Posts Tagged ‘1958’
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4975 | Post No. : | 16850 |
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Blog 10-Year Challenge (2012-2022) – Song No. 24
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This date ten year ago (viz 2 March 2012) was a “normal”day for the blog by the standards of those days. Six songs from six different movies were covered on that day in chronological order. Here are the details:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 5558 | Ye pyaari pyaari paati | Janmbhoomi(1936) | 2 songs covered in the blog out of 10 |
| 5559 | Dil ko lagaa ke hamne kuchh bhi na paaya | Anokhi Ada (1948) | Movie YIPPEED by now |
| 5560 | Chandrma madbhara | Patrani(1956) | Movie YIPPEED by now |
| 5561 | Jogiya aa aa | Khota Paisa(1958) | 6 songs covered out of 7 |
| 5562 | Chal chal re naujawaan – parody song | Ek Phool Do Maali(1969) | Movie YIPPEED by now |
| 5563 | Khush rahe tu sada ye duaa hai meri | Khilona (1970) | Movie YIPPEED by now |
We can notice that four movies out of six whose songs were discussed ten years ago on this date have since been YIPPEED. Taht leaves us with two movies that are eligible for blog Ten year challenge today (2 March 2022).
“Khota Paisa”(1958) is one of the eligible movies.
“Khota Paisa”(1958) was produced and directed by M Sadiq for Sadi productions private limited, Bombay. The movie had Shyama, Johny Walker, Veena, Jeevan, S.N. Bannerji, Dhumal, Ansari, Amir Banoo, Indira Bansal, Rajan Haskar aka Haksar, Sagar, Munshi Munakka, Keshav Rana, Kathana, Cuckoo, Soofi, Rafi, Balaram, Suresh Kumar, Jeewan Kala etc in it.
The movie had seven songs in it. Six songs have been covered so far. Here are the details of the songs that have appeared in the blog till now:-
| Blog post number | Song | Date of post | Singer(s) |
|---|---|---|---|
| 1541 | Adaayen jab hon latkedaar | 1 July 2009 | Rafi, Asha Bhonsle |
| 5561 | Jogiya aa aa | 2 March 2012 | Asha Bhonsle |
| 5973 | Haseenon sambhaalo apni ye duniya | 18 May 2012 | Rafi |
| 13427 | Dil hasraton se lagaana koi ham se seekh le | 14 July 2017 | Rafi, Shamshad Begam |
| 15473 | Nainon mein rang ho dil mein umang ho | 10 March 2020 | Asha Bhonsle |
| 16659 | Ye zaalim nigaahon ki ghaat | 14 November 2021 | Asha Bhonsle |
As Blog ten year challenge, here is the seventh and final song from “Khota Paisa”(1958) to appear in the blog. This song is sung by Asha Bhonsle. Rajinder Krishan is the lyricist. Music is composed by Madan Mohan.
The song is picturised as a club dance song on Jeewankala. Johny Walker and N A Ansari are also seen in the picturisation.
Lyrics of the song were sent to me by Prakashchandra.
With this song, all the songs of “Khota Paisa”(1958) are covered in the blog. The movie thus joins the list of movies that have been YIPPEED in the blog.
Audio link:
video link:
Song-O o jaan e jaan ik muddat ke baad yahaan (Khota Paisa)(1958) Singer-Asha Bhnsle, Lyrics-Rajinder Krishan, MD-Madan Mohan
Lyrics(Provided by Prakashchandra)
o o
jaan-e-jaan
ik muddat ke baad yahaan
aa to gaye ho
magar kaho jee
itne din tum rahey kahaan aan
o o
jaan-e-jaan
ik muddat ke baad yahaan
aa to gaye ho
magar kaho jee
itne din tum rahey kahaan aan
o o
jaan-e-jaan
kuchch milne ki khushi bhi hai ae
o ho
kuchch na milne ka gham
dekh rahe thhe kab se pyaarey
raah tumhaari hum
aaj tumhe hum dikhlaayenge
apne dil ke sab armaan aan
o o
jaan-e-jaan
ik muddat ke baad yahaan
aa to gaye ho
magar kaho jee
itne din tum rahey kahaan aan
o o
jaan-e-jaan
dekh tumhein yoon umeed huyee
aa haa aa
ke/ki milegi ab manzil
varnaa pyaar ki raahon mein thhi
mushkil hi mushkil
kadam kadam par dekhein hamne
yahaan maut ke hi saamaan aan
o o
jaan-e-jaan
ik muddat ke baad yahaan
aa to gaye ho
magar kaho jee
itne din tum rahey kahaan aan
o o
jaan-e-jaan
aayaa hai to kuchch keh ley ae
o ho
kuchch sun bhi ley sanam
kare ye jaati raat ishaarey
bichhad na jaayein hum
aur kahoon kyaa
khushi ke maarey
chup hai pyaar ki aaj zubaan
o o
jaan-e-jaan
ik muddat ke baad yahaan
aa to gaye ho
magar kaho jee
itne din tum rahey kahaan aan
o o
jaan-e-jaan
Diya bujhaao jhatpat jhatpat
Posted on: February 7, 2022
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4952 | Post No. : | 16818 |
Today’s song is a special one. It is from the film Taxi 555-1958. The film was released on 30-11-1958 at Super Cinema in Bombay. Why I call this song a Special song is, because this song ( Diya bujhaao, jhatpat jhatpat ) is a parody of K L Saigal’s well known song ” Diya Jalaao, jagmag jagmag” from the film Tansen -1943. Of course the Parody stops only at the Mukhada of the song. The style or the tune of the rest of the song is entirely different, nevertheless the mukhada, being famous, undoubtedly reminds us of Saigal’s song.
Fil Taxi 555-1958 was a Murder Mystery, though HFGK calls it a Social film. Although the 50’s decade was the peak of the Golden period of HFM, in terms of Melody, Content, Tune and Rendition, the type of films slowly changed to Crime, Murder mysteries and Detective stories, towards the end of the decade, The 60’s decade was full of such films. However films like Agra Road,, Aparadhi Kaun, Begunah, Nau do gyarah and Ustad (5 films) in 1957 and 10 O’Clock, 12 O’Clock, Detective, Howrah Bridge, Kala Pani, Mujrim, Phir subah Hogi, Post box 999, Solva saal, Taxi 555 (10 films) in 1958 were indicators of the dominant film genres of the coming times.
Film Taxi 555, a Murder mystery filmwas made by Golden Movies- owned by producer Mulkraj Bhakri and directed by his brotherLekhraj Bhakri. All the 8 songs of the film were written by Prem Dhawan and the Music Director was Sardar Malik, assisted ably by arranger Sebastian D’Souza.
As the name suggests, Sebastian was from Goa. A typical Goan likes to live life-“Sushegaat”- which loosely means “Araam se” or a carefree life. Their philosophy is Eat, Drink and be Merry. This Merry part included Music. Goa has given many musicians to India. Lata/Asha are from Mangeshi-Goa, though the family had shifted to Kolhapur, Music Directors Dattaram(Wadkar) and N.Datta(Datta Naik), Singers Kishori Amonkar, Kesarbai Kerkar, Shobha Mudgal, Hema Sardesai, Prabhakar Karekar, Remo fernandes, Lorna are from Goa.(The list is only indicative, not exhaustive).
Anthony Gonsalves was from Majorda-Goa. He worked for Naushad, O P Nayyar and Laxmikant Pyarelal (‘My name is Anthony Gonsalves’ song is a tribute by Laxmikant Pyarelal to him, as he taught Pyarelal so many things including Notations.)
Chick Chocolate aka Anthony Vaz from Aldona-Goa—he worked for C.Ramchandra mainly.
Chris Perry worked for Khayyam,R D Burman,Kalyanji Anandji, and Laxmikant Pyarelal.
Frank Fernando- worked with Anil Biswas, Kishore Kumar, Roshan and C.Ramchandra.
Sebastian D’Souza from Bicholim-Goa—worked for Shanker Jaikishen from 1952 to 1975 and also with O P Nayyar. Incidentally, he is the one Arranger who worked with a maximum number of different Music Directors,irrespective whether they were small, medium or big ones, new or old ones.
Most of the players of western instruments in the Orchestras were from Goa. Only some are mentioned.
Sebastian D’Souza was one of the most reputed arrangers in Bollywood, who did his best-known work with the duo of Shankar-Jaikishan between 1952 and 1975. His first break was with O. P. Nayyar. The first tune he arranged was “Pritam aan milo”, which was sung by C. H. Atma in 1955. He devised a system of notation that incorporated the microtones that characterised Indian melodies.
Sebastian was born on 29 January 1906 in Reis-Magos, Goa. He learnt to play the violin and piano in a local church school. While learning these instruments, he also learnt to write music notation. It was during this time that he listened to the famous symphonies of well-known composers of the western world, namely, Beethoven, Mozart, Schubert, Tchaikovsky, Haydon and Richard Wagner. Deeply interested in violin and piano, Sebastian continued his learning and went to places like Allahabad, Mussorie and Delhi. At Delhi, in Hotel Astoria, he started his own band and people appreciated it. In 1942, he went to Lahore, and in Hotel Stiffels, he started his own band. This continued until 1947. After partition, he went to Bombay and started his career as a violinist in the film industry. He played for well-known music directors like Anil Biswas, Naushad, Vinod, Ghulam Haider, Husnlal-Bhagatram, S. D. Burman, Sajjad Hussain and Shanker-Jaikishan.
He started his career as a Music Arranger in 1948-49 with O. P. Nayyar when Nayyar recorded his first song “Preetam aan milo…..” sung by C. H. Atma and written by Mrs. Saroj Mohini Nayyar (O. P. Nayyar’s wife) . After three years, Nayyar signed his first film, Dalsukh Pancholi’s “Aasmaan”, as an independent music director. At that time he called Sebastian to work as his Arranger. Sebastian, thus, started his career as an arranger with O. P. Nayyar in 1952 which he continued till 1973. The last film for which he worked with O. P. Nayyar was ‘Pran Jaye Par Vachan Na Jaye’. Incidentally this was also the last film of singer Asha Bhosale with Nayyar.
In 1952, Sebastian’s friend Sunny Castellino, who worked as an arranger for Shanker-Jaikishan, introduced Sebastian to the duo. So Sebastian started as Shanker-Jaikishan’s arranger from 1952 with Amiya Chakravarty’s Daag, and continued until 1975. Film Sanyasi was Sebastian’s last film with them.
In film Daag as an arranger, Sebastian’s most successful innovative work was the creation of a memorable counter-melody for a song sung by both Talat Mehmood and Lata Mangeshker –‘Ai mere dil kahin aur chal…..’. According to Sebastian, in this song he used the accordion for creating counter-melody along with violin and mandolin. And the result was excellent. Sebastian used accordion for interlude music in a number of songs but its use as the main instrument for counter-melody was rare.
Shankar-Jaikishan being lovers of Indian Classical Music, composed a LP record titled Raga Jazz Style in which they presented 11 Raga in Jazz style. Sebastian arranged the music and wrote the notations. Sebastian also worked for great music directors like Salil Chowdhury, Vasant Desai, S. D. Burman, Madan Mohan, Roshan, Dattaram and N. Dutta. Sebastian occasionally worked for Vinod, Sardar Malik, S.Mohinder, Kalyanji Veerji Shah, Kanu Ghosh, Iqbal Qureshi, Prem Dhawan, Shyamji Ghanashyamji and Nitin Mangesh as well. And he never forgot to express his gratitude towards renowned musicians such as Robert Correa and Mike Machado (the Pianists), Albuquerque, Verga, Simplicio D’Souza and John Gonsalves (the Cellists), V Balsara and Goody Seervai (the Accordionists), Duorado, Narvekar and Karnad (the solo Violinists) and David (the Mandolin player). He would also fondly recall his contemporary music arrangers such as Johny Gomes, Castellino, Chic Chocolate, Ram Singh, Rizbert and Franky.
When he died, on 9-3-1998, in his own Bungalow- “Seb-Maria “, he instructed that no money to be spent on his funeral and all that was saved should go to charity; such is the modesty of greats. Sebastian left behind a rich musical legacy which will live into generations after his time.
Sebastian’s remarkable contribution was his ability to combine Western orchestra with the Indian. His are the songs which we remember even today due to the richness of his musical arrangements and the variations in his melodies. Sebastian was a complete musician. His music lovers will remember his music for years to come. (Thanks to an article by Dr. Padmanabh Joshi. Parts of his article have been used here with adaptations,along with an article from the book ‘Rahe na rahe hum’ by Shantaram Mankikar and my notes.)
The film’s director was Lekhraj Bhakri. Let us know more about Lekhraj through an interesting incident in the life of a well known artiste…
An youngster, like millions of displaced Punjabis ,crossed over to India in 1947 from Abbottabad ( Now Pakistan), when the Indian subcontinent was divided. He and his family, like hundreds of other refugee families from Punjab, were given shelter in Kingsway camp located in north Delhi.
It was by chance that the youngster named Hari Kishan Goswami met his distant cousin Lekh Raj Bhakri, a filmmaker, who was on a visit to Delhi. The well experienced movie maker was impressed with the personality of the lanky handsome man & inquired from him if he is interested in being an actor. The young lad, who was a fan of Dilip Kumar , readily agreed & reached Bombay. Those days Bhakri Sahab was making a film Fashion-1957, with his favourite actor Pradeep Kumar ,Mala Sinha,Chandra Shekhar,Jabeen & Kammo & the shooting was in progress . Mr Goswami was told to be in the studio , to get himself acquainted with the nitty gritty of the film making .
So Goswami started working as an assistant to director Lekhraj Bhakri- for the film Fashion-57. There was a song in the film, in the voice of Hemant Kumar, to be shot on a Beggar on the screen. On the day of shooting, the actor who was supposed to do the role of the beggar and sing this song, did not come. Lekhraj Bhakri caught Hari kishen Goswami, put on the make up of the bearded beggar and made him sing this song on camera. Thus the debut of Goswami took place with Hemant Kumar’s song !
No one from the audience could ever imagine that the person with dishevelled hairs, having a big beard , and with a song on his lips is a handsome young man of 19 years . The movie was ‘Fashion’, released in 1957 & the song was , Composed & crooned by Hemant Kumar . It was the young man’s first exposure before camera. The song was to chide a wayward hero (Pradeep Kumar),who has left his wife (Mala Sinha),for another woman (Kammo) having ill intentions.The song was “ Dharti ki godh mein…” After Fashion ,Bhakri Sahab made Sahara in 58 ,with M Rajan & Meena Kumari & Hari Kishan Goswami ( who now wanted to be called as Manoj Kumar, the name Dilip Kumar had in a film), was given a substantial role . Bhakri Sahab, true to his words, took on Manoj Kumar in his subsequent movies Panchayat, Chand & Honeymoon (1960).
Lekh Raj Bhakri , directed his first film Rajpoot-51 and thereafter he regularly directed movies ,like Resham,Thokar,Dak Babu etc within a modest budget . He directed about Twenty movies during 1950 to 1962. He made most of his movies under the banner Tasviristan ,owned by Kuldip Sehgal and his sibling Mulkh Raj Bhakri’s Golden movies . Mulkh Raj Bhakri ,besides being a producer of Hindi/Punjabi movies ,was also a writer & lyricist . He wrote the famous song ‘Haye Chanda Gaye Pardes’ for Chakori, which is still appreciated by connoisseurs of film music. Mulkh Raj Bhakri also made Bhangra ,a super hit musical in Punjabi ,which had Sunder & Nishi in lead roles.
Mr Lekh Raj Bhakri made many family oriented movies ,like Maa Beta, Tange Wali ,Naya Zamana,HoneyMoon etc. At the same time ,he had no problems directing films of other genres for those who wanted to watch fantasy & Arabian Nights movies. For them he made Naqab, Alladin Laila & Nag Padmini . Later,he made a musical Muslim social ‘Shama’ ,which had Suraiyya & Nimmi & music was composed by Ghulam Mohammad.
Lekh Raj Bhakri ,beside Manoj Kumar, introduced music directors Kanu Ghosh with his film Naya Zamaana (1957 ) & Iqbal Qureishi with Panchayat (1958 ). He also introduced actor Vijay Dutt with Shama. Mr Bhakri hung his boots after Banarsi Thug ,a hugely entertaining movie ,released in 1962. He did not further attempt to make movies , as after the arrival of colour ,the budget of Hindi movies was increased many fold & now it was a risky business. It did not suit the temperament of a simple soul like Bhakri Saheb . Mr Bhakri,who did not believe in showing off ,always kept a low profile despite being a successful director , bade adieu to show business . Much later, he passed away on 03 March 1976 at the age of sixty years. It was a matter of time ,when the era of principled film makers ,who made purposeful movies with message , came to an end & proposal makers having no regards for ethical values arrived with the sole aim of earning money .( adapted from the article by shri M.N.Sardana ji, with thanks. )
Today’s song is an interesting one with entertaining Lyrics. This is the 3rd song of the film on this Blog – all duets of S. Balbir
Song- Diya bujhaao jhatpat jhatpat (Taxi 555) (1958) Singers- Rafi, Balbir, Lyricist- Prem Dhawan, MD- Sardar Malik (assistant / arranger Sebastian)
Lyrics
Diya bujhaao jhatpat jhatpat
Diya bujhaao jhatpat jhatpat
Diya bujhaao
sone waale sun re
tere aangan mein murga boley
(kukdoo koon koon
kukdoo koon koon)
tere aangan mein murga boley
kaahe na ankhiyaan kholey
diya bujhaa
diya bujhaa
diya bujhaa
jhatpat jhatpat
diya bujhaao
jhatpat jhatpat
diya bujhaao
keh gaye kehne waale
kya ustaad jee
suno beta
uthh jaag musaafir
bhor bhayi
ab rain kahaan jo sowat hai
jo jaagat hai so paawat hai
jo sowat hai so khowat hai
soch zara
soch zara
soch zara
diya bujhaao
jhatpat jhatpat
diya bujhaao
meethhe sur mein kaaga gaaye
sone mein kyun waqt ganwaaye
kaam bina kya kaam jagat mein
kaam se milte daam jagat mein
daam se milta naa aam
daam se milta naam jagat mein
naam kamaa
naam kamaa
naam kamaa
diya bujhaao
jhatpat jhatpat
diya bujhaao
jhatpat jhatpat
diya bujhaao
jaldi karo beta
khul gaye nalke aa gaya paani
thhumak thhumak chali Raadhe Raani
paniya bharan main to chali jaat hoon
sar par bhaari prem ka matka
laage kamar mein sau sau jhatka
jhatka
jhatka
jhatka
jhatka
sar par bhaari prem ka matka
laage kamar mein sau sau jhatka
phir bhi meethhe geet gaat hoon
sur mein to gaao
sur mein to gaao
sur mein to gaao
sur mein to gaao
Aaiye janaab baithhiye janaab
Posted on: February 5, 2022
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4950 | Post No. : | 16812 |
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Blog 10-Year Challenge (2012-2022) – Song No. 14
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This day ten years ago (viz February 2012) was a “normal” day for the blog. As many as seven songs from seven different movies were discussed in the blog on that day.
Here are the details of the songs covered in the blog ten years ago:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 5394 | Jhummak jhummak chal mere haathi | Poonam (1952) | Movie YIPPEED by now |
| 5395 | Dard e jigar thahar zara | Aurat(1953) | Movie YIPPEED by now |
| 5396 | Mohabbat ki raahon mein chalna sambhal ke | Udan Khatola (1955) | Movie YIPPEED by now |
| 5397 | Jaaye na pakad kahin roz roz ki chori | Mujrim(1958) | Movie YIPPEED by now |
| 5398 | Tera teer o be peer dil ke aaram paar hai | Sharaarat(1959) | Movie YIPPEED by now |
| 5399 | Sab pyaar ki baaten karte hain | Matlabi Duniya(1961) | 4 songs covered out of 12 so far |
| 5400 | Tu hai mera yaar aur main hoon tera yaar | Milan(1958) | 5 songs covered out of 8 |
We notice that five movies whose songs were covered have since been YIPPEED in the blog. The last two movies whose songs were covered on that day are the only two movies that are still eligible for blog ten year challenge today.
The final songs of the movie was a special song with a special writeup. That song was song post number 5400 of the blog. That song was picturised on a kid and a dog, and I had taken this opportunity to discuss my pet dogs, that were then just over one year old. One of those dogs is still with me.
Today, ten year later, here is another song from “Milan”(1958). Unlike the “Milan”(1958) song covered in the blog ten years ago, the song being discussed today is a rare song. This song is sung by Geeta Dutt. P L Santoshi is the lyricist. Music is composed by Hansraj Bahl.
Only the audio of the song is available. I reuest our knowledeable readers to throw light on the picturisation of the song.
Lyrics of the song were sent to me by Prakashchandra.
Song-Aaiye janaab baithhiye janaab (Milan)(1958) Singer-Geeta Dutt, Lyrics-P L Santoshi, MD-Hansraj Bahl
Lyrics (Provided by Prakashchandra)
aayiye janaab
baithhiye janaab
aayiye janaab
baithiye janaab
meri ek baat kaa deejiye jawaab
aayiye janaab
baithhiye janaab
meri ek baat kaa deejiye jawaab/em>
roz jaisee raa..aaaat hai
ho o aisi kyaa baat hai
roz jaisee raaat hai
ho o aisi kyaa baat hai
dekhti hoon main jahaan
falak nayee nayee wahaan
aa gayaa hai chaand jaisey chhod ke ye aasmaan
is jahaan..aan..aaan
is maqaam
mere saamney aey ae ae ae yahaan
samjhoon isko sach
yaa samjhoon isko khwaab
samjhoon isko sach
yaa samjhoon isko khwaa..aaab
mere ek baat kaa deejiye jawaab
aayiye janaab
baithhiye janaab
meri ek baat kaa deejiye jawaab
aayiye janaab
baithhiye janaab
meri ek baat kaa deejiye jawaab
aise kya qasoor thhe
jo aap door door thhe
aise kya qasoor thhe
jo aap door door thhe
sochti hoon chup rahoon
kahoon kahoon yaa naa kahoon
aisa mauqaa baar baar aayegaa kahaan
bhool(?) kar
hai jidhar (?)
aur pyaar kee daastaan
isko samjhoon sach
yaa isko samjhoon khwaa..aab
isko samjhoon sach
yaa isko samjhoon khwaab
meri ek baat kaa deejiye jawaab
aayiye janaab
baithhiye janaab
meri ek baat kaa deejiye jawaab
aayiye janaab
baithhiye janaab
meri ek baat kaa deejiye jawaab
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4937 | Post No. : | 16786 |
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Blog 10-Year Challenge (2012-2022) – Song No. 12
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This day ten years ago, viz 23 January 2012 saw three songs being covered in the blog. Here are the details:-
| Blog Post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 5334 | Ham aapko hi chaahen | Parda(1949) | 6 songs covered out of 13 |
| 5335 | Taana der taana jee gaaye dil gaana | Miss 58(1958) | 2 songs covered out of 5 |
| 5336 | Na aasmaan na sitaare fareb dete hain | Neela Aakash(1965) | Movie YIPPEED by now |
One can notice that “Miss 58″(1958) is a movie which is still eligible for Blog Ten year challenge.
Here is another song from “Miss 58″(1958). “Miss 58” (1958) was directed by Kuldip Kahar under A K Movies, Bombay. The movie had Suraiya, Karan Diwan, Om Prakash, Baby Naaz, Madan Puri, Krishna Kumari etc in it.
This song is sung by Asha Bhonsle. Tanveer Naqvi is the lyricist. Music is composed by N Datta. Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Lyrics of this song were sent to me by Prakashchandra.
Song-Tujhko nahin dil ne kiya dil ko ishaara (Miss 58)(1958) Singer-Asha Bhonsle, Lyrics-Tanveer Naqvi, MD-N Datta
Lyrics (Provided by Prakashchandra)
tujhko naheen een een
tujhko nahin
dil ne kiyaa dil ko ishaaraa aaa
tu to nahin
mujhko teraa pyaar hai pyaaraa
tujhko nahin
dil ne kiyaa dil ko ishaaraa aaa
tu to nahin
mujhko teraa pyaar hai pyaaraa
kaahey meraa dhadkey jiyaa
jaan gayee main
tum to badey woh ho piyaa
maan gayee main
kaahey meraa dhadkey jiyaa
jaan gayee main aen aen
tum to badey woh ho piyaa
maan gayee main
piyaa maan gayee main aen
chaahoon magar ley na sakoon naam tumharaa
tu to nahin
mujhko teraa pyaar hai pyaaraa
tujhko nahin
dil ne kiya dil ko ishaaraa aa
tu to nahin
mujhko teraa pyaar hai pyaara aa
tooney piyaa jaadu kiyaa aaa aa aa aa aa
tooney piyaa jaado kiyaa
pyaar jataa ke aey ae
chheen liyaa chain meraa naain milaa ke
piyaa nain milaa ke
tooney mujhe loot liyaa deke sahaaraa aa
tu to nahin mujhko teraa pyaar hai pyaaraa
tujhko nahin
dil ne kiyaa dil ko ishaaraa aa
tu to nahin
mujhko teraa pyaar hai pyaaraa
pyaar bharey teer chaley idhar udhar se
meri nazar lipat gayi teri nazar se aey
pyaar bharey teer chaley idhar udhar se ae ae
meri nazar lipat gayi teri nazar se
balam teri nazar sey aey
nazar nazar kehney lagi raaz hamaaraa
tu to nahin
mujhko teraa pyaar hai pyaaraa
tujhko nahin
dil ne kiyaa dil ko ishaaraa aa
tu to nahin
mujhko teraa pyaar hai pyaaraa
Kaam Karo. . . Mat Aaraam Karo
Posted on: January 21, 2022
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4935 | Post No. : | 16782 |
Geeta Dutt – Solos and Duets – 07
———————————————
I started this series in December 2020 with great enthusiasm, just after Geeta Dutt’s 900th song post had appeared in the blog. The following 6 posts appeared in the series up to June 2021.
There has been a long break in this series inadvertently. Meanwhile, I have compiled a list of group songs of Mohammed Rafi – Geeta Roy/Dutt with other singers.
| Sl. No. | Song | Film | Composer |
| Singers | Year | Lyricist | |
| 1 | Hum Banjaare Sang Hamaare | Saajan | C Ramachandra |
| Mohd Rafi, Lalita Deulkar, Geeta Dutt | 1947 | Moti | |
| 2 | Sambhal Sambhal Ke Jaiyyo | Saajan | C Ramachandra |
| Mohd Rafi, Lalita Deulkar, Geeta Dutt | 1947 | Ram Murti | |
| 3 | Kyon Karta Maan Jawaani Ka | Naach | Husnlal Bhagatram |
| Mohd Rafi, Lata Mengeshkar, Geeta Dutt | 1949 | Mulkh Raj Bhakri | |
| 4 | Lab Pe Fariyaad Hai Dil Barbaad Hai | Naach | Husnlal Bhagatram |
| Mohd Rafi, Lata Mengeshkar, Geeta Dutt | 1949 | Mulkh Raj Bhakri | |
| 5 | Ban Ban Kar Mit Gayin Hai Taqdeer Ki Lakeeren | Gauna | Husnlal Bhagatram |
| Mohd Rafi, Geeta Dutt, Shamshad | 1950 | Qamar Jalaalabaadi | |
| 6 | Mere Jaisi Nahin Milegi | Khamosh Sipahi | Hans Raj Bahal |
| Mohd Rafi, Geeta Dutt, Ram Kamlaani | 1950 | D N Madhok | |
| 7 | Kabhi Ye Saath Na Choote | Kisi Ki Yaad | Hans Raj Bahal |
| Mohd Rafi, Geeta Dutt, Paaro | 1950 | Moti | |
| 8 | Hum Hain Kheton Ke Maharaj Hamen Darr Kaahe Ka | Sheesh Mahal | Vasant Desai |
| Mohd Rafi, Geeta Dutt, Pushpa Hans | 1950 | Nazim Panipati | |
| 9 | Humne Bhi Pyar Kiya | Nakhre | Hans Raj Bahal |
| Mohd Rafi, Lata Mangeshkar, Geeta Dutt | 1951 | Hasrat Lakhnavi | |
| 10 | Ulfat Ki Zindagi Ke Jo Saal Hon Hazaar | Hungama | C Ramachandra |
| Mohd Rafi, Lata Mangeshkar, Geeta Dutt | 1952 | Rajinder Krishan | |
| 11 | Kya Bataaun Mohabbat Hai Kya | Parbat | Shankar Jaikishan |
| Mohd Rafi, Lata Mangeshkar, Geeta Dutt | 1952 | Shailendra | |
| 12 | Nadiya Kinaare Mora Dera Mashaal Jale Saari Ratiyaan | Tarang | Chitragupta |
| Mohd Rafi, Shamshad, Geeta, Chitragupta | 1952 | Ram Murty | |
| 13 | Mera Dulha Shehar Se Aaya Re | Do Dulhe | B S Kalla |
| Mohd Rafi, Geeta Dutt, Sarla | 1955 | Pt Indra | |
| 14 | Ek Taraf..Joru Ne Nikala Hai Deewala | Madhur Milan | Bulo C Rani |
| Mohd Rafi, Geeta Dutt, A R Ojha | 1955 | Raja Mehndi Ali Khan | |
| 15 | Aaj Tera Gunehgaar Banda | Khul Ja Sim Sim | Hans Raj Bahal |
| Mohd Rafi, Geeta Dutt, Shashi Raj | 1956 | Asad Bhopali | |
| 16 | Gunaahon Ka Chirag Kabhi Jal Na Sakega | Agra Road | Roshan |
| Mohd Rafi, Geeta Dutt, Shamshad | 1957 | Bharat Vyas | |
| 17 | Bhaiya Kaam Karo Mat Aaraam Karo | Balyogi Upmanyu | Chitragupta |
| Mohd Rafi, Geeta Dutt, Usha Mangeshkar | 1958 | Bharat Vyas | |
| 18 | Hamen Maar Gayi Tirchhi Nazariya Tori | Chaal Baaz | Chitragupta |
| Mohd Rafi, Geeta Dutt, Usha Mangeshkar | 1958 | Anjum Jaipuri | |
| 19 | Do Do Hain Deewaane Mere Parwaane | Baazigar | Chitragupta |
| Mohd Rafi, Balbeer, Geeta Dutt | 1959 | Prem Dhawan | |
| 20 | Kaun Jaane Re Baba | Jawani Ki Hawa | Ravi |
| Mohd Rafi, Asha Bhonsle, Geeta Dutt | 1959 | Shailendra | |
| 21 | Teri Taqdeer Ka Sitaara Kamaal Hai | Zabak | Chitragupta |
| Mohd Rafi, Balbeer, Geeta Dutt | 1961 | Prem Dhawan | |
| 22 | Takht Na Hoga Taaj Na Hoga | Aaj Aur Kal | Ravi |
| Mohd Rafi, Manna Dey, Geeta Dutta | 1963 | Sahir Ludhianvi | |
| 23 | Agar Hum Tumhen Dekh..Jinhen Rukh Se Parda | Haqdaar | Bulo C Rani |
| Mohd Rafi, Geeta Dutt, Nirmala, Manna Dey | 1964 | Prem Warbartani | |
| 24 | Hum Khoob Jante Hain Kya Dil Mein Hai Tumhaare | – Film Hi Film – Saajan Ki Galiyaan (UR) |
Shankar Jaikishan |
| Mohd Rafi, Suman Kalyanpur, Geeta Dutt | 1983 (1960s) |
Hasrat Jaipuri |
Songs at Sl. No. 6, 7, 9, 13, 14, 15, 17, 23 & 24 are not yet posted in the blog. The song I am presenting today is at Sl. No. 17, i.e. from the film ‘Balyogi Upmanyu’ (1958). Bharat Vyas is the lyricist of this mythological film’s songs composed by Chitragupt. Here Mohammed Rafi and Usha Mangeshkar are accompanying Geeta Dutt for singing this song talking of hard work, fruits of hard work, farming, self-confidence, hope and a certain bragging attitude etc. But the happy spirit of the song is infectious, and one can listen to it again and again.
The following 2 songs of this movie are posted in the blog, making this the 3rd song.
Baalyogi Upmanyu(1958)(2/8) MD-Chitragupta
Duniya Ke Anyaaiyon Anyaay Ki Hoti Khair Nahin
Mann Nirgun Ke Geet Ab Gaata Jaa
I found this song a few days ago, while looking for Chitragupt-Rafi songs, and I thought it is a very enjoyable and nice composition. All three singers are in sync with the accompanying chorus. I need to post some solos to even out the series. There are too many songs by Geeta Dutt in obscure films. I have not done bad so far, considering the songs were all new songs for me. Hope to find some known, popular songs not yet posted to fit in the series.
Song – Kaam Karo. . . Mat Araam Karo (Balyogi Upmanyu) (1958) Singer – Mohammed Rafi, Geeta Dutt, Usha Mangeshkar, Lyrics – Bharat Vyas, MD – Chitragupt
Male Chorus
Female Chorus
Male + Female Chorus
Lyrics
sukhi nahi woh
jo sone chaandi mein hain..ae madhosh
dhani bade nirdhan hain bhaiyaa..aa
sachcha dhan santosh
ho ho oooo
haay ea
aa haa haa
aa haa
haa haa haa
aaaa aaaa
aa haa haa
aa haa
haa haa haa
aaaa aaaa
aa haa haa
aa haa
haa haa haa
aaaa aaaa
neelam aur panne se (??) hamaare
sone si chamke ret ho ooo
neelam aur panne se (??) hamaare
sone si chamke ret ho ooo
chaandi se baadal
barse gagan se
jhoome hamaare khet ho
ho bhaiya
kaam karo
mat aaraam karo
kaam karo
(ho ho oo oooo)
mat aaraam karo
kaam karo
(ho ho oo oooo)
mat aaraam karo
raja hain hum
maharaaja hain hum
hamein duniya ne na pehchaana
ho ho ho ho ho ho ho ho
ha ha ha aa aa haa aa aaa
rajaa hain hum
maharaajaa hain hum
hamein duniya ne na pehchaana aa
ambar hai pyaara
chhat par hamaara
dharti hamaara khazaana
ho bhaiya
kaam karo
mat aaraam karo
kaam karo
(ha ha ha aa aaa aaa aa)
mat aaraam karo
kaam karo
mat aaraam karo
(aa aaa aaaa aaaaa)
apne parishram ki na jo miley
wo khaane ki aadat hai khoti
apne parishram ki na jo miley
wo khaane ki aadat hai khoti
hum ko to laage meethhi badi
apne mehnat ki rookhi do roti
ho bhaiyaa
kaam karo
mat aaraam karo
kaam karo
(ho ho oo oooo)
mat aaraam karo
kaam karo
(ho ho oo oooo)
mat aaraam karo
o ho ho ooooo
jab girtaa hamaara paseena
to ye dharti ugalti nageena
ho ho ho ho ho ho ho ho
ha ha ha aa aa haa aa aaa
jab girtaa hamaara paseena
to ye dharti ugalti nageena aa
ham maruthal ko madhuban banaate
rituon ka badal den maheena
ham maruthal ko madhuban banaate
rituon ka badalte maheenaa
ho bhaiyya
kaam karo
mat aaraam karo
kaam karo
(ho ho oo oooo)
mat aaraam karo
kaam karo
(ho ho oo oooo)
mat aaraam karo
kaam karo
(ho ho oo oooo)
mat aaraam karo
(ho ho ooooo)
- In: Baag/Bagiya song | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Happy song | Love song | Lover's tête-à-tête | Lyrics contributed by readers | Manna Dey songs | Manna Dey Suman Kalyanpur duet | Post by Sudhir | Songs of 1950s (1951 to 1960) | Songs of 1958 | Suman Kalyanpur songs | Yearwise breakup of songs
- Leave a Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day: |
4909 | Post No. : | 16723 |
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This Week, That Year – 8
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07Nov – 13Nov, 2011
OK yes, the tag line is correct, but the date is definitely out of sequence. Sincere apologies for this parallax effect. This is not the week of 7th Nov. This post should have come at least 6 weeks ago. And truly, the post template and lyrics and all the tag stuff was ready then, but the words to compose the post were trapped behind some real and imagined ‘constraints’.
Ah but you will say, why pitch in with the week of 7th Nov now, six weeks later. Well surely, for a special reason. That was a special week, with a very special milestone reached by the blog. On Saturday, the 13th November, 2011, we reached the 5000th post. That day, the blog had been in existence for 1,213 days – exactly 3 years, 3 months and 26 days. And we completed 5,000 posts, at a simple daily average of 4+ songs – day on day.
Superlatives have become repetitive on this blog now, as we have written time and again about the blog’s progress over the years. But the wonder is that the wonder simply does not cease to amaze – the wonder of the blog itself, of being on the blog, of being part of the bandwagon. Whether the pace is slow or fast, we have never been without steam.
Looking back then, from this 13+ years vantage point, it seems like just a speck on the past time line. But just think about it – about the feelings then, on arriving at the 5000th station of this journey. And I am sure, as we looked ahead at the future, this 16,700+ post compendium, was not even visible on the time line. And probably not even in the minds of the bandwagoneers. Some member or members did mention 10,000, maybe. But going beyond that, then crossing the 15,000 mark, and still continue to merrily chug along – probably that thought did not even cross anyone’s mind. The ambience has changed so much since those days 10 years ago. Now, the feeling is that nothing is impossible for this bandwagon and its fearless leader.
It was a dhamaaka celebration. A celebration that store the hearts of everyone – literally. The blog ne loot liya mil ke gaana sun’ne waalon ko. . .
It was a calculated and a planned choice – the song I mean. Lyrics from the pen of Shewan Rizvi, music composed by Bulo C Rani and rendered with such zest and fervor by Ismail Azaad Qawwaal. And on screen, a name that we had some hard time digging up and confirming – Sheikh, the comedian. Yes, the qawwaali “Hamen To Loot Liya Mil Ke Husn Waalon Ne”. The qawwali that merits to be counted amongs the top 5 iconic qawaalis in Hindi films. That was the choice for the 5000th milestone song for the blog. The write up that day was a shared effort by Atul ji, Raja ji and yours truly. It truly is an honor to be part of that write up.
Ten years later, as we look back, it surely is a major joy that we picked this song for the 5000th milestone.
Now let’s play the numbers game for the week that was – from 7th to 13th November. A whopping 50 songs were posted that week, for an average of little above 7 songs per day. Quite a prolific week that was. Total number films showcased were 43. The film ‘Khel’ of 1950 made four appearances, the film ‘Mayur Pankh’ of 1956 made 3 appearances and ‘Anurodh’ from 1977 made two. The film name ‘Taqdeer’ appeared twice in that week, albeit from different years – 1943 and 1967.
The decade of 1941-50 was represented by 11 songs, the decade of 1951-60 by 12 songs, the decade of 1961-70 by 17 songs, the decade of 1971-80 by eight songs, and the 80s and 90s were represented by one song each. And so 1960s was the prominent decade with almost 30% songs posted that week.
As many as 13 films made their debut this week, and yes, 3 films also got Yippeee’d already. All three films are from 1970s – ‘Amar Prem’ (1971), ‘Mili’ (1975) and ‘Anurodh’ (1977). Since that week was done, 18 more films that appeared in that week are Yippeee’d by now.
We had two major artist milestone also come up that week. Hasrat Jaipuri completed 300 appearances on the blog, on 12th November with the song “Tu Kyun Mujhko Pukaare” from the film ‘Mayur Pankh’. And then on the 13th, the 5000th post also celebrated the century of songs composed by Bulo C Rani.
Here is the week’s data in table form.
| Blog Ten Year Challenge (2011-2021) Series | |||||||||
| Sl.No. | Movie Name | Year | HFGK NoS | ASAD NoS | Possible UT | Deb/Yip | Milestone | Film Status | Pending |
| 7-Nov-11 | |||||||||
| 1 | Khel | 1950 | 9 | 9 | Yippeee’d | ||||
| 2 | Stree | 1961 | 11 | 8 | 1 | Pending-c | 2+ 1 UT | ||
| 3 | Hum Deewaane | 1965 | 8 | 3 | 1 | D | Pending-c | 4+ 1 UT | |
| 4 | Paalki | 1967 | 10 | 9 | Pending | 1 | |||
| 5 | Chhoti Si Mulaaqaat | 1967 | 7 | 7 | Yippeee’d | ||||
| 6 | Pyaar Ki Baazi | 1967 | 5 | 2 | 1 | D | Pending-c | 2+ 1 UT | |
| 7 | Anurodh | 1977 | 6 | 6 | Yippeee’d | ||||
| 8 | Rudaali | 1993 | 8 | 4 | Pending | 4 | |||
| 8-Nov-11 | |||||||||
| 1 | Dharam | 1945 | 10 | 4 | 3 | D | Pending-c | 3+ 3 UT | |
| 2 | Patanga | 1949 | 10 | 10 | Yippeee’d | ||||
| 3 | Hum Matwaale Naujawaan | 1961 | 7 | 6 | Pending | 1 | |||
| 4 | Samson | 1964 | 5 | 5 | Yippeee’d | ||||
| 5 | Dara Singh, The Iron Man | 1964 | 6 | 3 | Pending | 3 | |||
| 6 | Mere Sanam | 1965 | 9 | 9 | Yippeee’d | ||||
| 7 | Mom Ki Gudiya | 1972 | 5 | 5 | Yippeee’d | ||||
| 8 | Kinaara | 1977 | 8 | 6 | Pending | 2 | |||
| 9-Nov-11 | |||||||||
| 1 | Village Girl | 1945 | 12 | 11 | 3 | Yc | 3 UT | ||
| 2 | Khel | 1950 | 9 | 9 | Yippeee’d | ||||
| 3 | Mastaana | 1954 | 8 | 9 | Yippeee’d | ||||
| 4 | Doctor Z | 1959 | 8 | 5 | 2 | D | Pending-c | 1+ 2 UT | |
| 5 | Raaz | 1967 | 8 | 7 | 1 | Yc | 1 UT | ||
| 6 | Sachcha Jhootha | 1970 | 6 | 5 | Pending | 1 | |||
| 7 | Mili | 1975 | 3 | 3 | Y | Yippeee’d | |||
| 8 | Kotwal Sahab | 1977 | 3 | 3 | D | Yippeee’d | |||
| 10-Nov-11 | |||||||||
| 1 | Lahore | 1949 | 10 | 9 | Pending | 1 | |||
| 2 | Nageena | 1951 | 8 | 8 | Yippeee’d | ||||
| 3 | Chalti Ka Naam Gaadi | 1958 | 8 | 8 | Yippeee’d | ||||
| 4 | Aas Ka Panchhi | 1961 | 7 | 7 | Yippeee’d | ||||
| 5 | Asli Naqli | 1962 | 7 | 7 | Yippeee’d | ||||
| 6 | Watan Se Door | 1968 | 5 | 3 | D | Pending | 2 | ||
| 7 | Shubh Chintak | 1989 | 3 | 1 | D | Pending | 2 | ||
| 8 | Man Jeete Jag Jeet | 1973 | 10 | 2 | D | Pending | 8 | ||
| 11-Nov-11 | |||||||||
| 1 | Namoona | 1949 | 9 | 7 | Pending | 2 | |||
| 2 | Taqdeer | 1967 | 8 | 8 | Yippeee’d | ||||
| 3 | Duniya | 1968 | 6 | 7 | Yippeee’d | ||||
| 4 | Inquilaab | 1956 | 8 | 8 | Yippeee’d | ||||
| 5 | Mayur Pankh | 1953 | 6 | 6 | D | Yippeee’d | |||
| 6 | Anurodh | 1977 | 6 | 6 | Y | Yippeee’d | |||
| 12-Nov-11 | |||||||||
| 1 | Khel | 1950 | 9 | 9 | Yippeee’d | ||||
| 2 | Bhai Saahab | 1954 | 10 | 6 | 2 | D | Pending-c | 2+ 2 UT | |
| 3 | Mayur Pankh | 1953 | 6 | 6 | AC – 300 (Hasrat Jaipuri) | Yippeee’d | |||
| 4 | Kavi Kaalidas | 1959 | 9 | 10 | Yippeee’d | ||||
| 5 | Mulzim | 1963 | 7 | 5 | 5 | Yc | 5 UT | ||
| 6 | Amar Prem | 1971 | 6 | 6 | Y | Yippeee’d | |||
| 13-Nov-11 | |||||||||
| 1 | Taqdeer | 1943 | 10 | 4 | 2 | D | Pending-c | 4+ 2 UT | |
| 2 | Jagbeeti | 1946 | 9 | 4 | 5 | D | Yc | 5 UT | |
| 3 | Khel | 1950 | 9 | 9 | Yippeee’d | ||||
| 4 | Mayur Pankh | 1953 | 6 | 6 | Yippeee’d | ||||
| 5 | Miss Coca Cola | 1955 | 8 | 8 | Yippeee’d | ||||
| 6 | Al Hi Laal | 1958 | 8 | 2 | 2 | D | BC – 5000/AC – 100 (Bulo C Rani) | Pending-c | 4+ 2 UT |
Since 13th November of 2011, after this iconic qawwaali was posted, just one more song from the film ‘Al Hi Lal’ has appeared on the blog. That song is “Amma Main Bada Hoke Bahut Kaam Karoongaa” which appeared on the blog on 29th July, 2017. Here is one more song from this film – a duet sung by Manna Dey and Suman Kalyanpur. This is a lilting melodious song af a lovers’ tete-a-tete – a typical running-around-the-tree love song. On screen, this song is lip synced by Mahipal and Shakila.
The song is written by Shewan Rizvi, music composed by Bulo C Rani. The lovers are complaining about stolen hearts, and are naming each other as the thief responsible for it. Apparently it seems that once the qawwaali became the big hit that it is, somehow the remaining songs got very little attention from the listeners. This song is a wonderful one in its own right, but not so well known. I too got to hear it for the first time as I was searching for other songs of this film.
Listen to this lovely duet, I am sure you will like it.
Song – Tum Ho Dil Ke Chor, Kare Dil Shor (Al Hi Laal) (1958) Singer – Manna Dey, Suman Kalyanpur, Lyrics – Shewan Rizvi, MD – Bulo C Rani
Manna Dey + Suman Kalyanpur
Lyrics
tum ho dil ke chor
kare dil shor
tumhen pehchaan liya. . .
o ho ho haan
aaj khula ye raaz
hamaara raaz
kisi ne jaan liya
aa haan
tum ho dil ke chor
kare dil shor
tumhen pehchaan liya
aaj khula ye raaz
hamaara raaz
kisi ne jaan liya
bedard ne deke dard
kiya dil sard
nigaahen pher ke
teri chaah ne
dil ki aah ne loota
raah mein hamko gher ke
laakh bachaaya
bach nahin paaya
dil ye hamaara
tum par aaya
o ho ho haan
tum ho dil ke chor
kare dil shor
tumhen pehchaan liya
aaj khula ye raaz
hamaara raaz
kisi ne jaan liya
o mast nazar
jaata hai kidhar
ik teer sa dil pe maar ke
badnaam na ho
badnaam na kar
ilzaam na de bekaar ke
raaz hamaara
tu ne jaana
jaan na le
bedard zamaana
o ho ho haan
tum ho dil ke chor
kare dil shor
tumhen pehchaan liya
aaj khula ye raaz
hamaara raaz
kisi ne jaan liya
sharma ke na ja
tadpa ke na ja
iqraar to kar le pyaar ka
jab aankh jhuke
aur lab na hiley
ye matlab hai iqraar ka
neechi nigaahen
dil ki kahaani
pyaar ki hai ye
khaas nishaani
o ho ho haan
tum ho dil ke chor
kare dil shor
tumhen pehchaan liya
aaj khula ye raaz
hamaara raaz
kisi ne jaan liya
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
तुम हो दिल के चोर
करे दिल शोर
तुम्हें पहचान लिया॰ ॰ ॰
ओ हो हो हाँ
आज खुला ये राज़
हमारा राज़
किसी ने जान लिया
आ हाँ
तुम हो दिल के चोर
करे दिल शोर
तुम्हें पहचान लिया
आज खुला ये राज़
हमारा राज़
किसी ने जान लिया
बेदर्द ने देके दर्द
किया दिल सर्द
निगाहें फेर के
तेरी चाह ने
दिल की आह ने लूटा
राह में हमको घेर के
लाख बचाया
बच नहीं पाया
दिल ये हमारा
तुम पे आया
ओ हो हो हाँ
तुम हो दिल के चोर
करे दिल शोर
तुम्हें पहचान लिया
आज खुला ये राज़
हमारा राज़
किसी ने जान लिया
ओ मस्त नज़र
जाता है किधर
इक तीर सा दिल पे मार के
बदनाम ना हो
बदनाम ना कर
इल्ज़ाम ना दे बेकार के
राज़ हमारा
तू ने जाना
जान ना ले
बेदर्द ज़माना
ओ हो हो हाँ
तुम हो दिल के चोर
करे दिल शोर
तुम्हें पहचान लिया
आज खुला ये राज़
हमारा राज़
किसी ने जान लिया
शर्मा के ना जा
तड़पा के ना जा
इक़रार तो कर ले प्यार का
जब आँख झुके
और लब ना हिले
ये मतलब है इक़रार का
नीची निगाहें
दिल की कहानी
प्यार की है ये
खास निशानी
ओ हो हो हाँ
तुम हो दिल के चोर
करे दिल शोर
तुम्हें पहचान लिया
आज खुला ये राज़
हमारा राज़
किसी ने जान लिया
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4888 | Post No. : | 16686 |
“Amar Deep”(1958) was directed by T Prakashrao for Shivaji Productions, Bombay. This movie had Dev Anand, Vyjayantimala, Ragini, Johny Walker, Padmini, Pran, David, Bipin Gupta, Mukri, Shivraj etc with Guest appearances by Om Prakash, Anwar Hussain and Randheer.
The movie had 12 songs in it. Eleven songs have been covered in the past. Here are the details of the songs already covered in the blog:-
| Blog post number | Song | Date of posting | Singer(s) |
|---|---|---|---|
| 1942 | Taali lo dhintaanaa | 18 September 2009 | Asha Bhonsle |
| 2085 | Mere man ka baawraa panchhi kyun baar baar dole | 24 October 2009 | Lata Mangeshkar |
| 3038 | Dekh hamen aawaaz na denaa Multiple version song | 28 September 2010 | Rafi, Asha Bhonsle |
| 6517 | Dil ki duniya basa ke saanwariya | 26 August 2012 | Lata Mangeshkar |
| 10641 | Lene se inkaar nahin aur dene ko taiyyaar nahin | 5 January 2015 | Rafi |
| 10942 | Ab dar hai kiska pyaare | 7 march 2015 | Rafi |
| 12685 | Is jahaan ka pyaar jhoothhaa | 13 December 2016 | Asha Bhonsle, Rafi, Manna Dey |
| 14406 | Le lo le lo gubbaare | 9 June 2018 | C Ramchandra |
| 15651 | Laagi apni najariya kataar ban ke | 9 June 2020 | Asha Bhonsle |
| 16673 | Kisi din zara dekh mera bhi ho ke | 25 November 2021 | Asha Bhonsle |
As one can see, this movie made its debut in the blog as far back as on 18 september 2009. Today, more than 12 years later, this movie finally finds its twelfth and final song getting covered in the blog.
This final song of “Amar Deep”(1958) is sung by Asha Bhonsle. Rajinder Krishan is the lyricist. Music is composed by C Ramchandra.
Only the audio of the song is available. I requuest our knowledgeable readers to throw light on the picturisation of this song.
With this song, all the songs of “Amar Deep”(1958) have been covered in the blog. The movie thus joins the list of movies that have been YIPPEED in the blog.
Song-Ye jee chaahta hai kisi din main teri (Amar Deep)(1958) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-C Ramchandra
Lyrics
ye jee chahata hai kisi din main teri
nigaahon ki saari udaasi chura loon
agar ho ijaajat
agar ho inaayat
tere gham ko main apni kismat bana loon
ye jee chaahta hai
kidhar ja raha hai mohabbat ke raahi
kidhar ja raha hai mohabbat ke raahi
idhar dekh manzil teri mera dil hai
idhar dekh manzil teri mera dil hai
tujhe kya khabar hai
ye dil tera ghar hai
tu chaahe to is dil mein tujhko chhupa loon
ye jee chaahta hai
ajab ye safar hai teri zindagi ka
ajab ye safar hai teri zindagi ka
ke hai har kadam par andhera andhera
ke hai har kadam par andhera andhera
jo teri khushi ho to raaho mein teri
amar deep main apne dil ka jala loon
ye jee chaahta hai kisi din main teri
nigaaho ki saari udaasi chura loon
ye jee chaahta hai
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4878 | Post No. : | 16673 |
“Amar Deep”(1958) was directed by T Prakashrao for Shivaji Productions, Bombay. This movie had Dev Anand, Vyjayantimala, Ragini, Johny Walker, Padmini, Pran, David, Bipin Gupta, Mukri, Shivraj etc with Guest appearances by Om Prakash, Anwar Hussain and Randheer.
The movie had 12 songs in it. Ten songs have been covered in the past.
Here is the eleventh song from “Amar Deep”(1958) to appear in the blog. This song is sung by Asha Bhonsle. Rajinder Krishan is the lyricist. Music is composed by C Ramchandra.
Vyjyanti Mala was the lead actor in the movie with Dev Anand and so this song has to be pictuurised on them. But I have my doubts about the identity of the lady. I request our knowledgeable readers to help identify the lady.
Song-Kisi din zara dekh mera bhi ho ke (Amar Deep)(1958) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-C Ramchandra
Lyrics
hmm hmm hmm
aur dard se majboor
o o o o
kyun phir bhi nahin meri mohabbat tujhe manzoor
kisi din zara dekh mera bhi hoke
kisi din zara dekh mera bhi hoke
kahaan tak diye jaayega dil ko dhokhe
kahaan tak diye jaayega dil ko dhokhe
kisi din zara dekh mera bhi hoke
kisi din zara
wo aaraam jiski zaroorat hai tujhko
zaroorat hai tujhko
wo aaraam jiski zaroorat hai tujhko
zaroorat hai tujhko
milega tujhe
ho milega tujhe meri baahon mein khoke
kisi din zara dekh mera bhi hoke
kisi din zara
tera dil hi khud tera dushman hai warna
tera dil hi khud tera dushman hai warna
tujhe muskuraane se kyun koi roke
kahaan tak diye jaayega dil ko dhokhe
kisi din zara dekh mera bhi hoke
kisi din zara
mere iltiza hai sama bhi ja inmein
ho sama bhi ja inmein
mere iltiza hai sama bhi ja inmein
khule hain in aankhon ke kab se jharokhe
kisi din zara dekh mera bhi hoke
kisi din zara
Ye Zaalim Nigaahon Ki Ghaat
Posted on: November 14, 2021
- In: "Advice" song | Asha Bhonsle solo | Asha Bhonsle songs | Club song | Dance song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Happy song | joie de vivre | Lyrics contributed by readers | Post by Sadanand Kamath | Songs of 1950s (1951 to 1960) | Songs of 1958 | Yearwise breakup of songs
- 1 Comment
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4867 | Post No. : | 16659 |
Today, November 14, 2021 is the 4th Remembrance Day of Shyama (real name – Khurshid Akhtar) who enthralled the Hindi film buffs with her blinks and smiles in her Hindi films of 1950s. There was a spontaneity and energy in her performances reflecting, what I guess, her joie de vivre nature.
My earliest memory of watching Shyama was in ‘Aar Paar’ (1954) on its repeat release sometime in 1974 as a part of Guru Dutt’s Film Perspectives. I became familiar with her face when some of the songs picturised on her from the films like my all-time favourite, ‘Aar Paar’ (1954), ‘Bhai Bhai’ (1956), ‘Bhaabhi’ (1957), ‘Sharda’ (1957), ‘Mr Qartoon MA’ (1959), ‘Barsaat Ki Raat’ (1960) and many more, used to be telecast on Mumbai Doordarshan’s ‘Chhaaya Geet’ programme. Some of her songs have remained in the limelight even today. I can never get tired of watching those songs pictuirsed on Shyama.
Shyama (07 Jun, 1935 – 14 Nov, 2017) was born in Lahore but her family had shifted to Mumbai in early 1940s. She did her schooling in Anjuman-E-Islam High School in South Mumbai. Shyama’s foray into her first Hindi film, ‘Zeenat’ (1945) was an accidental one. When she was on a visit to watch the film’s shooting along with her school friends, the film’s director, Shaukat Hussain Rizvi invited her to be the part of the chorus singers for the picturization of the qawwali song, “Aahen Na Bhari Shiqwe Na Kiye”. At that time, she was 9. Thereafter, she did small roles as a child actor and side roles as a teenager in around 35 films. At a young age, she had become the bread-earner for her large family. Her screen name, Shyama was given by Prakash Pictures’ Vijay Bhatt when working in his film, ‘Nai Maa’ (1946) as a child artist.
Everything was not roses on the way to reach the stardom for Shyama. She had to struggle very hard to get roles during the early stage of her life when she was growing from her childhood to a teenager. Her struggling days got over when she bagged her first lead role in Filmistan’s ‘Shrimati ji’ (1952) with Nasir Khan. Thereafter, there was no dearth of work for her in the films.
During her filmy career of over 4 decades, Shyama worked in around 175 films. Some of her notable films are ‘Hum Log’ (1951), ‘Sazaa’ (1951), ‘Dil-E-Naadan’ (1953), ‘Shart’ (1954), ‘Aar Paar’ (1954), ‘Musaafirkhaana’ (1955), ‘Chhoo Mantar’ (1956), ‘Bhai Bhai’ (1956), ‘Shaarda’ (1957), ‘Bhaabhi’ (1957), ‘Johnny Walker’ (1957), ‘Mr. Qartoon MA’ (1958), ‘Laala Rukh’ (1958), ‘Chhoti Bahen’ (1959), ‘Barsaat Ki Raat’ (1960), ‘Zabak’ (1961), ‘Bahurani’ (1963). From 1960’s onwards, Shayma switched over to character roles. She was active till the end of 1970s. However, after the death of her husband in 1979, she virtually took retirement from the films. Shyama faced the camera for the last time in ‘Hathyaar’ (1989).
I was going through her filmography from 1952 when she started getting lead actor’s roles to 1960 when her career was in the waning stage as a lead actor. It is amazing to note that during 1952-60, she worked in as many as 84 films making an average of nearly 10 films per year. I do not recall any other actress of her time achieved this distinction. The main reason for her large number films was that she accepted both the lead as well as supporting actor’s roles. Her films covered a variety of genres with a large assortments of lead actors like Motilal, Ashok Kumar, Premnath, Shammi Kapoor, Bharat Bhushan, Karan Diwan, Guru Dutt, Balraj Sahni, Sunil Dutt, Kishore Kumar, Johnny Walker, Ranjan, Mahipal, Talat Mehmood etc.
Shyama faced her worst financial and emotional turmoil in 1953 when she decided to marry director and cinematographer Fali Mistry. They fell in love on the sets of ‘Sazaa’ (1951). The marriage was opposed by her father and her brothers. She had revealed her agony in her article in the Urdu film magazine ‘Shama’, published in November 1954, the English translation of which is available in Yasir Abbasi’s book ‘Yeh Un Dinon Ki Baat Hai’ (2018).
According to Shyama, apparently the problem for her large family was that having got used to living lavishly on her earnings, they feared that her marriage with Fali Mistry would strip them off comforts and luxuries. When she decided to go ahead with the marriage, she was forced to leave her own house without her money and jewelry as her father and brothers confiscated all her assets including the bank balances. She and her supporting mother had to stay with the family of producer-director M Sadiq for a month before she could buy her own house by arranging money. It took another six months for Shyama and Fali Mistry to get married. But the marriage was not revealed in public for a long time for fear of film producers avoiding her to sign the new films.
Shyama spent her financially secured retired life, socializing with her close friends like Nanda, Shakeela, Waheeda Rehman, Jabeen Jaleel etc. Just about 5 years before her death, she got a paralysis attack making her movements restricted. However, she majorly recovered from the paralysis. She breathed her last on November 14, 2017 due to lung infections, leaving behind her two sons and a daughter. Her elder son, Faroukh Mistry is a Cinematographer in Hindi feature films and has directed many documentary and advertising films. The second son, Rohinton Mistry is settled in London as a businessman. Both her elder son and her daughter, Shirin were with her while she breathed her last.
As a tribute to Shyama on the occasion of her 4th Remembrance Day, I have chosen a song pictuirsed on her in the film ‘Khota Paisa’ (1958). This film was among four films in which Shyama acted opposite Johnny Walker in lead role. The other three films in this combination were ‘Chhoo Mantar’ (1956), ‘Johnny Walker’ (1957) and ‘Mr Qartoon MA (1958). Incidentally, all these three films had OP Nayyar as the music director.
‘Khota Paisa’ (1958) had 7 songs of which 5 songs have been covered on the Blog. All the songs were written by Rajinder Krishan which were set to music by Madan Mohan. I am presenting the 6th song, “Ye Zaalim Nighaaon Ki Ghaat” which is sung by Asha Bhosle. It is a club song during which NA Ansari, the menacing pipe smoking villain, is present along with his henchmen.
It is interesting to note that in the record version there is some changes in wordings of the song as under:
| Film Sound Track Version | Record Version |
| Mukhda ye zaalim NIGHAAON ki GHAAT badi tikhi badi NATKHATI |
Mukhda ye zaalim MOHABBAT ki CHAAT badi tikhi badi CHATPATI |
| Antara-2 GAA le ZARA jahaan mein NAGMA to aashiqi kaajo NAYE pyaar ki RAT RATI |
Antara-2 LE le MAZA jahaan mein DAM BHAR LO aashiqi kaajo NA THHI pyaar ki PHATPATI |
| Antara-3 KATNE bhi de khushi se ye BAHAAR ke zamaane |
Antara-3 LOOTNE bhi de khushi se ye PYAAR ke zamaane |
Other features of this song is that Asha Bhosle seems to imitate the style of Geeta Dutt and Madan Mohan’s musical composition of the song closely resembles that of OP Nayyar.
Video
Audio
Song – Ye Zaalim Nigaahon Ki Ghaat (Khota Paisa) (1958) Singer – Asha Bhosle, Lyrics – Rajinder Krishan, MD – Madan Mohan
Lyrics
ye zaalim nighaaon ki ghaat
badi teekhi badi natkhati
apne apne muqaddar ki baat
kiske hisse mein kitni bati
ye zaalim nighaaon ki ghaat
badi teekhi badi natkhati
jo nazar na milaayi
na jigar pe chot khaayi
us dil kaa faayda kya
jo kisi pe aa na jaaye
hai wo zindagi bhi koi zindagi
jo mohobbat kiye bin kati
ye zaalim nighaaon ki ghaat
badi teekhi badi natkhati
jo huwa na kisi ka
dushman hai zindagi ka
gaa le zara jahaan mein
nagma to aashiqi ka
tu jiya bhi to kya
do ghadi ke liye
jo na ye pyaar ki rat rati
ye zaalim nigaahon ki ghaat
badi teekhi badi natkhati
ye dil kaun jaane
lut jaaye kis bahaane
katne bhi de khushi se
hain bahaar ke zamaane
lut gaye dil kai
mit gaye dil kai
par mohobbat kabhi na ghati
ye zaalim nigaahon ki ghaat
badi teekhi badi natkhati
apne apne muqaddar ki baat
kiske hisse mein kitni bati
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
ये ज़ालिम निगाहों की घात
बड़ी तीखी बड़ी नटखटी
अपने अपने मुकद्दर की बात
किसके हिस्से में कितनी बटी
ये ज़ालिम निगाहों की घात
बड़ी तीखी बड़ी नटखटी
जो नज़र ना मिलाई
ना जिगर पे चोट खाई
उस दिल का फायदा क्या
जो किसी पे आ ना जाए
है वो ज़िंदगी भी कोई ज़िंदगी
जो मोहब्बत किए बिन कटी
ये ज़ालिम निगाहों की घात
बड़ी तीखी बड़ी नटखटी
जो हुआ ना किसी का
दुश्मन है ज़िंदगी का
गा ले ज़रा जहां में
नग़मा तो आशिक़ी का
तू जिआ भी तो क्या दो घड़ी के लिए
जो ना ये प्यार की रट रटी
ये ज़ालिम निगाहों की घात
बड़ी तीखी बड़ी नटखटी
ये दिल कौन जाने
लुट जाये किस बहाने
कटने भी दे खुशी से
हैं बहार के जमाने
लुट गए दिल कई
मिट गए दिल कई
पर मोहब्बत कभी ना घटी
ये ज़ालिम निगाहों की घात
बड़ी तीखी बड़ी नटखटी
अपने अपने मुकद्दर की बात
किसके हिस्से में कितनी बटी
Tilla langdi koyle
Posted on: October 9, 2021
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4831 | Post No. : | 16611 |
Today’s song is from a South Indian film, dubbed into Hindi – Piya Milan-1958.
The decade of the 50’s saw almost a spate of Hindi films from South. Some were dubbed, some were remakes and a few were first made in Hindi before they were remade into Tamil or Telugu etc.
Film Titles having the word ” Piya” were made in every decade since the advent of the Talkie films, till the end of the Century.
30’s – Piya Pyaare-1934, Piya ki Jogan-1936
40″s – Piya Milaqn-1945, Piya Ghar Aaja-1947
50″s – Piya (UR), Piya Milan-1958
60″s – Piya Milan ki Aas-1961
70’s – Piya Ka Ghar-1972
80’s – Piya Milan 1985
90’s – Piya ki Jogan-1997.
Except the 2 films of the 30’s and the un released film, I have seem most other films. I consider ‘ Piya Ka Ghar”-1972 as the best among the ‘Piya’ films. It was a remake of a Hit Marathi film – Mumbaicha Jawai-1970. It was directed by my favourite Basu Chaterjee. A genuinely talented actress Jaya Bhaduri was cast opposite a very handsome Non Actor Anil Dhavan in this film.
Film “Piya Milan” was originally a Tamil film MARMAVEERA-56, dubbed in Hindi by R R Productions. The film was originally made by Jubilee films, Madras. The star cast was Shri Ram, Vyjayantimala, Raja Sulochana, V.Nagaiah, T S Baliah, P S Veerappa, Tanghvelu, Chandra Babu etc.
The Hindi version was directed by Raghunath and the music was by Ramesh Naidu. Most songs were having the same tunes as given by the Tamil original’s composer S.Vedhu. The Hindi songs were written by Harsh(3) and Hasrat Jaipuri(6).
The greatest attraction of this film was the Guest appearance by N T Rama Rao, Sivaji Ganeshan and Gemini Ganeshan.
These are the heavyweight actors of the south. Since the 1950’s decade, every south artiste’s dream was to shine in Hindi film industry, because Hindi films meant All India fame and an honour. In this dream many actresses achieved success, but comparatively actors were almost nowhere. The only name perhaps could be taken was that of actor Ranjan and few more. However, Jamuna, Vaijayantimala, Hema malini, Ragini, Padmini, Rekha and many more actresses from South became famous in Hindi films. Likewise when the Tamil and Telugu industry became a big one, many actresses like Khushbu etc from the Hindi land became famous in South films. Somehow males could not achieve this.
One of the major problems for south Indian artistes is the Hindi language. The actresses like Vaijayantimala, Hema Malini and Rekha became experts, but Southern actors could not cross this hurdle. N.T.Ramarao ( 28-5-1923 to 18-1-1996) too tried hard. He featured in 23 Hindi films which were mostly dubbed films barring few. One film Brahmarshi Vishwamitra-1991 was even directed by him. Sivaji Ganeshan (1-10-1927 to 21-7-2001) a winner of the prestigious ” Dadasaheb Phalke Award” in 1996, also featured in 19 Hindi films. Gemini Ganesan-real name R.Ganesan ( 17-11-1920 to 22-3-2005) was actress Rekha’s father. He acted in 24 Hindi films.
Similarly many music directors also had the same desire to shine in Hindi films, but had the same problem of language. One of these MDs was P.Ramesh Naidu who gave music to the Hindi film Piya Milan-1958.
Pasupuleti Ramesh Naidu (Born 18-10-1933,Died 2-9-2005) was born in Kondapalli in Krishna District (Andhra Pradesh). He was so obsessed with music that he ran away and landed in Bombay when he was 14 year old. B R Chopra took him under his wings and Ramesh learnt Instrumentation and orchestration in HMV at Bombay.
He started his music career at the age of 17 years with a Marathi film ” Bhandawal Paahije “-1950, produced, Directed and acted by Kishore Sahu. After a few years he went back to Andhra and got married. He got a son also and then he came to Bombay, on his way to Calcutta. he spent 10 years there giving music to Bangla, Oriya and Nepali films.
He was invited to Madras and he gave music to Amma mata-72. He settled there with his family. He gave music in Tamil, Telugu and Kannada films. He came to Bombay from time to time to give music to Dubbed and Remade films from the South. He also gave music in a few Bhojpuri films. His Hindi films were Hamlet-54, Jay Simha-54, Piya Milan-58, Nartaki Chitra-65, Ganga Bhavani-79, Azaadi ki Oar-86,and Hum bhi kuch kam nahin-1983.
His first south film was Dampatyam-57 and last was Ish Gup chup-1993. He surpassed Salil Chaudhari by giving music in 10 Indian languages( Salil da gave music in 9 . Ramesh Naidu got the National Award for the film ‘Megh Sandesham’.
Naidu left this world on 2-9-2005, at Hyderabad.
PIYA MILAN-1958 was a story of Kings, Queens and the palace matters. The storyline was…
Maharaja Kulasekhara is the king of Kurni Empire. He has a beautiful daughter Vijaya (Vyjayanti mala), who is in love with a young rich boy, Mahinder (Shri Ram).
Maharaja Parakram Bahu of the neighbouring kingdom comes calling and before going back proposes to Vijaya. he is told that she is already engaged and this alliance is not possible.
Parakram goes back enraged. He consults his vazir, Nari and they decide to destroy Kulasekhara.
They tempt Srimantha, the commander of Kulshekar and then attack Kurni, capture the Maharaja and abduct Vijaya.
The kingdom is then given to Shrimantha. Shrimantha and his cronies torture the poor Janata and loot them.
Suddenly, a masked man called PARAMVEER appears from nowhere and protects the oppressed janata. He also punishes the cronies and Looters.
Meanwhile Parakram Bahu decided to marry Vijaya forcibly.
Getting this news, Paramveer attacks Parakram Bahu in the night ,captures him and rescues the princess Vijaya.
Then Param veer leads a mutiny and defeats Srimantha and rescues Maharaja Kulasekhara.
Finally, it is revealed that Param Veer is no one else but Mahinder ,the fiance of Vijaya.
All is well, after this.
Today’s song is sung by Usha Mangeshkar and Om Verma. I do not know anything about this singer and even after my attempts, I failed to get his information from any known source. But it does seem that this was his only song in a Hindi film. The video shows the song shot on Helen and an actor whom I could not recognise. May be he was from the south.
Song- Tilla langdi koyle(Piya Milan)(1958) Singers-Om Verma, Usha Mangeshkar, Lyrics-Hasrat Jaipuri, MD-P Ramesh Naidu
Both
Lyrics
tilla langdi koyle hoye tilla langdi koyle
are chamke mor ban ke bhole man mein naache
ye paayal tori chhun chhun chhunke
humka na bano tum
ho humka na bano tum
are kaise baalma tum
in papaye papaye baaten se bana na kisi ko
in papaye papaye baaton se bana na kisi ko
haay haay
haay haay
haay haay
haan
ghaayal kiya man ko nigaahon ne mil ke
do nigaahon ne mil ke
ghaayal kiya man ko nigaahon ne mil ke
do nigaahon ne mil ke
chup raho tum na jaana aur ko banaana
humen chhod tu sataana
chup raho tum na jaana
aur ko banaana
humen chhod tu sataana
ab dil?? aur na tadpoon
tum mere ho jaao
hum tore ho jaayen
tilla langdi koyle hoye tilla langdi koyle
are chamake mor ban ke tu bhole man me naache
ye paayal tori sun ke
tu bhole man me nache ye paayal tori sun ke
hoy hoy
hoy hoy
hoy hoy
haaye
bhadakti aag hoon main ??
sun bairi aag laga doon
arre haay haay haay haay
bhadkati aag hoon main ??
sun bairi aag laga doon
hoon samandar mein ari dekh main naha loon
haan aag main bujha doon
hoon samandar mein ari dekh main naha loon
ha aag main bujha doon
??
apna tumko dheere dheere tumko haule haule
haan mere nain laage
haan mera dil bhi gaaye
ho mere nain lage
ha mera dil bhi gaaye
aa gaye sama din suhaane dil sitaaron mein jhoome
aa gaye sama din suhaane dil sitaron mein jhoome
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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