs
- 1 Comment
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4867 | Post No. : | 16659 |
Today, November 14, 2021 is the 4th Remembrance Day of Shyama (real name – Khurshid Akhtar) who enthralled the Hindi film buffs with her blinks and smiles in her Hindi films of 1950s. There was a spontaneity and energy in her performances reflecting, what I guess, her joie de vivre nature.
My earliest memory of watching Shyama was in ‘Aar Paar’ (1954) on its repeat release sometime in 1974 as a part of Guru Dutt’s Film Perspectives. I became familiar with her face when some of the songs picturised on her from the films like my all-time favourite, ‘Aar Paar’ (1954), ‘Bhai Bhai’ (1956), ‘Bhaabhi’ (1957), ‘Sharda’ (1957), ‘Mr Qartoon MA’ (1959), ‘Barsaat Ki Raat’ (1960) and many more, used to be telecast on Mumbai Doordarshan’s ‘Chhaaya Geet’ programme. Some of her songs have remained in the limelight even today. I can never get tired of watching those songs pictuirsed on Shyama.
Shyama (07 Jun, 1935 – 14 Nov, 2017) was born in Lahore but her family had shifted to Mumbai in early 1940s. She did her schooling in Anjuman-E-Islam High School in South Mumbai. Shyama’s foray into her first Hindi film, ‘Zeenat’ (1945) was an accidental one. When she was on a visit to watch the film’s shooting along with her school friends, the film’s director, Shaukat Hussain Rizvi invited her to be the part of the chorus singers for the picturization of the qawwali song, “Aahen Na Bhari Shiqwe Na Kiye”. At that time, she was 9. Thereafter, she did small roles as a child actor and side roles as a teenager in around 35 films. At a young age, she had become the bread-earner for her large family. Her screen name, Shyama was given by Prakash Pictures’ Vijay Bhatt when working in his film, ‘Nai Maa’ (1946) as a child artist.
Everything was not roses on the way to reach the stardom for Shyama. She had to struggle very hard to get roles during the early stage of her life when she was growing from her childhood to a teenager. Her struggling days got over when she bagged her first lead role in Filmistan’s ‘Shrimati ji’ (1952) with Nasir Khan. Thereafter, there was no dearth of work for her in the films.
During her filmy career of over 4 decades, Shyama worked in around 175 films. Some of her notable films are ‘Hum Log’ (1951), ‘Sazaa’ (1951), ‘Dil-E-Naadan’ (1953), ‘Shart’ (1954), ‘Aar Paar’ (1954), ‘Musaafirkhaana’ (1955), ‘Chhoo Mantar’ (1956), ‘Bhai Bhai’ (1956), ‘Shaarda’ (1957), ‘Bhaabhi’ (1957), ‘Johnny Walker’ (1957), ‘Mr. Qartoon MA’ (1958), ‘Laala Rukh’ (1958), ‘Chhoti Bahen’ (1959), ‘Barsaat Ki Raat’ (1960), ‘Zabak’ (1961), ‘Bahurani’ (1963). From 1960’s onwards, Shayma switched over to character roles. She was active till the end of 1970s. However, after the death of her husband in 1979, she virtually took retirement from the films. Shyama faced the camera for the last time in ‘Hathyaar’ (1989).
I was going through her filmography from 1952 when she started getting lead actor’s roles to 1960 when her career was in the waning stage as a lead actor. It is amazing to note that during 1952-60, she worked in as many as 84 films making an average of nearly 10 films per year. I do not recall any other actress of her time achieved this distinction. The main reason for her large number films was that she accepted both the lead as well as supporting actor’s roles. Her films covered a variety of genres with a large assortments of lead actors like Motilal, Ashok Kumar, Premnath, Shammi Kapoor, Bharat Bhushan, Karan Diwan, Guru Dutt, Balraj Sahni, Sunil Dutt, Kishore Kumar, Johnny Walker, Ranjan, Mahipal, Talat Mehmood etc.
Shyama faced her worst financial and emotional turmoil in 1953 when she decided to marry director and cinematographer Fali Mistry. They fell in love on the sets of ‘Sazaa’ (1951). The marriage was opposed by her father and her brothers. She had revealed her agony in her article in the Urdu film magazine ‘Shama’, published in November 1954, the English translation of which is available in Yasir Abbasi’s book ‘Yeh Un Dinon Ki Baat Hai’ (2018).
According to Shyama, apparently the problem for her large family was that having got used to living lavishly on her earnings, they feared that her marriage with Fali Mistry would strip them off comforts and luxuries. When she decided to go ahead with the marriage, she was forced to leave her own house without her money and jewelry as her father and brothers confiscated all her assets including the bank balances. She and her supporting mother had to stay with the family of producer-director M Sadiq for a month before she could buy her own house by arranging money. It took another six months for Shyama and Fali Mistry to get married. But the marriage was not revealed in public for a long time for fear of film producers avoiding her to sign the new films.
Shyama spent her financially secured retired life, socializing with her close friends like Nanda, Shakeela, Waheeda Rehman, Jabeen Jaleel etc. Just about 5 years before her death, she got a paralysis attack making her movements restricted. However, she majorly recovered from the paralysis. She breathed her last on November 14, 2017 due to lung infections, leaving behind her two sons and a daughter. Her elder son, Faroukh Mistry is a Cinematographer in Hindi feature films and has directed many documentary and advertising films. The second son, Rohinton Mistry is settled in London as a businessman. Both her elder son and her daughter, Shirin were with her while she breathed her last.
As a tribute to Shyama on the occasion of her 4th Remembrance Day, I have chosen a song pictuirsed on her in the film ‘Khota Paisa’ (1958). This film was among four films in which Shyama acted opposite Johnny Walker in lead role. The other three films in this combination were ‘Chhoo Mantar’ (1956), ‘Johnny Walker’ (1957) and ‘Mr Qartoon MA (1958). Incidentally, all these three films had OP Nayyar as the music director.
‘Khota Paisa’ (1958) had 7 songs of which 5 songs have been covered on the Blog. All the songs were written by Rajinder Krishan which were set to music by Madan Mohan. I am presenting the 6th song, “Ye Zaalim Nighaaon Ki Ghaat” which is sung by Asha Bhosle. It is a club song during which NA Ansari, the menacing pipe smoking villain, is present along with his henchmen.
It is interesting to note that in the record version there is some changes in wordings of the song as under:
| Film Sound Track Version | Record Version |
| Mukhda ye zaalim NIGHAAON ki GHAAT badi tikhi badi NATKHATI |
Mukhda ye zaalim MOHABBAT ki CHAAT badi tikhi badi CHATPATI |
| Antara-2 GAA le ZARA jahaan mein NAGMA to aashiqi kaajo NAYE pyaar ki RAT RATI |
Antara-2 LE le MAZA jahaan mein DAM BHAR LO aashiqi kaajo NA THHI pyaar ki PHATPATI |
| Antara-3 KATNE bhi de khushi se ye BAHAAR ke zamaane |
Antara-3 LOOTNE bhi de khushi se ye PYAAR ke zamaane |
Other features of this song is that Asha Bhosle seems to imitate the style of Geeta Dutt and Madan Mohan’s musical composition of the song closely resembles that of OP Nayyar.
Video
Audio
Song – Ye Zaalim Nigaahon Ki Ghaat (Khota Paisa) (1958) Singer – Asha Bhosle, Lyrics – Rajinder Krishan, MD – Madan Mohan
Lyrics
ye zaalim nighaaon ki ghaat
badi teekhi badi natkhati
apne apne muqaddar ki baat
kiske hisse mein kitni bati
ye zaalim nighaaon ki ghaat
badi teekhi badi natkhati
jo nazar na milaayi
na jigar pe chot khaayi
us dil kaa faayda kya
jo kisi pe aa na jaaye
hai wo zindagi bhi koi zindagi
jo mohobbat kiye bin kati
ye zaalim nighaaon ki ghaat
badi teekhi badi natkhati
jo huwa na kisi ka
dushman hai zindagi ka
gaa le zara jahaan mein
nagma to aashiqi ka
tu jiya bhi to kya
do ghadi ke liye
jo na ye pyaar ki rat rati
ye zaalim nigaahon ki ghaat
badi teekhi badi natkhati
ye dil kaun jaane
lut jaaye kis bahaane
katne bhi de khushi se
hain bahaar ke zamaane
lut gaye dil kai
mit gaye dil kai
par mohobbat kabhi na ghati
ye zaalim nigaahon ki ghaat
badi teekhi badi natkhati
apne apne muqaddar ki baat
kiske hisse mein kitni bati
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
ये ज़ालिम निगाहों की घात
बड़ी तीखी बड़ी नटखटी
अपने अपने मुकद्दर की बात
किसके हिस्से में कितनी बटी
ये ज़ालिम निगाहों की घात
बड़ी तीखी बड़ी नटखटी
जो नज़र ना मिलाई
ना जिगर पे चोट खाई
उस दिल का फायदा क्या
जो किसी पे आ ना जाए
है वो ज़िंदगी भी कोई ज़िंदगी
जो मोहब्बत किए बिन कटी
ये ज़ालिम निगाहों की घात
बड़ी तीखी बड़ी नटखटी
जो हुआ ना किसी का
दुश्मन है ज़िंदगी का
गा ले ज़रा जहां में
नग़मा तो आशिक़ी का
तू जिआ भी तो क्या दो घड़ी के लिए
जो ना ये प्यार की रट रटी
ये ज़ालिम निगाहों की घात
बड़ी तीखी बड़ी नटखटी
ये दिल कौन जाने
लुट जाये किस बहाने
कटने भी दे खुशी से
हैं बहार के जमाने
लुट गए दिल कई
मिट गए दिल कई
पर मोहब्बत कभी ना घटी
ये ज़ालिम निगाहों की घात
बड़ी तीखी बड़ी नटखटी
अपने अपने मुकद्दर की बात
किसके हिस्से में कितनी बटी
Tilla langdi koyle
Posted on: October 9, 2021
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4831 | Post No. : | 16611 |
Today’s song is from a South Indian film, dubbed into Hindi – Piya Milan-1958.
The decade of the 50’s saw almost a spate of Hindi films from South. Some were dubbed, some were remakes and a few were first made in Hindi before they were remade into Tamil or Telugu etc.
Film Titles having the word ” Piya” were made in every decade since the advent of the Talkie films, till the end of the Century.
30’s – Piya Pyaare-1934, Piya ki Jogan-1936
40″s – Piya Milaqn-1945, Piya Ghar Aaja-1947
50″s – Piya (UR), Piya Milan-1958
60″s – Piya Milan ki Aas-1961
70’s – Piya Ka Ghar-1972
80’s – Piya Milan 1985
90’s – Piya ki Jogan-1997.
Except the 2 films of the 30’s and the un released film, I have seem most other films. I consider ‘ Piya Ka Ghar”-1972 as the best among the ‘Piya’ films. It was a remake of a Hit Marathi film – Mumbaicha Jawai-1970. It was directed by my favourite Basu Chaterjee. A genuinely talented actress Jaya Bhaduri was cast opposite a very handsome Non Actor Anil Dhavan in this film.
Film “Piya Milan” was originally a Tamil film MARMAVEERA-56, dubbed in Hindi by R R Productions. The film was originally made by Jubilee films, Madras. The star cast was Shri Ram, Vyjayantimala, Raja Sulochana, V.Nagaiah, T S Baliah, P S Veerappa, Tanghvelu, Chandra Babu etc.
The Hindi version was directed by Raghunath and the music was by Ramesh Naidu. Most songs were having the same tunes as given by the Tamil original’s composer S.Vedhu. The Hindi songs were written by Harsh(3) and Hasrat Jaipuri(6).
The greatest attraction of this film was the Guest appearance by N T Rama Rao, Sivaji Ganeshan and Gemini Ganeshan.
These are the heavyweight actors of the south. Since the 1950’s decade, every south artiste’s dream was to shine in Hindi film industry, because Hindi films meant All India fame and an honour. In this dream many actresses achieved success, but comparatively actors were almost nowhere. The only name perhaps could be taken was that of actor Ranjan and few more. However, Jamuna, Vaijayantimala, Hema malini, Ragini, Padmini, Rekha and many more actresses from South became famous in Hindi films. Likewise when the Tamil and Telugu industry became a big one, many actresses like Khushbu etc from the Hindi land became famous in South films. Somehow males could not achieve this.
One of the major problems for south Indian artistes is the Hindi language. The actresses like Vaijayantimala, Hema Malini and Rekha became experts, but Southern actors could not cross this hurdle. N.T.Ramarao ( 28-5-1923 to 18-1-1996) too tried hard. He featured in 23 Hindi films which were mostly dubbed films barring few. One film Brahmarshi Vishwamitra-1991 was even directed by him. Sivaji Ganeshan (1-10-1927 to 21-7-2001) a winner of the prestigious ” Dadasaheb Phalke Award” in 1996, also featured in 19 Hindi films. Gemini Ganesan-real name R.Ganesan ( 17-11-1920 to 22-3-2005) was actress Rekha’s father. He acted in 24 Hindi films.
Similarly many music directors also had the same desire to shine in Hindi films, but had the same problem of language. One of these MDs was P.Ramesh Naidu who gave music to the Hindi film Piya Milan-1958.
Pasupuleti Ramesh Naidu (Born 18-10-1933,Died 2-9-2005) was born in Kondapalli in Krishna District (Andhra Pradesh). He was so obsessed with music that he ran away and landed in Bombay when he was 14 year old. B R Chopra took him under his wings and Ramesh learnt Instrumentation and orchestration in HMV at Bombay.
He started his music career at the age of 17 years with a Marathi film ” Bhandawal Paahije “-1950, produced, Directed and acted by Kishore Sahu. After a few years he went back to Andhra and got married. He got a son also and then he came to Bombay, on his way to Calcutta. he spent 10 years there giving music to Bangla, Oriya and Nepali films.
He was invited to Madras and he gave music to Amma mata-72. He settled there with his family. He gave music in Tamil, Telugu and Kannada films. He came to Bombay from time to time to give music to Dubbed and Remade films from the South. He also gave music in a few Bhojpuri films. His Hindi films were Hamlet-54, Jay Simha-54, Piya Milan-58, Nartaki Chitra-65, Ganga Bhavani-79, Azaadi ki Oar-86,and Hum bhi kuch kam nahin-1983.
His first south film was Dampatyam-57 and last was Ish Gup chup-1993. He surpassed Salil Chaudhari by giving music in 10 Indian languages( Salil da gave music in 9 . Ramesh Naidu got the National Award for the film ‘Megh Sandesham’.
Naidu left this world on 2-9-2005, at Hyderabad.
PIYA MILAN-1958 was a story of Kings, Queens and the palace matters. The storyline was…
Maharaja Kulasekhara is the king of Kurni Empire. He has a beautiful daughter Vijaya (Vyjayanti mala), who is in love with a young rich boy, Mahinder (Shri Ram).
Maharaja Parakram Bahu of the neighbouring kingdom comes calling and before going back proposes to Vijaya. he is told that she is already engaged and this alliance is not possible.
Parakram goes back enraged. He consults his vazir, Nari and they decide to destroy Kulasekhara.
They tempt Srimantha, the commander of Kulshekar and then attack Kurni, capture the Maharaja and abduct Vijaya.
The kingdom is then given to Shrimantha. Shrimantha and his cronies torture the poor Janata and loot them.
Suddenly, a masked man called PARAMVEER appears from nowhere and protects the oppressed janata. He also punishes the cronies and Looters.
Meanwhile Parakram Bahu decided to marry Vijaya forcibly.
Getting this news, Paramveer attacks Parakram Bahu in the night ,captures him and rescues the princess Vijaya.
Then Param veer leads a mutiny and defeats Srimantha and rescues Maharaja Kulasekhara.
Finally, it is revealed that Param Veer is no one else but Mahinder ,the fiance of Vijaya.
All is well, after this.
Today’s song is sung by Usha Mangeshkar and Om Verma. I do not know anything about this singer and even after my attempts, I failed to get his information from any known source. But it does seem that this was his only song in a Hindi film. The video shows the song shot on Helen and an actor whom I could not recognise. May be he was from the south.
Song- Tilla langdi koyle(Piya Milan)(1958) Singers-Om Verma, Usha Mangeshkar, Lyrics-Hasrat Jaipuri, MD-P Ramesh Naidu
Both
Lyrics
tilla langdi koyle hoye tilla langdi koyle
are chamke mor ban ke bhole man mein naache
ye paayal tori chhun chhun chhunke
humka na bano tum
ho humka na bano tum
are kaise baalma tum
in papaye papaye baaten se bana na kisi ko
in papaye papaye baaton se bana na kisi ko
haay haay
haay haay
haay haay
haan
ghaayal kiya man ko nigaahon ne mil ke
do nigaahon ne mil ke
ghaayal kiya man ko nigaahon ne mil ke
do nigaahon ne mil ke
chup raho tum na jaana aur ko banaana
humen chhod tu sataana
chup raho tum na jaana
aur ko banaana
humen chhod tu sataana
ab dil?? aur na tadpoon
tum mere ho jaao
hum tore ho jaayen
tilla langdi koyle hoye tilla langdi koyle
are chamake mor ban ke tu bhole man me naache
ye paayal tori sun ke
tu bhole man me nache ye paayal tori sun ke
hoy hoy
hoy hoy
hoy hoy
haaye
bhadakti aag hoon main ??
sun bairi aag laga doon
arre haay haay haay haay
bhadkati aag hoon main ??
sun bairi aag laga doon
hoon samandar mein ari dekh main naha loon
haan aag main bujha doon
hoon samandar mein ari dekh main naha loon
ha aag main bujha doon
??
apna tumko dheere dheere tumko haule haule
haan mere nain laage
haan mera dil bhi gaaye
ho mere nain lage
ha mera dil bhi gaaye
aa gaye sama din suhaane dil sitaaron mein jhoome
aa gaye sama din suhaane dil sitaron mein jhoome
Kabhi to haan haan haan kaho na
Posted on: October 6, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4828 | Post No. : | 16607 |
“Son of Sindbad”(1958) was produced by Ram Kamlani and Balwant Bhatt and directed by Nanabhai Bhatt. for NeoLight Films Bombay. This “Kalpnik” movie had Premnath, Jabeen, Bhagwan, Poornima, Nishi, Tiwari, Shammi, Sundar, Kuldeep Kaur, Jagdeesh, Samson, Cuckoo, Ridku, Kriiplani, K Tiwari Saroj, Heera, Fazlu, Saiyyad, Keshav, Abdul, Kenny etc in it.
The movie had eight songs in it. Two songs have been covered in the past.
Here is the third song from “Son of Sindbad”(1958) to appear in the blog. It is sung by Rafi and Geeta Dutt. Prem Dhawan is the lyricist. Music is composed by Chitragupta.
Only the audio of the song is available. The movie had Lata Mangeshkar, Rafi, Mukesh and Geeta Dutt as playback singers so it is difficult to guess about the picturisation of this song. I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Kabhi to haan haan haan kaho na (Son of Sindbad)(1958) Singers-Rafi, Geeta Dutt, Lyrics-Prem Dhawan, MD-Chitraupta
Lyrics
kabhi to haan haan haan kaho na
na na ji na na na meri jaan
kabhi to haan haan haan kaho na
na na ji na na na meri jaan
aise na taalo
main mar jaaunga
milega mar ke bhi chain kahaan
haay
kabhi to haan haan haan kaho na
na na ji na na na meri jaan
jhoothhi hi tasalli sahi
jhoothha hi tu de ja hamen waada
ja ja re deewaane
kyun hai tera gaali khaane ka iraada
arre jhoothhi hi tasalli sahi
jhoothha hi tu de ja hamen waada
ja ja re deewaane
kyun hai tera gaali khaane ka iraada
yoon na jalenge
joote padenge
o yoon na jalenge
joote padenge
to ye bhi sah legne jaane jahaan
kabhi to haan haan haan kaho na
na na ji na na na meri jaan
bade teesmaar khan ho
dekho koi aur darwaaza
tere darwaaze se hi apna to uthhega janaaza
bade teesmaar khan ho
dekho koi aur darwaaza
tere darwaaze se hi apna to uthhega janaaza
chutti to hogi
roti phirogi
chutti to hogi
roti phirogi
jaao ji
marna nahin hai aasaan
kabhi to haan haan haan kaho na
na na ji na na na meri jaan
yoon na thhukraao
na milega koi dilwaala aisa
dhoondhoge chiraag leke
to bhi paaoge na mere jaisa
aah aah aah
yoon na thhukraao
na milega koi dilwaala aisa
dhoondhoge chiraag leke
to bhi paaoge na mere jaisa
tu bemisaal hai
tu bhi kamaal hai
aa ha
tu bemisaal hai
tu bhi kamaal hai
to phir aaj hi kar do haan
kabhi to haan haan haan kaho na
na na ji na na na meri jaan
Main naaheen boloon sajnaa jaa
Posted on: May 21, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4690 | Post No. : | 16374 |
“Maalik”(1958) was produced by Naushad and directed by S M Yusuf for Sunny Art Productions, Bombay. This movie had Suraiyya,Talat Mahmood, Lalita Pawar,Jeevan, Kumar, Paro, Roopmala, Malika, Shalini, Akbar, Kaisar Bai, Radha Kishen, Mukri, Badriprasad, Jagdeep, Prakash, Shahji, Baby Shashi, Master Azaad,Ismayil,Tuntun, Jaago,Maqbool, Siddique, Wasi, Nawab, M Y Shaikh etc in it.
The movie had eight songs in it. Six songs have been covered in the past.
Here is the seventh song from “Maalik”(1958) to appear in the blog. The song is sung by Shamshad Begam and Bande Hasan. Shakeel Badayuni is the lyricist. Music is composed by Ghulam Mohammad.
Only the audio of the song is available. I request our knowleadgeable readers to throw light on the picturisation of the song.
Lyrics of this sing ere sent to me by Prakashchandra.
Song-Main naaheen boloon sajnaa jaa (Maalik)(1958) Singers-Shamshad Begam, Bande Hasan, Lyrics-Shakeel Badayuni, MD-Ghulam Mohammad
Chorus
Lyrics(Provided by Prakashchandra)
teer nazron ke chalaaye
dard dil mein bhar diyaa
mere chhotey se jiyaa ko o
tooney ghaayal
kar r r diyaa
aaa aaa aaa aaa
sajnaa jaa
main naaheen boloon
sajnaa jaa
main naaheen boloon
sajnaa jaa
jeevan bhar na maaf karoongi
teri ye khataa
kyon
jeevan bhar na maaf karoongi ee
teri ye khataa
naaheen boloon sajnaa jaa
main naaheen boloon sajnaa jaa
aaa aaa aaa aaa aaa
meri jaan tum kaho to o o o o o o
chheer kar dil apna dikhlaa aa dein
haan aaan aaan aan
haan aaan aaan aan
agar tum hamse maango
chaand taarey
tod kar laa dein
hhaan aaa aaan aaaan aan aaaan
apni badaayee
apney munh se ae
dilwaaley kab karte hain aen
aeijee dilwaaley kab karte hain
pyaar hai jin kaa sachcha woh to
pyaar hai jin kaa sachcha woh to
chupke hi chupkey ae
marte hain aen aen
aeijee chupke hi chupkey marte hain
aeijee marte hain
koyi na jaaney main pehchaanoon
tere dil mein kyaa
kyaaa
koyi na jaaney main pehchaanoon
tere ae dil mein kyaa
naaheen bolooon sajnaa jaaa
aankh se jaadoo karne waaley
dil mein samaanaa mushqil hai
aeijee dil mein samaanaa mushqil hai
preet lagaanaa aasaan hai
preet lagaanaa aasaan hai
aur preet nibhaanaa mushqil hai ae
aeijee preet nibhaanaa mushqil hai
aeijee mushqil hai
main sab jaanoon dhang tihaarey
baatein na banaa
haayye
main sab jaanoon dhang tihaarey aey ae
baatein naa banaa
naaheen boloon sajnaa jaa
main naaheen boloon sajnaa jaaa
- In: "Aankh" song | Dance song | Devnagri script lyrics by Sudhir | Feelings of heart | Geeta Dutt songs | Guest posts | Lyrics contributed by readers | Post by nahm | Rafi songs | Song sung by three or more singers | Songs of 1950s (1951 to 1960) | Songs of 1958 | Usha Mangeshkar songs | Yearwise breakup of songs
- 1 Comment
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4654 | Post No. : | 16320 |
Geeta Dutt – Solos and Duets (05)
———————————–————–
Geeta Dutt – Solos and Duets (05)
———————————–————–
Among the first few songs, I had selected for posting in this series, is this group song, with folksy tune. The film is ‘Chaalbaaz’ (1958), the music is composed by Chitragupt and lyricist is Prem Dhawan. The title of the film evokes memories of late Sridevi and her double role and the comic act in the film of same title in the year 1989.
The song is a brief one for a group song and the lyrics are very colorful, and not just because of the color-coding. Reminds me of a famous song, a truet of Lata-Rafi-Mukesh, with choruses and Rafi Sahab’s alaaps – “Ramaiyyaa Vastavaiyya“. This is a famous song, and we know all about this one.
Present song is not so famous one, but for all I know it might have been a hit and popular one in 1958. Singers are Geeta Dutt, Mohammed Rafi and Usha Mangeshkar. I found it last year on YouTube and saved it for this series, as it sounded folksy and peppy, with the clap sounds enhancing the enjoyment. Apart from ‘Qawwalis’ and the ‘Tappa’ genre, the folk forms use the clap as a rhythmic addition in the song, which must be enjoyable for those not actually singing or playing music instrument, as they can also participate. Hindi film songs are a dime a dozen for using ‘claps’ in songs.
A few such songs (non-Qawwali) which come to mind :
“Laara Lappa Laara Lappa Laai Rakhda” – from ‘Ek Thi Ladki’ (1949)
“Na munh Chhupa Ke Jiyo” – from ‘Hamraaz’ (1967)
“Is Duniya Mein Jeena Hai To Sun Lo Meri Baat” – from ‘Gumnaam’ (1965)
“Ye Chaand Sa Roshan Chehra” – from ‘Kashmir KI Kali’ (1964)
“Suno Jaana Suno Jaana Mere Pehlu Se Mat Jaana” – from ‘Hum Sab Ustad Hain” (1965)
Also there are many ‘garba’ songs which have women dancing with accompanying hand claps.
I have found a pdf file containing list of all Hindi film songs by Geeta Dutt. But I don’t know a way of sorting data, if it is possible in pdf file. I will try to get it converted in excel, that will make it easy to sort data. For example, we can know how many songs Geeta Dutt sang for Chitragupt in her career.
Atulji is doing a great job of collating information of all Lata mangeshkar’s songs year wise viz-a-viz songs posted in the blog. I can see that a similar collation of data is possible with a list of all songs of Geeta Dutt, with the help of this pdf file.
Okay, I found a way. I searched and found 94 times Chitragupt’s name in the pdf list of Geeta Dutt’s songs. So here goes the stats:
| Sr. no. | Name of singer/s | Total songs with Chitragupt | Songs posted in the blog |
| 1 | Geeta Dutt | 94 | 48 |
| 2 | Geeta Dutt-Rafi | 28* | 19 |
| 3 | Geeta-Rafi-Usha Mangeshkar | 2 | 1 |
*Includes 4 truets, two with Usha Mangeshkar and two with S Balbir.
Done with the stats, so let us move to the song, of which only audio is available.
Song – Hamen Maar Gayi Re Tirchhi Najariyaa Tori (Chaalbaaz) (1958), Singer – Mohammed Rafi, Geeta Dutt, Usha Mangeshkar, Lyrics – Prem Dhawan, MD – Chitragupt
Male Chorus
Female Chorus
Lyrics
tinak tinak dhin
dhinak dhinak dhin
tinak dhinak
taat daat dhin tinak
taat dhin
taat tiba bap
bap brrrrrrrrrrr…
ho ooo oooo
ho ooooo
hoy ye……
ambuwa ki daal pe jhoole pade
arey saawan mein tere sang naina lade
hamen maar gayi re
tirchhi najar tori maar gayi ee eee
hamen maar gayi re ea
tirchhi najar tori maar gayi
kaisi ghadi haay naina lade
dil ko hazaar dukh sehne pade
main to haar gayi re
tose sajan main to haar gayi
ae ji haar gayi re ea
tose sajan main to haar gayi
aisi najar se saiyyan ne dekhaa
nanha sa jiya mora dol gaya
ha aaa aaaaaa
ho ooooo
aaaa aaaa
ho oooo
aisi najar se saiyyan ne dekhaa
nanha sa jiya mora dol gaya
dheere se aa ke
ghoonghat utha ke
nainon ki boli koi bol gayaa
haaye
dekhi sooratiya to reh gaye khade
poonam ki raat jaise chandaa chadhe
hamen maar gayi re
tirchhi najar tori maar gayi haan aan
hamen maar gayi re
tirchhi najar tori maar gayi
dhokha hai pyaar jaane saara zamaana
phir bhi kise na yahaan pyaar huaa
ha oooo oooo
ooo oooo
dhoka hai pyaar jaane saara zamaana
phir bhi kise na yahaan pyaar huaa
kis ka kalejaa hai bolo jahaan se
nazron ka teer nahin paar huaa
haaye
baitthe hain haath haaye
dil pe dhare
aage teri marzi hai jo bhi kare
hamen maar gayi re
tirchhi nazar tori maar gayi
ae ji haar gayi re
tose sajan main to haar gayi
ooo ooooo ooo
ooooooo
ae ji to haar gayi re
ooooooo
tose sajan main to haar gayi
oooo ooooooo
ae ji haar gayi re
ooooooo
tose sajan main to haar gayi
ae ji haar gayi re
tose sajan main to haar gayi
————————————————————
Hindi Script Lyrics (Provided by Sudhir)
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तिनक तिनक धिन
धिनक धिनक धिन
तिनक धिनक
तात धिन
तात तिबा
बप बर्रर्रर्रर्रर्र॰ ॰ ॰
हो ओ ओ ओ ओ
हो ओ ओ
होय
अम्बुवा की दाल पे झूले पड़े
अरे सावन में तेरे संग नैना लड़े
हमें मार गई रे
तिरछी नजर तोरी मार गई॰॰ई॰॰ई
हमें मार गई रे
तिरछी नजर तोरी मार गई
कैसी घड़ी हाय नैना लड़े
दिल को हज़ार दुख सहने पड़े
मैं तो हार गई रे
तोसे साजन मैं तो हार गई रे
ए जी हार गई रे
तोसे साजन मैं तो हार गई रे
ऐसी नजर से सैंयां ने देखा
नन्हा सा जिया मोरा डोल गया
हा आ आ
हो ओ
आ आ
हो ओ
ऐसी नजर से सैंयां ने देखा
नन्हा सा जिया मोरा डोल गया
धीरे से आ के
घूँघट उठा के
नैनों की बोली कोई बो गया
हाए
देखि सुरतिया तो रह गए खड़े
पूनम की रात जैसे चंदा चढ़े
हमें मार गई रे
तिरछी नजर तोरी मार गई हाँ हाँ
हमें मार गई रे
तिरछी नजर तोरी मार गई
धोखा है प्यार जाने सारा ज़माना
फिर भी किसे ना यहाँ प्यार हुआ
हा ओ ओ
ओ ओ
धोखा है प्यार जाने सारा ज़माना
फिर भी किसे ना यहाँ प्यार हुआ
किसका कलेजा है बोलो जहां से
नज़रों का तीर नहीं पार हुआ
हाए
बैठे हैं हाथ हाय दिल पे धरे
आगे तेरी मर्ज़ी है जो भी करे
हमें मार गई रे
तिरछी नजर तोरी मार गई रे
ए जी हार गई रे
तोसे सजन मैं तो हार गई रे
ओ ओ ओ
ओ
ए जी हार गई रे
ओ
तोसे सजन मैं तो हार गई रे
ओ
ए जी हार गई रे
ओ
तोसे सजन मैं तो हार गई रे
ए जी हार गई रे
तोसे सजन मैं तो हार गई रे
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4647 | Post No. : | 16310 |
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Rafi Sahab’s Legendary Associations – 4
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Chaudhvin ka chaand ho
Ya aaftaab ho….
Jo bhi ho tum khudaa ki qasam
Lajawaab ho…oo….ooo
This time it is the turn of Music director who is known as the creator of iconic songs, popularly known as Ravi. His association with Rafi sahab begins in 1956-57 with the first film “Ek Saal” with 2 solo songs written by Prem Dhawan. Many of these iconic songs composed by Ravi were sung by Rafi sahab in this long association which ended only with the demise of Rafi Sahab in 1980. I counted 251 songs composed by Ravi in the excel sheet of Rafi sahab songs. Around 200 of these songs are upto late 60’s. In the 70’s Rafi sahab’s output has as it is decreased so it is not surprising that the 70’s decade there are less than 50 songs by the team of Mohammed Rafi-Ravi, with various lyricists.
Starting from 1957, there are around 50 songs upto 1960. So the 60’s decade is the most productive one with around 150 songs. This, despite Ravi being at the peak of his career working extensively with the B.R. Chopra camp. There are clear indications that Ravi preferred to have Rafi sahab sing his songs whenever he was working outside the BR camp, when he had Mahendra Kapoor sing most of his songs.
The very summit of this association is the legendary solo of Chaudhvin ka chaand(1960). The film has 5 Rafi solo numbers, all of them popular songs, all the places that I saw. But the excel sheet is listing one additional song with the words “yehan ke dost ba-wafa”, so there is a possibility of a small snippet of rendition of some poetry maybe lying hidden in the movie. The story really does take off from here with 7 songs in ‘Tu nahin aur Sahi’ (1960). Then comes the sonorous Husn waale tera jawaab nahin in Gharana (1961). With 6 songs in “China Town” 1962, Rafi has become the only male singer for Ravi in all ‘AA’ and ‘AB’ grade movies which had ‘AAA’ grade music. Rafi sahab went on to croon these outstanding solos/duet for Sunil Dutt in the film “Aaj aur kal” (1963) composed by Ravi:
| mujhe gale se lagaa lo bahut udaas hoon main |
| Ye aadiyaan ye fizaayen bulaa rahi hain tumhen |
| itni haseen itni jaaan raat kya karen |
In 1963 Ravi had Rafi sahab sing 5 songs each in Bharosa, Pyar ka Bandhan and Grihasti, on Mehmood, Guru Dutt, Raj Kumar Johnny Walker and Manoj Kumar. It is most likely that there were no other male playback singers in the credits of these movies too. This is apart from the 7 songs including 4 solos in ‘Pyar Kiya to Darna kya” for Aagha and Shammi Kapoor. 1963 also saw the song Sau baar janam lenge in the film “Ustadon ke Ustaad”.
Here is a list of 4 of the popular and unique, of the 7 Rafi songs in the film “Door ki Aawaaz”:
| Song | Singers |
|---|---|
| Ham bhi agar bachche hote | Mohd Rafi, Manna Dey, Asha Bhonsle |
| Husn se chaand bhi sharmaayaa hai | Mohd Rafi |
| Kyaa yoonhi rooth ke jaane ko muhabbat ki thhi | Mohd Rafi |
| Muqaddar aazmaanaa chaahtaa hoon | Mohd Rafi |
Shakeel Badayuni seems to have formed a newer equation with Ravi post “Chaudhvi ka Chaand” going by the no. of films I am finding in the Rafi list where they worked together.
Rafi-Ravi combination moved on to Shehnai in 1964 with 4 solos and 1 duet, in a Rafi-Asha score, with one melodious solo for Asha Is tarah todaa mera dil .
“Khandaan” 1965 again was again an all-Rafi score with 6 songs, 7th being the iconic Lata solo Tumhi mere mandir tumhi meri poojaa tumhi devtaa ho .
I simply must list the iconic solos by Rafi sahab in Do Badan(1966):
| Song | Singers |
|---|---|
| Bhari duniyaa mein aakhir dil ko samjhaane kahaan jaayen | Mohd Rafi |
| Is Jahan Se (Verse) | Mohd Rafi |
| Naseeb mein jiske jo likhaa thaa | Mohd Rafi |
| Rahaa gardishon mein hardam | Mohd Rafi |
There is a bonus in this film also with additional verse “is jahan se’, we can look forward to finding and enjoying.
In 1967, there were ‘Meherbaan’ and “Nai Roshni” followed with “Do Kaliyan” and ‘Neel Kamal’ in 1968. Do I really need to list the songs of ‘Neel Kamal”? I dont think so. “Neel Kamal” atleast had a Manna Dey song on Mehmood Khaali dabba khaali bottle lele mere yaar .
This is 1969 and Ek phool do mali:
| Song | Singers |
|---|---|
| Aulaad waalon phoolo phalo | Mohd Rafi, Asha Bhonsle |
| Chal chal re naujawaan-parody song | Mohd Rafi, Asha Bhonsle |
| O nanhe se farishte | Mohd Rafi |
| Ye parda hata do | Mohd Rafi, Asha Bhonsle |
They reach early 70’s to create these two meaningful songs:
| Song | Movie (year) | Singers | MD | Lyricist |
|---|---|---|---|---|
| Mujhe ishq hai tujhi se meri jaan e zindagaani | Ummeed(1971) | Mohd Rafi | Ravi | Shakeel Badayuni |
| Mere Dost Tujhe Tera Meet Mubarak | Dhadkan(1972) | Mohd Rafi | Ravi | Ravi & Ali |
We must go back to the early years of Rafi-Ravi association to reach “Mehendi’ 1958. This is a recital by Rafi sahab of a poetry titled ‘Baazaar-e-husn’ by Kaamil Rashid. Ajit is reciting this nazm in the movie on a Kotha, presumably of Umrao Jaan. This movie Mahendi 1958 was based on a novel “Umrao Jaan Ada” (1904) authored by Mirza Hadi Ruswa. The other two movies named “Umrao Jaan’ were based on the same novel. This is an affirmation of the feeling I had, that it must be based on a novel, while watching ‘Umrao Jaan’ 1981.
This recital is another great rendition, without music, reminding me of the rendition of Unhen qissa e gham jo likhne ko baithhe in ‘Naya Qanoon’(1965) and Kya gham jo andheri hain raaten in ‘Barsaat ki raat’ (1960).
In the movie, this recital happens, then the reply by ‘Umrao Jaan’ in Lata Mangehskar’s voice is posted here bhari mehfil hai ye afsaana nahin. The recital on screen is by an actor named Jayshree, whose identity is not clear. I have seen the posted songs of the film to find if this is the veteran Marathi film actress Jayshree Gadkar. The film’s poster by SaReGaMa has Jayshree Gadkar on it. She has been seen in a few hindi films in later years like “Bahaaron ke Sapne’1967. But there is a question mark if it is the same actor in Mehendi(1958). The cast of the film is Jayashree, Ajit, Veena, Kumar, Baalam, Mirza Musharraf, Lalita Pawar, Baby Devika, Adib, Ismail, Prakash, Jago, Maqbool, Krishnakant, Munshi Munakka, Hamid – I, Dinanath, Anwari Bai, Qaisarbai, & Mumtaz Begum.
These four songs of the film are posted in the blog:
| Song | Date of posting |
|---|---|
| Apne kiye pe koyi pashemaan ho gayaa | 21 december 2009 |
| Bedard zamaana tera dushman hai | 26 december 2009 |
| Pyaar ki duniya lutegi hamen maaloom na thhaa | 11 may 2012 |
| Bhari mehfil hai ye afsaana nahin | 22 may 2012 |
I had come accross long-time back and all these years I was under the impression that there is this song by Rafi, a recital filmed on Ajit, and it is already posted. Then last month I found this song and saved the link for having it in this series, as it was not posted. For last two weeks, I have not worked on any posts, but it was there on the back of the mind, that some of these wonderful songs are saved in my drafts and I need to get on with it. Finally, yesterday I opened the laptop, with this very song on the mind, and lo, there it was in one of the comments that the recital is not posted.
The question/grievance/complaint is here now, the answer to it was here already.
Editor’s note:-This song is the 500th song from movies of 1958 to appear in the blog.
Video :
Audio version:
Song-Wo aaj apni mehfil mein aaye huye hain (Mehndi)(1958) Singer-Mohammed Rafi, Lyrics-Kamil Rashid, MD-Ravi
Lyrics
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Audio version:
———————–
Wo aaj apni mehfil mein
aaye huye hain
wo aaj apni mehfil mein
aaye huye hain en
jo kothhon ki raunaq
badhaaye huye hain
jo kothhon ki raunaq
badhaaye huye hain
jo dukaan apni ee
sajaaye huyehain ean
gali aur kooche
basaaye huee hain en
wo aaj apni mehfil mein
aaye huye hain
woh ghunghroo ki paayal ki jhankaar le kar
kuchh inkaar le kar
kuchh iqraar le kar
woh ghunghroo ki paayal ki jhankaar le kar
kuchh inkaar le kar
kuchh iqraar le kar
zara saudebaazi ki
takraar le kar
nigaahon mein bijli
chhupaaye huye hain
wo aaj apni mehfil mein aaye huye hain
hai apnaa banaane ke andaaz saare
ye gesu ye chitwan
adaayen ishaare
hai apnaa banaane ke andaaz saare
ye gesu ye chitwan
adaayen ishaare
milaa jo bhi uss se
kaha hain tumhaare
arey yeh dhokaa hai jo
ham bhi khaaye huye hain
wo aaj apni mehfil mein aaye huye hain
ye kothhon ki mallika
yeh koochon ki raani
ye bazaar ke manchalon ki jawaani
ye kothhon ki mallika
yeh koochon ki raani
ye bazaar ke manchalon ki jawaani
yeh aashiq mizaajon ki
rangeen kahaani
arey sitam saari duniya pe
dhaaye huye hain
wo aaj apni mehfil mein aaye huye hain
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Video version:
—————————————-
wo aaj apni mehfil mein
aaye huye hain
wo aaj apni mehfil mein
aaye huye hain aen
Jo kothhon ki raunaq
badhaaye huye hain
jo kothhon ki raunaq
wah wah wah wah wah wah
badhaaye huye hain
jo dukaan apni ee
sajaaye huye hain aen
gali aur kooche
basaaye huye hain aen
aay haay
wo aaj apni mehfil mein
aaye huye hain
arey gali aur kooche basaaye huye hain
wallah kya keh diya ….
wah wah wah
woh ghunghroo ki paayal ki jhankaar le kar
kuchh inkaar le kar
kuchh iqraar le kar
zara saudebaazi ki takraar le kar
nigaahon mein bijli
chhupaaye huye hain
aay haay
wah wah wah
wo aaj apni mehfil mein aaye huye hain
wah wah wah
hai apnaa banaane ke andaaz saare
ye gesu ye chitwan
adaayen ishaare
aa haa haa haa
adaayen ishaare
milaa jo bhi uss se
kaha hain tumhaare
arey yeh dhokaa hai jo
ham bhi khaaye huye hain
wah wah wah
wo aaj apni mehfil mein aaye huye hain
wah wah wah
ye kothhon ki mallika
yeh koochon ki raani
ye bazaar ki manchalon ki jawaani
ye bazaar ki manchalon ki jawaani
aaye haaye
ye kothhon ki mallika
yeh koochon ki raani
ye bazaar ki manchalon ki jawaani
yeh aashiq mizaajon ki
rangeen kahaani
arey sitam saari duniya pe
dhaaye huye hain
wo aaj apni mehfil mein aaye huye hain
wah wah wah
wah wah wah
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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