Posts Tagged ‘1958’
- In: "Aankh" song | "This Week That Year" | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Ghazal Presented as a Mujra | Guest posts | Lyrics contributed by readers | Mujra song | Post by Sudhir | Series of articles | Shamshad Begam Asha Bhonsle duet | Shamshad Begam songs | Songs of 1950s (1951 to 1960) | Songs of 1958 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4450 | Post No. : | 15911 |
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This Week, That Year – 4
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20Sep – 26Sep, 2010
Post by post analysis of the weekly output – is an exercise that is getting more involved and detailed. As we progress, we are finding newer varieties and newer variations that add on to a now growing list of things to look at and check for. OK, so let us see what insight this week brings in.
Let’s first do the numbers. The challenge analysis and other details are presented in the table below. With one dot day (on 23rd Sep), this week saw as many as 34 posts. Except for one repeat, all songs are from different movies. So, 33 movies got featured that week. As many as 12 films made their debut. And of the 33 films that were showcased that week, 22 films have been yippeee’d over the past 10 years. Of the remaining 11, I am shifting two film to the twilight zone of Conditional Yippeee status, which I had proposed last week. The films are ‘Panchaayat’ from 1958 and ‘Dr Vidya’ from 1962 – I will give more details little later in write up.
| Blog Ten Year Challenge (2010-2020) Series | |||||||||
| Sl.No. | Movie Name | Year | HFGK NoS | ASAD NoS | Possible UnTrace | Deb/ Yip |
Milestone | Film Status | Pending |
| 20-Sep-10 | |||||||||
| 1 | Khazaanchi | 1941 | 9 | 9 | D | Yippeee’d | |||
| 2 | Sabak | 1950 | 10 | 7 | D | Pending | 3 | ||
| 3 | Deewaana | 1952 | 8 | 9 | Yippeee’d | ||||
| 4 | Panchaayat | 1958 | 10 | 8.5 | 1 | Yc | 1, ? 1 UT | ||
| 5 | Chhabili | 1960 | 7 | 6 | Pending | 1 | |||
| 6 | Chhota Bhai | 1966 | 6 | 2 | D | BC:3000 AC:1000 (Lata) |
Pending | 4 | |
| 21-Sep-10 | |||||||||
| 1 | Khazaanchi | 1941 | 9 | 9 | Yippeee’d | ||||
| 2 | Parwaana | 1947 | 9 | 11 | Yippeee’d | ||||
| 3 | Aankhen | 1950 | 8 | 8 | Yippeee’d | ||||
| 4 | Aar Paar | 1954 | 8 | 8 | Yippeee’d | ||||
| 5 | Pyaase Panchhi | 1961 | 10 | 6 | Pending | 4 | |||
| 6 | Caravan | 1971 | 8 | 8 | Yippeee’d | ||||
| 22-Sep-10 | |||||||||
| 1 | Shokhiyaan | 1951 | 8 | 8 | D | Yippeee’d | |||
| 2 | Miss Coca Cola | 1955 | 8 | 8 | Yippeee’d | ||||
| 3 | Mr Lambu | 1956 | 8 | 8 | D | Yippeee’d | |||
| 4 | Fashion | 1957 | 8 | 6 | Pending | 2 | |||
| 5 | Aaj Aur Kal | 1963 | 8 | 9 | Yippeee’d | ||||
| 6 | Mahaan | 1983 | 7 | 2 | D | Pending | 5 | ||
| 23-Sep-10 | |||||||||
| [No Posts] | |||||||||
| 24-Sep-10 | |||||||||
| 1 | Magroor | 1950 | 8 | 8 | D | Yippeee’d | |||
| 2 | Baap Re Baap | 1955 | 11 | 11 | Yippeee’d | ||||
| 3 | Champaakali | 1957 | 9 | 9 | Yippeee’d | ||||
| 4 | Ustaad 420 | 1969 | 4 | 4 | D | Yippeee’d | |||
| 5 | Bhool Na Jaana (UR) | 1960s | 7 | 6 | D | Pending | 1 | ||
| 6 | Aalaap | 1977 | 9 | 9 | D | Yippeee’d | |||
| 7 | Saaheb | 1985 | 5 | 1 | D | Pending | 4 | ||
| 25-Sep-10 | |||||||||
| 1 | Jalpari | 1952 | 9 | 6 | Pending | 3 | |||
| 2 | Anaarkali | 1953 | 11 | 11 | Yippeee’d | ||||
| 3 | Tu Nahin Aur Sahi | 1960 | 7 | 8 | Yippeee’d | ||||
| 4 | Dr Vidya | 1962 | 7 | 8 | 1 | Yc | 1, ? 1 UT | ||
| 5 | Ishaara | 1964 | 6 | 6 | Yippeee’d | ||||
| 6 | Khuddar | 1982 | 6 | 3 | D | Pending | 3 | ||
| 26-Sep-10 | |||||||||
| 1 | Aaraam | 1951 | 8 | 8 | Yippeee’d | ||||
| 2 | Nau Do Gyaarah | 1957 | 8 | 8 | Yippeee’d | ||||
| 3 | Sone Ki Chidiya | 1958 | 8 | 9 | Yippeee’d | ||||
I will highlight one change in notation. Last week I had proposed that for the songs which are listed for the film, but which are possibly not available in any format, will be denoted by ‘LFe’ – short for ‘Lost Forever’. Now there is a rethink about this terminology. At least one response to me was that ‘Lost Forever’ is a despairing notation, putting a sort of finality to the issue. So I propose to change this terminology to ‘UT’ indicating that the song is ‘Untraceable’ at least for now.
Two major milestones were announced this week. With the sixth song posted on 20th Sep, 2010, the blog reached the 3000th post. Given where we were at that time, ten years back, this was an enviable milestone in itself. Looking back, it may seem not very significant, on account of where we have now reached. But at that time, breaching the 3000 barrier was a great event. With the same song, we also had the first 1000th milestone for an individual artist. This very same song also became the 1000th song by Lata ji, posted on our blog. This was the first such accomplishment on the blog, for an artist.
We had just one guest post this week. Raja ji has done the post for the 3000th song plus the 1000th song of Lata Mangeshkar.
This week, we see many interesting variations and differences in the information that is available about the songs contained in specific films. Here are the details,
- ‘Deewaana’ (1952) – Geet Kosh lists 8 songs for this film. Then the footnote to this film indicates that one more song was recorded for this film in the voice of Shamshad Begum. The inference to be drawn is that this 9th song is an unused song from this film. This song is also available, and has been posted on our blog.
- ‘Panchaayat’ (1958) – the gap in information is quite remarkable here. There is one song listed in Geet Kosh that is simply not traceable anywhere. The words of the song are “Main Ye Soch Kar Us Ke Dar Se Utha Tha”. Ah yes, rings a bell. This song appears in the 1964 film ‘Haqeeqat’. I replayed the movie to check, but did not find even a snippet of this song.
However, viewing the film gave me some good information. The theme song of this film, “Mil Ke Baitho Jodo Bandhan” is a multi part song that appears in the film five times. We have this song on the blog, but we only have the portion that is heard in background as the film titles are being presented on screen. This song recurs on four more occasions later in the film.
So two updates to this film that must be put on the blog. First, the theme song has to be updated for all the multi part segments. Second, then this film should be declared Conditional Yippeee, because the song “Main Ye Soch Kar. . .”, in all likelihood will remain untraceable, as far as this film is concerned. - ‘Parwaana’ (1947) – Geet Kosh lists 9 songs, whereas we on the blog had added two more which we have extracted from the film soundtrack. One of them – “Balam To Pe Sabar Pade” is a very special song. This is the very last recording of KL Saigal Sb. It is an incomplete recording. However, the director has used this as a background song near the end of the film, by modifying the situations somewhat.
- ‘Aaj Aur Kal’ (1963) – Geet Kosh lists 8 songs, whereas in the film there is one more song, actually a qawwaali, in the voice of Shamshad Begum and Usha Mangeshkar. So on the blog, we have one more song than the list in Geet Kosh.
- ‘Tu Nahin Aur Sahi’ (1960) – On the blog we have one additional song, actually a snippet that is played at the end of the film. This snippet is not listed in the Geet Kosh.
- ‘Dr Vidya’ (1962) – This song list mismatch here is quite confusing. There are seven songs listed in the Geet Kosh, out of which the song a serial no. 2 “Yahi Din Hain Bhanware Mann Arey Tum Nahin Samajhte” is not traceable. It does not appear to match with any other song in the film. And then there are two songs in the film which are not listed in the Geet Kosh. There is a fun qawwaali – “Yoon Hans Hans Kar Dekho Na Idhar”, which is performed on screen by Helen and Prem Chopra. And then there is this romantic song of promises to meet again – “Main Kal Phir Miloongi Isi Gulsitaan Mein”. So we have 8 songs of this film already posted, and there is one still pending whose fate is not known. Possibly then ‘Dr Vidya’ also merits to declared Conditional Yippeee.
- ‘Sone Ki Chidiya’ (1958) – This film has 8 songs listed in the Geet Kosh. However, on our blog, we have one more additional song posted, which is essentially a poem rendition.
- ‘Doctor’ (1941) – I had mentioned about this film in the previous episode of this series. There is a small bit of confusion in the song list of this film in the Geet Kosh. GK lists 11 songs for this film. This film was declared as Yippeee’d on 29th August, 2014. In that post, Atul ji had written that ten songs of this film are already posted, and the eleventh song was being posted, declaring this film to be Yippeee’d. However, as we examine the lists, there is a bit of confusion that prevails overall.
For starters, the song “Aai Nit Nai Rut Ki Bahaar” is listed twice in GK, once with Ila Ghosh as the singer, and once with Pankaj Mullick as the singer. This threw me off so completely, that I spent three four days two weeks ago, trying to trace the Pankaj Babu version of this song. Most responses I got from within the circle of collector friends was that this song does not exist. Secondly, the iconic Pankaj Babu song – “Aayi Bahaar Aaj Aayi Bahaar” is not listed in GK. I went over the GK entries in detail, including the addenda and the corrigenda. But could locate no other information.
After some back and forth discussions, it is concluded that there is an error in the GK listings, in that the song listed in GK at serial no. 11 – “Aayi Nit Nari Rut Ki Bahaar” in the voice of Pankaj Babu, is incorrect, and that the words of this song should be “Aayi Bahaar Aaj Aayi Bahaar”. If this change is made, then the listings can be reconciled correctly.
There is still one more variation in the GK listing and the blog list. The GK listing shows the two songs viz. “Kab Tak Niraasha Ki Andhiyaari” and “Bhai Jagat Ujiyaari Dekho” as two separate songs. On our blog, these two songs appear in the same post, so essentially the blog list does not show the latter song.
Now a word about the song covered in this post. The film is ‘Zindagi Ya Toofaan’ from 1958. As per the Geet Kosh, this film has 10 songs listed. All the songs come from the pen of J Nakshab, a name that we are also familiar as Nakshab Jarchavi. Music is composed by Nashaad.
The film is produced under the banner of Serafim Pictures, Bombay and is directed by Nakshab Jarchavi, the lyricist. The cast of actors is briefly given as Nutan, Pradeep Kumar, Om Prakash, Minoo Mumtaz, Johnny Walker, and Yakub. The film tells the story about the love of a young man, role played by Pradeep Kumar, for a dancing girl, role played by Nutan. Nine songs of this film are already posted here on our blog. This is the tenth and the final song of this film to come on board.
The song itself is a wonderful expression in words about the exchanges that happen between the lover and the beloved. Each couplet, each line is such a beautiful visualization of that relationship. The video clip for this song could not be located. So it is not feasible to comment on the picturization of this song. Given the music and rendition, one can surmise that this song is presented as a mujra on screen. Expectedly, the song is performed by Nutan and Minoo Mumtaz. Both are dancing girls entertaining the guests, which would include Praeep Kumar and Yakub.
This wonderful ghazal presented as a mujra, is the tenth and the final song of this film to come on board, and we can declare this film to be Yippeee’d now.
Song – Angdaai Bhi Wo Lene Na Paaye Utha Ke Haath (Zindagi Ya Toofaan) (1958) Singer – Asha Bhosle, Shamshad Begum, Lyrics – J Nakshab, MD – Nashaad
Asha Bhosle + Shamshad Begum
Lyrics
kya kya nigaah e shauk luti hai haya ke haa..aath
aaaa aaaaa aaaaaaa
ye kya hua ke ruk gaye seene tak aa ke haath
angdaai bhi wo lene na paaye utha ke haath
angdaai bhi wo lene na paaye utha ke haath
angdaai bhi wo lene na paaye utha ke haath
dekha mujhe to chhod diye muskura ke haath
angdaai bhi wo lene na paaye utha ke haath
aaaaa aaaaa
baaton me aise ho gaye madhhosh be-piye
baaton me aise ho gaye madhhosh be-piye
baaton me aise ho gaye madhhosh be-piye
afsanaa ghair ka wo samajh kar suna kiye
afsanaa ghair ka wo samajh kar suna kiye
aaya jo mera naam
to bas uth ke chal diye
aaya jo mera naam to bas uth ke chal diye
jhunjhala ke taish khaa ke bigad ke chhuda ke haath
jhunjhala ke taish khaa ke bigad ke chhuda ke haath
angdaai bhi wo lene na paaye utha ke haath
dekha mujhe to chhod diye muskara ke haath
angdaai bhi wo lene na paaye utha ke haath
parda tha par naqaab se kuchh husn chhan pada
parda tha par naqaab se kuchh husn chhan pada
parda tha par naqaab se kuchh husn chhan pada
bekal huye to reh gaya sab baankpan pada
bekal huye to reh gaya sab baankpan pada
shikvon ka jab jawab na kuchh un se ban pada
shikvon ka jab jawab na kuchh un se ban pada
gardan me meri daal diye muskura ke haath
gardan me meri daal diye muskura ke haath
angdaai bhi wo lene na paaye utha ke haath
dekha mujhe to chhod diye muskara ke haath
angdaai bhi wo lene na paaye utha ke haath
aaaa aaaa aaaaa aaaaa
saaqi ko samjhe ye nahin har aadmi ka kaam
saaqi ko samjhe ye nahin har aadmi ka kaam
saaqi ko samjhe ye nahin har aadmi ka kaam
nakshab ko kis ada se inaayat kiya tha jaam
nakshab ko kis ada se inaayat kiya tha jaam
aaaa aaaaa
dena kisi ka saaghar e mai yaad hai nizaam
dena kisi ka saaghar e mai yaad hai nizaam
munh pher kar udhar ko idhar ko badha ke haath
munh pher kar udhar ko idhar ko badha ke haath
angdaai bhi wo lene na paaye uthaa ke haath
dekha mujhe to chhod diye muskara ke haath
angdaai bhi wo lene na paaye uthaa ke haa..aa..aath
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Hindi script lyrics (Provided by Sudhir Kapur)
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क्या क्या निगाह ए शौक लुटी है हया के हा॰॰आथ
आsss आsss आssssss
ये क्या हुआ के रुक गए सीने तक आ के हाथ
अंगड़ाई भी वो लेने ना पाये उठा के हाथ
अंगड़ाई भी वो लेने ना पाये उठा के हाथ
देखा मुझे तो छोड़ दिये मुस्कुरा के हाथ
अंगड़ाई भी वो लेने ना पाये उठा के हाथ
आsss आsss
बातों में ऐसे हो गए मदहोश बे-पिये
बातों में ऐसे हो गए मदहोश बे-पिये
बातों में ऐसे हो गए मदहोश बे-पिये
अफ़साना ग़ैर का वो समझ कर सुना किये
अफ़साना ग़ैर का वो समझ कर सुना किये
आया जो मेरा नाम
तो बस उठ के चल दिये
झुँझला के तैश खा के बिगड़ के छुड़ा के हाथ
झुँझला के तैश खा के बिगड़ के छुड़ा के हाथ
अंगड़ाई भी वो लेने ना पाये उठा के हाथ
देखा मुझे तो छोड़ दिये मुस्कुरा के हाथ
अंगड़ाई भी वो लेने ना पाये उठा के हाथ
पर्दा था पर नक़ाब से कुछ हुस्न छन पड़ा
पर्दा था पर नक़ाब से कुछ हुस्न छन पड़ा
पर्दा था पर नक़ाब से कुछ हुस्न छन पड़ा
बेकल हुये तो रेह गया सब बांकपन पड़ा
बेकल हुये तो रेह गया सब बांकपन पड़ा
शिकवों का जब जवाब ना कुछ उनसे बन पड़ा
शिकवों का जब जवाब ना कुछ उनसे बन पड़ा
गर्दन में मेरी डाल दिये मुस्कुरा के हाथ
गर्दन में मेरी डाल दिये मुस्कुरा के हाथ
अंगड़ाई भी वो लेने ना पाये उठा के हाथ
देखा मुझे तो छोड़ दिये मुस्कुरा के हाथ
अंगड़ाई भी वो लेने ना पाये उठा के हाथ
आss आss आsss आssss
साक़ि को समझे ये नहीं हर आदमी का काम
साक़ि को समझे ये नहीं हर आदमी का काम
साक़ि को समझे ये नहीं हर आदमी का काम
नक़शब को किस अदा से इनायत किया था जाम
नक़शब को किस अदा से इनायत किया था जाम
आss आssss
देना किसी का साग़र ए मय याद है निज़ाम
देना किसी का साग़र ए मय याद है निज़ाम
मुंह फेर कर उधर को इधर को बढ़ा के हाथ
मुंह फेर कर उधर को इधर को बढ़ा के हाथ
अंगड़ाई भी वो लेने ना पाये उठा के हाथ
देखा मुझे तो छोड़ दिये मुस्कुरा के हाथ
अंगड़ाई भी वो लेने ना पाये उठा के हा॰॰आथ
Lahar chup hai hawa chup hai
Posted on: September 22, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4449 | Post No. : | 15905 |
“Son of Sindbad” and “Daughter of Sindbad” were both released in 1958. So it seems to me that they were twins. 🙂
“Daughter of Sindbad”(1958) was directed by Ratilal for Starland Productions movie, Bombay. The movie had Jairaj, Nadira, Pran, Maruti, Tiwari, Kamal Kapoor etc in it. The movie had eight songs in it. One song has been covered in the past.
Here is the second song from “Daughter of Sindbad”(1958) to appear in the blog. This song is sung by Rafi , Usha Mangeshkar and chorus. Anjum Jaipuri is the lyricist. Music is composed by Chitragupta. Incidentally, Chitragupta was the music director in “Son of Sindbad” (1958) as well.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Song-Lahar chup hai hawa chup hai (Daughter of Sindbad)(1958) Singers-Rafi, Usha Mangeshkar, Lyrics-Anjum Jaipuri, MD-Chitragupta
Chorus
Lyrics
lahar chup hai hawa chup hai
rawaan hai kaarvaan apna
nahin hai naakhuda koi
khuda hai paasbaan apna
lahar chup hai
hawa chup hai lahar chup hai
hawa chup hai
jahaan bhi hum gaye
apni khushi ke geet gaaye hain
hmm hmm hmm
hmm hmm hmm
tareeke hamne jeene ke
zamaane ko sikhaaye hain
mohabbat ki kahaani hai
ye lahraata nishaan apna
lahar chup hai hawa chup hai
rawaan hai kaarvaan apna
lahar chup hai hawa chup hai
lahar chup hai hawa chup hai
kabhi toofaan se khele hain
kabhi lehron pe machle hain
kabhi toofaan se khele hain
kabhi lehron pe machle hain
sahaara leke himmat ka
hawa ke rukh bhi badle hain
hazaaron baar duniya ne ki(?) hai imteha apna
lahar chup hai hawa chup hai
ravaan hai kaarvaan apna
lahar chup hai hawa chup hai
lahar chup hai hawa chup hai
khuda ki raah mein
duniyaa ki daulat deke jaate hain
hmm hmm hmm
hmm hmm hmm
safeena ab usi ke aasre pe
leke jaate hain
wo hi maalik hai duniya ka
wo hi hai mehrbaan apna
lahar chup hai hawa chup hai
rawaan hai kaarvaan apna
nahin hai naakhuda koi
khuda hai paasbaan apna
lahar chup hai hawa chup hai
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4425 | Post No. : | 15845 |
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Blog 10-Year Challenge (2010-2020) – Song No. 64
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Ten years ago on this date (29 august 2010), as many as seven songs from seven different movies were covered in the blog. Here are their details:-
| Blog song post number | Song | Movie-Year | Remarks |
|---|---|---|---|
| 2864 | Haay mera dil le gaya koi aake ishaaron se | Parbat 1952 | Movie YIPPEED |
| 2865 | I love you O madam | Dulhan 1958 | 5 songs covered (out of 8) |
| 2866 | Chaand ko dekho ji | Chaand Mere Aaja 1960 | 6 songs covered out of 7. The seventh song too is apparently part of an already covered song |
| 2867 | Pyaase panchhi neel gagan mein geet milan ke gaayen | Pyaase Panchhi 1960 | 5 songs covered out of 10 |
| 2868 | Apni bhi kyaa zindagi hai niraali | Aas Ka Panchhi 1961 | YIPPEED |
| 2869 | Beta jamoore kah de duniya ko lalkaar ke | Biraadari 1966 | YIPPEED |
| 2870 | Chup ho aaj kaho kyaa hai baat | Chhattees Ghante 1974 | YIPPEED |
“Dulhan”(1958) is still eligible for Blog Ten year Challenge” ten years later today (29 august 2020). The movie had nine songs in it and five of them have been covered so far.
Here are these songs of “Dulhan”(1958) that have been covered so far:-
| Song | Posted On |
|---|---|
| Jiyaa sharmaaye nazar jhuki jaaye | 07.08.2010 |
| I love you Madam Multiple version song | 29.08.2010 |
| Mooliram aur bhindimal ka nikal gayaa hai deewaala | 14.04.2012 |
| Mere gore gore gaal | 25.11.2018 |
Here is the sixth song from “Dulhan”(1958) to appear in the blog. The picturisation shows Nirupa Roy leaving Raj Kaumar, but then changes her mind. Some dialogue from Raj Kumar are followed by a few lines of Hemant Kumar after which it is all Asha Bhonsle. P L Santoshi is the lyricist. Music is composed by Ravi.
HFGK mentions this song as a female solo, and the audio of the song is indeed a female solo song in Asha Bhonsle’s voice, but we can see from the picturisation that the song begins with Hemant Kumar’s voice. Remark in HFGK mentions that this song was sung by Hemant Kumar in a prose form. We can see that the picturisation combines these two seemingly separate songs to form what looks like a duet song. Incidentally, no records were made of Hemant Kumar version and it is there only in the picturisation.
Lyrics of this song were sent to me by Prakashchandra while BTYC details were provided by Avinash Scrapwala.
Lyrics of video link:(contains Hemant Kumar`s voice while the song begins)
video link:
audio link(does not contains Hemant Kumar`s lines)
Song-Rukne lage kadam aur…Kaise jaaoon main piyaa (Dulhan)(1958) Singers-Hemant Kumar, Asha Bhonsle, Lyrics-P L Santoshi, MD-Ravi
Lyrics(Provided by Prakashchandra)
(dialogues)
rukne lagey kadam
aur jhukne lagi nigaahein
aasaan ho chali hain
ulfat ki apni raahein
kaissey
jaaoon main piyaa.aaa
moraa..aaa maaney na jiyaa
tooney mujh pe
na jaaney kaissa jaadu kiyaa
kaissey jaaoon main piya
mora maaney na jiya
tooney mujh pe na jaaney kaissa jaadu kiya
tooney mujh pe na jaaney kaissa jaadu kiya
kaissey jaaoon main piya
mora maaney na jiya
tooney mujh pe na jaaney kaissa jaadu kiya
tooney mujh pe na jaaney kaissa jaadu kiyaa
ye mulaaqaat kaissi hamaari huyee
ye mulaaqaat kaissi hamaari huyee
main to pehli nazar mein tumhaari huyi
tum to nikley balamwa badey hi chhaliyaa
tum to nikley balamwa badey hi chhaliyaa
kaissey jaaoon main piya
mora maaney na jiya
tooney mujh pe na jaaney kaissa jaadu kiya
tooney mujh pe na jaaney kaissa jaadu kiyaa
bairi duniya ki baaton mein aanaa nahin
bairi duniya ki baaton mein aanaa nahin
mujhe dil se kabhi tum bhulaanaa nahin
charnon mein tumhaari rahoongi rasiya
charnon mein tumhaari rahoongi rasiya
kaissey jaaoon main piya
mora maaney na jiya
tooney mujh pe na jaaney kaissa jaadu kiya
tooney mujh pe na jaaney kaissa jaadu kiya
kaissey jaaoon main piya
mora maaney na jiya
tooney mujh pe na jaaney kaissa jaadu kiya
tooney mujh pe na jaaney kaissa jaadu kiyaa
Jaan gaye chori tumhaari zaalimaa
Posted on: August 25, 2020
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4421 | Post No. : | 15831 |
‘Teesri Gali’ (1958) was produced by C D Sadarangani under the banner of Radiant Movies and was directed by Kundan Kumar. The film’s actors included Shyama and Abhi Bhattacharya in the lead role with Prem Adib, Gope, Kammo, Leela Mishra, Bhagwan Sinha, Neeru, C S Dubey, Ramlal, Panchotiya, Mohan Choti etc in subsidiary roles. I have no idea about the story of the film. However, going by a few lobby photographs, the film appears to belong to a mixed genre of crime and romance. It also appears that contrary to the general expectation, Abhi Bhattacharya had a played a different type of the role in the film.
It was director Kundan Kumar’s second film as a director, his debut film in the same capacity being ‘Neel Mani’ (1957). However, he became a prominent director of Bhojpuri films in the 1960s when he was roped in by Nazir Hussain to direct the first Bhojpuri film, ‘Ganga Maiya Tohre Piyari Chandhaibo’ (1962) which became a blockbuster on the box office collections. Thereafter, he directed other Bhojpuri films like ‘Laagi Naahi Chhute Rama’ (1963), ‘Ganga’ (1965), “Bhouji’ (1965). ‘Loha Singh’ (1966) etc.
By the end of 1960s, when Bhojpuri films industry experienced a slump, Kundan Kumar reverted to Hindi films and became producer-director of the films like ‘Aulaad (1968), ‘Pardesi’ (1970), ‘Anokhi Ada’ (1973) and ‘Aaj Ka Mahatma’ (1976). His life was cut short by the untimely death on February 28, 1979.
As the years passed, ‘Teesri Gali’ (1958) seems to have become an obscure film. I would have loved to watch this film after viewing the photographs of Abhi Bhattacharya’s unusual appearance in the film and Kammo’s dances. Unfortunately, the VCD/DVD of the film is not available. This film will, however, be remembered for an unusual incidence while in the making which was described by Tabassum in T V Programme ‘Tabassum Talkies’ as under:
There was a scene in the film ‘Teesri Gali’ (1958) in which Gope was to enact a scene in which he gets a heart attack and dies. His acting of getting a heart attack and dying looked so real that when the scene was over, all the members of the unit of the film clapped. When Gope did not get up after the end of the clapping, some unit members went near him and were shocked to find that he had really died of a heart attack.
‘Teesri Gali’ (1958) had 6 songs of which 5 songs were available on a video sharing platform. I could trace the mp3 clip of the missing 6th song of the film and had uploaded the video of the same last year. I was under the impression that I had already covered the ‘missing’ song in the Blog. When I found that of the 3 songs of the film covered in the Blog, the ‘missing’ song not one of them. So, here is that song, ‘jaan gaye chori tumhaari zaalima’ from the film which is rendered by Geeta Dutt. The song is written by Anjum Jaipuri which is set to music by Chitragupt.
In the absence of the video clip, I can only make a guess based on the lyrics of the song as well as some photographs of the scenes from the film that are available on the internet. And my guess is that it is a club song picturised on Kammo whose singing is directed towards Abhi Bhattachraya. Kammo has been known to be a good dancer and fits well for a club song.
Enjoy this foot tapping fun song. By the way, the remaining two songs of the film yet to be covered in the Blog are also fun songs rendered by Geeta Dutt.
I feel very sorry for Chitragupt that despite all the six songs in the film being very melodious, the film failed in the box office. The resultant impact was that all these songs remained obscure until the video sharing platforms came into prominence.
Audio Clip:
Song-Jaan gaye chori tumhaari zaalimaa (Teesri Gali)(1958) Singer-Geeta Dutt, Lyrics-Anjum Jaipuri, MD-Chitragupta
Lyrics
jaan gaye chori tumhaari zaalima
dil ko churaane tum aate ho yahaan aan
jaan gaye chori
jaan gaye chori tumhaari zaalima
dil ko churaane tum aate ho yahaan aan
jaan gaye chori
bade wo ho jee ke bhaage dil leke
loot liya raste mein dhokha hamen deke
bade wo ho jee ke bhaage dil leke
loot liya raste mein dhokha hamen deke
chaal ye tumhaari
jaanegi duniya saari
dil hai ye dil ko chupaaoge kahaan
jaan gaye chori tumhaari zaalima
dil ko churaane tum aate ho yahaan aan
jaan gaye chori
dekh chuke ham kisi pe aji mar ke
rahne lage duniya se ab to zara dar ke
dekh chuke ham kisi pe aji mar ke
rahne lage duniya se ab to zara dar ke
naaz bhi uthhaayen
jigar pe teer khaayen
baaki hai abhi tak un teeron ka nishaan
jaan gaye chori tumhaari zaalima
dil ko churaane tum aate ho yahaan aan
jaan gaye chori
zulfen udin to dil lahraaya
aaankhen milin unse to dil nahin paaya
zulfen udin to dil lahraaya
aaankhen milin unse to dil nahin paayaa
aag si lagi hai
ye kaisi dillagi hai
loot ke chala hai koi eene ka saamaan
jaan gaye chori tumhaari zaalima
dil ko churaane tum aate ho yahaan aan
jaan gaye chori
Jogiya mere ghar aaye
Posted on: August 23, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4419 | Post No. : | 15827 |
“Raagini”(1958) was produced by Ashok Kumar and Ganesh and directed by Rakhan for Ashok Pictures, Bombay. The movie had Ashok Kumar, Kishore Kumar, Padmini, Jabeen Jaleel, Balam, Sundar, Nazeer Hussain, Achala Sachdev, Amir Banu, Protima Devi, Rajendra, Master Vinod (Mehra), Baby Leela, Navami, Ifthikhar, Jamal, Mirajkar, Kathana, Bhardwaj, Narbada Shankar, Master Raja etc in it.
This “social” movie was quite an entertaining movie, as can be judged from the songs of the movie. This movie had as many as twelve songs in it. Eleven songs have been covered so far. Here are the details of these songs :-
| Blog Post number | Song | Posted on | Singers | Remarks |
|---|---|---|---|---|
| 341 | Main Bangali chhokra | Kishore Kumar, Asha Bhonsle | 4 December 2008 | |
| 2804 | Chhotaa sa baalmaa | Asha Bhonsle | 17 August 2010 | |
| 5442 | Man mora baawra | Rafi | 12 February 2012 | Rafi giving playback for Kishore Kumar |
| 5893 | Mujhko baar baar yaad na aa bewafaa | Kishore Kumar, Asha Bhonsle | 29 April 2012 | |
| 6326 | Hamne raat guzaari taare gin gin ke | Asha Bhonsle | 29 July 2012 | |
| 6385 | Piya main hoon patang tu dor | Asha Bhonsle, Kishore Kumar | 6 August 2012 | |
| 6424 | Mud mud hamko dekhta | Asha Bhonsle, Kishore Kumar | 12 August 2012 | |
| 11059 | Is duniya se niraala hoon main | Geeta Dutt, Asha Bhonsle | 14 April 2015 | Picturised on child artists Vinod Mehra and Jabeen Jaleel |
| 14842 | Dil todne waale bata ke jaa | Asha Bhonsle | 16 Jan 2019 | |
| 15383 | Chhed diye mere dil ke taar kyun | Ustaad Amaanat Ali Khan, Ustaad Fateh Ali Khan | 16 Jan 2020 | Kishore Kumar and Anand Pal lip syncing in the voices of classical singers |
| 15813 | Tujhe dekh ke machal gaya aaj mera mann | Asha Bhonsle | 16 Jan 2020 |
The movie had Kishore Kumar and one would expect him to sing for himself. He did that in four songs. In addition, he lip synced a song in Rafi’s voice.
But that is not all. There is another song in the movie which is sung by doyens of Hindustani classical music namely Ustaad Amaanat Ali Khan and Ustaad Fateh Ali Khan. This song is lip synced on screen by Kishore Kumar and Anand Pal.
Finding classically trained Naushad using the voices of Ustaads of Hindustani classical music is expected, but O P Nayyar, who was supposedly untrained in Hindustani classical music actually got Ustaads to sing for his movie is something unexpected.
Naushad of course, got Ustaad Amir Khan to sing in “Baiju Baawra”(1952), as also Pt D V Paluskar. In “Mughal e Azam”(1960) he got Ustaad Bade Ghulam Ali Khan. We had also witnesed Pt Bhimsen Joshi singing in “Basant Bahaar”(1956).
Come to think of it, the title “Raagini” itself is a derivative of “Raag”. The movie apparently had Kishore Kumar playing a musician.
The movie begins with a classical song sung by Ustaad amir Khan while titles roll in. and that “movie opening” song is the only song from the movie which is not yet covered.
So, here is that twelfth and final song from “Raagini”(1958) to appear in the blog. The song is sung by Ustaad Amir Khan. Lyricist is not known. O P Nayyar is of course credited as the music director.
A comment in youtube suggests that this song is in Raag Lalit, a morning raag.
I have a feeling that “Raagini”(1958) for O P Nayyar must haave been a labour of love, that gave been great creative satisfaction.
With this song, all the songs of “Raagini”(1958) are covered in the blog and the movie gets YIPPEED in the blog.
Song-Jogiya mere ghar aaye (Raagini)(1957) Singer-Ustaad Amir Khan, MD-O P Nayyar
Lyrics
aa aa aa
jogiya mere ghar aaaaye
jogiya mere ghar aaaaye
ghar ghar alakh jagaaaye
jogiya mere ghar aaaaye
kaanan kundal gale bij shail
kanan kundal gale bij shail
ang bhabhoot ramaaye ae
jogiyaaaa
mere
ghar aaaye
jogiya mere ghar aaaaye
jogee ee ee ee ya mere ae
ghar
jogiya mere ghar aaaye ae
jogiya aa aa aa
mere ghar aaaaaaye
jogiya mere ghar
aa aa aa aa aa aa
aa aa aa aa aa
jogiya mere ghar aaaaaye
- In: "This Week That Year" | Asha Bhonsle solo | Asha Bhonsle songs | Blog ten year challenge (2010-2020) | Dance song | Devnagri script lyrics by Sudhir | Dream Sequence Song | expression of love | Feelings of heart | Guest posts | Happy song | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Sudhir | Series of articles | Songs of 1950s (1951 to 1960) | Songs of 1958 | stage dance | Stage song | Yearwise breakup of songs
- 7 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4413 | Post No. : | 15813 |
———————————–
This Week, That Year – 1
– – – – – – – – – – – – – – – – – –
16Aug – 22Aug, 2010
————————————————-
Blog ten year challenge (2010-2020)- Song Number 56
————————————————–
Reviewing the week of Aug16 – Aug22, I just thought of doing the analysis in one more way – to just see where all we had been and what all were we listening to during the time from the start of the blog on 19Jul2008 to 22Aug2010. Interesting things appeared.
It all started with thought – what is the distribution of songs across the decades in the week under review. I did a quick sort check and came up with the following data. This week we had seen 31 songs posted in all. And these 31 songs were distributed according to decade as follows,
|
1930s |
1 |
|
1940s |
4 |
|
1950s |
16 |
|
1960s |
9 |
| 1970s |
1 |
The distribution is quite as expected – of the 31 songs, 25 songs (80%) are from the decades of 50s and 60s. Goodness, aren’t these the most favorite years of practically all listeners of Hindi film music.
The thought then prompted me to take a view of the total songs posted thus far, i.e. till 22Aug of 2010. By the end of that week, the total number of posts was 2827, and the total number of songs posted was 2928. The 100 odd more songs are due to multiple songs being included in a single post – multipart and multi version songs.
And the results are pretty much along the same lines, as expected. The overall distribution for all songs till 22Aug2010 stands as follows,
| 1930s | 26 |
| 1940s | 228 |
| 1950s | 972 |
| 1960s | 1069 |
| 1970s | 511 |
| 1980s | 89 |
| 1990s | 30 |
| 2000s | 5 |
The overall % of the songs from 50s and 60s dips a little – down to 71%, but still, overwhelmingly most songs are still coming from that era. There is a sizeable interest in the 1970s – 17%. I am sure that is due to the fact that we are still listening to our favorite artists from the Golden Era. To approximately round off, the 30s-40s component is 8% and for 80s and beyond the allocation is 4%. In tabular form, as follows
| 30s-40s | 8% |
| 50s-60s | 71% |
| 70s | 17% |
| 80s+ | 4% |
Well, much as expected – the distribution of the listening and selection preferences of this group. Well, not maybe every week, but I will try to revisit this analysis after 2/3 months, and see the evolution of our selection preferences with time.
Let’s do the numbers for that week. Total posts that came on board that week is 31. Number of films represented is 27, with four films making a double appearance. Four films had made their debut that week, and no films were yippeee’d. However, since that week over the past 10 years, 24 of these films have been yippeee’d and seven remain pending. Also, that week we had one dot day.
|
Blog Ten Year Challenge (2010-2020) Series |
||||||||
| Sl.No. | Movie Name | Year | HFGK NoS | ASAD NoS | Deb/Yip | Milestone | Film Status | Pending |
| 16-Aug-10 | ||||||||
| 1 | Bade Sarkaar | 1957 | 4 | 4 | D | Yippeee’d | ||
| 2 | Madhumati | 1958 | 11 | 11 | Yippeee’d | |||
| 3 | Ardhaangini | 1959 | 7 | 7 | Yippeee’d | |||
| 4 | Gumnaam | 1965 | 8 | 8 | *BC – 2800 | Yippeee’d | ||
| 17-Aug-10 | ||||||||
| 1 | Vidyapati | 1937 | 13 | 13 | Yippeee’d | |||
| 2 | Aan | 1952 | 11 | 11 | Yippeee’d | |||
| 3 | Shri 420 | 1955 | 8 | 8 | Yippeee’d | |||
| 4 | Raagini | 1958 | 12 | 10 | Pending | 2 | ||
| 5 | Madhumati | 1958 | 11 | 11 | Yippeee’d | |||
| 6 | Ek Shrimaan Ek Shrimati | 1969 | 7 | 5 | Pending | 2 | ||
| 18-Aug-10 | ||||||||
| 1 | Mastaana | 1954 | 8 | 9 | Yippeee’d | |||
| 2 | Raftaar | 1955 | 10 | 5 | D | Pending | 5 | |
| 3 | Chandi Pooja | 1957 | 8 | 4 | D | Pending | 4 | |
| 4 | Ek Shola | 1958 | 8 | 6 | Pending | 2 | ||
| 5 | Suraj | 1966 | 7 | 7 | Yippeee’d | |||
| 6 | Do Kaliyaan | 1968 | 7 | 7 | Yippeee’d | |||
| 19-Aug-10 | ||||||||
| [No Posts] | ||||||||
| 20-Aug-10 | ||||||||
| 1 | Dahej | 1950 | 10 | 10 | Yippeee’d | |||
| 2 | Sharda | 1957 | 9 | 9 | Yippeee’d | |||
| 3 | Basant | 1960 | 14 | 10 | Pending | 4 | ||
| 21-Aug-10 | ||||||||
| 1 | Rattan | 1944 | 10 | 10 | Yippeee’d | |||
| 2 | Boot Polish | 1953 | 7 | 7 | Yippeee’d | |||
| 3 | Dharamputra | 1961 | 8 | 8 | Yippeee’d | |||
| 4 | Shaadi | 1962 | 7 | 7 | Yippeee’d | |||
| 5 | Do Badan | 1966 | 6 | 6 | Yippeee’d | |||
| 6 | Ek Shrimaan Ek Shrimati | 1969 | 7 | 5 | Pending | 2 | ||
| 22-Aug-10 | ||||||||
| 1 | Rattan | 1944 | 10 | 10 | Yippeee’d | |||
| 2 | Jogan | 1950 | 15 | 15 | Yippeee’d | |||
| 3 | Amaanat | 1955 | 6 | 6 | Yippeee’d | |||
| 4 | Samrat Chandragupta | 1958 | 8 | 8 | Yippeee’d | |||
| 5 | Do Badan | 1966 | 6 | 6 | Yippeee’d | |||
| 6 | Balidaan | 1971 | 6 | 2 | D | Pending | 4 | |
The special event recorded for that week was a blog century. I have now inserted another column in the chart to track the appearance of century milestones. On 16 Aug 2010, the song “Jaan Pehchaan Ho” from the 1966 film ‘Gumnaam’ clocked in on the 28th century milestone for the blog. It was the 2800th post to come on board. Going back to revisit some of these posts, it is very enlightening. It is a delight to recall and refresh the large amount of trivia that is now silently sitting in the electrons on this blog’s storage. About this post – this was a special request post that Greta Memsaab had written for the blog. At 2800 posts, this was only the 12th guest post till then, and the second on by Memsaab. Poring through the article and the comments, one learns and re-learns so much more about these songs – names of the guitarists, name of the dancers, the fleeting appearance by Helen, the fact that the lead in dance music is lifted from the song “Teen Kanastar Peet Peet Kar” (‘Love Marriage’, 1957), and that an ad by Heinken has used this song – the entire lead in music and the mukhda of the song, in the voice of Rafi Sb. It is a revival experience par excellence.
And so, getting into this week. Seven films, and eight challenge opportunities for the team members. I must acknowledge that members are sending in challenge contributions – lyrics and sometimes articles too. And we need more of that. Gear up, and happy posting.
‘Raagini’ of 1958 is one of the two films pending for today’s date. The song being presented is a stage dance song, and as the performance rolls to the end, one finds that it is actually dream sequence song. It is being played out in a dream being experienced by Padmini, as she visualizes herself to be Anaarkali, dancing in the court of Prince Saleem, that is Kishore Kumar, the person she is love with.
The lyrics of this song are penned by Qamar Jalaalabaadi, the music is composed by OP Nayar and the singing voice is that of Asha Bhosle.
Lyrics for this song have been sent in by Prakash ji.
With this post, the film ‘Raagini’ moves closer to gaining yippeee status, with just one more song pending.
[Author’s Note: This post is the beginning of a weekly series that is about the story of this blog. This story has already been appearing as the weekly challenge information being shared on Whatsapp group. In discussion with Atul ji, we agreed that the weekly presentation of this evolving story has become as good as a post by itself. And so we decided that the weekly information post on Whatsapp will also be duplicated as a post on the blog itself, making a more firm documentation of this story. Hence, this series.]
Video
Audio
Song – Tujhe Dekh Ke Machal Gaya Aaj Mera Mann (Raagini) (1958) Singer – Asha Bhosle, Lyrics – Qamar Jalaalabaadi, MD – OP Nayar
Chorus
Lyrics (Provided by Prakashchandra)
aaa aaaa aaa aaa aaaa aaa aaaa aaa
ummm ummmmm ummmm ummm
aaaa aaaa aaa
aaa aaaa aaa
aaaa aaaa aaa
aaaa aaaa aaa
o o o o o o o o
o o o o o o o o
kuchh aisa chhed
umangon ka raag aaa..aaa..aaj ki raat
ke jaaye khwaab jawaani ke jaag aaj ki raat
zamaana jis ko
muhabbat ki aag
kehta hai..ae
dil o jigar mein lagaa dey
wo aag aaj ki raat
haaan aaan aaan aaan
tujhe dekh ke machal gayaa aaj mera mann
mere dil ki paayal baajey saiyyaan chhann chhann chhann
mere dil ki paayal baajey saiyyaan chhann chhann chhann
tujhe dekh ke machal gayaa aaj mera mann
mere dil ki paayal baajey saiyyaan chhann chhann chhann
mere dil ki paayal baajey saiyyaan chhann chhann chhann
wo muskuraayen
inaayat isi ko ke..ehthe hain
nazar churaayen
sharaarat isi ko kehthe hain
ye meethi aankh micholi
ye dillagi ye adaa..aa
aji huzoor muhabbat isi ko kehthe hain
haaan aaan aaan aaan
tujhe dekh ke machal gaya aaj mera mann
mere dil ki paayal baajey saiyyaan chhann chhann chhann
mere dil ki paayal baajey saiyyaan chhann chhann chhann
tujhe dekh ke machal gaya aaj mera mann
mere dil ki paayal baajey saiyyaan chhann chhann chhann
mere dil ki paayal baajey saiyyaan chhann chhann chhann
aaa aaa aaa aaa aaa aaa
tu hai saleem mera
main teri anaarkali
qubool kar meri ulfat ki purbahaar kali
o taajdaar mere
ishq ki bahaa..aa..ar hai tu
khila de aaj mere dil ki beqaraar kali
haaan aaan aaan aaan
tujhe dekh ke machal gaya aaj mera mann
mere dil ki paayal baajey saiyyaan chhann chhann chhann
mere dil ki paayal baajey saiyyaan chhann chhann chhann
tujhe dekh ke machal gaya aaj mera mann
mere dil ki paayal baajey saiyyaan chhann chhann chhann
mere dil ki paayal baajey saiyyaan chhann chhann chhann
aaaaa aaaaa aaaaaa aaaaa aaaaa
aaaaa aaaaa aaaaaa aaaaa aaaaa
aaaaa aaaaa aaaaaa aaaaa aaaaa
aaaaa aaaaa aaaaaa aaaaa aaaaa
aaaaa aaaaa aaaaaa aaaaa aaaaa
————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————–
आ आ आ आ आ आ आ आ
अम्ममम अम्ममम अम्ममम अम्ममम
आ आ आ
आ आ आ
आ आ आ
ओ ओ ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ ओ ओ
कुछ ऐसा छेड़
उमंगों का राग आ॰॰आज की रात
के जाये ख्वाब जवानी का जाग आज की रात
ज़माना जिसको
मुहब्बत की आग कहता है॰॰ऐ
दिल ओ जिगर में लगा दे
वो आग आज की रात
हाँ आं आं आं
तुझे देख के मचल गया आर मेरा मन
मेरे दिल की पायल बोले सैंया छन्न छन्न छन्न
मेरे दिल की पायल बोले सैंया छन्न छन्न छन्न
तुझे देख के मचल गया आर मेरा मन
मेरे दिल की पायल बोले सैंया छन्न छन्न छन्न
मेरे दिल की पायल बोले सैंया छन्न छन्न छन्न
वो मुस्कुराएं
इनायत इसी को कहते हैं
नज़र चुराएँ
शरारत इसी को कहते हैं
ये मीठी आँख मिचौली
ये दिल्लगी ये अदा॰॰आ
अजी हुज़ूर मुहब्बत इसी को कहते हैं
हाँ आं आं आं
तुझे देख के मचल गया आर मेरा मन
मेरे दिल की पायल बोले सैंया छन्न छन्न छन्न
मेरे दिल की पायल बोले सैंया छन्न छन्न छन्न
तुझे देख के मचल गया आर मेरा मन
मेरे दिल की पायल बोले सैंया छन्न छन्न छन्न
मेरे दिल की पायल बोले सैंया छन्न छन्न छन्न
आ आ आ आ आ आ
तू है सलीम मेरा
मैं तेरी अनारकली
क़ुबूल कर मेरी उलफत की पुरबहार कली
ओ ताजदार मेरे
इश्क़ की बहा॰॰आर है तू
खिला दे आज मेरे दिल की बेक़रार कली
हाँ आं आं आं
तुझे देख के मचल गया आर मेरा मन
मेरे दिल की पायल बोले सैंया छन्न छन्न छन्न
मेरे दिल की पायल बोले सैंया छन्न छन्न छन्न
तुझे देख के मचल गया आर मेरा मन
मेरे दिल की पायल बोले सैंया छन्न छन्न छन्न
मेरे दिल की पायल बोले सैंया छन्न छन्न छन्न
आ॰॰ आ॰॰ आ॰॰ आ॰॰ आ॰॰
आ॰॰ आ॰॰ आ॰॰ आ॰॰ आ॰॰
आ॰॰ आ॰॰ आ॰॰ आ॰॰ आ॰॰
आ॰॰ आ॰॰ आ॰॰ आ॰॰ आ॰॰
Bhar bhar aayin mori ankhiyaan
Posted on: July 6, 2020
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4371 | Post No. : | 15705 | Movie Count : |
4329 |
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Hindi Songs in Bangla Films : 34
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‘Jalsaghar’ [(1958), Music Room] was Satyajit Ray’s third film (4th film in terms of the date of release). After the box office failure of his second film, ‘Aparajito’ (1957), Satyajit Ray decided to make a popular film which would cater to the taste of Bengali audience. ‘Jalsaghar’. the short story of Tarashankar Bandopadhyay was the basis for the film which had the popular subject of the declining fortunes of zamindars (landlords) who patronized arts and music. So, there would be scope for songs and dances which would attract the audience.
But how could a director of the stature of Satyajit Ray succumb to make a commercial film whose heart was attuned to making the intellectual films? So, the net result was that when ‘Jalsaghar’ (1958) shooting was completed, the popular subject of declining aristocracy became a serious subject. The popular music associated with such subject was turned into the hardcore Hindustani classical songs and a classical dance. In other words, the film took the shape of an artistic film and won the National Film Award, 1959 for the best feature film in Bengali.
It took quite a long time to search for a dilapidated palace in West Bengal for shooting the film. At last, someone from Murshidabad suggested Nimtita Rajabari in Murshidabad which suited well as a palace for a zamindar whose fortunes are on the decline. It was a great coincidence that later on, Tarashankar Bandopadhyay revealed to Satyajit Ray that his short story was inspired by landlord Upendra Narayan Chaudhury who stayed in Nimtita Rajabari. His descendants have now settled in Kolkata.
The film is available for viewing on one of the video sharing platforms in 10 parts with English sub-titles. While watching, I felt that the original film may have been edited to some extent. However, the continuity of the story seems to have been maintained. The film’s story is set in the mid 1930s and centres around Chhabi Biswas in the role of an aged music-loving landlord. He is present in almost all the frames of the film. Rest of the main actors like Padma Devi, Gangapada Bose, Tulsi Lahiri, and Kali Sarkar have subsidiary roles. The story as depicted in the film is as under:
Biswambar Roy (Chhabi Biswas) is an aged feudal landlord who lives in his dilapidated palace on the banks of a river. He has lost his wife, Mahamaya Devi (Padma Devi) and the only son, Khoka some years back when their boat capsized in the river during a storm. He has lost much of the land-holding due to the soil erosion created by the river. He has only one servant, Ananta (Kali Sarkar) and the Estate Manager (Tulsi Lahiri) to his company besides his horse and an elephant. To maintain his status as an aristocratic landlord, he indulges in lavish spending and pleasures like hosting concerts in his music room, high quality drinks etc. Much of his assets including the remaining land and jewelries have been mortgaged or sold.
While old Biswamber is resting in his room reminiscing his golden days as a wealthy landlord, Mahim Ganguly (Gangapada Bose), his neighbour and a neo-richman, visits the palace to invite him to attend his son’s thread ceremony. While Biswamber declines to attend giving an excuse that because of his old age, he has stopped going out of his palace. But this event reminds him of his son’s thread ceremony which he had conducted in pomp and show worthy of a landlord which included a grand firework in the night followed by a musical concert in his jalsaghar (music room) where all his guests were served choicest drinks. He also remembers that in the same night, his wife resented his spending on concerts too, by mortgaging her jewellery.
Biswamber also remembers that he had arranged a next musical concert on the day his wife and son were to return to the palace after the visit to her mother’s place, to celebrate the new year. This was also to show his might to his new-rich neighbour, Mahim even though for this, Biswamber had to sell some of his antique furniture and some more jewellery. While the concert was in the mid-way, he got the news that his wife and the son drowned in the river while returning on a boat.
After the death of his wife and son, Biswamber has been living in the palace alone with a servant to attend to him. His music room has remained locked for many years. He has become a recluse. He is in no mood to accept his neighbour Mahim’s personal invitation to attend his newly constructed house-warming ceremony and a dance concert. But it reminds him of his music room which has been closed for years. He orders his servant to open it at once. He spends some time inside the music room reminiscing of his glorious days.
In order to spite his neighbour, Biswamber decides to organise a dance concert of a famous kathak dancer from Banaras for which he spends his last cash reserves of Rs.500 for refurbishing his music room, arranging drinks to his guests and giving his last of the precious stones as a gift to the dancer. After the concert, though he has become almost bankrupt, a drunk Biswamber is very happy that he could effectively replicate his past glory to spite his neo-rich neighbour, Mahim.
However, as the night progresses, he observes that one by one the candles in the chandeliers of his music room are getting over, making the room dark. A frightened Biswamber linking the candle light-off to the end of his own life, calls his servant, Ananta who apprises him that the dawn is approaching. He would open the windows and the sunlight would make the room brightened. As the morning sun rises, in his last show of grandeur of his aristocracy, Biswamber mounts his favourite horse and rides at a faster pace away from the palace. But he is thrown out of the horse and dies at the banks of the river – the same river which is also responsible for the erosion of his land and the death of his wife and son.
The moral of the story is that though Biswamber knows that his fortunes are on the decline, he is not ready to adjust to the reality of the situation. Every effort is made to maintain his lavish spending even in the background of facing the adverse financial position. There is no need to compete in terms of prestige with the neo-rich, Mahim who has improved his economic condition by his business acumenship. On the other hand, Biswamber should have taken the clues from Mahim to diversify into some other business ventures. In both the cases – the decline of Zamindars and the emergence of non-Zamindar neo-rich, Satyajit Ray has very well explored human psychology of showmanship.
The highlight of the film is the superb performance by Chhabi Biswas in the role of an aged landlord. The entire film lies on his shoulder. It may be worthwhile to note that in reality, actor Chhabi Biswas belonged to an aristocratic family. He has personally witnessed the downfall of aristocracy. With this background, it comes naturally to him to perform his role of a falling aristocrat. In fact, there is so much of a genuineness in his performance that those who have watched the film would sympathise with him at the end of the film notwithstanding the fact that it is his ego and the false prestige which are responsible for his downfall.
One of the scenes in the film which I liked the most is when Biswamber enteres his jalsaghar (music room) for the first time after keeping it locked for some years. He spends about 5-6 minutes inside jalsaghar without any dialogue and the background music, observing each and every item – portraits of his forefathers, each and every chandeliers, furniture and fixtures etc. This scene reminds me of a similar scene in ‘Kaagaz Ke Phool’ (1959) when an aged Guru Dutt visits his studio and glances the entire studio, reminiscing of his glorious days as a successful director. He touches the camera and sits on his director’s chair in the dark studio never to get up.
Satayjit Ray has used the camera as well as the expression and gestures of the main actors to move forward the story of the film more than the dialogues. My guess is that of 100 odd minutes of the film, the dialogues in the film would have cumulatively consumed not more than 40 minutes. Ustad Vilayat Khan has used mainly Sitar and Flute for background music which goes well with the ambience of the palace as well as the genre of the story.
Like ‘Kaagaz Ke Phool’ (1959), ‘Jalsaghar’ (1958) had also the same fate of failure at the box office. The reviews of the film after its release in India were mostly adverse. It was only after a couple of years when the film was released in the US and the UK, it received a cult status. Over a period of time, the film has been one of the widely discussed classic films of Satyajit Ray like ‘Kaagaz Ke Phool’ (1959). In June 2018, the film was shown in the Siri Fort Auditorium, the only Indian classic film shown at Navras Duende World Film Festival.
‘Jalsaghar’ (1958) has two songs – both rendered in Hindustani classical raags. In addition, the film also has the 8-minute of Kathak dance by Roshan Kumari, the daughter of playback singer, Zohrabai Ambalewaali. I am presenting a traditional thumri ‘bhar bhar aayi mori ankhiyaan piya bin’ rendered by Begum Akhtar. The song is picturised on Begum Akhtar herself up to say 01:45 of duration. Thereafter, the actress singing the song is different until Begum Akhtar surfaces again towards the end of the song. However, the entire duration of the song is rendered by Begum Akhtar. The Thumri was set to music by Ustad Vilayat Khan.
The background of the song is that Biswamber Roy remembers his olden days when after the thread ceremony of his son, he had arranged a concert in the night in his jalsaghar where all the guests had been served with drinks. All the money spent for the event was raised by selling his wife’s jewellery.
The director’s camera captures many other details while the singer is rendering the Thumri. The camera pans over the entire jalsaghar to show the grandeur of the music room. The camera also captures other subsidiary activities simultaneously going on, both physically and mentally. The camera focuses on Chhabi Biswas who is shown to be listening very intensely. But behind the intensity, he is also thinking something else as his eyes remain static, probably remembering many such music soirees of the past. His neighbour, Gangapada Bose is inhaling snuff but at the same time, he is embarrassed as to whether any of the guests has noticed his action. The camera also captures him in trying to control his sneeze following inhaling the snuff and thereafter searching for a glass of drink.
This film, in my view, is a ‘must see’ for those who believe the films as the director’s medium and also for the excellent performance of Chhabi Biswas as an aged landlord.
Video Clip:
Audio Clip:
Song-Bhar bhar aayi mori ankhiyaan piya bin (Jalsaghar)(Bangla)(1958) Singer-Begam Akhtar, MD-Ustaad Vilaayat Khan
Lyrics
aaaaaa
aaa aa aa aaaa
aaa aaa aaaaaa
aaaa aaa aa
aaaaaaaaa aa
aaaaaaaaaaaaa
aa aa
aa aa aa aaaa
aaaaaaaaa
aaa aaa aaa aa
aa aa aa aa aaa aa
aa aa aaaa aa aaaa
ae bhar bhar aayin mori ankhiyaan
piyaa bin
bhar bhar aayin mori ankhiyaan
piyaa bin
bhar bhar
bhar bhar aa………yin
bhar bhar aa………yin
aa aa aa aaa aaa
ae ae ae
bhar bhar aayin aa aaa
bhar bhar aayin mori ankhiyaan
piya bin
bhar bhar aayin
bhar bhar aayin
aa……yi
aa……yi mori ankhiyaan
bhar bhar aayin mori
bhar bhar aayin mori ankhiyaan
piya bin
ghir ghir aayin…een een een…… een een
ghir ghir aayin..een kaari ee ee badariya aa aa
ghir ghir aayi..ee
aa…..aa….yi
ghir ghir aayin
o o ghir ghir
ghir ghir aa..yin een kaari ee badariya
dharkan laagi mori chhatiyaan
piya bin
dharkan laagi
Mujhe hai zara jazb e dil aazmaanaa
Posted on: June 19, 2020
- In: Asha Bhonsle songs | Blog ten year challenge (2010-2020) | Devnagri script lyrics by Avinash Scrapwala | Duet | expression of love | Feelings of heart | Lyrics by Prakashchandra | Lyrics contributed by readers | Songs of 1950s (1951 to 1960) | Songs of 1958 | Talat Mehmood Asha Bhonsle duet | Talat Mehmood songs | Yearwise breakup of songs
- 1 Comment
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day: |
4354 | Post No. : | 15672 |
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Blog 10-Year Challenge (2010-2020) – Song No. 37
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The blog saw only two posts on this day ten years ago on 19 june 2010. In contrast, today (19 june 2020) saw two posts getting published simultaneously early morning at 5 AM ! And this is going to be the third post for the day !
The two songs discussed on the blog on 19.06.2010 were:-
| Song | Movie title-Year | Remarks |
|---|---|---|
| Saat samundar paar ke … gudiyon ke bazaar se | Taqdeer-1967 | All songs covered |
| Zulfon ki sunahri chhaaon tale | Zindagi Yaa Toofaan- 1958 | 08 of 10 songs posted |
“Taqdeer”(1967) has already been YIPPEED. “Zindagi Ya Toofaan”(1958) had made its debut ten years ago. This movie was produced and directed by Nakshab. The movie had Nutan, Pradeep Kumar, Johnny Walkar, Om Prakash, Yakub, Minoo Mumtaz, Lotan, Sangeeta, Amar, Shakeel, Vikram Kapoor, Nazirbai, Qaisarbai, Sagar, H.Prakash, Jagoo, Dayabai, Indira, Jaffri, Suresh(Guest Artist) etc in it.
“Zindagi Ya Toofaan”(1958) had ten songs in it. Eight songs have been covered in the past. Here are the songs from the movie that have been covered so far :-
| Song | Posted On |
|---|---|
| Zulfon ki sunahri chhaaon tale | 19.06.2010 |
| Hamaaraa kyaa hai ham tadpen | 17.09.2010 |
| Zindagi hai ya koi toofaan hai | 07.08.2011 Multiple version song |
| Ae dil waalon pyaar na karnaa | 14.01.2012 |
| Mubaarak sab to phoolon ka sajaa kar … | 06.04.2012 |
| Dil hai badaa beimaan bedardaa | 03.01.2017 |
| Badi mushqil se ham samjhe | 08.02.2020 |
Two songs from “Zindagi Yaa Toofaan”(198) are left. Our regular contributors were threatening to send a song on the occasion of blog ten year challenge and I was dreading that they should not send the “wrong” song. Fortunately our contributors, viz Prakashchandra and Avinash Scrapwala have sent the “right” song for the occasion. This song is sung by Asha Bhonsle and Talat Mehmood. Nakshab is the lyricist. Music is composed by Naashaad.
The song is picturised on Nutan and Pradeep Kumar.
With this song, nine songs out of ten are covered in the blog. The one song left in the blog is a special song (one that I was hoping was not sent for today’s occasion), which I will cover at an opportune date (already identified). The lyrics of this song are already sent to me.
Audio
Video
Song-Mujhe hai zara jazb e dil aazmaanaa (Zindagi Yaa Toofaan)(1958) Singers- Asha Bhonsle, Talat Mehmood, Lyrics – Naqshab, Music- Naashad
Lyrics (Provided by Prakashchandra) based on audio link
ho o o mujhe hai
zaraa jazb-e-dil aazmaanaa
mujhe hai zaraa jazb-e-dil aazmaanaa
mujhe hai zaraa jazb-e-dil aazmaanaa
yahaan kuchh bhi guzre
magar tum na aanaa
yahaan kuchh bhi guzre ae
magar tum na aanaa
mere paas aaakar na
daaman bachaanaa
mere paas aaakar na
daaman bachaanaa
machalne ka dil dhoondhtaa hai bahaanaa
machalne ka dil
dhoondhtaa hai bahaanaa
thaharti chali jaa
rahi hai tabeeyat
thaharti chali jaa
rahi hai tabeeyat
guzartaa chalaa jaa
rahaa hai zamaanaa
guzartaa chalaa jaa
rahaa hai zamaanaa
muhabbat bharosaa
bharosaa muhabbat
muhabbat bharosaa
bharosaa muhabbat
idhar ek dil hai
udhar hai zamaanaa
idhar ek dil hai ae
udhar hai zamaanaa
yakeen hai to raah-e-wafaa
se guzar jaa
yakeen hai to raah-e-wafaa
se guzar jaa
gumaan hai to iss raah
mein phir na aanaa
ghumaan hai to iss raah
mein phir na aanaa
dupatte ke aanchal ko
bal de rahe hain
dupatte ke aanchal ko
bal de rahe hain
banaane ko hai koyi
taazaa bahaanaa
banaane ko hai koyi
taazaa bahaanaa
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Devnagri Script lyrics (Provided by Avinash Scrapwala)
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हो ओ ओ मुझे है
ज़रा जज़्ब-ए-दिल आज़माना
मुझे है ज़रा जज़्ब-ए-दिल आज़माना
मुझे है ज़रा जज़्ब-ए-दिल आज़माना
यहाँ कुछ भी गुज़रे
मगर तुम न आना
यहाँ कुछ भी गुज़रे
मगर तुम न आना
मेरे पास आकर ना
दामन बचाना
मेरे पास आकर ना
दामन बचाना
मचलने का दिल ढूंढता है बहाना
मचलने का दिल
ढूंढता है बहाना
ठहरती चली जा रही है तबीयत
ठहरती चली जा रही है तबीयत
गुज़रता चला जा
रहा है ज़माना
गुज़रता चला जा
रहा है ज़माना
मुहब्बत भरोसा
भरोसा मुहब्बत
मुहब्बत भरोसा
भरोसा मुहब्बत
इधर एक दिल है
उधर है ज़माना
इधर एक दिल है
उधर है ज़माना
यकीन है तो राह-ए-वफ़ा
से गुज़र जा
यकीन है तो राह-ए-वफ़ा
से गुज़र जा
गुमाँ है तो इस राह में
फिर न आना
गुमाँ है तो इस राह में
फिर न आना
दुपट्टे के आँचल को
बल दे रहे हैं
दुपट्टे के आँचल को
बल दे रहे हैं
बनाने को है कोई
ताज़ा बहाना
बनाने को है कोई
ताज़ा बहाना
Laagi apni najariya kataar ban ke
Posted on: June 9, 2020
This article is written by Peevesie’s Mom, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4344 | Post No. : | 15651 |
Hullo Atuldom
“Amardeep” (1958) had 12 songs 9 of which are on the blog. Le lo le lo gubbaare was the last song posted from this movie exactly two years ago on this date.
Here is the next song in the voice of Asha Bhonsle which is a dance by Vyjayanthimala. It is the opening scene of the movie and comes immediately after the titles are over. It gives the background of the character played by Vyjayanthimala who plays Aruna and her grandfather wants her to marry Pran. But this is an Indian movie where the lady will find someone better (according to her) than the person selected by the family. It is a different matter that since time immemorial, Indian marriages have mostly been arranged marriages where the girl and the boy would hardly know each other till they got married and started family life. And since they began making movies in India, we have had love stories where there is lot of action in the form of family opposition, two people in love with the same person or any other possible obstacles that will help build a movie to close to 180 minutes of running time.
So we can safely say that movies are all make believe. But we still feel that movies reflect real life.
Sorry to have digressed into a sermon regarding the make-believe nature of movies. What I wanted to say was Aruna (Vyjayanthimala) finds Ashok (Dev Anand) better than Pran. And there is the addition of an accident in the story which makes Ashok lose his memory and the girl (Padmini) who tends him in his illness falls in love with him. But he is non-committal. The next twist is the two girls turn out to be sisters separated in childhood. And in the climax when all the twists unravel one of the sisters decides to sacrifice her life so that the hero can live for her sisters’ happiness.
I am not an expert at writing about movies prior to 1975, there are other ideal persons for that, among the regular contributors of the blog, who help Atulji build-up the data base that this blog is getting transformed into. Today (9th June) is the birth-date of one of them. He goes by the name Shri. Arunkumar Deshmukh but is better known as the in-house encyclopedia among the followers of the blog. He is meticulous about getting details of the subjects that he writes about. He may have been engaged in the corporate world before retirement but is a writer in reality. He has followed his hobby/ passion – movies- wholeheartedly and once he got a hang of how to handle the World-Wide-Web or internet as it is called and finds the information that is needed to bring to light lesser -known artists, artists with same name, and a whole bunch of other topics which are close to his heart. His posts are treasures of information. I must stop writing about him as this modest gentleman is not used to hearing or reading about himself.
I end my post as always by wishing “Guruji”- as I like to address him; A Very Happy Birthday. May we have lot more posts from you and may the river of information that you provide never dry up. Thank You for being our ready-reckoner
Song-Laagi apni najariya kataar ban ke (Amar Deep)(1958) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-C Ramchandra
Chorus
Lyrics
aa aa aa
jhoole se nikla ghabraa ke bachpan
o o o o
bhoole se ek din dekha jo darpan
aa aa aa aa aa
aa aa aa
laagi apni najariya kataar ban ke
laagi apni najariya kataar ban ke
koi dil mein samaa na jaaye pyaar ban ke
koi dil mein samaa na jaaye pyaar ban ke
laagi apni najariya kataar ban ke
raama ho o oo
raama ho
raama ho
raama ho
bachpan ka jaana jawaani ka aana
ghazab ho gaya
haaye ghazab ho gaya
bachpan ka jaana jawaani ka aana
ghazab ho gaya
haaye ghazab ho gaya
samajh mein na aaye
kya pa liya
aur kya kho gaya
aur kya kho gaya
koi khatke khayaalon mein haar ban ke
koi khatke khayaalon mein haar ban ke
koi dil mein samaa na jaaye pyaar banke
koi dil mein samaa na jaaye pyaar banke
laagi apni najariya kataar ban ke
raama ho ooo
raama ho
raama ho
raama ho
khwaabon mein koi aane lagaa
dil churaane lagaa
dil churaane lagaa
khwaabon mein koi aane lagaa
dil churaane lagaa
dil churaane lagaa
kya keejiye
haaye dil haath se jaane lagaa
hoye jaane lagaa
koi reh jaaye na gale ka haar ban ke
koi reh jaaye na gale ka haar ban ke
koi dil mein samaa na jaaye pyaar banke
koi dil mein samaa na jaaye pyaar banke
laagi apni najariya kataar ban ke
raama ho ooo
raama ho
raama ho
raama ho
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